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#and i more watch it for the comedy than the plot anyway
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i hate that i’m consuming new media atm but i feel like i can’t say anything on here bc it has some problematic content and i’m worried i’m gonna be judged for it
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kindaeccentric · 7 months
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Why do I feel like a lot of criticism of OFMD here is widely exaggerated and it became trendy to hate on it? What happened to death of cringe?
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perenlop · 1 year
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good lord. iris and cilan’s farewell episode was worse than i remember it being
how the hell do you have padding in the FAREWELL episode
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ohsostarryeyed · 4 months
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guys i just watched episode 5 of the pjo show (ik i'm late, my brother and i watch it together and we've both been busy)
and i think it's my favorite episode so far so here's an incomplete list of things i loved about it
the percabeth hug. obviously. and grover just awkwardly breaking the silence when it went on a LIIITTLE too long? an icon fr. 🫡
the FBI looking for them. i was kinda worried they weren't gonna include that part cuz it wasn't super plot relevant but i'm so glad they did. hoping percy calls out gabe on live tv like he did in the books. that was funny as hell.
the way they just...walked down the highway? how long had they been walking when ares showed up? were they just gonna walk all the way from st. louis to LA? i have so many questions 🤨🤨
along that same vein, they way they hid behind the barrier and popped their heads up to talk to ares? peak comedy. i mean, stranger danger who? never heard of it.
skipping way ahead. annabeth geeking out at the amusement park cuz of the architecture and technology was so in character. that's my girl. 🥲🥹🙏
hephaestus's life story being told on the walls in lights was so fucking pretty. and how percy knew it all from the stories his mom told him?? 💔 breaking my heart as he spoke.
"maybe she was preparing you. so when you got to us, you'd be different than this." i'm so happy that annabeth is also a member of the stan sally jackson club. i welcome her with open arms 🫶
percy once again sacrificing himself for his friends. the way they're building up his fatal flaw is so effortless and wonderful. and then how hephaestus tries to manipulate annabeth into leaving him there by promising her glory. i really love the writers' commitment to fatal flaws as a motif in the story.
just...annabeth trying to save percy in general. got me crying fr. 😭😩 they're soulmates your honor.
"he isn't that way. he's better than that." need i say more? 🥲
also grover girlbossing ares that whole time, getting info out of him? what an icon. 💀 i feel like grover is slept on in this fandom and i won't stand for it anymore. and aryan is doing such a brilliant job. a hero among men. 🫡
also i was not expecting to actually see hephaestus but i kinda love how they're including more gods? idk i just think it's fun seeing the interactions and all their personalities.🙃
anyway, there's so much more i could write but that's what i could think of off the top of my head.
i can't way for next tuesday. i'm gonna be so insufferable after the lotus episode. if we get a subtle nico and bianca cameo i'm gonna lose it.
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I was just rewatching crack videos of Sherlock and while I love Sherlock, really, it just sort of hit me again. like. how much more Good Omens means to me. you know?
in good omens the two main characters are in one of the healthiest relationships I've ever seen, while it's a comedy none of the characters are just caricatures for the bit, there's so much genuine representation that's integral to the storyline, the women aren't 'defanged' (as I remember one critic of Sherlock saying, accurately, I think, because most of the women in Sherlock end up losing their agency or being outwitted by Sherlock, especially Irene who in ACD's canon outwitted Sherlock), the queerness is just so understated and real.
and I could go on and on and on. how the second season doesn't try to blow up the first season in terms of scale, which shows so often do, but instead retains its spirit and does what it does well rather than becoming some heavily action-driven mess. it's a story with so much heart and plot and character and everything.
ANYWAY WE ALL KNOW I ADORE GOOD OMENS, I'M THE BLOODY MASCOT OF THE FANDOM, BUT I JUST WANTED TO SAY IT AGAIN. HOW MUCH THE SHOW MEANS TO ME. HOW BEAUTIFUL AND LOVELY BOTH AZIRAPHALE AND CROWLEY'S ROMANCE AND FRIENDSHIP ARE. HOW DISTINCTIVE THE STYLE OF THE SHOW IS. HOW LOVELY THE SIDE CHARACTERS ARE. HOW QUEER IT ALL IS. THE WRITING THE ACTING THE DIRECTION THE STORY THE EVERYTHING.
It's just so rare that I can watch something and not have to wince and think ah, yeah, that bit, that's oof, but overall I love it. Instead when I watch Good Omens I'm always like AH YEAH THAT BIT OH MY GOD I LOVE IT SO MUCH.
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the-monkey-ruler · 2 months
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Which translation/adaptation of JTTW is best for beginners? Besides maybe Dragon Ball (doubt it counts)
Heh yeah I mean it’s a great anime but I don’t think you would have a good Xiyouji experience per se. Usually, I see Dragon Ball used as a gateway for people to THEN read/watch Xiyouji content but like it doesn’t really have much Xiyouji plot wise even if the characters are homages.
I would say that if you want an ACCURATE Xiyouji experience then you can choose between three shows. That being the classic 1986 which is many people's first Xiyouji experience as the cast is so iconic you see these designs in dozens of movies and their influence in future performances. The second is more family-friendly but still one of the most charming and fairly accurate portrayals is the 1999 Xiyouji animation, I would say far more younger people's first piece of media and without a doubt the best Xiyouji animation series thus far personally. That last I would suggest is 2011 Xiyouji series which is one of the more newer shows and I would say I would that if you want more modern effects and humor than this might be a preferance to the 1986 version. They both have their own charm but just depends on what you are looking for!
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Now while these are the most accurate there are some Xiyouji media I would still recommend even if they take far more liberties.
This without a doubt being the 1996 tv series. This is portrayed as more of a drama but between the characters and the pure HEART AND LOVE that is in this show that you will be falling in love with the characters. It vaguely follows the Xiyouji monster of the weak formula but taking far more time to humanize each enemy and having our main cast overcome not only physical obstacles but also their own emotional obstacles as well. Fantastic show. Another is Chinese Odessey (please note this is a two part movie)! This does NOT follow the journey at all instead more of an introspective of the character Wukong. This is more of comedy but this is a cult classic as one of the first romance films with Wukong to show him as more of a complex hero which was a deviation from how he was portrayed in media for years as this point. This movie is silly but it is actually very heartfelt and makes you feel for these characters's plights. If you don't know Xiyouji I would say you will be confused, but you can fall in love with these characters anyway! Whil I can't suggest Dragon Ball I can suggest another Son Goku from My Son Goku! This is a Japanese production but the animation is so fluid and the characters are not only charming but there are some heart reaching scenes in this very cute art style! I would say give this a watch if you enjoy anime but also can appreciate angst even in a cute style.
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If you are looking for more just great Xiyouji movies that you can pop in and a fantastic one is the 2015 Hero is Back! This was the Wukong come back animation-wise since 1999 and a lot of people first Wukong in the big screens! Does take liberties story wise as we don't see Sha Wujing or any of the journey really, but the HEART and soul of Sun Wukong is there. Another great one is just watching the first and classic 1961 Havoc in Heaven! This was the staple of Wukong iconics for decades and even now you see this Wukong in commercials! This is just a beautiful art style and without a doubt charming and feel good vibes. This one is surprising but actually Nezha Reborn where Sun Wukong actually makes a cameo appearance, but I hear so many people got into Xiyouji just cause how much they love him. So while it's not Xiyouji I would say give it a watch if you are a die hard Sun Wukong fan.
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There is also Monkey King Reborn which while less known I still think is wonderfully popular and shows both great animation and also how all three characters of Wukong, Bajie, and Wujing interact in a movie. There is also Monkey King 2 which I know that usually I would say which the first movie but honestly the second movie is my personal fav. You don't miss much without watching the first as the second starts right at the begging of the journey and we are introduced to some of the best designs for these characters in my opinion. This last one is kinda of a hit-or-miss but Conquering the Demon! This one follows Sanzang as a demon hunter in a loosely based story of him finding his disciples, each more monstrous than the last in a dark-comedy! If you enjoy Stephen Chow films then you know what kind of humor you are going to get but it is new take on Xiyouji films in a unique but still entertaining manner! They really make you feel for Sanzang as a character and one of the best humanizations of him really as a man still learning about the world himself.
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There some other that are great but I would suggest more on a second watch or if you know the story more! Saiyuki / The Great Alakazam was the first eng dub saiyuki piece of media that came to the USA and still had a lasting influence with the beloved character Rinrin! There is also Monkey King 2009 that only looks at the story BEFORE the journey, adding so many elements to Wukong's childhood and his relationship with the Six Eared Macaque. I would also suggest the Monkey King Netflix Movie as while it is fast-paced it really makes you understand how dangerous but also how complex Sun Wukong is. I think it was a charming movie so give it a watch!. Last is Immortal Demon Slayer! This movie was based on a web novel that was extremely popular in the early 2000s which was based off Chinese Odessey funny enough! This is a movie I would suggest if you know Xiyouji already but it such a tragedy I have to share if you love angst.
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If anyone wants to share their what was their first Xiyouji or their favorite Xioyuji please let me know!
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blue-grama · 2 months
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The Sign finale probably should have disappointed me, but... didn't?
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It's been a heck of a run lately with Thai BLs that haven't quite stuck the landing, and it's got me pondering why The Sign worked for me despite sometimes feeling like a storyboard for a longer, better show.
I don't think they pulled off the emotional payoff they needed, despite that last reunion scene being so pretty and well-acted, simply because too much happened offscreen, from Khem's recovery from a gunshot wound to the entire multlifetime Tharn/Chalothon dynamic getting resolved without us seeing any of it. But somehow I wasn't that mad about it? And ultimately I think it's because this show did so many things well and so many things I'd love to see more of that I'm just like, yep, I enjoyed that ride sirs, please show me something this gorgeous again. In that sense it's joining something like Manner of Death or Kinnporsche where it's like, plot holes? Yes. Bizarre tonal shifts? Absolutely. Occasionally insane writing choices? Uh-huh. Love it anyway? You betcha. So here's what really, really worked for me:
Premise
I am always going to be onboard with QL that isn't solely coming-of-age or coming out. I'm not against those stories, of course, but give me gay romance with adult characters who know themselves and are doing adult things. I'm also a partisan for romances with high external stakes, so the mixture of crime and reincarnation was catnip to me.
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Do I care that none of this training makes any sense? No.
2. Setting
Listen. Is The Sign the reason I have a document on my laptop titled "Imaginary trip to Thailand without ever seeing a beach?" Not exactly. But it's also not not the reason.
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I am being willingly manipulated by the Thai Tourism Authority.
Kidding, kidding, but I do love when my Thai shows feel Thai or my Korean shows feel Korean, etc etc. I want to be driven to Wikipedia to learn more! Half the fun of watching stuff from not your own country.
3. Chemistry
I think @biochemjess covered what was underwritten about the romance in The Sign. Billy and Babe carried it on their backs and it was hard to dislike their romance, even when the series skipped over key beats.
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Any time the pink lighting came out, you were gonna be in for a good time.
4. The camerawork
I don't know enough about film to speak intelligently about this, but the camerawork and aesthetics of this show were just so lovely to watch. It was really doing a lot. @chaos0pikachu wrote about it better than I ever could.
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LOVED THIS. LOVED IT. So good.
We had some really lovely storytelling and visual parallels, too, like the first episode and finale both having a big action warehouse scene, or the multiple times that Phaya and Tharn ended up overlooking the Mekong river.
5. It was always kinda off the rails
I know some people felt this show started out with a strong premise and didn't live up to it, but I gotta say, I didn't have that experience. It was always kinda a bonkers watch for me. There were long training montages, random bodies in the shallows, missing genitals, extended performance art, that comedy flashback to Khem and Thongthai's college years... I never knew what I was going to get each Saturday. And I kind of loved that? I'm into unhinged. I was comparing this in my head to Last Twilight, which did disappoint me in the end, and I think it's because Last Twilight was NOT always bonkers and DID set itself up to tell a straighforward story, then dropped the ideas it had been juggling in the last episode. The Sign always felt chaotic to me, so a chaotic ending was par for the course. This is where I'd compare it to KinnPorsche, which had the weirdest fucking ending, but like, okay??? Why not!
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End result? I see the flaws, but I'm giving this show tender forehead kisses anyway. Here's hoping for more like it.
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rubra-wav · 15 days
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Hey. Uh, I hope it’s alright if I ask for Adam x GN!Reader? I know he’s not on your characters I’ll write for list but he’s also not crossed out, so
Anyway, could I get a fic of Adam and reader just spending the night together? The only thing I’ll specify is that they live seperately, so either reader or Adam visited each other. And they fall asleep in each other’s arms at the end
Thank you. Hope you have fun writing this one :]
Adam x reader : 'Sleepover Shenanigans'
A/N Yeah, if a character isn't listed I'll write them as long as they aren't in the 'I won't write' section 🙏
I imagine they're watching an Adam Sandler movie even tho that logically doesn't make sense (those would not go to heaven)/hj
CW: SFW, gn!reader, romantic? Ish could be read as either or, reader is also an angel (not an exorcist tho, a winner), fluff with a hint of underlying angst
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You sat down waiting for Adam to come back into the loungeroom, laying back into the plush sofa and passively listening to the sound of him cheering as whatever he was making in the kitchen clearly was a success.
You snickered lightly at the sound of him clattering around and quietly talking to himself the whole way, saying things you couldn't quite hear properly.
Although as an angel Adam shouldn't have been working overtime, he sure had been.
He'd barely swung into your workplace to talk shit like he usually did about everything and everyone to you for the past fortnight.
Although most other winners would be absolutely thrilled that they didn't have to deal with Adam, you didn't feel the same.
He was an asshole, sure. Loud, obnoxious, and overly hard-headed at times, but it was entertaining as hell ironically being around him.
So, needless to say, when he'd ended up inviting you back to his place to hang out after finally coming to your store again as an apology for 'probably bumming you out because it was so boring without him', you'd of course said yes.
You looked up as Adam walked through the doorway finally, holding a giant bowl of nachos and chewing loudly while giving you a thumbs up as he put the bowl on the table.
He clicked his fingers, pointing finger guns at you with a grin. "Let's get this shit on the road." You nodded, scooting to the side a bit as he sat down next to you.
Adam slung his arm lazily over the back of the lounge where you sat back, one of his wings' feathers grazing your arm softly where it was folded at his side.
Through the whole movie, Adam and you just talked about how bad the movie was as it was playing, making jokes and snickering.
It turned out that Adam's taste lay in b grade comedy movies that were so bad in plot it was funnier than the actual comedy within.
The constant unending running commentary from Adam, however, slowed down and, almost by the end of the film, had stopped completely.
You'd hardly noticed that Adam had been leaning up against you more and more as the movie progressed, the arm around the back of the lounge coming to actually wrap around the back of your neck as he pressed his cheek against your shoulder.
Something stupid happened on screen, and you snorted. "What the actual hell was-" You stopped as you turned to Adam, seeing that he was now dead asleep.
Apparently, the overtime had caught up with him. You hadn't much noticed the bags under his eyes when he'd taken off his mask upon greeting you, but you could see them now on his peacefully sleeping face.
You yawned as you turned to look back at the still playing movie, tears beading at the corners of your eyes. Your own sleepiness you'd been shrugging off had hit into you as if brought on seeing him passed out next to you.
It was pretty late.
You figured it would be best if you turned off the movie and got to the hastily set up space on the other lounge you had dubbed as the spot you were sleeping tonight after getting here. Although where you were was comfortable now, it absolutely would not be by the morning.
You picked up the remote from beside Adam, carefully moving to pull yourself out of his grasp in an attempt to not wake him up - only to promptly be pulled even closer to him.
Adam mumbled nonsense in his sleep, pressing his face into your neck before settling again.
Huh.
You hummed as you once again moved to remove the first man from around you, this time watching said man's yellow eyes crack open tiredly.
"Don't... go. Just stay here.. with.." He mumbled, still obviously half asleep. There was something somewhat sad in his tone as he said it. Something you had never really heard before.
You didn't get a chance to really think about it as you were picked up and then pressed against Adam, laying on top of his chest as he laid back across the lounge.
Strong arms wrapped around you tightly, barring you from leaving as he quickly fell back to sleep under you, all too comforted by your weight on top of him.
You slowly relaxed against him as you realised you weren't getting up again. Not that you much cared to move. He was actually extremely comfortable to lay on.
You pressed your cheek up against his chest, ear above his steadily beating heart, closing your eyes and allowing it to lull you to sleep.
You heard the sound of his wings coming to wrap around you as well, the softness of his golden feathers tickling your skin and adding an extra layer of warmth to the embrace encapsulating you.
He'd surely play it off as you wanting to cuddle him tomorrow, but that didn't much bother you as you drifted off, feeling much more secure and safe than you usually did.
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This had me thinking a lot more about Adam than I have been, and it's probably enough to make a whole headcanon post for him tbh.
I am also SO sorry for how long it's been taking for me to get to stuff bruh, life has been putting me through the ringer a bit lately/lh
Masterlist
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volleypearlfan · 1 year
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On Cringe Culture, Kids' Shows, and Elitism
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i'M nOt rEaDiNg aLl tHaT" Ok, scroll down for the TL:DR. (Also on SpaceHey and Blogspot)
The now ex-CEO of Disney, Bob Chapek, has stated the animation is only for children. Never mind that this is the same company that owns The Simpsons, and was founded by a guy who said, and I quote "You're dead if you aim only for kids. Adults are only kids grown up, anyway."
Naturally, this has caused universal backlash within the animation community, with many people defending animation as a medium for everyone, not just kids. However, the animation community was also mocked by outsiders for using kids' shows, such as Gravity Falls, to prove that animation is for everyone. In fact, the animation community (more specifically the western animation community) has always been cruelly harassed by outsiders for watching cartoons, especially ones aimed at children.
There is nothing wrong with watching children's shows AT ALL. Watching kids' shows doesn't make you immature, a pedophile, or whatever bullshit that outsiders want to spew. Remember the Walt Disney quote above; many kids' shows are designed to be appealing to multiple audiences, including adults. Kids' shows with adult appeal (or ones that don't annoy the living daylights out of parents, or are legitimately good for kids) are more likely to be praised and recommended by said parents than, say, Cocomelon.
However, because of the stigma attached to kids' shows, many animation fans feel the need to hate on/ignore slice-of-life or comedy cartoons, while only praising plot-driven or "dark" ones like Gravity Falls, The Owl House, and Avatar, and say that they are "not for kids." Again, there is NOTHING wrong with liking kids' shows (these shows do feel more YA-ish though, but that's another subject for another blog). All three of these shows are very high quality, and you don't need to justify your enjoyment of them to outsiders. The constant prioritization of dramatic cartoons over lighthearted ones in the cartoon fandom creates a sense of snobby elitism, and leads to...
...fans of lighthearted shows like Big City Greens and My Little Pony: Friendship is Magic being bullied for liking said shows because they are "childish." Which, in turn, leads to fans of lighthearted kids' shows trying to make their shows seem dark in order to make the elitists like them. Back in the day, many bronies made dark fan works based on MLP such as "Cupcakes," "Smile HD," and "Rainbow Factory" and put them out in public with no age restriction, resulting in a bunch of traumatized children. The bronies also acted like they were the target audience and not children.
Apart from the bronies' fan works, MLP also suffered from exaggerated darkness on TV Tropes subpages. Speaking of TV Tropes, there was a very infamous incident regarding the kids' show "Ready Jet Go!" Aside from the stigma surrounding general kids' programs, you also have the stigma attached to preschool shows that they are dumb and for babies (never mind that babies/infants are too young to watch TV, and if they watch it before they turn 2, it would really hurt their brain. Look up the Baby Einstein controversy for more info), especially with GoAnimate users making it hip to hate on Dora and Barney. Not every preschool/elementary show is the same as Cocomelon. There are many high-quality programs for the little ones such as Arthur, Cyberchase, Sesame Street, Bluey, Mister Rogers, VeggieTales, Oswald, Blue's Clues, LazyTown, Bear in the Big Blue House, and WordGirl. Can you really blame fans for liking them when they’re just so good?
With all this in mind, someone once made a Nightmare Fuel page for Ready Jet Go on TV Tropes in order to make it more popular, because the user felt alone in liking the show and it was a big comfort for them. They also cited the snobbery of the cartoon community as a reason for their making the page on the Nightmare Fuel cleanup thread. The page was eventually deleted because it was mocked cruelly by 4chan. It didn't make the show more popular, it gave it a bad reputation.
The user shouldn't have to had made that stupid page with examples exaggerating the show's supposed scariness. If it weren't for the cartoon community being a bunch of elitists, as well as the kids/preschool show stigma, this wouldn't have happened. The sad part is, even though the page is long gone, the page STILL gets brought up by RJG haters to mock the show, its' fans, and TV Tropes for "pissing their pants over Ready Jet Go" which is beating a dead horse at this point. Seriously, make like Elsa and LET IT GO. Please stop bringing it up, and if you’re reading this blog, please don’t look it up. Please have sympathy for Ready Jet Go fans. We’re actually a very nice fandom.
The 4chan bullying also ties into cringe culture. On sites such as DeviantArt, Instagram, Twitter, YouTube, Reddit, and 4chan, many people are considered "cringe" and cyberbullied for "crimes" like making a colorful character or watching cartoons. The cyberbullies in question are just a bunch of pathetic lowlives who bully people for being happy, because they think that bullying happy people will make them feel better about their disgusting selves.
As noted here, cringe culture affects autistic people the most. Autistic people tend to get really passionate about their favorite things, or "special interests," and like to talk about them all the time and make their own characters. But according to some unwritten rule of society, your OCs have to be as deep as Shakespeare, and you're not allowed to like 'childish' things even a little bit. (I think it's worth mentioning that the Nightmare Fuel person was autistic themselves). Many proponents of cringe culture participate in concern trolling, acting like they don't want so-called "cringe" people to be bullied and want them to be good artists/writers. Cringe culture doesn't make people become better creators, it makes them become boring creators and repressing their true passions.
Every autistic person is different, which is why it's called the autism spectrum. However, it is true that a lot of autistic people enjoy children's media, likely because of how calming and simple they tend to be. For example, Thomas the Tank Engine is very popular with autistics because the engines' emotions are easy to tell, and the show has a chill atmosphere (by the way, the Thomas fandom is a frequent victim of cringe culture). Plus, it legitimately has Tolkien-level lore dating back to the 1940s. I'm not even kidding, look up "The Island of Sodor: Its People, History and Railways." It always pisses me off when outsiders act surprised that "tHOmAs tHe tRaIn hAs A fAnDoM?!?1!" It's based on a book series that's existed since 1945, of fucking course it has a fandom, dumbass.
TL;DR - 'Animation is for everyone' and 'it's okay to like kids' cartoons/lighthearted cartoons' are statements that can and should co-exist. Also, autistic people can like whatever they want and those who harass them are the scum of the earth.
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starlostastronaut · 4 months
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DAY 18 | IN THIS WORLD
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PAIRING: lee felix x reader
GENRE: fluff
WC: 0.96k
CW: nothing
PROMPT: cuddling session
sleepy fluff with lixie coming your way! this is the last one for today bc i do need to actually sleep lol (tho its after midnight rn so first post of today technically?). this is just very soft and fluff, no real plot happening here. enjoy reading <3
title from as it was - harry styles
general masterlist here
<< previous | mctc masterlist | next >>
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When you came home from work, the only thing on your mind was going to bed. Your shift ran later than expected due to some problems that needed to be fixed, and by the time you were finally allowed to head home, you were completely exhausted. You went through routine tasks such as putting away your keys and hanging your coat almost blindly, not wanting to be bothered to turn on the lights. However, it wasn't really dark in the apartment, as you soon realized. And there was sound coming from the living room.
Carefully, you walked to the source of the light and noise, all your tiredness replaced by caution, because what if that was an intruder? Your anxiety was soon alleviated by the fact that the sound was from your TV. What burglar would watch a movie, right? As you peaked inside the living room, you saw someone you would never expect here at this hour.
Lee Felix was sprawled over your couch, a half-empty bowl of popcorn laying next to him, and on the TV was playing a rerun of some comedy show. You shook your head, suppressing a laugh. When you gave him the key, it was so he could come meet you when he had time, because dating an idol was a time management nightmare. But now it seemed Felix used it to run away from the dorm and help himself to whichever snacks and entertainment your apartment provided.
He must have heard you, because he raised his head and waved at you to greet you. It was pointless to hide halfway in the hallway, so you headed to him. Felix immediately scooted over, making room for you on the couch.
As soon as you sat down, his arms enveloped you in a hug, with Felix pressing his nose into your hair and inhaling the familiar scent. You felt the faint touches of his lips soon, as well as the exhaustion creeping its way back into your body. You let yourself melt further into his arms, your body going completely limp against his. He answered with a content hum and a stronger hold on you. Felix adjusted his position slightly, so you would be more comfortable laying down.
“What are you doing here anyway? Don't you have an early schedule tomorrow?” you asked sleepily. Almost immediately after relaxing in the hug, you wanted to sleep. Felix was just a very comfortable and warm pillow that made you feel secure and loved. And paired with how tired you felt, it was the perfect recipe for a quick journey to dreamland. But you didn't want to sleep yet, not with Felix here.
Lately, you haven't seen him much, given how busy his schedule was towards the end of the year. A few times you woke up to Felix lying in bed with you, only to have a rushed breakfast because you both needed to work. But now that he was here, none of you were unconscious, and you were determined to make the most of it.
“I do, but I missed you,” Felix said. His head found its place on your shoulder, and he was now lazily mouthing at a spot on your neck. There wasn't anything sexual behind it; he just liked feeling close to you. It was a way for Felix to show you how much he loved you. “I wanted to come see you. It's been so long since we had time for each other,” he confessed with a sad undertone in his voice. You didn’t say anything, but he knew you felt the same. You missed him too, but it didn't need to be said out loud. Felix knew.
You snuggled further into his chest. "Well, now you're here, and I'm not letting you go anywhere,” you decided. Your gaze fell on the TV. Much to your dismay, you had to untangle yourself from him in order to get the remote. Your action was met with a soft whine from Felix, soon replaced by a happy sigh as you settled yourself back into his arms, now in possession of the remote. You lazily switched through the channels until you found a half-decent movie to watch. It was the most passable compensation for the fact that you both should be in bed and sleeping. Staying on the couch and slowly dozing off when the movie became boring was just another way of resting together, you thought.
When you woke up in the morning, it was to Felix's alarm that was blasting through the apartment at a volume that, in your opinion, not even an emergency siren would. Startled and confused, you opened your eyes to find yourself in the living room, with a certain idol wrapped around like a koala. How you managed not to fall off the couch while you slept was beyond your understanding. Some higher being probably decided to take mercy on you.
“Lix, baby, wake up.” You gently nudged him, but all you got was a groan in response and Felix pressing himself even closer to you. With a laugh, you tried again, and eventually you managed to get him awake enough to function like a normal human being.
While you were in the kitchen preparing breakfast a few minutes later, Felix came to join you, already changed into new clothes and ready for the day. He hugged you from behind, just like last night, still not quite ready to give up the peaceful atmosphere. With a smile on your face, you let Felix hang off of you as you prepared the food. These stolen moments were all you had for now, but a break in his schedule was coming, which meant moments like these were only going to get more frequent.
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taglist: @stayconnecteed @saintriots @vivioluh @ivaneedssleep @jazziwritesthings @darkypooo
©starlostastronaut 2023 | do not repost/translate my work without permission
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neko-loogi · 10 months
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Okay.. so, episode 5 of season 2 from Helluva Boss just came out. I watched it and honestly I have so many mixed feelings about it. I don't even know how to explain it-
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So starting off, we have Blitzo running around doing who knows what, asking random people for his sister Barbie. Which is like the sub plot of the story (that later turns out to be relevant sort of). And since he's "soo busy" focusing on that he completely ignores a client and lets Moxxie be in charge for once.
Since this is Moxxie's first time being in charge, he's all like "Oh, this has to be perfect, nothing can go wrong blah blah" and it's honestly like the stupidest thing ever. Because Moxxie instead of focusing on killing the target (which Millie already knows who it is and tells him) he just does a bunch of dumb shit to show off to random preteens at a summer camp. This is the part where we see him dressing up as a girl, and I fucking hated this part.
I physically couldn't stop cringing while watching the episode, every time Moxxie was on screen with his girl outfit. I feel so bad for Richard Horvitz having to make a really stereotypical Lumpy Space Princess sounding ass voice to make Moxxie sound like a popular girl- it was unbearable to listen to.
Moving on, I kinda like how the episode was a bit more focused on Millie, that's like the only thing that I liked about the episode, so I'll give it that. However, I don't like how Moxxie is still the punching bag of the series so yeah, it feels weird that he's all whiny and jealous of his own wife because she's getting more attention than him. I dunno, it feels off. Also I think it's really stupid that they spend an ENTIRE FUCKING WEEK trying to kill some guy, all because Moxxie is too self centered that he doesn't focus on that.
At the end it turns out that one of the camp counselors was selling drugs with a random lady and that random lady turned out to be Barbie (aka Blitzo's sister). Yeah and also Blitzo shows up to the human world and we get a glimpse of Asmodeian crystal or whatever you call them, so there's that.
Anyway, can I just point out how fucking ugly Barbie's human disguise is? (I honestly hope Blitzo and the others don't look as bad as her in the future-)
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I swear her design looks so off to me, I don't know if it's the fact that her hands are really big (which makes no sense because this is her human version, so I don't understand why they gave her weird imp hands). Or the fact that her human disguise has those markings on her arms, including the stupid forehead crest, that could've been replaced with birthmarks or hell, tattoos even. The pigtails don't really suit her either, she could've had a better hairstyle.
I also really dislike her voice, no offense but she sounds like a Texas lady that smokes like 40 cigarettes at a New York bar.
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I never really liked her design to begin with but this episode made me hate it more. Not only that but the implied that she's a groomer in the episode which is gross-
Anyway, the episode ends with a really unfunny and unnecessary incest joke (seriously this entire episode has really disgusting "jokes" that aren't funny in the slightest).
Overall, I didn't enjoy this episode and I hope Vivzie's hardcore fans realize that her writing is absolute garbage and her comedy ain't shit-
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sigridstumb · 4 months
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Get out of my own way
There's a phrase that is new-ish to therapy models, one that I look at entirely askance because what is now termed "pathological demand avoidance" is what I have spent my life knowing as "self-sabotaging dumbass." In most of my life, I manage to avoid being a self-sabotaging dumbass. But in one area, that of cultural trends, it sometimes sets in. Usually to my loss and detriment.
It's just that, when I am barraged with a whole bunch of people all loving a thing at the same time (Tumblr amplifies this a LOT) it *irritates* me. This is asinine, and it makes ME the asshole were I to voice it, because oh my god, Sigrid, people love what they love! Do not squash joy in this parlous existence! But internally I resolve to never watch or read or listen to the thing in question.
Why? I dunno, because sometimes I am a self-sabotaging dumbass!
At any rate, after months of being vaguely irritated with the INTENSE love people have for Dimension 20 (it's not you! It's me! I have a problem! You go on and keep loving the shit out of what you love!) I finally saw a TikTok clip of the show Game Changer. And Brennan Lee Mulligan was hilarious and brilliant.
So, I sought out the show, Game Changer. Spouse and I both really enjoy it, and agree that Brennan is our favorite. I figure out that to watch more episodes, I should subscribe to Dropout.tv. I do, and suddenly realize that Brennan Lee Mulligan is that guy from Dimension 20 that everyone loses their goddamn minds over.
Oh. Oh!
I, with a sense of letting down some internal moral code and a pervasive feeling that I am doing something shameful, watch the first episode of Dimension 20: Fantasy High. It is, as literally everyone (not literally, obviously) already knows, very very good.
I am hooked! I have become One Of Those People! And, Sigrid, the only thing keeping you from enjoying this all along was your own self-sabotaging dumbassery!! Argh!!
ANYWAY.
For those of you who do not know, you are one of Today's Lucky 10,000.
Firstly, Dropout.tv is a comedy troupe formed out of the wreckage of College Humor when it imploded. There is a core group of, I'm not sure, 12-20 people, and they invite guests. The group does a variety of different web tv shows, some of them game shows, some skit comedy, and a great deal of table-top role playing game based improvisational theater. The members are actors, impressionists, writers, voice actors, musicians, and very skilled improv comedians.
Dimension 20 is the umbrella name for the 30-ish different TTRPG campaigns they have filmed. They play in different genres, there are a handful of GMs (though Brennan does a LOT of them,) and the player group composition shifts around a lot. In later seasons, there are nerd celebrity guests.
We, the viewer, are watching people play AD&D 5th edition. That's it, that's the show.
Except it is not at all the show! Here are some points I was not expecting:
- The production values are great. The props, the miniatures, the sound effects, the models of the combat areas, it's all great. It's the dream TTRPG set-up of my teenage years. - The people are voice actors. They are fantastic. They inhabit their characters, and it is fantastic to watch. Also, Brennan Lee Mulligan as GM does all the non-player characters. He does voices for ALL of them. - These people are all IMPROV COMEDIANS. Whatever the others say, they roll with it. Unexpected things happen constantly, both because of the dice rolls and also just because players are unpredictable, and everyone picks up the event and carries on. - They are actually playing a game, so much of what happens in controlled by rolls of dice. And everyone is pretty damn good about this. They make it work, they make the plot continue, using whatever the dice has given them to work with. They are SO much better at it than any of the gaming groups I was in! - The episodes I have seen so far are all good-natured in vibe. The people playing want everyone to have fun. They want the GM to have fun, the players to have fun, and the audience to have fun. There's no sniping except in the most friendly way, there's no sulking about bad rolls, there's no vibe-kills that I have seen.
Anyway, if you like improv comedy, if you like voice actors performing SF/F plays live, if you like other people's TTRPGs, Dimension 20 might also be for you.
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ckret2 · 11 months
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I've been really looking forward to posting this chapter. It's got it all: angst, comedy, meaty plot progression, banter, Bill and Ford screaming at each other, Stan getting an MVP moment, Soos being Soos, and a grappling hook. And this:
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It's admittedly harder to take Bill's stuck-in-a-human-body grief seriously when he's wearing a pony toga and goofy bug wing face paint.
Anyway here's chapter 5, and here's one, two, three, and four if you missed them.
####
The car had been on the road for several tense minutes before Bill announced his return to consciousness by startling upright, attempting to shout through his gag, looking around wildly, and then kicking Stan's butt through the back of the front bench.
"Hey. Hey! Easy!" Stan turned around to swat at Bill. Bill responded by headbutting his hand.
Trying to ignore Bill and keep his eyes on the road, Ford said, "Soos?"
"You got it." Soos leaned to the right, gently pinning Bill against the door.
Bill grunted, squirmed mightily against his fate, kicked the front bench a couple more times for good measure, and then started rubbing his face against the car door handle.
"Give it a rest," Stan said. "There's no way you're jumping out of a moving car. You're completely tied up and you've got a seatbelt on."
"Safety first," Soos said.
"Plus, the handle on that door sticks."
Bill gave them both a murderous glare, shot another at Ford just because, and resumed rubbing his face on the door handle.
It took a couple minutes for him to use the handle to peel the duct tape off his mouth. He spat half a wet sock at the back of Stan's head. "Where are we—Hey! Hey! Look at me! Where are we going?!"
Gaze never wavering from the road, Ford said, "You don't need to know."
"All that matters is you're not coming back," Stan said. "You're gonna be staying with some old friends of mine until we figure out how to deal with you. Real professionals. Not even you could find a way out of this."
"There's nobody to manipulate when nobody is listening to you," Ford said.
Soos, ever helpful, threw in, "Stan hasn't really told us much about these dudes? But I've been getting some 'prisoner pit in a serial killer's basement' vibes off of how he's talking about it."
The rage quickly drained from Bill's face, leaving behind a stricken look. "It's not that golf cart chop shop, is it?"
"What?! How did you kn—" Stan whipped around to gape at Bill, then stared at Ford. "How did he—?!"
"He has eyes everywhere," Ford said resignedly. "I'm sure once he got his claws into me, he started looking into my family's lives."
Soos considered this, nudged Bill, and said, "Hey. What kinda creepy stuff do you know about me?"
Bill didn't answer. He was staring blankly at the back of the front bench. Voice oddly flat, he said, "So. You leave me with a bunch of professional criminals. What's your plan then, smart guy."
"I don't know yet," Ford said. "And that's exactly why we're leaving you with people who can keep you contained—and keep your puppet alive, whether you like it or not. All they need to do is buy us time until we find a way to extract you from your puppet and destroy you for good."
"And what if you can't 'extract' me."
The car was silent for a moment. Finally, Ford said, "Then whatever poor woman you've taken over has already lost her life. Destroying you and her body would be a mercy killing." Stan nodded once, sharply.
Bill slumped back in his seat. He stared out the window at the dark trees passing by.
The car's headlights swept over a sign reading "Now leaving Gravity Falls."
Bill choked on his breath. His gaze whipped forward, staring out the windshield, eyes wide—and they got wider. "Whoa-whoa-whoa wait wait stop STOP STOP! WATCH OUT!"
Ford slammed the breaks.
"What'd we hit?" Stan leaned over the dash, squinting into the dark. "After you insisted you're a better driver than me—"
"I didn't hit anything—there's nothing in the road—"
Hysterically, Bill demanded, "Are you trying to kill me?!"
Which was such a fantastically stupid question that the whole car turned to stare at him. He was wheezing on the verge of hyperventilation, pressed as far back into the car seat as he could get, feet raised and braced against the back of the front bench, face contorted in fear.
Trying to sound irritated to avoid sounding rattled, Ford said, "What the devil is it?"
"Are you crazy?" Bill snapped. "You almost drove straight through the bubble!"
Soos and the Pines all looked forward. There was nothing but the dark road beyond their car. Ford gave Bill a wary look. "The what?"
"The—the bubble! The weirdness bubble! The barrier around this stupid town! You c—you can't see it, can you." Bill jutted his chin forward, gesturing out the windshield. "Well whether you see it or not, it's right there!"
Stan shrugged. "So?"
"SO?!" Bill's voice cracked. "So whaddaya think happens to me if I hit a weirdness barrier in a moving car?!"
Stan considered that a moment. "I dunno... That sounds more like your problem than our problem."
"Hey, it's your upholstery, buddy! But if YOU wanna see what happens when you hit a deer and it teleports inside the car—"
Stan snuck a foot over to the driver's side footwell and pressed the gas, making the engine rev. Bill flinched and yipped like a threatened chihuahua. Stan laughed.
Ford was staring hard at Bill. "The weirdness barrier shouldn't affect you from within the mindscape. And even if it did, it wouldn't affect the body you're inside. It would only affect you if... you have physical form?" He scrutinized Bill's face—not his eyes, but everything else, taking in his facial features, looking for something familiar. "You're... not possessing someone, are you?"
Bill's breath hitched.
Stan looked between the two of them. "You mean that's just him? He's a regular human now?" He gestured dismissively at Bill. "Why shouldn't we just hit the barrier, then. Take care of you now. I oughta get the ol' Diablo reupholstered, anyway."
"Oh! Oh! So that's how you want to play!" Bill let out a shrill, harsh laugh. "Fine, be like that! Do it—if you're sooo sure it won't just set me free! Do you like the sound of that? Wanna find out whether blowing up this flesh prison will kill me or unleash me?" He leaned into Stan's face, baring his teeth, smiling viciously. "Go on, tough guy—think you can get me with another lucky sucker punch?"
Stan scowled—but instead of rising to the bait, he gave Bill a hard, considering look. "What's your game?"
"Ha! I'm playing games an idiot like you couldn't even imagine—"
On Stan's behalf, Ford tapped the gas, nudging the car forward a few inches.
Bill shrieked. "What's wrong with you, you maniac?!" Over Stan's guffaws and Ford's chuckle, Bill snapped, "I've had it!" The rear door swung open. Bill tumbled out onto the road.
"Hey!" Soos scrambled after him, but by the time he was out of his seatbelt, Bill was on his feet and running.
He was running very badly. He'd somehow managed to free his wrists and ankles—his ankles were raw and bloody and his handcuffs, still locked, lay innocently in the back seat—but his elbows were still chained to his sides and his knees were tied together. Stan jumped out of the car, saw Bill trip and sprawl on the asphalt less than twenty feet away, and laughed so hard he needed to lean on the car for balance.
Ford caught up just after Soos tackled Bill. "Well! There. Here you are." Ford's fists were trembling. "You couldn't have thought you'd escape, Bill. What was the point of that—that ridiculous demonstration!"
Bill's cheek was pressed to the ground hard enough that he had to squeeze one eye shut; but it didn't stop him from giving Ford a smarmy, smug smirk. "To be annoying," he said. "For you. Personally and individually."
"Fffp— For me?! Why? To what end, Bill?!" Ford knew Bill just wanted to see him angry. And it worked. "Of all the places in the world you could have gone, why are you back here! What could you possibly get out of harassing us again! After all you've done to us already!"
"What." The change on Bill's face was instantaneous. "After... what I... have done to you? WHAT I'VE DONE TO YOU?!"
He was screaming so violently that his body shook with it, threatening to throw Soos off. "I HAVEN'T DONE ANYTHING TO ANY OF YOU! Look at you all, you hale and hearty little animals, with all your dwindling decades left to you—what about ME?!"
He jammed a fist in Soos's gut to knock him off and lunged for Ford, clawing at his ankle and coat hem like a zombie reaching from the grave. Ford tried to stumble back, but tripped over Bill's hand and fell hard on the asphalt. Bill wrenched an arm free from the chains around his chest with a wretched bony CRACK, and crawled on top of Ford.  "I was perfect! I was a new god! I'm the most sublime thing your universe has ever seen! What am I now?!" Bill's bound knees dug into Ford's abdomen, his clawed fingers reached for his face. "MEAT! I'm MEAT, Stanford! My body is rotting off its bones as we SPEAK, in a few years I'll be dust! AND YOU WANT TO TALK ABOUT WHAT I 'TOOK' FROM YOU?!"
His fingers closed around Ford's throat. "What did you lose! TELL ME what you lost! I gave you EVERYTHING you ever wanted—knowledge, magic, secrets, INFINITE worlds to explore! I offered you more! I offered you immortality! Divinity! So WHAT! DID! YOU! LOSE!" He punctuated each word with a furious shake. He was frothing with rage, choking on his rage, so furious he was nearly sobbing. "And do you REALLY THINK it comes CLOSE to the eternity you STOLE FROM ME?! You KILLED me today, Stanford! I DIED TODAY—"
A grappling hook whistled past Bill's face, nearly hitting his nose, smashing into the bark of a tree. Bill froze, eyes wide, the taut wire inches in front of his mouth, staring down at Ford. And then he let go. He didn't resist when Stan dragged him off, or when Stan and Soos wrapped their arms around him in case he lunged for Ford again. His knees briefly buckled before he got his feet under him again.
Ford stared up at Bill, rubbing his throat.
He'd never seen Bill angry like that before. He'd seen Bill angry enough to kill, and it had never come close to that. Bill's anger was always the petty tantrum of an entitled child who had been denied something he thought he deserved.
This was the anger that came from grief. Bill was grieving himself.
"This... really is you, isn't it?"
Bill's jaw tightened.
"Great Uncle Ford!" Dipper dropped to a knee beside Ford, grabbing his shoulder. "Are you okay?!"
"I'm fine, Dip—Dipper?" Ford stared at him, and turned to look at Mabel and the two bikes further up the road. "What are you two doing out here?"
"Following to make sure Bill doesn't try anything?" Dipper said. "Like he just did?"
Stan said, "Whoa, kids, it's way too dangerous f—aw, forget it. Just how the heck did you find us?" (He'd handed Bill over to Soos, learning nothing from the lessons of the last few minutes; but Bill didn't make another move to escape. He leaned into Soos for physical support, shoulders slumped, his whole face sagging with exhaustion.)
Dipper said, "We figured you wouldn't let us come, so Mabel bugged the car after dinner."
"She what?"
"I poked a hole in a bag of glitter and taped it under your bumper!" Mabel pointed at the sparkly red trail leading along the road to the car. She was trying to pull her grappling hook out of the tree it had smashed. "Hey, Grunkle Ford! We saved your life twice in one day! I think you owe us a pizza or something."
Dipper nodded seriously. "Definitely."
Ford rubbed his neck. "I don't think he was even trying to kill me. He was just..." Ford trailed off, staring after Bill. Out of that mad monologue of historical revisionism, the part that echoed in Ford's head was the last words. I died today. It was still that fresh to Bill?
Mabel frowned. "Aw, c'mon, Grunkle Ford. Lemme have this."
He dragged his gaze from Bill and laughed, ruffling her hair. "All right, all right. I owe you two a pizza."
"Yes!"
"No wonder you slipped these off," Soos muttered, holding the handcuffs in one hand and one of Bill's hands in the other. "You have delicate little baby hands. I bet it's really easy for you to get things out of jars."
"Sure." Bill sighed listlessly. "But it makes playing the piano a pain."
Soos more tightly handcuffed Bill's delicate little baby hands in his lap, considered how best to keep him from running off again, and finally wrapped an arm around Bill's shoulders. "There. Buddy system!"
Bill endured this indignity with the vacant-eyed stoicism of a shell shocked soldier.
"So, what's going on?" Dipper asked, looking at the stopped car.
"We're at the edge of the weirdness barrier around Gravity Falls," Ford said. "And Bill can't cross it. And, obviously, him slamming into it would be like driving into a wall. It would be fatal."
"To just Bill? Or the tourist, too?"
"There is no tourist. That's—him."
"Yeah," Stan said. "So he claims, anyway. I'm not sure I believe that."
Mabel gasped and grabbed Dipper's arm. "I knew it! Grunkle Ford, Grunkle Stan—I think he's telling the truth! When Bill possessed Dipper, he was all cold and gross like a dead body. But this time he's normal!"
Stan screwed up his face, tilting his head. "I dunno. Something's still fishy. He's holding something back, I'm sure of it. Sixer, you've had more practice figuring him out than anyone else, what do you think?"
Ford sighed. "Unfortunately, he's also had more experience manipulating me than anyone else. But, all the same, I... I've never seen him so..." He meant to say furious. Instead, he said, "hurt." 
Ford wondered if there really was something to Bill's anger that he had never seen before—or if it was just easier for Ford to see it now that it was on a human face. If there were other nuances he'd missed over the years.
Glancing toward the car, Ford didn't see any anger on Bill's face now. It was completely blank—not emotionally neutral, but empty, like he was too exhausted to feel. "Bill's a good liar, but I've never known him to be a good actor. I think that... outburst was sincere."
Mabel said, "I've seen him impersonating Soos, Dipper, and Blanchin Blandin, and—he's convincing when he's doing normal stuff, but I've never seen him try to fake having emotions."
Dipper said, "Yeah, he's not really big on emoting. Pretty much the only expression he knows how to make on purpose is the world's creepiest smile."
"Okay," Stan said, "so he's probably telling the truth about being stuck in a human body and being mad about it. What about that thing he said about setting him loose again if we kill his body."
(Dipper and Mabel exchanged a look. Dipper mouthed Trojan horse, and Mabel nodded.)
"Because here's the thing," Stan said. "Say that's a lie, and killing him will just kill him. If he's half the liar you say he is, he woulda been trying to convince us from the start that his life is the only thing standing between us and the apocalypse. So why'd he only pull this out at the last minute, when it sounds like a stupid excuse?"
"He didn't need to tell us before," Ford said. "We thought he was possessing a tourist, we didn't want to hurt her."
"Ending the world's a lot scarier than killing one tourist! Why bother with the 'tourist puppet' schtick and then escalate? Maybe he's just not as good a con artist as you say, but—just—!" Stan flung his hands up. "Something about this isn't adding up!"
Ford said, "So you think it's a double bluff? He told us killing him would restart Weirdmageddon so we'll think it's a lie, kill him, and actually restart it?"
Stan paused. "No," he said. "No, that's not it, either. If it was, he coulda just let us drive into that invisible barrier without saying anything."
"Then what? What's he actually trying to make us think?"
Stan stared at Bill, still turning over their conversation in the car, trying to put his finger on what had seemed wrong about it.
Wanna find out whether blowing up this flesh prison will kill me or unleash me?
He could see Bill's face yesterday, on the ground at Stan's feet, barrel of a laser gun aimed at his forehead, looking past it to stare straight into Stan's eyes. Go ahead, Stanley, let's find out what'll happen. He could have claimed then that killing him would end the world—or he could have forced Stan to shoot—but that was all he'd said. Let's find out.
Slowly, Stan said, "He's not trying to make us think anything. He's banking on us being too scared to gamble on what'll happen if he dies. Because he's too scared to gamble." Stan turned to stare at Bill. "You! You don't know if you can come back from this."
Bill blinked and focused on the Pines, glare darting between them.
"Do you?" Stan crossed his arms.
Bill's face twitched, and his defiance collapsed: "No! I don't know! I didn't get an instruction manual with this stupid body—I don't know if I'm free to go after I serve my sentence or if this is death row!" He forced a furious smile. "But if I don't know what's going to happen, then neither do you! Nobody does! So do you want to find out the hard way?!"
Bill looked from face to face; their silence was answer enough. No. They did not want to find out the hard way. He laughed loudly, reveling in his one tiny triumph.
"All right," Stan barked, "I've had enough of your crap." He cracked his knuckles, marched up to Bill, and socked his jaw.
Bill immediately shut up.
The other humans politely clapped.
####
If they couldn't take Bill out of the bubble, then for now, there was only one place to take him: back to the shack. Stan borrowed a phone to step off the road and have a quick, hushed conversation with his contacts about the change in plans, while Ford helped Dipper and Mabel attach their bikes to the roof of the car.
When Stan returned, Ford said, "We're running out of seats." What he really meant was they were out of seats that would keep the kids away from Bill.
"Just stick me in the trunk!" Bill—leaning against the car boredly while the humans rearranged his incarceration plans—had regained some of his usual pep now that one small thing had gone right for him. He had, somehow, got his hands on the bat Soos had stowed in the back seat, and had been holding it like a cane, unnoticed until he used it to gesture toward the trunk. "I'm a prisoner! Humans put prisoners in the trunk, right?"
Stan snorted. "What, and let you kick out the taillights and escape? I don't think so. And who let you have a weapon!" He snatched the bat from Bill and tossed it in the trunk instead. "Kids, you sit on the front bench." Stan and Soos slid into the back with Bill jammed in the middle.
The drive was very, very quiet.
The only noise was the quiet squeak as Bill took up steadily kicking Ford's side of the front bench. Ford's grip on the steering wheel tightened, and he said nothing.
Stan kicked Bill's ankle. Bill kicked Stan. Soos leaned against the window in a futile attempt to escape them, and sighed.
And then the car was silent again.
"Say!" Bill said, loud enough the other passengers started. "What is it, about three? That's morning! Who wants to go get breakfast?"
"No," Stan and Ford said.
"Aw, come on! I think we're near that truck stop where Sixer had a psychotic episode!" Bill kicked the front bench more enthusiastically. "I thought you guys decided to keep me alive! You'll have a hard time doing that if you let me starve to death."
Ford said, "You're not going to starve to death between now and when we get home."
Soos blinked. "Hey, he slept through dinner, didn't he? Dude. How long has it been since you last ate?"
"Do socks count?"
Dipper and Mabel cast a suspicious glance at the damp half sock lying in the front footwell.
Soos shook his head. "Uh-uh."
"Then depending on which way of measuring nonlinear chronology you want to go by, it's either been a week, a year, or a millennium."
Soos furrowed his brow. Stan sighed impatiently and said, "Okay, wise guy, how long does your body think it's been since you last fed it."
"I've never fed it."
The humans stared in shock. Even Ford spared a glance in the rearview mirror.
"Ohhh right, I'm supposed to be doing that. That explains the ceaseless abdominal pain! And the vertigo when I stand up! And the mood swings!" Bill laughed, "Hey, Fordsy! Turns out I was just hungry!"
"I'll stop for breakfast if you never call me that again."
"Deal!"
Ford took a turn toward the Triple Digit Truck Stop.
####
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Miami Vice S1E18: Made for Each Other
Larry's house burns down, and Izzy and Noogie are sent undercover.
Made for Each Other suffers immensely from coming right after The Maze, which is a true "the system is broken" classic Vice episode. Made for Each Other is a comedy breather, and actually kind of great in its own right, but where it sits in the progression of the series feels more like a deflation than a break.
Made for Each Other is also almost comically homoerotic-- it's the episode that convinced me that Sonny is supposed to be a textually closeted bisexual man on my first watch through of the series, but on a repeat watch it's somehow even more obvious. Why are there all those half-naked bears on a boat? Why is the entire plot basically "Stan and Larry sort of have a breakup because of Stan's new girlfriend and then get back together at the end?" Why does Izzy keep saying things like nubile and anal? Why does the camera linger so very long on his and Noogie's cigarillos touching? What's up with the repetition of 'shafted'? Why are all the guests at Noogie's wedding like, extras from a Boy George video?
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Why does this happen?
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(plz draw your OT3 like this)
Anyway I actually really like Made For Each Other upon rewatch, it really just should have been placed elsewhere in the season. It's a fun, silly episode, and a little levity is necessary in a series that is often so very bleak.
The episode opens with Sonny and Rico trying to catch a counterfeiter, and Rico is bitchy and condescending to Sonny in a way that I think is supposed to be "ha ha, my criminal persona is a dick," but actually just comes off as "ha ha, I am a dick." It seems like he's trying to impress the counterfeiter by throwing Sonny under the bus. This occasional cruelty towards someone he does genuinely like is a fascinating part of Rico's characterization, and part of what elevates his character writing to "actual nuanced person" and not "nice Black sidekick who always supports the main white guy." Rico absolutely sees himself as more educated and worldly than Sonny, and occasionally he lets that slip. He has a very complicated relationship to both class and geography-- he's a New Yorker (...from the Bronx), he wears a perfectly tailored suit everyday (...and is a poorly paid cop), he idolizes Sonny for his football career but also thinks he's a bit of a yokel. As someone whose own class status is a bit shaky, Rico tends to get a little mean when it seems like he might be 'found out.'
Zito almost gets blown up in the ensuing warehouse fire, and Switek flips out. A short while later, a surprisingly chill Zito says he believes things are "either in whack or out of whack," shortly after while they discover that his entire house is on fire.
Please note the company that moves Zito's stuff to Switek's house:
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I am dying
Trudy and Gina, in their only real appearance in the episode, very sweetly present Zito with a new fish as an office gift. Sonny is a dick about it.
Swi and Zito go to investigate BONZO BARRY who is a shady stereo and computer system dealer who has a FUCKING SEAL in his store
Michael Talbott is wildly overacting this entire episode, like to the point that I wonder if they had to turn down his mic
Noogie is marrying a stripper(?) named Ample Annie. They argue about going to Disneyland while she's practicing her routine. She does a striptease down the aisle. She is perhaps the only person bonkers enough to keep up with Noogie.
Stan's girlfriend, Darlene (who was Larry's girlfriend a short period of time ago), is extremely unhappy with Larry staying at their house, and spends the entire episode either complaining or being upset that the conditions are not right to bone; frankly, Stan does not seem to like her and she does not seem to like Stan. The most likely reasoning behind this is "bad 80's hurr hurr the ol' ball and chain" comedy, but considering the homoeroticism of the episode I'd like to think it could be a comment on compulsory heterosexuality
Izzy and Noogie show up at Stan's and, in one ridiculous whirlwind, declare the current case "theirs," ask who is the "Captain Kirk of this Enterprise," and start eating Stan's breakfast
In one scene Tubbs asks Zito and Swi if they want backup and they both very loudly yell NO like he's the reason everything has been on fire in this episode
Switek asks Zito at one point, "do you ever think about the future, Larry?" and Zito answers No.
This is funny the first time you watch the episode!
This is not funny anymore after Season 3.
The bad guy (whose crime seems to be like. Selling stolen stereos or something equally stupid) has a boat full of half-naked men with guns. This is not remarked upon.
Then we get to the Night Talk scene. I've talked at length about this scene before, but basically: Zito has been kicked out of Switek's and is sleeping at the station; Sonny comes in, romantic music plays, Zito basically describes Switek as the perfect man, and Sonny tries to get Zito to come back to his place (and fails.) It's very gay. I like to think that Sonny has a burgeoning crush on Rico at this point but is certain Rico is straight (and also. Y'know. Was a bit of an asshole at the beginning of the episode.) and takes desperate, tragic shot on Zito because of that. Zito politely declines because his heart is already spoken for.
Meanwhile, Stan is unable to perform sexually because he's thinking about Larry.
I'm sure that means nothing.
The outfits at Noogie's wedding are just. They are. Truly they are something.
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The priest is a leather daddy. Many people appear to be in space blankets, including Noogie. Annie has a tearaway wedding dress. The pianist has the world's most incredible zebra shirt. There are headbands and weird hats abound.
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By contrast, all the members of Vice look like they're supposed to be at a PTA meeting. (Also Sonny looks like he wishes he could ask where the punch is but doesn't want to bother Gina and Trudy, who are clearly each others' plus-ones.)
And the episode ends with Switek and Zito, side by side, at a wedding.
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polyklok · 8 months
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Movies I think Dethklok members would really like
No this is not based on anything I’m just in a mood™ rn
Nathan Explosion
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Mad God
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So, no, I did not have any ounce of an idea of what this movie was about when I originally watched it, and I’m still not 100% sure tbh but an hour and a half of these pure vibes would totally be up Nathan’s alley. The post-apocalyptic setting, all the gore, the details of the various monsters, and I think he would just really appreciate it from an artist’s standpoint as well. This movie would just resonate with him, even if he wouldn’t have a fucking clue what was going on the whole time.
Mary and Max
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I’m, personally, a bit on-the-fence about this movie, but it is undeniably sweet and I headcanon Nate to be on the spectrum so 🤷
This would be, like, his guilty pleasure film. The movie he knows is for kids and is totally not brutal but he loves it anyway. The, “I do not feel disabled, defective, or a need to be cured” really hits for him every single time. He rewatches it at least once every few months, especially when he’s in some sort of emotional slump.
Mandy
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Another one that just like, like, big Nathan energy, you know? He just seems like a guy to really love loose plots with trippy visuals and strong emotions attached to them. Also, this movie is so completely badass, it is certified metal in his book. He also finds the story incredibly tragic; having the love of your life stripped away from you in such circumstances really tugs at his heartstrings, but in a way that gets him pumped up rather than sad. This is probably his go-to when people ask, “what’s your favorite movie?”
Pickles the Drummer
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Son in Law
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Okay this is my guilty pleasure movie. I usually don’t like stoner-comedy from the 90s, but this movie hits different. Maybe I just find Crawl hot. Anyway, I’m projecting that onto Pickles. He honestly probably finds a lot of crappy comedies to be peak film, and this is no exception. Pauly Shore pretending to be a country boy for a whole movie? Hells yeah. Pickles would watch while high off his mind, laughing his butt off and going to town on some cheez-its or something. And you know what? He deserves it.
Opal
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I’m counting short films because I feel like Opal is the movie for Pickles. He’d watch it on a whim, because these are not usually the types of things he enjoys, and then he’d in tears over the emotional rollercoaster he did not agree to go on. Like, he grew up in a neglective household with authority figures that were overly-selfish and projected their own problems onto the youngest one in the house, to which he had to hide within his own brain more often than not just to properly function. And then he just…watched it happen all again in the hypnotic style of Jack Stauber. The Mom’s song had him in gasping tears for a while, the way you get when a movie somehow perfectly captures your own trauma right in front of you. And the ending??? Ugh. Go watch Opal, guys, it’s on YouTube.
Nathan and Pickles both get very emotional about certain stop-motion films, isn’t that crazy?
House
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Thank you to Lucy for this Letterbox review that I think he would write
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Anyway-
This movie is actually so insane. It’s not scary in a horror-movie way, like it meant to be, it’s scary as in ‘What the hell is happening and why do I understand it?’ Pickles doesn’t like most traditional horror films, as the long, quiet suspense bores him and the sudden jumpscares freak him the hell out way more than they should. But he loves the campy-wacko-type horror that they were apparently making in 70s Japan. It’s just scary enough to get his heart pumping, but the pure silliness of it all overrides that, getting him in a giddy mood and excited to see what happens next.
(No I am not done but tumblr won’t let me add more pictures)
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Apparently I was not specific enough on my last post. As I stated, just because you don’t like something doesn’t make it homophobic. Disliking something also doesn’t automatically make it ableist, an attack on anyone, etc. You can just dislike something without it being a form of oppression.
“Izzy’s death is an insult to domestic abuse (DA) survivors”. I have experienced DA as a child and as an dult. I’ve also experienced violence as a sex worker. Comments like these are what insults me, you are trivializing domestic abuse.
If your take on the show is “Izzy is the victim, Ed is the abuser 😤” you lack media literacy. Izzy and Ed were both awful to each other. Izzy pushed Ed to keep up the Blackbeard image. Ed wants to be “soft”, to be able to cry at things, like nice fabrics, be gender non conforming. Izzy keeps him from this and very much reminds me of parents forcing their kids to stay closeted (I still Iove Izzy and his later arc is very relatable as some who discovered they were queer later on).
If we are going to take this silly comedy show way too seriously and make it a direct comparison to our world, I’d much rather be maimed than reported to the police. As a full service sex worker, I’ve had people try to murder me and still not called the police. The regular police! And in this show, Izzy doesn’t turn them over to regular police, he turns them over to the British royal navy, which could’ve easily resulted in them all being hung. I would never forgive someone for snitching to the police in real life.
But there is no reason to take the show so seriously. No one was killed or jailed due to Izzy snitching. Maiming is part of a pirates life, sorry. Characters physically hurting each other in the show does not hold the same gravity as in real life. Pirates maiming each other is like the equivalent of me inappropriately screaming at my housemate.
“Izzy dying is an insult to suicide survivors”. As a multi time suicide survivor, what the fuck??? Izzy, Ed, and stede have all been suicidal at some point. Izzy and Ed both survived suicide attempts in this show. It’s not like the only suicidal person is dead now. I think it’s beautiful that even though Izzy didn’t have much time between his failed suicide attempt and his death, he changed his life to be something much happier and more loving. Izzy’s story shows me it’s always worth living, even when everything seems miserable, even if you don’t have that much time left. And I love seeing Ed, suicide survivor, having to learn to move on and be happy even after the death of someone he loved so dearly.
“Izzy dying has no purpose / is lazy writing”. Izzy’s death lets us see the above - Ed, a suicide survivor, learning to live as he wants with grief and guilt and all of it. Izzy’s death sets up the major plot line of season 3 (if we get one) - the crew’s desire for revenge. Zheng and Auntie would’ve been the only ones with a strong desire for revenge otherwise.
“It’s homophobic to get rid of one of the only queer actors”. Pretty much all the characters and lot of the cast is queer????? Also Con O’Neil will likely return for season 3. It’s a lot more homophobic to call the mostly queer writing crew homophobic??? Seriously go read the interview with one of the non-binary writers of color talking about how amazing it is to look up and see 4 other non-binary writers of color in the room.
Also on a related note, the show is Ed and Stede. It’s a rom com about them, always has been, the creators have flat out said this several times. If you don’t like them, then you don’t like the show. Watch something else.
Anyway, for the 100th time, you can dislike something without it being homophobic or any other bigoted thing and you can dislike some thorn without attacking the writers. Please stop.
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