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#✧ out of character.
crystalmarred · 10 months
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Rough couple weeks slowed me down, but working on replies today. Some will be queued so I can catch up a little bit. But also. Like for a starter from a muse I don't have listed yet.
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surprisearson · 2 months
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Favorite bit of adventurers bible lore is that Marcille was a researcher developing new healing magic before she joined the party but then learned all the offensive spells we see her use in a single day. Insane behavior. Imagine knowing the top med student in the country and one day she drops out of her cancer research program and perfects the art of making pipe bombs in 24 hours.
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mansand · 4 months
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these army ants tend to move in groups of 4, with the line leader leading the expeditions. They have terrible eyesight, so rely on the sound of the Line Leader's bell staff, and the the pheromone map made by the previous expedition to know where they're heading.
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sing-you-fools · 8 months
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me: this is a background character who's in one scene, has two lines, and is completely irrelevant to the rest of the story. i am going to stop obsessing over what to name him and use the random name generator on behindthename.com. i am going to accept the first thing it gives me and move the fuck on.
behindthename.com:
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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sunshinem0ths · 2 months
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club meshis
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angeltannis · 1 month
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I love you “unlikeable” female characters I love you rude girls I love you mean women I love you girl interpretations of the “Asshole with a Heart of Gold” trope I love you women who get labeled Cold and Unfeeling I love you girls who lash out I love you women who lie I love you female characters who make people mad just by existing
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irregularbillcipher · 9 months
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nobody understands this highly popular fictional character at all except for me and my carefully curated panel of mutuals
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triona-tribblescore · 3 months
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I just wanna draw them being all soft n stuff okay? :'( <333
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wasyago · 1 month
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quiet hours
closeups under the cut :]
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i really like these
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crystalmarred · 3 months
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confess your secrets to me and I'll tell you what you need to hear
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you are holy, you are divine. you've eaten yourself alive long enough. it's time to pull yourself down from your cross. i promise you are good, you are pure. you do not have to be a martyr.
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this does not have to be the end of you. you did not deserve that, you did not deserve any of that. one of these days you will feel safe again, you will open your heart and you will find it everywhere. do not be afraid - there is so much love and warmth searching for a way to get to you.
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you are the only one who can find a way out. you feel like your suffering will never end. you are aching for a new life, an escape or an adventure, an anywhere-but-here home. don't settle for anything less than what you can give yourself. it cannot be anyone but you.
tagged by: @starsasunder — thank you! ♥ tagging: @oathofpromises, @majomatoya & @diademreigned, if y'all want to!
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aphel1on · 6 months
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i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good
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livingmeatloaf · 2 months
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There is only one way to make a truly wonderful Avatar adaptation, not matter how bad it turns out to be:
A professionally shot, full length stage production of the Ember Island Players' Fire Nation propaganda version of the events
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queerism1969 · 10 months
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ochibrochi · 4 months
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🐣 ok we are so back………..
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clown-owo · 11 months
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been replaying the Portal series I think this is where its heading
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