#yes that's tom scott reference

[l-0puko]

i'm back with terumob! ah yeah the beginning of a wonderful friendship,

#Mob Psycho 100 #MP100 #yes that's tom scott reference #TeruMob #Kageyama Shigeo #Hanazawa Teruki #my art #tw: choking #just in case

[herinsectreflection]

To Live So Close To The Spotlight (The Zeppo)

I have, in essays past, referred to Xander Harris as one of the most controversial characters in Buffy the Vampire Slayer. After spending more time in the current fandom landscape, I need to correct that statement. He’s simply one of the most disliked characters in Buffy the Vampire Slayer. A lot of people hate him, and given his appearances up until now, it’s not entirely difficult to see why. Xander is an archetypical example of what I will call the Mild Nerd Guy; a trope born out of the 1980s and its Revenge Of The Nerds-led championing of geek culture. A trope that unfortunately came to dominate genre television throughout the 1990s and 2000s.

This is a character who is defined in opposition to more typical Dashing Action Hero archetypes. Where the Action Hero is strong and muscle-bound, the Mild Nerd Guy is physically weedy. He is often shy and lacking in self-confidence. He will appear creepy when he means to be charming – but in an innocent way that encourages us to feel sympathy with this helplessly befuddled young man. He has interests coded as “nerdy” – comic books, science, maths, Dungeons and Dragons. He will be unsuccessful with women, and more often than not will concentrate all his sexual energy onto a single desired target: a popular and attractive woman. This woman will - at least at the beginning of the story – neglects his silent pining in favour of clearly undeserving Bad Boys and Popular Jocks. This is where you get is your Scott Pilgrims, your Ross Gellers, your Tom Hansens, your Every Character Anthony Michael Hall Ever Played… and yes, your Xander Harrises. 

In essence, the Mild Nerd Guy is an alternate model of masculinity, one that certain types of men (shy, nerdy, physically weak) may relate to more than the Dashing Action Hero archetype. Unfortunately, while the trope often presents these men as more respectful towards women than their counterparts, the reality is that female autonomy is a secondary concern in both cases. These are competing models that men can use to Earn Women. Neither is actually concerned with the desires and goals of the women involved at all. 

The Mild Nerd Guy has obvious parallels to the sociological concept of the Nice Guy, a term that most in feminist circles should be comfortably au fait with by now. The Nice Guy feels deserving of the attentions of women solely because of his lack of overt hostility towards them, and resents them when this “niceness” is not immediately rewarded with sexual favours. While the two concepts should not be conflated – one is a writing trope while the other is a social phenomenon – they are inextricably linked. Media informs the way we interact with the world, and the world informs the way we interact with media. Male entitlement engorges itself with stories of men winning women through inaction - the implication being that men deserve the attentions of women by default, and should be upset when it is not automatically bestowed upon them.

Meanwhile, women who have firsthand experience of this entitlement and the behaviour it encourages will naturally be fed up with it, and will bring that frustration into their consumption of media. They will take one look at a Scott Pilgrim or Xander Harris and be immediately, justifiably repulsed. While the more fantastical crimes of Angel or Spike can be easily forgiven, everyday crimes cannot. Most women have never met a serial killer. We’ve all met a creepy nerd. 

This is not a criticism of viewers who have reacted in that way. The common accusation of Xander being a “Nice Guy” I believe an inaccurate read on his character and a misuse of a term meant for the analysis of reality and not fiction. However, I can’t blame anyone who makes that instinctive leap. In fact I would say that bringing one’s own experiences to the consumption of media is the only correct way to watch television. And yet, I can’t count myself truly among that crowd. Despite my distaste for the simpering entitlement this trope has encouraged in male nerd circles, and despite the times I have been disgusted by a line Nicholas Brendon has been made to deliver thus far, I can’t say that I don’t like Xander. In fact, I would say I like Xander, and this episode is a big reason why.

Read More

#the zeppo #s3 #btvs #buffy the vampire slayer #insect reflection #essay #meta #xander harris #theme:meta

[arminreindl]

A Brief History of Flamingos

People wanted it so here it is, a brief rundown of flamingos throughout prehistory, which is essentially a brief summary of extinct flamingo species that I worked on for Wikipedia. Because of this, I'll stick to the two main famillies, the Palaeolodidae ("swimming flamingos") and Phoenicopteridae (true flamingos) and leave aside the misc. early forms we don't know are actually related or not.

Palaelodidae Palaelodids, occasionally referred to as "swimming flamingos" are an interesting and surprisingly long lasting group, containing 3 genera, 10 species and ranging from the Oligocene to the Pleistocene across all continents bar Africa and Antarctica.

The oldest palaelodid is Adelalopus hoogbutseliensis from the Early Oligocene of Belgium. Not much to be said other than that its name is an anagram of Palaelodus.

Palaelodus is the most widespread of the genera in the family, with the type species being Palaelodus ambiguus from the Oligocene and Miocene of Europe. I did actually make a whole post about the genus before here. Anyways, P. ambiguus is the best known species thanks to the ample material collected at Saint-Gérand-le-Puy, France. Remains were also found in Germany and maybe Brazil?

Brazil is interesting, because already by the Oligocene palaelodids were nearly cosmopolitan. Two other species, Palaelodus pledgei and Palaelodus wilsoni, have been recovered from the Oligocene to Miocene of Australia, half a world away from P. ambiguus. P. pledgei is the smallest known species of Palaelodus.

During the early Miocene we also get Palaelodus aotearoa, from New Zealand, and from the middle Miocene Palaelodus kurochkini from Mongolia. The later of the two may in fact be its own genus, but for now its deemed Palaelodus.

Generally, Palaelodus is less specialised than flamingos, though living in brackish waters and feeding on small aquatic insects, they didn't yet have the same suffisticated filter feeding bill as todays flamingos. Whats debated is how they moved. Some suggest wading, others diving and again others propose the idea that they may have been swimmers.

There is one more note on this group, which is that there are some remains assigned to P. wilsoni that appear to have been Pleistocene in age? Obviously this would be a massive deal, but it has also been suggested that this could be a new species given the time gap or a whole new genus. Still, palaelodid remains from the Pleistocene are still incredible. Palaelodus by Alphinyx and Tom Simpson

The last member of the Palaelodidae is Megapaloelodus. Yes they misspelled Palaelodus in the genus name. The definition of this form is kinda vague and mostly based on size, which is why there's so many issues around Megapaloelodus goliath. You see it was initially described based on its size, but when larger remains of Megapaloelodus were found it was transferred to that genus. However, all other Megapaloelodus species are from the Americas, so thats kinda odd, although of course not a dealbreaker. Still, future research might change things up here.

While Megapaloelodus goliath was contemporary and found at the same place as Palaelodus ambiguus, all others are found in Miocene to Pliocene deposits of America.

Megapaloelodus connectens is the type species and known from the Miocene of South Dakota and California.

Megapaloelodus peiranoi may be the basalmost species and was discovered in Miocene deposits of Argentina.

Finally, we got Megapaloelodus opsigonus from Oregon and possibly Baja California. As this is the youngest species, from the Pliocene, its name means "born in a later age".

Megapaloelodus by Joschua Knüppe (with Argentavis) and Scott Reid

Which actually wraps up palaelodids. Yeah the majority of studies are focused on palaelodids, no surprise given its the only one with really good remains. But based on said animal, its a fascinating group.

This means we can move on to true flamingos, members of the family Phoenicopteridae. I hope you like that name btw, because goddamn "Phoenico" is an overused prefix for these animals to a ridiculous degree. Even I struggled keeping up.

Just to set the stage, lets establish the modern flamingos, split into two to three genera. There is the Lesser Flamingo (Phoeniconaias minor), the only extant member of its genus and native to Africa and Asia. There are two species of Phoenicoparrus, the Andean and Jame's flamingos (Phoenicoparrus andinus and Phoenicoparrus jamesi respectively), both endemic to South America. And then there's the three species of Phoenicopterus. The incredibly whidespread Greater Flamingo (Phoenicopterus roseus), the American Flamingo (Phoenicopterus ruber) and the Chilean Flamingo (Phoenicopterus chilensis). As if the Greater and American flamingos didn't already have latin names way too similar, they were also synonyms for a while so thats fun when they get brought up in old papers.

Chart of living flamingos by Mr. Gharial

Anyways, lets reset to the Oligocene and do this semi-chronologically as before. And yes, Oligocene. Because contrary to what you might think, palaelodids, as we currently think of them as, aren't the ancestors to flamingos and more a really weird sister group that appeared from the same common ancestor aroundt he same time.

Thankfully, we get to start with something fun and not confusing, Harrisonavis croizeti. Another one I did actually cover in detail on Tumblr right here. The short of it is that Harrisonavis already bears the hallmarks of modern flamingos, possessing that classic curved bill and certainly doing some filter feeding already. And if you paid attention you might recognize where its from. Saint-Gérand-le-Puy, France. Yup, this guy coexisted with Palaelodus and Megapaloelodus. Must have been a fascinating place.

Harrisonavis and Palaelodus by Joschua Knüppe

Of course this being a well known form, we gotta follow it up with something bad. Elornis is, simply put, a mess. We aren't even super sure if its a flamingo or not and its history is convoluted. All we can say for sure is that it lived during the late Oligocene in France.

Like palaelodids, true flamingos seem to have dispersed rapidly, as our next entry managed to reach Australia by the late Oligocene. Phoeniconotius eyerensis, I repeat that one, PhoenicoNOTIUS (you see what I mean with things getting confusing?) is a genus from the Lake Eyre Basin of South Australia. It was a comparably robust animal, much more massive than other flamingos and perhaps more of a wader than a swimmer, staying away from deeper waters?

Same time same place we got Phoenicopterus novaehollandiae. PhoenicoPTERUS, as in the same genus as American and Greater flamingos. Now this guy sticks mostly to the same stuff as its relatives, thus differing clearly from Phoeniconotius.

Phoeniconotius (foreground), Phoenicopterus novaehollandiae (?, middle) and palaeolids (background) by Frank Knight, Phoeniconotius by Anne Musser

We can now move into the Miocene. We get a brief break from Phoenico names courtesy of Leakeyornis aethiopicus from Kenya. Tho its not super well preserved, its among the few fossil flamingos with known skull remains, so thats gotta count for something.

Skeletal by me, art by Joschua Knüppe

Also during the Miocene, we get the appearance of the genus Phoeniconaias (PhoenicoNAIAS) thanks to Phoeniconaias siamensis. A small species, only slightly larger than today's Lesser Flamingo, its remains are exclusively known from the Mae Long Reservoir in northern Thailand.

Fossil material of P. siamensis alongside a Lesser Flamingo via เบิร์ดโบราณ - Ancient bird on Facebook

And already we find ourselves in the Pliocene. Oh how time flies. Lets wrap up known fossil species of Phoeniconaias then while we're at it. Phoeniconaias proeses is a species from Australia. Unlike our friend from Thailand, this one is actually smaller than its modern relative. It also coexisted with two other flamingos. Fossils from the region have been assigned to the Greater Flamingo and one other form we'll cover next.

Xenorhynchopsis. Our last truly original name. Xenorhynchopsis minor is the older of the two, Pliocene in age and the species I just alluded to earlier. The genus then went on to continue into the Pleistocene via Xenorhynchopsis tibialis. Neither is especially well known and both had been named by de Vis, who while no doubt an important contributor to Australian paleontology also had plenty of flaws I'll discuss soon with my next post on mekosuchines. Anyways, Xenorhynchopsis has a cool name, a confusing history (they were described as storks) and likely died out when the inland waterways of Australia dried up.

Its all downhill from here folks. It's all PhoenicoPTERUS from now on and none of them are especially good. Lets rewind to the Pliocene to cover them properly.

We got Phoenicopterus floridanus from the early Pliocene of, who guessed it, Florida. It may have also inhabited North Carolina.

Phoenicopterus stocki, or Stock's Flamingo, lived during the middle Pliocene in Mexico. Tho not well described, we got juvenile remains too, young individuals that were not yet capable of flight.

Finally we got two Pleistocene species.

Phoenicopterus minutus from California, specifically Lake Manix. Lake Manix also yielded fossils tentatively assigned to the other Pleistocene fossil species.

Phoenicopterus copei. While fossils of P. minutus are currently exclusive to Lake Manix, P. copei was more widespread, ranging from Mexico in the south to Oregon in the north as well as California in the west and Florida in the east. Where it coexisted with other flamingos, like P. minutus and American flamingos, it would have been the larger species.

And thats it. All the fossil flamingos of the Palaelodidae and Phoenicopteridae. Alas, bird fossils preserve notoriously poorly and though stuff like the ends of tibiatarsi and tarsometatarsi are diagnostic, they aren't super helpful to making them sound interesting to the average joe. So sorry if this whole post is a little dry in spots.

#palaelodidae #phoenicopteridae #palaelodus #megapaloelodus #adelolepus #leakeyornis #harrisonavis #elornis #phoenicopterus #phoenicoparrus #phoeniconaias #phoeniconotius #xenorhynchopsis #palaeoblr #paleontology #prehistory #oligocene #miocene #pliocene #pleistocene #cenozoic #flamingo #phoenicopteriformes #long post

[muddyorbsblr]

the horny bitches cuts – master post

I'm pretty sure that by now we all know about the documentary series Big Beasts being narrated by Mr Tom Legs-For-Centuries Hiddleston, and many of us feared that he would be uttering some sentences that would be absolutely fucking devastating especially when taken out of context…

And some of us know that I've taken it upon myself to comb through the episodes, isolate these lines, remove the background sounds (to the best of my abilities), and compile them into what we lovingly refer to as The Horny Bitches Cut.

look at this mf being all smug because he knows what these lines have done to us

Well a new development has been made and now I've taken it upon myself to comb through Earth at Night in Color and create its respective Horny Bitches Cuts. Lawd have mercy on our souls

Everything under the cut

TV Series

Big Beasts #releasethehornybitchescut collection

Earth at Night in Color Season 1 collection Earth at Night in Color Season 2 collection

Earthsounds collection

Movies

The Pirate Fairy Kong Skull Island

Interviews/BTS

Kong Skull Island bts video of Tom running up the stairs sounding like ✨something else✨

The Soccer Aid promo interview

Early Man IGN Comments

Jill Scott's Coffee Club – the "ohh yes!"

worship & reverence (aka "trying to get us to kneel")

something about horses…

#big beasts #earth at night in color #releasethehornybitchescut #tom hiddleston #sas assemble #non writing projects

[denimbex1986]

''Does the world need another cinematic representation of the Ripley story?' That is the question I asked myself when the teaser, and then trailer, of the new Netflix series dropped a few months ago.

I answered the question myself: 'Yes, of course, we can definitely do with more Ripley on the screen, even when I know the story so well.'

I have been a fan of the films based on the character Tom Ripley, a conniving imposter, an insecure man and yet utterly charming, created by Patricia Highsmith in her five Ripley books also referred to as Ripliad, starting with The Talented Mr Ripley (1955), the source for the 1960 French film Purple Noon directed by Rene Clement (the restored version of the film was re-introduced to the world in 1996 by Martin Scorsese). The same book was also adapted by Anthony Minghella for his 1999 film, also called The Talented Mr Ripley.

The new Netflix series, written and directed by Steven Zaillian (Oscar winner for Schindler's List), is based on Highsmith's first book.

While I will admit I have not read Highsmith's books (her 1950 novel Strangers on a Train was adapted for the screen by Alfred Hitchcock), I have been engaged with the Ripley films for some time, including Ripley's Game (2002) starring John Malkovich. No spoiler here, but Malkovich makes a surprise appearance in Zaillian's Ripley.

There is also a Wim Wenders' take on Ripley's Game called The American Friend (1977), which is on my watch list. In last year's Saltburn, Barry Keoghan plays a Ripley-like character. Emerald Fennell's film is clearly inspired by the Ripley story, but it also takes many departures from Highsmith's narrative.

So I really waited for the Netflix show.

There were many reasons why I was looking forward it, one of which was that it stars Andrew Scott -- the 'hot priest' from Fleabag, who recently shattered our hearts into small pieces with his tragic performance in All of Us Strangers (a film criminally ignored by Oscar voters).

Zaillian's eight-part slow-burning, moody and at times riveting show, with stunning black and white cinematography stands on its own. But I could not help that the other versions of the Ripley story played in my mind at the same time.

In a 1971 short French documentary, Highsmith talked about seeing a man walk on the beach in Positano, Italy. The documentary is available on the Criterion Channel.

It was in the early 1950s, 6 am.

The man looked upset.

From that image of the man who Highsmith did not speak to, she created Ripley, her most famous fictional character who impersonates his friend, is an expert at forgery and even kills to survive in the world of the rich and the famous, where he is an outsider. In the same interview, Highsmith said she did not think Ripley was very likable.

But the Ripley in Zaillian's show, as well as in Purple Noon (a very handsome Alain Delon) and The Talented Mr Ripley (an equally handsome Matt Damon) are all very likable. That is why we care so much for the character. We want Ripley to survive even when he leaves a trail of crimes -- horrific murders and forged bank checks.

A part of it has to do with Ripley's insecurities and how he is taunted by his friend -- Richard Greenleaf, better known as Dickey, played by a charismatic Johnny Flynn in the current show. Flynn is good, but possibly overshadowed by Jude Law, who played a very sexually charged Greenleaf in Minghella's film, which also had the most gay subtext among all the representations of the story.

Ripley was sent to Italy to track Greenleaf by his wealthy shipbuilding father, played in the show, by a subdued, yet tough Kenneth Lonergan, better known as a playwright and director of films such as Manchester By The Sea.

Greenleaf Senior funded Ripley's trip to Italy. But when his son shows no signs of returning to the US, he decides to cut the flow of money and cancel the large sum he had promised Ripley upon completion of the job.

That is when Ripley's life, his plans and dreams start to fall apart.

In order to pick up the pieces and stand back on his feet, Ripley starts to commit crimes: Some that take place in the heat of passion, while others are meticulously planned and executed.

We watch Andrew Scott's Ripley struggle through the mess he has created, at times finding it hard to keep it straight in his head if he is Ripley or Greenleaf, while the police are trying to track the two down and solve the complex twists in the narrative.

He jumps hotels and moves from one Italian city to another.

The show at times becomes a tourism piece for Italy where the camera lovingly strolls along the beaches, streets, old historic parts and steps of several Italian cities including Rome, Naples, Palermo, Atrani, San Remo, even Venice.

The show takes its own pace to pick up, but then when you least expect, it grabs you by the throat.

There are some delightfully dark and creepy moments. An entire episode set in Rome is dedicated to Ripley trying to dispose of a body, as he drags it down a staircase (the elevator in the building keeps breaking down) leaving a trail of blood, that looks rather gooey in dark shades of black.

We also find a lot of beauty in Zaillian's show, especially in the performances of two of the principal cast members. Dakota Fanning plays Marge Sherwood, Dickie Greenleaf's love interest who quietly suffers as Ripley gets close to her boyfriend.

Zaillian made a very unique casting choice by casting Eliot Sumner (Sting and Trudie Styler's non-binary child) to play Dickie's wealthy friend Freddie Miles. Eliot has soft, gentle features which makes his Freddie quite menacing.

In Minghella's film, Philip Seymour Hoffman was cast as Freddie and he used his deep voice and physicality to scare Ripley, and make him nervous.

But the real star of the Netflix series is its stark black and white cinematography -- the work of master cameraman Robert Elswit (Oscar winner for There Will Be Blood).

Every shot, every frame is precious.

It is film noir at its best but inspired by classic films such as Citizen Kane (1941) and The Third Man (1949).

I wish I could have spent time taking screen shots of many of the scenes on my laptop but Netflix's copyright laws do not allow that. If a coffee table book is produced of the images from the show, I will be first in the line to buy it.

Ripley streams on Netflix.

Ripley Review Rediff Rating: ****'

#Ripley #Netflix #Eliot Sumner #Freddie Miles #Steven Zaillian #Philip Seymour Hoffman #Patricia Highsmith #The Talented Mr Ripley #Anthony Minghella #Andrew Scott #Hot Priest #Fleabag #All of Us Strangers #Matt Damon #Jude Law #Johnny Flynn #Dickie Greenleaf #Marge Sherwood #Dakota Fanning #Rome #Naples #Venice #Palermo #Atrani #Kenneth Lonergan #Robert Elswit

[infinite-tournament]

ooh, is sleep being the champion a reference to tom scott?

Yes, it is! The tournament needed a first champion, and the winner of Tom Scott's poll seemed like a fun starting point!

#not a poll #ask

[i-like-to-analyze-stuff]

Ok I have never posted on Tumblr before, but have a LOT of thoughts about Taylor’s curated playlists corresponding to the 5 stages of grief, so I’m jumping in!

My first impression was of course sadness about all the Joe love songs in here. I mean, she literally put the song “Lover” in “Denial!” Yikes. But when I did a deeper dive and tabulated which song subjects were in which lists, some interesting patterns emerged. If you don’t care about all the details, just jump to the end for the totals. Interesting, huh?

I have to tag @taylor-on-your-dash because they are my hero! Most of my opinions on who each song is about come from their incredible data on when each song was written, which I’ve cross-referenced with who Taylor was dating at that time. Obviously these are just opinions, but they are based on a lot of research!

OK here we go:

Denial:

Lavender Haze—Joe

Snow on the Beach—Joe

Sweet Nothing—Joe

Glitch—Joe

Betty—fictional, but written with Joe

Willow—Joe

Cruel Summer—Tom

Lover—Joe (ouch!)

Miss Americana—not romantic (2016 election)

False God—Joe

Style—Harry

Wildest Dreams—possibly Alex Skarsgard?

Treacherous—Harry

Untouchable—she didn’t write it

That’s When—non-famous person

Ours—John

Superman—John

Bejeweled—Calvin, but she also wore a “bejeweled” dress when she did a surprise appearance at a 1975 show a few months before her breakup with Joe was announced, so this could refer to being in denial about Matty being able to be a decent human being lol

Anger:

Vigilante Shit—not romantic (scooter)

High Infidelity—Calvin (positive about Joe though, at least he gets a break here!)

Would’ve Could’ve Should’ve—John

Exile—I think fictional, but written with Joe

Illicit Affairs—I think fictional but who knows?

Mad Woman—not romantic (Scooter)

Tolerate It—fictional (plot of the book Rebecca)

Bad Blood—not romantic (Katy feud)

Is It Over Now?—Harry

I Knew You Were Trouble—Harry (yes I know there’s debate about this, but I remain firmly convinced that, even if she didn’t start this about him, in the end it was definitely about him)

We Are Never Ever Ever Getting Back Together—Jake

The Last Time—Jake

The Moment I Knew—Jake

Babe—Jake

I Bet You Think About Me—Jake

Dear John—John

Better Than Revenge—Joe Jonas/girl he left Taylor for

Tell Me Why—non-famous person

You’re Not Sorry—non-famous person

Forever & Always—Joe Jonas

Mr Perfectly Fine--Joe Jonas

Bargaining:

The Great War—Joe

This is Me Trying—I think fictional

Peace—Joe

The Archer—Joe

Cornelia Street—Joe (oh, this one hurts!)

Death by a Thousand Cuts—fictional (inspired by a movie but the movie writer was inspired by 1989 so I guess semi Harry?)

Soon You’ll Get Better—not romantic (her mom’s cancer 😢)

Afterglow—Joe

I Wish You Would—Harry

Say Don’t Go—Harry

Come Back Be Here—Harry (I know there’s debate about this too but I’m in the Harry camp)

Better Man—Jake

The Story of Us—John

Haunted—Joe Jonas

Come In With the Rain—non-famous person

The Other Side of the Door—non-famous person

If This Was a Movie—Joe Jonas

Renegade—Joe

Depression:

Bigger Than the Whole Sky—non-romantic (miscarriage?)

Dear Reader—non-romantic (self-doubt)

Maroon—Jake? I think? Honestly I still can’t figure this one out for sure.

You’re Losing Me—Joe

My Tears Ricochet—non-romantic (Scott Borchetta)

Epiphany—non-romantic (war/pandemic)

Hoax—I think Scott Borchetta, so non-romantic? But possibly also Joe? I think she said in this one she was writing about multiple things.

Champagne Problems—I think fictional, but written with Joe

Coney Island—I think fictional, but written with Joe

Right Where You Left Me—I think fictional

Nothing New—non-romantic (self-doubt)

All Too Well—Jake

Forever Winter—non-romantic (friend with mental health issues)

We Were Happy—non-famous person

Last Kiss—Joe Jonas

Castles Crumbling—non-romantic (self-doubt)

Carolina—fictional (for a movie)

White Horse—non-famous person

Acceptance:

You’re On Your Own Kid—non-romantic (self confidence)

Midnight Rain--non-famous person

Labyrinth—Joe

The 1—I think fictional

August—fictional

Invisible String—Joe (finally, a happy song about Joe! This one is touching. Like I guess she’s accepting that they were fated to be together but not end up together?)

Happiness—I think not personal—supposedly about Abigail’s divorce

Long Story Short—another happy song about Joe! Wow!

Closure—nonromantic (Karlie friendship breakup)

Evermore—possibly fictional, but written with Joe

It’s Time to go—nonromantic (Karlie friendship breakup)

I Forgot That You Existed—Calvin

Daylight—another happy song about Joe!

This Love—Harry

Clean—Harry

Now That We Don’t Talk—Harry

Begin Again—supposedly Will Anderson (lead singer of Parachute)

Innocent—non-romantic (Kanye)

Breathe—non-romantic (close friend/fiddle player in her band left the band)

Totals (romantic only, not including fictional)—this really says it all!

Denial: 7 Joe, 2 Harry, 2 John, 1 each Calvin, Tom, possible Alex

Anger: 5 Jake, 3 Joe Jonas, 2 John, 2 Harry, 1 Calvin

Bargaining: 6 Joe, 3 Harry, 2 Joe Jonas, 1 each Jake & John

Depression: 2 Jake, 1 each Joe Alwyn and Jonas

Acceptance: 4 Joe, 3 Harry, 1 each Calvin and Will Anderson

So, basically, with Joe, and to a lesser degree Harry, the main feelings were denial, bargaining, and acceptance. Whereas with Jake and Joe Jonas it’s about anger, plus a lot of depression about Jake. And John gets a healthy dose of denial and anger. Sounds about right!

But also, to all the people ready to attack Joe when TTPD comes out, I think it’s important to point out that he’s not even ON the “Anger” list at all. Yes, things ended. Yes, it’s sad. She was sad. But that doesn’t mean he’s a terrible guy.

Oh, and Taylor L. is nowhere on the list! Yes, he is definitely the best ex lol.

#taylor swift #song analysis #ttpd era

[bizarrescribblez]

THE INNOCENTS FOR UR AVED SI AND PEEPING TOM FOR UR SCOTT PILGRIM SI 🩷🩷🩷

MJ MJ MJ HAI HAIIIIIIIIIII >u< I WILL ANSWER THESE GLADLY OMGGG!!!!!!

The Innocents (1961): In canon, was your f/o the first person your s/i met? Or did your s/i encounter someone else first?

OMG YES. Actual love at first sight behavior between me and Pablo at Value Stop 😏 IDHSJSB BUT YES I imagine im newest to working there next to Ash so Pablo met me immediately once his boss introduced us :) then immediately Ash and Kelly collectively went 😏😏 AND KNEW THEY HAD TO SET US UP.

Peeping Tom (1960): How would your f/o describe your s/i?

Oh my gosh . THIS IS SO O_O trying to think about because omgOMG GIDEON IS SO . Complicated I’m trying to ponder what he would say. I think he’d totally use words like “bright” or “colorful” in reference to my clothes/style. Then for actual describing he’d so call me “short and sweet”/“a real doll” 0_0 CUZ IT IS TRUE BUT THE WAY HE’D SAY IT WOULD BE SO 💥💥💥💥💥💥

#GRAHHHHH THANK YOUSOMUVH FOR ASKING MJ #I HARDLY TALK ABOUT MY AVED S/I GRAHHH I MISS BUG I WANT HER BACK SO WE CAN REWATCH IT AGAIN #self ship #self ship community #f/o community #💕 ship talk

[coolsnake]

Meet my beautiful children, LPT1, LPT2, LPT3, LPT4. LPT5, LPT6, LPT7, LPT8, LPT9, and Con

#yes this is a tom scott reference #it's more liek a windows reference but I learned it in a tom scott video soo #bean post

[itsallyscorner]

request:

maybe like a part 2 where the reader was a singer!

but maybe like everyone in the marvel cast goes to the sweetener world tour to suprised them n congratulate them?

Thank you for the request, hun! I appreciate you for reading my other stuff and suggesting a part 2! Now that I think about it, I might make the whole singer thing into its own series of imagines and headcanons! Just a thought🥰 Happy reading!❤️

A/n: I’ve never been to an Ari concert, so I don’t know the set list, but enjoy my loves❤️

💌.

Sweetener

(She’s so pretty ugh)

You looked at yourself in the mirror. You leaned forward making sure your makeup was all good and to check if your lipstick has smeared onto your face.

“Everything good, hun?” Your makeup artist, Perrie, chirped from behind you. You took a step back, getting one more look.

“Yes Ma’am.” You turned to her and she was holding up the familiar bottle of setting spray.

“One more spray for good measure.” She motioned for you to close your eyes and you did. You breathed in through your nose as you felt the vibrations of the arena. The mix of the music playing out on stage mixed with the cheering of your fans added to your adrenaline.

The tour was finally at Inglewood, California, the last stop of the Sweetener World Tour. You had been traveling around the world for the past 10 months, performing every night in a different country or state. As tiring as it sounded, you absolutely loved the experience. Not only were you traveling and seeing new places, you were meeting your fans from different countries and doing what you loved. After 101 shows and 3 tour legs, it was finally coming to an end. The ending of tour was always bittersweet. You’ve been traveling with multiple people and crew who have grown to be another family. You were going to miss them so much but it was time for you to go back home to your real family. Not only have you missed your parents and siblings, but you also needed the rest. 10 months of nonstop traveling definitely took a toll on you. But nonetheless, it was all worth it.

“All done!” You opened your eyes to see Perrie smiling at you.

“Thank you so much!” You pulled her into a hug as your eyes began to water. You groaned playfully and tilted your head back.

“I’m gonna miss you doing my makeup everyday. Ugh, I haven’t even gone out on stage yet and I’m crying already.” You laughed through tears as Perrie began to protest.

“(Y/n), I swear if you mess up your makeup, you’re never going to hear the end of it. Cry later!” She laughed as she tried to get you to stop the tears from falling.

She gripped onto your arms and yelled, “NO TEARS LEFT TO CRY REMEMBER?” You bursted out laughing at her reference. You waved your hands at your eyes and when they finally felt normal, you looked straight.

“Okok, I think I’m good.” You released a breath as you smiled sweetly at her, “I love you!” You giggled pulling her into another hug.

“I love you too, darling. Have fun out there, you’re going to do amazing like always.” She squeezed you tight before letting you go. Victoria, one of your dancers and friend, peaked her head into the room.

“You ready? They’re waiting for you in the circle.” She informed you holding a hand out. The circle was like a pre-show ritual you had backstage with all the dancers and crew. You took her hand as you all walked out the makeup room. Your heels clicked against the floors, echoing in the hallway. The closer you got to the stage the louder the fans got and the stronger the vibrations got.

The circle was already gathered with all the dancers and crew. When Scott, another one of your dancers and friend, noticed you he began to cheer. Everyone followed along as you entered the circle. You were tucked in between Scott and Brian, who were twins. The two have been your dancers since the beginning and still are how many years later. You were truly grateful for them and everyone who was included in your Sweetener family.

“Damn. Last show ya’ll!” You began causing them to all cheer. You waited till they quieted down, shyly laughing, before continuing.

“Um, I don’t wanna get all emotional and shit right before going on stage. I’m gonna look like a mess out there with my mascara running down my face. Perrie I’m sorry!” You laughed. “I just wanna say, thank you to every single one of y’all. You guys have been the most fucking amazing people to work with. You guys have been working day and night to make the show as spectacular as it is and I love you all so much. You guys are my family and I can’t wait to write another album so I can tour with y’all again. I just want to hug every single one of you, you guys mean so much to me. Like literally, from the bottom of my heart I love all of you so much. I know I’ve said that like multiple times, but I really mean it. Y’all are gonna get a fatass check after this.” You finished making everyone laughing again. By now a few tears have made its way down your face. You even saw a few people’s eyes well up.

You laughed as you heard a chorus of “I love yous” as everyone squeezed in for a group hug.

“Alright! That’s enough crying, let’s get this show on the road!” You cheered to help everyone from crying. Everyone moved out the circle and got into places.

Before you can get in place, Perrie pulled you aside to fix up your makeup. Your stylists began smoothing out your skirt and making sure your knee high boots were securely on. Next was to get your earpiece on while one of the stage hands gave you your mic. From backstage you could hear the intro to the concert playing causing the fans to scream louder.

You got into place as you got the signal to start singing. You sang the opening lyrics of Raindrops (An Angel Cried) and began to smile as your fans sang along.

The platform began to move up when you finished and the beat of God Is A Woman began to play. You were now on the stage, the sea of white lights looking back at you. The adrenaline was still running through your veins. You performed the song, acing every move of the dance you’ve learned 10 months ago.

When the last note of God Is A Woman played, all the lights turned off except for the red lights on the stage.

“INGLEWOOD!” You yelled into your mic, your fans cheering even louder than before. You shared an excited smile with Brian.

“Welcome to the Sweetener World Tour!” And with that the opening notes of Bad Idea began to play, the show finally kicking off.

You were in the middle of singing R.E.M which was part of Act 2 of the concert. You moved towards the pit to see familiar faces beaming up at you.

“Boy, you’re such a drea— oh my god!” You squealed as you saw the pit full of your Marvel cast mates. You saw all the Chris’, both of the Tom’s, Robert, Scarlett, Elizabeth, almost everyone you’ve worked with in Marvel was there. You got down to your knees to touch their outstretched hands.

The fans screamed as the camera from stage panned down to the pit where all the actors were. You took the mic away from your mouth and leaned down to them.

“What are you guys doing here?” You asked them through the loud arena.

Scarlett, Brie, and Lizzie were the nearest to the stage.

“We’re here to surprise you! It’s your last show and we wanted to be here for it!” Scarlett yelled over the track that was playing.

“We’ll catch up later, keep going!” Lizzie urged you to continue the concert with a toothy grin.

You held onto Brie’s hand as you sang to them, “Inglewood let me hear ya’ll! Excuse me um...”

“I LOVE YOU!” The fans sang back to you, including your cast mates. You dusted your knees off and continued to walk around the ramp. Before you could leave, you sent an excited wave to Brie and the rest of them.

~After the show~

You hopped off the platform that brought you down from the stage and were greeted by a bunch of congratulations and cheering. You and your dancers shared another group hug.

“(Y/N)!” You heard a familiar voice yell. You follow the voice and see Anthony waving at you with his infamous grin. He was accompanied by the rest of the cast behind him. You run towards them and jump into Anthony’s outstretched arms.

“I’m so sorry, I’m sweaty, but I’m so happy to see all of you!” You wrapped your arms around Anthony’s neck as he spun the two of you around. He let you go and you were suddenly being pulled into hugs by everyone.

When you got to Robert, a proud smile was on his face as he cradled your face, “Sweetheart, that was amazing. You’ve outdone yourself.” He pressed a fatherly kiss to your forehead and pulled you into a hug.

“Thank you.” You laughed, your eyes welling up with tears once again. Next was Chris (E) who playfully shoved Robert.

“Stop it, you’re hogging her! Let me hug (y/n)!” He childishly whined. He gasped when he saw your eyes watering.

“And you made her cry! C’mere.” His arms enveloped around you as he hugged you tightly.

In your ear his whispered, “You absolutely killed it.”

You thank him and move on to Scarlett who already had her arms out for you, “Surprise!”

“This was your idea?” You asked her as she hugged you. A cheeky grin quirked on her lips.

“Maybe” she teased dragging the ‘e’. You hugged her again as she laughed into your shoulder.

“Thank you, Scar. This means so much.”

“It’s not a problem, honey. We just wanted to see you together while you did your thing up on stage.”

You were now full on crying through a smile as your Marvel family showed you mass amounts of love. You stumbled into Tom (Holland) who instantly grabbed you into a bear hug. Tom’s actually seen your show in London with his friends and brothers, so this was his second time seeing you perform.

“You know what’s so crazy?” He asked you leaning down to your ear so you can hear him.

“What?”

“It’s literally just as great as it was in London. Like everything looks the same, you sound exactly the same, everything! The show was fantastic!” He looked at you with wide eyes with so much amazement on his face.

You laughed at him and patted his shoulder, “Thank you, Tom.”

Suddenly there was a commotion a few feet away from you. You saw Robert standing on one of the cases your crew used to store equipment in.

“ATTENTION EVERYONE!” When everyone backstage was looking at him Robert sent them a sweet smile and was handed a megaphone.

“Alright, so I gotta say, (y/n), you definitely know how to throw a show. Everyone who was part of this tour, your hard work pays off because that show was the most fun I’ve had in a while! (Y/n), you keep surprising us everyday with your talent and I hope you get to do more of what you love in the future. As my way of thanking you all for throwing such an amazing night, I want to take out every single one of you for dinner! I just rented out a whole restaurant just for all of us and I hope to see all of you there!” Robert said into the megaphone. A round of cheers and claps were heard from everyone at the announcement. As everyone began to file out, you were being called to get out of your costume.

Before you can turn to leave you hugged Robert and looked at all your cast mates who showed up for the night.

“Thank you guys for being here, it really means a lot.” You sniffled, wiping a tear from your face.

“And you, I can’t believe you rented out a restaurant for my crew, thank you Robert.” The older man just waves you off as he slung his arm around your shoulder.

“Not a problem, sweetheart. We wanted to be here and we are all so proud of you, you’ve come a long way, (y/n).” He gave your shoulders a squeeze.

“Now run along now, you still need to get changed and I’m starving. Go.” He teasingly turned you towards your stylists. You rolled your eyes as you waved at all of them.

“We’ll see you at the restaurant!” You heard Brie yell after you. You quickly turn back, “OK, I LOVE YOU!”

The further you got you heard Evans scream, “I LOVE YOU TOO!” You turned down the hall, your laugh echoing against its walls.

That was definitely one way to end a tour.

#marvel #mcu #avengers #chris evans #chris evans x reader #marvel cast x teen!reader #marvel cast x reader #robert downey jr x reader #Scarlett Johansson x reader #anthony mackie x reader #brie larson x reader #elizabeth olsen x reader #Brie Larson #Scarlett Johansson #anthony mackie #robert downey jr #ally’s requests

[oatflatwhite]

Whenever I see you post about hbo war I'm always really curious what it is? Is it a tv show? (If so is it good 👀)

ohhhhhh anon okay okay okay okay i am going to be completely normal answering this ask agajdhdjdhd

OKAY SO "hbo war" is more like... an anthology, i guess??? it's what the fandom calls a series of hbo-produced miniseries about war. so far it encompasses band of brothers (2001; wwii western front), the pacific (2010; wwii marine pacific campaign) and generation kill (2008; iraq war). currently masters of the air is in production (and has been since i first joined the fandom in 2015 💀) which will be about the air force in wwii. all the series so far are based on real events, veterans, memoirs etc. so all the characters are people who actually fought in those wars; but they're obviously fictionalised portrayals, turned into drama tv, and each cast has such CHEMISTRY that's why you'll see a lot of shipping if u dip ur toe into the fandom hehe.

band of brothers is personally my favourite, it is the og, it has so many now a-list actors who were virtual unknowns back then (michael fassbender, james mcavoy, andrew scott, tom hardy, damian lewis, even jimmy fallon has a random cameo) and has the most personal involvement from tom hanks (who also directed one of the episodes). like, even if you're not super into war media??? i recommend it SO hard. it's only 10 eps, and though there's a huge ensemble cast each episode hones in on one character and follows them through one aspect of the war. the storytelling, the acting, the cinematography is just... mwah. and not to toot the fandom's horn but some of the best fic i have ever read has been in the band of brothers tag (you want some bourbon i want some oranges by jouissant i'm looking at you!!!) so, yeah.

the pacific is a little different as it has three main characters with different and interweaving storylines instead of following one company through the war like brothers. it's also much darker, more sombre, and with a lot more gore (and band of brothers already has a lot) but it's just as fantastic! generation kill can be a tough sell to people outside the fandom but it's a really nuanced story of how absolutely fucked the war is and the way it leaves you feeling very.... hollow and awful and tender in the final episode (gen kill only has 7) is like. really powerful. again, famous actors in both series who got notoriety later on - james ransome, alexander skarsgard, rami malek to name a few! a lot of people in the hbo war fandom are history buffs and have only seen the two wwii series; but i really do wholeheartedly recommend gen kill because despite the tonal shift it's still very much in the genre. AND has like. one of the best fics i've ever read in any fandom (a pacific rim crossover called you can fight the hurricane, i can't remember the author off the top of my head!)

ANYWAY this got like. long but at the end of the day. yes they have their issues mainly like an entirely male ensemble cast and for the pacific and band of brothers almost entirely white. but i might be biased bc i love war history but like. the stories they are able to tell about humanity and love and loss and grief and violence and gentleness and friendship is just so!!!!!!!! beautiful. gets me every time. i think i've rewatched brothers at least once a year since 2015 and it continues to never miss!

tl;dr hbo war refers to three separate hbo miniseries about war that are all worth watching!!!

#anon #answered #hbo war #band of brothers #the pacific #generation kill #this got so fucking long holy shit

[lov3nerdstuff]

Hi Kay!

I just wanted to take a moment and say how deeply moving (and overall comforting) I find your writing to be! I've gone through almost the entirety of your masterlist twice in the past month alone and have found myself returning more often to the pieces of literature/poems your reference sometimes. (Especially that one poem by Benedict Smith! I've read a few more by him because of you and they're just wonderfully lovely 💛 so I'm eternally thankful to you for including it.)

I may be wrong in assuming, but I believe you may have studied/are currently studying a degree involving literature. I hope this isn't too foreward of me but I was wandering if you have any other works of literature that you'd recommend? (I'd love to read anything you recommend from poems to plays 💛) I'm slightly embaressed to say but the works I've read are quite limited to a highschool level and since I'm currently studying Pharmacy, there are very few people who can recommend me such moving works. :)

I also feel like I should apologise for writing such a large ask, so please accept this apology as well hehe 💕🥺

Sincerely,

Bek 🌻

Hey there Bek 💚💕✨

First of all... I'm incredibly sorry for how long it took me to reply to this ask, I know you sent it weeks ago and I'm honestly just ashamed of myself for only replying now! I've been taking a bit of a Tumblr break again, or rather a break from literally everything, and I guess not having written anything in a while made me feel guilty whenever I opened Tumblr, so... All I can say for myself really is that I'm sorry you had to wait so long! Again, I never ever ignore anyone, I promise! It just sometimes takes a while for me to reply 😅🙈

Now, I'm so happy to hear that you've been enjoying my writing! 🥺🥰 Hearing that it's comforting and inspiring to you is honestly such a relief and indeed does make me happy more than I can say 💚 It's so cool that you're checking up on all the references I make aaahhh 🥺🥺🥺 I love it 😁 You're always more than welcome, love! I don't think I could stop including references to literature, culture, history and the science around it even if I tried 😅☺️

And yeah, I did study classics and newer literature as a minor for my undergrad degree 😄 But tbh I still work with literally a lot even now (I'm in grad school for media and cultural studies) even though it's technically not something I've been properly taught ☺️ I'm just a nerd who likes to learn on her own, and with media and culture you can pretty much delve into almost anything you want 😂😅🤷🏻‍♀️

Now, it's not forward at all to ask me for literature recommendations! 😁😃 I truly love recommending stuff!!! I have a few up my sleeve, even though you've probably heard of a few already, for obvious reasons: A lot of what I truly enjoyed reading was something Tom Hiddleston has worked on in one way or another! It's truly a magnificent guideline for picking new literature... Just look up the literary origins of his films/shows/plays and you will be in for quality literature most of the time! I don't think I've ever mentioned it on here, but me reading High-Rise (JG Ballard) because I heard Tom would be partaking in the film adaptation was actually what sparked my love and passion for literature!!! Yep, it's that good. Now on to the recommendations though 😁(This... got rather long):

Plays

Anything by Harold Pinter really, but for obvious reasons you'll find a lot of additionally fun stuff for Betrayal, which is lovely and truly funny if you're in on the kind of humour btw

Medea by Euripides (a classic, but I love it nonetheless... You can find translations in almost every language) ((and pls stay away from Seneca's Medea, because ugh... Euripides is far better AND the og story, as much as anyone can say that for Greek mythology)

La Bohème by Puccini (I know, this is technically an opera, but if you read the libretto it's honestly just like a play... And if you're up for it, the og story is in prose and written by Henri Murger... It's better than the opera, but oftentimes more difficult to find) ((this one is hilarious and basically explains an entire cultural subgroup in the 19th century)

Faust by Goethe (many people hate it, but I LOVE this one!!! It's also been translated into any and every language, and it's so interesting philosophically!!! It's also referenced SO freaking often literally everywhere, and the operas and ballets based on it are always my fave) ((there's technically Faust I and Faust II, but you're good to go just reading the first one)

Anything by Shakespeare, obviously... Though I do love me my Hamlet like every other literature enthusiast (Yes, I can do that one famous soliloquy in act 3 scene 1 by heart as well...)

Poetry

Again, anything Shakespeare for the win, but I LOVE the sonnets and keep a copy of them with me most of the time (Yes, I own multiple copies of the sonnets...) ((My faves are 116 and 91, but there's always so much truth to be found in there!!!))

A lot of the stuff William Blake wrote is amazing, though you have to pick carefully with him if certain religious motives aren't your thing... I love The Tyger, which is an individual poem, and the collection of works called Tyger, Tyger which does have many good ones and a few ones that are a little more on the mediocre side

Do not go gentle into that good night by Dylan Thomas (I know this one by heart as well... It's beautiful, and there's a version of Hiddleston reading it on YouTube, which gives you even more goosebumps than the poem does anyway)

Invictus by William Ernest Henley (same for this one, also read by the one and only) ((I love to read this when I'm feeling down or powerless))

The Love Song of J. Alfred Prufrock by T. S. Eliot (This is another wow piece with many quotable lines and truths... I love it a lot and keep coming back to it! It's also a great example of how literary modernism tried to condense the complexity and passing of time and history into a single frame that had to be intrinsically poetical in nature... As in, this poem could've been a short story in any other period, but modernists loved to make everything a poem so here you go)

Der Zauberlehrling by Goethe (This one sucks in all English translations I’ve found, poetically speaking, but in German it’s such a fun piece! If you’ve ever seen the Disney ‘The Sorcerer’s Apprentice’ with Mickey Mouse or listened to the orchestral piece by Paul Dukas, then this poem proves very useful in truly understanding either! But again, the English translation should only be taken for informational value... The German one is also worded hilariously)

Prose

Short edited by Alan Ziegler (This is a collection of short prose forms that honestly is a must for me... I love this book to pieces and have had it for years now! It’s an international anthology, so you’ll find more and less famous authors from all around the world represented with short stories, prose poems, short essays and just curious and interesting snippets of writing! I draw a lot of inspiration from this book)

High-Rise by JG Ballard (As mentioned above, I owe this book part of my personality... I don’t think I would be the same person without having read it. It’s not necessarily full of wisdom, but if you’re interested in a different kind of portrayal of the human condition, then this is the read you need to take a look at)

The City of Dreaming Books by Walter Moers (This is another piece that changed my perception of literature, even though this is a more ordinary and ‘fun’-value read... It’s one of my favourite books and it’s endlessly entertaining! So if the classics are a bit heavy for you, this one is perfect for casual readers as well! Its value really does lie more in the realisation of how fun literature can be, and the freedom you have as an author... So really, I could recommend everything by Moers, his style is amazing both in the German original and in the English translation. Yes, I’ve read both.)

Good Omens by Neil Gaiman and Terry Pratchett (This is comedic gold, stylistic gold and generally a bloody perfect book. Also a ‘fun’-value read, but it also does a magnificent job at showing you what you can do with literature, and how well-developed characters are supposed to be written)

The Penguin Book of the Undead (Penguin Classics) edited by Scott G. Bruce (This book is basically an education on fifteen hundred years of supernatural encounters and how culture wrote, used and perceived them. You get introductory texts for different periods and social groups, explaining how and why ghost stories were written and used, followed by passages of the prime source texts (eg. ancient necromancy shown on The Odyssey). Really, this book is just for cultural history nerds)

The Earthquake in Chile by Kleist (This isn’t necessarily one of my faves, but it has helped me understand what studying literature and culture can do for you. In case anyone remembers my insistence in Wicked Game that you gotta know what a pomegranate symbolises... this novella is such an instance where this knowledge would prove useful. Generally, it gives many opportunities to think about privilege and circumstance)

The Symposium by Plato (You’ll probably not want to read the entire collection of speeches tbh... But the concepts introduced mainly here and in some of Plato’s other work are well worth looking into! For example, the ‘double being’ introduces a concept that in modern fiction is called soulmates... Just sayin’)

#literature #lit rec #recommendation #literature recommendation

[discoscoob]

Watching people genuinely believing that l0kius will be canon in s2, I feel bad for them they’re just setting themselves up for disappointment

The way I perfectly know who you are talking about (especially if you are referring to twitter)...

I think the most absurd and out-of-logic thing he could come up with was that the "For all time. Always!" is actually a secret love message between Loki and Mobius, and I'm just... no? No really, I rewatched the series a lot of times, and Loki and Mobius never NEVER say to each other that line, not even once and they never are even on the point to say it. Loki literally NEVER prounounces it in the whole series, and Mobius says it frequently as a "salute" to Ravonna and B15, so, according to his logic, Mobius already said "I love you" to both Ravonna and B15 a good number of times (Go for it, Mobius!).

But the craziest part is that he actually took the motto used in the brainwashing propaganda of a fascist-like organization (remember B15 looking terrified at the propaganda posters in episode 4. And yes, "For all time. Always!" is on these posters too), and twisted it into some lovey dovey kind of thing. I mean, when they stole the "Love is dagger" line, they still stole and decontestualized it to fit it in their narrative, but at least they used a line that is actually about love.

Is it that obvious 😅 the tweets are free entertainment but he has such a big following on twitter and I think a lot of them really believe what he says so it’s his followers I really worry about because they’ll be genuinely expecting Owen and Tom to touch lips in s2 and then when it doesn’t happen they’ll blame the series for queerbaiting them instead of the person on twitter who made several reaches which made absolutely no sense in order to somehow convince themselves and others l0kius is secretly endgame.

and listen I want to make it absolutely clear I am not against shipping non canon ships, but there comes a point when this becomes questionable. It’s like shipping Jimmy Woo with Scott Lang and expecting them to get married in Quantumainia, it’s absurd. Would I read fan fiction about Jimmy and Scott? Probably. Would I expect them to become a canon ship in the mcu? Hell no but they’d probably stand more a chance of becoming canon than l0kius 😭 and I know I’m coming across really anti but at the same time I don’t think it’s wrong or anti to be realistic and say there’s no way that ship will be canon so stop getting yours and your followers hopes up because your only going to create disappointment, which will likely turn into anger and result in the actors and creators of the show getting more harassment for “queerbaiting”

[illuminatedchalk]

Modern AU Headcanons & Imagines : Science YouTuber/Professor Albedo

a/n: first post! let's gooo

warnings: none, maybe slight AlbeRose? but they are not together or anything, just rumored to be. Also slight spoilers of Albedo's lore.

genre: fluff, completely platonic, slight angst and implied character death? implied abandonment issue (Rhinedottir)

• I firmly believe that Albedo would be an educator. A teacher, professor, you name it.

• Widely regarded as a genius, perhaps recognized by the country. He has a lot of achievements in science under his belt at such a young age, graduated with stellar grades, has a Masters degree, basically, he lives and breathes science. And education. And learning. Ever the curious mind.

• His mother is a famed scientist, Rhinedottir. His childhood is where he learned all things alchemy, often watching his mother works with curiosity. Rhine then taught him everything she knows, but she was also strict with him, letting him know she wouldn't hesitate to leave if he wastes her time. Albedo however, was determined to learn.

• She unfortunately went missing one day when she goes out on a trip overseas, and she, before leaving, left him in the care of Alice, her colleague and friend. He then grew up in her care, and he became a renowned scientist, just like his mother.

• (In his quiet moments when his workload was a little heavier than usual, or when he hit a wall in his research, his mind sometimes wondered if Rhine actually left him... He prefers to think she wanted the best for him and everything else was just an accident, but in his more stressful moments, he can't help but feel a pang in his chest at the possibility.)

• He became very focused in his studies and interests, so even though he has social media (persuaded by his co-workers, acquaintances and family so they can reach out to him easier), he isn't online often unless to watch even more learning materials, or sharing said learning materials. Often people have to straight up give him a call if the matter is urgent or important, since DMs and messages are mostly forgotten with him. You can spam him and he will STILL respond a day later, maybe half a day if you are lucky (or if he prioritizes you *wink wink*). That's a minimum.

• (He does indulge in art content and sweet food videos on the internet sometimes. Art videos are for him to learn more about... well, art, since he does paint as a hobby, and sweet food videos gave him the boost he needed. Someone please bake him a cake... He is craving but waaay too busy to go to a bakery or café 🥲)

• He gives lectures from time to time, and does research on the other. His mind never rests, and time, to him, is something he should spend for learning.

• "Going out into the world investigating... Turning the unknown into the known... *sighs* I miss this feeling." Yes, I imagine he will be exactly like the way he is in canon.

• Now, his more 'free' time, however...

• If you have surfed through YouTube, then you must have seen the science education channels?

• Then there he is!!! Albedo in all his glory!!

• You'll probably come across his video on one of those random YouTube recommendations. Something about a solid that's lighter than air? Aero...gel? And you see a beautiful blondie with a pair of beautiful blue eyes holding up what looks like a cube of transparent air in the thumbnail. Now that's interesting. (Shout out to the YouTube channel Veritasium, my main inspiration for the content Albedo posts. Very interesting stuff he talks about there.)

• Albedo's channel covers a wide variety of topic, mostly regarding alchemy and all the cool phenomenon/objects that entails it, sometimes it's physics and the laws of nature, and sometimes he also dabbles towards more philosophical questions pertaining life, somehow relating it to science in the most introspective ways. His channel is... fascinating, to say the least. (The philosophical science part is a reference to Tom Scott and also Kurzgesagt. Again, fascinating stuff!)

• The surprising part of his channel is discovering how madly talented he is. So, his channel has an average upload period of one month, but sometimes he will also upload art videos in between them, perhaps it's to keep his schedule and to have a stable engagement, or perhaps it's just something he does when he is in the mood. He talks about art fundamentals, or sometimes just simply relax, sketching with little to no talking in it. His viewers just... vibes with him. Maybe also fall for him and his brilliance a little.

• His channel's tone is serious and calm for the most part. He shows his face in his videos and mostly has a neutral facial expressions with a monotonous, yet serene voice, so there aren't many moments where you can laugh. He doesn't crack jokes, often too immersed in his explanations and observing whatever he is covering to do so.

• It is fine, though. His charm may not lie in his comedic prowess, but it lies in his charisma. He could explain the most difficult subject like a walk in the park, pulling his viewers so they're able to see his unique perspectives, and sometimes he shows slight smug confidence while he shares his theories. He also occasionally drops some meaningful messages subtly, you'll miss it if you don't pay much attention. Just from the way he narrates his videos you can tell he is a great teacher.

• It is when Klee joins him when he is recording is where the mood shifts. Klee's cheerful presence helps brighten the mood, and Albedo visibly relaxes in front of his little sister. She is often seen asking him questions, climbing up a chair so she can see what Albedo is doing more clearly. Albedo often lifts her up anyways so she doesn't injure herself, and her appearance makes him smile a lot more, maybe even let out a chuckle or two while he holds Klee in his arms. His viewers will note about how his voice turns warmer when he talks to Klee, answering every single questions she asked.

• The first time Klee appeared in his video resulted in a funny misunderstanding amongst his audience. Everyone thought Klee is his daughter, that he married young and his assistant that is also often seen in his videos, Sucrose, is his wife.

• Timaeus is the one who moderates the comments section, and he had to watch Sucrose burns in embarrassment while stuttering endlessly when he reported the news to her. She is clearly at a lost because of the outrageous rumor, the poor girl.

• This rumor continued for quite awhile before Albedo finally introduced Klee as his little sister on the next video featuring her, and he also made everything clear that Sucrose is his assistant and pupil, along with Timaeus, and Sucrose can finally greet Albedo again without sounding like a robot. The comments thankfully understood. (Though Timaeus sometimes still found some comments that ships the two together. He didn't tell them, because poor Sucrose would probably start overheating again.)

• Now Klee has her own segment where Albedo teaches her basic alchemy! He also lets her experiment in his lab, safely of course. He taught her how to make gunpowder and fireworks.... safely... of course. Let's just hope she doesn't blow anything up, though she IS quite fascinated at the demonstration...

• gosh im a sucker for albedo-klee interaction they are just so cute

• All in all, his channel garnered millions of views on average! That's to be expected. After all, who would not love to watch educational content hosted by a beautiful guy with a voice akin to honey? You'll get an added bonus of fun family content with little Klee too! A full package <3

• People used to think Albedo is a cold, serious and unapproachable person, but after sticking around, you'll find the professor is actually quite the warm person, caring to his students and loving towards his family. Professor Albedo finds comfort in science, and he would like to share all the wonders he discovered with the world. Thankfully, the people around him also shares the same sentiment.

#albedo kreideprinz #albedo genshin impact #albedo genshin x reader #albedo x reader #albedo headcanons #genshin impact headcanons #genshin fluff #albedo fluff #genshin impact fluff #albedo genshin impact x reader #genshin headcanons #genshin imagines #genshin impact imagines #albedo imagines

[doctorofmagic]

*breathes in*

Okay. The more I read about WandaVision’s behind the scenes, the more I feel incredibly uneasy.

This will be my last post about the MCU for a very long time. But, from those of you who know me since day 1, I’m (in)famous for my long posts. And this is one of those.

Reading comics is an exercise that is not entirely up to the public. It’s literally a book adaptation. You may enjoy it without the main source. But it has to be good in order to work. I don’t need to mention names, you know what I’m talking about.

But I’m not gonna lie. It saddens me SO MUCH when you have one job to do, which is research, and you fail to do so. And I’m not talking only about comics, no. Mephisto’s name is right there in Wanda’s entry on Marvel fandom wiki. Right after Billy’s and Tommy’s names.

The more the days go by, the more I feel I was used and tricked. From what I’ve seen? Writers read three books: Tom King’s Vision (2015), Bendis’ House of M (and that’s arguable because have you seen Stephen, Pietro or Magneto? Yeah, me neither) and Steve Englehart‘s The Vision and The Scarlet Witch. And I’m not even a fan to know that. It shows.

Why am I so upset about it? Because Scott and the whole DS crew gave their lives and souls for an accurate adaptation of what we know today as a certain character called Doctor Strange.

There are so many dark references, to name a few: the Evil Eye, the book of Cagliostro, an Into Shamballa reference, the Wand of Watoomb, in addition to many artifacts named after their magic deities, Kaecilius’ very existence and all those tweets featuring Stephen's quotes like Shadow and Light #2 that people still ask me about. The difference... IT SHOWS. Everything on that movie is a reference, a tribute to comic books.

It’s not only about expectation. There’s a huge difference between expectating that Dottie is a known character and putting Evan fucking Peters to play a character named Pietro. It’s low. And I don’t like to be treated this way, I’m not a hype machine for you to promote your show. Scott didn’t treat me this way. He was honest with his movie and he studied so much. I’ve been following his tweets for years, I know he used to tweet very old comic book quotes. He was there, reading and reading. And this is why I left the theater that night with bright eyes and a big smile.

I know now why Wanda was awake while her astral form was reading the Darkhold. It’s not because she’s powerful. It’s because they didn’t read comics. They don’t know the body is useless when you project your astral form lmao.

This is entirely personal and I’m quite aware it sounds like ranting. It’s true. I am ranting. Because you’re creating something that is not nearly as popular as a movie and 1) you don’t give the writers the due credits and 2) you’re not supporting the very core of your own work.

I’m disappointed. I’ve never been more confident that what I’m doing here on my blog is important. It’s out of love, years of love and devotion.

Feel free to disagree, of course. Again, it’s entirely a personal perspective. I just wanted to get it off my chest.

And yes, I’m completely done with rumors, theories and news. I’ll be watching the shows and I’ll continue wearing my clown costume. But my heart? It belongs to 616-Stephen. It always has. And that’s where I’m putting my devotion on.

Read Doctor Strange v4. There’s a reading guide on my pinned post.

[Source]

#i'm done #all i want to do now is hype with donny cates' tweets #doctor strange #stephen strange #personal #scott derrickson #wandavision #discourse

[florrickandassociates]

TGF Thoughts: 5x01- Previously on...

Welcome back!! I’m so excited to be writing one of these again. I think this hiatus has been the longest I’ve gone without new Diane Lockhart content in ten years, and it sure feels like it. A lot of important stuff has happened in the time since TGF season four ended (not concluded—ended). Most notably, CBS All Access became Paramount+ and suddenly started offering a lot of content I care about! I kid. 2020 was quite an eventful year, so I was curious how television’s most topical show was going to take it on. TGF is always forward-looking, but too much happened in 2020 to be ignored. And while I didn’t think TGF would have much to say about the pandemic, it seemed impossible to imagine a season five that pretended it never happened. Going into this premiere, I was expecting that they’d either skip COVID entirely or include very few references, but after seeing this episode, I feel like the writers took the only approach that made sense. And that is why they are the writers, and I'm just some girl on the internet who writes recaps.  

Anyway, before I dive into the episode, I should also note that my pandemic boredom spurred me to actually pay $30 to watch this episode early as part of the virtual ATX Festival. Yes, I paid $30 on top of the money I spend every month on Paramount+ for this show. But I write tens of thousands of words about each TGF episode—are my priorities really that surprising? I note this not to brag or even to poke fun at myself, but because watching the episode before I knew a single thing about it (not even the title!) completely changed my viewing experience. I’ve never had an experience like this with TGW or TGF. I’m one to search for critics tweeting cryptically about screeners and refresh sites looking for background extras (haven’t done this in the TGF era, though) and read every single piece of press I can find. For any big episode, I usually know the outline of what to expect going in (I even knew about Will before the episode aired in the US!). Not this one! So, I got to be surprised, and I had to—gasp—formulate my own opinions before I knew what anyone else thought! It was really pleasant, actually. I think the structure of the episode worked extremely well for me because it caught me by surprise... and also because I’m the kind of person who somehow managed to write a college paper about Previously On sequences.

I see Tumblr has made it so that “keep reading” expands the post in your dash instead of opening a new tab. I absolutely hate this. Here is a link to the post you can click instead of the keep reading button! 

The ATX stream started mid-sentence, meaning I missed the “Previously On... 2020...” title card and skipped right to Adrian saying “I’m retiring.” It was pretty easy to pick up on the device (the directness of the scenes at the start, their cadence, and their placement in the episode made it clear this was meant to mimic a Previously) but the second title card hit way harder because... well, I had no idea if this was meant to be 2020 or some moment outside of real time until a bit later in the episode.  

Man, before I get any farther into this, two things that I don’t know where else to put. First, this episode had to cover so much ground. They had to write out both Adrian and Lucca—more on that later--, figure out how to deal with all of 2020, figure out how to either wrap up or continue all the truncated season 4 plotlines, and set the stage for a new season... in 50 minutes.  

Second, just wanna shout out the Kings’ other Paramout+ show, Evil, which you should absolutely be watching even if you hate horror. Evil is a Kings show, so it is unsurprisingly topical (sometimes evil takes the form of racism or misogyny or Scott Rudin) and at times very, very funny. I would be recapping it if Paramount+ weren’t attacking me personally by airing it at the same time as TGF. Ever hear of too much of a good thing, people?! (On that note, I am VERY upset with myself for not having made a Good vs Evil joke about the Good shows and Evil. I didn’t even think about it until Robert King made the joke on Twitter, and it was right fucking there. How did I fail so miserably?!)  

So STR Laurie, who wants a 20% downsizing, is still a thing. Noted.

This scene with Landau is the only one in this previously that is actually old footage, right?  

Unexpected Margo Martindale! Yay! (Ruth Eastman is a character who is so much more effective on Fight than she was on Wife and I’m quite glad they’ve had her appear on Fight several times. It kind of redeems season seven. Kind of.)

I don’t think the writers intentionally chose for Adrian’s book deal to be with Simon & Schuster because it is the most politically fraught publisher (the number of stories about controversial memoirs they’ve picked up in 2021 alone...) but I kind of like that Adrian’s Road Not Taken involves S&S. My guess is they chose S&S because it is owned by ViacomCBS.  

“Years ago, I wanted to create a law firm run entirely by women, but it never worked out. So, why not now?” Diane says to Liz. One of the advantages of having twelve (!!!) seasons of Diane Lockhart is that we’ve seen what she’s talking about. And we’ve seen her put this idea forward multiple times, too. I have my reservations about Diane’s brand of feminism, and I’ll say more about how fraught a Diane/Liz firm would be as the show explores the potential issues there, but on the surface I’m kind of excited about the prospect of a Diane/Liz led firm. Diane has wanted this for ages, Liz is a good partner, and this actually makes sense (unlike the nonsensical Diane/Alicia alliance of late season seven, where the only rationale was “well, Alicia needs to betray Diane in the finale, but they’re not on good terms. So maybe we make them business partners so then the betrayal stings more?”). Plus I fully love that Diane would end up running a firm with Alicia’s law school rival.

(Has TGF mentioned that Liz and Alicia were law school rivals? No. Am I still clinging on to that as a large part of Liz’s character? ABSOLUTELY.)

Julius is on trial for Memo 618 reasons; Diane is defending him. So this is still happening. (There’s more old footage here.)  

Do they put these references to one/two party consent in these episodes as a wink at the fans? It has to be intentional. (Please do not ask me what the actual law is on this, this show has thoroughly confused me.)  

I knew Cush was filming stuff for TGF, but I didn’t know it was for the premiere. She was just posting about it a few weeks ago, so either they shot a lot of it right before air or she posted a while after filming. Anyway, yay Lucca!  

Bianca’s still around. And, TGF gets to shoot New York for New York, since Bianca is there. I do wish TGF could do more location shoots; there’s something about seeing an actual skyline that feels more real.  

Bianca wants Lucca, who has never been outside of the country (except to St. Lucia, as Bianca reminds her) to go to London and buy her a resort. It’s supposed to be a three week stay and Bianca’s already arranged childcare. Speaking of children, because of COVID and filming constraints, that’s Cush’s real kid in this scene! You can’t really see him, but I recognized his curly hair from Cush’s Instagram, and the Kings confirmed in an interview.  

Adrian wants to write a book about police brutality cases he’s worked on. Ruth very much does not want him to write that book. She wants him to write a book without substance about how white people and black people can work together. He, understandably, has no interest in writing this book. (Also, you can see in the background that Ruth doesn’t think Biden’s odds of winning the Democratic primary are good—there is a big down arrow next to his picture, which definitely dates this scene.)

Oh, David Lee is in this episode. He acts like an asshole towards Marissa when she’s trying to help him.  

Marissa, not happy with the lack of respect, calls Lucca for advice “for a friend.” Lucca mentions she’s in London and Marissa does not believe her and keeps going on and on about her frustrations and her new desire to become a lawyer—quickly.  

Marissa wanting to become a lawyer because she “hates being talked down to” is not a plot I would’ve expected but it’s also one that makes a lot of sense. I think Marissa’s used to being respected and praised even when she’s doing things that aren’t glamorous, so I see how she’d get very restless when she’s no longer outperforming expectations and is instead taken for granted.  

Bells toll in the background on Lucca’s side and Marissa asks where she is. Lucca again notes she’s in London and Marissa still doesn’t believe her.

I’m going to miss Lucca so much, especially since we’ll also be losing a lot of the Millennial Friendship scenes with her. Cush is fantastic (even if she never really got enough to do here) and she plays so well off of the rest of the cast. I even sometimes liked the writing for Maia (who?) when she had scenes with Lucca, Lucca is that good.  

Jay wakes up sweating and unable to breathe, so he deliriously calls his father-figure Adrian. This whole scene is shot like something out of Evil and (I’m getting ahead of myself here) this plot is the only thing about this episode I felt was a misstep.  

“I think you’re my father,” Jay says to Adrian. Heh, I didn’t catch this line the first time around (maybe subliminally I did, since I just called Adrian his father figure lol) but I love that it is included here. Adrian and Jay’s relationship definitely deserves a goodbye.

Adrian calls an ambulance and also gets to Jay before the ambulance somehow. Adrian notes that Jay might have “this thing from China” and... we’re doing the pandemic, y’all. (Minor nitpick: on March 13th, 2020, when this scene is dated, COVID was not “this thing from China”-- we were all aware of it. March 11th was the day Tom Hanks and Rita Wilson announced they’d tested positive and the NBA shut down and travel was restricted and every single brand that had my email sent me a message about their plans and measures. March 12th was the last time I was in my office, and we’d been getting emails telling us to wash our hands and prepare to work remotely for weeks. I went to San Francisco in mid-late February and distinctly remember deciding to leave a burrito unattended on a table while I washed my hands because I was paranoid about COVID... and then I remember making a specific trip to Walgreens to buy hand sanitizer so that didn’t happen again. My point is, Adrian lives in the same world I do. On March 13th 2020, he would not be treating COVID like it was some new thing he’d vaguely heard of.)  

(I am going to nitpick this timeline, but please know that I’m only doing it because I can, not because I think it’s necessarily a bad choice. Lines like this do feel a little forced, but I see the reason for introducing COVID as something new rather than going for the line that’s exactly historically accurate. I also am pretty sure there are references to dates in March/April in s4 of TGF that are now going to be contradicted by this episode, but I truly do not care. The writers get a pass on this one.)  

We skip slightly back in time to the beginning of March after the MARCH 13TH title card, or maybe this is supposed to be after March 13th and my own memories are preventing me from believing these face-to-face interactions were happening. Who knows.

Michael Bloomberg is... here, again, I guess? He asks Diane to assist with a Supreme Court case about gun control. I guess it does add some weight to the plot and make the stakes feel higher.  

Oh hey, this case is the 7x17 case!!!! Love that continuity.  

Diane and Adrian are both at the office late, working, and there is an unnecessary split screen that feels even more unnecessary when you consider that the editing alone was enough to create the parallel.  

Diane and Adrian have a nice convo (which I’ll really miss, their dynamic is great and this really feels like a successful partnership) as they wait for the elevator. When the elevator dings, they nearly tumble down into nothingness because... the elevator never came. Apparently this is a reference to an law old show I’ve never seen that killed off a character this way, and it’s meant to be a wink at how they are not going to kill off Adrian.

I do not know why I remember this, but I do: after they killed off Will, a critic (Noel Murray; I just googled to confirm my memory) who didn’t want to spoil things tweeted, “Exactly 23 years and 2 days ago, Rosalind Shays fell down an elevator shaft.” Please tell me why I remember this reference that I didn’t even understand well enough to have tracked down the original tweet in under a minute. (https://twitter.com/NoelMu/status/447942456827326464)  

Back on this show, Diane and Adrian share a drink and talk about their wishes. Diane wants to argue in front of the Supreme Court, and Adrian encourages her to speak up. His own near-death experience motivates him to trash the book Ruth has him writing, and Diane trashes the (bad) legal strategy someone else prepared for the Supreme Court.

DIANE IS WEARING JEANS!!!!!! Tbh, I think my favorite part of this episode is how many slice-of-life scenes and settings we get. These are always my favorite moments. I love the satirical and political stuff too, but the character moments are what get me invested enough to write these. (Yes, Diane in jeans constitutes a character moment.)  

Diane tells Bloomberg she wants to be involved and advocates for herself. Kurt gets a call on their landline (hahaha) from Adrian.

God, I love Diane and Kurt. Not only is their banter fun, you can just see a different, more relaxed side of Diane in these scenes. Diane tells Kurt she has good news for herself, but bad news for him since she’s arguing for gun control. She asks him to help her prep for court, too.  

So this is before Jay is rushed to the hospital, because now we are back at the hospital with Julius, Diane, and Marissa. I do not believe any of these people would be setting foot in a hospital like it’s any other day on March 13th, 2020. But I'm trying not to nitpick.

I get why they chose to give Jay a rather severe case of COVID. I just don’t get literally anything else that follows from the initial shock of Jay having COVID.  

I see why the writers chose March 20th (the actual Illinois stay at home order) as the next date for this timeline. I still do not believe that people were in this particular office on that date.  

You know what else I don’t believe? That RBL just shut down for two weeks and was like, no work is being done. Did law firms really do this? I can believe it if it’s an excuse to cost-cut, and I know there were massive layoffs, but this seems... really weird???  

Why are they setting up a teleconferencing infrastructure (didn’t they have one at LG? In season five?) if they are not planning to do work?  

Lol Diane explains what Zoom is, very slowly. She asks everyone to “download a program called Zoom.com” which is one of the first Zoom jokes I’ve chuckled at in a while.  

Marissa is not happy to hear that there’s no work for her in a work-remote world (this I believe 100%), so she calls Lucca again with more questions about law school.

Love these NYC and London location shots. Wish they could do that for Chicago.

Lucca asks Bianca to help get Marissa into a law school, fast, and Bianca tells Lucca to use her name... then offers her a job.

Marissa is at the office, alone, boxing up her things, when one of the office phones rings with some dude offering her a spot in a law school class. I guess we are really all-in on this! (Why would Lucca have given a firm phone number not specific to Marissa, though?)

Adrian and his corrupt girlfriend decide to shelter in place together. I still do not understand why he is okay with her being corrupt. I also don’t really understand why they’re going from talking about sheltering-in-place to George Floyd. How did we just skip from late March to late May? Are Adrian and corrupt gf having a conversation about sheltering-in-place two months into sheltering in place?  

Okay, I am not doing so good at this no-nitpicking thing. Again, I understand why they need to merge several scenes into one to keep things moving. And I guess they could just be getting around to this conversation.

I’m going to nitpick again, I can’t help myself. How did we just go from a scene of Adrian specifically talking about sheltering in place to a scene of Adrian bursting into a bustling and maskless DNC headquarters room? How!? The only masks in this scene are on TV!! There are like ten people in this scene!  

Anyway, more importantly, Adrian tells Ruth off and screams at her that she needs to listen to him instead of acting like she knows the way forward. He is completely right.  

Why is travel from London closing down in May 2020? Is it because this scene is supposed to be at a different place in the episode? Liz is asking Lucca to come back home from her three week stay in London (which has now lasted three months but travel is just now closing down), and Lucca’s hesitant to come home.

This is all happening via Zoom, btw. Lucca’s in her hotel, Diane and Adrian are at their respective homes, and Liz is in the office. All of this feels right. There is a chat off to the side of the screen where you can see Adrian and the others discussing how to unmute on Zoom. Very real. Though probably not very real in late May 2020. Feels more like April. I am convinced this scene got spliced in later to help the episode flow because everything in this scene (except the TV footage that definitely was added later) feels like it should be happening in the March section.  

Lucca mentions that Bianca offered her a job, and at this point we as viewers know how things are going to go—Lucca's going to end up taking it. Liz types in the Zoom chat that they don’t want to lose Lucca. When Lucca tells them how much Bianca’s offering ($500k/year, go Lucca!), Diane types “Shit.” into the chat. “Shit’s right,” Liz replies. “Yes... What should our counter be?” Diane replies. Lucca is kind enough to point out the messages are not private (again, this feels like March not May) but I think knowing that their reaction to topping $500k is “shit” tells her all she needs to know.  

Diane’s background still says that RBL is a division of STR Laurie. Weird how little we are hearing about the overlords except the 20% staff cut.  

Liz and Adrian chat and decide the only way to keep Lucca is to make her a partner. Which, yeah, if you’d just made her a partner years ago when you told her she was in the running for partner and then offered it to fucking MAIA, maybe she wouldn’t be considering Bianca’s offer. Lucca is definitely one of RBL’s stars, and I don’t think she’s wrong to feel like they don’t value her enough. They treat her well enough to be upset about losing her, but not well enough to have already made her partner and not well enough to actually give her authority (even though she runs a whole department). I’d be pretty unhappy too. It kind of feels sometimes like they take her for granted, and I don’t know that Lucca is one to feel like she owes a company anything. She’s more of an “I’m out for myself” type.  

Madeline and the other partner we’ve seen a few times who isn’t Liz/Diane/Adrian, walk into the office (wearing masks! Which they take off as soon as they enter a room with Liz! Without asking her if she is okay with this! TV logic!) and ask who is replacing Adrian. They think this is a good time to reevaluate having a white name partner of an African American firm, and they are spot on. Liz tries to deflect, noting that Diane is already a name partner and was before Liz even joined, but Madeline and other partner (whose name I really wish they would say so I can stop calling him “other partner”) won’t let up. Their position is that Diane shouldn’t have been made a name partner then—all she did was bring in ChumHum, an account that quickly left the firm. Good point.  

“What is this firm if it’s not African American? It’s just another midsized all-service Midwestern law firm, one of 50,” Madeline argues. The other partner says Liz needs to remove Diane and promote two African Americans to name partner. Liz laughs and asks if they mean themselves. Madeline does not—she's concerned about the number of black associates they’re letting go. Liz heads out, but this conversation is very much ongoing.

And I think it’s a very interesting dilemma! There’s a lot of mileage the writers can get out of this, because I don’t think there’s a right answer or a wrong one. It’s all about what Liz decides she wants the future of the firm to be. If Liz chooses Diane, she might be choosing something that works for her personally or that she thinks is a safer financial bet—but she’ll be choosing to work at a firm that can no longer be thought of as a black firm, and she’ll be choosing to move away from her father’s vision for the firm. And since the plot hinges on what Liz will decide rather than what’s objectively the right path forward, there’s a lot of interesting tension there I can’t wait to see.  

(My favorite thing about Adrian leaving is that Liz will likely get more to do, especially when it comes to managing the firm. Adrian tends to speak up first, but Liz is more than capable of managing without him and I’m so excited to see what she does when her ex-husband isn’t constantly talking over her.)  

Marissa and Lucca video chat with Jay. He’s still in the hospital. One thing that bugs me about how this episode handles COVID is that I never really get the sense that any of the characters are particularly afraid of the virus. Maybe none of them were. But you’d think you’d see a little of that fear, the weird dance of trying to assess others’ comfort levels with masking, etc., in an ep specifically about living through this time. ESPECIALLY since someone they all know and are close to has been hospitalized for MONTHS with this thing! It’s just so weird to go from a scene where people wear masks until they come in contact with other people (when masks matter the most) to a scene of someone in the hospital with COVID.  

And now Jay’s weird hallucinations start as his battery dies on the video chat. I really, truly, hated these hallucinations. I was ready to be done with these from the second they started. They’re weirdly shot, they go on for too long, and they feel like the clunkiest parts of Mind’s Eye when Alicia starts having a debate in her mind about atheism mixed with the (far superior) hospital episode of Evil.  

I don’t have much to say about these hallucinations except that I hated them a lot. When there’s the reveal that Jay is hallucinating a commerical, I almost came around on the hallucinations because that’s kind of funny and inspired. And then several more hallucinations popped up and they had a round table and Jesus got added to the mix and I was like, nope, this is bad in a very uninteresting way. I reject this.  

I feel like the Kings didn’t have much to say about COVID, the actual virus. This episode is definitely more about what the characters’ lives were like during COVID and not the pandemic itself. I think they likely got a lot of their COVID commentary out of their system with their zombie COVID show The Bite (I have not seen The Bite due to it airing on Spectrum On Demand, which I have no way of accessing. Like, I would have to move and then decide to pay for cable in order to watch it.) I also suspect a lot of their commentary on COVID isn’t going to be specific to the virus and is instead going to be about things like mask-wearing and vaccinations becoming political. And, really, that’s just a new variation on talking about polarization... and they’ve been talking about polarization for years.

In fact, they even wrote a whole series about an outbreak of a (space-bug-spread) virus that caused political polarization before Trump was even elected. BrainDead is basically commentary on the pandemic before the pandemic even happened. Soooooo I get why they are more interested in recapping 2020 than in doing a Very Special Episode about themes they’ve been talking about for years. (I still think they would’ve benefitted from at least one character being afraid of getting sick or getting their family sick.)  

There is likely some interesting content in these Jay hallucinations. I hate them so much I cannot find it. You know when you’re just on a completely different wavelength than the writers? This is an example of that.  

Also I’m not a fan of the shadowy directing. I think this is meant to look cooler than it does.  

Have I mentioned yet that I absolutely love the “Previously On” device for this episode? It’s such a fun, propulsive way to get through the slog of 2020. Scenes can be short and to the point, and each scene has to do a lot of lifting to fill in the gaps. I think that leads to scenes that are better constructed and telling on lots of levels—where are people when they’re quarantined? Who’s wearing casual clothes and when? What about this scene defines this character’s life at that moment in time?  

Bizarrely, even though this episode is pretty much all plot (this happens! Then that!), I actually found this to be one of the most character-driven episodes TGF has ever done. There’s a lot of story, but most of that story is about how the characters reacted to 2020 rather than overarching plots that will weigh on the rest of the season. This episode covers a lot of ground, but it does it with character moments that resonate.  

Now it’s July and Diane’s prepping to argue in front of the Supreme Court. Kurt’s helping her witness prep and it gets a little personal... and that ends up turning Diane on. Good to see McHart hasn’t lost its spark. (Remember how Kurt cheated on Diane in season 7 of Wife? No, me neither, because that never happened.)  

Corrupt judge is back. Adrian playfully tries to distract her from work. Then he takes a video call from Liz, who updates him on the conversation she had with John (so that’s his name) and Madeline. I guess that part of May was close to July? Anyway, Adrian isn’t surprised to hear that people are upset at the prospect of Diane being one of two name partners.  

Liz is at the office in workout clothes and I love it!

They’re losing 15 black associates (and Adrian and Lucca) and 4 white ones, Liz says. This sounds like a very big problem. (I’d be curious to know what that is as a percentage of the firm and how the racial composition shifts.)

Liz knows it’s not exactly up to her if Diane stays on as name partner (the other partners get a vote, but I think Liz knows she has a lot of sway here). She’s also wondering if Biden could win, and if so, would it be to the firm’s advantage to be black-owned? Interesting.  

“Well. If you’re thinking it, then Diane’s thinking it, too,” Adrian says. He’s right. “White guilt. It runs verrrrry deep on that one, huh?” Ha. He is right about that, too. I actually can’t decide which of these interpretations is correct, because it could be either even though they seem contradictory. (1) Is Adrian saying it with a hint of mockery because he knows Diane will fight for her partnership even as she would say she’s a huge supporter of black businesses? (2) Is he saying it because he knows Diane would have enough white guilt to realize what her presence as a partner means and think through the implications? I think it is, somehow, a combination. I’m interested in this line because this whole dilemma (from Diane’s POV) is something that’s very familiar. Diane’s always been an idealist who will betray her ideals for personal gain. That sounds like an attack, but I mean that as neutrally as I possibly can. There are so many examples of this that this is kind of just a character trait of hers at this point. Usually those ideals are about feminism, but this situation seems closely related.  

Adrian overhears Corrupt GF talking about Julius, Diane, and Memo 618. You would think she would wait to have this conversation until there is no chance of Adrian overhearing, because if Adrian overhears, he might...

... do exactly what he proceeds to do and hop into a car with Diane to give her a heads up. (I think I’m just going to have to accept that the mask usage rule on this episode is “we use masks to show that the characters would wear them, but we don’t want to have scenes where characters are fully masked because that’s annoying.” If that’s not the rule, then why else would Adrian be masked outside... and then take off his mask as soon as he gets into a confined indoor space with Diane?  

Baranski looks ESPECIALLY like Taylor Swift in this scene.  

Adrian tells Diane what he knows. He dug deeper after overhearing Charlotte, so he has even more info. “If you tell me, I will use it,” Diane warns. Adrian knows that, so he takes a moment to decide. And he decides that he cares more about Diane and Julius than about his relationship with a corrupt judge.  

Diane and Julius are masked in court. Visitor and the judge are not. They use masking in a clever way in this scene: Diane uses being masked to her advantage because it means no one can possibly read her lips, so she can use the info Adrian fed her against Charlotte without any fear of spies. Charlotte, who is unmasked, guards her lips with a folder, as the Visitor watches interestedly.  

Diane convinces Charlotte to recuse herself. Charlotte says she’s making a mistake; Diane does not care.  

The new judge is, unfortunately, the idiot who doesn’t know anything about the law. Uh oh.

Charlotte decides she’s done sheltering in place with Adrian. He tries to talk through the conflict, but Charlotte says “You made your choice, Adrian. Julius Cain over me.”

“The choice was about right and wrong, Charlotte,” Adrian tries to explain. I mean, yeah, but if you’re dating a judge who has admitted she’s totally corrupt, didn’t right and wrong go out the window a while ago?

Adrian seems to think the other people involved in the events are bad and Charlotte is good. I am not convinced. I don’t think she’s the big bad, but I don’t think she’s good.  

Charlotte points out that he invaded her privacy. She is right about that. “You said the choice was between right and wrong. Turning over my emails was the choice,” she said. I get her POV. But also, she is corrupt.  

I do not like the way the part of the scene where Adrian physically restrains Charlotte to keep her from leaving is shot. I don’t think this is an abusive scene but I think it should’ve been shot from a little farther back so we could see it’s more like Adrian reaching out in desperation than trying to choke Charlotte. Because it very much looks like he is trying to choke Charlotte.  

He tells Charlotte he loves her. She says it’s too late and leaves. “Maybe you won’t be with me. But you keep down this path... you’ll be done, I’m telling you, you’ll be done.”

I think something that I’ve been missing in these interactions is that I didn’t quite realize until this scene that the Adrian/Charlotte dynamic is more interesting than Adrian liking a corrupt judge. I think he truly believes Charlotte is a good person who got caught up in some bad stuff, and that she can bounce back from it. I’ve always seen Charlotte as someone who is corrupt for herself and then ended up going along with the corruption of others, too, so I’ve dismissed her and the relationship. This is the first scene that has felt real to me, and the first scene where she’s felt like more than a caricature. Kind of sad it’s the last she’ll get with Adrian—now I’m actually starting to find her interesting. Notice how in these last few sentences I’ve used her name instead of “Corrupt GF”!  

Charlotte says she loved Adrian too, but that’s not enough. Awww.

He can’t really be surprised though, can he?  

Now it is August and we get to see Diane and Liz react to the announcement of Kamala Harris as Biden’s VP pick, and I would like to thank the writers for giving me the opportunity to see Diane and Liz react to this. It’s kind of fan-service, but it’s also a nice tie-in to the girl-power theme of the Diane/Liz alliance.

Diane and Liz realize that Adrian’s probably not a good candidate for 2024 if the DNC only wants one black candidate and Harris is the clear front-runner. Liz suggests keeping him on as partner instead, in a way that very much implies this would be her ideal solution. Diane, being Diane, says she was liking the idea of an all-female firm. Liz hesitantly says she was too, and Diane senses the hesitation.

“Let’s look again at which associates to fire. I’m worried we’re losing too many African Americans,” Diane switches the subject. How have they still not made this decision? If any employees know downsizing is coming, and they’ve had months to act on it, assuming there are jobs elsewhere, people would’ve been jumping ship by now.  

But that’s not the point of this scene. The point of this scene is that Liz corrects Diane: “Black. You can just say Black people.” Very nice moment underlining the tension. Diane means well, but she’s still acting like a white lady who doesn’t know how to act around black people... and she wants to (and, I guess, already does) run a black firm. Major yikes.  

Marissa and Lucca are talking again. Marissa does not want to be in law school—she just wants to be a lawyer. Lucca won’t accept Marissa’s refusal to memorize meaningless rules: “Marissa. I know that you know how to play the game, but you have to pass the bar to get into a position to play the game.” Why does this line make me love Lucca? This line isn’t even anything amazing. It’s just a line that cuts through the bullshit and makes a good point.  

Marissa keeps going, insulting all of her peers and teachers, and Lucca figures out how to cut through that, too: she tells Marissa that she’d hire her as a lawyer if she killed someone, but only if Marissa passes the bar. Marissa is instantly intrigued.  

“Why are you leaving here? I’ll miss you,” Marissa says.  

“Because they won’t pay me what I deserve,” Lucca says in a matter-of-fact tone. “Anyway, I thought they fired you.”  

“But they didn’t mean it. It’s like the smoothie place—they kept trying to fire me and I just kept showing up,” Marissa replies. That checks out. (Love the callback!)  

Lucca tries to get Marissa to come over to England. Marissa shuts that down as Lucca gets a news alert—and it’s not good news.  

Our next date is September 18th, 2020 and I will get my nitpicks out of the way up front! I don’t really know why it is daytime for Lucca when she reads the news, considering it was already the evening in the States when the RBG news broke. And, also, it was Rosh Hashanah, so Marissa probably would not have been sitting in her bedroom studying... she most likely would’ve been with family or friends. OK I’M DONE. FOR NOW.  

Diane is getting ready for her arguments in front of the Supreme Court. It’s almost time! She’s in casual clothes but has on a wonderful mask. She’s standing in front of Kurt’s guns to make a point (love that she’s using her video call background to her advantage) and there are several people in her bedroom getting the tech all set up. I have noted before that they only built one set for Diane’s apartment, and it’s just a massive bedroom. Diane choosing to be in front of the guns does a nice job of cutting off my question about why she’d be arguing in front of the Supreme Court from her bedroom rather than the home office she absolutely would have.  

Kurt walks in and tries to shake hands... he’s clearly not very COVID paranoid, and Diane seems to be, and... that’s something I might have wanted to see? How was Diane okay with Kurt taking risks that also affected her?

Diane confirms she intentionally chose to stand in front of the guns. That’s when Kurt gets the push notification. He pulls Diane into the bathroom to show her the news. He hands her his phone and Diane’s face falls. She starts tearing up. “2020 just won’t let go,” she says, speaking for us all.

Normally I hate things that are like, we’re going to contrive this so the news hits at the worst possible moment! This works for me, because the Supreme Court plot for Diane feels more like something that exists to be a through line for the episode. It would also be a little hard to work in RBG’s death as a main plot point—and it is definitely important enough to be a main plotpoint—if it didn’t also affect something in the world of the show.  

Also, another reason I like this contrivance is that it makes it all the more powerful when Diane says, “It’s over. He gets to nominate someone. Another Kavanaugh! We’ll have a conservative court for the next 20 years. My whole fucking life!” She’s not thinking about how this affects her case (and that case is basically a life-long dream for her). She is thinking about way bigger things, and knowing that her mind goes to the bigger things before the personal with news like this really underlines how big of a deal RBG’s death was.  

Diane tells Kurt, “I don’t deserve you. You don’t agree with me.” “I can still feel bad for you,” he responds. He holds her while she cries.

Jay’s hallucination thing is back. Now Karl Marx is here. So is Jesus. I’m so done with this. It’s nice to get a break from writing.

Malcolm X is also on the roundtable and now they’re talking over each other in that way that everyone on this show always does. (RK gave an interview about Evil where he said he likes having the children on that show talk over each other because he grew up in a household like that. I did not need to read that interview to understand that RK likes scenes where people talk over each other.)  

If anything happened in those hallucinations, I missed it, because I didn’t pause the episode. Because I do not care about the hallucinations. Because I hate them.

Now it’s November 2020... Diane’s watching election results and rocking back and forth. She tells Kurt he can go watch Fox News in the other room (so they do have more than one room!). He says he’s fine—he thinks Diane needs it more.  

“Yes, but Kurt, if you stay, I know this isn’t sensible, but... Trump seems to get more votes whenever you’re sitting on this couch,” Diane tells him. Ha, I relate to this kind of superstition so hard. “Are you serious?” Kurt says. “I am so deathly serious,” Diane responds. “Whenever you’re sitting here, Arizona goes for Trump. Humor me, please. Just go in the other room.”  

When Kurt tries to kiss her, she pulls away: “No, no, no. No kiss. If you kiss me, we’ll lose Georgia.” This scene feels so, so real and perfectly captures what it was like (at least for me, though I don’t have a Republican husband or anything) watching election results come in.  

“Uh, if you lose, we’ll be fine, right?” Kurt asks. “Kurt, let me just say this. I’m only saying that we won’t be fine so that the universe will grant me a win,” Diane responds. This scene is so fun and so good! It simultaneously captures a relatable mood, adds some levity, gives us a window into Diane’s life, and shows some of the tensions in her marriage?! I want this all the time!  

Kurt leaves the room. Diane pours more wine.

Later, with Diane still rocking back and forth with anxiety (just you wait for the several more days this will drag on!), Kurt brings in the champagne. “That was for when Hillary won. I can only drink it if Biden wins,” Diane protests. Did I also refuse to drink any celebratory alcohol until things were absolutely certain? No comment.  

“It’s odd you progressives resisted religion. You seem to have a hundred religions to take its place,” Kurt says, speaking on behalf of the writers’ room. (This joke doesn’t get written if the writers don’t believe this and probably even see it in themselves.)  

“Go away, Trump. I mean Kurt,” she shoos him away. Have I mentioned yet I love this scene?  

“Love me even if you lose?” he jokes (though I do wonder if this isn’t that joking? I think it is, but he keeps saying it!) as Diane gestures at him to get out.  

I could do without the joke about Diane’s heart on the TV for a couple reasons. One, it goes on too long. Two, I was very worried something would actually happen to Diane. You’d think that would make the scene feel more tense, but it does not, because it takes me out of the moment.

“Ok, God. You know I don’t believe in you. But I will believe in you if Joe Biden wins. I’m sorry. I know that that’s not what Jesus taught. There’s nothing in the New Testament that says, ‘Believe in me, and I’ll make sure your candidate wins,’ but I need Joe Biden to win. I’m sorry, God, but I just do. I need some faith.” This is a little much but... yeah. Also, is this the first time Diane’s flat out said she’s an atheist? I think it is, though I’ve assumed as much for quite a while.  

The next day in court, masks are no longer required if you’re a series regular and votes are still being counted. I remember those days. Marissa thought Diane was checking in on Jay... Diane was not. She was checking on vote counts.  

Apparently Jay’s finally being released from the hospital!

Bad news for Julius—the idiot judge finds him guilty of some nonsense charge and sentences him to seven years in prison.  

Diane says not to worry, and Julius asks “Why not?” Good point.

Then we have election results! We skip, specifically, to December 14th and the electoral college vote. I’m a little sad we skipped over the huge party that was November 7th, but I get why they’d rather keep things moving along. I think showing November 7th in an uncomplicated way would’ve just been too close to fanservice. But, man, what a day.  

Diane, in a red hoodie with leopard print that she somehow manages to still look classy in, is ready to pop champagne. Then she hears that on January 6th, a joint session of Congress will count the electoral votes and there might be a debate. “Nope. If I open it now, something bad will happen,” she reasons. “I’ve waited four years. I can wait another few weeks.”

It’s been almost a year and they’re still somehow negotiating with Lucca, but I understand why they’d space this out across the episode. Otherwise we’d have to say goodbye to Lucca in the first like, 15 mins of the episode and all those scenes would be in a row. I can forgive (and still nitpick) choices like this when the reasoning behind them seems sound.  

Adrian says they don’t want to lose Lucca. He, Liz, and Diane are all in the conference room, and they ask Lucca for a yes or no on their latest offer by the end of the call. Diane offers Lucca partner—she'll be the youngest partner in the firm’s history—and she’ll get a $500,000/year salary. Adrian tries to sell her on being part of American history by being part of the firm.

“We are a black firm, Lucca, and we need you,” Liz says with a lot of passion for someone who knows she might very well partner with Diane. Diane looks at Liz with a bit of suspicion at this, wondering if Liz is showing her cards.  

Lucca manages to make the wifi malfunction (or she gets very lucky) and uses the disconnection to call Bianca for a counteroffer, even though they said they needed a yes or no on the spot.  

“They used George Floyd because they want you for less. They have never appreciated you as much as I do. All those scars, all that time being taken for granted and undervalued has made you a fighter. It’s made you someone I now want,” Bianca tells Lucca. She gives Lucca a counter offer of $1.3 million and the title of CFO. Lucca takes it. Is there really another choice? (If she were concerned about loyalty to the firm and the partnership was what she wanted, she probably would've just taken it.)  

(Also, the partners can’t really act like Lucca is making history by being the youngest partner ever when they passed her over for partner two years earlier and offered it to Maia! To MAIA! Who had like three years of work experience! And yes I was fine with Alicia and Cary getting partnership offers with four years but, one, that was a scam, and two, Alicia and Cary actually worked. Oh, I see I still hate Maia with a passion. Back to THIS season...)

Lucca apologetically informs Marissa she’s leaving and the offer was just too good to turn down. I believe it. I also believe Lucca wants that job more. What has loyalty to RBL gotten her? She's someone so talented and good at her job that she just gets job offers from acquaintances all the time (starting with Alicia!). RBL appreciates her, but just enough to appease her while still undervaluing her. I don’t know that I would’ve believed a plot where Lucca actively job hunts, but I definitely believe this.

“Marissa, we don’t have to work together to be friends,” Lucca tells Marissa. I’m going to miss this so much. Why is this the best material Lucca’s gotten in ages?! I think one of the things that makes Lucca such a great character is that you can see why everyone instantly wants her on their team. She’s a fantastic friend (without giving too much of herself), she’s not a pushover, and she is incredibly sharp and able to get to the heart of any situation. I love her and I’m sad we won’t get to see more of her.  

(On that bit about friendship—I can’t write about Lucca’s departure without writing about the moment I realized just how great of a character Lucca was. It was in 7x13, when Alicia has her breakdown that’s seven seasons in the making... and Lucca supports her. But the writing, and Cush’s performance, never make it feel like Lucca exists to be a part of Alicia’s story. Lucca seems like her own fully formed person who happens to be supporting Alicia at this moment. I don’t think I can overstate how tough of a task it is to get me to care about the other person in a pivotal Alicia scene, especially when that other person was added to the cast in the final season and many suspected she’d just be a replacement for a different beloved character! Anyway, Lucca’s been great for years, and I’ll miss her.)  

Just when I thought I couldn’t hate the hallucinations more, we get a hint that they are going to continue: Jay sees one right after he learns that Marissa’s used her quarantine to start law school and he’s done nothing.  

Jay says he carries a gun now and it’s “performative.” I have no idea what that means and Marissa and Lucca don’t seem to, either.  

Another thing I like about Lucca’s final scene is that it isn’t rushed. We have time for all that, and also for Lucca to tell Marissa about the time she stole her breakfast sandwich, and for Marissa to react to it, and for Marissa to find Lucca’s Birkin bag, and for Lucca to tell Marissa to keep it, and for Marissa to react to that, and for Lucca to sappily say “think of me when you use it,” and for Marissa to nonsensically reply, “you think of me when I use it,” and there’s still a little bit more of the scene after that!  

Marissa’s silly line makes Lucca tear up. “God, I’m gonna miss you guys,” she says. “I’m gonna miss this. You make me smile. I didn’t smile much before you guys.” Awwwwwww. This is also so true to character! Her friendship with Alicia aside, Lucca’s definitely said before she’s not one to have friends (which is hilarious because she is, as I've said like 100 times, a fantastic friend and also just like, the coolest person??? Who wouldn’t want to be HER friend?!).  

She says she has to go because she’s getting too emotional and says goodbye. She’s also super sappy and when Marissa says, “you were the best,” she responds that they were the best TOGETHER! Awwwwwww.  

What a nice, fitting goodbye for Lucca. There’s no bad blood or fireworks—she just makes a change like a lot of people do. I’d like to think she’ll still be friends with Marissa and Jay after this. I don’t want too many Lucca references in future episodes, but I would really like it if we see Marissa and Jay update each other on the latest from Lucca, or if a scene begins with Marissa closing out an Instagram post from Lucca of her kid, or something. I wouldn’t want clues about what Lucca’s up to, but I’d love to see that she’s still a part of Marissa and Jay’s lives.

Now it is January 6th. Liz, Adrian, and Diane sit on the floor of the mostly empty office, watching TV coverage and drinking. It’s so relaxed it’s almost surreal, and it, like many other moments in this episode, feels like a slice of life. Everyone’s dressed casually and no one is worried about appearances or looking like the boss.  

“God, have you ever seen anything like it. It’s so fucked,” Diane says. Adrian’s more optimistic—the courts rejected most of the challenges to election results! “System worked,” he says. “Yay.” Liz says in response. She’s not as optimistic as he is.  

“Liz. Liz. Sometimes when things work out, there is no parade. There’s no congratulations, but I’ll tell you this: We live to fight another day,” he explains to her even though she makes a good point that a system just barely hanging on doesn’t bode well for the future. (She doesn’t say all this, but that’s a very loaded, “Yay.”)  

“Yeah? Then why are you leaving the law?” Liz asks. Diane seconds to the question.

Adrian announces he’s still retiring—and he’s moving to Atlanta. He wants to go to the south to help “create and consolidate political power.” He’s excited to start over and inspired by Georgia going blue. This is a very nice exit for Adrian. I fully believe that he’s interested in political organizing, that he’d be good at it, and that he’s ready for a change. I don’t think he’s always the most progressive person (of the three in this scene, Liz is absolutely the most progressive one, though Diane probably thinks she is!), but I absolutely think he thinks of himself as an activist and I believe that if he’s going to step away from the law, he’d do so to make a move like this.  

Adrian—and Lucca, but especially Adrian—probably both got better exits thanks to the events of 2020. If Adrian had just left to be groomed by the DNC, that would’ve been a predictable and boring ending for him. His candidacy would, obviously, go nowhere, and the whole thing felt weird from the minute it was introduced. But this? Adrian being energized—like so many others were—by the ways the world changed in 2020 and using his already announced departure from the firm and recent breakup as a chance to start over and make change? This is great!  

Adrian asks Liz and Diane what’s next for them. Liz says that she thinks the Biden admin will be better for black businesses. Adrian asks if they’re replacing him, and Diane says, “I think the big question is, are you replacing me?” She’s smart. I like how this scene goes from friendly to tense very fast, with everyone kind of testing the waters. Adrian tries to force the conversation, Liz opens with something vague yet pointed, and Diane speaks what’s previously been unspoken.

Liz says it’s not her intention to push Diane out. “I can’t change the color of my skin,” Diane replies. “I know,” Liz laughs. Audra’s delivery is fantastic on that line.  

“Hey, I’m gonna fight for my partnership,” Diane says. “I know,” Liz says. The tone of this scene is so different from previous partnership drama on these shows and I’m excited about it. This is just a bunch of adults talking about business decisions with each other and treating each other as equals?? It's not backstabbing?? Or drama?? No one is hiding things?? It’s refreshing and I hope this plot stays like this. We’ve done so much partnership drama that I think drama that stems from a real, pressing question that has no easy answers and isn’t anyone’s fault is going to be much more fruitful for the show.  

Adrian heads out—ah, I see now this scene is set in his empty office and this is why they are on the floor—and gets a nice last moment with Diane. And then they give him a last moment with Liz, which I knew they would but was still glad to see.  

Liz asks if he knows what he’s doing—he says he’s not sure.

Adrian asks if Liz knows where she stands regarding Diane. “It’s going to be interesting,” Liz says. I don’t think she’s decided what she’s going to do yet.

It wouldn’t be an Adrian and Liz scene if Adrian didn’t have some unsolicited advice. “Diane’s a terrific lawyer, but this firm belongs to you.  Your dad built it. He did, Liz. Despite all his faults. You got to run this place the way you want. This is a black firm. And after today, the world needs black firms. You got me?” He tells Liz. He makes it seem like Liz gets the choice and then tells her what to do. She says, “I got it,” signaling she understood him but not that she necessarily agrees.  

I cannot wait to see what Liz does next!!!!!!! About this but just in general!!!!! Without Adrian there giving her constant advice I feel like she can grow so much and the show will have to give her more to do!!! I think Adrian, for all his many wonderful qualities and all he brought to the show, can suck all the air out of a room with his charisma, and Liz usually ends up suffering as a result. She’s such a capable lawyer in her own right, but Adrian has a way of making it always seem like he’s right—even in arguments she wins. I’m excited to see Liz lead (or stumble at leadership; she is fairly new to management) without Adrian’s direct influence.  

Liz walks Adrian out and it’s cute. They run into Marissa and Jay. “Everybody fun is leaving,” Marissa notes. Liz is minorly offended, but playfully. Heh.

Adrian asks Jay how he’s doing; Jay says he’s a long-hauler but he’s doing okay. I like that they included that moment in Adrian’s goodbye sequence. It’s a very little thing, but it underlines that Adrian cares about Jay.  

Then Liz interrupts to note that Trump pardoned a lot of convicted and corrupt Republican officials....... including Julius.  

Everyone celebrates, but especially Diane and Marissa. Diane lets out her wonderful laugh and then we, finally, get to the credits. Because now that the previouslies are over, it’s time for the real show.

The credits are absolutely delightful, btw. I was a little worried some of the kittens would blow up, though! Once I relaxed and realized what they were up to—literal puppies and kittens because Biden won—I couldn’t get enough of these credits. They work so well because they accurately capture the way I (and all of these characters, except maybe Julius and Kurt) feel about the election results, but it’s so exaggerated that you know the kittens and puppies aren’t a realistic representation of our new reality. They’re just too good to be true, but you may as well enjoy them for a minute. I’m sure we’ll be back to exploding vases next week.

What a great episode! My timeline nitpicks and whatever they’re trying to do with Jay aside, I was blown away by how well the writers managed to move on from season 4, tie up loose ends, and write out two main characters. And they did it all while making me revisit the events of 2020, a year I don’t think many of us want to spend much time thinking about! This episode was enjoyable, fun, emotional, and clever. I don’t know what to expect from the rest of the season, but I’m definitely excited about the show in a way I haven’t really been in quite some time.  

This season’s naming convention seems to be titles that end with ... and only have the first word capitalized. I want to see more. 

Season FIVE? There have already been as many TGF seasons as there were TGW seasons prior to Hitting the Fan?! Time flies. 

Please writers: No topical episodes this year-- no pee tape, no Melania divorce, no Epstein. None of that business. 

Sorry if I repeated myself here. I never proofread these things, and I wrote half of this on Saturday and half of it today (Wednesday) and the days in between were an absolute blur so I cannot remember if I said the same things about this episode twice. 

#the good fight #tgfthoughts