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#comic spiderman layouts

strawberrysnipes · 2 months

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SPIDER-MAN DISCORD LAYOUTS !!

prize 1 of 3 for @lisbunnie-edits

please dont use unless prize winner! likes/rbs still appreciated

#spider man #spiderman #spider-man #peter parker #the amazing spider man #marvel #marvel comics #discord layouts #EDIT I FUCKED UP ONE OF THE BANNERS its fixed now

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naevyyz · 3 months

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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀🕸️ ⠀⠀⠀⠀⠀⠀· ⠀⠀⠀⠀⠀⠀⠀

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀★

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ephemic · 1 year

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Oi, poderia fazer icons do Homem-Aranha versão comic? Agradeceria! <3

#spiderman #icons #icons 120x120 #120x120 #spirit icons #peter parker #spiderman icons #spiderman comics #spiderman hq #spiderman layouts #comics icons

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screwballed · 1 year

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tried doing some coloring on screwball from the spiderman manga!

using for icons, etc is allowed

#can you guys love her #screwball #spiderman #marvel #marvel comics #marvel icons #comic books #marvel screwball #spider-man #marvel layouts

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catholic-character-tournament · 10 months

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Round 3 - Catholic Character Tournament

Propaganda below ⬇️

Pope Pinion IV (Cars)

HELLO. IT IS I. THE GREAT AND ALMIGHTY ITALIAN TOURNEY. PLEASEPLEASE PUT HIM IN THERE WAS SO MUCH POPE DISCOURSE ON MY ACC AND HE WAS SOLOED IN THE FIRST ROUND BY LUIGI😭😭😭💔💔💔💔💔💔💔💔 PLEASE AVENGE HIMMMM

The existence of Catholicism in the Cars universe implies that there was (or at least there was believed to be) a car Jesus who died for the cars’ sins, and I for one would like to see how a car gets crucified or sins. I guess the blood/wine here would be gasoline, but what would the body/bread be? How did they sit at the last supper? What is the layout of car church? How does a car build a church? Do other human religions exist in the cars universe? How does a goddess with the body of a human and the head of a cat translate to a car? Do Buddhist cars rein-car-nate? Do cars have souls?

he lost the italian character tournament, he will win here

Eddie (tw mentions of suicide)

He meets Venom (the alien goo parasite that inhabits his body) in a church. Eddie is depressed and about to end his life and just before he does it goes to church and prays to God to forgive him because suicide is… y’know, a sin. Anyway Venom possesses him and saves his life and they have a crazy relationship/love story and the stained glass window in that church becomes important symbolism for them <3 He is the most catholic man ever

Admittedly, most of Eddie's insanity has little to do with Catholicism, he's just a deranged weirdo (affectionate) but he was suicidal once and went to a church to ask forgiveness before killing himself. That's where he met the symbiote and their relationship has parallels to both marriage and religion.

Listen listen he is the epitome of Catholic trauma. He’s got the angst. The repression. The je ne sais quoi. His whole story is basically very dependant on churches if that makes any sense. Like he tried to kill himself in a church and that’s when he bonded with the symbiote. They stopped a symbiote invasion by fu̶c̶k̶i̶n̶g̶ crying out in agony in a church. EDDIE AND VENOM GOT MARRIED IN CANON IN THE CHURCH WHERE THEY MET. He also has so many breakdowns in churches and we love that for him.

He meets Venom in a church and has a lot of religious moments connected to Venom. They also sort of get married in the church they met at? It's gay. Eddie is catholic and in a committed relationship with an alien and it's gay.

(Cw suicide mention) He's canonically Catholic and has such a funky (read: kinda fucked up) relationship with it. When his life fell apart he went to a church to pray for forgiveness for the sin of committing suicide and to ask God to kill spiderman i think but then before he could actually do anything an alien came down and connected with him (in a gay way) and he was like "are you an angel". Also his sense of morality is totally fucked, its like "if you've done something bad once you deserve to die" and I like to think that's related to the specific brand of Catholicism

killed a cop in church (amazing spider-man 1963 comic, issue 300), had a homoerotic rebonding moment with his symbiote in church (venom: planet of the symbiotes comic), asked jesus to carry out a hit on former coworker peter parker (spider-man 3 movie)

Propaganda for Eddie Brock. The most Catholic guy ever.

#cct polls #tumblr tournament #tumblr bracket #tumblr polls #cars #pope pinion iv #pixar #pixar cars #eddie brock #venom #spider man #spider man 3 #marvel #r3 #polls

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rockybloo · 9 months

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One plot aspect of Across the Spiderverse is the canon event, and that common story elements "can't change".

What were your thoughts on that, especially in relation to Beanstalked, which has a similar conflict with Jack and Nana wanting to be together despite that not being the path the Book chose for them, or is the Book different from canon events due to the endings being altered and needing to be restored?

OOOOOOO this is a really good question! This is def gonna be a long one with some Spiderverse spoilers so I'mma put everything under the cut

I honestly love stories where the main conflict is rebelling against the story or role someone has been assigned or at least flipping things on it's head and upsetting the status quo.

It's one reason why I really enjoy Shrek and Cats Don't Dance since, while both handle different topics, they both are still about a rebel rejecting the rules laid out for them by society to achieve their own happiness.

It's why I greatly enjoyed Across the Spiderverse since Miles is basically rejecting the story people are forcing on him for being Spiderman.

In relation to Beanstalked, it's hella fun to work on for me since fairy tales are such a universal thing. So it's really easy for many people to understand when a fairy tale retelling is sticking close to the original versions we're familiar with and when it's going off script.

I'd say on some level, comic book heroes are some modernized version of fairy tales since many are aware of the heroes and their origins and they all have various retellings. Of course, there's a whole lot of differences between the two like the fact one is in public domain and the other is super copyrighted BUT there's that universalness in both. So we all understand what's different about Miles compared to other Spidermen just like most are aware of what's different about Jack and Nana from other beanstalk Jacks and red riding hoods.

When it comes to the comparison of the Storybook and canon events, a canon event (as I understand it) is what is necessary for a Spiderman to remain on what is basically their story path. And the Storybook is basically a layout of a Bookmarked's entire life which includes multiple key events that they go through to keep them on track to that happy ending.

I'm not sure Spidermen really have a happy ending destined to them, as Miguel made it very obvious that being a Spiderman isn't a very happy thing, but there's the shared theme of "This is the script and you need to stick to it because this is what the universe has deemed you to be. Even if you did not choose to be this, we have decided this is how you have to live your life regardless."

Nevermore and Miguel are def polar opposites in terms of what they want though (and in like…everything else) as Nevermore does all she can to keep people from living on the storybook paths assigned to them and Miguel is doing all he can to make sure every Spiderman sticks to their canon events.

I'd say that Bookmarked have it easier than Spidermen because there are multiple different mini paths on a storybook path so there can be a wider variety of choices that can be taken so things aren't as strict for them. But Bookmarked are very much not meant to be interacting with eachother mid story. Once a story reaches its end, then it's a bit different but often, a Bookmarked story path tends to be an isolated one. In the rare occurance a Bookmarked crosses paths with another Bookmarked during their story progression, it's never quite on the same level as Jack and Nana where it's literally them falling in love with each other as that is a BIG story disrupter.

This is because sometimes, a Bookmarked is already on the path of romance for someone else they are destined to be with in story. So if they stray off the course and find someone else OUT of story , especially someone from a completely different one…it's a bit difficult for the Storybook to reroute the path. Whether or not that's the case with Jack and Nana, y'all are just gonna have to wait and see. HOWEVER-they are very much in the category of Bookmarked who are potentially never meant to cross paths in general.

There are some negative side effects for a Bookmarked not achieving their Happy Ending (not to be mistaken for a story book path as that's just the journey TO a Happy Ending) but that's when we're beginning to enter spoiler territory. It's definitely not as bad as "YOUR WORLD IS CAVING IN ON ITSELF AND DECAYING BEFORE YOUR VERY EYES" like Across the Spiderverse but still. There are negative side effects that no one save for Nevermore and the Gods are super aware of which is why Luna practically busts into Jack's life in chapter one and practically forces his story to start.

#ask: beanstalked #ask: jack #ask: nana #ask: red beans #ask #very fun question to answer

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charlizekkelly · 2 years

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bikes & blood; chapter IX

{poly!lost boys x oc}

word count: 2263 rating: explicit chapter warnings: mentions of death, dead bodies (again, I'm sorry if the warnings are shitty but this fic IS DARK!!) bikes & blood masterlist

tag list(feel free to leave a comment if you want to be added to the list <3) : @henhouse-horrors @dickspaghettii

" '𝐌𝐮𝐫𝐝𝐞𝐫 𝐂𝐚𝐩𝐢𝐭𝐚𝐥 𝐨𝐟 𝐭𝐡𝐞 𝐖𝐨𝐫𝐥𝐝' 𝐫𝐢𝐧𝐠𝐢𝐧𝐠 𝐭𝐫𝐮𝐞 𝐭𝐨 𝐢𝐭𝐬 𝐧𝐚𝐦𝐞."

---

Puddles of water dotted the boardwalk, alcoves and drain pipes drying beneath the beaming rays of the sun—a stark but welcomed change from the previous day's dreary weather. Curiosity and intrigue had driven Amara down to the boardwalk during the normal waking hours of the day and for a moment, she worried that her black vans, khaki-green plaid pants and black t-shirt would be out of place amongst the patrons of Santa Carla.

That worry fled her chest the moment Amara stepped upon the wooden planks of the boardwalk. Her curls tied into a high half-up, half-down ponytail with a few pieces of hair left down to frame her face; the hairstyle intended to keep most of Amara's waist-length hair in check. Smoke hung around the boardwalk, clogging her nose with a stench so unsettling that it gnawed at her senses with malice.

Unease drifted across Amara's skin, her mind churning as it tried to place the foreign smell that filled the air. Her nose screwed up with displeasure the further Amara walked into the bustling boardwalk, tourists and locals alike enjoying the warm summer's day—the summer storm of yesterday nowhere to be seen. Children's screams and people's laughter wove together with the cheerful and yet haughty sounds of the boardwalk, light and dark crossing paths without so much as a thought.

Amara paused in her observations of the sunlit boardwalk, head lifting to peer up at the neon sign of the comic book store as she weighed up her options. Laddie came to mind as Amara nibbled on the flesh of her bottom lip. The brown-haired boy's smile filling her mind as Amara's feet led her into the store. The U-shaped layout to the store hadn't changed, its tiered tables lined with comics in neat rows, comics pegged to the wire above the sage-green tables.

Amara's eyes darted from comic book to comic book, racking her mind for the comic book Laddie had been looking for back in Phoenix. Half of Amara was sure it was a Marvel comic, while the other didn't have the faintest clue to what she was looking for. The latter reigning supreme as Amara browsed the extensive collection of comics, fingertips ghosting across the glossy covers.

Eyes seared into the back of her head as Amara's fingers ghosted over the cover of a Spiderman comic, the edition of which was lost on her mind. Amara turned her head slowly towards the front of the store. The mousy-brown haired twin's eyes locked upon her as Amara turned to face the duo. An eyebrow arching in an unspoken question, imploring the two to quit their lurking and speak whatever was on their minds.

The taller twin wore a set of camouflage pants, combat boots, and a black t-shirt. His arms folded across his chest as his hazel-brown eyes scrutinised Amara from his place beside the front counter. The shorter twin by a few inches leant against the counter lazily, his dark-washed jeans, jasper-grey shirt and boots oddly fit within the comic store's aesthetic. And much like his brother, his dirt-brown eyes analysed Amara like one would analyse a science project.

The hazel-eyed twin spared his brother a glance as he made his way over to where Amara stood beside the collection of Spiderman comics. His brows furrowed as he stopped in front of Amara, eyes searching her face as though he knew who Amara was, but wasn't entirely sure himself. Amara's lips twitched as she fought the urge to smile.

The boy in front of her had grown since the last time she'd seen him all those years ago and yet, Amara knew exactly which twin stood in front of her as she spoke. "Alexander."

A crease marred Alexander's face as he racked his brain for the recognition within the depths of his eyes. A breath of annoyance spilled from his lips, a pleading look thrown over his shoulder to his brother before he turned back to face Amara. The grin across her face impossible to hide as Amara enjoyed how he fidgeted uneasily beneath her gaze.

"You're Amara. Sam Emerson's niece, right?" The shorter, dirt-brown eyed twin, Tobias, questioned as he strode to his brother's side.

"And you're Edgar Frog's sons, right?"

The two shared a look before Alexander nodded his head in confirmation. The Cheshire-like grin etched so firmly into Amara's face that her cheeks had begun to ache, brown irises dancing with regalement. Memories of the trio wreaking havoc on the boardwalk as kids filled her mind—a trio Amara's uncle had regretted bringing together the moment he realised how much trouble they were together.

Tobias's gaze was drawn to the comics Amara had been browsing through, a curious gleam to his eyes, brows lifting as a smile played at the corners of his mouth. "Looking for something in particular?"

Amara pursed her lips, bristling with annoyance at her mind's failed attempts at recalling the name of the comic Laddie never shut up about. "I would be if I could remember the comic's damn name."

Alexander chuckled at Amara's expense. Amused by her frustration—the notion reminding him of how easily Amara grew annoyed when she couldn't find them in a game of hide and seek as kids. Alexander leant over her shoulder and plucked a turquoise-blue comic from atop the tiered table, extending the glossy book towards her so that Amara could see the startling-red title. 'Vampires Everywhere' was scrawled across the cover in a grotesque font. A depiction of vampires tearing people to pieces, bats and a cloaked man clutching a bloody stake in his hand spread across the cover.

Amara arched an unimpressed brow, eyeing the two like they'd both just grown another head. "Laddie doesn't read horror comics."

"Take it, Amara. It's only a comic." Tobias urged, a taunting smirk across his face as he dared Amara to take the comic from his brother.

"Give it a read and if you don't think Laddie will like it, bring it back tomorrow," Alexander said, waving the comic in a way that showcased his need for her to take it from his outstretched hand.

Amara sighed with feigned annoyance, taking the comic from the hazel-eyed twin and flicking through the glossy pages with surface-deep interest. "Happy now?"

Tobias grinned. "Extremely. Time to go now, Amara." He said, ushering her out of the store with a playful salute before the mousy-brown haired twins disappeared back into the renovated comic book store.

Amara stared at the open doorway of the store; lips parted in shock as people brushed past her stunned form—the more disgruntled boardwalk-goers throwing displeased sneers her way. Amara blinked several times, huffing with annoyance as she clutched the turquoise-green comic closer to her chest and began weaving her way through the packed boardwalk. The warm rays from the sun cast shadows across the wooden planks as children and adults alike delighted in the boardwalk; a blissful smile spreading across her face as Amara made her way to her bike.

Amara's gaze strayed from the faded-red Honda long enough to glimpse the blackened remains of a car across the lot. Curiosity brimmed within her gut as Amara meandered across the bitumen. That same horrid stench filling her nose the closer Amara got to the burnt car. Blood stained the stones of the bitumen a sickening faded red, a small puddle beside the front door as Amara mustered up the courage to peer through the shattered windows.

A disfigured scream tore from her throat as her gaze landed on the charred and blackened outline of a body. Her steps hurried and rushed as Amara turned away from the burnt car, pressing her hand firmly against her mouth with wide and panic-filled eyes. Amara staggered away from the blackened remains of the car, crossing the car park and starting her bike—horror filling her stomach as Amara tore off and out of the car park with a churning stomach.

The crimson-red letters painted on the back of Santa Carla's welcome sign thrown to the forefront of her mind.

'Murder Capital of the World' ringing true to its name.

***

Stars painted the sky, peeking through the gap between the wall and the window where the curtains didn't reach. The soft sheets of Amara's bed wrapped around her snugly, as though it'd rid her mind of the charred and rancid body. Amara's stomach churned with unease at the mere thought, shaking her head as though it'd be enough to rid her mind of the body within the back of the car.

Her father's worried voice still echoed in her head even now. His slate-grey eyes had looked Amara over frantically, worry leeching into his irises as he'd asked her what was wrong. Amara had only managed a shaky breath of air, eyes brimming with unshed tears as her gaze darted around the room in search of some way to explain her hysteria.

She had swallowed thickly, wringing her hands anxiously in front of herself as she'd spoken; telling her father what she'd seen down at the boardwalk in a rush. He'd stared at Amara in shock, unblinking, before he abruptly snapped himself out of his daze and rushed into the kitchen. The police had arrived half an hour later and asked a series of questions about the body within the car before they left with soft mutters of parting.

Amara's father had watched her leave the kitchen, eyes wanting to say more, but his mind urging him to let it go. He'd given Amara space over the hours that'd passed, only coming into her room to bring her food that she'd half-heartedly eaten. Since then, Amara had stayed within the safety of her room—engrossing herself within the pages of Inkheart.

The bedside lamp was the only source of light within the darkness of Amara's room. Inkheart laid face down on her bedside table as Amara grew enthralled by the turquoise-blue comic. She mentally thanked the two twins that'd urged her to take the comic; the detailed drawings and text sucking her further into the vampiric horror comic.

A startled scream spilled from Amara's lips as the door to her bedroom swung open on silent hinges, hand flying to her chest as her heart pounded beneath her palm. Her father's sheepishly amused eyes studied Amara from the doorway, a look of concern etched into his irises as clearly as a cloudless sky.

"You scared the crap out of me." Amara breathed out with an amused tilt to her lips, gaze locked on her father's as her hand left her chest.

Her father chuckled, shaking his head with mirth as his eyes came to rest on the comic clutched in her hands. "What do you think of it?" He asked, gesturing to the bold-red 'Vampires Everywhere' sprawled across the cover.

Amara shrugged, underplaying the enthrallment of the comic. "It's good. Better than I'd thought it'd be when Tobias and Alexander practically forced me to take it."

"Edgar's sons?"

Amara hummed in acknowledgement, gaze straying from the dark soil-brown haired man and back towards the glossy sheen of the comic book's pages. Her father watched Amara for several seconds from the doorway, weighing up the need to ask her if she was okay after the events of today or if he should let it go for now. Her father sighed, raking his fingers through his hair as Amara's attention lifted from the detailed and equally grotesque drawings of the comic, and to his face.

"Night, Mars. Don't stay up too late." He urged softly, turning to leave the room with his hand resting on the doorknob.

"Night." Amara breathed out softly in response, the door closing behind her father with a soft snitching sound.

Stars glinted within the sky as Amara dared a glance towards the gap of her blinds. The cloudless sky filled with hundreds of twinkling stars. The moon shining down upon Santa Carla as the night drew on. Amara tore her gaze away from the gap within her curtains and back towards the glossy pages of the horror comic—delving deeper into the comic the further she read.

All thoughts of the four bikers that waited for her on the boardwalk tucked to the depths of her mind; the promise she'd made to the Atlantic-blue eyed biker broken and unfulfilled. Left to shatter like that of the windows of the fire-riddled car as the dirty blonde's gaze darted from person to person; a foreign feeling of worry swirling within the biker's gut.

Worry that he shoved to the back of his mind as he turned back to the group of four and gestured towards the beach. They wasted no time as they raced down the steps of the boardwalk and down to the beach; disappearing into the night as quickly as they had appeared.

Lost in the shadows of the night as their hollers of joy filled the night and echoed across the sky of Santa Carla.

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hollowsart · 2 years

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“spiderman freshman year is confusing/concerning” this and “spiderman freshman year is part of the mcu?? how??” that

well, one thing I can admire about what I’ve seen from the concept art and other pictures of the character designs and everything, is that.. I admire the overall retro comic book aesthetic they’re going for. it looks really cool visually!

the colors and textures and especially the blocky shapes and things within the scenery and even the layouts and character design choices (ie doc ock’s retro green and yellow suit & overall appearance in general) is just..

-chef kiss- I can admire that. I can respect that. it’s such a good design choice for the aesthetic. it’s a look that I really love. the retro feel of it.

more stuff needs to go down that route because man is it good.

#Ghostie mumbles #not gonna watch it if there even if a way that I could. but it does have a nice aesthetic.

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strawberrysnipes · 7 months

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Intro post!!

My name is Phoenix, he/she !! I have my carrd on my main account for most of my information, so below the read more is just going to be whitelist/blacklist + my offers!!

Offers!!

icons (including pride icons)

layouts (please specify what platform the dimensions are different !!!)

psds (selective! im new to this but i will try my best!)

pjsk 3dmv gifs! please specify character(s) and optionally 3dmv, but know i do not have a lot of outfits and will default to base outfits most of the time

Whitelist (things I super enjoy!!! Will still take requests for other things)

- SUPER BRIGHT AESTHETICS like scenecore !!!

- anything involving a pink and green color palette you will have my heart forever if you request pink/green

-current main interests are marvel, mortal kombat and project sekai!!! Anything vocaloid related is also awesome. I also like ace attorney, golden age horror/horror games (like resident evil)/horror based aesthetics, and a ton of other things that just don't take up as much of my brain space.

- Characters: anyone from wxs, but especially Emu and Rui, Saki, Kanade, Airi and Akito (pjsk), All the earth champs but especially Kenshi and Kung Lao, Kitana, Ashrah and Syzoth, as well as Cassie Cage for prev timeline stuff (Mortal Kombat), Daredevil, Punisher, Spiderman (all versions but especially comics!Peter and spidergwen from both the comics and atsv), Deadpool, Venom and Moon Knight (Marvel) Phoenix, Athena, and Simon (ace attorney) Leon Kennedy (resident evil)

- Parings: polysho but especially emurui, emukasa and nenekasa, mafuemu, ichisaki, honakana, mizumafu, mizurui (pjsk) mikurin (vocaloid), Spideypool (ONLY comics version), fratt, veddie (marvel), johnshi, railao, taleena (mortal kombat) wrightworth (ace attorney) aeon, chreon, valenfield, valinveria (resident evil)

Blacklist (things I will not edit for)

this feels obvious, but any minor/adult or incest pairing

gifs for anything but pjsk 3dmvs, not as a discomfort thing or anything I just don't have the ability to do so unless you provide me with a video in your request

yandere aesthetics

hazbin hotel/helluva boss, sanders sides, real people (NOT INCLUDING ACTORS PLAYING CHARACTERS)

anything else that I don't want to do that isn't listed here I just simply won't do your request <3

#/intro #/not an edit

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hakneeyah · 3 months

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Image #1 - This image captures a curated collection of books in the Michigan State library. This composition reflects the fundamental role of typography in graphic design, showcasing how the careful selection of fonts and layout contributes to conveying information effectively and aesthetically. It leaves a visual impact.

Image #2 - This vibrant poster I saw at a store features Spiderman and Green Goblin, serves as a visual pleaser to the viewer with its dynamic colors and bold pop art/comic style. The strategic use of contrasting hues, dynamic composition and illustrations show key graphic design principles. The poster is able to show the power of color theory and visual elements to captivate and communicate. Makes it more memorable.

Image #3 - In this image it's a picture of a project I worked on for my Chicano Latino Studies class. It features the theme Hispanic/Latino Culture, accompanied by a picture of person playing guitar . This image underscores the fusion of text and visual in graphic design to convey cultural narratives. The blending information and visual elements to engage and enlighten audiences and diverse cultures.

Image #4 - Graphic design is a great way to demonstrate emotion through creation. Like the image shows a resilient doll, adorned with patches, tears, and a broken heart yet still resiliently smiling. This was a hobby project I had in mind and created. The sign "Good Gone" shows a narrative of endurance amidst challenges. This exemplifies how graphic design serves as a medium of storytelling. This allows emotions and messages to be conveyed visually.

Image #5 - Graphic design is able to pick up two separate things and fuse them to make one. The fusion of culinary and visual storytelling in this example. The illustrations and text not only show case the essence of Korean cuisine but also exemplifies the graphic design's role in making the culinary experience visually enticing. The page where it shows "Intro to Korean barbecue" recipe demonstrates how gd transcends cultural boundaries, providing a universal language that enhances our connection to diverse cuisines and traditions.

#module1 #gd260

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hrcbga · 6 months

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Important parts of a comic book

We were asked to give examples of the most important parts of comic books and were given some examples of them in class. One example was the first comic to feature superman which was released in 1938.

The comic uses lots of bright, primary colours and sequential box panels to present the scenes, it also reads left to right like a normal book and not one from a foreign country, such as Japan, where the layout is right to left, up to down and from the back of the comic to the front.

We were also given the example of the first Justice League comic, which was released in 1960.

This comic also uses bright colours and sequential box panels to present its scenes, it also reads left to right. This one seems to have more writing in the text boxes. It has yellow boxes, giving background of the story, along with speech and thought bubbles.

I have this comic at home which is a Spiderman comic, that my mum brought home from France in 2014.

This comic also reads left to right but uses slightly less bright colours, however it still uses primary ones. It also makes use of sequential boxes in its layout, with speech and thought bubbles.

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