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jbuffyangel · 2 months

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Survive: Arrow 1x23 Review (Sacrifice)

Well, my friends… we made it to the end of Season 1. Arrow’s first season was often uneven as it searched for the magic to bring it all together, but supported by fantastic stunts and fight scenes, and a great hero's journey story.

That said, they deliver on the finale. “Sacrifice” is tense, exhilarating and, above all, tragic. In the eight seasons, the Season 1 finale still has me emotionally traumatized and is definitely my most mourned character loss on the show.

But there is massive hope for Olicity in some very key scenes, while Laurel & Oliver are left in the wreckage of the Glades.

This review is particularly spoiler heavy for Season 2. I cannot tell you how many times I started and restarted Arrow Season 1 reviews. It’s taken me the better part of a decade, so I am absolutely thrilled to say -

Let’s dig in…

Olicity (and Diggle)

Is Olicity the focus of this finale? No, not even close, but that’s okay. In fact, it’s very good. This is Season 1 friends. We are at the beginning of the story. Not the end. Oliver and Felicity are just getting started and Arrow makes it abundantly clear with scenes that echo through the show until the series finale. The absolute last thing we want is Oliver to get the girl in the Season 1 finale. *cough*Lauriver*cough*

Oliver left Laurel’s bed in 1x22 to take Malcolm down for good. He gets his ass handed to him on a platter instead and then Malcolm literally strings him up. Shirtless, sweaty and in chains. THIS IS A FAMILY SHOW. Get your head out of the gutter. HA! Just kidding. I’d never tell you that. Here’s some gifs of Oliver chained up and half naked. Enjoy.

Source: PaigeOTA

Diggle rescues Oliver after he already rescued himself, but it’s the thought that counts. Felicity is on her way to the bunker when Detective Lance picks her up.

Source: @felicitysmoakgifs

Paul Blackthorne is an actor’s actor. He is truly great, but Emily Bett Rickards finally gives Blackthorne someone to bounce off of. It makes the interrogation scene hilarious, but also sincere as Felicity voices the mission statement of the whole show.

Source: @felicitysmoakgifs

Detective Lance is a damn good cop (minus the fact he never pieces together that Oliver is the Hood, but that’s not really his fault. Oliver gaslit his suspicions masterfully). He reads Felicity Smoak for filth with the evidence he has on her. This is about the time Felicity should be asking for a lawyer, but it’s Oliver to the rescue instead.

Oliver actually calls the cops to report a crime! It’s really shocking quite frankly. He tells Lance that Merlyn is going to blow up the Glades and it needs to evacuated. Even more shocking than Oliver reporting a crime is the fact that Lance listens to him! See boys? Isn’t it better when we use our words?

Oliver feigns ignorance when Lance says he has Felicity in custody.

Alright he lies better than that, but Lance buys it because they have bigger fish to fry quite frankly, so he lets Felicity go.

Source: @livelovecaliforniadreams

Laurel told Oliver he was too selfish to be the Hood. Then she called the Hood a killer. Tommy called him a murderer after he learned Oliver’s true identity. Yes, the Vigilante/Hood has killed, but we’re not watching the story of the Vigilante or the Hood – the killer. We’re watching the story of Oliver Queen – the hero.

This is the first time the show has uttered the word "hero" in relation to masked man in the hood (I think? Feel free to fact check me) and it's said by none other than Felicity Smoak – the guest star, the girl Friday, the comedic relief. Or any other term those who failed to believe in this character liked to call Felicity to minimize her importance in the story. But the writers are not minimizing Felicity. They are elevating her.

Felicity admits initially she thought the Hood was a killer, but then she found out it was Oliver Queen. From the moment Felicity met Oliver she saw the light inside him. She sees who Oliver is and who he can become. In Felicity’s eyes there are no grey zones when it comes to Oliver Queen. There are no moral quandaries. Felicity knows both sides. She knows the hood and the man. She sees him as a good man who selflessly sacrifices for the people of Starling City every day.

Quentin: She says you care about the people of this city. That it needs you.

Felicity is telling Lance instead of hunting the Hood he should be working with him. And you know what? It works! Felicity has an impact on Detective Lance. He’s second guessing his approach to the Hood.

It used to be Laurel who was extolling the virtues of the Hood to her father, but now it’s Felicity. This shift is so incredibly subtle, given all the other Laurel activities in the final two episodes, but so incredibly important.

If you look at the history on superheroes (which is modern day Greek mythology) there is always one person who believes in the superhero, calls them a hero before anyone else, and loves the hero unconditionally – particularly when it’s inconceivable for the two to be together. That person is typically the superhero’s great love.

So WHY are the writers giving Felicity Smoak a love interest speech in the Season 1 finale? Particularly when Oliver just hopped out of Laurel Lance’s bed. Riddle me that kids! It’s also the line from which the episode title is pulled from – a significant factor when you look at the history of Arrow. This is the first time a series finale episode title is pulled from a Felicity Smoak line, but it’s not the last!

It’s Felicity who figures out where Merlyn has hidden the earthquake machine. The friggin map in Oliver’s book did actually mean something guys! Points to those who cared. I was not among them, but I rejoice in your win.

The device can be remote activated, so someone needs to find it, but Oliver isn't leaving anything to chance. He wants Diggle in the field to deactivate the device. But this leaves Oliver to fight Merlyn alone.

Diggle: He’ll kill you, Oliver.

Oliver: I know.

Can we talk for a moment about the absolute resolution in Oliver’s voice? There’s no fear. Not even sadness really. This is the way the battle ends – the way it was always going to end. Oliver came home to save his city, but it means sacrificing his life. Oliver is not suicidal, but he’s resigned to his fate.

Except, bit by bit, Oliver has allowed people he loves back into his life. That impenetrable wall, the one that made him almost machine like in the beginning of the season, has softened a bit. Those people are the tethers to his life and make it more difficult for Oliver to just let go now. He loves and is loved returned.

As far as Diggle speeches go, this is one of the greats. Oliver accepts Diggle’s help, but balks when Felicity volunteers to deactivate the device while John fights Merlyn with Oliver.

Oliver looks so proud of Felicity in this moment, particularly when she refuses to leave his side. So much is said between these two in just a single look. I am feeling verklempt.

Oliver cannot focus on fighting Merlyn if Felicity is not safe, so he calls Detective Lance for a second time and asks him to deactivate the device. He volunteers Felicity to talk Quentin through it. Yes, Oliver is willing to sacrifice his girlfriend’s father to save Felicity (HA!), who shall be hereby known as his Not Girlfriend-Girlfriend.

Lance and Felicity are successful. They deactivate the device. Oliver beats Malcolm, but he doesn’t outsmart him. There was a second device, and the team must watch helplessly as a portion of the Glades crumbles around them.

Source: @yet-i-remain-quiet

Oliver hears her voice and his first thought is of Felicity's safety. His second thought is of Laurel’s safety, once Felicity tells him the location of the damage. (Jen evil grins).

Admittedly, I missed all of these moments the first time I watched. I didn’t realize the importance until the Season 2 finale and I began this blog. The way Felicity sees Oliver Queen is the way he will be seen someday, but not in Season 1. He will become a hero, but this failure and loss will be one of many incredibly painful sacrifices in that journey.

There will be one woman, in a hero’s journey of her own, who will be integrally linked with Oliver. The one woman who saw Oliver Queen for who is truly is and believed in him from the beginning. The one woman he trusts and depends on. The one woman whose unconditional love helps Oliver Queen become a hero.

But it’s not the woman promised in the pilot.

The story shift was there all along my friends. We just had to look.

Lauriver and Merlance

The dreaded love triangle of Season 1 resolves itself in the most heart breaking and disastrous way possible. Actions have consequences, my friends. Don’t ever forget it.

A very drunk Tommy decides to pay his “best friend” a visit after witnessing his sex romp with Laurel. Tommy still can’t even bring himself to say sex. He refers to kissing, but come on my son. We all know where they were doing.

Oliver gives a classic sorry not sorry response and tries to pivot the conversation to Tommy’s mass murdering psychopathic father. Why Oliver feels the best time to share his father's evil mastermind plan is when Tommy is three sheets to a very drunkity drunk wind is beyond me. Oliver has the emotional intelligence of a stump in Season 1. I can’t even call him a pine tree yet.

Tommy swings on Oliver after he brings up Tommy’s mother. Yes, Oliver is trying to explain Malcolm’s motivation for destroying the Glades, but it’s just a step too far after banging the love of Tommy’s life. Oliver side steps it easily, but I wish the writers would’ve given Tommy that punch. Oliver completely deserves it. Not more than three seconds after telling Tommy to fight for Laurel, Oliver shows up at her door for an illicit sex romp. YES, I SAID ILLICIT. COME FIGHT ME.

Oliver: The difference between us Tommy is that I didn’t find out the truth about my father until it was too late. But you’ve always known, deep down, you have always known the man he is.

Tommy: I wish you would’ve died on that island.

This lands harder than any punch Tommy could’ve given Oliver.

After discovering her bed empty, Laurel pays Oliver a visit at the Queen Mansion because understandably she has questions. Like WHAT THE FUCK OLIVER???!!!

One of the first posts I wrote for Something to Live For was “Moments of Truth: Oliver’s S1 & S2 Queen Mansion Love Confessions.” You can still read it. I stand by every word of it. It’s funny that in ten years my perspective on this scene between Oliver and Laurel has not changed at all. I will try not to repeat myself too much, but the bottom line is the scene is not believable. There’s too much dishonesty. That’s the crux of my problem with it.

It’s supposed to be the big love confession between Oliver and Laurel. The entire season has been building toward it. Oliver assures Laurel that he’s not reverting to form by leaving her bed in the middle of the night with no note. Laurel believes Oliver is scared again and he’s running away – just like last time.

Oliver assures Laurel that he’s not afraid and there’s so much he wants to tell her. For the first time, we hear Oliver’s perspective on the island. It didn’t change him. It just stripped away all the things that he wasn’t, which was the person Laurel always saw.

I do not agree with Oliver’s perspective on island AT ALL. This is a beautifully prepared speech and I’m sure it made Laurel feel really good, but it doesn’t make a lot of sense when you parse it out. Lian Yu means purgatory. You suffer in the fire of your sins in purgatory. That pain and suffering is redemptive. It forms you into something new, something better. I do not believe Oliver was always a hero deep down. I believe Lian Yu burned him like molten steel until he was remade new. Ollie Queen died on that boat with his father, and he was formed into someone one else… something else to survive.

Agree to disagree, Oliver. Except, I am right, and you're wrong BECAUSE TREE STUMP.

Laurel believed Oliver could be more than a selfish, cheating, lazy, entitled, spoiled playboy who lived off his father’s money and did whatever he pleased, regardless of who it hurt. Laurel could see the potential in Oliver, but the writers never truly quantify what that potential is. I do not believe she meant a crime fighting archer who vigilantes by night and is a reclusive bar owner by day.

We don’t know what GOOD Laurel sees in Oliver. She’s basically mute on the topic. All Laurel will say is Oliver changed. So, we’re just supposed to accept that Oliver is a different person and the person he is today is the man Laurel always believed he could be. Ok. It would just be nice if Arrow would SHOW us that rather than tell.

I don’t want to rag on Laurel too much, because she’s really not my primary issue is this speech. She’s just the object of Oliver’s word vomit. And like I said, girlfriend has put in the YEARS, and this is probably the first time he’s articulated what she means to him. So, a win for Laurel I guess. However, hallow it is.

No, my issue is with Oliver. Not just in what he’s saying but in what he’s NOT saying. Oliver never tells Laurel that he’s the Hood. HE’S STILL LYING TO HER. Oliver is on his “nobody can know my secret” trip, so some of this we’ll just have to attribute it to being Season 1. But this is the big speech about who he truly is, so it would make sense for Oliver to tell Laurel WHO HE TRULY IS. He even says there’s so much he wants to tell her, but then doesn’t tell her anything.

Let’s remove the safety concern. This leaves two options. The first is Oliver intends to save the city, hang up the hood, and live a peaceful life with Laurel. The second is Oliver does not anticipate surviving this fight with Merlyn, so doesn’t feel it is necessary to tell Laurel the truth because he’ll be dead.

I’m a glass half full girl. Also, they are shining a big old spotlight on Oliver and Laurel as they kiss, so I think the first option is most likely. It’s also the reason Oliver raced over to hop into bed with Laurel the previous night. Oliver NEVER plans to tell Laurel he’s the Hood the same way he never planned to tell Tommy (or Moira, Thea, etc.).

The problem is, Oliver wants a new life with Laurel, one built on trust because trust is their big issue (because all the lying and cheating). But in order to have trust, there must be honesty. Oliver cannot hope to have a functional relationship with Laurel if he’s keeping a secret this big. Laurel deserves to know all sides of Oliver Queen - the man and the hood. Anything short of that proves Oliver hasn’t changed at all. Not when it comes to Laurel Lance.

The second option is very dark and twisty. He’s giving it one last go, telling Laurel how he feels, before he marches off to battle and dies. Is this something Oliver Queen would do? Absolutely. I’m just not convinced this is where his head space is at in this particular finale. Oliver is celebrating with Laurel like he already saved the city. But he hasn’t done anything yet, so the pacing of this scene feels very off. We’re in the middle of the episode, but it feels like the end.

Things brings me to my biggest problem with this speech – Oliver never says “I love you” to Laurel. This is the big love confession speech, but there is no “I love you.” Oliver says a lot of stuff, but he never says what’s really important and what Laurel truly deserves to hear.

You only put the couple together this early in an episode to break them up at the end. Cleary, Lauriver is going to be sacrificed on the altar of Starling City, but we don’t know how or why. We get our answer at the end of the episode.

NOW we get to rag on Laurel. Both Oliver and Lance tell her to stay out of the Glades, but does she listen? NO. Laurel and the rest of the staff at CNRI need to save paper. Yes, you read that correctly. PAPER. Apparently, all the clients would lose everything if they didn’t save the files. It was 2013, not 1954!!! Throw a litter of kittens or something in the building to make it make sense!

Of course, the building collapses and of course Laurel is trapped under a cement block. Ugh, just leave her there. I’m so over it. DIE WITH THE PAPER LAUREL! BE ONE WITH YOUR FILES!!

But it is not Oliver, dressed as the hood, ready to reveal his secret and save Laurel like we expect. It’s Tommy. Beautiful, precious, wonderful, cinnamon roll Tommy Merlyn who immediately tells Laurel the one thing Oliver Queen has not.

You can pinpoint the moment where Laurel realizes she made the biggest mistake of her life.

Tommy was always honest with Laurel. He loves her unconditionally. Tommy put Laurel first and made her laugh. They built a peaceful and happy life together. Tommy Merlyn was already the man Laurel wanted Oliver to become. He’s the man who truly deserves her. It wasn’t Oliver’s love confession we were waiting to hear. It was Tommy’s. It was always Tommy.

Laurel knows Tommy was the right man, the better man, for her but now it’s too late. She can never tell Tommy loves him. Laurel can never choose him. She can never make it right. All we can hear are her anguished screams as the building collapses around Tommy.

I’ve had my disagreements with Katie Cassidy over the years, but holy crap was her acting amazing in this scene. She sold Laurel’s despair and devastation. This is easily one of my favorite Laurel Lance scenes. Perhaps only surpassed by 3x01, but it’s an awfully close second.

Quentin: You have to promise me one thing Laurel. You’re not gonna die along with me. You have to go on with your life. After your sister died, I pushed people away. I became like a ghost, and I didn’t think I had the right to live if my baby couldn’t. Promise me you’re not going to make the same mistakes as I did.

Can someone just give Paul Blackthorne an award. I don’t care which one. Just give him awards. This scene, while a heart-breaking goodbye between a father and daughter, also perfectly sets up Laurel’s Season 2 arc. If Oliver Queen has taught us one thing it’s that you can physically survive, but emotionally may be a completely different story.

Laurel is begging for someone to help Tommy and when we see Oliver’s motorcycle it gives us a glimmer of hope that maybe he arrived just in time. Oliver removes the fallen concrete boulders away, but there is a rebar through Tommy’s chest and then we know it’s too late. Tommy’s final moments will be with Oliver.

There are more physically traumatic deaths on Arrow, but no other death impacted me more emotionally. He was not a perfect man, but there was a real light in Tommy Merlyn. He exuded humor and charm, but underneath all of that, was a truly kind and earnest man who wanted to be a better person, not only for the woman he loved, but for himself. And Tommy became a better man. In a series about hooded vigilantes, it’s easy to lose sight of what makes someone a good person. You don’t need to save a city. You just need to show up every day for the people you love. That’s all the heroism most of us really need.

Oliver knows one of the main reasons Tommy broke up with Laurel was because he felt he’d never measure up to Oliver. He could never swoop in and save Laurel like the Hood could. Tommy felt he wasn’t enough - Laurel wanted a hero. This is Oliver’s way of telling Tommy he is one. In the end, Tommy was everything Laurel needed him to be and more. Oliver is realizing this just like Laurel. Sometimes the clarity of death exposes the lunacy of our life choices.

If I didn’t love Oliver Queen so much, I would hate him for inserting himself between Laurel and Tommy. But I don’t need to hate Oliver Queen for his decisions. He’ll hate himself enough. I must forgive Oliver because he is incapable of forgiving himself.

Tommy never wanted to be like his father, which is why joining his company was so disheartening. We thought we’d lose Tommy to the darkness, but he proves once again he is the antithesis of Malcolm Merlyn by asking for Oliver’s forgiveness.

Oliver has been chasing forgiveness all season and what is so beautiful about this moment is how freely he absolves Tommy. Oliver refuses to accept Tommy has anything to even apologize for (which is correct). Sometimes when we are not forgiven it can harden us against those who require our forgiveness, but that hasn’t happened with Oliver Queen. There is a heart that loves deeply underneath that fortified wall of pain and we are watching it break.

Source: @olivergifs

Tommy asks Oliver if he killed Merlyn and Oliver says no. It’s a lie, but a merciful one. Tommy leaves this world for the next with a thank you as his final words to his best friend and Oliver shatters. He was ready to die to fulfill his mission, but he was not prepared to lose Tommy. Oliver begs God to switch places, but Tommy does not open his eyes. There is no reprieve from this grief. Tommy died and Oliver survived. It is a sacrifice much too difficult to bear.

I was absolutely gutted after this episode. It’s still hard to watch these final scenes to this day. I truly do not see how Laurel and Oliver overcome Tommy’s death. If Lauriver is the Titanic (and it is) and Sara was the iceberg, then Tommy is the split down the middle that sends the ship plummeting to the ocean bed. Quite frankly, I don’t understand how they ever overcame Sara, which is another problem with the big love confession in the mansion. Neither of them is being honest about their reasons for resurrecting this corpse of a relationship.

This is why Tommy is a death knell to Laurel & Oliver’s relationship. There is a confluence of events which led Tommy to that building and the primary factor (other than Laurel and her papers) was betrayal. Sure, all the technicality boxes are checked. Laurel and Tommy broke up, but boy did Oliver & Laurel have a hell of a time at the wake. (re: Rachel and Ross). Oliver betrayed Tommy just like he betrayed Laurel with Sara. And now Laurel is culpable in the same betrayal that made her wish for Oliver’s infinite suffering. This guilt is inescapable, and it will drive them apart.

Tommy is the nail in the coffin. Lauriver is dead and it needs to stay dead.

***Did I know this after watching the finale the first time? Nope. But I’m here to save you a lot of heartache, stress, and worry. You’re welcome. Enjoy Season 2!

Malcolm Merlyn

I haven’t written much about Merlyn and the Dark Archer primarily because we haven’t heard much from him outside of his conversations with Moira and flashbacks with Robert Queen. His motivations, albeit depraved and evil, are simple. His wife died in the Glades; therefore, the Glades must die.

Malcolm: You mother built her clinic in the Glades because she wanted to save this city. It can’t be saved. Because the people there don’t want it to be saved.

Tommy: So, you kill them all?

Malcolm: YES! They deserve to die, all of them, the way she died!!

“Sacrifice” showcases John Barrowman’s acting ability because he’s allowed to unleash the crazy, particularly when he explains his master plan to Tommy. Daddy is one friggin scarry fruit loop!

We also get some great super villain monologuing and much-needed philosophical debates between Malcolm and Oliver.

Oliver: Do you really think you’re honoring Tommy’s mother by destroying the Glades?

Malcolm: As surely as you believe you’re honoring your father by wearing this hood. Not a day goes by that I don’t miss your father.

Oliver: You’ll see him soon.

Malcolm: You can’t beat me, Oliver. Yes, you’re younger and you’re faster, yet you always seem to come up short against me. Wanna know why? Because you don’t know in your heart what you’re fighting for. What you’re willing to sacrifice, and I do.

This dialogue is so great! Classic good versus evil. The best villains are ones with emotional ties to the hero. The best villains are often the dark reflection of the hero. The terrifying part of Malcolm’s monologue is he’s right.

There is a thin, but discernible line between Oliver and Malcolm Merlyn. Oliver is choosing to murder guilty people to honor his father. Merlyn is murdering innocent people to honor his wife. It’s a big difference, but Oliver lacks the firm moral high ground needed in this conversation, which is why he silently twists helplessly in the chains.

Oliver’s own actions have handcuffed him in a way. He is a killer just like Malcolm. Yes, he killed bad people, but not always because he had to. Oliver killed to exact justice (revenge?) too. A justice based on his convictions and beliefs alone. But what does Oliver believe?

We can justify just about anything in this world if we want to, which is why it’s so important to have a moral code. Without one, you’re just making it up as you go along and it’s very easy to be pulled off track. Oliver’s code in Season 1 was the list of names. He thought saving the city was as simple as crossing names off a list. Oliver believes he was honoring Robert by making those who hurt the city pay for their unanswered crimes.

Felicity answers Malcolm’s question about sacrifice when she tells Quentin Lance who she believes the Vigilante is. She’s right. Oliver is willing to sacrifice a lot to save strangers. People he’s never met but feels a responsibility for because of the sins of his father. It’s not an insane idea. Some carry the weight of our parents’ failings and recognize themselves in Oliver Queen.

Both men are clearly willing to sacrifice their own lives. But Malcolm will sacrifice anything and anyone for his mission – including his own son. For Oliver that price was too high and one he never anticipated paying.

Tommy is not the only death in the series finale. Yao Fei dies in the flashbacks and its brutal. As we peel back the layers of Oliver Queen, we see how truly traumatizing those years away were. It’s freaking miracle Oliver can even function, let alone fight for his city. The symmetry of fighting Malcolm, the man who sent Oliver to Lian Yu, with Yao Fei’s’ bow, the man who saved him from Lian Yu, is exceptionally beautiful.

The rooftop battle between Malcolm and Oliver is the level of awesome I require in a series finale fight scene. In the end, Oliver kills Malcolm but fails to save the city. Primarily because Merlyn outsmarted him and used two earthquake machines. But Malcolm also beat Oliver because he was right. Oliver does not know what he is truly fighting for. A list of names is not enough to save the city and honor Robert Queen.

Oliver: Thank you for teaching me what I’m fighting for, but my father taught me how.

It looks like Malcolm will kill Oliver in the final moments of their fight, but Oliver flashes back to that moment on the boat with his father (like he did a thousand times on the island and over the course of the series) and recalls what his father instructed him to do: SURVIVE.

Oliver Queen has an indomitable will to survive. It’s the promise he made to his father. It’s what kept him alive the five years he was on the island. It’s why he ultimately beats Malcolm Merlyn. Pure determination.

But survival isn’t enough. None of us are here to survive life. It’s not a moral code. It’s why Oliver falls woefully short. Robert Queen taught Oliver how to survive, but it will take someone else to teach him how to live. Until he learns that lesson, he will never be the hero Starling City needs.

Stray Thoughts

The earthquake machine being at the location of where Malcolm’s wife was murdered does have a nice poetry to it. Crazy poetry. But poetry.

Oliver killing Fyers with Yao Fei’s bow which is the justice I needed. He also chooses to save Shado’s life over securing a ride home and we hear the Hood’s voice for the very first time. The evolution is happening!!!

Malcolm stops an arrow with his bare hand. It was friggin cool. It was even cooler when Oliver used an explosive arrow the next time Malcolm tried to pull the same trick.

“I take back every joke I made about you putting a tracker in your boot.” I love when this show tackles potential plot holes and the solutions make sense.

Fyers is shooting down a commercial airliner to mess with China’s economy like what happened to the USA on September 11th. I'm not a fan of killing, but anyone trying to repeat 9/11 needs to die.

Shado is really the hero in the flashbacks. Homegirl reprogrammed a missile and blows up the camp!

“What are laws, rules, if they don’t protect people?” Detective Lance is grappling with his own moral code and gets suspended. Quentin teaming up with the Hood? I am 100% down for this storyline.

Oliver: What about those people in the Glades?

Moira: I’m not their mother.

I’m as fierce a Mama Bear as any other mother, but this is not a good look Moira. I love that Oliver finally tells her how Robert died and that they have an honest conversation about Moira’s choices.

Moira going to the press to expose Malcolm Merlyn was AWESOME, but couldn’t she have thought of that like, I don’t know, twenty-three episodes ago?

Laurel is wearing green in the mansion scene. No, not even symbolic color coding will make me love these two. And that means a lot coming from me because symbolism is my freaking jam. This also includes the sunlight shining on Lauriver. It's a red herring. Pay it no attention.

Moira DEARDEN Queen. Wave hi to another comic book reference.

Thea goes to the Glades too to save Roy which makes her the second stupidest character in this episode. DOESN’T ANYONE HAVE A PHONE? JUST CALL HIM THEA.

Don’t pull the knife out, John. That’s literally the last thing you do.

“You fucking dumb ass.” My note while watching Laurel collect all the paper.

They should have killed Laurel and Tommy should have become the next Dark Archer. It would've been a waaaaay better story. They saved the wrong character. The Season 6 appearance by Colin Donnell supports this theory.

Just so you know where I was at emotionally in May 2013. On Wednesday I watched Tommy die on Arrow and then Thursday, on The Vampire Diaries, I watched Elena choose Damon while Stefan was trapped in a safe at the bottom of a lake drowning repeatedly. It is easily my worst series finale week EVER. Including Grey’s Anatomy Season 5 and 6 finales (hello trauma) and Pam dying on Dallas (I was six and thought she really died).

Listen to the Watchover podcast reaction to 1x23!!!

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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

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alwayschasingrainbows · 3 months

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Whats your fav LMM novel? Please rank from the most you like to the least you like. Thank you 😊.cn.

Thank you for this question! First of all, I am very sorry it took me so long to answer, but I have to say it was a difficult choice for me (Sophie's choice, one might even say).

Before I start, I want to give a little disclaimer: there are some books I haven't read in ages. For example, I was the biggest fan of Anne series back in the days - I read Anne of Green Gables at the age of 8 and I remember loving it so much.

But then, I read other Montgomery's novels and loved them... even more. While Anne's books are still close to my heart, I haven't read them in years, while I still keep coming back to other books. That is something I should definitely change - if I reread Anne series (and Maud's other books) and my rating changes, I'll make a new list!

That being said, Anne of Green Gables is definitely the most iconic Montgomery's book - it is a beautiful, heart-warming tale of coming of age - and Anne herself is the most iconic female character Montgomery had ever created.

Ok, the disclaimer was very long, but I needed to make things clear, for Anne series is only listed as fourth - but not because I don't enjoy it, but because I need to reread it...

Oh, and another thing: I only included the novels, not short stories.

Emily of New Moon trilogy - my absolute favourite. I know many people have issues with these books and I understand this. Still, that's my number one. I must say I was not too satisfied with an ending of Emily Climbs (2nd book) and the last chapter of Emily's Quest (3rd) seems very rushed (although I like the way it ended... generally). All three have the first place ex aequo.

The Blue Castle - very close second. I love this book so much. In my opinion, Valarney is the best romance Maud had ever written. It is a lovely book - full of humour and fantastic characters; the one I keep coming back to each time I need a little cheering up. It never fails to do so. But oh, poor Cissy...

Rilla of Ingleside - it is probably the saddest book Montgomery ever wrote, but it is just so beautiful. Rilla is the heroine that goes through the biggest inner change... My favourite things about this book were: Rilla and Jims's relationship and Rilla's development. I wasn't into the romance there, tbh. Also... Walter... (tearing up).

Anne series - I will rank the books from my most to less favourite among the series: Anne of Green Gables, Anne of Island, Anne of Avonlea, Anne of Windy Poplars, Anne of Ingleside, Rainbow Valley, Anne's House of Dreams, The Blythes Are Quoted. That being said, I really liked all of them, but I still can't get over Joy (that's why AHoD is so low. I mostly like reading about Anne pre-motherhood, even though I also adore all her children... I know, I just contradicted myself...).

Story Girl and Golden Road - I adore stories about childhood friendships and this one doesn't fail! The only sad thing - Cecily's fate :(. But truth be told, I got the impression that the King children acted a bit young for their age... on the other hand, maybe that's the way things used to be in the past.

Jane of Lantern Hill - another great book! Jane is very different from other Montgomery's heroines - she's so practical! I adore her as a character.

Magic for Marigold - I remember loving this book, but... I haven't read it in ages. I need to change that.

Tangled Web - I have some issues with the book (the racism, marrying close relatives etc.). But on the whole, I enjoyed it. I liked some stories more, some less... and one can get lost among all these Darks and Penhallows (I always get their last names wrong, even though there are only two choices!).

Pat of Silver Bush and Mistress Pat - another series I haven't read in ages. But I wasn't too fond of these books as a child - I couldn't understand Pat too well... But I really liked Hilary. I think I should give the series another try someday... maybe I'll like them more now.

Kilmeny of The Orchard - the only Montgomery's book that I dislike... no sparkling humor. No lovable characters. Ideal Kilmeny... stuck up Eric... and the awful references towards Italians. No sir, thank you. Not me.

Ok, that's my list. I feel the need to say that I find all of Montgomery's books delightful. Even Kilmeny of The Orchard had some lovely descriptions of the nature...

I truly hope that I haven't offended anyone. I am really curious what other Montgomery's fans rating would be...

Again, thank you for this question!!!!

#lm montgomery #emily of new moon #anne of green gables #tangled web #the blue castle #pat of silver bush #magic for marigold #story girl #kilmeny of the orchard #montgomery's books

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redsbrainrot · 9 months

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My Review on the Miraculous Movie

I’ve divided the review into sections with a final personal statement on it at the end. Spoilers ahead!!! Obviously.

Animation: 10/10

Absolutely gorgeous. Probably the most stunning animated film I’ve ever seen. The glow, the mist, the kwamis, the setting, fucking exceptional. Chloe’s hair especially was gorgeous. The sheer amount of detail that went into every frame is admirable. Everyone who worked on the animation deserves a massive raise.

Character Designs: 9/10

Of course most of the characters remained the same, besides the change in animation style. Like I mentioned above, I adored Chloe’s hair. Her dress at the end of the movie was also so glamorous. Marinette’s ladybug themed dress suited her so well, she looked beautiful.

The Mime and the Magician are also worth mentioning. Mime was so buff? Definitely gonna end up on thirst edits on TikTok. The magician too… very thicc…

Gabriel all disheveled waiting for Adrien to come home was so weird to see. But I liked it. His Hawkmoth suit as well was so refreshing. I couldn’t stand Shadowmoth and Monarch in seasons 4 and 5. Nice to see him again. The wings on the final fight too, mesmerising.

Emilie looked extremely different from her version in the show. I’m not sure which version I prefer. I loved her curly ponytail when she was on the stage.

Characters dialogue/actions: 6/10

Unfortunately I did have some problems with some of the minor behaviour changes in some of the characters. Specifically Adrien and Plagg. Plagg was funny in some parts (didn’t know Kwami’s could get gassy) but in others he was a bit of a dick? I can’t really explain it but there was just an off vibe with him.

Adrien also was slightly different. I actually loved seeing him stand up to Gabriel. Very much needed. I didn’t really like how distant he was with Marinette for most of the film. The Adrien we know and love from the series finds her awkwardness funny and I quote, “charming”. This was less so implied in the film. He was weirded out.

Chat Noir being extra cocky when he first met Ladybug was fucking hilarious though, I loved it. Made me giggle.

Pacing: 7/10

The pacing was mostly good… aside from the Adrienette scenes. They felt rushed. That’s all I really have to comment on this part. The film wasn’t slow though, which is a massive problem in the industry these days. I like how you were just thrown straight into it, no waiting around. As someone who zones out a fair bit, and very easily, I didn’t find the film drawn out.

Voice acting: 10/10

Exceptional. The voice actors never fail to disappoint. Especially Bryce Papenbrook and Keith Silverstein. Bryce singing “Cat Noir” in the Notre Dame scene was so funny.

And I’m sorry, Keith Silverstein’s fucking singing? I’m gonna dedicate a section to the singing but come on, worth mentioning here too.

The ending where he finds out his son is Chat Noir, made me sob. It was so well animated and acted, that I was uncontrollably sobbing.

Christina Vee also never fails to amaze me.

Chloe did sound different in this film, but it was somewhat refreshing. Her tone was less whiney like it became in season 4 and 5 of the show (I blame the writing for that though).

Songs/Singing: 7/10

I feel slightly conflicted on this subject.

Yes, the singing is good. The songs didn’t make me cringe like most musicals do. Will definitely be listening to Hawkmoth’s song again.

However… the drastic change between Marinette’s dialogue and her singing was hard to take seriously. I wish they voice matched her a little better. Adrien’s sounded different too, but it was more believable than Marinette’s. I had Monster High flashbacks from …that… film.

ANYWAY Keith FUCKING Silverstein? My jaw DROPPED. Fucking amazing.

Same with Tikki! Her singing parts were so enjoyable.

Story: 8/10

Overall, the story is good. There are some tweaks I would personally make. But I definitely prefer Jeremy ZAG’s version over Astruc’s. While there are some beautiful plots and stories lurking about in Astruc’s version, if I had to choose, I would pick ZAG’s take on it.

I will make a likes and dislikes list on some of the changes.

Likes:

- Adrien actually says “my mum died”. In the show he always just says “disappeared” or “went away”. I’m not sure if that’s just some odd Disney censorship though. But in this version, he actually says she’s dead.

- Chloe. Just Chloe. She was kind of iconic. Wasn’t over the top like she is in the show.

- Subtle hints of Nino’s feelings for Alya. They weren’t completely subtle obviously, but I like the simplicity.

- Gabriel having a fucking bob, HAHAHSHAH.

- Emilie Agrest being a stage actor

- “Watermelon”.

- Plagg being gassy

- Adrien having balls and yelling at his dad

- The way the butterfly miraculous was portrayed

- Careless whisper

- Gabriel finding out his son his Chat Noir. Like, that is the best. His reaction was beautiful, in a way? I don’t like how in the show he got off basically scot-free, and never found out his son was the hero he was fighting against, and vice versa.

Dislikes:

- Marinette having 0 friends… not even Rose, Juleka and Mylene. Sick of the loser hero trope.

- Plagg being a little condescending towards Adrien

- Adrien rejecting Marinette after Ladybug rejected him - like bestie go for the opportunity to discover new things with someone else

Overall rating: 7.5/10

Felt like 7 was too low, but 8 was too high. Don’t get me wrong, I love this film. I’ve already watched it multiple times by the time I’ve written this. Now I look at films with two different perspectives: average viewer and critic. So my final ratings always have a fair balance. If the film has a good premise, I usually enjoy it. It’s the execution of it that really matters however.

I’ve always thought miraculous has a good premise. The execution in the show… is another review I can make. In the film, it’s certainly improved. Not perfect, but improved. What made the film so great came down to the animation, songs, and character interactions. The changes made impacted the film massively, and I love most of them.

The ending where Adrien and Marinette go to kiss and then it cuts to “the end” was very rage inducing. Personally I can’t stand those types of teasing. However the next scene with Nathalie, made up for that. Having the film end on sort of a cliffhanger was unexpected I must say. I knew they’d tease at Emilie being under the Agrest mansion, but not in the way they did. Plus, she was wearing the peacock miraculous. I loved that. Even with the reveal of identities they’ve still left room for a sequel. For this franchise, I don’t think a sequel to the movie will hurt. It can’t be nowhere near as messy as the series, as the film has already proved it is not.

To anyone, in or out of the fandom, I recommend you watch the film. Definitely worth it.

#miraculous ladybug #miraculous the movie #miraculous awakening #tales of ladybug and cat noir #movie review #miraculous movie review #marinette dupain cheng #adrien agreste #gabriel agreste #chat noir #ladybug #ladynoir #adrienette #miraculous spoilers

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aroacewitch04 · 10 months

Text

I just watched the Miraculous Ladybug and Chat Noir movie and I have a lot of thoughts about it (Spoilers below!! Be warned!!)

I want to focus on both the positives and the negatives of the movie so let's start with the Meh:

The movie was good but it felt like it was lacking something. And what it lacked was more screentime for Adrien (At least that's what I think). The movie felt like it was just a Ladybug movie instead of a Ladybug AND Chat Noir one.

Adrien's characterization felt different from the show, he was more of a mysterious loner type, with his Chat Noir alter-ego being more ego-centric. While I don't really mind this characterization for him, I just think that maybe they should've shown us more of him and what I mean by that is the kind aspect of his character (Something the movie failed to show since only Marinette being chosen to be Ladybug was given justification, meanwhile Adrien was only chosen to be Chat Noir for no good reason other than a ring randomly appearing in his room.) His character felt more selfish because of the movie's failure to show us more of his character. If I'm honest, the one thing the show did better than the movie was showing Adrien's kindness.

The movie also focused more on Ladynoir bond and there were barely any scenes that showed us their relationship with each other as Adrien and Marinette. If their relationship as Marinette and Adrien was explored more, the reveal at the end probably wouldn't have felt...How do I put this...Underwhelming.

Hawkmoth's characterization, I don't mind either. I actually liked it, which is something I'll expand on later, but I failed to understand how his powers in this movie worked. He just keeps people locked in his evil villain basement to akumatize?? And it's never addressed again. The ending also doesn't show what happens to him after he surrenders. We don't know where he is or what happened, so I'm guessing they're trying to set up for a sequel.

The movie also failed to give justice to Ladybug's power which is creation...Ladybug never uses her lucky charm to fix Paris and all the destruction is left for the civilians to clean up...Ladybug's power is literally CREATION while Chat Noir is destruction. They're supposed to be each other's halves. How can you only show destruction but not creation??

I wasn't really a fan of the musical aspect of the movie but I did like the visuals in every song.

Lastly, the pacing felt messy and there were some parts where I had my eyebrow raised because I was so confused on what was going on.

For the positives:

The visuals and animation were stunning. SOMEONE GIVE THOSE ANIMATORS A RAISE.

I think Adrien wearing earphones a lot gives some kind of depth to his character, and I admire how he stands up to his father near the climax despite his father trying to reach out to him. I also loved the scene with him listening to careless whisper after Ladybug's rejection while his father causes the goddamn apocalypse. It was hilarious and it added a new layer to his character which is him being an absolute dork.

The adrienette was lacking but I do like how Marinette is able to have a full conversation with him without having her nervousness and clumsiness around him being exaggerated. I like that Adrien is able to open up to her about his mother even though the scene was just a short part of a montage that focused more on their hero identities. It may be short but it did tell us that he trusts her enough to confide in her.

Gabriel Agreste's younger photo with Emilie had me hollering. LIKE THEY DID THIS MAN NO JUSTICE LMFAOO. I do like that he's more sympathetic and caring towards Adrien and immediately gave up when he realized he was hurting his son the whole time. In the show he would've just thrown his son and continued on with stealing the ring instead of surrendering. In the movie it's made more clear that he's doing this all of this out of grief for his dead wife and his neglectful behavior towards Adrien was only a result of it. Even if he's a shit father, he still cares and even tries to reach out to his son, something Hawkmoth in the show would never do.

The chemistry between Ladybug and Chat Noir was also great. I really REALLY LOVED the banter between them both and I find it endearing that Chat Noir calls Ladybug 'Watermelon' instead of the usual 'My Lady'. Ladybug jokingly calling him 'Fleabag' in response was the cherry on top of their dynamic as Ladynoir. The play fighting between them made me like their dynamic more since it was cute. It really felt like they were close friends who've grown comfortable with each other.

So yeah, that's all my thoughts on the movie. I don't know why I wasted so much time typing this, maybe it's because I wasn't really satisfied with it but it did have some good to it. All in all, if I were to rate it out of 10, I'd give it a 6.5/10.

#miraculous ladybug #miraculous ladybug awakening #miraculous ladybug movie #mlb movie spoilers #ml movie spoilers #miraculous awakening #ml spoilers #movie review #miraculous movie #miraculous movie spoilers

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lovelyjasmari · 2 years

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Twisted Wonderland Reaction Part 15 ~ THIS IS NOT A GODDAMN OTOME GAME Edition

Hello everyone!

Welp, after a long work week/weekend, I finally finished reading the first part of the Phantom Bride event! This was actually one of 4 twst events I hadn’t previously read ahead, the others being Vargas Camp, Endless Halloween Night and that Epel-centric one JP got back in winter. I tried reading it afew months back, but 30 seconds in I was jumped by 4 of the twst boys proposing to me (ROOK INCLUDED) and I immediately noped out and spent the remainder of the night screaming into my pillow. Soooooo...yeah...

But I’m really loving it so far, Eliza is the worst and everyone is being petty af and it’s awesome! Warning: Pic heavy, violence, swearing, simping (A LOT OF SIMPING), twst boys trying and failing to be smooth, references to my ocs and some Idia slander. LET’S GET IT!

Sorry, Ace. You gotta get in line behind Rook, Vil, Malleus, and Lilia...

I feel like this was put in for those who felt Elsa was making some profound statement against romantics when she said something similar.

Always, my handsome, sexy, sus-as-fuck hunter of love! The blue really suits him and I know some ppl think he looks odd without his hat but I don’t. Rook is beautiful with or without it. Ohhhhh, I can’t wait to read his vignette! I think Eliza will REALLY like him but hopefully not because then she and I might have to fight.😊

Grim, when are we NOT being evicted or being threatened with eviction??

THE FUCK YOU MEAN “AGAIN”?! Don’t you think you should have warned us of the potential of this shit when you airdropped us into that shack?! God this bird man makes me sick!

Bitch unless you’re putting me up in a new place (preferably Diasomnia or Pomefiore for reasons...👀) KICK THE GHOSTS OUT! Actually, where are the usual ghosts when this is happening? I’d think they’d put up a fight too wouldn’t they??

Ortho is such a sweet little bro. But I do understand Idia’s appeal, hell, 17-year-old weeb me probably would have killed for a BF like Idia! Though he’d probably only want a uper petite Asian girl or a kawaii idol or e-girl type to live out his anime waifu fantasies. Don’t boo ,me, you know I’m right.

That’s Disney talk for IDIA’S GOING TO FUCKING DIE

Have I mentioned that this bird man makes me sick?? 💀

Idia has absolutely doxxed ppl with Ortho’s help. Don’t tell me how I know this, I just do.

Isn’t it always at this fucking school?!

Edward Elric vibes right here, maybe Riddle should drink more milk...

Floyd, please shut the fuck up before Riddle puts a collar on you...

You shut up too!

I’m still not over his bullshit from the last part of Book 5 either. GET HIS ASS VIL!

She’s awful beyond awful but I like her design at least, reminds me a lot of Emily from Corpse Bride.

Why does Idia sound like me trying to get my non twst friends into twst?? 😭😂

Somewhere in the distance, I can hear my brother’s girlfriend squeeing. I got her into twst a while back and she is a TREMENDOUS Leona simp, which is hilarious for me since I simp so hard for all the ppl Leona hates. 😂

And the violence has begun! But really, this shocked me when I first saw it, like DAMN THIS BITCH REALLY JUST BACKHANDED LEONA FUCKING KINGSCHOLAR! To be fair he did a pretty shitty job wooing her but still, violence is never the answer, kids!

OOOOOOOHHHHHHHHHHHHHHHH 😳😳😳😳😳😳😳😍😍😍😍😍😍 I really wish this was voiced because we know from Book 5 that Vil can sing quite well and I would just DIE if Vil sang to me! MMMMMFFFFF I’m getting giddy just imagining it!

WHAT THE FUCK IS WRONG WITH HER?! So what if Vil doesn’t have a dog, I would think she’d prefer to be the only bitch in his life anyway!

Okay, look, I know that was terrible. But seriously, it was at this moment that Eliza officially ended up on my shitlist. I really hope she doesn’t slap Rook in the next part cause I will dropkick a ghost, I do not care!

And unfortunately, Sebek was doomed from the start. Sometimes I wonder if he ever envies Vidaria for obvious reasons...

She’s got a point tho, one of the few times she actually said something sensible. Say what you will, but Sebek totally deserved that slap.

SIDONIE! COME GET YO MANS!!! 💀💀💀💀💀🤣🤣🤣🤣🤣🤣

Aww, at least he’s being sweet abt his obvious failure. It’s funny cause when I write him with Sidonie, he’s very smooth and charming but here? An absolute dork! But a good natured dork and that’s what Sidonie loves about him. 💖

This cannot end well...

Bitch WHAT DID YOU EXPECT?! Why are you even here?!

Oh god, Jade is so goddamn charming that my heart would absolutely go if he offered me a flower. But at the same time it’s Jade so I would be terrified as well. Such odd, polarizing feelings he stirs within me...👀

WHERES MY STICK

Jade was literally the closest thus far in yeeting her back to the afterlife and you snitched on him because you were lonely in the slap corner? PET-TY!

Ya’ll ain’t shit, you know that?! NONE OF YOU! Except Rook, we’re still cool and haven’t needed to beat him with my stick yet. The rest of these clowns tho? Maybe THIS is the reason twst isn’t an otome game!

Welp, let’s see how these fellas fare with Cater’s cringe ass nae nae talk...

Sadly not any better...💀

WHAT SEBEK SAID

Ugh, once again I find myself agreeing with this bitch. Modern dating is a nightmare and I am so glad I’ll be getting married soon myself to probably one of the last men on the planet who truly is a decent person.

Oooohh, I really like Idia’s tux tho, and I’m not an Idia simp in the slightest but damn it suits him!

Good to see his priorities are in order. About to die? Yeah no biggie. About to die without reading the newest manga, TRAGIC!!!

In all seriousness tho, while pulling for Ace, I got Ortho’s ceremonial robes card and after reading the accompanying vignette, I can kinda understand why everyone’s so reluctant to help him. As a painfully anxious introvert myself, I REALLY hate Idia’s apathetic attitude. It’s going to take some PROFOUNDLY deep and tragic shit in Book 6 for me to think differently of him but as of now, nah I can’t with him, especially since I know ppl like him irl and they are actually the worst.

Aaaaahhhhhhhhhhh, something tells me I’m going to be screaming into my pillow ALOT more when part 2 drops. Pray for me, guys...💙

Eliza better slap him first, if she want’s any sort of redemption in my eyes. Sadly I didn’t get Ace or Epel and I won’t be pulling hard for either since Vil will be coming home soon. And since the other vignettes are still locked, with that, the first part of the Phantom Bride event is done! So far, so good! And I just realized, I began this post with an Ace pic and I’m ending it with an Ace pic! Not intentional though, I swear! ❤

#twisted wonderland #jas reads twst #twst ghost marriage #twst phantom bride #long post #SHUT UP JAS

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thefirsthogokage · 1 year

Text

Criminal Minds 16x07:

'What Doesn't Kill You'

Spoilers: Yes

Reactions/Commentary Below The Cut

Oh yes, Tara's bullshit relationship crap happened.

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Oh, was the girl with the dog still alive?

Oh there's more than one girl? Or an audio recording? (Or even the same case?)

Oh that's right, this guy had absolutely weird psych stuff that made no sense. The last episode was not great.

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This annoying guy is actually being hilariously nervous in this scene.

"I figure after being assaulted, drugged, and killed in the line of duty, what's the worst that could happen?" HA

Black lady AG, nice.

This start of this scene with Tara is hilarious. But god I hope that Tara and Rebecca don't get back together. Rebecca is such a fucking shit.

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No, AG, that's not thin.

Oh, the ambitious guy willing to quit with Prentiss?

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What? Bailey isn't a profile.

Oh they definitely didn't get on this case fast enough.

That had to be a fantasy. You.

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Ugh, I hate trapped cases.

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I do love Emily.

This episode is so much funnier than normal.

Oh, trumper parents. Geezus. I mean, yeah, fuck the FBI, but also, GEEZUS. I guess Bailey came in handy with this interview afterall.

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Oh, both taken girls are still alive.

Oh, the girl with the dog, he didn't take the girl.

There is nothing for Tara to be sorry about. What is with this show and sometimes.havong bullshit with Black actors' characters.

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Injustice collector. I remember that from previous episodes.

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CGI gas, ew.

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Him not wanting to be this way, yet also being completely fine with things sometimes is so not a thing. It can't be. I mean, I guess I could technically see a fellow ADHDer being like that.

Oh, he's slipping. Starting to say the daydreams outloud.

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Oh no, is Grace dead and this other.girl is going to be lead to her body?

Is this building an abandoned campus building?

Nope. She has to make a choice. And of course he lied. It was a test, she failed, and the other girl will die.

That is such a brutal whip. Ugh, poor girl.

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Ew ew ew. All this religious stuff. Ok, that could have been worse.

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Why is this guy, the Penelope vigilante guy, out in public when it could get him killed? I'm not sure he isn't a plant yet, either.

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Girl, you are playing with a killer.

Oh Grace is still Alive. Not for long though. Poor girl. He left one in her to use as a weapon?

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Bailey seriously was never out in the field?

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"Come and get it mother fucker." GET HIM! OH GRACE WAS ALIVE! YES PLEASE LIVE FOR ONCE!

Oh Emily going to take him on by herself? Did she get passed the "gets to take down the final boss" thing that Hotch and Gideon used to do?

Oh nice job Bailey!

Oh no, Grace, is going to die too, isn't she? Oh, she might live!

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His psych stuff is so odd.

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This scene is so dark. Or is it my settings?

Oh fuck, she closed the case? WHAT? Dumb bitch.

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I don't really trust this guy. There has to be more of a twist to him.

I do like the thicker girl is getting the chance to get the guy.

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Whelp, Rossi has partial eyes on him now.

So odd they are doing a "post"credits scene.

On the table, ew.

#criminal minds #criminal minds evolution #criminal minds 1607 #riley watches tv #riley watches criminal minds

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miraculouscontent · 2 years

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Anonymous asked:

Ah, I've just had a realisation. Adrien, as the show and the writers make him to be, is "perfect", is he not? Perfection is something that is, quite frankly, almost impossible to achieve. That said, they never specified what exactly Adrien Agreste is perfect in. Here is my perspective: he is perfect at being a nuisance, perfect in his inability to be useful, and perfect at his ability to be an atrocious person.

Moreover, perfection means that one is not, and never will fail. And one can never learn if they never fail. A person who fails can always pick themselves back up and learn to become better. Adrien Agreste, however? He is perfect, so in extension, he cannot fail, he cannot improve, and he will forever remain stagnant, immature, and underdeveloped. Indeed, Adrien Agreste is perfect.

Damn.

That’s some good roast. Absolutely valid.

10/10

Anonymous asked:

Things I don't like in media: perfect characters who are never presented on having flaws or being wrong because they feel flat (uninteresting and may as well not be included, yes, I'm looking at you, Adrien and many others) and shows where the premise WANTS to be seen as serious, but gives no reason to be. Like, I love comedy shows because we KNOW it's supposed to be funny and ridiculous, but some shows like ML have the opposite effect. You can't have a drama without explaining why you have it.

Miraculous also fails so badly at drama. Like--”Party Crasher” is the perfect example. I wasn’t even as tired of Adrien being sad as I am now, but when the sad music kicked in after the guys showed up to tell Adrien that they wanted to throw him a party? It wasn’t supposed to be hilarious but damn I laughed, the sad music was just SO abrupt and bad.

Also, it’s the episode where you’re probably supposed to laugh and accept that girls are so excluded from the party that a bunch of adult men are allowed in but not the girls, and Marinette needs a ridiculous disguise to get in.

And then the writers said, “hey, you know what’d go great with a plot like this? Emilie nearly DYING because Max rerouted the power!”

#category: salt #salt: adrien agreste #other: ask and answer #salt: writing

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subjectsix · 2 years

Note

wanted to ask this before- do you have any Control headcanons? Specifically for the Old Guard+ Raya Underhill and Emily Pope? Yours are amazing.

most definitely! I'll try not to repeat any I've already shared, but I might on accident skjehkjsehf

and thank you!!! ;u;

Trench

- I always picture Trench in darker blues or greens and browns. I feel like at home/outside the Bureau he wears sweaters/pull-over shirts and shoes that make walking around easy-- a pretty practical guy, but with a taste for good design. Appreciates function and appearance.

- Carries a utility knife on him outside the Bureau-- used to carry one as an agent sometimes too, when he could get away with it.

- Follower of the "one is none" rule-- if something is important to him on a mission or out in the day, he'll try and bring two if he can, in case he loses the other or it stops working.

- Avid reader. Hasn't been able to as much lately, if not just because his head is swimming with so much at once.

Darling

- He claims he chose his sweater look on purpose to fit a friendly archetype, but he privately wonders sometimes if the House didn't also influence him toward that archetype. He knows he chose it for sure, but it feels like the House wanted him to.

- He has never thought too hard about the Board. He's not sure why, but his brain just bounces right off it to a different project if he tries to give them too much scrutiny. It's uninteresting to him, a nothing-- almost like how people who don't know the House is there simply glance over it like it isn't.

- Drinks too much coffee. Like to put real whole cream in his coffee too, but literally will drink anything and everything. Will pick up his coffee and drink it cold. Will drink it several days old. Will question why the creamer in it hasn't gone bad yet, shrug, and drink it anyway. This has not failed him yet.

Marshall

- She's seen a lot in her day, which means she has some of the best stories to tell. It'll take awhile to warm up to her, but she has some particularly hilarious and dry tales to tell.

- She's about practicality and function as well-- have you ever noticed she wears her HRA upside-down to accommodate for her jacket?

- She runs the training course with the rangers sometimes just to bond with them and show that everyone can (and has to) do it and is capable of completing it.

Underhill

- She loves fieldwork! Mind you, fieldwork can mean anything-- the 'field' is wherever the problem or question at hand forms, so the inside of the House absolutely counts. She much prefers it to being behind a desk, though she misses the campus life and would take field trips frequently with her class to get on-hands experience.

- She's surprisingly clean. Even if her office seems messy, there's method to the madness. While Darling's mess would have him swearing he knew where he put that paper and he saw it just five seconds ago hold on let him find it while he roots around, Underhill actually does know where everything is and can easily explain her organization to anyone who asks.

- She has a few small ecosystem tanks at home-- the type you fill with plants and perhaps a few bugs and then let self sustain, more or less, while watching them develop.

Emily

- She only carries a flip-phone with her when she goes out and about-- she has a laptop at home, but the flip phone is just what suits her needs best.

- Some of her professors were almost thankful to see her recruited right out of the college, because she gave them a run for their money with how on top of things she was, though they also found some of her more paranaturally-inclined ideas too "out there".

- If she had the time for it, Emily would keep a pet snake or gecko. She knows work demands a lot of her though, so she hasn't invested into one. She does always keep an idle eye out for the right materials though, just in case.

#emily pope #helen marshall #zachariah trench #casper darling #raya underhill #shittycontrolfangirl #coffee talks #control 2019 #kip control headcanons

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therealvinelle · 3 years

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Vinelle (and muffin since I know they'll see this too~!), I don't know if you guys have made a post ranking the Twilight books and why (including Bree and L&D if applicable) but I'd love to hear your opinions! (also if you could rank the Twi movies from least worst to most worst and why that'd be awesome too! 030 hi key love your rants on the movies and would love to hear y'alls thoughts more on them)-Sw

You’ve caught us out, anon.

And thanks to you, we spent last night watching Breaking Dawn Part 2 so we could rank it. @theoriginalcarnivorousmuffin hadn’t seen it at all, while I half-remembered it from years ago. A terrible time was had because that movie was unwatchably bad.

Since this ask was sent jointly, our answer was co-written.

So, without further ado, movies first:

1. Twilight

This is a bad movie, but it’s recognizably a movie. The scenes are connected, there are things it did well, and we could tell you what the plot is. The awkwardness, for instance, is very well done. The weaknesses are glaring, the main one being that the film never sells us on the characters of Bella and Edward, nor on their relationship, relying instead on the audience knowing they’re in love because- well, they’re in love.

Diving deeper into Edward and Bella, there’s an understandable explanation for this. Edward of the books is terrifying, and I don’t think there’s a translation to screen that could have kept the romantic atmosphere surrounding him that we see from Bella’s point of view.

Bella can listen to Edward eating Biology and how he explains that it means how much he loves her and not blink. An actual audience hearing that dialogue will have second thoughts.

Right out of the gate, Twilight has a very difficult task: Salvage Edward Cullen while still producing a somewhat recognizable character who will take the same actions (or near the same actions) that Edward Cullen did in the book.

In the effort to make Edward palatable but save some of his original character he loses his more terrifying lines (as well as his hilarious ego) but becomes weird, awkward, and vaguely creepy. Edward Cullen of the films is that weird, friendless guy in your high school who you feel kind of bad for but don’t want to eat lunch with.

Bella faces a similar transformation. Bella’s insecurity is completely removed (or else the screenwriters somehow failed to notice it). As a result, we get this strange antisocial girl who is too cool for school because she’s a stuck up bitch.

Between Edward, this creepy guy who sits next to her in Biology, and Bella, this girl who enters school too good for everyone else, we see no reason why they would ever be interested in one another.

In an attempt to make these characters likeable they made them both unlikeable and boring. The film series as a whole never recovers from this (indeed, the quest to make Edward look good keeps leading to stranger and stranger places).

It also forgets to explain why the Cullens live among humans, they’re attending high school… because. It’s a movie that explained to us all those terrible 2010 era memes and “still a better love story than Twilight”. And frankly, those memes were great, better than the movie. Case in point.

Everything is weirdly blue, which is atmospheric but also makes everything and everyone washed out. Everyone is super pale, so you have Mike looking just as vampire-y as Edward. However, it’s recognizably a movie. It introduces the characters, recognizes that the audience needs to be informed of things that are important to the plot, and most scenes are in some way connected to the plot. This is more than can be said for the other films, which is why it lands the top slot.

2. Eclipse

Eclipse earns its second place by process of elimination. The remaining three were worse. Eclipse also features Edward being cuckolded mercilessly, which is hilarious. Oh, and Victoria playing Riley, that was another beautiful scene.

Apart from that it’s just a deeply boring, borderline unwatchable movie.

Special shoutouts go to:

The opening scene of Riley getting turned, a ridiculous and poorly executed scene that served no purpose for the movie whatsoever.

Rosalie dropping her backstory without any context, Bella walks up to her and Rosalie launches into this horrific story for no particular reason. Both her and Jasper’s backstories could have been cut, as they served no purpose to the story and felt really thrown in there.

The many, many redundant scenes. The Victoria chase that ends with the Cullens and Quileutes squabbling could have been cut entirely. So too could the Seattle subplot with the newborns and Bree.

It’s a movie that isn’t about anything in particular, so it throws subplot spaghetti at the wall to see what sticks. It dutifully regurgitates the Jacob/Bella/Edward love triangle while also trying to convey that Bella’s about to lose her mortality, while also trying to introduce suspense and excitement with the newborns. It fails to execute either of these, and it also fails to tie them together.

3. New Moon

The movie that wanted to skip itself.

This movie had two jobs, show that Bella is depressed when Edward leaves and convince the audience of Bella and Jacob’s strong friendship. And apart the rotating shots and the occasional Stewart voiceover, the former becomes one of those “just stay with us on this one, guys” failures, and the second is failed on every level. Jake and Bella are much closer at the beginning of this movie than they were in canon, and a montage of Bella hanging out with her buddy is just that, it’s a montage of Bella hanging out with her buddy. It speaks volumes that Stewart’s voiceover has to remind us she’s depressed and Jacob is helping her heal, because there’s no indicator on screen that this is happening.

This, in turn, makes Bella/Jake as weak and unconvincing as Bella/Edward was in the previous movie. We just have to take on faith that these people are important to each other because that’s what we’re told.

There’s also the wolves, who are completely butchered. In the books, there’s this great mystery with bears in the woods, there’s Bella wondering why Laurent ran off, there’s build-up, then when we find out what’s actually been happening it’s a satisfying explanation, all the pieces come together really nicely. This is not the case in the movie. Meeting the pack is just weird in this context, because we never wondered who they were. Bella is randomly invited to breakfast, we meet Emily with the scarred face who won’t ever have a line again, and that’s it, these characters don’t become important to the movie in any way. It’s a pointless scene that could have been cut, much like so many other scenes in these movies.

Apart from that, the Volturi scene from the books is butchered so I hardly recognize it, and Alice, Carlisle, and Edward’s characters are assassinated to an impressive degree considering they were barely in the movie.

It was hard to watch.

It lands third place because somehow, Breaking Dawn was worse.

4. Breaking Dawn Part Two

I’ll just list the positives: the intro was very pretty and promised a better movie. It was also long, which we appreciated because it took away from the movie’s runtime. (This is not at all an exaggeration, a lot of the time watching all five movies was spent looking at the remaining runtime and groaning.) The Tommy Wiseau sex scene in the sex cabin was uncomfortable, but the fact that it would have fit perfectly in The Room made it funny. The Romanians were genuinely, unironically, great, because of all of Carlisle’s trashy friends, these were the only ones the movie didn’t try to convince us weren’t trashy.

This movie ranks above Breaking Dawn Part One because of the things listed above.

Apart from that, something all of these movies, but especially the last four, suffer from is that they don’t have plots so much as they have a check list of things to put in the movie before they can call it a wrap. This movie is the worst offender of that, and it’s made worse by the film’s expectation that the people are fans who already know what’s happening, and therefore don’t need anything explained. I’ll explain what we mean by that.

We get Bella waking up a vampire, and absolutely nothing is explained. If you don’t know what happened in the last movie then fuck you. Bella then goes hunting, we get the hiker, we get the mountain lion, she goes back to meet Renesmée, finds out Jake imprinted on her daughter, we get the sex cabin, the handwrestling with Emmett. The Charlie problem is introduced (poorly), only to be solved a scene later with emotional payoff that had absolutely no buildup. All of these things, and the rest of the movie as well for that matter, feels like we’re just crossing items off a list.

Since the audience is expected to already know the story, the story only bothers to explain about half of what’s happening, if half. Who’s the lady living with Charlie? If you don’t know, don’t worry because it’s not important anyway. When did Kate and Garrett fall in love? If you don’t care, that's understandable, because they’ve barely interacted in the movie. Who are the Amazonian women? Do they have names? Don’t worry about it. Did Alistair actually leave, if so did that have an impact? Well, Bella stared at a window for a few seconds.

Every so often the characters will start quoting the books, and it’ll be completely out of place because these movies veered off course long ago. Carlisle references his great friendship with Aro, a friendship that was only briefly mentioned at the beginning of the second movie. Aro randomly starts talking about how scary human technology is.

All of these scenes feel like Marcus is telling the story, he’s just listing events waiting for the story to be over, and forgets a lot of pertinent details because he doesn’t care enough to remember them. There’s no effort to tie these scenes together, no effort to build up to anything.

There’s also one significant failure, and this is a failure shared by all five films, but it affects the plot (I use the term “plot” loosely) of this movie which is why it gets a special shoutout here. Vampires in these movies look human. The fact that Bella has to ask Edward is Gianna the secretary is human says it all, because in the books you know instantly, there’s not even a question. This makes the Charlie subplot ridiculous, because Bella looks and acts the same as ever. She had a trashy makeover, maybe, but she’s still Bella. Watching her get human acting classes after we watched her act perfectly human is just silly. Now, we’re all for suspension of belief, but this movie just pencil drew a moustache on her and the audience is supposed to go “My god, Bella, I didn’t recognize you!”

We then get to the atrocious fight scene, which was somehow worse than I remembered. It was also oddly long for a giant fake out. This scene took significant run time and it turns out to have 0 effect on the plot. And when we get back to the real world, the tonal shift is extreme. You can’t go from Jane being choked, dragged across the snow and face eaten by a wolf to her standing around chilling. We could have skipped it entirely, just had Alice touch Aro’s hand, and he goes “Ah, I see, cheerio.”

The end credits were pretty funny, “here are these random characters with bit parts in previous movies, isn’t this nostalgic?”. Nice try, movie. The fact this came after an extended clip show of the great romance of Edward and Bella, through blurry montage images that failed to be convincing in their original films let alone this one, just made it even more hilarious. Hope you didn’t completely ruin the director’s career, though honestly you should a bit.

5. Breaking Dawn Part One

As you can probably tell by the above entries, the fact that this is the worst one is really saying something. All the movies were hard to watch, but this one required pure strength of will to power through.

The big issue is that Breaking Dawn shouldn’t have been split in the first place. However, it was, and that meant that we got a movie that was almost entirely filler. (Followed, somehow, by a movie that was also largely filler.)

We get everybody preparing for the wedding. What do Mike and Jessica think of Bella and Edward getting married? What’s that, you don’t care? Well, now you know anyway. We get the full wedding, as in the whole fucking thing, including the afterparty. We get Bella and Edward traveling to their island, and there’s filler in the filler where they go clubbing in Rio. We then get every minute detail of the wedding night followed by every minute detail of the honeymoon.

There’s fanservice, and then there’s this. This was live action fanfiction.

NOTHING that in any way is relevant to the story happens, the closest we get is Irina looking stoned. Too bad the Denali’ refusal to help out in Eclipse was cut from the last movie, in fact I’m not sure they were mentioned at all previously in these movies (I think maybe Edward had a one-line reference in Twilight?) so this means nothing to people who haven’t read the books.

We then get to the pregnancy arc, which could have been Rosemary’s Baby but is instead as outrageously boring as the first half of the movie was. The director must have realized as much, because he gives us Jacob’s alpha plot that should have been cut from the movie (yes, I know it was in the books, but the thing about adaptations is that things have to go. For the record, I think Meyer should have cut it too). That subplot was straight out of an anime, by the way. Jacob claiming his ancestral rights as alpha while listing off his titles and the soaring music, was… every shounen anime, ever. Complete with the shitty voice acting.

It was a soul-crushingly boring movie.

Something that screws over the last four movies is that they were made to feed the fangirls, and generate revenue because the producers knew the fans were coming to watch the books they liked come to life, so they just had to throw scenes from the books and into the movies and let the magic happen. This is a terrible way to adapt something.

Special shoutout too to having to watch Taylor Lautner run around shirtless in four out of five movies. That was very uncomfortable and none of us needed that in our lives, Lautner included.

Super special shoutout to the fact that we disagree with nearly all the casting.

And this isn’t the post for that, but all of the characters were butchered. Some more than others, and some more insidiously than others. It’s the big things, like Carlisle’s character being turned on its head since he thinks all vampires are damned, exactly the opposite of what he thinks in the books, and the little things, like Jasper and Bella being buddies who bicker fondly in New Moon.

Then the books:

1. Midnight Sun

HANDS DOWN. This is easily our favorite thing to come out of the entire Twilight franchise.

Edward is every kind of crazy at the same time, all the time, and it makes every single sentence packed with delirious entertainment. Reading this book is having a stroke, a psychotic episode, and watching five different true crime shows all at once. We adore every letter of it. (That’s no exaggeration, we even laughed about Edward capitalizing “Son” when Carlisle refers to him as “son” in conversation.)

The book was more than we’d dared to hope for, one of those rare books that makes you go “This was written just for me.”

2. Twilight

The one that started it all.

Vampires are wonderfully creepy. Things like Bella staring at Carlisle acting like the mundane town doctor shortly after learning just how old he is, Alice explaining how vampires kill all, and the uncanny valley perfection of the Cullens all add to the otherness of these vampires, and the general atmosphere of the book.

The love story is convincing. Edward seen through the eyes of Bella is wonderful, the red flags are there but if it weren’t for the books that followed we wouldn’t have decried the ship the way we do.

3. Eclipse

Breaking Dawn is the more interesting book, but Eclipse has less things we outright don’t like. We get to know all the characters better, Edward and Bella are their usual beautiful selves, and it’s overall peak Twilight.

4. Breaking Dawn

Would have ranked much higher, we like what it did. Without it we wouldn’t be in this fandom now, as it brought so much amazing content. The baby plot is fine by us, Carlisle’s friends are great, the Volturi confrontation is a beautiful, if bleak culmination of preventable events. There’s a lot of great stuff in this book.

Unfortunately, and there’s just no diplomatic way to put this, so I’ll just come out with it: there’s too much Jacob.

He no longer had a reason to be in the story, given the way Eclipse ended he had every reason not to be in it. In spite of that we get an entire third of the book from his point of view, and then damned if he’s not shoehorned into the last third as well. He added absolutely nothing to the story, he was just there taking up space and being possessive of a toddler. His POV section was tough to get through, and his presence in book three was just painful. He should have been cut.

5. New Moon

This was the book we had to power through. There are some very good things in it, most notably the Volturi scene, but the Muffin and I enjoy Twilight for the vampires, and that makes Laurent and Hallucination!Edward the highlights of the part of the book where Edward is gone.

There’s also the fact that Jacob isn’t a very compelling character. He has to carry the book now that the Cullens aren’t doing it, and he simply isn’t up for it.

Yes, we’re aware that these books are ranked according to how much Jacob is in them. We don’t even hate him, not at all, it’s just that he’s boring.

(That being said, the books at their worst are better than the movies at their best. Jacob narrating his perfect playdate with Renesmée would still be preferable to… I’m trying to think of a good scene from the movies. Hm, nevermind.)

As for The Short Second Life of Bree Tanner and Life and Death, only I have read Bree Tanner and I don’t remember it well enough to give a proper assessment. I was bored with the OCs, though, bored to tears, throughout that book I was itching for Victoria and the Cullens. We have not read Life and Death, but we’re offended by its existence so it ranks bottom.

#books vs. movies #twilight movies #twilight books #the twilight saga #twilight renaissance #twilight meta #twilight #movie review #twilight review #i'm using all the tags tonight #the carnivorous muffin #thecarnivorousmuffinmeta #Anonymous #ask #long post

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failbaby · 3 years

Text

Happy Thanksgiving....

- team being on an away case in some little ski town in the Rockies and wrapping up on like. The Wednesday b4 Thanksgiving

- Derek & Spencer are going to fly out to Chicago to be w Derek’s family

- JJ really wants to get home because she n her fam are going down South to be with Will’s family

- Emily is not planning on seeing her family at all because “my mother is a bitch and the pilgrims were murderers,” but she’s got some kind of plan to spend the weekend in Venice Beach

- Penelope’s parents are dead so she’s going w Emily lmao

- Hotch is gonna take Jack to the Brooks family dinner 🥺 he has lots of fun with his cousins

- Nobody really knows what Rossi is doing but he supposedly has really big extravagant plans

- it absolutely DUMPS snow on Thursday morning when they’re SUPPOSED to be flying back and they get stuck at the little ski lodge where the bureau put them up

- they’re all SUPER mad

- Spencer is Freaking Out because he doesn’t like having plans disrupted on short notice and JJ is trying to call Will but he’s not answering and Derek and Hotch are ABOUT to start throwing fists and Penelope is like “🥲 end the violence” and Emily is on the phone making death threats trying to get a refund on her $500 hotel suite

- and Rossi is like OKAY. That’s enough, everyone get dressed, we’re going out

- so they go to one of those Japanese steakhouses where they cook the food On The Table

- and they’re all still upset about their plans falling through, but the fried rice absolutely slaps and also Spencer’s never been to one of those places before and he SCREAMS when the chef sets the table on fire and it’s hilarious

- Derek catches the shrimp in his mouth. Emily tries but fails

- Rossi makes them go around and say things they’re thankful for

- Spencer (“I’m thankful to finally feel have found a place where I’m loved and I belong”) and JJ (“I’m thankful for my wonderful family—the ones here and at home”) are the only ones with thoughtful, serious answers

- “Emily? What are you thankful for?”

- “Soapy boobs”

- “....what”

- [slightly louder] “soapy boobs”

- Penelope says Derek Morgan’s biceps and Rossi rolls his eyes and she’s like “wait 🥺 can I give my serious answer?” & he’s like absolutely and she’s like “Derek Morgan’s abs”

- Hotch says he’s thankful that Dave is buying dinner

- They find a place to get pastries for desert and they sit in the lobby of the lodge by the fireplace

- It’s all snowy out and the lodge is already decorated for Christmas so it’s kind of ethereal and super cozy

- Derek & Emily are roasting each other really really hard for no reason and Penelope is moderating them and reeling them back in when they get too out of control and Spencer is sitting w his head against Derek’s chest kinda falling asleep and JJ is finally able to talk to Henry and Will

- Hotch & Rossi are doing that dad thing where they’re standing off to the side watching the chaos go down

- And Rossi is like. “I was gonna be alone today”

- And Hotch is like “but you’re not”

❤️❤️❤️❤️

#oc #hc #who cares

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myhoneststudyblr · 4 years

Photo

something crazy just happened...

i started this blog a year and a half ago and i honestly never imagined i would reach 100 followers let alone 15k!!! so i want to thank you ALL for being so lovely, welcoming and supportive - whenever i come on to tumblr, the studyblr community never fails to make me smile

this studyblr has been such an important journey for me and since i’ve made it i’ve grown as a person and as a student. it has taught me so much, from good study habits and self-care tips, to even some things about who i am as a person!

since i’ve created this blog and particularly in the past few months I've had the honour to meet and get to know some truly incredible people and i want to tag some people who i love and im so thankful to for being so kind:

(you should all go follow their blogs if you haven’t already)

(btw it is probably gonna be quite long cause i have so much to say about these incredible people!!! sorry but im not really sorry XD)

@redlitmusbluelitmus MIA!!! i have already told you so many times how glad i am that you are my friend but i am going to do it again right here cause i can!! you are quite possibly the nicest, funniest and supportive people i have ever had the pleasure to meet. we haven't known each other for that long but in that time you quickly became an amazing friend and we have always just *got* each other!!! 💕💕💕

@study-van yasemin - our first conversation was pretty much a car crash and every one since has made me laugh and look like a proper idiot cause im usually just staring at my phone! i’ve followed your blog for so long and i’m so proud of all the amazing things you are doing and i’m so glad to have you as a friend after so stalking your blog for so long 💕

@museeofmoon zainab!!! we’ve known each other only for a short time now but our friendship was pretty much immediate!!! our conversations are filled with emojis, emoticons, capitals letters and XDs and i wouldn’t have it any other way!!!!! your posts are works of art and i will forever stan them <3

@headgirlstudy Ellie - discovering your blog was one of the best things to come out of my 2020 quarantine challenge cause you have this incredible style and simple beauty to your posts that i just can’t get enough of! i’ve loved having our fangirl conversations about taylor swift and all her incredible songs! you probably don’t know this but one of those conversations took place when i was feeling very low but discussing all the songs with you lifted me up so much so thank you xxx

@jeonchemstudy DAPHNE!!! if i ever create a bujo, i want it to look like yours because honestly, i don't understand how you managed to create such beauty!! we are interested in such similar things and it’s been so cool to find a fellow Gallagher girl lover (i was so shook when i found out you loved the books cause i usually feel very alone in my loved of them XD) and someone who is obsessed with last week tonight as me!!! x

@bulletnotestudies sabrina... you are just incredible and such a joyful person!!! i will always remember you messaging me when i posted that i was stressed about an exxay exam and your message was the last thing i saw before doing it and honestly if gave me such a boost! you’re positivity and supportiveness blows me away and i want many many more conversations with you xxx

@lattesandlearning laura - you were one of the most dedicated posters throughout the quarantine challenge and i loved seeing each and every one of your posts! i’m so glad to be following your journey and seeing what you’ve accomplished even in the short amount of time that I've known you <3

@upside-down-uni mo!!! another incredibly dedicated poster in the quarantine challenge and one that i always specifically looked out for! you and your blog have truly opened my eyes to other experiences and educated me more than you know just from your responses and posts! i always see that you like my posts and even on my dumb little text posts you often reply and it always makes me smile! i’m so glad that you’ve created this officially studyblr and thankful to you for making the community even more colourful 🌈

@coffeeandpies pat, i’ve said it before and i’ll say it again but you are the basically the third person that i followed in the studyblr community and to think that we’ve actually had conversations and we are friends and mutuals is downright crazy to me because you are imo just one of those iconic blogs!!! you are a beautiful person inside and out and your text posts are hilarious and tell the best stories. thank you so much for being so lovely <3

@coralstudiies you were the first person ever to really message me on tumblr and i remember being so shook because i think your blog is just mind blowingingly incredible! every picture of your notes looks like a work of art and i don’t know how you manage to make them look so perfect!!!

@problematicprocrastinator beth, you are a pillar of positivity in this community and your supportiveness and openness is at a level that i aspire to! your morning messages are usually the first thing i see (at least when i still was going to school on the bus every morning before all of the corona stuff) and it always gave me a little boost for the day! you are an incredible writer and your dedication to supporting everyone in this community is amazing <3 (also your blog name is probably the best one i’ve ever seen and i’m so jealous ngl)

i could wax lyrical about every studyblr i know but this post is getting really long so here are more of my favourites (just know that if you are in this list i have a little monologue about how amazing you are in my head and i appreciate you so much 💕💕💕)

@chazza-studies-alevels @stuhde @captainofstudies @sosiaalitieteet @elleandhermione @mid-afternoon-tea @athenastudying @learning-to-think @serendistudy @philology-studies @rivkahstudies @emili-a-a @nabasynth @divinity-study @cals-desk @abbieestudia @studywithprincess @studybuddiesareoverrated @casual-minimalist @stu-dna @coffe-in-cup @adelinestudiess @intellectys @eintsein @einstetic

there are so so many more that could be added to this list and i’m sure i’ve forgotten people!! basically i ADORE every single person in this community and i’ve loved getting to know all of you and i hope i’ll be able to meet more people in the next few years 💕💕💕

Now here’s the blograte celebration!!!

I did a blogrates for 10k followers but i enjoyed it so much and it was a while ago now that i want to do it again with all you amazing people!!!

Rules

Must be following me although new followers are welcome too!

Must be a studyblr or at least mostly (cause I want to find some more studyblrs to follow)

Reblog this post

Send me an ask : in the ask begin with your favourite emoji so I know it is a blog rate then tell me a funny story!

Please don’t send anons - if your studyblr is a side blog just tell me this in the ask

Please let me know what you tag your original content with (specifically if it is not in your bio)

Please be kind and patient! i am very busy this summer with lots of work as well as running my Summer Studying Challenge so it may take me a little while to do it but hopefully, i’ll get it done as fast as possible

I will be doing these blogrates until Wednesday 22nd July

Format

i will be tagging my blograte posts with #myhoneststudyblr15k if you wanna blacklist them so your dash doesn’t get filled up!!

Thank you everyone!! <3

#i am simply astounded at all the love i've received and i am so thankful to you all!!!#myhoneststudyblr15k #me #sophie speaks #blogrates #studyblr #mine #follower milestone #long post

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themetaphorgirl · 4 years

Text

how to say “I love you”

okay so

this was actually inspired by this ask that I answered

and then I realized I could tie it into this post from @criminalmindsgonewrong

and then it exploded

(special shoutout to @f-m27 for letting me scream about this and reading it over!!)

----------

He forgot how to say I love you.

He didn’t do it on purpose. It just....happened.

“I love you,” he said to his father when he was tucked into bed at night.

“I love you,” he said to his mother when he came home from school.

His father stopped tucking him in, and stopped coming home, and after a while he never came home again.

His mother loved him, but sometimes she forgot who he was.

And he was too busy holding things together, sneaking out to the payphone with his mother’s credit card to pay the late power bill and buying groceries that he was too small to cook and working through classes with children twice his size.

And after a while, he forgot how to say it.

And then he went to school, and things changed.

He let Penelope borrow a pencil when she was trying to get her homework, and her last pencil broke, and she didn’t have a sharpener. All he did was hand her one of his. “Oh, I just love you!” she said, and he blinked in confusion, because it was just a pencil.

He said something funny without realizing it was funny, and Derek threw his head back and laughed, and tossed his arm around his skinny shoulders. “Aw, I love you, man,” he said. “You’re hilarious.” And he didn’t understand still, but he smiled because he’d done something right.

He was cornered by the bullies, because even here he was a target for kids bigger and older than him- but not smarter, never smarter, but smart could only take him so far. And JJ darted in between, pushing him behind her. “Pick on someone your own size,” she snarled, and when they left she knelt down, checking him for bruises and scrapes.

“Are you all right?” she asked anxiously. “They shouldn’t have done that, that’s not okay.”

“I’m fine,” he said, bewildered, because no one had come to his rescue before. But she took his hand and marched him away, anger cooling from red to pink in her cheeks, and he wondered why she decided to do that.

He got caught in the rain, hesitating behind the bigger kids as they watched the rain fall in gray sheets and the white sting of lightning shoot through the clouds, and eventually they made a break for it, trying to dodge the storm but losing the battle. They made it to the main building of the school, rainwater dripping from their clothes, and Emily ran her hands through his wet hair. “Shit, babe, you look like a drowned rat!” she laughed, and as she helped him wring out his blazer he thought he knew what she meant.

He couldn’t sleep, and he was stressed, and he wasn’t used to handling it yet like he was back home. He didn’t know how bad it was until a cup of water was pressed into his hand, and he looked up to see James. “You want to talk about it?” he asked, and he did, he did want to talk about it, and the words tumbled out like dropped marbles, and James let him speak until he was tired, listening intently, his body angled towards him and his eyes focused, and that was the kind of language he could translate into I want to hear you.

He was at David’s house- and he was never invited to people’s houses, ever, this was a first- and David was cooking dinner for everyone, and joy buzzed in his chest like honeybees, and that honeybee joy spilled out of him in facts and statistics in a steady stream of actually actually actually, and David didn’t stop him. “You know so much, I’d swear you’re Italian too, passerotto,” he said.

He wrinkled his nose, confused, and Emily tugged him to sit down on the barstool before he tipped over. “It means little sparrow, it’s a good thing,” she explained.

“It’s what we call our children,” David said, and he cupped his face in his hands and kissed both cheeks, and he beamed.

He was burning, fever crawling under his skin and twisting in his belly, and he wanted to lie down and sleep, but he couldn’t, he had other things to do and other things to worry about, he had grades that needed to stay impeccable in order to keep him in this school, he could sleep later. But Alex caught him by the shoulder, frowning, and pressed her hand against his forehead.

“You’re burning up,” she said, and he leaned into her cool hand, his eyes closing.

“I’m okay,” he mumbled, but she took him back to his room and tucked him into bed like the child that he was, and when he woke up calling for his mother that even in his haze he knew couldn’t answer, she held him on her lap and rocked him while he cried, and even though he couldn’t find words right then, he knew safe.

He didn’t know what to make of Hotch. There was a solemnity about him, an adultness that weighed heavy on his shoulders in an unspoken burden. But Hotch steered him quietly, unseen- prying his book from his hand when he stayed up late reading, scooping vegetables on his plate at dinner, replacing his hand-me-down clothes with new ones.

Hotch caught him in frustrated tears once, rolling off his cheeks in fat drops and plopping onto his homework, because a ten-year-old genius is still a ten-year-old, but he hated that he was crying, hated that he was acting like a baby, hated that he couldn’t stop.

But Hotch smeared his tears with his thumb, his dark eyes thoughtful. “You don’t have to do everything on your own, you know,” he said quietly.

“I have to,” he said, a sob catching in his throat like a trapped bird, suffocating him. “I always have to.”

Hotch shook his head. “No, you don’t,” he said. “You can rely on other people. You don’t have to be strong all the time.”

“I have to,” he repeated. “I have to, I have to.”

Hotch stroked his hair back from his forehead. “We’re not going anywhere,” he said, and he spoke with a firm resolve that said I have stood where you stand. “Let’s take a break from the homework, okay? It’ll still be here in an hour.”

He had forgotten how to say I love you. But he had to learn how to hear it first before he could say it back, and he had to say it his own ways.

He knew Penelope was upset, even though objectively he knew it was just a television show, and even if it was canceled she could always watch the episodes. But her mascara was running down her cheeks in dark rivulets as she cried at the dinner table, and he hated to see her so sad, so he got her ice cream, a bowl of vanilla soft serve covered in a million colors of sprinkles, and she smiled for the first time all day. “Thank you, cherub,” she said, squeezing his hand, and he smiled back, pleased.

He figured out how to come up with things to make Derek laugh. No one had ever thought he was funny before, but Derek did, and his laughter was genuine and warm and bubbling, and the warmth spread to him too.

He learned to write back when JJ left him notes in her tidy cursive, scrawling back things that were important and things that weren’t on intricately folded squares of notebook paper, and he looked forward to hearing what she was saying, and he knew she looked forward to hearing what he said too.

He still shied away from bullies, and once in a crowded hallway he ducked behind Emily, grabbing hold of her jacket. She looked down at him with a frown, then followed his gaze at the boys looking for him, and she wrapped her arm tightly around his shoulders.

“Stick with me, passerotto,” she said, and he could hear the pride and the concern in her voice, and his fear subsided.

He got stuck on geometric proofs after a long day and a sleepless night, the shapes and numbers and words blurring in his vision, and he crumpled up the page, splintering the edges into his fingers. But after a moment he smoothed it back, the creaselines making faded scars and softening the paper, and carried it to James.

“Can you take a look at this?” he asked.

James set his book aside, marking the page. “Absolutely,” he said, leaning close to get a better look. “Geometry? Oh, yeah, that’s the worst. Let’s make a little sense out of it.”

And James’s calm voice soothed his ruffled feathers and shone a little clarity like a break in the clouds on a dark day, and of course, it all made sense now, and his frustration melted.

He joined the chess club, and he met new people, but he was proudest when David sat down to play with him. David was all impulse and passion and risky choices that didn’t always pay off, but he was still good, though rarely good enough to beat him. He beat most kids, even the oldest kids, too full of youthful joy to hide his light and blend in.

“Where’d you find him, Rossi?” another senior complained, smarting at another loss to the hands of a child too small for his feet touch the floor when he sat at the chessboard.

“We found him as a baby on the steps of St. Thaddeus,” David laughed, but he hugged him around his shoulders and ruffled his hair and basked in his glow like a proud older brother.

He spent a lot of time in the library. It was quiet and safe there, warm lamplight casting comfortable shadows as he sprawled on the floor with a book. Alex walked up and down the aisles as she shelved books, humming rock’n’roll under her breath like hymns in a cathedral, and he was content. Sometimes she took a break to sit down in one of the armchairs with a book of her own, and sometimes he crawled into her lap, seeking comfort, and she gave it freely, making space for him in her arms without questions.

He found safety in his circle, and the anchor of his circle was Hotch. Without fail he stood by him, catching the little things that used to slip through the cracks. He never went to bed hungry. He never went outside in the cold without a coat. He never stayed awake worrying if the electricity might get shut off again. The ground had stopped tilting beneath him.

He sat in the common room, kneeling on the chair as he leaned on the table to finish his essay, filling the page with his messy handwriting as rain tapped on the window. JJ sat next to him, working on the same essay for the same class, while Penelope’s paper had become a page of swirls and flowers. Derek was stretching on the floor, complaining happily about how difficult his last game had been. James and David bickered good-naturedly over a chessboard; Alex read through a thick novel in French as Emily, bored, wove lazy braids in her long red hair. Hotch half dozed on the couch, arms crossed over his chest, one side of his headphones tilted off his ear so he could still hear what was going on.

Spencer looked at his paper and frowned. “Hey, Dad?” he said.

Hotch didn’t open his eyes. “Yeah?” he said sleepily.

“Tomorrow’s Thursday, right?”

His eyes were still closed. “Yeah, tomorrow’s Thursday, kid,” he said. “You still have another day to get that essay done.”

Spencer leaned back. “That’s what I thought,” he said. “Thanks.”

JJ tapped her pen against her lower lip. “Did Spence just call Hotch ‘dad’?” she said, grinning.

“And did Hotch just answer to it?” Emily said.

Spencer smiled as he went back to his essay. He still didn’t know exactly how to say I love you, but he was fairly certain they all understood him.

#caitlin writes things #criminal minds fanfiction #Spencer Reid Needs a Hug #Hotch is a Dad #au: patron saint of lost causes #david rossi #james blake #alex blake #aaron hotchner #emily prentiss #derek morgan #penelope garcia #jennifer jareau #spencer reid

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jq37 · 4 years

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The Royal Report– A Crown of Candy Ep 1

There Is Strength in Sweetness

Much like the years, the seasons of D20 start coming and they don’t stop coming. Fantasy High: Sophomore Year is barely in the record books and we’re already jumping into our new season--the Game of Thrones/Candyland mashup: A Crown of Candy!

If y’all have been with me since Sophomore Year then you know that I did very in depth recaps of every episode with a very specific format but I’m gonna try something new for this season.

The format might change a little between episodes as I figure out what works best so bear with me but the plan is to do more highlights and opinions than a blow by blow. But, like, we’ll see what happens.

So, anyway, saddle up your Meep and let’s visit Candia--one of the six kingdoms of the land of Calorum (aka: a fridge. We see you Brennan, it’s a fridge). Twenty years ago, the Ravening Wars wreaked havoc but they’re currently in a time of peace which (mostly) everybody is psyched about.

Meet the Family

This is not a new observation but, while most seasons of Fantasy High focus on found family, this season is all about family-family, specifically, the royal family of Candia and their associates.

We’re first introduced to Murph’s character--Sir Theobald Gumbar (Level 3 Eldritch Knight)--who is the a huge, golden-armored, gummy bear, leader of the Tartguard, protector of the royal family, and the logical endpoint of Murph’s lawful good predilections. Sir Theo is, of course, on time with bells on for the big Saint’s Day/Coming of Age birthday party for the twin princesses of House Rocks. Unfortunately, he’s clearly never seen The Little Mermaid because when the heralds announce the princesses, they don’t show up. Frustrated, he goes to try and find them.

The first place he checks is with Zac’s character, Chancellor Lapin Cadbury (Level 3 Celestial Warlock). He is (in no particular order) the royal tutor, a chocolate bunny, an official of the main state sanctioned church of Calorum (the Bulbian Church), and a pompous ass. Oh, one more thing? He and Theobald can’t stand each other. There is nothing funnier than two very proper grown men who hate each other's guts. Sir Theo shows up to his classroom where the princesses are having a lesson--or at least they’re supposed to be. Further inspection shows that they’ve just left two straw dummies in their place. Classic.

So, we pan out to the city to meet my favorite characters so far (I absolutely play favorites but I also disclose when I’m doing it so I think I’m in the clear) the twin princesses/chaos gremlins--Jet and Ruby Rocks (both level 1 Rogues) played by Emily and Siobhan. Theo may not have seen The Little Mermaid but the twins have def seen Aladdin, because their number one pastime seems to be escaping the palace to roam the city--hilariously illustrated when they chuck a gem into a peasant's bag and his reaction is a super nonplussed, “Guess the princesses escaped again.” They’re got the Disney Princess-itis really bad because both of them feel stifled by palace life and want more--specifically, Jet wants to be a warrior and resents having been born in peacetime (especially since she’s slightly older and in line for the throne) and Ruby wants to run off and join the circus as an acrobat. They are total twin BFFs to the point that their Thieves Cant has been reskinned to Twinspeak which is a detail I love so much (and that will become unspeakably tragic if something happens to one of them Brennan).

Jet gets a letter from her secret crush Thad, an Avocado from Fructera (these are the sentences I am being forced to write this season folks) and schemes with Ruby about how they can get to Comida (the capital city) to meet him--possibly by sweet talking Theobald which is easy because he’s so thirsty for respect. Sure enough, Theobald and Lapin soon find them, following their path of destruction and the princesses are brought back to the castle.

Back at the castle, we’re introduced to Lou’s character--King Amethar Rocks (Level 3 Storm Herald Barbarian)--who is having a somber moment, surrounded by the statues of his four older sisters who died in the Ravening Wars, leading his reluctant taking of the throne. He’s interrupted by Lord Calroy (his right hand guy and a full ass talking slice of cake because Brennan is trying to break me this season but I refuse to give him the satisfaction) who lets him know that his daughters have escaped and his delighted reaction immediately lets us know which side of the family they take after.

Finally (at least wrt PCs), we meet Ally’s character--Liam Wilhelmina of House Jawbreaker (Level 2 Ranger) who is a political prisoner/ward of House Rocks and a soft, outdoorsy, mountain kid who is perpetually followed around by his pet pig--Peppermint Preston whose death will absolutely force to me to Google “Best Denny’s Parking Lots for Fistfights.” He misses his dad but not his dick brothers because Ally isn’t allowed to have a fully happy family in any season. Liam is from the disgraced House Jawbreaker and his brothers seem to expect him to try and off the King while he’s in their orbit. While he’s in the woods, looking for seeds (as one does) he finds and accidentally breaks an important looking teacup, which we’ll get back to.

The other important character we meet this episode is an NPC--Queen Caramelinda, mother of the princesses, wife of Amethar, and keeper of 100% of the impulse control of House Rocks. She’s the main disciplinarian to Jet and Ruby, the clear decision-maker in the kingdom, and the only literate one out of her and her husband. She also seems to be the only character that respects Lapin’s authority.

An Inciting Incident

So, with all our characters assembled, all that’s left is the plot hook which Caramelinda provides in the form of a personal letter from Emperor Gustavo--the head honcho of the entire realm and his old friend--to Amethar. He’s not doing well health-wise and he needs to name an heir that’s not related to him at a big tourney that he’s personally inviting Amethar to. Amethar is a little slow on the uptake but Caramelinda eventually connects to dots for him that it seems very likely that Gustavo is going to name him emperor.

Amethar is not vibing with that information at all but Caramelinda basically holds him by the ear until he reluctantly agrees to go--though he insists that Ruby and Jet also come along to keep him company. Caramelinda only agrees on the condition that Lapin goes with. She also invites Liam (who is caught off guard but game) and Sir Theo is basically going by default. Caramelinda is staying home to hold down the fort but the talking slice of cake is going because Brennan hates me and doesn’t want me to be happy.

The traveling party is chosen, the twins have been gifted with sick, inherited weapons from their aunts: Flickorice--the Twizzing Blade (Jet) and Sourscratch--the Puckering Bow (Ruby). It’s almost time to be off, but there’s still one last thing to get to before we leave the twins’ party.

Lapin, feeling the pull of something broken (told you we’d get back to it) subtly makes his way outside, but is followed by Jet and Liam. Now, if you remember, I said earlier that Lapin is an official of the Bulbian church. Which is why it’s so surprising for Jet and Liam to see him talking to the Sugarplum Fairy, a deity of the Sweetening Path--a non-sanctioned more animistic religion that really only has sway in Candia. He fixes the teacup and then she appears, telling him that he’ll need to be wary once he leaves her sphere of influence and that boldness will be required in the days to come. Lapin, who seems to be having this conversation very begrudgingly, asks if she’s asking him to do anything in an official capacity and she smiles and says that she’s not asking for her third wish(!). Then what does she want? She wants him to know that there is great risk in what he is doing, but not acting is the greater risk. The coming challenges will be great, but he must protect the royal family or all is lost. She wouldn't have used her second wish to bring him to them if that weren’t the case. They hustle back and spill this to Ruby, obvs.

Anyway, onward! The next day, the caravan is set up and--with a warning about a sugar free chocolate warlock (ominous, as sugar free chocolate always is) they’re on their way to meet their escort out of Candia. Ruby decides to do her acrobat thing and is hanging out on top of the carriage instead of inside it as she and Jet “subtly” (read:not at all) bring up the Sugarplum Fairy to Lapin to see if he cracks.

Suddenly, the caravan stops. There’s a tree felled in the path, which really only means one thing in this kind of story.

Ambush.

Ruby, outside of the carriage and unprotected, takes 16 points of damage and is fully down with a failed death save due to some unknown effect. The carriage is riddled with arrows.

Everyone rolls for initiative and that takes us into a new (sure to be recurring) segment I’m calling:

Things I’m Concerned About

I’m concerned about Jet and Ruby (and not just because I’ve been worried about Ruby for a while due to things the cast has said and because she fully *died* this episode). They have their genres so wrong. They think they’re Disney movie protagonists but they’re in Game of Thrones and they don’t know it. Being Wrong Genre Savvy is a BAD position to find yourself in. Carriage surfing shenanigans don’t fly in a world that wants you dead.

OK, Carameinda. I’m inclined to be pro-Caramelinda. Like, she’s the hardass but she needs to be because Amethar isn’t helping run the kingdom. If this was a different story, she wouldn’t give me any pause but I read Macbeth and feel some light Lady Macbeth vibes. Gonna be keeping an eye on her.

Calroy and Sir Toby (didn’t mention him, he’s a slightly lower ranked Gummi Bear guard and friends with Theo). In a story like this, I’m looking for the possible betrayals before I get blindsided and the only people who can really betray you are people who are supposedly loyal to you. Calroy had a little aside with Amethar about how he shouldn’t be the Emperor if he doesn’t want to be--which isn’t wrong but is also something someone angling to keep him off the throne for other reasons would say--and Sir Toby decided to stay behind to help hold down the fort--again, either an innocuous decision, or angling to be left alone and to his own devices.

Whatever is going on with the Sugarplum Fairy and Lapin? Do not care for that one bit. I understand that a Warlock pact is mechanically very similar to a Paladin oath and a Celestial Warlock pact is even moreso but guess what? Still don’t trust it. I know Ruby’s Arcana check said that she’s generally a chill spirit but I still don’t trust it. And getting Wishes from your follower? Weird and suspicious. What’s your game, lady?

Emperor Gustavo apparently has a daughter who is barred by law from taking the throne when he dies. That sounds like a very strong motive for *something* at some point down the line.

I’m a little concerned Jet is being catfished by this Avocado. First of all, not a sentence I thought I’d ever write. Second of all, I’m probably just being paranoid. But that feels like a great way to get a princess alone for kidnapping or shanking or something.

Update: Brennan did an AMA and, regarding the previous bullet point he said, and I quote, “You are right to be concerned!” so now I’m concerned about that too! Fun!

I’m concerned about the mechanics of how a slice of cake person works. Slice implies a full cake. Where is the rest of the cake Brennan? Where is it? And, like, Brennan said on the post-show stream that we’re making the “what do they eat?” question weirder than it actually is because we’re made of some of the stuff we eat but hey Brennan? If I could pick a flesh toned and textured apple off a tree? That would be weird, OK? And I’m sorry for everyone else who had to picture that but it had to be said since Brennan is insisting on walking us down this garden path.

I’m concerned about whatever the hell is happening with Liam. Disgraced dad, mom is a shaman of the local fringe religion (Sweetening Path, like Lapin), and his brothers want him to shank the king or something? No way this ends in smiles for everyone.

Brennan said Pyramid of Food so I’m concerned about fruit rollup mummies.

OK but more than anything, I’m concerned about the death rules of this game. Death in D&D is cheap but, in a campaign like this, it can’t be. I’m not super well versed in GoT but it’s my understanding that resurrection in that series is possible but rare. Brennan said he specifically didn’t let Ally stock certain healing spells and that’s very telling about how things are gonna be handled. I guess we’ll see in the upcoming battle episode how that works but my general thought is, I hope everyone made interesting backup characters.

Five More Things

So, my thoughts on the new characters. I love Ruby and Jet with my entire heart. Watching Emily and Siobhan roleplay sisters and enable each other and hype each other up is so fun--or it would be if I wasn’t low key bracing to lose one of them sooner rather than later. Zac playing against type and Murph playing to type are both fantastic. I want nothing more than for Theobald and Lapin to continue sniping at each other. I hope that’s the first PvP fight of D20. Amethar is a lot of fun but clearly in over his head and I’m interested to see where he’s pushed. Liam is literally just vibing. Hope he doesn’t have to commit regicide!

God, the House Rocks PCs are such a disaster family. I love it. The moment when Calroy comes in and is like, “The princesses have escaped,” and Amethar breaks into a grin and is like, “Dude, that’s so dope!” I was like OH, so it’s *all* of them, huh. But, honestly, this should have been on the “Things I’m Concerned About” list because come on. They’ve not all gonna make it. And then we’re gonna have to watch the remaining family members react to that? Oh no.

Love Ruby’s bow. I have a player in my game who also has a magic bow that produces energy arrows because, truly, who has the time to deal with the logistics of how many arrows you had left after last fight? Magic arrows. Boom, done. Next.

Getting bagged on by your Patron for not having a spell when she’s the one who gives you your spells is so funny. Also, Mending isn’t a Warlock spell which makes it even funnier.

**I’ve given myself a 3k word limit on all of these to try to put some boundaries on myself but, Lol, prize to the first who guesses closest to the first episode I break that rule.**

#a crown of candy #a crown of candy spoilers #dimension 20 #dimension 20 spoilers #the royal report #listen I don't hate calroy #I hate the *implications* of calroy

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buzzdixonwriter · 3 years

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TROTS AND BONNIE Review

Trigger Warning: This will review a work that often addresses human sexuality, emotional / physical / sexual abuse, and adolescents’ views on same. Be advised.

. . .

When I was growing up in the 1950s and early 1960s, two old comic strips that remained popular were J. R. Williams’ Out Our Way and Gene Ahern’s Our Boarding House, both started in the 1920s and, from their daily panels and Sunday pages, never moving out of that decade. My favorite cartoons on local kid shows were Fleischer Brothers Betty Boop and Popeye cartoons, many of which took place in urban / suburban settings heavily reflective of 1920s and 1930s America.

So when I first encountered Shary Flenniken’s Trots And Bonnie I instantly recognized the flavor and style of the strips.

The content, on the other hand, came straight out of her underground comix pedigree, with the refreshing point of view of the female gaze instead of the admittedly too often misogynistic male cartoonists of the milieu.

Flenniken is one of the best artists and writers to come from the underground era, displaying a confident early mastery of the form (don’t listen to her protestations she really wasn’t good at the start of her career; she clearly ranked among the finest of the underground comix artists).

But the sweet and innocent look of Trots And Bonnie belies the frank and frequently shocking honesty of Flenniken’s work.

As cartoonist Emily Flake notes in her introduction, “that’s the terrible power of children, the monstrous innocence that makes them capable of anything, a state of being we fatuously describe as ‘pure.’”

Innocence is not synonymous with purity in the world of Trots And Bonnie because the cast lack the moral and cultural filters we acquire as adults. They are reporting on reality as they see it, and as with all children (and the elderly, and drunks) there’s nothing to stop them from commenting on the foibles of hypocrisy of humanity, nor is there a single iota of shame to hold back their expression.

And when you add the impact of puberty to that mix, holy &#@%, you have no room left for pretense or propriety.

Hold on to your hats, folks, ‘cuz it’s gonna be one helluva ride.

One helluva ride…and a hilarious one, too.

If modern audiences can get past the admittedly often shocking visuals and situations, they’ll find some of the most brilliant coming-of-age comedy ever penned.

The truth is always an absolute defense, and Trots And Bonnie dishes it out lavishly. Brava to Shary Flenniken for having the courage (or honesty, of lack of filter; take your pick) to pen it, to the original underground comix and National Lampoon to publish it, and to new York Review Comics to bring almost all of it back (Flenniken herself opted to withhold a few strips that she feels might be construed now as hurtful or insulting).

Flenniken is the daughter of a military family, growing up in a variety of climes and places before her father retired in the Seattle area.

She reached adolescence and young adulthood during the hippie era, and the earliest strips cast a fond eye back on that time.

An original member of the infamous Air Pirates crew, she and fellow underground comix artists gained immediate recognition skewering Disney icons. Air Pirates Funnies and Paul Kassner’s The Realist generated no small amount of tsuris for the House of Mouse in the late 1960s / early 1970s but The Realist, true to its name, possessed to good sense to adhere to the unofficial so-called “one-time fair use parody” rule while the Air Pirates pressed their luck with Air Pirates Funnies #2, resulting in the Disney legal department descending on them like an anvil dropped from orbit.

Crawling away from the wreckage, Flenniken kept contributing to a number of underground venues, creating the first Trots and Bonnie strip for the 1971 underground comix Merton Of The Movement.

Trots and Bonnie (soon joined by Pepsi, a beguilingly sweet looking elfin-like child with the heart of Germaine Greer, the reproductive organs of Karen Finley, and the mouth of an interstate trucker) popped up in several single page strips and short stories until NatLamp recruited Flenniken in 1972 to be a regular contributor and (briefly) an editor.

NatLamp proved to be the perfect venue for Flenniken and her characters because the magazine possessed the economic mojo and suicidal “Who gives a &#@%?” attitude to publish Trots And Bonnie while at the same time providing a perfect audience of proto-incels who desperately needed some consciousness raising, especially if said consciousness raising arrived in the form of a kick in the groin.

Trots And Bonnie’s tenure at NatLamp lasted slightly more than two decades, but a big hunk of that era saw the Reagan culture wars raging, not to mention much of the country becoming obsessed with a literal modern day witch hunt in the infamous Satanic panic (an apt subject for Flenniken’s characters, but one she wisely avoided, thus following the old military adage, “Never draw fire on your own position.”).

The already edgy material in both NatLamp in general and Trots And Bonnie in particular threatened to be perceived as too edgy by law enforcement, legislators, and judicial authorities who seemed either unwilling or incapable of distinguishing between photographs and video of actual sexual assaults and rapes committed against real children as opposed to crudely drawn Xerox copied mini-comics made by outsider artists with audiences that might possibly number in the dozens.

Flenniken’s willingness to honestly recall the turbulent emotions of early adolescence resulted in stories and strips where prepubescent kids engage in activities and discussions that would be acutely problematic if done today. Again, the utter lack of self-consciousness in Flenniken’s characters swerves her work away from the low grade smut ground out by many of her male contemporaries and flung open a window on how adolescent females perceived the world around them.

The stories are wildly transgressive, and like all transgressive art can only be understood in the context of their time and mores. Flenniken’s art carries a sweetness that leavens out the most horrendous situations (she gets astonishing comedic mileage off a story about a woman raped by a police officer, never once blaming or exploiting the victim but lambasting the culture and mindset that makes such a crime possible).

The fact these stories are told from a vibrant feminist / sex positive point of view makes them relevant to this day, and Flenniken’s ability to draw both truth and humor from dysfunctional families, emotional abuse, and drug use keeps them from being one-note exercises.

Most importantly, Flenniken comes across as strongly pro-child, even while honestly depicting her own characters’ failings and misconceptions.

She always brings a genuine emotional connection with her characters as adolescents, neither glorifying nor patronizing them.

One of the most notorious Trots And Bonnie strips finds Bonnie looking at herself in a mirror, fantasizing she’s famous actresses of the past.*

At the hands and brush of Norman Rockwell, this theme tries for poignant but lands in schmaltz, looking down on an anxious child studying her reflection in a mirror; in far too many bad novels by sub-par male writers, it’s borderline (and often not-so-borderline) pornography.

At the touch of Flenniken’s deft pen, it’s honest and sweet and shockingly frank but it never depicts Bonnie as a figment of the male imagination but as a character and personality all her own.

Flenniken has not done any new Trots And Bonnie strips since the last ones published in NatLamp in 1993.

To be honest, I think that’s a good thing.

The characters are of their particular time and cultural gestalt, it may not be possible to recapture that lightning in a new bottle, and rather than diminish the old, perhaps it best remains a perfect artefact of its era.

Mark Twain tried repeatedly but could never transport Tom Sawyer and Huck Finn out of antebellum Hannibal, and to use an example more contemporary to Flenniken’s work, the Fabulous Furry Freak Brothers resolutely thwart all efforts to move them out of San Francisco during the Summer of Love.

You can’t go home again, as Thomas Wolfe famously observed, but that only applies if you’ve successfully left home. At a certain point, if you haven’t moved beyond your old confines, you never will.

Flenniken’s honest frankness could have turned into a big crosshair on her back during the cultural wars, but to paraphrase John Lennon, life happened while she was making comix.

She married twice, divorced once, widowed the second time. While she never completely withdrew from professional illustration, she no longer sought out the high profile gigs.

Trots And Bonnie from New York Review Comics is the first extensive English language compilation of her strips and stories, a very handsomely produced volume designed by Norman Hathaway.

The strips are meticulously presented, making it possible to enjoy Flenniken’s fine line work and exquisite character depictions in greater detail than every before. It’s a genuine delight, sure to thrill old time fans of the original strip and quite likely to win a new generation of admirers.

But brace yourselves, noobs, this ain’t your grandma’s Betty Boop…

* It should be noted that for all its apparent revolutionary newness, the counterculture of the 1960s and 1970s, the crucible that forged Flenniken’s point of view, also enthusiastically embraced the past. W. C. Fields and the Marx Brothers became cultural icons to a new generation, Betty Boop regained her old popularity, old movies were rediscovered and reimagined, African-American spirituals and blues sprang from new voices, obscure books and novels from earlier decades and centuries became the new cultural touchstones.

I’ve posted elsewhere on how the boomer generation enjoyed a unique conflation of new technology and old media to produce a brand new synthesis; there has been nothing like it since even with astonishing advances in technology. When old media is rediscovered and reinterpreted in this era, it too often tends to be in the form of irony, which mocks that which it cannot understand.

Give those old hippies their due -- they got the &#@%ing point!

#Shary Flenniken #Trots And Bonnie #New York Review Comics #comics #underground comix #Air Pirates #National Lampoon #NatLamp #cartooning #counterculture #hippies #1960s #1970s

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