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mrpenguinpants-alter-ego · 3 years

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Kaeya: Frostbite

This was suppose to be an offering to Albedo but I don’t know anything about him so I ended up writing him as a more laidback Kaeya. Halfway through I realized so that’s why my tags are like that. Here’s your 2k words of cake.

I’m back :DD My first fic is on Albedo Kaeya tho haha. I don’t really want Albedo since I’m saving for Xiao (but if he wants to come I ain’t complaining, he’s vv pretty) so here is my offering birthday gift before 1.2. I saw the cold weather effect for 1.2 and my breath of the wild ptsd kicked in. Is it gay to hold hands with your significant other as an excuse to not freeze to death?

btw I have a taglist. If you want to be added see pinned post for details.

---

Kaeya: Frostbite

Trying to find a way into Inazuma didn’t seem likely considering the Electro archon’s distaste to visions and causing a region-wide lockdown. So the next option was to travel through Dragonspine. There had been a few disturbances noted from the Adventurer’s guild but due to the harsh climate of the snow-touched region, not many adventurers were willing to set foot near the mountain. Albedo, the Captain of the Investigation Team and Chief Alchemist, however, knew no bounds for research and discovering the “truth” of the world. This is probably why by the time you found out that one of the Favonius Captains was in Dragonspine that could serve as an excellent travel companion/guide, he had already departed for the mountain weeks ago.

“Why don’t you ask Kaeya to take you?” Jean recommended, smiling gently at your wilting state, “Mondstadt has been quiet lately so it shouldn’t hurt to have two missing Captains for a short while.”

Kaeya? Well, it was true that he didn’t have cavalry to command considering Grand Master Varka had taken all of them for an expedition. Would it be alright to do that? Wouldn’t the Fatui try and start something with the infamous captain away?

“If you’re worried about the Fatui it’s alright. With the event in Liyue and the role of the Fatui Harbinger, they’ve been very skittish to start anything” Lisa laughed from her spot beside Jean. It always scared you how Lisa seemed to be a mind reader. Did alchemist secretly pick it up as a hobby or was Lisa just that scary? Both were equally correct possibilities.

“He’s starting to miss you because you’ve been away from Mondstadt for so long. Jean and I can take care of things should something happen. Go meet up with him before his mood sulks even further. Even I’m starting to feel bad” Lisa smiled, waving you off to go find said Calvary Captain.

---

While a pyro user would be better to travel within hindsight, Diluc was busy with the winery and Amber wasn’t used to the harsh climate of Dragonspine. That left Kaeya, who had been to Dragonspine before having met with an owl. You weren’t entirely sure what significance the owl of Dragonspine had but knowing Kaeya, it could either be a wise creature or an ordinary snow owl. He was a cyro user and while that didn’t necessarily mean he was immune to the frost, he was at least in his element. You couldn’t ask Diluc to set the ground on fire and burn to death and besides, the climate was too cold for grass to burn. Plus Jean did recommend him plus you were interested in this “sulky” version of Kaeya.

“Dragonspine? That’s quite a jump from the noisy harbour of Liyue. May I ask why the sudden change?” Kaeya smiled easily when you approached him. You were surprised he already knew what you wanted to ask but maybe Mondstadt had the same idea as Liyue, that all the walls talked.

“Ah, I heard that there have been some unknown issues there so I wanted to see if I could help. Albedo already left so Jean recommended that I travel with you to meet him since you’ve been there before” you explained trying to stifle the laugh bubbling up as he pouted a bit.

“So I’ve become Plan B then? I thought we had quite a close relationship and yet you’re asking me to accompany you to see another man”

“Kaeyaa...” you sighed at him, so this is what Lisa meant by a sulky Kaeya.

“I’m just teasing,” Kaeya ruffled your hair as he stood up from his chair, “Mondstadt’s been quite boring lately. Shall we depart?”

---

While you knew that Dragonspine wouldn’t be an easy adventure after spending so much time in the comforting warm weather of Liyue, it wasn’t an easy experience to suddenly switch temperatures so 180. The snow made it hard for your boots to trek through and while the snowflakes were pretty they made your body temperature plummet. Your hands were cold as you started to slowly lag behind Kaeya busy trying to keep your hands warm. It wouldn’t be awhile before the next torch so you just needed to toughen it out. How the hell was Kaeya fine in this kind of weather?

“What's wrong? Can't handle the cold?” Kaeya called over his shoulder before pausing in his step studying your shivering form, “Are you alright?”

“J-Just fine” you breathed out trying to warm your hands a bit more, “Really, I’m alright. Just a bit cold-

As if the cyro goddess herself was mocking you a strong gust of cold wind flew past you two, ripping the buttons off your coat and freezing yourself to your core. You squeaked as whatever warmth you had was chased out and replaced with the harsh bite of frost as it slowly crept up your sides before two fingerless gloves quickly closed your coat and embraced you to a warm chest

“Be careful, frostbite is dangerous” Kaeya teased even though his eyes shone with concern as he nudged your head under his chin, trying to block the wind with his back, his hair wiping in the wind tickling your face “It’ll damage your skin and tissue. Do you feel any pain? Numbness?”

He unwrapped his white fur cloak from his shoulder and wrapped it around your neck. You’ve never really seen Kaeya express this kind of concern before. Did his cyro vision accidentally hurt him before? You don’t recall Mondstadt ever facing harsh winters. He paused before taking one of his gloves off, breathing into his hands to warm them, despite your protest.

“Haha, sorry. My gloves aren’t the best to keep warm but hopefully, it’ll be enough,” he chuckled lightly as he slide your hands into them. His fingerless gloves might keep his palms warm but his fingers were cold as he cupped yours in his bare hands. But as a cyro user, he was probably used to it since that was how he channeled his vision. His blue-lilac eye shined in amusement as he flicked a small snowflake landing on your cheek.

“Feeling any better?” he asked as you quickly shook your head. For how lax Kaeya seemed it was always a bit of whiplash to see him so concerned. He nodded quickly as the wind began to settle down before he slowly let go to slightly peel open your coat to see the damage.

“Aren’t you cold? I swear I’m alright” you quickly assured but Kaeya ignored you as he brushed the side of your shirt up to see small snowflakes melting away.

“It’s just snow, nothing too different from what I’m used to,” he muttered to himself as he brushed away the snowflakes on your waist, before wrapping you in your coat and re-buttoning your coat, “Are you cold anywhere else?”

“N-No” you answered quickly, this was not good for your heart. Where had this version of Kaeya come from? Was he always like this? “Well, I guess my hands are a bi-”

He brought your hands up to his face as his cheeks warmed your hands as he ran his fingers over yours. Trying to transfer his heat to you as your cheeks started to flush redder and redder. He huffed amused under his breath which only served to make the red flush further down your neck.

“Sorry, not a pyro user so this is the best I can do” he laughed lightly at your embarrassed expression. You knew it, he was teasing you this entire time. In sub-zero temperature where you both could die at any time.

“I’m fine. Really” you pouted, at this point, you were sure you might be overheating. He chuckled at your flushed expression as you tried to unlatch your hands to cover your face as he leans his forehead against yours.

“If you ever need me, let me know. Let's not make this a transaction relationship” he smiled smugly as you glared at him. Not that it was intimidating at all.

“Fine, understood” you huffed as he ruffles your hair again before diving his cold fingers to the sides of your neck making your shriek as he dodged your failing arms.

“Come on, let's get moving. We're not frozen in place, after all. As much dying here with you seems romantic, dying from the cold with a cyro vision is just embarrassing” he called over his shoulder smirked as he began walking away to the next waypoint.

“Kaeya...”

“Sorry sorry”

---

You sighed in relief as you held your hands to the small torch just inside a cave. Away from the wind, away from the snow, and away from the cold. You could slowly feel the your muscles warm up and finally move without feeling that your bones would snap in half. You looked up at your surroundings, you never expected the giant mountain of Dragonspine to be so hollow with walkways and arches. It was really quite beautiful with all the blue ice hovering over you. Hopefully the wouldn’t break should you need to walk over them or worse, make you slip and fall.

“Are you feeling better?” Kaeya asked as he eyed your bundled up form. His fur cloak was still wrapped tightly around your form as you breathed into your hands. He suspects that you forgotten about the cloak but he liked seeing you wear it so he never asked for it back.

“Oh yes, so much better” you sighed out happily from your little warm bubble.

“Just let me know if you’re still cold alright?”

“Understood” you grinned, giving a small salute to the Captain. There’s a small pause as he nods again at you. You blink a couple times at him before Lisa’s words ring in your mind. You flush as you quickly wave at your cheeks trying to fan away the red. You shuffle a tiny bit on your feet before taking a quick look at Kaeya.

“Um, Kaeya.”

“Yes?”

“My hands are a bit cold. So...”

“Yes?”

You pout at him.

“Could you...”

“Could I?”

You glared at him as his chuckles slowly turned to laughter

“Alright alright, don’t need to be so mad. Come here”

You grinned as he held his hand out for you to take.

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chocoholicannanymous · 3 years

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If the Spit Hits the Fan (Glee) Pt XVII

This is the penultimate part. The last one is written and drafted - I did finish while on vacation. Expect it for next weekend.

Follows pt I, pt II, pt III, pt IV, pt V, pt VI, pt VII, pt VIII, pt IX, pt X, pt XI, pt XII, pt XIII, pt XIV, pt XV and pt XVI.

It's as everything happens in May. Kurt feels as if he should be used to it by now, but this year is worse than any before. It's understandable, he guesses, what with it being his senior year, but understanding doesn't help. Some of the squares on his wall calendar has so many things on them they're barely legible, and there are days when he wants to just quit it all.

He can always work in his dad's garage for the rest of his life. Surely that's not the worst thing ever?

The only reason he's not a complete wreck when Nationals comes is the Warblers meeting held right after Regionals where David had used logic (how dare he) and suggested their approach to Nationals.

Kurt's first, immediate reaction is “we're never going to win with that” which he also says out loud, only to be met by “so what”.

“I don't say this lightly. I've been a Warbler for four years. It's been amazing to be surrounded by all of these talented people, and make music just because we like it, and that's why I've kept it up even with all the hints I've gotten that my 'future career' would be better served by me spending that time on learning another language or studying harder. After all, what use is singing and dancing for a lawyer?”

There's a bitterness in David's voice, and it's echoed in a number of murmurs around the room.

“This is the one thing I do for fun, that I do just for me, and some days the only thing that makes slogging through my mountain of homework bearable is knowing that once I'm done I can go enjoy Warblers. This year's group hold more talent of all my years here, which is why it hurts to say that I don't think we can win, no matter what setlist we go on with. We're simply not the kind of group that wins a contest like this.”

Which, probably true. The Warblers are good, yes, but they're an all boys a capella group performing in uniforms. They don't have the productions that teams who wins Nationals do. Doesn't mean that it hurts just as much to hear as it hurts to say.

“The truth is – and I'm sorry, I know we don't talk about him, but I have to – the truth is that we didn't even compete before Blaine.”

Kurt expects it to sting to hear his name. It does, but not much. He's moving past that.

“Blaine walked in here and wanted to compete so badly. He spent his first semester here trying to talk us into trying, even with all the reasons we had for not going so, and he got his way. That doesn't change the fact that this is only our second year competing, and we've surpassed all expectations by making it to Nationals. To do so again and win, or even place in the top... I don't think we can do that, not even with all the talent in this room.”

No one likes hearing that, but no one's disagreeing either. They aren't going to win. That's just how it is.

“So why not do that we like? Why don't we pick songs we like and that showcases our strengths? Why don't we sing a song that will make you happy, Kurt? And if it knocks us down in the ranking to do so, who cares? I don't.”

To hear someone say that Kurt's happiness should matter more than placement – to hear David say it, after everything the year before – causes tears to well up in his eyes. To hear every single Warbler agree make those tears fall.

They'd walked out of that meeting stronger than they'd gone in, and Kurt lets himself gather strength from that memory for a few seconds before he steps forward and lets his voice soar.

“Something has changed within me, something is not the same / I'm through with playing by the rules, of someone else's game”

They finish eleventh. It's better than they'd dared to hope, with all the absolutely excellent teams competing. It the joy is tinged with a little bitterness? Who can blame them? Maybe, more than one of them wonders, a more conventional setlist could have placed them among the top ten. At the same time they're all aware that maybe it would have have placed them dead last. There's no way of telling, and no use speculating.

They did their best, enjoyed their performance and finished eleventh at Nationals. That's nothing to look down on. In fact...

“We did better than New Directions last year” Kurt says with a smirk.

They've beaten his old team, his so-called friends, in every way possible and he allows himself to see that as a win.

Finn posts video of all their songs on his Facebook and is proud (and smug) enough to also post the “Defying Gravity” performance in the Glee group with a comment about how Kurt obviously could hit that note, tagging both Rachel and Mr Schue. It's petty, and Kurt should be big enough of a person to ask Finn to remove it, but no. If his brother wants to stand up for him Kurt isn't just going to let him, he's going to be grateful.

Feeling loved and protected is not something he's ever going to scoff at.

Nationals is followed by finals, the less said about the better, and then prom. Or well, “the Dalton Academy and Crawford County Day Joint Spring Formal”. Same thing right?

Wrong.

The spring formal is every thing junior prom wasn't. It's not really the fact that Sebastian asks Kurt properly to be his date for the formal, and compliments his outfit. It's not that even without decorations Dalton's auditorium is more grand than McKinley's gym. It's not even the grand dinner with lit candles, waiters and three courses before the dance or that there's a band that plays waltzes and foxtrot for the first two hours before the DJ is allowed to take over.

It's that even before they've entered the transformed dining hall Kurt spots half a dozen same-sex couples, a number that keeps going up during the evening. It's the fact that he gets to dance the whole evening, not in a group or with a girl, but with Sebastian and the occasional Warbler. Mostly it's Sebastian's arms he's in, and it's amazing.

It's so far from his junior prom and Blaine that it almost hurts.

“Is there something wrong?”

“No. Everything is... This year everything is perfect.”

Sebastian doesn't look entirely convinced, but decides to drop it and instead lean closer for a kiss.

The evening really is perfect.

The morning of his birthday Kurt walks into the dining hall alone only to be met with a table full of Warblers that stand up and sing for him as soon as he clears the door. There's one place left at the table, next to Sebastian, set with the kind of breakfast not even Dalton serves (fresh croissant, strawberries, a piece of brie and a one-person pot of tea) with a rainbow rose in a vase. Kurt sits down with a smile and leans over to kiss his boyfriend's cheek.

“So, rainbow roses are going to be our thing, is it? I love it.”

He spends the day with a smile on his lips, because his boyfriend took the time to do something special for him on his birthday and his friends have promised cake in the Warblers' room after dinner, and he feels loved.

“Cake” turns out to be cheesecake and presents, and more singing, and so much more smiling. Afterwards Sebastian walks him back to his room. There's no kissing though, which Kurt finds unacceptable.

“Isn't there some kind of rule that you get kisses on your birthday? I would have thought that was a part of the boyfriend experience, and to be honest I'm feeling very much unkissed.”

That nets him a crooked smile, but still no kisses. It's almost enough to worry him.

“You can have all the kisses you want, and not just on your birthday, you know that babe. However, there's something else I wanted you to have first.”

Sebastian pulls out a small package from him pocket and hands it over with a smile, which begins to fade when Kurt doesn't immediately take it. It's just, well.

“Another present? You shouldn't have.”

“Another? What do you mean?”

The truth is that Kurt fully expected breakfast and a rose to be the whole of Sebastian's congratulations, and he doesn't quite know how to take getting more than that. He doesn't really know how to explain it though, and definitely not in a way that won't start Sebastian on another rant about how Blaine was unworthy of Kurt's affection. Especially since it's not just about him.

Turns out he doesn't need to say anything – and apparently he's getting yet another present in the form of the absence of that rant.

“Breakfast was a treat. This is your actual present, which I hope you'll like at least as much as that.”

Sebastian looks a little worried as Kurt removes the paper and opens the small box inside (and if he's a little shaky to open a jewelry box from his boyfriend no one needs to know). It's a pair of gorgeous cufflinks with just the right balance between classy and unique and he absolutely loves them.

“These are amazing! They're too much, really, but they're so gorgeous that I'm going to pretend they're not. I love them!” I love you. But that's a bit too early to say, and so instead he leans forward and does his absolute best to communicate exactly that through kissing.

#chocoholic fics #kurt fic #kurt hummel #sebastian smythe #kurtbastian #itshtf

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the-insomniac-emporium · 3 years

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thoughts on Bela///Donna?

What a lovely can of worms you've placed in my inbox, dear nonnie. I cannot wait to open it and lose followers (regardless of what I actually say).

Since this is, uh, a subject of some debate among RE8 fans, I will be inputting my thoughts on the idea of the ship (and the possible controversy), as opposed to doing HCs or something for it (which I recognize might be what you were asking for, despite the excessive /s).

This is all based on my playthroughs of the game, as well as what I've managed to double check on the fandom/wiki for it. I know that a lot of people who read fanfic for the game haven't actually played it, likely having been lured in by Tall Vampire Milf, and so I hope that some people will be open to a reminder of, like, canon vs fanon? I've mentioned in a previous post that there's a lot of details for RE8 that are not made clear, and I feel the need to reiterate that in this post. Capcom left a lot of stuff up to people's imaginations, or kind of just hinted at in game or in concept art.

But more importantly, regardless of what game we're talking about, regardless of the conclusion I come to (and the one you come to) at the end of this post, I want to say that I absolutely understand the need/desire to have your own perspective/take on the characters from the game, as well as their dynamics. If a ship makes you uncomfortable because you see the characters as being family members, it's totally okay. Block the ship tag, or filter it out when you look through fandom stuff, don't follow people who post for it, etc, etc.

If you think of characters as being family-family (like, not just "we got married and are now a family" but, like, "we're siblings/parent and child") and still ship them? uh. sorry, bruv, maybe think of hitting that unfollow button. No, seriously, hit that unfollow button. This blog is anti-incest, thank you very much.

The last thing I'll say before putting it under a read-more (for both length and major RE8 spoilers) is that I recognize that I might have missed something, either in game or developers talking about things on social media, and so if you read through this and go "god, J, you're such a dumbass for forgetting *critical piece of media*" or even just "okay but have you seen *small but meaningful piece of media*?" please. Just. Please. Tell me. Link me to that shit. I WANT to know if I'm wrong. I've literally avoided talking about this for as long as I could in order to TRY and make sure I have all the context I need.

With that said, let's examine what context we are given for Alcina Dimitrescu, Bela Dimitrescu, Donna Beneviento, and their relations to each other. I will be leaving my personal thoughts on Bela///Donna at the very end of this, as somewhat of a conclusion, somewhat of just a "hey, this is what you technically asked me about".

Firstly, let me begin by explaining what I consider to be the 3 tiers of "canon"

In-Game/Direct: The highest, truest tier, the definitive canon. This is everything that takes place in game, excluding certain hallucination scenes (ex: Mia was not really in House Beneviento, but we can infer some things from what Donna made Ethan hallucinate about). Things either happen, or are directly stated by characters. There's some wiggle room for dialogue, as characters can lie, but overall we, as the audience, assume we are being told the truth. At the very least, games usually eventually make it clear when a character has been dishonest. Examples of Direct Canon include the following: Ethan is infected with the mold, Lady Dimitrescu drinks blood, Heisenberg wears sunglasses, Mother Miranda can shapeshift.

Concept Art/Developer's Notes/Indirect: Mid-tier and debatable, the "we think, but we're not sure" of canon. Resident Evil: Village contains lots of concept art that the players can browse through, all of which include notes from the developers about the game, characters, environments, and story. Sometimes the notes make something "direct", but oftentimes they do not specify whether the listed idea is still canon or if it was removed during development. This tier also includes information that is implied/can be inferred from tier 1 information, but is not directly stated. Examples of Indirect Canon include the following: Donna's mother died by suicide, Moreau was going to have his lover fused to his back, Duke was originally a fifth lord, Heisenberg was going to have a twin. As you can see, not all of the concept art ideas made it into the final version of the game, so it can be hard when some information seems like it might still be true (such as the matter of Donna's parents).

Fanon/"False": Sometimes collective ideas in a fandom become so widespread that people start interpreting them as actual canon. Sometimes it gets hard to remember what's just obscure lore and what's fanon. When we get a piece of fiction as overall vague as a lot of Resident Evil: Village is, there's bound to be some confusion over time. That's one of the main reasons I waited to talk about Bela////Donna until after I had recently replayed relevant sections of the game, as I wanted to remind myself of what we're actually told. Examples of False Canon are difficult to pinpoint, but might include things like: Hufflepuffs are good at finding things? The Avengers got along for awhile and all had their own rooms in the tower? There's a number scale for the danger level of ghosts in Danny Phantom?

For this post, I will be limiting the majority of my notes to the first two levels of canon, and will do my best to mark them as such. Now... let us... begin.

Alcina Dimitrescu:

Born no later than 1914, Alcina Dimitrescu was 44 years old when she was granted the Cadou by Mother Miranda. (1st Tier: Canon. Source: A note in the castle basement from a servant is dated 1958, and mentions both Alcina and her children. Secondly, Miranda's experiment notes state that Alcina was the 181st subject, and was given the Cadou at age 44. By doing math, we can then determine the earliest Alcina could have been born.)

Alcina refers to the other Lords as her family once without any disdain (when Ethan first arrives at the castle and is caught, Alcina says "you've escaped my little brother"). In a private journal (located near where she threw the infamous vanity) she insults the other Lords, and expresses anger that she is "treated like a sister to them". She argues with Heisenberg without any hesitation, and seems honest in her hatred of him (per Maggie Robertson's wunderbar performance). (1st Tier/2nd Tier: Canon with a sprinkle of interpretation for the last line)

Alcina openly refers to Bela, Cassandra, and Daniela as her daughters, and wrote in her experiment journal that she felt instantly connected to them (as mother and daughters). (1st Tier: Canon).

Bela Dimitrescu:

Likely born in the 1930's or 1940's, in order to be an adult by 1958 (the first dated appearance of the Dimitrescu daughters). (2nd Tier: Based on inference)

Dialogue shows that all three of the daughters do love their mother, and reinforces the bond Alcina's journal mentions. (1st Tier: Canon)

We are not given any information about how Bela feels about the other Lords, or even what she knows about them. Once can assume that she shares the ideas of her mother, either because Alcina tells her things directly, or because Bela (who is eager to please her mother) picks up on them over time. (2nd Tier: Based on inference)

Donna Beneviento:

No idea when she was born. If you've read one of my recent posts, then you know that it's almost entirely a matter of 2nd and 3rd tier canon.

Of the four lords, Donna seems to have the most story within the 2nd tier, and has very, very little in the 1st tier. Duke says she's somewhat isolated, and that her "playmates" never leave the house. Miranda's notes state that Donna is mentally ill, and the gardener's diary states/implies (bit of both) that Donna has severe social anxiety. (1st/2nd Tier: Mostly canon)

Supposedly, her parents committed suicide while she was still a child. This is indicated in concept art/the attached developer's notes. However, the only part that's also directly stated in game is that her parents (specifically her father) died while she was young. (1st/2nd Tier: Mostly canon)

While Donna only has one voice line in the game (and it's sad), Angie talks a fair bit. Angie seems to disapprove of the other Lords, or at the very least enjoys mocking them, as well as enjoys watching them fight with each other. As Angie is connected to Donna, and Donna has some level of control over her, one can assume that the two have similar (if not the same) opinions. (1st/2nd Tier: Mostly Canon)

Donna was adopted by Mother Miranda as an adult. It's unclear exactly how old Donna was, or what exactly Miranda did as her "mother", just that Donna was excited about it. (1st Tier: Canon)

Other Relevant Information:

Heisenberg refers to the other Lords as his siblings a minimum of 1 time. Similarly to Alcina, however, he openly insults them and seems to hate them. He just, you know, hates Mother Miranda the most. (1st Tier: Canon)

Mother Miranda does not actually give a shit about the four Lords, intended for them to die before the ceremony, and has been manipulating them for her own gain this entire time. Her notes and dialogue make it clear that she only cares about getting Eva back. Somehow mother of the year and worst mother ever. At the same time. (1st/2nd Tier: Mostly Canon)

It's unclear who treats Alcina "like a sister" to the other Lords. Were there cut lines of dialogue that cemented the idea of them being a "family"? Did Miranda call them a "family" as part of pretending she cared about them? I've done my best to dig around, but there's very little in game that treats them as a family of any sort.

As each Lord ruled their own section of the region, they don't have any mentions of interacting with each other outside of meetings with Mother Miranda. None of the notes for any Lord (and their relevant experiments) mention what the others are doing. In game, their environments are very separate, very well divided, though this is likely as much for gameplay as it is for story.

Conclusion:

I do not not believe there is enough in game evidence to suggest that Alcina and Donna consider themselves to be siblings. There's the possibility for a large age gap, Alcina was a fair bit older than Donna when she met Miranda, Donna is a social recluse whose closest bonds were with dead blood relatives and dolls, Alcina openly dislikes (if not hates) the other Lords, they seemingly lived very separate and distanced lives, and Mother Miranda does not enforce the idea of "family". Furthermore, the sheer contrast between how Alcina interacts with/speaks of the other Lords compared to how she interacts with/speaks of her daughters says a lot about her feelings. Even if Heisenberg takes the brunt of her anger, Alcina never once says anything remotely positive about anyone other than Miranda and her daughters.

As Alcina/Bela and Donna are not blood-relatives, the definition of what would count as "incest" does vary depending on who you ask. Personally, I do count non-blood relations as potentially incestuous. For example: Alcina "dating" one of her daughters would be incest, regardless of the fact that she's a mutated human and her daughters are weird swarms of flies.

Now, I do understand how popular the idea of the four Lords being a real, chaotic but still close family is. And as I mentioned above, it's totally valid to not like the Bela///Donna ship, whether it's because you think they're family or some other reason. I don't personally see them that way, even in my definitely-not-canon stories.

Do I personally ship Bela///Donna? Nope. Have I liked art for the ship? Admittedly yes, even if I thought some of it was, like, maiden x Bela because Donna didn't have her veil and I'm a DUMBASS who doesn't always remember to read tags. Would I ever write for it? Yeah, probably, assuming I didn't miss anything in game/that I don't eventually change my mind.

#*incredibly deep sigh*#*incoherent screaming*#it's 6 in the morning #i spent too long doing research #again feel free to send me links if you think I missed something #what do I even tag this as?#asks #anonymous #meta shit #i'm procrastinating on posting this because of anxiety #I'm worried 2 specific followers are going to unfollow me #and possibly one mutual #somebody just kill me already

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hws-cernunnos · 3 years

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Following an advice given by my friend @flamaflavio I've decided to dedicate a series of posts on Northern Italy(because there's a serious lack of them in the fandom:(),whether they might be about culture,history,folklore,stereotypes(could be an interesting addition to characterization)or misconceptions*? Maybe even cuisine ahah

In this post I'll expain what we intend for North Italy, why it doesn't line up perfectly with canon and most importantly why Feli gets called "Italy" way more often than Mano.

Let's start by stating that in our country by North Italy we mean the regions of: Aosta Valley (Valle d'Aosta), Emilia-Romagna, Friuli-Venezia Giulia, Liguria(the region your girl's from), Lombardy(Lombardia), Piedmont (Piemonte), Veneto and Trentino Alto-Adige.

So you might ask me, why is it that in Hetalia Chibitalia has been shown as Florence as well??? Is it a mistake made by Hima?? Yes.. But actually no ahah! In this post I'll cover how we came to such a perception of the North in our country and why Tuscany and the rest of Central Italy, isn't included in it and doesn't consider themselves part of it :D

I won't talk about all history until nowadays of course (I'll definitely make future historical posts) I'll simply give you basic information based on early history to have an understanding of how us italians divide our country and why in canon other nations refer to Feliciano as Italy more commonly than they do with Romano(it is indeed based in history, it's not mean spirited!!).

So during the centuries prior to romanization North Italy was inhabited by a different bunch of cultures, among them the long haired Ligures(whose origin is unsure,Celtic?? Or simply celtified by their neighbors uhmm?? Talking about them in detail would take a whole ass post) the Veneti who were known for their commerce of amber and horse breeding, the Etruscans who, coming from Tuscany, colonised parts of the North and founded cities such as Bologna and in a later period a swarm of Gaulish tribes(generally referred to as the Celts).

The latter(most likely the Insubres) founded Milan in 590 BC, naming it Medhelan(the place in the middle of the plain, or among rivers) or Mediolanum as the Roman would call it later(Meśiolano as a Celtic engraving informs us) keep Milan in mind we'll come back to her later. Their domain extended from the Alps to the Adriatic sea.

This would be stopped by roman conquest that would culminate in 194 BC in the foundation of a province under the name of Gallia Cisalpina**,Cisalpine Gaul, id est Gaul on the hither side of the Alps(from the Romans point of view) that pretty much contained the regions which nowadays we consider North Italy.

The area became one of the most influential and rich provinces in the empire and it's strategic role is emphasized by the fact that in 286 the capital of the Western Roman Empire is moved from Rome to,guess where, Milan the main city in Gallia Cisalpina(and later on in Ravenna from 402 to the fall).

Is this why Grandpa is shown to leave poor Romano behind in canon in favour of his little brother??? Most likely!!! Btw if you're interested in the subject you should totally check out jjblue's Italia Annonaria (baby Feli) and Italia Suburbicaria (baby Mano) profiles on DA.

It's really unfair that the other characters call only Feliciano Italy:/ It's actually not true, as my friend flama has talked about in one her posts both Germany and America have called him Italy in the past. The fact that this behavior hurts Romano is long lasting misunderstanding in the fandom: he really doesn't care.

What annoys him it's that he's often referred to as "Italy's older brother" but not because he's Italy as well, but because that takes away his individuality: he's peeved by the fact he's only considered in relation to his brother, he's Romano besides being Feliciano's older brother ahah.

If his identity as Italy truly mattered to him he would have some kind of reaction out of being called Italy, especially by someone he has a bad relationship with like Germany, but he was left completely indifferent by that. I've often seen fanfictions where he's moved to tears by such action by it actually seems like he doesn't mind. He just wants people to understand he has a persona outside being Feli's big brother ahah.

There's actually a reason why Feli is "Italy" and it has been actually brought up recently in the fandom. Let's go back to history ahah.

A germanic general named Odoacer overthrew the last Roman Emperor, whose name for some reason I always found funnee, Romulus Augustulus.

Now the Eastern Roman Empire was having none of that and decided to invite Theodoric the Great of the Ostrogoths to rule over Italy under their approval(btw if you'll ever visit Ravenna do check out Sant'Apollinare Nuovo and Theodoric's Mausoleum). Ostrogothic rule was short lived (lasted pretty much Theodoric's reign) but greatly improved the economy and the arts. . . Too good to be true of course, because Justinian I(Eastern Roman emperor)decided he wanted to revive the glory ™ of the empire and this brings us to Gothic Wars.

Italy, especially the North, was left devastated by them, as they brought death(duh),poverty and were accompanied by a good dose of famine and plague. Byzantine rule wouldn't last long as a Germanic tribe***, the Lombards, took advantage of their weakness and took over italy and gave birth to a reign, which had Pavia as capital.

Said reign was called Langobardia, in particular North and Central Italy were named Langobardia Maior(The great Langobardia), which is the name under which North italy would be known as for a good part of the middle age and that gives the name to the modern region Milan and Pavia are located, Lombardia/Lombardy.

For example Boccaccio in his Decameron(in particular in the first novella) uses Lombards when referring to Italian merchants because that's the name they were given even if most of them came from Piedmont and Tuscany.

Lombard language and culture slowly was assimilated into the previous one and that can be seen in names, words and laws created in that period. This came to an end in 774 when Charles the Great, king of the Franks(and future Holy Roman Emperor), conquered Pavia and annexed the Lombard kingdom... Under the name of Kingdom of Italy!

So in other words the reason why our boy is the one who's called Italy the most is because he's simply been "Italy" for longer or more specifically for more than once(as I explain in the notes:)!!). Mano on the other hand would have most likely known as Kingdom of Sicily, Kingdom of Naples or Kingdom of the two Sicilies :). And I'm very much sure he would have been proud of such identity.

But what about central Italy??? You see the Papal States forged a document the Donation of Constantine, according to which Emperor Constantine assured Pope Silvester I(in 321) and his successors the exclusive domain over the city of Rome(btw Rome isn't part of southern Italy!!the fact South Italy is called Romano is really weird and so is North Italy as Veneziano ngl). This gave the Church access to "temporal power",id est material power and with it came territorial power. And so little by little (with the exception of Tuscany that flourished on it's own) it ate up the whole of Central Italy, which would develop a linguistic group, a culture and history of its own.

And that's pretty much what you need to know to understand Hetalia's confusing lore ahah. It's not everything I could go on explaining the era of the Commons and the Renaissance and go all through medieval and modern history to make you fully grasp it but I think it's enough for today:D let me know if you want me to talk about the subjects I mentioned in detail and if you want me to go on. Read the notes :)!!!

*I've often seen Feli wearing tarantella clothes, because it's probably assumed as the italian™ traditional dance and the music is misused in videos about Italy(all of Italy!!)when it's really characteristic of the South:)! Would be nice to see more fan arts of Mano in those garments lol really nice

**Napoleon would found in the 18th century the Cisalpine Republic in North Italy, a sister republic of France, that would later become known as the Italian Republic and then the (napoleonic!!!)Kingdom of Italy:) not to be confused with the Kingdom of Italy that would be born on the 17th of March 1861,ring a bell ahah???Read Hetalia's Risorgimento strips if you want to know about that:)))Milan djdbdb was once again the capital of all these.

***considering Romano is stated to have Arabic blood which is definitely brought by the moorish occupation, I'd assume Feli's Germanic one has to do with daddy Lombards. The longobards ruled over the South as well so ehhh, but hey it's Hima we're talking about. Genetics work in a weird way in hetalia, they're like acquired??? Hima explains that Canada, America and Seychelles don't have England's bushy eyebrows because of France's influence. Wtf. Oh btw if you might be interested in the Lombards' origin in Historia Langobardorum Paulus Diaconus informs us they came from Scania(a region in Sweden) and the settled in "Scoringa".

#I've been feeling down lately and needed a distraction #hope y'all will like it #in any case i enjoyed doing this :)#aph north italy #hws north italy #aph italy #hws italy #aph south italy #hws south italy

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kinsey3furry300 · 3 years

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A very confused Star Wars Fan desperately tries to justify their belief that “Caravan of Courage” shows the way forward for the franchise. No, really.

Ever since I was a little kid, I’ve loved Star Wars. And I mean, all of it. The books, the games, the Lego, the spin-offs: I even enjoy the Holiday Special in a The Room so-bad-you-just-need-to-see-it sort of way. But particularly the films. But here is when we run into the big problem: I’m just the wrong age. The original trilogy launched before I was born, the prequel trilogy hit cinemas when I was already a teen and while I went and saw them and enjoyed them, I was at that age where I was self-conscious about seeing a “kids” film, and hyper-aware of how silly and cringy those films were in parts. So my indoctrination, my inoculation with the Star Wars bug didn’t happen in the cinema, and it didn’t happen with any of the main franchise works. It happened on home video, on a skiing trip in the French Alps in the early 90’s. I’d have been about 6, and this was the first time I’d ever been abroad other than to see relatives in Ireland. And I loved it: to this day I love skiing, but more than that, I have very, very fond childhood memories of this trip. This was shortly before I lost my biological mother to cancer, she’d have received her diagnosis just after we got back from the trip. This was when my younger sister stopped being an annoying screaming thing and became and became an actual person I could talk and play and share ideas with, this was before the combination my mothers long illness and my father having just launched his own IT start up meant I didn’t see him or her any more, despite the fact they were in the same house as me. This was this wonderful, nostalgic child-hood bubble when my family was intact, and nothing could ever go wrong. I skied all day with mum and dad, and would come back to the chalet in the evening. It was an English speaking chalet, I met my first real-life American there, and having grown up in the 90’s in the UK nothing was cooler than making friends with an actual American my own age. He had a hulk Hogan action figure with springs in the legs so if you put him on a hard surface and punched his head down, when you let go he’d jump really high in the air. We used to play with it together in the bath, back in that weird 90’s time-bubble when it was possible to convince two sets of parents that this kid you’d just met was you best friend in the world and of course shared bath time was, somehow, normal and appropriate. And fresh from bath time, tired from the day, the parents would give us some hot coco, dump us kids in front of the tv and grab the first shitty low-budget VHS they could find to keep us distracted while they went to the bar. In this particular time, in this particular place, that shitty low budget cartoon was the complete set of the 1985 Lucasfilm/ABC Ewoks cartoon, plus the two spin off movies, and to this day that cheap, kitschy, kind of bad series has a special warm and cosy place in my heart. I remember being enthralled by the world, in love with the characters, applied by the bad guys and the injustice they caused (to this day I’m still irate about that time Wicket lost his set of beads documenting his progress towards becoming a full warrior and the older Ewoks basically said, tough, you need to re-earn all those merit badges from scratch. This struck me as exactly the sort of bullshit an adult would pull, and pissed me off) and on tenterhooks about what would happen to the characters.

It was also, by a coincidence, the first ever Star Wars media I was exposed to, and the above combination of events probably explains a lot about me.

So I was surprised, the other day, when scrolling Disney+, to find they’d added Caravan of Courage AND Battle for Endor to the roster in my region. Surely Disney wouldn’t want their slick, cool brand associated with this old trash? Surely there could be no place for this in the post-Mandalorian Star Wars cannon? Surely this is a horrible mistake some intern made, right?

Unless…. What if I’ve miss-remembered? What if it’s not just rose-tinted nostalgia goggles, and it’s, in fact, secretly really, really good?

I rushed to my comfy chair, got a blanket, dimmed the lights, made some coco (with rum in it, because why the hell not?) and sat down to re-examine this lost gem.

And wow: it’s every bit as shit as you’d expect.

It has aged exactly as poorly as you’d expect a cheap, mid 80’s direct to video spin-off to age. Caravan of Courage? More like Caravan of Garbage, am I right?

And yet… I still enjoyed every moment.

And it was sitting there, in my pyjamas, watching a cheaply made direct to video cash-grab from just before I was born, seeing it again for the first time in nearly 30 years, and I realised something.

It doesn’t really matter if this film is bad, so long as I enjoy it. And if it doesn’t really mater if this is bad, then I, like many Star Wars fans, wasted a huge amount of time and emotional effort on being butthurt about stuff I didn’t like about the Rise of Skywalker and it’s ilk. Because somewhere, right now, a tired and frustrated parent is putting Disney+ on to keep their kids quiet for two hours. And they won’t think too hard about what they put on, so long as it keeps little Timmy busy for a bit. Somewhere, right now, a kid is watching Rise of Skywalker, and it’s the first Star Wars media they’ve ever seen.

And that’s okay. Because we don’t know what that kids home life is like. We don’t know if it’s good or bad. Maybe it’s great, maybe it’s about to take a dramatic plunge like mine did, and this moment here will be the cosy, warm memory they look back on in 30 years time, and that’s beautiful. They’re getting introduced to a fun, wonderful fantasy world that could be with them all their lives, through good times and bad, and as fans we should be happy about that.

Star Wars will never, die: it’s too darn profitable, Disney will never let it. And while I hope they learn from their mistakes and make sure every future Star Wars is a timeless gem of story-telling, statistically, if you keep making enough films, some of them will be bad. And while I’d like them all to be great, it’s still okay if they’re bad.

Because nothing can take away my memories of that week in that chalet. Nothing can take-away my memories of when they put the original trilogy on in cinemas for the special edition and I had my jaw hit the floor with how good it was on the big screen, not knowing or caring who shot first. Nothing can take away you memories of the Original Trilogy, the Prequels, or the Clone Wars. Nothing can tarnish the bits of the sequil trilogy that you like, and there are good bits in there.

But wait, what about continuity? What about the sacred, perfect written time-line that used to exist?

Well, what about it? Have you seen any other big, epic fantasy universe before? They’re all a mess. A work of fiction, particularly fantasy, can be extensive, or tightly written, but not both. Harry Potter is only seven books, and the last two feel, tonally, like they’re from an entirely different series. I love them, but the grim-dark kicked in so fast you’ll get whiplash. The Hobbit is a perfect written self-contained novel, and LOTR is *The* big boy high-fantasy trilogy: fast forward 50 years, and Christopher Tolkien is desperately squeezing every last drop of money out of his father’s corpse by finishing and publishing every unfinished note JRR ever wrote right down to his shopping lists. Even Dune goes of the rails with sequels. I can only think of four fantasy works that are both extensive and consistently tightly written, Song of Ice and Fire, Wheel of Time, Malazan: Book of the Fallen and Brandon Sanderson’s Cosmere universe. And even then, the prequels and spin-offs mess with the timelines: the Dunk and Egg novella’s change some character’s canonical ages and timelines, Wheel of Time was going slowly off the rails even before the Jordan died, Forge of Darkness made what was a good metaphor for the creation of it’s world into a literal war deep in the past, and Sanderson’s first Novel Elantris got a re-write to bring it more in line with the rest of the shared universe. The MCU, oft held up as the modern example of tightly planned, well thought out ongoing storytelling, is a lie: it was never as pre-planned out as Disney wants us to think; the first Iron Man, apparently, barely had a script, with Downey ad-lib-ing most of his scenes. None of the MCU films are direct sequels to each-other other than Infinity war and Endgame. There are three Iron Man films, and Three Thor films, and none continue an ongoing story line across multiple films, and the Cap films barely continue an arc, but only where Cap’s relationship with Natasha and Bucky is involved. Much like these, Star War’s cannon is a complete, nightmarish, confusing, tangled, illogical mess. And it has been since 1984, as Caravan of Courage proves. It was never consistent and well planned.

And that’s okay.

I used to care about plot holes. I used to care about which works were cannon in Star Wars lore. I’m over that now. I’m happy to imagine the books, films and games not as a blow-by-blow historical account of a galaxy far far away, but as campfire stories from within this fun, imaginative world that we’re all invited to listen to. Stories that are in-universe myth and folklore, that we can all snuggle up and listen to while drinking highly alcoholic rum and remembering better times, knowing that wherever the future throws at us, no matter how the world goes to hell around us, we’ll still have the memories, and the ability to make our own new stories in the wonderful Star Wars world we all share.

And that’s okay. No, more than that: that’s beautiful.

Also Star Wars is completely unambiguous on the fact we’re allowed to kill fascists no matter how many times they keep coming back with a new logo, so that’s timely I guess.

So, there’s my hot take two-years after everyone else stopped caring about this stuff, as per bloody usual. Tell me why I’m wrong below, and does anyone else have any truly awful spin-off shows that they kind of have a nostalgic soft spot for?

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arkodian · 3 years

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This is what I know about what I call "that Chinese Magic Sword Guy Series" and you call "The Untamed" - just from seeing hundreds of gifs pop up on my Tumblr dash. If there's spoilers... sorry? I couldn't tell you.

General Info: You do not watch the episodes in order or you pay with your sanity. Also, everybody has like three names. That’s probably why I can’t remember any of them for the life of me. They’re supposed to be colour-coded too, but *shrugs*. Sooo… let’s do this.

Plot: It's about feuding clans or families living in different regions of China. Lots of swords, though. Lots of feuding. Most of the plot seems to revolve around the different families, which means betrayal, fighting and political machinations. There’s also giant monsters and some weird smoke people with black veins on their faces being creepy who seem to hate all of the families in general. Music seems to have magical powers and some people can fly. Others can telekinetically control objects, or create lightning. Did I mention there were swords?

Resurrected Dude. It took him at least a decade to come back. Before that he was wearing white. Now he’s rocking the black and red. He’s doing some weird shadow thing that looks evil, so he may be evil. He's definitely chaos personified, energetic and a (not so secret) softie. Everyone seems to want to kill him for some reason – maybe because he’s a sassy little shit and thus the fan favourite. Funny enough he always seems to want to sacrifice himself. He plays a flute; I think it does magic. He also has a brother who may or may not have killed him. At one point he hangs off the edge of a cliff and then falls. I have no clue about the timeline, so maybe he survives that - but he’s already wearing black and thus has already been resurrected once.

Headband #1. Daddy issues (because of mummy issues – I think they separated in a really weird way), deserves all the things, stoic, a prodigy, protective. He has exactly one facial expression – he’s got resting bitch face down pat. Does he say anything ever or just stare into space? Who knows. I certainly don’t.

Headband #1 + Resurrected Dude = Soulmates. They also pretty much adopted a kid but also kinda didn’t (?) and work via the "opposites attract" and "childhood friends" trope. They definitely got drunk together and stole a chicken once. One of them may think the other betrayed them but he didn’t, but I’m really vague on that one. Mission: protect each other at all costs! Including the “if I’m really evil, only you’re allowed to kill me” heart-wrenching scene in the rain. I’m not actually sure whether they’re on the same side because everyone seems to want to kill them (or at least Resurrected Dude).

Hat Guy. An evil little bitch with a weird hat. Default mode: creepy grin, sarcastic drama queen, manipulative bastard (said with the utmost respect). Allowed to be evil because he’s cute and has dimples. Does not have a fun life. Was a good guy, then got into a position of power. Definitely has control issues. Lost an arm because he had a thing with his half-sister…? He's definitely not on the soulmates' side because he tried to strangle Resurrected Dude.

Angry purple ball of Anxiety and Rage. Little brother to Resurrected Dude. Got a sick purple lightning whip. At first Resurrected Dude hid from him behind a mask, but now they don't seem to want to kill each other, so who knows what that was about.

Babyface. Does nothing much as far as I know. He's friends with Headband #1 and definitely a sweet cinnamon roll. Could be he’s also some black-wearing villain with weird veins on his face because they look disturbingly alike. So… He dies and comes back as a demon and then hides in some reeds…? (hey, everyone needs a hobby). If that's the case, he probably gets a redemption arch.

Headband #2. Unwitting psychologist to a bunch of other characters. Needs one himself. Also gay.

Black villain dude. He likes killing people and may be delusional. Only redeeming feature: sarcasm. Avoid at all costs.

She's beautiful, she's the calm in the storm - she's also probably repressed. Hanging around a bunch of sword dudes with daddy issues will to that to you. Or turn you into the next one on the list:

Red Queen. Badass bitch who takes no shit. I think she has medical training.

Red Dot Dude. He's not the smartest person in the room. I think he dies, too. His parents definitely did. He may be a prince, but is definitely in a position of power. He's on the main duo's side, but seems like someone who would disagree with them a lot anyway.

_______

There's some more Moustache Guys, some more women who are severely underrepresented in Tumblr posts and some trainee type sword dudes who either look on judgingly from the background (at Resurrected Dude) or admiring (at Headband #1).

Also… can someone please explain the rabbits? Please?

#the untamed #I have no context for any of this #tumblr memes #do you recommend this series? let me know #I could tell you so much about this and yet nothing at all #it's a weird feeling #the only other show I could do this for is probably WandaVision

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writingwithcolor · 4 years

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Including diversity where there may be little

Including diversity where there may be little: Black Radium Girls as example

post-scriptvm asked: [ask clipped for length]

I have an interest in the ‘Radium Girls’, groups of women who worked at studios in America from the late 1910s onwards painting radium onto clock faces, and later took their companies to court for the horrible impacts the radium had on their body.

I want to make a musical, just for fun. I’ve decided to use a fictionalized version of events, with composite characters based on multiple different women, rather than one of the real-life groups and the actual women from them. It will be mostly set in New Jersey, in the roaring 20s.

Neither of the two real-life groups I know of had any Black women in them, and I can’t see any Black women in any of the big group photos of the dial factories’ employees. But I know there’s a lot of Black history and culture in that time and place bc of the great migration and stuff, so I feel like if I’m not going to use the real life ladies, I should probably take the opportunity to also make some of them Black, bc making a whole cast of white ladies in the name of potentially wrong ‘historical accuracy’ seems like a bad thing.

My question is, should I? [ask clipped for length]

I wouldn’t be surprised if there were African American radium girls. Speculating People of Color/Women of Color’s involvement is far more realistic than portraying everyone as white. Go for it!

Perhaps look into what other races were predominantly in the New Jersey area for inspiration, too.

Hidden History

This section features just a few examples of PoC in lesser known historical settings.

The histories of People of Color are highly and actively erased. Women of Color especially get their stories left to footnotes in the textbooks. You hear about certain amazing women again and again, but there’s so many others that don’t get their time of day.

Hidden Figures (book and movie) is a prime example of that erasure and lesser known history. To summarize: It’s “the powerful story of four African-American female mathematicians at NASA who helped achieve some of the greatest moments in our space program.”

Here’s another example:

Photo of female firefights on Pearl Harbor, 1941. Identities unknown

It would be nice to know more about these women, and i’ve seen inquiries from people requesting info from anyone who may know. This struggle to find details is a prime example of that erasure in itself.

Enemies in Love: A German POW, a Black Nurse, and an Unlikely Romance by Alexis Clark

The book pictured above is the true story of a Black nurse and German Prisoner of War who fall in love during World War II. They face many hardships (disowning from his family, racism, and shunning from towns) but stay together for their whole lives, marry, and have children (One of their sons highly informed the writing of the book!)

This book discusses the discrimination the Black soldiers and nurses faced. They struggled to even be allowed to serve their country, and were treated worse than POWs.

Video: The Unlikely Romance of a Black Nurse & German P.O.W. in WW II

Research

Research “[RACE] + Firsts” and find many more examples of little unknown bits of history where they’ve been involved.

First doesn’t mean it came without limitations, discrimination or hardships. But they happened, and many sooner than you’d think.

Explore beyond what you know about whitewashed history and learn the true stories of People of Color.

Making it “realistic”

People will question how “realistic” it is to feature a Black women in this position for the time period, unfortunately. It doesn’t hurt to provide an explanation until we get to a place where diversity isn’t interrogated when it shows up.

Giving her backstory.

You can briefly explain the journey to the job, such as shortages due to a war. Take a look at those real world firsts for inspiration.

Especially take a look at the specific region of the story. What firsts were there? Any government power influences? How did PoC break barriers to make the strides they did?

Use the web, but also go beyond. Seek books, historians, artwork. Search those “footnotes” for that one sentence mention. (That’s actually how the writer of Enemies in Love found their story. Just a quick sentence and a search for the story began. It helped that she was a journalist!)

Relationships with Peers:

“I will cut off this right arm of mine before I will ever work or demand the ballot for the Negro and not the woman.” - Susan B. Anthony

White women weren’t, historically, welcoming to Black women. For example, white sufferists insisted Black women march in the back of the protests for, allegedly, both their rights. You’ll need to decide how your Black woman is treated in this situation.

You might face the following from peers, superiors, or others:

Hesitation to work or interact with her

Curiosity and intrigue (The “Other”

Unsure of how to approach or be friends with her

Microaggressions

Blatant racism

Your musical doesn’t seem like it is meant to focus too heavily on the hardships. It begs a mention, but just how much is up to you.

Call the Midwife, period racism example

Call the Midwife (BBC) is set in East End London, Late 1950s, early 1960s. The show features a Black midwife named Lucille Anderson. There’s a shortage on nurses so Caribbean nurses were being called in to support the growing population.

Call the Midwife is from a midwife, Jennifer Worth’s, memoir, so it’s based on history.

Check out this short clip: Nurse Lucille Anderson - Call the Midwife

Lucille on Call the Midwife (Take notes!)

The show handles racism and microaggressions very well. It’s not overdone.

Lucille is accepted by her peers and is especially close to one of the girls.

There’s an episode where she actively faces blame and discrimination during a case. It’s a major story line of the episode.

She does face occasional micro-aggressions where she is othered, but it is not every single time she is on screen and not every episode.

Her peers talk to her about her experiences and in the case where she had an aggressive family member to deal with, they tried to protect her by reassigning her from the family. Lucille asks to handle it her way and they respect her decision.

Lucille can mostly perform her job and have peace, and is treated kindly by patients.

She has a personality, a romantic life, family & friendships.

It’s about 90% allowing her to exist, 10% navigating racism/microaggressions. That’s a comfortable, realist balance for such a story and setting.

If you want to check out how they handled these issues for yourself, the show is on Netflix as of this post (2020). She’s introduced in Season 7. (I highly recommend watching this show from the beginning. I cry like every episode, and the diversity of several ethnic backgrounds picks up a lot mid season!)

I’ll kick you three scenarios for your Black radium girl:

Peer Acceptance, Initial Hesitation

awkward friendliness & initial hesitation, perhaps more fear of the unknown vs. hostility

Upon having interactions and talking to her, they become comfortable and accept her. It could take just one simple conversation. Perhaps they’re more used to listening to Black music or have Black staff who work for them, but haven’t had an equal one-on-one experience with WoC without a power dynamic or service involved. Now, with a Black fellow radium girl thrown in a similar situation as them, they could develop kinship.

This might not describe every one of the woman at all. Others might be just fine with her with no awkwardness.

Types of racism experienced:

some micro-aggressions (likely ignorance from peers)

no major racism experienced

Most Peer Acceptance, Racism From Some Peers

Most peers have no problem with her, even if they have their initial awkwardness. 1-2 more aggressive racists who don’t want her there.

Sometimes everyone else gets along, but there’s that 1 bully and their minion, and they feed off each other. If the BS isn’t tolerated by the other girls, it could shut them up to make peace or at least behave themselves. It’s likely someone like this would remain hatefully stubborn, but would grimace from the corner if outnumbered.

In the case you create a situation where someone is hostile to the Black girl but learns better: real apologies and efforts should be made if this occurs. It also doesn’t excuse their past behavior. Read our posts on redemption arcs for more info. We’re not fans, personally.

In an intense racial situation, it would be nice if the girls (with sense) protected and defended her instead of standing idly by. They’re strong enough to rise up against the agencies who poisoned them, so they can fight for their fellow radium sisters if one’s being targeted.

Types of racism experienced:

several micro-aggressions

maybe 1 major incident

Peer Acceptance, Racism from Other People

Radium girl acceptance within, but experiences racism from others she interacts with on/off the job.

The Call the Midwife example fits this one. Lucille’s peers are comfortable with her. It’s some of the ladies she care for and/or their families that may have negative things to say or show hesitance.

I’ll repeat what I said above: it’d be nice if the girls protected and defended her and didn’t stand by idly. Solidarity is important for establishing kinship and trust when it comes to white - woc friendships.

Types of racism experienced:

could vary from some to several micro-aggressions

maybe 1 major incident

Balancing race issues in the musical

Give the intersections of your Black girl’s situation proper attention. You can achieve this without overdoing it or making her whole arc about facing racism.

Perhaps the Black radium girl(s) has a song to express major woes, like segregation and poor treatment, or experiencing dismay over even less of a fighting chance in this fight for their rights.

If anyone does know anything but radium girls of color, please share!

–Mod Colette

#intersectionality #intersectional feminism #women #black #black women #woc #women of color #diversity #poc in history #radium girls #musicials #asks #submission

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dragonherder2030 · 3 years

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So I watched Raya and the Last Dragon-

I honestly was very disappointed with the movie as a whole. I LOVE dragons and main movies and media just doesn’t have much of them that I have seen. So when I saw that Disney was making a movie about and staring a dragon character, I got very excited. I had loved the design for Sisu when she was just a concept art

She was much more colorful and had a very different face, a more regional face. She is definitely more water dragony compared to the actual final draft design. And she is just overall prettier in my opinion.

Spoilers under this point

Another thing is the continuity and main logic of the movie. In the beginning of the movie it is practically about 15 minutes of exposition. It tells that apparently all the dragons are water dragons, every single one since they all look the same, but that there were multiple dragons in the past. These evil creatures made of human greed or whatever started attacking humans, and well I guess other things but the humans primarily. When attacked, they pass through the human and either take or freeze their spirit or something I don’t remember exactly, but the person becomes stone. So the dragons being the most powerful creatures in the world, they tried to fight the things. The dragons were also turned to stone, all but one, The Mighty Sisu. In the exposition it says that she compiled all her magic into the orb, and used it to destroy the things and turn everyone back from stone. Except the dragons. Do they ever explain why it didn’t turn the dragons back to alive? No it does not, it absolutely does not, but ho boy there is SO much more. Later in the exposition, the dragon gem gets broken into 5 pieces, one for each of the tribes. And they each possess a piece of the gem now. So, when the gem gets broken, all the evil creatures from the very beginning just, come back! This is never explained- nothing is ever explained in this movie it was just made for the funnies I GUESS. This movie feels like a really bad book adaption HONESTLY. And at the end of the movie when everyone comes back because it’s a kids movie, it’s just AHHGH everyone is happy now all the dragons come back and everything is dandy. But why didn’t the dragons come back in the beginning? The whole moral of the movie is “Trust good”. Seriously that’s it. And when they put the dragon gem back together at the end everyone is like “oh wow we need to trust each other and that’s how the magic will WoRk”. But explained earlier when we hear Sisu’s whole backstory is that when SHE did the magic fix she trusted her siblings the most that she had in that moment, SO TELL ME WHY DIDN’T IT WORK!!?? It makes no sense to me at least maybe I’m just missing something. But it annoys me so much, nothing makes sense in this movie. Another theory I have is that there were 3 writers. Each assigned to a seperate story arc, one to the beginning exposition thing, one to the middle main part, and one to the climax and final bits of the movie. The thing is, the writers only vaguely know what the past ones did XD.

The next problem I have is with the actual magic and formulation of dragons, as well as what the heck is up with the dragon gem. But don’t worry, I have at least 2 more problems with this movie. So as Sisu gets more and more of the dragon gem shards, she gains new powers. But do you know why? Because APPARENTLY when the gem broke into the 5 pieces, the magic of her individual siblings who gave their magic to the gem was separated perfectly. Ok that may not make much sense. But when we see Sisu’s backstory it shows that her oldest brother made the gem, then each sibling except Sisu put their special magic into the gem. So then, when it broke, the individual gem pieces only had the 1 type of magic in them? Excuse me what? That doesn’t make sense, if I make a cake, then I won’t cut it up and get only egg from one slice, then a bunch of sugar from another slice. It’s just- really bad and they could have fixed it by just- not having the siblings at all. They so easily could have been written out of the story, instead Sisu could have no magic when she is brought back, which she practically has none, her “magic” is that she is a strong swimmer. But then as she gets the pieces she gains back parts of her original magic, that would have been more indering then the siblings. Now the second part of this is the actual powers. Ok, which sounds like more of a power, being able to glow, or being able to fly around by walking on raindrops. The second one right? Well, ThEY aRe BoTh COsIdeReD MaGIc iN tHiS UniVErSe. All the powers that Raya aquires from the dragon gem pieces is being able to do the glow, being able to shape shift into a human, and being able to walk on the rain. Now, that isn’t even the part I’m the most mad about. At the end of the movie when all the dragons come back, THEY ALL CAN WALK ON THE RAIN. LIKE WHAT!? I THOUGHT THAT WAS THE OLDER BROTHER’S MAGIC TYPE! Do you get what I mean by this movie having no continuity? At the end of the movie, Sisu was killed by evil cat lady, and all the dragons come back walking on the rain and just- resurrect her. Ok, I guess that could be explained away as all the magic beings being magical, but I still don’t like how easily they did it. Yet another thing is that Sisu can make a bunch of magical smoke, well not magical but it’s really shimmery and thick, that’s not explained, she just can do it.

Let’s talk about the relationships in this movie. I hate them. No ones characters are developed on or improved except for maybe cat lady- I need to find her name somewhere, but except for Namarii is her name, her and Raya. Namarii’s big stitch is, I don’t even know just not being the most evil person? Either that or the same trust thing, which would mean that her and Raya have the same character arc. Raya in the beginning of the movie is explained to be the daughter of the chef of clan Heart, one of the most prosperous out of the 5 clans. They at the start of the movie had the dragon gem, and the father guy, he invited every other clan over to have a big feast or whatever. So when they get there, young Namarii, all this is happening when Raya is like, 9 I think, but Namarii and Raya become friends over fangirling for Sisu. Namarii has a necklace of Sisu that she gives to Raya. And side note, they act as though Sisu isn’t the SAVIOR OF THIER LANDS, but she’s some really good singer. Well I guess they have to connect to all those youngsters out there with an obsession and that rElATaBlE moment when you fInD AnOTheR oF tHiEr kInD. That just triggered me. But since Namarii is such a big fan of Sisu, Raya, after being shown to be VERY offensive about the idea of the other tribes coming, just decides to show Namarii the dragon gem! But uh oh, twist, Namarii is actually bad oh noooo and everyone comes up and starts to fight over the dragon gem. Then it shatters and the evil things come back. So Raya and her dad are trying to escape, her dad had been injured from fighting an arrow to the leg, but the things are repelled by water. So what does the dad do? He yeets the child into a river(they are on a bridge at this point) after having a minute long conversation with her. Like, could he not just tip himself off to? But hey we have to give them characters angsty backstorys amiright? It’s just so stupid the character motives. So like, Idk 12 years pass by or something since Raya is an adult now. She actually has a pretty emotional prayer type thing to Sisu when she is trying to resurrect her to save the world. This movie has a few ups that I will put at the end. So let’s talk about Sisu now, ho boy, she is the “oh everything will be fixed with hugs and kisses”. You know what this is, this is the same exact dynamic that Poppy and Branch went through during Trolls movie! The exact same dynamic! HECK Disney couldn’t even get original personalities. Sisu blindly trusting everything gets them into wacky situations and causes some conflict between Raya and Sisu but BARELY ANY. And Sisu just seems like- really innocent, she’s oblivious all the time. She’s this ancient beast and she just has the most generic personality and I loath it. Namanii is actually someone I liked. She seemed like the most real character until the very end, just, the blindly “oh everything is alright now and I’m fine with everyone now trauma doesn’t exist”. Also on that point, apparently trauma doesn’t exist in this world, because Sisu lost every single one of her siblings, and just, doesn’t show any sign of grieving or remorse she just doesn’t give a thought to them. Except for the backstory bit but she just doesn’t seem to care. Also just a side note, none of those side characters are developed at all and just there for practically comic relief. The whole resolution of the movie is them putting the gem together and then all “hugging” each other and wow look at that it worked. *inhales* and then when Sisu comes back, she has the most emotionally dead response to Raya, none of the character reuniting is good. You know, if you have seen storks, that near end montage where all the babies are brought to the people? Yeah, that was 100% better then the resolutions of Raya and the Last Dragon. One scene that ticked me off so much was when that ninja baby was reunited with her parents, the mom, oh my gosh, she looked as if she had just found an old purse she misplaced. She did not look- ah I can’t even put it into words just look up the clip to get it.

That’s all that I have to say about the movie, I probably have more somewhere but honestly I couldn’t put it into words. Now, you know, I have to give this movie a few good opinions. The movie looked amazing, great character design(except for the dragons I dispose them) and everything looks gorgeous. As well as the animal design, I wish I could have seen more animals honestly they all looked really interesting and unique.

Sorry this post was so long I just wanted to put my opinions out there.

#my opinion #Raya and the Last dragon #Raya and the Last Dragon spoilers #spoilers #critics

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avenger-hawk · 3 years

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Tagged by @altraes (thank you, it was fun to do this~)

List the first lines of your last 20 stories (if you have less than 20, just list them all). See if there are any patterns. Choose your favorite opening line. Then tag 10 of your favorite authors!

(I wrote the first paragraphs because my first lines alone don’t make much sense lol)

1- ACQUIESCENCE (Minato/Itachi) my first fic ever. darkish but just a little, angsty. I’m proud of it cause another author wrote a sequel to it.

to ac·qui·esce: to accept, agree, or allow something to happen by staying silent or by not arguing. A flurry of leaves, swept away by the autumn wind, caught the Hokage's attention while he took off his large hat. That time of the year should have been warmer.

2- THE WILL OF FIRE (Shiita, Danzo/Shisui, Danzo/Itachi) This was dark and shiita fans didn’t like it lol.

Just like his owner, Danzo's studio was dark and dusty. The man didn't look as old as Hiruzen, but he was twice as scary; thus would think a boy of Itachi's age. Not him. He was not allowed to be afraid.

3- WHAT HE WANTED (Itasasu) Even tho I rewrote it cause I didn’t like how I initially characterized them and their dynamics this is my most popular fic. Maybe because it’s a post-ending, canon divergent, fix-it kind of story. Maybe because it’s Itasasu and I put so much love into writing their dynamics and, also, in giving Sasuke a good ending since canon didn’t do him justice.

Sasuke is where everybody wants him to be: in Konoha. With the battle and the arm he also lost the urge to fight. He's had enough of traveling. He's tired of chasing and being chased. So tired that even if he meant every word about starting a revolution, being the Hokage and build a new era, he had wondered, though only for a moment, if he would be able to really accomplish such tasks all by himself.

4- IN POWER WE ENTRUST THE LOVE ADVOCATED (Itasasu) THis is my second most popular fic. This one too was written after the ending and tried to give Sasuke justice. I planned to write a sequel but I got busy with other projects and lost interest in it.

The gates open, letting the shinobi in after a successfully completed mission. Being on duty the following day Sasuke declines his team mates' proposal to have dinner together, the reddish sunset light forcing him to squint as he walks towards the Hokage's office.

5- PRESSURE (Itasasu) Taken from In Power that can be read as a standalone oneshot.

Itachi wakes up to the sound of pouring water.

6- IN DREAMS (Itasasu, Izuna/Sasuke, DARKFIC). This is one of the darkest things I wrote. The Izuna/Sasuke crackpair was for @admiral-izusasu. The plot, the dynamics, everything has a double, or triple reading, plot related and metaphorical for other, real-life issues such as knowing people online, and emotional abuse from narcissistic people. I wrote it when I was fighting against one of these psychos, on tumblr itself, so this fic has a personal meaning for me. But also the plot and the canon divergent ending thing is cool, I think it’s one of my best fics, even though I coulnd’t care less about izuna.

They say that nature will always find a way. After the end of the war flowers keep blooming like nothing happened even if the light is fainter, filtered from the tall branches of the Shinju tree, now grown into a forest spread all over the world.

7- SOMBER CREATION PALE DESTRUCTION (Madara/Sasuke dom/sub-ish). Darkish? Who knows, I write darkfish stuff all the time. I was (and am) very proud of this fic, the canon divergent turn it took (who am I kidding, it’s really cool lol) and the weird relationship/dynamics these 2 created. So I didn’t update it anymore, because doing so would break their thin balance. Ssssh, don’t tell me it doesn’t make sense, I don’t believe you xD

History teaches that Madara Uchiha died at the hands of Hashirama Senju. Their statues were erected in the Valley Of The End where their battle was fought, where the shinobi god ended his best friend's life in order to protect the village they founded together. No one knows that Madara didn't die there.

8- IN THE DARK (kakashi/Sasuke, mob/Sasuke noncon). This is a very dark oneshot that I’m proud of, cause it ‘explains’ canon Sasuke personality in Shinden and later, and that I use as prequel for many fics, like WHW but also OFAF and Broken Things (see later for both).

Things never went as Sasuke wanted. After the war it's no different, although everything seems fine at first, Team 7 finally at peace with each other, the war ended and the village that Itachi protected, even as a dead man, safe. Nevertheless he is arrested when he's still in the hospital.

9- VICTIMS OF PEACE (Shisui/Sasuke dom/sub-ish) I am so proud of this fic, of its non massacre universe, of the dark-ish slow burn relationship between Shisui and Sasuke I wrote, tentatively at first cause no one did it or thought much about it, and because that non massacre filler was bad, but still it was inspiration. I know shiita fans hated me even more for this cause shisui is only paired with itachi, and also itachi/itasasu fans were disappointed but still. This is maybe the fic I’m most proud of.

If a traveler arrived from a random village in the Fire Country he would certainly notice how different Konoha was. He would not be able to pinpoint exactly why at first, because the buildings, houses and shops are similar, just like their gardens, fields and animals. Only after some thought he would understand that the difference is in their people: other villagers are relaxed and casual, even loud. Children run around the streets, chasing each other, playing tag or hide-and-seek. Their fathers bring them presents and their mothers buy them new clothes.

10- OF FEATHERS AND FANGS (DARK Narusasu) I received a lot of hate for this one, which makes me proud of it even more. so many naruto stans were butthurt by my characterization of him as a possessive not sunshine selfless boy and their dynamics as crazy.

Jiraiya used to complain that the first sign of getting old was waking up at night for no reason and not being able to fall back asleep. For Naruto, this only happened after the war.

11- BLACK ROSES (Itasasu, dom/sub-ish) Smutty Bloody Darky Hokage Itachi/Anbu Sasuke oneshot

Because of his farsighted politics, his loyalty towards his allies as well as his iron fist against his enemies, Itachi quickly became one of the most respected leaders in the shinobi world, and because of his unequaled diplomatic skills, along with his vast culture, impeccable manners and refined appearance, he became popular among nobles, including the Daimyo, whose official visits increased since the Uchiha rose to power.

12- NELL’IPOTESI GRANDE (=IN THE BIG HYPOTHESIS) (MetaMoro, not Naruto) I’m very proud of this one cause it’s a psycho-pass inspired longfic set in a retrofuturistic Italy with a totalitarian consumeristic regime. But that fandom is so shitty and they all hate me cause I called them homophobic fascists so no one cares. The excerpt is translated too.

He’s reminded of Pirandello’s* words as he’s riding the automatic taxi across the city, exiting the center towards EUR. COmpared to Milan with its skyscrapers, multilevel streets, automatic cars and incessant novelties, the capital is basically the same as it was portrayed in old illustrations: renaissance and 20th century buildings, seagulls, pines among the Roman ruins, sycamore trees on the Lungotevere, that was probably already busy with traffic when people travelled on horse carriages. (*an Italian writer)

13- DA UOMO A UOMO, MANO NELLA MANO (from man to man, hand in hand) (Metamoro) lol I was hated a lot for this one too. tbh the hate I received in the Naruto fandom is nothing compared to this other shitty fandom

For an artist like Fabrizio, mainly focused on expressing what he has inside, public relations are the hardest part of his job, especially when it’s about events where, instead of fans, of whom he perceives the sincere affection, other artists and professionals are invited. His experience taught him that most of them are hypocrites ready to jump on the winner’s bandwagon as quickly as to throw mud at the loser.

14- STRENGTH THROUGH WOUNDING (wip) (Obito/Sasuke, Obito/Itachi, dark.-ish)

There is something nostalgic in the eerie way the boy's screams resonate through the dark cavern-like hideout, their pain bouncing from one curved wall to another, their anguish filling their crevices. It’s like hearing his past self from an external perspective, like Madara did. Which is fitting, for Obito is Madara now.

15- WORDS UNSAID (wip) (Kakashi/Sasuke)

A black flame that cannot be extinguished: they had been warned about Amaterasu by Jiraiya, but seeing it was impressive nevertheless. The whole area was surrounded by black flames and the rain pouring hard could nothing against it. They found Sasuke there, surrounded, imprisoned by black flames that were extinguishing themselves, so they found a breach.

16- BLEEDING ME (Metamoro vampire/priest darkfic) No one can understand this in the Naruto fandom but it’s an AU interpretation of the Da UOMO A UOMO character dynamics where one is an emotional vampire-like person. I’m very proud of this fic tbh.

According to folk stories the forest was so big and full of dangers that God himself put a church where it ended, so that its priest would protect the people living nearby. It was a small, white building that didn’t match the typical stones and wood brownish ones of that region, with no stained glass windows or fancy columns, spires or gargoyles, only crosses with skulls and bones, and an engraving in an unknown language.

17- WILD CHILD (Metamoro cop/drug dealer AU). At this point I hate that fandom so much but I like my ideas and I write only for my girl whom I met in that very shitty fandom.

Everything seems bigger in children’s eyes. Like the playground in the courtyard of the church, with its slides and swings that for Ermal’s siblings were the setting of countless imaginary adventures which they told him in detail, enthusiastically interrupting each other, when he picked them up after school.

18- TRUE COLORS (Itasasu, dark, dom/sub) By now I’m only interested in writing dark IS and I enjoyed writing this one lol

"I knew you had it in you. You're a sadistic control freak. Even more than me." Orochimaru's voice resounded in Itachi's ears. Again.

19- OF FEATHERS AND FANGS 2: TO REPAIR WITH GOLD (Dark Narusasu). Cause I didn’t piss off NS fans enough I guess? lol this is ongoing and I like this idea so much

It's a rainy day in Konoha but no one seems to notice. Everyone is focused on the Hokage delivering his eulogy.

20- BROKEN THINGS (Shisui/Sasuke) My latest creation, I’m so proud of it cause it’s Shisasu again, my rarepair! and it was supposed to be a oneshot but it got longer because they have such a cool dynamic that things just happen and get longer.

In the Land of Water summers were hot and damp, autumn and spring were damp for the frequent rains and winter was no less, with its cold temperature and ubiquitous dampness. It wasn't a problem for Sasuke though.

Tagging: @renamon15 and all the other authors I can’t remember right now and who want to do this, tag me back so I can read your first lines lol

#I'm not reading nar fics so xD #I'm actually back into reading my old favourite bleach fics cause I used to be into bleach so much before naruto #ask meme/tag game #my writing #fics & art recs #lol for some reason the pressure first line seems funny out of context

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amphtaminedreams · 3 years

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Spring/Summer & Haute Couture Week 2021: Whoops, I’ve Missed a Loooot (Part 2)

Hey to anyone reading,

I’m so sorry for the gap between the last fashion week review post and this one! Argh. I had no idea I posted it as long ago as the beginning of March but I think we can all agree that lockdown has fucked with our perceptions of time completely. I wish I could say the delay in posting was as simple as me being busy but I’ve also started to reflect on whether or not I want to carry on this format of posts for the time being; on the scale of problems, this one is wayyy down there in the very lower quartile of the first world region, but my motivation to carry on this kind of content in the form of long-winded text posts is...meh...not so much there anymore. At first I was thinking the issue was that working on these was my last priority on my daily to-do lists but as I’ve got back into writing fiction, it’s kind of occurred to me that the fact I was putting these posts on my to-do lists in the first place along with things like doing the ironing and contacting student finance speaks volumes. When I’m back from work or winding down, opening up Tumblr and coming back to this draft isn’t something that I think of as a fun stress reliever in the way drafting stories is. It doesn’t feel like I’m using my imagination or my creativity or expressing myself in any way and it’s not much of an escape from day to day life in the way that writing dialogue or exploring characters is. Maybe it’s because I’ve done quite a few of these posts now but I just tend to feel like I’m repeating myself, you know kinda like when you’re writing an essay and trying to fill up a word count; of course there are collections that I do have a lot of opinions on but by and large, sometimes it boils down to THESE CLOTHES ARE JUST FUCKING PRETTY, OKAY?! There’s only so many things you can say about a tulle skirt or an exaggerated collar before you want to strangle yourself with said tulle. I used to think iF VoGUe RuNwaY wRitErs CaN dO iT WhAT's MY exCusE until I realised that 1). Vogue Runway writers actually get paid and 2). for the most part all they do is explain the designer's intentions behind the collections verbatim without giving a critical opinion anyway.

I think a lot of the pressure I feel to justify what are in reality quite simple observations and opinions goes back to some of the feelings I explained in my first ever fashion week review where people who know more about fashion and have a formal education in the subject tend to be kind of gatekeep-y and elitist. It can never be that you appreciate different things about a collection but rather than one of you has taste and the other doesn’t and if it wasn’t obvious, the taste level assigned to you by the powers that be tend to positively correlate with the amount of money you have available to spend on a degree that has a reputation for failing to provide a steady income, which for most makes it an unrealistic avenue to pursue. I know, I know, the pressure is totally self-inflicted and wholly imagined seeing as I have under 500 followers on here and those who do interact with these posts most likely do so for the pictures but I still feel it, and given that I’m going to have enough external pressure to write essays when I return to uni in September, why on earth am I wasting time putting it on myself? When just posting photosets of my favourite looks is not only actually enjoyable for me but is also what other people WANT to see too? Nobody wants to read a self-indulgent paragraph like this when they’re here for the clothes and to be honest, for the most part I don’t want to write them anyway unless it’s something I have strong feelings about or if a collection can only be properly appreciated with analysis. I think I’ve made pretty clear which designers I’m a fan of, do you really need to hear me raving about Gucci or Zimmerman or Miu Miu or Balenciaga again? Is there gonna be anything revolutionary in yet another rant about Maria Grazia? Course not. I mean, if you are reading, you might have to witness those things one last time because I do intend to finish off this season’s review in this format for consistency purposes and because I’ve already got all the notes now but on the whole, I doubt anyone will miss my rambles.

So, with all that in mind, I think after I finish my S/S21 posts I am gonna start just uploading these posts without the written part. I mean, for one, the simplicity of doing this means I’m much less likely to procrastinate making them which in turn means I’ll be able to get them out right after the shows as a kind of summary as opposed to months later when they’re no longer as relevant. This will also give me more time to work on the writing I actually enjoy. Right now I’m going through and editing my 17 year old self’s “grown-up” take on the Pretty Little Liars blackmail murder mystery style plot line which I wrote back when I was completely and utterly obsessed with the show and bitterly disappointed by the last couple of seasons. The writing is pretty mediocre and often hugely cringey to read back now but I am still a fan of the basic plot and I’m genuinely motivated to see if I can make it something actually worth reading, and to get onto that ASAP; this feels especially important right now given that the HBO version of the series’ apparent upcoming release has sent that ever-present writer’s fear of seeing-your-same-storyline-done-better-by-somebody-else-thus-forever-relegating-your-version-to-being-the-poor-imitation-so-you-gotta-get-there-first into overdrive (or maybe that’s just me and my neuroses). Again, it’s a totally unfounded fear based on the fact that the HBO show will probs get millions of viewers whilst I will be doing little more than shouting into the void but anybody who’s used Turnitin to submit an essay that ultimately counts for little more than like 1% of your grade or degree will know that no matter how irrelevant your work is, the concept of failing a plagiarism check, be it via a computer algorithm or one random stranger on the internet’s assessment, is enough to conjure visions of the 4 horsemen of the apocalypse galloping towards you screaming “START THE WHOLE THING AGAIN” before releasing a hoarde of 2015 Chanel vs. Walmart style comparison memes.

Now, speaking of Chanel, I should probably get back into the reviewing.

So for the last time for a little while, here’s Christian Siriano:

Siriano’s designs are a great example of work I feel guilty enjoying. I know that when it comes to quality, the high fashion community have a lot of (negative) things to say and I really can’t speak to that because quite honestly, I know very little about textile manufacturing. Solely from my own point of view though, I do like his work a lot. I wouldn’t claim for a minute that he’s a pioneer in terms of his creations but I would 100% love to wear them and I DO hugely admire his commitment to putting women of all sizes on the runway and designing pieces that don’t simply cater to straight up and down types which is more than can be said for most brands. I get that his collections are pretty formulaic, taking what has worked for the likes of Chanel and Alessandra Rich, De La Renta and Carolina Herrera, Michael Kors too (who is kind of guilty of the same thing himself), but that’s not to say his work is bad. Let’s be real, we’ve been on this planet thousands of years, we’re all taking inspiration from someone, and maybe figures like Kors and Siriano could wait a *little* longer before taking said inspiration but their aim at the end of the day is to sell clothes, not break barriers, a task which although often left to the big name brands, they too often fail at. I’m not going to lie, I’m feeling this whimsical mid-century tea party vibe, it’s elegant and it’s cutesy and My Fair Lady-esque, and you bet your arse I would be absolutely thrilled to wear one of these looks on a summer red carpet. I just can’t say no to anything tulle-maybe it’s that I was on Toddlers & Tiaras in a past life or maybe it’s that I watched too many Barbie Princess films growing up, but I like pretty much everything going on here, especially Siriano is giving us matching fedoras too. Plus, can we take a moment to praise Siriano for his COVID relief efforts? Near the beginning of the pandemic, he turned his studio into a mask manufacturing factory in order to send them out as donations, and I think that is very cool.

Then there’s Christopher Kane who once again came through with the most insanely gorgeous prints:

I mean, paint splattering is hardly a new technique but I haven’t seen it done as a print so tastefully before-it eats the Moschino biro scribble print (which apparently was copied too speaking of the tendencies of designers to “borrow” inspiration) for breakfast. It’s shit because there weren’t many looks in this collection and they weren’t really shot in a way that does them any justice but I thought I’d include the few I saved.

Comme Des Garcons is a fave of the high fashion community and one I look forward to seeing at fashion week but can never quite get behind. I appreciate the what-the-fuckery of it all with this show totally being able to pass as a run-through of some kind of nuclear waste themed scare house at one of Thorpe Park’s fright nights. I assume given that and the plastic Mickey Mouse print it’s supposed to be some kind of reference to the part late-stage capitalism has played in the hellish landscape we find ourselves in today? Or something all intellectual? In which case I made my interpretation with farrrr too much confidence. But Anyway! Who knows! I’ll leave the analysis to the fashion students, and give it one word: trippy.

Onto Dion Lee, a brand I truly do get excited to talk about because it’s rare that I don’t LOVE his work.

Without fail, Lee manages to be confidently ahead of the curve without going out of his way to announce it and his genius to everyone with flamboyant shows and exaggerated designs and extortionate prices. He is very much an underdog in the fashion world in terms of big names but you’ll be hard pressed to find anyone who doesn’t love his collections. His S/S21 collection is one of my favourites of the bunch. I love seeing something I’ve never seen before and the palm leaf breast plate is so odd but so cool and so perfectly Dion Lee at the same time; we’ve seen jungle/tropical inspired collections sooo many times *cough cough D&G cough cough* and THIS is how you make them fresh and unique. I mean, never in a million years did I think I’d get behind the resurgence of the gladiator sandal trend but Lee has me changing my mind. This is one of the very rare times you will ever see me using this meme to praise a man but:

I mean, he has Fernanda Ly modelling for him, that the man has taste goes without saying.

Now for a bit of a full circle moment, given that I did actually praise Dior’s haute couture collection in my first ever post; Maria Grazia did GOOD. Well, with haute couture at least.

She’s always pretty hamfisted with her references, there’s no denying, with that Grecian Goddess style RTW collection typifying that statement completely, but luckily she struck gold this time round; as someone who studied the Tudors for A-level history, seeing a modern take on the exaggeratedly feminine renaissance silhouettes with the baroque prints and the deep jewell tones got me super excited especially when you throw in the dreamy tarot theming and the nods to the mystical and arcane. Seeing as the Heavenly Bodies Met Gala (I know, I know, I need to move on) was some time ago now and Cersei Lannister’s *SPOILER* been crushed by a rock (could also be seen as a metaphor for the irrelevancy David Benioff and D.B Wise condemned GoT to when they aired that shitty ending tehe) and so probably won’t be getting a collection based on her costumes any time soon, this is the only fashion take on this kind of period dress I’m going to get…and you know what? I’m okay with that. Thanks Maria, I guess?

Her RTW collection wasn’t absolutely awful either, and slightly better than the past few collections at least. Put a monkey in a room with a typewriter (or show it enough similar well-received collections) and it will eventually write something that makes sense, don’t they say? I like the nomadic feel of a lot of the looks and there’s beautiful layering going on but the aura of exotic opulence unsurprisingly didn’t stick around for long and I found that there was a decline in quality in the midsection of the show that landed a lot of the outfits in either awkward mother of the bride at a beach wedding or The Only Way is Essex Ocean Beach PLT sponsored poolside party territory. The looks picked back up a bit towards the end stretch of the show but I wasn’t a fan of the Gucci style oversized glasses which were so out of place with the rest of the theming that if anything they seemed like a cheap grab at relevancy. So yeah, a middling, subpar Etro-esque collection which is better than usual for Dior I suppose.

Next, Elie Saab, whose S/S21 collection was kinda disappointing, tbh. Oh how the turns have tabled given that positive Dior review and my usual love of Saab’s collections.

I know his dresses lose some of their appeal when we can’t see them in motion but even ON the runway I can’t see myself being dazzled by any of these pieces the way I usually am. They’re lacking the level of detail and craftsmanship I associate with the brand seemingly in favour of block colours and suits and the issue is that the whole Disney Princess fantasy has always been the appeal for me because the silhouettes aren’t interesting enough on their own. They’re not ugly pieces, they’re nice, but does nice really have a place in high fashion when the pieces are so basic in both their design and presentation that the shots could pass as ripped from a catalogue? The strongest parts of the collection were when it did go down the more delicate route with the muted blue suits and the white feather trimmed dresses, the small, ornamental gold details reminding me of a very toned down nod to Schiaparelli’s hardware, but with regards to the bright coloured pieces, I can’t lie-they did look like something you could find in the M&S Per Una holiday section. Then you’ve got the weakest parts, which were just flat out ugly: sheer giraffe print, sweat band style elasticated waits, and long chiffon shirts that I hate to admit read as frumpy. There are times where I’ve not been particularly excited by an Elie Saab collection in the past, but I do think this is the first time I’ve actively disliked parts of it.

Conversely, Erdem’s S/S21 collection was super strong, and solidified the brand’s place in my mind as a dependable source of kooky maximalism, this time round giving us Anya Taylor Joy’s Emma wardrobe on speed. You could tell me Erdem Moralıoğlu had just raided the Bridgerton set’s fitting rooms and put it on a runway and I would 100% believe you and I mean that in a positive way because to give my unpopular opinion, the clothes were the only good thing about that show. The endearingly florid details of exaggerated bows and clashing florals were still there but this time in a way that felt more subtle and self-assured, as if the calming influence of the wooded set’d had a direct hand in the designs, giving the rugged, ethereal feel to the collection I associate with brands like Brock and Simone Rocha, all whilst keeping the parts of Erdem I’m so fond of.

Is it really much of a shock that I included pretty much every look from the Etro S/S21 show? Like, you know that Christian idea of God, like, (the voice in my head is very much taking on the dumb valley girl voice that anybody who reads this is most probably getting too) knowing our souls? I think Veronica Etro knows mine. So no, no surprise. Though there were a few unconventional touches thrown into these looks (the campier prints and nautical theming we see with the 80s beach towel print, for example, reminded me a bit of Versace) the mystical bohemian it girl that Etro designs for would still be highly satisfied. Sure, it might be a wardrobe fit for a holiday less adventurous than backpacking but if she wanted a tropical poolside holiday, this collection is the one, the paisley print chiffon mini and maxi dresses especially. I’m just gonna pretend I don’t see the monstrosity that is leggings worn as trousers-it’s a fashion rule I refuse to abandon-because they are the only stain on an otherwise expectedly gorgeous collection.

Next, an unusually reserved RTW collection from Fendi:

More in line with the wardrobe of a European fashion editor than the glamorous trophy wife (who let’s say uses that facade as a guise to ruthlessly run her husband’s whole business empire from behind the scenes because in this house we do complex female characters only), these pieces are lot “smarter” and more professional looking than Fendi’s typical offerings; where I feel Fendi usually designs for the society girl who wouldn’t mind a front page scandal, these are the kind of outfits a young member of Monaco’s royal family would wear for a positively received but business-as-usual press tour. I know, Fendi is an Italian brand, but this is more Southern France to me. We’re talking some 2nd page shots of a Kate Middleton type on a yacht on the Riviera smiling and waving as her PR team’s ideal scenario. Still, whilst fewer exaggerated silhouettes, animal prints and overtly luxurious fabrics (real leathers, silks and furs for example) mean that the drama’s a little toned down, it’s all still very expensive looking and combines the classically feminine glamour of the past and the minimalism of modernity in the artful manner that we’re used to. Maybe it’s me being a basic bitch but I always love seeing Ashley Graham on the runway too, even if brands to tend to use her as their single token plus size model.

Kim Jones’ debut haute couture collection for Fendi, however, wasn’t a very well received one. I don’t hate it personally but I can see where the criticisms are coming from. Whilst it’s closer to the version of Fendi I’ve come to expect and there were some stunning pieces which completely encapsulated that distinctive aura of luxe and glamour, there were quite a few lazy pieces which could’ve been from any designer. I also felt the collection was a bit upstaged by what seemed to be a who’s who of the modelling world; having Bella, Cara, Kate and Naomi ALL walk in one show was a bit distracting and took the focus off the clothes completely.

Giambattista Valli’s RTW collection was gorgeous as ever; the man has undeniably mastered the art of delivering classic, objective elegance, the kind of designs I feel would make you light on your feet and smell like strawberries and cream the minute you put one on. Whilst as a brand his RTW shows are rarely trendsetting, they reliably produce a plethora of unfailingly graceful and demure pieces, as appealing to your mum and your grandma as they are to young women and little girls, and this collection is another victory lap for Valli when it comes to upholding his signature tea party and artisan cupcake making and rose garden strolling and bottomless rosé brunch appropriate aesthetic. There were a lot of outfits that were bordering on overly juvenile, with structures a little too basic to justify the amount of sequins thrown on, but when it’s good, it’s so sweet that regardless of how to formula it is, I can’t help but fall in love.

Valli’s haute couture collection was stunning too and for sure a more exciting offering than the RTW. There was of course a lot of the signature tulle but it was head-turning, over the top in a way that leant far more towards the experimental than I expected. The photos themselves are 100% believable as a some kind of Vogue behind the scenes editorial shoot on the set of live action Disney princess movie (in between takes of the climactic ball scene if you wanna get specific with the vision); if you are looking for a prettier alternative to the primary colours and disruptive shapes of a Molly Goddard collection, this is the one. It’s giving the themes of excess and abundance I associate with that of the Hunger Games Capitol but through the softer lens of a Sofia Coppola movie, and being the typical cinema loving white girl I am, I’m obviously on board with that vibe.

I did SUCH a 180 on Givency’s S/S21 collection from when I first saw it to writing a review. My initial reaction was one of disappointment, I guess simply because Givenchy has given us so many bold pieces and presentations over the last few years whereas this is more low-key. After properly considering it though as I would any other brand, I came to the conclusion that I do actually really like it. It’s still got the strange, androgynous silhouettes popping up throughout and the futuristic space-age details but with a more down-to-earth, streetwear feel, albeit a very slick, glossy spin on the trends of the rabble (that’s us guys) of course before we go believing it’s achievable. On the one hand, the devil horn accents are a touch Claire’s accessories halloween range but at the same time, done with confidence they’re kind of cool and bring something new and fun to the table in line with the dark theatre of Givenchy’s last few shows.

Now for Gucci, which for the first time I have to say, if I'm attempting objectivity, is not a standout.

Like, can I just start by saying though the format it’s presented in is cute, it’s not ideal as a way of actually showing the collection. I get that the vintage shop bin vibe is a huge part of Gucci’s brand but polaroids make it SO hard to actually see the clothes, and that’s what we’re here for right? I don’t want to give the impression that I don’t like what I see here-the clothes are gorgeous, an idyllic ode to the off-duty wardrobes of Studio 54-ers, bohemian style icons like Charlotte Rampling and young Olivia Newton-John, psychedelic rock guitarists and the inhabitants of San Fransisco’s Haight during the late 60s and early 70s, Alessandro Michele’s favourite period of reference. I can’t pretend otherwise, or act like I wouldn’t want to wear the shit out of this collection. Buut, for Gucci? It’s a little underwhelming. These are the kind of filler looks we get in a typical Gucci show to go alongside the more statement pieces, which this collection is lacking. It’s just that these are designs which usually gets people talking and these pieces don’t do that. It sucks because for most other brands this would be a stand out collection, an immersive, luscious vignette of what people tend to think of as a cultural golden era, but when you’ve had a show that involved models carrying replicas of their own decapitated heads down the runway in the last 5 years, of course something more toned down like this is gonna generate a lot of “is that it?”s.

I owe Hermes an apology. Looking back, I have disliked all their previous collections for the same reason that I now really like this one; maybe it’s in part down to the frustration of still having to whack out the winter coat on occasion in May (fuck British weather and climate change), but suddenly I really appreciate the value of some good quality, versatile outerwear. Hermes is giving us that in spades here and for that, I bow down to them. The pieces on offer are clearly well-made and genuinely practical, and through the minimalist approach manage to retain both an air of timeless sophistication whilst also being youthful and on trend. The leather tactical vest co-ord I can easily see edged up and taking centre stage on one of those insane Seoul street style slow-mo TikToks that were big a couple of months ago and there are several pieces that could tie together a grunge influenced k-style look just as well as they could exist for years on end as the wardrobe staple of a high-powered businesswoman. Designer Nadège Vanhee-Cybulski’s strengths really come through with the simpler looks and it’s the patterned pieces that drag down an otherwise flawless collection; I guess because the aesthetic is very minimalist, the patterns can’t be anything overly decorative but unfortunately this has a bit of a dowdy effect when you pair it with such modest silhouettes. Disregarding those elements of the collection though, it was super good.

It goes without saying that Iris Van Herpen’s haute couture collection was breathtaking; if the fashion community can agree on anything, it’s that this woman’s work is consistently awe-inspiring. She captures the wonder of the universe, the biological structures and kaleidoscopic colours we don’t even register, through fashion in a way that others can only imitate, to mesmerising, truly transcendent effect; I can only assume Van Herpen has mother nature whispering into her ear because how the hell else do you explain her ability to take the kind of microscopic organisms they show you images of in an outdated GCSE science powerpoint and make a dress that resembles one so stunning? Care to explain, Iris? Because if there is some kind of line of communication between the two of you can you please tell the bitch I’m over this weather and that I have cute summer outfits I’m waiting to wear so can she pack this torrential rain shit in? K, thanks xoxo

See it seems shady as fuck to go from IVH to Isabel Marant like this because we are talking 2 designers with totallyyyy different approaches to fashion; Iris Van Herpen is haute couture for starters whereas Marant is commercial, and that’s her thing, but unfair comparisons aside this collection is still a bit of a let down. This is considering I do usually really like Isabel Marant collections based on whether or not I’d wear the pieces, which seems a more appropriate barometer to use to come to a quality verdict. Whilst there were a few of the elegant bohemian pieces my mind goes to when it comes to her brand, the steps outside of that comfort zone didn’t pay off; graffiti print (can be cool if done with some subtlety which apart from a few exceptions was not the case here), cheap looking reflective fabric, and MC Hammer style dungarees, it seems to be an attempt to merge 80s trends with modern urban culture, and an attempt that at times verged on the disastrous. It’s good for a brand to experiment, of course, and appeal to a wider client base than usual, but when it’s bad the unfortunate take away is that the design team don’t have the chops to pull off straying from familiar territory; designers wouldn’t be showing at fashion week if this was truly the case because disregarding the influence of nepotism, fashion is an area you need real talent, perseverance and business smarts to excel in, and so it doesn’t do a team justice when they do fail.

J.W Anderson, on the other hand, really put his best foot forward this season and presented this work in a really cool way too which only added to the positives; whilst the way the shots were edited was funky af, it didn’t detract from the actual outfits, and if we are to see the same limitations when it comes to the F/W collections being released, this is something a lot of designers and editing teams should take note of. The idiosyncratic exaggerated shapes that we see as a recurring feature of Anderon’s collections were still on show but this time round with added femininity, billowing skirts and trailing jewellery that channel the stage looks of Stevie Nicks in a way that’s modern and functional and maybe even fit for the office if you were to work in a more creative industry with a chill boss. Could also work for a coven of witches who practice meditation by bonfires in the moonlight and burn the letters of men who wronged them in some Arizonian desert, so like I said, functional! Who doesn’t like versatility? The only thing I’m not too keen on is the shoes but they’re not so bad that it affects my opinion of the collection and they look comfy I guess.

Lastly, we’ve got to talk about Jacquemus, one of the most influential names in fashion at the moment. And yes, this time round, I’m doing it: I’m buying into the hype.

This collection is gorgeousss! I can see already that a lot of the recurring elements of the show are going to be big summer trends for this year (the cut outs and strappy details on the blouses are everywhere already) even though it isn’t hot enough to have collectively decided the time to start dressing for heat is upon us yet, and that’s always a good indicator of how successful the designer was in their vision and attempts to assess the needs and wants of fashion enthusiasts; whether I’m as big a fan of his work as everyone else seems to be, there’s no denying Simon Porte Jacquemus has always excelled at this practice if the buzz around him is anything to go by. It makes sense given the last year of us all being stuck in and suppressed that a lot of us are already romanticising the summer ahead, anticipating picnics and beach days and general Theresa May running through wheat fields type shenanigans galore, in spite of how dubious an assumption it is to make that British weather will allow for this; Porte Jacquemus has very much catered to this wishful thinking and the popularity of the whole escapist “cottage core” aesthetic, sexing it up a little bit with pieces that hug the body in ways only Mugler knows how whilst being lightweight and relaxed enough to look good with windswept, sandy hair and a little dose of sunburn. I’m talking enough to give you some cutesy freckles and rosy cheeks not PSA on the importance of suncream territory, guys, what is it with those of us on the gen Z/millennial cusp not taking sun damage seriously!? Why do I have to beg so many of my friends to wear it!? Does nobody else remember those photos they’d show you in PSHE in English primary schools of burnt people’s skin under UV lights? Or is that just me being weird and only having such a vivid memory of the images because teachers told us we had to wait until year 6 to see them due they to their “graphic” nature only for my gore-loving self to be extremely underwhelmed when we finally did get that lesson? They showed us a woman giving birth in year 4 for fuck’s sake. THAT was traumatising.

Back to the actual point anyway, with just a couple of negatives, the first of which being that the pieces are very similar to those feminine looks we saw dotted about the Jacquemus menswear collection from last year that were all over fashion Twitter. In Simon Porte Jacquemus’ defence though, it makes sense that those tones and silhouettes would be revisited in a full womenswear collection for that very reason; considering they went down so well and that lockdown gave us a bit of a half-baked summer in 2020, expanding on those elements enough for a whole new collection makes good business sense. We did get some cool additions too, mainly in the form of accessories, with the hardware details on the belts similar to those included in the Givenchy collection and the abstract hair slides being standouts for me. It was all exquisite-the shoes, the jewellery, the styling, everything 10/10. My other nitpick, and I say nitpick not because it’s not important but because it’s an issue that’s hardly restricted to Jacquemus (this casting team are far from the worst offenders, Saint Laurent I’m looking at you), is that I WISH we’d see more diversity with the models. Despite what my body dysmorphia yells at me, I am small, and yet seeing all those fucking minuscule waists made me die a little inside; it’s crazy to me that in 2020 the lack of variety in body types on the runway is still such a problem.

I must have said this a million times but I don’t want to end on a negative note so let me reiterate: this collection was STUN. NING. Plus there were some others I’ve talked about in this post that I’m sure will make it into my top 20 in the final part, Jacquemus, Dion Lee and Etro for sure; we even got some gorgeous pieces from Maria Grazia which I thought was a sentence I’d never type out. Have I said enough to not leave a bad taste in the mouth of anyone who read to the end of this post? I hope so, lol! TBH, it’s impressive given everything that’s going on that the majority of designers did roll out collections in September as usual so serious respect to them and their design teams for that.

In the next post, I’ll fingers crossed be able to include everything from Kim Shui (exciting!) through to at least Off-White (actually pretty good this time?!) and make this whole thing a 4 parter before getting straight on top of the photo posts I’m thinking about doing for the time being for the F/W21 shows. So as usual, if you did read to the end thank you so much and I respect the perseverance you must have to get through all my rambling, lmao. Hope everyone is well and coping okay and again, my inbox is always open for any post suggestions, constructive criticism, or just a chat for anyone who needs a listening ear.

Big love and thank you again!

Lauren x

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ayuuria · 3 years

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Yashahime Translation: Mantan Web Interview

Please do not repost this translation without my consent! This includes screenshots of any type and amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

Hanyō no Yashahime: Matsumoto Sara, Komatsu Mikako, Tadokoro Azusa, the “Three Princesses” Voice Actresses. Inuyasha and Sesshōmaru’s daughters, Keeping in Mind Inheritance

“Hanyō no Yashahime”, the TV anime that follows the activities of the daughters of Inuyasha and Sesshōmaru from Takahashi Rumiko-san’s popular manga, “Inuyasha” (Yomiuri TV, Nippon TV, Saturday evenings at 5:30, certain regions excluded). Sesshōmaru’s twin daughters, Towa and Setsuna, and Inuyasha and Kagome’s daughter, Moroha; the exhilarating story of these “three princesses” as they rampage the setting of the feudal and modern eras. This as well as the secret behind the three princesses’ births are gradually being revealed and the cause of the mysterious event has drawn interest. Matsumoto Sara-san, the role of Towa, Komatsu Mikako-san, the role of Setsuna, and Tadokoro Azusa-san, the role of Moroha, are all part of a generation that became fascinated with the world of Inuyasha when they were young. On top of playing the roles of Sesshōmaru’s and Inuyasha’s daughters, we asked them what sort of hereditary traits they each keep in mind, their thoughts on each other’s acting and the work.

The Charms the Three Princesses Inherited from Their Parents as Well as the Cuteness of 14-Year-Old Girls

[There is a paragraph explaining what Yashahime is and what not. However, we all know it so I skipped it]

— What did you think when you found out that a new story to the Inuyasha world, “Hanyō no Yashahime” was going to be produced?

Matsumoto-san: The shock was huge. That the characters I grew up watching as a child had kids… First, I wondered how they were born (laughs). I wondered what sort of things they inherited.

Tadokoro-san: I was really surprised. “Inuyasha” was a work that was wrapped up very beautifully, so to think there would be a continuation, a new story. I loved the work, so I was overjoyed that the story of Inuyasha was being carried on. Above all, Sesshōmaru had kids, but with who……? I thought (laughs). I was looking at the character designs like I was lapping them up.

Komatsu-san: I was also shocked that it would be a story about Inuyasha and Sesshōmaru’s daughters. As someone who read and watched “Inuyasha”, I felt nostalgic and a lot of excitement and joy that I could touch the Inuyasha world all over again.

— What do you keep in mind as you play the daughters of Inuyasha and Sesshōmaru?

Matsumoto-san: In regards to Towa, during the audition, sound director Nagura-san (Yasushi) told me not to be conscious of her father, Sesshōmaru, and “I don’t want you to make her too boyish”. At that moment, my internal plans fell apart and I thought “Oh crap…”. And so, the current Towa is the result of me struggling with nothing on me. Towa gradually gets used to the feudal era, so I was careful not to make her too cool or decisive at the beginning. No matter what experiences she’s had, she’s still a 14-year-old middle schooler, so sometimes you can see a little girliness and I make sure not to forget that that is part of her core.

— Has Towa ever been conscious of her parents?

Matsumoto-san: As the story progresses, I’ve begun to realize that that part is really complicated. I think Inuyasha fans would love it if there was a nuance where you could feel the parents, but unfortunately, Towa doesn’t know her father or mother, so I don’t think about forcibly bringing out that nuance. Concerning the result, I would be happy if they can think that she’s similar to Sesshōmaru or her mother. Unlike Moroha and Setsuna, Towa alone grew up in the modern era, so she gets told by Setsuna and Moroha, who grew up in the feudal era, “You’re too weak” or “Being too soft is no good”, but she tries to accept those views. She’s gentle at her core, so there’s a sense that she has her mother’s blood and I think she’s a child that people will say “She really is just like that person.

— What about you Komatsu-san who plays Setsuna?

Komatsu-san: What I was told during my audition was that she’s Setsuna at her base but sometimes she shows the side of a 14-year-old girl. Also, she will gradually become more affectionate from being with Towa and Moroha, so please show that cuteness is what they said. At the auditioning stage, I couldn’t imagine how Setsuna would show her affection, so I was worried. Getting into the actual recording, starting around episode 2, Nagura-san told me “Remember NariKen-san (Narita Ken who voices Sesshōmaru)” … …

Tadokoro-san: That’s hard… …

Komatsu-san: Setsuna doesn’t really know Sesshōmaru either and her memories are gone, so in that state it’s like she inherited the blood somewhere. I put into my acting the calm and collectedness she inherited from her bloodline as well the calmness she developed from the environment she grew up in and something like the resolve to keep living. I believe this is the shape of the current Setsuna. It’s just that there is still the fact that she’s a 14-years-old, so I think she’s a child that realistically displays the swaying of the heart. There are a lot of scenes where Setsuna falls silent from watching Towa’s way of life before her eyes, so I keep in mind that she’s probably thinking it over first and processing things in her own way as I act.

— What about Tadokoro-san who plays Inuyasha and Kagome’s daughter, Moroha?

Tadokoro-san: I imagined Inuyasha-san’s unique way of sitting like a dog during the audition. The light footwork that can allow him to move immediately or rather, the constant lively movement of his body like an animal is what I kept in mind. That hasn’t changed even now. Moroha makes a living constantly fighting to earn money and I thought I can’t underestimate her, so I play her thinking that she lived her life speaking in a rough incendiary way to make herself look big. When asked about Moroha’s upbringing, even though she leads an unrewarded life, she’s very bright and cheerful. I think that strong heart and not getting too disappointed resembles her parents.

Characters Whose Voice Actor’s Personality Is Mixed In

— Have you ever been influenced or stimulated by each other’s acting?

Matsumoto-san: The first documents I received was a character design done by Takahashi Rumiko-sensei and a simple correlation diagram, so I wondered what would become of each of the characters when they received a voice and become an animation. However, when recording started and I heard the two’s (Komatsu and Tadokoro) voices, I was like “Ah, I see!”. I had to make sure I didn’t cause trouble for the two of them in anyway…

Komatsu-san and Tadokoro-san: No no…… it’s the same for us (laughs)

Matsumoto-san: There’s so much I can receive from the two of them every episode. For scenes where Towa, Setsuna, and Moroha split up, we record separately from Tadokoro-san, but there’s a lot of things I can get from listening to Tadokoro-san’s voice before I start recording. It’s something like “If they’re having her act like that, then maybe I should do something like this” every time.

Tadokoro-san: During the audition, I auditioned for the roles of the other two besides Moroha, but to be honest, I couldn’t picture their voices even as I acted. When we actually recorded together, it felt as though I saw the answer like “Aah, it can only be this!”. Towa seems unable to fit into either the modern or feudal eras so to say, and she’s a very shaky character so she periodically makes remarks that are off. There, because of (Matsumoto) Sara-san’s straight and honest acting, I can tell that Towa acts on her own beliefs. Towa is a difficult role to play, but you could say Sara-san’s personality is mixed in.

Komatsu-san: Just as Koroazu-chan (Tadokoro-san) said, Sara-chan’s personality comes through. Towa has a sharp appearance and a boyish impression but she’s actually very friendly. She could probably survive in any era. I think it’s because Sara-chan herself is friendly and has strong communication skills.

Matsumoto-san: That makes me happy.

Tadokoro-san: Komatsu-san’s acting of Setsuna too, I think “Sesshōmaru-sama really comes through. Wow!”. I know this because I played Setsuna during the audition but a woman incorporating (the role of Sesshōmaru) Narita-san’s (Ken) acting is very difficult. Komatsu-san expresses Setsuna’s 14-year-old cuteness and her affectionate cuteness while bringing out the strength that she inherited from Sesshōmaru. I think it’s Komatsu-san’s skill that brings out that broadness in Setsuna (laughs).

Komatsu-san: Moroha inherits from Inuyasha and Kagome too. I think this is something that only Koroazu-chan can do. Moroha has Inuyasha’s crudeness and Kagome’s strong heart and suppleness so I think “This is Moroha!”. Koroazu-chan’s lightness and mischievousness come together and make Moroha even cuter. If she becomes a girl that only inherited Inuyasha’s crudeness, I think it would be difficult, but Kagome’s cuteness and strength comes through. Setsuna is able to let Moroha’s foolishness slide. This is “Koroazu magic”.

Matsumoto-san: It’s a wonderful magic.

Tadokoro-san: That makes me happy.

Komatsu-san: Even when I’m acting, I can feel that Setsuna is changing due to being influenced by the other two. To Setsuna, Towa and Moroha are people she loves. Not to mention the three of them are blood relatives. (laughs)

The three princesses that Matsumoto-san, Komatsu-san, and Tadokoro-san play give off charm as the new heroines of the Inuyasha world while inheriting the blood of Inuyasha and Sesshōmaru. The three princesses’ comical dialogue, exhilarating battles with demons, and the secrets of their birth that will gradually be revealed. You can’t take your eyes off the story going forward.

#yashahime #hanyou no yashahime #yashahime: princess half demon #translation

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