#like more power to her for having a villain arc

[bibibbon]

Sukuna is a good villain analysis

Coming from someone who hates villains that are evil because they were born that way and with no other explanation. To be honest, out of all the villains in jjk I always found sukuna to be somewhat boring , he is well written but I just couldn't really see what people saw in him. I still think that kenjaku is way more interesting than him but I will say that due to the recent arc and chapters that my opinion of sukuna has significantly changed.

Sukuna is the abstract embodiment of nihilism (in a way). His character for the longest time has always been about destruction and chaos. Sukuna's first introduction consists of him saying that he is going to destroy absolutely everything and there is a heavy focus on him destroying the woman and children. He simply views then as little maggots that he can easily destroy with ease. We later learn the connection (I guess) he has to his mother which he doesn't regard her disrespectfully and his devoured twin whom he is shown to remember the presence of. Every time we meet him before shibuya his power is further emphasised and he is further demonised and built to be the big bad.

It is later in shibuya, during his fight with jogo that we get more to sukuna. In this fight sukuna brings out his CT of flames and jogo is surprised however, before sukuna kills jogo they share an interesting conversation. Sukuna recognises jogo's ideology and desires to be human and sukuna relates to it. He understands jogo's desires of taking humans place and ruling the world yet he views that view as foolish. This is where we learn that sukuna believes that being alone and having the power to destroy everything you care about is what makes one powerful. This can explain sukunas love for destruction and simple chaos. However, sukuna is incapable of understanding why he is talking to jogo, why does he even care for him in a way and instead of trying to understand he does exactly what he said to jogo that he should do and destroys/ fully burns jogo after calling him "strong". At this point both of these curses have experienced what it's like to be 'human' with emotions flowing through them that aren't negative but while one (jogo) questions it and tires to explore it the other (sukuna) rejects it and burns it all away.

There's also sukuna's relationship with his relatives especially itadori his nephew. Sukuna and itadori share completely different ideologies while sukuna believes in him being the strongest and destroying everything he cares for to stay that way yuji will believes that he is a simple cog in a system and tries to do everything to fulfill his role and protect others. Both are strong characters yet it is yujis drive and strong resolve that makes him so much more mentally stronger than sukuna and what irritates sukuna as yuji is claimed to be unbreakable in his views and passion. Yuji also makes sukuna question his own purpose and what he is here to achieve. Even though the two are strangely similar in many ways considering that yuji is a part of sukuna they're vastly different especially with their ideologies.

There's also the huge contrast between sukuna and his twin Jin itadori. Sukuna is strong, cold hearted and would put himself before anyone. Sukuna doesn't care for others and his existence is mainly him trying to satisfy himself and his needs while flaunting the immense power he carries. Yet from the little we have seen from Jin itadori he is is the polar opposite of sukuna. Jin itadori died for love, he was so blinded by grief that when kaori came back even though it was kenjaku he still loved her the same and he loved itadori more. It was stated that Jin really wanted to have a child and truly cared for itadori to the point he and itadoris grandpa got into fights about it. Jin from the moment we see him seems like a really nice and somewhat nerdy guy the complete opposite to his twin sukuna heck even their character designs are completely different with them only having the same colour hair and eyes (I think).

These twins are also juxtaposed to the zenin twins. Its stated that sukuna had to eat his twin to survive in the womb due to how poor their mother was. However, the only thing that sukuna got out of his twin was the physical characteristic and his CT while Jin's soul went through cycles before coming into he human realm again. This contrasts with eh zenin twins whom voluntary chose to join together and when she died Mai chose to take all the CE they both had while dying physically she joined her sister spiritually by becoming a sword. Maki and Mai will always be together and entwined by their souls. The sukuna and jin twins are only connected physically which could be why sukuna has 4 eyes and 4arms.

Sukunas own character design just shows that he is the embodiment of destruction and how he simply devours everything around him. When asked if sukuna ever feels lonely he literally says that he lives however he wants and that he can eat as much human flesh with all of them tasting different and filling him with different emotions. The closest thing that sukuna has to a friend is his loyal servant urauame and they only obey his orders while entertaining him. It's stated that the only reason sukuna keeps urauame around is due to their talent in cooking human meat, the same thing that gives him joy aka any real emotion.

There are then his other fights that focus on sukuna and his views on love and power. Yorozu's fight is an interesting one where we get more on sukunas cannibalism and how both of those characters view love as a means of destruction and death. Yorozu is happy that sukuna killed her and got to know more about her through that while sukuna is questioned on stuff that he views as pointless and meaningless like marriage. Yorozu sees the solitude that sukuna is surrounded by and think that he can understand her since she has faced similar yet they heavily clash with sukuna believing that to have power one must face the burden of solitude. In the end yorozu, does give sukuna a gift crafted by her which he actually takes and uses during the current battle. Yorozu's attempts to get to sukuna and to make him reciprocate his love all fail even when she makes a TRUE SPHERE. Something that has the largest surface area and can contaminate and touch everything yet sukuna leaves untouched by yorozu at all. I think it's interesting that yorozu's heart took a shape of a true sphere just to show how obsessed she is with sukuna and her desire to be with him.

Sukuna then fights with kashimo. Kashimo somewhat like jogo has an understanding of what it's like to be strong yet kashimo is sick of superficial interactions that the strong have to have with people that are inferior to them or want to challenge them. Kashimo asks sukuna if there is a way where he can be strong and surround himself with love sukuna says that this is selfish thinking considering his view that everything he cares for must be burnt for him to be strong. Kashimo isn't satisfied by only having strength but he also wants to experience simple things such as love, sukuna could of been similar to that long ago yet he gave up and has resorted to taking in all the destruction and enjoying himself from it. Kashimos fight with sukuna was more of a self discovery journey for the both of them and at the end they both come out on different sides.

After higumara's death there is a whole chapter about sukuna and he starts questioning his own life view. What has he been doing? Is it worth it? Where is the joy in what he used to do? And he is again faced with his complete opposite yuji. He is deep in thought and he feels empty, confused even he can't seem to understand why everyone is dedicating themselves to this belief, they're all united and strong yet he is alone and bored. Sukuna has done everything he has fought and killed but like kashimo said that caught up to him and now he is tired of it he wishes to experience the unity and stuff that the others fighting him are experiencing. Sukuna has no purpose but to destroy at this point but he has caused so much that him destroying over and over again has just been a mundane cycle.

Yet things start to change as the tides are against him and he may taste losing for the first time.

In conclusion, sukuna is an abstract and literal ideology of nihilism to a cerian extent and conveys the big bad villain trope in a fantastic way. I find him way more well written than AFO and muzan.

#jjk #jujutsu kaisen #jjk manga #jjk rambles #jjk ramblings #jjk critical #jjk spoilers #jjk sukuna #sukuna #jjk analysis #sukuna being yujis uncle is way better than them being twins #i actually dont mind sukuna but kenjaku is just better #kenjakus behaviour needss to be studied the dude is insane #jjk parallels #jjk contrasts #jjk has some serious family drama and iam here for it #jjk meta #jjk rant

[meteorstricken]

"But why didn't Jill go to Origin?"

In order to understand this, you need to keep FFXVI's themes of duty and atonement in mind. The reason Dion felt compelled to show back up and offer his aid as Bahamut was because it was his means of atoning for what transpired in Twinside, and it was very much framed as a *suicide mission*. He had promised Joshua his aid once matters with Annabella and Olivier were resolved, but with how poorly that all worked out, he clearly comes to view laying down his life as his duty.

However, Jill had already accomplished this part of her arc. She returned to Mt. Drustanus and killed Imreann--the one who coerced her into acting as a killing machine for a time, much like Ultima coerced Dion to lay waste to Twinside. Joshua, Dion, and Clive are the three characters who've been uniquely manipulated by Ultima. Jill was never possessed or puppeteered or primed out of control by Ultima--again, for her, that villain was Imreann.

As for Clive and Joshua, there's plainly a unique matter of duty. They're built up as the only two characters who've acquired the power (Clive) and will (Joshua) necessary to take down a god, and so they must. It has to be them, at the least.

Meanwhile, Jill has made peace with herself by the time Origin pops. Jill has done her duty and atoned. Had she gone to Origin, she might have gotten a few cool lines and a couple of hits in, and then Ultima would have very likely killed her, as he seems to have with Dion.

And for what? To help protect Clive and/or Joshua once more? Wouldn't we be having a sad conversation about yet another female character made to give her life for a man then? Isn't it a good thing that Shiva's Dominant didn't fall into that benighted "women in fridges" trope? Is it not enough, given the ambiguity of the ending, that the major female character is the *only one* who definitely survived?

I think it's wonderful that Jill is such a beloved character and that fans want to see more of her, but I think we need to keep in mind that our desire to see more of a character than we did doesn't automatically translate into evidence of their having been poorly treated.

(PS: You want to see a real case of a fridged character? Look no further than Benedikta. The only thing that makes it somewhat forgivable in this case is that I can point to male characters who eventually suffered the same, but the fact that she went first, was revealed to have a complicated past in retrospect only, and was primarily framed as a "shrieking harpy" raises a critical eyebrow for me.)

#ffxvi #I might understand this grievance better if Jill had plainly insisted on coming and everyone else was like--'Lol no. Sit down little lady.' #But that's not what happened. #Jill just doesn't have the unfufilled character arc the others do. It would be redundant at best & tragic at worst if she'd gone. #The fact that you have come to love a character so greatly based on the source material alone... #...and not through community chatter and the addition of headcanons is evidence that maybe she was in fact well written.

[bluesolarflare]

Someone should get this girl a hug maybe

#shubble #empires smp #empirsblr #great witch shelby #empiresmp #shubbleyt #like more power to her for having a villain arc #but also bestie please being possessed is not the awnser #sunnysmc #fan art

[idkaguyorsomething]

the writers for classic who went “hmmm, how can we ensure that susan has something to do in this arc we’re writing 🤔” and their solution was to make a planet of psychic aliens that get easily overstimulated and have face blindness that the main characters need to negotiate with.

#there’s no way it was intentional but #autistic susan my beloved #like half her scenes are her telling her grandpa that the aliens are gonna have a meltdown if he keeps yelling at them #the plot of that arc is that the aliens are debating whether the british people are gonna try to steal their resources #and the villain’s plan hinges on him realizing that nobody can tell him apart from the deputy if he just puts on his fucking sash #good stuff #doctor who #classic who #the sensorites #susan foreman #LET HER USE HER PSYCHIC POWERS MORE #(he yelled at writers sixty years in the past)

[themyscirah]

Started thinking about the Amanda Waller + Ben Turner relationship again.... fuck, I'm gonna need a minute

#I JUST- SHDIAUDJSHDSHEYEYRYRYRY guys. guys #i know none of you see my vision and thats okay. i will make you see my vision. i will force you to see my vision. i will- #like jesus fucking christ oh my god. its so interesting and gives me so many emotions and just!!! #i know im not making sense bc none of my moots are sui sq fans and also like half of the content fucking me up specifically here is in my #head because i cant stop thinking about my absolute power fix it au but like!!!!!!! #also the fact i have a fix it for a comic that isnt out yet is so funny to me. its literally fucking real though. god knows we need it #may my own content carry me through the dark times (extreme villain waller arc) #anyways this fucks me up so bad you dont even know. someday ill actually explain it #dc hire me to write a suicide squad ongoing PLEASE. i could do it so good it would be so fucking good dc PLEASE 😭😭😭😭😭😭 #also like this isnt me shipping them btw. like 110% not that. just to clarify. #i wouldnt even call it a friendship bc like. theyre not friends really. he has the most equal dynamic with her i would say but it still isnt #equal. shes v much his boss even though they have an understanding and respect there #like she believes and trusts in him much more than anybody really even himself. like she sees the good man and the leader even when he #doesnt. but she isnt nice about it. and there is a lot of conflict between them when there needs to be #like as much as ben is “wallers man”--the team leader she wanted from the beginning before rick flagg pushed his way in #ben i would say is still a very moral person even when lost and unsure of himself and his goodness (which is like one of his main things) #like i feel like while amanda can lean very into a “the ends justify the means” mindset in her worse moments and do bad things to get #herself out of a corner ben has like a deep and meaningful understanding of how the choices of your methods and how you act can weigh on you #like even though he was brainwashed and whatnot (thats still the story right? i cant remember) he holds a lot of guilt and baggage over his #actions and i think is able to temper amanda's worse tendencies in terms of that by calling her out when he recognizes that behavior #idk. i just really think that amanda waller and the suicide squad as a whole has lost its way without a more moral authority presence there. #like someone who can call her out and keep them more on track. which i really thing ben is and could be #i just very much am interested in their dynamic and how that would look like as equals and how i think they could help each other. #which ofc is what my wip is about and revolves around #blah #sui sq

[cocksuki2]

Hey I finished reading part one of chainsaw man and like I don’t understand why people call it a masterpiece. Like the first half was great and the revelation of makima was great but afterwards it became messy and the plot just disappeared.

Like really? Makima reasoning of fucking everything up is bc she’s a fan of OG chainsaw man? There’s zero background information about the OG chainsaw man other than what makima said in the manga. Characters with the exception of aki,power, angle, denji aren’t even fleshed out and they just died like that. There were no hints that denji power erased devils existence like NOTHING was fleshed out or informative. The ending was so bland ig, like I was expecting some explanation but no, I received nothing. Chainsaw man is only great when it comes to fights, artsyle, and making people uncomfortable, but the plot wasn’t going anywhere and completely erased itself from existence.

Like people was hyping up the manga so much and I agree the hype was worth it until after makima revelation. I’m the type of person who likes good written plots like attack on titan or cliche shouen plots but not boring like jujutsu kaisen. Of all shouen manga I read I feel like chainsaw man is the only one I don’t feel like continuing. I’m in part 2 now and I don’t feel like forcing myself reading it, waiting for something great to happen or waiting for the PLOT to come back.

Anyways I’m just wondering if you can convince me to continue it.

hmmmmmmmmm while i can see what you're saying, i kinda disagree.

chainsaw man part 1 is exactly that... part 1. im under the assumption that the things we're going to learn about denji and the og chainsaw man will continue to develop as the series goes on, but i can see what you're saying about it not feeling fleshed out. but it's also not over yet.

as for csm being a masterpiece, i personally think that that part comes in with the visual storytelling. fujimoto's art is fantastic at indicating tone and power through the positioning of his characters, as well as putting symbolism within the art itself. i think fujimoto's skill shines through in the way he demonstrates denji being manipulated by the people around him, as well as how he goes about telling denji's perception of love, sex, and human connection. it's a manga about manipulation, set in an alternate universe.

imo, chainsaw man really shines when you read between the lines of what's being presented to you at face value. if you're reading the manga at face value... then you're only seeing one aspect of it. it's really clear that fujimoto put a lot of thought into the interactions his characters have in the manga, as well as how he positions them in the frames themselves. i think this is actually ESPECIALLY true for makima and the way she's portrayed.

also, when it comes to fleshing out characters, i agree that some weren’t fully fleshed out but i also kind of look at it as like... some characters are present to push the narrative forward. sometimes they aren’t fleshed out and that’s totally fine. like while i love the violence fiend, i don’t feel like the plot suffered because we didn’t get his backstory or like... a full character arc for him. he’s a side character, sometimes they aren’t fleshed out. i wanted to see more about kobeni, but i think she’ll come back later and we’ll learn more. the story isn’t over yet, so more information about characters is going to keep coming. it makes sense to me that they haven’t laid everything out already... bc that’s the continuation of the plot lol

fact is though, if you didn't like it, then it's probably just not the manga for you and that's totally fine. you don't have to like the story the way i do or even agree with me that it's a masterpiece. it's media, everyone is going to read into it differently. i just happen to think it's worth looking at further than face value because when i read it that way, it completely changed the way i see the manga.

though i am going to say... if you don't like jujutsu kaisen... you probably will not like chainsaw man. they're very similar series and fall into a super similar genre. jjk functions the same way, with its characters and stories having more depth (imo) than just what's being presented at face value. i happen to find jjk to be very interesting and well-written (aside from the way it treats its female characters on occasion) and that's probably why i like chainsaw man as much as i do. i enjoy media analysis and those two series happen to be ones that benefit GREATLY from it and have a lot to unpack.

i think you and i just happen to have differing opinions about the series we enjoy bc while i love aot, i think both jjk and chainsaw man have more coherent plots (though neither of them are finished yet). that's not to say i don't like aot and think it's good, i just think that csm and jjk are better.

anyway, i don't think i can convince you to like or continue csm if you don't already like it 😭😭😭 especially if you don't like jjk (since they're p much the same genre)

#cal.ask #series.csm #csm spoilers #csm manga spoilers #there's a lot of things i find really compelling abt csm #i LOVE makima as a villain and i think she's a really fantastic one #i think she makes sense.. though i do wish they fleshed out 'a desire for equal connection' a little more.. but i think that will come- #back into play with nayuta #i love the way she's drawn in the final arc... with the chains coming from her womb #i think it's so indicative of her relationship to denji and the somewhat oedipus-like relationship they have #and i love the way fujimoto demonstrates manipulation through the narrative.. indicating power imbalances between denji- #and the people around him #i think the manga really excels in displaying denji's desire for affection and conflation of sexuality with genuine love #and the way he shows the difference between the relationship denji has with makima vs the relationship he has with aki and power- #is really intriguing to me #but it may not be that way to you and that's totally fine 😭😭😭 i think we'll just end up disagreeing #esp if you don't already like it 😭😭 #don't force yourself to read if you don't dig it

[writingwithfolklore]

5 Tips for Creating Intimidating Antagonists

Antagonists, whether people, the world, an object, or something else are integral to giving your story stakes and enough conflict to challenge your character enough to change them. Today I’m just going to focus on people antagonists because they are the easiest to do this with!

1. Your antagonist is still a character

While sure, antagonists exist in the story to combat your MC and make their lives and quest difficult, they are still characters in the story—they are still people in the world.

Antagonists lacking in this humanity may land flat or uninteresting, and it’s more likely they’ll fall into trope territory.

You should treat your antagonists like any other character. They should have goals, objectives, flaws, backstories, etc. (check out my character creation stuff here). They may even go through their own character arc, even if that doesn’t necessarily lead them to the ‘good’ side.

Really effective antagonists are human enough for us to see ourselves in them—in another universe, we could even be them.

2. They’re… antagonistic

There’s two types of antagonist. Type A and Type B. Type A antagonist’s have a goal that is opposite the MC’s. Type B’s goal is the same as the MC’s, but their objectives contradict each other.

For example, in Type A, your MC wants to win the contest, your antagonist wants them to lose.

In Type B, your MC wants to win the contest, and your antagonist wants to win the same contest. They can’t both win, so the way they get to their goal goes against each other.

A is where you get your Draco Malfoy’s, other school bullies, or President Snow’s (they don’t necessarily want what the MC does, they just don’t want them to have it.)

B is where you get the other Hunger Games contestants, or any adventure movie where the villain wants the secret treasure that the MCs are also hunting down. They want the same thing.

3. They have well-formed motivations

While we as the writers know that your antagonist was conceptualized to get in the way of the MC, they don’t know that. To them, they exist separate from the MC, and have their own reasons for doing what they do.

In Type A antagonists, whatever the MC wants would be bad for them in some way—so they can���t let them have it. For example, your MC wants to destroy Amazon, Jeff Bezos wants them not to do that. Why not? He wants to continue making money. To him, the MC getting what they want would take away something he has.

Other motivations could be: MC’s success would take away an opportunity they want, lose them power or fame or money or love, it could reveal something harmful about them—harming their reputation. It could even, in some cases, cause them physical harm.

This doesn’t necessarily have to be true, but the antagonist has to believe it’s true. Such as, if MC wins the competition, my wife will leave me for them. Maybe she absolutely wouldn’t, but your antagonist isn’t going to take that chance anyway.

In Type B antagonists, they want the same thing as the MC. In this case, their motivations could be literally anything. They want to win the competition to have enough money to save their family farm, or to prove to their family that they can succeed at something, or to bring them fame so that they won’t die a ‘nobody’.

They have a motivation separate from the MC, but that pesky protagonist keeps getting in their way.

4. They have power over the MC

Antagonists that aren’t able to combat the MC very well aren’t very interesting. Their job is to set the MC back, so they should be able to impact their journey and lives. They need some sort of advantage, privilege, or power over the MC.

President Snow has armies and the force of his system to squash Katniss. She’s able to survive through political tension and her own army of rebels, but he looms an incredibly formidable foe.

Your antagonist may be more wealthy, powerful, influential, intelligent, or skilled. They may have more people on their side. They are superior in some way to the protagonist.

5. And sometimes they win

Leading from the last point, your antagonists need wins. They need to get their way sometimes, which means your protagonist has to lose. You can do a bit of a trade off that allows your protagonist to lose enough to make a formidable foe out of their antagonist, but still allows them some progress using Fortunately, Unfortunately.

It goes like… Fortunately, MC gets accepted into the competition. Unfortunately, the antagonist convinces the rest of the competitors to hate them. Fortunately, they make one friend. Unfortunately, their first entry into the competition gets sabotaged. Fortunately, they make it through the first round anyway, etc. etc.

An antagonist that doesn’t do any antagonizing isn’t very interesting, and is completely pointless in their purpose to heighten stakes and create conflict for your protagonist to overcome. We’ll probably be talking about antagonists more soon!

Anything I missed?

#writing #creative writing #writers #screenwriting #writing inspiration #writing community #filmmaking #books #film #writing advice #antagonists #villains #writing antagonists #5 tips for creating intimidating antagonists

[avephelis]

RISE TWITTER QNA! no major news or announcements, but here's a list of new information and confirmations:

S3 could be brought back as a retro show in the future, but it probably wouldn't happen anytime soon (focus is on mutant mayhem at the moment)

it was never decided whether capril would be friends or girlfriends (due to rise's focus on platonic relationships)

council of heads! they're in power, but a lot of influential yokai (like big mama) aren't easily controlled, and "game the system"

despite not having his dual katana, supposedly f!leo DOES still have mystic powers

ron corcillo would love to see a spin-off focused on the caseys (if rise were ever continued), and likes the potential of a raph + casey vigilante duo

the turtles got their names after splinter's love for renaissance art

big mama's henchman WAS planned to be the missing sister, and rather than venus de milo, she would've been named after a female artist (possibly frida kahlo)

for halloween: raph dressed up as a kitten, mikey as a lion, leo as a rockstar, and donnie as j. robert oppenheimer

the mystic weapons stolen from draxum acted as a conduit to help the boys unlock their innate mystic powers with a "little boost"

they didn't realise mayhem's potential as a character/force until too late, but it could've been fun to do some stories of him being an operative (a la perry the platypus)

there weren't any planned stories for side villains (aside from the foot's cupcake shop), most focus was on the turtles

not much on casey jr's backstory, just that cass and the turtles were fighting the krang and leo raised him as a warrior. casey jr only has brief memories of cass from when he was very young, and was mostly raised by leo

there were definitely six baby turtles (two sisters)! and the turtles were gonna split up to rescue the one with big mama and the one in "the dimension", but they never planned much of it out

there's most likely a time gap between the rescuing leo and the ending scene of the movie, as "after a fight like that, [everyone] would definitely crash and need some recovery time"

there would've been more big mama in future episodes, and stinkbomb was planned to return

since the turtles became known to the public at the end of the movie, they'd have to fight to retain their reputation. this and their reception to criticism/backlash would've become a major arc.

on brother rankings: mikey is definitely raph's favourite, and they all look up to raph

the stronger someone's ninpo is, the greater the drain on their energy is (as seen with f!mikey and karai)

there wouldn't be much threat on villains going after casey jr's future intel, because most of it would've been rendered obsolete

nickelodeon would never give up the rights to rise, but they could license it to a partner company (such as IDW for a comic!)

as previously mentioned, the 2nd sister would've been trapped in "another dimension" and venus/frida would have to be won over by "helping her see that she had been brainwashed [by big mama] as a child" (and redeemed)

given more time, the show would've fleshed out: the hamato story, the hidden city's origins (krang spaceship that crashed into the crying titan being the source of the ooze, its fuel being what gave the yokai mystic powers), and would've used the rat king (who ron corcillo would've liked to be a powerful yokai with rat-like abilities and some form of mind control, who could've threatened the council of heads for power in the hidden city)

as far as we know, the turtles (aside from leo's spanish) only speak english (and even their english is sometimes a bit off)

rise probably wouldn't have ever "gone dark", but after the turtles were publicly known and full-time heroes, it might've had more of an extended plotline

the turtle's casual clothes somewhat reflect their music tastes (r&b for raph, glam rock for leo, techno (and 80s) for donnie and boy band for mikey)

future heights: mikey grew a bit and then shrunk under mystic strain, leo was at least 6ft, donnie a little taller than leo, and raph at least 6'6

mikey's powers could get pretty intense, which could've resulted in some multiverse episodes (ron corcillo would be most inclined to do a 12 crossover, but any could work). while leo portals short distances, mikey's cross space and time (with great effort)

given more time, how the turtles met april would've been fleshed out

in terms of how they take after splinter: donnie and leo have a lot of his cockiness, raph his courage and sense of duty, and mikey senses him missing his family (which is part of the reason of why he tries to hold everyone together)

given more time they would've done more with the transfer of leadership from raph to leo (and originally the plan was to draw that out over S3, rather than the abrupt S2 ending). they would've been co-leaders for a while, and at times mikey or donnie would lead (they aren't really a group with just one leader archetype)

there were plans for april to have more time with the specific turtles other than donnie (like how the gumbus was focused on her mikey and leo)

the cast's mystic abilities would've increased over time, and splinter has a lot of power that hasn't been revealed (as he spent a lot of time in the hidden city in his past)

venus/frida would've been very disciplined and so serious that's she's funny, and the dimension sister would've been "a little kooky"

there weren't really any plans on how the turtles would look in cloaked human forms, just that they'd resemble lou jitsu and may be inspired by their VAs

mikey is the only brother who can fully pull all his limbs and head into his shell (being a box turtle)

any usagi appearances would be a rights matter, and depend on collaboration

on timelines: april is 16 at the start of the series and 18 in the movie, but exactly how much time passes isn't confirmed

ron corcillo would've liked to do more donnie + raph episodes, like one where despite how donnie considers himself smarter, raph ends up beating him in common sense and emotional intelligence

f!leo didn't go with casey jr to the past due to being mortally wounded in his bleeding side

given more time there would've been more flashback episodes with the turtles at various ages

though he'd never admit it, hueso has a close relationship with leo

in early S3 there would've been an episode of setting up the new lair

mystic warrior f!mikey is pretty old (maybe in his 70s), and is strong enough to use basically any mystic power, but at great cost to him physically

no major plans with bishop, but once the turtles became more well-known he could be a bit of a thorn in their sides (like j. jonah jameson to spiderman)

there might've been some redemption from big mama, but also some relapses into her "villainous ways"

given a full season, karai would've been alive for longer, and would've trained the boys for a number of episodes

confirmation that some of early s1 aired in the wrong order (which the writers weren't happy about)

in rise, there's always an unpredictability as to how sentient a mutant will turn out to be

raph probably wouldn't be super uptight about swearing, provided the boys weren't offending anyone

there weren't any plans for romantic relationships (and DEFINITELY never an april-turtles love interest), but if they had ever tried something eventually it would've been with the same species

there were no specific plans for alopex, rita, or rennet, but anything's a possibility

in terms of the 1000 years ago krang/mystic timeline, the spaceship crashed first (possibly spawning the yokai), and other krang followed it, drawing in the invasion

that seems to be about it but if there's any more i'll do a reblog with additions

#theres a couple other answers if you wanna go through the thread but they're a bit hand-wavy or double ups on info #rottmnt #rise of the tmnt #BLEEAGH im gonna go live my life now and eat breakfast

[catsvrsdogscatswin]

I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.

RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.

See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.

Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.

The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.

In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.

Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.

Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.

So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.

So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:

"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)

"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)

"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)

And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.

#RWBY #fandom #wonder how much hate I'm going to get for this one #ho-hum #Getting frustrated when a show doesn't perform to your expectations is normal and natural but that's no reason to be a dick about it

[antianakin]

It's probably been around a while and I just haven't encountered it before now, but the "yes everyone would have murdered a village down to the last child in that situation" take is a new one for me! Like would I have been justifiably upset in that situation? Yes. But what would I have done in that moment myself? Probably run. Granted I am not a person with a ton of unfathomable powers and a weapon I have spent a decade training to use that can cut through literally everything, but still. The argument that "well yeah EVERYONE would've done exactly what Anakin did" kinda falls apart when you think about it for two seconds because wow is that not what I would do when faced with being alone in the middle of an entire community of people who just captured and tortured my innocent mother for several weeks.

But it's also VERY hard to argue that this is even how everyone would react to this situation in Star Wars.

They literally have an entire arc where they explicitly have Obi-Wan's old nemesis who killed Obi-Wan's Master come to attack the home planet of someone he loves, captures her, and then murders her right in front of Obi-Wan with Obi-Wan helpless to save her. He then goads Obi-Wan into reacting in anger and Obi-Wan's reaction is to refuse to engage. He very explicitly refuses to even attack Maul because he knows he'd be reacting in anger and he's literally seen exactly where that leads before and overcome it. So when Obi-Wan IS put in an extremely similar situation, he chooses not to just go out and attack everybody as a result. He doesn't give in to his anger and fly to Dathomir to go kill every single Nightbrother on the planet as a form of justice for Satine, which is what this person is arguing is how literally anybody would react when placed in that situation.

Reva Sevander has every reason to despise Anakin, more reason than Anakin had to despise the Tuskens. And yet when she goes after Luke to try to kill him after she fails to kill Anakin, that becomes a line she can't cross. More accurately, it's a line Reva CHOOSES not to cross. So when put in that situation with all the same anger and grief as Anakin had with the opportunity to get her vengeance by killing an innocent child, Reva makes the active choice not to do what Anakin did. So while the impulse obviously was still there with Reva, she was fully capable of choosing not to go through with it. And Reva's been soaking in Darkness since she was about 8-10 years old, getting tortured and broken as an Inquisitor, surrounded by the corpses of her people, with zero support of any kind that she can turn to for comfort or guidance. Anakin had spent the last 10 years in a warm loving environment with people who cared for him and still had most of those people available to him to support him in this time of grief. And yet when faced with the same choice, Reva chose to pull back and let Luke live, but Anakin just kept going and massacred an entire village. It's a CHOICE, not an uncontrollable urge.

You know the only other person I can think up off the top of my head who DOES canonically have a similar reaction to Anakin's?

Aleksander Kallus.

Kallus explicitly states that he leads a genocide against the Lasat as vengeance for ONE Lasat killing a unit of Imperial soldiers in self defense. An entire species is nearly wiped out of existence because Kallus decided to let his anger control him.

But there are NUMEROUS other characters in Star Wars who we see lose people they love and proceed to not go on a murder spree against innocent people and children as a result. And the ones that do are pretty explicitly villains whose actions when in those situations are used to showcase just how villainous they are. Which indicates that it's NOT a normal reaction because otherwise it wouldn't really mean anything as a villain identifier. If it's something just about anyone would've done, it's probably not that villainous. The point of it NEEDS to be that most people WOULDN'T do that, even in justified anger.

#star wars #tuskens #reva sevander #obi-wan kenobi #anti anakin #anti anakin skywalker #anakin critical #anakin skywalker critical #kallus critical #aleksander kallus critical #anti kallus #anti aleksander kallus

[writer-room]

Listen when people say they want Percy to go on a villain arc most times I see it as they want him to go dark, want him to start murdering, maiming, going full Luke, etc. And I support that. If anyone deserves to kill people it's this kid.

However, let us be realistic for a moment, because I quite like the other alternative. Villain arc Percy usually entails "he's finally had enough of the Gods bullshit & will do things his own way". Let us think on this. What would Percy most likely do in this situation? Would it really be murder right off the bat?

I think he'd be the pettiest, annoying little shit there is. And because one can't usually threaten the Gods in a way that truly matters, but they can make them sweat really hard.

This goes beyond ignoring their calls and leaving them on read. He refuses to give food offerings unless it's the nastiest shit known to man. Bribes the cyclops into hucking huge objects up Mount Olympus before they all scurry off. Finds the olive tree Athena gave to Athens, and while he wouldn't have the heart to destroy it, he'd for sure rip off a branch & mail it to her (Annabeth nearly had to put them in witness protection).

Eventually it gets to the point he has Nico on speed-dial and offers him a shit ton of fast food & a 'get out of Percy's quest bullshit free' pass if he could hop into the Underworld and yoink up some annoying spirits or dead monsters to piss off the Gods. When the Gods get pissed at him Percy just silently pulls out some safe-for-demigods phone like "hang on I wanna see how many happy meals I owe Nico for bringing Typhon back up". They know he is not bluffing.

Could the Gods counteract him? Yeah, sure, Hera gave him amnesia and it was like 90% effective for a while. However, he kind of went off the rails, everyone else went off the rails, and then they had even more Roman nonsense to deal with. If anything it both solved but also made even more problems. And a much angrier Percy. So, frankly, they're very confident it could work, but they're a little worried about what the aftermath would be.

Ares suggests just killing him. Poseidon takes offense to this. Artemis scoffs and says even Ares couldn't beat him. Everyone stops for a moment. The question is not asked verbally. But it is seen in the darting eyes and shifting seats.

Can they kill Percy Jackson?

Well, sure, they must be able to. He's a powerful kid, no doubt, with powerful allies, but they are Gods. Of course they can kill him. So that's not the real question, they wouldn't dare really entertain such a thing to ever confirm if it was true, but this is rather the layer of frosting hiding the real atrocity of a cake underneath it.

What will they lose trying to kill Percy Jackson?

What will remain standing in the face of some 18-year-old who lived one of the hardest knocks of life, loves so much it makes them sick, is so completely unaware of his own strength not even they know its full extent, and currently has absolutely zero fucks to give about the end of a reign longer than he will ever understand?

They decide to quietly shut the lid on that whole fiasco and let Percy do whatever he wants.

Unfortunately, they can't exactly ignore everyone else. And everyone else is who Percy cares about the most. So, think of it more like leaving a grenade in a locked box in the attic. Just hope and pray you've moved out before something gets curious and starts rummaging around up there.

#percy jackson #pjo #percy jackson and the olympians #rick riordan #dark percy jackson #ideas #talk #text post #greek gods #annabeth chase #nico di angelo #typhon #pjo headcanon #to be entirely clear percy is still someone who did just like manipulate bob into murder #and poisoned Akhlys thru her tears fully intending to kill #among other things. hes still that person. however hes also the guy who helps leo make some weird machine #and they try to test its flight by riding it off a cliff over the lake w bamboleo by gipsy kings blasting #hes still totally that guy (under stress but i say that not as an excuse just as an 'he doesnt do it on a whim. but he still Can') #but hes also like. stupid. & u gotta get him at the right Vibe before he starts to get like Really concerningly murderous about things #usually hes the regular amount of murderous like most halfbloods are bc they deal w too much on a regular basis #i think that a percy turning 'dark' would b him looking the gods in the eye & saying 'no lol. also u suck. L + ratio.' #& then when they try to fight him on it only THEN does he while still holding eye contact begin to make the ocean levels rise #specifically targeting important places to those gods & havin his ocean buddies destroy the place #u wanna dance god boys? he will spare humanity on some rock but he Will destroy everything else #he is one-shotting monsters bc hes not dealing w this. some bs happens & he just grabs some monster by the throat & makes them spill #if that doesnt work he just walks into olympus w pandoras box 2.0 & starts to open it until the gods will talk to him. they start talkin #bs again. he slowly opens it again. they talk. he shuts it. they spew more bs. he opens it a little faster. they give in #dark percy to me is someone who doesnt DEFAULT to violence but who realized 'oh i can just do whatever i want' & found that gods react #best when its violent. he only does this w gods & monsters bc he chooses fastest route to get what he wants. but he recognizes violence Bad #so he just looks for the most receptive response. & then he abuses it relentlessly. but he also hates the gods. come stop him btch u wont

[the-hydroxian-artblog]

Is Beth just always active and like projected or can she turn off the projector and just be a voice inside Kaita's head? Could she go a step further and just not even exist in the physical world and be gooberin around in Kaita's OS or something? Could she villain arc and just possess her?

I have a problem btw

unfortunately you asked a simple question so now you get the needlessly complicated answer

Kaita's artificial brain is designed in such a fashion that'd be hard for Beth to just hack like a normal computer. Her frontal lobe works on artificial neurons that create thoughts, behaviors, and impulses that are then regulated by another component that works like the brain stem and cerebellum. Effectively, every part of her could technically work as a prosthetic version of its organic counterpart, including the brain, so you'd need to know how to "hack" human impulses in order to even begin to say, overwrite who she is.

However, the wolf also has a more mundane smartphone chip installed on her that her brain can directly use at the speed of thought that allows her to interface with other devices, and is easy to replace or upgrade without messing with the brain itself. Think like a simple computer with linux or a stripped down Android OS that your brain is hooked up to that it can mess with in any way it wants, to make calls or save memes or something, while the phone can't do anything to the brain besides sending signals to the optic and audio feeds.

Beth likewise is an AI designed to only exist physically as a chip on her own phone. This phone is installed on Kaita in a similar fashion to the wolf's own on-board smartphone, through which Kaita can talk privately to Beth and see the AI do stupid shit on her HUD. Like, a more bitchy Cortana. Beth doesn't like wasting power or always being seen, so she usually only peeks out when she feels like it in the first place. She very often is just a voice or, if she's feeling nonverbal, a series of dialogue boxes Kaita sees as notifications from her phone's OS.

In terms of possession, there's technically a workaround; her hardlight body can produce electrical signals, and if she was really desperate and persistent could sort of jam her projected form onto Kaita's brain stem that way, but it'd be very very taxing to pull off unless Kaita for some reason allows Beth to do it, usually only as an agreed upon emergency measure if the wolf is incapacitated/deeply unconscious.

The picture above basically only happens because Kaita trusts Beth not to do something stupid. She's probably a bit mentally tired from something, and is letting Beth take control so she can "rest" a little. It only takes a little bit of mental effort on Kaita's part to eject Beth, but Beth lacks a physical body and sometimes Kaita feels a bit bad for the AI, so she lets her have some fun if it also means getting someone else to do a few menial tasks for her for once.

EDIT: forgot to mention; had koboldfactory's drawing of Beth in mind for drawing this one. Beth's design can often be asymmetrical and experimental but I really liked the mix of the sleeved and sleeveless look she came up with

#Kaita #Beth #Character Design #sure #robot #worldbuilding #anthro #furry #kemono

[shima-draws]

Okay so a few things about the ending to the DLC. Spoilers below obviously

-Really REALLY disappointed they didn’t go with the whole toxic possession arc thing with Kieran and the new mythical (Pecharunt?) TO BE FAIR that was more of a fan theory than anything but it was one that made a lot of sense and had a lot of evidence to back it up. I guess I got too attached to the idea and was inevitably let down when the game didn’t go in that direction. Still it would have made more sense to give that extra edge as to why Kieran’s treating everyone so awfully,, and having him finally break free of that control during the final fight VS Terapagos would have been SO sick. Either that or before we even get to Terapagos Carmine calls Kieran out and that’s when he finally fucking explodes and rages and vents about his inferiority complex—and THAT is what summons Pecharunt, those negative feelings that it probably feeds off of or smth idk. Then we’d get a split second of Kieran finally being back in control and begging for help. And then Carmine realizing her brother has been under the influence of this Pokemon the entire time and. Okay I’m getting off track into AU territory now lmao sorry moving on

-Switching back to the Terapagos fight, I really enjoyed it! It wasn’t too long of a fight to be drawn out, but it was just long enough that it didn’t feel anticlimactic (also the MUSIC? STELLAR. Pun intended). ALSO ARGHFHH the five stages of grief Kieran goes through in that fight to finally accepting that he’s been going about this the wrong way and has been an awful friend and the way the LIGHT COMES BACK INTO HIS EYES I ALMOST CRIED. This is 10000x more emotional and powerful if you choose to bring Ogerpon with you and fight with her bc that really just. Hammers in the fact that despite all the bad blood and bitterness, Kieran still chooses to fight alongside you and the Pokemon he coveted so much…AND he even processes things enough to fully let go of all his hatred and anger and allows you to catch Terapagos because he KNOWS you’ll take good care of it and after all this time he still trusts you even though he’d probably hate to admit it. #GOOD WRITING

-Something really scary I realized. Kieran brought a Master Ball with him to catch Terapagos. 1. Where did homie even get that. 2. The fact that he was READY and didn’t even give Terapagos a chance to react, that he was essentially catching it against its will (which probably led to its power going out of control), that he was enforcing his own twisted desires and beliefs onto it and not considering its feelings (sound familiar? Looks at Ogerpon). BOY. 3. We’ve only ever seen ONE other person use Master Balls in SV. The AI Professor. I don’t know if this is significant in any way but if the Pecharunt theory WAS true that would make them so so similar and that’s eerie to me. Two characters controlled by something greater than them that they can’t fight…can you imagine how INSANE the dynamics would be listen to me

-Another thing I was kinda disappointed about was Briar? I guess I was just picking up on the vibes that she was actually a villain and would try to steal Terapagos from the player, but I probably gave Nintendo too much credit on that one lol. I do like that she’s not inherently evil, she’s just too absorbed and obsessed with her research to really pay attention to what’s going on around her. BUT. They should have pushed that WAY further. Either commit and do the full villain arc where she snatches Terapagos from Kieran right after he catches it to use it for her own purposes, or pressure him into Terastallizing it so much that it makes him uncomfortable. I want to see Lusamine levels of unhinged obsession. What she had was just a little bit too excited about Area Zero, not a full blown unhealthy and dangerous thing that puts everyone around her in danger.

-Following up on that. Drayton. I kept expecting him to also go villain arc IDK LOL I guess I want everyone to be gay do crime in this DLC 😂 But I seriously kept thinking he was just using the player to knock Kieran off his thrown so he could take it right back from us. But no he actually genuinely cared about Kieran and kept pressuring us to beat the Elite Four so WE could knock some sense into him since Drayton wasn’t strong enough to do it himself. Which is a very sweet sentiment, I think :’) But am I the only one who was like bro calm down right after the fight where he was getting up in Kieran’s face and calling him ex-champion…..either he’s way too honest and doesn’t realize he was being cruel OR he was doing it on purpose to be a silly goober (but everyone else was like DUDE. LOW blow.)

-I still have questions. HELLO. HELLO. The notes in Area Zero mentioned the professor meeting a child with a white(?) book? Is that the Scarlet/Violet book? We still don’t know how the whole time travel paradox happened and why Heath talked about meeting Paradox Pokemon DECADES before the professor even brought them to Area Zero through the time machine? What is with the weird ass crystal tree sitting in the middle of a lake in the depths? Is there any significance to the Crystal Pool in Kitakami being connected to terastallizing and Area Zero? I’M JUST. AGHHH. I’m fairly certain we’re getting more content, maybe an epilogue to the DLCs but I’m going CRAZY I NEED TO KNOW NOWWW

-Also isn’t Area Zero like. Top secret hush hush. Why did Geeta let Briar publish a whole ass book about the HIDDEN SECRET of Area Zero that was miles under a closed off SECRET lab. I thought they were denying Briar access to Area Zero for YEARS, probably because they didn’t want her blabbing to the public. Idk. Maybe my memory is fuzzy on that one. Just feels very contradictory fhhdd

-The small little subtleties of Kieran regaining his regular personality as we went down….I ADORED that. His little smiles and him unable to contain his childish excitement and Carmine smiling at him with a knowing look bc after all this time her brother is FINALLY acting more like himself. And Kieran trying to brush it off like “wh-whatever” like he’s some sort of edgy teenager pretending he doesn’t care. GAHHHH it was so cute I wanted to cry 😭

ALL IN ALL it didn’t QUITE meet my expectations but it was still really good, especially considering this was all DLC content. Nothing will ever EVER top the main story of SV but the entirety of TTM and TID came pretty darn close. Kieran my sweet baby boy my blorbo I’m so glad you got your redemption arc and that you finally came to terms with your perception of strength and how it affects others. Baller DLC Nintendo do it again 👏

#Pokemon #Pokemon Scarlet and Violet #Pokemon SV #The Indigo Disk #Indigo Disk spoilers #Pokemon SV DLC #Pokemon Kieran #Kieran #Pokemon Briar #Pokemon Drayton #The Indigo Disk spoilers #Pecharunt #Long post #Shima speaks #Well there is always fanfiction. LOL

[bestanimatedmovie]

Choose your favorite!

Vote in the other polls!

What fans say:

The Lorax:

Spider-Man: Into the Spider-Verse:

It had a very big impact on meme culture. And a really catchy soundtrack. Plus it has the silly sexy green man. What more could you want from a film.*

The Once-ler and the let it die song. This movie is glorious.

It is legit the mother of all great animated movies nowadays. From Mitchells vs the machines to the new mutant mayhem movie! The plot is so good and you can really see character development from almost all of the characters, plus the designs are BANGER.

THE MUSIC?? TOP FUCKING TIER. THE CASUAL DIVERSITY? IT ALSO HAS LITERALLY THE BEST SHOT IN CINEMATIC HISTORY (Miles rising after taking his leap of faith)

BRO THE ANIMATION IS SO SICK. The amount of sheer effort put into this movie is insane. The character growth was so amazing to watch and such a great movie to analyze. Best scenes are obviously the leap of faith. Actually gorgeous. And also the scene where aunt May sees Peter b after her Peter died. Her “you look tired, Peter” is just so heartfelt

Where the hell do I even start. The visuals are incredible and the plot is engaging. Every scene is perfect.

This film has EVERYTHING. Humor, action, inspirational scenes, kickass music, absolutely killer animation, an art style that is an homage to comic books, loveable characters, a talking pig, DR OLIVIA OCTAVIUS, I could go on

This is the best superhero movie ever made, the leap of faith is one of the best movie scenes of ever

The animation style is better than all the others, and makes the movie funnier too! The representation is also good, and the romantic storyline isn't too prevalent in the movie. Probably the best animation Marvel has made. My favorite scene is when the villains show up to Aunt May's house -- its my favorite fight scene!

I’m sure this movie’s been submitted already because it’s arguably the greatest animated film of all time. I have a personal connection to it because I saw it in theaters on opening night with my late father, and we both loved it and I still do. The animation is revolutionary and it’s one of the only 3 movies that make me cry.

gsksvbsvsbsvs I love everything about it, I love the animations, the story, the soundtrack also the style of animation AAAAAA its so beautiful its art it belongs in a museum i get goosebumps everytime I rewatch it

It’s just so good. All the characters are amazing and I love Miles dad. It’s hilarious and sparked my love for spider-man. It’s such a sweet movie about finding yourslef and has such a powerful message. I totally recommend it so I’m not adding spoilers, but like. Ohhhh, it’s so good.

Interesting villains, well-developed character arcs, a fresh take on Spider-Man, unique use of animation, funny, good use of multiverse that adds to the nature of the story being told, complicated character dynamics

It's the best animated movie because A: it takes one of the most well known comic characters of all time, kills him off in the first few minutes, and then shows you every cooler version of him. B: Has a large amount of representation in its main cast, considering that they're all versions of Spiderman, and that requires a white guy by default. C: everything in it is so well done I can't pick a favorite scene, but the most iconic is the jump off the skyscraper window.

The animation is incredible, the movie has so much story and heart, and there’s a perfect balance between humor and seriousness. And the soundtrack slaps

This is probably the best animated film I've ever seen. The animation is definitely the highlight, the way they blend comic book art styles and 3D animation is an absolute joy to look at and is so overwhelmingly creative, every frame of this movie is gorgeous. The impact this had on the industry is undeniable, as we start to see more and more movies getting more creative with their animation styles. It's not just the animation though. All of the characters are entertaining, all of the jokes land and the story is really well done. It leaves me blown away every time I watch it.

This movie kind of changed the western animation industry from the ground up. Apart from being expertly written, funny, and heartfelt, it is also stellarly animated, with a unique visual style that takes direct inspiration from the comic books it adapts and mixes 2d- and 3d-animation in a way and to a degree that hadn't really been seen before in western mainstream. Its critical and monetary success paved the way for mainstream 3d animation to open up to new and excitingly stylised movies that were like a breath of fresh air between the generic Pixar-style animation that had been the largely unchanged norm in the industry since Toy Story circa twenty years earlier**. ITSV divides the screen like panels on a comic page, it uses dots and lines for shading and gradients, doesn't shy away from lowering framerates for stylisation, and makes liberal use of onomatopoeia, both to comedic and dramatic impact. Impact frames and SFX are often hand-drawn and stunningly colourful, and even the simple dialogue scenes astonish with an expressiveness and realism in their depiction of emotions that makes me rewatch a two-second scene of Miles laughing fifteen times in a row. My favourite scene has to be the What's Up Danger scene, the emotional climax of the movie. Set to an absolute banger of a song, it is the moment the entire film has been building up to. I won't spoil anything plot-wise in case you somehow haven't seen this movie, but both from an emotional and a visual standpoint it is Fucking Dope. Conclusion: Spider-Man: Into the Spiderverse is my favourite movie of all time and I could talk about it for hours. If you haven't seen it, go watch it. Thank you.

Have you SEEN the Whats Up Danger/rising and falling scene? it's a work of art that makes me fall in love with storytelling all over again whenever I see it. Also the impact that it's had on animated film is absolutely being felt at current, if incrementally. Incredible film.

It has an amazing art style based on comics and mixed up due to genre differences. It's really fun and the characters are great, even the side ones. The story line is great and I love Miles and his family.

*Mod note: errr, quite a lot more than memes and music actually

**Mod note: amen

#The Lorax #Spider-Man Into the Spider-Verse #best animated movie #round 2 #tournament poll #tumblr's favorite

[prickly-paprikash]

I have two major criticisms for the first season of Nocturne.

The pacing and the villains.

In the original series, Seasons 1 & 2 are basically just one whole season in and of themselves. It is a focused narrative that doesn't spend a single moment wasting plot or character development.

Whenever the episodes decide to slow down, it feels deliberate. The down times in the first two seasons were rich with character interaction that helped attachments grow and allow the plot to flourish organically.

The best examples of this are when we explore Isaac and Hector's pasts; and when Trevor, Alucard and Sypha arrive at the Belmont hold. There was a rhythm to the seasons. Dialogue, conversations, contest of philosophies, witty banter, and hard truths. Then we transition smoothly to excellently animated and choreographed fight scenes that have weight because we saw these characters humanized in various ways beforehand.

For the villains, Dracula was impeccable. Weak. Starving. Exhausted. Suicidal. His grief and his hatred loomed like a shadow over every single character and plotline throughout the two seasons, and the effects of his demise echoed until the very end.

Castlevania had its flaws. It had its weaknesses. Especially when it was cut to four seasons when it really should have been five. But it was nevertheless a focused narrative.

Nocturne, for all its excellence, does have some glaring flaws that are hard to overlook.

Erzsebet feels threatening and powerful, but the more I watched the show, the more it felt like these were because of purely aesthetic reasons. Don't get me wrong—her design is gorgeous, her past seems rich with potential for the narrative, and I loved how she struck the fear of god in every hero the moment she stepped into the Abbey. But she isn't Dracula-levels of impactful.

Olrox and Drolta did most of the heavy lifting. In the first Castlevania, even when Dracula wasn't the main arc villain, his presence was felt. Erzsebet doesn't have that same weight. She feels... empty at times, as a villain.

That can definitely be fixed in season 2 and I pray that the showrunners prove me wrong. I love being proven wrong because that means the show continues to grow.

The second criticism is pacing. God, the pacing.

Nocturne at times felt all over the place.

Annette's plot of her escaping the clutches of slavery? The way we saw her perspective on the Haitian Revolution? So fucking good. Richter's struggles? Emotionally rich and hooks us immediately. It's the constant, almost dizzying shifts between them, the Abbey, Drolta, Edouard, and the past that drags it down just a bit.

I loved Nocturne. A solid 8/10 for me and I am dying in the dirt waiting for the next season.

But I think the show should've been 10 episodes to accommodate the ensemble cast and their varying plots, and I hope that Erzsebet is improved upon as a villain, a threat, and a character.

#castlevania nocturne #castlevania #richter belmont #annette castlevania #annette #erzsebet bathory #olrox #netflix castlevania #alucard #adrien tepes

[the-loststone]

HotD Team Green Defense

The amount of people who fail to grasp Team Green's perspective is honestly staggering to me. So many people are Team Black, maybe out of some (misplaced) belief that they are being feminists and advocating for female power, or something like that, and choose to ignore the very legitimate worries and motivations of Team Green. Admittedly, the show has gone out of it's way to villainize Team Green as much as possible, while victimizing Team Black, and deviating from the source material for this narrative. (I would tell them to be suspicious when showrunners do that because they did the same thing to Daenerys in GoT and everyone was surprised when she turned around and burned a city down in a rushed ending because the show never properly developed her arc.) Nevertheless, despite their efforts to make Team Green the less appealing side, if I had to compare motivations, Team Black is the more villainous.

So many people dismiss the fact that for Rhaenyra to secure her throne, she would have to kill her siblings. They write it off as paranoia of Alicent, or ambitions of her and Otto, that they are making excuses for Aegon to be made king instead of Rhaenyra. But that's just not true. These are very real likelihoods. Even if Aegon did not seek the throne, or he and his brothers decided to gracefully allow the succession to pass to Rhaenyra, it would never be peaceful. Just look at Rhaenys and how Corlys is still bitter and Viserys has been worried that they may come after him since she has a right to the throne. That's one of the main benefits in having Rhaenyra marry Ser Laenor was to join their claims. Or look at how worried everyone was of Daemon, and how he may seize power after Viserys. The only thing keeping him alive was his brother's love for him, the fact that their house was dwindling, and no one was fighting on his behalf over Viserys. So if there is every another claimant, it would be a great worry that the side in power may be kicked off by another claimant. And Aegon and his brothers are men, and just by virtue of having dicks, they have a better claim to the throne. All laws, precedent, and cultures in Westeros have male heirs before female heirs. The king's word does not change that. And note that the King only made Rhaenyra his heir over his brother. So technically, the King said "all my children first, including my daughter, then my brother." (Something already controversial because if it was accepted before, Rhaenys would be Queen and he would be nothing). But he never again made a statement for the lords after his sons births. He never reinforced Rhaenyra's succession as his heir outside the privacy of their own quarters. Alicent even said, let the lords come and decide, and make vows, and he and Rhaenyra reject it because they worried the Lords would choose Aegon.

Rhaenyra knows, to inherit without rebellions every few years from lords who are unhappy with her and want to supplant her with her brothers, she would have to kill her brothers and make sure there are no people who can contest her right to inherit.

And this is just Rhaenyra's succession. Now add in the fact that she's claiming illegitimate children as her heirs. Very obvious illegitimate children. Even if Rhaenyra managed to successfully inherit with no push back from anyone, and no one wanted to supplant her with her brothers so she didn't have to kill them then... well guess what, she'll have to kill them to secure her son's ascension to the throne. (And if she won't then Daemon certainly would). And then, even if she does kill all the Greens, then there's the issue of her legitimate children vs. her illegitimate children. Even if the kids grew up to love each other, someone may say, well the first three shouldn't inherit, let's put the legitimate ones on the throne. And then you have a completely different succession crisis.

Viserys' actions may seem to the viewers as promoting girl power and feminism, but that's not what's happening. He's being an abusive, neglectful shit. He's deliberately putting the rest of his children's lives in jeopardy, and even the Strong grandchildren he claims to love, because by keeping them in the succession despite their obvious illegitimacy invites people to contest that. And that's not to say he couldn't have taken steps to remedy this. He could have changed the rules so that succession passes to the eldest child, regardless of gender. But he didn't. He could have acknowledged that his grandchildren were illegitimate and forgiven it and legitimized them as Targaryens, but he didn't (conveniently usurping Valeryons - and people may argue that Baela/ Rhaena can still rule being married to Jace/Luke, but that's not the same as being able to rule in your own right, otherwise, why not take the offer for Rhaenyra to marry Aegon).

But since he didn't do any of these things, the only way to stop the Dance would have been for him to make Aegon his successor. Something that everyone would have been relieved by because it would have prevented war. But he didn't. And so, Alicent has to fight to keep her kids alive. The Greens have to push their claim to survive. Whereas, had Rhaenyra graciously backed off her claim, saying that yes, she had 3 brothers, and while they were younger, the laws and precedent are in their corner to inherit, then she would have lived. People wouldn't have fought for her claim if she hadn't pushed it. Nor would they fight for an illegitimate heir.

But some may say... Well Rhaenyra has more supporters. She does. She has the Velaryons and countless other houses backing her. So do the Greens. (the Greens have the wealthiest houses). But once it becomes a fight to throne, it's less about who has the right, and more about who can offer you the most. Notice the Starks and the Baratheons agree to fight because they'll get a wedding out of it (and the Starks because they'll have somewhere to send people during their current famine). The Vale because of the blood ties. The Lannisters because of past insults. Once it's decided to be a fight, it's never about who actually has a right to the throne, it becomes about who can give you the most so you can help them win it.

And this is what it really comes down to. Rhaenyra had a choice. She can back off, and her family can survive. Her brothers can live. Her sons will live. Or she can inherit, and her brothers can die. And she is perfectly willing for her brothers to die. And some may say that that's a very jaded view to take on Rhaenyra and she would never kill her family if she could help it... but it would be out of her hands. It would be necessary to protect her son's right to inherit and to keep away possible rebellions.

And you know, fine, that's okay. She wants to fight for the throne, more power to her. She can go after the throne and kill her brothers. But I don't think it's right that people say that she's the aggrieved party. She's not. She's the aggressor.

And that is why I'm team Green. Because Alicent is right. Just by living and breathing, Aegon and his brothers are threats to Rhaenyra. And this would have happened no matter who Viserys married. Sure people can be upset that Alicent married her bffs dad (something that only happens in the show because in the books, Alicent is 10 years older than Rhaenyra and they weren't close), but that doesn't mean her children should die because Rhaenyra is the preferred child. That doesn't mean the realm should be thrown into war because Alicent 'seduced' a widow. (And I say that with heavy sarcasm because Viserys is a grown ass man.)

And then there's the argument of who's the better house because of blood purity. It's a ridiculous argument and I'm honestly annoyed by people who are Targaryen purists and believe in the whole, dragon supremacy. Hightower is badass house. A lot of people don't realize that they've been around since The Wall and Winterfell were built (Bran the Builder built Hightower, commissioned by the Lord / King of Hightower). They've been around since before Targaryen's rode dragons. So spare me the ridiculous arguments of who's got the most Targaryen blood. If anything, Team Green is more Westerosi, you know, the country they are trying to rule.

In the end, the show will do what it does best, and disappoint you. Either they'll continue pushing this narrative of girl-boss queen and fail to show the complexity of the political situation that result from Rhaenyra's decisions. Or they might stick to the book and have a complex issue actually displayed and show both Aegon and Rhaenyra's descent into madness.

There are more issues one could delve into. Like the fact that Rhaenyra married Daemon. That either Corlys Velaryon has so much unhinged ambition that he's ignored deaths in his house to side with those who have literally murdered his family (cough cough Vaemond and Laenor) (and the whole Laenor excuse in the show makes no sense because no way in hell are Rhaenyra and Daemon risking that he's ever found and that their kids are declared bastards; it is much cleaner for them to do it like they did in the books and kill him) or there will be serious repercussions from the deaths of Velaryons and continued discussion of the succession of Driftmark/High Tide.

But that's the main summary of my thoughts. 👍

If you made it to the end of my rant. Thank you.

#hotd #house of the dragon #got #asoiaf #team green #team black #anti team black #anti rhaenyra #anti daemon targaryen #alicent hightower #queen alicent #aemond targaryen #aemond one eye #aegon targaryen #aegon ii targaryen #daeron targaryen #daeron the daring #haelena targaryen #rhaenys targaryen #rhaenys the queen who never was #corlys velaryon #jacerys velaryon #jacerys targaryen #lucerys velaryon #daemon targaryen #viserys targaryen #king viserys #baela targaryen #rhaena targaryen