#David Lamont | Explore Tumblr Posts and Blogs

megamindsecretlair · 11 months

Text

Megamind's Secret Files

Formally posted on MegamindsLair.

All fics are Black/Fem coded. All fics are consensual.

Rules and Navigation:

Welcome! Thank you so much for being interested in my blog! I want to make this a safe space for everyone. Please heed all warnings on all my posts. Consider changing your icon and header to prove you're human. Add ages so I can be sure minors are not interacting with my blog.

Anon asks are turned on but don't abuse it with slurs, insults, or demands. Don't make me act out character because you have a stick up your butt. Scroll, move on, or block me. Simple as that. This is where I go to act up and I will not be bullied in my own safe space.

This is for GROWN-GROWN folks. I post adult content and it's incredibly rude to ignore my multiple warnings for minors not to interact.

Requests are tentatively open but please know that I have a hectic home life, a squirrel brain, and multiple issues that prevent me from getting to requests quickly. If you submit a request, I have the right to refuse, deny, or take my time to let the story marinate before writing it. I am not a machine. Please be patient with me.

My tags are all over the place. But generally, you can find:

#Megaminds Updates - general updates about my fics or life in general

#Megaminds Asks - useful for anon asks

#Megamind Be Watching - tv/film recs

#Megamind Be Reading - fic recs/book recs

#Megaminds Musings - my unhinged takes on things currently occupying my brain

#Megaminds Reblogs - not sure about my stories? You can find reactions from lovelies who took the time to reblog and comment

Likes are always appreciated, but it's hard to know if you liked the story based on that. Please consider reblogging and commenting to support writers! Liking it means you like it and you're the only one who gets to see it. Reblogging it means you want others to read it too!

How to get on my taglist!

The Secret Loki Files

The Secret Bucky Files

The Secret Nomad Steve Files

The Secret Sam Wilson Files

WARNING: multiple uses of the n-word. Coded for Tyrone/Los Angeles

The Secret Tyrone Files

The Secret Isaac Files

WARNING: multiple uses of the n-word

The Secret Franklin Saint Files

The Secret Kane Files

Warning - can turn dark but always consensual. When not stated otherwise, Ghostface is usually anonymous and coded Black.

The Secret Ghostface Files

The Secret King Ghezo Files

The Secret Tre Files

The Secret Javier Pena Files

The Secret Big Stunna Files

The Secret Kevin Atwater Files

The Secret Lamont Files

The Secret David Kane Files

The Secret Jatemme Files

The Secret Zyair Malloy Files

No Big Deal Original Writing

Thank you so much for being interested. Happy reading!

How to get on my taglist!

359 notes · View notes

buzzterposey · 1 year

Text

#sf giants #baseball #logan webb #sean hjelle #brandon crawford #lamonte wade jr #david villar #kai correa #jd davis #2023 giants season

19 notes · View notes

thelibrarian1895 · 22 days

Text

Bat bio donors

So Catherine Todd, unfortunately, wasn't Jason's bio mom, even if she was his mom in every other way that matters. Embezzler, child trafficker, and Joker associate Shelia Haywood was his biological mother...probably.

There was no DNA test so I remain unconvinced.

That being said, I see no acceptable evidence that Willis Todd was Jason's bio father. (And if there is, shhh, don't care)

Yes Bruce could be his bio dad but boring, be more creative!

For example, someone else who's based in Gotham, who might have a fling and not follow up on it for very whatever reason, and who might be the namesake of our favorite gun wielding bat: Jason Bood. Yes Shelia, if she is the mother, may have put Willis on the birth certificate, but there's nothing to say that she didn't have an evening with a man with a charming accent, considerable experience, and a rather two faced nature.

Or perhaps someone who is a tiny bit less volatile such as David Cain.

Or honestly there's enough weirdness in Gotham that Jason's other bio donor was Nocturna, the woman who would later want to adopt him while he was Robin and she was, in fact, though she didn't know it, trying to get her own bio child.

Furthermore, Bruce as Tim Drake's bio donor, yes, good, understandable, likely even.

However, there are other options, for example:

Janet spends a great deal of time going around the world and with various artifacts, some of these artifacts could be magical in nature. That magic may have various effects on the average person and one of the more popular things that people in ancient times sought revolved around fertility control, to improve or prevent. Janet might trip over more than a few artifacts designed to improve fertility, let's say even to the point that some who might not normally be able to sire children might in fact be capable of doing so with Janet while she's still under the influence of such magic, such as:

Lady Shiva who admires Janet's ability to handle both a growing business and her academic pursuits.

Ra's Al Ghul who came by for an artifact and had a fling with the lady who found it mostly because why not? Yes if Tim ever found out, or Ra's ever found out, it would result in considerable mental distress, but it could also be hilarious. Flip a coin to decide if this would make Talia want Tim dead more or less than she already does.

Some ancient god who's essentially mortal at this point and has been clinging to existence by the thinnest thread and really the only reason their name is known at this point is because it was in a letter about very bad copper. Tim receives no benefits from this parent except above average endurance and healing which is how he's survived. He's also as stubborn as the nameless god that's hung on for four thousand or so years.

Gotham itself is Tim's bio donor and this is why tiny baby stalker Tim didn't die a thousand times over while he was taking pictures, Gotham was looking out for their son.

Then there's Cassandra, "one who is all" who may or may not be Shiva's daughter.

Honestly for Shiva and for Talia, given the danger they put themselves in and the stress that pregnancy can do to a body, plus the necessary time to heal properly afterwards, the canon where Damian is grown in a tube makes sense and I wouldn't be surprised if Shiva took a page from Talia's book.

Shiva as the mother of "one who is all" can make sense. The other bio donor, well, let's look at other options.

Slade perhaps? He's had quite a few remarkable children, and can handle none of them, but that wouldn't stop him from being a candidate.

If you're a fan of wuxia or xianxia novels, look for or make up some ancient cultivator that Shiva sought out for training perhaps and on that strength Cassandra can pick up cultivation and become that much more awesome, maybe even teach it to her brothers.

Sect Leader Cass o((>ω< ))o

Or someone can be related to or connected to a Lamont Crantson and see if they can step out of his Shadow.

Dick's bio parents were freakin' awesome so jumping over him and also leaving Duke's parentage alone though more distant ancestors for either of them, such as great-great grandmothers or grandfathers might be interesting. Dick has a Talon in the family tree but who else might be hanging around in there?

For example, Santa is real in the dc universe. Tim and his team could have witnessed the death of Dick's maternal great-great-great-great grandpa.

As for Duke, if his family has been in Gotham for longer than a generation, there've got to be some serious weirdos in his bloodline, maybe a lesser known Talon or Queen Mab.

Damian not being the son of Bruce and Talia would be a serious blow to the kid and not worth it. Giving him blood siblings is more fun. He already has a problem learning to share his dad with his adopted siblings, sharing with blood siblings would be good for him.

Stephanie? An additional dad option would probably give her some sort of mental crisis since she originally based her vigilante career on defeating her deadbeat, second rate rogue father. It would be interesting and honestly a little hilarious though if her mother had a fling with Oliver Queen.

49 notes · View notes

lovelyballetandmore · 4 months

Text

Yue Shi | Elizabeth Lamont | Royal Winnipeg Ballet | Photo by David Cooper

#elizabeth penner #yue shi #royal winnipeg ballet #balletphotography #white tights #ballerina #romeo and juliet #stage boots #ballet stage boots #elizabeth lamont

31 notes · View notes

pers-books · 4 months

Text

The Observer Peter Capaldi

‘The government has been too terrible to make fun of’: Peter Capaldi on satire, politics and privilege

📷 ‘I’ve had to pretend to be more amenable’: Peter Capaldi wears blazer by oliverspencer.co.uk; shirt by toa.st. Photograph: Simon Emmett/The Observer

Tom Lamont Sun 14 Jan 2024 08.00 GMT

One winter morning, a Doctor Who comes calling. The Glaswegian actor Peter Capaldi lives about an hour’s walk from me and instead of us meeting in some midway café, the 65-year-old wanders over (leather booted, woolly jumpered, cloaked in a dark winter coat that sets off his pale-grey hair) to have coffee at my kitchen table. My son is off school with flu, medicating on Marvel movies and barely able to believe his luck as the actorly embodiment of an alien superhero wanders through our flat. While we’re waiting for the kettle to boil, I ask Capaldi whether he ran into any other Doctor Whos on his walk through the actorland that is suburban north London.

He grins an unguarded grin you don’t often see on screen. Capaldi became famous as the permanently angry spin doctor Malcolm Tucker in the BBC comedy The Thick of It, which ran from 2005 to 2012 and, after that, between 2013 and 2017, he played the sternest, least imp-ish Doctor Who in decades. In his new Apple TV show, a police procedural called Criminal Record, which Capaldi co-produced with his wife, Elaine Collins, he stars as an ageing detective: another scowler. Now, coffee in hand, he smiles affectionately. So, did he bump into any other Doctor Whos this morning? “David [Tennant, 10th Doctor] used to live in Crouch End, near me. Matt [Smith, 11th Doctor] lives around here. Jodie [Whittaker, 13th Doctor] is nearby, Christopher [Eccleston, 9th Doctor] too, I think.” But no, no encounters with his fellow alumni this morning, Capaldi says.

📷 ‘You can’t be the cynical melancholic I naturally am’: Peter Capaldi wears coat by Mr P (mrporter.com); jumper by uniqlo.com; trousers by reiss.com; and shoes by johnlobb.com. Photograph: Simon Emmett/The Observer

“You do run into each other. You have a laugh, a gossip, you share. There aren’t a lot of people who have been in that role in the centre of that storm. Most people think the job is being on the Tardis and running around with Daleks. Which it is. That’s the fun part. But there’s a lot of other stuff you have to do, too. You’re kind of the face of the brand and the brand is very big. You can’t be the cynical melancholic I naturally am. You have to pretend to be a version of yourself that’s far more amenable.”

Is it a bit like being the Queen?

“Kind of,” he says. “You embody for a time this folk hero, this icon. I was able to comfort people in a way that would be beyond the powers of Peter. You could walk into a room and people gasped with delight. It doesn’t happen any more.”

Capaldi grew up in 1960s and 1970s Glasgow. His Italian-Scottish family lived in a tenement block. “We had nothing. We had zilch.” From a young age he exhibited signs of artistic talent, though he characterises himself, then and now, as a seven- or eight-out-of-10 at various crafts. “When I was young, I was good at drawing. My grandmother used to say that came from Italy. She felt that I was an absolute throwback to Leonardo da Vinci – her direct line to Michelangelo! It confused me because I wanted to do these other things, play music, act – which one was I supposed to do?”

📷 Great Scot: Peter Capaldi wears blazer by ralphlauren.co.uk. Photograph: Simon Emmett/The Observer

After graduating school at 18, this confused cross-artistic trajectory continued. “I tried to be an actor, but I didn’t get into drama school, so I went to art school. When I was at art school, I joined a band.” In his early 20s, Capaldi released a single as part of a group called Dreamboys; then he quit music and spent most of his 20s acting, getting small jobs in theatre and TV as well as a walk-on part opposite John Malkovich in 1988’s Dangerous Liaisons. In his 30s, he decided to concentrate on directing.

In 1993, a short film he directed, Franz Kafka’s It’s a Wonderful Life, won him an Oscar, industry recognition that launched Capaldi off on a heady but doomed sojourn in America. Well caffeinated and gripping the edge of my kitchen table to tell the story, he recalls what happened when he was courted as a hot prospect by the Weinstein brothers, Bob and Harvey, then the co-presidents of Miramax and at the height of their power and influence. Capaldi spent a year working on a screenplay for them, at the end of which Bob flew him out to Manhattan to discuss casting and production. As far as Capaldi was concerned it was a formality; bottles of champagne were cooling at home.“I thought I was off and away.”

📷 Feel the heat: in The Thick of it. Photograph: Everett Collection/Alamy

Miramax sent a limo to pick him up from the airport. “I fell into conversation with the driver, lovely man, Ralph. When I got out of the car I gave him a big tip. Because I was a big shot now, you see. Then Ralph said: ‘I’ve been told to wait for you here.’” Uh oh. “Inside, all the people in the office were avoiding my eye. Bob said, ‘I’ll come straight to it, we’re not gonna do the movie, my brother Harvey says he doesn’t know how to sell it.’ He said, ‘But we love you! You’re one of the family! You’ll always have a place here!’ Needless to say, I never heard from him again. Obviously, while I was in the air they’d had a discussion and changed their minds. I was so dumbfounded as I climbed back into the limo I just laughed. I had no money, because we’d bought a little house in Crouch End, and I had no career, because I’d turned my back on acting.”

In a gesture that Capaldi has never forgotten, Ralph the limo driver tried to give him back his big tip.

As we chat, the postman rings the bell, delivering packages. Council tree surgeons are working on the road outside. My son needs water, words of comfort, possibly he just wants another good long look at Capaldi. I’ve never interviewed anyone in my own home before and the limitations of the format are becoming apparent. But Capaldi seems to respond well to the setting and its lack of frills. His adult daughter and her family have been visiting, brand new baby in tow. When I apologise for all the noise and interruptions, Capaldi says it’s nothing compared to a newborn.

📷 Fun fact: in Paddington 2. Photograph: Supplied by LMK

He and Collins were young parents themselves when his directing career fell apart. Arriving back in London from the disastrous Manhattan trip, “The initial feeling was shock. Then a pragmatic survival instinct kicked in.” Capaldi rejoined the auditioning circuit. “I was a psychiatrist in Midsomer Murders. I was a beekeeper in Poirot – AN Other Actor. Someone else would have turned down these parts first.” Collins, until that point an actor, too, decided to pivot into development and production, a career move that has worked well for her.

Artists often do their best work while they’re at their lowest, perhaps because they feel they haven’t much to lose, little to be afraid of. Sloping into a Soho audition room in the mid-2000s to meet Armando Iannucci about a new political comedy, Capaldi remembers being in a foul mood. He’d just come from an unsuccessful audition for another BBC show, “being taped like I was Vivien Leigh reading for Scarlett O’Hara”. He remained grumpy when Iannucci admitted there wasn’t yet a script for The Thick of It, they were going to try improvising instead. “I knew Armando was supposed to be a comedy genius, but at that moment I was, like, ‘Yeah? Let’s see some of your comedy genius then. Fucking show me what you’ve got, you Oxbridge twat.’ My whole attitude that day was essentially Malcolm Tucker’s, and it informed the improvisation we did.”

📷 Folk Hero: in his new series Criminal Record. Photograph: Ben Meadows/Apple

When The Thick of It debuted, Capaldi entered the sitcom pantheon overnight. Revisiting episode one, what’s glaring is how fully formed, how exquisite a character Tucker is. Alan Partridge, Samantha Jones, Frasier Crane, David Brent … these creations had to be discovered over time by their actors and writers. With Tucker it’s all there from word one, the controlled fury, the foul-mouthed eloquence, that constant convenient deployment of hypocrisy. Capaldi played the part for seven years, winning a Bafta mid-run. It led to other memorable gigs, as a news producer in 2012’s The Hour and as Count Richelieu in a 2014 adaptation of the Musketeers story. He was Mister Micawber in Iannucci’s 2019 reimagining of David Copperfield, a fun role that was bookended by two equally fun Paddington movies, released in 2014 and 2017.

Promoting these projects, Capaldi would be asked to give a view on political events of the day, as seen through the eyes of the character who made his career. What would Malcolm Tucker think of Brexit, or the pandemic response, or the premierships of Johnson or Truss? Capaldi long ago stopped answering these questions. “For one thing, I need about 10 writers, Tony Roach and Jesse Armstrong among them, to supply Malcolm’s bon mots. But more than that, I think these [recent Conservative] governments have been too terrible to make fun of. I think they’ve been incompetent and corrupt and I’m not going to make jokes to give them time off.”

📷 ‘You’re the face of the brand and the brand is very big’: playing Doctor Who. Photograph: Everett Collection Inc/Alamy

We talk about how weird it is that political satire should have fallen into abeyance in the 2020s – perhaps because, as Capaldi says, “things have been too bad to make fun of. Making fun normalises situations I don’t think should be normalised. The planet is burning. They’re pumping shit into the rivers. I’m not gonna be part of making jokes about that… All this highfalutin life I’ve had,” he says, of the awards parties, the film roles, the immortal runs as a sweary spin doctor and an inscrutable Doctor Who, “is because I went to art school. My parents couldn’t afford to send me. I went because the government of the day paid for me to go and I didn’t have to pay them back. There was a thrusting society then, a society that tried to improve itself. Yes, of course, it cost money. But so what? It allowed people from any kind of background to learn about Shakespeare, or Vermeer, or whatever they wanted to learn about. Why did we lose this, this belief in ourselves?”

For Capaldi, the world of acting feels narrower now, meaner in a way that seems to mirror British society at large. He thinks of his industry as one in which subtle discriminations hold sway and “gatekeepers and Aztecs still decree who shall be admitted… I think there’s a real problem. There isn’t the funding or support for young people from poorer backgrounds to get into the theatre. And indeed there aren’t the theatres.” He wonders about the teenage Anthony Hopkinses out there, talented, without the obvious means or encouragement to train in the arts. And the inverse, actors who Capaldi, in his frank and acid way, characterises as privileged duds.

📷 Shared vision: with his wife and co-producer Elaine. Photograph: Trinity Mirror/Mirrorpix/Alamy

“This business is full of people who are not the real thing,” he says, “people I perceived to be artists ’cos they had posh accents, but who didn’t have it, they just sounded like they did.” He goes on to tell a tantalising but intentionally vague story about a major star he worked with, someone who revealed themselves through the course of an acting collaboration to be a dud hiding in plain sight. He won’t provide details (“Too easy to figure out. When everyone’s dead I’ll tell you”), but he says the experience changed him professionally, leaving him more aware of his own limitations, but grateful to have a little vinegar and grit in the mix. “There’s a kind of smoothness, a kind of confidence that comes from a good [paid-for] school. That’s what you’re struck by: they seem to know how to move through the world recognising which battle to fight, where to press their attentions. But it can make the acting smooth, which to me is tedious. I like more neurosis. More fear. More trouble, you know?”

I think this part of his skillset expressed itself well during the three-season run on Doctor Who, when Capaldi was prepared to come across as remote, a little unreachable. “I don’t set out to make the audience like me,” he says. “Because my characters don’t know an audience is there.” For me, his high point as the Doctor was an episode called Heaven’s Gate, a chronology-stretching tale written by Steven Moffatt in which the Doctor is set a sisyphean task of endurance that lasts about 50 minutes or so in screen time and several millennia in narrative terms. Capaldi didn’t play it as a hero. He wasn’t charming or boyish. In this episode especially, he was grim and patient and knackered. It was a rare occasion when the character, apparently alive for hundreds of years, seemed old.

📷 Burning bright: with John Malkovich in Dangerous Liaisons. Photograph: Everett Collection/Alamy

In the new TV show, Criminal Record, he explores a more mortal kind of ageing, life’s third act, its inevitable professional humblings. Capaldi plays a London DCI in his 60s, coming to the end of a career, already moonlighting as a private security contractor, intimidated by the thrust and purpose of a younger colleague at the Met played by Cush Jumbo. As Jumbo’s character grows in confidence, Capaldi’s shrinks. It is a paradox of experience he can relate to. “I find the older I get, the closer I am to who I was,” he says.

I ask him to explain.

“Like I’m returning to… ‘roots’ is the wrong word. I feel more and more like my mother and father, more and more keenly aware of the values they had.” He provides an interesting example, how he has become all thumbs around the act of tipping in restaurants: “I can be in a complete sweat about that.” He can imagine his parents, both dead now, in a similar muddle. “From the background we come from, you can have a bit of anxiety about coming across as grand. So you have to allay that by making sure you are communicating with everybody, all the time.”

Capaldi shakes his head, chuckling softly. He has finished his coffee. He’s about to put on his big coat, say goodbye to my son, and walk back through Whoville to his home and his family. Before he leaves we return to the subject of actors from privileged backgrounds. He says he feels mean, like he took unfair advantage of them in their absence. “It’s not their fault,” he says. “It’s just that there’s less and less of my lot in the arts.” And this concerns him, he continues, because “people of all backgrounds are sophisticated, are interesting, are equally prone to tragedy and joy. Any art that articulates that is a comfort. Art is the ultimate expression of you are not alone, wherever you are, whatever situation you are in. Art is about reaching out. So I think it’s wrong to allow one strata of society to have the most access.”

He nods, feeling he’s expressed himself better. I agree.

Criminal Record is streaming now on Apple TV+, with new episodes every Wednesday

Fashion editor Helen Seamons; Grooming by Kenneth Soh at The Wall Group using Eighth Day; fashion assistant Sam Deaman; photography assistants Tom Frimley and Tilly Pearson; shot at Loft Studio.

#Peter Capaldi #Interview

29 notes · View notes

toofunktastic · 2 months

Text

Here’s a dump of things I’ve gifted elsewhere but haven’t gifted here yet

Six - Second US National Tour (Boleyn)

April 2, 2023 - madeapactwithsatan

Matinée

Cast:

Gerianne Pérez (Catherine of Aragon), Zan Berube (Anne Boleyn), Alina Faye (Jane Seymour), Cecilia Snow (s/b Anna of Cleves), Aline Mayagoitia (Katherine Howard), Sydney Parra (Catherine Parr)

Notes:

Never to be posted on any form of social media including, but not limited to, YouTube/Instagram/TikTok

https://mega.nz/folder/7kUDAJSJ#6nS_R4lKk9AZNfbXmbOsrQ

Six - Second US National Tour (Boleyn)

April 5, 2023 - madeapactwithsatan

Cast:

Gerianne Pérez (Catherine of Aragon), Zan Berube (Anne Boleyn), Amina Faye (Jane Seymour), Terica Marie (Anna of Cleves), Aline Mayagoitia (Katherine Howard), Sydney Parra (Catherine Parr)

Notes:

Includes BCEFA speech. Recorded from front row. Dropped my phone right after Heart of Stone, but I picked it up before anything major happened. Never to be posted on any social media including, but not limited to, YouTube, Instagram and TikTok.

https://mega.nz/folder/Th0ghSQa#pYEP5D2mEqM_Y5UU4SZ0qw

Ain't Too Proud - The Life and Times of the Temptations

US National Tour

January 17, 2024 mat

Madeapactwithsatan's master

Cast:

**Jeremy Kelsey (u/s Otis Williams)**, E. Clayton Cornelious (Paul Williams), Harrell Holmes Jr. (Melvin Franklin), Jalen Harris (Eddie Kendricks), Elijah Ahmad Lewis (David Ruffin), **Treston J. Henderson (u/s Dennis Edwards)**, Felander (Lamont), **Brian C. Binion (u/s Berry Gordy)**, Ryan M. Hunt (Shelly Berger), Tiffany Francès (Josephine), Devin Holloway (Smokey Robinson/Slick Talk Fella/Damon Harris), Devin Price (Al Bryant/Norman Whitfield), **Nazarria Workman (u/s Diana Ross)**, Shayla Brielle G. (Mama Rose/Florence Ballard/Tammi Terrell), Brittny Smith (Johnnie Mae/Mary Wilson), Devin Holloway ("Gloria" Soloist/Interviewer/Delivery Man/Richard Street)

Notes: Amazing cast for this show. However it is a jukebox musical and thus has the normal issue of singing along, talking, phones ringing (and maybe even me sighing and saying to shut up). Gift upon request, but do not post any form of social media.

https://mega.nz/folder/r88XBRaB#sYHUFtMg8v4hcv1nNF-_iA

Mrs. Doubtfire - First US National Tour

February 10, 2024 matinée

madeapactwithsatan's master

Cast:

Rob McClure (Daniel Hillard), Maggie Lakis (Miranda Hillard), Giselle Gutierrez (Lydia Hillard), Cody Braverman (Christopher Hillard), Emerson Mae Chan (Natalie Hillard), Aaron Kaburick (Frank Hillard), Marquez Linder (u/s Andre Mayem), Romelda Teron Benjamin (Wanda Sellner), Leo Roberts (Stuart Dunmire), David Hibbard (Mr. Jolly/Judge), Jodi Kimura (Janet Lundy)

Notes:

This is a show I saw. Gift upon request. Do not post anywhere on any social media.

https://mega.nz/folder/Xl1BwQQY#BVT-MB9tf-ouXzrV49ebTQ

Waitress - Broadway Remount

September 16, 2021 - madeapactwithsatan

Cast:

Sara Bareilles (Jenna), Charity Angel Dawson (Becky), Caitlin Houlahan (Dawn), Drew Gehling (Dr. Pomatter), Joe Tippett (Earl), Dakin Matthews (Joe), Eric Anderson (Cal), Christopher Fitzgerald (Ogie), Nora Lincoln Weiner (Lulu), Tyrone Davis Jr., Matt DeAngelis, Henry Gottfried, Molly Jobe, Max Kumangai, Anastacia McCleskey, Stephanie Torns, Nyla Watson

Notes:

Very responsive crowd.

https://mega.nz/folder/fks0EAxR#zP0Yvhqp0Z5sK0jhueYrnw

Waitress - First US National Tour

February 13, 2018 - madeapactwithsatan

Cast:

Desi Oakley (Jenna), Charity Angél Dawson (Becky), Emily Koch (u/s Dawn), Bryan Fenkart (Dr. Pomatter), Jeremy Morse (Ogie), Ryan G Dunkin (Cal), Larry Marshall (Joe), Nick Bailey (Earl), Maiesha McQueen (Nurse Norma), Kimberly Tobin (Lulu), Kyra Kennedy (Francine Pomatter), Grace Stockdale (Mother), Jim Hogan (Father)

Notes:

Emily's third show as Dawn.

https://mega.nz/folder/r0Vl3TTL#pBQPDf9g5QGc3AXu_W6efQ

Waitress - Second US National Tour

March 29, 2022 - madeapactwithsatan

Cast:

Jisel Soleil Ayon (Jenna), Dominique Kent (Becky), Gabriella Marzetta (Dawn), David Socolar (Dr. Pomatter), Brian Lundy (Ogie), Andrew Burton Kelley (u/s Cal), Shawn W. Smith (Earl), Michael R. Douglass (Joe), Dayna Marie Quincy (Nurse Norma), Stephanie Feeback (Francine Pomatter), Olivia London (Mother), Woody White (Father), Elvie Ellis (Ensemble), Jake McCready (Ensemble), Zoë Brooke Reed (Ensemble)

https://mega.nz/folder/GpEwSJTC#giJ1UwBntSOxlshQ-DeOlg

Frozen

March 29, 2024

First US National Tour

madeapactwithsatan’s master

Caroline Bowman (Elsa), Lauren Nicole Chapman (Anna), Jeremy Davis (Olaf), Dominic Dorset (Kristoff), Preston Perez (Hans), Dan Plehal (Sven), Evan Duff (Weselton), Savannah Lumar (Young Elsa), Emma Origenes (Young Anna), Katie Mariko Murray (Queen Iduna), Kyle Lamar Mitchell (King Agnarr), Tyler Jimenez (Pabbie), Renée Reid (Bulda), Jack Brewer (Oaken)

Notes: It’s frozen so obviously there are a couple of kids talking, but otherwise not too much disruption. Includes BC/EFA speech. Gift upon request, but do not put on any form of social media.

https://mega.nz/folder/2hdRALbY#EuDCQU-2J5TCmVsxUg9yKQ

#broadway #waitress #waitress the musical #frozen #frozen the musical #six #six the musical #ain’t too proud #mrs doubtfire #Mrs Doubtfire the musical #audio gift #musical theater #musicals #musical

15 notes · View notes