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#all the wars in the world must end
news4dzhozhar · 14 days
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omgkalyppso · 1 year
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Of these, I guess. Tell me if a different line stood out for you!
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murasakiyuzu · 6 months
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me when i think im fighting the powerful external threat but then it turns out im the powerful external threat to everyone else
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blood-orange-juice · 10 months
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(one of those too-long posts I might delete later)
What fascinates me about Childe is how he's an embodiment of Nietzsche's Amor fati, 'love for one's fate'.
Seeing everything that happens in one's life, including suffering and loss, as good or, at the very least, necessary. Accepting the world as some kind of perfect poetry. Celebrating the chaos of what is.
(Nietzsche considered it to be "the formula for greatness in a human being")
...and, just as it was easy to twist Nietzschean ideas into Nazi propaganda (despite him being strongly against everything Nazis ever stood for), it was easy to turn our precious boy to something just as sick.
I'm almost sure Mihoyo writers *know* the concept and nazi references are intentional.
His Golden House speech is pure perfection in term of references, really.
(a link to a great discussion about links between amor fati and fascism)
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mashpotatoe · 6 months
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im a white jew, i was born in israel,
ive lived there all my life and was brought up in an environment that fosters racism driven by nationalism, nationalism driven by racism.
in israel, they teach you jews and muslims (though usually, they just say arabs) have always been enemies, the same way the US deems the entire middle east as a inherent war zone, ridding them of the responsibility for perpetuating war in thst region.
they tell you "were the fair and humane side who strives for peace! its the arabs who never accept the offer!"
i remember the first time i began doubting that sentiment was in fourth grade, when we were having a discussion in class about the character of Saul from the Torah. the teacher was talking about how Saul, the first monarch of the Kingdom of Israel, used to fight the Philistines, and when she added that the Philistines were the natural enemy of the Israelites, she asked the class what group of people is their modern equivalent to which everyone very eagerly replied "Arabs!" and nevermind that there in that same class sat two arab boys, one of whom sat next to me, who i looked at and thought "but he isnt my enemy? hes just a boy in my class."
they teach you to hate arabs. sometimes they say it outright. sometimes they say it more carefully, or make a distinction between good and bad arabs, those who are with us and those who are against us.
in a state based on the idea of (white) jewish supremacy, they teach you jews are naturally superior. they use the conspiratorial narrative of "jews controlling the world" to their favor, giving their own watered down explanation for why antisemitism exists, saying that it must be driven by jealousy.
the zionist movement always used antisemitism to its advantage, either for reinforcing the notion of jewish supremacy or appealing to the real pain and trauma of generations, people who survived the holocaust, connecting them to stolen land where they are "guaranteed" safety ergo granting "justification" for the suffering of others.
its using peoples real pain that makes fear mongering so effective, and when the israeli population grows up being told all of their neighboring countries want to kill them, they quickly get defensive of the "only land where they can feel safe", but the only explanation ever provided for Why these neighboring countries are considered enemies is because theyre arabs.
and when it comes to palestine, it isnt even recognized as a country, nor identity. just a threat. ive talked to many people who are genuinely unaware of the occupation, and they arent willing to believe it either, because the media narrative has successfully shifted the blame on hamas. because "how could it be us? we want peace! its the terrorists who make us look bad! and their children, they grow up to be antisemites*, might as well get rid of them too!" they never stop to think what environment these children must grow up in to develop these "radical" ideas.
* what they mean by antisemite is really just antizionist, but the term anti/zionist isnt practiced in local dialect, being a zionist is treated as a given
any jew who stands against israels oppression is dubbed a self hating jew, but the biggest contributors to antisemitism is the people in charge of an ethnostate, because at any moment they could decide who is not white enough to be jewish, who is too jewish to be white, who stood against the current coalition government and who is an obedient dog.
israelis arent a monolith, but many of them have been won over, convinced its an "us v them" situation, when in reality it could never be the "us" that "loses"
the israeli government was waiting for an event like the massacre on the seventh of october to declare war, to have the so called "right to defend itself", so they could initiate the final steps of an ethnic genocide and displace, if not kill, all remaining palestinians. under the guise of bringing peace.
it isnt too late to call for a permanent ceasefire, to end the occupation.
please contact your representatives, attend protests and rallies if you are able. palestine will be free, and the flowers will rise again.
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flamedwings · 8 months
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kinda iconic of me tbh that i never posted my verse tags lmao
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willtheweaver · 2 months
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Ways to solve the Why Can’t They Use Magic To Fix Everything problem:
•Magic has a cost. The more powerful the spell, the more it drains the caster’s life.
•’We tried that ages ago.The gods grew angry at our arrogance and stripped most of our powers away.’
•Magic is tied to the stars and planets. Its full potential can only manifest on certain astrological events.(And these are once-in-a-millennia type events)
•Only one will a pure heart and selfless intentions can use their full power.
•All magic users are descendants of a (god/spirit). As the years have gone by, the blood has become more diluted, and magic has grown weaker as a result.
•Spell casters can only cast (finite number of spells). They end up using their gift on trivial matters.
•’After the war, we realized the dangers that magic presented. And so we sealed it away, lest it destroy the world.’
•Everyone has magic. Trying to solve one problem is futile as it can be easily undone(often violently and with much destruction)
•inverse of the above: everyone has magic, but their powers are limited and (mostly) harmless.
•Individual, company, or nation has a monopoly on the only substance that can negate magic. As they rule the world, they have installed anti-magic devices everywhere.
•Individual, group, company, or nation has a monopoly on magic. To insure their grip on power, all magic users that do not submit to them are killed.
•An act of good will spawn one of evil. The use of fire will cause somewhere to grow cold and dark. And to save a life, one must sacrifice another.
•The only magic people have access to is Chaos Magic. No one uses it, for obvious reasons.
—••• •• ——• ——• • ••• —•• •• —•—• —•— ••— •••
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evilmario666 · 9 months
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"Ayo Mr. White! I just heard this phrase; The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas. You're smart 'n shit, do you have any idea what that means, bitch?"
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"Jesse, we - fine. I might as well explain, we're done cooking for Gus for today. You heard a line by the famous German author Hermann Hesse; specifically, from his 1919 novel 'Demian'."
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"Demian? I thought that was just the name of that gay little bitch from the gacha game Skinny Pete likes."
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"Jesse, you imbecile. You went through all your big years of high school and you never once listened to a Hesse lecture?"
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"Demian follows the story of Emil Sinclair, a boy in Germany who slowly finds himself falling into the 'world of evil'. It all begins when another boy of his school, Franz Kromer, tempts him into keeping money from his family. An older boy, Max Demian, takes up for young Sinclair and drives Kromer away.
Years go by, and Sinclair, who grew up Christian, finds himself filled with desires he finds sinful; he blames Demian for this, and he hates himself, too. How could he have fallen into this world of evil, after all? All he wanted to do was thrive, why was that so hard?
As it turns out, he just needed to break free and accept himself for who he was. He needed to thrive to the beat of his own heart and live for himself, not for any god nor for his father or mother.
In the end, Sinclair and Demian reunite, and Demian departs as they enter war with a kiss. He disappears, yet Sinclair sees features of his friend and guide in himself in the mirror.
The novel has themes of Jungian and Freudian psychology, Catholic guilt, and self-liberation.
There, was that satisfactory? Or were you dozing off and not applying yourself, just like in class?"
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"Damn, bitch. That's a lot to take in. I guess I'm a bit of an Emil Sinclair myself, Mr. White."
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"In the end, Jesse, we must listen to our own hearts. We can't truly sort most things into 'good' and 'evil'.
And... I don't want anyone else to domineer over you."
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hlysins · 1 year
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tag dump: characters part two
#✖irmi headcanon║she who fells cities & kings#✖irimi musings║every time i think i'm heading in the right direction i end up in a place i never knew could feel this bad#✖irimi ic║a ghost among the rotten souls too dead to die again#✖unohana musings║there’s no air yet you speak of the breath of gods#✖unohana headcanon║& join me in pieces to rot in this garden made of stones#✖unohana ic║you were made to carry brawls between your knuckles & bury old memories between your ribs#✖izumo headcanon║here is your humble offering obliterated & broken#✖izumo musings║she's as divine as sunshine & as soft as silk#✖izumo ic║though they look long dead these touch starved stones speak a story to everyone that passes#✖howl headcanon║a dominion of nothing is all you will reign#✖howl musings║he who swallowed a falling star o' heartless man#✖howl ic║i am not ripping out my wings so some lonely man can fly#✖mikoto musings║i am sorry that the world i left behind was far too cruel for you to endure#✖mikoto headcanon║& i hope that you remain happy even after i am long dead & gone#✖mikoto ic║life is a series of moments you wish your ribs could take back#✖sakura haruno musings║there will come a time when you might have to decide who lives & dies out there it’s a terrible responsibility#✖sakura haruno headcanon║& your eyes are red when tears are shed / this world you must have crossed#✖sakura haruno ic║& you keep telling yourself / there is no smell of war in me / but why else would this feel like madness#morgs tag dump
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hacked-wtsdz · 5 months
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Every time I read or watch Lord of the Rings I can’t help but think about how Tolkien had survived one of the bloodiest, most cruel, most dirtiest and darkest wars in human history, came back and wrote this:
“The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.”
And this:
"'I wish it need not have happened in my time,' said Frodo.
'So do I,' said Gandalf, 'and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.'"
And this:
"I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend."
And this:
“Many that live deserve death and some that die deserve life. Can you give it to them? Then do not be so eager to deal out death in judgement. For even the wise cannot see all ends."
And this:
“True courage is about knowing not when to take a life, but when to spare one.”
And clearly they were all written partly because he survived the war, because of what he’d seen and done and learned. But at the same time the unwillingness to lose faith, the courage and strength that this man had to believe in these things after going through hell! It makes the nihilists look so cheap, so uninteresting! People who’ve went through concentration camps and wars believe in humanity anyway, isn’t that proof that hope and love exist? And many, many, many of them did not return or returned broken and cruel and traumatised to the point when no faith in others was possible for them, and nobody can blame them. But there were many who refused to lose faith and hope. They have seen some of the worst that life has to offer and came back believing that we shouldn’t be eager to deal out death in judgement and should love only that which the sword defends.
No matter how many people say that humanity is horrible and undeserving of love, and life is dark and worthless, and love doesn’t exist I remember this and have hope anyway. Because there were people who have actually had all reason to believe in the worst and still believed in the good, so the good must be real. The good is real, even despite the evil, and we must trust in it.
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sayruq · 5 months
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First, this shows a delusional lack of understanding of Hamas by a former Israeli general. Hamas is neither pleased to see its own people destroyed (all of its fighters are Gazans, born and raised there. The people being killed their relatives, friends and neighbours) nor is it worried about Gazans 'rising in rebellion.' Why would Gazans rebel against their own resistance movement instead of the IDF? I know some people are going to say, 'Eiland is trying to soothe a dissatisfied Israeli public,' but earlier today, the IDF released a statement about Yusuf al-Mansi who is being held and tortured.
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They're not just targeting Western audiences by trying to blame their crimes on Hamas, they're also trying to convince Gazans.
Look at all the dumb decisions made by the IDF - tanks with no infantry support, urban warfare against a guerilla army with an extensive tunnel system, letting their soldiers filming themselves (which both alienates the world and gives away their location), lying very incompetently about the war crimes it commits (like the siege and destruction of Al Shifa Hospital), releasing videos of IDF fighters shooting at walls, furniture, the air itself, etc and that's just in Gaza. The Israel government is now threatening to start war in Lebanon and fight the Ansar Allah group in Yemen the same time.
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Secondly this signals that Israel has no intention of ending the siege soon. While Gazans are at risk of mass starvation, the real threat is disease, particularly illnesses like typhoid, cholera and dysentery.
We must not stop demanding that Gazans get sufficient humanitarian aid (not 20 measly trucks of expired food)
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Been thinking about why the argument that OFMD is inherently a bad show because it's based on historical slaveowners so often feels disingenuous to me as a person of color.
HUGE disclaimer up front: if you don't wanna fuck with the show because of that premise right out the gate, that's 100% valid and I completely get that. I'm not talking about that. What I'm specifically talking about is White fandom people in particular who argue that OFMD must be "problematic" because of this, especially when they say this as some kind of virtue-signalling trying to win points in fandom wars, stuff like that.
My big thing is that the resemblance the characters in OFMD have to their real-world namesakes begins and ends with having the same name. The show feels more to me like it's playing with the vague myths around these names, not the people themselves. Can you make an argument that they should have come up with original characters instead? Sure, but let's be honest, even people who study the irl counterparts have very little knowledge of their actual lives, and the average person has all but none. To add to that, this show has absolutely zero interest in historical accuracy; the moment they cast a Jewish-Polynesian man as Blackbeard that became obvious. No one is saying the real-life Blackbeard and Stede Bonnet were good people, least of all the show itself; the point is that OFMD's versions are basically original characters already.
It always feels like an incredibly disingenuous claim to parallel the show to Hamilton, because Hamilton both did care about historical accuracy and also brought up the slave trade. Hamilton is uncomfortable for so many poc because it writes poc into the story of otherwise very faithfully portrayed racists, colonizers, and slaveowners and just handwaves the racism. In OFMD, racism exists, but the stance is always explicitly anti-racist and anti-colonialist in a way that is just so fun to see (whom among us has not wished to skin a racist with a snail fork?).
The other thing that sticks for me is...there's an appropriate amount of slavery I want to see in my romcoms, and that amount is none. I am so sick of historical fiction where Black characters are only there for trauma porn about the horrors of the slave trade. You can make a legitimate argument that OFMD is handwavey about the slave trade, but I'd argue that including discussion of the slave trade is something that should be done with such incredible care that it would leave us with a show that can't really be a comedy at all anymore. OFMD's characters of color are allowed to be nuanced, complex characters with their own emotions, and it's incredibly refreshing to see, and I'd much rather have that than yet another historical fiction show where the only characters of color are only there to make White audiences feel virtuous about how sad they feel for them.
In conclusion, I guess: every yt person who makes this argument to win points in a fandom war owes me and every other fan of color a million dollars
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Him (Them)
( So I decided 'fuck it' pitch pearl babyyy, I've seen other people do this ship and decided well why the hell not right. Anyways have fun!)
~
Phantom and his council were finally in the end processes to a peace treaty with Earth,
As years went on from what was once only the USA with their Ecto-Acts got worse. The GIW began opening in other countries without them truly realizing what they were allowing, until the Infinity Realms were at the point of declaring war on all of Earth itself.
The only reason that managed not to happen was because of Phantom finally being able to contact the Justice League and sit them down to have an actual conversation about everything that was going on.
That's where they were right now the world leaders, the 3 founders of the JL , and High King Phantom with his council arguing back and forth the peace treaty.
Phantom turned as one of the men stood up
" And just how are we supposed to truly trust you and yours to not take over or cause harm to our people?"
Others began chiming in, arguing that there was no true guarantee in what Phantom was saying.
Until a voice towards the back called out an idea
" Marriage! To truly unite our worlds in peace King Phantom must marry one of our own!"
Phantom subtly tensed the idea of a loveless marriage to a complete stranger made his core tremble with rage.
He glanced around seeing the looks of the people around him, he saw their greed for his power and status, their point for the marriage would be to control him or at least give them an advantage.
Phantom tuned out the arguing between the JL and the rest.
Thinking of what to say to get out of this situation without risking the treaty.
Snapping back to attention holding back a sharp smirk.
" Gentlemen if what you fear is the safety of your people then do not fret I have protected and saved your people and world since my creation, as for your request of a marriage to unify our world then I have wonderful news for I am already married to one of your people and even have children with him."
Phantom looked at the shocked faces around him, a couple grimacing or frowning at their missed opportunity to have control and access to him by one of their chosen.
A rather stupid man for what else could he be with what he said next.
" Then divorce him and marry someone that we find more suitable!"
Phantom's form distorted around him as he processed what he had just heard.
" Divorce? You wish for me to Divorce my husband, the one who I cherish above all else, the one I have shared my core the very being of myself with. The one who I gave my very being and soul to create our children. The one who is half my being, the one who if not for him we wouldn't be speaking at this moment because it was only his word that kept me from declaring war on your world."
"Make no mistake I do wish for peace between our worlds, many of my people are from this world and would like to continue to stay or visit especially for their loved ones, and I would like that for them without the danger of being hunted and torn apart."
"For if I wished war your planet would not stand a chance for what is a few million of your soldiers compared to my infinite soldiers that only would continue to grow as yours died."
"For him I fought and won against the previous tyrant King for daring to to cause him pain, the very King who only was defeated previously by the combined efforts of the strongest in the Infinite Realms, The very same King I defeated alone."
"So please do continue talking against my husband."
"..."
"What is his name?"
"Danny Fenton."
~
Just an Idea
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nellasbookplanet · 2 months
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Book recs: black science fiction
As february and black history month nears its end, if you're a reader let's not forget to read and appreciate books by black authors the rest of the year as well! If you're a sci-fi fan like me, perhaps this list can help find some good books to sink your teeth into.
Bleak dystopias, high tech space adventures, alien monsters, alternate dimensions, mash-ups of sci-fi and fantasy - this list features a little bit of everything for genre fiction fans!
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For more details on the books, continue under the readmore. Titles marked with * are my personal favorites. And as always, feel free to share your own recs in the notes!
If you want more book recs, check out my masterpost of rec lists!
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Lagoon by Nnedi Okorafor
Something massive and alien crashes into the ocean off the coast of Nigeria. Three people, a marine biologist, a rapper, and a soldier, find themselves at the center of this presence, attempting to shepherd an alien ambassador as chaos spreads in the city. A strange novel that mixes the supernatural with the alien, shifts between many different POVs, and gives a one of a kind look at a possible first contact.
Nubia: The Awakening (Nubia series) by Omar Epps & Clarence A. Hayes
Young adult. Three teens living in the slums of an enviromentally ravaged New York find that something powerful is awakening within them. They’re all children of refugees of Nubia, a utopian African island nation that sank as the climate worsened, and realize now that their parents have been hiding aspects of their heritage from them. But as they come into their own, someone seeks to use their abilities to his own ends, against their own people.
The Scourge Between Stars by Ness Brown
Novella. After having failed at establishing a new colony, starship Calypso fights to make it back to Earth. Acting captain Jacklyn Albright is already struggling against the threats of interstellar space and impending starvation when the ship throws her a new danger: something is hiding on the ship, picking off her crew one by one in bloody, gruesome ways. A quick, excellent read if you want some good Alien vibes.
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Dawn (Xenogenesis trilogy) by Octavia E. Butler*
After a devestating war leaves humanity on the brink of extinction, survivor Lilith finds herself waking up naked and alone in a strange room. She’s been rescued by the Oankali, who have arrived just in time to save the human race. But there’s a price to survival, and it might be humanity itself. Absolutely fucked up I love it I once had to drop the book mid read to stare at the ceiling and exclaim in horror at what was going on. Includes darker examinations of agency and consent, so enter with caution.
Midnight Robber by Nalo Hopkinson*
Utterly unique in world-building, story, and prose, Midnight Robber follows young Tan-Tan and her father, inhabitants of the Carribean-colonized planet of Toussaint. When her father commits a terrible crime, he’s exiled to a parallel version of the same planet, home to strange aliens and other human exiles. Tan-Tan, not wanting to lose her father, follows with him. Trapped on this new planet, he becomes her worst nightmare. Enter this book with caution, as it contains graphic child sexual abuse.
Rosewater (The Wormwood trilogy) by Tade Thompson
In Nigeria lies Rosewater, a city bordering on a strange, alien biodome. Its motives are unknown, but it’s having an undeniable effect on the surrounding life. Kaaro, former criminal and current psychic agent for the government, is one of the people changed by it. When other psychics like him begin getting killed, Kaaro must take it upon himself to find out the truth about the biodome and its intentions.
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Do You Dream of Terra-Two? by Temi Oh
Young adult. A century ago, an astronomer discovered a possibly Earth-like planet. Now, a team of veteran astronauts and carefully chosen teenagers are preparing to embark on a twenty-three year trip to get there. But space is dangerous, and the team has no one to rely on but each other if - or when - something goes wrong. An introspective slowburn of a story, this focuses more on character work than action.
The Best of All Possible Worlds by Karen Lord
After the planet Sadira is left uninhabitable, its few survivors are forced to move to a new world. On Cygnus Beta, they work to rebuild their society alongside their distant relatives of the planet, while trying to preserve what remains of their culture. Focused less on hard science or action, The Best of All Possible Worlds is more about culture, romance and the ethics and practicalities of telepathy.
Mirage (Mirage duology) by Somaiya Daud
Young adult. Eighteen-year-old Amani lives on an isolated moon under the oppressive occupation of the Valthek empire. When Amani is abducted, she finds herself someplace wholly unexpected: the royal palace. As it turns out, she's nearly identical to the half-Valthek, and widely hated, princess Maram, who is in need of a body double. If Amani ever wants to make it back home or see her people freed from oppression, she will have to play her role as princess perfectly. While sci-fi, this one more has the vibe of a fantasy.
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An Unkindness of Ghosts by Rivers Solomon
Life on the lower decks of the generation ship HSS Matilda is hard for Aster, an outcast even among outcasts, trying to survive in a system not dissimilar to the old antebellum South. The ship’s leaders have imposed harsh restrictions on their darker skinned people, using them as an oppressed work force as they travel toward their supposed Promised Land. But as Aster finds a link between the death of the ship’s sovereign and the suicide of her own mother, she realizes there may be a way off the ship.
Where It Rains in Color by Denise Crittendon
The planet Swazembi is a utopia of color and beauty, the most beautiful of all its citizens being the Rare Indigo. Lileala was just named Rare Indigo, but her strict yet pampered life gets upended when her beautiful skin is struck by a mysterious sickness, leaving it covered in scars and scabs. Meanwhile, voices start to whisper in Lileala's mind, bringing to the surface a past long forgotten involving her entire society.
Eacaping Exodus (Escaping Exodus duology) by Nicky Drayden
Seske is the heir to the leader of a clan living inside a gigantic, spacefaring beast, of which they frequently need to catch a new one to reside in as their presence slowly kills the beast from the inside. While I found the ending rushed with regards to plot and character, the worldbuilding is very fresh and the overall plot of survival and class struggle an interesting one. It’s also sapphic!
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Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah*
In a near future America, inmates on death row or with life sentences in private prisons can choose to participate in death matches for entertainment. If they survive long enough - a rare case indeed - they regain their freedom. Among these prisoners are Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker, partners behind the scenes and close to the deadline of a possible release - if only they can survive for long enough. As the game continues to be stacked against them and protests mount outside, two women fight for love, freedom, and their own humanity. Chain-Gang All-Stars is bleak and unflinching as well as genuinely hopeful in its portrayal of a dark but all to real possible future.
Parable of the Sower (Earthseed duology) by Octavia E. Butler*
In a bleak future, Lauren Olamina lives with her family in a gated community, one of few still safe places in a time of chaos. When her community falls, Lauren is forced on the run. As she makes her way toward possible safety, she picks up a following of other refugees, and sows the seeds of a new ideology which may one day be the saviour of mankind. Very bleak and scarily realistic, Parable of the Sower will make you both fear for mankind and regain your hope for humanity.
Binti (Binti trilogy) by Nnedi Okorafor
Young adult novella. Binti is the first of the Himba people to be accepted into the prestigious Oomza University, the finest place of higher learning in all the galaxy. But as she embarks on her interstellar journey, the unthinkable happens: her ship is attacked by the terrifying Meduse, an alien race at war with Oomza University.
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War Girls (War Girls duology) by Tochi Onyebuchi
In an enviromentally fraught future, the Nigerian civil war has flared back up, utilizing cybernetics and mechs to enhance its soldiers. Two sisters, by bond if not by blood, are separated and end up on differing sides of the struggle. Brutal and dark, with themes of dehumanization of soldiers through cybernetics that turn them into weapons, and the effect and trauma this has on them.
The Space Between Worlds (The Space Between Worlds duology) by Micaiah Johnson
Multiverse travel is finally possible, but there’s a catch: No one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying. As such she has a very special job in traveling to these worlds, hoping to keep her position long enough to gain citizenship in the walled-off Wiley City, away from the wastes where she grew up. But her job is dangerous, especially when she gets on the tracks of a secret that threatens the entire multiverse. Really cool worldbuilding and characters, also featuring a sapphic lead!
The Fifth Season (The Broken Eart trilogy) by N.K. Jemisin*
In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter. While mostly fantasy in genre, this series does have some sci-fi flavor, and is genuinely some of the best books I've ever read, please read them.
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The Women Could Fly by Megan Giddings*
In an alternate version of our present, the witch hunt never ended. Women are constantly watched and expected to marry young so their husbands can keep an eye on them. When she was fourteen, Josephine's mother disappeared, leveling suspicions at both mother and daughter of possible witchcraft. Now, nearly a decade and a half later, Jo, in trying to finally accept her missing mother as dead, decides to follow up on a set of seemingly nonsensical instructions left in her will. Features a bisexual lead!
The Prey of Gods by Nicky Drayden
South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.
The Summer Prince by Alaya Dawn Johnson*
Young adult. Young artist June Costa lives in Palmares Tres, a beautiful, matriarchal city relying heavily on tradition, one of which is the Summer King. The most recent Summer King is Enki, a bold boy and fellow artist. With him at her side, June seeks to finally find fame and recognition through her art, breaking through the generational divide of her home. But growing close to Enki is dangerous, because he, like all Summer Kings, is destined to die.
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The Blood Trials (The Blood Gifted duology) by N.E. Davenport
After Ikenna's grandfather is assasinated, she is convinced that only a member of the Praetorian guard, elite soldiers, could’ve killed him. Seeking to uncover his killer, Ikenna enrolls in a dangerous trial to join the Praetorians which only a quarter of applicants survive. For Ikenna, the stakes are even higher, as she's hiding forbidden blood magic which could cost her her life. Mix of fantasy and sci-fi. While I didn’t super vibe with this one, I suspect fans of action packed romantasy will enjoy it.
Babel-17 by Samuel R. Delany
1960s classic. Rydra Wong is a space captain, linguist and poet who is set on learning to understand Babel-17, a language which is humanity's only clue at the enemy in an interstaller war. But Babel-17 is more than just a language, and studying it may change Rydra forever.
Pet (Pet duology) by Akwaeke Emezi
Young adult novella. Jam lives in a utopian future that has been freed of monsters and the systems which created and upheld them. But then she meets Pet, a dangerous creature claiming to be hunting a monster still among them, prepared to stop at nothing to find them. While I personally found the word-building in Pet lacking, it deftly handles dark subjects of what makes a human a monster.
Bonus AKA I haven’t read these yet but they seem really cool
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Lion's Blood by Steven Barnes
Alternate history in which Africans colonized South America while vikings colonized the North. The vikings sell abducted Celts and Franks as slaves to the South, one of which is eleven-years-old Irish boy Aidan O'Dere, who was just bought by a Southern plantation owner.
The Sound of Stars by Alechia Dow
Young adult dystopia. Ellie lives in a future where humanity is under the control of the alien Ilori. All art is forbidden, but Ellie keeps a secret library; when one of her books disappears, she fears discovery and execution. M0Rr1S, born in a lab and raised to be emotionless, finds her library, and though he should deliver her for execution, he finds himself obsessed with human music. Together the two embark on a roadtrip which may save humanity.
Womb City by Tlotlo Tsamaase
Lelah lives in future Botswana, but despite money and fame she finds herself in an unhappy marriage, her body controlled via microchip by her husband. After burying the body of an accidental hit and run, Lelah's life gets worse when the ghost of her victim returns to enact bloody vengeance.
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Orleans by Sherri L. Smith
Young adult. Fen de la Guerre, living in a quarantined Gulf Coast left devestated by storms and sickness, is forced on the run with a newborn after her tribe is attacked. Hoping to get the child to safety, Fen seeks to get to the other side of the wall, she teams up with a scientist from the outside the quarantine zone.
Everfair by Nisi Shawl
A neo-victorian alternate history, in which a part of Congo was kept safe from colonisation, becoming Everfair, a safe haven for both the people of Congo and former slaves returning from America. Here they must struggle to keep this home safe for them all.
The Splinter in the Sky by Kemi Ashing-Giwa
Space opera. Enitan just wants to live a quiet life in the aftermath of a failed war of conquest, but when her lover is killed and her sister kidnapped, she's forced to leave her plans behind to save her sister.
Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The City We Became (Great Cities duology) by N.K. Jemisin, The Lesson by Cadwell Turnbull, The A.I. Who Loved Me by Alyssa Cole
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odinsblog · 6 months
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Let us be very clear: Hamas breached international law on the 7th of October. Hamas targeted innocent civilians in the most callous and inhumane manner, and their actions have been rightly condemned by right thinking people across the world.
But we should also be very clear, Israel has breached international law, not just every day since October the 7th, but virtually every single day for decades.
Israel occupies Palestinian land, against international law.
Israel blockades Palestinian territory, against international law.
Israel builds and expands illegal settlements, against international law.
Israel enforces an apartheid system that restricts the movements of Palestinians and denies their fundamental rights, against international law.
And Israel regularly and systematically attacks and kills Palestinian civilians, against international law.
So the question that must be answered by all of us in political life is this: How does the world respond to flagrant abuses of international law when it comes to the horrendous war crimes of Hamas? The response was very clear and very consistent. World leaders queued up to say Israel has the right to defend itself. One after another repeated their words the great and the good, including our government.
“Israel has the right to defend itself.”
Repeated in statement after statement, tweet after tweet, despite the full knowledge that those words have become contaminated. The words, “Israel has the right to defend itself” means in practice that Israel takes that right as license to bombard civilians, to bomb schools, hospitals and other civilian infrastructure. And it has now been taken as license to enforce the displacement of 1 million people from one end of an open air prison to another. To deny food, energy, medical supplies to a besieged civilian population, to actually deny them water, to ensure that children, the sick, the disabled, the elderly will literally die of thirst.
“Israel has the right to defend itself” has now become cover for, “Israel has the right to commit genocide.”
Right in front of our eyes. How come we never hear the words, “Palestine has the right to defend itself”?
Not when a humanitarian flotilla bringing essential supplies to Gaza is met with a military assault and the murder by Israel of nine unarmed activists.
Not when Palestinians march in peaceful protests against illegal blockade and are met again with a military assault and the murder of 300 of them.
Not after the countless bombings of Gaza by Israeli forces.
Not even when Israel targeted and murdered four little Palestinian boys playing football on a beach.
And not when Palestinians were dragged from their homes and forced to watch as those homes were destroyed to allow for new illegal Israeli settlements on lands that are clearly defined in international law as part of Palestine.
And not after the countless offensive attacks by Israel against the people of Gaza or the West Bank, have we or any heard anybody in this house or any Western leader uttered the words, “Palestine has the right to defend itself.”
And why not?
And by the way, I'm not asking you to say those words. And in fact, it's just as well you don't. Because we all know that the people of Palestine can't defend themselves, not against one of the most powerful military forces in the world that is backed up by even more powerful military forces.
The truth is that the people of Palestine, just like the innocent people of Israel, don't need the international community to tell them that their leaders have the right to inflict more bombings, more pain, more suffering. They need the international community to say, “Stop.” To release the hostages, to say stop the bombings, the siege, the slaughter. They need the international community to tell Israel to stop the blockade, stop the apartheid, stop the annexations, to stop the genocide.
And they need countries Tánaiste to lead the way. And Ireland should be one of those countries that leads the way.
We know colonialism.
We know oppression.
We know conflict.
But we also know conflict resolution.
We know peace building.
We know nation building.
And because of what we know, what our history has taught us, our call tonight must be clear, immediate, full and unequivocal ceasefire fires and a decisive international intervention that leads to negotiations and to a lasting and just peace settlement and to, at long last, to a free, sovereign and independent Palestine.🇵🇸
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eelhound · 5 months
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"I think Homer outwits most writers who have written on the War [fantasy archetype], by not taking sides.
The Trojan war is not and you cannot make it be the War of Good vs. Evil. It’s just a war, a wasteful, useless, needless, stupid, protracted, cruel mess full of individual acts of courage, cowardice, nobility, betrayal, limb-hacking-off, and disembowelment. Homer was a Greek and might have been partial to the Greek side, but he had a sense of justice or balance that seems characteristically Greek — maybe his people learned a good deal of it from him? His impartiality is far from dispassionate; the story is a torrent of passionate actions, generous, despicable, magnificent, trivial. But it is unprejudiced. It isn’t Satan vs. Angels. It isn’t Holy Warriors vs. Infidels. It isn’t hobbits vs. orcs. It’s just people vs. people.
Of course you can take sides, and almost everybody does. I try not to, but it’s no use; I just like the Trojans better than the Greeks. But Homer truly doesn’t take sides, and so he permits the story to be tragic. By tragedy, mind and soul are grieved, enlarged, and exalted.
Whether war itself can rise to tragedy, can enlarge and exalt the soul, I leave to those who have been more immediately part of a war than I have. I think some believe that it can, and might say that the opportunity for heroism and tragedy justifies war. I don’t know; all I know is what a poem about a war can do. In any case, war is something human beings do and show no signs of stopping doing, and so it may be less important to condemn it or to justify it than to be able to perceive it as tragic.
But once you take sides, you have lost that ability.
Is it our dominant religion that makes us want war to be between the good guys and the bad guys?
In the War of Good vs. Evil there can be divine or supernal justice but not human tragedy. It is by definition, technically, comic (as in The Divine Comedy): the good guys win. It has a happy ending. If the bad guys beat the good guys, unhappy ending, that’s mere reversal, flip side of the same coin. The author is not impartial. Dystopia is not tragedy.
Milton, a Christian, had to take sides, and couldn’t avoid comedy. He could approach tragedy only by making Evil, in the person of Lucifer, grand, heroic, and even sympathetic — which is faking it. He faked it very well.
Maybe it’s not only Christian habits of thought but the difficulty we all have in growing up that makes us insist justice must favor the good.
After all, 'Let the best man win' doesn’t mean the good man will win. It means, 'This will be a fair fight, no prejudice, no interference — so the best fighter will win it.' If the treacherous bully fairly defeats the nice guy, the treacherous bully is declared champion. This is justice. But it’s the kind of justice that children can’t bear. They rage against it. It’s not fair!
But if children never learn to bear it, they can’t go on to learn that a victory or a defeat in battle, or in any competition other than a purely moral one (whatever that might be), has nothing to do with who is morally better.
Might does not make right — right?
Therefore right does not make might. Right?
But we want it to. 'My strength is as the strength of ten because my heart is pure.'
If we insist that in the real world the ultimate victor must be the good guy, we’ve sacrificed right to might. (That’s what History does after most wars, when it applauds the victors for their superior virtue as well as their superior firepower.) If we falsify the terms of the competition, handicapping it, so that the good guys may lose the battle but always win the war, we’ve left the real world, we’re in fantasy land — wishful thinking country.
Homer didn’t do wishful thinking.
Homer’s Achilles is a disobedient officer, a sulky, self-pitying teenager who gets his nose out of joint and won’t fight for his own side. A sign that Achilles might grow up someday, if given time, is his love for his friend Patroclus. But his big snit is over a girl he was given to rape but has to give back to his superior officer, which to me rather dims the love story. To me Achilles is not a good guy. But he is a good warrior, a great fighter — even better than the Trojan prime warrior, Hector. Hector is a good guy on any terms — kind husband, kind father, responsible on all counts — a mensch. But right does not make might. Achilles kills him.
The famous Helen plays a quite small part in The Iliad. Because I know that she’ll come through the whole war with not a hair in her blond blow-dry out of place, I see her as opportunistic, immoral, emotionally about as deep as a cookie sheet. But if I believed that the good guys win, that the reward goes to the virtuous, I’d have to see her as an innocent beauty wronged by Fate and saved by the Greeks.
And people do see her that way. Homer lets us each make our own Helen; and so she is immortal.
I don’t know if such nobility of mind (in the sense of the impartial 'noble' gases) is possible to a modern writer of fantasy. Since we have worked so hard to separate History from Fiction, our fantasies are dire warnings, or mere nightmares, or else they are wish fulfillments."
- Ursula K. Le Guin, from No Time to Spare, 2013.
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