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#and how we see the characters changing and how even though there are plot things changing stuff aorund them are the characters themselves
sirenjose · 2 days
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So I've been really into your analysis lately and I'm a huge fan now, wanted to ask some questions, feel free to not answer any
1- what was your favourite idv story/event to analyze?
2- your least fav of the latter?
3- are you into anything else besides idv?
4-how do you find the motivation to analyze stuff? I've tried before and it was very draining :')
Thanks for your time, hope you have a lovely day
I'm very happy to hear you're enjoying yourself despite my own low opinion about much of what I put out. I'll do my best to answer!
Hmm I always dislike picking favorites because I'm bad at picking eheh... But the ones I liked most... I honestly enjoy T&I and COA (1-5) even more than the main story. So I think I might pick... Atropos' Ropes for T&I and for COA, thats harder... 3-5 are my faves but I might pick 4 just because of how it felt it had the most story/details given than all the rest. Even the *SONG* had story. I loved it.
Least fave, eh... Orfeo and Zinaida immediately come to mind, though Orfeo I'd say was worse... COA 1 is another primarily because of how DIFFICULT it was for me to figure it out enough to put together an analysis. And I had to rewrite that thing at LEAST 3 times to the point I'm just hoping it's good enough and leaving it alone. Time of Reunion I think is another that comes to mind, mainly because I didn't appreciate how they treated Norton in there, especially in the videos (but at least those aren't canon like the in-game event was). So based on all that, I might say Orfeo if I really had to pick 1. Then rank ToR 2nd and Zinaida/COA1 3rd.
FF14 and Honkai Star Rail especially I'm playing actively these days, but I honestly like a lot of stuff. Like Persona (espeially 4), 999 aka Zero Escape, and Star Ocean Til the End of Time. Least in terms of games.
Hmm... Maybe because the 1st reason I play a game is because of the story, and gameplay is always 2nd to me. If the story and characters are good, that gets me interested. Issue with IDV is we only get bits and pieces. Really need to look deeper to really understand some of the characters. I actually only started analyzing because I challenged myself (partially out of curiosity for the answer) to see if I could prove if Norton wasn't as evil as people thought (based on all the comments I saw when I 1st joined the fandom a long while ago). From there, there was Jose who I wanted to analyze because he honestly had so many plot holes I couldn't (and still can't completely) solve. So I get the most enjoyment analyzing something that doesn't have a clear answer. Which is why I don't always post for every letter. A big part of it is I enjoy history and culture and such, so it's fun for me to learn about different foods, or time periods, or how bad the environment was for miners or sailors back in the day, etc... I dont think I have an easy answer (I can see I'm rambling). Norton I actually only began to like because I was spending so long working on my 1st analysis for him (and my perfectionism made me analyze all of Norton's essences before i could call it finished). Jose was because I love Captain Hook, and then after because of the plot holes that bothered me. Then for others, I think I enjoy making analyses to... try to sometimes change people's opinoions/beliefs. Like with Margaretha or Vera. With Edgar was because I was more interested in his story and him as a character only once I put together all his lore. Sort of goes on from there. I could ramble on but I'm going to get even more guilty. I hope this helps somewhat, but let me know if it doesn't and I'll keep going. Maybe the simple is A) I like history/culture/research, B) I like to convince people that certain characters arent as evil as they think or change beliefs I think aren't quite accurate, C) I like solving puzzles and I love story, D) I already think too hard about literally everything, and combined with my perfectionism, we get analysis
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mariathechosen1 · 2 months
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Was Anyone But You a good Much Ado About Nothing adaptation? No, not at all, but fuck it was fun!
#y’all know I have many thoughts about this play and these characters#but even though the movie didn’t completely live up to my expectations as an adaptation#I still really enjoyed it!#and I really despise all those people making posts about how sydney sweeney can’t act#idk it seems a little rude#my main problem is how they messed up the benedick and beatrice characterization and dynamic#I love that they played up the ex lovers thing (which is left up to interpretation in the play)#and i love love queer Hero and Claudio!!!#but their hatred of each other didn’t really pack the same punch as in the original#I suppose I wish they weren’t afraid to make the characters bigger assholes?#ya know- give them more flaws?#because right now the enemies part doesn’t really feel believable for big parts of the movie#They really could have leaned more into making Bea a bit of a cold and snappy mess (as she is in the original)#and Ben more of…ya know…actual human disaster who can’t commit#both of their characters in the play are driven by their desire never to marry and their distrust for the opposite sex#They included this a bit with Bea (her not believing in true love and all that)#but her break up with Jonathan (because he was too nice???) didn’t really convince me of it#They also keep insisting that Ben is a fuckboy but we never really see it demonstrated?#I personally don’t mind the fact that they changed up the whole ‘convincing them that the other secretly loves them’ bit#especially considering this is only loosely based on much ado#but I do think they made it a bit messy considering they included the gulling scenes but only as a joke#I wish they’d either leaned fully into the much ado plot or ditched it#I think what a lot of adaptations get wrong is that they’re either too afraid of leaning into their og media#or too afraid of seperating themselves from the og media#oh god I’ve reached the tag limit help#anyways- rant over#anyone but you#maria talks about things#much ado about nothing#beatrice x benedick
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wandasgf · 9 months
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STREAM IN PROGRESS. mdni. 18+.
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pairings: streamer ! wanda maximoff + f ! reader
summary: surely working your girlfriend up while she's on stream won't be too bad, will it?
warnings: dom!top!wanda, sub!bottom!reader, reader has long hair for the plot, hair pulling, mommy kink, this is pretty soft tbh, slight dacryphilia, exhibitionism
wc: 1.7k~
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"You guys want my girlfriend on stream?" Wanda laughs as she reads comments, the sound soft and melodic. "Are you getting tired of me already?" Her tone is teasing, and it's part of the reason she's gained such a following. Her change in demeanor over the years has allowed her to gain a bit of a loyal following, going from stoic and cursing under her breath while playing games such as Valorant and Apex Legends to joking around and being more carefree while playing, sometimes those same games, but also some not so competitive titles like Resident Evil and Outlast.
(Occasionally Fall Guys, but she thinks that might ruin her image).
She turns her head to look at you, raising a perfectly manicured hand and motioning for you to come closer. "Well, let's give the audience what they want. Though, we don't have another chair, so you're going to have to settle for my lap. What a pity." She tilts her head slightly and a small smirk graces her lips.
Another thing that's helped her gain popularity is just how bold she's willing to be. Well, that and her audience seems to love her girlfriend and how cute the two of you are together.
"We really should get another one, considering how often I have to 'settle for your lap',” you hum, settling down sideways in your girlfriend's lap, legs thrown across her thighs and arm around her shoulder so as to not completely block her from the camera.
"Well, let's not be too hasty,” Wanda murmurs as she leans up to capture your lips in a soft kiss, smiling against them. You're interrupted by the sound of Wanda’s character dying and she pulls away with a groan, "look what you did, you little brat," she teases, "distracting me like that..." She clicks her tongue in faux annoyance, “you guys ask for her to come on stream and the first thing that happens is me dying. Do you all like to see me suffer?”
The stream continues on like this, with Wanda’s teasing and banter between her and the audience as well as between you and her, until Wanda is bidding goodbye to the audience and turning off her camera in favor of focusing on you. Unbeknownst to the audience, you had been teasing your girlfriend almost since the moment you appeared on camera, the webcam doesn’t show anything below your girlfriend’s chest, so what’s the harm in having a little fun? Sure, you’d probably get punished for it later, but that was something you could worry about when the time came.
-
It had taken every ounce of patience and self control that Wanda had not to just end the stream early when your fingers somehow found their way under her shirt, nails raking across her skin, and then beneath the waistband of her sweats, playing with the band of her panties and slipping even lower, lower, until she grabbed your wrist and dug her nails into your soft skin. A warning to behave yourself, and so you did, for a few minutes anyway, and then you were back to the teasing touches. It wasn’t your fault she wouldn’t scold you on camera, and if you got her worked up enough maybe she’d skip the punishment altogether.
And you were right, because right now all she could really focus on was your weight in her lap and the fire that your fingertips left behind, the teasing touches getting bolder now that the camera was off. And then she feels your hand slip beneath the waistband of her sweats and she sees that look in your eyes, the one that tells her you think you’ve gotten away with something you wouldn’t usually. Your eyes are almost shining, it's actually quite cute, she thinks. Perhaps she should punish you right now, she’d given you a clear warning to behave yourself, it’s not her fault you just can’t listen to her.
Wanda catches your wrist once more, “Do you never learn?” Her tone is calm as she takes your arm and twists it behind your back, using it as a means to turn you around and push you over, barely giving you enough time to react and catch yourself against her desk with your free arm.
Luckily you do, bracing yourself against the hard surface with your forearm, a bloody nose for that reason would be quite embarrassing. “Do you take pleasure in disobeying me like that? In disobeying Mommy, hm?” You bite your lip as she stands from her chair, watching her movements through her reflection in the now blank computer monitor as you shake your head. “I don’t know what you’re talking about.”
“No? So if I checked right now you wouldn’t be making a mess of yourself? Of course not, you’d never lie to me,” she answers her own question and laughs as if she’s waving the idea off, of course you wouldn’t, and then her fingers are tangled in your hair, harshly tugging you upward and leaning down just the slightest bit, “Would you, baby?”
You let out a whine in response, her other hand is still holding your arm behind your back, keeping you pressed down and making your back arch. The strain on your hair wasn’t pleasant, but it wasn’t unwelcome either. “Stop it, that hurts,” you huff, avoiding the question, but it just makes Wanda tug harder, clicking her tongue, “that’s not what I asked you.”
Wanda revels in the whimper you give her in response, looking down at you in the reflection of the monitor like you were prey she was waiting to swallow whole. She wishes she had the resolve to properly punish you, to keep you tied up and unable to touch her as she busied herself with household chores, perhaps even running out to get groceries while she has you begging for her not to leave you alone. She almost frowns at that last part, when did she become so terrible that she’d do anything to see your pretty eyes filled with tears?
Instead she takes pity on you, the way your eyes are beginning to gloss over, tears stinging at the edges and threatening to fall from the harsh grip she kept on your hair has her starting to feel dizzy. She just can’t help it, you looked so pretty like this. She lets go of her grip on your arm and you immediately move it to aid your other arm in bracing yourself against the desk, easing the strain on your hair just the slightest bit. She slips a hand beneath your panties and palms your ass.
One of her favorite things was that you never felt obligated to wear pants when it was just the two of you alone, simply opting for a long sweater or shirt with your panties.
Her hand wanders down, pinching the fat of your thigh and laughing when it results in a yelp. “Wanda, just touch me already!” You whine, trying to push back against her. “Patience.” she hums, letting go of your hair and you let your head drop, hair falling down and framing your face. Though she does drag her fingertips over your clothed cunt, cooing when she feels the wet spot on your panties. “Is this why you’re being a brat, hm? Need Mommy to ease the ache between your thighs?” Her tone is teasing, but her fingers rub soft circles against your clit, just enough pressure to pull a soft moan from between your lips.
“So sensitive…” Wanda muses to herself, using her free hand to pull your panties to the side. She'll skip the teasing for now, wants to work you up first, have you drooling all over her fingers before she pulls everything away. She runs her fingers through your folds, gathering some of your slick and dipping a finger inside of your drooling hole. “Please.” your tone is pleading, wanting nothing more than for her to sink her lithe fingers into your cunt.
It feels like Wanda had been teasing you for hours even though she had only just started touching you, and wasn’t teasing at all. Perhaps thinking about your girlfriend fucking you throughout the entire stream was not your brightest idea, your attempt to tease her had accidentally gotten you all worked up.
You push back against her, trying to get her to sink her finger deeper. “So impatient.” she chuckles, pulling her finger out altogether, resulting in a whine of protest from you, before suddenly sinking her middle and index fingers into your tight heat.
You gasp in response, biting down on your bottom lip to stifle your moans, hands curling into fists as you support yourself on your forearms, having nothing to grab onto. “You really are sensitive, did all that teasing today get you worked up, baby? Did that silly little brain of yours start thinking a little too hard?” If you were in any other position you’re sure you’d bite back with a snarky comment, but you just can’t, not with the way Wanda’s fingers are thrusting into you, curling to hit just the right spot and make you see stars.
Wanda almost rolls her eyes, bringing her free hand up to fist your hair once more, gripping it at the end and looping it around her wrist, tugging harshly near your scalp and bringing you flush against her front, ”I believe I asked you a question, sweetheart.”
You whimper in response, the strain on your hair making tears prick at your eyes, threatening to fall. When your girlfriend prompts your response once more with a slight tug, the tears spill over no matter how hard you try to stop them. “T–Technically, you asked two,” you bite back weakly.
“Brat.” Wanda rolls her eyes, pushing you down and letting her tight grip on your hair fall looser. She feels you clench around her fingers at the harsh treatment and she grins, predator-like, before pulling her fingers out and swiftly landing a slap to your sensitive clit. “Mommy!” you choke on a moan, jolting forward, torn between begging her to hit you again or for her fingers. Your fingernails dig into your palms as your fists tighten around nothing.
“Do you think you can be a good girl for me?” Wanda asks, starting to grope you and leaning down to press a tender kiss to your cheek before using the hand in your hair to properly gather it into her fist, holding it in a makeshift ponytail and finally relieving the strain you were feeling. “Because if you’re not,” she tugs harshly once more, causing you to whimper, “I have no problem giving you a proper punishment.”
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How do I plot a romance story?
Most advice and plot structures I have found seem to be focused on quest-type stories. Do you have any advice or templates that are mpre easily applicable to romance stories? Do I need to include another major plotline?
Basic Romance Structure
Like most stories, there are different theories and methods about structure, and you can find these by Googling "romance story structure." However, let me walk you through a basic romance structure to show you the differences and similarities with the kind of structure you'd use for something like a quest story or an adventure story.
Introduction/Normal World - Like most stories, romance stories usually open with a peek at the protagonist's "normal world" as a means of introducing who they are and what their life is like. And, as with other stories, this also introduces us to the both characters' internal conflicts. In romance, rather than resolving the internal conflict with growth in relation to the story events, the internal conflict will be resolved via change/growth in relation to the romance. [Example: Sandi is a florist with a four-year-old daughter, navigating single parenthood after her husband filed for divorce and ran away to chase a dream.]
The "Meet Cute" - This is essentially the inciting incident... the moment the two characters meet for the first time, or the first time in a long time. All in one moment, we see how undeniably right they are for each other, but due to their individual internal internal conflicts, they're butting heads big time.
[Example: Sandi meets Brent, the new flower supplier who is adorable, sweet to Sandi's daughter, but infuriatingly inept at doing things the way she likes them.]
Forced Proximity - After the "meet cute," something will inevitably force them to spend time together. They get partnered together on the same job, stuck together in the same place, keep coincidentally bumping into each other... whatever. All that matters is that they're forced to get to know each other despite their head butting.
[Example: they get roped into working together on the town's rose festival.]
Resistance/Rejection - Now that they're forced to interact for whatever reason, they're going to spend a lot of time resisting their mutual interest/desire for one another due to whatever obstacles exist, like being from warring factions or one being in the middle of a divorce. But despite this resistance, we can see the sparks flying between them, even if they can't or don't want to admit it.
[Example: Sandi wants to focus on running her business and raising her daughter; Brent just got out of a long relationship and isn't ready for romance.]
Waning Resistance/Giving Love a Chance - Eventually there's a breakthrough... the obstacle gives way... they have a really fun time hanging out at the Christmas market and almost kiss... they move past the misunderstanding between them... or maybe they just slowly get over their issues and start to fall in love. Either way, they decide to give the relationship a go.
[Example: as they get to know each other and bond through working on the rose festival, they can't deny how compatible they are and an unexpected first kiss gives Brent the courage to ask Sandi out on a date, to which she agrees.]
Three Steps Forward, Two Steps Back - This is essentially the first date, then another one, then another one... though it doesn't have to be actual dates. It just needs to be some interactive scenes when they're in relationship mode. Each of these interactions will deepen their feelings for one another while at the same time raising new obstacles or re-raising the old ones.
[Example: the first date goes well except that Sandi is preoccupied with the fact that her daughter is staying with a new sitter. The second date goes okay, except Brent is in a bad mood after his ex came to town to pick up the last of her things. Then they pull an all-nighter to make some final preparations for the upcoming rose festival, which leads to a philosophical conversation about the future, wherein Sandi says she sees herself getting remarried one day and having another kid or two, and Brent says he can't ever see himself getting married or being a father.]
This Isn't Going to Work - This is the midpoint crisis... the "all is lost" moment where one or both put on brakes and say, "I can't do this," citing whatever obstacle/s that now stand in the way of their happiness. Sometimes this follows their biggest act of intimacy yet, whether that's simply their first kiss or going all the way. It could even be the first declaration of love, being introduced to family, or some other important early relationship milestone. But then it all falls apart... maybe because one or more of the obstacles become too much, a fear-based retreat, or some other external force
[Example: the rose festival has arrived... Sandi is there with her daughter and parents, Brent is there with his mom and sister. Everyone meets, Brent continues to be great with Sandi's daughter... it's obvious Brent and Sandi belong together. But then Sandi's wayward not-yet-officially-ex-husband shows up and wants to get back together. Although she's ambivalent, seeing him interact with their daughter and her parents makes her realize giving him another chance is what's best for their daughter. Meanwhile, Brent witnesses this from far away, thinks, "I'm not good enough for a family like that," and he and Sandi go their separate ways.]
On Second Thought... - This is the moment when something happens that makes one or both characters realize they belong together... that the obstacles aren't real or don't matter... [Example: Brent finds a drawing Sandi's daughter made of the three of them together that makes him realize he really is worthy of their love. And Sandi sees that her husband hasn't changed, that he's still focused on chasing dreams that aren't what's best for their daughter... or herself, for that matter. ]
The Moment of Declaration - This is where the one character finds the other, or they find each other, and one or both declare their love and commitment to the other, despite whatever obstacles there may be. This is the run through the airport to catch the other before they fly away to a new life. It's the objection at the wedding before the other can go forward with the less-than-ideal marriage. It's the boombox on the shoulders, the kiss in the rain, the "I love, I love, I love you. I never wish to be parted from you from this day on" declaration in a foggy field at sunrise. [Example: Brent hears from a friend that Sandi's husband left again. He goes to the last night of the rose festival, finds Sandi, and tells her he wants all of it... her, the daughter, her quirky parents, the flower shop, marriage, more kids... he is ready to take on the world with her, and she couldn't be happier.]
The Happily Ever After or "HEA" - This is the story's denouement, where we flash forward a few days, weeks, or more and see the happy ending. This is the jump ahead a few months to see the happy couple living their lives together, the one year leap ahead to the wedding, or a leap ahead to a moment even further down the road when the couple is firmly established in their HEA.
[Example: two years later, Sandi and Brent have been married almost a year, and are at the rose festival with the now six-year-old and their newborn twins, Sandi's parents, and Brent's mom and sister, one big happy family.]
Now... like I said, there are a variety of different structure templates for romance as there are for other genre stories. Don't feel like you have to pick one, and if you do, don't feel like you have to stick to it exactly. Story structure is just a guideline to help make sure you hit the important points to help the story unfold.
Happy writing!
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flowerandblood · 5 months
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The Fall from the Heavens
[ canon • Aemond x Strong • niece female ]
[ warnings: kissing, angst, arranged engagement, violence, swearing, humiliation, bullying, chauvinism ]
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[ description: A cool distance turns into friendship and more when two children see that they can find refuge and understanding in each other. However, naïve dreams collide with the reality in which every event has consequences and what once could have been love becomes a dark, newly painful obsession. Angst, sexual tension, obsession, violence, madness, very dark Aemond. ]
The story in this series is an alternate reality from the oneshot Stay and love, leave and die, in which Aemond reads the letters his niece has sent to him over the years. They are the same characters and it shows what would have happened between them − I have changed the background story from their childhood slightly for the sake of the plot.
Characters & Series Moodboard Lady Strong Moodboard Aemond & Lady Strong Moodboard Aemond & Lady Strong Childhood
* English is not my first language. Please, do not repost. Enjoy! *
Next chapters: Masterlist
_____
He had always felt that he lacked something. Part of him claimed that if a dragon had hatched from his egg, things would have been different, however, years later, he recognised that this was not entirely true.
Aegon had a gift for light-hearted conversation, an ironic humour that he lacked. He kept telling him to smile at last, to get his nose out of his books, that he was boring, perpetually serious and withdrawn. He preferred to spend time with Jace and Luke − they were louder and funnier than him, they understood him, they had dragons, they had what he was missing.
They didn't spare unpleasant comments even to their own sister, calling her a hamster, most likely referring to her rosy, firm cheeks and big eyes.
He could see that she was running away from them crying, but he wasn't going to comfort her. She was a girl, her world seemed to him as distant as Essos, completely incomprehensible to him, filled with beautiful gowns, embroidery and music.
The only thing they had in common was books.
They bumped into each other occasionally in the library, and although at first they simply pretended not to see one another, one day she dared to sit next to him as he looked through the family tree of their ancestors.
"What are you doing?" She asked, placing the large volume on the table in front of them with difficulty. He huffed as the dust that rose with her movement reached his nostrils, out of the corner of his eye he noticed that it was The Great History of Aegon the Conqueror.
He did not reply, turning the page of the book, not knowing why he should explain it to her.
He didn't believe her, didn't trust her, didn't want her.
She was a bastard, though she probably didn't know it herself, wallowing in riches like a princess even though she didn't deserve them.
He didn't want her pity, attention or anything else she could give him.
He didn't want to be her second choice, the place she ran to because her brothers were mean to her; he had his own, in his mind very adult, worries and he didn't want to listen to hers.
"Is this a book dedicated to our family history?" She asked softly, leaning out so that she could see what he was reading. She stood up coming closer to him and he pressed his lips together when he smelled her pleasant scent, some intense vanilla oil.
He felt a tightening and burbling in his stomach at the thought of the cake that smelled similar, which his mother had ordered to be baked for his Name Day a few months earlier.
"Ah, our family tree. Where are we?" She asked cheerfully, as if intrigued, and he sighed heavily, reluctantly flipping forward a few pages, tracing their line with his finger, showing her a place at the very end.
He swallowed loudly as he saw how Laenor Velaryon was written in the space where her father was inscribed, trying not to smile with mockery.
She leaned lower, looking at the area he had pointed at and he glanced at her out of the corner of his eye, her cheek right next to his.
He was surprised at how different they were, apart from the obvious fact that he was a man and she was a woman.
His eyelashes were almost white and translucent and hers were black, long, surrounding her shining eyes, making them seem even bigger to him. His skin was pale, thin as parchment when hers was flushed and full of life, her lips plump and moist, her nose shapely and straight, the contour of her face gentle as his jaw was outlined sharply.
And finally, his hair, the colour of Targaryen's, the white she lacked, her luscious black curls falling gently down her back was visible proof of who her father was.
Although he liked to mock her in spirit, he couldn't say she was ugly or repulsive.
"Would you marry Helaena if our King so commanded?" She asked curiously, glancing sideways at his seated figure. He lifted his gaze to her and sighed heavily, figuring that nothing would happen if he spoke to her for a while.
She was simply bored, just like him, and he didn't get the impression that she had come to entertain herself at his expense.
He shrugged his shoulders.
"Yes. I would do my duty as a Prince and son of the King." He said lowly, solemnly, fiddling between his fingers with the page of the book he had just looked at, crossing his legs − even though he was still a child, he was trying to sound and look like a man.
She cocked her head, clearly genuinely intrigued by his statement, a wide smile on her face.
"Are you in love with her?" She asked as if it was obvious, as if she was encouraging him to reveal his little secret to her. He looked at her in disbelief, not knowing what to make of her question. He swallowed loudly, lowering his gaze, feeling his heart pounding fast.
What did it matter?
"Well…she's my sister. Of course I love her." He replied coolly, feeling strange with the words on his tongue, as if there was something inappropriate about them.
"I love Jace too, but I'm not in love with him. There's a difference." She said with a kind of calmness and wisdom that surprised him; she stood beside him looking at him with a gentle expression on her face that consternated him.
Why were they even having this conversation?
Still, her words made him feel a tightness in his throat, a realisation that he understood what she meant, but didn't want to admit it.
The tenderness of falling in love, the poems and the late-night frolicking were the domain of women's imagination, which unfortunately then had to collide with the cruel reality. He was a man, however, and he had no intention of getting into these deep divagations of the weaker sex.
"Don't be naïve. Marriage is not meant to be a pleasure. It is meant to be a sacrifice for the good of the kingdom, to secure its needs." He said dryly, turning back to the page he had been reading earlier, frustrated for some reason by her remark.
She did not speak again, returning to her seat, sinking into reading the gigantic volume dedicated to Aegon the Conqueror.
Although he could have done it in his chamber, he had been coming to the library to read ever since and always met her in the same place. Although they didn't appoint themselves, they both had their assignments until midday and would turn up there to read immediately afterwards, sitting next to each other, exchanging thoughts in passing.
He was afraid that Aegon would see them one day, but fortunately he never ventured into the abyss of the library, few people went there and he felt reasonably safe.
Usually it was she who asked him questions and he was the one who answered her. He felt some sort of empowerment because of this, at last there was someone who appreciated his knowledge and rhetoric, who listened intently to his opinion.
"I would like to be like Rhaenys in the future." She said softly and he looked at her as if she had lost her mind.
"Rhaenys? What's interesting about her? Visenya could fight with a sword and she rode the largest dragon still alive in this world. If I had a choice, I would marry her." He said without thinking, recognising that it would be wonderful to have by his side a woman who could wield a sword perfectly, with a sharp tongue and temperament, who would be a born warrior like him.
He saw his niece raise an eyebrow in amusement, a sort of childlike joy on her face, her eyes shining.
"Aegon the Conqueror thought otherwise. Out of ten nights, nine he spent with Rhaenys." She said mockingly, as if immensely pleased that she could take the argument out of his hand. He pressed his lips together at her remark and shrugged his shoulders, returning to his reading.
He didn't care what men and women did at night − his mother had told him that he shouldn't bother with it for the time being, and he had decided that there was in fact no need to, until his father called on him one morning.
"− no −" He heard his mother's voice, leaning over the table where the tired King sat, looking at her as if half asleep. "− I do not agree, Viserys, it's not −"
She did not finish, hearing his footsteps and folded her arms in front of her, trying to calm herself, letting out a loud breath. His father nodded at him to come closer, which he did obediently, feeling his heart pounding hard.
His father had never yet called on him on any serious matter.
"I have just been discussing with your mother the importance of our family, of our kingdom remaining united. Although I have agreed that, according to tradition, your sister should marry your brother and not your nephew, I would like you to be the one to bring House Targaryen together anew, and that you should marry the daughter of Rhaenyra and Laenor in the future." He said calmly, with each finished sentence tapping his fingers on the table top, as if to add some finality and certainty to his words that he was convinced this was the right thing to do.
"− this is ridiculous − Aemond should secure our kingdom with a marriage to the daughter of one of the lords who can benefit us −" His mother began impatiently, her husband sighed loudly, exhausted.
"And who should receive this honour? The Starks? The Arryns? The Baratheons? No choice would be good, for someone would always feel disadvantaged. Marriage within the family will not outrage anyone on the outside, and will only strengthen what has been strained." He said with conviction; the Queen swallowed hard, shaking her head, finally looking at him as if she was certain he abhorred the idea as much as she did.
"− Aemond, you don't have to agree −" She said in a trembling voice, and he swallowed hard, looking at the stone floor beneath his feet, feeling his heart pounding hard.
Bastard or not, the dragon's blood flowed in her, as it did in him. She didn't despise or mistreat him. She knew what duty and obligation meant.
He reasoned that although he would have preferred to have a female warrior by his side, in fact the idea of marrying her did not reject him. He preferred her to the daughter of some common lord.
In his own way, he even liked her.
He grunted, feeling proud to rise to the occasion and fulfil his father's desire.
"If it is my King's wish, I will marry her, for the sake of the kingdom and our family." He said lowly, looking him straight in the eyes, standing upright, his hands folded in front of him.
He felt a tightening in his throat as his father smiled at him sincerely, for the first and last time in his life.
"So it's decided."
He didn't know how the message had been conveyed to his betrothed, however he could see by the look on her face as she ran into the library, all red with emotion, that someone had made her aware of what had happened and he felt a twist in his stomach.
He was afraid she would make it clear to him that she didn't want him, that she abhorred him, that she had no intention of marrying a man who didn't have a dragon of his own.
As she approached him however her eyes sparkled, she laughed as if she didn't believe it.
"Is it true?" She asked breathing loudly and he swallowed hard, nodding his head, looking at her with wide eyes.
"I'm so happy." She giggled sweetly, warmly, covering her mouth with her hand, as if someone had just given her a wonderful surprise.
He felt some kind of heat in his chest, an affection towards her, a gratitude for her faithfulness, for her devotion, for the fact that she respected him.
He was shocked to think that she would make a good wife.
Aegon laughed at him, not understanding where his lack of objection came from, how he could think that good had happened.
"She doesn't even have an arse or tits." He sneered and he clenched his jaw, wrinkling his brow, looking at him over his shoulder.
"Shut your mouth. Don't speak about her this way." He growled, feeling that her good name was now his as well, and that he had to protect her.
Aegon snorted, shaking his head, patting him on the back piteously.
"My little brother fell in love with Lady Strong?" He asked, forcing himself into a sweet, mocking tone as if he were speaking to a small child, which angered him even more. He slammed his head against his forehead, and he swore in pain, staggering backwards, catching the table, which fell over with him.
"You fucking bastard!" He shouted throwing himself at him, and they began to pound each other with their fists, wrestling with each other on the floor, until, hearing the commotion, a servant girl rushed into his chamber, trying to separate them.
His future wife visited him in his chamber that day, concerned that he had not appeared in the library, raising her eyebrows in simultaneous concern and amusement as she saw him holding an ice cube to his red cheek, a large bruise under his eye.
"What's happened?" She asked as she was accustomed to, without any pleasantries, approaching him sitting in a chair that was, however, too big and his legs did not reach the ground. He just rolled his eyes and shrugged his shoulders without answering.
He had no intention of revealing what had caused the fight − he wasn't going to appear to her as a prince on a white horse who would worship and adore her, as in all those poems she had surely read.
"Does it hurt a lot?" She asked further, and he shook his head. She sighed heavily, taking a single lemon cake from the pocket of her bottom gown, placing it in front of him.
"I know the Queen only allows you to eat sweets after your weekly visit to the Great Sept, but I stole one for you anyway. As a consolation." She said proudly, and he nodded, lifting his gaze to her, involuntarily feeling grateful.
She cared for him without wanting anything in return.
Since they were betrothed, she hadn't asked him for solitary walks, gifts, confessions of love or anything else a lady of her status might desire from the man she was to marry.
"Thank you." He replied calmly, recognising that he could give her at least that much.
She looked around his chamber and he realised that she was in it for the first time in her life. He stood up, setting the ice sack down in the bowl, walking over to his bookshelf, a gift to him from his mother.
"If you wish, I can lend you some. Just pick which one." He said softly, coming to the conclusion that he wanted to be kind to her, that he wanted her to have no regrets about him becoming her husband, to be proud of it.
She looked at him gratefully and took out a book written by the ancient philosopher, Areon, dissecting human dignity and duty. Something about her choice pleased him, the thought that she wanted to understand him.
She pressed the book to her heart and looked at him, her eyes seemed even bigger to him than usual, her beautiful long eyelashes, hair and plump lips shone in the summer light of the day.
He felt a pleasant tickle in his lower abdomen watching her without saying a word.
"Can I kiss you?" She asked so quietly that for a moment he thought he had overheard himself; he felt his whole body tense up, his pupils dilate in disbelief, his breathing quicken, his fingers involuntarily rubbing against each other in a subconscious nervous reflex.
Oh gods.
Should they be doing this?
Was this the right thing to do?
She was supposed to be his wife. From what he understood, husbands and wives did this, as a kind of union and intimacy.
He swallowed loudly, looking at her lips, thinking they looked pleasantly warm and soft; a shiver went through him at the thought that he could feel them in a moment if he wanted to.
He nodded his head.
He watched her vigilantly, involuntarily breathing through his mouth as she stepped closer to him; he was taller than her and leaned in slightly, wanting to make her task easier.
She surprised him when she suddenly lifted up on her tiptoes and her lips pressed against his in a warm, innocent kiss − he felt like his heart had stopped for a moment, the scent of vanilla filled his lungs, her skin delightfully moist and soft.
It felt so pleasant.
She pulled away from him immediately, all red as he was, breathing hard, as if it took a lot of effort and courage from her too, her eyes looked at him dreamy, as if she was waiting for his reaction, but he was unable to get anything out.
"One more time." It came out of him like a weak whisper, like a plea through which he felt the shame overpowering him.
For the first time, someone wanted him.
She smiled before rising on her toes again, this time placing a hand on his shoulders for balance − she pressed her fleshy, moist lips to his for a longer time and sighed softly as he touched her cheek, wonderfully soft and warm. She pulled away from him and closed her eyes feeling him stroke her skin with his thumb, he pressed his forehead against hers, feeling butterflies in his stomach.
"Will you come to me at night?"
He had nightmares most of the time at night − usually dreams in which he saw anew the pig that his brother and nephews had introduced to him as his dragon, humiliating him as no one had ever done before. He found that her presence calmed him and that perhaps if she slept in the same bed, he would finally get some rest.
He didn't think about the fact that it might have been at least inappropriate in the eyes of others when under the cover of night she snuck into his chamber, slipping under the thick furs beside him, snuggling up to him. In his mind she was already his wife, and wives slept with their husbands − unless it was his parents.
They lay that night looking at each other with their foreheads pressed together, stroking each other's cheeks, their wordless, innocent confession of affection and need for closeness.
"We are going to have seven children." He stated after some thought, as if he had decided that such a number would satisfy him. He wanted his family to be strong and broad, and also seven were gods, so it had symbolic meaning as well.
She blinked, as if something troubled her in his words, furrowing her brow.
"My mother gets very tired during childbirth and then can't get up for a few days. With the rest, how do we do it?" She asked uncertainly and he shrugged his shoulders.
He had never delved into the ins and outs of the pleasures of the flesh too much − Aegon had said that rapprochements with women were very pleasurable and, as he understood, that was why he couldn't pull away from them, to him, however, what he had was enough.
"We'll find out everything when we're older. Do not fret." He said with certainty, stroking her soft, plump cheek with his thumb and she cheered up, he saw the sparkle in her gaze before her lips stole a soft, warm kiss from him again.
He smiled at the thought that he felt that in her eyes he was a man, the head of their future family.
There had been times when he had forgotten who she was, who her father was, her smile, her laugh, her eyes, the sweet kisses she bestowed on him when they were alone made him think it didn't matter anymore.
Years later, he could not believe how wrong he was.
______
Aemond Taglist:
(bold means I couldn't tag you)
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If it’s alright, I have a question about Vil and Epel’s relationship. I understand that the accent changing plot line is just a cultural politeness thing that didn’t carry over outside of Japan, but the other parts of changing Epel’s behavior don’t quite make sense.
Why exactly is Epel being forced to call macarons his favorite food? And act very soft-spoken? I can’t see how these fit in with the politeness aspect of the table manners, no abrasive language, etc. It just doesn’t give a very good impression, especially in combination with the unfortunate implication of giving Epel a Southern accent for the “change your accent” plot point.
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Before I get to responding to the questions posed by this ask, allow me to explain for those who may not be familiar with this controversy! This is so we can all go into reading this post from the same starting point.
I've made titles to denote the explanation of background knowledge and to denote responding to the questions actually asked to me! If you're already familiar with the Vil-Epel-accent debacle then feel free to skip the first section!
Disclaimer: I’m speaking on these concepts as I personally understand them. However, I am not a native Japanese speaker so I’d advise that you consult additional resources with a better understanding of the language and culture. Two resources I enjoy are Yuurei and MysteryShopTLs, who have both also addressed Epel’s accent and how it was localized.
The Accent, EN vs JP
It’s well-known that Epel is a character with a heavy accent who has been explicitly told by Vil, his dorm leader, to alter the way he speaks. In EN, Epel speaks with what appears to be a southern (as in, “from the southern United States”) accent. Therefore, when Vil tells him to stop speaking in the accent, it feels as though Vil is shaming him for his southern roots and culture. This has also led to fans (especially of the EN-only sphere) thinking that Vil believes Epel’s accent is “unrefined” and “makes him sound uncouth/uneducated”, which is why Vil tells Epel to cover it up. I have even received asks conveying as much in the past (here is one example).
In the original JP, Epel speaks in a way that does not closely resemble any real-world Japanese dialect but rather a blend of them. If you ask a native Japanese speaker, they would likely tell you that it is difficult to understand what Epel is saying and that it sounds as though he is speaking rudely or too casually. People could genuinely take offense to the accent because it can be mistaken as something else entirely. This is obviously very different than the real-world accent (which many people can still understand and wouldn’t perceive as rude) that Epel was localized to have. The decision to give him a southern accent, then, does not completely carry over its original JP connotations into EN.
What remains the same in both EN and JP is the reason Vil provides for telling Epel to adjust the way he communicates. As he says in EN, “Speak properly" to which Epel immediately assumes the command comes from a place of elitism/classism and Vil thinking Epel's manner of speaking is beneath him. Vil responds with, "Stop misinterpreting my instructions. I have nothing against your home or its dialect. What I object to is your attitude. Being proud of your home is all well and good, but there is a time and a place for that. The way you address your superiors is entirely unacceptable." (Keep in mind that before this, Epel was the one instigating a fight with Vil and subsequently got his ass whooped for disrespecting an upperclassman. As the victor, he declares that Epel must do as he says--that's the "culture" of NRC. The weak obey the strong, so if Epel wants to do whatever he wants, then Vil challenges him to beat Epel in a fight. Until then, the loser must obey the winner. Epel agrees to these conditions.) This may be a little hard for western English speakers to wrap their heads around, but MANY Asian countries, Japan included, run on a hierarchical system which is embedded even into their languages. Japanese, for example, has honorifics to denote the relationship between the speaker and the listener, as well as variations on the same word depending on the context ("boku", "ore", "watashi", "atashi", etc. are all valid ways to refer to oneself, "onii-san", "onii-sama", "aniki", "kyodai", etc. are all ways to refer to a brother, whether blood-related or not). In some cases, it's considered rude to call others by their first name unless you know them well, and even then it's not common to see a first name without an honorific. This is not as strictly adhered to in English, which is perhaps where a cultural disconnect occurs. What Vil is referring to in his instructions to Epel is what is known in the world of linguistics as "code switching", or changing how one communicates to suit the situation. Part of code switching is changing one's "register", or the level of formality you use. So for example, I could use a colloquial/casual register when I speak with my friends, but I may shift to a more polite and formal register when I speak with my professors, a boss, or an older relative. Vil, then, is critiquing Epel for not speaking politely to his seniors (something which is expected in Japanese culture, but not expected among those in similar grade levels in western cultures).
In the Harveston Sledathon event, we get to venture to Epel's hometown and hear how the locals speak. Indeed, we get more instances of people who speak in the same way Epel does. It's the Harveston dialect, which is so distinctive that it basically sounds like a whole different language. (There are also languages like this in real life; consider Mandarin and Cantonese; technically they are both "Chinese" but Mandarin and Cantonese speakers would not be able to comprehend one another even if they use the same written language). However, it's notable that Marja (Epel's grandmother) and the mayor of Harveston are able to code switch flawlessly into a more standardized tongue. They explain that this is a skill they have developed because it helps in communicating with tourists/visitors to the village and for whenever they travel to the nearby city to sell their wares. This reinforces Vil's point that there is a "time and place" for certain ways of speaking, which Epel needs to consider.
Macarons and Soft-Spokeness
Accent thing aside, some English-speaking fans take issue with Vil's stern treatment of Epel, particularly in instances in which Vil seems to be exerting significant control over his underclassman's behaviors. (Japanese-speaking fans largely do not hold the same sentiment.) Examples of this include Vil forcing Epel to state that his favorite food is macarons, as well as making Epel present as soft-spoken even when he's just among his peers. I will now be addressing both of these points. TO BE CLEAR, I am NOT trying to defend Vil but rather I'm just going to speculate about why the circumstances are the way that they are and/or why perceptions of his attitude may differ.
Starting with macarons! It is stated in Epel's official profile and by Epel himself in his Birthday Boy vignettes that his favorite food is yakiniku (Japanese grilled meat). However, macarons are also listed as his favorite food, and this is notable because he's the only character with two foods listed instead of just one. In the aforementioned Birthday Boy vignettes, Epel is quick to qualify his love of meats with, "Well, I do have one thing I like even more. It's, ah, macarons." When asked what he likes about them, he says, "They're... cute. And sweet! And they come in lots of different flavors." His voice here sounds hesitant, so it's not clear whether he's being entirely honest or not. He even admits in a whisper that, "[Macarons] are not very filling, but still." Epel again complains about macarons being good but not very filling when he has some in the City of Flowers/Fleur City. To this, Azul asks, "Why do you look so unimpressed, Epel? I thought macarons were your favorite food. [...] But was my intel mistaken? Would you prefer something with a stronger flavor profile?" Epel insists he is fine, and Azul responds with, "Excellent, then my intel bears out." This creates some confusion over whether Epel actually likes macarons or not. I doubt that the information Azul has on others is inaccurate. Plus, Epel states of his own free will to the player (who is interviewing him) that he also likes macarons. This leads me to believe that while Epel doesn't outright hate macarons, he does like them alright (but still prefers grilled meat more). The only thing he seems to have an issue with is how unsubstantial macarons are as a food item.
Now... why does Vil make him state that macarons are his favorite food instead of grilled meat? It's sort of touched on in Epel's Ceremonial Robes vignettes. In them, Vil chides Epel for his poor table manners and asks him to state his favorite food. Epel responds with grilled meat/barbeque, which earns him a smack from his dorm leader. (Vil actually smacks Epel multiple times in these vignettes as punishment, which ended up being another source of ire in the English-speaking part of the fandom; such a thing is more common in Asia and its media, so it's not seen as too outrageous in Japan.) "Do my ears deceive me?" Vil says. "I could've sworn I heard a word unfit to be spoken in this noble dorm. I will ask you again. As a student of Pomefiore–a dorm founded upon the tenacity of the Fairest Queen–what is your favorite food?" From this dialogue, it can be surmised that Vil's reasoning for drilling the macarons in as Epel's favorite food is because it is something that is more befitting of the regal "image" of the Fairest Queen and the dorm made in her honor. Vil seems to regard grilled meat as an inelegant food which does not suit the Fairest Queen nor Pomefiore.
The second thing the asker brought up is Epel's soft-spokeness. I guess I'm a little confused by this??? Soft-spokeness is a part of being polite; it ties back to volume control (ie "indoor voice" being softer than "outdoor voice"). I also don't recall a specific instance of Vil chastising Epel for NOT being soft-spoken at all times. He allows Epel to be loud sometimes and raises his voice himself. I feel like volume is not something that Vil harps on as much as other things like cursing or speaking politely to the correct authority figures (unless, of course, volume is important to the level of politeness required for the current conversation). I could be wrong on this though, so please let me know if you know of any specific instances of Vil being mad about Epel speaking loudly that I may have missed! What I do find odd is how... consistently (?) Epel tries to keep polite even when Vil is not around to monitor him. When Vil and Epel first met, Vil makes it clear that there is a "time and place" for Epel's accent, and it's not when addressing seniors. So... by the logic, shouldn't Vil be okay with Epel acting more relaxed or rowdy around first years or more casual settings in general? Why does Epel need to maintain the facade of being polite even when not in the presence of his superiors? Why does Epel seem to even act fearful about word of his misbehavior/rudeness getting back to his dorm leader and even make others swear they won't divulge the incidents to Vil?
One theory I'll propose is the entirety of book 5. Vil was insistent then on having Epel in the NRC Tribe. He wanted to weaponize Epel's cuteness, which he believed could compete with his long-time rival, Neige. This probably fed into Vil's demands for Epel to appear and act dainty and innocent, traits which Neige effortlessly possesses. Vil literally even refers to Epel as his "Poison Apple" that will help him defeat Neige. After book 5, Vil seems to have eased up on his rigidity. However, I will caution that this explanation may or may not align well with vignettes and/or event stories, which do not always work in a cohesive timeline with the main story.
Perhaps a more all-encompassing explanation is... this is probably because Vil is just very strict about how his dorm members present themselves at all times, since they are expansions of Pomefiore and of himself as the leader. Both the macarons and Epel's attitude are reflections of the dorm he (a celebrity who is very aware of the public eyes on him + his reputation) is affiliated with, and Vil won't have them poorly represented. He is the dorm leader, so he has the "right" to rule and impose his ideals as he sees fit. It's a similar situation to Riddle forcing the Heartslabyul students to follow silly, nonsensical rules (because they're tradition) or risk a scolding or a beheading. And again, Epel is following along because (as established in book 5), he has agreed to submit to Vil’s orders until he beats Vil in combat.
At the end of the day, I don't think Epel being forced to call macarons his favorite food is a huge deal. Is anything that big lost in claiming you like something that isn't your actual favorite food? It's not like Vil is forcing Epel to claim he likes eating something that would actually harm him (like, if Epel had an almond allergy or something).
What's more dubious is how VIl governs Epel's attitude and temperament at seemingly all times (to the point of eliciting some apprehension from Epel). Given the most generous reading, maybe it's Vil's way of teaching Epel maturity and how to keep his voice down since Epel had zero of it and acted loudly brazen when he first enrolled. It doesn't help Epel if he's quiet and well-mannered in very limited social situations; it has to be "generalized" or expand to other scenarios for Vil's lessons to truly be instilled in him. (Like... what would happen if Vil DIDN'T hold Epel in check? His classmates would not be able to understand Epel's speech, and he might get into trouble by picking fights with others.) This is a life skill that Epel lacks, unlike his grandma and the Harveston mayor, and Vil's teaching it to him via "tough love" (though whether you approve of his methods or not is up to interpretation). Recall that Vil also teaches Epel to embrace femininity as its own strength and to disregard outdated gender norms--this could be considered another "lesson". I doubt that anything Vil imposes is done maliciously, but rather comes from a place of wanting others to be better and to shine their brightest, even if that path is difficult or painful. Epel, as the rebel in this circumstance, of course does not enjoy being told what to do and misbehaves in small ways. There’s a limit on how much he can misbehave though, as it would hurt his pride to be reminded of his failure to one-up Vil. He's like a kid that doesn't want to be caught cussing or acting out by his parent. It can be seen as immaturity and an unwillingness to change or to grow up, but it can also be seen as someone who wants to freely be able to express themselves or to be their "truest" self. Epel is rowdy and headstrong, and it's difficult for him to repress these parts of himself. Given the least generous reading, Vil is oppressing and stifling Epel in many ways that extend beyond what his dorm leader position should reasonably allow him to do. In fact, a popular fan translation for book 5 is "The Beautiful Oppressor", as Vil is frequently shown limiting the liberties of his NRC Tribe members during their training arc, not just Epel's.
Which is the truth here? Why do those in the English side of the fandom decry Vil's actions and side with Epel whereas the Japanese side see little issue with this?
I wager that this predominantly comes down to, again, cultural differences. Many English-speaking fans are based in the west (particularly the USA and Canada, where the EN servers first launched), places which emphasize individuality and self-expression. Of course they would be more likely to take Epel's side, as he's the one trying to be himself and stand out in his own way. Meanwhile collectivism--an ideology which stresses conformity with a group--dominates in the east. They are more likely to see no problems with Vil's actions because, to them, he is acting in the ways he is to "guide" Epel and show him how to best "fit in" with Pomefiore and at NRC. I believe the whole "being soft-spoken" thing also ties back to cultural differences; speaking loudly is something else that can be considered rude in Japan, so it's entirely possible that Vil encouraging Epel to be soft-spoken is another element of politeness that did not translate well to English (as the western world tends to be much louder and more animated in their conversations).
What it boils down to is that the way Vil and Epel's relationship was written did not work well for a western audience, whose values and perspective is VERY different from the original audience TWST had. It appeals far more to a Japanese fanbase than a western one, and has resulted in many misunderstandings or anger about Vil's character because of this.
I'm not sure if I managed to adequately explain everything, but I hope that this at least helps you to see from a different perspective!!
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One of the reasons I will never be at ease with the overall "weirdness", the underwhelming pay-offs and the unfired Chekhov's guns during the plot(s) of season 2 - until season 3 arrives and we either learn that it's because of a brilliant trick they pulled on us OR because Neil & John actually did drop the ball and couldn't get the story structure right (yeah, sure 😏) - one of those reasons is that they got Aziraphale's character arc during that season so very, very right.
It is beautiful. It is subtle. It is organic. It is like a red thread running through all the episodes.
In the very first scene we learn something about Aziraphale & Crowley that we didn't know before. And it isn't that Crowley used to be such a ray of sunshine and that what led to the Fall must have been more traumatising than he always let on (that, too, but it's not the main point). It is that Aziraphale knew a version of Crowley that was deeply, unapologetically kind, and gentle, and caring; that he was everything an angel was supposed to be; and that Aziraphale himself, before the Fall even happened, was aware of some lurking inequity and oppression which presented a danger to that sweet, innocent angel. We are shown how Aziraphale could arrive at the conclusion that whatever happened to Crowley just wasn't right. And how he might think that that was something that should be fixed.
"I know the angel you were." In Job we are reminded that Aziraphale's memory of Crowley's angel persona at least that early in their story still partly informs his image of him.
"They aren't talking to him anymore", that sounds as if Aziraphale might have actually tried.
"It's nice to tell someone about the good things you've done, now that I'm not reporting to Heaven..." Aziraphale misses it. He still does good deeds, but he misses reporting them to someone.
"You really used to be awful." Gabriel is about the worst angel he has known. But once Heaven's conditioning was taken away, even he became an absolut sweetheart. Aziraphale learned this season very impressively that angels can change.
Muriel. Innocent, enthusiastic, downright good Muriel. Whose adventures as a human copper are mirrored so perfectly in Aziraphale's attempt to pass as a "newspaper man". Aziraphale learned that even now, not ALL angels are bad. And that there are some in Heaven who are just like him, and might need his help.
When Gabriel needed his help, Aziraphale gave it, with no vindictive thought or concern for his own safety. He couldn't just not help him. And when Crowley stormed off, Aziraphale simply waited for him to come back. This mirrors both their decisions at the end of season 2, though so far without Crowley changing his mind and coming back.
It has all been layed out for us from the beginning. Which is why it baffles me so much that so many people did not seem to see it - or want to see it.
Now, Crowley's character arc!
I am not really sure about that, but so far, to me, it seems to be just as all over the place as the plot setups and his sideburns, hair length, hair colour and sunglasses during the season are.
We are shown that present-day-Crowley keeps important things from Aziraphale - he still hasn't told him about Gabriel's attitude during the attempted execution, he hasn't told him that he is living in his car, and even when Aziraphale tells him that he needs to go to Heaven, he doesn't tell him about the looming second attempt at an apocalypse - which is extremely weird, since it would have been so important for Aziraphale to know and could have influenced his final decision quite a lot. At this moment the latest you also can't explain it as an attempt to protect Aziraphale anymore, since going in blind could make things actually more dangerous for him.
He did not do this during season 1, where it was Aziraphale who kept things from him for quite a while.
But after all this aggravated not-telling-him-things all he needs is a conversation with Nina & Maggie and immediately afterwards he makes the biggest, most honest confession of his life? Really?
And then all these comments casually dropped about his former rank as angel - "How do you know I didn't do it?" / "That's not actually a thing, that's just something we used to joke about to frighten the Cherubs" / "They never change their passwords" - and all these hints about his memory - he knows how it feels to "look at where the furniture isn't", he doesn't remember or claims not to remember either Furfur or Saraquael - something just doesn't add up. It actually is like looking at where the furniture isn't.
I do want to believe that when I figure it out that I will know a lot more about what's coming in season 3. Alas, I don't think I can figure it out without knowing what is coming in season 3.
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httpknjoon · 1 month
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(re)starting over again | kth; 14
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plot | Your four-year relationship with Taehyung was going well and strong. Until he was involved in a car accident, resulting to him losing some memories. By some, it means everything that happened five years ago. Things he remember? His friends, his bakeshop, and his ex girlfriend from the past. With that, you tried to keep up, restarting over again.
words | 4.9K+
genres | fluff, angst, amnesia au
pairing | taehyung x reader, hoseok x reader
note | *cue that tiktok sound* okay, guys. we're back. did you miss us? hi! I'm back with my monthly update 💀 I already outlined everything. there are six chapters left in this series (not including the drabbles). thank you so much for patiently staying around. i appreciate y'all a lot. let me know your thoughts, enjoy reading!
main masterlist | series masterlist
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When did texting someone become so hard?
It has been exactly three days since Taehyung got to talk to you again. He offered to drive you home after your date failed to show up. You said yes. You two had a friendly conversation in his car. Like you were old friends, which you were. But were you? It’s complicated. For the first time in years, he heard your laugh and saw you smile just like in the photos he saw when cleaning up at your shared house. He remembered you waving at him with a soft smile on your lips before getting into your apartment building.
You also said you never changed your number and you would reach out. But he wants to update you about the small celebration the bakery will have later next week. He tried typing something but later erased it before he could even finish the first word. He doesn’t know what to type or how to begin a conversation. So he just typed a single character and hit the send button.
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It was past six in the evening. You were already in your PJs after a long day at work. Treating yourself with dumplings and beef fried rice from the nearest Chinese restaurant in your area, you let yourself indulge while your favorite sitcom plays on your TV screen.
“You’re not easy-going, but you’re passionate, and that’s good. And when you get upset about the little things, I think that I’m pretty good about making you feel better about that. And that’s good too. So, they can say that you’re high maintenance, but it’s okay because I like…maintaining you.”
You found yourself pursing your lips when your favorite character said that line. It was one of the quotes that stays in the back of your head almost every time. You were about to reach for the remote control to play it back again. But your phone, which you set into silent mode an hour ago, vibrated. Your eyebrows shoot up as you read who sent you a message.
From Jung Hoseok
Hi, YN. I really regret missing our date last time. Would you be willing to give me another chance with a cup of coffee this Friday? I know a great cafe around the city 🙂
The day after he failed to show up at the restaurant, you woke up to a text message from Hoseok apologizing again. You reassured him that you understood and he promised to make it up to you. You didn’t really expect anything from that and thought that he would just pass by like your past dates that Martha set up. So seeing him reaching out again was unexpected.
You smiled as you typed a reply.
To Jung Hoseok
Will there be tea? I don’t drink coffee.
You see those three dots immediately popping in, indicating that he’s typing. So you quickly typed in a follow-up message.
To Jung Hoseok
Just kidding! I’m okay with Friday. Around 5 PM?
He was quick to reply,
From Jung Hoseok
Okay. Should I pick you up?
You thought you would just feel pressured if he picked you up at your home. So you just offered an alternative.
To Jung Hoseok
We can just meet there :) Just send me the cafe’s location.
From Jung Hoseok
[location pin] 
To Jung Hoseok
Thank you! See you this Friday then.
From Jung Hoseok
See you, YN!
That’s a date for Friday, which is a few days from now. Even though he reached out again, you thought of keeping your expectations low. Because it helps avoid disappointment. You probably learned after your last dates with those guys you met before.
You continued playing the episode you were watching. Not even five minutes later, your phone vibrated again. You thought Hoseok forgot something. But immediately after reading the contact name, you froze staring at your screen.
From Aaa Love
👋
Of course, you quickly recognized who it was. Suddenly, you felt a sense of nostalgia in your head after seeing that name for a long time. Years after keeping this contact hidden on your list, you totally forgot that you never changed his contact name even after the accident. You cannot even remember when you hid his name in your list. Maybe it was one of those nights you were drunk with friends and made some decisions.
Before replying, you renamed the contact.
To Kim Taehyung
Hi, Tae 🙂
While waiting for his reply, you recalled that night. You remembered feeling good entering your apartment even though your date didn’t show up. When Jisoo asked you how it went through a video chat, you said that the date didn’t happen.
“Then, why do you look happy?” she asked that time.
That’s when you snapped out of your daze, “D-Do I?”
“Yeah, you’ve been smiling ever since we got on this call.”
“Oh…” your lips formed a thin line before speaking again. “I… I saw an old friend in the same restaurant.”
The last time you and Jisoo really talked about Taehyung was still the time she showed up unexpectedly after her wedding. You cried, she cried.
“Really? Who?”
“Taehyung.”
You wait for her reaction and you gradually see her eyes widen.
“What? What is he doing there? Did you talk?” she asked with surprise in her tone.
“Apparently, he’s doing some business here. And yes, we talked. He offered to drive me home.” you shared.
“And?”
“It was nice.”
Your simple and short answer had Jisoo simply staring at you through the screen. It was like she was studying you. You knew she had a lot to say in her head based on her quiet reaction. But then, she just said,
“Okay.”
From Kim Taehyung
Hello, YN. Just making sure I have the right number here haha
Taehyung finally replied. You let the episode play in the background as you tap on your screen,
To Kim Taehyung
I told you I didn’t change it!
From Kim Taehyung
I know, I’m sorry hehe
Just by the text, you can imagine him awkwardly laughing as he says that. Before you can reply, another text popped in.
From Kim Taehyung
Btw the celebration will be in the bakeshop. Next Saturday, 2 PM.
From Kim Taehyung
It’s a late lunch event with friends and family. We’re hoping you can come 😊
Reading that, a smile formed on your lips. With you working at school, you are usually free on weekends. 
To Kim Taehyung
Will do!
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“Can you put dinosaurs in it?”
“Of course, bud. Anything you like.”
Taehyung softly ruffled Jihoon’s hair, who remained focused on coloring his activity book. The little kid’s birthday is coming up soon and the preparations for it had begun. Since Jimin would be the one making the multi-layered birthday Jurassic-themed cake, Taehyung offered to make the cupcakes. 
A couple of toys, specifically, dinosaurs, are all over the table that Jihoon and Taehyung occupy. And ever since he arrived at the shop this morning, the kid kept talking about his favorite animal. Being the best uncle that he is, Taehyung listens while being quietly amazed by how much Jihoon knows about dinosaurs. 
“Ashley just sent a copy of the contract in our e-mail earlier. She wants us to review it first before finalizing.” Jimin spoke while placing an apple juice box on the table.
Jihoon scoots a little to accommodate his father sitting next to him. He stayed busy with his crayons. 
“Have you read it?” Jimin asked.
Taehyung shakes his head, “I haven’t. I think I left my phone on silent while doing those lemon tarts.”
“Well, I think you should read it. They put something they probably forgot to mention before.” his friend noted.
His eyebrows draw together before reaching for his phone. Taehyung immediately clicked on the file sent to him from Ashley. He carefully read word by word written in the document. He thought everything was already mentioned in their online meeting days after he went to Incheon. Until he read one of the sections of the contract.
Staffing Arrangements
The bakery agrees to temporarily assign one of its capable bakers to work at the restaurant in Incheon for four weeks, beginning on the first day of offering the pastries on the menu of the restaurant. During this time, the assigned baker will head pastry production, equip training for restaurant staff, and guarantee regular quality control. The restaurant agrees to cover the entrusted baker's salary, expenses, and even housing if demanded.
After pausing for a few seconds, Taehyung scanned his eyes all over that part again. Just to make sure he understood it right. He looked back up to Jimin, who had his arms crossed over his chest while waiting for a reaction from him.
“So?”
“This means one of us had to stay here while the other had to manage around in Incheon.”
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September is usually dry and warmer in Incheon.
After living in this part of the country for around two years now, you already got better at predicting the weather and climate. But today, your predictions were proven wrong when you had to stay under a waiting shed while the harsh raindrops poured continuously. You were too confident that you left your umbrella at home.
4:12 PM
You looked down at your phone. It has been almost thirty minutes since you stood in this shed, waiting for your usual bus to arrive. But you don’t know why there have only been two buses that passed by. You were unable to get on any of those since both were packed, considering the unexpected rainfall. You tried booking a cab but there’s nothing around your area at the moment. Your friend, Aileen already left earlier with her husband while Martha offered to drive you home but you live almost twenty minutes away from her. So, you kindly rejected her offer. Again, you were too confident that you would be able to ride the bus quickly.
Puffing your cheeks, you began dialing someone’s number. He answered after the second ring.
“Hey, Hoseok…” you greeted.
He was quick to reply, “Hi, are you on your way? I’m driving to the cafe.”
“Yeah, uhm, I’m kinda running late for our date tonight.” you chuckled awkwardly, scratching the back of your head. “I’m sorry.”
“Oh, it’s okay. Everything alright?” 
“Haha, yeah. Just waiting for a bus to stop by here the school. It’s raining like crazy today.” you mentioned.
“Yeah, it is… you know, I can pick you up if you want to.” he offered.
Your eyebrows lifted, “Really?”
“Of course, YN.”
“Okay, thank you so much!” you smiled, finally.
“No worries. I’m on my way.”
“Okay, take care,” you said before ending the call.
With your plans of getting ready pre-date at your home canceled, you sat on one of the benches in the shed and touched up yourself quickly. You reapplied your lipstick with your front camera as your mirror. You ran your hand through the stubborn flyaways of your hair before tying it into the easiest half-up, half-down hairstyle you know. You’re still in your usual work clothes, a statement T-shirt (with a friendly and maybe corny quote written on it and jeans. Originally, you would wear something cuter. But this one will do. Even though the cool breeze makes you wish you wore something warmer too.
And less than five minutes later, a black Audi stops right in front of the stop. Your legs bounced restlessly. The windows were tinted dark so you cannot really see who’s inside. But the door on the other side of the car opened and there, you recognized the man from the pictures on Martha’s phone. Almost like sunshine, his smile as he made his way to you made you smile too. Your fidgeting legs had already calmed down as he stopped in front of you.
“YN?” He asked since this was the first time you two really saw each other.
You nodded, “Hi. You’re Hoseok, right?”
Although you were at ease with his arrival, there was still an awkward tension between you two. But it tones down when you two chuckled.
“Yes, nice to meet you.” he smiled again. He quickly noticed you hugging yourself. “It’s cold. How about let’s get you inside?”
“Sounds good.” you agreed.
Joining him under his transparent umbrella, your shoulders brushed against each other, and you could feel his warmth beside you. He opened the car door for you while ensuring no raindrop would touch your skin. You mumbled a small ‘thank you’ when you finally got to sit inside. You watched as he made his way back to the driver’s side of the car.
“Are you okay? Everything’s fine?” he asked immediately.
“Yeah, thank you again for picking me up,” you replied. 
“You’re welcome,” he replied before reaching for something from the backseat. 
Your eyes widened when you saw what it was. It was like your eyes sparkled as he handed you the small bouquet of yellow tulips, tied with a matching gold ribbon. 
“I’m really sorry for missing our date last time.” he apologized, watching you appreciate the flowers.
It has been so long since you received flowers. You cannot even remember when was the last time. So you cannot help but feel this funny feeling in your stomach while you look at the flowers. Especially since yellow tulips are your favorite.
“You didn’t have to. I understand why,” you spoke, tilting your head in his direction. Your voice was small and soft.
“Still, you waited for me alone in that restaurant. I cancelled last minute… Do you love it?”
“Of course, I love yellow tulips!” you exclaimed before taking in its subtle scent.
“I’m glad. I may or may not have asked Martha for help with those.” he chuckled.
Hoseok began driving while you find it more comfortable being around him. He has this infectious smile that brings more warmth in this rainy weather. It probably helps when he’s with patients.
“How long have you been waiting there?” he asked, starting up a conversation.
“Oh, you know, like half an hour.” you sneered at yourself. You hear him gasp. You chuckled, “To be fair, it is a rainy day. I can usually find a ride easily. I just didn’t expect that it would rain today.”
“It’s usually sunny at this time of the year,” he noted.
“It is. I was already waiting for the bus when the rain poured,” you told him. 
“I thought you and Martha usually go home together?” he asked, looking from the road to you for a quick second.
“Sometimes. But I feel bad for making her drive past her house for like twenty minutes,” you revealed. 
You tried offering to pay for her gas but she declined. Although she constantly assured you that it’s fine, you feel like an inconvenience, especially after a busy day at work. You are very aware it’s a you problem. But it’s just the way it is.
You shifted in your seat, “How about you? Did you have work today?”
He nods, “Ah, yes. I got off my shift earlier this day. Then went home to see my dog before dropping her off at my sister’s.”
“Oh, you have a dog?”
“Yeah, a senior dog but Mickey’s still the family’s baby.” he chuckled. “We take turns with her. Some days, she’s with me. Or my sister’s or my parents’.”
“So, you’re originally from here in Incheon?” you asked, curious when he mentioned his family.
He shakes his head, “No, we moved here when I was in high school. I left during college. Then, came back when I began working. I like staying close to my family. And you?”
“No, I moved here from Seoul two years ago.” you shared.
“And what about your family? They stayed there?” he asked.
“Nope, I’m an only child. My parents died years ago– Please, don’t say you’re sorry. It’s fine, it’s been so long.” you chuckled when you saw how his expression changed. “But I do have my Aunty Belle. She’s around the city too. She looked after me until I left to study in SNU.”
“You went to SNU too?” Hoseok exclaimed.
You beamed, “Yes– Wait, we’re here?”
He laughed, “Yeah.”
Distracted, you didn’t notice the car arriving in front of the cafe Hoseok talked about. He told you to wait for him, leaving the car with the umbrella. He opened the car door for you and helped you with the umbrella. He does the same thing when opening the cafe’s front door for you. And when a bell clangs when the door opens, you get reminded of your favorite bakeshop back in Seoul.
“I’ll be having iced americano and a slice of carrot cake. How ‘bout you?” Hoseok turned to you as you two stood in front of the staff.
“I’ll have green tea and banana muffins,” you answered.
After ordering, you two sat on one of the empty pearly white tables and chairs near the glass window while waiting. It was a well-lit place. It has a minimalist and clean aesthetic. Hoseok sat across you, tapping his fingers along to the music playing in the background.
“So, what made you agree to do this blind date?” you asked him.
“Well, I’ve been single for the last three months and I never really tried blind dating before so I said yes when Martha told me about you,” he answered.
“Well, I hope she said nice things.” you two chuckled.
“Don't worry, she did.” He assured you. “How about you?”
“Martha had been setting me up for blind dates these past few months because I’ve been single ever since I came here in Incheon. The last dates I went to were unsuccessful so she promised that this one was gonna be great. So I agreed for the last time.” you told him.
“And so far, how is this one going?” he asked cheekily.
You pretended to think for a second, humming as you rubbed your chin. He laughed.
“It’s going great. You get plus points for my favorite flowers.” you smiled.
“Even though I didn't show up last time?”
He seemed really apologetic about that. He brought it up again for the nth time even though you already told him countless times that it’s okay.
You puffed, “Hoseok, it's fine. I really do understand. I used to work at a hospital, things can get a little spontaneous. No worries about it.”
A staff member came with your orders. She carefully placed your drinks and food on your table. You can feel your shoulders relaxing as you feel the warmth of the tea on your tongue when you take a sip from the cup.
“How was it?”
You smiled, “Nice. Perfect for a rainy day. How did you find this place? I don't think I ever reached this part of the city.”
“This is the only open cafe I see whenever I get off from my shift very late at night. I love their coffee here.” 
You nodded while taking a bite from the banana muffin you ordered. And you quickly recognized its difference from your usual banana muffin. You look at Hoseok who's enjoying his cake.
“How was it?” he asked, pointing his fork at your muffins.
“This feels a little dry and the texture’s a bit rough,” you whispered, not really wanting the nice lady at the cashier to hear you.
You don't want to be critical. But you just got used to having a soft and fluffy banana muffin or even bread with the right amount of sweetness in it.
He leaned a bit forward, mirroring you, “Really?” 
“Yeah, seems like it had a lot of flour,” you added before offering him one of the muffins.
You watched him take a bite and chew on it. After gulping it down, you wait for his opinion.
“It is dry.” he nods before putting the muffin down. “You seem to know a lot about bread. Do you bake?”
No, but I know someone who put his heart out and is a perfectionist in baking.
Instead of saying that, you shake your head.
“Oh, no. But I do love a lot of bread and pastries. I just know friends who bake back in Seoul.”
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“Oh, I’m sorry. We probably didn't get to discuss that in the meeting we had.” 
Taehyung, along with Jimin, sat at the same table since that morning. Jihoon’s mom already picked him up earlier and the shop was already sold out by 5 PM so they closed early. Now, they are just having a call with Ashley about the contract.
“So, it means that based here on the contract, you want one of us to stay there in Incheon to oversee the pastries.” Jimin clarified.
“Yes, we just want to make sure that the quality of the products will be the same as what you have there in Seoul. Also, we thought that it might be better for our crew members to personally learn about it from the baker himself.” Ashley explained through the call set in loudspeaker mode.
Jimin looked at Taehyung who nods with that. This time, Taehyung has a question.
“You said that there would be a salary?” 
“Yes. There would be a separate salary for the baker who will be staying here with us for four weeks. And since traveling from Seoul to Incheon can be a hassle, if you want to, we can also provide temporary accommodation with complete furniture. My husband runs a condominium business here so the accommodation would be on one of his buildings.”
Both of the men’s jaws dropped with that information. Their eyes were wide as they met each other's gaze. They definitely didn't expect that information from her. They were unaware of how rich she was. They just know that she runs a great restaurant in Incheon.
Jimin cleared his dry throat, “Okay, thank you for clarifying it. But we hope you can still wait before we sign the contract since me and my friend still have to talk about it.” 
“Sure, of course. Just reach out to us whatever your decision is.”
“Thank you. Have a great night.”
As soon as Jimin ended the call, the two exchanged looks.
“So?” Taehyung began.
Jimin shakes his head, “I can't. Jihoon just began going to school. You know what my co-parenting arrangements with his mom are.” 
Taehyung nods. After learning about Jihoon’s existence, Jimin wanted to make up for those years he missed. He was hands-on in everything that his son takes part in. He is also helping Jihoon’s mom in looking after him since she is currently working in a nine-to-five job.
“It's fine with me. I went on vacation there once. It's nice there. Plus, we can split the salary.” He commented. 
And he didn't really have any obligations here in Seoul. Unlike his best friend. It would be easier and better if he went. Jimin can manage the shop while taking care of Jihoon. Taehyung is flexible in working everywhere. 
“It would also be nice to stay in a new place.”
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“No, but the living finances in Seoul are really more expensive than here.”
You don't sure how long has it been since you and Hoseok arrived here in the cafe. You already finished your tea while the ice on his drink has already melted. The only muffin left was half-eaten. The plate of his carrot cake was already on your after he let you finish it when he noticed that you liked it after giving you a taste.
“It is. That's also another reason why I came back here.” Hoseok exclaimed. “I can't stand living with another careless roommate again.”
You laughed when he referenced his bad roommate experience he told you earlier. Hoseok has been funny and nice ever since he picked you up today. He talked about Mickey, his life back in Seoul, and a little bit about his family.
“But you said you stayed in Seoul after graduating, right?” he recalled.
“Yes, I did.”
“How? Did you live alone?”
“At first, I became roommates with my best friend there, who’s also a nurse. That lasted for a couple of years... Then, I moved in with the guy I was dating at the time.” You told him.
“Like in his apartment?”
You shake your head, “We bought a house.”
His jaw dropped, “You bought a house? In Seoul?!”
“Yeah, we did some research and saved up for it starting from our first anniversary. Apparently, foreclosed properties are cheap there.” You shared it like a fact.
Taehyung was the first one to bring up the idea of living together a few weeks before your anniversary. After talking about it, you two did some research and went to a lot of open houses. Then, you found out about foreclosed properties. Taehyung and you looked in about four foreclosed houses before landing on the one you called home. 
“What happened to the house after you broke up?” He asked.
You purse your lips, “He's living in it. But we agreed to talk about it soon.”
How soon is soon though?
“So it was a good breakup?”
“Yeah. I guess so.” 
The last sentence was almost a whisper by the end. You cleared your throat as if something was stuck in it. It was your turn to ask.
“How about you? How was your last relationship?”
Hoseok leaned back on his chair, crossing his arm over his chest, “It was great for the most part. We’ve been together for only one year. I actually proposed to her.”
Your eyebrows scrunched together, “Really? What happened?”
“We had a lot of misunderstandings in the last months of our relationship. It can be about everything. But mostly, she gets mad whenever I have an emergency in the hospital and I understand that. So one day, we harshly broke up during a fight before I left for work.”
“So it's a bad breakup?” 
“Yeah, a bit bitter.” He sneered. “But at least I don't share any property with her.”
It was a teasing remark to lighten up the mood. You grimaced and rolled your eyes. He laughed.
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“The lady was too kind to ask us to go,” you said as Hoseok drove.
The moment you and Hoseok realized that the rain had stopped and the sky was already dark, you two got up and left. Hoseok insisted on paying, even playfully threatening to throw your wallet away if you ever pulled it out of your pocket.
“I’m sure she doesn't mind. She gave us free cupcakes.” He replied, pointing to the box resting on your lap.
“Are you sure you don't want to take this?” you asked because he handed you the box as soon as the lady gave it.
“Yeah, just update me with your review about it. I'm interested to hear more about your thoughts.”
You bit your lip from hearing that, “Okay.”
After a few minutes of listening (and singing along) to songs that played in his stereo, you arrived in front of your building. Of course, Hoseok opened your door for you. He helped you with the bag you brought to school so you could carry the flowers and cupcakes.
“Should I help you to your apartment?” He asked while you slid your bag into your arm, struggling. 
You gave up, letting him take your bag and the cupcakes, “Okay. Come in.”
You opened the door to your building and led the way to the stairs. He assured you that he was okay as you kept on looking back at him. And when you unlocked your apartment, you turned around.
"Do you want to go inside? Water, juice, or anything to drink?” You offered before putting the things on the counter near your door.
He smiled, “It's fine, I can't stay for too long. My next shift is at nine. I just want to make sure you'll make it to your door without dropping any of those.”
You looked down at your watch, “Oh my god. It’s already past eight. You should go! I should've taken a cab.”
“YN, it's okay! It's still early.” he chuckled. “Plus, I had a really great time talking with you.”
Your stomach flutters, looking at him. You noticed the same smile you saw earlier.
“I hope this isn't the last time we'll go out.”
You nodded, “Of course. Martha did it right this time.”
“How about next weekend? Sunday?” he asked.
“Sure, I’ll be back from Seoul by then.” 
His eyebrows raised, “Really? I’m going to be in Seoul for a conference on Saturday. When are you coming there?”
“The same day! I’m going to visit some friends.”  
“Maybe we can go there in Seoul together? So you don't have to commute.” He offered.
“That sounds good!” You agreed before looking down at your watch again. “But I think you should go now. I know you still have to do stuff before going to work.”
“Okay. Let's just talk about it later.” 
“Okay. Thank you for the flowers and everything, Hoseok,” you state before leaning in to give a quick kiss on his cheek.
He smiles, “You're welcome, YN. Tonight was great.”
“Text me when you make it to the hospital. Drive safely! Good night.”  You said as he walked back.
“Good night, YN.” He waved before walking down the stairs.
You closed the door to your apartment before leaning your back on it, looking at the yellow tulips on the counter.
What a lovely night.
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taglist rules
RESTARTING OVER AGAIN TAGLIST [CLOSED]
@iamkookiesforyou @aianloveseven @hoodalmighty @taebangtanbabe @nooojaaam @hiimnothing @annenakamura @taebangtanbabe @shin-ie @prlan @starlight-night0 @teddybeartaetae @http-fayeradise​ @tannies-luv @betysotelo18 @honsoolgloss @aurorathi @paulaaa97 @satisfied18 @telepathytae @talkyoongitome @sofilsword @rengoku1missu
PERMANENT TAGLIST
@dunixxd @cixrosie @jksjx @embrace-themagic @buttvi @starbtslove @missseoulite @vanntaesworld @kenqki @imajinthis @stopeatread @seolaquotes @greyrain23 @chimchimmarie @petalsofink @jayhope88 @moonchild1 @laylasbunbunny @nikkiordonez12 @ficluvr613 @misshale21
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ystrike1 · 1 month
Text
For a Fairytale Ending - By Joowinter (7/10)
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I can only recommend this one for otome isekai fans. It won't appeal to anyone else. Its a very slow wish fulfillment fantasy with a "simpleminded" protagonist and enough cliches to fill a book. It's cute, and horrible, and the best characters are the villains. If you like the creepy/cute vibe it's passable.
Alice Estevan is a reincarnated....nope! She has The Eyes of Wisdom! She remembers her previous lives, and she can kinda see the future. The problem is her ability is too overpowered, and it takes a massive toll on her health. Alice Estevan thinks she's a twentysomething BL fan trapped inside a novel, but her brain just isn't big enough to handle her godly blessing.
She's secretly an Imperial Princess.
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Her mother is a nut tho. Karina is a former maid who managed to marry a Duke after his wife cheated on him. Alice Estevan isn't even his daughter. Karina just brought her in from a "previous relationship".
Karina is absolutely evil and a child abuser to boot. The Duke married her after his wife's betrayal because he is a thousand times worse. They are a fitting "couple" who think of power and nothing else.
Alice Estevan has to navigate around completely crazy adults to survive.
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Her doctor, Evan, is her solace. Evan eventually introduces her to his younger brother, Micheal. Both brothers have divine powers, and they help Alice Estevan heal. Without them she would have become a very bitter and illness ridden child.
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Edwin actually is the Duke's son. The previous Duchess did not cheat. He was born with black hair because Karina used expensive dark magic power to change his appearance. The Duchess also died during childbirth, because Karina was her handmaiden at the time. She was being fed multiple poisons during her pregnancy.
Edwin is locked away in a tower, and Karina abuses him with a whip.
Why is he there?
Why would the cruel Duke keep some unknown bastard from his dead wife?? Plus some unknown bastard from his second wife???
Karina thinks she's smart, and a true villainess. However, she's just a pawn.
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Karina tries to poison Alice, her own daughter, because she's a sick freak.
Micheal gets hurt instead, so Alice decides to expose the black hair trick.
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Karina is banished.
Edwin is released from his prison tower thanks to Alice, who he is now obsessed with.
The thing is...Alice isn't a genius.
How did this work out so well?
Is Alice really heading towards a happy ending, or is it all a trap?
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First things first we should establish that Edwin isn't a nice guy. He tries to kill Michael multiple times....by rotting him from the inside out with dark magic. Micheal doesn't notice though. Michael has alot of Divine Power. In another future Edwin and Michael would have been toxic lovers, but now of course Edwin loves his bastard non-blood sister.
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There's a time skip and reality starts to crack for Alice Garnet, who retook her maiden name after her mother was banished. She starts to see multiple "plots". She's supposed to be in a BL book, but nothing of the sort has happened. Reality feels organically real now that she's an adult. She starts seeing glimpses of the future that have nothing to do with the "plot" she thought she knew.
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She experiences terrifying visions about Edwin, her closest friend. He's no longer crazy in love with Micheal. He never was, and he's so gentle on the surface. She doesn't understand why she keeps seeing the castle covered in blood.
Edwin is barely holding it together.
He's pretending to be sane so Alice will play with him.
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The Duke reveals himself. He is a formidable enemy. Karina was tasked with watching over her because....you guessed it! Alice is secretly the Emperors daughter! What a shocking twist! She's a princess how original! Every member of the Imperial Family has special holy powers....that can kill them or drive them insane. The Duke has been raising Alice as a breeding horse, so he can take over the country. It's already in motion. He's currently controlling the Emperor with magic drugs.
Edwin won't move to kill his father as long as Alice is happily playing with him, but what will happen when she finds out the truth?
Her entire life has been a lie, and her powers are too much for her body. The Eyes of Wisdom made her extremely ill. She thought she was inside a book because she saw many visions while she slept. Her body is weak and frail. She's only happy because she has a few trusted friends. She doesn't even really want to be a Princess, but is she willing to use Edwin to get more freedom?
Not really.
She doesn't want to take advantage of her friends.
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fanstuffrantings · 9 months
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Things the live action one piece had that I enjoyed:
Genuinely intimidating Buggy. People forget he's actually supposed to be scarey and the choice to have the town already be decimated with him forcing the crowd to adore him is amazing. Plus his portrayal was just fun all around.
Garp chasing luffy to test him. It totally fits and it gives us a secondary antagonist throughout the season for people who don't watch the anime/read the manga to enjoy while also developing Helmeppo and Coby. It keeps their B plot while still building the main story.
Usopp and Kaya's romance. The anime already has the implication there but if anyone got a romance I'm glad it was usopp. It's a sweet one and I'm someone who hopes the anime actually ends with them as a couple.
How they adjusted bits of the characters to better fit the medium. Sanji being a natural smooth flirt, usopp being cowardly but still doing what was necessary being two of them. We have a much shorter timeline to work with and doing slight changes meant that the characters could endear themselves to the audience more smoothly.
Luffy discovering his abilities during fights. Another thing that is more helpful for new watchers.
Mihawk actually fully putting down the krieg pirates. It was disappointing we didn't fully get a sanji arc fight but the choice to show Mihawk's skill during the garp call as he easily dispatches the huge krieg pirate army was a genuinely good call.
The crew having less hostility towards each other. I'm always going to love the anime dynamic but the live action dynamics kept the core of their relationships even with the changes. Sanji seeming to adore luffy, luffy being attentive to everyone, and nami being disgruntled but not outwardly violent with them.
Alvida keeping the same actress and her weight/looke never being something lobbied as an insult against her. All insults were on her personality. Her actress is genuinely fantastic in what other things I've seen her in. If we get season 2/Loguetown I would love to see her play off Buggy more.
Syrup village being a shipbuilding town, it helps explain usopp as the original best choice for fixing the merry while also helping us understand how he'd be able to know about building weapons. And using it to then trap everyone in the mansion during the final battle, truly inspired.
The live-action was clearly cared for and I do hope we get to see more arcs though I wonder how it will work.
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nolita-fairytale · 10 months
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burn your life down | chef luca x fem!reader | chapter eight
summary: you and luca pick up where you left off a week ago.
warnings: fluff, smut (18+ only), literally just p*rn FOR the plot. big note on consent: there is protected (then sort of) unprotected sex in this chapter. the biggest point i'd like to make here is that both characters consent to both kinds and have a very open and honest conversation about it which, if you take away anything from this chapter, it's PLEASE HAVE HONEST CONVERSATIONS WITH THE PEOPLE YOU'RE SLEEPING WITH FOR EVERYONE'S SAFETY. ok rant over.
word count: 4.9k
listen to: the official 'burn your life down' playlist
a/n: another busy week ahead of me so I wanted to get this out here ASAP, but most likely won't be able to get the following chapter out for a bit. obviously, we don't know what happens w/ marcus' mom, but in this world, she doesn't die opening night of The Bear.
on another note: you guys are seriously the best and leave the sweetest and most excited comments/reblogs. i seriously love it when you guys scream at me in gifs/memes/all caps. let me know if you'd like to be added or removed from the taglist.
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part seven | masterlist | part nine
“Yeah uh, everything’s been goin’ good. I think Carm’s still trying to deal with everything that happened since opening – I don’t know if you heard but – but… it’s been good,” Marcus says over his FaceTime call with his mentor. 
“No, I hadn’t. Eh, haven’t talked to him much since before you visited,” Luca answers, hesitant to ask about what happened during that first night. 
“Got locked in the fridge and kinda lost it but… he’s doin’ okay,” Marcus explains, summing up the events of The Bear’s friends and family night. 
“How are you doing? How’s your mum?” Luca asks, changing the subject from Carmen to his mentee. 
He’s had more contact with Marcus – knows more of what’s going on in Marcus’ life than Carmen’s for a bit now – and Luca wants to make sure he’s being a good friend to him, considering he’d heard about Marcus’ mom’s emergency the night of The Bear’s friends and family night. 
“She’s hangin’ on but… it’s not lookin’ great. It’s hard, man. I’m… doin’ the best I can,” Marcus admits, solemnly. 
“I can only imagine,” Luca empathizes, because he can’t bear the thought of losing his own mum. 
“But uh… anyways, what’s up? What’s new with you?” Marcus asks, his voice much more energetic from the prospect of changing the subject. 
“You sure you want to hear about me?” Luca hesitates cautiously. 
“Yeah, man,” Marcus agrees. Luca can hear something so sure in his voice, as if Marcus is in dire need of a distraction – to talk about anything but his sick mom. “Shit. I’d love to hear about someone else’s drama for once,”
Luca chuckles softly, his voice light as he replies, “No drama on my end. Though. Ehm… I met a girl. I actually kinda have you to thank for it, mate.” 
“What do you mean?” Marcus questions. 
“Well. All that talk about inspiration…” Luca says, thinking about how what he’s just makes sense. 
“... you know, about being open to things outside the kitchen…. After you left, it made me realize that it’d be a while since I’d taken my own advice. Got stuck on a menu, went out for inspiration, and, well you know what they say: the rest is history.”
He knows it’s not as simple as that, but it seems like Marcus needs a little good news right now. 
“Oh shit! How’s that going?” Marcus asks, his tone much lighter now. 
“I’m positively chuffed, mate,” Luca chuckles, unable to hide the i’m-very-much-enamored smile that spreads across his face.
“The fuck does that even mean, man?” Marcus teases with a laugh at the oh-so-posh-sounding expression. 
Luca laughs again before explaining, “It means I'm pretty damn smitten.” 
“Shit,” Marcus sighs. 
He can see it all over his face as he continues to see his mentor. 
“You’re a goner, man.”
-------------------------------
Luca walks you home this Saturday evening after his regular dinner date at your restaurant. While you had a steady flow of business tonight, Mathilde and the rest of your kitchen staff made it a point to rally so that you could join him for a bit. It’s been a week since your unplanned sleepover with Luca (and your pleasantly surprising sexy morning after), and you haven’t stopped thinking about it. 
Haven’t stopped thinking about him:
The way he called you ‘love.’ The way he watched you fall apart with the most pleased look on his face. The way his fingers felt inside of you. 
“Luca,” you begin. 
The two of you stand across from one another, at a crossroads. The night could end here. You could say your goodbyes, give him a goodnight kiss, and go your separate ways, but that’s far from the option you’d prefer.
“Yes, love?” he asks you, as if he’s waiting for you to ask first.
There it is again. 
Love. 
Your eyes flicker from the cobblestone streets then back up to him as you the words fall out of your mouth:
“Do you… wanna come up?” 
Something flashes across Luca’s face as he opens mouth to say something, pausing for a moment before answering, as if it’s an agreement to what you’re really asking, an ever-so confident,
“Yes.” 
You smile, take a breath, then grab his hand as you turn towards the door to your building. As Luca follows you, the only sound between the two of you are your footsteps as you make your way up the stairs. The tension between you is thick, the anticipation of what happens next palpable, that takes shape as a pregnant silence. Luca is more-than-patient as you unlock your door, welcoming him into your home once again, before locking your front door behind you. He’s busy removing his shoes as you giggle, taking yours off as well. 
Once both of you are barefoot, you reach for him, pulling him towards you so that he towers over you, your back pressed against the front door once again. 
“This feels… eerily familiar,” Luca jokes softly, so close to kissing you that it hurts. 
“Yeah,” you agree, under your breath. This is exactly where he had you a week ago, before you both decided not to do the thing you were about to do. “Think you might wanna… pick up where we left off? Now that neither of us are plastered?”
Luca waits a beat, leaning in and ghosting his lips over yours, causing you to gasp in response to his teasing. 
“Do you?” he asks, his voice steady.
He wants to know that you’re sure. Wants to know that you want this as much as him. That you haven’t stopped thinking about the other day when he watched you fall apart on his fingers and how it was the most beautiful thing he’d ever seen. 
“Yes,” you answer, your voice unwavering. 
He swears under his breath before his mouth is on yours, kissing you so deeply that your head spins. You make a mental note to tell him later how absolutely perfect his lips are – how deliciously plump they are, how they feel perfect against yours, how talented they are. You kiss him back, allowing him to steal the air from your lungs as he does it, crowding you up against your front door. 
Your arms wrap around his neck, pulling him closer to you. You push your body against his, surprised at how steady his hands are, while yours feel so desperate, so frenzied, when he reaches for you. 
His hands are all over you, leaving confident, strong touches all over your body: pulling you in closer to him by your hips, stroking up and down your back, sliding underneath the hem of your shirt like he’s already done this with you a thousand times before. With his hands already underneath your shirt, exploring new territory, and his mouth leaving a trail of wet kisses down your neck, his name leaves your lips like something between a sigh and a moan. 
He hums in response, pulling back for a moment. Your heart skips as a beath, as blue eyes lock with yours in a heated, lust-filled standoff. 
“Come with me,” you whisper, causing Luca to move aside, letting you lead him towards your bedroom. 
On the way there, you flip a hallway light on so that you can at least see where you’re going. You feel his fingers tangle with yours as he grabs your hand, his heart pounding in his chest. As soon as you reach your bedroom, you sit him down on your neatly-made bed, before turning on a small, soft, golden lamp that feels like candlelight. 
It’s just enough – more of a nightlight than a lamp, really.
You approach him without a word, and Luca marvels at you. You’re a sight for sore eyes: your hair messy from the heated makeout against your front door, your lips kiss-swollen from the fact that he can barely keep his hands, let alone his mouth off of you, your pupils blow wide with desire for him and only him. You pull your shirt over your head as you climb on to his lap, wrapping your arms around his neck as you press a searing kiss to his lips. 
“My god,” he murmurs, his hands coming up to meet the newly exposed skin. You settle into his lap, pressing your hips against his, arching your back into him in response to each touch. “You are so incredibly beautiful.”
You giggle before thanking him.
“Yeah, and I know that you know you’re hot,” you tease him in between kisses, because the man must know what he looks like, right? Luca mutters something about how he wasn’t trying to solicit a compliment from you as he lays back on your bed, taking you with him.
His hands hungrily grab at exposed flesh: the sides of your back, your breasts, the straps of your bra, just to pull them down enough to think he’s going to take it off. Impatiently, you grind your hips against where a tent in his pants has begun to form, earning a moan from his lips as he bucks his hips up to meet your clothed core. 
“We should um-,” you start, already so turned on by the way Luca’s body moves against yours that you think you should bring this up sooner rather than later. “Things we should talk about….”
“Yes, my love?” Luca asks, grinding against you again. 
You moan in response, throwing your head back as you giggle, knowing that he’s teasing you – testing your patience. 
You settle down, just for a moment, both hands going to his well-toned chest. Luca’s hands still around your hips as you say:
“I have condoms. In my nightstand. And I’m also on the pill. I… just got back on it.” 
Just got back on it when you started seeing him – you know, just in case this became a thing. 
“I haven’t been tested since my yearly physical which was… almost a year ago… but I also haven’t exactly been having sex so,” you add, your eyes flickering away for just a moment before returning to Luca’s very blue ones. 
“That’s very sexy,” he smiles up at you, his hands softly stroking your hips. 
“What?” you ask with a giggle, your teeth sinking into your bottom lip as you shoot him a quizzical look. 
“This… very direct communication,” he replies with a smirk, grinding his hips back up into yours again. 
“Luca!” you squeal in response, catching yourself against him so that you don’t lose your balance. 
He grins before answering, “My last test was three months ago at my yearly physical. Clean bill of health.” He pauses before saying the next thing. 
“And I’m not seeing anyone else.”
You nod, leaning down to kiss him in understanding, “Okay.”
“Okay,” he replies, bringing you down once more for another passionate makeout. 
Luca is right. It’s an even bigger turn on, the open communication, and now that you’ve gotten that conversation out of the way, you’re ready to dive in head first to exactly where you hope this is going. Getting undressed is a sexy, dreamy blur. You’re practically tearing Luca’s shirt over his head, unable to hide the fact that your jaw is near-on the floor as you take it in the hard planes of his abdomen. He expertly removes your bra, and before you know it, he’s gotten you onto your back, and you’re kicking your pants off to the bottom of the bed. 
Luca pins both of your hands to the bed overhead with one of his hands – his fingers laced with some of yours as he holds them in place – while his other hand once again makes its way between your legs. You gasp in anticipation, unable to stop the confession that comes out of your mouth. 
“I haven’t stopped thinking about that. About you. All week,” you whisper, eager to have him touch you again. 
“That so?” Luca asks cockily, in between kisses. 
“Yes,” you gasp, squirming underneath your touch as two his fingers dance over your clothed core. 
From the wetness pooling between your legs up to your clit, the way he touches you sets off sparks all over your body. You pant, unable to think straight as Luca pulls your pantied aside, his fingertips meeting your wetness immediately. He moans in response to this discovery, his forehead pressed against yours, and you cry out when he finally gives you what you’ve been begging for, as he slips a finger into you. 
“Luca,” you sigh, like you’ve gotten the only thing that could remedy your restlessness as of late. 
Luca kisses you again, his tongue slipping into your mouth for a millionth time tonight as he begins sliding his finger in and out of you. 
“You’re so wet, love,” he coos, teasingly, into your mouth. “It’s too easy. The way my fingers slide in and out of you.” He pushes another finger into you, beginning to stretch you again at a deliciously slow pace. “You want me this much?”
And all you can do is moan, arch your back in response to the pleasure he brings you, his hand keeping both of yours above your head while he has you at his mercy. 
“So good,” you cry, as you breathe heavily. “So good. It feels-. Fuck.” 
He chuckles cruelly, breaking the kiss between you as he pulls his fingers from you. You whimper in response, impatiently, greedily. The man has you under a sexual spell and you could care less about anything else right now. 
“I already know how you feel about my fingers. Think I should give you my mouth too, hm?” he rasps, his question anything but rhetorical. 
Luca releases your hands that he’s pinned to the mattress, beginning to kiss down your jaw, your neck, your bare torso, pausing to take each of your nipples into his mouth, his tongue flickering across them like it’s a goddamn preview. 
“I need to hear you say it,” he commands, his voice quiet yet dominant. Luca pauses, his journey south, leaving hot, open mouthed kisses across your belly as he looks up at you with piercing blue eyes. 
“D’you want my mouth? Will you let me taste you?” 
“Please,” you’re too quick, too eager to respond when you’re looking down at him, looking down at the sight before you. 
Without hesitation, Luca tears your panties down your legs, impatiently tossing them behind him. He begins kissing the inside of your right thigh, alternating between soft kisses, and gentle love bites that have you squealing in delight. You let out soft moans in anticipation, sure that whatever happens next will bring you to an early grave. 
A hiss in pleasure escapes your lips as you feel the heat of his breath fan over you, but before your brain can even catch up, Luca’s licking a broad stripe up your core, parting you open for him and only him. 
You cry out, your head thrown back as he buries his face between your legs, tracing fierce abstract shapes over your clit. He moans against you, the vibrations too much as you surrender to him. He alternated between sucking and licking, and it’s not till he’s pushing two fingers back into you that your hands are grasping at the sheets, grabbing at the back of his head as your body writhes in pleasure. 
You can feel it, that spark so deep in your belly, the coil that winds itself so tightly that the only thing it can do to relieve any tension is to snap. 
“Luca. I’m gonna cum,” you beg him, a desperate whine in your voice. “Please don’t stop.” 
He doesn’t. It’s as if he couldn’t bear the thought of it – like he could never be cruel enough to deny you what you’re asking for when your voice sounds so sweet, so desperate, so on fire for him.
Using his fingers and his mouth in tandem, he’s relentless in bringing you to your climax, so determined to keep his name on your lips with every gasp, moan, and exhale.
And god, does he love the way it sounds: when you’re moaning it, when you’re begging him not to stop, when you make it sound like a symphony – like he’s just created a goddamn masterpiece. 
He’s left you breathless, and all you can do is breathe, allowing your brain to catch up with the pleasure your body has just experienced. Luca makes his way back up to you before pressing a searing kiss to your lips. You can taste yourself on his lips, and you have no intention of stopping now. 
You can feel the weight of him as he folds his body over yours. Curious hands begin to move as you become more and more interested in exploring Luca’s body. His muscles flex underneath your fingertips as a reminder of the sheer strength of the man above you. Luca groans as you cup him over his pants, before you begin to undo his pants.
“Do you… want to grab a condom?” he asks softly. 
You pause, your hands to meet his gaze with your own. 
“Uh.. yeah,” you reply. You had every intention of returning the favor, but perhaps that’s something you’ll save for tomorrow. “Let me just um….” 
You sit up, and Luca pulls back, kneeling on the bed as he finishes the job, undoing the button on his pants as you open your nightstand to grab a condom. You place the condom down on the bed next to you, before laying down, your legs spread enough so that Luca can settle between them as you watch him slide his pants and briefs down over his erection. 
Holy. Shit. 
The man’s an adonis. 
And…
Well, you know you shouldn’t be surprised. 
He’s 6’ 3” for godssake. 
But as you see his cock standing tall, hard, precum leaking from the tip, you’re glad you’ve had quite the night of foreplay so far, especially since it’s been a while since you’ve taken a lover. Instead of hesitating, you sit up just for a moment so that you can pull him over you, pulling Luca down to you for a kiss. He’s quick to respond, using one tatted hand to cradle the back of your head, deepening the kiss as he lays over you once again. 
Your right hand makes it way between you, beginning to stroke him, earning a hiss of pleasure from Luca as you wrap your hand around his thick length. He bucks into your hand and you stroke up and down his erection a few times before guiding him towards you, allowing him to use your slick as lubricant as the two of you grind against each. 
You know you should do the responsible thing, but you can’t help wondering what it would feel like too. But there’s time for that. Another time for that… 
As if he’s read your mind, Luca grabs the condom next to you, before sitting up. He carefully rips open the foil packet before tossing it somewhere on the floor, giving both hands the freedom to slide the latex over his hard on. And then he’s back on you, folding his body over yours as you make room for him between your legs, pressing the gentlest kiss to your lips. 
“You sure you want to do this?” he asks, and you think you’ll melt with how damn considerate he is. 
“Yes, baby,” you whisper back, it being the first time you’ve called him that. “Yes.” 
With your ‘yes’ Luca reaches down, pressing his thick tip against your opening, then begins to push in. You both gasp at the contact as he holds your gaze, and you feel the slightest pinch as he stretches you open. Luca caresses the side of your face, watching you for any sign, any kind of reaction that you’d want to stop. He keeps his eyes on you, pushing deeper, and then deeper, till he bottoms out.
Leaning his forehead against yours as he pauses, he’s got to focus on not cumming right then and there. 
“Fuck. You feel so fucking good,” he exhales, letting the way you feel take over him. You’re all warm, wet, pulsing heat and it feels too fucking good. 
You give yourself a moment to adjust to his size, before beginning to give him a few experimental movements, grinding your hips where the two of you are connected. Without having to say a word, Luca understands, dragging his hard length out of you at an unbearably slow pace, before pushing back into you, eliciting moans from the both of you this time. 
“Do that again,” you murmur, your eyes fluttering close and you focus on the delicious drag of his cock. 
He does it again, this time thrusting a little bit harder into you, causing you to moan a little louder this time. His mouth is back on yours as he begins to set a rhythm, thrusting in and out of you while you meet his hips with yours, rocking against him at a pace that matches. It’s as if Luca’s begun to map out your body, wanting to memorize every little thing that makes you tick, that makes you scream, causes you to grasp at any grabbable surface – the sheets, his hair, his back. 
His mouth is back on yours, swallowing your moans as he continues to fuck you. You’ve settled into a rhythm that feels just right – something that you can get completely lost in. It could be minutes, hours, days that you’ve been here, chasing mutual pleasure, wrapped up in each other’s arms like you need it to breathe. The way he moves against you is strong, yet gentle as Luca makes love to you, whispering the filthiest things into your mouth, into your ears, the soft canvas of your skin, as if he’s engraving them in stone.
You take me so well. So fucking pretty like this. My beautiful girl. 
“Luca,” you gasp, as he gives you a particularly euphoric thrust. 
“Hm?” he hums in response. 
“Let me ride you,” you request, your eyelids heavy as he stays close to you. 
“Yeah?” he asks you, one expressive eyebrow raising up. 
“Yeah,” you nod. 
Luca kisses you deeply before pausing, pulling out of you and rolling over onto his back. He thinks he’s died and gone to heaven as he watches you climb on top of him, your disheveled sex hair and desire to fuck him seem to awaken something primal in him. As you hover over him, your knees framing his hips, you line yourself up with him before taking him once again. 
Luca groans, letting his hands trace gentle patterns up and down your body – his hands smooth over your ass and caress your breasts, as calloused fingertips drag across your stomach, your shoulders, your ribcage – as if he's writing a love letter against your skin. 
“You’re so fucking beautiful,” he says, his voice low and gravelly. 
He moans, closing his eyes as you begin moving your hips over him, forward and back, beginning to ride him like you’d asked to earlier. Large hands make their way to your hips, as you continue your movements, this time leaning down to kiss him. Luca moans into your mouth as your tongues tangle together, your hips never ceasing their grind against him. 
It feels too good. 
You feel too good.
You break the kiss this time, placing your hands on Luca’s chest for leverage as you begin to speed up your pace, letting out a moan as you fuck yourself on your lover. Back arched, hair messy, and your head thrown back, you’re completely lost in the way that he feels inside of you. 
“Look at you,” Luca marvels, hands everywhere as you bring yourself closer to your second orgasm of the night. “My god, love.” 
And before you know it, Luca’s sitting up, sitting tall, wrapping one of his long arms around your torso while the other braces against the bed behind him. He’s thrusting his hips up into you, his hand moving to the small of your back to keep you in perfect harmony with him. The way he hits the back of you with each thrust, how deep he is, how good it feels has you so, so close for the second time tonight. You cry out in response to a particularly hard thrust as your body slumps, resting your forehead against Luca’s shoulder. 
You are no longer in control. It’s funny really – and sweet – that he let you think even for a second that you could be. But when he’s bouncing you up and down like this over his hard length, thrusts becoming more erratic, more chaotic, sloppier, you have no choice but to surrender to him. You hold onto his back and his shoulders for dear life as he fucks up into you and you can tell he’s close too. 
“God, you’re so good. You’re so fucking good at this,” you whine, all nerves, and explosive pleasure behind your admission. 
“I’m close. Baby, are you-?” Luca struggles to get out, the tension in his brow telling you everything you need to know. 
“Yes. Harder. Fuck. I’m gonna cum,” you sob, sure that your neighbors will send you the dirtiest or looks when you run into them in the hallway tomorrow. 
You cry out as his fingers return to your clit, rubbing hasty circles against you in an effort to take you there with him. All you can do is moan as you busy your mouth with leaving kisses and love bites against his shoulders and chest. 
It’s somehow too much and not enough all at once as your orgasm rips through you, your entire body contracting against his. You bite down on Luca’s shoulder, and you think the pain and pleasure combined is what gets him across the finish line as he fucks you through your climax. Before you can properly come down, it’s one, two, and then a third hard thrust up into you before he lets out a primal grunt, pressing your hips down hard against his. 
Luca stills inside of you, panting as the ripples of pleasure course through his body, his ears ringing from how hard he came. His eyes meet yours, and he chuckles, moving a piece of hair from your face before tucking it behind your ear. 
“Hi,” he smiles, watching you carefully. 
“How ya doin?” you ask him, teasingly. 
He shakes his head with a laugh before pulling you towards him so that he can kiss you once again. 
“I’m great,” he answers, in between kisses. 
“Me too,” you agree as your lips curl into a smile against his. You press one more kiss to his lips before pulling back. As you climb off of his lap, allowing him to slip out of you, the two of you hit the mattress like you’ve just run a marathon. 
“Come here, love,” he says, encouraging you closer to him. 
More than happy to oblige, you curl up to his side, one of your legs wrapping around his as you lay on your side. You giggle, settling into the softness of moment, pressed up against the guy that just fucked your brains out. 
“What?” he asks, in regards to your laugh. 
“I just-,” you start, before giggling again. “That was really hot.”
Luca gives you a comforting squeeze, hugging you closer to him as you relax even further into his body. 
“Yeah it was,” he agrees, a grin spreading across his lips. 
He looks over at you to see that you’re on your way to being fast asleep. You’ve closed your eyes, so perfectly tucked underneath his arm as you rest against his body. Luca places a gentle kiss on top of your head as he grins to himself again. He’s not sure what to call it – this thing he’s feeling – because it’s too soon to call it anything, but whatever it is, he knows that his friend was right: 
He’s a goner. 
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Luca doesn’t know what he did in a past life to deserve this, but as he watches you take him into your mouth, he knows he must’ve done something right. Your name escapes his lips like a prayer as you spend your morning going down on him, completely incapable of ignoring the hard-on you woke up to minutes ago.
You’d promptly pushed him onto his back before asking if you could. 
And who was he to say no?
“Shit,” he hisses, as your tongue runs over the head of his hard, leaking cock.
“Wait, just-. I don’t want to cum yet. I-,” Luca stammers out, using all of his self control not to cum in your mouth right then and there. “I want to fuck you again.” 
His words shoot straight to your core as you release him, climbing back over his body and letting him roll you onto your back. 
“Do you want me to grab a condom?” he asks you, nipping at your jaw as his fingers discover that you’re already ready for him. 
His words from last night echo in your head: 
And I’m not seeing anyone else. 
“No,” you say, immediately searching his face for some kind of negative reaction. “Is that okay?” 
He nods, one side of his mouth turns up into that crooked smile that makes your heart race. 
“Fuck,” he rasps, his head spinning as he lines himself up with your entrance, beginning to push in. 
“Of course it is, love.”
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number1villainstan · 2 months
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I just saw Dune Part 2 (2024) with some friends so here are some Thoughts i guess
I feel like on the whole these movies are trying to either downplay or cut out a lot of the misogyny/sexism in the book, although Herbert's view of gender roles is so pervasive in the book that it's hard to change without completely changing the worldbuilding (the Bene Gesserit especially) and/or certain characters and getting second-order effects that weaken or change the main plot. But they did a good job at least making it much less in-your-face and offensive than in the book. One of Chani's lines is about how "men and women are equal" in the Fremen, and while I don't really think that's supported by how the movie depicts Fremen I can see and respect where they're coming from
It's still a very male-dominated movie, but it's honestly pretty faithful to the book, and like--what are you gonna do? It's Dune. You can't exactly just genderbend Paul and get the same story, at least not when the Bene Gesserit are still what they are
wait now i'm thinking about an AU where the Kwisatz Haderach turns out to be a trans man. ideally you'd get both the canon critiques of white savior mythos/the Messiah trope and a deconstruction of the sexism and strict gender roles of the society of the Dune universe. also ideally you'd get a whole bunch of other queer characters in the same AU. you could also do an AU where the Kwisatz Haderach/a potential Kwisatz Haderach turns out to be a trans woman, or even nonbinary, but i feel like those would make for very different stories cuz AGAB/ASAB seems to matter like A Lot in the Dune universe
the movies did manage to completely get rid of the homophobic parts of the Harkonnens' characterization though. i did like that
although it was still using disability/deformity as shorthand for Ugly Evil Guy which :/
but enough about the Problematic Elements(TM) let's talk about the actual story
Chani was a lot more politically and generally assertive in the movie than I remember her being in the book, although it's been A While and she was also very much a Main Character who had thoughts and opinions and importance outside of the male characters she was affiliated with (as much as anyone can escape the political black hole that is Muad'dib but) AND! she actively advocated for Fremen self-governance in the beginning! although she didn't keep it up cuz she got sucked into the Paul black hole. this may have happened in the book it has been like two years since i read the first book and it was very disjointed reading cuz College(TM). I also liked the ending part, where it was implied that Chani was leaving, on her own, because she was angry with Paul, which implies More Character Development. (Also they didn't seem to do the Fremen polygamy/concubines thing in the movie, which was a good call, i feel like that part of the book was maybe informed by anti-Arab racism)
Jessica was incredible, of course. Love me a good ruthless woman. Her main character trait/motivation was definitely Paul's Mother but her main personality trait seems to be incredible ruthlessness. there is no madonna/whore complex to be found here no sir
(i may be wrong about that part but eh)
And of course the Harkonnen Blood reveal. the story definitely sets up Atreides as The Good Guys (fair, just, merciful, looking out for and caring about the people under their rule) and the Harkonnens as The Bad Guys (cruel, unjust, power-hungry and traitorous), which makes the reveal that Jessica and Paul have Harkonnen blood an incredible symbol of Paul's corruption arc. He goes from "I must do anything possible to avoid the holy war" (the Atreides way) to "CONQUER ARRAKIS AND ELIMINATE ANYONE WHO STANDS IN MY WAY" (the Harkonnen way) over the course of...technically years, in the book, although that wasn't super well communicated in the movie I feel--in the movie it was only months, cuz Alia hadn't been born yet by the end. And right before we see the worst of it we end up learning that Jessica, his mother, was a daughter of Baron Harkonnen. Jesus fuck.
there's definitely some Not Great elements about using ancestors/blood to determine morality but still
princess irulan was introduced! as an independent character and actor in her own right oh my god! although she still falls prey to the sexism infusing the original material
the dune books (at least the first two) are in this weird state where there are very strict and specific roles/walks of life that female characters are allowed in (domestic/family life and religion) and men dominate Everything Else and nobody every questions that, not to mention the whole thing about how apparently even the very female religion/psychic field is supposed to be dominated eventually by This One Man who can do it better than all the women, and yet all of the female characters are well-developed and feel like people. ykno aside from the complete lack of protest in being shoved into a sexist role
anyways irulan got more development than i remember from the books, i loved that, and that we got her POV too. these movies are really working to uplift and spotlight the female perspectives that were often somewhat sidelined in the books and i love that
also stilgar's (blind?) faith REALLY came through which i liked
overall, yeah, the movie was great. it's very faithful to the spirit of Dune while addressing some of its flaws/datedness--it understands what its message is and what it's saying, and the way it's constructed really hammers home the critiques of imperialism and racism the original was built on
I think this is gonna end up a trilogy, based on only the first book, and it very much seems like the third (and final?) movie is going to specifically focus on the war against the Great Houses after the Emperor falls, which iirc was kinda glossed over in the book/between Dune and Dune: Messiah. I can't wait to see what they do with it
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tippenfunkaport · 1 year
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"She-Ra is bad bisexual rep because all the bi/pan characters end up in m/f relationships!"
Not true! Perfuma is bi/pan and she ends up with Scorpia!
"Oh, well I like to headcanon Perfuma as a lesbian."
...so then you understand that's not the show's fault, right? That that's just a problem you made up in your head?
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Excuse me a second, I need to scream about this...
Because this has come up over and over (esp on Twitter and TikTok) with people who want to claim that every bi/pan SPOP character ends up in a m/f relationship... by conveniently pretending Perfuma is not canonically bi/pan herself. And every time they are asked to elaborate why they are ignoring her canon status, they give the same answer: that they consider Perfuma a lesbian because now that she's with a woman, she's "not bi anymore"
And... yeah... you know that's not how it works, right? That being bi/pan is not just a phase you get over? That a bi/pan woman dating another woman doesn't suddenly make her a lesbian any more than it makes a bi/pan person dating someone of the opposite gender magically straight?
The person you are currently dating does not change your bi/pan status. Ever. And insisting it does, especially just so you can score some points by making up an issue about a show to be mad about, is super GD harm harmful to the real bi/pan people in your life.
(This is the exact same thing The Owl House fandom does with Lumity and why Dana had to make Luz present a whole slideshow in the cartoon reminding everyone she is still very much bi even though Amity is a lesbian. TOH fans kept insisting because Luz is dating Amity now, she's a lesbian. Nope. Her and Amity can be married for a billion years and that wouldn't change Luz's orientation.)
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"But I heard that someone's roommate's cousin who worked with someone on the show once liked a fanart that showed Scorfuma with the lesbian flag so it's basically canon!"
First of all, the legend of this grows daily and I think it's really telling that this archival obsessed fandom only talks about this mythical like and yet has never been able to produce a single screenshot of it.
But for the sake of argument, let's say that this really happened and actually exists, that someone related to the show, however distantly, liked fanart once that implied Perfuma was a lesbian somehow. That still doesn't make it canon. People related to the show and even ND himself have liked and reblogged all sorts of stuff that isn't canon, including g/a, and have been very clear that the only canon is what happens within the show itself.
And, in the show, Perfuma is canonically bi/pan. We see her crushing on Bow, She-Ra, Huntara and Scorpia. The fact that people want to pretend the Bow thing never happened when he's the only character we see her actually date over the run of the show AND it's a major Season 1 plot point is wild to me and just shows the lengths people will go for bi/pan erasure.
And I get that some people enjoy using Perfuma to tell a story about comphet or coming out as a lesbian later in life and I am fully in favor of doing your thing with your headcanons in fanworks. But when it reaches the point it has now where fans are attacking other fans for saying Perfuma is bi/pan or attacking the show for not having any bi/pan character in same sex relationships when Perfuma is CANONICALLY bi/pan is ridiculous. 
Keep in mind that your headcanon is literally just something you made up in your head. It's pretend. Fun, yes, but NOT something you can use as justification to attack people over!
Especially when it's something like this that causes real world harm by perpetuating harmful stereotypes about bi/pan people being "just a phase" or a temporary state that changes based on who you date.
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blossomthepinkbunny · 2 months
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Charlie as an underdeveloped character
One thing I was genuinely dissapointed by when watching Hazbin Hotel was that they never cared to dive into Charlie's Morality more.
I feel like a lot of people can agree that Charlie felt very flat/sidelined in a show she was supposed to be the main character of and I think that that's because they ran out of Character Moments for her. Her Backstory is pretty much just infodumped at the start so there's nothing you can really explore there (except for her relationship with her parents ig but they only really brought that up and resolved it in one episode). Alastor has the mystery behind him of what his goals really are, Angel Dust has his arc about standing up to his abuser, Vaggie has her dramatic backstory reveal thing and Sir pentious gets focus as the one real guest at the hotel and with his goal to be redeemed.
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Charlie really has no conflict at all, which is weird since the whole plot is that her idea is relentlessly mocked and never succeeds until the end. But she doesn't have a personal conflict. All the issues she faces come from the ignorance of the people around her who don't support her, but never from who she is. She never has to change. They try to hint at this with her being possibly invasive and not respecting boundaries in the Angel Dust and Valentino episode. But the episode doesn't focus on her and Angel as they talk it out and she realizes how she might have to change as well (from how I remember it). It focuses on Husk and Angel's relationship instead.
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I feel like the easiest route they could've taken for her character was that of a moral dilemma. Charlie believes in second chances and being able to change demons and her opposite is Adam, who doesn't think demons should be redeemed and should just be killed instead. But it's never specified if Charlie truly believes everyone deserves a second chance or if there are restrictions to that. Adam sings a song in the first episode and explaines his reasoning for why he believes demons shouldn't be saved, which is that they had their chance to be good and didn't choose it and now they can't expect another one (I guess the real reason is that he's just an asshole who doesn't care but that's because Vivzepop can't write Villains so I'll just pretend like that's his real reason).
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The problem is that Adam is presented as fully in the wrong and I just don't agree with that. I'm not saying he's right with killing random demons of course but the show never takes the time to consider that sometimes people go to hell because they are actually terrible and have done inexcusable things. Like yeah, someone who had an addicition or a mental health problem while they were alive obviously doesn't deserve eternal suffering without any chance for redeemability, but we know that those aren't the only people that go to hell (in the pilot it's literally confirmed that real life criminals like Jeffrey Dahmer are also down there).
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The show blatanly shows us characters like Valentino who are shown to do irredeemable things and be purely evil.
My question is just if Charlie would also look at someone like Valentino and say: "Yeah they deserve to be saved and get a second chance". She obviously thinks Valentino sucks, which we see in the Episode were she meets him.
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So like, what would she have done if in the second episode someone like him stood at their door and wanted to be redeemed instead of Sir Pentious. Does she draw a line? Or would she have really heard him out? Her morality with this "everybody deserves a second chance" attitude is so underexplored even though it would have been the perfect place to develop her more. If they had confronted her with an actually tough situation, where she is presented with a truly terrible person, they could've had two interesting ways to take her character.
She could've accepted the person and with that she'd have taken her role a fully 'good' saviour for the demons. Someone who is truly without judgement, or atleast believes that there is good in everyone that just has to be brought out. Which would've also given room to think about if people like that are even inherently good, if they can 'excuse' the actions of terrible people and still want to help them. This would have made her a very extreme character in her believes, but something coherent and definitive is actually something Charlie desperately needs for her characterization.
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The other way would've had her reject the person and with that she would have to face the idea that maybe Adam isn't fully wrong. In that situation she would have found herself in a similar position to the Angels in heaven, where she basically is the one deciding over what's acceptable and what isn't. This could lead to her having a moral dilemma. Is she even a good person if she's deciding what's moral and what isn't? Can she just be okay with making exceptions to her idea to protect her people? Does she even want to view EVERY demon as her family? Or does she think there are some demons that maybe deserve death?
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I'm just really dissapointed that the show takes such an interesting idea and such a difficult topic and then just does nothing with it. What we view as bad and good and which people we judge harder than others will always depend on social norms and the situation. It's a topic with no real right and wrong answer because there are so many things to consider. But this moral grey conflict that is literally one of the MAIN CONFLICTS in Hazbin Hotel is so incredibly underwritten, that it's not even funny.
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Instead of acknowledging the difficulty of the subject Hazbin does what it does best and takes the easy route with seemingly clear right and wrong sides. This is especially stupid, since morally grey characters are supposed to be the point of the show. Like there are these demons who have done bad things and who aren't perfect, but that doesn't make them bad people. Its about revealing that a person has layers (which the writing doesn't). This is also a big point in Helluva Boss, where characters like Blitzø or Stolas who mess up repeatedly, are supposed to be shown as still having interests, aspirations, and good things to them.
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The easy route which is taken constantly in both shows however makes it so that Charlie is completely in the right and anyone who criticises her is one of the evil people who try to ruin her plan, just like Adam. Who's also such a straw man for anyone who even dares to bring any objection to Charlies ideas, because everyone who does is apparently a hypocrite who just doesn't understand her and would rather side with genocide (I wonder were Vivzepop takes her inspiration from).
Charlies writing was just really dissapointing with almost never any reflection being done on her part. She doesn't have really striking moments, discussions or ideas to her in a show she's supposed to lead. That's just an issue that comes with Vivzepop never really putting as much work into her female characters, even tough they would desperately need it.
I know that only the first season is out so far, but I highly doubt thay they'll bring up a discussion like this in s2. Especially since Adam is dead now and the Angels will probably try to work more with the demons, after Sir Pentious' redemtion and the reveal of the exterminations to them. Also the Vees, Lillith and Alastor will be more of focus from what we can assume by the ending scenes.
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I just don’t like that Viv can take interesting conflicts and write them to be completely one-dimensional and boring.
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frostbytemyrik · 4 months
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Danny Phantom Required* Watching
*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.
Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!
Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.
Pink (P) - Introduction of a side character or minor plot development.
Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.
Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.
Season 1
Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.
Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)
Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.
Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.
Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)
Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)
Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.
Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.
Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.
Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)
Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.
Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.
Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.
Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...
Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.
Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.
Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.
Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...
Season 2
Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)
Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.
Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.
Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.
Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).
Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.
Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)
Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.
Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).
Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.
Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!
Season 3
Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.
Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.
Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.
Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.
Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.
Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...
Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.
Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.
The Comics
Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.
Book 2: To be continued in 2025!
Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!
Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones
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eriexplosion · 11 days
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The thing is that the finale isn't even good outside of lack of addressing Tech. It just is bad all around. It's a bad episode that doesn't follow any of the established set up for season 3.
We started the CX subplot in season 2, and then spent 3 long episodes with CX-2 in particular. This apparently was... just to set up a big boss fight in the finale and for nothing else? We spent four whole episodes across two seasons on this and had several other set up moments! For a big shootout and nothing else?
And yes, the CX-2 is Tech implications is a big part of this. Some of them even remained in the episode. How else are we supposed to take Hemlock's line "The last time we crossed paths, you had just lost a member of your squad. And it appears history may repeat itself. CT-9904 resisted my conditioning in the past, but I've made alterations to my methods. If you all survive, you will make fine operatives." other than that he used those 'alterations' to successfully CX Tech? Literally thought that was what it was setting up before *waves hand*
The Zillo beast was used to rip open a hole in the wall so that the Hunter, Wrecker, and Crosshair can get inside. It served no other purpose and walked away.
We spent two full episodes on the m-count plot between Bad Territory and The Harbinger. This accomplishes nothing in the entire rest of the season.
We spent all season dealing with Crosshair's hand tremors, establishing they are a psychological response to trauma. So should we... emotionally deal with that trauma? NOPE. WE'RE CUTTING IT OFF. DONE.
A small thread was set up that no one is beyond redemption/help, we see Rex reaching out to a CX, we see Omega remind Crosshair that Ventress deserves the chance to change, and in the finale... NO ONE is given a chance to change other than Emerie, who already did last episode. Every CX and commando is shot down without remorse even though they're also victims of Hemlock.
In general we just have action interspersed with the scraps of what was probably a united plot at one point. There isn't even a cavalry arrives moment in The Cavalry Has Arrived. What happened here?
The thing is I can see two subplots that would have united ALL of these that almost feel like they've been scraped out and replaced with generic shooting and a generic and undefined 'and then they had a happy ending'
First there's the force sensitivity plot. This was actually set up as early as season one episode one, when Omega takes the shot at Crosshair and manages to stop him from shooting, and then elaborated on throughout when she connects easily with animals, leading up to Bad Territory and The Harbinger - where we see Ventress tame a large, angry creature through the force. So much is made of the beast taming angle.
And obviously we have a beast. The Zillo beast. Omega does not at any point interact with this giant creature to calm it down or do anything at all she just lets it loose to rip some stuff up, have some action sequences, and then walk away into the night. But these two things united would have brought all the moments of force sensitivity hints home, as well as tied in her biggest strength - her empathy and caring. Taming the zillo beast would have been the end result of her character arc and made all that set up go somewhere instead of trailing off vaguely.
And second we have the CX plot. This could have tied in the remaining dropped threads of making the CX set up matter at all, the CX-2 is Tech hinting throughout the season, Crosshair's hand tremors, and the thread of redemption and no one being beyond saving. CX-2 is Tech, reach out to him, bring him back and through that Crosshair addresses his trauma by starting to fix one of the consequences of his biggest mistake - going back to the Empire in the first place. It wouldn't fix his tremors entirely but would help reduce them, be a huge step on the path to recovery and a great note to end his arc on.
With these two subplots, instead of endless excuses for more action and grunting, everything gets pulled together for a finale that has actual emotional significance, and the thing is that all the pieces are there so what the hell happened to make absolutely none of them come together and instead it just turns into an action shoot out?
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