#i love love listening to people's conversations on transit people are hilarious

[dirt-mccracken]

"It's impossible to learn everything we need to in one life time. Impossible. That is why the Christians are wrong." -Insane old british guy on the train

#i love love listening to people's conversations on transit people are hilarious #he like 3 seconds later told the guy he's talking to that he's 'going to the store to grab some prawns' #it is 10pm on a Saturday night why is it prawn run on the train time

[kinopio-writes]

Hi! Would you be willing to write something for Adam with a sensitive reader?

Everyone knows that he is loud-mouthed jerk, even reader, and she loves him regardless, but one day he crosses the line and says something particularly mean that makes her cry. Like REAL mean. To the point that he pauses because he did not think before speaking (or, well, less than usual lol)

I'm happy with whatever format you feel like using! Thank you!

A/N: I will be more than delighted to write that for you. But would you excuse me for a moment? AHHHHHHDISJDIOEOFJSKXJND—I’m sorry; I love this idea so much. Reading ‘Adam with a sensitive reader’ got me hooked instantly. But I’ll go over that in the headcanons, along with the general stuff. And I’ll add a oneshot at the end that plays the exact scenario of Adam taking it too far.

Holy sh!t. I made it so that the reader being sensitive is their greatest but also weakest point and it turned out pretty angsty. Has a bit of hurt/comfort, though. Did I go overboard? Maybe. That’s why it took so long. Sorry, anon.

Words: 2,328 (edited the end a bit because it didn’t sit right with me)

Warnings: Sex is mentioned (only a bit, surprisingly), Angst, Adam being Adam

———

Adam w/ a Sensitive!Reader

• ha, this man is also sensitive himself

• well, sensitive about himself

• he feels his own emotions strongly, so he’s not the caring, easily able to pick up on other’s feelings and empathize type of sensitive

• you, on the other hand, are on the opposite end of the spectrum compared to Adam

• so you experience other people’s emotions just as strongly as yours

• you easily know what makes someone tick

• you’re selfless

• you’re able to admit your mistakes and apologize

• you’re respectful and actively listen to people when they talk about themselves

• you don’t push people down to make yourself seem better

• you try to make everyone feel good and comfortable

• you’re everything he isn’t

• because you fit in Heaven perfectly

• you deserve to be there

• and Adam knows that he doesn’t belong (subconsciously at least)

• you’re able to draw people in just for being yourself

• and he’s envious of it

• so he demeans you and is snarky about everything you do, and every time people give you praise or affection, he tries to divert the attention to himself or just stares at you with utter hatred from afar

• although all of that is just when he hasn’t even had a conversation with you

• after a while of being around you, he’ll cling to you because you give him the reassurance and validation he oh-so craves (he acts as if he didn’t hate you before. What do you mean? You two were always buddy-buddy!)

• you acknowledge all of the things he puts his worth to

• heck, you hang out with him—you sometimes even initiate it—willingly, and you’re genuinely interested in everything he has to say

• but he‘ll only hang out with you where no one recognizes you (so you don’t get all the attention)

• terrible transition here, but he notices that you mimic people’s expressions often

• he definitely makes fun of you for it

• and also mocks you

• up until he realizes that you do the same thing to him, too

• which is fine and all, if only you didn’t do that when he’s upset

• well, you mimic him when he’s joyous as well, but he (already subconsciously) expects you to. I mean, why wouldn’t you? He’s fucking hilarious!

• so you copying his negative emotions just stands out more

• and he…doesn’t like it

• that’s only really what he doesn’t like about you

• and the fact that you hog all the attention

• and the fact that people see you as perfect…

• buuut what happens when he gets to see a new side of you that isn’t exactly upholding that image?

———

Your phone lit up from your bedside table, brightening your otherwise dark room along with the soft glow of your halo. You only moved your eyes to the light, not wanting your tears to spill and dampen your pillows.

You had an inkling as to who was texting you this late—if the fact that your phone lighting up several times in the span of 5 minutes had anything to say.

When the texts stopped pouring in after a few seconds, you heavily sighed, wings ruffling. You resisted the urge to rub your face as you went to grab your phone.

HEY (2:34) HEY (2:34) HEY (2:34) ARE YOU UP? (2:35) I’M BORED (2:35) GET YOUR ASS OVER HERE (2:36) IF YOU’RE UP (2:37) ARE YOU? (2:38) DID I TELL YOU THAT BITCH WITH THE HUGE TITS GOT FIRED TODAY? (2:39)

Figured. Of course, it was Adam. He was the only person you knew who’d be awake at this ungodly hour. And the only person you knew who’d disturb your peace if it meant curing anything that ailed him. Which was now about boredom, it seemed.

You read a few of his texts displayed on your lock screen before tapping one of the notifications and opening the app, scanning the rest of the unread messages.

Adam was going on about ‘that bitch with the huge tits’—her name was Tiffany, you were sure—and how she was rumored to have slept with an archangel to assume higher authority. He also went on to complain about how he didn’t have the chance to bed her anymore since she was basically deemed an outcast and that he couldn’t be seen with someone like her.

You frowned, not believing any of it, but you didn’t have time to think about it enough when he began typing again.

SO YOU’RE AWAKE (2:43)

You barely finished reading the new message when another one popped up.

DON’T IGNORE ME BITCH (2:43)

You frowned deeper, quick to type out a reply.

i’m not (2:43) i was just reading your texts (2:43) don’t worry (2:43) i’ll be there soon (2:44)

When he stopped typing, you placed your phone back on the nightstand, sitting up on your bed as you carefully wiped away your teary eyes. You hugged yourself for a moment, wings functioning as a cocoon while a hand tugged on your hair.

Today had been draining—both mentally and emotionally. Just like the day before, and the day before that. But you didn’t want to think about it, lest you start to cry some more and smear your face with tears this time. What mattered was that everyone was back on their feet again.

Since you didn’t bother changing into your sleepwear when you got home, you only checked your face in the mirror to see if your eyes were puffy or not. You then took in deep breaths, holding up your drooping wings before putting up a charming smile.

You couldn’t stay in the bathroom for long, quickly leaving to tread the path to Adam’s.

•••

“BOO!” Adam’s masked face suddenly peeked from the corner of his hallway, earning an indescribable scream from you as you jerked back. He burst out laughing, brows creased in confusion but also amusement. He couldn’t even make fun of you for getting scared. “What the—what the fuck was that scream?”

Recovering rather quickly as you blinked, you only smiled at him. You were expecting him to wait for you on his couch as his front door was left unlocked, but you weren’t complaining; his action took away any drowsiness you just had.

When Adam didn’t hear you laugh with him, his laughter subsided as he opened his eyes to look at your face. He raised his brows and placed the back of his hands on his hips. “What’s up with you?”

Shit. There was no way Adam was seeing through you.

“Nothing; I just love hearing you laugh.” You heard a tiny squeak in response. “Anyway, what did you make me come over for? Surely not just to scare me.” You moved past Adam and tightly crossed your arms, entering his spacious living room.

“Pshh, fuck no. You’re so easy to spook. Though that was a first. Didn’t know you could hit high notes, (Name).”

You didn’t know what to say to his…compliment? And sort of insult? Was it really either of them? Should you thank him? But in a sarcastic way? No, you weren’t known for being sarcastic, so he might think you were being genuine and look at you weirdly. And it would also seem highly egotistical.

Not as if Adam had much to say about that…

You tugged at your hair when you caught yourself with those thoughts. Shit, that’s so rude! You can’t think that! You shouldn’t think that!

You settled on an awkward chuckle, making yourself appear smaller as you averted your eyes to his TV space.

It was different, certainly. The modular couch pieces were rearranged into a pit sectional. And it looked as though he had chucked a bunch of pillows and one large blanket as an afterthought. It appeared messy, but at least it looked cozy.

“What’s this?”

“Hm? Oh, well, since you were taking your sweet ass time coming here, I thought to switch things up a bit.” You flinched when his head appeared right on your shoulder. “What’d ya think?”

“It looks super comfy.” Adam wore a goofy grin behind you as you walked closer to the area and noticed that he already prepared snacks on the low table. “Is this a way to say you wanna do a movie marathon?”

“You know it, baby.” He flew past you and landed on the sofa, patting the space beside him with a smile you just couldn’t reject.

•••

Heaven’s natural light beginning to peek through the open windows indicated that it was already dawn. Thank goodness you didn’t have work today.

You two—or rather, Adam—had settled on watching the film series, Die Hard. Every single one. You didn’t mind, but you didn’t understand why Adam invited you over if you two were just going to rewatch the film series for the eighth time.

He had also been pretty immersed in the large screen in front of him, so he hadn’t attempted to converse with you ever since the first movie started. In all honesty, he could have just watched them all by himself.

But you didn’t question it. This time was the same as the last seven, after all. You always concluded that maybe he just wanted someone to watch movies with, no talking necessary. Even if the no-talking part sounded a bit out of character.

Was it though? Because he did that quite often. For instance, he constantly brought you along to whatever mundane errands he had to do during the weekdays and never really talked with you unless he found something cool and pointed it out.

Although, the earlier times you tagged along with him on his errands, he kept yapping his mouth off about the ‘totally awesome’ things he does. He talked about music, his own albums, his band, women, sex, and himself as the first-ever man.

As time went on, however, the talking was replaced with silence. You wondered if he just ran out of things to say or if he found it unnecessary to talk anymore.

You also sometimes wondered what was going through his head when he thought you didn’t see him glancing at you while he was doing something he believed was boring.

The sound of Adam’s stomach rumbling broke you out of your train of thought.

You both looked at each other blankly as if either of you were to blame.

He blinked to break the eye contact between you. “(Name), I’m hungry.”

You snorted, facing ahead. “You ate all of our snacks before the first movie even finished.”

“Don’t blame me.” He hugged the pillow he held tighter. “I’m still fuckin’ hungry, though.”

You hummed as you reached for your pocket. “Do you want me to—oh. I…I forgot my phone.” You frowned. You never forget to bring your belongings.

Adam merely stared at you, unblinking.

You averted your eyes and held your legs tighter. “Uhm, We could get delivery if you want. Can you lend me your phone?”

“Oh, yeah, sure.” He casually tossed you the device before laying on his back and looking up at you. “I’m down for anything.”

His phone hit your knee before you could catch it, silently landing on the cushions. “Are you sure?” You picked it up, opened his unlocked phone, and stared at his basic home screen.

He didn’t really use his phone that often to know that it could be changed. He only really used it to fetch one-night stands or occasional dates, text, play music aloud, look at outdated memes, take random blurry photos, and right now, order delivery.

“Totally.” His crow’s feet displayed on his mask as he puffed out his cheeks.

“Because last time you said that, you didn’t like what I had to pick.”

“That’s because the 5 ʼn 2 is so fucking overrated!” he suddenly started to complain. Your wings ruffled. “Jeez, I swear, every fuckin’ time I take a chick out and ask her what her favorite eatery is, basic bitches always go, ‘Oh, bREaD & fIsH, ceRTAinLy’ or ‘bReAD & FiSh’S a cLAsSIC’” He used his hand as a puppet to imitate their words before waving it. “Like, helloooo? Can’t you see the joint that’s literally on the other side of the street’s a hundred times superior? It’s cheaper, too, unlike Bread & Fish. Overpriced ass. You get me, right—?”

“Then you pick!” Adam jumped at your volume, and your eyes widened upon noticing yourself. You quickly gave back his phone as you turned your face away from him, and he slowly took it with a weird look.

“Shit, chill, (Name). The fuck’s up your ass?” He kept his gaze on you before turning to his phone.

While he was serious about his opinions of your bland tastes, he didn’t think it was that personal. Your preferences were the same as everyone else and that was boring. He was just being honest. And you usually didn’t take the things he said that seriously.

“Adam, I’m sorry,” you spoke up after a moment of silence and ran a hand through your hair. “I didn’t mean to yell at you.”

“ʼs not a problem.” He was still a bit weirded out, but he was willing to shrug it off.

You insisted, however, “I mean it. I’m not mad at you.”

“Okay…?” he muttered when he saw a notification pop up from Lute. Her message consisted of how some of the exterminators got into a quarrel during roll call and the ones involved got injured in the process. She said she was going to discipline them.

Adam did not want to know what she meant by that and was most likely not going to stop by their place today.

“Really. I’m not. Sorry. It’s just that yesterday’s been…”

“Uh-huh…” At this point, Adam was not listening to anything you were saying. But when he still heard the static noise that was your words, he groaned. “Look, sweetie, I really don’t give a fuckin’ shit about your fuckin’ apology, ʼkay? I don’t fuckin’ care. Now what do you want?”

You saw Adam’s confused yet concerned expression after he looked up from his phone and immediately noticed that you were starting to cry. You instantly turned your face away as you carefully wiped your eyes.

“Sorry. Sorry. I’m not crying because of you.” You didn’t know if that was true. You didn’t know if you were crying because of his words or were crying because of everything else.

That was the first time he ever used a sweet petname for you in a long time. He only ever used that to demean or mock other people.

Shit. Stop thinking—you were going to cry more. But even after carefully wiping your eyes away, new tears kept flowing. You couldn’t stop. This was humiliating. You wanted to disappear. You didn’t want anyone to witness you in this state. It was mortifying.

“Shit.” Adam’s voice came out panicky as he held his hands out towards you, but he hesitated. Hesitated in what, he didn’t even know.

He…didn’t think you could cry.

Adam didn’t know what to do; this emotional shit wasn’t his thing. He couldn’t ask you to leave, he knew that much, but he didn’t want to leave himself. This was his place. Why should he leave?

So, he did the only thing he could do in this situation.

You suddenly felt something warm envelop you.

You didn’t look up, but you knew it was Adam. You could feel the texture of his robe on your hands and the side of your face. You could feel his hands on your shoulder blade, but you couldn’t quite feel his arms on you.

You stopped wiping your eyes for a moment.

No one had ever hugged you before when you were sad.

No one had ever let you be sad.

Adam heard you sob.

Fucking great. He made it worse. What the fuck was he supposed to do then?

But when he went to unwrap his arms, he felt yours slip around his midsection, pulling him closer than before as he grunted from your firm hold.

So you wanted to be hugged? Alright. Whatever.

Adam slowly hugged you back after you muttered a ‘sorry’ and loosened your grip.

The next seconds were silent, so when he heard muffled words coming from you, he looked down. You also looked up moments later when he didn’t respond, realizing he must’ve not heard you.

Your gaze softened as you two held eye contact, and with teary eyes, you smiled. “Thank you, Adam.”

Something about his expression changed, but before you could stare any longer, you felt a hand behind your head push you back to his chest as the arm on your back held you tight.

“Yeah, whatever…”

#hazbin hotel x reader #adam x reader #hazbin hotel adam #kinopiowrites

[heavenssexiestangel]

Okay this is gonna be rambly, feel free to ignore because like. I don't even know where I am going with this?

I remember when I used to want to be Dean - buying a jacket similar to his when I was 13 (I still have it, broken and old and barely fittinh...). Only listening to the music he listened to (I grew out of that). Relating to him through the abuse we faced. And I thought I was nonbinary, really, but now I know I'm a trans man. It was a recent discovery. Or, more so, realization to be honest. And then I look at the other men I want to be like. Or that I relate to. Namely Gadreel (Tahmoh Penikett) and Arthur Ketch (David Haydn-Jones). Tahmoh is always so soft spoken, so quiet. Gadreel loves the world, despite what he went through, despite the fact he would be excused if he wanted to hate it. But he sort of... Can't. He still has hope. And I relate to that so hard, fortunately or unfortunately. Arthur, I do relate to him in the sense of what I see in him. Or how he let the abuse he faced consume him and made him become a monster. A warning of sorts. What I'm letting myself become. But he also tries to redeem himself. David is fucking hilarious, and he tries his best despite what his real life throes at him. To be honest, he's also transition goals. Both Tahmoh and David showed me that there are other ways to be a man - that I don't have to be aggressive. That I don't need to become my father, always screaming, always violent. Always Hateful and disillusioned. They sort of gave me hope that I can be something that isn't shaped by who I was raised by. That I can be different. That I too, as a man, can be soft. That I can love my family and friends and the world.

And like yes, they're hot. But that's not the point of me liking them, and people reducing it to that kind of hurts.

And so I think of this tonight. And like. I have these thoughts swirling in my brain, and sometimes it comes up in conversations (rarely)... But that one post I reblogged made me like. Focus on these thoughts again. And I wanted to let them out.

#dean talks #gadreel my dearly beloved #dean dean dean #ketch gonna ketch #very personal but like #idk im just having thoughts #and feelings #and its very rambly i know #it's hard for me to make other people understand it #oh well #idk what to say #tahmoh penikett #david haydn-jones #also teared by while writing this ops #time to be emotional on main ig

[bulkhummus]

I got into WTNV because of your cute fanarts and I wasn't expecting a funny story filled with existential dread and clever satire

So I wanted to say thank you! It's the perfect podcast and I love it so much yesterday I fell asleep while listening to it. When I woke up I was so confused lol

Anyway, what's your favorite thing about it?

First off, thank you! I’m so glad to connect with people about it even after all these years!

Sorry to get lengthy — but my favorite thing about the show is that it was what I needed as a kid to even be able to consider having the conversation with myself about my identity. About things I had felt and known but didn’t give words to. That was it’s power.

For context, google lgbtq+ timelines in 2012. A few major things were gay marriage was illegal in 2012 in the US— it wouldn’t become legal until 2015. It only just became illegal to discriminate on basis of sexuality and gender identity. You could only just legally serve openly in the US military. Being transgender only stopping being considered a mental illness in 2012. Keep in mind many of these milestones were state by state and with exceptions— Etc. etc.

The internet wasn’t what it is today— no men in make up making wonderful beauty tutorials, no openly gay singers cracking hilarious jokes on twitter and kissing at the grammys, etc. Zachary Qunito came out in 2009 and has spoken about how it effected his acting career. Chaz Bono’s transition was publicly mocked, ridiculed, and made a spectacle. There were kids in my grade that were bullied so bad for being gay/queer that we had to have half assed and uneducated seminars about it so teachers could turn a blind eye on the slurs in the hallway. Being called gay was a popular insult that held a lot of weight. Gay was a whispered word, a dirty word, lesbian felt like a brand when my brother called me it as a kid because I guess I said Peggy Carter was beautiful with a little too much feeling while Captain America was shirtless on screen. Mind you I live in a blue state. (mind you this still all happens today)

Welcome to Night Vale was the first thing I ever consumed as a kid where an openly gay person was the main character. I remember thinking ”Oh that’s it? And now onto the weather?” when I listened to it with my cousins in their basement. It felt like a secret— like a code — “oh you listen to wtnv? i love cecil” and because podcasts weren’t what they are today — it almost kind of was?

It was the first piece of media where a person being gay was not the focus of the story— there was no coming out, there was no internal struggle, there was no traumatizing outing scene, no monologue about being gay, no external questioning, nothing. Cecil Palmer was a well spoken, humorous, unsettling, radio host with flaws and extreme passions and he was unapologetically gay. in the very first episode. And not only that— his love interest loved him back. No one died. No one made fun of him for it, no one questioned him.

I kept expecting the other shoe to drop, and it never did.

I love wtnv, even through its flaws (because no one piece of media can be everything, because nothing can be everything, and representation doesn’t exist in a bubble) because it allowed me to question what I already knew about myself with such an assuredness and kindness I had never before been afforded, and to imagine a world where I can be who I am and tell people about it like I’m telling them about what I had for lunch and no one bats an eye. That sometimes the gorgeous person that walks in the door is not out of reach, and not an impossibility, because out there, and everywhere, there are people like me and its okay to assume they are, it isn’t stupid or naive or wrong.

And suddenly! I was googling! I was reading! I was talking to people online about Night Vale, and those conversations turned into conversations of queerness, and identity, and what proper representation should look like across the board, not just in queerness. How queerness, and the idea of it being a spectrum, is a mindset that should be applied in every area of life— delving into the gray area.

Not to get Sappy, but that is my favorite thing about Welcome to Night Vale, and it always will be. It was a home for me because of its people, of its community, because no matter how ridiculous and ironic things felt, how invasive and hurtful the people who are suppose to protect us made us feel, how much you might feel like a monster— there was a small desert community where the sun was hot, the moon was beautiful and mysterious lights passed over our heads as we all pretended to sleep.

#sorry this got long #i just love night vale #With my whole heart #Ask tag #wtnv

[queerkuro]

trans arankita? 🥺👉👈

OF COURSE I CAN TALK ABOUT TRANS ARANKITA THAT'S WHAT STARTED THIS!!!!!!!

send me and bex characters to trans

listen. yall. i've said it so many times but arankita makes me so fucking feral i can go on and on about them i feel like this is gonna get so long too yall are giving me the best reasons to ramble

i know you asked for arankita, but i'll do them separate and together like i did for the others!

so aran!

i fucking love aran and he is so transable. you can really just trans him. he's perfect. i love him. transmasc aran? perfect. transfem aran? perfect. enby aran? perfect.

recently i've been really loving nonbinary aran, but i'm gonna talk in general first. i think he thought a lot about his transition. he did research and tried shit out on his own before he told anyone. not to get too serious, but i am in my psychology research brain today. i do think that he does really have to think about the intersections of being black in general, being black in japan, and being a black trans person. he has to be careful about how he goes about his transition, but i think he has a really good support system, and his family is really supportive of him.

i think transmasc aran gets top surgery as soon as he can, but i've been thinking about afab enby (and/or genderfluid!) aran who doesn't get top surgery but will bind. basically my thoughts on that for aran is they use they/he/she pronouns, but only for other trans people. cis people are lucky to even perceive them so cis people can only use they/them. trans people are also more than welcome to use gendered language with him, because he knows that they know she isn't part of the binary. i also love thinking about aran switching between fem/masc/gnc presenting, or mixing it all up!

i also like to think that aran likes to try different styles with their hair, and will try different styles of braids or other protective styles to see how they can express gender that way, you know?

also, sidenote, the twins (also trans) are so fucking in love with aran, and they think she's SO gender

and speaking of being so gender - kita!

kita is up there with akaashi on being very gender for me. idk what it is about him but he's just...gender.

(one of the very first hq fics i read was about enby kita, and i still think about it a lot)

i tend to lean towards enby kita, but transmasc/transfem kita is amazing too. i loooooove the conversations me and bex have about fem kita

i think kita has to be told by other trans people that cis people don't think about gender like that, and he's just kinda like "oh" and then is trans lmao

no matter which way kita is trans, i don't think they have much dysphoria, but i do think afab kita gets super dysphoric about their period (not projecting at all idk what you're talking about) but it's partly because of trans shit but also because of autism (no i will not be taking criticisms, kita is autistic it's canon...i can also tell yall my autism hcs...)

transfem kita is so fun to write! i think about her a lot. i think she so fun. i think because she works on the farm, she doesn't usually wear revealing clothes, and because of that, no one really sees the changes to her body from hrt (and top surgery lmao) so when she finally wears like shorts and a tank top or something she kills literally everyone that sees her

honestly tho, i love love love any trans kita, but they/them nonbinary kita just really hits for me. i don't have anything else to say about it lmao

moving onto arankita

the reason this whole think started is because i was rambling to @thegaycodedvolleyballhimbos about nonbinary lesbians arankita

i think aran was like "i'm nonbinary" and kita was like oh sick gender and now is also nonbinary lmao. also they are lesbians.

so we were talking about afab aran (they/he/she) and amab kita (she/they) and they're both on hrt but opposite ways

...that's pretty much it. they're nonbinary. they're lesbians. they're in love!

but i do have a hilarious fic idea that i really want to write that i desperately want to share! basically it's transmasc kita, but he's stealth. except he doesn't know he's stealth. he doesn't really think about the fact that no one ever sees him change or anything, and he's just a guy so like. there's nothing to talk about? but then he and aran are making out and getting handsy and aran feels his binder/bra and is confused. so kita tells him he can take it off and aran is like what. and after some confusion kita is like aran. you know what a bra is. and aran is like but???? why are you wearing it?????? and kita is like i'm trans. literally everyone knows this. you know that aran. but aran very much did not know that

anyway this is so fucking long i could keep going about arankita but like my previous responses about this, i will stop here lmao

@emosuna

(reminder while we're here that trans is an umbrella term, nonbinary is under the trans umbrella, and nonbinary is also an umbrella term that covers identities like genderfluid, genderqueer, bigender, etc.)

#so...yeah #i love them :) #arankita #aran #kita #hq #queer hq #wtf jordan #asks #j's transing characters again

[jackmfvegas777]

Trans Guy Tips #4; Socially Transitioning

Now this one is a tricky one, and it's a situation almost every trans person has to go through at some point in their life, unless they stay in the closet for life, but if you're planning to come out, and you don't know how to approach the situation and don't know how to judge if it's safe, I hope I can be a reliable guide for you on this journey.

This is usually the first step in any trans person's journey, before they physically transition, (which some don't as well). However here we're talking specifically about trans men.

So while some of the things I say could apply to trans women, always remember I'm writing about trans men from a trans man's point of view, so that's the targeted demographic here.

Once I learn more about trans women's struggles and things they go through, since I don't have the personal experience of it, I will definitely write trans women articles as well, and as well non-binary people.

So let's begin, with a list of important things to keep in mind whilst coming out to the world or at least to your family and close friends.

1. Safety is everything.

Always no matter what.

A good way to test if someone is going to be safe to come out to, is to casually bring it up in in a conversation topic, something like "What are your thoughts on lgbtq people, or specifically what are your thoughts on trans people?"

If they become aggressive and violent about it, and start being transphobic or defensive or any of the signs of bigotry, do not and I mean do not come out to them yet.

If it's a parent, I'd suggest at least wait until you're of age to move out, or have moved out, to come out to them. Sometimes people will get verbally and physically violent towards you if you come out to them and they're not accepting of it, so the most important thing is to always judge the reactions of people, and if they react well, then you can come out to them.

2. Always choose trustworthy people to keep your secret whilst you're in the closet.

There's been a lot of people who trusted idiots who they thought were their friends and they ended up outing them to the whole school they were in, etc. etc. But there was a lot of stories about this happening multiple times.

Make sure the people you tell would take the secret to their grave, especially if you're in an abusive household and can't come out for fear of violence.

3. If you're in a very abusive household, especially one that's openly homophobic and transphobic, as hard it is, please wait to come out as long as you possibly can until you have a place of your own and you're safe for sure.

A lot of people have been known to kick out their own children on to the streets because of them being LGBT, or do much worse...

Now of course these are some of the worst case scenarios, but being LGBT you always have to think about every bad thing that could occur so that you can prevent it.

4. When it comes to actually coming out, I would always recommend bringing a good friend or close family member who supports you, so that you have backup, not only for them to chime in and tell their piece and defend you, but just them being there makes the other person not want to be as violent towards you, because they fear what others will think of them.

If you're coming out to an extended family member or anyone, don't trust to do it alone, always bring a good friend.

5. One of the best ways to come out that I've seen are ways that are jokey and hilarious!

It seems to smooth over and make it a much more pleasant transition for everyone, and usually even homophobic people won't get too mad, they might even laugh!

I've seen people bake cakes with the words "Surprise I'm gay!" on it, things like that.

Just little cute things that are nice to do for your parents or people you're coming out to, but make it a surprise and that you're actually lgbt!

Now remember though, always follow the first rule and make sure safety is priority, but if you know you're safe, but you're just not sure they understand, starting out with jokes helps a lot.

6. The second step you should do after coming out is always try to explain your side of the story.

If there are people who don't let you get a word in, let them know that you have important things to say and that they need to listen to you and then they can say whatever they need.

Explain how it feels to be trans, explain why you know you're trans, of course you shouldn't have to ideally, but unfortunately a lot of people won't understand unless they're given more information, as the subject is completely foreign to them.

I know my grandma specifically reacted so well, all she did was ask me questions about it, and once I answered all her questions, she hummed in satisfaction and she never questioned it again and completely accepted me.

And a lot of times you'll get people who are pretty neutral, people who will call you by your chosen name and gender but don't really totally care as much as you want them to, but they still go along with it and just kind of assume you know what's best for you, which is a really kind thing really.

I've had a few people react neutrally and it's actually relaxing, there's no pressure put on for being gay, either over positive or over negative. but I have to say as a trans person and gay person, and grey-ace person, I love the people who ask questions the most.

I don't mind answering, and it means they're trying to learn more about something they don't understand, which means they have a huge heart and huge open mind.

Some people may get annoyed at the constant questions, but I absolutely adore them.

To me, every time someone asks about me, they're showing interest in my life and my feelings.

7. Next the scientific method.

Look up on any scientific article anywhere, and you'll find studies done on trans men and women's brains.

It was shown factually multiple times, over and over, whenever they repeated it it did it again, that trans men have the same brain structure as cis men, and trans women have the same brain structure as cis women, and non-binary people have somewhere in the middle. This was factually proven, you can look it up, so if they try to use science to defend against you, educate that that science is actually for LGBT rights and has explained how it works even.

8. Try to be gentle when it comes to pronouns.

For a lot of people, especially people of foreign languages where some languages don't have genders, or will have different genders, or other things like that, or even just English speakers that aren't used to saying 'they', or your family not being used to your pronouns yet.

It can take a while, and I know it's frustrating, it could take even a few years for them to finally get it right every time.

It's not supposed to be an attack towards you, it's genuinely hard to reprogram yourself when you think someone is one thing your whole life and then it turns out they're the other thing! So be sure to be gentle with them while they're practising, remind them every time they make a mistake, but remind them gently, as they are trying to do the right thing, they're just slipping up due to habit.

In general, be patient with non-lgbt folks, if we're mad at them, it just drives them away, rather than driving them toward us to help and assist us.

We should be grateful for our allies.

9. Once you've come out and your parents probably still have questions, I would recommend sitting down and having family night where you read together some good articles about transgenderism, and LGBT+ in general.

If they're not familiar with it, this type of education can help them a lot to understand the terminology and how to address you, and basic respect for trans & lgbtq+ people.

Overall it's a learning experience for both of you, and it would be amazing to do if they're willing to learn.

Remember that it's a journey for all of us, and everyone has a lot to learn.

10. When selecting your name, I have one piece of advice/a question for you; "Does it spark joy?"

The most important thing, it doesn't matter how odd sounding it is, or differently spelled it is, or whatever your name is, if you enjoy your name, that's what matters.

Always pick the one that calls out to you.

And it's okay to change it from time to time, people need time to figure out who they are!

And with that, I conclude my fourth part!

I hope you were helped by this in any way, and thanks for reading.

#trans man #transguy #trans boy #transgender #trans ftm #ftm trans #trans male #ftm #ftm tips #transgender tips #transgender guide #ftm guide #lgbtqa #lgbtq #lgbt #trans guy tips #social transition #trans guy guide #coming out

[47crayons]

so, you want to write a musician?

about me: i play viola and have experience in symphony orchestras, string orchestras, string quartets (+ a few other small ensembles), and solo performances. i've done some light composition, and have friends/family who play other instruments. while my musical history is extensive, by no means do i know everything or speak for everyone.

this guide will focus on classical music/how to portray classical musicians and things that aren't as easily researched.

quick overview of instruments in a typical symphony orchestra

upper strings (violin, viola), lower strings (cello, (double) bass; i've seen viola included here too, but it's more commonly classified as upper strings)

strings also technically includes harp and piano

woodwinds (flute, oboe, clarinet, bassoon)

depending on instrumentation, they may also have piccolo, english horn, bass clarinet, contrabassoon

saxophones are not traditionally in symphony orchestras due to it being a relative newer instrument! but this is changing because more contemporary composes are including sax parts

brass (trumpet, trombone, bass trombone, tuba, euphonium)

percussion (depends heavily on instrumentation, but common instruments are bass drum, timpani, snare, crash cymbal, xylophone, marimba)

some things you should research

where the hands are supposed to go!! i'd recommend you look at pictures of professionals in orchestra settings (ny phil, cso, berlin phil are all top tier). some musicians *coughs at yoyo ma* have less than perfect posture when they're performing solos (for the same reasons famous authors can break "rules")

necessary equipment including reeds, rockstops, different kinds of sticks/mallets, rosin, mouth pieces for whatever instrument you're writing

common misconceptions

loose/photocopied sheet music is not aesthetic—it's annoying and impossible to keep organized. folders and binders are fairly common especially when managing multiple ensembles.

original copies are often expensive and required to perform a piece (legally) for profit or otherwise (though i know a few people who have bent this rule)

not all performers are good composers (i myself have very little formal music theory training), but many composers have performance histories.

not all musicians can sing.

perfect pitch is both a blessing and a curse. notes can be slightly lower/higher but in tune with the context of the piece, which drives people with perfect pitch insane.

having perfect pitch does not guarantee someone will be a prodigy, and people don't need perfect pitch to be a talented musician.

drama in ensembles does exist, but it rarely gets in the way of rehearsal. same thing goes for good friends: if your characters have even a shred of common sense, they aren't going to be talking/messing around during rehearsal.

instruments (especially good ones) are extremely expensive. people very rarely store instruments on the wall or other displays for fear of falling.

instruments are very picky and require tuning every time. every time! it doesn't take long anyway. temperature and humidity can and will make instruments go out of tune or damage your instrument if not properly stored.

some people listen exclusively to classical music, but in my experience, that's definitely not the majority

like with anything, most musicians struggle with self doubt at one point or another.

musician culture

getting excited when we hear a piece we recognize

getting frustrated because we can't remember the name of the piece (after all, no lyrics to search)

being horrified when a non-musician actor is playing a musician. yes, we notice. yes, it's obvious.

if people are joking, it's likely to be about: violas (a quick search for "viola jokes" will tell you all you need to know) or trumpets (a reputation for being overly loud, playing and not)

putting stickers (places they toured, their orchestra, or just purely decorative) on cases is common, but not for everyone. same goes for pictures (of family, past concerts, or anything) on the inside.

scrambling for a pencil when the conductor says to mark something. pencils are a musicians best friend :D

asking (and forgetting) how to split double stops/two parts at the same time. sometimes one stand partner will play the top while the other plays the bottom, and sometimes this is split stand by stand.

this has NEVER resulted in a sexual top/bottom joke. please just. don't. also no g string jokes. it's just unrealistic.

awaiting the obligatory "it's one week before our concert, and you sound like this?!" lecture

not talking about music 100% of the time!!! they have lives outside of music (most of them, at least /j). especially to close friends, music is probably not going to be a conversation topic unless something is out of the ordinary (high stress, something funny from rehearsal, etc.)

bragging/talking about how often they practice is generally not welcomed. great, but other people don't need to hear it!

stages are hot and bright. there's no way a performer can see someone in the audience with the possible exception of the first row.

practicing

three words for you: love. hate. relationship.

slow practice (like really slow lots of people recommend half speed; good for focusing on the right notes, tone, phrasing, smooth transitions)

metronome practice (while playing, it's not annoying at all! it's helpful and requires a lot of focus; when NOT playing, it's annoying and loud because it needs to be heard over the playing)

drone practice (having a machine/website/another person play one note in the background; good for tuning and scales)

and too many more for me to detail

auditions

ensembles may have entrance auditions to determine who gets in and seating auditions to determine placement within the section.

adrenaline does not make us play better; it just makes us make mistakes. and then thinking about those mistakes causes more mistakes.

some instruments, especially those with less repertoire, have common excerpts that come up frequently (i can think of one in particular that i've played for three separate auditions this year).

stopping/starting over is not recommended ever, but if you do, it has to be 10x better. most audition judges aren't looking for perfection!! they want to see how your character can keep going after messing up.

sight reading (being given new music, having ~30 seconds to look at it, being asked to play) is never perfect. i don't care how talented your character is; if they think they nailed it, they aren't experienced enough to see all the phrasing/dynamics that they didn't incorporate. no one gets sight reading perfect!!!

perhaps most importantly, musicians are not all the same! they enjoy it for a number of different reasons and have diverse and interesting lives outside of music!!! more information about specific instrument groups under the cut :)

strings

callouses. with the exception of pianists, most string players (and especially professional ones) have callouses where they press down/pluck the strings. i also have one on my right thumb where i hold my bow. cellists and bassists might have them on their left thumb from playing higher notes in thumb position.

hickeys are also fairly common, though only some people get them. upper strings will get these by under their left jaw. cellists may have one from the wooden body resting on their sternum. some people (including hilary hahn and many many others) use a cloth for comfort and to prevent hickeys.

few people want a hickey, but it might suit a character who is constantly trying to prove themselves.

our fingers do not "glide" anywhere. you can get cuts/"string-burns" from pressing down too hard when shifting. cuts like those are the only reason someone's fingers will bleed, and it's rarer than you think.

upper strings are more prone to back/neck problems from the way they hold their instruments on one side. see also: shoulder pain.

finger cramps happen. they aren't too common, but most if not all strings have experienced at least one.

pianos require tuning every few years or else the chords will be out of tune. few pianists can tune their own instrument because of how complicated it is.

piano parts/accompaniments will have so. many. pages. a page turner may sit on the right of the pianist to turn the page.

woodwinds & brass

spit. so much spit. some instruments clean afterwards with a cloth; others have a spit valve which is as gross as it sounds.

proper embouchure, or how a musician uses the muscles in their face/lips, is tiring, and people actually get strong cheek muscles. they can also easily turn red, but it varies based on a person's facial complexion. see also: good lung capacity.

flute and piccolo are not dainty. piccolo requires as much air as a tuba. an old teacher of mine almost passed out playing piccolo when she was in college.

flutes and piccolos are high, but often not shrill depending on the level of the ensemble.

reeds last a few weeks (less if your character plays for hours a day) and can be expensive to buy.

keys and valves can get sticky especially on older instruments which can result in the wrong note or bad tone.

saxes, clarinets, flutes are more likely to "honk" on low notes.

oboes are more likely to feel "wispy" on high notes.

articulation comes from the tongue, especially for brass instruments, and conductors may ask for "tah" "pah" or "wah" sounds depending on the style of the piece.

percussion

callouses from the friction between hands and sticks/mallets.

there are so many types of sticks and mallets!!! make sure to take a look at what materials are good for what instruments/sounds.

cymbals, triangle, and bass drum are not easy to play, even though they look simple.

percussionists with the exception of timpani may play more than one instrument during a piece, and they're constantly moving around in the back during their rests.

percussion instruments are too expensive for most people to have everything they ever play. practice pads are very common in place of these instruments.

ability to play one instrument doesn't translate to different instruments. for example, many percussionists don't have experience playing set/drum set.

some of the things detailed here are heavily glossed over, so if you have any questions, i'd always be happy to talk about it with you; i may not have answers, but i will try to help as best i can!!!

since you read this far, have my favorite viola joke.

what's the difference between a violist and a large pizza?

a large pizza can feed a family of four :)

tagging some people who showed interest: @writing-is-a-martial-art @ashen-crest @kg-willie @owilder

#writing advice #writing resources #writing reference #music #wow this absolutely consumed me

[jq37]

The Report Card – Fantasy High: The Seven Ep 2

The Girls Are Fighting!!!

We return to Aguefort Adventuring Academy where the man himself has just told the Seven Maidens that their party is being split up which they are NOT having even though it doesn’t seem to be a malicious plot so much as the fact that Danielle, Ostentatia, and Zelda are Juniors while the other four are graduating Seniors. Antiope casts Hunter’s Mark on Aguefort, Penny pleads, Katja threatens (well, “threatens”; she walks up menacingly and then says that he can’t do this because it’s the only group of friends she’s ever had and it’s heartbreaking like all of her non-hilarious dialogue is).

Aguefort understands that it sucks and has no respect for rules but says it’s out of his hands. Sam clocks that he’s hiding something (along with the fact that he seems to know about something going on with Antiope and Penny which we know is their respective internship/apprenticeship offers) and calls him out, hitting him with a Lightning Lure to drag his ass back when he tries to turn into a bat and escape out the window. She’s unhinged and I love it. 

So does Aguefort who decides to let them in on some school secrets, leaving a decoy while he leads them all to the super secret part of the forbidden library which is bondage themed because sure. Also, Ostentatia is topless for this also because sure. He does a lot of pomp and circumstance to summon a book which Yelle flatly says better not just be the syllabus and it isn’t but she’s close. It’s the bylaws of the school district which he has summoned for the guidelines on the special, magical thing the girls can get so they can graduate together…

Their GEDS!!!!! Trés mystical. 

Basically what they need to do is complete a level A, B, or C quest together (which Antiope knows are like the top 3 highest difficulty quests--they go from A-F) and get signoff from the superintendent. But the superintendent has been missing for 12 years and there can’t be a new one until she’s dead (which she isn’t or else they’d be able to appoint a new one). Her name is Tectonya Karkovnya (who I will be calling TK) and Aguefort calls her, “chaotic and impossible to predict,” which coming from him is como se dice, troubling. 

Sam pulls out her mirror to do a little snooping on TK’s past and sees that she’s a coppery, earth genasi woman. She also sees her talking to Aguefort and saying that the magic of consciousness is far superior to his beloved chronomancy. Then the scene shifts to show her getting more and more worried as she got deeper into her studies and then going to a dwarven holy site in the Mountains of Chaos with some kind of shadow figure following her. 

Penny gets photos of the super cursed bylaws and Arthur leaves since he very much is the principal of the school and has to do his job (ostensibly). With Aguefort gone, the girls discuss the proposition after conscripting a very reluctant Antiope to be their leader (Aabria hilariously improvises that a shaft of sunlight somehow comes down to illuminate her and she has to step out of the spotlight). 

They discuss whether they want to do this GED quest or not and Zelda says she wants to but she wants to give anyone who has other stuff going on an out so they don’t feel beholden. Ostentatia immediately shoots back that Zelda is just saying that because she has plans with Gorgug. That brings down the mood and Sam, despite being a water genasi, fans the flames by saying that Gorgug has lots going on that doesn’t involve her so she shouldn’t be running back to him all the time. 

Yelle tries to calm things down and says they should sleep on it but Sam and Ostentatia are taking this super personally and are offended that they’re even having this conversation. Penny accidentally lets slip that she has some kind of apprenticeship (she’s trying to keep it on the DL because it’s supposed to be a secret) and oh man it becomes a Whole Thing. They fight in the way that you do when everyone in the fight actually wants the same thing and cares deeply about each other but are in completely different headspaces which are making them lash out.

Penny, not wanting to be around the conflict, goes invisible. Zelda is suppressing going into a rage and says that maybe she should go be with Gorgug. At least he won’t yell at her. Yelle once again tries to cool things down and suggests they have a text thread where they can say if they’re in or out by the end of the night instead of hashing it out in the open. She’s accused of not being in and, in response, texts that she’s in. Ostentatia and Sam also immediately text that they’re in, which basically makes her “solution” entirely moot. 

Zelda is finally fully fed up and leaves (Penny following invisibly). Katja also follows. 

Antiope can tell that Sam is upset about something that’s not this but Sam brushes her off rudely and storms off (quite literally, causing storm clouds outside in her wake). Yelle goes after her. Ostentatia is left with Antiope.

Time for a string of very emotional mini scenes which I highly encourage you to watch because they are peak improv.  

Zelda, Katja, (Invisible) Penny

Katja runs to find Zelda who is under a tree crying and asks if she’s OK. Zelda says that Sam and Ostentatia are so beautiful and confident and eloquent and she gets so tongue tied and useless when they disagree with her because she’s so timid. Zelda wants this so bad but she doesn’t want to feel like she’s forcing her friends to stay with her. 

Katja, as we know, has major abandonment issues because of her constantly away dad (and prob her mom too) and she doesn’t want to be left behind again but she also doesn’t want her friends to factor her in so she tries to be stoic and says that the people you love have to want to stay. But with a 3, Zelda immediately clocks the emotion behind the words. Instead of calling her out, Zelda offers to listen to music with her. 

Penny takes this opportunity to make herself known (which has got to be terrifying--unless you’re used to it and then it’s like same shit as usual from Ms. Luckstone) and Zelda goat jumps to grab her out of the tree she was crying in above them and tells her that she doesn’t have to go invisible every time there’s conflict. They all agree that they hate confrontation and Rehka gets the funniest lowkey line of the episodes: that she wouldn’t know what to do if they didn’t agree on that. We then cut to…

Ostentatia and Antiope

Where Izzy gets the high key funniest moment of the episode by transitioning in with a big, “You know I LOVE confrontation,” which breaks everyone at the table. But she says it as a preface to admitting that she may have been a bit of a bitch to Zelda. She plays coy for like a half second before she breaks down sobbing with Antiope catching her before she sinks fully to the floor. Antiope comforts her and admits that while she wants to stay with the party, she hates having options taken away from her as they have been her whole life effectively. She was honestly kind of relieved when she was trapped in the crystal because it meant all that pressure was gone for a bit. They affirm that they love each other then Ostentatia goes to apologize to Zelda. 

Danielle and Sam

Yelle goes to talk to Sam (who she adorably calls “merbae”) and while Sam doesn’t wanna talk about it, Yelle says they don’t have to. She just wants to be there for her in whatever capacity she needs. She knows Sam loves her friends and would never hurt them on purpose so something must be wrong with her-- “History of abandonment?” Sam finishes, almost glibly. She’s tired of losing people. She doesn’t want to lose more. She doesn’t want things to change. Nature is change, Yelle says. Nature sucks, Sam says. Yelle is gonna pretend like she didn't hear that. 

Sam feels bad that she snapped at Zelda and Yelle says that they’re all a family. Things will be alright. The storm clouds that Sam reflexively summoned peter out into a cool, refreshing mist. 

Ostentatia and Zelda

Ostentatia goes to where Zelda and the girls are and full ass runs at her like they weren’t just fighting. After assuring her that she’s not there to fight she apologizes, saying she was a cow. Zelda says she honestly agrees with Ostentatia that she wants the group to stay together and wishes she could be bolder in non-rage settings. Ostentatia says that maybe if the Seniors leave they can still have a party and Penny vetos that even though, as Ostentatia says, it’s a pretty reasonable compromise. Anyway, they basically all go in a circle saying they love each other and it’s very sweet. 

I’m serious, I can’t do these heart to hearts justice in this format, just go watch them for that emotional girl group goodness.

Anyway, outside of the main group, Antiope goes to talk to her sister Corsica who is currently teaching a class. Antiope does not give AF. She orders the students out and they scatter. Wouldn’t you?

Antiope wants advice. Should she stay with her party after flaming out of her last one? Should she take the internship and stay on the path her parents want her on? Corsica really feels for her. Antiope has had to struggle in a way that she and their brothers never did. She finally answers that she and her brothers are awesome and successful fighters but none of them have been able to do the scariest thing possible: disappoint their parents. They’re soldiers. They like it that way. They fall in line. But maybe Antiope isn’t a soldier. Maybe she’s a leader. She ordered those kids out of the room without thinking after all and they obeyed. It’s an extremely good speech and Antiope basically has chills, as do I.  

I assume while this is happening or perhaps right before everyone goes home, Penny goes to see Jawbone (who has some spiffy new art--as did Gilear who cameoed early in the episode when Aguefort atomic wedgied him invisibly because sure) and talk about this uber difficult decision she had to make. Jawbone gets to the heart of the matter pretty quick. Penny is a high achiever who’s lived a life without choice. But now that she’s about to be off the rails for the time she’s freaking out. Penny sees the truth in the statement (after hilariously trying to solve his metaphor about an amusement park) and thanks him for the perspective. She then, in a very Fig move, tries to kiss him and Jawbone basically stiff arms her and breezes right past like it didn’t happen, showing her out. What a trooper that Jawbone.   

Moving on to Katja. When she gets home she tries to call her dad who is unreachable on his hell mission. She leaves him a message saying that he should call her back when he can and she knows what she wants for her graduation present now. She wants her party to not break up. This breaks Brennan and me. 

She then snoops arounds for info on TK. She sees letters of her dad trying to get her into Hudol. And she sees some stuff from the Ministry of Adventure, asking if he knew where TK was. But she doesn’t get anything else. At least, she doesn’t get anything else that’s helpful. She does however find a picture of her mom which makes her bolt to go talk to Cinnamon who prances for her to make her feel better. She joins in dancing, badly.

EDIT: I initially wrote that Katja’s mom was dead because that’s what I thought she said but @ennn said that in the Adventuring Party, Rekha said that her mom didn’t die, she left. Which is less dramatic in some ways but SO MUCH WORSE for abandonment issues so, yikes girl!

Yelle meanwhile goes home to talk to her unofficial third mom, Holly, who is the awakened tree under which her house is. Picture a Grandmother Willow situation from Pocahantas basically. Yelle talks about the conflict a bit and, as usual, ends up on a tangent about how the world is unfair and she has to speak for the voiceless. Holly is concerned for her (as are her other moms which I may have neglected to mention in the last recap). She asks Yelle if she can tell her something that might be painful. Yelle agrees. Holly says that Yelle is great and wonderful and kind but she spends so much time speaking for other people that she never speaks for herself. Her moms worry that there will come a day when she needs help and will have to ask for it without couching it in terms of the greater good and she won’t be able to. 

Yelle really hopes she’s high when the time comes. 

At her home, Ostentatia casts Commune With The City to see if TK has been around and she’s not there now but she can tell she has been (though there’s no indication on if that’s recently or not). On a 17 religion check she knows that there is a dwarven holy site in the mountains that matches Sam’s description from the mirror. She’s still avoiding her dad but when she prays for her spells, she asks for her dad to feel like himself again too. 

Hey, what time is it? Let me check my watch. 

Ah yes, it’s time for Sam to make some rash decisions. 

She feels like she should text Zelda but doesn’t. Instead, she goes into Penelope’s room. And she takes out her mirror. And even though she’s expended the charge for today, she tries to make it show her Penelope. 

OK, says Brennan. Sure. Hey, can you roll me a quick little Wisdom Save?

5. 

Haha, Sam’s in danger. 

The mirror heats up as it’s pushed beyond its limits and Sam sees an image of a young Penelope with braces grabbing her hands and grinning and saying that they’ll be best friends. Then, the image shifts and she sees the Penelope of the present in her tattered prom queen dress and glass shard crown. Her eyeless, haunting, demon prom queen form, teeth razor sharp as her words. 

“A call without a text,” she says. “Are you out of your mind?”

“You look better than you ever did alive,” Sam spits back. 

It is a battle of the bitches right out of the gate. The girls are fighting part two if you will. They snipe at each other for a bit and Brennan has Sam roll insight into herself. On a 19, Sephie says that’s not enough for Sam to get a read on herself (yikes girl) so she doesn’t understand that this fight can only ruin her because while Penelope enjoys causing people pain, Sam doesn’t. 

They both get in some very choice barbs but when Penelope tries to entice her into making a devilish pact and disparages her new party, Sam does the mic drop of the century by telling her that her parents are divorcing and hanging up. The entire table LOSES THEIR MIND. It is like a real life representation of one of those Draw The Squad memes. Everyone brandishes their fans in a salute to that truly epic conversation ender. 

As the night draws to a close, Brennan asks the girls who haven’t responded to the text chain yet if they respond. Katja texts that she’s in. Zelda texts Antiope and Penny that she’s not going to text whether she’s in or out until they respond because she doesn’t want it to feel like a 5 on 2 dogpile.

Antiope and Penny call then text, then call, then text, then call each other to discuss what they should do and also hype each other up because with all the drama, they didn’t really get to celebrate their opportunities. Penny tries to downplay her thing and insinuates that it wouldn’t be a big loss if she wasn’t in the group anymore and Antiope shuts that down immediately. You’re the last thing so many people see before they die Penny! That’s so cool! 

They both decide to text that they’re abstaining from voting for now and go to bed.

The next day, Antiope gets up and sees that her party’s schedule has been cleared for the next two weeks by the school for quest reasons. She tells her dad she wants to talk to Charity Blythe (the woman at the Ministry of Adventure she needs to talk do) and he sets up a no pressure (but actually tons of pressure) meeting with her before turning her 5 mile run into a 12 mile run because she is a Jones and 5 mile runs are for Amateurs. 

Ant texts the rest of the Maidens that this meeting is happening so they can maybe get some quest info from Charity and Ostentatia has in the meantime texted (after the 2 abstains) that she will be going for the GED regardless and anyone who wants to join can. Of course, there was never any reason to NOT go for it (besides the danger which they obv don’t care about) and getting it doesn’t mean any doors are closed to them. It’s just that emotions are running so high they can’t fully seem to see that (or at least some members can’t). 

Ant doesn’t have the clearance to meet at Charity’s office so they meet at the Museum of Adventuring instead. In it happens to be the skeleton of Kalvaxus who they killed (if you don’t remember, the Bad Kids killed him first and then he was resurrected so the Maidens could also kill him for catharsis reasons). Tensions are still super high as evidenced by Sam’s snide abstention comment to Penny and Ant and then by her TRYING TO LIGHTNING BOLT THE DRAGON SKELETON TO DESTROY IT.

GIRL.

That doesn't happen though because she’s Counterspelled by Charity Blythe who walks in, surprised to see that Antiope brought her whole party. Antiope says they were just leaving but Charity can sense shenanigans when she sees them and says if they’re gonna spy on the conversation they might as well stay for it which they of course do.

She gives Antiope a rundown of the internship: 1 year commitment with a possibility to expand to 2-3 years. Stipend. She’d have to live in Bastion City.

Katja remembers that her dad was talking to the Ministry of Adventure in the letters she found and asks Charity about it. Charity says they were asking him about TK’s whereabouts because he was friends with her. On that, Yelle casts Detect Thoughts with a Stealth roll of 17 (we see on a secret Box of Doom roll that Charity got a 26 to see her cast it). Anyway, she sees that TK took some object with her when she disappeared (which she later sees is a crystal screen with a map seemingly marking quest locations from A-F) and of course the fact that Charity knows this. Yelle shares this info with everyone as Antiope walks off with Charity to talk further. Katja suggests to the group that maybe Ant should take the internship to get more info for their quest. While she’s talking to Charity, Ant feels the hairs on the back of her neck stand up.

See looks up and sees a figure with blood red lips look at her and disappear.

Yikes! Combat time baybee!

Superlatives 

Danielle: Most Likely to Talk Her Way Out of a Hostage Situation 

While, like her mothers, I am slightly concerned that Danielle is the type to set fire to herself to make sure others are warm, I also very much love her chill, warm, encouraging vibes. For those of you coming off of MisMag, she is like vibing at the same wavelength as Whitney Jammer but with the intensity turned all the way down. Danielle encouraging Sam honestly gave me like second hand calm. Excellent vibes. 

Random Thoughts

If you’re wondering how long it took for it to come up that Aguefort banged a phoenix, the answer is 12 minutes.

The concept of phoenix chlamydia is the definition of thanks, I hate it. 

Aguefort saying that TK is a crazy person could literally mean anything tbh. It could mean she is the most batshit person on the planet or it could mean she’s totally normal and just kinda bugs him. Literally no way to tell. 

Someone (I think Rekha?) mentioned that the cursed bylaws book is copper and so is TK. Idk if that’s relevant but thought I’d flag it anyway. 

We learn in this episode that the friendship bracelets Penny made them last week let them track each other and see each other even if one of the in knocked out (which is what gives it utility outside of what their crystals can already do).

We learn in this episode that Skullcleaver Elementary School is actually named after Katja’s family. 

Nothing like the fear you feel when a DM gives you what you wanted even on a failure. And on that note...

Sam, I wish you a very happy Please Go To Therapy. Please girl. 

This episode was such an emotional roller coaster. I deeply empathize with the horrible feeling that your friends have stuff going on and you don’t and you’re going to be left behind. It’s so rough to see everyone hurting and lashing out (or in the case of Yelle for instance, trying and failing to diffuse the situation). But it’s so nice to see everyone trying to be there for each other and apologizing and affirming that they love each other (from Antiope saying that she would kill and die for any of them to Danielle defusing the ticking timebomb that is Sam). The players really get the cadence of how teenage girl friendship works and it’s such a treat to watch. 

“Did we ruin your life?”

Do you think ep 7 of The Seven is gonna be when everything pops off? As a DM I wouldn’t be able to resist that.

Penny’s response to being told that she can’t take every path is, “You can with chronomancy” which isn’t a bad point. 

Rekha is the Zac of The Seven which is to say low key the funniest person on the planet. Her saying she was so scared that she wasn’t gonna be told “I love you” during that scene was so funny. Her comic timing is impeccable. 

Katja fainting at the end of the “I love you” session after Penny says she loves her and Cinnamon. 

I love the table ambient whisper of, “LCAB” under Antiope’s scene with Corsica. 

I really felt for Zelda in this episode. Like, I felt for everyone but especially her, being the quiet one with all this yelling happening. When she was talking about how much she hates to have to fight with Sam/O my heart really broke for her. I’m so glad she got all her hugs in after that. 

In this episode Katja, Ostentatia, and Sam roll nat 1s. No nat 20s.

#dimension 20 #dimension 20 spoilers #fantasy high #the seven #the seven spoilers

[dragonsareourfuture]

Death Note as Stand-Up Comedians

Mello

- he’s allowed to complain about Near in front of an auditorium full of people as long as it’s in the form of a joke — of course he loves it.

- He has a lot of passion up on stage. The audience loves it because it makes them feel really immersed into the show.

- Mello has a tendency to get really loud when he gets really into a joke or bit, so the tech crew has gotten used to lowering the volume on his mic as the show progresses and he gets louder and louder.

- Mello has a harsh sense of humor, often using exaggerations and sarcasm to accentuate a point.

- He would tell stories from his time at Wammy’s house, mainly the chaos moments with Matt because the rest is pretty traumatizing for him.

- It’s his style that draws people in and his sense of humor that keeps them there. He has a very unique clothing style and, even when his managers suggested he dress down for the show as to not scare people away, he refused. He said that he would rather show who he is upfront and let the public decide whether or not to invest time in him than fake his personality for people he doesn’t know or give a shit about. They got the hint pretty quickly after that.

- He would sometimes do joined shows with Matt, which is quite interesting. Their dynamic works perfectly on stage and they even weave jokes that weren’t scripted into the show to keep each other on their toes.

Matt

- He’s a pretty chill guy, so I picture his sense of humor as pretty dry. Not in a bad way, of course. For instance, he tends to say the most hilarious things with a straight face and flat tone, which somehow makes the joke even funnier.

- He likes to involve the audience a lot, so gags where he (with permission) takes an audience member’s phone and reads their texts aloud are common. Somehow he can make jokes about the most mundane of text conversations and have the audience howling.

- Like I mentioned earlier, he and Mello’s contrasting senses of humor work for a perfect dynamic when performing, so shows where they’re together are the audience’s favorite. But even though Mello’s wild passion can take the spotlight at times, Matt is never overshadowed as they’re both sure to include the other in any bit or joke they do.

- For no reason at all I think Matt it great at imitations and impressions of different people. So, like when he’s doing a bit and speaking for someone else he can assign voices for everyone and the audience knows who he’s supposed to be speaking as in that moment. Usually these people are only known to him and Mello, so the audience can’t tell how exactly spot on he is. His impression of Near gets Mello wheezing, and his Mello impression gets the audience wheezing with Mello constantly claiming “I don’t sound like that, idiot!” With the audience shouting “YES YOU DO!”

L

- L’s sense of humor tends to require a specific taste, which is why he would probably be one of the least successful of the bunch.

- Don’t get me wrong, his sense of humor is adorable and one of the best aspects of Death Note in my opinion, but it comes in short and random bursts. He’d be talking about something serious and then crack a joke (“yEs tHat mUst Be dArK”), so it requires patience to really get to his sense of humor.

- The audience, I feel, wouldn’t have the patience to stick around and wait for his humor to surface.

- But L would have a cult following of a specific group of people that appreciate his talents.

- I’m picturing a show in which he starts off by talking about some cases, and transition to jokes from there. Due to his occupation, many jokes involve a darker sense of humor but also contain surprisingly innocent little remarks or comments. I can’t really explain it better, it makes sense in my head but I’m not too sure how to put it into words.

- Most of the show he keeps his straight face, but when he gets the audience going from something he said he can’t help but crack a little smile and chuckle into the mic pretty bashfully.

Near

- I’m sorry but Near doesn’t have too much of a sense of humor. But he does do or say some of the most hilarious shit on accident.

- It was actually Halle that convinced him to take up stand up comedy, as she got to spend tons of time just sitting and talking with him, cracking up at something Near said while he just stared at her in confusion.

- She had complete and total confidence that just plopping Near on stage and telling him to “just talk” would get the audience going, so she took him to a bar that did stand up comedy nights. Near absolutely killed it.

- Eventually he learns what the public finds funny through experimentation and tells those kinds of jokes more often, learning to perfect his craft. Through this method he is able to go from ‘accidentally funny’ to ‘intentionally hilarious’.

Light

- I wholeheartedly believe that Light has no sense of humor. Period.

- Sure, he’s accidentally funny sometimes but not enough to fake it ‘til he makes it like Near did.

- So he gets someone else to write his show for him. He’s just a pretty face, and the person who wrote his show is mentioned once or twice but who really cares about them? It’s Light who’s doing all the work, obviously. He’s the one getting sweaty up on stage.

- Honestly he barely has a sense of humor he’s probably just do it as a side thing for recognition or like most youtubers who write a book or start a podcast.

Matsuda

- Okay so, I definitely think that Matsuda would be one of the most successful stand up comedians out of all of them.

- He’s just so bubbly and kind and just genuinely a wonderful person so who could walk out of a show if his unsatisfied? No one. That’s who.

- My mans here has the opportunity to make so many self deprecating jokes due to how the task force treats him and how he’s just overall looked at as inferior to everyone he works with. And guess what? He doesn’t take that opportunity at all. He thinks self worth is the most important thing in the world and instead focuses his jokes around break room stories and observations of every day life.

- However if he ever does make a self deprecating joke, it’s never with any hatred towards himself. Like, he’ll joke about how his recklessness got him in trouble with Yotsuba, but instead of cursing the trait he has, he always expresses his hopes to get better and learn from his mistakes. Meanwhile the audience is dying at how he tells the story with so much energy and just— ...he’s wonderful.

- He just reminds me of John Mulaney when I picture a show of his.

- He’s pretty goofy by nature and you can tell that he’s enjoying himself up on stage, watching him laugh at his own jokes and beam at the audience with a smile so bright it could rival the spotlight shining down on him.

- He also really likes the attention, having been pushed to the side for so long.

- He’s just overall a really nice and positive guy while also being hilarious to listen to. 10/10.

Misa

- With her already existing music career and fashion career, people know her pretty well. Therefore, there is a HOARD of people waiting to see how she fairs at something so different from her previous career paths.

- And y’know what? Misa’s great at it.

- I’d like to imagine she’s out of her terrible relationship with Light in this au and realize how messed up he was, so I think she’d do a lot of clowning Light in her shows.

- She will kinda mix the comedy with valuable life lessons on relationships, so a lot of fans come up to her and thank her because they let their kids watch her shows and they’ve learned so much from her while being entertained for a good hour.

- Also her voice is so cute and pleasant to listen to I would gladly listen to her talk for a week let alone an hour.

- I imagine her style of show and humor to be along the lines of straight up ranting and just talking her heart out. You know that friend that can talk for hours but it’s okay because they make everything, even the most mundane things, sound dramatic and fun and lively? Yeah, that’s her.

#death note #death note headcanon #Misa amane #death note misa #matt death note #mihael keehl #mello death note #Mail jeevas #nate river #near death note #light yagami #l Lawliet #l death note #touta matsuda #matsuda death note #comedian

[girl4music]

1. Willow

2. Tara

3. Dark Willow

4. Willow: “Actually, this isn't about you. Although I'm fond, don't get me wrong, of you. The other night, you know, being captured and all, facing off with Faith. Things just, kind of, got clear. I mean, you've been fighting evil here for three years, and I've helped some, and now we're supposed to decide what we want to do with our lives. And I just realized that that's what I want to do. Fight evil, help people. I mean, I-I think it's worth doing. And I don't think you do it because you have to. It's a good fight, Buffy, and I want in.”

5. When Xander is trying to prove to Willow that he is the real Xander in ‘The Replacement’ and he does the Snoopy dance. Their PLATONIC relationship is adorable.

6. Xander and Harmony has the BEST fight scene in the whole show. Don’t deny it. 👌

Oh, alright. The demonstration fight scene in ‘Fool For Love’ with the clever editing transitions of Spike fighting the previous Slayer and then cutting back to him fighting Buffy even though he can’t hit her.

7. The Enjoining Spell. Not only is it cool as fuck but it brings about the First Slayer consequences and the genius of ‘Restless’ at a result. How could I not love it?

8. ‘Nightmares’

9. ‘Becoming Part 1’

10. ‘Doppelgängland’

11. ‘Restless’

12. ‘Family’

13. ‘Once More, With Feeling’

14. ‘Conversations With Dead People’

15. The Scooby meeting in ‘Hush’ with the projector and the Danse Macabre music and the absolutely hilarious misinterpretations of each other’s ideas because none of them can say what they mean.

16. Willow/Xander/Anya/Tara reactions in ‘The Body’.

17. ‘Under Your Spell’ even though I hate watching the end of the musical number alongside it because of the context of it.

18. Giles: “She was truly the best of all of us.”

Xander: “Way better than me.”

Giles: “Much, much better.”

19. Professor Walsh: “We thought you were a myth.” Buffy: “Well, you were myth-taken.”

20. Willow: “And remember, if you hurt her I will beat you to death with a shovel.

*Riley looks alarmed*

A vague disclaimer is nobody’s friend. Have fun.”

21. “First day of kindergarten. You cried because you broke the yellow crayon, and you were too afraid to tell anyone. You've come pretty far, ending the world, not a terrific notion. But the thing is? Yeah. I love you. I loved crayon-breaky Willow and I love... scary veiny Willow. So if I'm going out, it's here. If you wanna kill the world? Well, then start with me. I've earned that.”

22. “Yes, it’s terribly simple. The good-guys are stalwart and true. The bad-guys are easily distinguished by their pointy horns or black hats and we always defeat them and save the day. Nobody ever dies...and everybody lives happily ever after.”

23. “You listen to me. I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A 100+ years, and there's only one thing I've ever been sure of: you. Hey, look at me. I'm not asking you for anything. When I say, "I love you," it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.”

24. Spike and Buffy

25. Willow and Tara

26. Willow and Giles (Only if Willow was bisexual and after Tara so she’s a consenting adult)

27. Buffy and Willow

28. I vaguely remember watching ‘Nightmares’ when I was a child. I wasn’t completely oblivious to the show. I just didn’t give it a chance until much much later.

29. I like the Season 6 opener the best because it includes the Willow and Tara dance scene from ‘Family’ which is my favourite W/T scene.

30. No brainer. Season 5. They did everything right. The hero died a heroes death. All the Scoobies had use and a part to play in the finale. And most of all, Tara got her sanity back and didn’t die. Perfect.

#buffy the vampire slayer #30 days of buffy challenge

[1ddotdhq]

🍌Wed 2 Dec ‘20💚

Harry Styles Reacts to Banana Innuendo Rumors by Making EVEN MORE Banana Innuendos part TWO

Good morning/evening/night to Harry’s post and Harry’s post ONLY! (Okay that’s not true but it was definitely a highlight of my day). In case people haven’t seen it yet, it’s Harry in a light blue custom made suit putting a penis banana in his mouth. The picture is captioned “Bring Back Manly Men” so take a suck on THAT Candace Owens! It was only one of many great pictures in his variety shoot (including another, um, fruity picture of him biting into a pomegranate okay Persephone we get it), but Harry did indeed choose That One to post on This, the day after banana necklace dickscourse, BLESS. Harry’s interview was a little more in depth than they have been in the past, touching upon his feelings on race (“Historically, I can’t think of any industry that’s benefited more off of Black culture than music. There are discussions that need to happen about this long history of not being paid fairly. It’s a time for listening, and hopefully, people will come out humbled, educated and willing to learn and change”), as well as his tattoos (the only time he regrets them is in the DWD makeup chair), his love of reading, fashion and art, his exercise routine (Kid Harpoon couldn’t keep up!),  and his feelings on success and acclaim (“It’s never why I do anything...it's always nice to know that people like what you’re doing, but ultimately — and especially working in a subjective field — I don’t put too much weight on that stuff...Fans are the best A&R”). 

The problems arose - as they so often do - when One Direction was mentioned. The article said that “The proof [of the band’s benefits] is in the relatively seamless solo transitions of at least three of its members- Payne, Malik and Horan in addition to Styles- each of whom has landed hit singles on charts in the U.K., the U.S. and beyond”. Leaving aside the bad math (that's 4 people!) one name, of course, is notably missing: Louis has in fact enjoyed quite a lot of success both with Walls (remember when his album went #1 on iTunes in the UK AND the US literally 2 months ago?) and his pre-Walls singles like “Back To You” and “Just Hold On”. It got worse because the author tried to back up her claim with Harry’s quote, “When you look at the history of people coming out of bands and starting solo careers, they feel this need to apologize for being in the band...but we loved being in the band...I think there’s a wont to pit people against each other. And I think it’s never been about that for us. It’s about a next step in evolution. The fact that we’ve all achieved different things outside of the band says a lot about how hard we worked in it”. By linking her own words with Harry's quote she made it seem as though Harry said it to agree with her biased take, which we'd know he didn't even if we hadn't heard him say this exact quote without that slant multiple times before. Fans were quick to point out both to the author and to Variety that they were wrong (to describe the reaction mildly), and the author rather than fixing the mistake, doubled down and began blocking fans. Plenty of people were quick to say that of course HSHQ and Harry had approved this content, despite more knowledgeable fans trying to be heard protesting that that is not how it works. (Remember how just recently Vogue got Harry’s whole ass FAMILY situation wrong and it was not corrected until after print, for example?) In fact, even the magazine didn't really proofread this- the print version of the article is different and says, “The proof is in the relatively seamless solo transitions of at least three of its members - Styles, Malik and Horan”, effectively erasing both Louis AND Liam. It's an annoying take either way, but it's one the author more than likely picked up by doing her research on harrie twitter, not on orders from Jeff.

And because we DO NOT STAND FOR LILO ERASURE ON THIS BLOG, let’s talk about Liam’s Web Summit panel! It was 25 minutes of Liam and Marian Dicus (VP of Spotify) being interviewed about the current and future state of the music industry. Both of them, of course, noted that things had changed very quickly in their careers back at the beginning of lockdown, and how it had seemed surreal, at first, but that Liam had found that the way he was operating now (with Veeps and Tik Tok and Instagram lives) had made his platform a two way interaction with his fans. “For a long time I've been living in a dream world where I thought I was speaking with my fans but really I was just talking at them whereas we as artists ask a lot of rhetorical questions... I wanted to start a conversation”. Marian discussed how engaging fans differently WAS one of the most difficult things to puzzle out at the beginning, but that as months have passed, it seems artists like Liam have found a viable virtual future in the music industry (Liam tells us that he's been doing “stadium size shows” on Veeps which is an exciting clue about the mystery of how many tickets they're selling). They also went into the way music trends change as a response to social and political occurrences, how comfort songs gave way to protest songs this summer. Liam said, “People want their artists to have an opinion nowadays it's not that we can stay out of the conversation anymore-- and nor do we feel that we should in many places-- but for me it's a fine line because I realize what I do for people is an escape, people don't want things rammed down their throats every day and news messages from me about things that they don't want to hear about if they've come to listen to music, so its a real fine line that we kind of teeter on”. And about his opening acts, he acknowledges that his fanbase are mostly young women (based on the data breakdowns he gets from his team), and so he feels a responsibility to mentor young female artists in the industry so that more people like his fans have a voice. In an interview full of really fascinating music and technical discussions, this remained my favorite moment from Liam. Just like we won’t erase HIM, he refuses to erase US! And let's not forget our Liam alarm of the day-- it starts out absolutely adorable (“good moooorning!”), is hilarious in that apparently he just rambled completely unscripted and then they awkwardly cut it into 25 parts, but today's installment is frankly not relaxing! “only 23 sleeps til christmas have you done your shopping are you prepared” excuse me Liam YOU ARE STRESSING ME OUT. The promised relaxing sleep story affirmations are still 'coming soon'-- hurry up please I need them to decompress after that alarm!

Now for a lightning round of epic proportions: DWD darling pictures and vids keep comin’ and Harry and Florence are both looking GORGEOUS as Jack and Alice,  after the Variety shoot dropped ‘THE CAPTION’, ‘BRING BACK MANLY MEN’, and ‘LOUIS IS SUCCESSFUL’ trended worldwide on twitter, Tan France said “yes please” to Harry's banana post, Harry reiterated that London was home and he didn’t want to be in LA for longer than he needed to,Variety has its virtual show tomorrow at 5 pm PST so see you there! Veeps is sending out emails promoting Louis’ show to people who bought LP show tickets, fans have already started to receive their Louis Tomlinson Live From London merch, Trinity College in Dublin’s Law society presented Niall with an award for, uh, his Irishness, I guess? (Just kidding, it’s for “his incredible talent and work ethics which is famously underscored by a distinct humility despite unthinkable success”). It looks like he will be giving a talk when he’s presented with it, and I’m honestly really interested to see what it’s all about - is he...gonna be talking to law students? Idk but tune in on December 7th at 12 pm GMT to find out!

#harry styles #liam payne #louis tomlinson #niall horan #also i am seeing discourse about H's COOP and how he loves the Manchester music scene #but that this stadium will be changing it irrevocably #i mean it will be adding jobs (4000 of them!) but it will also be pushing out the small music scenes that benefits small independent artists #who are trying to break through into the indusrty #*industry #and i think thats a really interesting and important convo #of which i dont have any knowledge but i did want to shine some light on it #also!! tumblr has finally recced me something that i like! a store called 28cultures.com #and its NOT larry merch but it COULD BE its SO COOL!!!! #this isnt spon con i just thought it was so funny! #anyways! #song of the day~ #savior complex by phoebe bridgers #(and rob moose!)

[thoughts-on-bangtan]

BTS at Golden Disc Awards 2021

by Admin 1

On the 9th and 10th of January 2021 BTS attended the Golden Disc Awards, and performed on the second day as well. Being there they won the Digital Bonsang for Dynamite on the 9th and the Bonsang, as well as the Album Daesang for Map of the Soul : 7, on the 10th. Amazing achievements which I sincerely congratulate them on.

When it comes to the performance, it was, most certainly, another amazing collection of stages bringing something new once more, even if they presented songs we’ve already seen at previous award shows this season. The opening came in form of Black Swan, though they didn’t sing any of it. It was more an intro showcasing the entrance of the members and highlighted Yoongi’s return to the stage, at least partially. 

The stage featured big metal winds, low lighting, and the members clad in black and white clothing including leather elbow length gloves for Namjoon and Yoongi, and pretty chockers for Taehyung and Jimin. The highlight though was Jungkook’s hair which isn’t dark anymore, but instead has been bleached and dyed a pretty blond. Personally I think it suits him pretty well. 

More below the cut since this is shaping up to be pretty long:

Next up was ON, which was powerful and fierce, though still missing Yoongi, which is all too understandable. Even though he can stand on stage again and hold his mic in his left hand (his surgery was on the left shoulder), it will still be a while until he’ll be able to dance with the members. ON has certainly grown a lot on me and I enjoy their performances of it immensely, and it was much the case this time as well.

The transition from ON to Life Goes On came in form of the stage being made to look like their individual rooms from BE which appeared on the digital walls around them. Their clothes were mostly comfy, though Jimin’s resembled their outfits from all the way back during I NEED U/RUN era. The transition/VCR like moment ended with the instrumental to We Are Bulletproof : The Eternal and the stage looking much the way the MV did with the whale swimming around them in an ocean of shades of purple, blue and pink.

For Life Goes On they had miniature versions of some of their most iconic MV sets on pedestals. It was a really cute idea and I enjoyed the execution a lot. The members seemed relaxed and enjoying themselves, Jimin and Taehyung even having their little moment of looking at each other twice, these moments certainly having become something I always kind of look forward to when it comes to LGO stages. 

Another tiny Jimin and Taehyung detail was Jimin sending a brief, barely noticeable (by the viewer) finger heart which I hadn’t even noticed until my fourth rewatch. It definitely fits with all these other small gestures we’ve seen from these two in recent months, like the finger hearts and kissy faces during their Lotte Family Concert performance of Boy with Luv or hugging each other on day 1 and doing a fun handshake and dance on day 2 during Dionysus at the MOTS ON:E concert visible only on one of the side cameras, not the main one.

The grand finale was the Slow Jam remix of Dynamite which worked perfectly with the chill out lounge/bar atmosphere created on stage fitting with the Great Gatsby theme. The members wore mostly suits in white, blue in Namjoon’s case, and a bright yellow when it comes to Taehyung, as well as Hoseok who had a white button down which Tae did not. While a normal person would look ridiculous in it, Taehyung looked absolutely stunning and made it more than work. After so many energetic performances of Dynamite since its release, seeing such a calm version was really nice and refreshing, showing how versatile BTS and their music are, how they can captivate an audience with fast songs made for big choreographies and stage productions, but also these slow, more chill types of tracks. A marvelous idea, truly.

There was also an encore stage where they sang ON again but this time along with Yoongi on stage which had some hilarious moments, especially Namjoon and Seokjin being silly waving their arms around while kneeling opposite each other on stage during Jungkook’s bridge. Cute.

Afterward the members were at something like a red carpet after interview where they took pictures with their awards (Jungkook and Taehyung even making their Bonsang and Daesang awards kiss much the way film director Bong Joon Ho made his two Oscars kiss last year) and were asked to do a relay of saying something to each other. 

All translations of their words are taken from Vernal_Bom on twitter.

J-hope to Jimin 

“I didn’t feel lonely in 2020 thanks to Jimin. Thank you for making me laugh. Give me happiness and laugh in 2021 as well.”  Jimin (turning to Namjoon): “It seems he can never live without me” 

Honestly the bond between Jimin and Hoseok is so cute and wonderful and you can see, and hear in their words, how important they are to each other, and how grateful Hobi is. We know the members were having a really hard time in 2020 so it doesn’t surprise me that Hobi would highlight the other members, or in this case Jimin, as one of the main reasons why he made it through it. After all we also know that those two made a song together which unfortunately didn’t make it onto BE. Hopefully we might get it one day at least as SoundCloud release, or perhaps on the next album instead.

Jimin to RM 

It was you who made us pull ourselves together to go through 2020. I am always grateful, and it’d be nice if you share you height a little with me in 2021, be healthy and happy. RM: Okay thank you

I love how Jimin used this (public) opportunity to tell/remind Namjoon of how important he was for them especially in 2020, as leader and surely also as friend, yet still also made a little joke to still keep the atmosphere light. After he was done speaking Jimin also hugged Namjoon, which showed once more how tiny he is in comparison.

RM to JK 

It’s finally today, Jungkook-si, in 10 years! You are Golden Maknae! The day that you will prove your nickname! You are proving it right now with your hair color, but in 2021, I hope the year will be filled with gold, like your nickname. Stay healthy. Let’s ‘Jje-kkit-up’ together this year too! (check it up.. the usual Namjoon saying lol)

It’s quite something to think about and realize, isn’t it, this year 10 years pass since Jungkook became a BigHit trainee and moved into their first dorm with Namjoon, Hoseok, Yoongi and Seokjin. I’m curious if Bangtan, as well as BigHit, have some kind of plan for JK specifically for this year that Namjoon chose to highlight his Golden Maknae nickname in such a way, or if it was more of a reminder to JK, that he’s so worthy despite how he doubts himself, and despite how he himself said he’s been going through tough times in 2020.

JK to V 

V hyung, when we were trainees we were getting along so well, (V: We are not now???) No!!! i didn’t mean it. You are becoming so much of an stand-up (reliable, I assume in this context) guy. Thank you for doing all the schedules with us.  jhope: who’s hyung here?

The bond these two share might just be one of the biggest mysteries and causes for conflicts and fights within the fandom, or particular parts of it. After their conversation In The SOOP, I’d like to believe they’ve figured out whatever issue might've arisen between them in the past, found a way to solve and move past it slowly, and rekindled their friendship once more. Seeing at how well they’ve been getting along (on camera) these past few months, I think it might've been so. It’s curious to me though that JK chose to say this instead of something more akin to what Jimin said to Namjoon, or Hoseok to Jimin.

V to Jin 

V: (turns to Jin)  Jin: This is too close V: I listened to Abyss and that makes my heart ache too... Jin: Thank you V: hyung, your song is so good. Make more songs in 2021, let Army and us listen to your song more. Jin: Okayokay  V: and I play game with you to relieve stress.... sorry for talking in ban-mal (informal form). —(also speaking in informal way) Jin: No no it was so fun V: I love you Jin: I love you too

I absolutely adore the bond these two share and I love that Tae chose to say what he did. We know Seokjin has been going through a hard time in 2020, that he dealt with something I’d call imposter syndrome, so I’m glad we got to know even more about how Tae was there for him, something we otherwise would’ve never known. Certain people try to portray Tae as the one member that is almost estranged from his other members, who barely has anything to do with the group outside of schedules, and yet it’s moments like this--as well as Seokjin telling us in his birthday vlive that Tae organized for everyone including his non-BTS friends to send Seokjin birthday wishes in video form to show him how loved and appreciated he is--are the proof that those people are wrong. Tae is very close with his members, and he’s the ambassador of OT7 or nothing, the members his closest friends and brothers, his found and chosen family.

Jin to Suga 

Jin: Yoongi ya, do it well. Suga: Okay.... Jin: Do well on your rehab, and...uh... let’s do well going forward. Suga: Okay.. I will...

These two are so close yet due to their introverted nature their interactions such as this one are just so hilarious and adorable at the same time. Their dynamic is wonderful and this just seems like peak Yoongi-Jin behavior.

Suga to j-hope 

SG: (unable to look into hobi’s eyes) Our hobi JH: Suga! SG: You did work hard in 2020 (evading eye contact) JH: hahhahahah and? SG: Let’s not fall sick in 2021, and hwaiting...  JH: “Hwaiting hyung, and take good care of your health!”

The saga of Yoongi being unable to look Hoseok in the eye continues and it’s just as precious as ever. They stood so close, and while Yoongi wasn’t able to look into Hoseok’s eyes, it’s funny how he was the one who initiated the whole “them standing so close together” thing. I love the difference between how Seokjin didn’t even try to make eye-contact while Hoseok playfully challenged Yoongi and tried to coax him into it anyway knowing it’ll make Yoongi laugh and smile. It’s such a Yoongi-Hoseok thing, I love it.

And with that, the award was over and now also my post. I hope you enjoyed reading it! :3

#bts #bangtan seonyandan #golden disk awards #golden disc awards 2021 #jimin #taehyung #jungkook #namjoon #seokjin #yoongi #hoseok #vmin #namjin #life goes on #performance commentary #Vmin cute moments #Namjin being silly together #Yoongi is back! #bts gif

[bokunoheroanalysisforthefuture]

Chapter three! I already skimmed through it and just. Holy fuck I’m falling in love with this series all over again, and this is just the opening arc, how the hell is this so good??? I’m genuinely just in awe and fuck is it making it hard to decide where to have a cut-off point for this chapter. I suppose we’ll just have to see what fate decides.

(Also, the temptation to just paste in all of the last three pages of the chapter is so incredibly strong, you don’t understand.)

[No. 3 - Entrance Exam]

We start off with some exposition: UA’s hero course is designed to give students all they need to go pro, and is the toughest and most popular hero course in the country, with only a 1 in 300 acceptance rate. Discounting the four slots that are recommendation students, that’s 36 slots a year, which is about…

Yeah. That’s a lotta applications, and that’s just for the hero course! 

Several alumni are mentioned: All Might, who declined the people’s choice award; Endeavor, who’s stopped more crimes than anyone else in recorded history; and Best Jeanist, who’s won the Best Jeanist award eight years running. (One of these things is not like the other~ One of these things just doesn’t belong~) The exposition suggests that graduating from UA is basically a requirement for becoming a great hero - something which we’ll learn soon enough isn’t quite true.

But yeah, Endeavor with the record for crime handling, even above All Might. Quite the impressive hero, though that face…

Not precisely reassuring.

So yeah, Izuku here mentions the date of the exam - February 26th. I figure that this has to be a Sunday, for the simple fact that Japan has a slightly different school schedule than us. Most notably: Japanese schools (some of them, anyways) have 5.5 day school weeks. Yes, that means the first half of Saturday can still be a school day. 

While I couldn’t confirm for sure whether this is more common among the higher end schools, I feel like a school like UA, with its ‘Plus Ultra’ motto, would definitely be a school to have a half-day (or even a full day) on Saturdays, and since they also have to accomodate for middle schools that have Saturday morning classes, I figure that it would make the most sense for UA to schedule this exam on a Sunday. 

The benefits of this, as we’ve already seen, is that we can then narrow down the timeline for the rest of the series, just based on that single, confirmed date. We know from the last chapter that the Sludge Villain had to happen on a Thursday or Friday of the first week of school (April 14th/15th), with the first training session two days later (the 16th/17th). But what this also gives us is when Izuku’s first year of UA starts, AND the possible years it could start on. 

Since we see the glowing baby is in a modern hospital, we can assume that’s correlated to about our times. Give it a few generations, and we can guess that we’re in the 2200s or 2300s for the current era. Based on that assumption, we get the following years that have February 26th on a Sunday:

23rd century potential years: 2204, 2209, 2215, 2226, 2232, 2237, 2243, 2254, 2260, 2265, 2271, 2282, 2288, 2293, 2299

24th century potential years: 2310, 2316, 2321, 2327, 2338, 2344, 2349, 2355, 2366, 2372, 2377, 2383, 2394, 2400

As a side note, when I got into the series, my brain weirdly latched onto the idea that this had to all be happening in the year 2317. I don’t know why I decided on that number, but that’s what I rolled with, and hilariously I could be RIGHT about the year the current manga arc is happening in, provided Izuku’s first year is in 2316. Sometimes you just know, ya know? I know at least one other friend made these calcs independently of me and chose to run with 2237, which is totally valid! Probably makes more sense to be in the 2200s, but there’s room depending on how much time one thinks has passed.

As for when Izuku’s high school school year starts, we know that Japanese schools start on the second Monday of April. Since we don’t know if this is a leap year or not, we’ll end up with two dates, but that’s fine!

Feb 26 (Sun) -> Feb 27 (Mon) -> March (6/5, 13/12, 20/19, 27/26) -> April (3/2, 10/9)

Therefore, Izuku’s first day of classes (not counting the orientation, which I’ve seen a few other timelines assume is on the Sunday before classes start) is April 10th (or the 9th if a leap year)! I know this is all in the future from this chapter, but still, I wanted to share this at some point and figured now was as good a time as always.

Math!

Sorry, I’ve just wanted to share this math I did for a while now, I put a lot of work into it and I am very proud of it. Let’s get back to the chapter.

So Izuku lives a 40 minute train ride away from UA, and has made it just in time for the exam. Apparently, this is only the practical portion? Or well, that’s the part that gets focused on in this chapter, with no mention of the paper exam. I would imagine they’d be the same day, though? But I suppose one can do whatever they like with it.

He’s standing there looking at the school, thinking about how he didn’t have a chance to test the power, while the other students head in-

Excuse me, Toga?? I know that hairstyle is just a bit off, but… ???

...right, anyways. Izuku is wondering whether the hair really did anything (also, it was apparently sour, which, ew.) Katsuki comes up behind him and tells him to move aside.

Truly a flattering image. Izuku panics a bit and greets him, but Katsuki just walks by without another word or gesture, leaving Izuku confused as he watches him head on into the building. The narrative notes that since the villain incident, Katsuki hadn’t bothered Izuku, while the unnamed characters in the background apparently recognize Katsuki from the ‘sludge’ incident (well, not shocked how the fandom held onto that name). 

Izuku notes that he’s gotta stop flinching instinctively, and then tries to hype himself up, noting that it’s not like before, and think about the past ten months while taking a wobbly step forward- and then tripping over himself.

I’m sorry Izuku just has so many fantastic faces in this chapter I am crying trying to limit myself to just a few. But yeah, that little derp as he realizes what’s happening is adorable, especially while Ochako gently sets him back on his feet. She mentions that it’s her quirk, and apologizes for using it, but that it’s a bad omen to trip and fall. (I wonder if that gets played with again during later parts of the series… will have to check to see.)

While Izuku freaks out over talking to a girl, Ochako notes that the exam is nerve-wracking, and then heads off while wishing both of them luck as Izuku stares after. 

This fucking kid. I love him so much. His flustered excitement gets him some weird looks from the others still outside.

We transition to a new character (Present Mic) who immediately shows off his performative side by calling for a ‘hey!’ which… is met with silence from the crowd. He doesn’t let this throw him off, instead letting them know that he’ll present the guidelines for the practical, followed with a ‘YEAH!’ that gets met with an even heavier silence.

Izuku and Katsuki are seated next to each other, with Izuku descending right into excited muttering over Present Mic and how he listens to his radio show every week. Also with the assumption that all the UA teachers are pro heroes, which I mean, true, but still. Katsuki tells Izuku to shut up.

Present Mic explains the test: ten minute long ‘mock cityscape maneuvers’, with the applicants split among seven arenas, labelled ‘A’ through ‘G’. With more than 10k applicants total, that’s about…

Yeah, more than 1500 per arena. Fucking hell, no wonder the robots deplete so quickly in only a few minutes. Also of interest:

“Bring along whatever you want.” So technically, if Izuku were able to procure the tech and training to handle the robots, there would be nothing keeping him from getting into UA quirkless… though I imagine any kid who gets in mostly on tech probably gets side-eyed… though if said kid made their OWN tech, they might also get an offer from the Support department.

(AU where Mei accidentally took the heroics exam and got a shitload of points, but she ended up taking the offer for Support instead despite setting the record for most points in said exam. Katsuki forever wants to fight her. Izuku and her are good friends.)

Also, another thing I love is how Katsuki just told Izuku to shut up a moment ago, and then:

He’s the one to initiate conversation on the details of the test, basically agreeing on the reasoning behind dividing up the students between arenas. Katsuki is annoyed at not being able to crush Izuku, which has Izuku awkwardly silent. 

Also mini-Mic.

Poor, poor Mic. He just wants audience participation. Anyways, he continues on to explain the points system, with the help of cute little Mario-themed silhouettes. There are three kinds of faux villains, with different points awarded for defeating each based on their difficulty levels. Also, attacking other examinees is prohibited!

A student (cough Tenya) raises their hand to ask a question, going on to note that the handout sheet appears to have four varieties of villain, and that such a blatant error (if it is one) reflects poorly on Japan’s top academy. He then spins around and points at Izuku, calling him out for his muttering and how distracting he’s been, and that ‘if this is some sort of game to you, then please leave immediately!’ 

Is that… Mineta seated behind Izuku? I can’t find another panel that disproves that theory, so. Whelp. If you ever for some reason want to have Izuku accidentally deal with the grape early, he’s right there. 

Anyways, Present Mic brings the convo back to the initial question/comment, noting that the fourth villain is worth zero points, and is more of an obstacle. He then brings up Super Mario Brothers, the old retro game, and compares the Zero Pointer to a thwomp. There’s one per site, serving as a gimmick that’ll rampage in close quarters. Tenya thanks Mic and apologizes for the interruption. 

And so we get our final words from Present Mic:

??? either he's referencing the original guy (which I think would be a misquote because I doubt OG Nap ever noted anything like that) or some French hero or the like who took on the name.

Discord offered this to me while putting together the post:

So there you have it. Tentatively confirmed.

Those EYES man, dude’s got the Rinnegan going on.

Honestly, I have to end on this panel just because of that last line from Present Mic. Like, look me in the eyes and tell me this isn’t the exact point to end on. 

The discord’s takeaway from this:

#chapter 3 #opening arcs #readthrough #boku no hero academia #my hero academia #midoriya izuku #bakugou katsuki #uraraka ochako #yamada hizashi #iida tenya #I seriously cannot believe they actually said 'break a leg' while Midoriya Izuku was in the area #like talk about tempting fate #and that little bow #like 'yes sir i will do my best to break a leg' #'in fact i will break both legs AND an arm' #'Plus Ultra!'

[thisstableground]

do you have any hcs for if usnavi's parents hadn't died? it would change him and his story a lot and I feel like it could be really interesting, how he's still him but with such different experiences. and you write him and get his character so well so you're definitely the person to ask about this kind of thing if you're up for it :) (also as a fellow brit the uk au is really really weird to me, I can't quite work out why)

(lmao ikr? i wouldn’t actually call it a uk au because i firmly do not believe it could work as a fully-fledged idea without changing way too much about a very culturally specific story in a way that has very uncomfortable implications, tho it is hilarious to briefly entertain the idea of ITH except it’s all set in fuckin milton keynes or something because Simply No Thank You)

THIS WILL BE LONG, BUCKLE UP

i think that a lot of canon usnavis traits are perhaps things he already had but that got magnified by a huge amount after losing his parents, because they could also be seen as ADHD traits; particularly the anxiety and the difficulty with making changes or starting new things. he’s still worried about messing up, about making a fool of himeslf, or just doesnt have the executive functioning to do things. but the difference is prior to losing his parents he had a lot more optimism and self-confidence to push himself past those anxieties or to find it easier to listen to his friends and family when they encourage him, because he has this certainty when he’s younger that things will turn out okay. an usnavi who never loses his parents carries that certainty into adulthood (i think even after abuela passes, because while it’s difficult and tragic for him, it isn’t deeply traumatising in the same way). so this version of usnavi still worries about failure, but the stakes are so much lower; he might embarrass himself but he has the safety net of his parents support, whereas the fear that fuels canon usnavi’s difficulty with changing things or moving forward is “what if i fuck up and lose someone else important to me again?”, where things which aren’t actually literal life-or-death tend to feel that way to him, and he’s a lot more cynical about whether things will have a positive outcome.

with his parents still alive doesn’t find it so terrifying to look into the future – “today’s all we got”, he says in the opening song, and i think he would still say that but in a way that means “live for today, live in the moment, enjoy life”. that might be the attitude he’s trying to get across in canon, but he also uses it as a way to hold himself back and keep himself stuck in place, to not let himself hope for anything in the future: in canon, he knows in a very painful way that he isn’t promised a future, and nobody he loves is promised a future, so why make plans or hypotheticals or even seriously believe that he’ll ever go back to DR? (i genuinely think there’s a subconscious part of him that’s firmly convinced he’s going to die young, but that’s a whole other tangent). he’s living in the moment because he’s scared of what he’ll see when he looks past it; usnavi with his parents still around lives in the moment because he likes the moment he’s in.

i wonder if him and vanessa would have ended up dating, or at least if they’d have been so successful and long-lasting as a couple. they’e always known each other and got on well, but i see their deeper feelings as growing out of  this shared understanding between them based on the difficulties they’ve been through – would they have still had the champagne bet, if usnavi didn’t have that grief and loss and extra responsibility that drives his vague non-plans to go live in DR? would he even want to leave new york, in this version, or would he still be content with the place he grew up because it doesn’t have those painful memories? 

the character arc of reconciling moving forward from a place that symbolises a painful past without having to completely sever from the good things about it is something that both of them share in canon. without those moments of both being given too many responsibilities and too much independence way too young because they don’t have parents who can ease the transition into adulthood, or this unspoken recognition that even with all their barrio family around both of them are very much on their own in some ways, would they make the deeper emotional connection that makes them work so well together in a more long-term way? or would they just have gone on a few casual dates that didn’t stand out from any other casual dates they might have with others?

and hell, maybe usnavi would’ve already been in a relationship with someone completely different – he’d be working at the store with two other people who were experienced in running it. he’d have so much more time to go out, have a social life, go to clubs and hang out with more people his own age. usnavi after losing his parents became quite disconnected from the larger group of people him and benny would hang out with at school; he doesn’t have the time, he doesn’t have the energy, and for a long time while he’s still so deep in grief i think they find it hard to know how to be friends with this quiet, broken, listless usnavi. they’re all still friendly but internally i think he loses his sense of place with his peers because he’s been rapidly catapulted into a stage of life that none of them are in. an usnavi who doesn’t lose his parents also doesn’t lose his sense of being around the same level and life stage as his peers, so who knows who he meets or develops feelings for?

his relationship with sonny is definitely different. his love and care for him isn’t so full of fear, because he doesn’t feel this need to protect him from every little thing or like it’s his personal responsibility to keep him alive, because it doesn’t really occur to him that he could lose him. canon usnavi i think has a lot more of a somewhat parental vibe, and often an overprotective parent at that. i think this usnavi, because he doesn’t have to grow up so quickly and he isn’t sonny’s boss, has much more of a fun big brother role. and i think sonny in return doesn’t feel so much responsibility for usnavi as he grows up - he doesnt feel like he has to force him to have fun or get some rest or put himself first every so often because usnavi doesnt push himself nearly so relentlessly and because his parents can look out for him when he does. 

maybe sonny doesn’t start working in the bodega until much later, either – a lot of why he spends so much time there is because usnavi watches him while his mom’s at work but can’t just close the store. if his parents are there to keep working then usnavi watches sonny at one of their homes, or they go out and do more stuff. the bodega is still important to both of them but it isn’t nearly as much a main setting for sonny’s adolescence as it is in canon.

on that note, since in my version the first thing that makes usnavi hold an instant vendetta against pete is catching pete tagging the store only a few weeks after losing his parents, where his feelings are still so intense and raw. the store hasn’t reopened and so the graffiti feels like someone else making a claim on the only thing he has left of his parents. in this version he’d be annoyed to catch someone tagging the store at most but much quicker to forgive and forget. so in a world where usnavi doesn’t lose his parents, usnavi also doesn’t hate graffiti pete.

 if we’re assuming that things did go roughly similar to the point of usnavi being in the club with vanessa on the night of the blackout, here’s the things that would change:

- sonny isn’t the one at the bodega, his parents are, and they’re together so usnavi doesn’t feel the same urgency to get back and check on things there when the power goes out. instead he finds vanessa and walks her home and by the time he’s back at the store, i think his mom would already be with abuela making sure she’s okay, and usnavi would focus on helping his dad make sure everything was safe and secure at the bodega

- he’s also probably still pretty drunk at this point, so there’s a chance that when everything at the store is secured he just goes straight to bed; it’s been a long night, and he’s tired, and he doesn’t have the trauma of past loss making him feel like he personally has to check every little thing himself. he trusts his parents to take care of abuela, it isn’t all on his shoulders. so they don’t have their moment together on the roof.

- whether the store gets looted in this version or not, i don’t think usnavi’s waking up at sunrise to deal with it, but even if he is then he gets up, helps his parents, is upset and annoyed but not in the same visceral, overwhelming way that he is in canon because he doesn’t have all those other long-term anxieties building up in him, he doesn’t have that pressure of his parents legacy tied up in the store when they’re still right there, he doesn’t have that conversation with vanessa where she’s hurt and betrayed that he left her in the blackout and didn’t check up on her.  (sidenote this may even mean that vanessa doesn’t move downtown, because if he isnt looking for a way to make things up to her before he leaves then he might not think to speak to dani about co-signing her apartment)

-  this means he probably doesn’t get overwhelmed and abandon cleanup to go visit abuela in the morning like he does in canon when we get Hundreds of Stories. he might not even be around, since he tells sonny in canon to get a generator and candles to the church and that’s probably an errand he’d do himself while his parents manned the store. this means he probably does not see abuela that one final time or have that one final meaningful conversation with her before she passes.

final sad note: in a version of events where usnavi never loses his parents, christmas is still his favourite time of year.

#in the heights #usnavi de la vega #fandom: in the heights #long post #good to know that no matter what universe i find a way to make myself so sad about usnavi #Anonymous

[lizacstuff]

I'm sure others will ask this but what are you thoughts on the episode of SCK?? I love your in-depth analysis lol. I personally loved it!!! Also can I just say that the edser/hanker chemistry is off the charts lol. If this was the first episode I watched ever, without subtitles, their scenes would be a giant neon sign that says "THESE CHARACTERS ARE MADLY IN LOVE!!!". Eda was beyond cute/in love/adorable in this episode with serkan, girl has got it bad and I wish she didn't have her stupid grandmother and these insecurities in the way ahhh. I really love the Ayfer/Aydan duo, they're fun when they're together and Ayfer wasn't annoying like the last few EPs. Also, Balca can go choke lol, I'm so glad Serkan didn't fall for her trap for him to stay over!! He was like nah come to the party (my girl is waiting!!!). Was serkan about to tell Eda that he had to stop by her house? He seemed really nervous. ANYWAYS, I love EdSer and am going to go watch their scenes 1000x before next week 😭🥰

Thank you! I love Edser too!!!!  Like you, I enjoyed this episode, though it was despite some of the narrative issues (that I posted about here.) There were good, meaty Edser scenes, which is why I watch this show. Once again I'll start with the non-Eda/Serkan thoughts and then get to the feelsy stuff at the end.

Babaanne's introduction did not disappoint. The actress has the right energy for the role. I guess we now know why Eda has been adamant about cutting her out of her life, Babaanne is next level controlling and vindictive. We'll have to see how she develops and what her endgame motives are. Does she want her revenge more than she wants her granddaughter and daughter in her life? Or does she think if she wins and arranges everything including an advantageous marriage for Eda, Eda will eventually go along and decide it's awesome and reconciliation will come about that way? *evil laugh* She doesn’t know her granddaughter at all if she thinks that’s a possibility. 

(more under the cut)

I enjoyed her non-Balca scenes, especially when she was going toe-to-toe with Eda. That scene in Serkan's old upstairs office was intense, both actresses really brought it and kudos to Eda staying true to her defiant character. No one pushes her around. Prepare yourselves to see her waver a bit, I'm sure it's quite jarring to see your loved one in jail and know that he's there because of you, but she'll get to the point of fighting beside him. I have no doubt.

It was nice to see Ayfer protecting Aydan and Seyfi, it made for some great comedy and it was a good change after all of Ayfer's annoying, unrelenting negativity in general and about the Bolats. We'll see what happens between the two now that they appear to be vying for Chef Alexander's attention. Nesilhan just cracks me up when she's portraying Aydan play acting, the stilted voice she takes on is always hilarious to me, like when Ayfer was introducing "Aisun" to Serkan.  As we move forward, though, I want to see some badass Aydan. She  was introduced to us as a force of nature, so I hope we see that woman, a woman who will go to the mat for her son and Eda, emerge at some point. No hiding from Babaanne long term. Everyone needs to gear up to fight!

Peril and Engin got married! Their scene at home was really well done and gave me a bit better insight into them and why they might work. The only thing I was disappointed about here was that Serkan was not their witness. He counts them as some of his only friends and they didn't call him? Come on, show!  They could have easily structured the ep to have him get the call while there was chaos at his loft that morning and it would have been the perfect excuse for him to grab Eda and head to the wedding leaving the moms and Babaane to Chef Alexander.  It wouldn't have changed anything about the episode because Eda still could have gone to do her thing after the wedding and everything else would have been the same, except it all would have had a bit more heart. Missed opportunity there. 

I've decided that Ferit is a catch. At the beginning of the show he was just so naïve, that he seemed foolish, but he's really turned into a sweet, upstanding man. You hold on to him, Ceren. The irony in his relationship with Serkan is just outstanding to me, because ALL of this started because Serkan was willing to upend his own life (and Selin, Ferit and Eda's) will the sole goal of keeping Ferit out of his business, and now here we are 24 episodes later, Selin is long gone, Eda is the love of his life, and Ferit has turned into a solid, trust-worthy business partner and friend who is putting Babaanne in her place on the first day. Love to see it. 

Balca, that snake just gets more unhinged as we go along. Good GAWD. WTF is wrong with her? Her eventual comeuppance better be big. I'm really to the point that I can't enjoy any scene that she's in, it's just too maddening, because neither Serkan nor Eda are taking her seriously enough. Which I realize they don't know what we know, but dang I hope Serkan is finally connecting the dots because her behavior is not normal. As Eda says, who gives a gift like that to their boss? Who calls their new boss instead of the police when there's an intruder in the house?  By now he should be able to figure out she's manipulating him.  

Also how was she not daunted when she called and Eda was there?  What did she think would happen when he came to get the gift when he had Eda to get home to? On top of everything else she's shameless and delusional.  As for the gift, that was creepy AF. Did she seriously think that her boss, who she's known a week, would be romanced by that?  Or any man for that matter? Did Selin give her the impression he was so arrogant that this would be the perfect thing for him? As much as I want less of her on screen, I would like to know the thought process behind that embarrassing monstrosity. Because it was not a savvy move. But the good news is that no one was more creeped out by it than Serkan Bolat. It seemed to really unsettle him, which it should. It was nice to see Eda getting over her jealousy, perhaps that came with her decision to try and move forward. Before she was in this state of flux, deep-down wanting Serkan to be hers, but not being able to admit that and feeling an outside threat during that confusion. 

I saw some criticism of Eda because she was openly mocking and dismissive of Balca. However, while I agree her behavior was a tad immature at times... Balca was totally asking for it.  She's been at the company for mere days and her weird, manipulative, obsessive behavior is totally inappropriate. Also if she didn't take a hint from Eda opening mocking her, Eda picking out her gift from Serkan, Serkan deferring queries about his NYE plans to Eda, Eda being at his house when Balca called, I think we can safely say that Balca in unaffected by any of Eda's behavior, thus Eda isn't hurting anyone. While Balca is over here, claws out, trying to start a war. Balca is the villain here, not Eda for recognizing and making fun of it.

Despite the emotional inconsistencies between Eda and Serkan in this episode, during one scene they were hot, the next, one or the other was cold without rhyme or reason, there were many great conversations. I really enjoyed their conference room scenes in particular. Serkan confident and calming her down, Eda being enraged by Babaanne, but listening to him and letting him calm her down. 

His little Eda Bolat coffee cup gag was priceless, he did succeed in both diverting her and flirting with her in one suave move. Also a nice bit of foreshadowing there, which there was a lot of this episode. Not just this and the bouquet catch, but also every single one of their domestic scenes. 

As I said in this post, the rewrite, or whatever happened this episode, did cause some pretty big emotional inconsistencies from scene to scene. I know most people loved the scenes when Eda went to find Serkan, but it was a little whiplashy for me.  We go from Serkan being calm and collected and happily flirting with her about being Eda Bolat at the office, to a short time later him being moody and standoffish with her at his house? It's understandable that he would be upset at her suggestion that she leave the company, but I would think the man that broke her heart for her own good, would understand why she might think of  leaving in order to get rid of someone who is threatening him! 

It just felt like a weird time for him to hit his threshold with her, especially since this was when they were supposed to be heading to Paris (huge writing fail that there was no "Oh I guess we have to postpone Paris" throwaway line).  However, perhaps that was accelerated for him in the face of a real threat?  Like if it was just another day he's fine with her waffling and their little contract game, but he feels in his bones that this is go time and he needs to find out if she's ready for what's coming?  (Look at me finding reasons for the inconsistencies as I answer this ask, lmao).

Then the shaving scene was interesting. She starts by saying "Leaving was a dumb idea, I'm still here, I'll be by your side," which YAY and seems to me to be a huge step forward for her.... but then he doesn't feel it. Why exactly, didn't he feel it?  So then she transitions to the biggest head scratcher of the episode for me, and I really hope it's a translation fail. She basically references the movie they saw and says,  "If I could erase all memories of you, I would." Um... what? Is she really saying to him she wishes they never met? I sure hope there was some modifier in there, like "bad" memories only or something. It seemed way harsh and inconsistent with their feelings for one another. However, once he starts talking about being a machine before meeting her and his heart being too heavy without her, the dialogue is pretty great. He really bares his soul and she reciprocates with intimacy.  The second half of this scene is absolutely lovely. 

The visit to Aydan's house was interesting.  At some point I'm gonna need Aydan and especially Ayfer to step up when it comes to Babaanne.  Ayfer ran scared the whole episode and it's just not fair of her to leave the burden on Eda. Hopefully, she'll get there. There was a reason Babaanne told Eda not to tell Ayfer about the threats, and threatened harm to Serkan and family if she did so. I'm guessing Ayfer may be better equipped to deal with her mother than was suggested in this episode. The conversation about Eda running from her grandmother as a child and losing the bracelet was very affecting and well done, and thankfully Serkan was out of his sulky mood and in full-on supportive boyfriend mode. Phew, good to have you back, Serkan.

That throne Babaanne brought in was something else. Worth a good laugh. However, I feel like it highlights a few cracks we've already started to see in Babaanne's scary façade. First, there's the one I just talked about, with Babaanne not wanting Ayfer to know what she's up to, so we now know who might be successful in opposing her or might know things that could shut her down.. her daughter. Then this ridiculous throne move had to be her way of unsettling everyone, but as we see that fails with Serkan. He's pretty unflappable when it comes to her nonsense antics. 

Then Babaanne singles out Balca as her ally, which on one hand, it was astute of her to figure out who was the outsider, ripe for the picking, but she straight up choose the wack job, who let's face it, is not going to be all that competent of a foot soldier for her, because she has no allies and she's not in anyone's confidence. Plus she made that critical error with the present being so off-putting to Serkan. Balca might be able to cause problems, but she can’t get Serkan to transfer his affection for Eda onto her, so her usefulness here is limited. Babanne needed to try and fool someone like Melo, Ferit or Leyla. Prey on the nice ones who might try to be accommodating just so everyone gets along. 

Anyway, I loved the Edser scenes in the office, he brought her lemon water! My heart.  And I loved the meeting with the inner circle. Serkan has a plan! Of course our boy does, he wouldn't be Serkan Bolat if he didn't. It's always fun to see how much they all trust him to lead them through these tough times. He will once again emerge victorious. It just may take some time on this one

Note Blaca wasn't invited to that meeting, someone already can sense she can't be trusted. In the meeting later with Babaanne, I loved how Eda was sitting next to Serkan at the head of the table, totally squared off against her grandmother. That blocking was not by accident. It showed them facing her. On the same side. Together. United. That's what we call foreshadowing and that's how they're ultimately going to defeat her. Together. 

It's interesting to me that earlier in the day when Eda tells him maybe she should leave the company he gets upset, but when she shows up at his house and straight up says they can't be together, he's completely calm and is his normal confident self, talking her into staying the night with his usual ease. I'm thinking her manic rambling about him getting tired of her and her grandmother separating them was just too obvious of an emotional spiral after an exhausting day (that lasted 47 years and multiple wardrobe changes) so he didn't take any of it to heart.

As for the reason she needed a place to stay, WTF is Ayfer doing letting Babaanne stay in their home??  Kick her out for the love of God. I don't mind, since it gave us this fabulous sleepover, but come on woman, at one time you were strong enough to remove your niece from her which could not have been easy, where is your backbone now? Find it. Fast. 

LOVED LOVED LOVED every second of domestic Edser. How cute are they? Serkan wheeling her dinosaur suitcase was so adorable. And how cute is it that he bought hot chocolate for her? And THEN, THEN when they went to look at the stars? My heart melted clean out of my chest when he said, "I'm already looking at the most beautiful star."  Remember in 13 when he asked her, "How are you real?" and she basically told him to be careful or she'd get spoiled and expect that kind of romance all the time? Well apparently the romantic robot has an endless capacity to generate heart-stopping one-liners so she really needn't have worried. 

Eda's phone call with the girls was another whiplash moment for me. So wait... all episode her trepidation has been around her grandmother interfering or Serkan getting tired of her, but now she's back to wondering if he can change? Ne? And she isn't articulating what she wants him to change, or talking to him about change at all, only asking her friends if they think it's possible?? The change thing made perfect sense to me in eps 20-22, because she was coming off of his lie that broke her heart, but now I can't figure out what she wants from him. I think this is another casualty of whatever writing changes happened in this episode. I really hope the writers pull it together and figure out what the character's headspace is and stick with it. It's one thing to yo-yo from episode to episode, but to yo-yo scene to scene is too much. 

I know that they're trying to create suspense for whether she would meet him to ring in the New Year, and start fresh, but there are much more elegant ways to do this than constant retread conversations that don't make sense in context with the scenes that came before. Honestly, this episode had a LOT of wonderful scenes and humor and heartfelt moments, but it also felt like a franken-episode,  like if different writers were assigned different scenes and then they assembled the episode without going back to smooth out the tone and emotions.

That leads us to Serkan discovering Eda in the bath. What do we think was going through his mind there? lmao. He looked exceptionally pleased and he did the jokey flirty thing, taking a mental picture, but then when she comes downstairs in her jammies, he has gone into stone-cold work robot mode. I suppose the best I can guess is that he knew she was confused, he knew he had convinced her to stay under the guise it would be platonic and the "last time." 

He's always been a gentleman with her. So perhaps he felt compelled, for her sake, to keep it in that place, but seeing her in the bath send him into overdrive and the only thing he could do is throw himself into work to make sure the situation didn't go any further before she was fully ready? That's my best attempt at explaining it.  Still she was flirting hardcore with him when she came downstairs, it feels like that was the moment he's been waiting for since episode 19, and he let it sail by.  Ah well, at some point soon both their engines will be revving at the same time and we’ll finally get to the sexy times. 

The next morning was 100% adorable. Serkan Bolat serving breakfast in bed. I swoon!  What a sweetheart, because I'm pretty certain that Serkan does NOT like crumbs in his bed so this was a big gesture. And you could see how much she appreciated it, despite teasing him about the portion size. Eda, that breakfast would have been just fine by me, but if the girl has a big appetite, so be it.

Also, Edacim, it would be a lot easier to buy your "confusion" if you hadn't brought him a heartfelt gift that would have taken a good while, like weeks, to procure and then sketched in it for him!!!!  She had to have been planning that for some time.  Anyway, a very sweet gift and one of those moments where actions speak louder than words. We all want to hear Eda say the words "I Love You," but she just said it very loudly here in the form of this gift. Even if she wasn't fully aware she was saying it. It's obvious where her heart is, she just has to give herself permission to follow it.

This ep also brought the funny when half the cast of characters barged in on Edser’s little love nest. Good for both Eda and Serkan for refusing to be a part of the subterfuge for Babaanne. I'm hopeful we're going into a secret relationship/engagement storyline, but at this point I like that neither were cowing to her. Eda is an adult and it's nobody's business but her own where she stays the night! 

It cracks me up that Eda and Serkan were discombobulated by the intrusion, had the silent #married conversation, and headed upstairs together. Mostly because they are the two in the dark, what are they going to figure out by going upstairs alone? What they really needed was to talk to any of the other people to find out what in the hell was happening. Not that I blame them for wanting to escape that scene together. However, what was beautiful was their connection in these scenes. They were functioning as partners, as each other's person, as the one each turns to when they need support (or escape).  And that's really saying something since they were in a room full of the people they're both closest too.

Finally, I'm glad they spoiled the final scene in the fragman, because I would have been too stressed watching Balca's psychotic efforts in keeping Serkan away from the party, and Eda, if I hadn't known he would make it.  As it was, it  was too much to watch. They've done absolutely nothing to make her even a little sympathetic. I feel zero empathy for her, I don't understand why she's willing to take these risks. No man is worth it, girl! Especially not a man you just decided you wanted because of his initials!  The character needs to serve her purpose and go. Soon.

As for Serkan making it in time, THANK GOODNESS. I don't think Eda could have handled being stood up again. Even taking her call was a mistake. That's why we have voicemail, Serkan. And clearly he should have called the police on his way. I sincerely hope that he finds out the break-in was a fake and that's what makes him realize what level of crazy he's dealing with. I assume, because he didn't know what else to do, he left Balca in his home and that's what he wanted to tell Eda right before the police arrived. I shudder to think what damage she might do there alone. Installing a hidden mic or camera for Babaanne? Going through his things? Planting more items. Ew. If that spec is right the place will need to be fumigated.  

Serkan's gift was, of course, perfection. Talk about love in gift form, and did you notice that one of the charms was an "E" and one was an "S"? A sweet, heart-felt detail and a nice little nod to which initials really matter on this show.  Interestingly, after a full episode of inner turmoil, once Serkan arrived, Eda seemed to be all-in. She was bubbly and happy to see him and definitely acting like he was her date. And then the hug! Finally! They've obviously been physically close in recent post-break up episodes, for example elevator, pottery, dancing, skating, but what a relief to finally have this pure, intentional display of affection from her to him. Also a cheek kiss! This show, I swear it makes me grateful for the most chaste of moments.

As I said in another ask, I think the, "Will you be my girlfriend?" was in Serkan's head. We didn't see him say it, she didn't respond and the audio was hollow like it was a thought or memory or dream. However, what I can't answer is why we heard that. Why put it in there? We know he wants them to get back together, so that line doesn't inform the audience of anything they don't already know. So maybe proposal foreshadowing?  On the other hand, there is the line earlier in the episode that was voice over added after the fact (when Edser are in the small conf room and Serkan says he’s going home) so maybe they added the audio after the scene for some reason? I don’t know with this episode anything is possible. 

Then, of course, Babaanne ruins their moment with her evil plan. Next episode will she be sitting on her throne stroking a hairless cat Because it feel like Babaanne may like a bit of evil aura to surround her. Anyway, next stop... jail! I'm honestly excited to see how the next ep plays out. We're going to go through some things, so prepare your soul, but I honestly think we may end the ep in a better place. (new cliffhanger notwithstanding) We shall see. 

#Edser #sen cal kapimi #Sen Çal Kapımı #sckask #sck 1x24 #sck episode discussion #edser discussion #asklizac #Anonymous

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hello!! i would love to know — what books are u reading? have u read? would recommend? want to read? no need to answer all, but would love to know what’s on ur radar

dear anon! i cherish this question. currently i’m reading:

Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk: strong contender for my favorite title of all time. like, whew. this is a genre-busting dark comedy/murder mystery by the Nobel Prize-winning author of Flights (also on my TBR), translated from the Polish. great so far.

The Ten Thousand Doors of January by Alix E. Harrow: portal fantasy about portals. loads of people adore this, and Harrow can really put a beautiful sentence together, but i think it’s just not a Me book. i’d still recommend for those who love whimsical fantasies and especially historical fantasy.

The Age of Surveillance Capitalism by Shoshana Zuboff: fascinating, enlightening, bleak as fuck. Zuboff tracks the history of data collection as we know it, and how the data market has sprung to life completely free of democratic oversight. she shows that the use of our data doesn’t just cause the destruction of privacy - the process ultimately begins to predetermine the pathways of our lives going forward. terrifying.

here are a dozen-odd favorites from the past year and a half:

I Am, I Am, I Am by Maggie O’Farrell: a memoir told in seventeen near-death experiences. an encounter with a murderer, an almost fatal childhood illness, an airplane engine failure ... you really start to feel the bizarre intimacy that O’Farrell has with death, and the way that that relationship remakes life into something more brittle and more remarkable. helps that O’Farrell is an exquisite prose stylist (she's a novelist by trade).

The Neapolitan Quartet by Elena Ferrante: an account of two young girls who grow up in an impoverished neighborhood of Naples. immersive doesn’t begin to cover it. read these women’s lives front to back, early childhood to late middle age, and feel like you’re turning through the entire texture of midcentury Italy. but the bedrock of it is the girls’ friendship, which at this point is probably destined to go down in history as one of the great literary friendships.

Outline by Rachel Cusk (and its sequels, Transit and Kudos): i still don’t know how this book gets away with it. how?! the conceit is that the first-person narrator is nearly invisible. most of what we see on the page is other people confessing to her, monologuing at her, having one-sided conversations with her. and yet - though she’s all but bulldozed by others’ forceful personalities - we feel her as a person in negative space. we perceive someone in pain with an extraordinary capacity to listen and observe.

A Very Large Expanse of Sea by Tahereh Mafi: reminded me why I love YA. hard-edged, alienated, foulmouthed Shirin is a 16-year-old Muslim girl, and it’s 2002, and she just wants to keep her head down to survive all the Islamophobic garbage around her - but her walls are threatened by a sweet possibility of romance and a burgeoning love for breakdancing. imo, a perfect coming-of-age story.

Trust Exercise by Susan Choi: “#MeToo book” plus “unreliable narrator” sort of sounds like a recipe for disaster, but this book slaps. it's about a cohort of prematurely mature arts-school teenagers in the orbit of a charismatic drama teacher. at least, it begins that way. with a serious structural twist - about halfway through, i whispered “what?!” into the pages of the book, then didn’t put it down until i’d finished - it becomes an uneasy, ever-shifting interrogation of whose trauma gets told and whose gets internalized, who gets judged and who gets absolved, who gets closure and who gets nothing. (i’m being intentionally vague because of the twists, but i’ll say outright that the book has no interest in abuse apologia and the unreliable narration isn’t about that.)

Normal People and Conversations with Friends by Sally Rooney: i group them together because they have the same texture in my mind. the writing is emotionally claustrophobic yet hilarious. the characters are ironic and self-aware yet trapped in painful holding patterns. so much has been written about Rooney at this point - i’ll just say i think she deserves every ounce of her success.

soon on my TBR:

The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton: my favorite sub-sub-subgenre roars back to life with this Groundhog Day plus murder mystery book! i’m excited.

Autumn by Ali Smith: the first in a quartet named for each season. lots of claims out there that smith is one of the best novelists working today. seems more experimental than i’m really used to, but we’ll see.

The Rise of Kyoshi by F.C. Yee: why have i not read this book yet? it’s just been sitting there on my shelf for a year. i’m a clown and i need this in my veins immediately.

Kindred by Octavia Butler: a time-travel narrative about a modern Black woman drawn repeatedly, unwillingly into the antebellum South. this will actually be my first book by Butler! i doubt it will be the last, though!

Beowulf: a New Translation by Maria Dahvana Headley: this was brought to my attention because it translates the opening interjection of the epic poem, Hwæt!, usually translated along the lines of “Hear ye!” or “Hark!” as “Bro!” i can’t wait.

#reply #tbr #book recs #jsyk - the links in the post are affiliate links #if you buy a book through them i'll make a small commission as will a pool of indie bookstores supported by Bookshop!! #if you'd like your local indie to get the affiliate commission instead here's what u do: #click 'find a bookstore' in the top right #it will take you to a map page where you can choose your local indie! #when you see the name of your chosen bookstore in the top left of the interface #you will know that your purchase will support your local store :) #these books are also all mainstream enough that there's a good chance they're available at ur local library!