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#Order of the Golden Fleece
illustratus · 1 month
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Coat of Arms of Edward IV, King of England, in his Capacity as Knight of the Order of the Golden Fleece
by Pierre Coustain, c. 1481
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spanishroyals · 6 months
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Princess Leonor's 18th birthday:
To celebrate her 18th birthday Casa Real has released previously unseen photos of the Princess.
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The Princess First Curtsy. Royal Palace, 2018.
In 2015, on her 10th birthday, King Felipe awarded the highest possible honor on the Princess of Asturias, the Royal Order of the Golden Fleece.
In a ceremony in 2018, to mark the King's 50th birthday, the Princess received the Order from her Father in a solemn ceremony at the Royal Palace. Princess Leonor curtsied for the first time in public to her father, the King, her mother, the Queen and her grandparents King Juan Carlos and Queen Sofía. Watch the moment on the video:
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roehenstart · 2 years
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Prince Alois II of Liechtenstein (1796-1858) in the regalia of the Order of the Golden Fleece. By Friedrich von Amerling. 
He was the first Liechtenstein prince to visit the country and actively contributed to its political and economic development.
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solnunquamoccidit · 1 year
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Carlos II a caballo
by Luca Giordano (Neapolitan, 1634 – 1705) oil on canvas (54 × 68 cm), c. 1690
Museo del Prado
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lurkerlaine · 1 month
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I receive Cursed Header Image you receive Cursed Anime fanart @oldfritz
Favourite Details:
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goddessofwisdom-7 · 4 months
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Sacrifice [part 2]
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Pairing: Luke castellan x female!reader
Description: a prequel to Sacrifice pt. 1, you held up the sky for long and Luke could see the toll it was taking so he goes ahead luring Annabeth to take your place, after all he's just trying to take care of you.
A/N: when I wrote Sacrifice, I did it in fifteen minutes nto thinking much of it. But I like the concept of it ngl. In all fairness, angst is like my thing and writing angsty toxic Luke is my fav rn.
Sacrifice pt 1:
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Luke's shoulders ached, his back felt almost crooked from the weight of the sky. He felt a twinge of sympathy for Annabeth but right now she was the lesser of his concerns.
The woman at the forefront of his mind being you.
You who swung from consciousness to unconsciousness for the last three days; the strength from your body sapped out and a constant pain ripping through you. Your wrists were wrapped up in bandages to support them and the large expanse of bruises on your shoulders were being iced.
The nectar and ambrosia he was taking to you felt like a meagre offering, a minimal solution.
This whole ploy was a sheer debacle. He could've lost you.
Everything was taking too much time. Anyway, it didn't matter now.
You were out of immediate danger, he could take care of you. Just like he always swore to. He'd show you how much he cared, that you still mattered and ha had it all under control and all the doubts he knew you were beginning to have weren't necessary.
Your hair had greyed significantly, more than his had; though that was to be expected with how much more time you had spent in Atlas' position.
He sidled up to your sleeping figure, sheltered away from the eyes of titans and soldiers– protected; and reached out to caress your face, over the course of these days, he had developed a small routine now.
First, he picked up the washcloth and basin that a son of Asclepius who was in charge of handling injuries had dutifully kept. He could tend to your wounds and the other demigods, but you were still under Luke's care. Always.
Cleaning up your face first, before gently wiping down your arms, mindful of the supporting bandages and then wiping your knees, down your shins and the arch of your feet.
It felt good, being able to do something for you. After which he'd try to rouse you in a partial wakefulness as he helped you sip the divine nectar, watching the magic liquid give you some strength.
For a little while, Luke had been worried. For all your amazing traits, he believed you to be more simple-minded; in your mind, you were the first that should be sacrificed because of your dedication and devotion towards your loved ones. Now, he never thought of your loyalty to be mindless like a dog's but he always believed that it would be his.
But then after the whole Golden Fleece interaction with Percy and company, you had gotten quiet, secretive almost. Like you were deliberating helping the son of Poseidon. And he had had a sinking feeling that Kronos might order him to get rid of you, and he wasn't sure he'd be able to do that.
"Are you hiding something from me?" He'd asked one evening, quiet and sudden.
Your gaze remained unwavered as you stepped closer to him.
"No."
"You having doubts?"
"About survival?" You laughed, "I've known about the extreme likelihood of dying for a very long time." A thrilling shiver ran down his spine as you grabbed his chin.
"And still Luke, I'm here, by your side. I'm not having any doubts."
And a few days later you went and held up the sky and now he wondered if it was some unrequired act of fielty.
He brushed your grey hair back, untangling a few knots and wished your face didn't look so disturbed and in agony in sleep as it did while you were awake.
"Luke?" You mumbled.
"Yes love."
"What– how am I here?" A sudden fit of discomfort and confusion setting upon you as you forced your eyes open and tried to sit up, still half asleep but nevertheless trying to stay alert– a default demigod setting, "who's– Atlas–"
"Shh," He whispered, attempting to be soothing. Take care of you. His job. "Annabeth's got it in control."
"Anna– no!" You shoot up, weak and disoriented, "not– Luke, Luke you promised– No!"
"Shh, calm down, please," He catches your shoulder and nudges you to lie back but you remain restless and oh gods he loves you and can't lie to you but you need to remain still or you'll get hurt more.
"You promised–"
Their medic is swift in appearing with an anaesthetic type medication and they put you out succinctly, without the chance of waking for a long while.
"I know you didn't want it to go like this, my love. But I will sacrifice hundreds to keep you safe."
His heart feels heavy and he kisses your brow and cheek.
If Annabeth, Thalia or Percy or anyone is the option opposite you, he'll kill them all. You, his devoted darling, his own nectar. The repercussions always seem so inconsequential when up against you, taking care of you.
His beloved.
************
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tylermileslockett · 10 months
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All right folks, Argonautica is a go! woohoo! 
I wanted to start with a map just so i could wrap my head around the journey and get familiar with the major locations and events in chronological order. I'll do another image showing the major heroes, and then we can dive into individual scene/event illustrations. Ill probably do around 12 -14 images for this myth, so I'll have to be picky about which scenes i illustrate.
Argonautica 1: Overview and Map Route
I.) Iolcis; The crew departs from Jason’s hometown. II.) Lemnos; the island tribe of women who murdered their husbands. III.) Doliones battle: a mistaken battle results in the death of King Cyzicus IV.)  Chios: Hylas abducted by water nymph, Heracles left behind V.) Phineus, a blind seer, is rescued by the Argonauts from Harpies. VI.) The Symplegades (Clashing rocks) a treacherous passage. VII.)  Stymphalian birds: the heroes drive away the man -eating birds VIII.) Colchis; Jason overcomes three trials of King Aeetes to obtain Golden Fleece with the assistance of the sorceress Medea. IX.) Brygean Islands: Medea and Jason trick and murder her brother Apsyrtus to escape Colchian pursuit. X.) Circes Island; The goddess purifies Jason and Medea of blood-guilt. XI.)  The Sirens; Orpheus drowns out the sirens calls with his own song. XII.)   Scylla and Charybdis; Thetis and Nereids guide Argo through XIII.) Drepane Island: escaping 2nd Colchian fleet, Jason and Medea wed. XIV.) Syrtes:  three Nymphs instruct crew to carry Argo on their backs for 12 days XV.)  Garden of the Hesperides; XVI.) Lake Triton: Triton, Son of Poseidon, instructs crew on passage to sea XVII.) Crete: Medea uses her magic to defeat Talos, a giant bronze warrior XVIII.) Aegina Island: the journey ove r, they perform rites for Apollo
Do you like this art? would you like to own a book jam packed with over 130 illustrations like this? Then please support my kickstarter for my book "lockett Illustrated: Greek Gods and Heroes" coming in OCTOBER.
click on my LINKTREE for the Kickstarter link to "notify me when the project goes live." In my linktree is also a link to join my free email newsletter for book updates in the coming months, with free Hi res art and a 25% etsy print shop discount! 
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moa-broke-me · 7 months
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PJO characters as gods:
So there was a post going around about the idea of PJO characters being treated as gods in a thousand years or so, and I like the idea, but some of the godly placements felt a little off to me LOL, so I decided to make my own pantheon. (not sure how to order these, lol)
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Percy: God of the ocean and all its creatures, of water in general, hurricanes, earthquakes, cities, family, and horses. Titles: The savior of Olympus, the good son, the loyal husband, retriever of the bolt, king of the gods. Sacred items: Stuffed animals, particularly bears (panda pillow pet), any item colored blue, but especially food, like candy or cookies, bull horns, and pens. Sacred animals: All marine life, the black pegasus, the black dog, and the ophiotaurus.
Annabeth: Goddess of war, strategy, intelligence, wisdom, practical knowledge, civilization and the building of houses, the study of history, and the mind. Titles: The general, the architect, favored child of Athena, queen of the gods. Sacred items: Knives, rings, clay beads, coral, silver, and popcorn. Sacred animal: The owl.
Clarisse: Goddess of war, revenge, anger fueled by love, triage and midwifery. Titles: The eager soldier, slayer of the drakon, retriever of the golden fleece. Sacred items: Spears and weapons in general, wool/fleece, and chariots. Sacred animal: The boar. Often depicted bloodstained, charging into battle without armor.
Frank: God of war, animals, change, the transition from boyhood to manhood, of the duality between strength and gentleness. Titles: The reluctant soldier, the changeling lord, the young praetor. Sacred items: Bows and arrows, playing cards (mythomagic), charred wood, and a silver medallion on a red string (the canadian sacrifice medal) Sacred animals: The bear and the bee, both the most common depictions of him as an animal.
Reyna: Goddess of war, patriotism, fidelity, independence, leadership, strength, sorority, and resilience. Titles: The shield, the politician, guardian of Athena (bc the athena parthenos). Sacred items: Cloaks, gold, silver, and oat cakes (oatmeal cream pies). Sacred animal: The hound. Often depicted either shielding a little boy with her cloak or braiding hair with her older sister.
Hazel: Goddess of jewels, caves, broken curses, witchcraft and the mist, art, death and escape thereof. Titles: The princess of the underworld, the queen of magick, the illusionist, the dead girl who rose again. Sacred items: Schist (because... obviously), pencils and oil pastels, gold, shrimp stew (because gumbo), Tarot cards, and caramel candy. Sacred animals: The horse, the stoat, and the black cat. Often depicted either drawing or riding horseback, usually with her older brother, but sometimes alone or accompanied by her husband or one of her friends.
Nico: God of darkness and shadows, death, decay, loss, longing, love of all kinds, language, diplomacy and forgiveness, insomniacs, immigrants and orphans, mourners and outcasts, and sewing. Titles: The bereaved, king of the underworld, the ghost king, the romantic, deliverer of Athena (again, the statue, not the actual goddess). Sacred items: Playing cards (mythomagic), soft suede leather, fried bits of chicken (mcnuggets), sewing supplies, oat cakes (again, oatmeal cream pies), Posca (not the pen; the drink. it's like an ancient roman gatorade), pomegranates, anything colored green or black, and memento mori rings. Sacred animals: The bat, cerberus, unicorns (because unicorn draught), all stray animals, and any animals or insects that feed on carrion. Commonly depicted either weeping or accompanying his little sister or husband. (@yonemurishiroku you're gonna love this one)
Bianca: Minor goddess of death, darkness, rebirth and reincarnation, sisterhood, and the hunt. Titles: The broken promise, thief of the forge, slayer of Talos. Sacred items: a carved statuette of her father, and a bow and arrow. Sacred animals: None. Most often depicted climbing onto the back of Talos, or comforting/bickering with her little brother.
Will: God of medicine, light, summer, and the sun. Title: The healer, the sun. Sacred items: Candy bars, medical equipment, lamps, summer fruits, and anything colored yellow. Sacred animal: The cat.
Thalia: Goddess of lightning and storms, maidenhood, the moon, the night sky, wilderness and the hunt. Titles: Queen of the skies, the hunter, guardian of sanctuary. Sacred items: Leather, golden fleece, the severed heads of dolls (bc of the 'barbie is dead tshirt), and pine trees. Sacred animal: The black eagle. Commonly depicted dressed in black and silver, behind a shield emblazoned with a terrifying face.
Jason: God of clear skies and wind, daylight, law, leadership and fatherhood, heroic sacrifice, child soldiers and the military. Titles: Prince of the skies, the retired praetor, the golden boy. Sacred items: Eyeglasses, dense chocolate cakes (brownies), peaches, swords, silver wire (staples), bricks, and feathers. Sacred animal: The wolf. Often depicted with a spear lodged in his back.
Piper: Goddess of love, the heart, beauty in all its forms, charisma, music, wealth, and fame. Titles: Beauty queen, the snake charmer, the dove, the silver tongue. Sacred items: Knives, jewelry, anything colored in pink or light purple. Sacred animals: The dove.
Silena: Minor goddess of love, specifically first love, regret, noble sacrifice, grieving widows, and disguise. Titles: The young lover, the spy, the bleeding heart. Sacred item: Armor. Sacred animal: None. Often depicted wearing armor while lying on her back, bleeding.
Drew: Minor goddess of beauty and adolescence. Title: The betrayed. Sacred items: Seashells, seafoam, cosmetics, perfume, and really anything with a strong, pleasant scent, like herbs, flowers, or incense. Sacred animals: None. (side note, I made up most of this just because canon gave us Literally Nothing)
Leo: God of fire and the forge, machines, invention, humor, cookery, and runaway children. Titles: The engineer, the orphan, builder of the Argo, the forge, the devil, and the trickster. Sacred items: Tools, oil, cinnamon, cooking utensils, and bronze. Sacred animal: The dragon.
Charles: Minor god of the forge, blacksmithery, and fallen soldiers. Title: Courage of the gods, the young lover. Sacred items: Canned fruit, promise rings, and green fire. Sacred animals: None.
Tyson: Minor god of blacksmiths and the ocean, specifically underwater volcanoes. Titles: General of the Cyclopes, the rising mountain, brother of Percy. Sacred items: Peanuts (because peanut butter), shields, watches and clocks (because of that watch that becomes a shield that he made for Percy), ships, and canons. Sacred animals: None.
Grover: God of animals, nature, wilderness, music, empathy and emotional sensitivity, and the young. Titles; The protector, the searcher. Sacred items: Pan flutes, walking sticks (those crutches he used to blend in), flowers, cheese (bc of the enchiladas), apples, and any kind of plant life. Sacred animal: The goat. Often depicted as half-goat-half-human, sometimes wearing a wedding dress.
Rachel: Goddess of wealth, youth, rebellion, nature, art, hedonism and impulse, and prophecy. Sacred items: Hairbrushes, art, and art supplies. Sacred animal: The yellow bellied armadillo.
Sally: Goddess of the hearth, motherhood, writing and literature, women, and survivors of abuse. Titles: The sculptor, the author, the victor, the good mother, queen among women. Sacred items: food, especially the blue kind, and books. Sacred animal: The snake. Often depicted either holding a little boy behind her or holding up the head of medusa.
If there's any character you want me to do next, please tell me!
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petermorwood · 2 months
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I feel like you would appreciate this tiktok: https://vt.tiktok.com/ZSFBX8YAq/
I certainly do! Thank you!
:->
TL;DR (or TL;DW is more accurate) A member of Post-Purchase Support deals with a customer who bought an enchanted sword and knows nothing about it.
Correction: who knows NOT A THING about it. How extensive is this lack of knowledge?
NTL; Click to W.
Even funnier, taking offence at the term "bastard sword" is something I once heard for real. I've even seen it in censored form: "b*****d sword", and then of course there's Sky-TV's episode listing for "Game of Thrones":
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*****
"Bastard", though it CAN be an insult, isn't a swear-word but a perfectly legitimate description and was even an honourable title.
This gentleman, shown alongside his coat of arms, is Antoine, le Grand Bâtard de Bourgogne...
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That translates to Anthony, the Great Bastard of Burgundy, a member of The Order of the Golden Fleece, fully recognised by his father Duke Phillip and with the right to carry the Ducal arms differenced with a bend sinister.
"Great" just means he was the most senior of the Duke's illegitimate offspring.
The modern circle-and-bar "prohibited" symbol is similar to bend sinister, though its bar is a bend dexter - top right to bottom left - perhaps to avoid confusion with with the diacritical mark used by some Scandinavian languages.
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However I would NOT like to be the Support staffer trying to explain any of this to a dingbat customer... :-P
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galaxies-of-fandoms · 4 months
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I have something to say about the newest PJO episode and how Percy interacted with Medusa, as well as the themes in the episode as a whole.
What we just witnessed was both indicative of what will happen in the end of the series as well as a shift in the paradigm.
Throughout these first few episodes, they’re HEAVILY sowing the seeds of conflict and discourse over the gods’ treatment of their halfblood children. Percy himself is rejecting his father at every turn, claiming to be Sally Jackson’s son (good for him, we stan) and even choosing the guidance of his mother over the guidance of the gods’ when it came to how he regarded Medusa. You can see how he’s being nudged towards the path of Kronos by Luke and by Medusa, and at this point you might already be thinking that they have a point when it comes to defying the gods. After all, what good were they? If even the most powerful god could only transform his daughter into a tree in order to prevent her death, how useful were they really? (Yes I know Thalia gets resurrected by the Golden Fleece, but Zeus nor anyone else demanded a quest for the Golden Fleece until the tree was dying and the camp’s borders were threatened) In the end, Zeus chose the most politically correct way to save Thalia over the most morally correct option. Give her a “hErO’S deATh” so that a potential quest leader is out of the picture while still looking like the good guy 🙄
But back to how Percy treated Medusa. He chose to trust her because of his mother. He constantly defied the will of his more experienced and intelligent quest mate because he trusted his mother, and I think he sensed Medusa’s kindred spirit with his mother in her. In certain ways, they are alike. Both loved and abandoned by the same man, both being left with consequences neither expected could arise out of loving another.
I don’t think Percy wanted to kill her. Just like how he won’t want to kill Luke, in the end. Percy will fight tooth and nail to protect those he cares about, but that also means playing the long game. In the books, this isn’t some long thought out plan of his, he’s just kinda going for the ride in order to try and prevent as many human lives lost as he can. He makes himself invaluable to the gods and protects Olympus from a major threat in order to protect his people, his family, which is also why he uses this as leverage to change the status quo. The status quo put both Luke and many more from CHB into the hands of Kronos. To Percy, Medusa was not a monster but a threat to eliminate. To Percy, Luke will become a threat to eliminate (until the last second). To Percy, the gods’ treatment of their children will be a threat to eliminate. And we just saw a glimpse of what Percy will do to threats he feels he needs to eliminate.
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thequeer07puss · 2 months
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Hera as a goddess of legitimacy and a force of legitimisation
A lot of stories featuring Hera (not that many, to be honest, but the most famous ones) portray her as relentlessly attacking both gods and demigods sired by Zeus, which has partially inspired people to think of her as a “jealous wife” archetype, but most of these people ignore the main thing that Hera represents: legitimacy.
Hera as the goddess of marriage rules over legitimate unions, and as a result, may choose to pursue those who betray these kinds of unions in some kind of way. An example would be the speed with which she withdrew her sponsorship of the hero Jason why he broke his oath of love and loyalty to his wife Medea in favour of a crown which he was no longer eligible for.
Speaking of Jason, Hera was pretty much his only patron deity during his quest for the Golden Fleece, which was started as a way for him to claim his rightful place on his father’s throne, and this sponsorship started as soon as Jason’s quest started. No prayer was prayed, no offering was offered. Hera just showed up as soon as Jason’s quest for legitimacy started, and helped him as soon as he proved himself to her by carrying her (in the form of an old woman) across a river.
Also, Hera is a goddess who is known for testing the worth of both gods and heroes, especially when they are destined to enter Olympus (her home and domain), and especially when they were born out of an illegitimate union on either her or Zeus’s part. The torments endured by the various children of Zeus at her hand, and even her own (for the purposes of this essay I will take Dionysus, Apollo and Hephaestus)
Apollo
Apollo’s ordeal started even before he was born, as his mother Leto has been denied the right to give birth on any island attached to the land, and was relentlessly chased by a giant snake. Here Hera imposes herself and shows her might as the definitive and legitimate wife of Zeus (Leto was Zeus’s previous wife), and brands any child born from Leto as being under her in terms of status. When Apollo is born and slays the serpent Python, Hera is then forced to recognise that his trial is complete and that he has a claim to the Olympian seat.
Hephaestus and Dionysus
Hephaestus was conceived as a kind of revenge plot against Zeus for conceiving Athena on his own, from the sacred bed which he shares with Hera, but without her input or approval, which prompted the goddess to do the same in order to restore the balance of power within their marriage, and to show Zeus that if he could make a child on his own, then she could too.
However, when the infant Hephaestus was born, it was either Zeus or Hera herself that hurls him down from Olympus, however godly he may be, crippling him in the process and forcing him to EARN the right to re-enter Olympus (kind of like how Hercules in the Disney movie was debuffed so that he would earn his way back into Olympus), which he ultimately achieved by capturing Hera in a golden throne (literally trapping her with one of her most sacred attributes).
Dionysus’s trial begins where Hephaestus’s comes to an end. Having met Hera in his childhood and been rendered mad by her which led to him being rescued by Rhea (whom I assume here to be Rhea-Cybele, whose cult has some of the mad and wild attributes of Dionysus’s), he must have already taken notice of the tests given to him by the goddess, and was waiting for an opportunity to finally take a seat among the Olympians after having established a very respected and feared mystery cult among mortals, so when he heard that Hera was captured by an angry Hephaestus, he jumped on the occasion and coaxed him into following him back to Olympus, where both would finally get recognised as legitimate both in the eyes of the gods and of Hera.
Hera and the sons of Zeus
Hera’s tests mostly seem to affect her husband’s illegitimate Olympian sons, as can be evidenced by the lack of trial for goddesses such as Artemis or Athena. Why is that so?
Personally, I think it’s because sons in Ancient Greece were more valued in society: they could inherit their father’s property, they had claims to the throne and could be seen as heirs to it in case their father somehow resigned. So Hera branding these sons as reformed illegitimate sons could be a way for her to negate their claims to their father’s power and nerf their chances of growing too powerful at the expense of her legitimate children (Orphic Dionysus was literally said to be Zeus’s heir, and would have been had Hera not told the Titans to dismember and eat him), while checking if they are still fit to set foot on Olympus after that serious debuff.
But that’s just my thoughts, I don’t have any source or academic paper that confirms this.
A rule of thumb when analysing Greek myths is that they don’t exist in a vacuum and that as entertaining as they may seem, there is something more to them most of the time, and that is especially the case with a goddess who has a history as long, rich and complex as Hera. It’s really a shame that people only see her as a mean shrew when she has so much more stuff going on, but I guess that with pop culture this complexity has to be diluted and thus misinterpreted by people who don’t have the religious and cultural context of these stories.
Thank you for reading if you made it this far, and may Hera bless you.
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roehenstart · 2 years
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Jacques de Bourbon (1445-1468), was a knight of the Golden Fleece, son of Charles I of Bourbon, Duke of Bourbon and Auvergne, and Agnes of Burgundy.
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solnunquamoccidit · 2 years
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D. FELIPE PRIMERO DO PORTVGAL
by Alonso Sánchez Coello (Valencian, 1532 - 1588) oil on canvas, c. 1580
Palacio de Buenavista, Ciudad de México
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Portrait of Vincenzo Gonzaga, Duke of Mantua (1562–1612), wearing armour and the Order of the Golden Fleece (detail), Frans Pourbus the Younger (Flemish, 1569–1622)
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Oath Cross of the Order of the Golden Fleece, used by the order for the swearing of oaths, decorated with gold, rubies, sapphires, and pearls, Austria, circa 1400
from the Kunsthistorisches Museum - Austrian Imperial Treasury
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