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#I mean the family he was around the most and had the biggest roles in his childhood/life
bruhstation · 2 days
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Curious question, what exactly is Spencer's (more lore-y/important) role within CSTM besides from (most likely) being the "storywise a well-written villain, irl just a cocky idiot"
Like I mean he did try to scrap/cause harm to Hiro, but any other crimes he's done to affect other characters' arcs or/and big plots?
( -🧀non)
spencer's most notable influence was in the HOTR arc. story-wise, he is supposed to challenge hiro's values and give the older man a metaphorical slap to the face (funnily enough, spencer chasing hiro around the island reminded hiro that he still wanted to live and gave him a reason to carry on despite losing his family and being a patron of the gold dust). spencer's biggest crime is trying to hunt down hiro. he doesn't get any more worse than that, luckily. I've mentioned his other disrespectful as hell actions multiple times in this blog too but atp it's more annoying than insensitive or offensive to gordon and scott
writing sense I wanted to make spencer gordon's antithesis. the basis is that "spencer is what gordon could've turned out had it not been for his loved ones" and I just wrote what I wanted to write! they represent both sides of the gresley family -- gordon grew up with a loving family, spencer grew up in an environment where his relatives would rip each other apart for land and inheritance. gordon lost his family members bit by bit while spencer's still standing (with a few loses). gordon and spencer both heavily struggled with maintaining long-term friendships in their youths, but while gordon eventually hardened his heart and let his short lived connections come and go, spencer messed with people just to feel some sort of relief in his heart. both gordon and spencer are old pompous showoffs, but while gordon strived to become a better person because he realizes that he doesn't want to lose the people important to him anymore, spencer gave up on correcting himself because he thinks he's way too far gone (and being mean is way easier). then hiro came to view
spencer's a fun character. he makes me a bit sad. then I remember that he visits his cousin's funerals for the food and it makes me stifle my laughter like that one ish*wspeed gif
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gojos-thot-patrol · 9 months
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i DEFINITELY want more Frat Boy Sukuna!!! 😍😍😍😍
Oh man, you're twisting my arm so hard here nonnie, what ever will I do?
I guess I'm just going to have to post some headcanons and frame work I have for the up coming part 2 (Of which you can get on the tag list for it: here!) Oh! And if you want a refresher, you can find Seven Minuets in Heaven Here!
Now Presenting...
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Some supplemental reading if you will ;)
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Ok, lets start with just some basic information on our boy
Hes in the Alpha Beta Omega frat, or the ABO frat. The entire Frat is very quick to point out they’ve been around longer than ABO when you bring it up, minus Ryomen. 
He just tells you he’s an Alpha and asks if you’re trying to be his Omega. It normally gets whatever reaction he wants
He’s majoring in business against his will (Remember this: It will come up) with a minor in he’s really about: History
If taking over his fathers very lucrative business (Again: This will come back up later) fails, he wants to be a history teacher.
He often bonds with Nanami over hating their shared major and being annoyed with Gojo and Geto making out in the most inconvenient places.
He sells drugs on the side to supplement his income, but nothing harder than weed because “Weeds not even a drug when you think about it.”
Is known for being the biggest manslut in the manslut frat. But hey, at least he gets tested regularly. 
Ok, so now I want to start with a little bit of his background because it informs a lot about how I characterize him.
He’s Yuji’s older brother by about 4 years. Both of them look almost exactly like their father. The man really said Ctrl C, Ctrl V, Ctrl V. 
Their father left when they were 7 and 3 respectively. Yuji doesn’t remember, but Ryomen very clearly remembers how horrible their father was to their mother. To him, it was a relief when that asshole finally abandoned the family for good.
The family moved in with their Grandpa, who was one of the very old school “I will only tell my kids I love them on my death bed” types. He also died when the boys were only 13 and 9.
Meaning our boy never really had a good role model for how to perform masculinity, and now that he’s an adult he finds himself pretending to be the type of man media told him he was supposed to be. Somewhere between Tyler Durden and Joey Tribbiani. He doesn’t think he’s very good at this performance. 
The moment he turned 16, he started getting piercings to try and look less like his dad. The moment he turned 18 he got his tattoos to really separate himself from his father. Yuji thinks it’s insane, but Ryomen thinks it’s worth it to be able to look in the mirror without wanting to punch it.
His father reached out to him his senior year of high school. He offered to pay for 100% of Sukuna’s college tuition, as long as he majored in business and took over the “family” company once he graduated.
Yea, turns out dear old dads new wife couldn’t conceive, and his smoking had finally caught up with him in the form of lung cancer. Faced with an inevitable death, he was desperate for an heir. 
Ryomen may have despised his father with everything in his being, but he realized how stupid it would be to throw away not only a free education, but also a guaranteed career. So he agreed.
OKAY now that that’s outta the way, let’s get into how he is in a relationship 😈
You are his first real relationship. He’s had “relationships” that lasted officially about 2 weeks at the longest. He’s had a plethora of situationships where he’d make promises he had no intention to keep. But as far as actually, serious, relationships you’re number one. 
And genuinely this new emotion kinda scares the shit out of him. The first time he got love pangs he thought he was having a panic attack, the first time you brushed him off he felt like he shattered. this shit sucks yo, no wonder the Greeks thought it was a mental illness.
He has no idea how to properly love someone, he’s winging this shit: Doing everything entirely based on vibes
In his past “relationships” the moment conflict arose, he would leave. He doesn’t want to do that to you though, so head it is.
I’m not joking, the moment you have an issue he’s taking you to bed to try and distract you. And he’s always shocked when you still want to, ya know, communicate about issues you’re having after the fact. And he’s always even more shocked when you don’t just leave the moment conflict arises. 
Did I mention he has no real concept of how healthy relationships work?
He’s trying though. He’s trying harder to make this work than he’s trying to keep his grades up. 
Often catches himself flirting with other girls without even realizing it, it’s just second nature to him. He’ll always disengage the moment he realizes
Oh he’s jealous. Oh he’s so jealous. He sees you just talking to another guy and he’s spiraling in his head. He’s immediately getting involved and planting hickies on your neck right in front of whoever you’re talking to, because you’re his god damn it.
As such he loves to buy you jewelry. His dad’s got fuck you money, and he plans to spend it all on you. His current favorite thing to see you wear it a dainty, golden chain, with a ruby encrustedfrat b R hanging from it. It looked gorgeous on you, and marked you as undeniably his. 
Suguru has 1000% had to talk him out of getting a tattoo of your name, this man is down so unbelievably bad. He’s never really been in love before, and now that he’s feeling it he’s overwhelmed by it.
This man really thought he was above getting pussy drunk until he hooked up with you. Now he realizes he’s is Not. At. All immune to it, and is actually quite prone to it!
Ultimately, his goal is to marry you after graduation, even though his fraternity brothers are highly against it. Not because they don’t like you, quite the contrary, they love you! But they all know that marrying your first love probably isn’t the move, and that the two of you have a lot of problems to work through. They want him to at least wait a few years before popping the question.
Still, every once in awhile he catches himself looking at rings and day dreaming about the future.
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comradekatara · 3 months
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Any fun Aang facts/ headcanons/ thoughts?
i don’t know if this is exactly fun but i think a lot about aang coping the first couple years after the end of the war. like i think on a spectrum of “the war is over and im so happy!!” to “suddenly thrust into a leadership position that is uniquely isolating and horrible,” aang perhaps isn’t struggling as much as the new firelord, but it’s a close thing.
i think katara would be the one who is happiest out of all of the gaang, since the war being over relieves this huge weight off her shoulders and she also gets to do the fulfilling work of rebuilding her tribe and finally being able to live up the potential she’s always imagined for herself, being able to preserve and pass on her heritage to a hopeful new generation. (that isn’t to say that she isn’t traveling the world with aang, trying to mitigate the damage caused by the war, but she would go back home as soon as possible. she needs to see gran gran!!!) there’s a sense of pride and satisfaction and joy to her role in this world that cannot be denied. 
suki is in a similar position, where as the leader of the kyoshi warriors, her reunion with her sisters and their return to kyoshi island would be triumphant and joyous, and she gets to participate in the process of teaching a new generation of warriors, passing on her traditions and using her skillset to help people elsewhere. but then there’s also the lingering, nagging memory of being alone in a maximum security prison, and that trauma isn’t something one just gets over… 
i see toph, more than anyone, spending the most time with zuko in the fire nation. she understands what it’s like to be alone, and she’d rather be with her family than her biological parents. i think she does visit them, but it doesn’t go well. toph may be incredibly sharp and mature for her age, but she is still just a kid, and the fact that her father will continue to reject her his entire life is a great wound, as much as she could flippantly deny it. but zuko understands what that’s like more than anyone, so being able to help him helps her through her own pain. even if zuko is a dick about it (although i think she stubbornly forces him to acknowledge her pain at some point instead of just outright dismissing her like he did on ember island), it’s a symbiotic relationship in its own way. i mean, he could definitely use a human lie detector. 
sokka is like all over the place. i don’t know man he’s too complicated to sum up in one little paragraph. but yeah let’s just say the war ending doesn’t automatically Heal him and Solve his copious Issues. because it does solve some things but it also causes other problems. new problems even. but i already sort of talk about that here so let’s just move that for now. 
and then of course zuko being crowned boy king of racist nation is like… not great. it works for thematic/symbolic/narrative reasons, of course, but realistically. it's a struggle! so, like i said, i think toph would stick by his side, and i think aang spends a lot of time in fire nation as well, and sokka as much as possible (NOT because he loves zuko, but because he thinks zuko is very stupid and he’s the world’s biggest control freak so if he doesn’t micromanage everything he’ll feel like it’s his fault if anything goes wrong). but iroh is…. not there. his best friend katara (i said what i said) is in the south pole or traveling the world or anywhere but Here. azula is. broken?? the world?? is broken?? and he (famously a fuck-up) is supposed to fix it???? poor kid. 
anyway. this is all preamble to contextualize what can only be described as The Worst Puberty Anyone’s Ever Had. okay here’s a bonus fun headcanon: aang is born in october! i say this because he’s the most libra to ever do it (i don’t know shit about astrology but i do know that). so for the entire run of the show (from winter to summer) he is twelve years old. i don’t know if you’ve been around any twelve year old boys recently (not to brag, but i have), but they are Going Through It. and that’s the average twelve year old, not even including the shocking temporal displacement and being the sole survivor of a genocide and shouldering the burden of the whole fucking world and knowing that an entire country full of people want you dead. 
the fact that aang maintains his childlike wonder and sweetness for the most part means that it’s going to hit him like a truck once the war ends and he finally has a chance to focus on himself. we see the early stages of puberty affecting him in terms of how he behaves around katara, the change between his book one kiddie crush and his book three confusion and intensity. but it’s more than just burgeoning sexuality. he wakes up, is informed that he’s been stuck in an iceberg for a century, that everyone he ever knew with the exception of appa and bumi are dead due to a genocide, and that it’s his responsibility to end the war. and the rest of the show is him trying to step into that duty and finally becoming the kind of person the world needs him to be. and now… it’s over.  
on one hand, there’s that overwhelming sense of relief. he did it. he successfully prevented yet another genocide, stopped the war, and did it all without compromising his values. his new friends (his new family) are all alive and safe and now can rebuild the world together. they can rest and have fun and be kids. and that’s what aang is celebrating in the finale when he looks at all of them and smiles, when he hugs katara in acknowledgement of how far they’ve come. aang is incredibly strong and resilient, and it’s a strength that comes from a place of genuine love and understanding. he was taught good values as a kid, values that have guided him through the most unimaginable of tragedies. but he’s not perfect. no one is. 
no one can prevent the oncoming swirl of hormones and trauma and second-guessing that is about to hit aang once it finally occurs to him that the purpose he has been fighting for ever since his entire life changed is now over, basically, and he has to figure out what it means to be alive outside of one sole, defining goal. as anne carson said in red doc>, “to live past the end of your myth is a perilous thing.” as jp sartre said in la nausée, “i outlive myself” (specifically, anny says it to roquentin). what is aang doing if not ouliving himself? had he lived a normal lifespan that hadn’t been disrupted by a spiritually imposed stasis, he probably would’ve been dead by now (long dead, if we can assume that his death in lok is by natural causes). and his myth, his grand destiny of stopping the war and once more carving out a space for his people in this brave new world? well, he did it. accomplished it with flying colors. now it’s over. now he is a perilous thing. 
as i alluded to before, i think the only person who can really truly empathize with aang’s situation is sokka. sokka, too, has survived beyond any point he imagined. he has built his entire identity around being a shield, and now that the war is over, his ability to protect others from immediate threats and sacrifice himself for a cause has been ripped away from him. he now has to forge an identity beyond reducing himself to a soldier, in a fundamentally unfamiliar world. sokka was shaped by war, and yet he lived past it, past the end of his myth. aang’s world is now also unfamiliar, not solely because the war is over, but because the war is over and yet he is still alone. he did it, he saved the day, and yet what is his reward? he saved a lot of people, but none of his people. he can never go home again. 
aang and sokka’s role as foils is something i want to write about more because i do find it truly fascinating, but in these terms i think we can also read their psychological states postwar as a sort of reciprocal dynamic. i’ve spoken in the past about how in a postwar reconstruction landscape, sokka would do a lot of the administrative work that aang cannot. not only because aang is literally twelve, but because aang cannot focus all his attention on this world when he is also its only real tether to the past. so sokka would make room for aang to focus on being the last airbender by sort of taking on the mantle of pseudo-avatar. solely in the most bureaucratic sense of the title, of course, but that would be the role that sustains and (somewhat) fulfills him after the war. and i think aang would be grateful for that, but he’d also be somewhat resentful?? not of sokka (aang is too emotionally mature for that, plus he respects sokka too much), but he’d definitely resent himself. think about how guilty and shameful he feels whenever he feels like he’s let the world down due to factors beyond his control. and so the fact that sokka is doing so much of what aang himself should be doing because he’s too busy being defined by his status as a genocide survivor… well, it might make him angry. he might lash out. and we’ve seen him frustrated, volatile, and emotionally confused. it’s not pretty. 
i know that we all only want the best for aang and want him to be happy and thriving after the war because he’s such a perfect kid who deserves the world, but realistically, i do think there would be a period where he’s kind of hard to be around. not only because that’s just something that happens to all adorable baby boys once they turn thirteen (i, for one, learned this lesson extremely painfully), but because he’s dealing with a lot and the only person who even remotely understands what he’s going through is also the most emotionally repressed guy he knows. 
throughout atla, he never allows himself a moment to just stop and feel, because the depth of his grief is actually scary and incredibly difficult to confront. but i think if he did ever allow himself to feel, he might never stop. he might, in fact, spend a month or so curled up in blankets in bed eating nothing but bean curd puffs and shutting out everyone but momo. i actually think that’s more realistic than him immediately entering a perfect relationship with katara and being highschool sweethearts and popping out three kids. and frankly, i think going through that kind of depression now that he no longer has any pressing responsibilities also happens to be something he’s earned. he’s been pushing down his grief, ignoring it, distracting himself from it, this whole time. it’s time he finally lets himself feel. 
on a happier note, i like thinking about aang and suki getting closer after the war (or even being close offscreen during the show, like on ember island). i like to think that suki can act as a sort of cool big sister figure to aang, who has suffered just enough that she can empathize with his pain, but isn’t too close to the situation (like fellow genocide survivors katara and sokka, or genocide perperators’ direct descendants, like zuko) that she can still discuss it with him without bringing her own baggage into the fore. she’s very good at giving direct, no-bullshit advice in a nonetheless kind and compassionate way, and she’s also very good at joking around and knowing how to let loose and have fun in a way aang appreciates. she also really admires and highly values the role of the avatar in the world, and she also admires and cherishes aang as a person, so i think she could give him that kind of measured encouragement that aang really needs to hear. 
obviously katara has done this for aang a lot in the past, and i’m not saying she wouldn’t also continue to be a shoulder for aang to lean on, because no matter how much he may try to push her away, she will always be there for him, but i think suki also sort of provides a necessary detachment where he isn’t bogged down by any romantic feelings for her and she isn’t bogged down by her own all too similar trauma the way katara is. suki has people to help her work through her own trauma (sokka, her sisters, etc.) so aang doesn’t need to reciprocate. she’s just happy to be there for her surrogate baby bro who needs her. she’ll serve the avatar in any way she can, whether by becoming a kyoshi warrior, by sacrificing herself to free his bison, or by just chilling with him in bed while he rants about his impossible situation and cries on her shoulder.
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look-at-the-soul · 8 months
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Behind the scenes- Peaky Blinders (Part 1)
Cillian Murphy x reader
BTS master list
Request
A/N: I wrote this to celebrate the 10th anniversary of the series… right on time before this day ends! I had to cut it into two parts because it got a bit longer… there are no words enough to thank each of you (the peaky fam) for what writing and reading has given me. This little project is really really special and I want to thank @notyour-valentine for tagging me in this request a while ago, thank you for your generosity Val, there’s a little gift between the lines for you. And for the help you provided for another part related to horses♥️
But also @heidimoreton for creating this gorgeous moodboard to go with this story! And my dear @holacia3 for the help you gave me too about horses and @forbidden-forest-witch this is for your belated birthday and the little surprise♥️
Word count: 4,745
✨ Summary: Join us at the stables as Cillian gets riding lessons for his iconic role as Tommy Shelby in the series Peaky Blinders. He came to learn all about horses, but he ended up falling in love not only with them.
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During his career, he had played several roles, learned how to walk on heels for Breakfast on Pluto, about space for Sunshine, even played a part in a film that was close to home in “The wind that shakes the Barley” about the historic war between Northern Ireland and Great Britain.
Acting was such a treat to calm -in a way- his hyperactive mind.
He preferred to not answer what he wasn’t willing to do for a role, because he’d probably do anything.
That included riding horses. Which, in reality he wasn’t a bit familiar with.
He had never even been close to one in his life. His driving skills were so poor, how would he fucking manage an animal that big?
Yet, here he was waiting in the living room of the horses sanctuary located in a remote place of England he had never heard before.
The sighting was breathtaking, the air so pure, no city noise, it was quiet, calm, everything he was looking for before the storm started, he had never been on a series before and the mental challenges of this character was the biggest of his entire career, he had never met a man as complex and with so many layers as this Tommy Shelby he had spent weeks reading, the internal turmoil this man has been through after the war wasn’t his only problem, his background included a household with lots of family problems, taking care of his younger siblings while stepping up to build an ilegal business and endless enemies that he would encounter along the way.
Cillian was greeted by the teenager behind the desk and asked him to wait because the trainer hadn’t show up that morning and she rushed to call someone else on a radio.
“Someone will be here shortly, can I offer you something to drink in the mean time sir?”
Cillian chuckled at the sir part.
“Water would be great.”
Turning around, he was able to see through the window, finding a woman galloping at speed and coming down from the horse without really stopping with just a jump.
Seconds later, the same woman entered the reception out of breath and walked straight to the girl.
“Your horse trainer called in sick again.” Cillian heard the teenager say.
“Thanks Willow, can you help me reschedule the appointment with the bank?”
“Sure, Y/N. Will you also reschedule his sessions?” The teenager pointed at him.
Until now, Cillian had only being able to watch her from behind; petite but lean frame, she had black tight pants, riding boots and a cream jumper on, her hair up in a high pony tail cascading on her upper back.
But when she turned around, Cillian was lost for words as the most angelic face met him.
And he wasn’t one bit religious.
“Mr. Murphy nice to meet you, I’m Y/N.” She offered her hand firmly along with a smile. “Our trainer isn’t available today, please accept my apologies could we reschedule?”
He stammered, not knowing what to say.
“Y/N, you could show him how to ride too.” The teenager proposed.
“I thought you’d be on your way to school young lady.” Y/N raised her eyebrows at the girl. God she was just like her aunt.
“Whatever, I was just saying.” Getting her bag, she stormed from behind the counter. “Should I tell aunt Val dinner is cancelled?”
Oh no.
She knew that look, it was the same her aunt would give her.
“Honey don’t tell your aunt anything.”
“Bye auntie! Bye Mr. Murphy!”
“Sorry, so? I think one of our trainers comes back from a horse fair on Saturday if that day works for you.”
Leaning on the counter, Cillian decided to take a risk. There was something about her.
“I’m in a bit of a hurry, would it give you a lot of trouble if you show me?”
“Not at all! I just thought you wanted a professional trainer that’s all.”
He smiled and for an instant, Y/N’s heart skipped a beat.
“Right, well… follow me this way.” She lead the way outside of the property. “Is this some kind of bucket list thing?” Mondays were usually quiet days at the sanctuary, nothing like the weekends when they were usually packed.
Cillian walked next to her, hands inside his pockets. Unsure about how much to reveal.
“I need to learn how to ride.” He chuckled a little, the script was phenomenal and he was extremely excited about it, but until now he wasn’t able to talk about the project.
Y/N guided him towards the stables, he had seen a few in movies or the telly, but being there in person, it was another story, it was huge and his heart got too excited as his eyes found the horses.
“Do you’ve a particular preference for a horse?” Y/N asked curious about the hermetic man before her.
“Racehorses.”
Y/N turned around slowly to look at him. There was a subtle accent different from his voice, but she brushed it away.
Cillian tried to clear his throat, aware of the voice tone he just used, he was still practicing the accent and mannerisms he had been building over this new character.
“Okay… I can’t let you ride a racehorse if you’ve never been on a horse.”
“Why not?”
“Look, horses are just like people, they’ve their own temper, feelings, the know when we’re scared or aggressive, we don’t mess around them… I’d suggest you start with a gentle horse first.”
“You seem to know a lot about them.” Cillian observed the way she was caressing one as they walked.
“I grew up in this place, my grandparents started this sanctuary, my mother was the only child and she kept the family business, then it was my time to take over.”
“How long have you been running this place?”
“Since I was eighteen.” Y/N admitted. “This is Sally, she’s a good girl.”
Cillian observed Y/N’s moves, the way she approached the horses. And she showed him the right way to caress the animal.
“Can I touch her?”
Bringing the hose to her by the muzzle, she giggled. “She says you can.”
“What else does she says?” It felt soft and he noticed the way Sally was moving her ears.
“That she doesn’t believe you, horses are one of the most intelligent creatures.”
Cillian chuckled, accepting the snack Y/N brought over. He was fascinated by the level of trust she showed with each animal, the way each of them reacted, it was so true, as he was noticing little differences in each horse as their own personalities, it was amazing and as Y/N shared more details about the place with him, he found it was impossible to keep lying to her, she had such an energy that was so inviting, giving him a lot of comfort.
Y/N introduced him to all of the horses, caressing each of them, mentioning little details about their personalities or a couple of qualities. She seemed to know them all well and Cillian was marveled by the way each horse behaved with her. Y/N spent a good amount of time explaining him some of the basics.
“I think I learned how to ride a horse before I started walking, all my childhood I was eager to get out of school to come home and run straight to the stables. They’ve been with me through my worst moments, they own such a healing power humans do not understand about, they’re pure creatures… sorry, I’m boring you.” She mumbled feeling her cheeks burn.
“Not at all, I find it fascinating… the way you talk to them and about them, it’s magical.”
“Y/N! The foal is coming early!”
Y/N’s face went blank they still had a few week left. Turning to Cillian she apologized, but she needed to be there, so she asked Jonah the guy how took care of the saddles to show Cillian around while she was gone, but it could be hours.
“Don’t worry, I’ll be fine, I’m staying at the small bed and breakfast that’s close.”
And he saw her run out of the stables, Jonah explained to him they built a small facility to those special occasions. The boy around his early twenties showed him the racks full of saddles and other equipment they used, he was surprised by all of the things they had around to use with the horses.
It was until around nine o clock when Y/N came down from the stairs, after taking a long bath, she had been so tired helping in the delivery that she just wanted a cup of tea and head off to sleep.
“Jesus, what are you doing here?” She gasped closing the robe tight against her body, she wasn’t expecting to find Cillian sitting by the window.
“Well I asked if I could use the books you’ve here and they said it was alright.” He smiled gently pointing at the pile of books he placed on the table next to him, an empty cup in the corner.
“You’ve been here reading since I left the stables?”
He chuckled a little, not aware of the track of time, he had been reading. “Yes, they’re fascinating.” He debated himself whether revealing her the truth or not.
Y/N threw him a puzzled look.
“You live here? Upstairs I mean.”
She nodded. “Yes, the house was so big so I turned the first floor into the main offices, the kitchen is in the back if you need anything.”
“Thanks, I’ve been looking around at the portraits, hope you don’t mind.”
Just as Y/N was about to answer him, a loud thunder echoed through the property. it was so loud it felt like the house would come crashing down. The sound of droplets of rain against the windows followed right after.
“I’d love to stay and talk about the books with you but I really need to go.” Y/N explained just as she rushed upstairs to get changed when she came back down a few minutes later, he noticed her hair was pulled back in a loose braid, cascading down her back.
“Wait.” Cillian stopped her placing his hand on her arm, “can I come with you?”
She was unsure because of his lack of knowledge, but Cillian seemed to read her mind. “I promise to stay back.”
“Okay.” She nodded and offered a rain jacket from the small closet next to the door.
“Is everything alright?” Cillian asked her with curiosity after getting in her vehicle to protect themselves from the heavy rain.
“It’s one of my horses… he gets pretty scary of this terrible weather.” She explained absently, holding the steering wheel with such force that made her knuckles turn white.
“Tell me about him.”
“Thunder is… special, he was born on a night like this and I know doing this sounds ridiculous, but how can I stand there and do nothing?”
She looked at him for an instant, all of her feelings right there in the surface for him to see and read. Cillian nodded, fighting against the lump on his throat that formed after detecting the passion in her voice.
In silence, Cillian followed Y/N inside the barn rushing immediately towards Thunder.
“There it is my good boy.” She started caressing the horse by the muzzle, gently. The horse was extremely agitated. “Everything’s fine… just a loud noise, you know that.”
Cillian found himself staring at her, unable to look anywhere else, he was under some kind of spell.
“Shh, shh.” She held the horse by the curb rein, -he now knew some of the horsemanship-. “Listen to me, Thunder.”
Marveled by her tactics and control over the horse, he couldn’t help it but start whispering a Romany poem he recently learned as part of the script for the series he was working in. Locking eyes with the beautiful animal, he felt like time stood still, it was as if the horse was going through every layer of his mind and soul and the rest of his surroundings faded away. Eventually, the horse started to give in, coming to a calm state.
“What did you do?” Y/N asked squinting her eyes. “It takes me ages to calm him down.”
Cillian shook his head, realizing the deep connection with the horse was gone but it was impossible to explain that it wasn’t him… it was his character’s nature. It was in his blood.
“It’s a poem.” He admitted quietly noticing the storm was coming down.
“In a foreign langua-?
“Thunder!” A boy stormed through the barn directly in the horse’s corral.
“Arlo what are you doing here? You’re supposed to be sleeping.”
“I thought Thunder might get scared.” He argued, poking his head in to make sure the horse was safe.
“You’re not allowed to come here by yourself in the middle of the night.” She argued.
“But Muuuum!”
Cillian’s heart skipped a beat.
“No buts, Thunder is perfectly fine.” She transformed into a completely different person. “We’re going back to the house right now.”
“Who are you?” Arlo gave him a look, a serious one.
“I’m showing him to ride a horse, focus… on the truck now.” She then turned to look at Cillian. “The only road that could take you to the b&b is probably stuck, it would be better if you stay at the house tonight.”
He wanted to argue, but judging by the intensity of the storm, she was right.
“Sure, thanks.”
She touched the horse’s nose a few times before closing the gate. Cillian followed them in silence, still moved about what just happened with that horse.
“How long are you staying?” Arlo asked Cillian from the back seat.
“A week.”
“What’s your favorite horse?” The kid asked.
“Arlo, it’s late and Mr. Murphy is probably tired.”
He shook his head. “Just Cillian please and it’s fine.”
Y/N’s breath caught in her throat as she saw Cillian giving her a wink and tilting his head.
Parking the truck, Arlo flew inside the house, leaving a wet patch on the floor of his footsteps.
“Boots and bed.” Y/N instructed with a firm voice. “You can stop by tomorrow morning to meet the new Filly.” Cillian saw her kissing the top of the kid’s head and the hint of a smile spread on her lips. “Sorry about that.”
“He looks like you. Must be awesome to have them help you around.”
Y/N made a face. “Them?”
“Arlo and his father?” Cillian asked in confusion.
And now she was moving her head from left to right. “There’s no father around, he left us after learning I was pregnant.” Y/N looked towards the stairs where her son disappeared a few minutes ago, shuddering. “Can I offer you some tea? It’s cold.”
“‘M sorry… shouldn’t have assumed.”
Brushing off the topic, she started the kettle and Cillian went back to feel extremely comfortable around her. And considering the personal revelation she just shared with him, he needed to be honest in return.
“I’m working in a project that involves horses, but like such a real passion for horses.” He ended up confessing after meeting all of them.
“That sounds interesting.” She admitted but decided to not ask further.
“Yeah,” Cillian ran his hand over the back of his neck. “I need you to show me everything about them… please. I’m portraying a character that involves a man that used to be in love with them, horses are a huge part of this man’s soul, it’s for a BBC series.”
Y/N turned with two cups in her hands, her mind trying to register his words.
“I-I’m an actor.” Cillian revealed after an instant. “But I need you to keep this between us because I signed a confidentiality contract and I could get kicked out of it.”
“Goodness I’m sorry, thought I had seen you before but I couldn’t remember where,” an adorable blush turned her cheeks pink, “I hope you understand I don’t go to the movies a lot, my whole life is this sanctuary and my son…”
“Please don’t even say it.” He chuckled. “I actually prefer it that way.”
“I think the last movie I saw you in…” Y/N stared into the ceiling thinking about it, “was it Inception? Probably.”
Cillian smiled and he lighted the entire kitchen with it.
“Yeah.”
Pouring both cups, Cillian stood up to take them from her hands.
“So uhhm… this project? Why exactly do you need a racehorse?” She asked cautiously.
“My character is a bookmaker, he arranges races… it’s placed in 1919 so he moved around horses after World War I. It’s quite interesting.” Cillian raised his eyebrows in appreciation for the tea after taking a sip. “Fascinating actually.”
“Definitely sounds intriguing.” Y/N admitted leaning her elbow on the table.
“As soon as I started reading the script I was attracted into his world.” He smiled, revering when he got the call for the audition. “Sorry I don’t want to keep you up.”
“It’s fine, I’ll stay for a little longer checking some paperwork.” Her thumb rubbed a chip in her mug. “So would it be okay if I show you everything? From brushing the horse, how to hook the saddle? The way you should approach one?”
Leaning back, Cillian looked at her with his head tilted to the side. “I actually need to learn how to ride bareback.”
****
The following morning, Y/N was preparing the lunchbox for Arlo when a deep voice startled her.
“Good morning.” Cillian saw the little jump she did.
“Hello, did you sleep well?”
Nodding, he smiled in her direction. “Thank you for the accommodation, much better than the B&B.”
“So! I just came here to check the new-” Val announced from the front door just as Arlo stormed into the kitchen but she cut herself when she spotted a man in the corner, “horse, but I see you’re busy.” She replied looking at you. “Just wanted to say it’s highly approved by the comitee. Hello, I’m Val.” She greeted Cillian.
“Nice to meet you.”
“Val…” Y/N added as a warning, knowing how Val was.
“What? It fills all the requirements… great breed, elegance, experience.” She made an OK with her hand.
“Val.” Y/N repeated. “Arlo go or you will be late for school.” She kissed the kid goodbye and felt Val’s eyes on her.
Of course her best friend wasn’t talking about a goddamn horse!
“How about I see you later today? I’m about to get a bit busy.” Y/N asked, she needed to get her friend out of her house before she could keep talking about Cillian as if he was a horse. “We’ve a riding lesson about to start.”
“Have a great time at the barn!” Val gave her a look before leaving them.
After a quick breakfast, Y/N gave him a pair of high boots and introduced Cillian to the different tools they used with the horses.
“To check the heel, you have to take your horse from here.” Y/N showed him how to carefully bend the horse’s leg. “It’s important to let them know that you know what you’re doing. They’re very sensitive.”
Cillian watched intensely every single move she made, how her tone was soft while she had a firm grip on the horse. He couldn’t get to move his eyes from her as she used one of the many tools to brush the mare’s neck.
“They also love to get petted.” Y/N added as she noticed Cillian got quiet. “Would you like to give it a try?”
Finally snapping from his trance, he took the brush and tentatively started to brush the mare.
“She likes that.” Y/N encouraged him noticing the little noises Goldie was making.
“She’s beautiful.” Cillian complimented.
“One of the most gentle ones I’ve seen so far.” Y/N caressed the mare from the other side, giving Cillian space to get comfortable around Goldie. “Her owner, Cia is a great friend and client.”
“And I assume the name is because of the color?” Cillian asked with interest, toiling the soft texture of Goldie.
Y/N nodded profusely.
“She’s recovering from an injury so well, now just needs some rest and she’ll be able to go back on the road in no time.” Cillian noticed the way she whispered to Goldie, looking straight into her eyes.
And she showed him how to get Goldie saddled, adding important tips and tricks to do it right, how to do it properly. It took him a few tries to do it right, but Y/N was so patient, she even admitted that was a virtue she had to thank the horses for.
“Y/N I’m sorry for not coming yesterday.” A woman approached them. “They said I could find you here.”
“Brie don’t worry, is everything alright?” Y/N asked while she eyed Cillian from the corner of her eyes.
That’s when Bries’s eyes sparkled. “Yes! Oh! Y/N… I’ve something to tell you.”
Cillian didn’t even look at them, he was totally engrossed on Goldie, all of his senses on brushing the mare, carefully to not stand behind her just like Y/N instructed. She had been answering all of his endless questions.
“Brie what’s happening?” Y/N looked at her horse trainer with curiosity.
“I just found out I’m pregnant!” She explained with excitement, unable to contain it or hide it any longer.
Y/N pulled her for a tight hug. “Brie, congratulations! This is the best news.”
There were tears in her eyes. “That’s why I couldn’t make it yesterday, I got morning sick and stayed in bed all day. But everything is perfect!”
Y/N couldn’t be happier, by the corner of his eyes, Cillian noticed the genuine smile on her face.
“Okay, so how about you go into the office and help me with the paperwork? I will be in charge for the training from now.” Y/N wrapped her arm around Brie and gave her a tender squeeze. “Made some sandwiches, help yourself.”
“That’s delicious! I brought some chips because, well cravings!” She chuckled giving Cillian a quick glance, it had been ages ago when Y/N went to the barn to give riding lessons.
Turning again towards Cillian, Y/N noticed how good he was, and he learned fast. “You’re a natural.”
Cillian smiled pleased with his improvement, he couldn’t wait to get on the horse.
“Got the best trainer to teach me.”
As time was flying, she noticed it was almost time for Arlo to come back home. “Look, how about we take a break? I need to make lunch for my son but you can join us if you want.”
“I don’t want to disturb your dynamic, Y/N.”
Y/N shook her head. “Non of that.” After caressing the horse’s ears, she added; “come have lunch with us.”
Leaving the boots right next to Y/N’s, Cillian changed into his shoes as they walked into the kitchen, finding Brie with her back at them.
“I hope you don’t mind, I made some pasta.” She smiled at them. “Enough for all of us.”
“Brie you’re going to spoil me just like that baby with some delicious food all the time? I mightjustb open the guest bedrooms and rent them.” Y/N joked leaning over the pot, the smell made her stomach growl.
“Well given the financial circumstances that isn’t a bad idea.” Brie admitted.
“Congratulations.” Added Cillian from the corner of the kitchen.
“Thank you!”
“Mum! I’ve already chose a name for the filly!” Arlo’s voice resonated from the entrance.
“Hello, good evening to you too, can you show some modals please?”
“Hello!” Arlo went to wash his hands and started helping his Mum set the table, Cillian offered to assist the kid. “Do you like riding?”
Looking at him, Cillian nodded. “I’m hoping I won’t be an embarrassment.”
“It’s easy!”
Cillian chuckled at him. “You say that because you were born riding.”
“Are you friends with my Mum? Does it means you’re my friend too?”Arlo gave him a hopeful look. Cillian answered him with a nod. “She needs some.”
Catching the last part of the conversation only Y/N approached them with the food, Brie following her steps.
“I need you to not bother our guests.” She answered and disheveled his hair playfully.
“Y/N I was thinking on what you said.” Cillian looked at her cautiously. “If you want of course… I could pay you and stay here instead of the B&B.”
“Are you sure?” Y/N asked considering his offer.
He nodded. “I rather stay here and use the driving time from there to here and back in learning more.” Deep down he loved the familiar energy.
“Mum, say yes! I can show Cillian my cars collection!” Arlo suggested excited.
“Well, yes. How can I say no?” She accepted earning a round of happy chants from everyone.
By the end of the day Cillian learned how to get the horse saddled, it was so important to hold it firmly in place. But also he learned to listen to the horse, he needed to make sure the horse was comfortable. Y/N suggested they could go for a walk and take the horses, it was extremely important for Cillian to learn to control the horse while being on the ground first to then be able to ride one.
The following day, they spent a good amount of time working on showing Cillian how to get on the horse, it took several attempts. It was harder than Y/N made it look. But Cillian was determined to give all of him. And more than once, he found himself staring at her until she motioned him to get closer to have a better look and he’d snap out from his trance.
In just a few days he realized Y/N had a very kind heart judging by the way she treated the horses, she showed them respect and loved them with every fiber in her body. The work she did was admirable, being right there away from everything and everyone allowed him to really understand a fundamental part of his character.
By the third day in the facility, Cia paid Goldie a visit, she wanted to take her mare back home but Y/N suggested waiting a few more days until she was fully recovered. While Y/N walked Cia to her vehicle, Cillian decided to stop by Thunder’s corral.
“Hello! Is Y/N around?” Val approached him. “Arlo said she was here.”
“She went to walk Cia out after checking her mare.”
Val doubted whether to ask him directly or not, but she knew her friend better than anyone. “I hope you don’t find me or what I’m about to say rude… but I’ve seen the way you look at her, Brie says Y/N is smiling again, something she hasn’t done much apart from Arlo of course. Do you like her?”
Cillian took a step back, surprised by Val’s sharp eye. But he ended up nodding.
“Don’t look at me like I grew another head, I care about her but I also know she has been disappointed and hurt before,” Cillian looked down, not knowing what to do or say, “she likes you, secretly.”
Val’s words made him snap his head up to look at her.
“She does, I can see it in her eyes… so all I ask is give her time, slowly just like you would start riding a horse, you don’t go galloping after getting on them. She’s like a wild horse after getting kicked so many times, she acts on defensive mode but underneath she’s a softy.”
And just as she arrived, she left, leaving Cillian alone to face an avalanche to a door he closed because when he signed the contract for the Peaky Blinders series, he decided to end the relationship he was in and making the firm decision that he’d focus on this project only.
But sometimes, life has a different plan than yours.
“I came here willing to learn how to ride, but I think I’m getting so much more than that.” Cillian confessed to the thorough, extending his hand to caress the horse’s muzzle.
***
Part 2
A/N: Nothing, just THANK YOU! ✨♥️🚬🥃
Tag list: @lyarr24 @runnning-outof-time @cillmequick @datewithgianni @cloudofdisney @gretelshelby @gypsy-girl-08 @lespendy @onlydeadcells @fastfan @stevie75 @prettylittlehoneyeyesxoxo @esposadomd @forbidden-forest-witch @ange-thoughts @moral-terpitude @elenavampire21 @forgottenpeakywriter @thenattitude @winchestergirl22 @zablife @elk96 @heidimoreton @imichelle-l-rigby @allie131313 @already-broken144 @peakyscillian @babaohhhriley @shelbydelrey @shaddixlife @sloanexx @sydneyyyya @adaydreamaway08 @pono-pura-vida @thomashelbyswife @darleneslane @everythingelseisextra @kmc1989 @rangerelik @lovemissyhoneybee @ironpen @kittycatcait219 @shelundeadxxxx @speckledemerald @creativepawsworld
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franklyimissparis · 3 months
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who’s who in “let ‘em in” by wings (1976)
and some other thoughts on the song
prefacing this by saying that paul himself has changed his own interpretations and offered many explanations up for each name mentioned in the song! i don't necessarily think there's one right answer about what's about who - paul is known for writing about multiple things at once and having many layers of inspiration behind his lyrics. i will mostly be focusing on the names paul lists off within the song, in the order they appear, starting with:
- sister suzy: suzy was linda mccartney's alter ego within her own band, suzy and the red stripes which was active at the time this song was written. paul has stated on many occasions, including in “the lyrics”, that sister suzy is a reference to linda.
- brother john: a lot of articles reference brother john as being john eastman, linda's brother, while others reference john lennon. paul himself said it could be either. but if we're being honest, the first person paul's gonna think of when someone says “john” is lennon, hands down.
it's worth noting the use of sister when describing linda, paul's wife. while it could make sense in the context of the line brother john being john eastman (john and linda being actual brother and sister to one another), i think it's valid to examine the other potential meanings as well, particularly if we think of brother john as john lennon. it places paul's relation to them both as, firstly, familial and implies an equality in the roles they've served within paul's life. starting the list of people with linda (placing her as the most important as the lot) and then john second is interesting as well. we've seen countless examples of paul and john both comparing their relationships with their wives to their relationships with each other and i think it's striking that paul does this here, whether consciously or not.
(nowadays, paul's brother and sister in law via his wife nancy are actually named jon and susie, coincidentally enough.)
- martin luther: paul writes in "the lyrics" that this is about MLK which i'm sure it partially is but also there is an account of the other three beatles jokingly calling john "john martin luther lennon" in the early days though i couldn't find a solid source for this. there is the infamous 1985 hunter davies quote from paul's off the record phone call with him where he called john “martin luther lennon" but that was obviously years after let 'em in and in a massively different context (though potentially this could suggest that it’s a comparison he’s mentally made before but that’s a bit of a stretch, evidence wise lol). i’ve also heard people say martin luther could potentially be a reference to george martin as well, which is possible. others have speculated that this is a reference specifically to martin luther and the 95 theses (“knocking on the door" i.e. nailing the theses to the door) which paul says may have been true on an unconscious level but wasn't purposeful.
- phil and don: the everly brothers, one of paul and john's earliest and biggest influences as young lads. they were heavily inspired by the everly brothers when they performed as their duo, the nerk twins. they also referred to themselves as the foreverly brothers on other occasions.
- brother michael: paul's brother mike, unsurprisingly. though paul also states in “the lyrics” that this might have been a reference to michael jackson as the timing works with paul and linda meeting the jackson 5 around the same time as well but i think realistically he probably mostly had mike mccartney in mind with this one.
- auntie jin: paul’s real and favourite auntie from liverpool. saw one very rogue take that it’s meant to sound like ‘antigen’ but, quite frankly, i think that’s a bit horseshite.
- uncle ernie: in “the lyrics”, paul mentions that he has a cousin called ian who was sometimes referred to as "ern". but also states that at this point he was just playing with words and sounds and this probably wasn't his intention. previously, paul has attributed the line as a reference to keith moon, who was close to the mccartneys in the 70s prior to his death and played the character of uncle ernie in the film tommy (1975). it also could refer to ringo starr as well, as he voiced uncle ernie in the LSO's recording of tommy. ringo himself referenced let 'em in ("someone's knocking on the door/someone's ringing my bell") in 2003 in the song "english garden" which suggests that, at the very least, he felt as though there was some connection to him there.
- uncle ian: like previously stated, paul has mentioned his cousin ian as potentially inspiring this line but personally i think uncle ian could be a reference to paul himself. "ian iachimoe" (meant to phonetically sound out "paul mccartney" backwards) is one of paul's many pseudonyms, thought to have been created around 1966. he signed the lyrics of paperback writer with "yours sincerely, ian iachimoe" and it is also said that in order to distinguish themselves from the rest of his mail, paul would tell his close friends and family to address letters to ian iachimoe so he would know to read them.
paul referred to "let 'em in" as the musical equivalent of a "stocking stuffer" in “the lyrics” which i'm sure it was in his mind but me and my tin hat will be reading deeper into it as usual! this song reminds me quite a lot of “call me back again" in the sense that i think (subconsciously) it may be a bit of a poke at john to get in contact with him.
it's important to note that the album was written/recorded/released around the time of the infamous “it isn't 1956 anymore” incident where, according to john, paul kept showing up at the dakota with his guitar after sean was born without calling ahead. john would let him in but would be a bit put off about it until one day he gave paul a bit of shite for it and paul took it quite personally. while the actual incident is noted as happening in april of 1976 (according to the beatles bible) if it's true that, as john says, this happened a few times there could have also been some tension with paul appearing at john's in the prior months before paul recorded the song in february of 1976.
paul has spoken of the song as reminiscent of a typical party in liverpool where there's sort of a constant stream of family and friends coming through the door - this could be something paul is nudging john to remember (especially with the references to their teenage musical influences and acquaintances and paul's family members that john himself once knew personally.) something along the lines of "oh come on, john, you've gotta just let people into your life, you can't shut out the people who love and miss you. this is how it used to be with us, don't you remember those days?" ... but that's just my interpretation. anyway sorry this was so long but i just thought i'd share in case some of you hadn't heard all the possible interpretations of the lines :))
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andreal831 · 11 days
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This fandom needs to back off of Matt Donovan and Zach Roerig
Starting with the ridiculous: Zach Roerig and Julie Plec never dated. It's ridiculous that I have to say this. There is a blurry picture of him leaning in to Julie Plec at some point. I even tried to do the work for you all and could not find one shred of evidence of an actual kiss. Y'all are just wild for this rumor. If anything, my search revealed that Ian and Zach were in a relationship. I mean look at that affection.
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Also, with just a tiny bit of research, we can find out that Zach was in a relationship when he started the show and, due to issues at home, he ends up fighting for full custody of his two year old daughter while on the show. The only romantic connection there is any reports on is with Candice King and that was relatively short lived. Otherwise Zach was just a single father, trying to raise and support his daughter.
Now people will try to say Zach is racist as well. I've heard he was racist because of dating Plec. See earlier paragraph. Or that he made racist comments to Kat. Again, there is zero evidence of this. People keep pointing to this interview saying that he either does the Nazi salute or a black power fist and it is such a reach it's ridiculous. He is looking at Kat because the question asked related to Bonnie and Matt and he reaches forward as a hand gesture and then raises his fist in a fairly generic way.
I can't tell if people get Matt Davis and Zach confused because he plays Matt or if people just love to hate on Zach because he plays Matt. Either way, it is disgusting to spread rumors about someone being racist when there is no evidence as far as I can tell. It's also terrible to distract from the actual racism that Kat had to deal with on the show.
From every interview I've seen he seems like such a sweet person. He even said working on the show was a "healing process" and yet the fandom treats him like this. Zach goes to the panels and none of his coworkers seem uncomfortable and avoid him. Not that them liking someone means that person is good, most of them still interact with Matt Davis and yet unfollowed Michael Malarkey.
Now onto Matt Donovan.
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First of all, the fact that y'all pretend this man isn't attractive tells me all I need to know. Objectively, Zach Roerig is attractive. You can not like his character but you all just sound goofy.
The biggest complaint with Matt is that he is "useless," but this to me just shows you are watching the show for either the romance or attractive people and not for storytelling.
The role of the "human" in fantasy is so important. We, as an audience, are humans and we need to have a threshold character. A character that reminds of that even though we are rooting for the supernatural creatures, they are still not the good guys. It's why supernatural stories often revolve around humans. It gives the show the humanity that it would be in danger of losing if it just focused on the predatory species. Matt reminds us of the humanity that is at stake in the show.
Matt is particularly important in this show because he not only the sole human in a pack of supernatural creatures, but he is the only one without financial privilege in TVD. Matt not only comes from a family that is struggling financially, but his parents are gone and his sister is struggling with addiction. Matt is working it appears full time while in high school full time. All of his friends are going to parties and given cars and clothes, planning for college; while Matt is having to figure out how to afford his mom's mortgage/rent. Season 1 opens up focusing on how much Elena is struggling with the death of her parents but dismissed Matt's struggles as some lovesick teenager. When in reality Elena at least had a support system. Sure Jeremy was spiraling like Vicki, but Elena and Jeremy had Jenna. Matt was struggling with the purposeful abandonment of his parents and his sister's drug addiction with zero support system. He even loses his childhood friends when Elena and he break up. He only really has Tyler, who, let's be honest is not the best friend in Season 1.
He is also the first person in the show to lose someone due to the supernatural. His sister ends up attacked and in the hospital and he then has to figure out how to pay for that while taking care of Vicki who is clearly struggling even more than normal. When Vicki does end up dead, he knows there is more too it and the entire town, including his friends, gaslight him. Matt has every right to hate vampires. They murdered his sister in cold blood.
Matt is so devastated by Vicki's death that is haunts him throughout the show. He even risks his life just to talk to her ghost for a few moments.
People say Matt hates the supernatural, and he did, but he had reasons. And despite that, he was always there for his friends. Even when he was terrified, and in much more of a risk than his vampire friends, he was always there for them.
Yes, Matt is the one driving the truck when Elena dies and Stefan saves Matt over Elena, but none of that is Matt's fault. He was attempting to save his friend's life with Jeremey's help. How is that any different than Elena having Stefan compel Jeremy to leave town? Let's also not forget who helps Elena feed in her early days. But the fandom never wants to give him credit for that.
Matt is constantly used, berated, manipulated, and compelled by the supernatural around him. Mystic Falls needed someone like Matt to stand up for them since they were unaware of the supernatural world. Even the "good vampires" killed humans. Matt was trying to protect his town.
The last complaint ties it all in, that Matt only survived so long on the show because he was dating Julie Plec. Again, that's a lie. He never dated Julie, and it especially had nothing to do with the show writing. I would also like to point out that the character Matt is based on, Matt Honeycutt, in the book never dies. So why are we surprised he doesn't die in the show? Matt had a lot of close calls and even had a Gilbert ring for protection. No one ever asks why Steven McQeen (Jeremy) doesn't die or assumes it's because he was "sleeping his way to the top." These assumptions are immature and baseless.
All Matt wants to do is live a normal life, something he had to fight much harder than the rest of them for. He is the most consistent friend out of all of them. People love to say "how did Matt get so many girls?" Because he's nice. Because he respected them and fought for them, even if they didn't deserve it. They would all have been better off ending up with Matt.
Honestly, Matt and Cami's purpose are similar to me and both of the actors deserve such a huge apology from this fandom. Some of y'all need to learn to separate a show from reality.
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blackbloodedisabel · 29 days
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main characters for your mermaid thing?
>:) thank you (deranged cackling)
arguably some of the characters I've included here are not main main characters but they mean a lot to me and they have important roles in the story ok
I will include a character grid for everyone this is the format of the character grid:
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'eyes' just means vibe, jewellery is the main component of their.. jewellery because everyone here has their own unique magic jewellery (part of the magic system/worldbuilding) except Calen who has a crown only because he's king.
Teagan is my lonely human skrunckly goober losing her grip on reality<3 15 years ago her older brother got dragged from a cliff into the sea by a big scary sea monster lizard, her parents blamed mermaids and have been going out monster hunting in their boat for weeks at a time. she went with them until she was old enough to stay at home and now she's going slightly insane from lack of human contact and thinks the wind and sea are old lovers/friends/rivals. she lives in a weird amalgamation of cornwall/north devon/mid-west wales and she's the most ridiculous author insert you've ever seen. she's very nice, sort of a peacemaker figure, she loves rock climbing and the sea and her hair is perpetually crusty with salt/sand. arguably the second main character and the secondary pov character.
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Anemone is the shy princess who was the first picrew I made and she has been the main character and number one pov character ever since. she has the biggest character arc and she is SO precious to me. she's not very magically powerful and is horrifically insecure about it which is not helped by the fact that when she attended magic tutoring (because she’s a princess and her family has historically been very magically powerful) her best (only) friend was the most powerful witch for generations. then Ane left really abruptly and they didn't speak or see each other for close to 2 years. precious baby Ane has spent the last 2 years rotting in her room combing her hair and staring out of the window and the story starts when her brother the king forces her to leave and go on quests to help the people because she's the most useless parasitic royal ever and this is when she decides she needs her best friend's help with quests and thus the story starts. she is very shy and very much a pushover at the beginning but her arc is becoming a confident(ish) strong selfless leader <33 she is also so sapphic she rivals the og poet
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Selma is that super powerful best friend!! she is arguably the most important character in terms of how she influences the people around her. she is also simultaneously a big weirdo and very cool!! she made her own magic jewellery and teaches at the magic tutoring system. her special interest is the ancient mega-powerful witch so she's obsessed with the magic jewellery/books the witch made and with the witch's descendant. she is very passionate and resilient (sometimes to her detriment) and defeats (almost) all her enemies with the sheer power of her lesbianism and homoerotic girlbestfriendships. she was very hard to name and only got her name when 'Selma' came to me in a dream (I had a different dream beforehand where the name Olympia came to me but I don't like that as much)
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Iolanthe is the last living descendant of said ancient witch and Anemone’s thematic foil. this is because she has similarly mediocre magic when she should be very powerful. unfortunately she is in denial about this and still believes she has yet to earn her magic (magic in this world is both inherent from genetics/chance and earnt based on strength/resilience. Ane is very privileged and emotionally weak so she doesn't have strong magic, Selma is much more emotionally resilient so she does have strong magic etc etc). this means Io spends all her time in her workshop paid for by her richass family trying to make the perfect piece of magical jewellery which she can form a conduit bond with (you can magically bond with a piece of jewellery which will massively amplify your power if you earn it, usually done by making it (like Selma, who Io is very jealous of and inspired to make jewellery by), finding it or buying it with money you worked for). then near the end of part one the questing gang (Ane, Teagan, Selma, Mel, Enith and to an extent Isther) show her the jewellery they've collected which was all made by her ancient witch ancestor. she becomes convinced that she needs these specific pieces of jewellery to become powerful, but obviously they're bound to various members of the questing gang. everything spirals from there. she seems really dull and a bit entitled but on the inside she's making such leaps to conclusions that she is my secret favourite
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Melyde is a street singer who, at the start of the story, earnt a conduit bond with a necklace made by the ancient witch (someone threw it at her when she was performing). previously she had no magic (quite rare to have NONE most people just have very weak) but after forming the bond she became about the second most powerful witch after Selma. unfortunately she had precisely zero control over it and accidentally lured half the city to watch her perform and give her money, so Selma and the gang (just Ane and Enith at that point) had to step in and get her to join the gang so Selma could teach her magic properly. you can tell Mel and Selma are in love because their colour schemes make up the lesbian flag. melyde's whole shtick is being very brave and stubborn and while she may be the most pointless character of the gang she means a lot to me
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Enith (with a VOICED TH) is the gang's navigator and the first person Selma and Ane recruited to join them. she is from the deep ocean and has an unfashionable haircut because she's making a statement! and I love her. she spent her childhood mapping out the cave system behind her house and when she was older she moved to the capital city to run a tour guide and map making shop because she didn't want to work in her parents' glass making business. she's also got no magic of her own. she's very kind and friendly until her parents are killed at the end of part one (spoilers) after which she becomes angry impatient and withdrawn. I got her name by misspelling enid as enidd, which my brain read as enith because of welsh phonetics. love her!!
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Isther (isster) has I think the most duality out of the characters. she fluctuates between poor little traumatised baby and lying vengeful murderous little shit. the gang found her when they accidentally got into the huge sealed-off cave where all the sea monsters were imprisoned after the big attacks 15 years ago and for some reason she was imprisoned there too?? how odd. they freed her and she joined the group. she's actually the witch who controls the sea monsters though she doesn't know that until the end of part 1 and she wasn't born murderous.. unfortunately still a liar and she does end up being (one of) the actual villains even if she was manipulated into it a bit. she could've been ok. she could've been ok!! Ane could've fixed her honestly there's something a little jackieshauna about them (pink and green, homoerotic friendship ended by violent betrayal)
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Calen is Anemone’s older brother and the king. he's not a main character but I feel obligated to mention him. he has Issues about his mother. probably the closest to morally grey out of all the non-villain characters because he ends up using child soldiers because he can't beat an angsty 17 year old and her 5-6 uncreative sea monsters
that's them!! thank you for asking about my goobers
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pynkhues · 1 year
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What do you think about it is about Kendall that’s it’s like, of course he’s the only one with a real friend?
It's lowkey one of my favourite choices on the show, anon, just because I think it's so revealing in more ways than one. Like, it makes sense, not just because of who Kendall is, but also who his siblings are, and the different ways they navigate their way through the world.
Interestingly, I think Connor and Shiv actually have the clearest boundary (or hurdle, depending on how you look at it) when it comes to fostering friendships, and while I think those things are different, I think they're both steeped in these factors of them as characters that shape their experiences of adulthood.
I think Connor's stems from an extremely disrupted childhood between his mother's mental health, her institutionalisation, his father's absence and reappearance, and then his being pushed into a parentified role to the golden trio at a formative age (canon explicitly tells us that too! Camping trips, fishing trips, fulfilling the father duties at Shiv's wedding before Logan decides to show up!) when he should've been away at college building his own relationships, in order to feel he had any sort of place in his family.
Similarly, I think Shiv has been soaked in hatred for her own gender since she's been born. Her relationship with her mother is strained and seems to have been weaponised by her father, she likely went to an all girls school (Spence, I imagine, which is basically the all girls equivalent of Buckley, the all boys school we know Kendall went to) and her own misogyny hampered any genuine friendship attempts. I think Shiv probably had frenemies, but nothing deeply meaningful, because vulnerability and emotional honesty is something she can't allow herself if she wants to survive in a male-dominated household festering in a male-dominated industry. I think male friendships were off the table in that sense too because Shiv seems to have always sought power in whatever way she could, and the two things she has to exert power are her name and her sexuality and at least her sexuality is hers.
I think Roman's a little harder to put a pin in in that sense, because I think he's a little bit of both of them, and a whole lot his own thing. I think he's experienced a part of Connor's disrupted childhood by having been shipped away to school and for his physical abuse, and I think he's experienced a part of Shiv's self-loathing for a part of his identity he can't face up to, but I also think Roman on paper should have friends. Roman's funny and insightful and (most of the time) the right sort of mean, and he's no more self-defensive than the rest of them, but I think the reason comes down to the biggest difference between him and Kendall:
Roman can be honest without being vulnerable, whereas Kendall can be vulnerable without being honest.
Roman as a character isn't actually particularly duplicitous. He can absolutely be an asshole, but he doesn't play to what people want in the way that both Kendall and Shiv (and even to an extent, Connor) do. His moments of vulnerability though are rare, often private, often, still, fleeting and guarded, while his moments of honesty are more frequent, yet often just ugly and naked and there. He fronts to it, and takes it, and usually tells the other person to take it too, which is what he did with Gerri and Tabitha and even Lawrence way back at the start of the series.
Kendall's not an honest person, but he is someone who's inherently vulnerable, and I think it pulls people to him, despite themselves. We've seen it in real time with Naomi and even Greg, and retrospectively with Rava, Stewy and Frank. He can break, he can curl in a lap or bury a head in a shoulder while still telling half truths or nothing at all. God, probably one of the best examples is in 2.04 when he pulls Shiv into a hug while talking around what she actually wants to hear.
Kendall lets people mop up the blood while he either tries to hide, ignore or justify the wound, and I think that vulnerability lets people feel a degree of intimacy with him and protectiveness of him that becomes muddied as they discover that Kendall is inherently a dishonest person and an addict, as it seems most characters in this show have learnt the hard way. After all, discovering that he's not told you a whole truth doesn't erase the memory of the weight of his head against your shoulder.
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nordickies · 1 year
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What kind of relations do the Nordics have outside ecah other? Friends etc.!
Oh, interesting!
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Nordic countries are notoriously bad when it comes to making friends. Their culture is very individualistic and independent, and preexisting friend groups are hard to break into, so I don't think they would have that many friends! They're all introverted and quiet, so making meaningful connections doesn't come to them naturally. Some might find them hard to approach, but they're not mean - Just incredibly awkward at social gatherings. They're always the ones to avoid the biggest crowds and leave very early, usually without telling anyone.
Also, the concept of friendship is different in these cultures. Nordic people tend to have a dozen pals or buddies but only a few legit friends they would genuinely open up to. Having as many "friends" as possible is not a goal and might even be considered pretentious. But due to their job, Nordics are very professional and open countries diplomatically, so in work-related settings, they get along with anyone (once they overcome their shyness). It's just that in their personal lives, they likely just prefer each other. They don't seek friendships outside the Nordics, as they feel maintaining friendships with each other is hard as it is!
But with all of that said, these guys don't exist in a bubble, and they do have relations outside of their family
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Denmark
Denmark has probably the most relations out of all the Nordics due to his job and position. With other introverts, Denmark is very talkative and outgoing, usually taking the leading role, but if he needs to work with other extroverts, he suddenly becomes the quiet one. He has managed to make friends but has difficulty maintaining said relationships. His phone is always filled with unanswered calls and messages. Denmark can come off as rude or even arrogant, but he just has that Nordic straightforwardness. And he avoids small talk with strangers as much as possible; it makes him feel awkward. Generally speaking, he's a known name around the circles. As a former European power, a founding member of NATO, and a long-time member of the EU, Den has been a prominent diplomat in Western circles. But that also means he sides with the people around him in any given situation and follows their lead for his and his family's best interest.
He considers the German duo his friends, especially Prussia, whom he has known for a long time and always had a sense of rivalry with, sometimes friendly, sometimes serious. Germany has a business-first attitude, but even he eases up outside work hours. Because Germany is so young, Denmark sometimes takes an uncle role with him and pretends to be much more mature and wiser than he is. Denmark is often invited to the Germans' gatherings and parties, which he frequently attends, and has gotten a reputation as a bit of a party animal among other Europeans. Denmark is very dependent on Germans, and borderline bothers them at work, proposing ideas during meetings, making jokes, and always trying to sell something to them. But Denmark's an important promoter for all the other Nordics' issues. He still acts as the family's boss, handling matters with the rest of continental Europe. Of course, this means Den is on great terms with France and the Benelux siblings, who he shares long historical connections with. England is also an important ally, but he's still uneasy around Denmark. He can still remember how ruthless Denmark used to be growing up and will most likely never get over his primitive fear of him. While everyone else sees Den as a golden retriever, England isn't letting his guard down.
Denmark is friendly with the Baltics, though he can oftentimes forget or overlook them in a bigger crowd. They have a long history, but their first encounters weren't positive. Not many countries can say that about Denmark anyway; he was quite the troublemaker. However, during modern times, the Baltics don't have anything against Denmark other than him being noisy and pesky sometimes. He has been a significant ally after the Baltic's independence. They get along better than many other nations, as they have known each other for a long time, share Northern European/Baltic Sea culture, and could be considered family friends. As for who he hangs out with outside the Nordics, that would be either the Germans or Benelux siblings. Denmark is considered their jolly but a bit of an annoying Northern neighbor, who is always ready to party.
Finland
Finland is a friendly and helpful person, but he gets overlooked in a crowd. He hates making any fuss about himself and has a hard time joining conversations, so he stands to the side observing quietly. He enjoys being alone in peace so when his socially-demanding job gets tiring, he'll escape to his cabin in the woods and not talk to anyone for a while. Finland has a special position in Europe as one of the links between the West and the East. He has experienced both sides growing up and managed to maintain a positive relationship with the East during the Cold War (which he kind of had to). For being a small country, neutral Finland is surprisingly often put forward as a negotiator and a person brought to solve issues and misunderstandings.
Estonia is obviously Finland's best friend. They hang out together all the time, share everything between them, and Fin might even ditch the Nordics to have a sauna with Estonia or play sports with him. Finland sees Latvia with fondness as well, but he often gets forgotten when Finland and Estonia hang out together, like "little brothers" always do. Finland and Estonia recently learned that Hungary is their long-distance relative, so they're trying to build relations. They have always gotten along weirdly well, and now there's finally an explanation! Finland has a long-time connection with the Germans, who were his essential business partners and someone Finland observed for trends. Prussia even taught him how to fight. They don't have time to hang out outside work but meet for lunch when they can. Most Eastern Europeans were Finland's family for over 100 years, so he has a lot of good memories and connections with them. Though the Easterners don't always return this sentiment - Finland always had it so easy after all. Finland is harmless and not irritating (unlike some other nations), so they might invite him to a party, but they still gossip about him when he's not in the room with them.
Finally, Finland's relationship with Russia is, well, complicated. Russia has always had a more relaxed approach to this particular neighbor and seemed oddly favorable towards him. He feels he can trust Fin and get a genuine discussion out of him since Finland is one of the few who doesn’t seem that scared of him. Finland, due to being so non-confrontational, tends to treat Russia with too much kindness and understanding. Finland believes it's better to have Russia as a friend rather than an enemy, and he tries to keep things that way. Russia has even offered genuine friendship, which Fin has appreciated but always viewed with caution - they might have contradictory ideas of “friendship”. And Finland still has negative memories from the past. He’s bad at holding onto grudges but the feeling is still there. Nevertheless, Finland is always welcome at Russia's place, and Russia would gladly have drinks with him - which Finland agrees to just to keep him happy. He's like an annoying neighbor you just have to be friendly with or things get awkward.
Norway
Norway is a reserved guy who doesn't have many friends outside the Nordics. Most of the time, he hangs out with Sweden, which is maybe a bit embarrassing but they just get along the best. Norway doesn't like parties or big social gatherings - He feels like most people end up invading his personal spaces and making him uncomfortable. And Norway's social battery runs out extremely fast. Norway prefers to keep to himself, yet he has weird charisma that makes people interested in him. He's regarded as a calm, skilled, and rather handsome nation, which fascinates others. Norway used to be tied to his siblings, who would make decisions without properly consulting him - so nowadays, he cherishes his freedom and self-reliance. He has strong principles and cooperates extensively with nations that share his values.
Having a massive coastline, Norway sees the Atlantic as his home and therefore has good relations with fellow Atlantic nations. Norway has a long history of cooperation and friendship with the UK brothers, especially England and Scotland, and they even share cultural heritage from the Viking Age. Even though their relationship didn't start on the best note, they have gotten closer over the years and show solidarity toward each other. Scotland respects and admires Norway greatly and views him as a remarkable friend. During WW2, England was an immense help to Norway and took care of the royal family. Norway is grateful for this, and they share an adorable Christmas tree tradition every year. In modern times, the UK and Norway are significant business partners and have a lot of cultural exchange.
Norway has traveled far and wide and generally, the Commonwealth countries have been friendly to Norway and allied with him on many matters. Alongside the UK, America is another vital trade partner and a long-time ally. America is fascinated with Norway's mysterious heritage and customs, though Norway finds his fan-behavior ridiculous at times. America is loud and extremely outgoing, so their personalities often clash, but Norway still sees good intentions in the younger nation. They don't hang out much but are on friendly terms. Even one weekend near America is enough to drain Norway's energy entirely.
Sweden
Sweden is a quiet and calm person who others can find intimidating. He has difficulty making friends because of his assumed disregard and stern appearance. And it's not like he doesn't want friends; He loves spending time with his family and friends, planning and hosting parties or events. He’s just not that talkative, only saying what's relevant - but people who have known him long enough know how to communicate and read him. His history and appearance certainly don't make him approachable, but Sweden is a caring and compassionate person who roots for the underdog. Sweden has always been rebellious and sticks to his guts. He's not going to let anyone tell him what to think or do. He's not a provoker per se but someone who isn't afraid to point out his opinion on the matter and stick to his neutrality out of solidarity for others, participating in aid and development to the best of his abilities.
While other nations respect Sweden significantly, Poland isn't a massive fan of his, nor has he ever been. They don't dislike each other, but they both have strong personalities and opinions that often clash with one another. Maybe they can be a little sassy too. Sweden isn't a huge fan of England and France either, though he gets better along with England. They're important work partners, so business is handled professionally, but he finds them irritating most of the time. They're also the reason for most of the negative stuff he has gone through in the past. It seems like there wasn't one peaceful day without those two somehow messing it up and dragging everyone else into the mess. Germans have always been an important contact in Europe, just like for the rest of the Nordics. Sweden and Germany are both calm and take their professions seriously, so they get along well, and work is done efficiently. Maybe surprisingly, Sweden and Iraq have a long history of diplomatic relationships and are friendly with one another. Greece and Turkey are a long-time contact as well, all the way from his teenage years.
Sweden views the Baltics with warmth and would welcome them into the family any time. Sweden was a big supporter of the Baltic independence and has ever since shown great support to these states. However, the Baltics find Nordics hard to approach, as they can be intimidating or even appear smug. Nevertheless, Sweden has had a relatively positive relationship with Estonia and Latvia. Estonia and Latvia remember the Swedish rule as "good years," though that isn't saying much considering their history. Sweden was never mean or cruel to them. He was rather generous towards the two and wanted to take good care of them, unlike the other forces in the region. He is a baffling personality to the Baltics - Very friendly but challenging to approach. Young Latvia managed to warm Sweden's heart, probably reviving that fatherly instinct inside of him. Estonia was a bright, ambitious man who reminded Sweden of himself. Sweden always encouraged him, and they're on friendly terms to this day. They just don't really spend time without Finland; they fear it would make him upset.
Iceland
Iceland has spent most of his life alone or with his family, so he doesn't really have long-time friendships outside the Nordics. But he has a strong urge to make friends, preferably with other younger nations, as he's tired of being treated like a baby. He tries his best to reach out to others, but his shyness occasionally hinders that. Due to his distance, Iceland doesn't travel as often as other Nations, and nowadays does most of his meetings online. He is known to have poor organizational skills and be late for meetings quite often. He has a lot of hobbies, and when he gets lost in them, he might forget his phone and miss text messages and calls. But still, Iceland takes his job very seriously and wants to prove his abilities. He's an active listener at meetings and follows the world news constantly. He hates fighting and isn't afraid to stand up against bullies. When he has a lot to say, he'll take the initiative (after trying to get others' attention for half an hour).
Iceland doesn't have enemies, but he feels like he has always been England's target. In his eyes, England is a bully, and he doesn't respect Iceland (or many others, for that matter). England finds Iceland petty and immature, but he won't say it out loud; he has frightening big brothers after all. They have had many little disagreements throughout the ages. Little Iceland was known to be mischievous, and he would often prank England when he was visiting their house. The other Nordics found this hilarious but tried to stop Iceland before he could do any significant damage; they didn't want to embarrass their important ally, after all. The Cod Wars against the Brit were important for Iceland, even if others saw them as unnecessary. The victory offered a well-needed confidence boost and showed others Iceland was more than capable of taking care of himself. But when it comes to other island nations, Iceland has nothing but nice words to say about them. They have all been very friendly and welcoming. Iceland is especially friendly with Ireland! Ireland and he share history, and Ice is fascinated by this. He might sometimes inquire Ireland and ask him questions about the past, which Ireland would gladly answer if he had much to offer. They both have harsh environments and rocky relationships with England, so they get along great on that front too.
Iceland is a small nation that supports other small nations. He was among the first to recognize Lithuania, Latvia, Estonia, Georgia, Armenia, and Azerbaijan from the USSR - also Croatia's and Montenegro's independence from Serbia. Significantly, Iceland was also the first Western state to recognize Palestine. His solidarity and recognition have given him a lot of praise among other small nations. They remember this by sending Iceland postcards and flowers occasionally, which Ice gets flustered by - He's just doing what he'd want others to do for him.
America is one of the few countries Iceland has historically interacted with. He was the first to recognize Iceland's independence and considers Iceland an ally he is always ready to support. Iceland isn't sure how it happened. Their relationship just started with young America claiming, "You're my friend now," and Iceland was too confused to say anything to that. I imagine they met when America was still under England's rule. America finds Iceland cool and shares a similar upbringing to him, though Iceland would disagree. Iceland is happy to know he has a strong ally like America, but he's not exactly sure what to think of him. America is an important business partner and someone who supports Iceland no matter what, so Iceland lets him be his friend. But America has a very different status and lifestyle, and he can be oblivious to Iceland's life or problems, so their friendship is rather one-sided.
• • • • • • • • • •
Also, some random ones I could see being a thing:
Finland is a country with a prominent motorsport culture, so I think he and Monaco are on friendly terms and share a hobby
Sweden has a "parent group" with other parent nations, where they share tips, arrange playdates, and give much-needed support. I can imagine him and Australia doing dad dates
Norway sometimes goes on skiing trips with Switzerland, Liechtenstein, and Austria. They are all massive fans of the outdoors and ski-related sports; thus, they get along well. New Zealand is another outdoor fanatic Norway gets along with
Iceland and Latvia consider each other friends. They are the youngest of their respective families and around the same age. They're both superstitious, having strong pagan roots and traditions. But they also overall share similar Northern European culture and history
Canada is another Arctic Nation and is friendly with all the Nordics. Well, he and Denmark pretend to have a rivalry, but it's actually a longtime insider joke. Sweden and Finland are familiar through hockey of course. Though Canada gets embarrassed when his brother constantly mixes up the Nordics' names
And then there is Sápmi, Greenland, Faroe Islands, and Åland too...
There are a lot of relationships so I could only give a quick overlook! However, if there is a specific one you're interested in, maybe I can talk about it a bit more in-depth some other time
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kalcifers-blog · 1 month
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So I had the idea that all of the JSE Egos get possessed by Anti at some point- but all of their possessions look and work completely differently in comparison to each other because rather it being based on what's possessing them- Anti is utilizing what they perceive as their own worst traits/the image they have of themselves (in an extremely /neg way).
It's worth mentioning that it doesn't necessarily mean that these perceptions are true or not- the only thing that necessarily matters is that the Egos themselves think that it's true.
I'm going to go through each ego, describe what their possessions are like and go into detail as to why they're like that.
Buckle in dudes this is gonna be a long one
Chase Brody:
Chase to me has the most unstable variation of the possessions. His plays on the fact that they're constantly questioning their reality and feeling like a danger to not just himself but to those around him. Right now it's unclear if Chase has been experiencing alcoholism or his unstable view of reality before Anti but I do think Chase's entire life has been nothing short of turbulent it's a constant crashing rollercoaster, with the carriages shaking uneasily and sparks flying everywhere and the only thing he's able to do is hold onto the ride and hopes he gets to the end of it unscathed. Chase's possess has ALL of this on full display- it's the closest thing to the original Anti and it's far from pretty.
Visually I think the closest thing to Chases possession is Jinx's Hallucinations in Arcane. They're made up of the faces of his lost family mocking and taunting him while everyone else can only see Chase as an extremely unstable individual with unnatural eyes
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[This shot in particular with the glowing eyes is what I imagine P!Chase to be like]
Marvin The Magnificent:
Now I've already briefly shown how I imagine Marvin's possession- and if I'm being honest it's my favourite one!! Marvin would by far be the hardest Ego to possess out of all of them, he's the only one with actual knowledge on Anti and the only one with the power to fight back against him. With that I think that Anti would only be able to possess Marvin with the help of IRIS- be honest, IRIS would JUMP at the opportunity to see what effects Anti could have on an individual with magic the way Marvin does. However, Marvin's biggest flaw is definitely his arrogance and his isolation. His "trust nobody" mindset has left him cold and uncaring to others and in my opinion this is something that he doesn't do because he enjoys it- something about Marvin screams that he wants to be able to connect with others but can't at every turn and that's what is portrayed in their possession. They're cold, robotic and uncaring. Their magic has been locked away deep in their subconscious because Anti knows it's too risky to let them utilise it. They've been forced into a state that's far removed from who Marvin really is. In a way it would make sense with how much of Marvin's memories have been tampered with for god knows how long- at a certain point there's only so much of yourself you can lose before you become unrecognisable to yourself.
The inspiration for P!Marvin is Chipped Catra from She-Ra Princess of Power
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JackieBoy Man:
Jackie was by far the hardest to come up with- mostly because I couldn't come up with something that narratively would make sense. But I came to the conclusion that Jackie's worst perception of himself would come from the idea that he's not a true hero and only hurts the people around him, that he's a danger or a monster. That his powers make him a threat rather than a saviour. I personally think this would be a lot more effective if Jackie was possessed after an experience that left him doubting his role as a hero- maybe he couldn't save someone or someone he was trying to save and ended up dying instead. His grief and self loathing would come together into being possessed into being a weapon.
P!Jackie is nothing short of a weapon made for destruction- something that was designed to destroy. Part of the horror would be for him to wake up from his possession, only to realise that the ones he cares about the most and the only people he has left are now afraid of him and wants nothing to do with him.
The idea for P!Jackie is Infected She-Ra from She-Ra Princess of Power
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Henrik Von Schneeplestien:
Henrik was another one that took me a while to figure out but I did eventually get to it!! Henrik would come from his insecurities as a doctor, the weight of people's lives being on his shoulders day in and out would wear him down over time and the idea that he could be at fault for the deaths of many whether he could've actually saved them or not plays in his brain so much its unbearable. Henrik's possession would take form as moss- or a general depiction of something rotting, a walking contamination that he can't heal or fix and he knows he's the route problem and to keep everyone else safe he'd need to remove himself from the equation. For the most part I don't think he'd be aware of how far his corruption goes, at first he'd write it off as being unwell, overworked maybe, but he has seen the others get possessed and harmed by their own possessions and he would never let himself succumb to that. Doctors do make the worst patients after all.
The inspiration for this has came from The Corruption in The Magnus Archives and Belos from The Owl House
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Jameson Jackson:
JJ's possession is the one I'm most proud of and it's the one that's the most loyal to his debut in 2017. However the way I perceive JJs possession is that he is almost the exact same. But it's not him. He's fully conscious and aware of everything around him but he's trapped in his own skin with movements that are not his own. He's forced to watch and able to do nothing when those around him drop dead by his own hand. And the worst part about all of it is that Anti is clever enough to make him continue his daily routine, to carry on as normal. To let JJ see those closest to him not notice that something is deeply and horrifyingly wrong, that the person they're interacting with and bonding with isn't who they think they are. And no one notices. And there's nothing he's able to do about it. It's a play on his fear of no one really seeing him for who is is, no one notices something's wrong because they didn't know him to begin with. The entire experience makes him think about how much he actually spent time with these people. How much of him do they actually see and how much of Anti has painted over that.
If anything I might tweak Chase or Jackie's possessions slightly because they are extremely similar to each other??? BUT part of me wants to keep the similarities between them a constant thing because I personally see them as being two sides of the same coin
JJs possession was inspired by The Stranger and The Web from The Magnus Archives
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AND THATS EVERYTHING‼️‼️ FEEL FREE TO REBLOG WITH THOUGHTS AND ANY ADD-ONS YOU WANT‼️‼️
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eastgaysian · 8 months
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Hey, as you are the resident Tom expert: why do think Naomi and Stewy seem to pick up on the fact that logan is abusive or at least damaging, but Tom remains almost willfully oblivious / genuinely oblivious the whole show? Do you think he was playing dumb? Or is it out of his desire to *be* powerful, be wealthy, be like Logan? just really interested in your thoughts if you’re still up for analyzing that insane slimy man clown <3
it's been fully a month since i got this ask i was on a trip with my friends and then went into lemming lockdown. but i have been thinking about it and i do still have thoughts on succession i prommy
this is kind of a complicated knot to untangle - i'll say first off that the way logan treats kendall vs shiv is markedly different, and kendall and shiv respond very differently. naomi and stewy also come from wealthy backgrounds and have some amount of disillusionment with Wealth and Power as a result while tom is, obviously, fixated on social climbing and caught up in the allure of money being a superpower.
with stewy, the biggest thing is that he's been a part of kendall's life since they were kids. while cut script canonicity is always iffy wrt things like 'dinner for winners' etc he's known kendall for, what, 30+ years? the fact is he's been around long enough and closely enough to see a lot more of the roys than most people do - he's also not going to turn a blind eye and enable or excuse like members of the old guard. he doesn't work for logan, he's kendall's best friend. while this doesn't necessarily mean he has always kendall's best interests in mind or that he encourages him towards what we'd consider 'healthy' behaviors, he's had a front row seat to the Kendall Show for decades. he knows first-hand how damaging it is for kendall to remain in logan's proximity/under his control
naomi obviously picks up on How Bad It Is much more quickly, which i would say is a combination of her seeing a lot of herself in kendall, not only with regards to addiction but also wanting to get the money and get out from the family company and all its baggage. in season 2 kendall is also at his absolute lowest, completely under logan's thumb, and everyone's aware of this.
on the whole it's just much more immediately obvious that kendall's fucked and that logan plays a huge role in this. compared to shiv generally being understood as logan's 'favorite,' trying to distance herself from logan/royness at the beginning of the show, and presenting a Cool and Composed front to everyone while kendall walks around with his big brown doe eyes and injured baby bird swagger. neither of them are fully willing to acknowledge just how much damage logan has done, but shiv is much better at hiding the extent of it from other people than kendall is
which is not to say that tom doesn't have some serious cognitive dissonance/conflicts of interest going on, like him asking shiv at the beginning of austerlitz if it's cool to speak to logan 'in a bridge-building way' despite the fact logan accused shiv of knowing about kendall's coup and blew up at her as a result. tom's not totally, willfully blind of what's going on - he saw logan hit iverson at thanksgiving, he got boar on the floor'ed. he correctly assesses in vaulter that 'you saw what your dad did to kendall. there's gotta be the chance he'll do the same to you? get bored of you, once he's got you?' which is again not totally separate from his own self-interest. he needs (or 'needs') to be in logan's proximity and in his good graces in a way stewy or naomi don't, which means smoothing over the fact he's abusive and awful
but i also don't think tom would be able to justify sucking up to logan to himself if shiv didn't okay tom talking to logan in austerlitz, then take logan up on his offer in the summer palace/fixate on the idea of becoming ceo. in an objective sense it's still awful for him to do, of course, but logan has kind of always been between tom and shiv. from his perspective shiv's chosen logan over him before and hasn't stopped him from choosing logan over her in small ways. shiv is chronically unwilling/unable to admit when she's been hurt and tom is unwilling/unable to look past that and recognize when he does something terrible, especially when everyone else is doing the same terrible things
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wildwren · 5 months
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the artful dodger meta dump
So I’ve been making a lot of Artful Dodger gifs and recommending it to people, etc, so I feel like now’s a good time to get down some thoughts about what I liked about the writing and what I wish they’d done better. I’m not intimately familiar with Oliver Twist the novel, so this won’t be an analysis of how the show succeeds as an adaptation or sequel. Rather, I’m assessing the show on its own terms and examining specific characterizations as they relate to gender and race.
warning: spoilers for the entire series
lady belle fox
The most divisive character in The Artful Dodger is without a doubt the female main character, Lady Belle Fox. Belle is a deeply intelligent and ambitious young white woman. She’s also the daughter of the colonial governor, existing in the highest strata of privilege her society can offer — excepting being a man. She’s very forward, bossy, egotistical, often self-serving and occasionally mean. She is, as the kids say, “unlikeable.”
So, is this the dreaded girlbossification in action? I don’t personally find the term “girlboss” to be a useful descriptor for analyzing female characterization, but if you find it useful, go right ahead. However, I do take issue with the accusations of “lazy girlboss writing” because I think the extremes of Belle’s characterization are pretty clearly a feature and not a bug.
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The writing gives extensive in-story explanations for why Belle is Like This. She was raised by a wickedly smart mother, Lady Jane, whose marriage to Belle's fuddy-duddy father is a transparent front for her own personal ambitions. She essentially administers the colony herself while her husband works in the garden. Lady Jane recognizes these same qualities in her daughter and actively encourages them, steering Belle in the direction of similarly weak-willed young men who Belle might be able to manipulate into letting her lead the life she wants: one of medical study and practice. This is essentially how she approaches her relationship with Jack from the get-go. She sees him as a man she can manipulate and domineer for her own ends. The problem is, Jack isn’t actually a patsy. He’s a true match, and one of unfortunately unmarriageable quality.
The focus of Belle’s ambition is also not random. She’s has a chronic degenerative heart condition, one which she’s had to research and diagnose for herself, because the doctors around her have failed to give her useful information. It makes sense that her formidable intelligence would end up hyperfixating on medicine and surgery as a means of addressing her own illness.
Due to these factors — the matriarchal power structure of her family in combination with the patriarchal privilege of her culture — Belle can get away with almost anything. She throws her weight around the colony without consequence, invoking her father’s name at will without any of her father’s retribution. The writing certainly takes some liberties with anachronism, but this isn’t just a case of placing a modern woman in a period setting. They've made intentional characterization choices to back it up.
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The writing is also very aware of Belle’s flaws and the tension they create with other characters. Belle’s privileged position makes it difficult for her to see the world from the same perspective as Jack. This is most notable in episode 6, when Belle tries to defend her father’s “law and order” crackdown as a necessary measure to control crime, and Jack has to explain to her the concept of structural violence. She’s also called out by Red, the outlaw who’s life Belle saves by means of an emergency surgery. Although Belle lies to protect her, Red doesn’t excuse Belle for her role in colonial project: “Your family are the biggest thieves in Port Victory.”
I was impressed with how this particular subplot was executed with regards to Belle’s arc. It doesn't feel like a “turn to the camera" teaching moment. It feels instead like the inevitable consequence of the tension that arises when people develop relationships across class and life experience. (“If you can’t see what’s happening here, Belle, then you and I have big problems. This puts a wall between us.”) It also doesn't feel like a misogynistic hit designed to take Belle down a peg. Her ego is healthy enough to get through unscathed.
However, there are some aspects of Belle’s specific brand of white feminism that aren’t as well executed. Most notable is her relationship with Hetty. Hetty is a hard-working nurse and Catholic woman of color who works in the hospital. She is increasingly sidelined both in her professional role and her role in Jack’s life by Belle’s self-empowering self-insertion into the surgical room. There’s clear tension between them, and understandable disapproval from Hetty towards Belle and Jack’s indulgence of Belle’s ego. However, this tension is never fully explored. By the end of the series, Hetty and Belle appear to be friends, or at least allies, with no discernible explanation. Is Hetty just that much bigger of a person? Does she think a rising tide will lift all ships? We don’t know, because her motivations are never examined. The closest we get is an introspective moment that implies Hetty’s unrequited feelings for Jack, which does little to explain her acceptance of Belle’s role in the hospital. It’s end up being unsatisfying, a disservice to Hetty’s quite interesting potential as a character.
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jack’s gang
However, I think where the writing suffers most is in its failure to examine Jack’s whiteness and privilege. Jack identifies strongly as a have-not, despite having gained some power and privilege as a doctor, and over the course of the story, he ends up surrounded by a crew of other have-nots, most of whom are men of color. His closest friend before Fagin returns is an aboriginal man named Tim, an engineer (and partner to the outlaw Red) who makes prosthetic arms and legs for amputees. There’s potential here, but this relationship is never really examined. We don’t learn how they met or what drew them together, besides apparently working in the same building.
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The only tension between them comes when Jack tries to guilt Tim into doing him a favor based on Jack’s previous generosity, and Tim hits back from an equal position: “Pricey, isn’t it? Your loyalty?” But just as with Hetty, this tension is dropped, and Tim’s and Jack’s goals are essentially aligned for the rest of the story. The other members of Jack and Fagin’s gang get even less exploration. On the one hand, it’s a gang of thieves getting up to silly hijinks — they’re not each going to have a fleshed out character arc. On the other hand, the characterization choices uphold some harmful colonial optics, where a diverse crew of characters answer to two white men as the explicit brains of the operation.
red
The best treatment for a character of color is almost certainly Frances ‘Red’ Scrubbs, a sharp-shooting aboriginal woman and a crafty outlaw (partner to Tim). This is definitely because Miranda Tapsell, the actress who portrays Red, was tapped as a consulting writer. (!!!!!). Red’s not a member of Fagin’s gang but a leader of her own crew, and she serves as a sort of playful nemesis to Fagin for the first few episodes, often outfoxing him or beating him to a steal. She also gets a subplot arc of her own, and is the source of the show’s most effective anti-colonial messaging. She embodies an ethos of unapologetic indigenous resistance. Her occasional solidarity with Fagin and Jack is always conditional on her own right to survive and thrive. Her distrust of the colonial medical system she must rely on to escape the noose is the closest the show gets to exploring medical trauma as structural violence (it’s still a very light dive.) The story ends with her taking revenge on the hateful lawman who targeted her and returning to the bush to live with her daughter.
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If anything, the show could have benefited from more Red, a deeper exploration of her world and her gang outside of her interactions with Fagin and Jack. But one can understand how that might have been outside the scope of the showrunners' intentions.
At the end of the day, The Artful Dodger is a white-centric narrative. The focus of the story is the relationship between Jack and Fagin and the relationship between Jack and Belle, and both of these dynamics are excellently written. If it’s renewed for a Season Two, I hope they can extend the scope to give space for more complex narratives like Red's.
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srhunt · 9 months
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Haunted Mansion’s Biggest Issue (to me)
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I was very excited to finally see Haunted Mansion this year. I had given up hope on ever seeing this new adaption in the 13 years since Guillermo Del Toro announced it with barely any news in between.
And I did very much enjoy it, it’s at least better than the 2003 film, which is all I wanted it to be.
However, there is one thing that stopped me from loving this movie, and that’s how they handled my favorite happy haunt, the Hatbox Ghost.
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Now, design wise, he looks great. He’s intimidating, he’s creepy, all around they nailed it. Not thrilled that he’s played by Jared Leto, but thankfully he’s barely noticeable.
Where my issue begins is when they learn the Hatbox Ghost’s living name, Alistair Crump.
I’m not opposed with giving Hattie an actual name, mind you, and I do appreciate the nod to original Haunted Mansion Imagineer, Rolly Crump (though it’s kinda backhanded to name the villain of the movie after him). But from the moment they learn his name, he stops being the Hatbox Ghost and becomes Alistair Crump. Let me explain what I mean.
Alistair Crump was the child of a wealthy family. He was kicked out of his home by his father after crying too hard at his mother’s funeral. Cut off from his family, Crump had to climb his way back up from nothing. Meanwhile, he studied the dark arts. After his father died under mysterious circumstances, Crump gained control over his family estate. He’d throw lavish parties, inviting the people who turned his father against him. At these parties, he would murder the people he believed played a part in his father’s abandonment of him. Crump would bury the bodies under the house. This continued until his staff discovered his secret and turned against him, decapitating him and burying his remains in the same place he disposed of his victims.
Did you notice something was missing in this story?
Something very important to the Hatbox Ghost?
Like…a hatbox?
Yea, there’s no mention of a hatbox in his backstory.
This issue becomes even more glaring when the protagonists need to find an item that belonged to him in order to banish him.
You’re probably thinking it’s a hatbox, right?
No, it’s his top hat.
The top hat that’s still on his decapitated head.
Oh, is his head inside a hatbox?
No, it’s in the dirt under his old mansion.
Most of the time, ghosts are depicted with items important to them in life. Constance Hatchaway has her pearls and her hatchet, Madame Leota manifests in her crystal ball. And it’s not just the Haunted Mansion that does this, look at Thirteen Ghosts from 2001.
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Each ghost has an in-depth backstory that can be found on the DVD’s bonus features, and each backstory explains how they died and why they were selected to fill a specific role in the Black Zodiac. They look the way they do because it reflects their past lives and their deaths.
So why does Alistair Crump carry a hatbox as a ghost if he had no ties to it in life?
This issue drives me nuts because it easily could’ve been fixed. Maybe when Alistair was kicked out of the house, he was only given a hatbox to carry what little he could, or maybe his staff hid his head inside a hatbox.
Crump only has the hatbox so he can do the gag with his head. That’s it. His titular hatbox holds no importance to him. He easily could’ve been swapped with any other ghost in the Mansion and nothing would feel out of place.
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The hatbox is so unimportant to Crump that towards the end of the movie, he doesn’t even have it anymore. After we learn his backstory, he’s never seen with the hatbox again.
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Even this new Funko Pop figure doesn’t have his hatbox but then labels him, “Hatbox Ghost.”
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To me, Alistair Crump and the Hatbox Ghost are two different characters. Crump may look like Hattie, but he is not the Hatbox Ghost. Which is the biggest disappointment of this film to me.
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Hattie is such a fascinating and mysterious character in the mansion. He has a backstory that’s never really explored. His role varies from story to story. Why is he in the attic with Constance? Was he one of Constance’s grooms? Why does he have that hatbox? Why did he disappear for so long in the context of the Mansion’s story? Where did he go and why did he come back? Was he a victim? A coconspirator that got betrayed? There were so many ways they could’ve taken his story and they picked probably the weakest one.
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It does make me wonder what Guillermo Del Toro’s original vision for Hattie was. But alas, we may never know.
Maybe in another 20 years we’ll get a different take on the Mansion and Hattie.
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kemosabeko · 10 months
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RE Actor AU!
I thought I could hide it but I really can't anymore
*this is mostly about wesker but will I apologize? Nah. Imma do my own thing.
A/N: these are very, VERY self-indulgent
Warnings: None, just fluff and crack
Also this is my first post in Tumblr so idk how do texts/posts works in here :p
This was created because my current hyperfixation rn is wesker (YES)
You'd think with his role he'd be uptight and quite the serious actor. Yknow those types.
Oh boy oh boy would you look at that. He just brought another coffee for everyone on set.
MF LITERALLY IS ONE, IF NOT THE MOST, KINDEST PERSON YOU'LL MEET.
Always there to help crews moving their things, especially the heavy ones like camera.
Helps fellow actors with their script and scene.
But the most noteworthy trait of his is being a family man.
WOFJWISHJS GODDD HOLD ON
He literally SHOWS OFF his twins to his co-workers.
Everyone is a victim
"Chris look at this. They're walking"
"Yeah you showed that to me like five times alr-"
"they're WALKING"
Okay biggest victims are Chris and Leon
Jill and Chris are people who entered the industry the same time as Albert and has worked on multiple projects with each other. Hence, their closeness.
Now back to the general cast
Chris and Claire are literally siblings in real life
This franchise is actually Ada's first acting role in the industry! Which immediately became a huge boom to her career, which she didn't expect.
She was actually originally working as a stunt woman, but one time a manager suggested her to do acting after seeing her try to double a character since the original actor was sick, and she couldn't be more thankful that she took the risk.
She's very skilled in martial arts!
She and Albert are some of the few casts that don't do double-stunts.
Leon is a child actor starting from the age of 7.
Came from a very wealthy (aristocratic) family
ABSOLUTELY IDOLIZES ALBERT
Y'know that one story of Tom Holland when he talked about RDJ and was absolutely stunned when he entered the set?
Yep. That's literally Leon on his first day on set.
Look. He's worked with a lot of big shot names. Cate Blanchett, Robert De Niro, Morgan Freeman, Nicole Kidman, you name it!
But has he ever worked with this man with basically a face and body carved by the greek gods themselves, slicked back hair, and possibly the smoothest and healthiest skin ever, who's basically his entire fucking idol and goal to work with? NO!
So why, should he NOT FREEZE UP when he finally met him on set?
Albert saw a blonde, handsome boy sticking out like a sore thumb from the entrance of the set. He quickly realizes that this is the actor they cast for the protagonist. He walks up to them and smiled warmly.
"Hey! we got a new face around here. You must be Leon Kennedy right? Nice to meet you! I'm Albert Wesker"
He stretched out his hand to shake with him, but all Leon could think was
"oh my god... it's ALBERT FUCKING WESKER"
Poor blondie basically stopped working for a few seconds, before he realized how stupid he looked and was on his way to ruin his first impression.
He quickly snapped out of his shock and went to shake his hands and OH MY GOD THEY'RE SO SMOOTH AND WARM AND HIS SMILE--
Had to take a breather when he went to his tent after that encounter.
After that and throughout the shooting, they became closer and eventually became close friends
Which is how Albert met you but that's for another story.
Carlos has a HUGE and I mean, simp level of huge, crush on Jill.
This man really was the real smooth operator cause when he heard that Jill, together with a male character, will be the MC for the third franchise? Oh this man was on a MISSION.
Immediately auditioned and prepared for the role like his life was on the line (on his defense, it was)
The first to hear about this was Chris.
Which he then gossiped to Albert.
To which they both supported Carlos by giving him tips about what Jill likes, hates, her fave foods, her favorite movies, all of that and etc.
CHRIS AND ALBERT #1 VALEVEIRA SHIPPER 💯
Literally had them plotting the most insane shits for a date
Thankfully, their shenanigans bear fruit after a year when Jill finally accepted him as her boyfriend.
Man was so over the moon, he deadass called the other two in the middle of the night to talk about what happened.
Albert was NOT happy being interrupted in his sleep, but decided to let it slide hearing the joy in the younger man's voice.
After all, he wasn't so different when the same thing happened to him with you.
Oh also, did I ever mention that Albert ADORES children?
Which is why he found Sherry so cute! Even though she plots pranks with Leon and Claire occasionally.
Throughout the years, they have become absolutely close friends that they consider each other as family (I'm starting to hear Dom Toretto)
Leon and Ada also eventually became a couple after years of painful pining (the rest of the cast and crew had to suffer witnessing their years of pining for each other)
They often do a late night chats with each other, sometimes they do IG live together when everyone's free.
The fans ABSOLUTELY eats them up because it's their source of meme and crack content from the cast.
The Behind The Scenes were filmed by almost all of them, or whoever wants to.
Tons of them are Chris tripping over almost everything.
Claire trying her stunts and being extremely proud when she successfully does one without her double.
Carlos just playfully punching and having beef with the camera.
It also includes Albert teaching Ada some stunts on how to do them better and more safely, and vice-versa.
And then you got Luis, Ashley, and Leon straight up doing a mukbang ASMR for one of their BTS (they failed horribly cause they, especially Luis, can't stop laughing)
Luis tries teaching Ashley spanish but eventually gave up. But after a few months, Ashley came up to him and said in almost perfect spanish "soy un raton rubio"
Loverboy felt like a proud parent he started singing out of nowhere.
*I feel like I really have so much more to put but maybe I've finally exhausted my ideas so here they are!
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witchthewriter · 2 years
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♢ 𝐃𝐚𝐭𝐢𝐧𝐠 𝐍𝐢𝐤𝐨𝐥𝐚𝐢 𝐋𝐚𝐧𝐭𝐬𝐨𝐯 𝐰𝐨𝐮𝐥𝐝 𝐢𝐧𝐜𝐥𝐮𝐝𝐞 ♢
𝑴𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕
↳ female reader, requests open ♔ What are your fancasts for Nikolai? Also I haven't finished the book series so keep that in mind please!  
⁕ A lot of surprises - so so many surprises. They range from presents (jewellry, dresses/clothes, perfume, books) to adventures. He loves spoiling you; putting a smile on your face and giving you something that makes you light up.
⁕ He wants the absolute best for his woman, even if you tell him that you don't need it, he wants to at least give you something that brightens up your day.
⁕ You're like a reprieve from the pressures of his role - everyone expects the best, the most from Nikolai. He unmasks when he's with you. It wasn't always like this; at the beginning of the relationship he kept a lot of things to himself. So when he's alone with you, he can relax.
⁕ He has quirks that not a lot of people know about - he snores. sO DAMN LOUD, also talks in his sleep. But it's normally babble and incoherent. BUT, this one time he scared the absolute crap out of you by sitting up in bed, wide-eyed and mumbling, "they're coming, they're coming, they're coming." (stress is crazy bro)
⁕ He loves it when you completely wrap yourself around him and engulf him in the biggest hug. Intimacy/touch, wasn't something he had growing up - it was all prim and proper. He didn't really have a mother, or a good father. He couldn't trust anyone.
⁕ FOREHEAD KISSES. HAND KISSES. NOSE KISSES. SHOULDER KISSES.
⁕ Definitely the trope; you fell first but then he fell harder. He kept on asking you out, over and over again. But you didn't want to give him the satisfaction.
⁕ You give him flowers, and he LOVES IT. His favourites are roses, orchids and camellias.
⁕ Just like he has a reputation, so do you. You're fearsome in your own way, possibly a heartrender, tailor, squaller etc. or a simple villager who had to create a persona to protect her family. Either way (you decide), he was taken aback when you showed him kindness.
⁕ He loves to sleep in; but is nearly always awake before you.
⁕ Nikolai has many skills - he's picked up a lot of things on his journeys. With the time it takes to travel, he's been taught most things.
⁕ Likes to play with your hair and vice versa. He's actually pretty good at doing hair, and has done it for events/balls/occasions
⁕ He wants to marry you, to spend the rest of his life with you. Which is very telling because Nikolai has been ready to die at any given moment. This means you give him hope, now he has something he wants to live for. Something to lose.
⁕ Is obsessed with music and loves folk songs.
⁕ He'll sneak off with you during the nights and take you to the village bars.
⁕ He wants your input in EVERYTHING; your ideas are amazing and wants to know your opinion. The more outlandish you are, the better.
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scotianostra · 3 months
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Happy Birthday Scottish actor Ewen Bremner, born January 23rd 1972 in Edinburgh.
Bremner has worked with many of the most respected directors in world cinema, including Danny Boyle, Mike Leigh, Ridley Scott, Joon-Ho Bong, Werner Herzog and Woody Allen. Hen has established himself by creating unique characters in critically acclaimed films, as well as going toe to toe with many of Hollywood's biggest stars.
Ewen had worked widely in theatre, television, and film for years before being cast in his breakout role in Trainspotting, by Oscar-winning director Danny Boyle. He was the first to be cast in the role of Mark Renton in Edinburgh's Traverse Theatre production but lost out to Ewan McGregor in the film version, instead he was handed the role of Spud Murphy and earned screen immortality with his character's infamous "speed fuelled" job interview scene.
Prior to Trainspotting, Bremner gave a striking performance in Mike Leigh's Naked, fellow Scot Susan Vidler played his girlfriend Maggie in this excellent film.
In 1999, Bremner received critical acclaim for his portrayal of a schizophrenic man living with his dysfunctional family in Harmony Korine's Julien, Donkey-Boy. Filmed strictly in accordance with the ultra-realist tenants of Lars Von Trier's Dogma 95 movement and starring opposite Werner Herzog, Bremner played Julien its eponymous hero, requiring him to assume an American accent. He then worked with director Michael Bay in his high-profile 2001 war film Pearl Harbor, proving his versatility once again by portraying the role of a wholeheartedly patriotic American soldier fighting in WWII. The following year, he stepped back into fatigues for a supporting role in Ridley Scott's Black Hawk Down, while rounding out the next several years with roles in high-profile Hollywood releases such as The Rundown, Disney's Around the World in 80 Days), AVP: Alien vs. Predator, Woody Allen's Match Point, the comedy Death at a Funeral directed by Frank Oz, and Fool's Gold starring Matthew McConaughey and Kate Hudson.
This past few of years proved to be a busy when Bremner was invited to join the DC Universe in the Zack Snyder-produced feature Wonder Woman, directed by Patty Jenkins, co-starring Gal Gadot and Chris Pine. Ewen also reprised his unforgettable role as Spud in the highly-anticipated sequel to Danny Boyle's cult classic, T2: Trainspotting
Bremner appeared in the TNT Drama Series Will with Shekhar Kapur. The series told the story of the lost years of young William Shakespeare after his arrival to London in 1589 but only lasted one season. Other notable film credits include Woody Allen's You Will Meet a Tall Dark Stranger, Perfect Sense starring again alongside Ewan McGregor, Great Expectations, Jack the Giant Slayer, and Snowpiercer starring alongside Chris Evans and Tilda Swinton. Further credits include Exodus: Gods and Kings, Wide Open Spaces, Mojo, Mediator, Faintheart, Hallam Foe, Sixteen Years of Alcohol, and Snatch.
In television, Ewen has worked on many acclaimed productions including David Hare's Worriker trilogy starring Bill Nighy for BBC, Jimmy McGovern's Moving On and also his Australian mini-series Banished, Strike Back for Sky TV, Dominic Savage's Dive, the Dylan Thomas biopic, A Poet In New York and the adaptation of Day of the Triffids for the BBC. Other noteworthy series appearances include portraying legendary surrealist Salvador Dali in the U.K. television drama Surrealissimo: The Trial of Salvador Dali, and a guest spot on the successful NBC series, My Name is Earl, not to forget an early appearance in Taggart way back in 1990.
Latley Ewen has been one of a number of Scottish actors who are backing a campaign to reopen the Film House cinema in Edinburgh, he has a couple of projects on the go just now, Bluefish, which takes us around the globe to tell stories of people trying to break out of their bubbles of isolation, which I take to mean the Covid pandemic, he also has a film on the go called Roo, but there is nothing to report on that just now.
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