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#jon captain of their ship
dxppercxdxver · 10 months
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forgot to mention it at the time but @chiropteracupola and @firstmatedville and i went and saw a boat!! together!!! also a naval museum but i don’t have pictures of us at that really
but it was soooo cool and we had a great great time and autism was had by all
bonus: meeting TINY KEITH AND EWEN!!!!
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Double prize!
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glossytreasures · 10 months
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mbti personality types according to the personality database
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tenth-sentence · 7 months
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Walton is an explorer, captain of a ship carrying an expedition he hopes will reach the North Pole.
"Frankenstein's Footsteps: Science, Genetics and Popular Culture" - Jon Turney
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dcxdpdabbles · 9 months
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The Kid of Candles
Jason Todd has been living on the streets for a while now. Ever since his mom overdosed, he's been struggling to find shelter. He was doing better in the summer and fall, but now bitter winter had come to Gotham, and it was taking everything he had not to freeze to death.
There were a lot of kids like him and even more that went to sleep but never woke up after a snowstorm. Jason is still tiny, and very new, and that means he's an easier target. He has met kids who pretend to be kind in order to steal from him but he's also met some who were willing to share what little they had.
He wouldn't call them friends. Just other survivors. He is currently in a camp created by these survivors. Street kids have carved their own place on the streets simply by staying alive the longest, and casually they allow the smaller ones in for the bad weather with the understanding that the younger ones were to leave as soon as the sun was up.
He is trying to warm up next to the lit fire by one of the older street kids when a teenager stands on a little crate. The teenager starts tapping a piece of wood against a small amount of metal like they are trying to make a toast.
He's unsure about their gender; they always tell people they are not a girl or a boy, but they are the leader of the little pack of street urchins and the only ones willing to share the small blankets.
They go by Rowan, and Rowan adores campfire stories as if they were just some rich kids paying to go out into the woods and sleep in tents instead of shivering unwanted brats sleeping on rolled-up newspapers. Some street kids groan and roll their eyes, but not Jason.
Rowan's stories are the closest he can get now to books. Before, he would read and escape to the magical world found among letters away from his mother's addiction and the worsening living conditions. Books were his comfort and one of the things he missed the most from his home.
"Gather around, gather around children, and listen to the tale of the Kid of Candles!" Rowan starts, cracking their voice into a gleeful cackle. The older ones scoff, but the younger kids all turn their attention to the ringleader.
Jason moves away from the fire to sit right in front of the crate, pulling his knees to his chest as he settles. Someone takes his spot by the fire, and he hopes the story is worth the loss. "Long ago, when Gotham was first founded by Captain Jon Logerquist, he claimed to follow a bright white light that led him right to Gotham River after suffering the loss of his entire crew to a sea storm. He would have died had he not lit the last candle on the ship- a black candle. The candle attracted the attention of a unique child, who appeared on his deck among the bright light. A boy with snow white hair, glowing green eyes, and sharp teeth pulled into a kind smile."
The children gasped as even Jason leaned closer, captivated by Rowan's smooth voice. "Captain Jon Logerquist was able to rebuild his ship and return home to report the ideal location for a new city. The founding families, the Waynes, the Kanes, the Elliots, and the Cobblepots, all agreed to take the Logerquist's request and loaded their four family ships with volunteers to start Gotham. Still, they soon became lost when Captain Logerquist tragically passed along the trip. As he was the only person who knew the way, the new crew and civilians quickly panicked, getting further and further away from the location that would later be Gotham. They attempted to turn around, hoping to return home, but navigation tactics were not working. It was almost as if the waters and stars moved, wanting to claim as many victims as possible. This would later be known as Gotham's Orginal Curse."
Rowan paused to wiggle their fingers at the crowd of ten children and a few teenagers- the ones from Rowan's original gang- all made the appropriate ooooohhhhh sounds. Jason shivers as a storage sense of pressure settles around his shoulders. It felt like the city itself was listening to the tale. He wonders if anyone else felt it.
"They quickly ran out of food, and the passengers even began speaking of eating each other to survive. A young Wayne boy, one of the few who could read, found Logerquist's journal in his cabin and decided to try lighting a black candle while the adults argued." Rowan continues mimicking, opening a book, and lighting a candle. That's another thing Jason liked about Rowman's stories. They tended to act out some scenes, and it was highly entertaining.
"Just like before, a bright white light appeared before the lite black candle, and a boy with snow white hair, glowing green eyes, and a kind, sharp smile told the Waynes to follow him, which they agreed to. The three other family ships reluctantly followed when the Waynes broke away from the formation and arrived at Gotham. There, they found all the resources they needed to survive and riches beyond their wildest dreams. Since then, the Kid of Candles has appeared throughout Gotham's history, leading those who are lost to their homes whenever a black candle is lit. It is said to this day if you are genuinely lost and light a black candle, the Kid of Candles will appear but be warned, his assistance always comes with a price,"
Jason gasped as the pressure increased around him. Seriously how had no one else felt it yet? "What is the price?"
Rowan snaps their fingers at him with a sinister smile. "Death. When you ask the dead for help, they will ensure you join them as a repayment. Maybe not the same day, maybe not for years, but he will claim you eventually."
A few kids whimpered.
"Oh, knock it off, Rowan," A teenage girl snaps. "You're scaring the little ones with your stupid urban myths."
"Gotham myths are not stupid!" Rowan's gasps hurt. "They are the closest accurate account of Gotham's real history!"
"Sure, just like the Court of Owls and their Talons." the girl rolls her eyes.
"Those are real. The Court's Talons should not be taken lightly. They are far worse than the Kid of Candle. At least he is benevolent enough to help you home!"
Jason retreats to his corner of the abandoned warehouse factory, ignoring the bickering of the teenage gang. He sits with his back to the wall, his feet tucked close to his chest, and all his things squished between his body and a second wall on his right. It's uncomfortable but ideal for keeping what little he has safe and making it easier to get up and run should the need arise.
He found that the need came a lot more often than he liked. He nods off after trying to squeeze his body closely together to hopefully gather warmth.
The following day, a teenager kicks him in the side, sneering that the free space-time is over and Rowan wants him out in ten minutes. Jason doesn't have to be told twice, gathering his things and scurrying to the exit. As he passed Rowan, he offered the elder a nod of thanks, and the storyteller gave him a wink and grin.
They also press a black candle into Jason's palm. "Hey he brought me to my gang, so why can't he lead you?"
Jason smiles, no commenting, and pockets the candle without hesitation. He may need to sleep here again and doesn't think calling bullshit will be a smart move.
It's best not to offend the crazy leader. A day goes by where he panhandles out of the cop's sight, wandering around the city looking for some food, and even gets a rich guy to give him fifty bucks after asking politely, but he runs when he asks if he has somewhere safe to sleep.
All in all, not the worst day. That night, he returns to Rowan's place but is told they already have too many. Disheartened, Jason wanders to sleep under a bridge by Gotham River. As he shivers near the frozen water, he thinks of the black candle.
He has a few matches on him, and maybe the small candle can help him start a bigger fire to keep warm. Jason strikes his match The pressure from before returns making him waver for only a moment before he dares set the wake aflame.
A few seconds go by with nothing happening, and he's just about getting embarrassed for believing in a stupid urban legend when he's blinded by the brightest light he's ever seen. A floating boy with white hair, green glowing eyes, and a broad smile appears before Jason.
He screams, stumbling back to fall on his butt as the boy floats to touch the ground before him.
The boy smile widens. "Hello Jason, it's time to go home."
Jason runs, but it gives chase, throwing out directions. He attempts to do whatever it is- by going the opposite direction, but it's to no avail. Jason knows Gotham like the back of his hand and swears the streets are moving. Roads that are blocks away from each other are right around the corners he takes.
Soon, an unnatural light blue fog surrounds him, blocking his view of anything more than two feet before him. He glances over his shoulder, confirming the mist is coming from the glowing figure that flies behind him at an easy, steady pace.
He picks up his speed.
Jason doesn't understand what's happening, but he remembers Rowan's voice as he pumps his legs to go as fast as they can to the point they burn. This would later be known as Gotham's Orginal Curse."
Oh god, he's been cursed by the Kid of Candles!
"We're here. I hope you have a lovely life with your new family." The being suddenly says hand on Jason's elbow, causing the boy to trip over and hit against a large metal gate. The fog disperses like a blown-away candle, and the Kid of Candles vanishes in its smoke as the gates of Intercon turn on.
"Wayne Manor. Who might you-" a voice with a British accent speaks over the speakers, but Jason cuts them off with a frightful yelp.
"Help! Help! Please, he's going to kill me!" He shouts, eyes swinging around the new place he is. He thinks he doesn't recognize this place at all, which means he's somewhere out of the city- the outskirts. Where the wealthy live.
It would take a good two hours by car to get here, and The Kid of Candles got him here in ten by bending reality or something. And now Jason owed it something.
He owed it his death.
He crumbles into sobs, so terrified his heart feels like it will escape from his chest. "Please. I don't want to die. I don't want to die."
There is a long pause, where all Jason can hear is his own uneven breathing and the beating of his chest, before the gates swing open, and a slightly older teenager- probably around Rowan's age- is offering him a hand.
"Hi, I'm Dick. I think I can help you if you come inside."
Jason stares at the hand for a few seconds, but from the corner of his eye, he swears he sees a boy watching them and quickly takes the hand.
His right elbow has a new tattoo he never paid for. It's a burning black candle, right where the Kid had touched him. It's also the same tattoo on Rowan's right hand. Jason cries for hours when he finds it.
Years later, Jason will admit that the Kid of Candles truly did help him find a home. He would come to love Bruce like father, as the man took him in, mistaking Jason as an escapee of human trafficking, and was there to buffer the misunderstanding between him and Dick.
He would point out that Dick called him dad outside the house, and Bruce would sit his eldest down to ask if he was okay with an adoption. Dick would settle with the knowledge that Bruce didn't keep him around to fight crime, and he would open his heart to Jason as a brother.
He would grow to follow in his brother's footsteps and become Robin- after making sure Dick was okay with it- and would help his new father fight crime. When Jason is fourteen, he finds out his mother is not his biological, and he learns his real mom is still alive.
He asks Dick and Bruce for help to find her, so the three load the plane as the Waynes instead of the Bats, and thus they help put her away together when the met-up goes south.
She tries to sell them to the Joker, but Bruce overhears her and gets authorities to him in mere minutes, long before the Joker can meet up with her.
She is in cuffs and being led away from the warehouse where the Joker was going to wait for her.
In the chaos, Jason notices the glowing white-haired boy smiling at the warehouse entrance, but Jason doesn't go near it. Not even after it explodes, killing the Joker who was inside. Not even when Bruce holds them close, horrified that they could have been so close to the explosion- they were in civilian identities and needed to put up a show- but he does notice that the Candle on his elbow is shorter.
That night Jason traces the shorter melted candle and he knows he escaped death once more. He doesn't know how he knows but something deep within him knows the Kid of Candles hand something to do with it.
He would swing by Rowan's place as Robin and Jason Wayne to help them and their gang get off the streets.
Rowan would one day open a bookstore, where they would hold weekly storytelling, naming the store the Black Candle in thanks to the spirit that led them to his lifelong friends.
Jason will, however, never get over his fear of ghosts, not even when the same green fog would one night lead the neighbor's boy right to their yard. His little brother, Tim, thought The Kid of Candles was kind, handsome, and awesome (might be a crush in all honestly) but Jason will always know it was much more dangerous than meets the eye.
All things in Gotham are deadly beautiful like that.
The Waynes still have a drawer full of black candles they take out in the field, just in case.
(Danny Phantom watches Jason sleep, his protection core warming as the boy cuddles with Tim after his little brother admitted to a nightmare. He's glad they found somewhere that could offer everything they needed in a home.
A house and a home are two very different things, after all.
It reminds him of when he was alive.
A candle is flickered on somewhere in the city, and he blinks out of existence, ready to help- Steph- get away from her father. Hmmm, well, Bruce does have the space for more kids)
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candlecoo-sideb-art · 10 months
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Jonny: As the highest crew member here...
Jon: No, that's her *points to the cat*
Jon: first you try to steal my boyfriend and now you come onto my ship and try to claim to have superiority over the Captain how dare you!!
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ashes-in-a-jar · 1 year
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My favorite genre of tma speculation:
What were they wearing?
What was Jon wearing that made Jude Perry laugh?
What shirt did Jon buy from America that wasn't his style
What did wtg merch actually look like
What pants was Martin wearing that one time
What pants was Tim wearing that one time
What clothes did Jon and Martin wear trekking the Eyepocalypse
What did Martin's jumpers look like and why are they so soft
Did all live statement givers see Jon in his pajamas or does Jon sleep in his work clothes
What did the crew's clothes look like during the Unknowing
Did Peter Lukas always dress like a ship captain
What did Jon wear to go into the buried
Did Gerry appear as a ghost with his goth clothes or with a hospital gown
Was Gerry actually wearing a Hawaiian shirt on his vacation? It only said bright
How hardcore goth was Gerry actually
Does Tim actually wear Hawaiian shirts
Why did Mike wear his shirts with the first two buttons open
What did the Admiral look like
Are the clothes worn by the crew at the live show considered canon? Do we need to consider the fact that Jon has maroon trousers in his closet and wears them often? Does Martin really only wear video game t shirts?
What did Megan wear to that first meeting with sebastian skinner
What did Annabelle wear to make it seem like "a vintage clothing store exploded on her"
What did the wooly hat Annabelle is described wearing in 194 actually look like
What clothes did Basira buy Jon post coma that she defined as "better ones"
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ladystoneboobs · 4 months
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theon's thoughts of his existing black wardrobe when considering the watch has been talked of plenty, but let's not ignore the rest of this fantasy which is imo even funnier. bc a) he remembers jon snow joining the nw as a selling point but fails to consider what it would mean to meet jon again after taking wf and supposedly killing bran and rickon and b) he describes it as a life of honor but assumes he can bed wildling women, which watchmen usually see as the most dishonorable kind of sex, not just patronizing the whores south of the wall but sleeping with the enemy. his newly-turned and fleeting ambitions of captaining a ship at eastwatch, rising to first ranger and even lord commander look downright logical and realistic compared with forgetting the celibacy vows and the motive he's just given jon snow--who never really liked him to begin with--to oathbreak by murdering him on sight. (tho, funnily enough he is kinda foreshadowing jon's soon approaching experience of sex with a wildling woman and facing accusations that his black cloak was indeed turned, even after rising to the position of lord commander. biggest difference is jon did not plan and go looking for a wildling lover, was unaware of his own possible princehood, and ygritte likely would not care about jon's royalty except to joke about it if they did know.)
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thelustybraavosimaid · 2 months
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You're a Jon Stan, right? Do you know any Jon stans who ship Jonsa?
Captain, I'm gonna be honest with you. I don't think those people exist.
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annabelle--cane · 6 months
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s4 jon sims is a prime example of the psychic damage you get from fumbling a bbw (gender neutral) and lose him to a ship dwelling fog-cloud sea captain
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juanarc-thethird · 1 year
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Gaming Night with the Boys
Playing a pirate video game
Cap. Jaune: Another day in the Pacific.
Sun: Captain!
Cap. Jaune: What be the matter about ye?
Sun: I see a ship in front of us, but it has an... interesting flag. They can cancel us if we attack it.
Cap. Jaune: Cancel us? We are pirates!
Sun: Just take a look, Captain.
Cap. Jaune: Ok. Ren, pass me me spyglass.
Ren: The what?
Cap. Jaune: Pass me my telescope.
Ren: Oh... Here.
Ren gives the telescope to Jaune and looks at the horizon. Opposite was the ship as Jon said, and its flagship is somewhat peculiar. It was a rainbow flag.
Cap. Jaune: Oh...
Cap. Jaune: What would be worse, not attacking because of that flag or attacking them while they have that flag?
Neptune: Fuck, what are we going to do now?
Cap. Jaune: Damn society and its flying machines.
Ren: What if we just take their boat and race each other?
Neptune: Oh! Good idea!
Sun: Wait a minute, but the one who gets on that boat will be what?
They all look at each other for a second.
Neptune: Captain, I am willing to-
Cap. Jaune: *Jumps off the ship to steal the other one*
R/S/N: CAPTAIN!!!
*YMCA starts playing*
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daceytheshebear · 9 months
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My Oak Leaf Dress post is getting some traction again years after it was first posted, and it got me wondering if tumblr might be more fertile groud to talk about some Arya Stark-centered analysis of mine I feel never got the attention it deserved in the westeros.org forum?
Okay, have you noticed that Arya's five chapters in AGOT have very very strong parallels to Arya’s five chapters in Feast/Dance? I've cataloged them and it blows my mind that more people aren't dissecting it. If we take into consideration that the AFFC and ADWD were supposed to one book, Arya has exactly the same amount of chapters as she had in book one, which is much less than she had in ACOK or ASOS. A pity in my opinion, as I love to read her, but I believe this is not a coincidence on Martin’s part as there seem to be several parallels between what Arya experiences in the first book and the last two. I’ll compare:
AGOT Arya I to AFFC Arya I 
AGOT Arya II  to AFFC Arya II
AGOT Arya III to AFFC Cat of the Canals
AGOT Arya IV to ADWD The Blind Girl
AGOT Arya V to ADWD The Ugly Little Girl
So, AGOT Arya I / AFFC Arya I: Both take place in a different setting from the other four chapters (Winterfell vs. Kings Landing for AGOT, the ship The Titan's Daughter vs. the city of Braavos in AFFC and ADWD). In both we have Arya directly interacting with two siblings, one who is two years older than her and whose place she would like to be able to occupy (Sansa with all her ladylike abilities, Denyo who is a cabin boy) and another who is older and more guarded and with whom she has important conversations about the ways of the world (Jon Snow and the talk about bastards and girls and Yorko and all the exposition about Bravosi culture). Quotes about Sansa and Denyo:
It wasn't fair. Sansa had everything. Sansa was two years older; maybe by the time Arya had been born, there had been nothing left. Often it felt that way. Sansa could sew and dance and sing. She wrote poetry. She knew how to dress. She played the high harp and the bells. Worse, she was beautiful. Sansa had gotten their mother's fine high cheekbones and the thick auburn hair of the Tullys. Arya took after their lord father.
And
Denyo had taken her up to the crow's nest once, and she hadn't been afraid at all, though the deck had seemed a tiny thing below her. I can do sums too, and keep a cabin neat. But the galleas had no need of a second boy.
In both chapters we have adults who are not really happy to be in charge of Arya, who are associated with the color grey, and who frown at Arya with similar phrasing (septa Mordane and Tradesman-Captain Ternesio Terys). I'll give you the quotes:
Septa Mordane raised her eyes. She had a bony face, sharp eyes, and a thin lipless mouth made for frowning. It was frowning now. "What are you talking about, children?"
And
Arya turned to find Denyo's father looming over them in his long captain's coat of purple wool. Tradesman-Captain Ternesio Terys wore no whiskers and kept his grey hair cut short and neat, framing his square, windburnt face. On the crossing she had oft seen him jesting with his crew, but when he frowned men ran from him as if before a storm. He was frowning now. "Our voyage is at an end," he told Arya.
In one of the chapters Arya is said to be “too skinny to hold a sword” and in the other she is “too small to man an oar”. Both chapters end with Arya entering rooms where two authority figures await for her (septa Mordane and Catelyn in her room AGOT, the kindly man and the waif inside the House of Black and White in AFFC).
AGOT Arya II  / AFFC Arya II: In both chapters a long time has elapsed between Arya I and Arya II. In both chapters Arya feels very isolated from people around her (in AGOT she is mourning Mycah, angry at her father’s men who let the boy be murdered and sad that even Sansa “wouldn’t talk to her unless their father made her”, in AFFC Arya takes the other servants of the HoBaW for mutes until she hears them praying, they never talk to her and Umma, who does talk, speaks in a language she can’t understand.
In both chapters we have vivid descriptions of rich food Arya eats, which is very rare in her story because she is underfed most of the time. In both chapters Needle is discovered (in AGOT Ned sees the sword, in AFFC the waif catches Arya training).
In both chapters she has a very important conversation about lies (Arya tells her father Sansa lied about not knowing what happened at the Trident, and Ned says to her:  "We all lie" and later says that some lies are “not without honor”, meanwhile the kindly man says to Arya “All men lie when they are afraid. Some tell many lies, some but a few. Some have only one great lie they tell so often that they almost come to believe it”).
In both chapters Arya promises to obey:
“This willfulness of yours, the running off, the angry words, the disobedience… at home, these were only the summer games of a child. Here and now, with winter soon upon us, that is a different matter. It is time to begin growing up." "I will," Arya vowed. She had never loved him so much as she did in that instant. "I can be strong too. I can be as strong as Robb."
In AFFC the kindly man tells Arya
“Remain if you will, but know that we shall require your obedience. At all times and in all things. If you cannot obey, you must depart." "I can obey." [...] “It takes uncommon strength of body and spirit, and a heart both hard and strong [to be a faceless man]" I have a hole where my heart should beand nowhere else to go. "I'm strong. As strong as you. I'm hard."
In Both chapters Arya is said to be beautiful (a word that is not used to describe her in any other occasion). In both words Arya explicitly refuses feminine roles (in AGOT she tells Ned she doesn’t want to be a lady, in AFFC she thinks she wanted none of the placements the kindly man offers her, with courtesans where she would “sleep on rose petals and wear silken skirts that rustle when [she] walks” or “marriage and children”).
In both chapters Arya uses rocks to save a part of herself: in AGOT she recounts to Ned how she had to throw stones at Nymeria for her to stop following and be saved from the Lannister men who would execute her (we hope Arya will reunite with Nymeria again), and in AFFC she hides Needle behind a loose stone step to keep it safe for later (we hope she will retrieve it at some point).
Another plot-point that repeats between the two chapters is the introduction of a teacher. Arya II in AGOT opens in a dinner scene in the Small Hall ends with the introduction of Syrio Forel in the same Small Hall, where Arya begins to learn water dancing. Syrio says “now we dance”. Arya II in AFFC starts with Arya reciting her list, and ends after the Waif becomes Arya’s teacher on the braavosi language and the lying game (she actively compares what she is learning now with the lessons she once had from Syrio) and then Arya finally leaves the temple, reciting her list like in the beginning (so both chapters start and finish “in the same place”) and saying she is “so happy she could dance”.
AGOT Arya III / AFFC Cat of the Canals: Okay so in AGOT Arya II, Arya assumes a “fake identity” for the first time ever! Tommen and Myrcella mistake her for a peasant boy, and she acts the part. In her third chapter in AFFC this is taken up to the next level and this is the first time her chapter title changes when she takes  the identity of Cat. Cats! Of course, Arya II in AGOT is that one chapter that is all about cats, she talks about pursuing them and she finally kisses Balerion. She then becomes Cat in her third chapter in AFFC, and reminisces about chasing cats in the Red Keep in that chapter!
There is a sense of expanding horizons in both these chapters. Arya leaves the Red Keep for the first time in AGOT Arya III, and walks back from the Blackwater all the way to the castle. In her third AFFC chapter, Arya is exploring the city of Braavos after having finally been allowed out of the temple. She is also very cheeky in both these chapters! Arya interacting with the guards of the Red Keep is hilarious, and very similar to how she acts when being her Cat persona.
Nightmares. Arya experiences vivid, terrible nightmares in both these third chapters (and in her third chapter in ASOS). In AGOT she hears her father’s voice becoming fainter and fainter in her dreams, which some have interpreted as foreshadowing for Ned’s death and as a sign that Arya may have precognitive abilities. In AFFC it’s her mother she hears screaming. Both these chapters also explore and detail the place Arya inhabits. In AGOT Arya III the Red Keep is heavily featured, and it’s described as an “endless stone maze”. In AFFC Cat takes us all around Braavos, which of course is a “crooked city” with all its buildings made out of stone.
Daenerys is mentioned!! Illyrio and Varys discuss “the princess with child” in AGOT Arya III, and tales of “dragons hatching” reach Cat in AFFC. Daenerys isn’t mentioned in any other Arya chapters.
Retelling overheard stories features heavily in both chapters. Arya tries to convey to Ned what she overheard and is casually dismissed. In Cat of the Canals, Arya is learning to actively overhear conversations and gather information and retells them to the kindly man with caution.
Bathing is also present in both chapters. Arya usually doesn’t really enjoy bathing in ACOK and ASOS, but both in AGOT Arya III and in Cat of the Canals, on the other hands, we witness Arya disrobing and cleaning her body of her own volition, getting rid of bad smells in almost ritualized cleansing. Compare the quotes from AGOT, Arya III:
She found herself standing at the mouth of a sewer where it emptied into the river. She stank so badly that she stripped right there, dropping her soiled clothing on the riverbank as she dove into the deep black waters. She swam until she felt clean, and crawled out shivering.
and AFFC, Cat of the Canals:
Down in the vaults, she untied Cat's threadbare cloak, pulled Cat's fishy brown tunic over her head, kicked off Cat's salt-stained boots, climbed out of Cat's smallclothes, and bathed in lemonwater to wash away the very smell of Cat of the Canals. When she emerged, soaped and scrubbed pink with her brown hair plastered to her cheeks, Cat was gone.
One of the most important parallels in this set of chapters regards the Night’s Watch. It is in Arya III AGOT that Arya for the first ever interacts with a black brother, when she meets Yoren. Although Arya isn’t aware of it, it was Yoren’s death that made it possible for Dareon leave Eastwatch and go to Braavos in the first place, as the singer was assigned by Jon Snow to take up the role of recruiter that used to be Yoren’s. Yoren had other roles as well, including that of Arya’s protector. The first encounter she has with each of the two black brothers show us just how much Arya has changed. She thinks of Yoren:
He was stooped and ugly, with an unkempt beard and unwashed clothes. [...] The old man in his smelly black clothes was looking at her oddly, but Arya could not seem to stop talking.
While Arya can’t stop herself from rambling to Yoren, she has learned not to share all of her thoughts by the time she meets Dareon. This is the quote:
He is fair of face and foul of heart, thought Arya, but she did not say it
Also, in both this chapters she goes blind! “She was blind.” That sentence shows up exactly like that, word for word, in both chapters. Of course in AFFC she actually becomes blind, while in AGOT she is only in a really really dark room. But still. The wording! And structurally speaking, while the last pair of chapters starts and finish “in the same place”, now both of these chapters start with a more light-hearted tone to then plunge into really dark territory, literally and metaphorically, as Arya hears the threats to her family whispered in the dark in AGOT and kills Dareon to then goes blind in AFFC.
AGOT Arya IV / ADWD The Blind Girl:
Considering AFFC and ADWD as one long long book, Blind Girl is Arya’s fourth chapter. Arya’s fourth chapter in AGOT is the one in which she gets that all-important lesson when Syrio Forel tells her to “look with her eyes”. He also touches upon her other senses though:
“The heart lies and the head plays tricks with us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in that way knowing the truth." 
Syrio says all that! And while Arya looks with her eyes in several moments of the story and this true seeing literally saves her life more than once, she never does explore her other senses that much… until she goes blind in ADWD. In The Blind Girl we get:
Hear, smell, taste, feel, she reminded herself. There are many ways to know the world for those who cannot see. [...] "You have five senses, learn to use the other four, you will have fewer cuts and scrapes and scabs"
Also, both chapters feature scenes where Arya in engaged in training with someone to improve her martial skills. While she practiced her needlework on her own all throughout ASOS, this is the first time she does so with someone else since Syrio in AGOT Arya IV! The way the two fights are described is incredibly similar, with the descriptions of rights and lefts and right and lefts, and the clacking sound of wood, her opponent “cheating” (coming from the “wrong” side) and there is a “sudden stinging” cut which catches her by surprise. It’s very very similar, go reread it if you don't believe me.
Another really important parallel regards skinchanging: in Arya’s fourth chapter in AGOT, Arya is helpless after witnessing the horrors that took place at the Tower of the Hand. The narration tells us “she was only a little girl with a wooden stick, alone and afraid” (the wooden stick here is her practice sword). And than, to escape, she pretends she is chasing cats… “except she was the cat now”. I kid you not, this is the exact wording used. She is the cat now, and that is what empowers her to keep going. In ADWD, when Arya is most definitely LITERALLY just a little blind girl with a wooden stick, she actually skinchanges into a cat for the first time, and that is what finally empowers her against her mentor/abuser. She “becomes a cat” in both chapters
Also, it is in The Blind Girl chapter that we learn that “the Sealord is dying”, which is comparable (both from doylist’s and watsonian perspectives) to Robert Baratheon dying, exactly what happens around Arya IV. Now a bit of a stretch: in AFFC "The Merling Queen has chosen a new Mermaid to take the place of the one that drowned. She is the daughter of a Prestayn serving maid, thirteen and penniless, but lovely." I propose the new mermaid might stand in for Jeyne Poole. While the new Mermaid is the daughter of a Prestayn’s serving maid, and we know Prestayn be a noble house, Jayne is the daughter of the Stark’s steward. Petyr Baelish, who is connected with the braavosi galley The Merling King, takes charge of Jayne, who is then a twelve year-old.The “Mermaids” are actually described to be “young maidens in the blush of their first flowering who hold [the Merling Queen’s] train and do her hair”. Of course, same as the Mermaids are being trained to become courtesans, Jeyne will be trained in a brothel to become Ramsay’s bride.
AGOT Arya V / ADWD The Ugly Little Girl: Okay, so Arya V makes me sad from the very first line to the very last. The situation is hopeless, Arya is helpless. King’s Landing is unwelcoming and claustrophobic, the people range from rude to downright mean. The people of the city likely look at her with suspicious eyes, and as much as Arya has told us she loved nothing more than to be underfoot and mingle with the common people of Winterfell, the experience in King’s Landing is traumatizing, and it ends with her father beheaded. Oh joy. In A Dance with Dragons the waif describes how people will react to the ugly little girl Arya will become after she changes her face for the first time:
"Women will look away when they see you. Children will stare and point. Strong men will pity you, and some may shed a tear."
For reasons very different than a destroyed face, this sounds very similar to what Arya experiences in King’s Landing. I find the overall tone of The Ugly Little Girl chapter to be rather analogous to that of Arya V. Arya is in the HoBaW because is certain she has nowhere else to go. Life is easier now than when she was blind, but she doesn’t feel very comfortable – and yet goes through with all that is asked of her. Though not helpless anymore, she is more hopeless than ever before. She experiences physical pain and nightmares; she is questioned and constantly told she doesn’t have what it takes to be in the only place that has been a steady roof over her head in years.
Before undergoing her magical transformation in ADWD, Arya is given a tart drink. This is the quote:
She drank it down at once. It was very tart, like biting into a lemon. A thousand years ago, she had known a girl who loved lemon cakes. No, that was not me, that was only Arya.
In AGOT Arya V, we get this:
Arya would have given anything for a cup of milk and a lemon cake,
In fact, lemons come up very scarcely in Arya’s whole story. She only thinks about the fruit in her inner monologues in Arya V and The Ugly Little Girl, both times prompted from external stimuli (there is the lemon tart she could not steal moments before she wishes for the lemon cake in AGOT, and the magical tart drink she is given in The Ugly Little Girl). The word comes up a handful of times in A Storm of Swords while Arya is in the company of Lem Lemoncloak, but the fruit not so much.
Another parallel between this pair of chapters comes in the form of Arya’s target, the binder salesman. The man Arya targets for the faceless men in ADWD is described in a way that calls back to Petyr Baelish (pointed beard, thin lips) and Yoren (a hard face, mean eyes, crooked shoulders), both of which Arya encounters in her fifth chapter in AGOT.
Eddard Starks beheading is a moment full of similarities to Arya’s “defacing” by the kindly man. This is from AGOT Arya V:
The old man shook her so hard her teeth rattled. "Shut your mouth and close your eyes, boy." Dimly, as if from far away, she heard a… a noise… a soft sighing sound, as if a million people had let out their breath at once.
and this is from ADWD The Ugly Little Girl:
"Sit," the priest commanded. She sat. "Now close your eyes, child." She closed her eyes. "This will hurt," he warned her, "but pain is the price of power. Do not move."
And of course what follows her closing her eyes in AGOT hurts much more deeply than having her forehead slashed. In A Game of Thrones, Arya opens her eyes to finally recognize Yoren. He then giver her Needle back, and drags her to a doorframe where he cuts her hair to give her a new identity, that of Arry. This is the quote from Arya V:
As the blade flashed toward her face, Arya threw herself backward, kicking wildly, wrenching her head from side to side, but he had her by the hair, so strong, she could feel her scalp tearing, and on her lips the salt taste of tears.
and this is the quote from The Ugly Little Girl:
She sat unmoving. The cut was quick, the blade sharp. By rights the metal should have been cold against her flesh, but it felt warm instead. She could feel the blood washing down her face, a rippling red curtain falling across her brow and cheeks and chin, and she understood why the priest had made her close her eyes. When it reached her lips the taste was salt and copper.
That's it! If you are interested in a more in-depth analysis check my original post from (five!!) years ago .
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spiteful-crow · 8 days
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Jon, the concept behind the term „anima“, and Carl Jung
This is going to be a small info dump about the term „anima“. Everyone who has finished Sherlock Holmes Chapter One knows that Sherlock calls Jon his anima before they enter the garden.
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It‘s an important moment if you (like myself) are struggling to understand what Jon is. Imaginary friend doesn’t quite fit, imo, as Jon is shown to be too independent to be one. Why would Sherlock desperately call for him and ask him to „intervene“, if he could simply imagine Jon at any time? It’s implied that Jon has a will on his own and that his departure is a decision Sherlock cannot simply revoke.
This is where the term „anima“ comes in handy. In the art book, Jon is described at a personification of Sherlock’s survival instincts, his will to live, and his desire to be happy. And this already kinda describes what an anima is.
The anima, in historical philosophy, is the irrational part of the soul, as opposed to the rational mind.
Here are some other definitions which can be found online:
an individual's true inner self that in the analytical psychology of Carl Gustav Jung reflects archetypal ideals of conduct
an inner feminine part of the male personality (I will ignore this definition for now and focus on the less gendered one)
There is also a graphic, which is supposed to describe what an anima (Jon) and a persona (Sherlock) are:
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I also found this more detailed explanation, which makes the term easier to grasp:
Picture the surface of the ocean. Above the water is everything you are aware of. Beneath the water is everything you are unaware of. All of it is "you". That water is the line between conscious and unconscious. On the surface of the water is a ship, a big iron-clad battleship for most people. The ship is there to protect the ocean from all the big horrible things outside of it. That's your persona. The persona is like a Navy with a mission to protect the whole ocean. At least, it thinks that is what it is supposed to do. It is led and driven by Captain Ego. It so happens that there's also a submarine underneath the ship. It has the same job as the ship on the surface, except it protects against all the horrible things in the depths of the ocean. This submarine is what Jung called the "anima" […] . The pilot of this submarine, usually opposed in almost every way to Captain Ego is The Shadow. Most of us walk around all day at the mercy of that ego and its persona, except of course when the Shadow rears its face and does something out of the blue that we did not expect.
This figurative ocean already explains Jon‘s nature fairly well - unlike Sherlock (the persona) who faces the outer world, Jon (the anima) protects Sherlock (the person) from what’s beneath the surface. Jon is the irrational part, which wants to forget the traumatic memories, which wants to have fun and enjoy life and which doesn’t prioritise the truth as much as it prioritises happiness and wellbeing.
According to Jung, every person has a persona and an anima. In Sherlock‘s case, his circumstances lead to these two parts of himself being separated from one another so much that they form two whole people. I think it shows very well how much Sherlock wants to distance himself from everything irrational by creating a whole separate person to outsource his irrational parts into.
In this context, the ending and Jon’s departure can be seen as Sherlock picking the truth over his own wellbeing and ultimately severing his ties to the irrational part of himself, which wants happiness. It explains why Sherlock accuses Jon of lying - because coping is not „truthful“ from a rational standpoint. It also explains why Jon seems so unhappy in each ending - because from his point of view, Sherlock has made the wrong decision - Sherlock doesn’t allow himself the „weakness“ of being human and therefore being unable to handle the painful truth. And this explains pretty well why Sherlock’s psyche is so fragile in The Awakened and why he desperately begs for Jon to return. Sherlock cannot handle the horrors he faces without the little, irrational part of himself, which shields him from trauma and does the coping for him. However, submarine under the ocean can no longer be located by him, because he has chosen to no longer listen to it and let it protect his psyche, and the horrors attack him from below the figurative surface (which is funny considering Cthulhu lives under the literal surface lol).
A person cannot be happy if they only value rationality and neglect their emotional needs entirely. Happiness is a feeling, too, after all. And this is the person Sherlock becomes post Chapter One. His pursuit of the truth pushes him to the brink of death multiple times, because without Jon, Sherlock will not pick his own wellbeing over his ideals. No matter what horrors he faces, he doesn’t know when to stop, so he doesn’t stop until he sees the case to the end. He is no longer in touch with the irrational part of himself, which wants to survive.
This lack of survival instinct can be seen in the books, too, imo. Book!Holmes shows no fear of death when facing Moriarty, which in itself is already questionable.
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Is it healthy to be excited about dying for the greater cause? I am no psychologist, but that’s definitely nothing I would describe as healthy. There is also the part where book!Holmes describes himself as a brain. Oh well.
I am rambling a lot so I will put an end to this, but I want to conclude that Jon is definitely buried somewhere deep, and he is a very essential part of Sherlock, but Sherlock will definitely need to find a way to reconnect with this part if he wants to be happy. And he better start listening to Jon again, too!
I like to think that he does, at the end. I like to think that ultimately, he will choose himself over everything else and find happiness and peace, because he deserves nothing less.
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yumeinati · 5 months
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Seeing what my sister knows about the Mechanisms - Spoilers: Not enough
I love my sister, I do. She lets me rant to her about the Mechanisms 24/7. But the real question is whether or not she pays attention to what I say. I decided to quiz her and see how much she retains from our conversations <3
DTTM Spoilers/Talk
Starting off with everyone's favorite Captain First Mate!
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Name: Jonny d'Ville | Mechanism: Blood | Role: Master at Arms
"He's cool I guess"
Not really surprised by her response to him, nor am I shocked she got his Mechanism wrong since when I first asked her to do this, she was like "I only know three of them. Jonny d'Ville, Nastya Rasputina, and Jonny Sims" and I had to remind her that two of those were the same person. Speaking of Nastya Rasputina!
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Name: Nastya Rasputina | Mechanism: Lungs | Role: Pilot
"My favorite" Proceeded to give a thumbs up.
As I taught her, Nastya is best girl and deserves the whole world. I am rather shocked she got her Mechanism wrong as I once word vomited to her about mercury poisoning when I was plotting for a Nastya-centric fic, but its okay. Next up is Ashes!
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Name: Ashes O'Reilly | Mechanism: Eyes | Role: Quartermaster
"They're cool, I like them"
Used the wrong pronouns but immediately realized and corrected herself before I had to so that's a win that she paid attention there. (We stan an ally <3) I talk about Ashes so much so I'm surprised that she got their Mechanism wrong but its okay, I still love her. Now to an Archivist who actually knows how to do her job (this is S1 Jon Sims slander, I am not sorry, he did not know what he was doing)
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Name: Ivy Alexandria | Mechanism: Brain | Role: ????
"I don't really know...Ivy I guess is cool."
I don't talk about Ivy as much as I should, which I really should change because Ivy is amazing. When asked about why she was '????' she just went "I don't know...she has those vibes." which is 100% understandable. Time for the drumbot himself!
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Name: Drumbot Brian | Mechanism: All but Heart | Role: Engineer
"Cool."
How does she not have more to say about him? He's been the focus of my rants since I got home from Uni on Sunday and all she has to say is 'cool'. Engineer is at least the closest she could get to Pilot, but I'm still a bit disappointed she didn't get all the answers right. On to her...absolute favorite, TS.
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Name: Toy Soldier | Mechanism: All but Voice | Role: Archivist
"The Toy Soldier is the best character and there's no doubt about that."
Her answer came so quickly after I asked her how she felt about TS, I honestly can't say I'm surprised though. She thinks it's a silly little creature. Now to the man that I'm like 100% sure she has a love/hate relationship with, Tim.
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Name: Gunpowder Tim | Mechanism: Heart | Role: First Mate
"Cool."
Once again, really confused about how she doesn't have more to say about him. He's literally carrying a huge gun so like, a tad confused on my she didn't think he was Master at Arms, but its alright. Funnily enough, she got the next two completely right, starting with Marius.
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Name: Marius von Raum | Mechanism: Arm | Role: Doctor
"His arm is cool."
Applause for her getting everything correct. I force her to listen to The Wassailant in the car. There is no surprise she got his stuff right because I talk about Kofi, and by default Marius, so often. And finally, last but not least, Raphaella <3
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Name: Raphaella la Cognizi | Mechanism: Wings | Role: Science Officer
"Just take off the wings and she'd be cooler. Just saying."
The disappointment when she said that was at its peak. I cannot believe that she would say that about the Raphaella la Cognizi and I will be making sure she changes her ways.
I'm not too surprised with Nastya and TS being her favorites, seeing as I talked about them most when I first got into Mechs, but the Raph slander was absolutely uncalled for </3
I also asked her some lore questions.
Q: What is the ship’s name? | A: Aurora
Q: Who is dating the starship, The Aurora? | A: Jonny
Q: Which Mechanism Mechanized themself? | A: Nastya
Q: Who was the first Mechanism? | A: Jonny
Q: Who were the last two Mechanisms to join the crew? | A: Marius and Ivy
Q: Who was the first Mechanism to die/leave the crew? | A: Tim
Q: Who was the last Mechanism to die, timeline-wise? | A: Jonny
Q: Which Mechanism died by death by Octokittens? | A: Brian
Q: Which Mechanism has a morality switch? | A: Brian
Q: Who had a ‘best friend’ named Bertie? | A: Jonny
Q: Which one is an arsonist? | A: Raphaella
Q: Which one blew up the moon? | A: Tim
Q: Which one is a cannibal? | A: Marius
All in all, somewhat disappointed in my ability to get this cemented into her brain </3 Glad she at least was able to match names to faces so I'm at least showing her enough photos of them, but I will definitely start talking to her about Mechs lore more because she needs to know and understand it all.
I will still say that a success is convincing her and my mom to do matching Life360 photos with the most iconic sibling duo and their mother <3
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arborescentarecaceae · 10 months
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Top 10 Sexiest Mutants
but I'm gay so it's only the guys
Honorable Mention: Kobak Never-Held
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I'm not really into porcupines or whatever he's supposed to be, but he has a nice ass and that's all that really matters.
#10: That one Betsy Braddock variant who has a beard
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Okay I know this one's kind of a stretch but I always get excited to see this guy in the background when the Captain Britain corps shows up. If Betsy is a mutant her variants would be too, right? So this counts?
#9: Wolverine (Logan Howlett)
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Pretty basic, I know, but he's popular for a reason and that reason is that he's sexy.
#8: Forge
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Mustache <3
#7: Sabretooth
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I'm pretty sure he was my first crush as a kid lol. And as stupid as it looks the Corsair cosplay here is really doing it for me somehow.
#6: Manifold
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I'm usually not into yellow for clothing but he manages to make it look good, and I love a character who has a signature color.
#5: Nightcrawler (with the horns, from Legion of X)
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He's a sexy little demon man :)
#3 (tie): Magneto & Fisher King
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I'm not the only one who kind of ships them, right? Like, there's something there.
#2: Jon Ironfire (as seen in Sins of Sinister)
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It's a shame this version of him is from a timeline that no longer exists, because he's sooooo cool. He's got sick horns and a huge beard and he's missing an eye and he can turn his blood into metal, like come on.
#1: Colossus (in his 2022 Hellfire Gala outfit)
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Obviously. I'm still mad they came up with this amazing design and then he was in the background of like 3 panels throughout the entire event and that was it.
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Note
You said that Martin would be mentioned in some statements between like 1997 and 2003 (❓)
So hypothetically how would Jon react❓Even if he just had a small mention in the statement❓
Martin is only briefly mentioned in a couple statements but never directly or at least not as a focal point.
1995
He appears first in the statement of Molly Blaire's statement about her Neighbor Eleonore's illness.
Molly Blaire was considered a neighborhood Betty, peeking out her windows watching the lives of her neighbors for entertainment. Which led her to discover that Eleonore Blackwood had a rather foul temperament whenever her husband was away on business, and that her prime target was her son. A rather lonely boy who Molly could not remember the name of only that it started with an M.
The events of the statement don't occur until after the boys disappearance in early 1994, which is quickly followed by Eleonore being abandoned by her husband.
That is the last mention of him in that statement.
1998
He is briefly mentioned in the statement of Roderick Steele a dock worker regarding finding himself lost on the piers. Claiming to find himself alone on a previously crowded dock, as if every person had disappeared into thin air. This event happened after finding a child wandering the docks. But when he tried approaching the boy to see if he was lost he was confronted by a large frightening man.
2001
Darius Garner makes note of a teenager on the Tundra during his employment. The boy didn't seem to be part of the crew and didn't perform any daily tasks like the rest of the attendance. Often seen working on textbooks or other unusual tasks to see on a ship. He describes the strange absence the boy left in his wake though he hardly spoke a word and how he affected the crew. Darius only discovered that the boy was Captain Luka's son in the later half of his voyage, and is only referred to as the young captain.
2008
The last mention is made by Bianca Harper regarding her sister's poetry obsession and disappearance.
Bianca's sister Clair had always fancied herself as a poet and poetry enthusiast. Often seeking out published works from new upcoming poets. Which is how she stumbled upon a collection by a person by the name of M K Blackwood. Clair's regard for the book started out rather mundane, until she found one poem in particular;
"If lonely souls help each other
Then I must find one as sad as I
But I've searched the world
And haven't yet
And have to wonder why"
Clair would repeat it over and over and as she did the less she would reach out. And the dimmer she would become like all the life had drained out of her and all she could say was those five lines. Until one day it was like she never existed at all.
Jon does make the connection between the statement in 1995 to the 2008 statement as possibly referring to the same M Blackwood, but nothing that would connect to Martin.
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