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#and she’ll do it and love it. but as all the best critics know and point out the most fascinating thing about Taylor is always the music

majorblinks · 7 months

Text

DOWNRIGHT ICONIC (aespa karina)

(smut, male reader, screenwriter you, stranger karina, public sex, rough sex [choking/slapping/biting/spanking/hair-pulling etc], oral, anal, facefucking, titfucking, facial, bondage, degradation, name-calling, other weird stuff, 26k words, it's been 1 million years..., BUT WE'RE SO BACK BABY <3)

Hey, turns out the critics really are onto something:

You’re going to win an Oscar for this.

You aren’t surprised when the nominations are announced. It’s all anyone’s been talking about. You’re this up-and-coming screenwriter, this newly-minted visionary, and - cue the applause - you’ve just made the movie of the year. Clips go viral everywhere; the reviews are calling it extraordinary. They all want to know how you - a relative nobody - managed to pull it off. What’s your secret? What’s your inspiration? Where’d you get this billion-dollar box office idea?

And here’s one version of the truth:

“Well,” you’re quoted saying in every single interview: “honestly, it’s about a girl.”

Everyone eats this up, of course. It’s so fucking romantic.

You’ll tell an abridged version of this story for the rest of your life. A blip in time in early January - a certified slow-motion movie moment. You’ll say things like she was the most beautiful girl you’ve ever seen. You’ll say things like, I know it sounds lame, but that’s how it went. She took my breath away. She fascinated me. I saw her and I don’t think my life has ever been the same.

You’ll never once say her name.

“It’s weird, actually,” you’ll say in an interview after the news of the nominations drops. “Making this movie about her. She’ll last forever there, you know? She’ll always exist in this film, in this one moment in time. She’s in all of it, basically - every scene, every line. It’s all her.”

“You make it sound like she’s dead,” the interviewer will say, all open-mouthed melodrama.

You’ll laugh. “Oh, God, no,” you’ll say. “She’s alive and well.” As if it hasn’t been years since you last saw her face, watching you from down the corridor, looking lost and torn apart and very, very small. “She’s okay. I mean - I think - yeah, she’s okay.”

As if you’d know.

Because here’s another version of the truth:

You’re going to win an Oscar for this. You’re going to stand up on that stage and thank your family and your friends. You’re going to stare at all those faces until they swim together into one golden, glittering blur, and then all you’ll see is her - her dark eyes, her glossy hair, her wrist in your grip, her throat between your fingers - her in your sheets, her smiling in your doorway, her shivering in your shower, her sobbing into her hands, her bleeding in your bed, her walking away. Her, her, her. Immortalized forever in this perfect thing you made, winning awards off the reconstruction of a memory. Art imitating life; reality warped into something magnificent, and beautiful, and better.

And the only thing you’ll feel like doing is throwing up.

Sure, you’ll bask for decades in the thrill of it: the fame, the fortune, the glory; the adoration, the worship, the attention; the eternal, endless love. You’ll be able to look back on your life when you’re decrepit on your deathbed and know that you - brilliant you, utterly superior you - were divinely blessed with earth-shattering success, and no one will ever be able to take that away from you. You made your mark. You meant something. You were the best, for fuck’s sake, and you have the accolades to prove it - you really, really were.

So here’s the full truth - the final bottom line:

You’re going to win an Oscar for this. You’ll live the kind of life people beg God for. You’ll get everything you ever wanted.

It won’t be worth it at all.

First, though, there’s this.

Disturbingly enough, you’re in the romance section of a bookstore when everything starts.

This is really not your genre - that’s the funniest part. Historically, you’re bored to death by the cartoonish pastel covers; you don’t get your kicks from seeing the same delightfully quirky heroines fall for brooding bad boys, or whatever the fuck goes on in those books. You have your standards. You prefer your art a little gritty, a little fucked up, a little more interesting - the kind of thing that can leave you shellshocked in a movie theater, overcome with the sort of full-body, lightning-struck epiphany only truly good work can manage. It’s not a judgment call - you’re not trying to be pretentious. It’s just that you prefer something with some fucking bite.

The second funniest part is this:

You’re pressed against the shelves, surrounded by the cutest, chastest love stories ever told-

“Are you serious?”

-and Karina’s on her knees, about to take your cock down her throat.

Maybe this is what your contemporaries call cinematic irony.

That’s gotta be the only phrase for it, really. The scene itself dripping with classless, crude, erotic filth - the way she ducks her chin to spit on her hand, the slow pump of her fist around you, the rough hum in her mouth at how achingly hard you are - nasty and irredeemable, too fast and too loud. The gross lack of subtlety in her sex appeal: all pale thighs and porn-star tits, the wet pink flash of tongue. Seductive in a way that screams at you. It’d be so easy to write this off as some deliberately controversial opening scene, gory shock value, horror-film suspense - starring you and the slut you’re about to ravage and ruin and potentially leave for dead.

“Baby - are you sure?”

It’d be so easy, if Karina didn’t look like an angel incarnate.

“I mean, you-” You’re stammering. You’ve got both hands in her hair, fingers sliding through the glossy black in petting, soothing motions - your clumsy attempt at reassurance. “You don’t have to, if you don’t - we’re in public - I’m not expecting you to - I don’t need it-”

Karina’s fine, sculpted eyebrows twitch upwards. Her lips are a twist of scarlet, distinct and amused. She doesn’t quite smirk, doesn’t give a voice to the sarcasm, but the sentiment is the same - yeah, right.

And then she lowers her mouth to lick.

“Jesus fucking Christ-”

Scratch that, then. This is the funniest part. The most inhumanly beautiful girl you’ve ever seen, debasing herself in public like some sort of desperate common whore - come on, bring in the laugh track.

Not that anyone’s laughing now.

You’re no poet - they’re a few sections over, Plath and Yeats and Dickinson - but Karina’s the kind of thing that makes you understand the motivation completely: only capable of being captured in metaphor, without context, painstakingly interpreted hundreds of years from now by people who will never get this right. All carved-out cheekbones, fluttering lashes; tight fuckable body clad in a little low-cut dress, feet tucked neatly behind her like she’s simulating worship. Dirty and religiously devoted in how she stretches her full glossed lips around your cock and lets your grip tangle in her hair and-

“Karina,” you get out, but her only response is to blink sweetly up at you and suck.

Well, who gives a shit about the poets, anyway? You doubt any of them ever got to fuck a mouth like this.

There’s an unfamiliar caution to the rut of your hips, a wincing fascination every time she gags - and she gags loud, choking and heaving, saliva dripping slick around you and down her chin - that seems to both entertain and confuse Karina. A skeptical crease in her forehead, saying everything she can’t: you don’t wanna fuck me up? Ruin me? Cloudy spit falling in strands to her tits, seeping into the crimson fabric of her dress; she’s wearing a worn black sweatshirt that’s slipping off one shoulder, exposing the clean line of her collarbone. The hollow of her cheeks, the obscene painful sound of your cock clogging her throat - it’s subtext, explicit suggestion. A preternatural understanding. I know what this is. I know what you want from me.

Which - she couldn’t possibly.

“Baby.” You sound so wretched that it’s humiliating. Karina’s sharply lined eyes seem to flash with humor, smug and lazily self-satisfied. “You’re gonna make me fucking cum.”

The thick, sloppy, choked noise she makes is the closest she’s gonna get to a laugh.

Oh, sure, whatever, it’s not like you’re not thinking about it: digging your fingertips into her scalp and really fucking her face, relishing in the way those eyes would go wide and glassy with unshed tears; refusing to let her have control, to let her lick and lap and breathe. You’re scripting it in your head already. You’d strip her bare and make her sob. You’d wreck her throat and cum all over her face and force her to walk out like that: coated in the sticky, filthy evidence of everything you’ve made her - look at this, you’d say, look at what I have. Look at what I did - all this, all me.

“God.” Your thumb braces against Karina’s temple, like the gentle stroke of a brush, like you’re painting her right into existence. “You’re just-” A harsh gag; a fall of dirty, drooling spit. “You’re really enjoying this, huh? Getting on your knees in public for a fucking stranger?”

That’s why the fantasy of fucking her into brutal submission is actually so understandable. You don’t know her. You don’t owe her shit. You could destroy her and it’s not like she could do anything to fight back - not when she’s already below you, looking up. When she asked for this.

Except-

“Karina.” You can’t stop saying her name. “You’re - fucking perfect.”

And it’s true.

So you cum.

Karina swallows it all with the same amount of sultry grace she seems to do everything - how she laughs and walks and talks and takes your cock like a fucking professional - languishing in the practiced bob of her throat, the preening flicker of her eyelids, her face shiny and pale. It tugs the same feeling out of you as a flawless shot in a film, a well-timed bit of dialogue: watching an expert at work, pulling out all their stops. One hand through her hair. Her nails the same rich color as her mouth and her dress. Nasty, slutty, impressive attention to detail - Christ, get this girl in front of a camera, get the moon to be her limelight - you’re breathless, you’re enthralled, you’re so fucking far gone.

Then: the sticky retreating glide of her pouty mouth, lipstick smeared badly down her chin, stark and arresting as blood.

“In my experience,” Karina says, finally, “being perfect’s never gotten me anywhere good.”

She pulls the sleeve of her sweatshirt up and wipes her face with her wrist.

“You’re unbelievable,” you say, dizzy.

“Thank you,” Karina says, sweet like she means it, and sits back on her heels.

You can’t help yourself; you’re petting back her hair again, cupping her face softly in your hand, caught on the dark glint of her irises. Angel was an understatement. She looks more than that - looks like something holy and all-powerful, something omniscient and blindingly beautiful, something who knows exactly what you need and knows exactly how to follow through. Something worthy of mythology. Something like a god.

And any sort of rough, ruthless, fucked-up fantasy - it’s never going to happen.

You just can’t ruin a girl like her.

“So?” Karina’s voice is a smoky bombshell lilt, like she’s just stepped out of some film noir from the 1950s. Hands folded primly in her lap, fingers interlocked like a lady. She could be a pop culture icon, an eternal sex symbol - a Marilyn, a Bond girl, a timeless universal beauty. “What now?”

You think your brain actually short-circuits. “Sorry?”

Head tilted, lids dropped low. Smirk still sharp and scarlet. “Are you gonna take me home?”

You open your mouth to respond, but then a customer walks by the aisle.

You’re a panicked flurry of motion - zipping up your pants, turning away, frantically patting down your clothes - but Karina just stays kneeling on the floor, little chin on an incline, utterly incriminating. It doesn’t matter. The customer passes you by. The world returns to the way it should be: just the two of you.

“Karina,” you say, flabbergasted by her composure.

Karina’s lips quirk. “What?”

You shake your head and offer your hand to help her up, but Karina laughs instead - actually laughs. It’s peculiar, beautiful: raspy like a chronic chainsmoker, as though there’s something foreign she’s trying to dislodge. The raw, gravelly aftermath of a skinned knee, a grisly scrape over skin.

“Wow,” she says, and stands all on her own, tugs the sleeves of her sweatshirt over her fingers. “That’s a yes to taking me home, then?”

“What are you doing?” You’re laughing too - you can’t help it - reaching for Karina’s tiny waist to pull her in. “What are you - what do you want?”

When Karina smiles, it seems to set her eyes aflame. Bright and dancing, lashes like a shroud of smoke. “What do you mean?”

“You just met me.” It sounds feeble, somehow: a thin, useless excuse. Nothing against the way her body slots between your hands, a smooth effortless fit; nothing compared to how she kisses you between sentences, so quick and easy it already feels like a habit. “You don’t - you don’t know me.”

Karina’s mouth puckers, coy. “No?”

“No,” you shoot back, grinning, but it doesn’t sound convincing at all. “Come on, baby, seriously. What do you want?”

There’s gotta be some motive, you’re thinking. There’s gotta be a reason. Karina is so still, so soft and pliant under your hands, all the carved porcelain perfection of a marble sculpture but with none of the cold stiffness. Spine curving under your fingertips, jaw tilting into your touch.

A complete stranger, maybe - but every part of her body is begging to be known.

“Don’t you get it?” Karina says. “I want whatever you want.”

It’s so simple and earnest it takes your breath away.

“I - Jesus.” You’re biting on the inside of your cheek, drinking her in. “What if I told you I don’t know what I want?”

Another rasp of a laugh, sound like the serrated edge of a blade. “I’d say fine, okay.” Karina’s voice is low, conspiratorial. “But I’d think you’re lying.”

And here’s the thing you know for sure:

The very second you saw Karina you swear you saw the next hundred pages of a manuscript unfurling in front of you, lines and themes and gorgeous dark-eyed heroines, tragically beautiful endings and stunning cinematography - infinite narratives in the glossy sweep of her hair, in the seductive stretch of her legs, in the way she looked at you in a crowded room and smiled a lovely, secret smile and told you she’d follow you anywhere. She’s worth making art about. She’s worth devoting lifetimes to. The most honest thing you could say to her right now is baby, I’m writing a movie about this one day, and I think you’re really gonna like it.

Karina couldn’t possibly know any of this, but it still feels like she does - impractical knowledge in how she loops one arm around your neck and kisses you again, no hesitation. Like she actually knows you.

“I want to fuck you,” you murmur against her mouth, because it’s the next most honest thing. “Is that enough for you?”

You’re a screenwriter. You know your horror movies. A small part of you recognizes that this is precisely how they start: fanged vampires, wicked succubi, femme fatales out for blood. Karina’s so gorgeous she can’t be human - teeth so sharp there’s no way her intentions are pure.

“Sure,” Karina says, smirk glimmering like starlight. “Then I want that, too.”

It’s a murder plot waiting to happen.

You take her home anyway.

(Oh, and about your Oscar-winning script-

In theory, this is how it begins.

It’s classic. There’s a stranger and there’s a beautiful girl and they’re both sitting at a bar, talking for the very first time. The girl has a rose tucked behind her ear; it matches the crimson color of her lipstick perfectly. The stranger had asked her what the deal with it was, but she’d said something vague and nonsensical about it being a gift, so now they’re talking about normal, average things. Jobs, names, flirtatious pickup lines. It’s obvious because it’s meant to be, like a set-up to some predictable porn - everyone watching knows they’re going to fuck.

She keeps getting closer to him. At one point he thinks she’s going in for a kiss.

Instead, all she does is pluck the rose from behind her ear, and hand it to him.

It’s okay, she says. No thorns.

He stares at the rich furled petals and the whittled-down stem.

Thanks, he says, amused, charmed. He thinks there’s something odd about her. He likes it, though; if she were as beautiful as she is - which is very beautiful, exquisitely fucking beautiful - and she behaved like most people do, he’d find her terribly boring.

He takes it from her. Turns over the rose in his hands absentmindedly as she keeps talking. She’s got all this hair: wild and glossy black, pouring over her thin shoulders, her ribs, her tiny waist. After a moment he feels the sharp prick of a thorn against his fingertip and releases the rose in surprise.

You said there weren’t thorns, he tells her, laughing. Ow.

Whoops, she says. Then: Did it get me too?

She turns her head, pulls her hair out of the way. There’s a scarlet bead of blood trickling down the side of her perfect pale neck. He can’t quite tell where the point of entry was, where the thorn had dug in and broken skin. It’s bleeding a bit too heavily. Covering its tracks.

She swivels, slightly. She sees the look on his face. Is it bad? she asks.

No, he says, though he can’t really tell. But - couldn’t you feel it, though? The thorn?

The girl presses her hand to the side of her throat. It comes back bloodstained, a neat smear of red along the lifeline of her palm.

No, she echoes, though this can’t possibly be true. Hey, you wanna get out of here or something?

Alright, he says, smiling. They both stand. They leave the rose where it is. Let’s go.

He cups her cheek instead of her neck when he kisses her for the first time, so he doesn’t have her blood on his hands.

It starts simple like that.)

Karina’s so out of place in your apartment that it’s almost laughable - or it would be, if you were capable of thinking about anything but her mouth and her hands and her tits crushed up against your chest as you pin her to the doorframe. She keeps making these little sounds into your mouth: low and throaty, almost agonized. You swallow all her moans off her lips - oh, baby, you’re okay - and you only kiss her harder. She doesn’t belong, among your carpet worn-down from pacing and your laptop still open and idling and the mess of incoherent colorful post-it notes pasted to your fridge. She doesn’t fit here. Here kissing your mouth, here in your arms, here on fucking earth with the rest of you heathens-

“You wanna fuck me so bad,” murmurs Karina, chin on an incline, staring up at you, “then do it already.”

She doesn’t squirm or fidget; she doesn’t get needy or start begging. She stays pinned down by your body, lips parted, and stands completely still.

It’s like she’s telling you to make your move. Waiting for something inevitable.

“What happened to patience?” you say, anyway.

Karina’s mouth curls. She palms your cock through your pants. “What the fuck is that?”

You try to laugh, breathless and turned on, but all she does is kiss you again.

You’re a creative - you’re ready to attribute meaning to every movement - but there’s nothing so profound about it when you get Karina on your bed, all that thick black hair fanned out on your sheets, her hands grasping to get your shirt off - off, she murmurs, off. Even that comes out measured. She never shakes. She’s so sure. You kiss her everywhere you can reach, her face and her neck and her collarbone and her tits, drunk on the soft, humming sounds she makes when you do. You’re so fucking gorgeous, you can’t stop saying, and Karina keeps laughing that same raspy laugh, like it’s the most hilarious thing she’s ever heard.

“You told me you already know that, right?” You’ve got her face cupped in one of your hands and your other one at the neckline of her scarlet dress. “So what’s so funny?”

“Everything.” Her teeth glint the way fangs would, a deliberate trick of the light. She’d be villainous if she weren’t so content to be trapped underneath you. “All of it.” She presses her palm to the side of your neck. “You’re too nice.”

“Fuck.” Your thumb accidentally digs too hard into her cheek. She doesn’t wince, but you feel it - the stomach-turning thrill, the possibility of leaving a bruise. Your hand drops low - lower, down her throat and her tits and her flat midriff - and slips between her thighs, up her dress. It feels safer, somehow. “How do you manage to make the word nice sound like an insult?”

“It’s not,” she says, simply, and spreads her legs.

And it must not be - because Karina’s so wet.

She makes another low velvety sound when you first touch her, seems to melt into the stretch of your finger in her cunt - just one finger, and her back arches faintly, prettily, hips lifting to take more. “Jesus,” you mutter, but Karina’s not looking at you: her eyes are shut tight, lashes fluttering black, tits heaving in her dress with each draw of breath. You’ve fucked girls who’ve seemed unsure of themselves - embarrassed by their own wantonness, how wet they are, how bad they want it - but all Karina does is wrap her hand around your wrist and tug, once: a clear soundless plea for more.

For a second you’re actually, positively certain that you’ve lost it.

It’s abject fantasy. It can’t be real. You in your apartment with the dream girl - the personal Aphrodite - the muse; God, if anyone was ever made to be a fucking muse, it’s her - underneath you with her ridiculous tits and her tight little pussy, face like a Hollywood dream. Ludicrous. Impossible. Bucking as she tries to fuck herself deeper on your fingers, all the way to the knuckle - slowing down only to say you wanna fuck my cunt open with your big fat cock or what?

“I,” you try to say, strangled - her mouth’s so fucking filthy. “I was - I mean - we could take it slow-”

“How romantic,” says Karina - and this, too, sounds like a heinous insult coming from her - but she drags your wrist to her lips and sucks her own slick off your hand anyway.

You choke on your next breath. “Karina-”

She looks up at you, unflinching, tits half out of her dress and cunt dripping down her thighs. Lipstick worn-down, kissed-off. All over your mouth, or your throat, or your shirt. Mouth chapped from the cold and stained marvelously pink. There’s something in the way her smile forms slight and crooked every time you say her name, as if there’s some private joke you’re not in on.

“You’re such a gentleman,” Karina purrs, all syrupy-sweet condescension. Then: “You really don’t have to be.”

She licks the pad of your finger. She’s so completely shameless. You feel monstrous on top of her, in this sick, superior way, like she’s just too small to be so sopping wet and slutty and fuckable - too beautiful to be anything but treated just right.

“If you want me to fuck you like a whore, baby,” you tell her, half-joking, “then just say that.”

It’s a mistake the moment it leaves your mouth - a line crossed. Because all Karina does is cock her head, your wrist gripped delicately in her hand, her legs parted underneath you, and stares. Almost droll, bemused. Like you’re so goddamn predictable.

“Didn’t you hear me?” That perfect face sears right through you. You’d nearly fucked that face. Not quite. Not yet. “I want whatever you want.”

She’s even tinier than you originally thought she was. You only realize this now, tracing her stomach under your fingertips, feeling the sharp relief of each rib straining beneath her skin. You don’t know it until you touch her, but you can span the width of her thigh under one hand. It sends a strange shiver through you: mapping every jut of bone, every startling edge. She’s tiny. Breakable, practically. Men meaner than you have probably thrown her around, fucked her up against walls, used her like a toy.

“So,” says Karina. “What do you want?”

Your fist clenches tight in her grasp, right in front of her face, knuckles going horrifically white.

Like you - like you’re going to-

An accident. A primal sort of gesture, like you’re less than human, turned under her touch into some feral hot-blooded animal who can’t control itself: carnivorous, predatory. You stare at your own hand and then the sharp scythelike curve of her mouth and feel revolted embarrassment crawl straight up your spine.

It’s abhorrent.

It also doesn’t even seem to matter.

Karina doesn’t go wide-eyed and nervous; she doesn’t look at your wound fist like she’s scared of what it could do to her. She clicks her tongue, once. Like this, too, is something she already saw coming.

“I thought so,” she says, anyway. Maybe this is it, what does it for her; looking the devil full in the face and begging to be burned. “Then do it.”

“I can’t do that to you,” you mutter, but you tug her dress up, and you fuck her anyway.

She’s a stranger. This is the point of fucking strangers. To do things to them that you’d never do to anyone else - to take out your worst impulses and tell your best lies and know that none of it matters, in the end. Because they’re nobody, and because you’ll never see them again.

But you just can’t.

She’s too indulgent and stunning and soft, with her low moans and the addicting drenched heat of her cunt, hand gentle and careful on the nape of your neck so she can keep pulling you into a kiss. She’s made up of curves, delicate edges - those hips and those tits you can’t keep your hands off of and her lips in a dreamy smile - and you find yourself stroking her hair back from her face so you can drink it all in: the blush in her cheeks, the almost serene way she lets her eyes slip shut and her mouth drop open, slack and enticingly wet. So good, baby, you keep telling her, because she is, her entire body warm and wanting and so easily fucked open, little pussy swallowing your cock right up. She doesn’t fidget or plead. She’s so sweet, such a perfect fit, humming into your mouth as your cock eases her open; so wet you can hear it, the sloppy squelch of her cunt when you bottom out. Your voice comes out coaxing. You like that? That feel good? Taking my cock so nicely, huh?

“Mmm,” Karina breathes, in an exhilarating moan, right into your mouth, against your tongue. “Mm, mm-”

She never quite manages full sentences. Never finds it in herself to make any more obscene demands. Just gets all small and soaking underneath you, licks messily at your bottom lip, and lets you do all the talking - lets you draw a careful hand through her hair and drop your other one between her thighs, clenches tight around your cock when you rub at her clit, keens low in her throat and listens. To the good girl, to the I got you, baby, to the that’s it, there you go, this is what you wanted - I know, honey, I know, you just needed to get this cunt fucked right, you just needed to cum real bad. I know what this is. I know what you need.

“Fuck.” She’s flushed pink to her chest, delightfully ineloquent. “Yes-”

Well - good thing you’re decent with your words, when it counts. Let Karina blush and drool and slick up your cock with every stroke. That’ll work just fine with you.

It’s the kind of juxtaposition you’d really lean into - the kind of thing you’d write just to get so self-indulgent with, a personalized note to the director, a wink and a nudge to every audience member. Look at that. Look at her eyes like something straight out of poetry. Look at her body like a pornographic fantasy. Look at how she gets so tamed and docile and compliant when she gets her tiny pussy stuffed full, creaming all over that cock, huge tits bouncing - look, that’s art, isn’t it? What else would you call it? What else could it be?

“You gonna cum, baby?” She’s so fragile underneath you. Color staining her cheeks apple-red; lips swollen and begging to be kissed. Fictive little fairy tale. “You gonna cum for me?”

“Yeah.” It’s breathy and barely-there. Her chin trembles, jerks in a weak nod. “I’m - I - fuck-”

See: you just can’t rough her up. It’d be blasphemous. Sacrilege. Taking one single look at the stained-glass windows of a church and tearing it all to the ground.

Still, you’re mesmerized by how utterly vulnerable she looks: the glossy shine to her irises; the way she inhales all slow and shaky, body slipping from some sort of precipice. Not just like she’s near-tears, but like she’s stunned - struck dumb from a violent blow, mouth wide open in the aftermath. And it’s just sex - and, fuck, you’ve said it, you see things the way every obsessive artist does; sex is never just sex. Every one thing means something more. A metaphor. An allegory. You get nasty and debauched and dirty because you know exactly what you can spin it into. Put the entire scene in a silent film and everyone can swoon about the things you might be saying to her, this impossibly captivating stranger in your bed with her graceful name, her dizzying moans, her shuddering frame in her orgasm. Don’t you get it? you could be telling her, hand brushing gently over her sweat-damp hairline. Don’t you feel that? You’re a stranger to me, baby, but you don’t have to be. There’s a reason we met. There’s a meant-to-be here, somewhere. I’m not a believer, sweetheart, but you could make one out of me - I swear you could, I promise-

But that’s the reason why these things are best left to the imagination, anyway.

A million scripted sweet nothings - and none of them manage to make it out of your mouth.

“Karina.” Your hips jerk hard. You sound half-possessed. “So pretty, cumming all over my cock like that. Such a perfect little cunt, baby - so fucking good-”

Her eyes suddenly shut tight; her body arcs into your touch, lips parted in a silent gasp. And for a second it seems like such a snapshot of innocence, like she’s brand-new to getting fucked quick and rough and dirty - though you know this can’t possibly be the truth, not with the way she flirts and whines and drips for more like she’s made for it - but she’s trembling under your fingertips, and you can dream. She’s your beautiful stranger, your pristine muse; you can pretend she’s whatever the fuck you want.

“God,” Karina murmurs, so soft and weak it makes your head spin.

Before you know what you’re doing - before you can even think twice about it - you’re pulling out, and cumming all over her stomach.

You can’t help it. You shouldn’t have had that thought about innocence. Jesus. This is what you mean, about you and your own painful humanity; you’ve got all the same vile desires. When you see a pure thing - all that porcelain skin, all that thick glossy black hair, all those gleaming white teeth in her open mouth - your very first instinct is to fuck it up bad.

You’d do worse, if you were worse - you’d make a real fucking disaster out of her.

“Baby,” you say, breathlessly. “Are you…”

And Karina, then, does something truly evil:

Sighs luxuriously, stretches her arms above her head, eases those gorgeous eyes open, and smiles.

As if she’s reveling in it. The scent of sex - the defiled tautness of her tummy - the way you’re not sure where her little red dress or her shoes or her panties are, how her cunt’s dripping wet onto your sheets, her hair a glorious mess. Grinning in the face of utter filth.

“You,” you exhale, running your palm down her side. “You’re so…”

Karina’s mouth pulls up at a corner, like she’s daring you to finish the sentence, but you never do.

You can’t stop staring at the stretch of cum-covered skin before you. Coating her belly, pooling into her navel. You realize with a start that there’s a new bruise blooming on her chest, a vicious sort of bite mark. You can’t remember when you did that. You’d been kissing her - of course you kissed her - her mouth and her neck and her tits, but you’d been so gentle, sucking light and soothing her skin with your tongue after-

“You didn’t want to cum inside me?” Karina asks, hoarsely.

You blink so hard your vision blurs. “What?”

“Right.” Her eyeshadow’s smudged dark underneath her eyes, making her look deliciously used up. “You did want to cum inside me.”

“Karina,” you warn - or, at least, you mean to make it sound like a warning - but her name comes out too faint. It’s horrific. Your hand traces her hipbone so reverently. You’re no match for her.

Karina arches a brow in unhurried challenge, ghosts her hand across her tummy. Takes two fingers and drags them through the cum you spilled, pulls back with it clinging thickly to her skin. Drifts down, down, down.

“Karina,” you try to say again, even more pathetic than last time. “Jesus-”

But you saying her name holds no weight here; she’s made that more than obvious. Nothing to stop her as she smears her cum-slick fingers across her glistening pussy, gaze locked amusedly on your face, tracking your reaction. She’s still so fucking wet - she rubs your cum in circles across her clit - tossing her head back a little, chest heaving and falling, fingertips just barely dipping inside her cunt-

“I can’t.” Karina lifts her hand to pop her fingers in her mouth, sucks them clean. Pointedly flashes her too-sharp nails at you like she’s unsheathing claws. “If you want it, you’re gonna have to do it yourself.”

“You,” you say, though your hand’s already pressing hard into her ribs, “are fucking cruel, baby.”

“And you,” replies Karina, head tilting, “just want to see my cunt all filled up and leaking your cum.”

Oh, she hasn’t been wrong about you all night. She certainly won’t start now.

“What?” A sly, languid smirk tugs at her lips. “Afraid you’re gonna knock me up or something?”

Your breath halts right in your lungs.

You’d been right about her too, it seems. Succubus. Vampire. She must be; she’s bloodthirsty. Tits gleaming with sweat, the scarlet stain of that bite mark you can’t remember leaving, cunt all dripping wet and desperately empty - body like a fatal fucking blow.

Karina’s eyes glint. I want what you want, she’d said.

With the way she spreads her legs, she’s gotta be ready to prove it.

So you never stood a chance. You give in and scoop up cum with one finger and sink it deep inside her aching cunt, feeling as she clenches down, as she takes it so well; like a good girl, you tell her, letting me do whatever I want with this needy little cunt; that’s my good girl. Karina lifts her hips - goes so still and so obedient - and lets you repeat it over and over again, fucking into her with your fingers until the plane of her stomach is bare and sticky and her cunt’s dribbling your cum onto your sheets. It’s completely nasty. It’s hot. It’s Karina craning her neck back and shutting her eyes as you bury three fingers inside of her and fill her with your cum, every part of her in utter surrender, entirely at your mercy, breathing out hard through her nose until your thumb rubs at her clit and she’s cumming again, all over your hand. She gets this look on her face, afterwards - exhausted, every line of her face gentle and lax - staring up at you like you’re the only person still left on this planet. Adoring, almost. As if you’re something out of another world.

It’s an expression too sweet for a scene like this - and it’s exactly what men like you make art about.

“There,” you say, soft and mesmerized, wiping your hand across her chest. “Satisfied?”

Karina laughs her strange, gravelly, gorgeous laugh.

“No,” she says, shamelessly. “But that’s not your fault.”

Your fingers curl around the curve of her jaw. “No?”

She barely looks like she belongs in your bed - she must be something divine, lit from within, god-blessedly gorgeous. She’s a fucking fever dream: stunning eyes and the bob of her throat and her tits and her curves and all that hair. Stay, you think of telling her. Let me see what I can make of you. I don’t know you yet but I could, baby, I really could.

“Nope.” Karina smiles, and somewhere, soliloquies are writing themselves. “I always want more.”

“Okay,” you say, mouth hovering over hers. “Then stay.”

So she stays.

(An update on your script:

The stranger and the girl are back at his place. They’re sitting on his couch. Nobody has cleaned off her neck. He’s been too busy pawing at her: at her face, between her legs, at her tits in her tight dress. I need you, he’s been murmuring to her, and it feels like he really means it: like he’ll die if he doesn’t get her desperate and whining underneath him, his cock stretching her tight little cunt wide open. He doesn’t feel too bad about it. She’s a dirty slut. She’s said as much. She’s got her own needs, too.

What happened to your window? she asks, suddenly.

He pulls back from her chest, his spit clinging shiny to her skin.

She isn’t looking at him. He has the sudden, unnerving feeling that she hasn’t been looking at him the whole time. Not like she’s had her eyes closed in blinding, overwhelming pleasure - but like she’s deliberately been trying to look at anything else.

But his hand falls between her thighs, and he realizes she’s already wet.

A bird flew into it, probably, he says. That happens, sometimes.

They’re talking about the stain on the once-clean glass of his window. The backdrop of the night sky behind means it’s barely visible, but the suggestion of it is enough. Implicit gore. Tiny little black feathers, caked in blood from the impact, dark and dried. It’ll be scrubbed off soon enough, he knows. It’ll be all gone eventually.

Oh, she says. She doesn’t apologize for potentially killing the mood. She hasn’t, anyway, not really. She’s still wet and small underneath him, begging for it. Poor thing.

Yeah, he says.

She turns back to him. Her hair’s everywhere, all over the arm of his couch, wayward strands beneath his fingers. She’s clearly expecting something - to be kissed, to be fucked hard, to be called baby and angel and good girl. It doesn’t really matter either way. Those are the only things he can give her.

He stares at the blood on her neck.

Let me clean that off for you, actually, he says, and goes to the kitchen to get a washcloth.)

Much, much later:

“I admire you,” Karina says, all tucked up in your bed, underneath your sheets, half-buried into your side. Moonlight bleeds into the room. Her eyes gleam like galaxies. “For showing some self-control.”

“What?”

Karina’s hair pours over your pillowcase. She takes your hand and brings it close to her face, working your fingers into a tight fist.

“Fucking bitch,” you mutter, and then regret it immediately. It lands too harshly, too strange and serious. “Sorry. I didn’t - that came out weird. I don’t think you’re a bitch.”

Karina’s lips brush your knuckles. “Not the meanest thing I’ve been called.” Her voice twists with humor. She shouldn’t be so comfortable curled up with a man she doesn’t know in the middle of the night. You think of kissing her hard, of scraping her neck with your teeth, of warning her about self-preservation - sweetheart, you could tell her, this is how people end up dead. “Not the meanest thing I’ll be called, either.”

You shift. Your fist, unconsciously, goes tense in her hand. “What’s your deal?”

Her mouth tilts. “What’s yours?”

You huff out a laugh. “You’re unbearable,” you say softly, which feels much kinder than calling her a bitch. “What are you - what do you mean?”

I’m not hard to figure out, you want to tell her. I’ll let you in if you ask me to. But you - you, you imagine saying, cupping Karina’s face in your hands and saying her name like you’re praying to her, drafting scenes in your head with each whispered syllable - you. Look at you. I’d fill a thousand pages trying to find a way to understand you.

“If you want to hurt me,” Karina says, “then hurt me.”

Your throat dries up. Your fist falls open. “What?”

“I wouldn’t blame you.” Her voice is matter-of-fact. You see her tongue dart over her bottom lip, the slick glimmer of spit. “If that’s what you wanted.”

You stare at her, hard.

It’s not difficult to make out her silhouette in the dark; she’s illuminated so distinctly by the moon, like it’s her own on-set spotlight, professionally arranged - she’s got the cosmos calling her shots. You think about how careful you’d been with her: doing what she wanted and making her cum and kissing her like you have history and maybe fucking her like you love her, just a little.

You think about that bruise you left on her chest, her skin between your teeth, the feeling of biting down.

“It’s not,” you say, and the lie tastes acrid in your mouth. “It’s - it’s not, Karina.”

“You fucked my face in public within like an hour of meeting me. And fucked me and came on my stomach. And fingered your cum inside of me.” It’s far past midnight. She sounds more alert than she should. “You’re gonna start being polite now?”

It sends an odd knot to your gut, the way she puts it. Equating all of that to hurting her. Laughing in the face of your clenched fist - not because she thinks you won’t do it, but because she knows how bad you want it.

Hurt me. She says it like it’s so easy. Fuck me. Let me stay the night. Hurt me; you’ve earned it.

“I’m not polite.” The truth doesn’t taste much better. “I just have, you know, common fucking decency.”

“Hm,” Karina says, a nonchalant little noise, and nothing else.

You brush her hair off her neck and your fingertips graze the hollow of her throat. You feel her swallow under your touch. You open your mouth, though you’re not sure what you’re about to say - Karina, like a chant, like she’s consumed you in a matter of moments, Karina - but she shuts her eyes delicately, and curls close to you, and just like that the moment is over.

I have common decency, you’d said. I won’t hurt you. I promise. I can control myself.

So maybe you weren’t right about everything. You’re not the devil. That’d be a delusion of grandeur - the idea that you’d ever have that kind of power over a girl like her.

Not for long, she’d replied, in the knowing tilt of her smile. Not if I can help it.

In the morning, it’s a picture of crime-scene proportions. It takes a little work to piece it all together.

Karina’s not in bed when you wake up, but there are traces of her everywhere - telltale, incriminating bits of evidence. Strands of her hair on the pillow. Blood-red lipstick stains on the fabric. Her crimson dress crumpled on your bedroom floor, sporting a tiny tear in the hem that you don’t remember leaving; you can still smell her perfume all over your sheets, like a calling card. If this was a TV drama - a clichéd police procedural - she’d probably be dead in your living room right now, blank-eyed and beyond saving, rigor mortis deforming her perfect body into something grotesque.

This is also probably not a thought you should ever relay to Karina, but you do anyway.

“Sorry to disappoint,” she replies. She’s perched on your kitchen counter, dressed in one of your t-shirts, bare legs swinging. “I’m very much alive.”

“I was being dramatic,” you try to say, gesturing with your hands to set the scene - the lighting, the fake blood and the special effects, the potential pallor of her face. “I’m - I’m a screenwriter. It’s in my nature. I didn’t mean I wanted to find your fucking corpse out here-”

“It’s okay if you did.”

You choke. “What?”

“I’m right with you, babe.” Karina leans forward conspiratorially. There’s a sharpness to the dark glint in her eyes that kind of makes you think she really does understand: that she has the same tendency to jump to the worst possible conclusions. A kindred, morbid spirit. “I get it. I’m pretty devastated that I’m still breathing, too.”

She says this all in a scratchy, sultry voice, hoarse as though she’s been sleeping for years instead of hours. Lashes fluttering like she’s just told you something very adorable and sweet.

“God,” you say, desperately charmed, and laugh until you feel light-headed. “You’re sick.”

Karina’s mouth curls. “Right.”

“I’m serious.” It’s surreal: her wearing your clothes and sitting on your counter like this is an everyday occurrence, indulging every fucked-up thing you say to her. Maybe you’re still caught somewhere in a dream, just waiting to wake up. “You’re, like - not normal.”

“Hey.” A light, careless shrug; her palm rests over the back of her neck. “No arguments here.”

You rub a hand over your eyes, smiling like an idiot, and take a breath.

It’s late January, and cool sunlight drips into the room, over your furniture and your floors and the angel right in the middle of your kitchen. It should wash her out, blur her at the edges; it doesn’t even come close. Turns her to a freeze frame instead, carefully color-graded, every hue just a bit too intense: skin ghost-pale, lips pouty and pink, hair jet-black and tangled to her waist. Your shirt hangs off of her slender frame like it aims to swallow her up. You thought you’d been stunned by Karina before, lulled by the late night, the electric rush of touching her - you’d assumed you could blame it on the alcohol, the slutty dress and the sultry makeup and the long-held habit of artistic romanticization-

But it’s nothing compared to seeing her now.

Karina crosses one leg over the other, and waits as though expecting a rating: to be starred out of five like a film.

Face scrubbed clean. Bone structure a study of faultless symmetry, delicate in a way that feels both inhuman and invulnerable. She’s so classically breathtaking - a miraculous second coming of a tragic, iconic movie star, a phenomenon back from the grave; jaw and nose and mouth all clean lines, aesthetically precise art - but God, those eyes. Enormous without the thick liner, suggestive only of impossible innocence. Like some darling baby animal, some long-lashed lamb to the slaughter - something pristine and completely untouched.

The morning after, the direct light, the exposed behind-the-scenes - she’s still beyond beautiful.

And somehow she’s still here with you.

“That’s insane, by the way,” you say, unable to stop yourself. “That you stayed.”

There’s a loud cracking sound.

You squint, disoriented. “What-”

Karina blinks at you, wide-eyed; her jaw shifts. The sound echoes again, startling and sudden. “What?”

“Are-” You step closer. “Are you chewing on fucking glass or something?”

“Or something,” Karina replies, smile’s tiny and closed-off. She gestures to the cup next to her. “It’s just ice.”

She’s so calm watching you approach her. You’re waiting for the other shoe to drop, for the freakout, for the breakdown - or, at the very least, the scrambling excuses before the walk of shame. Here’s the truth: she doesn’t know you. Here’s an even worse truth: judging by her hickey that looks like you might’ve tried to rip her throat out earlier, she’d have every right to take one look at you and run.

Karina doesn’t do any of it. Just raises her cup to her lips and tips it back, the arc of her neck so inviting.

“That’s so fucking bad for your enamel.” You’re laughing again. You’re in front of her now, settled between her legs. “You’re gonna break a tooth.”

Karina sets her glass down. Wipes the corner of her mouth with her wrist, eyes locked amusedly on yours - heavy-lidded enough to seem lazy, but pupils blown enough to be a siren call, a deliberate suggestion.

“Oh, no,” she says, all smoky sarcasm. “Who’d ever want me then?”

She parts her thighs the second you touch them; her body’s so obedient under your fingertips, like a doll’s, something to be dressed up and posed and played with. Daring you to do everything you’re already thinking about doing.

“You’re ridiculous,” you murmur, and give in completely.

So:

Look, you know exactly how the movies would frame this. Pandering to the wide-eyed teenagers and hopeless romantics; adding the swell of strings every time your eyes or hands or lips meet, each motion accompanied with unsubtle cues - there’s the meet-cute, there’s the moment, there’s the love-at-first-sight. It’s ridiculous to drag any of that into your real life, of course. It’d be like believing in God. Giving up logic to put your faith in something silly and mythic and implausible - to follow true love like a religion, expecting it to save your soul; to pray to the one like a healing property, a benevolent higher power.

You can’t believe in that. You can’t.

But-

Karina pulls back the barest amount, eyelids fluttering open like a new day dawning, and smiles when she sees the look on your face. So sweet and gorgeous; so struck and adoring. So comfortable wrapped up in your arms.

“Hi,” she murmurs.

And - as though it’s some bone-deep instinct, saturating your bloodstream - you just have to kiss her again.

Don’t you feel that? you think of telling her again, your hand slipping to cup her cheek - the sentiment always seems to come back around. You swear you can see scenes flashing behind your eyelids, the beginnings of a creative epiphany; it must be seeping through your fingers, staining her skin with ink, every possible action depicted neatly between brackets. A laugh, a look, a touch. A version of Karina projected across the silver screen to a wild, wanting audience. Don’t you see what you could do for me? What you’re capable of becoming?

You can’t believe in any of this, but it’s gotta be something close.

The feeling doesn’t end when the kiss does: only intensifies, made tangible somehow. Sculpted into the spit-slick curve of her lips, the flinty gleam in her eye. Like she feels it too. Like she knows.

“And it’s not insane that I stayed,” Karina says, belatedly. “You asked me to.”

For a moment you just stare at her, seconds from her mouth and speechless.

It’s the truth without difficulty. It’s a confession with no strings attached. It’s the fucking dangerous way she says it - as if whatever you want extends to a lot more than sex.

“And you don’t-” Your throat closes over a swallow; you find your eyes darting between hers, searching for anything but honesty. “You don’t think that’s insane? Doing whatever a stranger tells you to?”

Karina only laughs her strange laugh, gritty the way good music is, demanding to be heard.

“Nope,” she says, like this is all so simple. “That’s just what I do.”

It’s unbearably filthy in its implication - and it’s exactly what you need.

The room seems to fill with potential, fantasies pouring in from the ceiling, enough to bloat any manuscript to its breaking point. You let out a breathless laugh, loud and unabashed. You think of pushing for even more, pressing your nails in and digging deeper - why me, why this, why now - but Karina leans in close before you can and slots her mouth to yours, and you’re no fool: there’s no line of questioning worth giving that up.

Seems like you’ll have to come up with this character motivation all on your own.

“Look at us,” she murmurs against your lips - meaning this very minute, the chemistry, how every glittering star must’ve conspired to get you here. “Kinda feels like this was meant to be, huh?”

She’s clearly kidding, because it’s too soon and too fucking crazy, but-

Well, the way you kiss her then is absolutely your version of a yes.

Here’s something people should probably know about artists like you:

You’re rather enamored with the idea of a magnum opus.

It’s a natural thing to reach for, to visualize - the concept of your one great masterpiece. Something you can pour years and years into, water into roaring reckless oceans; time transforming the things you make into something worth remembering forever. Everyone you know - your sculptors, your songwriters - has their own version of this, somewhere. When I finally create this one perfect thing I’ll be - go on, fill in the blank. Fulfilled. Gratified. Happy. When I finally do this, I’ll feel whole.

It’s strangely fantastical. A lifelong dream a kid would have - a childlike, storybook aspiration.

Yours - as far as you’ve figured out - looks a little like this:

“It’s not as romantic as it should be,” you admit, now. “I’m not really into that as a theme. True love, I mean. Or optimism. Or hope. I want something more…” Something rougher, you mean. Something with pain. Something with blood and bruises. “Nuanced, you know? Complicated, messy.”

“I get it,” replies Karina. She has her hands twisted in her lap, watching you very closely. You’re obsessed with the way she looks at you - like she’s drinking every word in with those smoldering dark eyes, greedy for more. For you. “All the best art is about pain, huh?”

You snap your fingers, pleased to be understood. “Exactly.”

Karina smiles, small and knowing, and gestures you on.

In your vision, your magnum opus is always about a girl. Like you said, it’s the way it goes with all the best films ever made: not about love, but the futility of it lasting. Think of all the famed examples - think of the filmmakers and their obsessions, sneaking the great loves of their lives between each line: there’s something she said, there’s a dress she wore, there’s a conversation they had in the middle of the night, tangled up in sheets and whispering against skin. Your future muse will be just like that. A reincarnation of the infamous women who haunt all the greatest artists - an amalgamation of their bodies contorted into narratives and replicated in loving, graphic detail. Someone with skin like marble, a statue you could take a sledgehammer to. Someone who looks unfathomably pretty when she cries.

Someone like-

“Uh-huh,” says Karina. She must’ve just gotten out of the shower before you found her, because her hair’s damp enough to have left wet patches on your t-shirt. She licks her bottom lip, once. “Sure.”

Someone to be what you’ve always wanted: a flawless girl to fall from the sky into your lap. To fulfill your promise to yourself: when I meet her, I’ll know. I’ll be able to make this movie. When I meet her, everything will slip exactly into place.

Karina cracks another ice cube between her teeth.

“So,” she says, low with insinuation. “When you told me last night that you found me inspiring…”

She doesn’t need to finish the question. She knows exactly what you want.

“You’re…” You shake your head. “You’re the most beautiful girl I’ve ever seen. I saw you and I just - I felt like I knew. I knew. I wanted you.” You shrug helplessly, smiling. “Do you think I’m nuts?”

She should, probably. You’re a total stranger, a practical lunatic, an artist talking of your visions like you’re possessed. You don’t know her - that’s the reality of the situation. You don’t know her.

But then there’s everything else.

The unbelievable sex, the staying the night; the way she lets you touch her, blinking slow and subservient, like you already have a claim to her body. You think muse and you think in abstract concepts, glittering stars, guiding lights; you think of skin cut up and sewn together, of creators and their finest monsters, of the implicit poetry in the undoing. You think muse and you think of the way Karina smiles at you now, full lips and frail bones, a painter’s portrait reference. Unmoving, unafraid. Too otherworldly for your day-to-day but just right when she’s in your arms, like a trial-run demonstration: this is what we’re capable of. You could make it happen. You could make me fit.

You swear you’ve been dreaming of someone like her your whole fucking life.

You think muse, and now you can only think of her.

It’s a sign. It must be. And this, the next one:

“No,” Karina says, easily. “I think you’re just like everyone else.” But she raises an eyebrow, so you know it’s a joke. “I think you’re all the same.”

You laugh, delighted; Karina’s smile widens, shows her teeth. “Shut up.”

Karina acquiesces immediately - claps a hand over her mouth like it’ll keep any other words from escaping. It’s so adorable that you can’t keep yourself from pouncing, suddenly all over her like an animal: wrenching her thin wrist down, fingers threading through her hair, tugging her lips to yours as if you’ve been starved and she’s something to devour. She’s so cold, ice still melting on her tongue; even her body feels glacial, more porcelain than real. It drives you wild - the stunning impossibility of her. The desire to see it all reworked, unwound, shattered.

“So,” you breathe over her mouth. “I can write about you?”

“Babe.” Karina’s dark eyes sparkle, frozen-over streets in the mid-winter sun. “You can do anything you want with me.”

That’s the whole point of having a muse, after all. Everything they are becomes yours.

“But,” you can’t help saying right after: “you don’t have to be, like - concerned. About what I said. About art and pain. I mean…” You falter. You’re standing in between her spread legs now, thumbing the sharp curve of her jaw. “It’s fiction. I’m not that kind of guy in real life - I’m not going to hurt you.”

Karina just stares at you, sentiment clear and unspoken.

“Not like - not seriously.” You roll your eyes, laughing it off. “Not like that.”

“Not like that,” Karina echoes. The hickey on her neck seems to flush redder every time you look at it - a photograph in a darkroom, developing. “But in other ways.”

Your mouth opens, but whatever defense you might’ve had gets traitorously stuck in your throat.

Karina laughs hoarsely, lets you trace her bottom lip with a finger. She seems to get the picture - that you’d love to see it bitten and bloody, but only ever in the name of art. There’s a kind of sick, sadistic beauty in destruction, battles waged and lost. She leans into your touch like she’s seen all the war films and knows precisely why they’re so well-loved.

“For the record,” she tells you, arms looped loosely around your neck: “I look very pretty when I cry.”

“Jesus Christ.” You’re smiling. She couldn’t be more perfect if you’d dreamt her up yourself. “Then I guess I’ll have to make it happen.”

It’s like fate, probably.

(Up next in your script:

The girl is standing in the stranger’s bathroom. She’s turning a little glass perfume bottle over in her hands when he stops in the doorway. He’s perfectly content to watch her; she’s the kind of beautiful that deserves to be observed, like some exotic wild animal caged between four walls in an elaborate exhibit, mildly unaware of all the attention. Her hair is messy; her head is tilted down. Unseeing.

Oh, he says. That was my-

Except he doesn’t even get the rest of the sentence out before the girl whirls around, and the bottle slips from her hand and shatters on the floor.

Jesus. The stranger jolts back. Jumpy. He’s not too concerned about the broken bottle; it’s not his, anyway. Why the fuck did you do that?

Sorry, the girl says. She’s leaning rather casually against the counter, observing the glass covering the ground, the sickly-sweet smell of the perfume sticking to the tile. Honeysuckle and the sharp note of alcohol, rendered unrecognizable. You scared me.

He looks down. A crystalline stretch of tiny little shards - if she tried to move she’d slice her foot open.

No worries, he says. Hold on.

He ducks into the kitchen to get a broom and when he comes back he stops in his tracks. There’s something slightly off about the picture in front of him. She’s small against the background counter, frozen, barely blinking. Everything about her looks suddenly frail, fair skin ghostly underneath shitty bathroom lighting, cheekbones gaunt and sunken-in, hair pouring ink-black in endless waves. A vengeful spirit. An incorporeal haunting.

Did you…? he starts to say, thrown.

She blinks, finally. Did I what?

He pauses, reassesses. She’s gorgeous. She’s art. She’s vibrantly alive.

Never mind, he says.

It seems kind of like she’d moved, but he can’t tell. He forgets about it. She’s still beautiful and she seems okay and so he steps forward and clears the worst of the glass out of the way.

It’s silly, she says, watching him. I used to know someone who wore that perfume.

It was my ex-girlfriend’s, he says. She left it here a while back. I think it’s a common brand or whatever. Hey, let me help you.

He’s very chivalrous about it, sweeping her off her feet, cradling her bridal-style across the possible remnants of glass. She laughs all the while, playing into it - a princess out of a fairy tale, being carried to safety by some gallant knight. But then he sets her down and cups her ass and says, You gonna pay me back for the property damage or what? and she laughs harder, because there’s nothing funnier than that: sweet moments turned filthy, a startling hairpin turn in intention.

Or - conversely - a revelation of the absolute truth. Because what else could he ever want from her?

So she says, Yeah, sure, take everything, and leans in to kiss him.

It’s a normal kiss, mostly. It’s just that it begins pointedly erotic but seems to turn strange after a second, like he might be gripping her hair too hard, like she might be corpse-limp in his arms, like at any moment he could unhinge his jaw and sprout fangs and swallow her whole, cannibalistic, viperous. There’s too much spit and sound. There’s too much teeth and selfishness. It stretches on too long and lingers where it shouldn’t and overstays its welcome terribly - the score seems to fall off-beat, the lighting seems to shift dark and discolored-

But then the kiss breaks, and it’s over.

When he pulls off of her she looks like the perfect picture of flushed contentment. Eyes half-lidded and lashes fluttering, her pouty lips swollen and rosy. Smiling like she wants more, like she wants it so, so bad.

It didn’t get you? he asks finally, looking at her neck, thinking of thorns and pinprick pain and the rivulet of crimson that’d decorated her throat. The glass?

No, she says. Don’t you wanna fuck me now?

Oh, God, he says, grinning, and every other thought melts away into nothing. He likes how she doesn’t play coy. He likes how she’s smaller and has to tilt her chin up to look at him. He wants to fuck her, so he does.

It’s excellent sex. The blood on the tile doesn’t really matter.)

Before you really start writing, there’s just one singular problem: you don’t know anything about her.

“That’s not true,” Karina replies, right away.

You open your mouth, then close it, because - okay, she’s not completely wrong.

For about an hour now you just haven’t been able to stop talking to her. About anything, everything: your start into screenwriting, your favorite novels, your greatest inspirations, your neverending passion for eerie, erotic art. You can’t seem to shut up. And it would be bad - would be making you feel self-conscious right now, if it were anyone else - but it’s just not. Because it’s, well-

It’s you, you told her, thoughtfully, watching as the sun climbed higher into the sky, golden light grazing each scalpel-sharp edge of Karina’s body. You’re easy to talk to. Has anyone ever told you that?

Karina blinked at you. Tucked a strand of silky hair behind her ear and looked away, considering it.

She has this way about her: this serene openness to her big eyes, her body language. Leaning back on her hands, humming and nodding and saying I get it, I feel that way too, I understand with such sweet sincerity that you can’t help but believe her. Like a Catholic confessional, a pristinely blank page - something you could pour hours and hours of words into that would never, ever complain.

Yeah, Karina said, finally. She pulled one leg up to her chest; you could see the lacy black of her panties. I get that all the time.

Just one of those people, huh? Her character was taking shape already. A vault for everyone else’s thoughts and ideas, cradling them between her fingers like something infinitely precious. A listener. Such a lovely trait; a perfect protagonist characteristic. An observer.

Yeah. Her cheek rested gently against a knobby knee. Exactly.

It’s something of an art study. You’ve been filing away these details about Karina since the moment you met her, unraveling her bit by bit.

She always seems to think deeply before she speaks, a sort of charming self-scripting, like she wants to make sure she gets every sentence just right. She makes silence seem like the most natural thing in the world. She doesn’t laugh nervously or blush or get embarrassed, ever. She’d mentioned offhand during one of your tangents about your most beloved movies that she tends to like films about gorgeous, dangerous, scarily self-possessed girls: Thirteen and Black Swan and Girl, Interrupted. She seems both intensely present and consistently lost in thought, there one moment and gone the next, her long-lashed gaze falling in and out of focus like a camera lens. A contradiction, you think to yourself. An enigma, even. Profoundly complicated. Not just a girl but something more.

Art in and of itself, displayed deliberately on your kitchen counter, waiting to be understood.

“No, you’re right.” Your fingers have strayed to your open laptop; you’re seconds from typing Karina’s name like a title, something you’ve created all on your own. “I know…”

You’re trying to think of something nonchalant to say and failing. I know you - the first instinct, somehow. I know you’re something brilliant and remarkable and new. I know I’ve never felt this way before about anyone. I know there’s something here, I know what I feel, I know what I want - you, you, you.

Karina stares at the ice melting in her glass.

Then she says, mouth tripping up at a corner: “You know I’m a world-class fuck.”

“Jesus.” You laugh out loud, surprised. “Okay, yeah. That.” A pause. “And, obviously-”

“Obviously,” Karina echoes, like she knows where this is going.

“I know that you’re, like - outrageously fucking beautiful.”

Karina hums once, letting the compliment wash over her, and turns to look out the window.

You bite down on your lip - bite back all the other too-soon things you could say about her, threatening to claw their way out of your mouth - and go in on your script instead.

It’s shockingly easy to write with her in the room. The details seem to stitch themselves together on-page, the restorative aftermath of an autopsy: sealing the slit chest cavity back up, prepping a corpse for an open casket, making something disconnected whole and beautiful again. You’d pulled these specifics from her like pulsing, throbbing organs - her tits, her tone, her tiny waist - and now all you’re doing is repurposing them. You know her body now. You turn stretches of pale, bruised-pink skin into prose, the curl of her little fingers around her thigh into dialogue. You imagine taking that perfect frame and picking it apart again, bit by bit; not just undressing her but peeling back layers of flesh, familiarizing yourself with the stark scarlet of her bloodstream. Until there’s nothing to hide and you can finally say it - I know you - and it’ll feel earned, and real, and honest.

All very melodramatic, of course. It’s just the process: the natural consequence of being a writer.

Your eyes trace the jutting protrusion of muscle in Karina’s throat, and you think about fucking her again.

“Also,” you say, as though your earlier conversation isn’t long over. “I want to know-”

Karina makes a huffy, half-impatient noise.

You grin, gaze flicking back to her face. “What?”

“You want to know more?” Her brows furrow in exaggerated confusion; her smile is absurdly self-deprecating. As if there’s anything she could possibly be insecure about. “You already got the two most interesting things about me, babe.”

“Stop.” Your mouth twitches. “No way.”

Karina’s smile stills in place, expectant. “No?”

“Come on.” Your hand slips from the keyboard to trace her knee. “I’m sure there’s all kinds of interesting things about you I haven’t learned yet.”

The laugh she lets out is quiet and nearly secretive, legs parting to let you touch her. You’re already half in some faraway daydream, wondering if you can bottle the color of her eyes and turn it loose on the page.

“Okay,” Karina says, easily. She nudges your laptop away, scoots closer to you, her sharp chin pointed down at you. “Come and learn them, then.”

“God.” As if that’s what you’re doing. Memorizing her body as some private education; taking her apart in a classroom dissection. “Can I - I’m trying to write, Karina. I’m being productive. I…” You’re shaking your head as though you’re not already giving in, fingers slipping up her thighs - she’s smirking at you like she knows it. “You’re fucking insatiable, you know that?”

“Then satiate me.” Karina’s head tilts, lids heavy. “Fuck me. Use me.” She leans down like she’s telling you a filthy, sordid secret. “Cum in me like I know you want to.”

There’s something surreal about how certain she is: never tripping over her words or waffling over intentions, the most practiced actress you’ve ever seen. Every move - her tongue wetting her bottom lip, her hand sliding gracefully through her hair, her mouth forming a sweet little pout - all clean, choreographed precision.

I know you, she says - like it’s earned, real, honest. Inexplicable, but there anyway. I know you want to.

“Karina.” Her name comes out embarrassingly strangled. You’re pulling her thighs further apart, toying with the edge of her underwear. “You’re such a fucking - you’re so needy.”

Her smirk sharpens even as you tug her panties roughly to the side. “I’m what?”

“Needy.”

“No.” She’s so wet - she’s probably seconds from dissolving into a whimpering breathless thing, begging to be underneath you, begging for more. That damn smirk is probably seconds from shattering completely. “What were you going to call me?”

“Nothing.” You drag a finger down the slick drenched heat of her cunt.

“A slut.” Her voice is a purr, gravelly and sensual. “You think I’m just this fucking slut who needs your cock all the time, huh?”

But it’s the kind of question that you already both know the answer to. Karina takes your finger-fucking so well, hips raised and rutting, hair cutting across her cheekbones - seems to give herself over to desire so fucking easily, with her whole body, back arching and neck craned and hot little cunt a sloppy mess. Never puts up a fight, never demures or acts shy; never says wait or don’t or stop. Only spreads her legs, and drips down your hand, and waits to be fucked good and hard.

And - hey, there’s one dirty word for a girl like that.

“Well.” You raise your eyebrows at her: a challenge. “Are you?”

It’s dangerous. This is all dangerous. Stumbling down a treacherous path, asking a stranger something like this. Are you what I think you are? Do I know you? Do I really?

Karina makes a low, luxurious noise at the stretch of your fingers in her cunt, buried to the knuckle.

“Sure,” she says - and the gleam in her eye tells you she knows exactly what she’s getting herself into. “I’m whatever you want me to be.”

So, it’s possible this is really the most interesting thing about her: she’s the kind of girl who never says no.

That scene goes down how all scenes should:

“Fuck, fuck, fuck-”

Karina’s choking out curses like she can’t recall any other words, head lolling back to expose the pretty bob of her throat. You thrust deep right then and she lets out a sound like an aching gasp, like you’ve doubled down with a fist to her gut, like you’re knocking the the air right out of her; you might as well be - oh, she moans, like she could be in shock or awe or pain - with the way you’ve got one of her thighs pulled up so you can fuck deep into her tight dripping cunt. It’s not nice, not really. Her back keeps hitting your counter. You keep staring at her neck and her hair and her face: the faint flush of her cheeks, the flawless construction of her bones underneath - there’s so much unmarked skin - God, she’s so clean, it’s like she’s never been fucking touched-

“You gonna cum for me?” you murmur, voice coming out thick and half-animalistic.

She has one hand curled around the back of your neck. She’s got those ridiculous clawed nails on her but she never presses down. Her pussy can’t stop clenching around your cock but she takes it so well, lets you make room inside her little cunt, shuts her eyes and trips over her own breath as you force her spine hard against your counter over and over again.

“Karina.”

“Yeah,” she exhales, raspy and strained, as your cock stretches her out. “Fuck, yeah-”

“Cum for me, honey. Cum all over my cock - oh, there you go, good girl-”

It’s hypnotic. The tiny bitten-off sounds spilling from her ice-cold mouth - that small pristine face and all that hair tangled to her waist, just available to be knotted and tugged and fucked all the way up - Karina clings to you when she cums, and you feel so much bigger than her when she does, like you’ve got her sloppy and open around your cock and you could do anything to her, that’s what she told you, and even if she hadn’t, it’s not like she could stop you - she’s gorgeous but she doesn’t have it in her - she’s just too fucking delicate-

It happens too fast to process.

One minute you’re buried inside her pussy and the next Karina’s on her knees, on the ground, and you’re jerking your cock until you’re cumming all over her.

It’s obscene. It’s fucking inevitable. Thick ropes of creamy cum coating her forehead, her cheekbone, her nose and mouth and getting all in that hair-

Her hair. You don’t realize how hard you’re gripping her hair with one hand - balled in a brutal fist at the back of her head - until you disentangle your fingers from it and Karina sinks to the floor like she’s just been cut loose from marionette strings, breathing fast and hard. She doesn’t even say anything: doesn’t comment on the fact that you’d just shoved her straight to the ground or complain when the head of your cock smears cum across her jaw. Doesn’t even flinch when your cock slaps heavy across her cheek, at the indecent sound of the impact.

You’re staring at her, open-mouthed. At her gorgeous, breathtaking, defiled face.

Karina’s not looking at you. Instead, she’s preening in the most lewd, pornographic way possible: swiping her thumb through the cum streaking across her forehead, popping it into her mouth to suck. Halfway through she seems to remember you’re still in the room - seems to recall the value of a performance - and she redirects her gaze up at you, lids heavy, and smirks.

“Did I…” you start, without knowing how the sentence will end. “Did I - was I-”

Karina lifts a cum-covered eyebrow. Her mouth’s an arresting pink, puckering around her thumb like it puckered around the cubes of ice, how her lips formed a ring around your cock back in the bookstore yesterday. She lets it slip free, shiny with spit.

“No,” she says. “You’re good.”

You can’t stop looking at the cum caught in her hairline. She’d been so fucking clean.

You glance down and realize there are strands of black hair broken off in your clenched fist.

Karina’s looking at her hair in your hand too, now, but with a sort of amused detachment. She stands shakily, using the counter for support. There’s cum all over her. Her knees are red from how hard she’d been pushed down.

“You’re so cute,” she tells you, grazing the side of your neck with her fingertips. “There’s no shame in being rough with me, babe.”

“Right.” There’s an unnamed pressure coiling in your chest. “But - but you-”

“Hey.” The word comes out in a rasp, and then Karina laughs, pushing the low hoarse lilt of her voice to its limits. She steps closer, angles her little cum-stained chin up at you. “Are you really gonna tell me you don’t like seeing me covered in your cum?” She’s tonguing the corner of her mouth. “Turning me into a-” her smirk pulls wicked; your next breath hitches so badly- “messy fucking whore for your cock?”

“God,” you get out, because she’s winding an arm around your neck, and her pretty face is still sticky with your cum. “I-”

“It’s what you wanted.” Karina blinks, in a show of such doe-eyed naïveté that saliva begins pooling hot in your mouth - like you’re feral, like you’re rabid. “Isn’t it?”

You’re looking down again. Her knees are going to bruise. Black and blue, as if someone’s bullied her in the schoolyard, pulled her pigtails and knocked her to the asphalt. An echo of something teachers could’ve told her years ago: oh, look, he’s mean to you because he’s got a crush. It’s okay, really - he only hurts you because he likes you.

“You like me like this,” Karina murmurs, dangerously low. “All sloppy and slutty for you.” Her gaze is trained on your mouth. “Marking me up.” Her hair slips from your hand. “Owning me.”

Her name clogs your throat, cloying and candy-sweet. “Karina-”

Karina’s head tilts. “Yes or no?”

She’s too close to you. She’s so filthily beautiful she seems somewhat alien, some kind of foreign invention. Her jaw is smeared with your cum and her flawless teeth shine like jewels and she’s like every creative vision you’ve ever had cut in clips and playing back in a movie theater, made to be scrutinized.

“Yes,” you tell her, winded. “You’re fucking - you’re unreal, you know that?”

You’re smiling like it’s flattery, like it’s an exaggeration. Like she’s not living, breathing, visionary art.

She smiles back, like she knows just how much you really mean it.

“So I’ve been told,” Karina says, and taps your neck, lightly. “Go make breakfast.” She shakes her hair out; some of it gets stuck to the cum on her cheekbone. “I’m taking another shower.”

“Right.” You bite into your bottom lip, hand skimming down her side. “Go get clean.”

“Clean?” She steps back and flashes a disbelieving grin, gestures pointedly at herself - her creamy thighs, her porn star tits in your t-shirt, her body like sex itself. Dirty by design. “Never happening.”

Some cynical part of you keeps waiting for a slip-up, some mistake in a masterfully crafted script - no one can be that gorgeous and still be here with you. But Karina moves and your eyes are hopelessly drawn to the disheveled curtain of her hair spiraling down her back, the sharp distinct lines of her calves, the flex of muscle in her thighs. Her hands, balled into little fists. She’s alluring as if manufactured that way: engineered to be perfectly bruisable, ruinable. It defies logic. It’s movie magic.

“Well.” You snort with laughter, swat at Karina’s ass as she turns to go. “At least you can try.”

You don’t even think she can help it - that’s the thing. It’s just what she was made for.

“What would you have done if I said no, though?” you ask after a moment, as she wavers in the doorway. “Like - what if I told you I didn’t like you like this?”

Karina shrugs.

“I would’ve been something else,” she says, and closes the bathroom door behind her.

(Next:

The stranger and the girl fuck and afterwards he promises her breakfast and then he realizes his cabinets are bare, his fridge painfully unstocked. Sorry, he says, as she pokes around his kitchen. I don’t know how that happened. I usually have something to eat here, I swear.

I don’t mind, she says. Her fingertips sweep his shelves. She seems fascinated by the emptiness, admiring the vacancy. Oh, wait, look.

She finds a half-eaten jar of honey that she ends up scooping up crudely with her fingers, dripping sticky amber down her hand. He’d tell her that’s disgusting but she makes it - as she seems to make everything - into a pointed seduction, her tongue pink and wetly visible, her skin gleaming as she licks it off. It’s funny. He’d never thought it possible to turn eating into some sort of sexual performance but she manages it anyway: meets his eyes, sucks loud and lewd, smacks her lips and wipes her mouth with her thumb, ill-mannered and stunning.

I can’t imagine that’s very filling, he says, delighted by her commitment.

Yeah, well, she says. It’s a good thing I hate feeling full.

But it seems like a moment of hilarious irony when ten minutes later he’s got her bent over his kitchen counter, tits pressed punishingly to the flat surface, honey stuck to her neck and collarbone as she’s fucked hard again and again, stuffed with his cock, his fingers everywhere, like her own body barely even belongs to her - all mine, he keeps saying, and means it; you’re all mine. All filled up. Overfed. Bursting.

Sex is a manner of consuming, it seems. He might as well be eating her alive.)

“Do you do this a lot?”

Eventually, it turns into one of those lazy Saturdays. An afternoon of sitcom plot points.

It’s just so easy to fill the time, the space, the page - you tell Karina some inane story from your college years and she reacts in all the right places like your own built-in studio audience; she says something off-handed and enticingly vague and suddenly you have a new thread of dialogue to explore. You’re both sprawled out over your couch, Karina’s got her thighs tucked over your legs, wearing another one of your t-shirts, a fresh hickey bruising over her throat. There’s something delightfully domestic about it - like you’ve been doing it for a lot longer than you have, or like you could do it eternally if given the chance, holding all the silken comfort of an old routine. When you’d mentioned it - I kind of feel like I could do this forever - she’d laughed her scratchy laugh and said forever’s nowhere near as long as you think it is, babe. A perfectly cinematic line. You stared at her, leaned over, and added it immediately to your draft.

“This whole…” You’re trying to elaborate now, staring at the blinking cursor on your laptop screen. Your knuckles skim her bare, bony knees. “You know.”

“Eloquent.”

“Shut up.”

“I thought you were a writer.”

“Karina.” You’re charmed by the drawl of her voice, the raspy roll of sarcasm. “I’m just wondering.”

Karina shifts in your lap. You’ve got one hand sneaking up the hem of her shirt - your shirt - skating up her tummy, her ribs. You’re probably about five minutes from snapping your laptop shut and pulling her on top of you and saying something crass about her tits and passing it off as a character study.

“What do you mean?” She’s as close to clean as she can be. You made sure of it - licked the hollow of her collarbone earlier after she got out of the shower, tasted nothing but soap and skin. “Do I have a lot of sex with strangers? Or do I stay the night a lot after I have sex with strangers?”

“Both.” You think of taking her hair down, sifting your hand through it, wrapping the strands around your fingers. “All of the above.”

Karina shoots you a look, fluttered lashes, suggestive understanding. You hear it without her having to say it. You want me to tell you that you’re special.

“I’ve kind of been going through a phase,” she says instead, nonchalantly.

Your eyebrows fly up. “A phase?”

“I’ve been, you know.” She gives an airy sigh. “Trying to find myself in the big city. Running wild. Terrified of monogamy but being very brave and quirky about it. Sordid past with love and romance and general human connection. Doing the whole manic pixie dream girl thing.” Her eyes flick to your open laptop, abruptly too wide and innocent. “That sound about right?”

“Fuck off.” It’s a complete non-answer. You run a hand past her stomach, laughing. “You’re fucking with me.”

“What?” Karina inches closer. “Isn’t that what you wanted? Your textbook rom-com love interest?”

You make a rather disparaging sound in the back of your throat. “Ugh.”

“Oh, my bad.” Her mouth curls, contradictory. There’s nothing apologetic about her. “I forgot. You don’t believe in art about love. You wanna see broken people and broken people only.”

“See?” You’re obsessed with her tone; all flirtation, some distorted version of come-hither charm. Talking of suffering like it’s a seduction tactic. “You get it.”

Karina rakes a hand through her hair; her fingers fall to the back of her neck and linger there. She pulls herself out of your lap and turns, hooks one bare long leg over you until she’s straddling you. Your hands find her hips. You’re disarmed by her strange weightlessness, like she’s seconds from either shattering or taking flight.

Then she asks, “Is that what you’re doing with me?”

It’s gotta be a very roundabout request to fuck her stupid, because she follows it up torturously: ducks her chin, parts her lips, rocks her hips down until you groan. You watch her throat, the way muscle works over bone, picturing unspeakable things: taking her by that pretty neck and pinning her to the wall, ripping your shirt right off of her with your fingertips leaving bruises - bending her over to fuck her fast and cruel until her cunt’s raw and aching and leaking your cum - until she’s begging pathetically, saying please, God, please - and you’re triumphant, victorious. Telling her you asked for this, didn’t you? You said anything. You said anything I want.

“Depends,” you reply, when you can breathe again. “Are you a broken person?”

Karina stops, moments from your mouth.

“Depends,” she echoes. “Is that what you want from me?”

It actually takes a beat for the question to sink in. Then two, then-

“No,” you say, loudly. “Obviously not, Karina, Jesus. Why would I…”

You falter.

Karina only looks back at you, patient, tolerant. Like if right now you said that’s exactly it: I want you broken, I want you ruined, I want you decaying and dead and buried, she’d smile and say do your worst. Flashing those white, white teeth, perfect like pearls, ready to be knocked right out and strung together.

You blink the bloody vision away. “Why would I ever want that?”

Karina studies you for a second longer, expression indecipherable.

“Okay,” she agrees, breezily. “Then I’m not broken. I’m just going through a phase, like I said. I don’t like being tied down.” Her shirt rides tantalizingly high up her thighs; her hand slips down to palm your cock. There’s a twist to her lips, a dirty sort of smirk. “You understand that, right?”

You stare at her.

“Right?” Karina prods, again, low and sultry.

“Right,” you say, unable to fight your sudden smile.

The pout of her mouth’s an inevitability; her little body in your lap’s a seductive form of foreshadowing. You dig your fingers into her protruding ribs, playful, and you don’t quite get the squeal of laughter you were expecting - all Karina does is curl closer, expecting more, expecting harder. She knows what you’re capable of. You’re both just biding your time until you cross the same line you’ve been crossing and you fall back into bed again.

“A phase,” you add, considering. It intrigues you, anyway - the casualness, the connotation. “So - I’m not special, then. That’s the moral of this story.”

Karina’s fingers sift gently through your hair. “You wanna be special?”

“I mean, yeah.” Your palm falls to her neck, presses down. She doesn’t seem to mind. “Doesn’t everyone?”

Her eyebrows rise in vague, unconvinced amusement. It makes sense: she’s the most special of all, a cosmic glitch, an angelic fluke. Someone like Karina wouldn’t understand the aching, clawing, consuming desire to be extraordinary. She’s already there.

Your hand on her throat looks even bigger now, tendons straining from underneath skin.

“I think we all want to feel important,” you mumble, thumb grazing gently across her jaw. “Don’t you?”

You’re pretty sure the wry, glittering smile that sits at Karina’s mouth is an answer in itself.

Alright, forget your television metaphors - you’re not sure there’s any sitcom out there that goes quite like this.

“By the way,” you say, grinning against her hair as you pull her to the bedroom. “Did you say you don’t like being tied down?”

Karina turns in your arms and doesn’t even flinch when you force her too hard against the doorframe and its edge smacks into her shoulder blade, digging in hard. You should apologize but you don’t; the possibility of her in pain seems laughable, a distant fantasy. This is how it goes, fucking a girl who looks like a god - your brain is convinced she’s wholly immune to hurt. The universe wouldn’t actually let someone so pretty bleed.

“Oh, sorry,” she says, voice raspy with insinuation. “Let me rephrase.”

“Karina,” you say, not really like a warning - more like you’ve got something to prove. This is real. You’re really here. You’re really this perfect, gorgeous, greedy thing. You’re really made for me.

Karina only lets her lips tilt in a smirk, devilish and knowing.

“I meant that I don’t like commitment,” she says. “I love being tied down.”

She’s still smiling when you shove her through the doorway, across the threshold - across that same old fucking line.

Not that it makes a difference now, but one of the reasons you and your most recent ex-girlfriend broke up was because of what you’d both referred to as sexual incompatibility. Actually, there were about fourteen other things, too - she was a trainwreck and a textbook attention whore; you spent all your time writing and she took offense to the fact that you found your scripts more interesting than her - but the crux of the sex problem between the two of you was that she thought you wanted too much power over her. She seemed to assume that was the point of potentially tying her up and shit like that: to exert power. To put you and only you in control. To make her into this helpless little toy - and I hate that, she’d said, working herself into a fit, I hate feeling helpless.

You hadn’t pushed her. You’d also tried to justify it in a number of ways. It isn’t about that. It’s not about control. I’m not trying to make you feel bad. But it hadn’t made a difference and she hadn’t believed you and you’d come to the reluctant, inevitable conclusion that that particular dream would never actually get fulfilled.

Until-

“Look at you, baby.”

Until now, when you’ve got Karina stripped bare and tied to your bed, thighs parted as you kneel over her, pretty little cunt glistening wet and tits heaving with every breath as she waits, and waits, and waits.

Eyes half-lidded. Utterly fuckable. A curated collection of every salacious desire you’ve ever had.

“You’ve been looking at me forever,” murmurs Karina, her tone still humorous, like the reason her voice is run so ragged is because she’s holding back a fit of giggles. “You gonna fuck me anytime soon?”

To Karina’s credit, the idea of tying her up didn’t seem to bother her one bit. She’d let you knot her wrists to your bedframe and only grinned sharply when you asked her if it was too much. She didn’t seem to care about feeling helpless or feeling bad. Actually - judging from the wetness that collects on your fingers as you rub two of them over her cunt - it all seemed to turn her on either way.

“You’re so fucking mouthy.” You lift your hand only to ghost it over her stomach, leaving a lewd shiny streak across her skin. “It’s like you want to be punished.”

“Well, you put in all this work.” Karina yanks at the ropes tethering her wrists to the bedframe until they bite so severely into her skin that it turns white. “I’d hate to see it go to waste.”

“Not a waste.”

“No?” She’s got that seductive little smirk on, legs spread shamelessly, head back and throat bared.

“Nope.” Your eyes rove down her body. “It’s a great view, actually.”

You’re shocked by the sound Karina makes, then: harsh and derisive, scratchy and painful, like she’s choking badly around some injury in her throat. You’re half-expecting her to turn her face and spit blood onto your sheets - all murder-scene evidence, horrifically vibrant gore. Coughing up her own vocal chords.

It’s so awful it actually takes you a minute to realize that she’s laughing.

“Karina?” you say, perturbed.

“Oh, please.” Karina hacks out one more horrid laugh. “Cut the shit.”

You draw your hand back uncertainly. “What are you-”

“Come on, man.” There’s a glint to Karina’s gaze as she looks up at you: bored, mocking, infuriating. Irises flashing like the darkest corners of haunted houses, set-ups for a summoning; lashes like cobwebs, self-spun and delicate. “Fuck me or leave me alone.”

For a second you just stare at her, unmoving, something caustic and furious threading up your spine.

And then-

Look, none of this next part is on you. You can’t blame yourself. It’s her - her tiny hands in tight clenched fists, tummy so flat it seems caved-in, hollowed-out; her own glimmer of slick smeared on her belly, physical proof of how desperately slutty she really is. The bruise on her chest; the one on her throat. Her goddamn eyes. Her lazy, lilting drawl, the exact matter-of-fact casualness she’d had last night when she’d told you to hurt her - fuck me or leave me alone.

It’s so obvious what she’s trying to do - provoke a reaction out of you. It’s gotta be the only reason she’s talking to you like that. Like, what else are we here for? Like, what else could I possibly want from you?

So - no, God, it’s not your fault.

But-

It’s over before you can even think about it. Before you’ve even rationalized doing it, before you recognize the sound ricocheting through the room as the perfect violent land of a blow, the hot whiplash of skin on skin, your palm connecting with its target. Before you blink, and recalibrate, and you take in the rapid reddening of her cheek, and her angled jaw, and her hair falling starkly past her chin - it’s too late. It’s already done.

Because you’ve just slapped Karina clean across the face - hard.

“Oh.” You’re babbling as if on autopilot, all your nerves on shutdown. “Oh. Oh, God. Karina-”

Karina licks the corner of her lip, like she can taste the impact.

“Jesus Christ,” you’re saying, panicking; you can’t shut up. You don’t know what to do with your hands; you find yourself kneeling carefully in front of her, cupping her face, stroking her temples with your thumbs like it’ll soothe the sting. You can’t believe you hit her. All the things you could do to a girl like that, and you - “I’m sorry. I didn’t - fuck, baby. I’m sorry.”

Karina blinks up at you, expression placid and blank, porcelain-doll cool.

“For what?” she asks.

You freeze, her face still between your palms. “For-”

But the serene tilt of her mouth makes the words die in your throat.

“Seriously.” Karina’s voice is softer now, a kind twist of mirth. “Isn’t that what you wanted to do with me this whole time?”

Her features seem to fall out of alignment, occurring to you in cut, edited fragments - the baby-animal eyes, the bone-white glint of teeth, the pretty blooming flush of her cheek, blood rising underneath skin but never breaking through. No evidence of a limit breached; she doesn’t wince or wail or cry. She wears the hit so well. She’s smiling. A you-don’t-need-to-be-sorry smile, a you’re-forgiven smile: I’m strong, I’m good, I can take it. Whatever you need. Whatever you have to give.

You blink and Karina reassembles, stitched up at the seams, beautiful and uninjured and intact.

“You want this,” you exhale, a wondrous revelation.

“Of course.” Karina’s shoulders rise as much as they can with her arms so tightly tied back. “You do, don’t you?”

The panic recedes, and something else - something electric and brutal, visceral, intoxicating - takes its place instead.

It’s the way she says it: rhetorical, all-knowing. As if she’s seen exactly what’s in your mind - what repulsive daydreams have settled right behind your ribcage, clawing to be set free - and she’s offering her own body in sacrifice. Saying here, put them here.

So you do.

She doesn’t even look surprised when you slap her again.

“See?” Karina’s chin tips upwards in delicious, submissive invitation: eyes darkly pleased, pale skin a burning wildfire, curled mouth a beckoning. Like it’s been what she’s waiting for, all along. “There you are.”

And when you’re finally able to catch your breath:

Oh, you think, in some exhilarating epiphany. Here I am.

Every single reservation falls out the window. Karina’s smirk slants viciously and then you’ve got your hands all over her, on her shoulders and her tits and her hips and her throat and her face, thumb digging hard into her cheekbone. Any sort of gentle caution is gone when you’re getting on top of her and burying your cock deep inside the suffocating vice of her aching little cunt, half-drunk on the high mewling moans you’re forcing out of her, head swimming at the drenched audible sound of her pussy every time you fuck into her - at how tight she clenches down around your cock. Fuck it all, then, it’s not like it means anything - hurt me, she’d said, running through your head on loop; I want it so bad, I need it, hurt me - and so you do, wrapping a hand around her delicate neck and pressing down, slapping hard against her heaving tits, salivating over the marks that you leave. She doesn’t even struggle. Takes it like a good girl, an obedient girl: something meant to be hit and torn up and pulled apart. A hands-on art piece. A disassembling, made purely for audience consumption; a sign hung around her neck that says leave your mark, that’s the point. You’d been so naïve, thinking of being careful with her - like she’d ever even fucking want that-

“You like it like this.” Your voice sounds raw, almost unrecognizable; your fingers press into the base of her throat. “This is all you needed, huh? You just needed to be roughed up real hard.” Your hand trails up to grip a fistful of her hair, merciless. Karina shuts her eyes. “Like you’re just a slutty fucktoy-”

Karina chokes out a small, wet gasp.

“Oh, baby.” You yank harder at her hair. “It’s okay to admit it.”

But in a way, she already is. Doesn’t fight against the restraints tying her wrists, doesn’t flinch at how rough you’re fucking her, doesn’t whine or blink back tears at the harsh graze of your thumbnail against her nipple. Like she’s a plaything, here in your bed for your pleasure alone. Like-

“Like you were just fucking made for this, yeah?” She comes undone so easily: cunt a wet sticky mess when you reach down to rub her clit, teeth pearly-white where they’re caught on her bottom lip - though nothing can hold back the anguished noise Karina lets out at your pace, the thick stretch of your cock, your palm smacking at her tits over and over. “Look at you. That face, these tits, this little fucking cunt-”

Like it’s her one and only purpose - to have all her fair skin turned searing red and bruised under someone else’s hands. Her cunt just begging to be split open and stuffed full, railed so hard she could break. It’s gotta be what she was created for. She’s more than mortal, so above the concept of imperfection; a nasty little fuckdoll of a girl, meant to be used hard and licked clean. She looks too irresistible all fucked-out and ruined. It has to be in her nature. Made for this, you keep telling her: to be fucked until she can’t walk. To be treated forever how you’re treating her now.

Your ex-girlfriend couldn’t have been more wrong. It’s not about power or control at all.

“You’d really just let me do anything to you, huh?” you murmur, awed, but you’re holding her throat too hard for her to reply.

You fuck her, and fuck her, and fuck her. Rub at her clit until she clamps down and cums around you, until you can really get on top of her, force her to hold those huge tits together so you can fuck them. You can’t handle how tiny she is underneath you, her face and her mouth slack with lust, eyes glazed over entirely. She squeezes her tits around your cock. She’s hardly even human. It’s the best thing about her.

“That’s how I know you’re a fucking whore.” Your grin feels wide and manic on your face. You’re gonna cum all over her - again. “None of this even matters.”

And it’s only after - after you’ve painted her collarbone and chest creamy white and let up on her throat so she can fight for air; after you’ve groped her tits and grabbed her face after just to see your cum glistening all over her perfect slap-marred cheeks; after you’ve rolled off of her and you finally leave her alone - that Karina gives you a response.

“No,” she says, hoarsely, staring up at the ceiling. “It really, really doesn’t.”

Power just isn’t the right word for it. It’s something much more beautiful than that.

Desire. You’re dozing off, halfway in a sleepy fantasy. You imagine rolling the word around in your mouth, using it in speeches, citing it as an obvious central theme. It’s about desire, you’d say, in interviews, at film festivals, patiently explaining your motivations to the masses. That irrational animal instinct. That innate human greediness. You’ll maybe even throw in some fun anecdote about how people in past relationships never agreed with you. It’s never been about power, though, you’d explain: how foolish, how crude. It’s about the ache of truly wanting something. Isn’t that so much more romantic?

So you’ll make a movie about this one day. So you tied Karina to the bed and slapped her hard and fucked her senseless. Actually, you picture yourself explaining, foggy and on verge of falling asleep: actually, it’s about hunger. Irrepressible, all-consuming hunger. That’s why I did this. That’s why I’ll keep doing it. You’re all like me; you get it. That makes sense, doesn’t it?

And it will, to raucous, riotous applause.

Good. You’ll laugh so hard. You’re dreaming, now; you can’t tell if you’re talking about the sex or the hypothetical future movie. I’m glad you understand. Anyone would’ve done what I did.

Because - honestly - what’s the point of starving yourself of something that’s right in front of you?

(Let’s pull back from your script for a second. Here’s a real story:

A few months back you were visiting a museum with one of your friends when you got into this conversation about performance art. He’d told you about a woman back in the seventies who walked into a gallery and laid out various objects and let the audience do whatever they wanted to her for six whole hours. Her as the artist, in title only; herself as the art. A free, untethered canvas.

And what happened? you asked, morbidly curious.

Your friend grimaced. What do you think happened?

It was a rhetorical question. The performance had been a test of what the general public was capable of - a reflection of their moral compass, of what they’d do if left unchecked. The setup spoke for itself. You didn’t have to get all the gory details in order to understand.

Seriously, though, your friend said, about the artist: I don’t know what’d compel someone to do something like that to themselves. He’d shaken his head, baffled. Like - I think it takes a deeply fucked up person to just give up their body like that. Like it doesn’t even matter to them.

It’s strange. It’s an almost universally accepted fact that, at least on some level, artists are inclined to put pieces of themselves into the things they create. A memory; a feeling. Condensing twenty different emotions into a single acrylic painting, or a lyrical reenactment of heartbreak into a song - something personal and unique and lovely. Often inspired, sure, but yours.

I think that’s what’s funny about it, you told your friend, before you realized that funny was a fucked up word to use here. There’s nothing personal about that. It’s so detached. It’s about the rest of the world, whatever they might make of her - it’s not about her at all.

You were both quiet, thinking. Visualizing what it might’ve been like. To be there, one of many in the audience, watching this woman who had thrown herself to the wolves and asked to be ripped apart.

She’s just - material for them to use, I guess, you said, after a moment. A blank page.

Removing her own identity; becoming nothing, no one. A ghost. An empty vessel. A slab of clay, taking on the impression of everyone who’s ever touched her: the ridges of fingerprints, the half-moon cuts of nails, molding her into something new. Even if it took some force. Even if it hurt.

Still, it’s what she’d asked for.

You can’t imagine she’d ever expected anything else.)

There’s this fascinating complaint people have about films these days, you’ve found. It’s actually quite the phenomenon. You talk to your colleagues and scroll through social media and read comments on movie trailers trying to get a grasp on it all: market research. This isn’t realistic, people gripe. It’d never sound like that. She’d never look like that. This would never, ever happen - God, are you kidding? Who are they trying to fool? As if they’ve somehow missed the point of fiction - of a sweet, escapist fantasy. As if they’ve convinced themselves that the real world is better.

Which is moronic, obviously.

“So what’s the solution?” Karina asks.

Well, you’re no expert; it’s been a while since you’d finished your last movie.

“But you have an idea,” Karina interpets. She’s perched on the edge of your coffee table, nursing a new glass of ice. She’s watching you with her head at an angle, eyes shrewd. “Otherwise you wouldn’t be telling me this.”

As with most of her guesses about you, she’s right.

“It’s all about the details,” you say, after a moment. “It humanizes a person. Having little bits and pieces about who they are - it makes them alive. Their likes, their dislikes. Embarrassing stories. Things that make them laugh. Diary entries, favorite foods - first loves, first heartbreaks. So on and so forth.” You’ve got one of Karina’s ankles between your hands; your thumb brushes against the bulbous protrusion of bone. “It’s what makes people real.”

Karina’s mouth twists, sharp and strange; it takes a second for you to realize that she’s grinning.

“Oh, right,” she says. “You want me to spill my guts to you.” She pushes her ankle further into your grip. Her legs are just like the rest of her: thin and pale, waifish. Like a nineties catwalk model. “That’s how you’re gonna make me real. In your movie.”

You pull a face, letting her ankle slip from your hands. Spill her guts; what an ugly figure of speech. As if you’re doing something much more invasive and violent than just writing about her.

“Basically,” you agree, anyway. “I mean, it helps that you’re already, you know - a real, whole, living person.”

“Ugh,” says Karina, dry and amused. “Barely.”

You wonder if she’s also thinking about this morning; you, stunned and staring at her cum-streaked hair, calling her unreal.

She’s got a point, in a way. There’s something slightly uncanny about her sitting in front of you, as if she’s been taken straight out of some wildly different scene - some spotlit stage, some movie set, some glossy high-budget existence - and haphazardly edited into your life. You reach out and press two fingers to the side of her neck, like they do on television if they think someone’s bleeding out.

Karina tips her head to allow you access. Her pulse throbs hotly under your touch.

“I don’t know,” you say, smiling at the swanlike line of her throat. “You seem pretty alive to me.”

“Sure.” Her hair tickles your wrist. “But you want more.”

She says it like it’s this given - as if she’s always faced with people wanting more from her. You wouldn’t doubt it, little tease she is. You can picture her in motion so easily. Always running. Letting people pine and plead for more.

“Yeah,” you say. It seems pointless to lie to her. “I want more.”

Karina leans in closer. She reaches up and touches one of your knuckles with the pad of her thumb. Without makeup, you can see the shadows of dark circles underneath her eyes, but even those look painted-on, pre-planned; a study on the aesthetic allure of bruises. She lets her gaze drop to your mouth, then bites down on her bottom lip. Impish.

“Karina,” you say, grinning wider now.

It’s one of those unspoken things: the translation of body language, the transcription of the tilt of her mouth. Then have me, she’s saying, almost certainly - like a swooning melodramatic heroine, throwing herself into your lap, wanting to be saved. You want more? You want me? I’m right here. I’m yours.

“Fine,” Karina purrs, and kisses you again, like sealing a contract. “Take it all.”

You don’t fuck her again - not at first. There’s more than one way to take someone apart.

Karina says she’s got a story for you and then she pulls out her phone.

“This was back in high school,” she explains, scrolling back through her photo gallery. There don’t seem to be a lot of recent additions to it; you’d expected selfies, pictures of her with friends. There are more photos of food than anything: plates of pasta and donuts and burgers and pastries piled with whipped cream. It’s cute. It makes you laugh. “When I won prom queen.”

You splutter. “When you what?”

“What?” Karina gives you a bemused, sideways look. “Does that surprise you?”

It floors you, actually. At first you can’t quite put your finger on why, but then you look at Karina again - at her intense dark eyes and pouty fuckdoll lips and the exaggerated pinup proportions of her body - and you realize you’re making that mistake writers often do: buying into archetypes. It just makes sense that she’d be some kind of brooding bad girl. Mysterious, promiscuous; in your creative vision she’s probably cutting classes and chainsmoking in the girls’ bathroom. A favorite of the rumor mill. A pretty little delinquent.

“Wow.” Karina makes a funny noise in the back of her throat when you tell her this. “No. I was - I did fine in school. Perfect attendance, almost. And I can’t stand the smell of cigarettes.” But she doesn’t look offended, either; you imagine people make these assumptions about her all the time. “The prom queen thing - it wasn’t my idea, though. My best friend did all the campaigning for me.”

“That’s sweet.” You watch as she reaches the year she’s looking for. Flashes of her in a sparkly dress with her arms thrown around another girl - a tiny doe-eyed brunette - slide by. In one of them, Karina’s got her head tipped back, clearly mid-laugh; in another, she and the girl have their heads bent close together as if they’re trading secrets, unaware that they’re being photographed. “Well - I think it’s sweet.”

Karina’s fingers stall. “Why wouldn’t it be?”

“I’m just saying-” You shrug. “It’s a nice gesture if it’s something you wanted, I guess. Seems like a lot of attention, otherwise.”

“Oh.” There’s a pause. “Yeah. It was - I didn’t get to go to junior prom, so it was kind of - this was - senior year. Senior prom.” Another pause. “Yeah. She did it to make me happy.”

“And did it?” She passes by pictures that fill up with more people: friends with big grins who stick close to her side, wrapping her up in an embrace. “Make you happy?”

“Of course.” Karina’s thumb pauses on a video, the preview dark and unfocused. She says it like she doesn’t even have to think about it. “She was my best friend. She always knew what I wanted. Hey, look at this.”

The video’s of her in the back of someone’s car, prom queen tiara askew on her head, satiny sash falling off one shoulder. She’s yelling, laughing; the sound isn’t on, but her mouth’s wide open and her dark eyes are crinkled to half-moons, creased underneath heavy false lashes and glittery makeup that’s begun to smudge and fade. It makes her whole face look very soft. Young, too - cheeks full and flushed pink with excitement, hair blown-out and everywhere, glossed black. As if she’s having the time of her life.

“How old were you here?” you ask, in awe.

“Eighteen. Just turned, I think.”

“You look-” Like a baby, you almost want to say. It’s true, though. Big brown eyes, scrunched little nose - grinning like the rest of the world hasn’t quite dug its claws into her yet. Skin unmarred and infant-smooth. “You look pretty.”

Karina doesn’t look at you, but you can see the slight, entertained upturn of her lips. All the nasty things you’ve called her - all the irredeemable ways you’ve touched her - and now, inexplicably, you’re going for pretty.

“Thanks,” she says, and clicks the volume up.

“Shut the fuck up,” baby Karina is saying, delightedly. Her voice sounds high, childish and carefree. “You’re so dumb. It wasn’t - it wasn’t even like that, I swear!” She flaps one hand in the air, her nails all short and painted the same rich deep maroon as her dress. “No - you’re just saying that because you’re jealous, you idiot, I know you - you just-”

The person behind the camera says something that you can’t quite make out.

Baby Karina presses one hand to her sternum, pearl-clutching, and gasps.

“I would never,” she admonishes - over-the-top like an actress from a movie - before she throws her head back and laughs.

It’s a startling, wonderful laugh. A little-kid laugh. A mess of wild, unabashed giggles, hiccupy and sweet, so loud and infectious you can hear the other people in the car start cracking up with her; out of frame, someone reaches out to interlace their fingers with Karina’s, waving their joined hands until they smack against the car window and Karina only laughs harder. With her whole body, shoulders shaking and all. Streetlights flashing across her face, making her look sort of blurry and surreal, like something out of a painting.

“Your laugh,” you find yourself saying, stunned.

Karina’s touching the back of her neck, completely engrossed in the video. “My what?”

You don’t laugh like that anymore. That’s what you mean to say. That scratchy, almost painful laugh that she’s been gracing you with since the moment you met her - there’s no trace of that in how baby Karina wriggles with laughter in the backseat of the car until her happy, breathless blush spreads to her neck and her chest. Head tipping back against the seat, like she’s all tuckered out.

“Um,” you say, voice caught in your throat.

On the screen, her eyes fall shut, lashes fluttering so delicately.

You can’t do anything but stare. Brilliant, past-life, prom-queen Karina - grinning at nothing, and sleepy from a perfect night, and laughing as if she’ll exist as this version of herself forever. As if she just doesn’t know any better, yet.

“You,” you start to say, again-

Karina shuts her phone off, and turns.

And you’re about to say something - something about the gnawing, uncertain feeling you get when you watch this former self of hers. It’s on the tip of your tongue. You don’t laugh like that. Something happened to you. For a moment the whole image just seems off - like the way people make posthumous holograms of pop stars, superimpose faces of long-dead actors on stunt doubles. A kind of intense wrongness. A murmured, uncomfortable: that’s not really you, is it? It can’t be. I barely recognize her.

“What?” Karina asks. Her smile reveals her teeth. “Why are you looking at me like that?”

Then reality hits you, all at once.

“Sorry.” Your hand finds her thigh. You laugh because you’re being ridiculous - how would you know who she really is, anyway? “I was just thinking - I don’t know. Never mind.”

She seems to take that at face value. You like that about her. How she seems to trust so easily - going home with you, winding up in your bed, staying when you ask her to stay. Giving you whatever you want: her body, her story.

“So,” you say, eventually. “I can put in my movie that you totally peaked in high school, huh?”

Karina snorts. “Yeah,” she says, playing along, and taps her dark phone screen with a clawed nail. “Say it was the last time I was happy.” She pulls a face, like the thought of it is just unspeakably pathetic. “That’s a tragedy if I’ve ever heard one.”

“Shakespearean,” you agree, and let her clamber into your lap. “It’s perfect.”

But you know she’s kidding. You’d like to think that you understand girls like her. They live in a different world than the rest of you - the kind of world where every person on earth looks at them and falls to their feet, falls madly in love. You’ll write about it one day; you’ll feel out the narrative for her, a curious exploration. That rose-tinted life she must flourish in, closed-off and flawless like a snow globe, her spinning and protected in the glass.

“Perfect,” echoes Karina, and kisses you - like she’s proving she really means it.

That’s the reality, here. That’s it. This is all there is.

Well, almost.

Karina lets you scroll through the rest of her photo gallery, front to back. You take the opportunity, because you’re greedy for as much as you can get.

There’s a lot of photos that are just her, funnily enough - selfies posed in front of the same full-length mirror, over and over again, clad in unholy outfits. Swimsuits, sports bras and little running shorts, lingerie: shit that makes your mouth water, eyes lingering, groaning out loud as she laughs at you. But it’s also her in faded old t-shirts, holding the hem up to expose her stomach. Body angled to the side in girlish sundresses. Hair pulled up, showing off her neck, her gorgeously sharp collarbone - in makeup or out of it, stare intensely focused and sultry.

“That’s hot,” you comment. “Self-obsessed as fuck, but hot.”

Karina smiles - her tiny private-joke smile - and doesn’t say anything at all.

There’s one video in particular that catches your eye. It’s recent, relatively - the date reads late December, last year. Less than a month ago. Christmastime. You click on it, curious.

Karina’s immediately recognizable in it, black hair winding past her shoulders, drowning in a large black sweatshirt. She’s smiling, but it looks sort of tense and tired - bags under her eyes, like she hasn’t slept in a while. She’s got both hands balled up into fists, held close and protective to her chest; her sharp chin rests on her pale knuckles. There’s a tiny smear of red across her mouth, lower lip bitten bloody.

“You just got here,” she says. She’s looking at something behind the camera. “The first thing you wanna do is hear me sing?” She laughs once, scratchy and hoarse. “Why are you even filming this?”

The answering strum of guitar strings, a pretty, perfect chord. An invitation, or a demand.

“You’re kidding.” Karina’s voice is flat.

Another chord - evidently not.

“Wow,” says Karina. Her smile, out of nowhere, goes very soft at the edges. “You just do this because you know I can’t say no to you.”

“What?” you ask Karina now, laughing. “Is this - what is this? Do you - are you really going to sing?”

And then - crazily enough - she does.

“Oh,” you say out loud, adoring, and Karina turns her face into your shoulder.

Her voice in the video is breathy, sweet. Shyly unpracticed, raspy from disuse, completely and utterly gorgeous; lids slipping shut and open again, laugh leaking into her melody line in lyrics about black eyes and kisses and wanting someone who’s just so, so bad for you. But what surprises you more than anything is the look that dawns on her blurry on-screen face - irises sparkling and smile bashful, hiding her mouth behind the sleeve of her sweatshirt, curled up with her knees to her chest. You see now that she’s wearing pajama pants, fuzzy and patterned with snowflakes.

She looks radiantly pretty. She looks vulnerable. And not even in a sweaty, satiated, filthy post-fuck kind of way - actually, genuinely vulnerable. Soft and wide-eyed and tender.

Suddenly, you just can’t tear your gaze away.

“Stop.”

The song’s over. On-screen Karina’s fully grinning now. Porcelain-fragile, but undeniably happy, too.

“I hate you,” she says. “Baby, I really do.”

“You love me,” says the person behind the camera. “You’ll love me for the rest of your life and you know it.”

And in the video - in vivid, fluid motion - Karina laughs.

Whole-hearted, lovely. Familiar. For a moment, you swear she’s still that girl sitting in the backseat of a car with her prom queen tiara on, giggling free and uninhibited, unhurt, untouched. A month ago - less than that, even - looking like she’s coming back to life.

That’s where the clip ends.

It doesn’t change anything, if you actually think about it. It’s just another version of reality. A Karina from a whole other universe, laughing like a child, and so, so far away from whoever she is now.

(Back between the lines of your script-

The stranger and the girl drink to get drunk and that’s about it. She reads the label of his wine; he makes fun of her for being a snob. She doesn’t really drink, she says at first, but he laughs like this is a challenge, and pours her a glass anyway. She flushes pink and fidgets around. She seems to shed hair like a cat and he thinks this is the most hilarious thing he’s ever seen, picking up thin black strands off of the arm of his couch, teasing her about girls and how they really like to leave their mark, huh?

Leave their mark, she repeats. There’s some trick of the lens here, some sort of strategic camera work - he’s in the forefront and she’s in the background, and she looks so much smaller than him. Why do you say that?

He still had his ex-girlfriend’s perfume in his cabinet. He probably still has some of her clothes in his closet. Not out of any particular emotional attachment, but sometimes this is just the way things are: when you spend years intertwining your whole existence with someone else’s, it’s hard to rid yourself of that connection. You’ve grown into each other’s spaces, tangling limbs and heart lines, putting down roots. It’s gonna take a little force to get them out.

They’re just so much, he says, gesticulating with his hands. And they affect everything in your life, like a fucking infection. And then it doesn’t work out, and you - he makes a wide, sweeping motion here, attempting to encompass the wreckage. You have to fix everything they broke. Purge them from your system and all that. It’s so fucked up.

It’s like this, he means to say - you love someone and then they leave you behind and you’re left staring at the blown-up decimated crater that used to be your life together. You love someone and they don’t love you back and all you have now is the debris.

They’re both drunk. There should be music here and there isn’t. It’s only eerie, too-still silence, suffocating the both of them with every passing second.

Well, she says, laughing, and takes another sip. You and I can agree on that, at least.)

It happens like this:

There’s a monologue you want to write.

You tell Karina this after you’re finally fucking her again, when she’s balanced on the edge of your glass coffee table with her legs spread and your mouth slick with her cum. Well - not after, technically. She’s between orgasms and you have your thumb on her clit, tracking the expression on her face, the split-second moment where she comes apart. It’s then when you realize so badly that you want to write some great speech for your heroine - something about the sweat beading on Karina’s midriff and her tits that you can’t stop touching and the jerky movements of her hips, trying to get your tongue back on her clit, panting and delightfully desperate. Something about desire.

“Desire,” repeats Karina, voice halfway into a raspy, worked-up moan.

“Yeah.” You’ve replaced your mouth with your fingers, fucking up into the obscene tight heat of her cunt. She’s trembling, dripping everywhere; she’s the very picture of what it means to want, probably. “But I just can’t figure it out.”

Karina laughs roughly, and then she cums.

“Is that funny?” you ask her, after, when you’re wiping your wet mouth with your wrist and she’s sucking on your glistening fingers, licking the taste of her own cunt off your skin. Her eyes big, lips all full and pink - slutty angel on her pedestal, perched above you. “Me writing about desire?”

Karina lets your fingers free with a loud pop. She’s still clutching your hand close to her mouth, thumb dragging through the sticky gleam of her spit. “No,” she says, eyes distant. “It just reminded me of something. There’s this Anne Carson quote, about men and desire…” She shakes her head. Presses her lips once to your fingertips in a small, startlingly sweet kiss. “It doesn’t matter. Tell me more.”

There isn’t much to tell, truthfully. Except that you’ve got this love for movie lines that are just so utterly quotable - things that make their way into the pop culture consciousness. That’s the kind of work you want to be doing: creating something that has an impact, something that’ll exist long after you’re gone. Everlasting. If you had to pull for an example, you’d say-

“You ever seen Closer?”

“Yeah.” Karina drops your elbow into her lap. “Oh, I get it. He tastes like you but sweeter. Lying’s the most fun a girl can have without taking her clothes off - et cetera.” She hums the melody line. “So you want an early 2000s pop-punk band to make a song about your movie? Ambitious.”

“More or less,” you say as she shimmies her shirt back down, hem falling back over her midriff. “But like I said, I’m kind of stuck.”

Karina rolls her neck. Her hair is everywhere, sweet-smelling; snapped-off strands decorate your table, looking like cracks in the glass.

“Any suggestions?” you ask, thumb skimming along the pale bruised inside of her thigh.

She smiles, mischievous. “Maybe.”

That’s how you both end up curled on your couch together with your laptop in front of you, Karina’s eyes glued to the movie playing on the screen, watching as the four main characters fuck and flirt and cheat on each other and scream at the top of their lungs. Melodramatic dialogue. How do you feel about him using your life? You’re lying; I’ve been you. This will hurt, which Karina laughs at - as if announcing the pain will make it better, playacting at exoneration.

It’s also - predictably - how you end up fucking again. You barely make it an hour in, and then-

“Hey.” Karina’s breath tickles your ear. She’s already seconds from climbing in your lap already; her thigh is hooked over yours, bare and inviting. “Are you inspired?”

You’re swallowing back a grin. “Sure.”

“Oh. Great.” She’s no actress herself, clearly. She couldn’t be subtle if she tried. “Do you wanna be more inspired?”

And - whatever. It’s a movie about sex. If anything, at least you’re sticking to the theme.

The dialogue plays in the background as Karina rocks her hips down on your lap - you can feel how wet she is again, like she never stops wanting to be fucked. You’re telling her something about how she’s the most insatiable girl you’ve ever met; the sound of the film saturates the room, setting the tone like it knows its purpose. How? How does it work? How do you do this to someone? This big, infidelity-ridden confrontation. Did you phone her? Beg her to come back? Asking him why he falls for another girl, getting this ridiculous answer - it’s because she doesn’t need me.

“Huh.” You smile into the curve of Karina’s neck, already palming her ass. “That one’s funny.”

“Is it funny?” Karina’s sharp jaw brushes against your cheekbone. Her eyes are so dark, shadowed by her long lashes. “I think it’s pretty realistic. People don’t like needy girls. It’s a burden to be loved so hard.” Her tongue darts across her teeth; her smile’s somewhat caustic. “Too much to handle, I guess.”

“What are you talking about?” This strikes you as fairly fucking ridiculous, too. “What men have you met who don’t like needy girls?”

Karina just laughs and leans in for another kiss.

It’s easy to let the rest of the film float away in the background, the lines coming disjointed, unconnected. A spoken-word soundtrack, tone perfuming the air: the angst and pain and eroticism seeping into your clothing. Once in a while you’ll pull back from kissing Karina’s neck or tits or mouth and see a thoughtful little quirk to her mouth. Like she’s genuinely listening, even as you’re taking off her shirt, slipping a hand back between her legs. Where will you go? Disappear. I can’t still see you - if I see you, I’ll never leave you. I amuse you, but I bore you.

“I bet you’ve never felt that,” you say, half into the silk of her hair.

Karina pauses. Her shirt’s on the floor; she’s gloriously naked on top of you. “Felt what?”

“I amuse you, but I bore you,” you recite. You already sound sort of fuck-drunk, far gone. “You’re the farthest thing from boring.”

Back in the movie, the female lead sobs into her fists. Karina studies you, fingertips grazing the nape of your neck. You try to imagine it - her as one of those heartsick heroines, crying herself to pieces, begging a man not to leave her - but you draw an utter blank. Some people just aren’t breakable in that way.

“You’d be surprised,” Karina says, after a moment. “People get bored of me all the time.”

“Oh, please.” Even when she’s the one top of you, you can’t help feeling so completely in control. It’s gotta be the look in her eyes, dying to be obedient. “I bet you have lots of ways of keeping guys interested in you.” You smack her ass hard just to make a mark. “I bet you let them fuck you however they want.”

“Exactly,” Karina agrees, without missing a beat. She moves in close until your noses bump together. Lets her voice go all smoky and suggestive. “Wherever they want, too.”

You open your mouth - probably about to say something very rude about what a dirty whore she is and how you should’ve realized it the second you saw her; I knew it, I know you - but then your hands slip lower and Karina presses her lips to yours and licks into your mouth, over your teeth, making you swallow your words. Filling you up until there’s nothing but her and the movie, playing on.

I think I’ll be happier with her.

You won’t. You’ll miss me. No one will ever love you as much as I do. Why isn’t love enough?

“Romantic, right?” murmurs Karina, sweet against your tongue.

“Shut up,” you say, and grab her by the hair, tugging her off your lap as you stand. “Bedroom. Now.”

Later, you’ll take the time to consider the different ways filmmakers illustrate a power dynamic - it’s playing on your laptop screen right now. The heroine’s sitting on the arm of the couch, clutching desperately at the hero’s jacket. Gorgeously emotional and pleading for another chance, her tiny chin tilted up, eyes so large and watery. Made fragile and fearful by everyone: the protagonist, the narrative, the director, the audience beyond. By herself, even. It’s a stylistic choice - she wants to look that pathetic.

And you-

Well, you’ve got Karina’s long hair wrapped up in your fist, tits bouncing as she stumbles to her feet, ankle knocking hard and horribly loud against the leg of your table. Cute little ass all red from your hand. Thighs shimmering from how drenched she is, cunt dripping from how you’ve treated her. She hasn’t managed to work her mouth into a trademark smirk fast enough: when she looks at you over her shoulder, her eyes are abyss-dark and bottomless, crease between her brows, lips parted in pained surprise.

The definition of pathetic, too - but that’s exactly the point. She’s just so much more fuckable like that.

“Ouch,” you say, touching her hurt ankle with the side of your foot.

“It’s fine.” Karina’s skin feels clammy and cold. Her smirk’s intact now, camera-ready. “I’ve been through worse.”

Her ankle throbs under the pressure of your touch; you still haven’t let up on her hair. You’ll go through worse, too, you think of telling her: a sly comment about how rough you’re about to fuck her, what vicious marks you’re about to leave. How you’re gonna hurt her exactly like she asked you to.

You don’t say a thing.

She must already know all of that, anyway.

So, Karina’s not breakable like the helpless, weepy, soft-hearted girls in the movies - but that’s alright. She’s breakable in much more enticing ways.

Case in point:

“Oh, get real, baby. Don’t pretend you don’t love it.”

Well, breaking someone down doesn’t really get better than this.

It’s all a scene of your own making, a perfect pre-arrangement. You on your bed, Karina limp and bent belly-down over your lap - you in control and Karina as the most impressive toy you’ve ever gotten your hands on, creamy ass and needy cunt and skin that turns bruises to artwork. You’re goading her and failing - trying to get her to just admit to what she is, what a filthy slut, what a nasty eager fuckdoll - but it’s hard to get a response when even breathing seems to be a chore for her right now. Every noise out of her mouth is nothing but a gasping, choked-out whimper. Her face is buried in her forearm, hidden. And through the shine of lube dribbling down your hand and her ass and into the sticky wetness of her cunt, you’ve got two fingers stretching out her little asshole - and you’re just getting started.

“I know you fucking need this.” Your other hand slides up her back, slips to tangle in her hair. “You’re just too good at it.” You pull hard, wrenching her head from the crook of her elbow. “Too good at being an obedient fucking whore for me, huh?”

Karina’s whole body stiffens when you fuck your fingers deeper, as if tugged taut on a string: the flex of her feet in the air, shoulder blades straining, neck craned back almost painfully. You pull harder. It’s a buzz at the base of your skull, live-wire thrilling: the knowledge that you can yank her into whatever position you want - fuck her anywhere, work her ass open with your cock, fill her up with cum - and she’s just going to have to take it. Like she’s this pliant, powerless thing. Like she’s yours.

Your self-satisfaction seeps right into your voice. “Answer me.”

You hear Karina gulp down a breath. “I,” Karina mumbles, but she can’t do anything but babble. “I - fuck-” All teeth-clenching nonsense; she shoots a baleful glance over her shoulder, desperation clawing its way into every word. “Please-”

Your fingers pause. “You want more?”

Her cheeks are splotchy and pink; you swear there are tears wobbling in those big dark eyes. The heavy arousal in your stomach turns to violent hunger, as though your mouth could start watering at any second. You can’t help it. The thought of seeing her cry is fucking exhilirating. “You - oh-”

“Answer me. You want my cock?” You’re waiting for the breaking point. “You want me to really fuck your ass?”

“Fuck-”

But that’s not a proper reply and Karina knows it, so she doesn’t protest when you pull your glistening fingers out of her and smack your palm hard across her ass. Once, then twice, and then you just don’t stop. She yelps like a hurt animal - trembles uncontrollably, her thighs and her shoulders and her quivering bottom lip - and makes a sound in the back of her throat that might be a sob, but she still lets you hit her: gives into the harsh crack of skin on skin, over and over again. Listens as you tell her that she deserves this, that she wanted this, that you’re making her into a good girl and this is what good girls get when they’re too cock-hungry to follow orders or answer a fucking question, you know that - you know I’m this rough for a reason. It should hurt. It’s so much more fun that way.

“I’ve been too fucking nice to you,” you mutter, teeth gritted in an effort to hide your grin - as if you even need to. It’s obvious how much you enjoy this. It’s the point. “That’s the problem with girls like you - you never learned your fucking place, huh? Never really been punished for anything?”

Karina mumbles out something unintelligible, slurring from her drooling mouth to the sheets.

“Yeah.” Your hand comes down again - she flinches just before her body goes slack. “That’s what I thought.”

And after you’ve spanked her so hard that her fair skin is ravaged and raised with goosebumps along the slope of her back - her whole body in revolt - you finally, finally stop.

Karina doesn’t budge except to breathe, and even that releases shallow, unsteady. You read it all in the shaky lift and fall of her thin shoulders, her hands in white-knuckled fists, her face pressed to your sheets and hidden - her hair coats everything, all ink, all words written but left unsaid. She shivers beneath your fingers. Her cunt’s dripping all over your lap. She’s a masterpiece. She’s a wreck.

You’re filled up with thick, swollen pride. “Karina.”

Karina. Your own personal creation, transformed under your touch. Might as well have your name carved into her, too. A brand right across her back, slicing through tissue, scarring to seal her fate - this is who you fucking belong to.

“Poor baby.” You follow the sharp ridges of her spine, tracking notches, keeping a tally: counting how many times you’ll hit her, how many days she’ll stay in your bed. How many movies she’ll let you make out of her, being your brilliant muse for decades. “It’s painful when you don’t listen to me, huh?”

But then - inexplicably - you think of her bruising ankle. Her twist of a smirk, detached and humorless. I’ve been through worse.

You’re abruptly glad you can’t see the look on her face.

“Come on, sweet girl.” You dig the heel of your palm into her lower back, half a warning. “Pull it together.”

Between the strands of glossy hair tumbling over Karina’s skin and your sheets, you spot a reddish mark on the back of her neck. Like the impression of a thumbprint, small and round. Blurry enough in the dim light that your brain starts conjuring up strange theories; an old wound, maybe. A birthmark or a burn, a childhood injury.

You graze her shoulder blades with your fingertips, exploratory. She feels so small draped over you like this, a tiny wet wisp of a girl. A doll.

She still hasn’t moved.

“Karina.”

Nothing.

“Karina,” you say again, suddenly uneasy. Your hand stops. “Are you-”

For a few terrible seconds, you can’t even hear her breathing.

But then Karina shifts. Slow, sensual, deliberate. Pushing herself up off your lap, arching her back, the slick pucker of her asshole obscene from where you fucked it open with your fingers. Her bruised knees dig into your mattress as she straightens up, and her gorgeous pale face seems to glow in the midday light - heavy dark eyes, bitten-pink mouth, black hair curtaining her cheeks like a frame to a portrait.

“You,” you start to say, feeling suddenly like you’re looking at her for the first time.

“I’m really sorry,” Karina murmurs.

She doesn’t look close to tears at all. She’s so unfazed, as if having her ass spanked punishingly raw is something that happens to a girl like her on the daily. A run-of-the-mill occurrence - a consequence of having a body like that, made to be brutalized. She’s already reaching towards the nightstand for the lube.

“I just wanted it so bad I couldn’t think straight,” Karina tells you, with erotic-film certainty - reciting all the lines that’ll make her seem the most insatiably slutty. “I’m sorry. I’m sorry.” Her lips form a pout; she leans down to press them to the tip of your cock, all sweet and demure, like she thinks she needs to convince you. Eyes flicking up at you through her thick lashes, molten-hot. “I should’ve listened.” It’s only a breath, warm and torturous. “I deserved that, I know.”

Your hand winds tight in her hair. You want to force your cock down her pretty throat, make her gag and choke over her simpering apologies, spitting up your cum until it trickles down her chin, her tits, her tummy. Both a game and a power play: prove how sorry you are.

Karina pulls back before you can, and holds up the lube.

“Babe,” she says, the term of endearment almost a singsong - a lilting reminder. “I thought you wanted to really fuck me now.”

“Uh-huh.” Her tits heave as she moves, crawling closer, offering herself up. “And I always get what I want, right?”

You feel drunk with power. You forget that this isn’t supposed to be about power. You watch as Karina coats her palm with lube and pumps your cock, her fingers slick and hot, her veins starkly blue at her delicate wrists. Expression delighted at how hard you are, pink little tongue poking out between her teeth - seduction down to an art form, meticulously calculated.

“With me?” Her smile burns. “Obviously.”

You pull her in by the neck to kiss the smirk off her mouth.

It’s interesting. There’s this other thing regular critics and moviegoers have been saying about films these days: sex scenes need to have a purpose. Some sort of coherent motivation. Strip your lead actress down to nothing and get her keening and moaning and you’ve got to explain it away somehow. It forwards the plot, you could insist, pitching it to producers and directors. It does something for the character dynamics. It’ll draw in just the right audience, the ones dying to see their favorite celebrity debauched and getting dirty on-screen - they’ll see it over and over just to get a taste. Isn’t that enough? To satisfy the masses? Isn’t that why we’re all here?

Because otherwise all people are staring at is a play at pornography: useless half-convincing make-believe. The heroine can writhe and whine and arch her back all she wants. Everyone knows she doesn’t feel anything.

“Tell me the truth.”

Oh, if you two were a movie - you don’t know how anyone could justify a sex scene quite like this.

It doesn’t matter what artsy angle you take. It all comes down to the same unforgivable details: Karina face-down ass-up on your bed, the perfect bowed curve of her spine, the depraved wide stretch of her asshole around your cock - the sweat shining along her shoulder blades, the hard smack of your palm against the red raw skin of her ass, your other hand at the crown of her skull with your fingers wrapped entirely in her tangled hair - her cunt fucking ruining your sheets, wet all the way down her thighs, each brutal shift of your hips sending her little body into full-blown shudders-

“Tell me that you fucking love it.” Your hand slips lower until you’ve got her pinned down by the back of the neck, fingers pushing down: a grip she couldn’t escape even if she wanted to. “Whoring out your slutty little ass like this for a stranger. Getting on your hands and knees for me just because you’re so fucking needy for cock, baby - don’t even try to deny it, you’re so wet, nasty fucking girl-”

You just can’t stop yourself. It’s so easy. She really is so fucking pathetic. Too fragile to get free - too easily manipulated and manhandled. Trembling and drenched and giving way as you make room inside her, forcing space. She’s just so tight - it’s godless, how you make your cock fit in her lube-slicked asshole, how she moans like a bona fide bitch in heat over it: needing faster, needing harder, needing more. Cheek pink and pressed hard to your mattress, sharp nails digging into the sheets rough enough to tear through the fabric. Giving herself up to be fucked cruelly and stupid and senseless.

Like she’s a real-

“Natural fucking cockslut, huh?”

Look, seriously - you can’t be held accountable for the things you say to her here.

Because when you say shit like you’d just let me do anything - like you’d let me fucking tie you up and keep you here forever, be an eager fucking cumdump for me whenever I want you, I know it, I know you - that’s just the moment talking. The circumstances. The pretty arch of her back and the drooling wetness of her cunt and the indecent tightness of her ass, conspiring to make you lose your mind mid-fuck - that’s the whole reason you even tell her any of it. You think you’re good for anything else? Right at her ear, your body covering hers, your cock buried deep. You’re not. Just made to get this slutty ass fucked open, and your mouth, and your cunt - this is all anyone’s ever gonna want from you and you know it - better get used to it now, baby. This is all you got. This is all you are.

It’s Karina’s fault, really. She just takes it - all of it. She doesn’t even try to fight it.

“But that’s okay,” you murmur, as she gasps and squirms and cries out like you’re killing her. “I’m still gonna make you cum.”

And with your cock filling her ass and your hand between her legs, slapping hard at her sopping cunt until she can’t do anything but collapse - shaking, shattered - her whimpers fucked-out and drool-soaked and bleeding into one big nonsensical mess, everything about her used and ruined-

“You’re mine,” you tell her, laughing as she falls apart. “You get that? You’re mine.”

-then, you do.

When it’s all over, Karina rolls over to face the wall, breathing hard. She’s slick everywhere, sweat and saliva and lube, your creamy cum dripping out of her well-fucked asshole and trickling down her thigh. You trace her lower back and grin at the way her skin seems to give into you, turning pink with a press of your fingertips. You’ve come to realize you adore her like this, the fugue state after you fuck her: utterly dead to the world.

Like she could become a permanent fixture in your bed. Too tired to move. Too tired to ever leave.

“Mine,” you say again, softer.

Karina doesn’t argue.

It’s basically all the confirmation you need.

So, really, if you two were a movie-

It goes like this: life can imitate art, too. It happens all the time. The line between fiction and reality blurs together until it’s indistinguishable - until you can’t tell where the fantasy ends, or if it ever did at all.

(It goes like this: the heroine smiles sleepily and tells the hero he’s the best she’s ever had. You’ve seen this film before. The movie stars with their fake on-screen fucks might not feel a damn thing, but at least it’s still fun to pretend.)

Also, the mark you saw on the back of her neck isn’t actually what you thought it was.

“It’s a tattoo,” you realize out loud, drowsily awed, brushing her hair away so you can get a better look. You’re both tuckered out, an inevitability when you fuck like you do; you’re seconds from dozing off. Karina’s looking away from you, on her side to escape the soreness of her ass, sheets loose across her chest. She lets you touch her wherever. “I can’t believe I didn’t notice that before.”

“You don’t know me,” mumbles Karina, half into your pillow. “It’s not your job to notice anything about me.”

The tattoo’s crimson-red, all delicate linework. It really does look like it hurts: like someone painstakingly cut the shape into her skin. It’s of a heart, rendered in anatomical detail - valves and ventricles and arteries. It’s beautiful, you realize belatedly. Bright instead of faded, and obviously cared for. Lovely.

The only permanent stain on her perfect body. You press your thumb against the ink, fascinated.

“What does it mean?” you ask, but Karina’s already fallen asleep.

(In your script, the girl and the stranger watch some gory crime show, except they don’t pay very close attention and he tugs her into his lap and makes her ride his thigh. The episode they’ve got on is about a serial killer who murders so-called sinners - liars, adulterers, the like. Slaughters them like sacrifices, cutting their throats with vicious efficiency. Fake blood drenches the screen with every crime scene: a form of fucked-up baptism, a psuedo-religious cleansing.

The girl’s putting on an equally decent show on top of the stranger: head thrown back, eyelids fluttering, high-pitched little moans. He sinks his teeth into her shoulder and keeps watching the TV.

Hey, he says, a murmur against her skin, a close-up on his mouth. You’re a sinner, right?

She’s got her hands on his shoulders, hips rolling. Sure am.

How do you think this guy would kill you?

He thinks this’ll shock her, but she doesn’t even pause. Like he kills all the rest, she says. Like an animal.

I think he’d be more careful with you, the stranger muses. You’re too gorgeous. He’d have to use, like - a scalpel, or something. Something cleaner. Something that’d keep you intact.

It’s no use. Nothing he says seems to scare her. Her eyes are far-off, almost glazed in recollection. Like she’s thought about it too - her own untimely end. Her own vivisection, skin flayed and organs visible, viscera and bone. There, hold the shot: now the audience can consider it with her, ponder all the ways she could be torn apart, all the repulsive things they could do with her desiccated body. All the ways flesh can warp under a human touch: the blue-black yellow-green purpling of bruises, a whole palette on one tiny girl. There’s value in that, isn’t there? There’s something intimately, incomparably beautiful in suffering. There’s art.

Isn’t that why everyone’s watching?

I get it, the girl says, still soaking his thigh, smiling as if it’s an inside joke between them. You want me dead. That’s been obvious since the moment you met me.

I don’t want you dead, he says, and grabs her by the jaw. I just want to fuck you.

Okay, she says, uncaring, like there’s barely a difference. Fine. Whatever you want.

They don’t turn the TV off. They let the characters scream and bleed out in the background; he fucks her like she’s got a death wish. It’s funny - he expects her to get louder the harder he fucks her, ruthlessly working over the tight clench of her cunt - but she keeps getting less and less responsive, as if he’s pushing her little body into some sort of trance: expression vacant and blank, body limp and lifeless, mouth open and speechless. It makes him angry. Give me something, he’s saying, frustrated, clawing at her hair: baby, it’s not fair, it’s no fun like this. The on-screen shrieks aren’t enough - he wants it from her. Actually, he keeps saying he needs it - as if fulfilling desire is on the same level as food or air, as if he’ll drop dead in seconds if he doesn’t get her sobbing. He gets his overlarge hands on her face and starts contorting it, pushing her mouth open, her eyes wider, his fingers down her throat until she spits and gags and chokes. Oh, the audience will love this one: it’s reminiscent of those filthy exploitation films with their cult followings, so cleverly referential. Look at her pathetic and pinned down. Look at her helpless and struggling. Think of your favorite on-screen murder scenes, and then think of this.

Anything I want, the stranger reminds her, yanking back her hair as she drools down his wrist. You asked for this, didn’t you? You said anything I want.

Except now the girl can’t say anything at all.

This moment will start rumors, invite horrified scandal the same way some purposefully marketed horror movies are passed off as snuff films - that really went down, they really died like that. This scene’ll get a similar response. Did he actually fuck her? Did he actually hurt her? Did everyone - the writer, the director, the crew, the captive audience - actually just stand by and let that happen?

Sure. Or she might just be a really, really good actress.

There. The stranger’s murmuring to her now, watching her manufactured expression, watching the tears fill her eyes. There you go. There’s my girl. And she is his, she really is - transformed into something all beautiful and new under his clumsy fingertips, molded right into art. The camera will zoom in close on her gorgeous, cadaverous face, a perverse little gift for the audience: here, have this, take a look. She’s all yours now.

There’s something to be said here about the manmade link between sex and violence - inescapable, brutal, primeval; bodies in all shades of red - but he forgets it the second he touches her, and she’s being fucked too hard to remember.

Maybe they’ll get to it next time.)

AND WE'RE BACK!!!!!!!!!!! <33333

all my luv ever to @capslocked @worldsover @passingnotions @braaan for beta reading my dumbass shenanigans and also for being the best ever I LOVE U!!!!!! AND ANYONE WHO IS READING THIS I LOVE YALL TOO.................. PART 2 COMING SOON!!!!!!!!!!!

#kpop smut #kpop fanfiction #kpop fanfic #idol x reader #idol x male reader #reader insert #karina smut #karina fanfic #aespa karina smut

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sugrhigh · 1 month

Text

THE BOY IS MINE - ( m.s )

REQUESTED**

summary- after years of friendship, you’ve seen matt date people before, but none of them have been as bad as this new one. you’ve never interfered with any of the girls in the past, but one night she takes it too far and your true feelings come out.

warnings- cursing, unprotected sex (pretend ur on birth control but also wrap it before you tap it), choking, cheating, dom!matt, it’s smut with a plot guys are we surprised (read at ur own fucking discretion PLEASE!)

a/n: thank you @stonermattsgf for the request!! i fucking loved this concept and the song eats down i hope i did u some justice <3 the touch it chris fic will be coming too cuz im fuckin with that song as well (if you weren’t tagged it wouldn’t let me tag you, i’m sorry!!)

@fawnchives @teapartyprincess4two @sturnioloco @mattinside @l9vesick @sturnsblunt @ev3rgreenxtrees @wh0resstuff @matthewsmocktails @cherrypostsposts @bxbynyah7 @seababehh @sturnsfav @mattsluv @sturniolossss @melanch0lybby @sturniolos-blog @lustfulslxt @sturnioloobssesd @ginswife @amypull @vivianalovesmatt @st4niolos @sturnioloobessed @sturnlova @bigbeefybitch @minhyucks @iheart-zegras @vicsguitarr @melonjollyranche @hearts4matty @vickyzloserz @user8000000 @xoxo4chrisss @unfilteredassmf @mattsbiggesthoe @chrisstopherfilmed @st3rniolo @goldengrapejuice @luv2matt @vsangel-starbies @mikaelabutterfield @mattnchrisworld @bluesturniolo333 @wurlibydominicfike @kp07on @hayleyreadsblog

in no universe did you expect to be pining after one of your best friends.

it had always been strictly platonic between you and matt, aside from a little harmless flirting over the years. you loved him and his brothers so much that you never wanted to mess anything up, or complicate things when the dynamic was already perfect.

but as much as you’re close with each of them, you know you’ve always understood matt on a deeper level. you share the same goals, the same fears, even the same taste in music and movies.

he’s always been the first person to check in, the only one who can read your mood like the back of his hand, the guy who cheers you up and lets you cry on his shoulder when things are shitty.

despite these sweet gestures, you’ve both had your fair share of relationships and flings while being best friends. none of them have ever bothered you before, and you’ve always tried to be respectful and kind to whichever girl he picks.

that is, until now.

matt is sitting across from you on the couch in their living room, slight frown etched on his face. his girlfriend, maya, has her legs sprawled across his lap comfortably, arms linked like she’s claiming him.

her eyes are practically locked on you. you don’t blame her; she’s well aware that you’re not her biggest fan.

all she does is complain about all of the things she doesn’t like about matt. last time she hung out with you guys, she was bitching about the fact that he kissed her in public at a party, as if she was worried he was scaring off other guys.

when he buys her flowers, they’re the wrong ones. if he takes her to dinner, she whines about the food. she’ll even criticize his clothes, demanding that they match and he hides the tattoos. to her, he can’t do anything right, even though he’s incredible just the way he is.

so it drives you absolutely insane watching the way she walks all over matt, all over his brothers, even you. it’s been two months of this agony, and you can’t believe it’s even lasted this long.

you spend nearly every day thinking about how much better you could treat him. every time he touches you, no matter how briefly, your skin burns in desire. it’s selfish to want someone who’s taken, and you’re well aware of that.

but you just love matt, you know him. and he deserves better. maybe it’s you, maybe it’s not. but it’s certainly not maya.

“give it to me, fuckhead.” chris’s voice rips you out of your trance, and you snap your head toward the middle of the U-shaped sofa.

he’s currently fighting nick for the remote, who slaps the side of his arm rather hard. chris lets go, only to pull his brother into a headlock seconds later. nick lets out a yelp of surprise, jamming an elbow into his side to get him to stop.

in all the commotion, you decide to grab the remote for yourself, a wide smile settling across your features as you take it into your palm.

they both notice quickly, groaning in protest as you wave it at them tauntingly.

“too slow! now i get to pick, idiots.” you tease.

“c’mon, i just went to war for that thing.” nick complains, kicking your leg half-heartedly, but you just shake your head.

“snooze you lose.”

you scroll through your options, trying to pay no mind to the way maya is whispering to matt for so long she could be reciting the bible. then your eyes land on a title that makes you pause, chuckling a little to yourself.

“oh no way, they have fucking cocaine bear on here?” chris cackles.

nick looks rather amused himself, raising his eyebrows like he’s intrigued. “i mean, i’m game.”

you glance over at matt, who’s already looking at you with a grin on his face. he mentioned the movie to you a little while ago, and how he just had to see how stupid it was eventually.

“why would we waste our time watching this shit? isn’t it supposed to be awful?” maya chimes from beside him, and your gaze narrows in on her.

“it’ll be funny, you know, ‘cause it’s so bad.” you reply, trying to keep your voice light and friendly.

she tilts her head to the side slightly, studying you with disapproving eyes. “yeah, i’m not so sure about trusting your taste. i mean, that god-awful outfit is just one example.”

the air seems to be sucked out of the room as you grip your sweats self-consciously. nobody moves, nobody speaks. you feel the anger flare up in your veins as you look at matt, wondering if he’s going to step in like he should.

but he doesn’t. in fact, he’s avoiding your gaze altogether. so you square your shoulders and turn your focus back to the girl you dislike so much. you’re done with the passive aggressive comments, with all of the bullshit glares and insults.

you’re done letting her bulldoze you. if matt wants to go through that, fine. but he doesn’t have to take everyone down with him by subjecting them to maya’s presence.

“well, you seem to be the only one who has a problem with my taste, so maybe you should just leave.” you say calmly, smiling sarcastically at the end because you can’t help it.

her mouth pops open, and you can hear chris and nick trying to stifle their gasps and chuckles. even the corner of matt’s lips turn up, which makes you wonder.

maya turns to look at her boyfriend, completely astonished. “are you seriously going to let her talk to me like that?”

he seems conflicted as he briefly looks your direction, clearing his throat to buy some time. you tilt an eyebrow, crossing your arms like you’re just waiting for him to pick his side.

she may have asked the question, but now you’re dying to know the answer.

“maya is right. and, uh, i think you should apologize.” matt fumbles with his words, unable to speak to you directly.

you feel the fury work its way up your face, and you force yourself to blink away the burning sensation of frustrated tears. maya looks far too satisfied, and you want to slap the smirk off of her face.

but you know you can’t lay hands on her, so you decide your words will have to be your knives.

“you know what, i am sorry,” you begin, raising your hands in surrender.

they’re both a bit surprised by this change in direction, so after a brief pause, you continue.

“i’m really sorry that you’re dating a stuck up bitch. i’m sorry that she’s constantly taking advantage of your kindness. i’m sorry that she treats you like shit, that she talks down to you like you’re a child, that she’s never satisfied with the things you do. and i’m especially sorry that you continue to let her, because you can do so much better.”

if maya’s eyeballs could pop out of her skull, you would imagine it would be exactly like how she looks right now. matt is also slack jawed beside her, and you can’t be near him any longer.

so you stand up, turning to leave the boy you love so much without another word.

the fresh night air of spring is a relief once you step out the front door, and you try to let it calm you as you hustle toward your car. you can already feel your phone buzzing in your back pocket as you move, presumably nick and chris.

you hope they’re not angry. it’s bad enough knowing that you’ve royally fucked things up with matt, but you couldn’t bare it if all three of them hated you.

you practically toss yourself into the drivers seat, slamming the door closed with a force that shakes the entire vehicle. you’re peeling out of the driveway before you can even reflect on the consequences of your actions, speeding home as if your life depended on it.

your ringtone continues to erupt as you drive along the backroads, but you force yourself to ignore it for the time being.

only once you throw the car into park in your own driveway do you check the messages, scrolling through the numerous notifications. unsurprisingly most of them are from nick and chris like you presumed, wondering if you’re alright and applauding you for finally standing up to the wicked witch of the west.

for a brief moment, their kind words make you feel better.

but then your eyes catch a contact that you actually don’t expect; matt’s. you stare at your device, throat going completely dry. a missed call and two texts.

matt

i’m coming over

don’t bother saying no, im already on my way

that was five minutes ago, which means he’s not too far behind you. you tear out of your car and across the yard, throwing the door open carelessly.

your heart is still slamming against your ribcage, and fear crawls up your throat as you press your back to the wood, kicking your flip flops off in the general direction of the coat rack.

your mind flashes to the idea of him yelling at you, which you suppose would be somewhat warranted. you’ve seen matt angry on a couple of occasions, and you can’t imagine he has anything kind to say to you right now.

you pace the foyer as you wait for his arrival, picking at the beds of your fingernails anxiously.

and then it happens; the loud knock on the front door, followed by another series of harsh slams.

impatient motherfucker.

you straighten up as your palm wraps around the knob, sucking in a breath before pulling it open to reveal a rather disheveled matt.

he’s breathing heavy, hair messy as if he’s been tugging at it for the entire drive. his earrings glint in the porch light as he stares at you like he’s trying to commit every feature to memory, wetting his lips hungrily.

“matt—”

you barely get his name out before he wraps his ring-clad fingers around your throat, pulling your mouth to his harshly. he molds against you perfectly, his other hand traveling to your hip to hold you flush against his own body.

he just couldn’t help it. he was so desperate on the entire ride over, replaying your outburst on a loop in his mind as he drove further and further away from his girlfriend. there’s been only a few occasions he’s seen you that upset, and your comments had been a necessary slap in the face.

plus, watching you fight for him when he was too much of a bitch to do it himself was a bigger turn-on than he’d like to admit.

all he’s ever wanted is you. and it shouldn’t have taken this long to admit it to himself.

matt guides you backwards, hand still squeezing your neck as he blindly kicks the door shut with one foot. you feel your back bump against the kitchen counter, and you’re trying to register what the hell is going on, but his kiss is so fucking intoxicating that it’s impossible to think clearly.

his tongue slides against yours passionately, and the flavored chapstick you’re wearing is driving him insane. you can feel him growing hard against your thigh as he toys with the elastic waistband of your pants suggestively.

you have no idea if this means it’s officially over with him and maya, but you find that you quite frankly don’t give a shit.

in this moment, he’s yours.

his fingers finally dip into your sweats a few seconds later, traveling down to brush against your clothed heat as he moves his mouth to your jaw sloppily. a breathy moan escapes before you can stop it, involuntarily rutting your hips against his cold rings in search of more friction.

one of your hands goes to grip the hair at the nape of his neck while the other claws at his back, desperately wrapping your knuckle around the cloth of his muscle tee.

“you like that?” matt grumbles against your throat, nipping at the skin as he begins to apply real pressure to your cunt in little circular motions.

your back arches and you tilt your head to the side so you can give him full access, silently hoping he’ll leave a mark behind.

“you’ve been thinking about me touching you like this, haven’t you? wishing i would come fuck you instead of her?” he questions further, moving his head slightly so he’s speaking directly into your ear.

the hand that was choking you slides down so he can grope your chest, his thumb running over one of your hardened nipples through the thin shirt you’re wearing. the combined pleasure has you whining in his grasp, a submissive sound that you wish you weren’t making.

you can feel him grinning as he presses his mouth to that sweet spot below your earlobe, his tongue darting out to wet the area.

“you want me just as much.” you manage to find your voice, though your claim is muttered with no conviction.

matt pauses his movements and brings both hands to your waistband again, which makes you whimper as you clench around nothing. his mouth finds yours briefly to swallow the sound, and he bites down on your bottom lip as he pulls away.

“you’re not wrong. so are you gonna give me what i want, baby?” he asks as he teases your sweats and panties just a little lower on your hips.

“keep going.” you plead.

you let go of your grip on his body so he can tug both items down to your ankles, helping you step out of their grasp before discarding them a couple feet away.

matt doesn’t immediately stand back up; instead he takes his time, kissing the side of your knees as his hands slide up the outside of your thighs. you feel so exposed, so on-display that you clench your legs together before you can help it.

he immediately pries them apart, shaking his head slightly with a little smirk. “don’t be shy now, you had so much to say earlier.”

his words spur you on, so you spread yourself wider, opting to grip the counter as he reattaches his lips to your inner thighs. matt inches closer and closer to where you really need him, taking his time to nip at the supple flesh that comes before.

he pulls away right when you think he’s finally about to put his mouth on you, letting his hot breath fan across your soaked center. it makes you shiver in anticipation, and you’re getting a little too needy now.

“quit fucking teas—oh shit.”

you throw your head back as his two fingers spread you apart, tongue coming in contact with the middle of your cunt as he laps at the wetness that had pooled there.

he slows his pace slightly after a moment, making sure to pay attention to the whole area, working his way up until his nose bumps against your clit. you spit a curse out, letting one hand go so you can grip his soft hair.

matt continues on, his lips closing around the sensitive bud so he can apply more pressure and suction. your gut flips at the sensation and your grip on his roots tightens as his mouth works.

he grumbles, loving the way you’re pulling at him so desperately. the noise sends vibrations through your core, which only makes the experience more enjoyable.

“fuckkk, matt, feels so good.” you praise dumbly, your words slurring.

the vocal admiration makes his pulse quicken, and at this point he’s straining against his jeans. he just can’t believe he’s got you like this, grinding your cunt against his face as if he’s the best you’ve ever had.

he can tell you’re growing closer just based on the little gasps and moans leaving your mouth, and your legs begin to shake ever so slightly. but he won’t let you finish just yet.

“want to be inside this pretty pussy.” he pulls away to say it, pressing one more wet kiss to the delicate area before he gets up.

you’re craving more, so you decide to take initiative, reaching for his belt and fumbling to undo the buckle. you tear it from the loops and toss it away, moving to his zipper as he reaches behind his head to tug his loose tank off.

his pants fall to the floor, leaving him in only his tented boxers. he’s quick to kick his shoes off, followed by his jeans right after.

then his hands go to your waist, fingers digging into the smooth flesh.

“up.” he instructs bluntly, helping lift you onto the end of the marbled countertop so he’s standing between your legs.

he lifts your shirt up next, and you help him out by throwing your arms above your head so he can fully remove it. his eyes train downwards, admiring the way your sheer bra hugs your tits. it hardly leaves anything to the imagination, and matt finds it extremely hot that you’ve been wearing it all night without him knowing.

before he can make a move, you surprise him by reaching back confidently to unhook the garment yourself. you let it slip from your shoulders before throwing it to your side, revealing your bare chest to him wordlessly.

he pulls his lip between his teeth as he exhales, gently guiding you downwards so your back is pressed flat against the cool surface. matt looks intimidating standing over you, his dark eyes drinking in every inch of your body.

“you’re so fucking sexy.” he says in awe, leaning down to give you another real kiss, a salty mix of sweat and arousal on his lips.

then he finds his way down to your collarbone, staying there shortly before traveling between the valley of your breasts. without warning, he presses his tongue flat across one nipple, flicking it back and forth.

you push your chest further into his face with a moan, both hands in his hair this time. he moves to the other perky bud, sucking on it as his teeth graze the tissue ever so slightly.

you’re practically writhing underneath him, and you can feel the pit growing in your stomach again. so even though it feels incredible, you yank his head back off of your chest by his hair.

“need you to fuck me.” you mutter, pushing his hair out of his face with both of your hands.

matt nods once, straightening so he can slide his underwear down. his erection finally springs free, pink tip glistening with precum. you watch as he spreads the wetness around, pumping himself in his hand a few times.

he’s bigger than you expected, and your mouth is watering just thinking about how much you want him to be pounding into you already.

“wrap your legs around me princess.” he commands gruffly, and you do just as you’re told, hooking your ankles behind his back.

his dick presses against your heat, and you buck against it to try and feel more. matt is quick to steady your hips roughly, holding you down against the edge of the counter as he teases himself into your entrance.

you both moan, his low and rumbling, yours high-pitched and greedy. you use your thighs to pull him closer, forcing him to drive into you fully so you can feel that pleasurable stretch.

“mmmn—fuck, you’re so tight.” he sighs, giving you another moment before he begins to drag his cock in and out at a steady pace.

you rock with him as best you can, finding the perfect rhythm so that he’s plowing his full length into you, filling the house with the sound of skin slapping skin.

matt lets one hand wrap around your neck again to choke you, tattoos on display as his muscles flex, and the pressure traps your lewd cries in your throat. his other fingers continue to toy with your nipples, which makes you arch off the counter, head rolled back as your eyes screw shut.

“look at you, taking me like such a good girl. just like i knew you would.” he compliments breathlessly.

he starts snapping his hips harder, enjoying the way your tits bounce as you slide slightly against the slick counter. you look so fucking beautiful, mouth partially open, barely able to squeak out a moan.

never in a million years did matt think he’d get the opportunity to fulfill all of his shamefully dirty fantasies about you, but here you are, completely naked and spread out in your own kitchen.

you’re squeezing around him now with every stroke, and he somehow keeps getting deeper, hitting your g-spot in a way that makes you jerk.

the familiar feeling of your abs tightening occurs as you get closer to your orgasm, and you swear you’re seeing stars at this point. he’s right there with you, a groaning mess as your fingers reach up to dig into his bicep.

“yes, matt, right there! m’gonna—” you fumble over your words, unable to finish the thought as the satisfaction builds.

he uses the last of his strength to drill into you, moving both hands back to your waist quickly so he can slam you down on his cock a few more times.

“come all over this dick baby, don’t hold back.”

you’re practically screaming his name as you hit your high, releasing all over him as his hot cum spills into you at the same time.

he slows his movements as you look up at him with bleary eyes, enjoying the last moments of being inside you before he pulls out. you feel your mixed arousal dripping out onto the counter, and you don’t even care that you’ll have to clean it up later.

that was completely worth the mess.

your chest continues to heave as you relish in the come down, dropping your thighs from his hips so he’s free to move around.

but matt stays between them, leaning down to capture your mouth with his one final time. it’s brief, but it means more than either of you truly understand.

he’s the one to break it first, pressing his forehead against yours before he speaks. “you’re incredible, you know that?”

you smile weakly, pushing against his chest to put some distance between the two of you. reality is creeping back in, reminding you that this was probably a one time thing.

“help me down?” you ask, and he complies.

matt lifts you a bit as you slide off the countertop, setting you back on real ground a second later. you’re not sure what to say as you stand before him, completely fucked out and terrified of whatever is coming next.

“so, um…i should probably get cleaned up.” you try to sound casual, even though you’re feeling anything but relaxed.

he immediately notices the switch in tone, the way you’re wrapping your arms around yourself like you’re trying to shrink away and hide. he’s also pretty sure he knows where this insecurity is coming from.

his fingers go to grip your chin gently, demanding that you look him in the face. your eyes widen as he brushes his thumb along your swollen bottom lip.

“i’m cutting things off with maya. i just…love you. and i’m sorry it took me so long.” matt finally admits.

it takes a second to click in your brain, but when it does a wide grin spreads across your face. butterflies erupt in your stomach, and you kiss the pad of his finger as he moves it along your mouth.

“i love you too, but i think you knew that already.” you tease playfully.

“yeah, maybe. but i like hearing you say it out loud.”

#matt sturniolo #matthew sturniolo x reader #matthew sturniolo #matt sturniolo x reader #Spotify #matt sturniolo smut #sturniolo fanfic #fanfic

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unoislazy · 6 months

Note

I am feral for Mizu and you’ve been feeding me well with your Mizu fics so thank you so much for your service!! 💕💕💕💕💗💗💗💗💗 i really enjoy your writing and the way you portray Mizu. With that said i wanna run a scenario by you and im just wondering how do you think it’d play out (if you like the idea enough to do a mini fic or headcanons that’d be awesome but if not then that’s okay and i understand 💕) hear me out, what if Mikio had a sister and she lived with him and Mizu during the time they were married, say her and Mizu bonded while they all live together but then their friendship blossoms into romantic love 🥺 how do you think that’d play out?

I Am No Coward

(Part 1)

Mizu x Fem! Reader

A/N: all of you guys are so nice and I love all of you. Thank you for the suggestion! This will be around a 4 part series that I hope to continue working on in the near future so BUCKLE UP

Also!

I am planning on making a Mizu x Black reader soon but I’m struggling on deciding a scenario for it. If anyone has any suggestions they won’t be to try out for it, I’ll take them with open arms!

Summary: You’re Mikio’s sister and todays the day you meet his new bride to be.

————————————————————

Days were quiet with you and your older brother Mikio. After you had been put under his care and he had been outcasted by the lord, you both lived on his land more on the countryside, away from those who would cast their unwanted opinions on to you.

You usually took care of the more mundane tasks, cooking, cleaning; Things Mikio never truly liked to do. He wasn’t against helping but he was usually too busy with the horses to ever truly give you a hand. You knew your brother was obsessed with trying to win back the favor of the Shogun and as much as you knew it wasn’t going to happen, you let him believe anyways.

Time went on as usual until one day Mikio had returned home with some news.

“I’ve been offered a wife.” He said plainly as he took off his cape. You stopped cutting the vegetables and turned to him with a smile.

“That’s great… right?” You smiled hopefully. Given that he was now deemed an outcast and he was an older man it was unlikely that he would find any matches at this point, so you were just pleased that someone had been offered.

“She has the eyes of an onryo.” Was all he said in response before walking over to you. He kneeled down, watching what you were doing with a watchful yet critical eye. He adjusted your hand, suggesting that you had been cutting wrong in the first place.

“And that’s a problem?” You asked, your smile dropping for a moment as you rolled your eyes at his wordless suggestion. You knew he truly had no say in what opportunities were offered to him, you both did. If he had anything to gain, he should take it. He sighed for a moment, looking down before answering,

“No, She’ll be here in three days.”

Your smile returned, pleased to know that at least your brother would experience something other than the constant stress of trying to win back his honor.

You didn’t care what his wife would look like, she could have blue eyes, green hair, and purple skin for all you cared. All you cared about was your brother being happy, and you hoped she would be the key to that.

Mikio used to be a much more upbeat man. He liked to bring light to dreary situations with a joke or some laughter, but he always knew when to keep it serious. However, after he had been outcasted it seemed like all the fun parts of him disappeared. He became so hellbent on training the horses to be the best they could be that he forgot to have fun or indulge himself in anything. You used to enjoy spending time with him and you were elated when you realized you would be put under his care, but that joy soon subsided when you realized just the effect a bruised ego can have on a man. He became closed off, irritable, and would barely even give you the time of day. He cared about nothing more than his honor and as much as you tried not to, you began to resent him for it.

But you kept your thoughts to yourself and went on with your life, hoping someone would come along and change him.

The three days had passed and it was time for his new bride to arrive.

And Mikio was nowhere in sight.

You sighed, disappointed in him, believing he was avoiding yet another responsibility that seemed to ‘get in the way’ of his horses. Even if you had suggested anything, he wouldn’t listen to you, he knew what was best for him.

At least that’s what he claimed.

You sat quietly outside your house, waiting patiently for the woman to arrive so you could greet her. If anything you were ecstatic to meet the mystery woman and you hoped you’d manage to get along with her.

It hadn’t taken long for you to see them approaching. The two women walked towards your direction, both holding two bags, presumably full of their belongings. However, the younger woman seemed to also be holding what looked like a sheathed sword.

You smiled, now standing and walking down the steps, excited to meet the woman. You watched as the two women made their way towards you, one older and one younger. The older woman had turned to face the house that you stood before and spotted you, giving you a wide smile before turning back to the younger woman who seemed reluctant to continue following.

You couldn’t blame her.

Marriage wasn’t something a woman had control over in your world, you just got lucky that you got placed under your brother's care; because of him you were also considered ‘disgraced’ so not many men would truly want you.

She finally made her way, after many unpleasant words from her mother, and stood at her full height with a very plain expression.

She was beautiful.

You examined her features for as long as you could deem polite, your eyes floated from her hair, to her dress, taking in her height, and then lastly taking notice of her eyes.

However, when it came to her eyes, you didn’t see the eyes of an onryo. You saw eyes that reflected a color you saw only in the sky above, you had never seen such eyes before, but you needn’t stare and make the woman uncomfortable, she just got here after all.

You walked towards the two women, an excited smile on your face as you greeted them.

“Hello! You must be the woman Mikio’s going to marry. What’s your name?” You asked happily, the woman stared at you for a moment, clearly in some inner battle with herself on what to do now that she’s in this position. You waited patiently, understanding that being forced to marry someone is not always the happiest thing to do so you did not want to push her.

Her mother, however, cleared her throat and sent a glare at the woman, you assumed from this she was the one who had set up this offer.

The woman sighed, looking back towards you and answering,

“Mizu, my name is Mizu.” She waited for a moment before looking at you, expecting you to say something before speaking up again and asking, “and you are?”

“Oh! I’m sorry, I’m Mikio’s sister.” You introduced yourself, you did give them your name but you figured it would be more helpful for them to know why you were there in the first place. With this new information Mizu seemed to relax just the slightest bit. Maybe she thought you were a concubine.

Gross.

“So, Where is the man?” Mizu’s mother asked, seemingly wanting to get the show on the road as she turned to you expectantly. You averted your gaze, a bit embarrassed as you answered,

“I’m actually not sure.”

With that answer both of the women stared at you like you were crazy.

“You may or may not be happy to know that Mikio often isn’t home. He’s usually out training his horses.” You explained, trying to subdue the urge to roll your eyes.

“I’m sure he’ll be here any minute.”

As if on cue, you could hear the thumping of hooves accompanied by the sound of a horse's whinny. You all turned to the source of the noise which just so happened to be the aforementioned man. You sighed a small sigh of relief, thankful that he didn’t make himself look too bad.

You snuck a small glance at Mizu, wanting to gauge her reaction to your brother and you noticed that her fists were balled up tightly and her face was scrunched. Just like you had expected, the marriage wasn’t her idea. You hoped to the gods your brother wouldn’t ruin this opportunity, if not for his sake than for yours, you were tired of only having his company and truly wanted someone else to be around.

Mikio yields his horse, stopping just in front of Mizu. The first words he uttered were,

“You’re not as hideous as I expected.”

If you could’ve gotten up on that horse and smacked the life out of that man, you would’ve. It didn’t have to be love at first sight but out of all the things to say when he first meets his soon to be wife, and that's what he says? In that moment you were disappointed to have introduced him as your brother.

“You’re a lot older than I expected.” Mizu responded, earning a quiet snicker from you. Between you and your brother there was a decent age difference. If anything you were closer to Mizu’s age which was quite weird in your eyes but… it’s a sign of the times you guessed. Mikio shot you a silent glare telling you to shut up, which you did and you acted as if you had done nothing wrong.

“Let’s get this over with.” He said plainly, guiding his horse back to the field. You rolled your eyes, turning back to Mizu who just watched him go with a very obvious glare on her face.

“I’m sorry about him but if it's any consolation, you won’t have to deal with him alone.” You mentioned, trying to be at least a little encouraging. Mizu looked at you, her glare subsiding as she gave you a very small smile. With that, Mizu’s mother quickly began to rush her inside, wanting to get her ready to be wed before the sun went down. You offered your assistance in getting her ready, the entire time taking it as an opportunity to get to know Mizu.

“I noticed you brought a sword, do you know how to fight?” You asked curiously as you carefully brushed the white makeup across Mizu’s pale face. You couldn’t help but admire the woman's beauty, sure she might not have had the face of a princess, but to you that didn't mean anything. Her eyes of course were the main feature but you had also taken notice of the curl that stuck out from her hair that was pulled up.

“I fought a bit in the past… I don’t know how much I’ll keep up with it though.” She answered with a sigh but she regained her composure once she had looked over to her mother who glared at her.

“I don't know, Mikio might enjoy someone to fight with,” You began, gaining her interest a bit as she looked back up towards you. “And if he doesn't, then I would love to learn if you’d be willing to teach me.”

She gave another small smile, acknowledging your attempt to lighten her mood.

Once she had finished getting ready, her makeup was done, she was dressed in all white, you and her mother took a step back to assess how she looked.

“You look perfect!” You exclaimed to which her mother slightly nodded.

“You look fine, now where is your brother?” She asked impatiently. You turned to her, about to answer but Mikio had already walked in before you could say anything. He had taken off his cape that he wore everywhere and walked past you without saying a word. You sneered at him, he couldn't even try to make an effort? He was more of a grump than you ever remembered him being.

The private ceremony went on with the help of Mizu’s mother. You had no role in the ceremony so you simply sat back and watched. You looked on and for a strange reason you almost wanted to stop them… you felt as if one of them was making a mistake and all though it wasn’t entirely clear who, you could take a wild guess and probably be right. Regardless, you sat back. Your opinion in this matter doesn't matter anyways even if you did have the courage to go out and say it.

Immediately after they had finished, Mikio stood up, handed his dish over to Mizu, and went on his way. You could see the subtle yet dejected look that came across Mizu’s face and you felt a pang in your heart. Sure he might not know the woman very well but the least he could do is act as if he’s even the slightest bit interested. You quickly walked over to Mizu and took the dishes from her hands.

“I’ll take those, don’t worry about them.” You smiled at her, again trying to offer some sort of comfort or reassurance but this time it led to no avail. Her mother had decided it would be best to get her ‘ready for tonight’ so they both walked out and into a different room, as they walked out though the expression Mizu held had shifted to one of confusion or fear.

You sat quietly as you cleaned out the dishes that had been sitting around from hours prior. The resentment you felt for your brother only doubled down by seeing his actions first hand. Was he the most disrespectful man to ever walk the earth? No, but you still expected better from him, and when he arrived home you weren’t going to let him forget it.

A few hours had passed and the sun had set long before your brother had finally deemed it an appropriate enough time to come home. The moment he did you stood up from where you were sitting and walked over to him,

“Whatever you’re about to say, I don’t want to hear it.” He said, already knowing you were going to complain. You looked at him up and down with a look of disgust, as if he had a choice in the matter.

“Well you're going to hear about it.” You argued.

“Can’t this wait?”

“You don’t even know what I’m going to complain about.”

“I don’t need to know what it is to know that it can wait for another time.”

“Oh sure, just so at that ‘other time’ you can shoo me away and say you have to take care of your horses, or you have work to do, or you're too busy.” You began to rant, much to Mikio’s dismay. This of course was not the first time you had gone off on him, and usually you were quite good at holding your tongue around him, usually his ego was too fragile to handle it, but you were not going to watch this woman sign her life with him just for him to look straight through her.

“You have been nothing but a slob and a grump all day and, I don’t know if you noticed, but you have a wife now. A wife that you called ‘not that hideous’ within two seconds of meeting her, are you serious?”

Mikio didn’t make a move to acknowledge any of your statements but you knew he was listening. You knew, even if it wasn’t exactly obvious, that he knew his actions were wrong, but Mikio was not the kind of man to admit to his failures and you knew that. You knew this argument would go nowhere but you at least hoped if he made a change, he would pretend he got himself to that conclusion.

“It’s not exactly like I’m marrying a princess.” He finally responded, his tone laced with sarcasm causing you to scoff.

“Any woman who has to be subjected to marrying you, deserves nothing less than to be treated like one, and if you wont, someone else will.” You spat, storming out of the room to leave the man with his thoughts, or lack thereof.

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sshadowritestoriess · 1 year

Note

Hey! Do you think you could write some NSFW headcanons for Widow, Mercy, Kiriko, Lifeweaver and Genji (gender neutral afab reader) please? Feel free to ignore if that's too many characters or if you just don't want to do it. Have a great day, and don't forget to drink water dear author!

Sure! I did my best, sorry they’re all so short. I just didn’t want a super long post 😅

Widowmaker NSFW

She can quite literally take you out in ‘one shot’— you’re not certain how exactly she does it, but she touches you in all the right places in quick succession and finds exactly where you need her most in just an instant. You’ve lasted about thirteen seconds at most with this technique of hers, and it was quickly banned from the bedroom unless you asked for it

She’s a very hard biter, like she doesn’t realize she needs to be a bit more gentle. You often wonder if she thinks she’s actually going to inject venom into your bloodstream this way

Eerily quiet responses toward any pleasure, even if you’re doing everything right she makes it hard to tell if you’re doing anything at all. So she tends to be the one in charge, that way you don’t end up questioning your capabilities or doubting her reactions

A slowed heartbeat seems to increase her stamina, though. It’s only somewhat annoying, especially in addition to her lack of emotion toward intimate times. But you refuse to believe she’s not feeling anything at all, either— otherwise she wouldn’t be stepping on you ‘for fun’ unprompted, or initiating half of these encounters

Mercy NSFW

An unpredictable switch— everything that happens in the bedroom is a flip on a coin based on what she’s feeling and when. You never know if you’re about to give or receive, but either way it’s extremely rewarding and it’s hard to discern any complaints out of a night with Angela

She is pretty vocal, makes the nicest noises and lewd sounds you’ve probably ever heard. She definitely sounds like an angel, and it’s worth every touch to hear her sound off while completely red in the face

Maybe a bit too in love with pegging you. As a doctor and being very knowledgeable about the body, she’s rather enthusiastic toward loosening you up and talking about safety before giving you the ramming of a lifetime. Certain recommended positions even relieved your back pains somewhat, to your astonishment

She highly prefers to schedule these exchanges, rather than doing them on a whim. She refuses the ideas of quickies or anything with risk— especially in communal/public areas. You’d need to absolutely guarantee no one will be walking in or she might not ever forgive you for the embarrassment

Kiriko NSFW

Absolutely a brat, and we all know this. You’re not getting anything done without force or a trade, and she clearly relishes in those methods— always a “no” or a “why”, and then the “what will I get in return?”

Hugely into degrading and she’ll meet you halfway, criticizing your every move as if it doesn’t have her writhing in euphoria. She’s mostly in control of the sounds she makes, but when you get enough of a rise out of her the high-pitched noises are totally worth the struggle to get them in the first place. But she tries really hard to pretend like you don’t have an effect on her

She totally abuses her abilities to make you both finish faster, and especially against your will if you intended to take your time. Everything she does in bed is completely in spite of you— you’re fighting to earn the outcome you want, so hopefully you’re up for that kind of challenge

Her attitude is to make up for her low libido, and especially in her inability to last very long. She’s super sensitive, but she’ll never admit it. You’ll figure this out sooner than later though, and she’ll put up even more of a fight with a smirk on her face before you get anywhere near the brink of relief

Lifeweaver NSFW

Undoubtedly has a preference for being on bottom, but absolutely more than capable of being a top if he’s in the mood for it.

He’s sort of a pillow princess, likes having all the work be done for him. Much more of a receiver than he is a giver, but only in intimate moments— he’s much more giving outside of private moments that heavily lack clothing

But he is extraordinarily talented with his mouth, and he knows this. Yet he won’t offer such services without being asked politely, which must include a ‘please’ or he may remind you of your manners. It’s all in good fun though, he likely wouldn’t have refused either way (please ride his face)

He makes a lot of sounds, though they’re always muffled by his hand or pillow— or you. He also super loves using rope for things, like being restrained, and shibari. He gets more excited when he’s trapped and vulnerable in front of someone he likes

And while he’s a gentle top, he makes sure to return every favor you’ve given him on the occasions he does take over. These sessions last significantly longer than when he’s on the receiving end— edging turns out to be a specialty of his. And along the way, he’s more than happy to remind you of your previously indulgent behaviors

More Genji NSFW

Genji is still Genji, and even under all that metal he’s still pretty full of himself. So he totally, secretly, has a mask kink, and goes a bit feral when you wear his helm along with a lingerie or something else enticing (maybe even his hoodie lol). There’s just something about seeing his own visor on you that makes him want to pounce

I don’t imagine he’s super into wireplay/anything that has to do with his mechanics, but he’s not against it. He’s fine with it enough and appreciates you’d find these parts of him just as attractive, it just doesn’t get him going as much as other things do. He will happily indulge you though.

He’s dangerously easy to arouse. Drop one hint, playful or not (but only after the first few intimate exchanges) and he will find someplace to make it quick. Of course, he’s fluent in consent, so he’ll back off if you really were only joking. But otherwise you may often find yourself getting that super-enhanced-ninja special in the strangest secluded areas

And he makes it his job to make sure you cum before he does. On occasion he slips up, and if you’re competitive like that then it can be pretty 50/50. But he praises himself as a gentleman who treats his lover with the utmost care, and will deliver to you everything he has before taking you for his own pleasure

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narislvr · 6 months

Text

Pinwheels.

SFW Valeria Garza HCs

PAIRING: Valeria Garza x Fem-Preschool-teacher! Reader.

CWS: None. <3

—

“Amor..”

“...Yes?”

“Por qué mierdas is there a giant pile of paper scraps and glitter on our bed?!”

—

This woman would definitely fund the school you work at.

She wouldn’t tell you it was her, but she’d relish in the way you smiled as you told her about the anonymous tips.

Need more construction paper and art supplies?

You got it.

Kids need more toys?

There were definitely better uses of her money, but you best believe the school will have some sent anonymously.

One thing Valeria admired the most about you was the sheer amount of love and patience you had for the kids you taught.

Whether it be the way you hugged them and treated them with such tenderness and love, or the way you carefully created each activity for the following day

She admired it all.

Sure, she absolutely despised the Idea of being surrounded by (literal demons) kids all day, but you just made it look so easy.

On late nights when she’d be getting back from whatever meeting or transgression she had to oversee that day and saw you hard at work, safety scissors in one hand and construction paper in the other, she’d let out a small sigh before walking behind you and resting herself against your hunched back

“You should be in bed, Mi Vida. Wouldn't want to have those pretty fingers of yours cut off on accident, right?”

“But I’m almost finished, Vale!” You’d whine, a tired pout on your lips as you turn to face your wife.

And thats how despite she herslf being tired, she’d find herself taking the scissors away from your hands and taking a seat beside you, finishing cutting whatever stencil you were cutting this time.

Another thing she’d enjoy is you talking about your day.

She liked listening to you talk as she did her paper work. Sure, it distracted her but she wouldn’t say that outloud.

Though usually indifferent and just humming to let you know she was listening, she’d occasionally respond back

“Can you believe that he kicked poor Jose just for trying to take one of the blocks from his tower during clean up!?”

“Well, he did have it coming-“

“Valeria, no-!”

It may not be Valeria’s profession of choice, but it’s yours and she’ll do everything in her power to support you and make sure you’re happy and come back home with that same charming smile.

—

🎀 first Tumblr post / COD fic, hopefully you enjoy this and find the premise interesting enough. <3

🎀 requests for this au idea, or in general, and constructive criticism are welcome !

#valeria garza x reader #valeria cod #valeria garza #mw2 x reader #cod mw2 #cod modern warfare #i love women #cod x reader #call of duty #cod one shot #oneshot #headcanon #wlw #sfw headcanons #cod valeria #valeria x reader #valeria x you #el sin nombre #─ nananari writes ‧₊˚

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acourtofquietdreamers · 1 month

Text

“Elain shouldn’t have to convince anyone that she belongs in the Night Court.” “Elain needs to leave the people that coddle her.” “Elain just needs to give Lucien a chance and she’ll realize he’s perfect for her.”

Elain is often criticized for being passive and not standing up for herself yet some people believe she shouldn’t fight for what she wants and what she believes in. She should just run away. She should just give in to the mating bond and give Lucien a chance. She should continue being passive.

I believe Elain’s growth would be more impactful if she continues down the path we’ve begun to see her go down where she passionately fights for what she wants and doesn’t back down. We may not have Elain’s POV yet, but Elain has made her feelings known on a couple subjects. I’m focusing on Elain’s words only because I do not believe others know what’s best for her.

Elain very confidently declared herself as a member of the Night Court.

When Feyre had offered to let her remain home, Elain had squared her shoulders and declared that she was a part of this court—and would do whatever was needed.

Should Elain abandon her declaration and leave the place she’s begun to build a life in because she looks plain in black? Or because Nesta thinks Spring is made for “someone like her”?

Or should she prove them wrong by earning her place within the court (cue Elain using her powers) and show the claws she’s been hinted to have?

Elain no longer wants to be coddled by her sisters and we see her stand up to them for the first time in ACOSF.

Elain remained in the doorway, her face pale but her expression harder than Nesta had ever seen it. “You do not decide what I can and cannot do, Nesta.”

“Shall I tend to my little garden forever?” When Nesta flinched, Elain said, “You can’t have it both ways. You cannot resent my decision to lead a small, quiet life while also refusing to let me do anything greater.”

Elain cut in sharply, “I am not a child to be fought over.”

But Elain said, “I went into the Cauldron, too, you know. And it captured me. And yet somehow all you think of is what my trauma did to you.”

Should Elain run away from this battle and leave her imperfect relationship with her sisters behind?

Or should she continue to address the issues in their relationship so they can come out stronger?

Elain has made it clear that the mating bond means nothing to her, regardless of others trying to convince her to give the “nice guy” a chance.

“You are his mate. Do you even know what that means?” “It means nothing,” Elain said, her voice breaking. “It means nothing. I don’t care who decided it or why they did—”

“You belong to him.” “I belong to no one. But my heart belongs to you.”

“He brought you a present.” Those doe-brown eyes turned toward me. Sharper than I’d ever seen them. “And that entitles him to my time, my affections?”

“No.” I blinked. “But he is a good male.” Despite our harsh words. Despite this Band of Exiles bullshit. “He cares for you.” “He doesn’t know me.”

Should Elain give in to the pressures of giving her mate a chance? Forget about her dream of a love that would trump even a mating bond?

Or should she fight for a love of her own choosing?

I don’t want Elain to give in. I don’t want her to be passive and let others make decisions for her. I want to see Elain surprise everyone and continue to fight.

#pro elriel #elriel #pro elain #Elain rambles

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lunaroserites · 3 months

Text

Art and Ice

Pairing: Eventual Bucky Barnes x Fem!Reader

Characters: Natasha, Wanda, Pietro, Loki, Bucky, Sam Wilson, Steve Rogers, Peggy Carter, Tony Stark, Clint Barton, a lot of the avengers cast is mentioned.

Summery: This might a 2 or 3 parter. College AU, our boy Bucky is on the hockey team, and reader is an art major (because I love that troupe and couldn't help myself)

Warnings: Not beta'd! All mistakes are my own. Friends fluff, swearing I think, mentions of college students being college students. Bit of friendly harmless flirting between friends. Derogatory use of the word puck bunny. Bucky is a playboy. There is not interaction be MC and Bucky quite yet.

Word Court: 1935

Likes, reblogs, comments are appreciated!

Please do not repost, translate or otherwise copy my work elsewhere, thank you! Lunaroserites on tumblr and ao3

“I don’t know what to do,” you groaned as you threw your head back against the worn couch.

“I want the project to focus on movement, but lifelike movement. Human movement.” You mocked your professor. It not being nature themed had to be a jab just for you. All your projects were nature related or still motion.

“Professor Grace wasn’t targeting you,” Wanda said, letting out a chuckle at your dramatics.

“Are you sure you’re not a drama major?” Pietro laughed as he threw a butter packet at you.

“You two are the worst,” you sighed as you threw your arm over your eyes. Twins, why did my best friends have to be twins. The world is cruel, your thoughts drift.

“Why don’t you come to the track and draw me?” Pietro wiggled his eyebrows at you. You rolled your eyes in response.

“Eh,” you sighed. You didn’t want a solution at the moment. You just wanted to complain.

“She just wants to vent guys,” Natasha said as she came through the door holding a couple bags of takeout and a box of wine. “And I doubt she wants to see you and the rest of the track team in those tiny little running shorts you call clothing,” she sassed at Pietro. He just laughed, and stuck a pose with his leg up on the bar stool next to the island counter causing you all to laugh with him.

“Thank you,” you exclaimed as she handed you your food. You threw a 10 at her and settled back down into the couch.

“You know, you could come by the rink and draw a couple of the guys,” Nat mentioned. Her long term boyfriend was on the hockey team, Clint, a sharpshooting winger nicknamed Hawkeye.

“Pfft,” you scoffed. “I’m not going to have them think I’m one of those, puck kitties, or whatever they’re called.”

“Puck bunny,” Wanda chimed in, you pointed your chopstick at her and smiled.

Natasha let out a loud laugh, one of those full bodied ones, “god they won’t think that.” You raised your eyebrow at her and gave her an incredulous look.

“I can’t have them showing off because I’m there. I need to get them in their element. Not focused on what I’m doing,” you groaned again. “Biggest issue is I will need permission from the person or people. So they’ll have to know.”

“Like I said Princessa, draw me. You have my permission,” Pietro winked, you rolled your eyes at him.

“You’re too obvious of a choice. And as much as Wanda insists that Professor Grace doesn’t have a personal vendetta against me, she’ll love pointing out I picked the safe option,” you whined.

“Wanda, you haven’t seen Grace in class. She will take any chance to criticize her pieces. Nitpicking to the extreme.” Natasha chimed in, “if it wasn’t for Dr. Rain I think our resident artist would've failed out of this course by now.” Dr. Rain was the head of the art department and after a wholly undergraded piece you submitted last semester Prof. Grace was on thin ice. So she graded you fairly but took every chance to tear you apart in front of the class.

“I’ll think about the hockey team. It would be the least expected from me anyway,” you signed and got up from the couch taking everyone’s garbage and throwing it out. Football season was over, but the hockey season was in full swing right now and our team was top of the league.

“They have practice tomorrow night, you should come by and look at it,” Nat said, giving you a knowing look.

~The Next Day~

That's how you ended up in the rink. Underdressed because you didn’t realize how cold an ice rink would be in the stands. You were right though, about the type of girls that hung out there, they were scantily dressed and leaning over the tunnel that the players exited and entered from. How they weren’t frozen baffled you.

Nat was sitting reading a chemistry book across from you near the bench, as you didn’t want the team knowing you knew her. Well everyone but Clint. You’ve hung out quite a few times over the past couple years. You took a seat a few rows up opposite the bench near what Nat called the Sin bin (penalty box.) It gave an excellent undisrupted view of the rink and the players as they practiced.

The sounds of skates gliding over fresh ice and sticks bouncing off it was an almost soothing sound. The puck skittered across the ice as it was passed between teammates and shot toward the empty net. The goalie, a guy named Quill, was performing some kind of ritual at the opposite end of the rink. Nat mentioned he was a bit of an odd duck. But according to her all goalies were odd in their own ways.

The movement was fluid and easy to follow. How these giant men moved so weightlessly across the ice left you in awe. The Captain of the team was a blonde center named Steve Rogers, better known as Cap. Most of the school knew him, he was in a few of your art classes over the semesters. His girlfriend Peggy, was the student union president.

The star of the team was his blurry best friend James “Bucky” Barnes. He was a “winger,” with good prospects for the NHL according to Nat as she gave you a lowdown of the team as you guys went there just after practice started. He was nicknamed the White Wolf. How a man of his size moved that easily was mesmerizing, he almost floated over the ice and it looked like he was dancing. He was sinfully handsome as well. Every other week he had a new girl hanging off his arm. Undoubtedly one of those puck bunnies as they were called. He was the talk of the school after the football season concluded.

It made you dislike him on principle. The sports were definitely more priority in the school and the art department lacked thanks to these overgrown toddlers on skates. But you couldn’t deny his natural handsomeness, he looked effortlessly handsome and it was almost unfair.

You looked down at your sketch pad that you had been absently scratching at. Bucky seemed to be your muse because you couldn’t take your eyes off him as he effortlessly skated around the rink. You were in danger and you knew it. You gulped and closed the book before quickly gathering your things and leaving.

It didn’t take Nat long to text you and ask where you went. You sent her a quick message back saying you were cold. Not that Bucky, the school's playboy, had quickly become the muse of your piece.

“Nat, I thought you said your friend was coming by,” Clint asked as he wrapped an arm around her shoulders.

“She did, she left because she was cold,” Nat chuckled.

“Anyone know the pretty one watching by the sin bin?” She overheard Wilson ask. “And what she was doing?”

“I think I was in a couple art classes with her,” Steve mentioned missing your name.

“I won’t complain if she comes by again,” Barnes said. Wilson raised a brow at him.

“What, so you can break her heart well?”

“Look doll, it’s not you,”

“It’s me.” Wilson and Stark said together. Barnes shot both men a glare. Then the high pitched whine of Barnes newest fling squealed his name and that was Clint and Nat’s queue to hightail it out of there. The collective groans from the rest of the team matched her thoughts.

~A couple days later~

“Loki, I don’t know what I’m going to do, this project is worth too much for me to go safe,” you sighed as you laid your head on his lap. He was reading some classic novel for his English class in the student commons. His fingers nimbly moved through your hair as he held the book in the other hand.

“Darling, just go back to the ice rink,” he knew almost immediately when something was up when you were walking together a couple days later. The perspective bastard. Loki was your best friend since middle school, his brother Thor was the star quarterback for the football team in both high school and here.

“Why would I do that,” you pouted.

“Because you clearly want to draw this man, and it will ruin you for months just like that piece you did of Helena,” he said shortly. Helena or Hela was his big sister and she was absolutely stunning. You had pined over drawing her for a piece for months before Loki forced you to ask her. It fixed everything and life back to normal after you painted the piece.

“I hate when you do that,” you whined, his eyes flicking down to your face.

“Hate what darling,” he mused.

“That, being reasonable and knowing what I need before I admit what I need to do.” He laughed and ruffled your hair affectionately.

“Comes with years of experience,” he sighed and placed his book down next to his leg. “Do bundle up this time will you,” he called as you walked away, you quickly flipped him the bird as you rounded the corner.

And there you were back at the rink again. Although tonight was a game night and the rink was packed. “20 dollars,” a nasally boy said as he pushed his glasses up, he looked bored out of his mind.

“Pardon?” You asked, looking at him.

“It’s 20 dollars to get in the game,” he said in an annoyed tone.

“Oh, I’m a student,” you showed your ID card, he rolled his eyes, “5 dollars.” You nodded and placed the five down. Only partners of the team got in free. Perk of fucking one of the team members you guessed, that must have outweighed the fear of them cheating or getting bored. You knew that wasn’t fair. At least two of the guys were in committed relationships and one was in an on again off again relationship. The rest though you weren’t sure, you shock your head at the thought.

You caught the flaming red hair of Nat in her reserved seat next to the bench, Peggy was next to her. There were a few open seats at the top of the rink, not great from getting a good view of what you needed to draw. But it would have to do. Instantly your eyes were drawn to Barnes, number 17, flying up the ice leaving the opposing team in the dust, snow? With a quick flick of his wrist the puck was shot sideways and Barton scored. The crowd stood and cheered loudly. You wished you had ear plugs now. The buzzer was insanely loud and made your ears ring. How Nat enjoyed this you’d never understand. Barton. You thought, Nat wasn’t big on sports, but she was big on her sweet boyfriend.

You focused on Barnes as he showboated around the rink, celebrating his assist. He moved so fluidly, you were mesmerized. You drew many little pieces focusing on the movement trying to capture the effortlessness of him skating. You were startled from your drawing when the buzzer screeched again the crowd roared in applause. The team scored again and it seemed to be Barnes that scored this time. Hats flew onto the ice as he skated around. That was odd, you squinted at the action. His eyes caught yours for a split second as he rushed past and it felt like eternity.

Read Chapter 2 here

Feel free you send me a message if you have a request or would like more <3

#bucky imagine #bucky barnes #fluff #bucky barnes x reader #bucky x you #bucky x reader #marvel imagine #college!bucky #college au #loki #natasha x clint #bucky fanfic #white wolf #hockey fic #artist fic #hockeyplayer!bucky x artist!reader #bucky x female reader #bucky barnes x female reader

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froggibus · 4 months

Note

Hi there! If requests are still open, would it be alright if I requested HC’s for D.Va, Mei, Sombra, and Mercy with an S/O who’s a writer?

Thank you!! You rock! Keep up the amazing work!

Writer S/O Headcanons - D.Va, Mercy, Mei & Sombra

Genre: fluff!

Pairing: D.Va x gn! reader, Mercy x gn! reader, Mei x gn! reader, Sombra x gn! reader

CW: mostly fluff, some canon/implied canon things (we love our doctor/science women), i'm horrible at writing sombra (sorry)

been a while since i did an OW request, haven't touched the game since the beginning of Dec since i don't play for a team rn & hate the direction the game is going :( but i love the characters so its a dilemma lol anyway enjoy!!!

(also!!! i am once again bothering you guys to vote in this poll if you haven't already. your input matters to me vv much & would love to hear about what you want for our valentines event this year!)

D.Va:

literally your biggest fan

she always supports your writing no matter what & definitely shares it on her stream

will probably just game while you’re writing

she gets loud sometimes but she tries her best to stay quiet so you can focus

does her best to read your writing but she has such a short attention span she just can’t sometimes

will write little hearts and stars on her favorite passages in your writing

brings you lots of snacks and drinks!! makes sure you’re always hydrated and that you don’t work too long

honestly probably gets really distracting sometimes

like reading your writing over your shoulder or tapping her nails on the desk really loudly

“Hana…”

“sorry,” she’ll say sheepishly. “you just have me on the edge of my seat.”

Mercy:

your proofreader/beta reader

she LOVES to read so you know she’ll pick up anything you write and devour it

will lay on the couch with you after work while you write and listen to the taps of your laptop

“hey, Ang, do you know the word? like the one—the word for—ugh”

“luminescent.”

you’re not sure how she does it but she always manages to read your mind & know exactly what word you’re looking for

also super helpful when you have random medical questions

she’ll break down exactly how you treat a stab wound in a dingy motel for you without batting an eyelash

queen of overworking so she won’t judge you too harshly if you work all night

but will definitely be there to chastise you with a glass of water in one hand and some plain toast in the other

Mei:

literally the sweetest ever

always tells you how amazing your work is & recommends it to all her friends

working in the science field she’s always reading scientific journals so your work is a breath of fresh air

she’ll have a glass of rosé and settle down with your book after a long day

NEVER critiques your work because she thinks you’re the best ever

probably annotates it with her thoughts while reading it and voices her excitement about it

asks you a million questions about your work and nods along while you give long winded explanations

cooks you yummy food & brings you 5 spice hot chocolate to keep your energy up

snuggled up to you on the couch and listens to you think outloud

Sombra:

absolute best research buddy

you open your mouth to ask her a writing question and she already has it pulled up in four different browsers

thoroughly explains everything to you too

through her work she knows a lot about violence and other things

so she’s always willing to answer questions—especially spy + stealth related things

if anyone ever tries to criticize your work online she’ll literally doxx them

probably hasn’t read much of your work but she makes it up for it in undying support

you could be writing about murdering a public official and she’d support it

lets you sit at her desk with her while she works and hums soft songs to you

(if you enjoy content like this, interactions go a long way! comments, likes & rbs are always greatly appreciated ^-^ !!)

masterlist | overwatch masterlist

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soufcakmistress · 10 months

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new love on the near northside

A/N: haters that ruin the fun will get blessed out and blocked! find someone else to play with, tysm :) this is for all the sydcarmy truthers like me who’ve been in a spiral for two years

Pairing: Sydney Adamu x Carmen Berzatto

“All right chefs, we need to fire four prime ribs, two lobster risottos, and four cream puffs!”

“Yes, Chef!”

“Marcus, 86 the mascarpone for the cherry tart on 20!”

“Heard, chef!”

“Okay I need to see hands!”

The waitstaff gingerly grab the plated dishes from the final station, while Carmy is gently yet firmly reminding them not to smudge the plates as they’re being taken to their respective tables. Dinner service is in an awesome groove right now and Syd is feeling confident tonight. She’s still riding on a high from the last food critic that visited from the Chicago Tribune, who raved over her braised short rib and orzo pasta. There are also other reasons for Syd’s good mood.

“Open your legs, Syd..”

Syd shudders, takes three deep breaths and continues to fire off orders from the expo. The Bear has been packed almost every single night for three weeks. They don’t have much of a waitlist yet, but word of mouth moves quickly in Chicago and the front of house are noticing some repeat customers already.

Carmy joined Syd at the expo, and she can still pick up the scent of his cologne even in the midst of garlic, heavy cream and raw seafood. If she even peeks at him, she’ll lose her train of thought, and that’s the last thing the team needs right now. After having to let go of Josh after his unfortunate episode, her sous Tina has been pulling double time, covering both stations like a champ. She makes a mental note to give her an unbelievable gift and some love this weekend. “How are we doing, Chef? We cool?”

His eyes are so crystal clear and she recollects how he stares through her when they….oh fuck. “Yes, Chef. Runners are getting everything out in a timely manner, and we are turning these tables around. You?”

“Carmy, Carmy, yes—oh!”

Carmy licks and bites his lips and smirks. “Yes Chef. You’re the captain of this ship.” He squeezes her shoulder and goes back to his station as their boucher, Daniela checks in with Carmy about the fat trimmings for their beef.

Fak, Richie and Sweeps were holding down the front since Nat is on maternity leave. Carmy keeps a wallet size photo of his brand new nephew at his station, looking occasionally with a smile. Forty five more minutes before dinner service is over and Syd can finally go puke out back. “Chefs, we’re almost in the clear! Let’s keep up the momentum and sense of urgency!”

“Yes, Chef!”

Every dish is gorgeous. So many painstaking hours reworking the menu. Chaos menu, thoughtful chaos menu, back to chaos menu again. Reviewing and poring over Carmy’s intricate drawings, all the late night sessions, so much money spent on ingredients—it was enough to make Syd’s head spin. Hence why, almost a month since The Bear opened she’s still subsisting on a diet of Tums and Pepto.

She’s eternally grateful for her partners. Nat and Cicero have saved all their asses more times than they can count. Cicero is a hard ass but he adores Carmy and Sugar and has grown to love Syd as well. And of course, the best chef she’s ever had the privilege of working beside is her executive chef, business partner, best friend and now lover.

“Look at you. You’re so wet baby. Fuck—”

They’ve managed to keep their love affair under wraps for this long. It’s a struggle not to be able to touch each other when they’re working. Tina and Marcus are too perceptive; they would be found out immediately. Still, Sydney feels like a giddy school girl whenever Carmy corners her in the office as they open the restaurant every morning—both of his hands by her sides keeping her close. He’s so incredibly sexy without even trying and she still gets shy sometimes. He has to pull her chin from her shoulder and make her look at him.

“Don’t run away from me. You know I won’t let you..” And those ocean blue eyes of his again….and his lips are feather light on top of hers. Her knees are ready to buckle and Carmy sensed as much, so he pulls her close to the hardness of his chest and stomach to keep her standing.

She loves how his stubble feels on her chin and cheeks, especially when he drags his mouth down her jaw and lightly sucks on her neck. “Carm, Carm, Carm, oh my god, don’t! If they see me with a hickey when I didn’t have one yesterday, how do I explain that?” Her face is hurting, she’s cheesing so hard.

One hand slides up her chef whites, slipping under her camisole and his agile fingers pinch her nipple while his tongue circles her earlobe. Syd’s learned that Carmy is insatiable. For someone to not be as experienced as he claims—his hands, lips, tongue…always seem to go exactly where she needs them to. “I can’t help it, Chef. You’re just so damn beautiful.”

Syd’s hands roam all over his thick biceps and eventually land in the bushy mess atop his head. Their tongues lave and suck on each other’s and their moans can’t be held back any longer. Carmy pulls her leg up to his hip while he grips her braids, until he hears Marcus and Sweeps come through the back door. They separate quickly and get themselves together. Lusty gazes linger between them and they’re both aching between their legs. Carmy is as red as a beet, and Syd’s lips are swollen from his kisses and nipping. “Right, thank you chef.” Syd walks out first awkwardly with wobbly legs that make Carmy chuckle.

Dinner service is over—the kitchen has been scrubbed down, trash taken out, perishables have been stocked away in the lowboys and walk-in, and the back of house staff has skated out. It’s just Carmen and Sydney, in their brand new restaurant. “I’m beat. You got all your stuff right?”

Syd has an overnight bag with everything she needs for a weekend with her babe. “Yes, I do! Are you..ready to go?” Carmy grabs the weekend bag along with her hand and they walk in tandem to his car.

Carmy has been seeing a therapist in addition to the Al-anon meetings and Sydney can tell a difference already. He’s slower to rant and rave and owns up to his mistakes. More eager to hear people out. She’s proud of him—he’s suffered through a lot to make it to this point. They eventually arrive to his apartment and a shower is the first order of business. Syd loves the water pressure at Carmy’s place and taking showers together has been great for their newfound intimacy. They undress each other, Syd pulls her braids up in a high bun, and they just hold each other under the steaming water. This is their time. Away from The Bear. Away from Chicago. Away from the many demands and decisions they’re forced to confront every single day.

Carmy washes her with her pink loofah that’s been made a permanent staple in his bathroom. This is all new to Syd; her heart blooms in her chest at these big feelings she’s experiencing. He’s gentle and doesn’t leave an inch of skin untouched. Syd washes his hair with his expensive shampoo and Carmy’s eyes close in ecstasy. They needed this tenderness. They deserved it.

All cleaned up and fresh, they mosey back to the kitchen for a late night meal. Habits are hard to break. “Spaghetti?” Carmy suggests.

“Yes oh my goodness. Butttt use bucatini instead. And all the cheese.” He smiles in agreement and pecks her on the lips and gets out all the ingredients they need. Julia Child is on in the background on a public access channel, as they converse about the restaurant and Carmy’s nephew and Sydney’s dad and Carmy’s dysfunctional family, the deep loss Syd still feels at the absence of her mom for most of her life. More tenderness.

Pasta is rolled out. Meat sauce is sautéed, seasoned and almost ready. The Shiraz is poured. Carmy can’t stop staring at her in his shirt and boxers. She’s so cute. The pasta boils and he watches her watching the program, fully enthralled. Everything is finally done; he plates everything in his unique Carmy way and Syd audibly orgasms at how the savory flavors meld together especially with the wine.

He grates more pecorino over the pasta and the lull in conversation is comfortable and warm. Not awkward and full of anxiety like with Donna….leaving him constantly overthinking and being afraid to speak. Sydney seemingly knows what he’s going to say before he does and that brings him comfort. They’re in crystal clear alignment on every way and he now knows a semblance of peace.

“Fuck. This is good.” Sydney is damn near scraping the plate, while Carmy is smiling the biggest she’d ever seen from him. They both love when the other eats their food. That sense of pride is undeniable.

“I’m glad you enjoyed, Chef. Anything for you.” He winks at her and she gets bashful and mumbled out that she’s going to take care of the dishes since he cooked. To his surprise, he’s a little more tipsy than he realized from the Shiraz. Carmy drains his glass and pours himself another, while checking Syd’s frame out. His boxers are screaming for relief and a little moan eeks out of him before he can stop it. Thankfully Syd isn’t aware of his moment of weakness.

Carmy swallows and wipes his lips and moseys behind his girlfriend. Kissing and nipping. “I’m almost done here, Carm..” Syd whines a bit at his ministrations and drops the plate into the soapy water.

“Yeah. Not fast enough for me..” Carmy turns her around and leaps with his tongue and mouth first. Her hands are dripping wet but she doesn’t waste a second grabbing his head of wild curls and taking what he has to give. Carmy grabs her legs to wrap them around his waist and Syd can periodically feel him thrust up into her mound, wailing for stimulation that only he can provide.

Their shared affection overpowers the television, and Carmy feels his way down the hallway with his baby in his arms. His love, that saved him in so many ways. He pulls his shirt off, she takes hers off. She takes his boxers off that she had on and she lays on his bed, naked as the day she was born. “Fuck me, Carmen.”

She held in her amusement because his entire neck and face was blood red with the pupils of his eyes blown out. Syd knows that he’s doing everything he can to stay contained, but he knows her better by now—she does what she wants. So she spreads her legs for him and twirls her clit in tandem with a brown nipple. Carmy’s about to explode.

He drops to his knees and explores her love below like it’s never been done before. “Sydney, why do you taste so good? Why do you do this to me..” She relishes in the fact that he’s potentially bruising her with the vice grip he has on her thighs, but yet she’s so afraid that she’s gonna squirt in his face if he keeps gently sucking her clit in and out of his lips like that. His manicured fingers enter her canal one after the other and prompt her to let go. “CARMYYYYYYY!”

His whole chest is drenched, and his eyes are shut tight, his deft fingers rubbing tight circles around her clit with a precision that only an executive chef named Carmen Anthony Berzatto could deliver. Sydney pushed his head away and she’s left trembling with watery eyes. “I-I—i didn’t know I could do that!”

Carmy just smirks and wipes his mouth and drops his pants. Syd still can’t get over him. He has even more tattoos that can’t be readily seen on a day to day basis, he is so cut and muscled and has a cock that should be cast in 24 karat gold. Don’t sleep on the short kings.

“Turn around.” His voice leaves no room for pushback, and she can barely raise up on her knees before he’s manhandling her. He’s learned that he loves doggy with Syd. With her ass high in the air, she is getting impatient as well and reaches behind her to line him up with her slit. Carmy catches his lip in his teeth as he pushes forward and they both groan out a “fuck” that only they could wholly grasp.

On the first stroke, he’s all the way in and Syd fees his sack grazing over her entrance. They’re both in a trance. Carmy has visions of Syd cooking, smiling, cumming, revolving in his mind as well as the score of the last White Sox home game so he doesn’t bust his load quick. Syd can’t get the thought of how intense and sweet he gazes at her. How he commands their team, how his talent speaks for itself, how fucking sexy his jawline is, how big his heart is. How lucky is she? To fall in love with her idol, mentor, boss….and to have him love her back.

The bed is beginning to bounce off the wall. Their volume increases as Syd can’t hold herself up anymore and they fall into collapsed doggy with their fingers interlocked. “I’m so glad you found me. I love you Syd, I love you, I fucking—fucking love you baby!” That set Sydney off for the most expansive and overwhelming orgasm of the night, taking her beau with her over the edge. Carmy’s sweaty forehead lays on Sydney’s right temple—both of them with tears in their eyes.

Carmy kissed every finger tip until their mouths met again, both letting their waterlogged eyes flow free. “I know. I love you too Carmy. We’re never alone.”

“We’re never alone.”

#soufcakmistress #carmy and sydney #carmy x syd #carmy x sydney #syd adamu #the bear fanfiction #the bear fx #syd x carmy #sydney x carmen #sydcarmy

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slasherscream · 1 month

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Can you do some more until dawn characters (yandere please) like you’re trying on clothes at the mall and ask their opinion?

YANDERE UNTIL DAWN CHARACTERS + READER IS TRYING ON CLOTHES

A/N: thank you for reading my until dawn content! it's such a small fandom these days, comments/reblogs/anon reviews/asks are appreciated as they let me know people are still reading these.

- Josh has an excellent eye for aesthetics. He may not know all the words/names for the types of clothes you look good in but he recognizes them right away. He’ll try and describe something you should get, give up, wander off, then come back with examples of what he meant while you’re in the dressing room. If the shopping trip is under four hours he can remain locked in the entire time. This is the strength of will and character that comes with being the big brother to two little sisters who got his driving license first. He’s spent entire lifetimes at the mall hyping up the twins. He knows what to do. Overall helpfulness: 8/10.

- Sam loves spending quality time with you. Quality time is one of her preferred love languages, in fact. She picks you up for your shopping day with your favorite coffee shop order in hand, from the best place in town. She’s good with little details like that. You can always count on her to give you her honest opinion on what you pick out. She’s gentle about it, but she’ll never let you wear something she thinks is unflattering. She’s also mindful of waste consumption. With Sam’s help you wind up picking things you love, are comfortable wearing, and that you’ll actually use. Not a penny wasted, no matter how much you spend. Overall helpfulness: 10/10.

- Chris could not possibly, in any version of reality, fix his mouth to give you a criticism about any of your choices. Let alone choices about how you will go about decorating your body. He’s lucky he gets to look at you. It’s an honor! Thank you for honoring him! Every time you step out of the dressing room you will get the exact same answer, very enthusiastically, in the same tone: “That looks GREAT, babe!” You’ll be ready to kill him thirty minutes in. Absolutely worthless feedback. You’ll have to get help from the salespeople who work there for opinions. If you want a ‘yes man’ this is your guy! Overall helpfulness: 3/10.

Hannah is another sap. She’s more helpful than Chris, but only by the slightest margin. If something doesn’t look good she’ll be able to stutter her way around to it…. eventually. She’s nearly petrified at the thought of upsetting you. Never-mind the fact that you’ve asked her how the top looks on you five times now. “Well…. I mean… how do YOU think it looks, Y/N?” As if you’d be asking if you could come up with an opinion yourself. You’ll wind up leaving with only a few items. You’ll have to come back with a friend in a few days. You may need a new wardrobe, but if you need help picking it out, you’ll need a different set of eyes. Overall helpfulness: 4/10.

- Emily is going to be honest to the point that, yes, it will hurt your feelings a little… if you’re lucky. Mileage may vary. If you’re particularly sensitive she’ll hurt your feelings a lot. But god forbid you start trying to take someone nicer shopping with you. She’ll throw the hissy fit of the century when she finds out. Yes, when, and not if. Emily manages to find out everything you try to keep from her. Everything. On one hand you’ll wind up looking the best you’ve ever looked. Your entire wardrobe suits you perfectly. She even buys/picks out things that you’ll like, in your style, even if she finds the style personally distasteful. That’s how much she loves you. It just has to suit you, or else she will say something, and the way she says it is never very nice. You’ll look incredible, but at what cost to your mental health? Overall helpfulness: 8/10.

- Mike isn't very enthusiastic about the activity, but likes the good boyfriend points it garners him. Thus, he will come along whenever you bid him to do so. He’s only got about two and a half hours of shopping in him though, so try and have an idea of what you want to get in your mind. Before you arrive at the stores, please. If you take a long lunch break he can go back for another two hours but this is his hard limit. Knows well enough what you already look good in. Or when something looks downright awful on you. He does struggle a little to help if you’re wanting to try a completely new style. He’s as lost as you. The more underground/alternative/particular the style you want to try is, the worse the advice gets. If you’re just doing a wardrobe refresher this is your man. Overall helpfulness: 6/10.

- Beth makes shopping relaxing. You’ll stay as long as you need in order to get everything you need. She probably had you make a Pinterest board before you guys went out so that you’d be able to refer back to it. She knows getting into the stores can wipe your mind clean of what you needed/wanted to get. She’ll have you guys stop for lunch as well, but then you’re right back at it! She likes seeing your style evolve and change. Her feedback is honest, but gentle. It won’t ever feel like a criticism of your body, just the clothing. You walk out satisfied and always happier than when you came in together. Overall helpfulness: 10/10.

- Jessica is in her element here. Honestly, Jessica drags you shopping with her more than you’ll ever drag her shopping. Spending time together means a lot to Jessica. She never takes it for granted. Thus, she always tries to make any activity, but especially repeat ones like shopping, fun. She probably has a shopping playlist she made for the two of you. You both wear one wireless earbud and get to movie montage with each other. Watch out if the Princess Diaries songs or something Hip-hop comes on, she’ll start dancing to make you laugh. Her feedback is upbeat and positive, but honest. She hypes you up like crazy when you come out wearing something that makes you look really hot! Wolf whistles and everything, your face will be burning up as you flee back into the safety of the dressing room. “Baby, come back! You look smoking!” Overall helpfulness: 9/10.

- Matt knows absolutely nothing about fashion. He tries his very best to help, but he’s at a loss. Only if something very obviously doesn’t suit you will he be able to veto it for you. “I dunno… maybe it’s a little awkward in the arms or…. something?” You’ll have to take a few breaths. However, if something looks good, he can absolutely be a hype man! His eyes light up, he takes your hand, makes you do a spin. All the attention is enough to make you kick your feet and giggle. He can compliment you all day long. To his credit, he can compliment you specifically enough on what looks good. Even if it’s still a little vague. “The color of this makes you look really… wow! You know?” You’ll be able to figure out he means jewel tones make your skin look glowy one of these days. For now, at least you know your boyfriend thinks you’re gorgeous no matter what you wear. Overall helpfulness: 5/10.

#josh washington x reader #mike munroe x reader #sam giddings x reader #emily davis x reader #matt taylor x reader #chris hartley x reader #beth #hannah washington x reader #jessica riley x reader #yandere until dawn #until dawn #until dawn imagines #josh wasington imagine #black!reader

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kazoohaa · 9 months

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Headcanons for Dan Heng, Gepard, Serval, and March with a gn s/o that bakes? Please?

𝐁𝐀𝐊𝐄𝐃 𝐓𝐑𝐄𝐀𝐓𝐒 & 𝐏𝐀𝐒𝐓𝐑𝐈𝐄𝐒. honkai star rail

— notes. i know like nothing about baking so i actually had to search up baked foods LMAO 😭 i’m sorry i didn’t include dan heng, i ran out of ideas :(

— details. gepard, serval, march x gn!reader (separate). fluff.

gepard

you bake?? he thinks that’s pretty cool!

and it makes him so indescribably touched whenever you gift him some things that you’ve baked yourself before he has to go on duty, like in the mornings before he has to patrol, or in the afternoons and evenings when the day’s work is done and over with

it’s something tasty to munch on (bonus points because it’s made by you!) and a snack that’s easy to bring around with him

(the other silvermane guards don’t fail to notice every time they see him walking around with some little baked treat in hand, and a tiny smile on his face)

(the silvermane guards are your no.1 shippers actually 💯)

gepard hasn’t really tried cooking, baking, etc, but it’s been something that he’s been interested in learning for a while

once tried his hand at baking because he wanted to give you something back — cupcakes should be simple enough? he tried his best, he really did!! it didn’t turn out as well as he’d hoped, but he tried to decorate them as pretty as possible for you

in the end, he made little smiley faces on the cupcakes. they’re a bit wonky, but he’s got the spirit

he got really embarrassed when he eventually gave them to you since they felt sub-par, especially compared to the things that you can make. sheepishly, he suggested that maybe the two of you could have dates where you can bake together, so that he can learn from you..? if you’re fine with that, of course..!

serval

it always brightens her day every time you drop by her store and gift her a pastry! the food itself is definitely delicious, but the thing that really makes her happy is the fact that she’s seeing you <3

serval actually likes your baking a lot, and she’d probably try to bribe you in order to get you to make some more for her lmaoo

“hey, i really liked those biscuits you gave me the other day — do you have any more of them?? aw.. c’mon, i’ll play you a free song if you make me some moreee.... haha, i know i already do that anyways, but..”

her favourites are the types that are good to eat on the go, just something easy to grab while she does something else. since she’s usually spending her time tinkering with different sorts of mechanical contraptions or random instruments in her workshop, it’s convenient to have something either bite-sized or easy to finish while she works

march 7th

super interested in your hobby!! she’d really like while you bake, probably trying to join in at the most fun parts like making (and testing) the icing

march also becomes your (self proclaimed) unofficial photographer for when the food’s all ready to eat! right after it comes out of the oven, she’ll be taking so many photos at different angles and making sure the lighting looks good — so that even though she can’t preserve the taste of the things you’ve baked, she’ll remember how delicious they looked!

as well as using the photos to show off how good her amazing s/o is at baking LMAO

march also slips in a few snaps of you during the baking process, or would poke flour on your nose and then take a silly selfie of you

she’d also pretend to be a professional food critic when she tastes what you’ve made — but she always loves whatever you make, so the rating always ends up being the highest she could give you every time

“your favourite professional gastronome march rates thiiis... five stars!! huh? what do you mean i say that every time?! cute girls like me are experts in rating good cuisine, so i’m speaking the truth!”

#🗒 . writing #💌 . mail #honkai star rail #star rail #hsr #honkai star rail x reader #hsr x reader #star rail x reader #gepard #gepard landau #gepard x reader #serval #serval landau #serval x reader #march 7th #march 7th hsr #march 7th x reader

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merci-bitch · 6 months

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loved your Charlize characters things, but can’t you do somewhat the same with some of Meryl’s characters? Like how they are to live with or something

Thanks ! And sure, should be fun! Seems a bit short but oh well, haha

Not my gifs!

Miranda Priestly

- Well

- She’s tough

- She’s a perfectionist at best

- Her house is very clean

- Even for having two near teenage girls

- She has a nanny for her girls who also cooks for them when she isn’t able

- Although I don’t think Miranda is the biggest cook, I do think she knows how to do it

- Her townhouse is MASSIVE

- 3 stories

- So many rooms

- You still get a little lost sometimes

- Not surprising though, there’s so many doors

- But Miranda wouldn’t be too bad to live with

- Unless she’s stressed and in one of those terrible moods

- She can be quite poisonous in her mouth

- Very critical

- You know not to fuel it at the worst times

- But you still like to pick at her

- Teaser

- 😌

Donna Sheridan

- She’s so fun

- You, Sophie and her are dream team

- You were a painter , a local, and had known Donna for years, since Sophie was little

- You helped Sophie become good at drawing and painting

- And you just became a part of their little family

- Although Donna and Sophie still spend a lot of thing alone together, you don’t mind

- Dancing and singing all the time obvs

- You help Donna around the island, help her with renovating the hotel

- You remind her to take one day at a time

- You’ve painted the hotel a number of times, painted Donna and Sophie

- She loves it

- You have a lot of fun

- Sophie and you always team up against Donna

- Play little pranks on her

- When Sophie was younger, you’d tell her stories about the world and paint an image of what her world might look like

- The love Donna has for her daughter is so beautiful

- Donna often worries about how empty she will feel once Sophie leaves

- If she does

Jane Adler

- Oh my god

- You are her experiment bunny for her new recipes

- She always tests new things in the kitchen

- And you are her critic for tasting

- She loves you dearly

- She loves how well you get on with her kids

- She was worried about the slight age gap

- How her children would react

- But they love you

- You’re a little older than her oldest

- So she doesn’t fell that bad, but still it’s different

- She kicks you out of the house when she has her dinner parties with her girls friends

- She gossips about you to them obvs

- One of her friends always tries to get her to talk about you in the bed

- Because Jane suddenly has so much energy she bakes three pies for one night

- Jane just smirks and doesn’t say a word

- Whenever Jane can’t sleep, she makes ice cream so your freezer is FILLED with ice cream

- You are left to eat it

- Not that you��re complaining, it’s the best thing ever

- Many late nights up

- Watching movies

- Taking baths together

- Getting high accidentally together

- That’s some funny shit

- Really

- She accidentally bought pot brownies

- The most hilarious thing ever HAHAH

- If you look away from the whole plot of the movie, but still stay on track

- She never slept with Jack

- She slept with you weeks before and you became a thing

- You filled the empty house with your laughter and her own and she doesn’t feel so alone anymore

The Witch

- Well this is difficult

- Because you don’t technically “live” together

- And you’re not really together together either

- But when the plot happens, and she turn’s beautiful again

- Suddenly something happens

- You find yourself attracted to the witch you were told to fear

- She knows

- Of course she knows

- She enjoys feeling attractive, longed for, and everything once again

- When the big lady giant comes down from the sky, and she loses her daughter she seeks you

- Not for comfort

- But to release pent up anger for Rapunzel

- She knows she’ll come back

- Of course she will

- But seeing you tremble before her is too good to just let pass by

- So you become her little thing

- And then when the plot continues

- You were a friend of the bakers

- Everyone goes against the witch except you

- And oh how she enjoys it

- She’s seducing you

- She knows she doesn’t love you

- She loves her daughter

- But you’re a good distraction

- In the middle of all chaos she finds you by a tree as she’s looking for the boy

- Sneaks up on you

- Has a little fun riling you up only to be caught by the bakers and everyone else

- Whoops

- Your little secret is out

- Last Midnight

- And suddenly she’s gone

#ask #meryl streep #Donna Sheridan x reader #the witch x reader #miranda priestly x reader #jane adler x reader

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hoodlessmads · 6 months

Text

Dark Heir spoiler thoughts:

Okay some of these are criticisms but please understand I really liked it! I liked it even more than Dark Rise. I’m just an overdramatic person and need to yell sometimes.

These don’t have any particular order, I’m just freestyling -

Reading Captive Prince years ago (and rereading since) before reading Dark Rise made me have an unfair resentment towards James for being basically the same character as Laurent but not as good and that continued here

Will is the second best character Pacat has ever made after Laurent and book 3 might push him ahead

I loved seeing Will use more and more of his evil powers

The best one being where he possesses anyone with a brand and his eyes turn black and he turns into Legion (maybe shoulda turned that off before trying to appeal to Violet…)

Finding out his mom actually was tying him to bedposts and beating him this whole time somehow shocked me because for some silly reason I believed one of the most unreliable third person subjective narrators ever, Will, that she was a nice lady just doing her best. Anyway I love this revelation because it makes such perfect sense, it’s just, “Oh. Of course.”

Violet and Cyprian are both himbos yet Violet is somehow the only character with a single brain cell left at the end of the book

Cyprian drinking from the cup makes no sense after they had a whole discussion in the first book about how drinking from the cup put the Stewards into the Dark King’s plans and made them his thralls and was the entire reason they died, a massacre which Cyprian experienced viscerally, and then he goes and drinks from the cup anyway and oops surprise Will can in fact enthrall him. Cyprian is able to fight it off but that doesn’t change the complete recklessness and out-of-character-ness of it to me.

Violet/Cyrprian is a good ship

Phillip/Visander is hilarious (in a good way)

Will/James is fine but I wish I was more compelled by them than I actually am. For being the main couple, I don’t feel like their relationship has been given the room it needed to develop organically and instead it feels like we’re falling back on physical attraction and a vague shadow of a past relationship in the old world that we didn’t get to see. It’s hard not to compare to Damen/Laurent which by contrast was developed so painstakingly.

Elizabeth is incredible

Visander sucks, actually

The whole Light kind of sucks. The Stewards, the Sun Kingdom, they were all assholes

People with black-and-white morality are truly terrible, aren’t they? And pretty much everyone is like that except for Will, James, and Violet

Sometimes I felt like that fact was really being hammered in on purpose almost as though to make James murdering like 300 people seem less bad (but it didn’t….)

But I don’t dislike James because he murdered 300 people, I actually love villains and I especially am attached to the idea of everyone being redeemable. But what I don’t like is the book telling me I should like James without giving me a good reason or the book downplaying his actions to make him seem more sympathetic. He can have murdered all the Stewards and still be compelling, we don’t need to diminish what he’s done in order for him to be likable

Also everyone in this book except like, Will and maybe Violet and James is an idiot (and I’ll excuse Elizabeth for only being ten). Someone send these characters to Psych 101, they don’t seem to understand the concept of a self-fulfilling prophecy…

Like obviously if you tell someone they’re evil over and over again for their whole lifetime they will become evil

Theory - I don’t think Violet will turn on Will. I think she’s just shell-shocked. She wasn’t really given a chance to take a stance before James Peter Panned him away. Violet knows exactly what it feels like to be told you are evil because of some past thing, and she knows Will better than any of the other characters. And she knows that morality is not black and white (Tom is her brother). She’ll definitely end up in Will’s corner by the end.

Theory - The line of the Lady and the line of the Dark King are the same bloodline and they split off later. Sarcean’s “cataclysmic night together” with the Lady was mentioned not once but twice. Pacat doesn’t waste lines. The child that the Lady had was Sarcean’s, or at least one of them.

Will better figure out how to destroy that collar quick…before they both get even more traumatized. I think that will be one of his main goals in book 3. Or I hope…otherwise it will be hard to develop the genuine romance

I sure hope Will can also figure out how to expel that shadow from Cyprian before he like… dies. Don’t do that to Violet D:

So, I’m not a huge fan of YA in general (outside of YA anime and manga which for some reason hits different). I used to like it a lot, it used to be most of what I read. I grew up reading series like Redwall, Darren Shan, Demonata, Pendragon, and so on. But I’ve grown out of the genre (I’m 27). Not every adult does - one of my best friends who is a year older than me still really enjoys YA. But because I don’t like YA, I think my enjoyment of Dark Rise/Dark Heir is influenced and my criticisms may be unfair.

But I find that with fantasy series like this, I the books really need to be longer. Or there needs to be more of them. I feel like Dark Rise has so many moving pieces, enough characters that there could be a trading card game (and there are literally collectible cards), so many different magical artifacts and magical powers, an entire magical old world beneath the semi-magical 1820s Europe world to develop, and also by the way a whole story that took place 10,000 years ago that has to be told at some point. I find myself feeling like all these different elements are being introduced and moved on from too fast and I wish they were all given more time to breathe. I think that’s part of why the relationship between Will and James feels a bit rushed to me. I don’t know if the short length of the series was Pacat’s choice or an editor’s, though. I don’t feel like Captive Prince had this issue because there were no supernatural elements, the cast was much smaller, and the plot was comparably simple so a lot of it got to be characters just talking to each other, which was great, and the world building was accomplished mainly through these interactions. The plot and world of Dark Rise is much larger in scope but the page count is the same (a little longer maybe).

So wait who is Mrs. Duval

Why did Ettore leave the Stewards anyway? Other than the obvious, which is that they suck

Where was Grace during the whole ending scene? Wasn’t she there but just not saying anything. As this total calamity befalls her only remaining friend group she finally has seen too much and just nopes out and is busy making tea in the corner or maybe popcorn

I do really like Cyprian btw in spite of thinking his moral code is shitty. Gave Violet a chance but sold Will for one corn chip… I see how it is (okay that’s not fair but you know what I mean, he has flaws)

It sounds like I’m in the majority when I say that I still don’t like Devon - I saw that theory about him being the final big bad and I’m so on that train. I think he’d make a good enough final villain. I agree there is something predatory about him and Tom. I don’t necessarily think Pacat wants us to root for them as a couple, though. There were better ways to pull that off if that was the intent.

Not to repeat myself but Phillip was such a pleasant surprise. Like who is this fruit and how did he get here

So next book, I hope (assume) we get to see the rest of the old world story filled in so we can understand where it all went wrong for Sarcean and also the exact nature of his relationship with Anharion because so far it’s been quite vague (intentionally I assume). Like….. you know….. did he agree to put on the collar?

The tricky thing about this series is that once the reader learns that Will is the Dark King, it’s hard to maintain any sort of external tension. Right? It’s hard to feel afraid of the forces of the Dark when the protagonist has total effortless control over them just by virtue of who he is. Will can literally just be like, “No, don’t” and everything’s fine. He did just this at the end of Dark Rise. I find the way Dark Heir seems to end with their “only hope of stopping the Dark army” destroyed to be pretty unconvincing. Why on earth would Sarcean create a destructible object that is the only way of controlling his own army? Of course Will should be able to control them with his will alone. If he can control Shadow Kings and make them die with his words alone, why didn’t he try yelling at the shadow army to stop trying to possess people? This doesn’t make sense to me. And if people become Returners through his magic, shouldn’t he be able to exert some control over their existence the way he does with the branded? Pacat has done a good enough job at getting us to know Sarcean (an extremely good job btw) so as to make the destroyed brand plot point unbelievable. Anyway…

Instead, the tension in Dark Heir is almost entirely internal or realized in character relationships rather than physical threats. The tension is between Will and himself, and between Will and his friends. (There are tensions between other characters but focusing on the main plot here.) The possibility that they might find out and abandon him, and the possibility that he might actually be as nasty of a guy as Sarcean was, the slim chance that he might learn something that makes him go, “You know what, I agree with my past self after all.”

Now that everyone has found out who he is, that particular source of tension has sort of evaporated, so now in book 3 Pacat has to find a way to make Will’s conflict with himself and his friends compelling enough to carry us through 450 pages (I don’t expect this will be difficult). What I see as the problems now are 1) what was Sarcean actually planning and how did he plan on getting Will (himself) to fall in line with them (this was a question in Dark Heir as well but now it’s bigger), 2) how is Will going to destroy his own (Sarcean’s) Dark artifacts so he can free James, and 3) Can he convince anyone to ever love him (oh no ouch).

If I had to rank these books at this stage I’d probably give Rise a 3.7 ish…. and Heir a 4.2. I’m holding out for Dark King to be a 5 or close. (I don’t know what the actual title will be, I’m just guessing lol.) I definitely think Dark Heir is an improvement over Dark Rise since I always thought the most interesting part of the latter by far was everything that happened once Will learns he is the Dark King at the very end.

“Are we going to talk about the magic pseudo-sex scene—“ No and I hope we never will

#dark rise #dark heir #cs pacat #dark heir spoilers #will kempen #will is the beEEeEeSsst #let me know what you think

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luffyvace · 1 month

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X☆☆GIRLFRIEND AIURA ☆☆X

I LOVE AIURA SHE’D BE THE BEST PLATONICALLY AND ROMANTICALLY 💗💗

she’s my fav tdlosk girl ♡

She’s so supportive!! Anything you dream of or want to do she’ll invest in it and cheer you on! She spend money to fund whatever your doing or if it doesn’t require money she’ll be there whenever you practice/train, etc! She’s your number 1 fan/cheerleader and will literally dress up as one if it further motivates you 😂🤗👍 If you get burnt out she gives you pep talks to keep going and believes wholeheartedly you’ll be famous one day! She can use her powers to check if you want? 😙

she’s very blunt- 😭 she says what she wants to say—when she wants to say it, therefore you will always get her honest opinion on something. Don’t bother going to her if you want her to sugarcoat something. Your better off going to teruhashi or chiyo for that 🤷‍��️ But if you like straight forward constructive criticism, then she’s your girl! (Literally 😆) don’t get me wrong! She won’t only point out all the flaws in whatever your asking her for advise for, she also praises what you did good on!! <3 I mean she does give others advice on a daily so i reckon she’d be pretty darn good at it.

she love shopping 😍😍 (me too) even if you don’t like it ngl she’s gonna drag you on her shopping halls anyway. It’s not like she can push two carts worth of clothes by herself 😜 she makes you rate her fits out of 10 and models it in front of you before you do. You’d better be paying attention too! Don’t ignore her⁉️😤 (Or she’s making you pay for everything)

obviously she has a stellar fashion sense so if you ever don’t know what to wear, you can always go to her :) she’ll dress you up anyway if she thinks your clothes are too bland so don’t even worry about it at this point. 😭 you just gotta be on par with her taster in fashion!! Like?? How can she look good but her s/o doesn’t???? No way! Your both gonna look like stars 🤩⭐️

you’d best tell her your fashion sense too or else she’s just gonna make you a gyaru as well 😀 (for the record there are male gyaru’s)

she will fortune tell your future together to see if your compatible, she’s a really dedicated girlfriend so she’ll do her best to make the relationship work out. As seen with saiki in the anime, except she fails in courting him- but this time it’s with you and you didn’t fumble the bag so two are already together

if it doesn’t work out she’ll try and figure out why and change it! No way her and her for liferrrrrs/soulmate isn’t going to be together foe eva?? 🤨 wym?

shes pretty stubborn so she’s determined to fix whatever went wrong :P

if she sees a ideal future she won’t stop talking about it

she practically dreams of it 😭💗💗

she daydreams and fantasizes about it more than she realizes. If torisuka found out he’d definitely make fun of her- only to get kicked in to the land of no kids 😂🥋 (🤭😶)

you suppport her in her job, you take her out for a spa if she’s had a rough day. Her clients be getting wild. 😭 Your usually there with her but she’ll rant to you about it after she gets off work anyway because she just needs to get her thoughts out. Not that your complaining, she’s always coming up with the most ridiculous insults that make you laugh, so it’s not unbearable 🤷‍♀️😂

your gera (aura) looks the most attractive to her!! ⭐️😚 like, she can see them and everybody’s looks different right? Well she romanticizes you (which is ironic because she’s brutally honest if you ask me) so she’s naturally attracted to your aura. Will actively seek you out in a crowd using this. >:3 She’s likely scared you a couple times by the way she turns around, knowing your there, before you call her name….😃

She’s open to using her powers to help others, so obviously any favor you ask of her that require them is no biggie for her! 😼👍

will also use her powers to make sure nothing ever happens to you 😤💖 don’t worry!! Your psychic girlfriend will protect you!

(If it calls for it she’ll get saiki to help since he can do much more than her—maybe torisuka too if the problem is a ghost 😒)

you get to hang out with the psychic trio since she 100% told you about they’re powers 😭

well what did you except? she trusts you! Not sorry Saiki 😜🤷‍♀️

she makes a lot of money from her job and spoils you with it 🤗 Don’t worry about paying her back she said! Let your psychic girlfriend spoil you! >:D You want clothes? She’s does too!! Let’s go shopping! Your hungry? Let’s eat out! You pick the place ;) You picked up a new hobby and need xyz for it?? She’s bought it and sent the delivery address to your house 💋 (Call her when you open it!! :P 😤)

also for the record she 100% found out you were gonna start dating/accept her love confession through her crystal ball. 😅💞 She was so hype about it and couldn’t stop thinking of you. She did her best to collect as much info on you as possible from her crystal ball and others who knew you.

she probably gives you a nickname that you have a love/hate relationship with. One of those nicknames that annoy you, but only she can get away with it cuz it’s her- so it’s endearing <33

either that or a real cheesy pet name she won’t stop calling you 😭🤦‍♀️

“Honey-bear!~ come here for a second!”

you always end up running around—getting dragged in her ‘adventures’ while helping others. Saiki too, so he’s likely there as well. She just can’t fight the urge to help those in need! Idk if it’s canon but if it’s not, I hc her to be an actual empath 💗⭐️

Overall you lowkey love her rambunctiousness and especially how she’s not afraid to be herself 😭💗💗

Hopefully you guys enjoyed these hcs of my fav girllll!!!

I love her she’s SPECTACULAR!! 😍😍⭐️

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zombiecicada · 1 month

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Star-Crossed Hero of Dreamland: Wolfbell!

@kirbyoctournament

=General Information=

Name: She doesn’t remember her name before coming to Popstar, if.. she even had one at all. But the villagers of Cappytown are calling her Wolfbell, so she’s happy to stick with that for the time being.

Gender/Pronouns: Hermaphrodite, she/her

Species: Unclear, she herself is uncertain. While she does appear to resemble a puffball, several of her biological features do not aline with typical puffball anatomy.

Age: She appears to be a preteen. But just like all the other information about herself, she’s really unsure.

Abilities:

-flight (still a bit shaky at this, cannot fly for long periods of time without rest)

-control over soul magic, she can use her sword to focus blasts and streaks of red coloured soul magic. Her abilities allow her to sense other people with souls nearby her.

-appears to have some kind of empath ability, she is incredibly sensitive to the emotions of those around her.

-can phase through objects like a ghost, she has a hard time activating this ability on command.

-her bells on her ears will ring to warn her of oncoming danger, and when she is near someone she can judge them with the bells to see if they are safe or not. Morally good people will make the right bell ring, while people she should probably avoid will make the left one jingle.

-she is proving to be quite good at swordsmanship!

-her blue blood contains natural antifreeze proteins, allowing her greater resilience to colder temperatures.

-interestingly enough she can hold her breath for well over an hour before having to breath again.

-just might possibly be haunted???

Weaknesses:

-Has poor endurance for using her soul magic, constantly using it will rapidly drain her energy and make her collapse.

-Had complete retrograde amnesia, cannot remember where she came from, or truly who she is. She’s unsure what caused the amnesia.

-She is quite self critical, especially when it comes to failure. She is scared of letting others down, especially Meta Knight. She’s also quite socially anxious in general.

Likes:

-Long nature walks, gets her away from the loudness of society and everyone’s emotions… and judgement.

-Rock climbing.

-Training with Sword and Blade, training with her sword in general, she’ll practice her foot work even if she’s alone.

-Star gazing and the moon.

-Tea.

-Books and reading.

Dislikes:

-Loud noises, her ears are sensitive.

-Large crowds of people. Too many emotions.

-Eating veggies.

-Getting really muddy.

-The cappies’ judgement towards her for being different.

=Personality=

Wolfbell is a young warrior in training who tends to think to herself instead of speak out loud, she is a little awkward and tends to take a little a while getting a hang of new surroundings or changes. Around people she is quite introverted, but will force herself to try and be friendly even at her own discomfort, often leading to spastic moments of saying things that somehow sound actually coherent.

She has natural talent with swordsmanship, though like the modest person she is she often undermines her skills as nothing particularly special and has a hard time accepting praise.

She’s clever, intuitive, and alert, with a great love for the beauty of life and nature. She will try to be helpful always, and will valiantly and bravely rush to defend someone if she notices they are in danger or need help. She’s non confrontational in social settings, shying away or simply taking any kind of harmful gossip about her. Truth be told she’s very confused, and feels lost, she wants to know her origins as badly as she wants to fulfil this destiny of hers. Wolfbell is self-critical as is, and thinks lowly of herself.

=Backstory=

Wolfbell’s story begins with the planet Popstar, which has begun to suffer from demonbeast problems. While a Star Warrior named Meta Knight lives on the planet and tries his best to defend it, there's only so much he can do. The townspeople began to see the demonbeasts everywhere as King Dedede ordered more and more of them to fulfil his tyrannical agenda. Eventually after several episodes of sheep going missing and numerous cappies seeing an octopus demonbeast, they go to Kabu and ask for an answer to their problems. The pebble of knowledge in the cosmic river of history says that the solution to their problem lies within Wolfbell.

Confused by what this means, they ponder on what Wolfbell could possibly be when barely a full day later a stranger shows up from out of the blue, a young puff-like being who has the features of a wolf, and on either ear a small bell. Meta Knight sees immediately that she is not a Star Warrior, but with no other options he begins to train this stranger to unlock what he can only assume to be the power within her necessary to defeat the monsters and eventually Nightmare. With no name or memory of her past, she opts to just go by what the locals have been calling her: Wolfbell.

She manages to defeat the octopus demonbeast (albeit with a lot of running and lots of internal screaming) and is seen as the hero of Cappytown. This goes on for a while, she meets the residents of the town and castle, albeit the odd one out and the scapegoat when things go wrong for the cappies, with each new demonbeast she defeats she gets a little bit stronger.