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#YOURE ACTUALLY WRONG
anxious-fandom-bean · 3 months
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why the fuck did nobody tell me that arbok is canonically ELEVEN FEET TALL and CHARIZARD IS FUCKING FIVE FOOT SEVEN. MOTHERFUCKING EKANS IS SIX FEET TALL QHAT THE FUCJ
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buggachat · 6 months
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something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.
But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin
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egophiliac · 6 months
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SHE'S DONE! after a thousand years, she's finally done! ...or at least I'm done with her! (tumblr please don't absolutely destroy my gifs, I am begging you)
now you know the real reason I haven't been obsessively drawing Meleanor, which is that I was in fact obsessively drawing Meleanor but in secret. plus a little background just for fun!
I am. not super happy with her rig; parts of her proved way more difficult than I expected and I very quickly hit the point of "okay, this is a silly fan project and not something that I'm being paid for or has to be really functional, time to MANUALLY KEY ALL THE VERTICES FOREVER". I think the end result came out pretty okay though! just...don't look too close. :')
I recorded some of the drawing part, so I might put that up later! in the meantime I am going to make her do stupid poses for my own enjoyment!
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lazylittledragon · 2 months
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i refuse to believe that boycotting is hard. my favourite thing in the world is ordering maccies after a late night at work/a concert/getting drunk. yes i do miss it sometimes. but the other night i ordered from a small place near my house instead and it was the most orgasmic burger i've ever had in my life. i very rarely say this but fucking suck it up people are DEAD
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bonefall · 5 months
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Anyway. Bi and Mspec Lesbians aren't a hotly "debated" topic or even new to queer culture, it's just the newest thing that bullies who REALLY want to be homophobic and even racist use to justify harassing gay people they don't like.
It's the thinnest possible veneer of progressive language wrapped around TERF and reactionary rhetoric so that they can feel righteous for forming an angry mob against vulnerable targets. If you're gullible enough to fall for the newest wave of bigotry within the queer community, and turn on your allies because they're "confusing" or "invading your spaces," the SAME way they turned on bi/pan labels, trans people, xenogenders, neopronouns, and aroace people before this, then get lost.
#No patience. Wither and rot.#These motherfuckers dogpiled the legend who leaked the no fly list because it identified as the wrong type of lesbian.#They will attack the people doing DIRECT ACTION over dumbfuck label discourse. Deeply unserious people.#Embarrassing to think that there are rubes out there who keep falling for this#For ALL our sakes I hope this is literally their first rodeos and they really haven't fallen for this bullshit twice.#But unfortunately I'm too old to be that hopeful.#I didn't get to see the big ''public block list'' made for us dirty queers who support or are bi/mspec lesbians but I hope I was on it#If a man is best judged by his enemies then exclusionists who echo terf rhetoric are the ones I WANT to have.#And ''public lesbian block list'' is in quotes because if you REALLY thought that such a thing wasn't a ''GO HARASS THESE PEOPLE'' charter-#--then you have a black mold where your brain used to be and it's rapidly eating into the bathroom tile you call a skull#Unironically you should not have a platform if you are THAT stupid or malicious to think it was anything BUT a harassment charter#I hope they're ashamed.#Context for those unaware: a flesh-eating amoeba created a public blocklist for people who supported bi lesbians#Minors and extremely small creators without big platforms were on that list#People got harassed but the most namely was Lockandkeyhyena who had people raiding his server with racial slurs and death threats.#I hope everyone involved sees who their ''allies'' are when they spread that sentiment.#A bunch of people ACTUALLY 'invading someone's space' to post the n-word and suicidebait.#THAT is who you appeal to. Sit with that.
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metianull · 2 months
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its ok to cry
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uncanny-tranny · 9 months
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To any disabled person undergoing tests to find What's Wrong: I hope your results come back the way you hope and that you receive the help you need. I hope you are not denied care, I hope you are taken seriously even after this, and I hope that you will be taken care of compassionately
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louhinks · 4 months
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i've taken to drawing AW2 culinary crimes whilst i am beaten unconscious by art block. bon appetit
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wilchur · 9 months
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I've seen a lot of people talk about how the game doesn't give you any leeway when you play The Dark Urge, how it makes it very clear that Durge was A Bad Person, but I haven't seen it pointed out that Sceleritas seems VERY well versed in gaslighting the hell out of them and steering Durge away from any doubt or guilt in regards to their actions. Makes me think that they've probably had those types of conversations before because Durge actually always had a soft spot, only it got smaller and smaller in time. I have not had the opportunity to see the Heal cutscene yet, but I've got the butler in my camp now and he had some interesting things to say, like
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[Durge: Can you tell me the worst thing I ever did?
Sceleritas Fel: There was one time you gave a beggar some coin while we were en route to the Devil's Fee.
Sceleritas Fel: You didn't kick him or spot on him or anything! I was so shocked I almost fainted!
Sceleritas Fel: I still have nightmares about it to this day. But I'm sure you only did so to lower the suspicions of the Flaming Fist. Surely?]
and it struck me because tossing a coin to a beggar is a bit of a thoughtless act isn't it? You don't put much thought into it, you just see someone in need and you do it. Out of empathy, generosity, something The Murder Incarnate should not be capable of. Sceleritas' uncertainty of Durge's reasoning for it totally convinces me it was NOT intentional. A simple act of kindness that slipped out.
ALSO
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[Sceleritas Fel: The only way for a Butler to die is if we are not of use to our Master. But you have always needed abundant assistance.]
They always needed abundant assistance. Why? Because they kept slipping out of Bhaal's grasp? We know they did at least once, with Gortash. Maybe it was not the first time, maybe there are more "Letters of Forgiveness" tucked away somewhere.
To me pre-tadpole Durge is just terribly mindbroken and indoctrinated person hooked onto the sense of safety, purpose and acceptance of their dark side that the cultists and their father give them. Yeah they enjoy murder, gore and all that. That's the curse of their blood, but I don't think they were ever entirely consumed by it. Morality, guilt and empathy have always been there on the edge of their mind. Losing their memories (depending on player choices I know, but bear with me) was what they needed for them to be finally brought forward.
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fryday · 21 days
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it's the way "you're not gonna want your dinner" was 110% an offscreen interaction. dan's voice went super quiet (only directed to phil, not for the mic to pick up). his light disappointment/admonishment/fondness was totally genuine, not played up, and was obviously addressing something they've been through a thousand times before (but again, this was neither explained nor exaggerated - it wasn't delivered for the audience's sake). and then phil's immediate, unbothered "i am" while staring blankly into space before he looked at the camera and turned it into the disappointed grandma joke (@manchesterau pointed this out!). we witnessed a full, offscreen, completely domestic moment between them and how blessed are we
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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*Dick hangs up*
Bruce: Huh.
Duke: Uh oh. What's going on, B?
Bruce: Dick usually says "I love you" when we hang up. And then he sings it and then he whispers it. This time he just said, "gotta go, dad"
Cass: Well, maybe... He's gotta go?
Bruce: Yeah, maybe. It just feels like Dick hasn't been around as much lately. Last week, he only came to four out of seven breakfasts, and he missed bat-equitment maintenance day to, and I quote, "train with Wally." He didn't even come over to watch that other unrelated Wayne family on Family Feud.
Damian: Their performance was- survey says- disgraceful.
Bruce: I mean, I don't want to just throw around the D-word but...
Steph: *Gasp* Dracula disorder?
Bruce: Drifting. As in we're all drifting apart. This was my worry when Dick moved out to Blüdhaven, that we'd see him less and less. And then from there, who knows what would happen?
Jason: oh my god, is it me driving him away? I'm always pestering Dick with annoying questions like "How much do you think your arms weigh? Like if you took them off your body and weighed them separately?"
Tim: *gasp* it could be my fault. The other day, when Dick and I went to the movies, I got a small popcorn to share and he said, "I wish you'd gotten a medium."
Damian: well, I know it's not me. I'm amazing.
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celestialrealms · 1 month
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egophiliac · 9 months
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another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.
we're almost out of unique magics now...just Ace (and maybe Grim?) left!
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ashesforart · 3 days
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Have a friend traveling Wales right now and she has informed me that theRE'S A WELSH TOWN NAMED MERTHYR?? Which sounds a lot like merthur??? And apparently merthyr in Welsh means martyr?? I'm gonna throw up.
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poorly-drawn-mdzs · 5 months
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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