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#you guys they are SO endgame
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Hey yall, I'm writing a byler story and I'm wondering if you'd guys would like to read it! My user is Youcantforcethestarstoalign and the storys titled
you drew stars around my scars (and now I'm bleeding)
Obv it's a very basic byler title but I mean it's explanatory!! It's angsty but it'll get better probably idk yet lol
Guys also one part is kinda like the rain fight but it's not but it is and uh I might have made Mike a bit angry and a lot more bitchy then I wanted but uh oh well
Also guys I have a spotify Playlist based off of Mike Wheelers Internalized Homophobia (he has it ofc)
Lmk if it doesn't work lol
Bye yalll
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omrarchive · 2 months
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yuwuta · 13 days
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WHEREVER YOU WANNA GO, THAT’S FINE WITH ME — MEGUMI FUSHIGURO 
cw mentioned/talks about death but not like… in a serious way 😭 this whole thing is very unserious and stupid it’s just a thought i couldn’t get out of my head, megumi being… megumi, f2l but what’s new, also inspired by some clip from a tv show i’ve seen on tt but idk the name of it, if you do pls let me know
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you ask megumi you make one of those marriage pacts with you—that if neither of you are married by thirty-five, you two will get married to each other—and he just hums for a moment before asking, “do you think i’ll be better suited for marriage at thirty-five?”
“what? n—i don’t know? maybe? it just seems like an appropriate age to get married if you’re not already, that’s all,” you explain.
more humming. he blinks, “i don’t think i’ll be all that different at thirty-five.”
“well, that’s concerning,” you joke, “you’re supposed to change—grow a little bit as a person and all that, megumi. even you are capable of it.”
“i won’t want anything different out of a marriage at thirty-five than i would right now,” he corrects you, then turns to you, and with all seriousness demands, “so, state your stipulations. what do you want from me, let’s figure out of this is gonna work now.” 
you scoff, and cross your arms. “what do i want from you? that’s not how a marriage works.” 
“that’s how this friendship already works.” 
you say, megumi does; he pushes it than he should have, you say to stop, and eventually he does, and the cycle continues. he’s always stubborn, and sacrificing himself beyond necessity, and you’re always pulling his ear for it. 
“okay. fine,” you settle, straightening your posture, “i want a house. three bedrooms, so nobara and yuuji don’t have to bicker about sharing when they stay over.” 
megumi considers it, then counters with, “four. gojo needs a bedroom, too. one floor, i don’t like stairs.” 
“where the fuck are we going to find a one-level four-bedroom house? i don’t want to live in the middle of butt-fuck nowhere.” 
“we’ll find one,” he shrugs, doesn’t flinch when he promises: “or i’ll have one made for us. next: vacations.” 
“twice per year. somewhere tropical, and somewhere metropolitan.” 
“i don’t like the beach.” 
“then you don’t have to go on the beach.” 
“you’re responsible for me if i burn.” 
“i’m responsible for you either way, i’m your wife,” you taunt, “pets, next. i want dogs. two. maybe three. and a bunny.” 
“no bunnies, they’re too much work.”
“but i want a bunny, megumi.” 
“you won’t have time for a bunny,” he rolls his eyes, “and you’re gonna get pissed when it chews up the expensive couch you’re gonna make me buy, and takes a shit in the expensive fruit bowl you’re gonna con gojo out of. no bunnies.” 
you pout and frown, but megumi doesn’t budge: “no bunnies.” 
you sigh, “no bunnies, but i want the dogs.” 
“i didn’t say no to the dogs. unless you want a golden, then i’m not raising that.” 
“why not? we already have yuuji.” 
“exactly, we already have yuuji.” 
“fine. i want a king sized bed. the really big, oversized ones you get in america.” 
“done. children?” 
“you want children?”
megumi shrugs, but you swear there’s a dust of pink on his cheeks, “maybe. maybe not. if i did, no more than two.” 
and suddenly you can’t help but feel heat in your own face, hot with the image of two tiny megumis running around. 
“that’s fine with me. maybe kids, but no more than two,” you cough, “i want one of those heated driveways for the house.”
“i’ll have it built. i’ll clean and do laundry and take out the trash if you cook.”
“what about days i don’t cook?”
“then i’ll do that, too,” megumi nods, “anything else?”
“yes. if i die first, you can remarry, but you visit my grave at least twice a year, and bring peonies. and that picture of me from prom where i look really good.” 
“no.” 
you stop. you blink. “what do you mean ‘no?’ you wouldn’t visit my grave?—kinda cruel considering i birthed your up-to-two future children and raised your dogs.” 
“i won’t remarry. and i don’t want you to if i die first,” he corrects you, again, “and there’s no dying first and leaving me behind, i’m going with you.”
he doesn’t leave room for debate in his declarations: won’t, don’t; not wouldn’t, shouldn’t, couldn’t—you have to pinch yourself to stop chasing the rabbit of temptation running through your mind. 
“i don’t… think you get to decide that,” you chuckle. 
“of course i do,” megumi grins, uncrosses his legs and leans over. he reaches a hand to the back of your head and pushes it forward until your foreheads meet gently; and as if the affection wasn’t shocking enough, he continues, “where you go, i go. that’s marriage, right?” 
he widens his smile a bit, before letting you go, leaning back into his seat again with crossed arms like nothing happened, and you’re left staring, blinking, breathing shallowly like prey that narrowly escaped being caught.
you don’t speak, so megumi does, “i have one more thing.” 
and slowly, you unthaw enough to let out a questioning hum. megumi tilts his head before telling you, “i want your last name.” 
“what? you—you would change your name?” you stutter, “but fushiguro is so pretty! and it’s your mom’s name, so few people get their mother’s names.” 
“yeah. this way, our up-to-two children get their mother’s names, too.” 
“i—okay… yeah, i guess they do,” you gape, then pout, “wait, what if i wanted to be mrs. fushiguro?” 
“tough luck,” he grins, “you get everything else.” 
you get me, instead, is what’s left unsaid. 
“okay, fine. sounds like a deal to me.” 
“great. we can’t have a spring wedding because gojo and toji will sneeze obnoxiously loudly, and we can’t have a summer wedding because the anniversary will conflict with our tropical vacation, and nobara will kill us if it’s too close to her birthday,” he says, standing up from the couch to head to the kitchen, “so i’ll see you at the courthouse in september.” 
you nod reflexively, sinking back into the couch with a satisfied smile. it’s a while before your brain processes his words, and when it finally does, you spring up in a fluster, “october? megumi, i said when when we’re thirty-five and if neither of us are already married! megumi? megumi fushiguro, come back here!” 
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izzy140105 · 1 month
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Damn you Natasha Romanoff... Why'd you have to go cliff jumping!!
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eddiezpaghetti · 4 months
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Okay, so my experience with Stranger Things is a weird one.
I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.
And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.
It's really fucking obvious that Will and Mike are gonna be endgame.
Like holy fuck. It's so fucking blatant I don't even know why people are nervous.
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No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.
And then this?
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They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.
Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.
Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.
But this?
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This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.
It's the same reason you look at this
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And go, "Oh..."
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"Those two are probably a couple."
And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--
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--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.
Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.
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byler-heart · 2 days
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I HAD A VISION!!! GUYS GUYS I HAD A VISION
As I was rewatching season 3, I came to this beautiful Jopper scene, and suddenly, it hit me.
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Picture this:
Season 5. Mike Wheeler stands with some members of the party, discussing their plans to defeat Vecna, but he's not even listening, distracted and visibly exhausted, his thoughts elsewhere, looking off into the distance until his eyes land on—
Will, who is chatting with Robin.
Mike's gaze immediately softens; his eyes sparkle in that special way reserved only for Will. A timid, tender smile curls across his lips. The camera lingers on him for a few moments, gradually zooming in on his mesmerized expression, closer and closer, and then—oh…
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Right here, it's clear to the audience that Mike isn't just looking at Will; he's truly seeing him. Mike's gaze is unguarded, raw, revealing his deepest emotions. His fondness for Will radiates from him, palpable and undeniable. [Tender, emotional music] starts to play. The audience feels it. We know. We all know. The truth hangs heavy in the air, undeniable, irrevocable— Mike loves Will.
And we all see it.
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can we stop arguing over dead french and who or who may not have been canon and just agree they're all faggots
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violetasteracademic · 1 month
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Also in my headcannon: How did Rhys know about what was happening between Azriel and Elain? In theory he was in his office, but did he hear them whispering? Did he look into Az's mind? He gives omniscient vibes but usually he is called or alerted before swarming in.
My take is Elain was literally so 💦 from Azriel stroking her neck that Rhys could smell her kitty from all the way upstairs and was like tf is this???
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seepingfrommyskin · 1 year
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"will can do so much better than mike"
...clearly you weren't listening to what he said in the van scene. Mike makes him feel BETTER for being different, Mike makes Will HAPPY and GIVES HIM COURAGE TO KEEP GOING.
Will literally loves Mike. Like he's in love with him. This is confirmed. He's not going to get someone "better" because to him Mike *is* the BEST PERSON he could ask for.
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mazzystar24 · 10 days
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Buck hating basketball but being not so secretly a huge nerd is very much giving “you know how to ball I know Aristotle”
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hypogryffin · 6 months
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TELL US ABOUT THE PRINCESS KNIGHT AU PLEASE PLEASE PLEASE PLEASE PL
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ok sorry its been like two months but anyways lets talk abt the princess/knight au!!!
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haru is a princess, specifically the only heir to king kunikazu. yusuke is sort of a knight, but it's more that he's haru's personal bodyguard!
his mother was a court painter. she was pretty physically weak and fell ill a lot, and after she had yusuke, she realised that, while her and her family were able to live with the royal family for now due to her work, if and when her sickness claims her, her son would no longer be welcome in the castle. since she was all the family yusuke had, that would mean hed likely live the rest of his life on the streets, and as a young child, he wouldnt have the means to make that rest of his life a very long one.
so she made a deal with the king, haru's father, and it was decided he would grow up as harus retainer.
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[image ID slash written text for those who cant read my handwriting (😔):
(servant, holding a 1 year old haru in their arms): do you see him, princess? [a shot of a small baby sleeping] his name is yusuke. from now on, his job will be to protect you.
a note next to the drawing of baby haru reads "yusuke is a year younger than haru, as in canon, but it was decided very early on in his life that he would be haru's personal guard!"
a drawing of a young yusuke and haru with another note that says "he began learning how to wield a sword and bow basically as soon as he was physically able, but until he was learned enough to protect haru, he just acted sort of as an escort to her {while a retinue guarded both of them}"
end id.]
its a good thing it was decided so early, too: yusukes mother succumbed to illness before yusuke was even three years old. (he has no memory of her. haru doesnt either, but she DOES remember the funeral that was held.)
(one of the last pieces yusukes mother ever painted was of a young haru holding a baby, a man who would one day become her guard. it became a pretty significant piece for the okumura kingdom for a while, actually: it was used to mean "serve the royal family and it shall serve you, in turn". its hung up on the stairwell into the castle guards' quarters.)
anyway, so yusuke and haru grew up together. they were paired so early on into their lives that neither of them have any memory of a time without each other: for all it matters to them, they were born hand-in-hand with their roles set in place.
they were very close as children, especially before yusuke was considered sufficiently trained in his weapons. it was very common for them to walk around the castle holding hands, and they barely ever separated, only ever doing so for things like sleep or bathing, or lessons-- though the last of those wasnt always true. yusuke would have lessons alongside haru in things like etiquette, of course, but could also be found in the room for things such as history, or her music lessons. likewise, haru would watch yusuke train, though she wasnt allowed to wield a sword or bow herself and could only cheer him on.
(not until they were a bit older, when yusuke taught her how to fight with a sword himself. even then, they used wooden swords, so that haru wouldnt get hurt.)
yusuke was the only boy other than the king himself allowed in harus bedroom, since the only others given access were the handmaids responsible for things like cleaning her room, dressing or bathing her, et cetera. he used to enter as he pleased as such, and only got into the practice of properly knocking and announcing his presence as they got older. hes all-together almost completely stopped actually going into her room, opting instead to stand at her door until she leaves, herself.
as they grew up, they were steadily more and more discouraged from being as physically affectionate as they were as children. yusuke was punished for doing things like holding her hand if they were seen, and was taught to instead be a silent presence to her side or two paces behind her, seen and not heard, the way a "guard" ought to be. at the same time, harus etiquette lessons taught her the necessary decorum to be a princess and one day a queen, and there was no room for a friendship with a retainer, even if it was yusuke. though they care for each other just as much as when they were children, perhaps even more devoted, youd be fair to miss it, since neither of them are able to be open with each other anymore.
(yusukes still slightly more touchy-feely than whats probably expected of a guard. its not really physical affection in the same way, but he'll do things like brush dust or pluck lint off of haru's dresses himself or adjust her hair or jewelry or clothes-- of course, only to make sure her highness looks her best, so its forgiven to the outside observer, but still something technically not of his station.)
haru is a lot different that she was when they were children. proper etiquette is extensive, obviously, and the young girl that was considered the country's daughter, kind and open whenever seen in processions, has long since been stripped for parts. her public face has matured quite a bit by necessity, though her kindness and permanent smile remains-- it's simply that it's more of a part she plays, at this point, any of her natural disposition worn to steel, as a certain amount of control is necessary for a woman of her station.
she doesnt regret the person shes become, even if somewhat conniving-- after all, she needs a certain amount of cunning to keep her head above water in the political scene. or its more that she's not able to regret it, as she's never had any other option than to become as jaded as she is today.
still, it's hard not to yearn for the old days, when they were innocent children. shes not quite aware of it, herself, but she certainly misses yusuke, her friend. its just hard to figure that out when to this day, yusuke, her guard, remains as staunchly by her side as her best friend always has.
when i made the initial drawings for the princess/knight au, i wrote the beginning of a short story of a yusuke pov that i unfortunately must have tossed it because i dont have it anymore, but his character is defined by his devotion. hes never known anything other than being haru's, after all, and considers everything he does a labour of love for her. every moment he spends training is for her, every injury for her sake, every callous a simple, unavoidable byproduct of his servitude. he keeps the posture he learned in his etiquette classes even in private, because erring once is to live with the knowledge of his erring forever, and more than that, risking forming the habit of being anything less than the perfect knight for his lady is something he can't bear the thought of.
luckily, there isnt much danger living in the castle, so yusuke only trains as ardently as he does as precaution for the most part, but there was one incident in which the castle was attacked by royal detractors. haru wasnt actively targeted, being only 8 years old at the time, but there was a spot of trouble where he had to protect her. yusuke, being 7, wasnt fully learned in his swordsmanship yet, and sustained a few scars, including but not limited to one on his eyebrow he hides behind his hair, but considers himself barely harmed, especially considering that that was the incident that took many other castle guards' lives, as well as the life of the queen, haru's mother.
king kunikazu and the kingdom at large is currently pretty uneasy due to a war brewing just a bit away; neither the kingdom nor any of its current allies are being actively threatened, but its one of already many due to one kingdom's ancient rome-esque conquering of a path of smaller countries, and the "okumura" kingdom looks as if it will be on the warpath sooner or later. due to this, the kingdom's engaged with an alliance with a comparatively smaller kingdom that it neighbours. the alliance is going to be officiated with a marriage: haru is kunikazu's only heir, but due to some societal stuff, as a woman she's considered unfit to rule as a monarch. so, she's now to be married with one of the sons of said neighbouring kingdom, who will act as ruler with her at his side:
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akira is the son of the king and technically an eligible heir to the kurusu kingdom, but due to his place as the 4th son, he's not a crown prince/not considered to be in line for the throne-- or at least, not to his home nation, as he's now set to be the king of the okumura kingdom.
he seems to be of the same mind as haru: uninterested in her in a romantic sense, but has accepted the marriage for the sake of his country. however, he also seems completely uninterested-- or perhaps actively against-- the prospect of being king, not of his own country and not of the okumura kingdom. it seems that hes grown up acting as more of a free spirit; hes pretty crafty, and has a reputation amongst his own retinue for always managing to sneak off, running away as soon as hes left unattended by his father or instructors, or disappearing overnight (much to the grief and distress of his caretakers), though he's always returned, apparently rather aware of his own limits, or at least capable of getting himself out of whatever trouble he ends up getting into, without drawing the ire of either the common people or his father, the king.
because of his nature, he either sees himself as unfit for king, or merely feels stifled by the idea of the position, and in private talks has disclosed to haru that hed much rather her take her (in his words) rightful place as the queen and head of the nation, and is more than alright with her being the brains/power of the operation, even if in the end it has to be him giving speeches when necessary.
however, while disliking the idea of being a king in general, and also disinterested in haru as anything more than a confidant (having also privately disclosed to her that he does have his eye on someone), he seems attached to the arrangement of this marriage, for “some unknown reason”.
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((thats right baby its ALSO a kitashu au get fucked))
akira and haru are officially engaged at the time of the story, and are in the midst of planning for the wedding! they tentatively become friends, since theyre both kind of stuck with each other presumably for the rest of their lives. hes seemingly made a goal to make haru let her guard down, and has even convinced her at some point to sneak out of the castle with him (at a point where he and his father were visiting) to explore the surrounding town without their retinues-- something that gave yusuke specifically about 7 heart attacks, as its something harus never done before.
oh yeah, and by the way, yusuke fucking hates akira.
haru really liked seeing the town without her guards, and without having to put on the air of princess. it was freeing to act as a commoner, and the first time shes been able to strip herself of her etiquette-- something she cant do around anyone in the castle, not even yusuke, at least not to the extent she has to to blend in with the townspeople. she liked it so much that it becomes a regular thing whenever akira is at the castle and not in his own country.
some of harus caretakers have noticed her disappearances, including yusuke, who is at her side in almost every waking moment: he greets her in the morning to escort her to breakfast and brings her to her room at night. when hes not standing at her side, hes guarding the room shes in, and only leaves her when its time for him to turn in for the night, as well. obviously hes noticed this sudden habit of disappearing, and more than that, HES the one who ends up tasked with discouraging harus maids from disclosing this to king kunikazu, since haru isnt aware theyve figured her out, and their social standing disallows them from discussing it with her themselves. haru asked yusuke to keep her and akira's outings a secret from her father when he confronted her after the first time, so its his duty to make sure its a secret.
its not that yusuke resents akira for giving him more work-- hes more than happy to do something as trivial as this for haru, his princess, but its more that this means yusukes forced to be idle while distinctly aware that haru, who hes spent his entire life protecting and caring for, is off somewhere unknown, could be in danger or could be physically harmed, and hes not only none the wiser but also complicit, by allowing her to do this. though he cant ask her to stop, because its clear haru is happier with these momentary escapes. its a miserable position to be in, and he fully blames akira for being the one to put him there
(and resents him for the fact that akira is an outsider and a newcomer. despite this, its clear that hes doing something for haru that yusuke hasnt been able to, not since they started growing up. hes making her happy, and comfortable.
its anxiety over harus safety, and an intense, burning jealousy that hes not really able to identify in the same way)
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[text id:
yusuke looking angry as he says "my lady's happiness is of the utmost importance to me. it is for this reason alone that i will allow these escapades to go on, without reporting them to the king or your father." "this marriage will be essential to this country's future, and i have no intention of interfering in your relationship with your fiancée, even considering my role as her loyal servant."
the second drawing reveals him to have cornered akira, seemingly pinning him to a wall, as he continues "however, if i find you to ever, ever put the princess's life in danger, then this country as well as your own be damned, i will strike you down myself, and i swear on my life to make your death ten thousand times as painful as whatever harm you have caused to her highness. do you understand, my lord?"
akira is blushing heavily, knees cowed slightly. he stutters out a "uh. uh-huh" like he's in a trance. an arrow points to him with a note that reads "his gay ass is NOT listening!"
end id]
for some actual story…
during a banquet held in celebration of akira and haru's engagement, king kunikazu suddenly collapsed and lost his life in that room. it was discovered that the cup he was drinking from was poisoned.
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no one has any idea who assassinated the king-- it could very well be some of the many citizens that disliked the king's rather strict policies. the taxes are high, and punishment for crimes tend to be much stricter than in other countries. however, a common rumour among many of the townsfolk is that it was the world of the neighbouring kingdom: a ploy to get prince akira in power in order to take over the nation and subsume it as part of the kurusus' country.
regardless of whether or not that has any merit or is simply baseless rumour, the wedding has been temporarily postponed so that the country-- and haru-- may focus on the investigation. akira, at the least, seems more than willing to help. if it really the scheme of his nation, or of his father, he seems both unaware and unwilling to be a part of it, offering every aid he can to haru, even if it ends up only effectively being an open ear.
yusuke remains by her side, as he always had and as he always will-- perhaps a bit more protective of her, somehow, but the entire castle is on edge, so its not as if thats unexpected. as a knight, a simple extension of his lady's will, he cant do much for her to solve her problems, not possessing the intelligence to solve the case of her father's murder, the political knowhow to aide her and her fathers advisor who's acting as regent pro tempore in ruling, nor a magical ability to bring king kunikazu, someone who he had come to see as his own father in some form, himself, back from the land of the dead. still, he is harus humble servant, and devoted to her above all else, and whatever his lady needs, he will do his best to provide.
the story is about the political aspect of haru and akiras ascension to ruling and of trying to find a culprit, but also about the relationship between the three of them: akira getting closer to both of them, and yusuke and haru reconnecting. :)
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smidgen-of-hotboy · 4 months
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Juno still has the Ruby7 with him. JUNO STILL HAS THE RUBY7 WITH HIM
THE RUBY7 CAN SENSE EMOTIONS OMG WAIT HEAR ME OUT- either:
A) the Ruby7 will sense Slip Jackson is sad, unbearably sad in his 15-20 year coma, and this will add into Peter's rage (not understanding what Juno's talking about the Ruby7 sensing sadness or whatever, not understanding why Slip does feel sad), and having to let go of Slip's dream. Or alternatively
B) the Ruby7 will sense nothing. Effectively brain dead, just a machine pumping his blood working his heart and lungs. Slip Jackson isn't alive, hasn't been alive for a while, and cannot be alive. Peter's rage (he was promised Slip's freedom in exchange for his services, he's worked two decades of his thirty years and for what?), letting go of the dream, etc etc.
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Dustin and Lucas all of s1: "It's not my fault you're literally in love with El and only care about her now and wait on her hand and foot and want to propose to her and love her forever and marry her and be the father of her children"
Mike:
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markantonys · 3 months
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thejadecount · 6 months
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Me: Yeah I don’t cry from tragedy romance
Me after watching the end of Loki:
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lilacevans · 2 years
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CHRIS EVANS as STEVE ROGERS
2nd Voted Favourite, 19 votes, 18.3%
lila & oula's fab collab (03/03)
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