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cordycepspog · 1 year

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There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.

It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.

And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?

#okay that’s enough posting for the night but I’m sure I’ll have more dumb little thought’s tomorrow #I still wanted to talk about how Tess let’s it kiss her in her final moments. Like it’s one last intimate moment she lets herself have #before she dies. but that’s a post for another time #something something recognizing yourself in the other something something transitioning from one family to the next through death something #something.#anyway rip tess #anna torv i love you you slayed #tlou #tlou hbo #tess tlou #joel miller #ellie tlou #tlou spoilers #the last of us #tw body horror #just in case #I’d also like to bring up that this is an interpretation. obviously the kiss was for shock factor. i’m just having fun analyzing it

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lilyginnyblackv2 · 1 year

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Some long, big thoughts on Kazuki, Rei, and being “Fathers.” - SPOILERS!

I really think this episode is when Kazuki and Rei really face the reality that they are Miri’s FATHERS. Like, it finally sunk in.

The lady here uses otou-sama, which is a very formal way to address the two of them, very stuffy. But also very...Japanese. In Japan, it is very commonplace nowadays for little kids to use papa and mama when addressing their parents, but those are still seen as loanwords. They don’t carry the same weight as being referred to, and seen as, FATHERS.

That question and how they would be perceived by others really hit them here. They aren’t just playing house at home anymore, they are out in society and are going to be perceived as this Miri’s fathers. That may also come with the assumption that they are a couple or in a relationship with each other.

They both look uncomfortable here at that realization, but neither one really denies it either. Of course, this daycare is very unwelcoming and the lady far more judgmental than Anna. So that also likely plays a part in how they feel and react here too. The first daycare they go to focused more on the business side of things.

The room is huge, but empty, the walls are colorful, but not bright. Miri is sent off to play with blocks and the lady never directly addresses her or asks for her thoughts on things. Everything about this daycare is unwelcoming and uninviting and unaccepting, so Rei and Kazuki act coldly to this initial realization and the usage of the word FATHER here, seems very fitting.

It’s not a happy, bubbly, childlike, and even fantastical like the word “Papa” is. And the lady interviewing them, was definitely judging them, even before Miri started mentioning some more...suspicious stuff, lol.

Now, when they go to Aozora Daycare, Anna also addresses them using the word father in Japanese, but she goes with otou-san, still formal, but not stuffy and far more common and approachable. It’s still not “Papa” though. She only uses “Papa” when she talks to Miri about Rei and Kazuki.

(In the Japanese she directly addresses Kazuki first by calling him otou-san and then stating that she was asking Miri, not him, haha).

We are met with understanding here, though. Not judgement. The walls of Aozora are filled with children’s art projects, a piano that indicates singing and dancing time as a group, and warm smiles and comfy clothes. Everything that indicates a child-first daycare center.

The whole interview process ends successfully. The daycare views them as suitable parents and Miri got accepted into the school.

And while Rei looks disinterested during this entire interview. He was paying just as close attention to everything as Kazuki was, and if watch the high-five scene with a good eye, you can see that Rei actually has his hand up and waiting for Miri’s high-five before Kazuki.He understands her and her flow so well.

The rest is going under a Read More due to length.

Next we see them navigating all the prep work. And even though Rei did fall asleep at one point, we see that they both put in as much effort and energy as they can to get everything right for Miri and her first day of daycare. They both read through the handbook, write her names on things, even Rei did some sewing too. They exhaust themselves out.

They think they make a great first impression on that first day:

But they make a lot of faux pas in the world of Japanese parenthood (specifically in a space that tends to be dominated by motherhood).

Arriving by car = ✘

Wearing suits that aren’t black = ✘

Having Miri wearing clothes that look expensive = ✘

Arriving by car is equated to wealth and money, and even to showing off, as opposed to riding a bike.

Wearing suits that aren’t black is associated with the underbelly side of Japan, men that work in the red light district or with the yakuza. An exception to this would be like, in many places, the entertainment business.

Dressing Miri up in clothes that look expensive plays into the whole “yakuza daughter” vibes, but also makes it so that she stands apart from the other children. It can also make it so that Miri has a difficult time putting the clothes on and off herself, which could take up class time when coming in from play time, getting ready to go home, and etc.

I worked at a juku (cram school) with a daycare. Most of the students I cared for there were native Japanese kids between 2 - 4 years old whose parents were working in America. My boss would often get annoyed when parents would bring their (usually daughters) in wearing fancy shoes that looked pretty, but hurt the child’s feet and were hard for the child to take on and off themself.

Kids around Miri’s age are also shown to be aware of economic and social class on some level as well.

LOS ANGELES, Calif. (Ivanhoe Newswire) -- Rich, poor, middle class. Parents often believe it’s their responsibility to shield their children from economic differences and social class.

But new research shows children as young as five years old are not economically blind. In fact, by the time they reach prekindergarten, kids know the difference.

This group of primary school kids already knows what money can buy.

Combine that with the (thirsty though they were) mothers who probably advised their children to not get on Miri’s bad side because of her dad’s, and her outfits that set her apart, and scenes like this one:

Don’t seem so out-of-place.

When Kazuki and Rei pick Miri up at school, her answer to “How was your first day? Have fun?” being “I dunno yet.’ Set’s off alarm bells - even with Rei.

His brows are furrowed. He knows that something is off and wrong with that statement. They don’t know what they did wrong, and they don’t know how to fix it. Miri gets quieter and sadder and this is the first time they’ve had to actually deal with Miri on a deeper, emotional level.

That feeling like you are failing a child (whether your own, one of your students, or just a child in your care) is such a devasting feeling. This episode expresses it well by having these scenes all take place on the way home from the daycare, when the sun is setting.

Thankfully, Kazuki is open to listening to what Miss Anna has to tell him, and she is so supportive. She doesn’t judge them or treat them like they are incompetent or incapable. She just gives them the push in the right direction, with “insider info” in a way, to get them and Miri acclimated correctly. And Rei and Kazuki jump on it. They love that they’ve found this place with a bunch of good quality cheap shit that can help them and make their lives easier.

And after this, Miri goes to school in regular clothes. Kazuki goes to the play area in the regular clothes, and he is just genuine and authentic with the kids. He doesn’t dress Miri up in a way that sets her apart anymore (on a class level, in a way that makes the other kids think she is “saying” “don’t play with me.”).

Kazuki, especially, isn’t trying to “fake it until he makes it anymore.” He isn’t trying to give the impression that they are rich. And I wouldn’t be surprised if he also felt a bit more pressure to get everything right because he and Rei are two guys raising a kid together - two FATHERS.

But then he realizes letting Miri and him and Rei just be themselves is enough.

This was very much so a Kazuki issue that ended up negatively impacting Miri. A situation I’m sure every parent (or even teacher, like I’ve been before) has experienced on some level. It’s one of the harsher parts of being a parent and trying to help your child and do what’s right.

And now, he and Rei have one foot further into parenthood, since they know about this new shop and:

Gave Miri her own room.

That is such a big deal. Similar in a way to how people say not to name an animal unless you plan on keeping it as a pet. Not because Miri can be compared to a pet or an animal in any way like that, but because of what it implies on both an emotional attachment level and a “she is now a permanent part of our household” level.

That's a fully decorated room, filled with toys and plush dolls and games, a bed, books, a rug, even a desk. A desk filled with stationary supplies for her to learn and something which is viewed as a necessity for children to have at home when they are in elementary and junior high school (especially).

Rei and Kazuki have gone from being Miri’s “Papas” on a sort of imaginary, “playing house” level, with very limited outside and real-world/societal interactions to being her fathers. They have integrated her and themselves as her parents and fathers into society on a large level now.

By investing in that room, they are investing in Miri, and are openly choosing to be viewed as her fathers - as partners. Even if they don’t necessarily view each other in that way, it doesn’t matter to them in the end, because Miri is what’s most important.

(Note: I will link to the news article and report that stated that information about children and economic class recognition in the comments).

#Buddy Daddies #KazuRei #Kazuki Kurusu #Rei Suwa #Miri Unasaka #Anna Hanyu #Buddy Daddies spoilers #BD spoilers #long post #image heavy post #meta post #thought post #feel free to add your thoughts to this as well!

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