Tumgik
#(i just want to talk about him so much and my characterization of him+what i'd give to write him at all let alone in his source material)
darealsaltysam · 2 months
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I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT
below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this
oh my god okay okay where do i even start
opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up
watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok
this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!
i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis
arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie
but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.
i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.
the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this
OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD
jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed
the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH
all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!
once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM
rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it
the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that
okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT
FEYD FUCKING RAUTHA LADIES AND GENTLEMEN
oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER
stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET
just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT
when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.
the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd
GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.
dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.
and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell
speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing
what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah
special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast
WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL
the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS
a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!
anyway. back to the horrors.
i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP
i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me
chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!
SPEAKING OF GOOD ACTING
TIMOTHEE
FUCKING
CHALAMET
listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.
he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing
paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting
like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different
what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!
also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg
when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us
also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore
have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her
okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive
chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much
THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD
IT ALL CAME TOGETHER SO SO WELL
THE WORMS
THE SENSE OF SCALE
THE FIGHT CHOREOGRAPHY
THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME
THE SOUND
EVERYTHING FLOWING TOGETHER SO WELL
the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell
every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis
gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3
the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall
i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell
i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3
OHOHOHOHOHOHOH. OH. HERE WE GO
HERE WE GO YALL
THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK
THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!
THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!
oh my god oh my god oh my goddddd where do i even start
okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys
paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around
i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more
i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?
but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.
oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.
theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point
another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!
this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani
chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"
i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.
sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3
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Note
I just wanted to say that the way you characterize and talk about Miguel has actually really helped me with thinking about how to write for him 😭 genuinely I love the way you describe him as an actual like person and not just some sex addict or someone who's extremely distant and cold. I hope you continue writing mild Miguel because it's so refreshing compared to all the other shit I see 😭💕
THANK YOU THANK YOU SO MUCH!!!
AHHHHHHHHHHH THIS IS A MIGUEL SAFE SPACE AND LIKE- CAN I BE REAL FOR A SECOND???
MIGUEL ISN'T AN ASSHOLE YOU PEOPLE ARE JUST MEAN - A.K.A -
My Defense & Evidence of a Milder, Non-aggressive Sympathetic Miguel O'hara.
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[This is a half-break down half rant about Mild Miguel, when we see Miguel's true nature, and what fandom gets wrong about him. I have my evidence.
this is shorter than my usual posts but I'm going absolute apeshit Miguel Mode by the end so sorry you have to see that.]
I think Miguel and Hobie are the two most complex characters in the film. Like - both of them equally.
It's just really easy to explain one over the other.
I feel this way because every character we see in the entire movie - Miles, Gwen, Peter, Jess, Rio, Jeff, The Spot, everyone - is forthcoming and clear about their intentions and motive throughout the movie.
When we're watching the movie the first time, we understand Miles motive, and Peter's, and Gwen. In real time. It's there and stated. Miles wants to save his dad, Peter wants to be a better mentor, Gwen just wants peace basically.
But when we're watching for the first time - we have no idea what Hobie OR Miguel is capable of until they do it.
They are the two we're surprised by. (And they're also exact opposites who somehow don't seem to be complete adversaries)
They're the only two within the film who we are left to speculate their motive, their drive, and what they'll do next.
They're the only two in the film who are truly meant to catch us off guard with their behavior.
Leading up to Hobie's big twist, there was a LOT of misdirection. I think the same is true for Miguel...but like..the fandom isn't picking up on the misdirection AT ALL.
I have a lot of ideas and thoughts about Miguel and his character and honestly I think it's the exact opposite of what the fandom sees.
But when its's Hobie, it's very easy to understand him, just read the wiki on Punk and you're good.
But I don't think anyone has look closer at Miguel yet.
I genuinely believe that the reason Miles got away was because Miguel went soft.
He was watching the videos of Gaby to remind himself why he was doing this - why he had to stand his ground, but when Miles started panicking, and begging to know how much time he had left - Miguel slipped up. He went soft.
And he told him 'two days'.
You can see it in Miguel's face when Miles is asking.
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That's not the face of a man considering assault. That's not anger. He's wavering.
He didn't have to tell Miles how long he had left. But he did - why? Cause he thought 'I'd kill for two days with Gabby. A lot of people get less warning about death - Maybe he can spend those two days with his fath-'
and then Miles is like 'word?? two days to stop you?? iight im out also fuck yall' - which understandable have a nice day
But like......Miguel wouldn't have said it if he knew it would fuck him over. He didn't KNOW Miles was radicalized cause he didn't know Hobie had spoken to him. He thought that telling him might convince him. If he knew Miles was gonna run - there's no need to tell him anything.
He could've lied and said "I DON'T KNOW. But maybe let's talk about this."
But he didn't. He slipped up.
He's SOFT. Everytime he's mean, or angry - He has to think about it. Like when he looked at Hobie - and thought about it. He has to MAKE himself do it. It isn't natural to him.
Nobody else in the room was gonna answer Miles. Miles wouldn't have known. But Miguel told him two days. And because of that, that specific slip-up, Miles is trying to save his dad.
Why? Because he's SOFT. CAPITAL S SOFT.
Miguel is not a raging monster. Or aggressive. Or manipulative.
He's a guy who thinks he's holding the universe together with duct tape and a kid is in front of him begging to know how long they have left with their father and he tells them and because of that they get away and now everything he worked for is gonna emplode in his face because he had a SOFT SPOT FOR A KID AGAIN AND DID SOMETHING HE SHOULDN'T AGAIN AND TOLD HIM AND NOW PEOPLE ARE GONNA DIE AGAIN BECAUSE HE MESSED WITH THE MULTIVERSE AGAIN FUCK-
Like...yeah- he snapped. A normal person would snap. I've snapped for way less and a lot of other people have.
Granted, we don't go mauling children.
I don't know, I just feel like he's an incredibly layered character.
Because when he's ranting and screaming at Gwen like an irritated school teacher we're already like 'oh fuck you dude but also fuck you ;)'
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so when he's right there doing things like this - we don't see it. The same way we don't see Hobie's stealing - because we think we have him figured out.
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We don't see Miguel's tenderness.
Because we assume we know who he is - he's cold and aggressive and rude and hates Miles,
but like...is he really?
Miles is getting upset - and the whole conversation leading up to it Miguel has talked to him from a far, hands when Miles can see them. He's not trying to stand over him, or intimidate him. Miguel knows he's scary. He knows how to be scary.
He isn't trying to scare Miles. The exact opposite. He's trying to comfort him.
And when Miles starts lashing out - Miguel is genuinely surprised. That isn't the look of someone who THINKS he's about to hurt this kid.
He's telling Miles, hands up "Hey, sorry. I'm not trying to hurt you." He immediately lets go, backs up.
I just---- FUCK, PEOPLE THE MAN IS STANDING RIGHT THERE THATS MILD MIGUEL LOOK AT HIM
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If you really really think Miguel is naturally aggressive, or angry, or cold -
If you write him that way -
I ask that you rewatch the leading up to Miles' escape. Look at his body language. Watch him, and look at his face. That's all I ask.
I just kjsjrghjkSIGHIDDGU I CAN'T STAND FOR THIS INJUSTICE AND EMOTIONAL ILLITERACY
HES NOT A GOOD GUY BUT LIKE....HE'S ... THE ONE YALL ARE SERVING...COMPLETELY DIFFERENT MAN.
He's SOFT. The same way he caved for Gwen after a little pushing. He caved for Miles after a little pushing. That's why he told him two days. SOFT
MILD MIGUEL, SOFT MIGUEL, WANTS TO DO THE HARD THING BUT FUCK HE CAN'T DO IT MIGUEL, HAS TO STAND COMPLETELY STILL AND UNMOVING TO NOT CAVE TO MAYDAY MIGUEL, MIGUEL WHO LOVES PEOPLE BUT KEEPS HIS DISTANCE AND SHUTS HIS MOUTH BECAUSE PEOPLE GET HURT MIGUEL MIGUEL MIGUEL
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I'm going to go Miguel Mode.
If understanding Hobie was a house, the fandom is standing out on the road.
If understanding Miguel was a house, the people aren't even in the same neighborhood. We're in the next state over. Other side of the globe. Off base by like 12 zipcodes and 4 times zones
Mild Miguel. Please tell me you're seeing this.
Am I crazy for thinking that the slip up - of telling Miles two days - wasn't out of stupidity but PITY? SYMPATHY?
Because Miguel thinks getting to spend two whole days with some you'll lose is a BLESSING to him - not a curse.
Even though to ANY non-traumatized person - it would be a curse.
...... yo
Miguel stepped into Gabriellas life because he didn't want her to lose a father. He KNOWS losing a father hurts.
So when Miles is there in front of him, talking about not wanting to lose his father - Miguel KNOWS how he feels. Gabby didn't want to lose her dad either.
Miguel UNDERSTANDS. He's a FATHER -
HE KNOWS HE'S BEING THE BAD GUY HE KNOWS ITS WRONG NOT TO STEP IN THATS WHY HE STEPPED IN FOR GABRIELLA IN THE FIRST PLACE THIS ISN'T THE PERSON HE WANTS TO BE OR THOUGHT HE'D BECOME YOU PEOPLE ARE MEAN AND HORNY -
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I- I can't even i'm sorry I -
I have a longer post about this in the works like breaking down all of his body language from his moments with MJ and Hobie and like teverything
but ITS NOT EVEN LIKE I THINK HE'S RIGHT I JUST CANT STAND PEOPLE BEING THIS WRONG ABOUT IT I CANT
If you see him as aggressive or cold this post isn't meant to be an attack. I am just down bad for Mild Miguel and I'm going delirious with hunger and starvation for him
#Justice4MildMiguel Maybe I'm huffing copium but also i know im fucking not he's RIGHT THERE
[And if you hate Miguel like hate hate him Moche says dishonor on you dishonor on your cow dishonor your family and your land in the name of Aia Paec Almighty]
If you made it this far....Imsorry you had to see me that way I don't know what came over me here's a picture of Hobie to help me calm down.
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(aka Hobie judging the fuck outta me in my head)
I need a glass of water. Bye.
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justladders · 6 months
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Hello! I’m Ladders :)
I'm just here stylizing some fnaf characters and mostly drawing the evil green rabbit like an animated villain.
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Basically, I always loved animated shows and movies. They're why I started drawing when I was little, and I still watch and pull ideas from that kind of stuff to this day. Classic Disney's my fav, so you might see me talking about it sometimes. Anyways, since villains are my favorite and since I've starting drawing fnaf stuff, it's mainly been art of Springtrap, which you'll see a lot here.
If you're ever just looking for my art, the tag is #laddersarts. More tag stuff at the bottom of the post. Also, love asks, but please be considerate about the ask box, ty.
Do not repost my art anywhere, even with credit. I'm fine with it being used for things like a profile picture/banner as long as it is credited.
vv FAQ / TAG GUIDE vv
Q: What art program do you use? Krita. It's free and it "works," which is all I ask for.
Q: Do you do commissions? This answer will change around: currently, no. I've been meaning to, honestly, but just haven't felt collected enough to make a comm sheet and whatnot. Hopefully I'll be able to update this soon though.
Q: What are your other socials? I currently don't have any others, so if you see my art somewhere else, it's stolen :)
Q: Why do you draw [insert character] like that? I normally get this question about Springtrap, but I like to make designs that lend themselves more to 2D animation, which means simplifying a lot of things and hopefully still being able to get the point across. Too much detail and it becomes complicated very quickly. Fnaf animatronics/characters lend themselves really nicely to stylization because of how simple in concept they are overall. They're also left up to a lot of different characterization potential, not just from their simple designs, but the fact that they don't really get super hard-established personalities. Basically, all of that comes together into me enjoying taking a base concept and turning it into something you could potentially see in some older hand-drawn cartoon. As far as *specific* choices for how I draw *specific* characters, I feel like those would each need their own posts especially for Springtrap since I draw him the most. I know I'll have to make that sometime.
Q: Can I draw fanart of your designs? Of course! I'd just like to be credited and tagged so I can see it and reblog it :D
Tag Guide laddersarts and not my art - arts that I post or ones that I reblog (my art tag is all stuff since I got back earlier this year, art before that I just tagged as "my art") justtalks and talkin disney - indulgent tangents justfrens - things from peeps I know and whatnot answered ask - stuff from the inbox goofies - silly stuff midnight magma things - arts from group canvas drawing fanart for me :0 - fanarts of my designs!!!!! :0 present for springtrap :) - ask series where y'all wanted to give Springtrap something nice (there's a line formed and I just get to them whenever I'm up for it, but feel free to add to it) alt springtrap - art of goofy alternate versions of Springtrap I make sometimes: there's currently Vamptrap, Mothtrap, Jackotrap, and ERRORtrap (suggestive, eyestrain, flashing, gore, and all that stuff some people might not want to see I will hopefully remeber to tag)
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selkiecoded · 2 months
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wait i just remembered i DO have unposted orv stuff that i can post for kim dokjas birthday. 2k of hot supreme king x reader fic dont like dont read!!!1!! orginal characarter do not steal!!!!!
(or, Yoo Joonghyuk takes a pit-stop in one of the world-lines. An old friend offers to pay for dinner.)
[Ah, late, so late! I can't believe I missed my alarm! And on my first day of work too... I was so worried, when I got off the train, I started running the rest of the way to the company. Hopefully nobody would notice that I was late. I had to get a new job after my boyfriend dumped me, and I couldn't afford to live on my previous salary.
As I rushed to the building, I had to push past many people to get to the doors. In my haste, however, I accidentally tripped! When I fell, I landed against something hard. "Oof!"
"Hey," a menacing voice said. "Watch where you're going next time! Don't be so quick to touch me!" Eep!
I stepped back quickly, bowing as deep as I could. "I'm sorry, I didn't mean t..." When I looked up I trailed off, becoming even more panicked. Ah, I recognized that man!
He looked down at me with a handsomely striking gaze. "You. What is your name?"
"I-It's L/N Y/N. Um, again, I'm so sorry... CEO-nim!" I bowed again. A nose and a chin shaped in perfect angles; a pair of deep eyes seemingly carved out of beautiful jewels; soft hair styled fashionably to frame his face... His suit, too, looked quite beautiful. I really messed up this time. Not only was I late, but I ran into the CEO of the company, the powerful Yoo Jo--]
I stopped there. I didn't bother to learn the name of the poor idol whose name had been stolen for this. Why was I even reading this? Reader-inserts were meant for wish fulfillment, but they always did something that took you out of the story. For the first part, I'd pay much more attention to my surroundings than that.
I pocketed my phone again, sighing. Perhaps I was the cynical one here? They were probably just written by young girls, daydreaming about getting to talk to a beloved character or idol, and was that so horrible? Actually, I believed in chance meetings, but I felt like the one here was a little too contrived...
Many thoughts went through my head as I stepped through a convenience store. Buying dinner after work was the only good thing about my job, I should just quit. Perhaps that would get me closer to the path of meeting a handsome CEO? How laughable.
I was still thinking this when I moved forwards again. But this time, when I walked, I ran directly into a hard wall.
No, wait? I had been to this store many times, and there wasn't anything blocking the entryway the other times. I stepped back, confused, to find my 'wall' staring back at me. Ah... Perhaps I should've read that story until the end.
The man in front of me had a good face. He certainly looked like he could be the menacing protagonist. But, how do I put this? Everything below the neck ruined the effect. 
He was wearing an astronaut's spacesuit, even with the helmet tucked in his arms, but he wore a black trenchcoat over that, making his form extra bulky. At the same time, strange rips were visible against it. Not a romance protagonist, then. Sci-fi? But the coat screamed chuunibyou characterization...
"Ah, sorry, I wasn't watching, excuse me..."
The man was still staring at me, and if anything his expression grew more annoyed. What did he want me to say? Should I chastise him for standing in the middle of the walkway?
Before I said anything, or even managed to go around him, a young girl peeked out from behind his back. She was dressed more normally, in casual clothes with a fuzzy jacket, but still stood out just by being around him. When she saw me, her first reaction was curiosity, but after a moment, her eyes widened in surprise and an unprecedented amount of delight.
"Oh, it's okay! I promise his bark is worse than his bite. Hey, you're from around here, yes? Do you have some money we can borrow?"
Huh?
The man turned to glare at the shameless girl instead. "We don't need money. Especially not from… them."
"Yes, yes. You're a big scary terrorist, you steal what you can't buy. Isn't that too much though? You're already beating poor authors senseless, how much crime do you need to commit before your dark heart is satisfied?"
I quickly turned on my heel and walked in the opposite direction.
"Hey, hey!" The girl's voice called out again, and I could hear her running to follow me. With a sigh, I paused and looked back at her. I didn't want someone like her friend chasing me, so it would be better to just hear her out.
"Ah, I'm sorry, you must think we're acting quite weird! But, really, we don't have any money. If you can, could you spare just a couple of dollars?"
"Mm, I don't know. If you're that desperate isn't it better to be more polite in asking? What happened, did you lose it all on a scam?" No, wait, what was I saying? I didn't want to deal with these guys longer than I had to. Just talking to them would make me stick out very badly.
Still, for some strange reason, I couldn't stop myself from taking on a familiar tone.
Her friend gave her a mean look, which she ignored, before glancing at me. After a second, he said, "We were mugged."
I blinked at him. "I see..." He gave a pained nod as if to really emphasize his plight, while the girl just smiled. When she noticed my gaze on her, her expression switched to that of grim sincerity.
I had to take a moment to step back and mentally collect myself. First off, how stupid did they think I was? Not only was their acting terrible, but who would honestly think a guy like this was attacked? And lost?
Still, there was a hint of realism in their performance. Definitely not mugged, but maybe they were actually broke?
I sighed to myself, folding my arms and looking up at the ceiling. Ah, what should I do? Most people would just ignore them, or perhaps the chosen few would spare them just enough won for a small meal.
I wasn't a kind person. No more than anyone else was, anyways. My philosophy was that it's best to go through life not making waves, and sometimes the politeness required to slip under the radar was misconstrued as kindness. Still, when the common consensus split so unevenly, that left one question: what would I, Y/N, do? After all, 'myself' was the only thing I could be.
I sighed again, much more exhausted this time. "Okay, let's go get dinner. Follow me."
The man's eyes shook slightly, reluctance evident in his expression. Still, when I started to walk out of the store, they followed after me. Damn, being followed by a guy in that outfit was truly humiliating...
The girl caught on much quicker, hurrying to match my pace. "Haha, isn't this sweet? Going out is much better than convenience store food. You're so nice... Mm, I don't think I caught your name?"
"Ah... Yes, my name is L/N Y/N."
"Y/N?" She echoed. My name sounded strange in her mouth for whatever reason. Maybe I just wasn't used to hearing people not from work use it. In fact, she had an odd look on her face, but it passed quickly. "I see. It's a good name!"
I smiled faintly, shrugging. "Thank you. Though, I guess you should be telling my parents that more than me."
"Aah, well, I'm Biyoo! And you can just call him the 'Supreme King.'"
I immediately shot back, "I am not calling him that," the same time our titular king went, "Do not call me that."
A moment of silence passed between us, as though he was seriously debating something. Finally, he spoke, seeming deeply annoyed. "Yoo Joonghyuk."
Was that his name, then? His manners were bad, but I let it slide for now. He would just have to thank me very sincerely for buying him food.
"Here, this place does cheap meal sets. Sorry, I know I offered, but it's nothing fancy..."
Biyoo seemingly paid this no mind, while Yoo Joonghyuk shot me an inscrutable look. Hey, at least I had some money. He was in no place to judge. Even if this would mean I'd be eating leftovers for the next couple of days.
The restaurant sat us down quickly. Biyoo and I pulled our chopsticks apart cheerfully. Yoo Joonghyuk kept his utensils untouched, however.
"What is it? I already apologized that it isn't too nice."
"I don't eat food made by others."
His voice was deadly serious. Who was this arrogant bastard? No, actually, both of them were rude. Why was I humoring them to this extent?
Finally, I shrugged. "Okay then, your choice. What's this I heard about you stealing from convenience stores? Perhaps I should go alert the workers there, I wouldn't want their jobs to be in danger just because some man decided thievery was better than perfectly good food, already paid for..."
He glared at me, but I ignored him, eating happily. Ah, the rice here was so fluffy, I never got it like this when I made it at home.
Biyoo laughed, which prompted me to look up. To my satisfaction, Yoo Joonghyuk had picked up the chopsticks and was gruffly taking his share.
"So, Y/N-ssi, tell us about yourself! I'd very much like to know about the person who's been so hospitable to us poor mugging victims."
"Well, firstly, you don't need to pretend to have been attacked to me. I already bought you food. I don't need your sob story."
"Aha, what gave it away?"
"Secondly, there's not much to say about me.. If anything, I'm more interested in your story."
"I'm sure that's not true! Let's see... What do you do for a job that lets you provide for two stragglers?"
She avoided my questioning easily. Was it okay to be giving out my information like this to two strangers? Perhaps they'd kill me after we finished eating.
"I work at an editing company. You’re just lucky I can stretch my budget these days, or we’d all be going hungry. It’s not exactly freelance? But the jobs are varied enough that it keeps me engaged."
"So, you read for a living?" Yoo Joonghyuk asked, looking unexpectedly interested.
"Er, I suppose that's one way to put it... It's a lot of typesetting and indexing meaningless writing. I do like reading fiction in my free time, though," I confirmed. "Not that I have a lot of that, of course..."
"Webnovels?"
I stopped short. "What was that?"
Yoo Joonghyuk asked again, in a patient tone, "Do you read webnovels?"
It felt like being caught reading said webnovels during work, even though my phone was firmly in my pocket, and this guy had definitely seen stranger things than a reader of webnovels. After all, they had to be read to be popular.
"Yes, a little bit... But they'd almost be harder to avoid these days."
Yoo Joonghyuk and Biyoo shared a meaningful look, though it appeared less like they were making fun of me, and more like they were commiserating on some unknown truth to my words.
"What's your favorite genre?"
"I don't know, maybe reincarnation? They can include both action and romance, so it can diversify. Isn't it a nice thought that after I die, I could come into a world where I could be even happier?"
"You shouldn't think like that," Yoo Joonghyuk said, and I raised an eyebrow.
"Well, it's not as if it's ever going to come true."
He carried on like he didn't hear me. "While you shouldn't completely forsake your plan for the future, nor can you forget the past that shaped you, you have to live in the present. You must live to give yourself the best life possible now, with what you have, rather than thinking things would get better if you had the chance to repeat them."
I stared at him for a long moment, surprised, before I... I burst out laughing. His face darkened, but I couldn't control myself. Biyoo giggled a little with me, patting his shoulder.
"I'm sorry, I'm not dismissing what you're saying. You're just so serious about it. You act like you've repeated your life many times." I grinned at him, rubbing tears out of my eyes. "I have no intention of dying anytime soon. It's just daydreams, anyways."
It was so odd being with the two of them, but I didn't hate it. Feeding them, telling them about my life, and Yoo Joonghyuk's heartfelt words. It made me feel as if we had known each other for a long time, even though it had been less than an hour.
We stayed like that for a while, talking and eating in a way that felt strangely comfortable. It had been a long time since I had last eaten with other people, especially with people so strange. I’d have to tell someone about this. But… who?
As we finished up, I thought about it. Without me asking, they offered to walk me home, and just for the fun of it, I decided I’d let them.
I’d tell my roommates, I realized. They’d berate me for having strangers come to our home, but then they’d laugh, and we’d keep a baseball bat by all of our beds. I’d tell my co-workers, who would make jokes about me treating them to dinner too. I’d tell my family, my mother fussing over whether I needed money and my sister calling me a liar for claiming Yoo Joonghyuk was dressed like an astronaut. There were plenty of people to tell, who’d want to hear about something so insignificant, who would just want to hear from me. How could I have forgotten?
When we arrived at my apartment building, we all hesitated for a long moment, none willing to be the first to say goodbye. Finally, I said, “You know, I should probably ask that you pay me back at some point.”
Biyoo smiled sadly. “Well, I doubt we’ll see each other again.”
“True. But just keep it in mind, okay?”
“Stingy,” Yoo Joonghyuk tsked and I shrugged good-naturedly.
“Thanks for walking me. I could’ve handled it on my own, but it was nice.” I worked my key out of my bag as I spoke, turning to the building. “I hope you two have a good night.” However, before I could even go inside, Biyoo reached out and clutched my sleeve desperately.
“Wait!” She burst. "Before you go, we... There's a story we want you to read! A webnovel, like the kind you enjoy. You definitely have to read it! Do you promise?"
I smiled at her earnestness. Wasn't she a bit cute? She almost reminded me of a puppy. "Alright, alright, I promise. What's the name?"
"That..." Biyoo pouted. "There isn't a name yet. It isn't released yet."
"Then how am I supposed to read it? Even when it gets published, I won't be able to find it."
"No, it's okay! I'm sure you'll find it once it starts getting released, and you'll definitely come to love that story. You made a promise to read it, so don't go back on that promise."
"Ahh, you expect so much from me. What do you want me to do, read every new webnovel until I somehow find the one you're talking about?" Despite my exaggerated words, she nodded, and all I could do was laugh. "Fine, fine! Is it a sad or happy story? I like most everything, but I should prepare myself if it's anything too sad."
Instead of her answering, Yoo Joonghyuk began, "L/N Y/N..." I glanced over at him, confused. His voice was full of inexplicable longing when he asked, "Are you happy?"
"Hah? What's that supposed to mean? If I say yes, are you going to tell me to get used to never being happy because of it?" It was a joke, but his expression was deadly serious. I gave a helpless laugh, but matched his sincerity when I told him, "I... Yeah, Yoo Joonghyuk. I'm happy. I wasn't for a long time, but I'm really happy right now."
He smiled. It was a smile that was forged from years of loneliness and hardship, but finding a way to live despite it all. I recognized it, because I saw the same exact smile in my mirror every day.
"It's a happy story."
"Then I promise I'll read it."
Biyoo gave me one last hug before she left. "We'll both do our best, alright? So, stay happy, for the rest of your life."
Those two were so strange. Still, I watched from in front of the building as they walked down the empty sidewalk, towards the setting sun, until they disappeared completely from view.
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kurain-genealogy · 7 months
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i said i was gonna post about it and i am. i don't think william afton hates his kids. i don't think william afton is a mad scientist that kidnapped and put children in hallucinogenic gas chambers. whatever the fuck dittophobia said about afton doing all that, plus not stopping/furthering the bullying between michael and cc, is just dumb & wrong. william wanting his kids to fight, even die, is comically evil in the "bad writing" way. him being characterized as someone who experiments on children (including his own with no regard for their lives) in order to achieve immortality or whatever his supposed motivation is, is just really... nothing? as a character there is nothing to make him feel real. in an attempt to flesh out this character, they made him into a cartoon villain with "evil" being his only defining trait. whatever, i could talk for so long about how dumb i think all the dittophobia stuff is but i think most ppl on tumblr are on the same page regarding that.
to me, william afton is best characterized as someone who, at the Very Least, Doesn't Want His Own Children To Die. he can be a shitty father all around, or he can be a genuine loving father who is also a serial killer, as long as he Cares if they Die? most of what makes william afton an interesting villain, and where a lot of people interpret his motivation comes from, is how despite all his best efforts, he cannot prevent the death or downfall of his own family. he is in a tragedy of his own making, a self-imposed hell crafted by his hubris and violence. if you take this away, why should i care what happens to him? william afton was scariest when he was just purple guy and we knew nothing. william afton is most interesting when we have all these relationships and dynamics where we can seriously study and speculate the circumstances behind/around his actions, when he has something to lose (and will lose). william afton is most stale when more things are added to his story without purpose, filling in gaps that were better unfilled or we didn't even know were there – anything after UCN, basically. bro isn't scary anymore because he's either peepaw afton who's brought back despite his story being over, or he's cartoon network's newest over-the-top villian that you can't take seriously.
okay anyway. ANYWAY. william doesn't hate his kids. even if he's a shitty father, i think he still loves his kids. why else would he try and scare his kids away from the robots if he didn't want them to die? why would he design circus baby after his daughter if he didn't care for her, adore her, even? if you believe the theory that he talked to cc through the fredbear plush (idr if that's actually canon), why would he be trying to protect/comfort him?
i don't think he's a perfect, or even a good father, by any means. if you interpret him to be on the better side, that's great and fine. i'd love to hear how other people interpret/characterize afton if you wanna share! continuing on for this post, i'm going to lay out how i personally see william afton.
to me, he is someone who is very concerned and preoccupied with his image and how others view him & his family. even if he's super shitty and awful towards his kids, he at least cares that they all look good as a family unit, that they're well behaved, that he can send family portrait holiday cards to all his business partners and investors.
he strikes me very much as the typical authoritarian parent of the 80s. harsher on his sons because "men don't cry," wants his kids to say "yes, sir," and "no, sir," believes in "tough love," often says "my house, my rules," he has the final say in everything, maybe thinks hitting them from time to time is a normal, necessary punishment. not all entirely malicious, but thinks he's doing what's best, what's right, acting like a parent and father Should act, perhaps how he himself was raised. unfortunately, a very common parental mindset (even outside of serial killers). maybe he was a little scarier sometimes though, a little more unhinged or violently angry. who's to say.
but he's still just a guy who could exist in real life. he still eats dinner with his family every night, hangs his kids' drawings on the fridge, had to turn the car around because they wouldn't stop fighting in the backseat, attended awkward parent-teacher conferences, everything. he was once a new father who happily came home with his first newborn, lost countless nights of sleep over the course of two more, loves them because they're his.
meticulously and senselessly killed children, then came home and tucked his own into bed and kissed them goodnight.
he can be abusive and still love his kids. he can be a murderer and still care for his own kids' lives. maybe the loss of his own kids is what triggered his actions, or maybe it was something else. i'm fine with not knowing because we don't need to know everything, and it's more interesting when we don't.
Something Is Seriously Wrong With This Guy And We Don't Know What or Why. when acquaintances find out he's a suspected murderer, it should be shocking and upsetting. he's such a great man and father, he wouldn't murder those kids! when michael discovers his father's crimes, he should be in denial. sure, he could be scary sometimes, but he wouldn't kill anyone... right? there's a great cognitive dissonance between who he appears to be and who he actually is.
whether william descended into grief-induced madness and obsession, or was just always some kind of freak, or both, i don't think he saw his own family as disposable. even if he didn't truly love them, he at least needed to keep up his own facade as a friendly family man. personally i like to see him as someone who was a shitty father but still loved his kids, because people like that exist, and it makes him a much more interesting, realistic, and nuanced character than if he just didn't care about them At All.
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beauty-and-passion · 3 months
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Lore Olympus: a golden mine of bad writing
As I said, one post wasn’t enough.
There is still a lot to say about this webcomic and in this post I would like to talk about how Zeus, Apollo and Kronos have been treated. Here I will focus on the first two acts only, because the third act is not over, as well as the story. And yes, that means I will write another post when this whole thing is over.
I wanted to focus on these three gods in particular because are treated in a way that baffles me and makes me question what did they ever do to Mrs. Smythe. Tell me, Rachel: was it something personal? Did they do something to your family? What happened?
But maybe you don’t understand my point, especially if you haven’t read the Greek myths at all and you think that these three are just “Unfaithful Guy”, “Rapist” and “Evil Villain Har Har Who Also Wants To Rape”. Seriously, what’s with this weird obsession with raping everyone and with sex? Did Mrs. Smythe ever see anything else in myths, besides sex?
So please, allow me to explain why their characterizations are wrong and boring - and no, not just from a mythological point of view. 
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Zeus: the walking clichè
Making Zeus an asshole is understandable, even if utterly boring and clichè. Oh wow, he's an unfaithful husband and he's vain. Very original. Groundbreaking, I'd say. I’ve never read about him being unfaithful to his wife, not even once in all the 200 million retellings made during the history of mankind.
It's a shame because Zeus is much more than that. He's a mighty ruler with a strong sense of justice: in several myths, he punished the assholes for their wrongdoings. He's very clever and strong. He's also associated with xenia, the custom of offering protection to strangers, which means Zeus is also a protector of foreigners.
I mean, this information alone offers so many new perspectives about him! Just imagine if, instead of hanging around and doing nothing useful aside from being everyone’s favorite punching bag, Zeus fought against every corrupt system of the mortal realm, in order to protect the foreigners and the innocents. It would’ve been so cool to see a different side of him, instead of the same thing over and over again!
But nope, Zeus = unfaithful husband only. Let’s ignore all the other aspects of him, to focus on the one everyone focuses on. Let’s make him the umpteenth version of the same guy, instead of offering a new vision. This will surely make the story worth everyone’s time!
Rachel, this could’ve worked if I was 12 and had never read a retelling in my entire life. But since I’m more than twice that age, seeing Zeus as an unfaithful husband again doesn’t get my interest. And I’m sure this doesn’t only apply to me, but to everyone who already saw at least two retellings of him. Isn’t this story supposed to be new and original? Then why are we still picking from the same old clichè visions of these gods? Where is the writer’s personality and ability?
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Apollo: king of wasted potentials
I am absolutely, completely, 100% baffled at how Apollo has been treated in this story.
It's insulting to see the most beloved Greek god treated as a bidimensional piece of shit. Not only because he doesn't make any sense in the story (why is he here in the first place? Did Persephone and Apollo even interact in any myth?), but also because there are so many different possibilities for him, that seeing him being this is the biggest waste of potential I’ve ever seen.
A brief recap of who Apollo really is: Apollo is the embodiment of the sun. He is the god of arts and crafts. He's the most beautiful god, he embodies the concept of perfect Greek beauty. And he is associated with a lot of cool stuff, like medicine, truth and oracles. Also, like most of the other Greek gods, Apollo had many male and female lovers.
Now, look me in the eye and tell me that, with all of this, your first idea about him is "yeah, let's make him a stupid rapist, so stupid to not realize that hey, maybe forcing a girl to sleep with you will not make her fall in love with you". Oh and let's not forget he randomly decided he wanted Zeus' throne just after the fertility plot point had been introduced Because Yes. And he’s running for president of Whatever-Land Because Yes. Also, he’s currently involved again in another evil plot Because… yeah, you got it.
It’s just so frustrating to see him being the biggest loser of all time, considering how much cooler he could’ve been. Just think about it: we could've had a bisexual musician, who does concerts with his band (the Muses) and has a shit ton of lovers. We could’ve had a heartbroken doctor, who does his best to save everyone because he has not been able to save his own son from death (Asclepius). We could've had a mysterious advisor who can see the future because of his foresight powers.
What did we get instead? A fucking rapist.
Apollo is nothing but wasted potential. He’s an insult to himself, the story, common sense, and the Greek culture. Of all the incredible things he could've been, he became the most insulting of them all. I really cannot bear to see this fucking idiot and his punching-bag face, pretending to be Apollo. He’s not Apollo.
But if there is a guy I can see less than him, then let me introduce you to…
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Kronos: Supreme Master of Wasted Potential
First of all: why is Kronos here? Why does this love story need Persephone to defeat a big bad guy? Just to show how cool and badass she is? Considering that their fight was a joke, it didn't work very well.
But okay, let's say we need a villain Because Yes. Kronos is still a huge waste of potential, probably the biggest waste of potential of the whole series until now. He could’ve been an interesting, multifaceted character, but he became a cartoonish supervillain har-har I want power.
Sigh.
But let’s take a step back and talk about the real, mythological Kronos. His story starts with his parents, Uranus and Gaia. The two had a lot of sons, including Titans (like Kronos) and Hecatonchires (monsters with fifty heads and one hundred arms). Disgusted by their monstrous nature or maybe just out of fear of being overthrown, Uranus chained his sons away into Gaia's womb (aka the Tartarus) so that they could never come out again.
Gaia suffered from this decision, so she devised a plan: she made a stone sickle, gathered her sons and tried to persuade them to castrate Uranus.
All of her sons were afraid of Uranus, Kronos was the only one brave enough to do it. And he was successful: he overthrew his father and became the new ruler of the universe, along with his wife/sister Rhea.
However, after becoming king, he didn't free all of his brothers as his mother wanted, but locked Hecatonchires and Cyclopes away once again. And so, Gaia told him that, one day, he would meet his father’s same fate and be overthrown by one of his own children.
Scared by these words, Kronos devised a plan: every time he had a new child, he took the baby from Rhea and swallowed them. Rhea was desperate and, in order to save her last son Zeus, she sought Gaia's help.
So Rhea gave birth to Zeus in a secret place, then handed Kronos a stone wrapped in clothes: he swallowed it, thinking that it was his son. This way, Zeus managed to escape the same fate as his siblings and was raised in secret, away from his father, until he was old enough to come back and fulfill his destiny.
And now, you may think Zeus overthrew his father with a sword and killed him and nah nah nah, myths are not that stupid and predictable. Zeus didn’t use violence to overthrow his father, but intelligence. He disguised himself to reach Kronos' court and, at the right time, he gave him a drink. That drink was an emetic (given by Gaia), that forced Kronos to throw up everything he swallowed, in reverse order: first the stone he thought was his last son, then Zeus' brothers and sisters.
After freeing his siblings, Zeus did what his father would've never done: he released the Hecatoncheires and the Cyclops to help him in the following battle against Kronos and the other Titans, a battle known as Titanomachy.
The war ended with the victory of the Olympians (i.e. Zeus and his siblings). Many Titans were confined in Tartarus, under the Hecatonchires' control, others were not imprisoned and kept appearing in other myths.
And Kronos? His fate differs depending on the myths. In some versions, he was imprisoned in Tartarus. But according to other, more interesting versions, Zeus forgave him after years, freed him and Kronos became king of the Elysian Fields: the famous earthly paradise reserved for the greatest Greek heroes.
Now. Just look at all of this beautiful, beautiful potential.
We have Gaia, a powerful goddess who overthrew two rulers of the universe, without moving a finger. A goddess strong and clever, but also a mother who wanted all of her children to be free - even the most hideous ones. She could’ve been a tragic figure, a master manipulator, or an evil schemer. Or all these things!
We have the Hecatonchires: fighters so powerful, to turn the tide of any battle. They could’ve been scary and intimidating, but also tragic monsters who just wanted to be accepted. They could’ve taught a beautiful lesson about the importance of accepting the ugly and giving everyone a chance to prove themselves.
Then we have Kronos. And Kronos had everything to be the greatest character.
Think about this concept: Kronos has always been afraid of Uranus, just like his brothers. He was just better at hiding his feelings. And that visceral fear is still inside him, it still haunts him after centuries, just like the memory of how he overthrew his father. And that fear takes the shape of paranoid thoughts about his father coming back to take the throne.
Kronos could’ve seen his father haunting him, but he could’ve also dissociated and seen himself as his father. In his altered state of mind, he could’ve been both the king and the one who overthrows him.
That could’ve made him a truly dangerous, unhinged character. A god who can’t see what’s real anymore, obsessed with the ghosts of his past. A god with nothing to lose and everything to gain. After all, if he kills his children again, the throne would be his once more. And, since he sees himself as himself and as his father at the same time, he would think that he is the "true king" coming back to take his throne.
That could’ve been awesome. Kronos could've been complex, desperate and multifaceted, a villain to pity and to be afraid of. A truly new, interesting version to know and love.
And do you have any idea how incredible Zeus could’ve been in this version? We could see him facing Kronos again, still as strong and determined as when he was young. And while everyone would expect him to kill Kronos, he would use his intelligence once again. He would prove to Kronos (and to everyone else) how intelligence is always superior to violence and how he's a good leader, despite his thousands of flaws.
Also, we could've seen Zeus talking to the defeated Kronos and making him the ruler of the Elysian Fields. We could've had a meaningful ending, in which Zeus understands Kronos' fears and shares his own.
I would’ve adored this, because according to the myth, Zeus was also supposed to be overthrown by a son! Hence why he swallowed Metis (his first wife) while she was pregnant.
The myth never truly clarifies who this supposed "son" is, but according to the different versions, Metis was pregnant not with a son, but with a daughter. A daughter who, one day, would be born, full grown, from Zeus' head. A daughter who would become Zeus' favorite child: Athena.
Honestly? I ADORE the idea that there was never a son to overthrow Zeus, but a daughter. And she would not overthrow his father by violence like her grandfather or by intelligence like her father, but by love. Athena doesn't need to take the throne from her father physically, she doesn't even need to sit on that throne: not when her father loves her more than anything else.
And I love the idea that Zeus is aware of that. He knows his daughter is his weakness. He knows that, if she asks, he will willingly give her that throne, because he loves her too much. And I would've loved to see him sharing these thoughts with the defeated Kronos. It could've been a beautiful moment, to see Zeus talking with the fatherly figure he always missed from his life. It could've led to a beautiful, meaningful ending for a dramatic story.
But can you see the problem here? This concept works for a story about Zeus, not about Hades and Persephone! These two have nothing to do with Kronos! Heck, even Rachel Smythe knows it, considering she had to pull a stupid plot point out of thin air, to explain why Kronos would give a damn about Persephone!
In case you were wondering: yes, the fertility-magical-power-battery-thing is bullshit. Gods don’t need a magical battery to be powerful. And no, fertility goddesses are not rare either: Aphrodite, Demeter, Hera, even Artemis are just a few of the fertility goddesses in Greek mythology. Kronos could’ve picked his favorite from a large pool, instead of becoming an absolute creep with Persephone in the stupidest fight of all time.
And speaking of that, two words on the supposed “fight”. First of all, apologies to all fights for being associated with this thing, because this was anything but a fight: it was a cartoonish conversation accompanied by the umpteenth sexualization of Persephone, who first appeared fully naked, then with a dress so stupid to defy the laws of physics and perspective.
And if you don’t believe me, please see it by yourself: this is how the dress was supposed to be, according to episode 75
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This is how it ended up. Apparently, the Fates didn’t predict how huge Persephone’s boobs would be and the neckline didn’t grow accordingly: I feared to see one of them slipping out from it anytime during the “fight”
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Also, please appreciate how Persephone is turned to the side, but the dress’ stupidly huge neckline is shown from the front, otherwise we would’ve seen her full naked boobs.
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And that stupid neckline kept bothering me throughout the whole “fight”, because it kept changing size. Check the episodes and see it by yourself: sometimes it’s smaller, other times it’s wider and it keeps moving in impossible ways. It drove me insane.
But since we’re talking about drawings, please allow me a very brief parenthesis about them too.
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The drawings are a joke
I am not an artist. I can barely draw a straight line by hand. But I studied art history, perspective, proportions and colors, so I’m not completely clueless.
But you don’t need to be clueless, to notice how bad the drawings became. If you have two eyes and saw another human being in your life before, then you can notice by yourself how bad they are.
It’s not a secret that Lore Olympus’ art style changed over time. In the beginning, this comic was characterized by a lot of straight lines and geometric shapes, alternating and mixing with gentle curves. There were blur effects, colored outlines, a lot of details that gave an overall dreamy, ethereal vibe to every chapter (like the soft glow that accompanied the gods).
But as the story progressed, these elements disappeared. The geometric shapes gave way to an overall “softness” and roundness. The dreamy vibes and blur effects were replaced by sharper, clearer drawings. A distinct black outline now marks every character.
And speaking of characters, they were the ones who changed more. Lore Olympus always had funny, silly faces but the characters were also able to be serious and look natural. Now all we have are grotesque faces: the characters are a collection of caricatures and no one has a normal expression anymore. Check by yourself, by confronting a random episode of the third act with the first one: they’re two different worlds.
The disproportions were common too, since episode one. But at least they were somehow plausible, while now they’re completely absurd. It’s as if Mrs Smythe completely forgot what a human being looks like.
And this is pretty evident in how all characters became a rough draft of the two protagonists: all women got Persephone’s face, all men become buff and huge, with wide-ass shoulders and teeny tiny heads. This is particularly obvious at the end of season 2 / start of season 3, when we see some of the funniest images ever, like Hades with a tiny head and shoulders as wide as the entire USA
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Or this hilariously bad image of Zeus with clown shoes and a head as big as his deformed hand.
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No excuse can justify these drawings: no one is running after Mrs Smythe, nor forcing her to draw, and people are paying her real money to work on this webcomic. The least she can do is draw something that doesn’t look like a bad distortion of a human being.
Unless this isn’t her drawing, but her staff’s work. In that case, they are still paid to do their job, right? Or do they think this story is a joke and decide to show how much of a joke it is, by turning everyone into a grotesque caricature?
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In conclusion
Lore Olympus is hilarious because of how bad the writing is. It’s a manual example of how not to write a climax for your story. It’s a perfect demonstration of how you can still fail, even with great characters with endless possibilities. It’s a list of all the mistakes you can make as an artist.
If you’re a writer or an artist in general, please check Lore Olympus and study it. Here you will find everything you should never do and all the mistakes you should never make.
As a writer myself, I appreciate Lore Olympus, because I need works that teach me what I shouldn’t do. Good teachers are useful, but bad ones are even more useful, because it’s thanks to them that I can learn and grow and make better stories. Lore Olympus might be a failure from an artistic and writing point of view, but it might also serve as a foundation, from which other people can develop better ideas.
Actually, it already did it! Do you want to read a better story, rose from the disappointing ashes of Lore Olympus? Then check Lore Rekindled and @genericpuff: you will find their work here on Tumblr. They planned everything ahead and it’s pretty clear by reading it. The characters make more sense, the events have a more logical explanation. And the art style is much, much better than the last Lore Olympus.
We will meet again for the third and (for now) final post about this series, a much-needed post about the protagonists of this story: Hades, Persephone and Demeter.
<- Previous post - Next post ->
(How about a coffee? ☕)
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alexxncl · 8 months
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‼️NIGHTBRINGER LESSON 23 SPOILERS‼️
masterlist | all lessons | lesson 22 | lesson 23.1 | lesson 24.1 | lesson 24.2
mammon mammon mammon my beloved
THIS IS THE CHARACTERIZATION I'VE BEEN WAITING FOR
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a look into his earliest instances of greed
the rest of his brothers weren't even born yet, and he was still adamant about getting what he wanted, when he wanted it, no matter the cost
he hated the thought of hurting people to get what he wants - and he still does, but he's better at hiding it now
he has a reputation to uphold as the avatar of greed, after all
but back to the dream, he didn't realize he was hurting simeon until after simeon spelled it out for him, and he still doubled down to get what he wanted
granted, simeon probably would've given mammon the rose anyways because i think he and lucifer talked about something like this happening beforehand
but they wanted him to get something out of it, to learn from his shortcomings and become a better angel, to stop giving into his greed
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but despite wanting him to be better, they also want him to know that they love him and will do everything in their power to help him get what he wants - within reason, of course - and encourage him to act on the passion and drive he has to accomplish what he wants
lucifer and simeon don't have the freedom to act on their desires in the way that mammon and the rest of the, for lack of better phrasing, lower-level angels are able to. they want to protect and nourish that side of him, as long as it doesn't go against what the celestial realm stands for
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this broke me
i know i said i wanted more depth and development for him but i didn't think i'd be crying at 10 pm on a thursday when i got it
he's becoming everything he was told not to become, he's embracing and acting on the "worst" parts of himself and he shut down, letting that side of him take over and hurt the people he loved, which sent him into an even worse spiral and the cycle kept repeating over and over and over again until he felt like that was all he was capable of
but he's so much more than his sin
we know it, simeon knows it, his brothers know that, diavolo and barbatos know it, but until he believes it himself, he'll keep getting stuck in this cycle of self loathing and self doubt, thinking that he's not good enough to be respected or loved by those he cares about, thinking that everyone would be better off if he pushed them away for good and made them hate him the way that he hates a "defining" part of himself
he doesn't understand that he's more than his greed, and he doesn't understand that his greed isn't always a bad thing
he's greedy for money, yeah
but he's greedy for the time, affection, and love of the people he cares about
he recognizes that his older brother is constantly overexerting himself and gets into trouble just to pull lucifer away from his work even for a second
he steps in as an older brother when lucifer falls short or isn't able to get to where the rest of the brothers need him on time
he basically fucking adopted luke and is the reason he's more tolerant and understanding towards demonkind in the og game
he's charismatic, he's patient, he's caring, he's empathetic he's an insufferable asshole with too much love in his heart and so many desires for himself and for the people he cares about
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and lucifer knows better than anyone the kind of person mammon is, he wouldn't have taken him under his wing if he didn't see mammon for who he actually was
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tea-mew96 · 11 months
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I really need to discuss ROTB Optimus Prime cuz I think he's become one of my favorite versions of the character. Spoilers and analysis below cut
I'm aware that there's many who aren't happy about the way ROTB Optimus was characterized, but I'm not one of them. On the contrary, I think ROTB Optimus is brilliant. I sincerely believe that this movie improved on something that I feel the Bay films missed out and failed on: it blatantly showed this is an Optimus who hurts and does the things he says or does because he's hurting and doesn't want himself or anyone else to needlessly suffer.
There are many, myself included, who view Bayverse Optimus as a guy who has been so drained by being a war leader, who is so tired of being backstabbed, that he is no longer willing to give second chances to the Decepticons, who have made it clear time and time again that they're not going to surrender and won't stop their destructive ways. Because of that, it leaves Bayverse Optimus no choice but to fight back just as dirty as the Cons do.
The problem is that while this is a perspective that can be concluded to, it's not one that the Bay films capitalized on. They had the chance to see between the lines of their own storytelling and emphasis Bayverse Optimus' mental state, but rarely did. You get slivers of it in AOE and TLK, but it gets overshadowed by the all the problems those two movies are riddled with. I believe this issue is primarily due to Bay's often limited line of thinking as a director, but it could be caused by other factors.
ROTB emphsizes Optimus Prime's state of mind frequently throughout its runtime. You see it when Mirage talks to Noah about how Optimus seems to be blaming being stuck on Earth on himself, you see it in Elena's conversation with Noah by the campfire, and you see it when Optimus Primal and Airazor discuss how on-edge Optimus Prime appears to be. But I'd say it's the most obvious after Scourge stabs Bumblebee and Optimus states later that "It should've been me." Holy shit, if that line doesn't raise a thousand red flags I don't know what will.
ROTB Optimus is very much putting all the burden on himself to the detriment on his own mental health. This "put all the burden on me" attitude is not uncommon for an Optimus-you can see this trait in almost every version of the character-but it does paint a worrying picture.
Also like many iterations of Optimi, ROTB Optimus understands when an opponent can be reasoned with and when they need to have their ass kicked. He recognizes, after being mocked by Scourge and getting his ass handed to him at the museum fight, that Scourge, Battletrap, and Nightbird are not interested in peace. The only options they give you are surrender, join them (either willingly or forcibly), or die. They're also not just your average Decepticon: they are powerful minions of Unicron, and Airazor describes Scourge as being all but invincible.
ROTB Optimus rightfully concludes that Unicron must be stopped and that the first step of doing so is to kill off the Terrorcons. While I'm sure some people probably didn't like it, Optimus' blatant declarations on killing Scourge didn't bother me. I did notice how many of his death threats were after Bee was out for the count and most are a banter response to the ones Scourge gives out first. It's also important to note that the only way Optimus Prime was able to get a final blow on Scourge was with the assistance of Noah and Primal.
TL;DR ROTB Optimus is what Bayverse Optimus should've been and still maintains the traits of an Optimus.
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IZZY HANDS FIC RECS! (I want em', I've got em')
What is everyone reading in OFMD fandom right now?
I am currently mostly caught up on my 'to read list' and YALL. I'd love more recomendations!! I will take ANYTHING! I will read ANYTHING!
I'd love to start a chat, so I'd love y'all to leave something you've read recently down below!
I've also added some tasty ones I've read recently down below separated by ship! THEY ARE AMAZING!
Frenchie/Izzy:
The Poetry of Flowers: By Aletea [Rated:Teen. Complete]
Frenchie falls hard and fast. It takes Izzy a little while longer to catch up. This is the slow courtship of Izzy Hands, using flowers.
This fic was written for OFMD Aro/Ace Week 2024.
[Personal notes: OMG-It's so *GOOD*. This has a bit of S2, but mostly takes place post S2, if that tempts you, READ IT. This got me back into the hobby Frenchie does in the fic and AHHH]
you steal my breath away: By ChangeTheCircumstances [Rated: Mature. Complete]
Something is clearly off about Izzy, but when Frenchie sees him petting a cat, it finally clicks. Izzy is a fucking witch! In order to protect the crew, Frenchie makes the next obvious step in logic: he has to kill him.
[Personal notes: I feel this one is just 'if you like Frenchie/Izzy, you've READ THIS- but it's so earnest! SOLID fic the 'realizations' on both ends are really amazing and well written, reread it if you have]
Warnings from the Bottom of My Heart: By scrunglebungus [Rated: Teen. Complete]
Izzy likes Frenchie's voice. He appreciates his music and his long pretty fingers as they move across his Lute. He doesn't have a crush. He DOESN'T.
...and if he did, it's not like he's obvious about it.
(Spoiler: He is) AKA: 5 times Izzy is given the shovel talk + 1 time it's given on his behalf
[An alternate S2 fic written before S2! It leans a bit more 'Izzy needs to redeem himself' than I usually read, but all the Izzy & Crew interactions are SO in character it's scary. That and the Captains are so well realized on top of Izzy and Frenchie being great. LOVE IT]
Roach/Izzy:
Take Up Thy Stethoscope And Walk: bongbingbong [Rated:Mature. Complete]
Of Roach, the scientist - although, that those ghoulish practices he carries out should be called science is a subject on which some might disagree - I feel like I should speak with extreme terror. In laying down those events which transpired during that winter in the turning over of our century, it seems as though on paper they create an impression of little more than a tawdry tale, a freak show in writing for the morbidly curious. It’s no question that I spent a great deal of that time afraid for my life, and for my soul. And yet, I tell you - I have never felt quite so alive as I did during the days I have spent living in the graveyard.
I wonder what this might say about me. What a pair we make.
Izzy Hands dies. Roach brings him back to life. This is the easiest part of the process.
Written for the OFMD Reverse Big Bang 2023, with art from Tarouofthesea!
[Omg. OMFG. I love this fic. I love this Frankenstein'ian/Reanimator fic SO MUCH. It is just SOOOOOOO-! AMAZING characterization, stunning art, the way everything pays off plot/reference-wise! LOVE IT!]
Blackbeard's Roach: bongbingbong [Rated: Teen. Unfinished. 4/6]
What if Roach had ended up on the Queen Anne's Revenge before the events of the show?
(A alternative universe Roach who wears leather and cooks for Blackbeard's crew, and flirts outrageously with their first mate)
[ANOTHER bongbingbong Roach/Izzy fic!!! I love the way bongbingbong writes Roach/Izzy. It's not finished, but I am SO excited to see how it goes! In this one, even though it's unfinished, I feel it GETS the pre-Bonnet life Izzy lived on the Queen Anne. If you like probably autistic Izzy, READ THIS! That, and Roach and Izzy's relationship is SO GOOD. I won't spoil it, but the mutual trust is really strong!]
Stede/Izzy:
The Mount: rainingrenee [Explicit. Complete (WLW smut<3)]
Stede Bonnet enters the Revenge self defence class expecting to learn something.
She meets instructor Butch Dyke Supreme Izzy Hands and gets more than she bargained for.
[God. I love women. This smutty 8k fic is AMAZING and honestly any WLW in this fandom needs some love!]
When It Takes Hold: krill collins (krillcollins)[Explicit: 5/12]
Izzy Hands, a 90s heartthrob turned casting director with an impressively average back catalogue, never foresaw his career trajectory bringing him back to television. He certainly never would've guessed that his big return would be on Strictly Come Dancing. At least it breaks the monotony, even if he's paired with the insufferable twat, the Gentleman of the Ballroom.
It's the kind of fast-paced environment that Izzy was sure he'd long-since grown out of, and he's sure he's not going to make it past the first few weeks. Still, the more he finds himself enjoying it, the more he hopes he'll stay, and he finds himself more in love with life than he's been in years.
Still, the talk of the curse puts Izzy on edge. Bonnet is strangely captivating and seems more interested in Izzy than Edward has in years. Izzy may not believe in them, but that's the thing about curses: once they take hold...
[OMG. OMFG?!?!? Do you know how much I love 'Dancing with the Stars' AU? NO? Well. For every fandom I enter, my first tags I search are 'time loop' 'time travel' and 'dancing'. This fic is EVERYTHING I love about the trope. I have been following this fic from Day 1 and OMG. I love it. Can't recommend it enough]
The Island: triedunture [Explicit: 10/? Updates every Friday-SteddyHands but Izzy/Stede focused]
Stede Bonnet wakes up in the little cottage he and Ed share—except Ed's not there. Izzy is. Stede is somehow stuck in a world where Ed died and Izzy lived. As he struggles to get back to his real life, it becomes clear that things on the island are very different from what he first assumed....
Updates every Friday.
[A fic that, if the premise sounds cool-READ IT! It's a bit out there concept wise, but SO fun, and a great look at how Stede and Izzy interact in a 'do I want him' type of relationship. This fic has been my weekly bed time story, and I can't wait to see how the drama UNFOLDS!]
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allastoredeer · 2 months
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I read the new chapter of Holy Suffering as soon as it came out and I love the way u write Lucifer. For the past few days I have been reading Radio apple fanfic and I hate how lucifer is portrayed in most of them, shy , innocent with Alastor after the fight, and kinda out of character for the both of them, cause they suddenly like each other, and I don’t see it in them. They like to piss each other off, that’s the whole ship point.
Ur Lucifer is so sassy, Hits all the Good Characterization checks in my brain, he’s such a delight to read, same for Alastor. U had me going speechless most of the time Alastor spoke, cause I honestly didn’t know what he was gonna say next. Writing Alastor it’s probably hard, cause he is misterious and always hides his emotions but You totally nailed it. Right now he is probably angry at Lucifer cause he ratted him out lol
Al be like the audacity of this man after he forced him to do this.🙄
Anywhizzle I just wanted to ask, for the overload meeting, is Charlie gonna send Lucifer with Alastor? Maybe as a snake or something, to make sure is he okay. Cause she really sounded mortified that she didn’t notice that Alastor was suffering and man Al definitely didn’t like that, but it’s not like he can say no to Charlie so
A nd is there like a schedule for next updates? I am really invested in this story and I honestly can’t wait to read more of it.
Thank you ʕ•ᴥ•ʔ Hahah Lucifer's got bite to him, for sure. He doesn't come off as the shy type to me. Awkward as hell, certainly. In the throes of depression, absolutely. And he cares about Charlie's opinion of him to a fault. But when it comes to someone throwing their weight around--or, more accurately, getting involved with Charlie (cough Alastor helping Charlie with the hotel, couch Adam fighting/hurting Charlie cough) he isn't afraid of getting his hands dirty.
Alastor is hard to write ಥ_ಥ I love him so much, but sometimes, I want to cut open his head and properly study his brain because f;knslnjsbj out of all the characters, he's the hardest for me to pin down, in terms of both dialogue and actions. He has such a way of talking, and such a distinct voice (his radio filter) that it's simultaneously easy to imagine his voice, but hard to put it to dialogue. So, I really appreciate hearing that I nailed it (;´༎ຶД༎ຶ`) Seriously, it's so appreciated to hear.
Nah, Alastor is going to be going to that one alone :3 It's going to be set in his POV, so we'll get some insight in his thoughts on the whole thing, and how he's handling his current affliction. I'm both excited to and nervous to get into it, because writing him in someone else's POV is hard, so writing him in his OWN POV is a little intimidating, but I'm mostly excited. I have a lot of thoughts for this series, and it's gonna be fun to explore them.
As for a schedule, I used to try to keep myself to one, and I've found that I have both a love/hate relationship with it. One the one hand, keeping a writing schedule is nice because it gives me a clear view of what I want to work on and an goal date to get it done, which is very nice for my ADHD brain.
BUT, on the other hand, when I start putting that pressure on myself to get it down, and I fail to actually reach that goal, it hits me pretty hard and it can take away my motivation and joy in writing the fic. It starts to feel more like a chore than a fun hobby I can do in my downtime.
Thankfully, I am DEEP in Hazbin Hotel hyperfixation, and the amazing feedback I've gotten from my fic's is certainly fueling my motivation. So thanks to everyone leaving kudos and comments! It's seriously so helpful and I cherish ever single one of them.
If I had to give an estimate for when the next installment of the series will drop, I'd say either at the end of this week, or the beginning/middle of next week. I have an unrelated AppleRadio one-shot I want to bust out before I work on the next installment, and that one I'm going to try and post by Thursday or Friday.
To quote out favorite Radio Demon,
~Stay Tuned
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starrylayle · 3 months
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Marauders Fandom > "There is no canon !!" and other rhetorics
Guess who's back in their marauders phase after 2-3 years of being dormant lmao?? ((spoiler its me lol)). Anyways, a lot has changed since 2021 in this fandom so I just wanted to talk about the direction i think it's going.
I remember in 2020-21 the fandom started to boom in popularity on tiktok --> esp with the rise wolfstar + atyd. I remember people were so suprised with remus' characterization as 'rougher around the edges' instead of the 'soft boi' thing, and how that influenced the new wolfstar dynamic. [Just want to add that the atyd characterisation is much more complex than this and its one of my fave fics --> I'm more talking about the fandom at large's reaction to this)
And since fandom is incapable of having two nuanced and characters who are not stark opposites,, their roles were basically reversed and now Remus is the toxic dom alpha male and sirius is the cute girlyboy twink --- which um,,, the oc-ification is so real its embarrassing but whatever (omg don't even get me started on jegulus 💀)). I just assumed these would stay as headcanons. But now we have people saying, that 'we barely know anything abt the marauders in canon' or 'isn't the whole point of fandom to make shit up?' which i have sO many issues with so let me just try and compile my thoughts into dot points for the sake of coherency.
'we barely know anything abt the marauders in canon' ---> First of all, Remus, Sirius and Severus are fully fleshed out characters in the og series -- why do you think people would care enough to create an entire fandom based on their backstories if they were 2d flat characters in canon?? Like bffr. I saw a post on here (forgot who it was by, let me know if u know!) that said, 'I didn't cry over sirius' death in OotP just for ppl to say that we know nothing abt him in canon'. Like, its just mind-boggling to me lol.
'isn't the whole point of fandom to make shit up?' --> Ok y'all. For a fandom to work, there have to be some guidelines, some kind of source material, some point of reference so people can build upon it and make content. I think we can all agree on that. One reason why HP is such a popular place for fandom is the world-building and potential plots/storylines. I see some people argue that jk rowling was a shit writer anyways so might as well contradict everything she says. Now, I don't disagree with that point in particular, Jo is a pretty mediocre writer and a terrible person. HOWEVERrr, I'd argue that it is a lot more fascinating when people expand or work on the concepts in HP. JK Rowling has a lot of great ideas but executes them terribly -- I love when fic writes do this, which prolly explain why I love atyd as it is still very much canon compliant but executes themes on class, disability and queerness that jkr could barely do in subtext. This doesn''t mean I only think canon compliant fics are valid. That's not the case! I think as long as the charcterization is consistent to the character and the particular circumstances/world they're in, its fine! In fact, I love seeing how the same character would function if in a different place! I also love seeing explorations of the magic and magic systems in aus or fix it fics (or even canon compliant ones) that still fit in with the canonnical system that we know.
I guess what I'm trying to say I wish the marauders fandom explored the world and charcterizations more deeply instead of creating shallow oc-fied version of the characters that fit into whatever's trending -- like just write your own book or smth lol -- booktok will eat it up i promise.
Also, kinda related kinda not but um,,, why are we romanticising fascists -- like babe no evan rosier is not your babygirl he canonnoically tortured multiple ppl and became a death eater soo... not saying that I wouldn't want an exploration of his character or even a relationship with barty -- (who's not some cool dairk-haired edgelord but a actually a cowardly fascist murderer with blond hair -- yes the blond hair is important) -- I'd just want them to be portrayed as the not morally good people they are. Like,, if u want to oc-ify a character like pick someone whos not a death eater or has little info on them like dirk cresswell or frank longbottom,,, or ya know,, one of the MANY female characters in the fandom ((This fandom also has a problem with women and sapphic ships in general but that's a whole other issue lol).
I know this 'babygirlification' of death eaters doesn't mean to do this, but it also ends up watering down the themes of oppression, bigotry, etc and leaves us with not nearly as complex characters. Also one of the issues I had with the og HP world is that JK will introduce concepts like wizard racism and slavery and then just like,, not really do anything about it or just have half-arsed redemption arcs whilst not ever actually exploring the root of the issue. And now i feel like the fandom is following in those footsteps unfortunately.
Anyways, i've been rambling for too long so I'll just leave it here. Sorry if this came off as mean spirited in anyway,, I just have a lot of thoughts™ and my family is sick of hearing them lol. These opinions are not set in stone however so I'd love to hear your thoughts on this subject! At the end of the day this is fandom and we're supposed to have fun -- so yeah !! thanks for reading if you made it this far!
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itsclydebitches · 1 year
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Let's tally things up, folks!
Ruby's entire depression arc is "resolved" by a one sentence exchange wherein she just... decides she's better now? 'Is this the message?' Ruby asks, on her knees in front of a not at all subtle broken piece of glass. 'That I'm just supposed to give up?' and then literally the next moment she sees Crescent Rose, the weapon she's been flinching from because it represents all the failures she hasn't actually grappled with this season, and decides that depression and suicidal ideation are for losers. Let's go fight a randomly evolved cat!
The group still doesn't care about Ruby's Volume-long struggle. What are you talking about, evil kitty? Ruby's never been confused, or weak, or feeling like she's broken. We're oblivious to all that. That's why we follow her, because we can easily ignore everything that's going on in her life and instead just focus on ourselves. Didn't she have a breakdown a couple of hours ago about having to lead all the time? Should we really be announcing the moment she steps out of the tree that we expect her to be in charge again? ... nah, it's fine!
I guess the overall message is that any and every horrific act is excusable because you're just being yourself? Sorry we doomed a Kingdom and have actively helped Salem in trying to take over the world. The horrors we've enacted are good things though because it means we're being ourselves.
Ruby is conveniently the only Ascended who retains all her memories. Can't have the protagonist undergoing any kind of actual change, after all.
Neo throws herself into the tree despite that going against every iota of her characterization. Will we ever see her again? Who knows.
Is the blacksmith lady Alyx? I still have no idea.
Jaune is made young again, because of course he is. Love that they act like this is some curse he's suffered from - "It's been so long..." - and not an actual life lived across several decades. If I got stuck somewhere for twenty-ish years and then someone tried to magic me back to my 18 year old self I'd be like wtf? No? I'm not a teenager??? Will the show ever acknowledge that Jaune is actually an old man in a de-aged body now? I doubt it, considering this plot-line had no impact on his personality, skill, or outlook.
Also love that the brothers' story is treated like this wonderful tale of growth and exploration. The blacksmith is going on about how amazing it is that you don't know what you'll get when you create something, tone all fond for the demi-gods that have left her world to toy with new ones, and I just wanted one of the characters to start screaming about all the horrors they've caused. They killed an entire population in one fell swoop and have cursed two individuals for funsies, with the entirety of Remanent permanently under threat of annihilation if they don't meet the Gods' ambiguous standards of unity. Oscar didn't fall into the void because if Ozpin had been there he would have gone feral and attacked the blacksmith with his bare hands.
We're heading back to Remnant and Ruby still doesn't know that Jaune killed Penny! Ruby didn't even get her sword back. Or consider her in the tree therapy session. Why was killing her off necessary again? Oh yeah, Jaune angst🙃
We got a "when you're needed" from the blacksmith, so expect that time-skip in Volume 10. Can't wait to see how much important stuff the story skips over...
Also, this is so minor in the grand scheme of everything else, but I YELLED when Summer admitted that she'd lied about the mission. For nine Volumes these characters have been dragging Ozpin for every problem under the sun including, in Volume 7, for the mysterious disappearance of Summer, only for it to turn out that she LIED about where she was going and on whose orders, setting him up to take the fall when she doesn't come back. Who's going to have Qrow apologize to Ozpin for blaming him for years? Who's going to have Ruby unpack that her whole family is made up of liars and she was foolish to think that anyone, including Ozpin, could survive this war with a completely clean record? Hell, who's going to have Ruby simply tell anyone - including her sister - what she now knows about her mother's death? Not the RT writers, I'd wager.
Especially when they gave us a scene of Summer leaving on what she recognizes may be a suicide mission and leaves a token of affection for one daughter but not the other. Summer is Yang's mom too! Yeeeeeaaah the story is really bad about actually writing that.
Overall this Volume just feels like a colossal waste to me. The story ignored most of what was set up in Volume 8, introduced a world it didn't have time to flesh out, threw in an unnecessarily shocking story line about the hero trying to kill herself, 100% dismissed the ramifications of that, reset everyone so that none of the characters have to actually grow or change, and has now implied that all the plot important stuff - the Atlesians' survival in the desert, trying to ally with Theodore, Salem's next attack on Remnant, the development of most of our B Team, etc. - has occurred off screen.
The only thing this Volume accomplished was getting the bees together, which was something we should have had years ago. That admission hasn't changed their dynamic in any way, or introduced new conflicts (remember, no one cares about Ruby's breakdown, including her correct accusation that Yang has cared more about her girlfriend than her struggling little sister). It's just... there, not queerbaiting anymore, thankfully, but that feels like a very low bar to meet.
2+ months later and all I'm feeling is
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rakkuntoast · 1 month
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Your talks about Missa's mischaracterization are exactly why I made a post specifically asking for Missa mains to give me their analyses for me to reference in Awake Me From My Nightmare.
I even went as far as to slap some parts of the post in Google Translate encouraging Spanish qsmp fans to reply to me and I'd just have someone translate their analysis for me. Which I did (thank u Kami ily). And I was so fucking happy when more of my responses came from Spanish speaking fans than English. Peak QSMP moment <3
But anyway yeah. Missa's characterization has been lowkey my biggest concern writing the fic tbh. I wanna do him justice. He definitely isn't written as a pathetic woobified uwu cinnamon roll, that's for sure.
I've been staring very hard at the paragraphs people gave me on his character and I THINK I've been doing a decent job at balancing the "gets overwhelmed by things" wet cat side Crows see AND the "um actually he could kick your ass and can be a bitchy little shit" reality?? Mans is getting lots of moments where he's like "fuck this" and gets ready to Literally Fight God. There's still lots of tears, but like, if YOUR husband was in front of you covered in his own blood and lookin like he's rapidly wasting away in real time, you'd be an emotional wreck too. So I'm decently confident in his characterization, but I still have that "AAAAA I HOPE I'M DOING THIS RIGHT" worry. 100% gonna be clinging to comments from readers about if I did him justice. So far I've characterized everyone (Phil, Fit, Etoiles) super well according to readers. 😭🙏🏻 Hoping I keep up the streak with Missa in Chapter 3.
The discussion you've been having is exactly why I'm doing my best to do him actual justice. And I might actually read back through your posts and translate the Spanish bits just to get even more insight. I don't see enough people talking about qMissa like this.
And on a semi-related note, GOD I wish there were more YouTube clip compilations of Missa moments. Like idec if they're not just qsmp, I want more of them in general!! Idk if I just wasn't searching well enough or what but when I went looking a while back, there were MAYBE 2 videos at all, let alone Eng subtitled so I could understand them. And rooting through Tumblr for clips is a pain. 💀
Tldr thanks for talking abt this Rakk, this is exactly why I've been busting my ass trying to not write Missa reduced to one trait or the other. Tbh I've been seeking out proper analysis/understanding of qMissa even before I was writing him in a fic. Bc I KNOW what we Crows see is a fraction of his character.
ISAAAA you're doing God's work honestly, the "fights God through tears" is peak qmissa characterization akfknsjx
I do think we need more translated Missa content, sadly like the best thing you can get is qsmp clips translated or someone on twt decided to translate this one bit from his videos (like him having a crush on a pineapple)
it's sad that it doesn't get talked about how clever the guy is and while the fix is pretty easy (just getting more missasaurios to talk about him) it's just a case of bothering to translate stuff cuz that shit takes time and effort
as well as missa's miscaracterization not being talked about as much cuz a lot of the ppl who talk abt him are English crows who think he's a sopping wet cat<- i am BEGGING for people to unlearn this word it's making me insane
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bonefall · 6 months
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So sorry if you’ve already talked about her and I just can’t find the post, but I would love to hear about BB!Sliverstream. I feel like the fandom and the books portray her as just generically loving and who’s whole life revolves around Graystripe and their tragic romance… But come on! She was breaking the code to meet him, she’s rebellious! She’s the daughter of Crookedstar! There’s so much potential there for a really fun character. But she ends up being nothing but dead warrior cats wife/mother number one
UNG
I've talked about her before but I'd have to go digging for it, so I'm just going to gush about her and everyone is gonna listen up. Because I love her. I love her so much. I love everything about her and her death and I think anyone who boils her down to just "a fridge wife" needs to read TPB again, and open their hearts and minds to the IMPACT that she had on the entire narrative
Because she DOESN'T just die to give Graystripe man pain. She hits EVERYONE, she drives the plot, she was a really well characterized cat and her death is heartwrenching!!!
First of all, I like the explicit fact that Graystripe and Fireheart are very young at the time. New warriors, almost immediately given apprentices.
In BB, I decided to make this one point where Bluestar bends the code to a disastrous result (in BB, you aren't supposed to have an apprentice until you're at least a year out). Graystripe should not have an apprentice when he's barely out of apprenticeship himself! Young people do dumb and wreckless things, question rules, they do what they want. And he ignores Brackenpaw to hang out with Silverstream.
And it's easy to see why! Silverstream's a self-assured, hostile popstar who is daughter of the leader and PRIDES herself in that. She has a great heart but will not follow rules she thinks are dumb, because she feels she is above consequence.
And she likes Graystripe because he's HONEST. He does what he pleases and if he takes an interest in you, it's genuine and flattering. He's funny! He's good humored and laid back! Fireheart is frustrated by this because he's responsible, anxious, and serious, but Graystripe CAN'T stay serious for that long.
He needs to live and relax. YES that makes him irresponsible and even avoidant-- and I like that a lot! But he loves with such raw devotion, never able to do what Clan Culture expects of him!
So NO WONDER these two ended up as cross clan mates. They're like peanut butter and jelly. Silverstream who feels above the rules and Graystripe who is loyal to people over clan. To them, the Code is a guideline
AND YOU KNOW WHAT?? THEYRE RIGHT!!!!
The code IS flawed!!! This IS a bad fucking rule! Their love IS stronger than this! The "Law of Loyalty" (my bb term for it) EXISTS BECAUSE OF THE SIMPLE TRUTH;
IF YOU LOVE CATS OF OTHER CLANS, AS FRIENDS, LOVERS, OR FAMILY, YOU SEE THAT THE DIVISONS ARE BULLSHIT
And that destroys the battle culture!! We SEE this in TPB, there are several times where cats will back off of fighting Fireheart because he's their fucking friend! He refuses to hurt Silverstream because she's his best friend's lover!!
And when she dies it's DEVASTATING. It wouldn't be the same if Graystripe's choices following her death were about choosing his lover over his home clan!
It's childbirth, as if she's being punished by StarClan for codebreaking! She wanted to deliver her children with her mate by her side, and had a horrible death on the rocks away from an experienced medcat. Cinderpelt blames herself for not being good enough to save her, destroying her confidence for several chapters until she can realize it was never her fault
And after this, Bluestar doesn't punish Graystripe... because she knows how awful it is to lose a mate from another Clan. Her death should be enough; in spite of the baying from the Tiger Clique for a harsher sentence.
Like... what frustrates me most about Silv is how the later books reduced her, for a period of time, into JUST a sweet nicey fridgewife that gives Graystripe permission to move on. She was fierce. She was assertive. She is the person who said, "If the law says my love is wrong, then it's the CODE that's incorrect!"
I wish she kept that ferocity in Graystripe's dreams and memories of her. A voice that would tell him that his heart has never lead him astray, even when others told him he was on the wrong path.
It was nice to see her return to some form with a spike of jealousy in TBC, and for as much as I hated Leopardstar's Honor, at LEAST it remembered she wasn't a sweet nicey waif.
So in BB I plan to change very little. BB!Silverstream was beloved by a lot of people, and people will fight for her name. Her death has a huge, negative impact on Graystripe and he never totally gets over her death, even while he's raising his new family. During TigerClan, her children are stripped of their names and slapped with cruel Dishonor Titles (Stormpaw to Graypaw, Featherpaw to Silverpaw), to remind them of how their birth killed their mother, and that their father is not here to pay for his crimes.
This infuriates her friends and family, and Deerfoot's rebels are joined by them in their guerilla opposition of TigerClan.
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baskeigh-ball · 1 year
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Ahhh, sorry minor thing (has to do with your body swap comic) just thinking about the Mikey sensory overload bit. I saw this thread on it talking about his sensory issues and it hasn't left my mind since. It basically was a bunch of clips showcasing those issues in the show so seeing it in a comic is such a woah moment. Basically I was just curious on your thoughts on it.
yooo there's a whole thread about it? i haven't seen that but now i really want to omg if anybody has the link or something lmk
ok anyways rant under the cut lets go
I have a Few Thoughts about the bros and their neurodivergencies, both the ones headcanoned by fans and the ones actually confirmed
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And these are the two main confirmed ones from the writer/producer of the show! Donnie's was a given just by observing how he's characterized in the show, and Mikey's became obvious once you recognize how hyper and impulsive he can be sometimes.
That one scene in Donnie's Gifts perfectly encapsulates how his brain works for me, where he forgot to mention a famous chef turned into a pig mutant live on television because he wanted to make sure the food he was making at the time turned out right and literally just forgot about the whole ordeal right after lmao
I'll be honest, a lot of the characteristics of ADHD he exhibits for me are mostly personal headcanons since I never took much notice of how his actions in the show can be recontextualized with the knowledge he's neurodivergent, but the one thing I DID notice is how often he goes into his shell.
Obviously it's a box turtle thing, his species is more inclined to hide in their shell since the carapace can actually close fully, making it a viable survival tactic. And with ADHD, I imagine any kind of unpleasant sensation or a sensory overload would trigger this escape mechanism, since being in his shell is equated with safety and control for him. It keeps the Bad Vibes out and lets him recenter himself
As for what would cause a sensory overload for him I have no clue, maybe it wouldn't be anything specific and I don't want to just project my own sensory issues onto him so I shall leave that open ended for now.
Though I do imagine food would be a big thing for him. It seems like one of his bigger special interests, so I'd find it to be an interesting dilemma for him to have a limited palate despite his interest in cooking. He would definitely make it a personal mission to experiment and try as many things as possible just for the chance to find new stuff he finds enjoyable, but in the process end up finding out a bunch of other foods are practically inedible for him.
If anyone has other thoughts on this feel free to add them, I love these kinds of discussions on character analyses and trying to see how their neurodivergencies are portrayed within the context of the show :]
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I just wanted to say that I am really envious of the way you write the Vees. As someone who struggles with making characters woobiefying and with characterization in general, I appreciate how you can write these characters perfectly that the show didn’t have time to portray. I didn’t have a specific request, but now I was wondering if you could give me some advice on how to analyze and write a character, even if you have a personal bias towards them?
Awww thank you so much ❤️ I don't have like any degree in literature or anything that would give me credibility in giving writing advice, usually I just go with the flow. But I'll do my best!
Imo the most fundamental thing is the way you think about characters. In fandom spaces, we very often see them as "people we like" - hence all the discourses like in Valentino's case "if you like him it means you are a bad person". I think that woobification is influenced by this cognitive dissonance caused by liking characters that should be unlikeable. For me the way out of it was giving up "characters as people" mindset and changing it for "characters as tools". Bacause that's what they are - tools you use to build your narrative. When I say I love Valentino I don't mean I would shake his hand - I mean he's my favourite toy I can do multiple things with. And it's his flaws that make him so much fun. Because outside of the comedy genre, narrative cannot exist without conflict. The more flaws a character has, the more conflict it causes. That's why villains are such a powerful driving force for stories (here are some great essays about it: 1, 2). Put any character in the room with Val and you have an interesting bit not only because of the usual character differences that could happen between eg. Vaggie and Husk but also because stakes suddenly become high. What will he do? Will he hurt them? We saw what he's capable of. Will he be nice? Man, that's even worse because it means he has his own motive to be nice. What might it be? That's what keeps the audience engaged with your writing. Extra points if you give him some human weaknesses or conflicting desires. When it comes to characterization, nuance is the key. That's why I love VoxVal so much - two characters that are absolutely awful but they are fiercely in love. How could Valentino be capable of simply caring about someone but himself? What kind of human is buried underneath all this evil? So much to unpack here. Nothing I'd like to experience but everything I'd like to see from a safe distance. Consider: would you even like the Vees so much in the beginning if they were just other guests at the hotel? In the show, neither of them has a single redeemable quality. And yet, here we are.
When it comes to writing characteristics it's also important to watch characters from different perspectives - that helps with giving them nuance. Let's take Vox. People seem to like and respect him, he's obviously an influential figure (he has a lot of social power). But from Alastor's perspective, he's just a pathetic little attention-seeking looser (he has a fragile ego and lowe self-esteem). Yet his assistant seemed to be scared shitless while talking to him (he had done things that made people from his closer look aware that he's dangerous). Angel knows he watches his abuse and hangs out with Valentino (at best he's indifferent to other's suffering, at worst he enjoys it). Carmilla doesn't respect him but they are on terms good enough, Vox wants to do business with her (he's a competent business partner). For the rest of Vees he's smart enough to listen to him but at the same time he's their cringefail naurospicy bestie. Add all of those perspectives together and you have yourself a multidimensional character that can interact with other elements of the narrative in vastly different ways. Also, from that point you can build up, asking yourself other questions "What would they think/do/say?".
Also, the last thing: every character needs a clear goal that influences all their decision. Choose it and always keep it in mind. Bonus points: a character has two main goals that are contradictory. When I write Vox he has two goal: power and adoration. He always has to choose which one is more important to him because while he has measures to achieve great power, some things that he would want to do are socially undesirable. In Valentino's case: hedonistic pleasure and immediate gratification vs love for Vox that demands sacrifices and compromises.
So anyway I hope that will be helpful to you <3 And don't be too hard on yourself when it comes to writing, not everything must be Game of Thrones. Especially in fandom spaces, sometimes we all want to indulge in some simple fluff or crack.
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