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#but I needed to write this
ghost-bxrd · 6 months
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“This is where you live?”
Jason drops the duffle bag on the counter, “Yeah. It’s no manor, kid. I told you.”
He’s not self conscious. He’s not. This apartment is fuckin’ nice ok? He spent a lot of money on decor and proper kitchenware and furniture and shit.
But Jason also knows that, objectively speaking, it doesn’t hold a candle to Wayne manor and its fifty-something bedrooms. That place is basically its own country.
Bruce nods.
“I like it,” he says solemnly, walking over towards the window to peek through the blinds. The view from up here isn’t exactly panorama level but the building is one of the tallest in Crime Alley and Jason’s apartment is on the top floor, so it does provide a pretty good view of a good portion of the Alley. “It doesn’t feel as empty.”
Jason pauses where he’s resetting the traps and alarms by the door, glancing over his shoulder to where Bruce is starting to tentatively explore the living space and is struck by how violently out of place the boy looks with his rigid posture and elegantly curved eyebrows. Even the plain hoodie, faded hand-me-down jeans and ridiculous wool cap aren’t enough to hide how utterly not Crime Alley born-and-bred he is. Everything about Bruce is basically screaming rich-Bristol-trust-fund-kid.
Which, yeah. Checks out.
Jason clears his throat and clicks the security on, waiting for the small light at the side to switch from green to red.
“Your room’s the one down the hall to the left. Right one is mine. Door at the end of the hall is the bathroom.”
Bruce hikes his backpack up higher on his shoulder, eyes eerily vacant as always, but Jason wants to think that there’s a sliver of curiosity behind that steely gaze anyways as he inclines his head and makes his way down the hall.
As soon as the kid vanishes around the corner Jason allows himself a moment to exhale and run a hand down his face tiredly.
Jesus fucking Christ.
What was he thinking.
How the fuck is he supposed to raise a tiny Bruce Wayne with his older furry counterpart running around Gotham at night hunting criminals? Criminals like Jason?
Nothing. He was thinking nothing. And it’s about to bite him in the ass.
No way can he build a criminal empire and take over the drugs and weapons trade with a traumatized nine year old dependent on him.
God dammit.
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mitsuki91 · 2 months
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Please let's talk about the infamous quote about Tigris. Enjoy ALL the quote, first of all (thanks to @burntblueberrywaffles for the screen):
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Now. You can ignore the second half and take the phrase at its face value, as antis love to do, and think "omg what a horrible man, who thinks this things?! Monster!" and feel proud that you can read in the sense you can recognize the letters, put them together and see that you know how all the words and the word's meaning and applaude yourself. Congrats, you can read!
No, that's not how you read.
Welcome to "basic reading comprehension 1.0".
First of all, this phrase doesn't exist alone, it's not floating in a blank page. You have to read the several sentences before that to actually understand why this phrase was written in the first place. And this phrase is right at the start of the book so I promise it won't take long.
So, let's start. I don't have the english book so please bare with me when I explain you things without the actual quote, I promise it is what actuall happens in the book.
We first see Coriolanus Snow who force himself to eat cabbage soup. That he despises it but he knows he need it to prevent the rumble in his stomach. So, you see, right here in the first sentence you have one important details: Coriolanus is not worried about hunger per se, is worried about let other people know he is hungry. Just with this you can already understand one of his core value: the appearences.
And he tells us so in the next senteces. He has an important name and live in a fancy house (from outside) but he has nothing. He has so nothing that he is now worried about a shirt, because he has important stuff to do (later we discover that the Reaping is tied with the Plinth Prize he needs so desperately). The only hope for the shirt is his cousin, Tigris, who can sew and already save him more than once, but... Well, this time she has not a great start. The only shirt he owns is stained and burned and has only half of the buttons. It needs a miracle, he needs a miracle, and even the black market was no use...
They already tried, he tells us so. But no one wants to buy or exchange the shirt. Only... This morning, the morning of the Reaping, he can not find nor Tigris nor the shirt.
So he starts to worried. And he leads us to why he was thinking about a price for Tigris in the first place. Context, people. I will post the actual quote of the book (thanks to @xalonelydreamerx for the screen):
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They already try to sell/exchange something for a better shirt, and they have nothing. What is left? Tigris herself. WHAT IS LEFT? TIGRIS HERSELF, PLEASE READ THIS AGAIN.
So, we have an actual reason, a valid reason, he has to think about Tigris selling herself and people putting price on her.
Now after this come the quote, I paste again for you:
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And now we can read the FULL quote.
The first half: he uses this to describe to us his cousin, and he tries to mantain a "fair" and "external pov" for it, because he puts himself in the shoes of a man who can be interested in buying her. The "vulnerability that invited abuse" is a mere objective though and also serve the purpose to tell us reader that Tigris is sweet and innocent and maybe a little bit naive, or can be perceived like that from the world. And we know this is true. Tigris is sweet and caring, she takes care of Coryo, she always did. We will know better later, this is a mere introduction.
But the second half. The second half of the quote, you all. He feels disgusted with himself for the though and this is already a good start to understand that HE DIDN'T MEAN TO PUT A PRICE ON HER AND SELL HER, NEVER, but the actual most important word here is "helpless". HELPLESS. BECAUSE HE IS THE PROVIDER OF THE FAMILY.
He is the hope. We will learn about the Plinth Prize and what it means for the family. We will learn that everyone rely on him to win the prize and save them. We will learn that he was told, since the start, that he as 'the man of the house' has the duty of provide for his family.
He is happy in that role, mind you. Worried sick, of course, because it is difficult and he can count only on the Plinth Prize to achieve something, so he has to win and the pressure is huge. There are also complex feelings around the Snow names: the fact that he feels that it is his duty to protect the family image, masking the thruth... etc etc etc.
But the first information we have, the most important piece we have from the start to put together who is Coriolanus Snow at the core, is right here. In the first page. In a part of that sentence antis like to quote and simply forget to do it in full.
Coriolanus Snow has to face the realistic possibility, the realistic concern that his cousin might consider the idea to sell herself to help him provide for their family and he fells horrified and helpless.
Helpless.
Because 1) a Snow could never think such a thing, how humiliating, how a failure for their name; and most important 2) if Tigris will do it it means that he failed in the worst possible way and he is not longer able to provide for his family and so were is his own worth? When everything he learned since he was born was to take care of his family and his family's name, that it is his duty, because he is the heir (also little ps: we learn later that since he will graduate the little pension they have now for his father death will stop because he will be a man, so also Panem itself is telling him he has to be able to provide for his family because he will be 'grown up' and 'in the real world' now).
We learn that Coriolanus Snow never wants to sell Tigris, that he is sick at the mere though, and we learn just right here just in the first page what are the core value of him. What moves him and what he thinks of himself and his family.
We learn who Coriolanus Snow is, as if we never knew his name and he was just a boy at the start of his own story.
And antis always forget about this and take one sentence out of context and judge him with "president Snow tinted glasses" and just because this quote is at the start of the book they like to scream to everyone "See? This is it, he was always bad, from the start!". And they actually just tell us that they can not understand what they are reading instead.
Okay, I hope that this lesson was worth it. Reading comprehension 1.0. I hope some antis will come accross this post and take time to read it. It's not too late to learn how to understand what you read, after all.
And now I will go to sleep that I have a terrible headache 😂 bye!
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gewdmorning · 2 years
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Pete looked at Vegas and finally breathed a sigh of relief. He walked up to him, took Vegas’s hand in his and felt his pulse. Slow, but steady. He was here. He was okay.
A sob escaped his lips, and he couldn’t hold himself together anymore. He started crying. Finally feeling free of the burden of uncertainty. Vegas was okay.
“I keep making you cry.” Vegas softly whispered. His eyes were open, and his face, an expression of regret.
“I cry for you,” Pete said in between sobs, “not because of you.”
Vegas didn’t know what to say, so he just kissed Pete and hoped Pete understood.
What a strange feeling, Vegas thought, strange but warm. Somebody was crying for him. He never thought he’d ever have anyone in his life who cried so desperately for him.
We will be okay, they both echoed each other’s thoughts. Finally.
They had a family, and they will be okay.
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greaserink · 1 year
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been already half a year since I've talked to my closest friend , ,,,,,, I didn't realize how much I've been isolating myself
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sylvies-kablooie · 3 months
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i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
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just-french-me-up · 8 months
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the urge to write is like a cat meowing for dear life for someone to open the goddamn door, who then shows utter disinterest in said open door
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officialspec · 3 months
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modern au but set in brisbane. is this anything
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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noperopesaredope · 6 months
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I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.
Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.
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eridan-ampora · 8 months
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i love it when characters are codependent. i love it when losing someone feels like losing a limb. i love it when two people "complete" each other so wholly and terribly that one can barely function without the other. i love it when the fear of losing the only person who understands them is so all-consuming they'll destroy anything to stay together, including themselves.
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rhinestonesox · 13 days
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When Senshi was young in the dungeon the majority of the adults he were with ostracized him. All except Gillin, who died to make sure Senshi had something to eat: unseasoned boiled meat that may or may not have been one of their comrades.
It really puts into perspective why he was so nurturing towards Chilchuck. When Chil reveals he’s 28 to the party, Senshi responds by telling him that he thought he was older. Senshi was in his 30s when he and his comrades got trapped in the dungeon, so it’s safe to assume that he thought Chil was at a similar age.
He met a young boy who was, from his perspective, forced to do dangerous work in the dungeon just like he was, and so, Senshi made an effort to look after Chilchuck in the same way Gillin looked after him.
Mind you, when Senshi was young in the dungeon he had to starve for weeks, eat the horse he loved, and finish it off spending the next i don’t know how many years wondering if he committed cannibalism.
Senshi understands first hand the value of nutrition and proper eating, so when he’s with the party he makes an effort to make sure they’re all eating a full and balanced diet. Not only that, but Senshi INVOLVES them in the process of getting food to eat, always preparing it in front of them and narrating every ingredient in the process so that there’s no doubt about what they’re eating.
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tariah23 · 2 months
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The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.
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jesncin · 5 months
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A comic about Clark Kent, Lois Lane, and typos.
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magnusbae · 10 months
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To illustrate this post by @mayahawkse I would like to visualize to you the difference:
A post in 2023:
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A post in 2014:
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A zoom out of the same post:
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This is what a community looks like.
See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.
It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.
Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.
If you want more of something, reblog it.
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humunanunga · 1 year
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Enough of the trope where memory loss undoes the damage or the corruption or whatever. More content where removing memories just removes the context.
The tragedy of needing to grieve and not knowing what or who you lost or why. The angst of having trauma and being denied the awareness that it's trauma. The suspense of being different somehow and left to wonder how and when. The tension of knowing that something is off and you can't find where it hurts. The Adventure Zone gets it. Kingdom Hearts gets it.
There is an aching inside you and you don't know how it got there.
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ronanlynchbf · 8 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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