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#he is so desirable
weirdal-daily · 1 year
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daily weird al yankovic — 05/28/2023
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shadowtraveled · 2 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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poorly-drawn-mdzs · 3 months
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Happy Thistle Debut Day!
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emkini · 1 year
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Toph + Zuko friendship is something that can be so personal
[ID: a digital line drawing of toph leaning on zuko’s head as he sits on the ground, cross-legged. “toph,” sokka says, offscreen, “you can’t just use zuko as an armrest.”
“what?” toph asks, irritated. “do you see him complaining? get off my dick!”
to which katara exclaims, also offscreen, “toph!”
zuko doesn’t seem bothered. an arrow points to him with the text, “just happy to be included”. /end ID]
ID by @maileesque 
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yujateaandpi · 3 months
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Senshi and Parenthood
I’m obsessed with Senshi’s narrative role— or lack thereof actually. He’s not there to devote himself to a cause or further the plot, I actually don’t think he knows why he’s there for 90% of the story. He just. Saw a bunch of bumbling young looking people and went “well somebody’s got to feed them.”
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And meanwhile there’s. Eldritch chaos and a complex narrative centered around life death and rebirth being intrinsically tied into the concept of hunger and appetite— and Senshi is standing there with his wok like, “okay sure you’re under the thrall of your own desires puppeted by an interdimensional being how bout I make you a pie and you calm down.” And it WORKS.
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It works every time because surprise surprise people do need to be fed in order to work to their goals. It reminds me of how much we take our guardians for granted. How much it means to be a parent or caretaker making meal after meal for others. What it means to nurture people so they can get up each day and fulfill their dreams.
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We so often take these loved ones in our lives for granted. They’re not there to save the day. They’re there to save us. They’ll think about our needs and inclinations when no one else will.
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If you’re blessed enough to have a Senshi in your life, appreciate them!! They may not be slaying the demons, but they’re the ones who got you there.
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Love him. He’s Mother.
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lethologicaee · 4 months
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jason todd posed as saint sebastian request for @bloodyentrails
print
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k-wame · 6 months
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ANDRÉ LAMOGLIA as Iván Carvalho & FERNANDO LÍNDEZ as 'Joel' ÉLITƎ Series 7 · EP02 · dir. Lino Escalera
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jabesa0 · 9 months
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💵 Money Shot 💵
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blessyouhawkeye · 1 year
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the best part about wei wuxian's resurrection scene is that it happens when the audience doesn't know anything about him yet, so when he goes "i'm going to act like a deranged homosexual lunatic so no one recognizes me" you're like yeah sure that could be a feasible disguise until the flashback happens and you realize it's a terrible idea, because wei wuxian acts like a deranged homosexual lunatic all the time
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raepliica · 5 months
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Take to the skies
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...and fly free
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Vincent Price and Carol Ohmart
The House on Haunted Hill (1959) dir. William Castle
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vampireposter · 4 months
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meeting wyll at the grove, as someone who the tieflings trust enough to train their children, says so much about him. it's so sad that he doesn't get explored in acts 2-3 as deeply as the other companions, when his problems are equally intense. the average player probably long rests once before coming across the grove, but even if not, in that time wyll has already proven to the tieflings that they can rely on the Blade of Frontiers.
this is the immediate first thing he chooses to do after being condemned to slow death via ceremorphosis. his priority list in the first conversations with tav is: 1) hunt down a dangerous devil, 2) help zevlor with the goblins, 3) once nothing threatens the tieflings he will gladly search for a tadpole cure. wyll is perpetually his own last priority, and i wonder if it has to do with the lore about souls.
if he believes mind flayers' souls have been destroyed, and fiend warlocks will all have their souls sent to the hells after death, then becoming a mind flayer isn't the worst possible way for him to die. he would never become a mindless monster to save his own soul, but he's not gripped by horror the way that some of the other origin characters are. lae'zel has been made revoltingly impure to her people, astarion is terrified of losing the scrap of bodily autonomy he just regained, gale is guilt-ridden over the orb detonation if he dies, shadowheart has to survive to prove herself to her cult leader, and karlach has also just regained bodily autonomy and is desparate to live.
this is just another quest for the Blade, whose persona guards wyll ravengard against the vice of self-concern when he ought to be concerned for those in need.
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sneez · 4 months
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family portrait :D young sam and sybil are behaving themselves and vimes is throwing a hissy fit because they tried to make him wear the helmet
[id: a digital painting of three people sitting for a portrait in a domestic interior. young sam is standing with his hands behind his back and beaming proudly. vimes is standing behind him with his hand on his shoulder, wearing a shiny military uniform and a surly expression. sybil is sitting on the right with an arm around young sam, smiling at the viewer. a plumed helmet is sitting on a table on the left. end id.]
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puppydoggraham · 4 months
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poorly-drawn-mdzs · 5 months
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Flagrant Favourism.
[First] Prev <–-> Next
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lorephobic · 6 months
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“the class commentary in saltburn was shit” WHAT CLASS COMMENTARY???? NOT EVERY MOVIE WITH RICH PEOPLE HAS TO OR SHOULD HAVE CLASS COMMENTARY. EMERALD FENNELL KNOWS VERY WELL THAT SHE IS NOT THE RIGHT DIRECTOR FOR A MOVIE ABOUT CLASS COMMENTARY WHICH IS WHY SHE DID NOT WRITE A MOVIE ABOUT CLASS COMMENTARY.
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