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#c; destiny & mary
viasplat · 1 year
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I typed up the Pentiment bibliography for my own use and thought I’d share it here too. In case anyone else is fixated enough on this game to embark on some light extra-curricular reading
I haven’t searched for every one of these books but a fair few can be found via one of the following: JSTOR / archive.org / pdfdrive.com / libgen + libgen.rocks; or respective websites for the journal articles.
List below the cut!
Beach, Alison I, Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge University Press, 2004
Berger, Jutta Maria. Die Geschichte der Gastfreundschaft im hochmittelalterlichen Mönchtum die Cistercienser. Akademie Verlag GmbH, 1999
Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985
Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol.62, no.2, 1990. pp. 298-314
Brandl, Rainer. “Art or Craft? Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-2550. The Metropolitan Museum of Art, 1986
Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Barcelona.” Masters Theses. Western Michigan University, 1997
Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol.2, no.1-2, 2010
de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986
Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014
Eco, Umberto. Baudolino. Translated by William Weave. Boston, Mariner Books, 2003
Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork, San Jose University, 2020
Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140
Harrington, Joel F. The Faithful Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013
Hertzka, Gottfied and Wighard Strehlow. Große Hildegard-Apotheke. Christiana-Verlag, 2017
Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010
Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford University Press, 2015
Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017
Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boydell Press, 2007
Kieckhefer, Richard. Forbidden rites: a necromancer's manual of the fifteenth century. Sutton, 1997
Kümin, Beat and B. Ann Tlusty. The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017
Ilner, Thomas, et al. The Economy of Dürnberg-Bei-Hallein: an Iron Age Salt-mining Centre in the Austrian Alps. The Antiquaries Journal, vol. 83, 2003. pp. 123-194
Làng, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008
Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2010
Lowe, Kate. “'Representing' Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol. 17, pp. 101-128
Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv für Reformationsgeschichte, vol. 89, 1998. pp. 125-143
Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol. 12, no. 191. Springer, October 2021. pp. 1-27
Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32
Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013
Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissection in Renaissance Italy.” Renaissance Quarterly, vol. 47, no. 1, Spring 1994. pp. 1-33
Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983
Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present, vol. 150, no. 1, February 1996. pp. 84-110
Salvadore, Matteo. “The Ethiopian Age of Exploration: Prester John's Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp. 593 - 627
Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli”. The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.
Throop, Priscilla. Hildegard von Bingen's Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998
Usher, Abbott Payson. “The Origins of Banking: The Primitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4, 1934. pp. 399-428
Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Péter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp. 427-501
Wendt, Ulrich. Kultur und Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907
Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp. 751-777.e
Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008
Yardeni, Ada. The Book of Hebrew Script: History, Paleography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010
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Soul Eater characters and their MLP Gen 4 equivalents
i will be disregarding all ships and familial relationships for this purely because it would make it WAY too complicated and this is my silly little haha. i already put too much thought into it, i cannot burden my mind with the restraint of familial and romantic relations.
first up, the main 7 characters. starting with the one who inspired this all:
Maka as Twilight Sparkle
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she's got the wings, she's got the book smart, she's got the power of friendship on her side, it's perfect. this was all started b/c while rewatching the anime, we joked that Maka's dubbed voice sounded like Twilight. this one is the strongest comparison, it gets worse from here.
Soul as Spike
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no offense to Soul, but he's usually secondary to Maka most of the time. snarky, sassy, and often asking questions. also, his name is Spike, Soul's got spiky hair, it makes sense.
Black☆Star as Rainbow Dash
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cocky, proud, super strong, fast, and blue!! a lot of their development revolves around like valuing other people (Black☆Star is more about like,,,, becoming his own person but y'know) also they both have scratchy voices.
Tsubaki as Fluttershy
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calm and mild mannered, but also on occasion has the ability to go apeshit. befriends someone who is quite strong and obnoxious that most characters find annoying.
Death the Kid as Rarity
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obsessive about appearances and has a particularly fancy way of talking. pale?? distinctive hair. makes sense.
Patty as Pinkie Pie
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no explanation necessary.
Liz as Apple Jack
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older sister figure! blonde and realistic, kinda tough and used to having to work for stuff (though Liz doesn't have to do it too much anymore now that she and patty are chilling w/ Kid) also, AJ was the only one left of the mane 6 lol.
Crona as Princess Luna
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obviously the moon connection, duh. dark aesthetic, doesn't understand other people, and gets kinda possessed by madness!! which leads into my next choice
Kishin Asura as Nightmare Moon
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evil!! but also because they were a bit misunderstood. spreads their powers across the entire world. possesses someone who is also part of them. lives on the moon.
Lord Death as Princess Celestia
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tall and a god figure, but also kind of royalty? super OP but also we barely get to see them fight or use their powers ever so that our lovely main characters can be the ones to defeat the big bad. questionable morals at times.
Stein as Discord
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crazy ass bitch!! tall and a slightly concerning amount of people simp for them. looks stitched together, stuff sticking out of their heads.
Marie as Princess Cadance
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Ox as Snips
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weird hair,,,,,,,,,,
Harvar as Snails
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tall?? Harvar's a spear so he's tall by default. he's also gold-ish when he's in weapon form so that counts, also pointy b/c unicorn and spear.
Jackie as Octavia
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Jackie has to be Octavia b/c her name is based off of cellist Jacqueline du Pré and even though Jackie doesn't play cello, this is who she must be to fulfill her destiny. also, they both have dark hair.
Kim as DJ Pon 3 (Vinyl Scratch)
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gay. unicorn, so she has magic like a witch
Kilik and the Pots as the Cutie Mark Crusaders
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there's three of them and they are inseparable. do not separate them. Kilik can be Sweetie Belle b/c he's standing in the middle.
Sid as Big Mac
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man of few words. super strong and ,,,,,,, angular?? idk they're both kinda blocky. sad eyes,,,,,,,, UNDERRATED.
Naigus as Zecora
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doctor!!! also if i was a pony, i would have a crush on Zecora. i have a crush on Naigus. this is my reasoning.
Medusa as Chrysalis
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evil. weird and confusing hair!! dark aesthetic with one accent color. insanely manipulative, undeniably slaying.
Arachne as The Storm King
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this one comes as a suggestion from Tumblr mutual (and my literal current college suite mate) @xaltiide she says that this guy is "the big bad" but isn't doing Most of the bad stuff in comparison to the other villains.
and finally, my grand finale
Giriko and Justin as Flim and Flam
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they suck!!!! they suck SO BAD!!!!!!!! and they're evil. HORRIBLE.
anyways, happy April fools everyone. i finished the last half of this post while an edible kicked in on a Friday night and i feel like that probably shows in what i have created, but i will stand by this.
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vertigoblockbuster · 1 month
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☋☋ ☋ मघा Magha Nakshatra मघा ☋ ☋☋
Past lives, ominous, traveling inward
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Hughes Merle's Mary Magdalene in the Cave, 1868. The reptilian arms are not part of the original painting.
The Basics Ruling planet: Ketu Ruling deity: Pitris Yoni: Male rat Symbol: Royal throne
Rahu and Ketu We can't talk about Ketu without talking about Rahu as well. Rahu and Ketu are referred to as the lunar nodes in astrology. They aren't physical objects in space like Jupiter or Saturn. They are calculated points. However, for ease of communication, Rahu and Ketu are often referred to as planets anyways.
The lunar nodes are determined by the orbits of the sun and the moon. The intersections of the orbits of the sun and moon as apparent from Earth tell us the position of the nodes at a given time. It takes about 18 months for the nodes to journey through a single zodiac sign and about two decades for them to cycle through all twelve.
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Image from Wikipedia.
Since the nodes are located where the sun and moon overlap as seen from Earth, they are associated with eclipses. Rahu (the north, or ascending node) swallows the sun during a solar eclipse and Ketu (the south, or descending node) swallows the moon during a lunar eclipse. We can further assume that the nodes are always exactly 180° apart, or opposite to, one another. If the north node is in Sagittarius, for example, the south node will always be in Gemini.
The nodes in astrology deal with karmic destiny. The nature of your south node placement shows who you were in a past life, what you have previously mastered and now know in your bones to be true. Your north node placement shows what you are working towards in this life, what you strive to accomplish, the lessons you are here to master.
Rahu and Ketu In Mythology According to Vedic mythology, Rahu and Ketu started out as one being, a demonic serpent called a rakshasa. They were separated into two beings as punishment. During a ceremony to honor the planets, Lord Visnu churned up the oceans to create a divine nectar for them to drink and become immortal. When the planets (or deities) lined up to drink, the demon snuck under Visnu's nose to drink some of the nectar for himself. Rahu/Ketu had already ingested the immortal drink before they were caught in the act - becoming accidentally undying. Furious, Visnu beheaded the demon but at that point it was too late. Rahu (the demon's head) and Ketu (the body) become two entities and were cast to opposite ends of the sky.
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A depiction of a rakshasa (demon) done in Yakshagana, a traditional style of theater prominent in southern India. Image from Wikipedia.
Rahu, being the head, is arguably more responsible for the separation of the demon into two parts. As the head, Rahu is consumptive by nature. This is why one's natal Rahu placement indicates what they are after in this life. The devouring head symbolizes our insatiable desire to obtain more and become more.
Rahu's willingness to ignore boundaries to obtain the immortal nectar is telling - he has no regard for authority. He is not much of a leader himself, more so interested in mocking those holding positions of power. In this way Rahu is hypocritical because he attacks the character and methodologies of those in power yet he himself demonstrates childishness and irreverence. When he is rendered a head without a body, he is left an eternal troublemaker.
When separated from his head, bodily Ketu is doomed to forever long for his other half - reminiscent of the past being the past, something we can never go back to and simultaneously can't shake the memory of. We master our Rahu and Ketu by connecting our heads with our bodies - that is, by balancing past with future, applying ancient knowledge stored in the body to achieve future-facing objectives the head seeks to fulfill.
"Ketu's permanent longing for wholeness is a consequence of Rahu's excited refusal to respect conventional boundaries. As a result of Rahu's wildness, Ketu the Dragon-Tail Cauda Draconis is forced to gaze with eternally unsatisfied longing at His dear severed partner Rahu the Dragon-Head Caput Draconis." - Barbara Pijan Lama, Vedic astrologer based in Portland, Oregon
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A makeup look done by smeyuka on Instagram. Note the grey/smokey tone of the face and red emphasis added to the eyes.
In Phaladeepika, a classical Sanskrit text on Vedic astrology, Ketu is described like this:
"Ketu is fiercly red-eyed, is venom-tongued (speaking venomously), and without a body or disembodied, he is violent (using weapons, wants to scare), and ignoble (low, fallen, no social contribution, uncultured, wild, intense), his complexion is smokey (ominous), he is a constant smoke drinker (using opium or marijuana), his body is covered in scars (not cooperative), not fatty (emaciated, thin, angular), and cruel (unforgiving)."**
** what is in paranthases are notes on different ways the text can be translated. Watch Vic Dicara's videos on Rahu and Ketu.
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Artistic rendition of Ketu/Kathoo in E.A. Rodrigues's The Complete Hindoo Pantheon. Image taken from Wikipedia.
Some people think that what we experience as eclipses are actually Rahu and Ketu taking revenge for their separation. Eclipses are times of sudden change - when the sun is obscured by the moon or vice versa, the atmosphere on Earth is very different. Having witnessed the total lunar eclipse of 2017, I remember things turning a grey/yellow/brown hue, and the air taking on a kind of hazy quality (but I believe this was due to wildfires). If you have ever seen the movie Enemy with Jake Gyllenhaal, it looked like that.
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Still from Enemy (2013)
Here is a description of a solar eclipse by Dr. Rick Feinberg, astronomer and science communicator (now retired):
"Measurements made at recent total eclipses put the illuminance at totality around 5 lux, comparable to civil twilight. The sky is still some shade of silvery, purply blue. In contrast, the black sky on a night of full Moon is 10 times darker still, less than 0.5 lux. Yes, bright planets –– especially Venus and Jupiter –– are obvious in twilight, but stars? I don’t like to waste valuable time during totality looking for stars; the only time I saw one was on August 21, 2017, when 1st-magnitude Regulus glimmered just to the left of the totally eclipsed Sun.
It certainly feels like it gets as dark as night during the final minute before totality, but that’s just because your eyes haven’t had time to adjust. The changes in illumination at the beginning and end of totality happen much faster and more dramatically than at dusk and dawn, respectively."
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Image of the 2019 solar eclipse above the European Southern Observatory in Chile, taken by Mahdi Zamani.
Non-dualism and the Ouroboros The nodes are inseparable opposites, both two and one - like how the past and future becoming one in the present. In this way they demonstrate the concept of non-duality. Non-dualism is a philosophical concept observed in many spiritual and religious traditions, particularly ones that originated in the East such as Buddhism, Hinduism, and Taoism. The non-dual perspective holds that there is no fundamental separation - between objects, energy, people... it's all one.
“All things are permeated with God, just as all things are permeated with air.” – Hildegard of Bingen
Ketu's rulership over Magha suggests that people with heavy influence from this nakshatra in their birthchart are deeply spiritual and/or philosophical. If you think about Rahu and Ketu as being an axis - that is, talking about the same topics but having opposite opinions on them - Rahu expands outwards, forever seeking to consume and grow materially. Ketu expands internally. The expansion of Ketu looks like material poverty from the outside, but Ketu is not interested in earthly objectives. Rahu wants to grasp and Ketu wants to release. By releasing attachment to the physical, Ketu finds bliss.
Rahu's knowing is of the head. It is entirely cerebral. Ketu's knowing is bodily. That is, it is completely intuitive and feeling/sensory-based. In the world we live in, computational and logical thinking is (for better or worse) king. For this reason, if you have prominent Magha placements, I wouldn't be surprised if you feel like you either 1) don't belong in this world or 2) have been here before, perhaps many times over. Ketu, symbolizing past lives and knowledge gained from them, wanders the earth, aimless, forever drifting. He finds nothing on earth to be of substance.
While Ketu-heavy or Magha-heavy people can possess deep inner knowing that endows them with a certain type of respect, this same trait can be the source of an overly apathetic attitude when taken to an extreme. Detachment is all well and good, but unless you're truly the type to pursue a monastic or nomadic path, it's necessary to keep your feet on the ground at least a little bit to live in a well-rounded way. Ketu people are faced with a challenge to ground their intuitive knowledge and bring what they find on their travels inward out to the world around them.
One symbol that is steeped in unity and oneness is the ouroboros. Depicting a serpent or dragon devouring it's own tail, the ouroboros has appeared in ancient Egypt, Mexico, India, as well as Hermetic and Alchemical texts. The serpent chases its continually regenerating tail in an eternal circle, just as Rahu and Ketu are condemned to chase one another from opposite ends of the sky forever.
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Two ouroboros symbols shown encircling a figure in An Enigmatic Book of the Underworld, funerary text and shrine discovered in King Tutankhamun's tomb. The figure has been speculated to be the mummified form of King Tut himself, while some think it is the unification of Ra and Osiris.
An Enigmatic Book of the Underworld is regarded as the place of the first appearance of the ouroboros, dating it to at least 14th century BCE. It is thought that the book illustrates the replenishing of the solar disc - the ancient Egyptians believed that the sun would use up all of it's heat and energy during the day and had to 'recharge' at night. At night, the Sun was said to pass through the same region of death where the gods were believed to reside. Their souls would follow the Sun as he cycled above and below the horizon while their bodies remained in the underworld. Time was seen as cyclical repetitions rather than a linear unfolding. The ancient Egyptian's understanding of time was based on their observations of recurring natural events like the Sun's daily journey across the sky and the annual flooding of the Nile.
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An illustration of the ouroboros in an alchemical text from around 400AD.
The Alchemists believed that all physical materials on Earth originated from the same original source material and could be differentiated by their varying levels of purity. Gold was held as the most pure and 'perfect' form of matter, which is why the Alchemists sought to create it using lower quality metals such as lead - a process called chrysopoeia. The desire to create gold from crude materials that is central to Alchemy is largely metaphorical. The broader goal of the Alchemists was to evolve the human soul through deepening the understanding of one's self. The ultimate objective of alchemy was to transform personally into someone 'greater' than you were before. More knowledgeable, powerful, physically healthy or beautiful...
The Pitris The deities ruling Magha are the Pitris, spirits of the paternal ancestors of humanity - the word 'pitris' is Sanskrit for "fathers."
The word Magha can mean gift or it can mean power. As it relates to Magha nakshatra, it means gifted power - that is, inherited power. Each nakshatra has it's own associated sutra, which are kind of like condensed teachings. The translated sutra for Magha is "The forefather's gift of power needs demoralization, to ruin."
Vic Dicara explains the lesson of Magha nakshatra as illustrated in it's sutra - how to be victorious without getting wounded. The sutra for Magha is saying that the way to defeat your enemies is to prevent the battle from happening in the first place. And how do you do that? By bullying them, basically. Magha natives have the power of the forefathers (Pitris) behind them, which they brandish and threaten their potential opponents with. Before a single punch has been thrown Magha puffs out his chest, letting his opponent know that he has friends on the other side backing him up - think Dr. Facilier from the Princess and the Frog.
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Magha's Yoni: the Male Rat The word "yoni" in Sanskrit refers to the vagina. The word can be used to refer literally to female genitalia, but it also has a deeper meaning relating to source material - the empty 'womb' out of which the universe materialized.
Each nakshatra has a corresponding yoni assigned to it. The yonis of the nakshatras describe their primal and sexual nature - how they behave when backed into a corner and the different ways they behave in the bedroom. In the vedic astrological system, the yonis are depicted as different types of animals - appropriate, considering the aspects of the human personality they attempt to describe and categorize.
Magha's yoni animal is a rat. Rats are inquisitive, playful and sociable by nature. They are intelligent and, as pets, trainable. They are hygienic, keeping themselves clean by grooming their tails, fur, and faces. They also do everything quickly - I've never seen a rat move in a leisurely way.
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Rats are venerated at the Karni Mata temple in Deshnoke, India. Large saucers of milk are left out to keep them fed. The temple is a monument honoring the coexistence of life in every form - which is why rats are treated reverence here rather than seen as pests. Image by Paolo Bampani.
The rat signifying the primal nature of this nakshatra suggests a few things. We can easily surmise that Magha people are curious, likely quick-witted due to an above-average intelligence, and energetic. We can also guess that Magha people are adaptable - think about the poor conditions rats are able to survive in. An additional quality of rats which I think relates to Magha is their use of their whiskers to both balance themselves and maneuver around objects in their environment - they don't have the best eyesight and rely heavily on the sensitivity of their wire-y mustaches. This hearkens to Magha's bodily, ketuvian intelligence.
At first, the personality of the light-footed and friendly rat seems to clash with the ancient wisdom Magha has. When I think of someone in touch with their forefathers and past lives, I think of someone who moves slowly (literally and metaphorically), approaching and completing all tasks with patience, precision, and caution. The good-natured and hyperactive qualities of the rat combined with Magha's connection to protective (paternal) ancestors, dispersing and wandering ways of Ketu, and transforming power of the eclipse paints a particular personality profile. This is a person who has their head in the clouds and could rip you to shreds - if you provoke them first.
The Symbol of the Royal Throne Magha is considered to be an auspicious nakshatra - that is, it brings positive things to whatever planet is placed here. The rulership of the Pitris over Magha cements their innate power. It is one thing to be a powerful person because of the things you have accomplished, but when someone is powerful because of their ancestors has royalty in their blood. It can never, ever be taken from them because it is simply who they are.
Magha spans 0°00' to 13°20' Leo. Leo is the most regal and royal of all twelve zodiac signs. The most common gripe people have with Leo's is their pride and self-centered attitude. The thing is is that Leo is ruled by the Sun - the literal center of our solar system. Resenting a Leo for shining is like disliking the Sun for burning. Of course, egotism has the potential to run rampant if a Leo person has not matured very much, which is the shadow side of this sign. Oftentimes, though, you will find that the warm, glowing self-sureness of Leo's triggers the insecurities in those around them, causing them to lash out.
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The Iron Throne from Game of Thrones.
The symbolism of the throne for Magha should come as no surprise. Those who sit and have sat in thrones throughout history were usually born into that role as opposed to being appointed - bringing us back to the ancestral power brought on by Magha's connection to the Pitris.
Song for Magha: You Don't Mess Around with Jim by Jim Croce And they say... You don't tug on Superman's cape You don't spit into the wind You don't pull the mask off that old Lone Ranger And you don't mess around with Jim
This song talks about a local legend who's reputation precedes him. It is known so well that you don't cross him that doing so would be as obviously foolish as spitting into the wind. While Jim, the menacing figure the song centers around, is described as being big and dumb - traits that aren't as applicable to Magha - his reputation as someone you don't want to mess with fits perfectly with the power of this nakshatra. Jim, just like Magha, has won the fight before it started because you're probably too intimidated to approach him in the first place. Maybe Jim had the Pitris backing him up, too.
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Check out Vic Dicara and Claire Nakti on YouTube - both influential figures in the vedic astrological community.
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songmingisthighs · 2 years
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Algedonic
introduction pt. i | pt. ii | pt. iii
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ch. lxxii - japanese ramen
soulmate!yunho × reader, wooyoung × reader
!! A N N O U N C E M E N T !!
fated and marked, soulmates are supposed to be your destiny. you are connected to him by his heart and him to yours. but despite the cosmic or even divine intervention, you felt that he is not wholly yours. why is destiny so cruel to you?
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You arrived at Seoul St. Mary University Hospital just a little over 7 pm, a little later than you'd like but you took the bus. The lobby was pristine and it looked very fancy, very different compared to the hospital Wooyoung worked at back in Ilsan. The hospital in Ilsan was smaller and more traditional whereas, at this hospital, you can see the modern architecture and technology that made the place look more like a mall than a hospital.
Without you realizing it, you began wandering around the lobby. You were about to call Wooyoung when suddenly someone covered your eyes from behind. You gasped slightly but you felt your posture relax when a familiar scent entered your nose.
"Guess who?" the voice asked in a sing-song tone.
You pretended to think by humming and taking a couple of seconds before answering. "Nurse Ratchet?" you answered in a joking manner. Wooyoung's hands dropped and when you turned to look at him, he was pouting, "Hey, that bitch gave a bad name to nurses, I hate it," he whined. Seeing him pouting so adorable made you laugh and reach a hand forward to pat his head, "Aww, I'm sorry Woo, I was just kidding," you giggled.
Wooyoung immediately shrugged his pout away and his lips stretched to a big grin. He was about to say something when his pager suddenly buzzed, startling him. Realizing that he had forgotten to put his pager back in his locker, he groaned in frustration. "I'm sorry (y/n), do you mind me returning my pager first? I'll be quick, I promise! You can just stay here," he sounded like he was nervous which made you chuckle, "Nonesense, I can just accompany you. I wanted to look around and check out the place but I didn't want to do it alone," you shrugged.
Your answer made Wooyoung beamed and he immediately took your hand in his to guide you to his locker room. On the way, he kept pointing to areas in the hospital and letting you know what goes on and what usually happened. Unsurprisingly, most of the places he pointed at were places he go to sneak in a mid-shift snack.
Arriving at the entrance of the locker room, Wooyoung let you know that he'd be in for just a minute. You had to assure him twice that you'd be fine before he went in. Just as he disappeared inside, the sound of wheels rolling on the floor grew louder and suddenly a kid in hospital gown stopped next to you.
"Is that Nurse Woo?" the little girl asked, head tilting to the side before looking up at you, blinking innocently. You crouched down slightly to her height so your eyes are level, "You know Wooyoung?" you asked. The girl grinned widely as she nodded excitedly, "Yeah! He's the best nurse! I met him today and unlike the other nurses, I didn't feel pain when he put in my IV," she then showed the IV in her arm proudly.
"Seohee!" You heard Wooyoung call out as he stepped out of the locker room. The girl, Seohee snapped her head towards Wooyoung and beamed brightly, "Nurse Woo!" she squealed. Wooyoung raised an eyebrow at her as he dramatically put both of his hands on either side of his waist, "What did I tell you about wandering around?" The girl shrugged her shoulders nonchalantly, "Only do it with you?" You had let out a snort before you could even attempt to stop yourself. Wooyoung squinted his eyes at you before turning back to the girl, "Exactly, now off you go, back to your room! You have an appendectomy in the morning," he scolded as he ushered the girl. As he walked, he tugged your hand to follow along.
The girl pouted as you both walked her back to her room. "What's an app and deck tummy, again?" she asked in her 10-year-old vocabulary. Wooyoung smirked, "We're removing a goblin who hangs out at the end of your intestines," he joked. The little girl rolled her eyes at him in disbelief, "No way there's a goblin in my stomach," she said in disbelief. Wooyoung simply shrugged at her, "Say what you want, but I've had the same procedure done on me when I was around your age and mind you, my goblin was greedy and fat," he said so convincingly that you almost believed him. Wooyoung then nudged you, urging you to say something with a teasing glint in his eyes. "Uh... Yeah, I had a similar procedure too but I was a little older and it wasn't a goblin. It was a vampire," you blurted out, not really knowing what you were saying.
At your words, Seohee's eyes widened, "Whoah, really?" she asked in amazement. Both you and Wooyoung nodded as he pats the girl's head, "That's right. It's not a big procedure but you need to be in tip-top shape, alright? Now off you go," he gently nudged her away to the hallway of her room.
Once she was in her room, you and Wooyoung began your journey to the restaurant you both agreed on.
"That kid seemed to like you," you said, breaking the silence as you both walked to his car. Wooyoung wiggled his eyebrows teasingly, "What can I say? EVERYONE loves me," he said proudly. "Oh please, it's your first day, people might like you, how are you sure that they love you?" you teased. Wooyoung turned the engine on and began driving before answering you, "The fact that it's my first day and I've already been specifically requested here and there should tell you exactly how lovable I am." "But you're spending your first rotation in pediatric?" you asked, remembering his closeness with the little girl earlier. Wooyoung pursed his lips, thinking how to answer, "Well... considering my great track record in the pediatric service back in Ilsan and my apprehension to the coma ward," he shot you a look that made you giggle, wordlessly reminding you of the earlier stages of knowing each other, "I might focus on becoming a pediatric nurse."
Your eyes widened and had it not been because he was driving, you would've jumped to hug him. "Oh my God, Woo! that's big news! Big decision!" You exclaimed happily. Wooyoung glanced at you, his smile widening from how excited you are for him. "Yeah? You think so?" his fingers drummed on the steering wheel, he felt giddy with how excited you are for him. This interaction felt very intimate, particularly to Wooyoung because he hadn't even told his mom who knows EVERYTHING about him. "Of course, I think so! And I know you'll be great!"
Soon enough, the both of you arrived at the restaurant and you both were greeted by the owner who seemed to know Wooyoung well. "Just the two of you?" he asked, glancing at the both of you with a smirk on his face. While you blushed at what you think he meant, Wooyoung confidently grab your hand gently and interlaced your fingers, "Yeah! Just us tonight," he stated. The owner led you both inside and set you both at the secluded end of the restaurant, away from the mass in the restaurant.
"Thanks for coming here with me," you said as you flipped through the menu. Wooyoung glanced up slightly and reach to take your hand in his. As his thumb caress the back of your hand, your face grew hotter but you somehow didn't feel uncomfortable. On the contrary, you liked it. "I'm glad you wanted to come with me, so it was really my pleasure," he smiled gently.
For the rest of the dinner, you spent talking with Wooyoung about his future plans. He talked about things that you don't think any other guy would think of such as what kind of house he wants to live in in 10 years. He also mentioned what he would like to get into by then like gardening, he said he would love to be able to cook from what he grows. Though he didn't mention it, there's something in his eyes that seemed to want to say that he wanted you to be part of it too. But frankly, he didn't have to tell you because you do want to be in it as well.
As the night came to an end, after hours of spending time with Wooyoung and thinking of how good it is to spend your future with Wooyoung, your mind suddenly thought of one thing.
What about Yunho?
taglist :
@paralumanniluna @ikonic-loser @joonsthethicc @kodzukein @mirror-juliet @linhyyboo12 @theaufanartist @petitchou-t @bbymatz @rabbitlashpink @meowmeowminnie @eternalssanshine @woo-stars @peachy-maia @cutie-wooyo @maddiebabyxoxo @hyvn-jaeee @shyfear @dreamlesswonder86 @honeyhotteoks @kpopnightingale @shaininguu @babyjmm @starlixs @iknowyouknowlino @perfectlyspaceshongjoong @marsophilia @rubberduckieyourtheone @noonaishere @baguette-atiny @rdiamond2727 @diestheticu @atinct @hibuki-chan @ateezourstars @shinotani @blaaiissee @hwanchaesong @multihoe-net @seoulscenarios @potaeto-writes-on-wp @bluepoison1975 @kirooz @dear-dreamie @treasure-1117 @john-joong @heyimkay @starlight-channie @goldenstarmermaid
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knightofchariot · 9 months
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Tarot Books List - part one
1-2-3 Tarot: Answers in an Instant Donald Tyson 101 Tarot Spreads Sheilaa Hite 21 Ways to Read a Tarot Card Mary K. Greer 22 Paths of Inperfection Matt Laws 360 Degrees of Wisdom Lynda Hill 365 Tarot Activities Deanna Anderson 78 Degrees of Wisdom Rachel Pollack 90 Days to Learning the Tarot Lorri Gifford A Guide To Mystic Faerie Tarot Barbara Moore A Guide to Tarot and Relationships Dolores Fitchie & Andrea K. Molina A Guide to the Nomadic Oracle Jon Mallek A Keeper of Words Anna-Marie Ferguson A Sephirothic Odyssey Harry Wendrich & Nicola Wendrich A Wicked Pack of Cards Michael Dummett & Ronald Decker & Thierry Depaulis A Year in the Wildwood Alison Cross Absolute Beginner's Guide to Tarot Mark McElroy Alchemy and the Tarot Robert M. Place All Love Goes Before Me Stewart S. Warren An Introduction to Transformative Tarot Counseling Katrina Wynne Ancient Mysteries Tarot: Keys To Divination And Initiation Roger Calverley Angel Readings for Beginners Elizabeth Foley Animals Divine Companion Lisa Hunt Best Tarot Practices Marcia Masino Beyond the Celtic Cross Paul Hughes-Barlow & Catherine Chapman Book of Thoth Aleister Crowley Brotherhood Tarot Companion Patric Stillman aka Pipa Phalange Buddha Tarot Companion Robert M. Place Chakra Wisdom Oracle Toolkit Tori Hartman Choice Centered Relating and the Tarot Gail Fairfield Chrysalis Tarot Holly Sierra & Toney Brooks Complete Guide to Tarot Illuminati Kim Huggens Confessions of a Tarot Reader Jane Stern Conscious Channeling From the Akashic Rozàlia Horvàth Balàzsi Creator's Tarot Nicole Richardson Daily Spread Tarot & Oracle Journal Alyssa Montalbano Dark Goddess Tarot Companion Ellen Lorenzi-Prince Designing Your Own Tarot Spreads Teresa Michelsen Destiny's Portal Barbara Moore Deviant Moon Tarot Patrick Valenza Discovering Runes Bob Oswald Discovering Your Self Through the Tarot Rose Gwain Easy Tarot Ciro Marchetti & Josephine Ellershaw Easy Tarot Guide Marcia Masino Easy Tarot Reading Josephine Ellershaw Encyclopedia of Tarot Volume IV Stuart Kaplan & Jean Huets Enochian Tarot Betty Schueler & Sally Ann Glassman & Gerald Schueler Essence of the Tarot: Modern Reflections on Ancient Wisdom Megan Skinner Explaining the Tarot Thierry Depaulis & Ross Caldwell & Marco Ponzi Explore the Major Arcana Judyth Sult & Gordana Curgus Exploring the Tarot Carl Japikse Fortune Stellar Christiana Gaudet Fortune's Lover: A Book of Tarot Poems Rachel Pollack Going Beyond the Little White Book Liz Worth Good Cat Spell Book Gillian Kemp Guide to the Sacred Rose Tarot Johanna Gargiulo-Sherman Heart of Tarot Amber K Hieros Gamos: Benediction of the Tarot Stewart S. Warren Holistic Tarot Benebell Wen Integral Tarot: Decoding the Essence Suzanne Wagner It's All in the Cards: Tarot Reading Made Easy John Mangiapane Jung and Tarot Sallie Nichols Kabbalistic Tarot Dovid Krafchow Kaleidoscope Tarot Leisa ReFalo Karmic Tarot William C. Lammey Learning Tarot Reversals Joan Bunning Learning the Tarot Joan Bunning Light-Of-Day: Tarot & Dream Work - A Practical Guide Gigi Miner Magic Words: A Dictionary Craig Conley Meditations on the Tarot Anonymous Messages from the Archetypes Toni Gilbert, RN, MA, HNC Mirror of the Free Nicholas Swift My Tarot Journal Katrina de Witt Mystical Origins of the Tarot: From Ancient Roots to Modern Usage
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fibula-rasa · 1 year
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Lost, but Not Forgotten: The World’s Applause (1923)
Direction: William C. de Mille
Scenario & Titles: Clara Beranger (more about Beranger at the Women Film Pioneers Project)
Camera: L. Guy Wilky
Sets & Costumes: Paul Iribe
Studio: Famous Players-Lasky (production) & Paramount (distribution)
Performers: Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa, James Neill
Status: presumed entirely lost
Synopsis (synthesized from magazine summaries of the plot):
Corinne D’Alys (Bebe Daniels), f.k.a. Cora Daly, is a theater star who has “taken the Rialto by storm.” Unfortunately, Corinne also has a desperate hunger for publicity. Her manager, John Elliott (Lewis Stone), who also happens to be in love with her, advises her to be more sensible about her career. A famous artist, Robert Townsend (Adolphe Menjou), has become enamored with Corinne, and wants to paint her portrait. Despite John’s warning that Robert wishes only to “see more of her,” Corinne sits for the portrait. 
Robert plans on throwing a party to celebrate finishing the painting but declines to invite his wife, Elsa Townsend (Kathlyn Williams). Elsa comes to her husband’s studio anyway and finds the portrait and a pearl headdress that Robert is going to gift to Corinne. In a jealous rage, Elsa takes a knife to the painting and then to her husband—fatally stabbing him. Elsa also happens to be John’s sister and she calls him in a panic to help her. John arrives at the studio in secret and helps Elsa escape the scene. Meanwhile, Corinne and the guests begin to wonder where their host is, and Corinne then finds the body of the painter.
John convinces the police that Corinne is innocent. Corinne leaves town to avoid the storm. Unfortunately, John then becomes the primary suspect, as he had a notable fight with his brother-in-law months prior. When John is arrested, Corinne returns and confesses to Elsa that she feels morally responsible for Robert’s murder. Elsa then confesses to committing the murder herself. It’s implied that Elsa commits suicide via “the watery route.” 
Now that both John and Corinne have been cleared of suspicion, they are free to marry and Corinne has lost her appetite for publicity.
Transcribed sources & annotations below:
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Moving Picture World, November 11, 1922
News from the Producers
Conducted by T.S. da Ponte
Changes Titles of Two
Three new titles have been chosen for as many forthcoming Paramount pictures.
William de Mille’s recently completed production from an original story by Clara Beranger, in which Bebe Daniels, Lewis Stone, Kathlyn Williams and Harrison Ford have the important roles, has been permanently titled, “The World’s Applause.” “Notoriety” was the title originally chosen, but when it was found that another company had a prior claim, it was changed temporarily to “Paths of Glory,” which in turn has now given way to “The World’s Applause.”
Mary Miles Minter's latest picture, just completed under the direction of Charles Maigne and adapted from Stephen French Whitman's novel, "Sacrifice," is to be called "Drums of Destiny."
"Racing Hearts" is the title chosen for the new picture Agnes Ayres is just starting under the direction of Paul Powell. This is a story by Byron Morgan, author of the Wallace Reid automobile racing pictures, and Miss Ayres has the role of a race driver who goes in and wins a thrilling speed contest when the regular driver fails to show up.
Both "Drums of Destiny" (titled "Drums of Fate" on release in 1923) and "Racing Hearts" are also lost films.
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Exhibitor’s Herald, January 20, 1923
REVIEWS
BEBE DANIELS IN
WORLD’S APPLAUSE
(PARAMOUNT)
A fascinating story of the life of an actress who unwittingly becomes involved in a murder mystery which almost brings about her downfall professionally. Lavishly presented, very well acted and directed in William deMille’s best style. Length, 6,528 feet.
An original story by Clara Beranger provides Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolph Menjou and others with a suitable vehicle in which to display their talents. There is good story interest for the most part, with good surprise value and considerable dramatic suspense in the contest of wits between the detectives and John Elliott and his sister.
Lewis Stone plays the role of Elliot and gives an unusually convincing and consistent characterization. The director, author and producer are to be congratulated upon securing Mr. Stone’s services for this part. Miss Daniels appears in the role of an actress who is a hound for publicity, and the moral of the story shows how ready the public is to condemn these children of the stage. Kathlyn Williams has the role of Elsa Townsend, wife of an artist in love with the little actress, who in a fit of jealousy kills her husband. A difficult role, but played with restraint and conviction. Adolphe Menjou is the artist. Bernice Frank was the maid; Mayme Kelso, secretary to the actress, and George Kuwa, valet to Townsend. James Neill was Elliot’s valet, while Brandon Hurst played James Crane, owner of a string of newspapers.
Corinne d’Alys, popular Broadway star, poses for Townsend while he paints her portrait. On the day he is to display the painting he gives a party at his studio. As the guests assemble, Mrs. Townsend comes to the studio, discovers a valuable pearl headdress which her husband is to give to Corinne, and the portrait of the actress. In a fit of jealousy she strikes him down and leaves the studio with her brother, John Elliot. The discovery of the dead artist throws suspicion upon the members of the party. Corinne telephones to her affianced husband Elliott and he succeeds in convincing the police that she is innocent. Crane takes a hand in the investigation, however, and dogs Elliott’s footsteps. A confession from Mrs. Townsend finally clears Elliott and the little actress, and she no longer seeks the world’s applause, but is content to settle down with John.
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The Film Daily, February 2, 1923
A Typical DeMille Entertainment With the Usual Atmosphere
William DeMille Prod.
“THE WORLD’S APPLAUSE”
Paramount
DIRECTOR…William DeMille
AUTHOR…Clara Beranger
SCENARIO BY…Clara Beranger
CAMERAMAN…L. Guy Wilky
AS A WHOLE…Consists of situations and atmosphere intended to provide visual appeal but that is as far as it gets
STORY…Artificial and quite theatrical; flavored with sensational bits that will make it popular with a certain crowd
DIRECTION… Very good as far as production goes and usually handles story with good judgment but ending is too long arriving
PHOTOGRAPHY…Excellent
LIGHTINGS… Good
PLAYERS… Lewis Stone and Bebe Daniels featured with Stone doing his usual good work and Miss Daniels a suitable but not beautiful Corinne d’Alys; others Kathlyn Williams and Adolphe Menjou
EXTERIORS…Few
INTERIORS… Many elaborate settings
CHARACTER OF STORY…Star seeking publicity is cause of man’s death at the hands of his jealous wife
LENGTH OF PRODUCTION… 6,526 feet
Probably because there is a moral to it the unpleasant bits in “The World’s Applause” will have to be excused but it does seem unfortunate that they have to wade so deeply into scandal and sensation providing incidents in general, to get to it. Before you finally learn the lesson of this film—that success is not measured by the amount of prominence you attain—you are treated to some mighty intimate scenes in which a popular stage favorite is the sensuous, central figure. She is very deliberately sought by a famous portrait artist, a married man, who plans his seduction in elaborate style. Of course he has a studio establishment which figures prominently in his scheme and the very innocent young moth runs headlong into the flame heedless of the warning of her manager, who really loves her. The aggravating thing about these petty publicity seekers is that you are expected to accept their sugar-wouldn’t-melt-in-their-mouth attitude for the real thing.
But this Corinne d’Alys spoils it all, or the title writer does it for her, when she admits that her would-be lover will give her everything but “a narrow gold band.” The titles, incidentally, are very bad. There is one in which the true lover warns the girl that the artist wants her to pose for him so that “he can see more of her.” The titles are quite off color in many similar instances. This one particularly seemed to strike the Rivoli audience as a thoroughly fine humorous touch.
William DeMille is following closely in the footsteps of his brother, Cecil, when it comes to making pictures with plenty of pictorial appeal and colorful atmosphere. In this respect the picture is interesting and should satisfy. From a story angle, it is all a matter of taste. Where they like theatrical, sensational stuff, it is all very nice but where they want clean, wholesome stories, it may be different.
Bebe Daniels handles the role of Corinne adequately but she never gives the impression of being sufficiently beautiful to have “The World’s Applause.” Lewis Stone is always capable but deserves a more sensible role. The cast, on the whole, is suitable.
Story: John Elliot’s new star, Corinne d’Alys, is swept off her feet by sudden success. She accepts the attentions of Townsend, an artist, the husband of Elliot’s sister, who paints her portrait. Townsend is accidentally killed by his jealous wife and Elliot is arrested. His sister, realizing Elliot loves Corinne, commits suicide, leaving a confession which clears Elliot and cures Corinne of her craving for publicity.
One of those negative reviews that makes you want to watch a movie more, eh? Moralizing and misogyny on full display! Phew.
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The Moving Picture World, February 1923
“World’s Applause” Released January 21
William de Mille, Paramount producer, departed temporarily from his custom of filming stage dramas when he made "The World's Applause," which was on the Paramount release schedule of January 21.
This is an original story by Clara Beranger, who has written the scenario of all of Mr. de
Mille's recent photoplays. Bebe Daniels and Lewis Stone are the featured players in a cast which Mr. de Mille considers one of the best he has had in his long career as a producer.
An ultra-modern note is struck by Miss Daniels in her costumes, it is reported. In each succeeding scene she wears something different from the preceding one, and although Mr. de Mille never allows his photodramas to descend to the level of mere fashion shows, this feature of "The World's Applause" is certain to intensify every woman's interest in the picture, Paramount says.
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Variety, February 1923
WORLD'S APPLAUSE
Paramount picture presented by Adolph Zukor. William DeMille production, featuring Bebe Daniels, Lewis Stone and Kathlyn Williams in story by Clara Beranger.
At the Rivoli, New York, week of Jan. 28.
Corinne d'Alys..........Bebe Daniels
John Elliot........Lewis Stone
Elsa Townsend...Kathlyn Willams
Robert Townsend, her husband…Adolphe Menjou
James Crane...Brandon Hurst
Maid to Corinne...Bernice Frank
Secretary to Corinne.........Maym Kelso
Valet to Townsend..George Kuwa
Valet to Elliot......James Neill
“The World's Applause" is a screen treatise on theatrical publicity and exploitation with a twist that a certain theatrical personage's craving for newspaper "notices" and the desire to be the talk of the town boomerangs viciously when she is indirectly implicated in a murder mystery.
The theatrical personage is Corinne d'Alys (born Cora Daly), who has "taken the Rialto by storm," but who is counselled by her manager-lover (Lewis Stone) to cease her craving for the world's applause and deal seriously with her work. This is momentarily disparaged by her
with ensuing developments taking the audience rather interestingly through the usual five-reel span.
It starts with Robert Townsend, an artist who has "arrived" (Adolphe Menjou), becoming enamored with the favored and favorite footlights beauty and honoring her with painting her portrait for the annual Parisian exhibition. Townsend is married to the sister of John Elliot, the impresario, and a parallel situation develops of Townsend slighting his wife for Corinne, and
Townsend interposing himself between the actress and her suitor, Elliot.
At a studio party in Corinne's honor to which Townsend did not invite his wife, the latter enters
through the private studio door and, enraged at her husband's nonchalance, slashes the portrait and stabs the artist fatally. She telephones for her brother, who also enters unbeknown to the guests in the outer rooms. Both slip away, but not without being seen by a newspaper
publisher, whose testimony implicates Elliot, who shields his sister. Elliot is arrested on first degree murder charges, but is absolved when his sister confesses to Corinne. The sister runs away, and there is a suggestion she commits suicide via the watery route.
Not much to the story, but rather deftly handled by DeMille in his customary pretentious manner—never lavish but always in good taste. The captioning is pithy and bright, and such leaders as "the public always believes the worst about an actress" is good lay propaganda for the profession.
Miss Daniels sports a nobby collection of clothes to excellent advantage. Mr. Stone is a sincere opposite, who also has the ability of really acting when called upon. Miss Williams, too, accounted for herself handily.
The picture pleased at the Rivoli
Abel
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Cine-Mundial, April 1923 p. 218 & 239
EL APLAUSO DEL MUNDO
(The World’s Applause)
“Paramount” — 150 metros
Intérpretes principales: Bebé Daniels y Lewis Stone. Colaboradores: Kathryn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa y James Neill.
Argumento de Clara Beranger. Dirección de William DeMille.
Argumento
Corina, actriz, tiene sed insaciable de publicidad y se muere por ver su nombre en letras de molde, bien grandes, aunque sea a costa de escándalo, sin escuchar los consejos de su empresario, Elliot, que la ama. Los periódicos mezclan a la joven en un lío en el que ver un famoso pintor que le está haciendo su retrato. La noche en que el artista va a celebrar con un banquete la terminación del cuadro, se presenta en escena su mujer, disputan, y en un acceso de rabia, la consorte se apodera de un cuchillo para destrozar la pintura y, accidentalmente, mata al artista. La homicida es hermana de Elliot y éste trata de salvarla a to-
(Continúa en la página 239)
NUESTRA OPINION
(Viene de la página 218)
da costa del presidio. Llega hasta a asumir la responsabilidad del delito, cuando las sospechas recaen en su contra, por causa de un disgusto tenido, meses antes, con su cuñado. Pero, justamente cuando la policía va a detenerlo, la hermana confiesa su crimen y Elliot y Corina, sus nombres limpios de mancha, se casan.
Tengo debilidad por Lewis Stone como actor. Quizá por eso me haya gustado tanto esta película, de impecable dirección. Por causa de la reducción de los escenarios, se concentra el interés en el tema y eso añade fuerza dramática a toda la obra, aunque el argumento no tenga, ni con mucho, excesiva novedad. Si se sujeta la película al análisis, se corre el riesgo de dejarla maltrecha. Prefiero, pues, dar sólo idea de lo que a mi me pareció. — Guaitsel.
Translation:
Lead actors: Bebe Daniels and Lewis Stone. Supporting actors: Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa and James Neill.
Scenario by Clara Beranger. Direction by WIlliam DeMille.
Scenario
Corina, an actress, has an insatiable thirst for publicity and would die to see her name in lights, even at the cost of scandal, without listening to the advice of her manager, Elliot, who loves her. The newspapers mix the young woman up in an imbroglio with a famous painter, who is painting her portrait. On the night that the artist is going to celebrate the completion of the painting with a banquet, his wife appears on the scene, they argue, and in a fit of rage, the wife seizes a knife to destroy the painting and, accidentally, kills the artist. The murderer is Elliot’s sister and he tries to save her from prison at all costs. He goes as far as assuming responsibility for the crime, when suspicion falls on him, due to a disagreement he had with his brother-in-law, months before. But, just as the police are going to arrest him, the sister confesses her crime and Elliot and Corina, their names clean, get married.
I have a soft spot for Lewis Stone as an actor. Maybe that’s why I liked this impeccably-directed film so much. Because of the limitation of settings, interest is concentrated on the theme and this adds dramatic force to the whole work, even though the scenario isn’t very excessively novel at all. If you subject the film to analysis, you run the risk of dealing damage to it. I prefer then to give only the outline of how it seemed to me. — Guaitsel.
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Photoplay, April 1923
THE WORLD’S APPLAUSE—Paramount
CLARA BERANGER seems to have dramatized the recent newspaper headlines. An idol whose fame has been built upon publicity gets involved innocently in a murder and the aforementioned publicity turns out to be a boomerang, demolishing said idol. Tritely told by William de Mille, who isn’t living up to early expectations. Bebe Daniels is pleasant enough as the idol.
Presumably, this writer is alluding to the Mary Miles Minter / William Desmond Taylor scandal from February of 1922. Kind of an interesting assumption given that, at the time, Minter was still under contract with Famous Player-Lasky, the same company that produced The World’s Applause.
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The Story World and Photodramatist, April 1923
The World's Applause
With the excellent theme of regeneration after a terrifying experience, William De Mille slices his emphasis a bit in the story of The World's Applause; though he presents a warning to all actresses or public servants who, in their greed for applause, get themselves talked about in the wrong way, he misses the hole by a few inches because Corinne D'Alys is not the one to pay the piper most heavily. Even though she claims she is morally guilty of the murder, I found it
difficult to believe her regeneration more than skin-deep, possibly because the suggestion of the suicide of the physically guilty but wholly justified wife fades so quickly into the scene of Corinne's future happiness.
In lieu of convincing plot to express his theme, Mr. De Mille has resorted for public appeal to the tinsel more often found in a C. B. de Mille production—to lavish sets and to gowns for Bebe Daniels as daring and gorgeous as any of Miss Swanson's. For admirers of this young actress, the picture will doubtless be more or less satisfying, but contrary to dramatic principles, to the opposition have been given the histrionic opportunities 
It is many pictures since I have seen such an amusing lothario as the unfaithful husband; but pushed too far by his desperate wife, he rises to the breaking point very naturally. The development of the battle of their wills into one of physical violence and murder deserves high
praise as an example of loss of mental control at the moment of physical contact. The stellar role from the dramatic angle is that of the neglected wife—excellently portrayed by Kathlyn Williams. The story revolves around her problem of protecting her home and retaining her
husband's love. It is she who struggles and suffers through her hasty deed, and in the end sacrifices herself that her brother and the foolish enticer of her husband may be happy.
The weakness of the plot is early evident for the first big dramatic scene does not include the supposed lead. While Corinne is in another room with the guests, the artist's wife declares to her husband her intention of being present at the dinner to celebrate the completion of his portrait of the actress. When her husband urgently remonstrates, she seizes a knife and in the old sensational manner slashes the portrait. He seizes her hand, the exasperated animal rises in her, and she plunges the knife into his side. Horribly frightened, she phones to her brother; he assists her to escape and later denies all knowledge of the crime.
Meanwhile the supposed lead, growing tired of waiting, opens the door on the body of the artist. The guests, sensing a scandal, leave Corinne to enjoy the notoriety her desire for applause has brought upon her. The brother is suspected and his and Corinne's financial backers withdraw their support. Instead of remaining to fight it out, Corinne leaves town. The brother is arrested, and his sister is torn between her love for him and her fear of prison bars for herself. When Corinne returns, she goes to the wife and claims the moral guilt.
In a rather confused manner the story rushes through the confession of the wife and the suggestion of her suicide to the inferred regeneration and future happiness of the actress with the recently bereaved brother. Odd thing, poetic justice! Frankly this picture is not up to the De Mille standard; its appeal is to the more superficial emotions and through the eye rather than through the intellect or heart of the discriminating spectator. It is not the clean, wholesome picture I had anticipated.
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Picture Play Magazine, May 1923
The Screen in Review
“The World’s Applause.”
If you are a young actress who will do most anything for publicity, this film will be a lesson to you. Otherwise it will be sheer entertainment, cooked up by William De Mille and charmingly acted with Bebe Daniels as the publicity-mad star and Lewis Stone as her manager. The story has really original twists in it and is directed with humor and restraint. Its only flaw is the incredibly silly subtitles. I don’t understand how Mr. De Mille let them get by in one of his productions which always bear a certain imprint of good taste and sophistication.
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shallowseeker · 1 year
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Love yourself, love your child
I'm going to add the quotes later, and this is SO rambley it probably belongs in @shallowtakes where it can be properly hidden away, but I LOVE my three un-wise men (king, god, and death) as parents and I adore where they go wrong with Jack Kline, because they're all in such in varied states of arrested development due to growing up as child soldiers.
I have a lot of SPN parenting takes like this, so it's a bit of me saying what I always say, but boy is it fun to think about! When I see other posts talking about this, I have to revisit it. I love #spn parenting and I trouble myself with it so often.
///
Because, I mean, Cas didn't protect Jack, not at the end. No one did. He let him eat angel hearts and went along with Death's plan, for starters, using Jack as the primary weapon against God. Cas did that, and Dean was actually a little wary / disapproving of the eating-hearts at first, remember? This is because Cas has a toxic, angelic relationship to destiny, fate, and the cause. He's spinning it like overcoming God is a beautiful, good thing. (And who knows? Maybe it is?) But the point is that, while Cas is not motivated by revenge, per se, the end result IS the same. That's how angels do. They're righteous.
That's Cas in a nutshell, dressing the authoritarian good-king-fallacy-mission up in lovely words and declarations of goodness, but what he's really doing is imposing a new child king onto the holy throne and calling it, "good for the world." Ultimately, that's too much to put on yourself, or anyone, especially your kid. Chuck had similar expectations of Lucifer, remember? With Amara and the mark. It's heavily implied that he thought Lucifer was bright and good enough to withstand that burden!
<Insert Cas and Dean conversation about defeating Chuck, but one is motivated by destiny and the other by revenge; both result in doing terrible things to win the fight>
///
But what does Jack want? He wants:
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14x07 (Unhuman Nature), Dean and Jack discuss his dying wished
///
Cas partially comes to his senses when Jack tells him the depth of Billie's plan, but the devastating truth remains that Cas was marshalling him as super-soldier in the first place. It's not until after Jack explodes via rib-bomb that Cas more completely comes to his senses. That is, he gives the wonderful, "we love you for being you," speech, but, like Dean's fretting and care in 15x19, it's technically too late for it. (But wait! The overarching point of SPN is it's never too late. You can start being good any time.)
Anyway, Cas loves Jack dearly, and he tries his best, but he is completely shaped by being an angel, and Jack absorbs the self-hating parts of being an angel, too, I'm sure. Cas woobies humanity and puts it up on a pedestal because of the nature of the devastating moral injuries and disillusionment Cas suffered as Heaven's solder. Cas becomes the dreaded blue-collar soldier loyal to family instead. Still, power and the use of it is this awful phantom specter embedded within Cas and Jack's relationship. "This child must be born with his full power."
<Insert Cas quote about Jack being okay as-is from 15x18>
Cas, like Sam, is genuinely horrified when he finds out about Jack's suicide, and indeed, he goes off to look for another way. But the fact is, prior to being faced with Jack's suicidal plan, he wholly submitted to Jack's BIG DESTINY the same way Dean submitted to REVENGE and Sam propped up INDEPENDENCE.
///
By the eleventh hour, Jack has wholly absorbed the toxic heroism and penance-making of all three of them. There's also quite a lot of self-hatred that goes unsaid, especially after he regains his soul, because he loved Mary. (Mary called Jack Sweetheart. She loved Jack.) But she is heavily implied to choose to use him as weapon in Game Night.
<Game Night quote about Mary choosing to use Jack to defeat Nick, despite the danger, "even if she knew...she'd still do it">
This is due to all of them being shaped by constant, neverending war their entire lives. :(
///
While Sam verbally disagrees with Jack wanting to sacrifice himself, Sam values INDEPENDENCE so much that he doesn't fully step in to block the move, until it's too late and Jack is already in countdown mode. He won't override Jack's autonomy to protect him (even though arguably, THIS is a lot of what parenting and family support is: trying to walk that line of independence vs safety).
<Sam quote from 15x17 about sacrificing yourself being wrong>
///
Season 15 is beautiful in some ways because it showcases all of their individual neuroses wrapped into one. They all over-prioritize the mission, and heartbreakingly, maybe they have to in order to stay alive / on-the-air. (Audience are the monsters demanding sacrifice, perhaps.)
Dean treats Jack like Dean often treats himself, as a weapon to complete revenge. He allows Jack to go off and be a bomb (Amara-callback; no one stopped Dean then; he brutally dissociates Jack from the concept of family in order to do it because unlike Sam and Cas, Dean can't as easily allow familial sacrifice; so, Jack becomes weapon).
Cas wants Jack to rise up and meet his destiny and become the new God (that bit's implied, but wrapped in pretty "good-for-the-world" language). Cas has said of himself, "I overestimated my own (military) importance" and he does the same to Jack. Jack is going to be the merciful, purely-good human-angel-god that Cas could never be. Jack can withstand the corrupting forces of power because he's good.
Sam is overall a very safe role model, even if he at times expects to "mold" Jack (13x01) and laments that "Jack is who he is, not who Sam wants him to be" (14x20). Sam also falls prey to the "I and I alone can fix this," mistake that is somewhat penultimate to SPN, except that he applies it to Jack, with "You're the only one who can (defeat Chuck)." Ultimately, in 14x17, Sam over-prioritizes independence at the expense of safety, verbally disagreeing but ultimately allowing Jack to do the heroic sacrifice; Sam is thus also treating Jack like he treats himself.
THESIS: The tragedy of it all is...they love their son as they love themselves; that is, HOW they love Jack reflects their individual FAILURE to love themselves as they are.
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tyllt · 8 months
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Quotes (pt. 3)
Poetry
Do Not Stand at My Grave and Weep - Mary Elizabeth Frye
The Second Coming - W.B. Yeats
All the world's a stage - Jaques, As You Like It
Now, Hamlet, where's Polonius? - Hamlet, Hamlet
Thirteen Ways of Looking at a Blackbird - Wallace Stevens
Set your heart at rest - Titania, A Midsummer Night's Dream
O, that this too too solid flesh would melt - Hamlet, Hamlet
Do not go gentle into that good night - Dylan Thomas
I know you all, and will awhile uphold - Hal, Henry IV
Stopping by Woods on a Snowy Evening - Robert Frost
There's rosemary, that's for remembrance, pray - Ophelia, Hamlet
Bandersnatch Monologue - Colin Jones
Lord, we know what we are, but not what we may be. - Ophelia, Hamlet
The rest is silence. - Hamlet, Hamlet
Take pains; be perfect. Adieu. - Bottom, A Midsummer Night's Dream
Well, we were born to die. - Capulet, Romeo & Juliet
What do you read, my lord? Words, words, words. - Hamlet, Hamlet
We must not make a scarecrow of the law. - Angelo, Measure for Measure
I am now of all humors that have showed themselves humors - Hal, Henry IV
Once more unto the breach, dear friends, once more. - Hal, Henry IV
Tomorrow, and tomorrow, and tomorrow - Macbeth, Macbeth
And this same progeny of evils comes - Titania, A Midsummer Night's Dream
Praise
We owe God a death. - Hal, Henry IV
God is closer to me than I am to myself. - St. Augustine
When a man turns his face to God, he finds sunshine everywhere. - Abd'ul Baha
You have to ask God to defeat you, everyday. - Anonymous
Our loss is great, but God is greater. - Brandon Burlsworth
Every time I think of God it brings tears to my eyes. The one that holds the stars also holds my hand. - Liz's Happy Place
Then the sun smiled, and Christ smiled, and my laundry grew soft in the warm wind. There. See there. The world is good is me. - Linda Gregg
God is feeding me and what I'm praying for is an appetite. - Flannery O'Connor
Sisters, let us go mad for the love of God. - St. Theresa
When you are angry, do not sin; ponder it on your beds, and be silent. Offer righteous sacrifices, and put your trust in the Lord. - Psalm 4:4-5
Before God leaves, He clears the table, pats my head, and presses two messages into my palms. In my left, You are the bridge. In my right, you are the dust. - Paige Lewis
She would transform herself into sacred food. She would eat light, not matter; become food, not eat it. She would be consumed to become the host and consumed again as it. - Judith Van Herik
...God's incarnation in Christ is also going on in everyone, everywhere, at all times. - David Bentley Hart
Human nature is not a duality of body and soul; rather God's breath animates the dust and it becomes a single living being. - Anonymous
In early Christian hymns, hunger seems to mean human vulnerability; the implication is, therefore, that the hungry will be satisfied. In the spirituality of eleventh- and twelfth- century Europe, however, hunger began to mean a craving that can never be filled. - Caroline Walker Bynum
My fear is that much of what we call "spirituality" today is overly sanitized and sterile, far removed from the anguish of pain, the anchoredness of place. Without the tough-minded discipline of desert-mountain experience, spirituality loses its bite, its capacity to speak prophetically to its culture, its demand for justice. Avoiding pain and confrontation, it makes no demands, assumes no risk. - Belden C. Lane
Power
There are no bargains between lions and men. I will kill you and eat you raw. - Madeline Miller
I know these crowds have come from Paris to demand my head. I learned from my mother not to fear death, and I will wait for it with firmness. - Marie Antoinette
Everything had the boring residue of destiny on it. - Anonymous
There will be no further explanation. There will just be reputation. - Taylor Swift
I am the gun, the bullet, and the wound. I will not leave without you knowing I was here. - Anonymous
There is comfort in knowing the bones will win. - Anonymous
I am but mad north-north-west. - Hamlet, Hamlet
I don't have to outrun the bear, I only have to outrun you. - Anonymous
Higher, further, faster, baby! - Carol Danvers
This is the burden of the trailblazer and the solitude of the trendsetter. - Defunctland
So what a monumental achievement it is to be remembered for four. - Defunctland
If I die, I want to be born again and I want to be a footballer and I want to be Diego Armando Maradona again. I am a player who has given people joy and that is enough and I have enough. - Diego Maradona
I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture. - Carrie Fisher
Service
Do the good and throw it in the sea.
Life isn't about getting and having, it's about giving and being. - Kevin Kruse
What are you going to buy in your lifetime that is worth more than your humanity? - Anonymous
There are no lost causes.
Are you at peace? Can I pray for you?
Service to others it the rent you pay for your room here on earth. - Muhammad Ali
What do you want Me to do for you? - Mark 10:51
Forget not to show love unto strangers: for thereby some have entertained angels unawares. - Hebrews 13:2
Grief
A man takes his sadness down to the river and throws it in the river but then he's still left with the river. A man takes his sadness and throws it away but then he's still left with his hands. - Richard Siken
Life is like a garden. Perfect moments can be had, but not preserved, except in memory. - Leonard Nimoy
This day, the next, a hundred years, it's nothing! It's a heartbeat. You'll never be ready. - Tom Hiddleston
I mean it this time: this is the last time I'm leaving without you. - firethesound
You wanted Death? This is it. Dirt and decay, nothing more. Death translates us all into earth. - Catherynne M. Valente
Dear Tree, I don't want to be sad: I just am. The explanation is just too far beyond anything. - Anonymous
Nothing is ever really over...just over there. - Carrie Fisher
Planets come and go. Stars perish. Matter disperses, coalesces, forms into other patterns, other worlds. Nothing can be eternal except GOD. - The Doctor
You will have days where you feel better, and you will have days where you want to die. Both are okay. There is no magical cure. You just need to close your eyes, and trust that the waves will pass, and soon you'll be able to breathe again. - Anonymous
Death is only the end if you assume the story is about you. - Jeffrey Cranor
I suppose in the end, the whole of life becomes an act of letting go, but what hurts the most is not taking a moment to say goodbye. - Yann Martel
To suffer together is to know love. - Anonymous
What is grief, if not love persevering? - Vision
There is no state of being healed...there is just healing. - Anonymous
To be alive at all is to have scars. - John Steinback
You have to allow the paint to break to make it beautiful. - Bob Ross
You see this cup? This is literally my favorite cup. Now it's gone forever. So it's not real and I don't care about it anymore. - Jake
The soul has to go on loving in the emptiness, or at least to go on wanting to love, though it may only be with an infinitesimal part of itself. - Anonymous
Because it's senior year, I have begun to see things as potential absences: the things I love will become the things I'll miss. - Anonymous
Love is so short, forgetting is so long. - Pablo Neruda
But then it passed, as all things do. - Anonymous
I wish the ring had never come to me. I wish none of this had happened. - J.R.R. Tolkien
And tomorrow will be kinder. - Secret Sisters
Everything stays, right where you left it. Everything stays, but it still changes. Ever so slightly, daily and nightly. In little ways, when everything stays. - Olivia Olson
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santmat · 1 year
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The Seven Elements of Spiritual Practice - Spiritual Awakening Radio Podcast
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Today during this Satsang Without Walls, this online spiritual meetup, we explore the seven elements of spiritual practice (sadhana, meditation): 1) The Worthiness of a Spiritual Seeker; 2) The Mantra (Simran, Sacred Names) Imparted by an Accomplished Teacher at the Time of Initiation; 3) Without Essential Information No Successful Meditation! (Necessary Knowledge Prior to Meditation Practice); 4) Resolute Practice: A. Japa/Ajapa Japa: Recitation of the Sacred Name or Names given by the Master, B. Manas Dhyana (Mental Focus on the Form of the Deity or visualization of the form of one's spiritual teacher, Sant Satguru), C. Drishti Yoga (The Yoga of Inner Seeing -- Inner Light Meditation), and D. The Yoga of Sound (Inner Sound Meditation practice, Surat Shabd Yoga, Meditating upon the Sound Current); 5) Bhakti: Devotion -- "For the Love of God" as Steve Vai has said; 6) The Merits of Past Lives -- Favorable Winds of Change; and, 7) The Will of God: Divine Grace. Forgiveness overcomes the imperfections of the whole world and the cosmos beyond. The lower realms may be governed by law, karma, destiny, and the cruel hand of fate, but there is Divine Grace from Above that always seeks to bust into the worlds of time and space to liberate souls!
Also today there are readings from: the Padavali (Mystic Poetry, Hymns) of Maharshi Mehi Paramhans (Padavali # 52: "O traveler! Seek the path that lies within you. You and your Beloved Lord reside in the same body"; The Need for a Living Master So We May Be Initiated into the Secrets of Spiritual Practice: featuring Saint Augustine's surprising quote from the Gospel of Thomas! (Saying # 52) on paying attention to "The Living One"; an observation by George Arnsby Jones on the need for the living "guidance of a spiritual adept"; on the role of the living Master according to Huzur Maharaj Rai Saligram in his Prem Bani Radhasoami, volume IV; a couple of recent Sant Mat Satsang Discourses of Baba Ram Singh on consistent daily spiritual practice (Simran, Dhyan, and Bhajan); a verse from the Gnostic Gospel of Mary Magdalene; a line of poetry from Darshan Singh's collection known as, Love's Last Madness; Swami Ram Bihari Lal's classic, The Way Out Is IN; and a reading describing the NDE-like (Near Death Experience or Out-Of-Body/OOBE type) meditation practice of Sant Mat according to Yogani Mataji from the book, Enchanted Land.
Spiritual Awakening Radio Podcast: The Seven Elements of Spiritual Practice - View @ YOUTUBE: 
https://youtu.be/ZUQqrrunR8Q
Spiritual Awakening Radio Podcast: The Seven Elements of Spiritual Practice - Listen, Download, Subscribe @ the Podcast Website: 
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@ Apple Podcasts:
https://podcasts.apple.com/us/podcast/spiritual-awakening-radio/id1477577384
@ Spotify:
https://open.spotify.com/show/5kqOaSDrj630h5ou65JSjE
@ Google Podcasts: 
https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5saWJzeW4uY29tLzIwNzIzNi9yc3M/episode/MTEzNzk2YjgtNTA5MC00Mjk3LWIyNmUtOTk0NTY4ZTI5ZmU4?sa=X&ved=0CB4Qz4EHahcKEwiw6PTwooj9AhUAAAAAHQAAAAAQAQ
& @ Wherever You Subscribe and Follow Podcasts (Youtube, Apple, Spotify, Google Podcasts, Amazon, Audible, Stitcher, PodBean, Overcast, Jio Saavan, i Heart Radio, Podcast Addict, Gaana, CastBox, etc...):
https://linktr.ee/SpiritualAwakeningRadio
In Divine Love (Bhakti), Light, and Sound, At the Feet of the Masters, Radhaswami,
James Bean
Spiritual Awakening Radio Podcasts
Sant Mat Satsang Podcasts
https://www.SpiritualAwakeningRadio.com
#SantMatRadhasoami #SpiritualAwakeningRadio #Podcasts #SpiritualPodcasts #Satsang #Spiritual #Spirituality #SpiritualQuotes #Meditation #Religion #Mysticism #Mystics #Gnosticism #ChristianMysticism #India #Santmat #Sant_Mat #Radha_Soami #Radhaswami #Radhasoamiji #RadhaSoami #SuratShabdYoga #Bhakti #NearDeathExperience #Sants #ScienceoftheSoul #ScienceofSpirituality #FortheLoveofGod #God #GodIsLove
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twwpress · 10 months
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Weekly Press Briefing #55: July 9th - July 15th
Welcome back to the Weekly Press Briefing, where we bring you highlights from The West Wing fandom each week, including new fics, ongoing challenges, and more! This briefing covers all things posted from July 9 - July 15, 2023! Did we miss something? Let us know; you can find our contact info at the bottom of this briefing!
Challenges/Prompts:
The following is a roundup of open challenges/prompts. Do you have a challenge or event you’d like us to promote? Be sure to get in touch with us! Contact info is at the bottom of this briefing.
We (@twwpress) recently hosted a Wheel of Destiny Drabble Challenge. Check out the AO3 collection here. 
Photos/Videos:
Here’s what was posted from July 9 - July 15. 
Allison Janney posted a photo of herself striking in support of SAG-AFTRA.
Amy Landecker posted photos of herself and Brad at the Leadership Blue Gala in Miami in support of the Florida Democratic Party. 
Amy Landecker posted a photo of her and Brad’s pets, Kiki and Izzy. 
Amy Landecker posted photos of herself and Brad in Lebec, CA, including a photo of Brad on a horse. 
Bradley Whitford posted a photo of himself on a horse.
Dule Hill posted photos of himself and his family in Marrakech, Morocco. 
Mary McCormack posted a video of Harry Dean singing and playing guitar, in memory of him on his birthday. 
Peter James Smith posted a selfie from the picket line.
Peter James Smith posted a video in support of the SAG-AFTRA strike.
Donna Moss Daily: July 9 | July 10 | July 11 | July 12 | July 13 | July 14 | July 15
Daily Josh Lyman: July 9 | July 10 | July 11 | July 12 | July 13 | July 14 | July 15
No Context BWhit: July 9 | July 10 | July 11 | July 12 | July 13 | July 14 | July 15
@twwarchive: July 9 | July 10 | July 11 | July 12 | July 13 | July 14 | July 15
Edits/Artwork:
#ABBEYANDJED: the story started when you said hello. by @livsbenson [VIDEO EDIT]
#JOSHDONNA oh no I’m falling in love (Donna and Josh’s version) by @somethingbuffy [VIDEO EDIT]
#JOSHDONNA: i can see you by @JessBakesCakes [VIDEO EDIT]
Editors’ Choice:
Sometimes you just need a little fluff to get you through the day. Here is a selection of some of our favorite fluff fics! Be sure to share yours that we may not have included!
there’s more to love than what we’re making by sam_writes_fics for swancharmings | Rated T | Josh Lyman/Donna Moss | Complete | Josh moves to roll over, but Donna just holds on to him tighter.
“No, don’t move,” she tells him, splaying her hand across his chest. “Sorry, I didn’t mean to wake you.”
/ / little spoon josh lyman
 all i gotta do is say your sweet name by hufflepuffhermione for mikaylawrites | Rated M | Josh Lyman/Donna Moss | Complete | "You’re not going to come out and hear me speak?”
Josh kisses her cheek. “We’ll be waiting in the wings, and then I’m taking you home.”
“Home?”
“Well, to the hotel here. We have two rooms…” he says, wiggling an eyebrow.
.
October 2022. While surprising Donna on the campaign trail, Josh reads an article and finds a new word to describe his wife.
 all’s well that ends well to end up with you by Luppiters |  Rated G | Danny Concannon/C. J. Cregg | Complete | C.J. and Danny find a moment of quiet in a hectic day and reflect about how they got to where they are.
 this night is sparkling (don’t you let it go) by singingaboutwishing for crystallineirises | Rated G | C. J. Cregg/Kate Harper | Complete | CJ and Kate, post-"The Wedding".
Ikea by gutsandglitter | Not Rated | Danny Concannon/C. J. Cregg | Complete | Danny takes CJ to Ikea for the first time. 
Distracted by VarjoRuusu | Rated G | Josh Lyman/Sam Seaborn | Complete | The recent addition of Sam's reading glasses is distracting. Very distracting. One late night Josh get's caught being distracted by Sam's glasses while Sam is trying to read the budget memo.
 a thrill to rest my cheek to by thefinestmuffins | Rated T | Josh Lyman/Donna Moss | Complete | “Then we have to tell CJ.” And, already in motion, Josh grabbed her hand and attempted to take it with him.
“Now?” Donna’s brain scrambled to catch up with her body, and her heart was still fluttering with all the words, and the dancing, and most especially the kissing. “Is CJ even still here?”
//Or: after a fairy tale evening, our favorite idiots in love enlist the help of their friend the press secretary, who just so happens to be... completely wasted. 😅
Fics:
Presenting your weekly roundup of fics posted in the tag for The West Wing on Archive of Our Own.
Josh/Donna
Errors and Omissions by Chinesepapercut | Rated M | Josh Lyman/Donna Moss | In Progress
Exile by MatthewsMary | Rated E | Josh Lyman/Donna Moss | Complete
i hate accidents (except when we went from friends to this) by JessBakesCakes | Rated T | Josh Lyman/Donna Moss | Complete
Domestic Days by spooky_spacegirl | Rated G | Josh Lyman/Donna Moss | In Progress
Wonderful in a Loathsome sort of Way by JayeReid1 | Rated T | Josh Lyman/Donna Moss | In Progress
all roads lead to rome by thefinestmuffins | Rated T | Josh Lyman/Donna Moss | Complete
Hawaii by JessARober1501 | Rated G | Josh Lyman/Donna Moss | Complete
CJ/Danny
hope you couldn’t see what i was thinkin’ of by Luppiters | Rated G | Danny Concannon/C. J. Cregg | Complete
Eight Years by miabicicletta | Rated G | Danny Concannon/C. J. Cregg | Complete
just wrong enough to make it feel right by Luppiters | Rated G | Danny Concannon/C. J. Cregg | Complete
12 Months by Jxjxjx |  Rated G | Danny Concannon/C. J. Cregg | In Progress
our secret moments (in a crowded room) by onekisstotakewithme for, miabicicletta, Luppiters, daylight_angel | Rated T | Danny Concannon/C. J. Cregg | Complete
Abbey/Jed
That’s What Friends Are For by mlea7675 | Rated G |  Abbey Bartlet/Jed Bartlet | In Progress
Wait For Me by imperfectirises | Rated M | Abbey Bartlet/Jed Bartlet | In Progress
Which Plantagenet Do I Most Remind You Of? by GlitteringNiffler | Rated G | Abbey Bartlet/Jed Bartlet | Complete
Always and forever yours by Labda | Rated G | Abbey Bartlet/Jed Bartlet | Complete
 Other Pairings/Gen Fic
Running Scared by bklynleo77 | Rated M | C.J. Cregg/John Hoynes | Complete
Stranger than years before by Not_the_ghost | Rated G | Sam Seaborn (No Pairings Listed) | Complete
Maybe the moment’s right (the moment’s right) by Worldsofdreamers | Rated T | Josh Lyman/Sam Seaborn | Complete
Do you think I forgot about you? by Worldsofdreamers | Rated M | C. J. Cregg/Toby Ziegler | Complete
The Language of Tomorrow by silasfinch for justdreaming88 | Rated T | Ellie Bartlet/Original Female Character(s) | In Progress
What, you are saying a Southern Republican can’t be gay! by Serene_Ms_S | Ainsley Hayes/Donna Moss | Complete
it started off with a kiss... now it ended up like this by imawkwardlysoc | Rated G | Sam Seaborn/Original Female Character | In Progress
 Multiple Pairings
Paradise City by casliyn | Rated E | Josh Lyman/Donna Moss, Josh Lyman & Donna Moss, Amy Gardner/Josh Lyman | In Progress
she was the type of girl the great poets would’ve written about. by katereadsandwrites | Rated G | Josh Lyman/Donna Moss, Ainsley Hayes/Sam Seaborn | Complete
like a kennedy when camelot went down in flames by MarvelousAvengfulSlytherin | Rated T | Josh Lyman/Donna Moss, Joey Lucas/Sam Seaborn | In Progress
THE WEEKLY PRESS BRIEFING TEAM CAN BE REACHED VIA THE FOLLOWING METHODS:
Twitter: @TWWPress
Feel free to let us know if we missed something, if you have an event you’d like us to promote, or if you have an item that you’d like included in the next briefing!
 xx, What’s next?
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conarcoin · 2 years
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to me c!connor was intended by the universe to be this mary sue crazy powerful main character-type guy: he’s got op time travel/fourth wall breaking abilities, has connections/is related to some of the most important other characters, always just happens to be at the right place whenever a major event is going down, etc
But instead of fulfilling some great cosmic destiny connor just decided that nah he’s just gonna chill and hang out, that’s much more his style anyways.
real
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the-hipster-nugget · 2 years
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Sorry i just have a need to mesh my hyperfixations together. “Mary” by PhemieC is C!Philza coded please LISTEN
“I’m meddling with murderers who still deserve to pay for their insanity
And though I’m one of them, I’m rarest of my kind, for many fell but only I arose
It’s been so long since I’ve seen the sun, who’s to say if the colours have faded?
Locked away so long, now jaded, left only to decay
And failure on my part to intercede has now ironically
Or cosmically, like poetry, come in between our destiny
And us but now there’s nothing left and nobody to meddle with
To try and make it better, it’s unsettling, to mother nothing
Mightn’t I have seen this coming on the horizon?
Storms of green and orange, this world of monsters taking form
But no, it is my place to simply fade away like wind
Like someone else that I could name that shouldn’t have been born.”
THOUGHTS. LISTEN TO IT AND HEAR ME OUT
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annarellix · 1 year
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The Cleaving by Juliet E McKenna
The Cleaving is an Arthurian retelling that follows the tangled stories of four women: Nimue, Ygraine, Morgana, and Guinevere, as they fight to control their own destinies amid the wars and rivalries that will determine the destiny of Britain.
The legendary epics of King Arthur and Camelot don’t tell the whole story. Chroniclers say Arthur’s mother Ygraine married the man that killed her husband. They say that Arthur's half-sister Morgana turned to dark magic to defy him and Merlin. They say that the enchantress Nimue challenged Merlin and used her magic to outwit him. And that Arthur’s marriage to Guinevere ended in adultery, rebellion and bloodshed. So why did these women chose such dangerous paths? As warfare and rivalries constantly challenge the king, Arthur and Merlin believe these women are destined to serve Camelot by doing as they are told. But men forget that women talk. Ygraine, Nimue, Morgana and Guinevere become friends and allies while the decisions that shape their lives are taken out of their hands. This is their untold story. Now these women have a voice.
Book page: https://angryrobotbooks.com/books/the-cleaving-juliet-mckenna-arthurian-retelling/
My Review: I’m a sucker for everything related to the Arthurian cycle or Matter of Britain: from Geoffrey of Monmouth to Wolfram von Eschenbach, from Thomas Malory to Chrétien de Troyes. A love that was born after reading The Once and Future King by T.H. White and The Merlin Chronicles by Mary Stewart. Like many of my generation I read the first feminist retelling and love it: The Mists of Avalon. It was so successful that also became a sort of sacred text for some people. My last love was By Force Alone by Lavie Tidhar Even if the Matter of Britain is often seen as knights-battles-magic the women plays a relevant role: from Guinevere to Nimue, from Ygraine to Morgause, from Viviane the Dame of the Lake to Iseult. These women play a relevant role in the saga but they’re often the seductress or the villain. The Cleaving was the right book for me and I was very curious about it as the story was told by the POV of these women. I enjoyed the story and I found it quite riveting as I was immersed in a realistic world where some people can use magic and the women are subject to power plays but they’re also strong and clever and they can play their own power games. I loved these women and I was happy to read a different version of Nimue: not the treacherous pupil who seduced and imprisoned Merlin but a woman with magical power who plays in a fair way. Merlin is a sort of villain, a magical being who will not stop to achieve what he saw in the future. I would have liked to know more about Nimue and Merlin and the lore of their people. I have different theories but it would be great to know if they’re sort of fey or druids or what else. The author did a good job in delivering a compelling and fascinating story, it kept me hooked and turning pages. I suffered from book hangover as it usually happens when I read a good book and have to be back in the XXI century. Many thanks to Angry Robots for this digital copy, all opinions are mine.
The Author: Juliet E. McKenna is the author of 15 epic fantasy novels set in the world of Einarinn,  as well as several novellas and countless short stories ranging from SF to steampunk and alternate history. Her contemporary fantasy Green Man novels, published by indie Wizard’s Tower Press, have sold over 28,000 copies since 2018. She has been a judge for the World Fantasy Awards, the Arthur C. Clarke Award, the James White Award and the Aeon Award, and has, herself, been shortlisted for the British Fantasy Award and the BSFA Award for Best Novel. In 2015 she was awarded the Karl Edward Wagner Award for special achievement by the British Fantasy Society.  She is a regular at science fiction conventions, and is a 3rd Dan Aikido black belt.
Website: www.julietemckenna.com Twitter: @JulietEMcKenna https://angryrobotbooks.com/our-authors/juliet-e-mckenna/
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willowstea · 1 year
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23 books I want to read in 2023
Tagged by @peregrination-studies
Thanks for the tag! My main goal is to continue chipping away at my TBR and to finish off some series.
In no particular order these are the ones i really hope i get to:
Loud Mouse by Idina Menzel and Cara Mentzel
The Bone Queen by Alison Croggon
Reread: Graceling by Kristin Cahsore
Reread: Obernewtyn by Isobelle Carmody
The Eye of the World by Robert Jordan
A Winter's Tale by Mark Helprim
They Both Die at the End by Adam Silvera
Destiny: Child of Sky by Elizabeth Haydon
The Merchant Emporer by Elizabeth Haydon
The Hollow Queen by Elizabeth Haydon
The Weavers Lament by Elizabeth Haydon
Reread (ish, want to read the new published edition, not to og ebook): Morrighan by Mary E. Pearson
Seasparrow by Kristin Cashore
In the Sperpents Wake by Rachel Hartman
The Secret of the Delvers by Bruce Coville
The Invasion of Luster by Bruce Coville
The Falconer by Elizabeth May
The Guinevere Deception by Kiersten White
The Sleeper and the Spindle by Neil Gaimon
Girl of Fire and Thorns by Rae Carson
Prince of Val-Feyridge by Helen C. Johannes
The Winners Kiss by Mary Rutowski
The Dragon republic by R. F. Kuang
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autistic-rogue · 2 years
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For the new X-Men series I have 3 new request
A) for mystique to have her white dress with skull on it. As much as I love the old movie have her plain naked, I think the dress is badass. Don't forget the high knee boots
B) I need for mystique and destiny to have a relationship and kiss and that stuff, I understand that marvel have always been iffy about superhero/villains being married. So just let them be gf at least
C) to have Kurt and Anna Marie as her children. I love 🤩 the dynamic and I need more they missed out big time I'm original films x1 to adopt rogue.
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monkeyjaw · 1 year
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The Year in Books and Graphic Novels 2022 and an analysis of 20 years of books and comics
January
1.      Temple Alley Summer – Kashiwaba Sachiko, illustrated by Miho Satake, translated by Avery Fischer Udagawa
2.      Dreams From My Father – Barack Obama, audiobook read by the author
3.      X-Men Grand Design Vol. 1 – Ed Piskor
4.      Vera Kelly Is Not a Mystery – Rosalie Knecht
5.      All Thirteen: The Incredible Cave Rescue of the Thai Boys' Soccer Team – Christina Soontornvat, illustrations by Karen Minot
6.      X-Men Grand Design Volume 2: Second Genesis – Ed Piskor
7.      Year of the Rabbit – Tian Veasna
February
1.      Deadly Class Volume 1: 1987 Reagan Youth – Chris Remender, Wes Craig
2.      The Eye of the World – Robert Jordan
3.      Pattern Master – Octavia E. Butler
4.      X-Men Grand Design Volume 3: X-Tinction – Ed Piskor
5.      The Confidence Men: How Two Prisoners of War Engineered the Most Remarkable Escape in History – Margalit Fox
6.      Deadly Class Volume 2: 1988 Kids of the Black Hole – Rick Remender, Wes Craig
March
1.      Once and Future Volume 1: The King is Undead – Kieron Gillen, Dan Mora
2.      Once and Future Volume 2: Old English – Kieron Gillen, Dan Mora
3.      Dragon Hoops – Gene Luen Yang
4.      Ringworld – Larry Niven
5.      Once and Future Volume 3: A Parliament of Magpies – Kieron Gillen, Dan Mora
6.      Princess Jellyfish Volume 8 – Akiko Higashimura
7.      Princess Jellyfish Volume 9 – Akiko Higashimura
8.      The Sheepfarmer’s Daughter – Elizabeth Moon
April
1.      Planetes Volume 1 – Makoto Yurimura
2.      The Library of the Unwritten – A.J. Hackwith
3.      Doom Patrol Volume 1: Crawling From the Wreckage – Grant Morrison, Richard Case
4.      ODY-C Volume 1: Off To Far Ithacaa – Matt Fraction, Christian Ward
5.      Conan of Cimmeria – Robert E Howard, Sprague de Camp, Lin Carter
6.      Doom Patrol Volume 2: The Painting That Ate Paris – Grant Morrison, Richard Case, John Nyberg
7.      Doom Patrol Volume 3: Down Paradise Way – Grant Morrison, Richard Case
May
1.      Doom Patrol Volume 4: Musclebound – Grant Morrison, Richard Case, Kelley Jones, Mark McKenna, John Nyberg
2.      Eragon – Christopher Paolini
3.      The Promised Neverland Vol 1 – Kaiu Shirai, Posaku Demizu
4.      Deadly Class Volume 3: 1988 Snake Pit – Rick Remender, Wes Craig
5.      Once and Future Volume 4: Monarchies in the U.K. – Kieron Gillen, Dan Mora
6.      The Dark is Rising – Susan Cooper
7.      The Forest – Thomas Ott
8.      The Left Hand of Darkness – Ursula K LeGuin
June
1.      Deadly Class Volume 4: 1988 Die For Me – Rick Remender, Wes Craig
2.      Arthurian Legends – Wace and Layamon
3.      Dune – Frank Herbert
4.      The Left Hand of Darkness – Ursula K LeGuin
5.      The Lost Years of Merlin – T.A. Barron
July
1.      The Secret To Super-Human Strength – Alison Bechdel
2.      The Promised Neverland Volume 2 – Kaiu Shirai, Posaku Demizu
3.      The New World – Ales Kot, Tradd Moore
4.      Super Sentai Himitsu Sentai Gorenger – Shotaro Ishinomori
5.      Spider-Gwen Volume 0: Most Wanted? – Jason Latour, Robbi Rodriguez
6.      The Deed of Paksenarrion: Divided Allegiance – Elizabeth Moon
7.      Ultimate Miles Morales Spider-Man Volume 1 – Brian Michael Bendis, Sara Pichelli, Chris Samnee
8.      Giant Days Volume 1 – John Allison, Lisa Treimann
9.      Giant Days Volume 2 – John Allison, Lisa Treimann, Max Sarin
August
1.      Lockwood & Co. Volume 1: The Screaming Staircase – Jonathan Stroud
2.      Ultimate Miles Morales Spider-Man Volume 2 – Brian Michael Bendis, David Marquez, et al
3.      Ultimate Miles Morales Spider-Man Volume 3 – Brian Michael Bendis, David Marquez, et al
4.      The Wheel of Time Book 2: The Great Hunt – Robert Jordan
5.      Howl’s Moving Castle – Diana Wynne Jones
6.      A Study in Scarlet – Arthur Conan Doyle
7.      French Medieval Romances from the Lais of Marie of France – Translated by Eugene Mason
September
1.      Pyongyang – Guy Delisle
2.      Destiny: A Chronicle of Deaths Foretold – Alisa Kwitney, Kent Williams, et al
3.      The Dead of Paksenarrion: Oath of Gold – Elizabeth Moon
4.      Brave Chef Brianna – Sam Sykes, Selina Espiritu
5.      Fledgling – Octavia E. Butler
6.      At Death’s Door – Jill Thompson
October
1.      We – Yevgeny Zamyatin, read by Toby Jones
2.      The Witch Boy – Molly Knox Ostertag
3.      20th Century Boys Vol. 7: The Truth  – Naoki Urasawa
4.      20th Century Boys Vol. 8: – Naoki Urasawa
5.      Isaac the Pirate Vol. 1: To Exotic Lands – Christophe Blaine
6.      Dungeon Zenith: Volume 4: Outside the Ramparts – Joann Sfar, Lewis Trondheim, Boulet
7.      The Wheel of Time Book 3: The Dragon Reborn – Robert Jordan
8.      20th Century Boys Volume 9: Rabbit Nabokov – Naoki Urasawa
9.      The Haunting of Hill House – Shirley Jackson
10.  Isaac the Pirate Volume 2: The Capital – Christophe Blaine
11.  20th Century Boys Volume 10: The Faceless Boy - Naoki Urasawa
November
1.      Gotham Central Book 1: In the Line of Duty – Ed Brubaker, Greg Rucka
2.      Komi Can’t Communicate Vol. 1 – Tomohito Oda
3.      The Promised Neverland Volume 3 – Kaiu Shirai, Posuka Demizu
4.      Sleepless Volume 1 – Sarah Vaughn, Leila Del Duch
5.      R.U.R. – Karel Capek, translated by David Wyllie
6.      20th Century Boys Volume 11: List of Ingredients – Naoki Urasawa
7.      20th Century Boys Volume 12: Friend’s Face – Naoki Urasawa
8.      20th Century Boys Volume 13: Beginning of the End – Naoki Urasawa
9.      20th Century Boys Volume 14: The Boy and the Dream – Naoki Urasawa
10.  The Sandman Volume 1: Preludes and Nocturnes – Neil Gaiman, Mike Dringenberg, Sam Ketih, Malcolm Jones III
11.  Dodger – Terry Pratchett
12.  The Promised Neverland Volume 4 – Kaiu Shirai, Posuka Demizu
13.  20th Century Boys Volume 15: Expo Hurray – Naoki Urasawa
14.  20th Century Boys Volume 16: Beyond the Looking Glass – Naoki Urasawa
15.  20th Century Boys Volume 17: Cross-Counter – Naoki Urasawa
16.  20th Century Boys Volume 18: Everybody’s Song – Naoki Urasawa
17.  20th Century Boys Volume 19: The Man Who Came Back – Naoki Urasawa
18.  20th Century Boys Volume 20: Humanity in the Balance – Naoki Urasawa
19.  Thursday Next book 2: Lost in a Good Book – Jasper Fforde
20.  20th Century Boys Volume 21: Arrival of the Space Aliens – Naoki Urasawa
21.  20th Century Boys Volume 22: The Beginning of Justice
22.  The Promised Neverland Volume 5 – Kaiu Shira, Posuka Demizu
December
1.      Thrawn Ascension: Book 1: Chaos Rising – Timothy Zahn
2.      Crucial Conversations: Tools for talking when stakes are high - Kerry Patterson,
 Joseph Grenny, Ron McMillan, Al Switzler
3.      Sandman Volume 2: The Doll’s House – Neil Gaiman, Mike Dringenberg, Malcolm Jones III
4.      My Favorite Thing Is Monsters – Emil Ferris
5.      Please Don’t Step On My JNCO Jeans – Noah Van Sciver
6.      The Sandman Volume 3: Dream Country – Neil Gaiman, Kelley Jones, Malcolm Jones III, Charles Vess
7.      Winterfair Gifts – Lois McMaster Bujold
8.      Sandman Book 4: Season of Mists – Neil Gaiman, Matt Wagner, George Pratt, Dick Giordano, Kelley Jones, P. Craig Russell
9.      Sandman Book 5: A Game of You – Neil Gaiman, Sean McManus, Bryan Talbot, Colleen Doran
 105 books and graphic novels in 2022! 34 novels (and 1 novella) and 70/71 graphic novels. I read one book twice for a book club. That’s 13 more than I read last year.
Now for totals from 2002 to 2022.
Totals:
2002 20
2003 86 – 7.16/month
2004 9
2005 84 – 7/month
2006 79 – 6.58/month
2007 58 – 4.83/month
2008 49 – 4.083/month
2009 51 – 4.25
2010 72 - 6
2011 60 - 5
2012 80 – 6.66
2013 50 – 4.16
2014 144 - 12
2015 92 – 7.66
2016 151 – 12.58
2017 138 – 11.5
2018 116 – 9.66
2019 96 - 8
2020 102 – 8.5
2021 92 – 7.66
2022 105 – 8.75
 Including the years that I have incomplete data for (2002 and 2004 I only have 3 months of data), I read 1734 books and graphic novels from 2002 to 2022, 86.7 per year. If we leave off 2002, and 2004, I read 85.25 per year and an average of 7.89 books per month. I’ll post the graphic novels and regular books break down shortly. 
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