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#Hannah Potts
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witchofthemidlands · 7 months
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i will admit posters like these make me laugh because can you imagine an anomaly opening in the middle of the arc & the entire squad deciding to take a group photo before dealing with whatever decides to emerge from the bunghole of time.
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the--life--of--hannah · 9 months
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ruthkearneydaily · 1 year
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PRIMEVAL (2007-2011) | S1E03
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doctorfriend79 · 11 months
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The A.R.C. Team
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queenclaudiabrown · 2 years
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lands-of-fantasy · 2 months
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MCU Poster Ladies
Infinity Saga
Gwyneth Paltrow as Pepper Potts
Scarlett Johnasson as Natasha Romanoff / Black Widow
Natalie Portman as Dr. Jane Foster
Jaimie Alexander as Lady Sif
Hayley Atwell as Agent Peggy Carter
Emily VanCamp as Agent Sharon Carter / Agent 13
Zoë Saldaña as Gamora
Karen Gillan as Nebula
Glenn Close as Nova Prime
Elizabeth Olsen as Wanda Maximoff
Evangeline Lily as Hope van Dyne / The Wasp
Rachel McAdams as Dr. Christine Palmer
Tilda Swinton as the Ancient One
Pom Klementieff as Mantis
Elizabeth Debicki as High Priestress Ayesha
Tessa Thompson as Valkyrie
Cate Blanchett as Hela
Danai Gurira as General Okoye
Letitia Wright as Princess Shuri
Lupita Nyong'o as Nakia
Angela Bassett as Queen Ramonda
Michelle Pfeiffer as Janet van Dyne
Hannah John-Kamen as Ava Starr / Ghost
Brie Larson as Capt. Carol Danvers / Captain Marvel
Lashana Lynch as Capt. Maria Rambeau
Annette Bening as the Supreme Intelligence and Dr. Wendy Lawson / Mar-Vell
Gemma Chan as Minn-Erva
Reggie, Archie, Rizzo, and Gonzo as Goose
Zendaya as Michelle "MJ" Jones
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princesssarisa · 5 months
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Some “Little Women” thoughts – In defense of Meg’s marriage
@littlewomenpodcast, @thatscarletflycatcher, @joandfriedrich
Whether Little Women is a feminist book or an anti-feminist book will probably be debated forever.
Most of the debate seems to center around the character of Jo: whether she’s depressingly “tamed” in the end or matures in a healthy way, whether her marriage is anti-feminist or not, and whether or not it’s “anti-feminist” that in the end she’s a schoolmistress instead of a famous author. (Though of course she’ll eventually be a famous author in Jo’s Boys.) But similar debate surrounds the other March sisters too, for various reasons.
Not even Meg, the sister whom readers most often seem to overlook, is spared from these debates. Many feminist critics, such as (but not limited to) Samantha Ellis in her book How to Be a Heroine, have criticized the chapters depicting Meg and John Brooke’s married life in Part II. They label those chapters “depressing,” and they feel as if Meg and John are constantly at odds with each other and miserable. They argue that each of their marital conflicts ends with Meg learning to be a more submissive wife who placates and effaces herself for her husband. And they despise John, labeling him “selfish” and “disrespectful.”
Sometimes I wonder if I read the same book that they did.
It seems obvious to me that Meg and John’s marriage is a happy and healthy one: Alcott is just honest about the fact that even the happiest marriage includes conflict and requires work. Some of these critics seem to think fictional marriages only exist in two forms, “perfect” and “toxic,” with no in-betweens. Nor does John deserve half the negative commentary he gets, nor does Meg’s personal growth within her marriage consist of learning to be a submissive or self-effacing wife. On the contrary, much of her growth consists of her learning that she doesn’t need to be a “perfect” housewife and mother who gives and demands too much of herself, and their marriage becomes more of an equal partnership by the end, not less of one.
Let’s look in depth all three of Meg and John’s marital conflicts.
First there’s the jelly incident.
Here we see the first of a recurring theme: Meg is determined to be the perfect housewife and is "over-anxious to please.” She wants to do everything right and do it all by herself, because she’s afraid that otherwise, she'll be a failure. In terms of her personality type, I agree with @funkymbtifiction that Meg is an ESFJ. In the book, if not in all adaptations, Meg and Amy are both ESFJs: Amy is more of the sparkling “Glinda in Wicked” variety, while Meg, apart from her streak of vanity, is more of the down-to-earth, motherly, “Mrs. Potts in Beauty and the Beast” variety. But Meg in particular shows what @alittlebitofpersonality calls the ESFJ Type Angst. Her eagerness to manage her marriage and motherhood in the most pleasant, correct way (her strong Fe and Si) and her fear of possible failure (her weak Ne and Ti) give her, in A Little Bit of Personality’s words, a “frantic desire to do everything and get it done right now,” so she drives herself too hard.
She shouldn’t have promised John that he could bring home a dinner guest at any time; that’s unrealistic. Nor should she have tried to make jelly for the first time in her life using only the memory of watching Hannah make it; she should have invited Hannah over to help her. Nor should she have become so absorbed in making and re-making the jelly that she didn’t cook dinner; nor should she have let herself be so distraught about the failed jelly, or lost her temper with John and then run to her room, leaving him to improvise a bread-and-cheese dinner and entertain Mr. Scott alone.
John is also at fault and acknowledges it. He shouldn’t have forgotten that Meg was making jelly that day and brought home a guest without warning. He shouldn’t have laughed at Meg’s anguish over the failed jelly, nor should he have joked that he and Mr. Scott “won’t ask for jelly” with dinner. But let’s be fair to John. His laughter is probably just as much out of relief as out of amusement, because when he first comes home and finds Meg sobbing, he worries that something terrible has happened. Then, when he realizes no food has been cooked, he’s understandably annoyed because he’s come home from work tired and hungry, with a guest too, and Meg hasn’t done what she promised she would. But he doesn’t lose his temper; he stays calm and amiable and accepts a cold-cut meal; he just gives his annoyance a tiny vent with his joking barb about the jelly. Then Meg overreacts in response.
In the hours afterwards, he and Meg are still polite to each other, just a bit distant, each sorry but waiting for the other to apologize first. Then, when Meg finally breaks the ice, they both apologize (not just Meg – in fact only John verbally apologizes, Meg just does it with a kiss), everything is fine again, and from then on they both laugh about the incident.
Maybe by modern standards, it is problematic that Marmee has urged Meg to be careful not to make John angry and to always apologize first when they’re both at fault. But it’s not because John has “a volcanic temper,” as Samantha Ellis inexplicably claimed– he so clearly doesn’t! Nor is Marmee’s message “Men are less forgiving than women so we need to placate them.” She’s not talking about “men,” but about John the individual, and she’s not urging Meg to placate him either. All she means is that John’s anger doesn’t flare up and die quickly like the March women’s, but simmers much longer because he represses it.
Then there’s the silk incident.
Say what you will about vanity-shaming and other gendered implications (which of course are valid), but Meg didn’t need an expensive silk dress, and she shouldn’t have ordered it without telling John. It’s not that a wife should ask her husband’s permission to spend money; it’s that no one, regardless of gender, should do anything behind their spouse’s back that they’re ashamed to admit. And again, John doesn’t get angry. He accepts the expense without complaining. He’s just hurt; he works so hard to provide for Meg, and the fact that what he provides isn’t good enough for her, that she says “I’m tired of being poor,” makes him feel inadequate. Yet he tries not to show his hurt and is willing to let Meg have the dress. He cancels his own order for a new overcoat so they can afford it; he’s willing to sacrifice something he needs for something Meg wants but doesn’t need. When Meg sells the silk and buys the overcoat for John instead, she’s only repaying his selflessness in kind.
Finally, we reach the chapter “On the Shelf.”
I’ve read several feminist articles that criticize this chapter and especially John’s behavior in it. But I don’t agree with any of them. John isn’t being selfish the way Meg briefly thinks he is; he’s not jealous of her attention to the twins. By all appearances, Meg genuinely neglects him and overwhelms herself too, because she devotes every waking moment to her two toddlers and thinks no one can properly take care of them but herself. Again she’s trying to be superhuman because she’s afraid of failure. She doesn’t let John be a parent to his own children, or take any time to relax either, and she spoils the twins and makes things harder for herself by giving in to their tantrums. I understand why some feminists are rankled when John starts spending his evenings elsewhere, Meg feels ignored, and Marmee tells her it’s her own fault for forgetting ‘her duty to her husband.” But even if that wording isn’t ideal by modern standards, it's arguably true. To blame John for “not bothering” to help take care of the twins and “forcing” Meg to do it all alone, as some of these critics do, is just the opposite of what the chapter means to convey.
And again, John doesn’t get angry or complain. Nor, unlike what some of these critics seem to think, does he cheat on Meg, either physically or emotionally. He just goes to visit the Scotts rather than feel lonely and useless at home (where Samantha Ellis got the idea that he goes to “what sounds like a dodgy establishment” is beyond me; it’s a friend’s house), and just because Meg worries that his eye is roving to pretty Mrs. Scott doesn’t mean it is.
Arguably, this chapter has a very feminist message about egalitarian marriage and co-parenting. Instead of doing all the work alone and sacrificing her own wellbeing, Meg learns to share her parenting duties with John, and to let Hannah babysit often so they can have much-needed time to themselves too. She also starts to converse with John about politics, so he doesn’t constantly feel the need to seek out a male friend to discuss them, and he returns the favor by conversing with her about domestic subjects too. Traditional gender divides are relaxed. By the end of the chapter, their marriage is more balanced and equal than ever.
I’ve also read complaints about John’s co-parenting. The fact that Meg is portrayed as too soft-hearted, spoiling rowdy Demi and needing John to discipline him. The fact that John and therefore Alcott advocates the potentially traumatic “cry it out” method of sleep training. The fact that John insists on handling Demi’s tantrum in his own way despite Meg’s objections and Meg reluctantly gives in, with references to John’s “masterful tone” and Meg’s “docility.” The possible sexist implication that John knows how to parent better than Meg does.
But I don’t think Alcott meant to imply that John is a better parent than Meg or meant us to see him as lording over her. Even though he won’t let her give in to Demi’s demands, what finally stops Demi’s tantrum is a kiss from Meg after he’s been allowed to cry for a few minutes. They solve the problem together by combining John’s discipline with Meg’s tenderness. Then John shows tenderness of his own by lying down on the bed and holding Demi as he falls asleep, so it’s not a straightforward “cry it out” that he (or Alcott) advocates for sleep training, but something closer to the Ferber Method.
Of course there is an old-fashioned, traditional aura to Meg and John’s marriage and to their roles in the house: Meg as homemaker and John as breadwinner, Meg as nurturer and John as disciplinarian to the twins, and her fondness for sitting in his lap. But of the four March sisters, Meg was always the most traditional young woman of her era. Her marriage dynamic might not be what Jo or even Amy would want, but it’s just right for Meg. And Alcott shows us that with the right effort, even a basically traditional marriage can be egalitarian and mutually healthy.
The one feminist complaint I might sympathize with is that all three of these episodes do revolve around Meg learning to be a better wife. In each instance, Meg is portrayed as being more at fault than John, and she’s the one who learns the chief lesson. But I don’t consider this a sexist choice either. The March sisters are the protagonists of Little Women. Their coming-of-age journeys and personal growth are the focal point. John is a supporting character, so it’s arguably only natural that the “married life” chapters focus more on Meg’s personal growth than on his.
These are the reasons why I personally enjoy the chapters revolving around Meg and John’s marriage, and why I don’t consider them problematic or “depressing.” They’re just a realistic portrayal of the struggles, mistakes, and conflicts that occasionally rise within a happy marriage, which are resolved in a healthy way when both partners put in the necessary work. I understand where the critics who dislike those chapters are coming from, but I can’t bring myself to agree.
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froggywritesstuff · 1 year
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character list
the title is self explanatory. this is a list of the characters i'll write for. it'll probably change over time, and if you see a character you'd like but don't see them on the list, just ask cause i might've forgotten about them
Hamilton
Eliza Schuyler
Angelica Schuyler
Peggy Schuyler
Maria Reynolds
Alexander Hamilton
John Laurens
Philip Hamilton
Lafayette
Hercules Mulligan
James Madison
Thomas Jefferson
Aaron Burr
Umbrella Academy
Viktor Hargreeves
Diego Hargreeves
Klaus Hargreeves
Allison Hargreeves
Luther Hargreeves
Five Hargreeves
Ben Hargreeves (Umbrella or Sparrow)
Sloane Hargreeves
Jayme Hargreeves
Stranger Things
Will Byers (non female readers only)
Mike Wheeler
Lucas Sinclair
Dustin Henderson
Eleven Hopper
Max Mayfield
Robin Buckley (non male readers only)
Nancy Wheeler
Jonathan Byers
Steve Harrington
Eddie Munson
21 Chump Street
Justin Laboy
The Goldfinch
Boris Pavlikovsky
Theodore Decker
Marvel
Peter Parker (any actor)
Steve Rogers
Bucky Barnes
Sam Wilson
Makkari
Sersi
Sprite (platonic only)
Steven Grant
Marc Spector
Layla El-Faouly
America Chavez (non male readers only)
Kate Bishop
Yelena Belova (platonic only)
Shuri
Namor
Riri Williams
X-Men
Mystique
Kitty Pryde
Peter Maximoff
Rogue
In The Heights (movie version)
Usnavi de la Vega
Vanessa 
Nina Rosario
Benny
Sonny de la Vega 
Heathers
Veronica Sawyer
JD (Jason Dean)
Heather Chandler
Heather McNamara
Heather Duke
John Doe
John Doe
Ride The Cyclone
Noel Gruber (male or nb readers only)
Ocean O'Connel Rosenburg
Mischa Bachinski
Constance Blackwood
Ricky Potts
Hatchetfieldverse
Paul Matthews
Emma Perkins
Ted Spankoffski
Bill Woodard
Ruth Fleming
Pete Spankoffski
Richie Lipschitz
Max Jagerman
Grace Chasity
Lex Foster
Ethan Green
Hannah Foster (platonic only)
Heartstopper
Charlie Spring (non female readers only)
Nick Nelson
Tara Jones (non male readers only)
Darcy Olsson (non male readers readers only)
Elle Argent
Tao Xu (non male readers only(headcanoning him as bi or pan is disrespectful and transphobic))
Tori Spring
Imogen Heaney
Isaac Henderson (platonic only)
Do Revenge
Eleanor Levetan (non male readers only)
Drea Torres
Deadpool
Wade Wilson/Deadpool
Wednesday
Wednesday Addams
Enid Sinclair
Bianca Barclay
Xavier Thorpe
Ajax Petropolus
Eugene Otinger
(young) Morticia Addams
(young) Gomez Addams
Beetlejuice
Lydia Deetz
Tomorrow When The War Began
Ellie Linton
Lee Takkam
Fiona Maxwell
Homer Yannos
Spider-Man: Into the Spider-Verse/Across the Spider-Verse
Miles Morales
Gwen Stacy
Pavitr Prabhakar
Hobie Brown
Margo Kess
Miles G Morales (earth 42)
Miguel O’Hara
Maze Runner
Thomas
Newt (non female readers only)
The Broken Hearts Gallery
Lucy Gulliver
Nadine (non male readers only)
Nick Danielson
Treasure Planet
Jim Hawkins
Enola Holmes
Enola Holmes
Lord Tewkesbury
Turning Red
Mei Mei
Miriam
Abby
Priya
Raising Dion
Nicole Warren
Tevin Wakefield
Dion Warren (platonic only)
Julie and the Phantoms
Julie Molina
Luke Patterson
Reggie Peters
Alex Mercer (non female readers only)
Flynn
Carrie
Abbott Elementary
Janine Teagues
Jacob Hill (non female readers only)
Gregory Eddie
Brooklyn Nine-Nine
Jake Peralta
Amy Santiago
Rosa Diaz
Love Victor
Victor Salazar (non female readers only)
Benji (non female readers only)
Felix Weston
Pilar Salazar
Lake Meriwether
Lucy
Mia Brooks
Andrew
In Treatment
Eladio
Laila
Spree
Kurt Kunkle
Once Upon a Time
Emma Swan
Regina Mills
Killian Jones
Mary Margaret Blanchard
David Nolan
Henry Mills
Mulan (non male readers only)
Graham
Neal Cassidy
Peter Pan
Jefferson
Dash and Lily
Dash
Lily
Boomer
Juno
Juno MacGuff
Paulie Bleeker
Summer Days Summer Nights
Debbie Espinoza
Frankie Espinoza
Scream (1 through 6)
Sidney Prescott
Billy Loomis
Mickey Altieri
Roman Bridger
Jill Roberts
Charlie Walker
Sam Carpenter
Tara Carpenter
Amber Freeman
Chad Meeks-Martin
Mindy Meeks-Martin
Quinn Bailey
Venom
Eddie Brock
Honest Thief
Ramon Hall
Beth Hall
Wild Child
Poppy Moore
Kate
Drippy
Freddie Kingsley
Monsters and Men
Manny Ortega
Marisol Ortega
Ghostbusters: Afterlife
Trevor Spengler
Phoebe Spengler (platonic only)
Error 143
Micah Yujin
Community
Abed Nadir
Troy Barnes
Annie Edison
Jeff Winger
Britta Perry
The Obession
Logan
Delilah
The New Girl
Lia Setiawan
Stacey Hoffman
Mythic Quest
Poppy Li
Brad Bakshi
Adventure Time
Finn
Princess Bubblegum
Marceline
Marshall Lee
Prince Bubblegum
Flame Princess
School Spirits
Madison
Simon
Charley (non female readers only)
Wally
Rhonda
Dungeons and Dragons: Honour Among Thieves
Simon Aumar
Disventure Camp
Aiden (non fem readers only)
James (non fem readers only)
Grease: Rise of the Pink Ladies
Jane Facciano
Olivia Valdovinos
Nancy Nakagawa
Cynthia Zdunowski
Richie Valdovinos
Ted Lasso
Ted Lasso
Roy Kent
Jamie Tartt
Keeley Jones
Sam Obisanya
Transformers: Rise of the Beasts
Noah Diaz
Elena Wallace
Mirage
Helluva Boss
Blitzø
Stolas (non female readers only)
Loona
Millie
Moxxie
Octavia
Verosika Mayday
Fizzarolli
Asmodeus
Hazbin Hotel
Charlie Morningstar
Vaggie (non male readers only)
Angel Dust (non female readers only)
Husk
Alastor (platonic only)
Vox
Lucifer
Teenage Mutant Ninja Turtles (rise + mutant mayhem + tmnt 2007 + tmnt 2012)
Donnie
Mikey
Raph
Leo
April
The After Party
Yasper Lennov
Space Force
Tony Scarapiducci
Renfield
Teddy Lobo
Robert Montague Renfield
Undercovers
Bill Hoyt
Amazing Digital Circus
Jax
Parks and Recreation
Leslie Knope
Ben Wyatt
April Ludgate
Andy Dwyer
Jean-Ralphio Saperstein
Randy Cunningham: 9th Grade Ninja
Randy Cunningham (18+ people DNI unless requesting platonic stories)
The Earliest Show
Josh Bath
House of Lies
Clyde Oberholt
Mean Girls (movie + musical + movie musical)
Cady Heron
Regina George
Gretchen Wieners
Karen Smith/Shetty
Janis Ian/Sarkisian/Imi'ike (non male readers only)
Damian Hubbard (non female readers only)
Warm Bodies
R
Peep World
Nathan Meyerwitz
Your Boyfriend
Peter Dunbar
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zoeyslament · 6 months
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Having RtC brainrot again, so a bit about the choir’s parents!!
Ocean: We already know her parents are “far left of center humanists” which is part of what makes her who she is. But we don’t really know their names, which is why I have given them Barry and Patsy O’Connell Rosenberg (I wanted something kinda old-timey for what ever reason and went with it)
Noel: This is where I actually think about things! His mother’s name is Rebecca Gruber. In one ‘Meet the Choir’ video, Noel mentions his father leaving the family, and he was clearly old enough to have remembered and already in his ‘post war France’ obsession so I pinned it at around 10 years old. Anyway, his father and mother get into an argument over their suspections that their son is gay. It ends in his father (whose name is Nathaniel Gruber) leaving
Mischa: N/A, we already sort of know what we need to with him.
Ricky: His parents’ names are Ben and Hannah Potts. Ben Potts (name stolen from a book I love and also a lot of his personality) was like a big dnd player in his youth so he teaches Ricky to play too. They develop a way of playing without talking. His mother, Hannah Potts, takes a lot more pity on Ricky than his father does
Penny: again N/A, Legoland tells us what we need to know
Constance: Her parents’ names are Anthony and Margaret Blackwood. The Blackwoods have lived in Uranium since its founding, as we know. And on her mother’s side, I wanna say Constance is actually related to the founder of Uranium! Her father owns the cafe and does the inventory and money side of things while Constance and her mother handle the bakery and kitchen! Oh, and her little brother’s name is Henry Blackwood.
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randomestfandoms-ocs · 3 months
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Crossover List: Any Descendants ocs??
(went with Gabe bc he's my son and I have so many more ideas for him 🥺)
Addie
Beatrice
Chiara Potts
Eliane
Evander Grimhilde
Fitz Rider / Fraser Fitzherbert
Hannah Westergaard
Harley Hook
Princess Isabelle
Keto Jones
Lovetta Garou
Maria Frollo
Raina Gold
Rini
Savina Stromboli
Winona Sykes
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witchofthemidlands · 7 months
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i would say ✨family photo✨ but there's no rex ☹️
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the--life--of--hannah · 11 months
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happy birthday ricky
your sabm tag scratches an itch in my brain i didnt know i had
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ruthkearneydaily · 1 year
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Mum and Dad lecturing the kids.
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elamaine · 2 years
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Masterlist (who i write for) <3
i do allow mlm and wlw and poly relationships x and please request stuff x
ㄒ卂Ꮆㄥ丨丂ㄒ
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                        📞ㄒ卄乇 乃ㄥ卂匚Ҝ卩卄ㄖ几乇 📞
finney blake 
robin arellano 
billy showalter
vance hopper
griffin staggs (platonic)
gwen blake 
bruce yamada                       
                       💥丂ㄒ尺卂几Ꮆ乇尺 ㄒ卄丨几Ꮆ丂💥
jane hopper
mike wheeler
nancy wheeler
argyle
jonathan byers
will byers
lucas sinclair
erica sinclair (platonic)
001/henry/peter/vecna
eddie munson
billy hargrove
steve harrington
max mayfield
tommy hagan
angela
jason carver
gareth emerson
                                    🌠 乇ㄩ卩卄ㄖ尺丨卂🌠
(sometimes) nate jacob
maddy perez
cassie howard
lexi howard
fezco o’neil 
ashtray o’neil (platonic)
rue bennett
jules vaughn
kat hernadez
chris mckay
ethan lewis
BB
elliot
                                 🩸 尺丨ᐯ乇尺ᗪ卂ㄥ乇🩸
archie andrews
betty cooper
jughead jones
veronica lodge
cheryl blossom
jason blossom
toni topaz
kevin keller
reggie mantle
F. P jones
sweet pea
fangs fogarty
jellybean jones (platonic)
                       🍿13 尺乇卂丂ㄖ几丂 山卄ㄚ🍿
clay jensen
jessica davis
hannah baker
justin foley
(sometimes) bryce walker
tony padilla
zach dempsey
alex standall
                  🌕ㄒ卄乇 爪卂乙乇 尺ㄩ几几乇尺🌕
newt
frypan
thomas
gally
minho
ben
chuck (platonic)
terasa
alby
                                         👽 爪卂尺ᐯ乇ㄥ👽
bruce banner
tony stark
steve rogers
natasha romanoff
wanda maximoff
pietro maximoff
vision
spiderman (andrew, tom, and toby)
pepper potts
morgan stark (platonic)
bucky barnes
peggy carter
howard stark (young)
ikaris
sersi
sprite (platonic)
thena
drugi
makkari
and more!
                  🫣几乇ᐯ乇尺 卄卂ᐯ乇 丨 乇ᐯ乇尺🫣
devi vishwakumar
paxton hall-yoshida
ben gross
fabioal torres
kamala 
aneesa qureshi
trent
elanore wong
jonah sharpe
rebecca hall-yoshida (platonic)
                                   🐍 匚ㄖ乃尺卂 Ҝ卂丨🐍
johnny lawrence
robby keene
daniel larusso
miguel diaz
tory nicholas 
eli mokowitz
samantha larusso
john kresse
terry sliver
                                🍰丨几丂卂ㄒ丨卂乃ㄥ乇 🍰
patty bladel
brick armstrong
robert armstrong
bob barnard
coralee huggins
nonnie thompson
magnoila barnard 
christen keene
dixie sinclair
regina sinclair
henry lee
                                                🎈丨ㄒ 🎈
richie tozier
eddie kaprask
stanley uris
beverly marsh
ben denbrough
henry bowers
reggie huggins
patrick hockstetter
victor criss
ben hanscom
It
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i will add some more later <33 likes, comment, reblogs are appreciated xx
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queenclaudiabrown · 9 months
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She'll Be Coming With Us | Cast
Lucy Brown as CLAUDIA BROWN
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the mediator
“I suppose I owe it to the taxpayer to do more than sit in my room and suck the minibar dry.”
Douglas Henshall as PROFESSOR NICK CUTTER
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the maverick expert
“Some force out there ripped the boundaries of space and time to shreds….  Believe me, it’s very, very far from over.”
Ben Miller as SIR JAMES LESTER
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the big boss
“I don’t like anyone to whom the adjective ‘maverick’ might be applied.”
Juliet Aubrey as HELEN CUTTER
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the time traveler
“All this urban living has made human beings such a lazy animals.”
Mark Wakeling as CAPTAIN TOM RYAN
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the protector
“Shoot to kill.  That makes a refreshing change- I was beginning to feel like a social worker.”
Hannah Spearritt as ABIGAIL ‘ABBY’ MAITLAND
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the zookeeper
“Look at the way we treat animals now….  Every day, a new species disappears.  What would people do to creatures they don't understand?”
James Murray as STEPHEN HART
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the mighty hunter
“Pick on someone your own size.”
Andrew-Lee Potts as CONNOR TEMPLE
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the brilliant boy
“I don’t suppose you’d consider giving me a cool nickname, would you?”
Alexandra Afryea as LORRAINE WICKES
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the sassy assistant
“I got to where I am by shutting my mouth when I had to, but swearing and shouting when the occasion called for it.”
WITH:
Uncredited Actor as LIEUTENANT JOE REYNOLDS
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Uncredited Actor as CORPORAL TODD O’DONNELL
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Uncredited Actor as LIEUTENANT DANIEL WILLIAMS
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Uncredited Actor as CORPORAL CALVIN BURANELLI
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Adam G. Goodwin as CORPORAL COLIN GOODWIN
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AND:
additional cast to be added as they appear
@witchofthemidlands @whispers-of-gallifrey @chocolatesawfish @thegingergal @whatkindofnameisvolta
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