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#me when my kids who aren't my kids are successful
jq37 · 2 days
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Are we sure Sandralynn wasn't cursed with like. Shit taste?
It's def a real mixed bag, though I think besides Bobby it's more just wild choices than straight up bad choices.
Bobby Dawn: Regular Freak. Liar, Frumpy, Wrong. Cheated on his wife and then ruined another woman's life over it. This is not a a ranking so I'm not giving him a score but I almost wish it was so I could give him a comically low number. Actually, there aren't any rules here. I still can. Negative infinity and kick rocks. If I was Sandra Lynn's friend I would be *begging* for her to love herself (or at least have a better sense of self preservation) and RUN GIRL.
Gilear Faeth: Gilear was a successful, hot elf before his loser energy kicked in because of his curse. Wasn't he like a diplomat or something? Like, Gilear now is a loveable loser but Gilear then was probably kind of a catch. And hell, Fabian's mom likes loser Gilear and she's a pretty hot commodity herself. As Sandra Lynn's friend I would be doing cartwheels if she moved on from Bobby to be with Gilear. 1000% improvement. And, for what it's worth, so is loser Gilear. Most guys would be frankly.
Gorthalax: Def seems a bit reactionary to go from a cleric of Sol to one of Sol's fallen angels turned devils. But Gorthalax is a nice guy from what we've seen and as a devil of gluttony he prob can conjure up some killer date night food. I think that if I could get over the shock of him being a MAJOR DEVIL, as Sandra Lynn's friend, I could warm to the idea. And he's not Bobby Dawn so instant improvement. However, as there was infidelity involved this would be another GIRL WHAT? reaction from me. But again, less about the guy himself, more about the decision to cheat.
Jawbone: OK so the thing about Jawbone is that I think he's great and a super good person and he's Brennan's semi-self insert so of course I love him. But he would also be an insane person to know IRL. Like, the stories he tells so casually. I think I'd be like, uh are you sure about this one? But he seems to have at least mostly chilled out now that he's working with kids and I think he's a really great guy. There's maybe a risk of contracting Lycanthropy but I'm sure they're using whatever protection you use for that. Solid guy as long as you're cool with his past.
Garthy: When Garthy was introduced, 80% of the fandom was instantly thirsting over them so objectively, "Garthy is hot" is a pretty mainstream opinion. And even if you (like myself) were in the 20% of people not thirsting over them, they're still very clearly a good person between raising Ayda and being super into self care (I loved the scene with them and Mercer's char in PoL). Also they're just really cool conceptually. So again, very normal person for Sandra Lynn to wanna hook up with. The problem, once again, is the infidelity. Especially because Jawbone was willing to have an open relationship! He closed the relationship for her! She took an L here for no reason!
So, to recap: shitty guy, good guy (who was cursed), devil (who is a good guy* and also an affair partner), good guy (with a wild past), and hot pirate (who is a good person* and also an affair partner).
*I don't remember if they knew Sandra Lynn was in a relationship when they were hooking up with her and am not factoring that into my judgement.
Besides Bobby Dawn, the rest of her choices were pretty OK (unless I'm forgetting stuff). Wild and with no obvious connecting thread--she absolutely has a rogue's gallery to rival Batman's--but it seems like the problems she had with relationships came down more to stuff other than, "She picked an objectively bad guy."
She really has the most inconsistent taste ever. I can't even begin to categorize what her type is. Gilear and Garthy should never been on any list together besides, "NPCs with G names."
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wilwheaton · 3 months
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What the actual fuck, Larry David.
So I heard about it, but didn't watch it until now. Holy shit it's even worse than I thought. What the fuck is wrong with that guy? Elmo is, like, the best friend to multiple generations of children, and is currently putting mental health and caring for others in the spotlight.
And Larry Fucking David ... did ... that? And thought it was going to be ... funny?
What an asshole. What a stupid, self-centered, tone deaf asshole.
Hey, fucko: First of all, you aren't even in the segment, but you just decided to barge in and draw focus because ... why? You couldn't stand that a puppet brought people together in a meaningful way that you can't? You couldn't stand that your appearance on national television to promote your wildly successful series was delayed for a few seconds while the adults talked about mental health?
I really want to know what raced through his tiny little mind, and why there was no voice or person who spoke up to stop him.
You know who is watching the Today show with their parents? Kids who also watch Sesame Street. Elmo is an avatar for children all over the world. Children who are too small to understand Elmo is a puppet will know that a man attacked him for no reason, and that will frighten them.
Elmo inspired a deeply meaningful and important moment of collective support among disparate people who have been struggling through the traumas of a pandemic, daily mass shootings, the rise of fascism and everything associated with Trump's violence and cruelty.
And shitty idiot Larry David couldn't stand it, for some reason. He had to indirectly tell everyone who opened their hearts to a Muppet that they were stupid, and he thought it was a good joke to physically attack and choke this character who is beloved by children and adults alike.
I've been bored by and totally over Larry David's brand of being an asshole to everyone because they had the temerity to exist around him since the day it started. It was easy to just ignore him. But this thing he did was hurtful, it wasn't funny, and his bullshit non-apology tells all of us everything we need to know about him.
Larry David strikes me as a person who mocks and belittles people who are vulnerable and sensitive, who is cruel because he enjoys it and is untouchable. Maybe I'm wrong, but that's who I see whenever I can't find the remote and he's on my television.
By contrast, Elmo and the Muppets teach and model that kindness and empathy aren't weak or stupid or any of the things people like Larry David and my dad think they are. Elmo and the Muppets teach children to be gentle and kind, to celebrate our different cultures and to embrace all of our complicated feelings.
I hope that, when the dust settles, Larry David's appalling behavior will be a footnote to a larger story about how, for just one day, a Muppet made a difference by helping all of us who are struggling feel just a little less alone and anxious.
A man who would belittle and mock that isn't much of a man at all.
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suzukiblu · 8 months
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Excerpt from an in-progress DP x DC soulmate AU starring Jazz Fenton, a very unfortunate mugger, and a smoothie. Oh, and I guess Jason is there too.
Jazz meets her soulmate in, of all places, Park Row. Or as the locals call it, Crime Alley.
Seems about right for her life, she decides as she kicks the shit out of the guy who was trying to stab him for his wallet fifteen seconds ago. Her soulmate watches her curiously, seeming unconcerned by the fuss, and takes a sip of his smoothie.
Also seems about right, for her soulmate. A guy who got too nervous when necessary violence happened was not going to survive Thanksgiving in Amity Park, much less Christmas.
Well, it is Gotham.
"Hi," he says.
"Hi, sorry, one sec," Jazz says, then leans over the groaning mugger and offers him a card to the best local crisis center she's managed to track down via research and word of mouth in the four months she's been in Gotham. Not her card, obviously, since she just roundhouse-kicked the guy in the head to protect her soulmate from him and that's arguably a conflict of interest. Or close enough, anyway. "So you should check these guys out, they've got a very high success rate in their job program and there's an associated food bank and rent assistance, if you qualify."
"What?" the mugger says dazedly.
"Also if you ever touch my soulmate again I'll make you wish for the cold mercy of the Infinite Realms," Jazz adds pleasantly. The guy goes very, very pale. Then he snatches the card from her and runs for his life and eternal soul.
"This is the nicest thing the universe has ever done to me," her soulmate muses, taking another sip of his smoothie.
"Getting you mugged?" Jazz asks wryly, raising an eyebrow at him.
"Are you religious? Do you want kids?" her soulmate asks. "Also, who's your favorite Bat?"
"Robin, obviously," Jazz says. "The overdramatic and feral little stabby one, I mean. He reminds me of my little brother. Makes me feel a little bit maternal, to be honest. So that answers two out of three, and as far as religion goes, I only believe in Psychology Today, highly customized guns, and my mom's ninth-degree black belt."
"This better not awaken anything in me," her soulmate mutters under his breath.
"That seems unlikely, or we wouldn't be soulmates," Jazz says.
"Point," he says, sipping his smoothie again. Jazz didn't even know anywhere in Crime Alley sold smoothies, but she is new around here. "Wanna go break my bed? Or maybe go get coffee?"
"You've already got a smoothie," Jazz says.
"So I do," he says.
Jazz looks him over. He's her soulmate, so she's not surprised to find him gorgeous. She wasn't ever expecting a familial soulmate–Danny is a very intense sibling to have, and her parents are very intense parents to have, not to mention everything about Dani, and "soulcousins" aren't typically a thing–and she's never been especially interested in keeping around too many close friends, so considering all that, she was already expecting her soulmate to be a romantic one. If they are platonic, it's definitely only going to be because her soulmate is an aromantic asexual. Which he probably isn't, since he already asked about kids and religion and if she wanted to go break his bed.
Then again, she's met people who'll posture worse than that. Especially guys, and especially ace ones with a clear investment in their masculinity, and given this particular guy is built like a brick house could only dream to be, chances are he has some feelings about his masculinity. Though he's also drinking a visibly pink smoothie, not a neutral-colored protein shake or generic black coffee, so . . . fifty-fifty there, maybe?
Further inquiry will probably be required.
"I'm Jazz," she tells him. "What's your name?"
"Robin," he says. Then he–pauses. Blinks. "I mean–Robin."
He looks very confused for a second, and Jazz blinks too, and refocuses her eyes a bit. Oh, is he–
"Are you overshadowing that guy?" she assumes. For the love of–of course her soulmate would be a ghost, she thinks dryly. Who'd want a soulmate their mom and dad wouldn't want to grill for information and ask a thousand invasive questions, after all? "I mean, he's really hot, don't get me wrong, he looks good on you, but I'd rather meet you for real."
"'Overshadowing'?" Robin looks bemused.
"I'm Danny's sister," Jazz clarifies. Robin does not look less bemused. "You know, the new king?"
"What?" Robin says. Jazz frowns a little, feeling a bit bemused herself.
"Do you not get out much?" she asks.
"Never, actually, but also yes and constantly and way too often," Robin says. "My job is kind of demanding that way."
"What's your job?" Jazz asks curiously. Ghosts' jobs are always interesting, even if only for how they interact and manifest with their Obsessions. She wonders what his Obsession is, actually, because smoothies seem like an unlikely option but she doesn't have much else to go on here.
Can't be weirder than Box Ghost, either way.
"I'm a Bat," Robin says, then looks absolutely alarmed and also absolutely horrified.
"Huh," Jazz says, tilting her head. He seems really big to be one of the Robins, and a little too old besides. A year or two younger than her, maybe, and even the older Robin she's pretty sure is at best Danny's age. Though that's assuming this body is the one he fights crime in, admittedly. Although it's kinda funny if one of the Bats is just named Robin. Must get annoying on patrol, though. "I didn't know any of you were dead, but I guess that's not actually a surprise either, given the profession."
"Why did I say that to you?" Robin asks tightly.
"I told you, I'm the new king's sister," Jazz says. "You know, it's the royal family thing. Technically I'm his regent, legally speaking, but only because I'm better at paperwork and he doesn't count as a legal adult in the Infinite Realms yet. Hasn't been dead long enough, you know how it is. But I've been alive long enough to, apparently? But his 'being alive' technically stopped tracking at fourteen. It's complicated, basically."
"What the fuck does that mean?!" Robin demands.
"It means you can't lie to me because you're one of my brother's subjects," Jazz says, really not understanding his reaction. Every ghost knows this, after all. The only ones who wouldn't know it are too young to be away from their guardians' haunts or even leave the Infinite Realms at all. Definitely a ghost who knows how to overshadow someone this thoroughly and fully is old enough and experienced enough to know it, though. "Whose body is that, anyway?"
"It's my father's," Robin says. Jazz's eyes widen a little and she has several very concerned internal reactions before he chokes and sputters–"I mean–it's not–he's not–!"
"You realize there is no healthy way to mean that, right?" Jazz says. Robin looks frustrated and freaked out and she feels bad about it, because she didn't mean or want to upset him, but she clearly has. "Sorry. I mean, I still secretly feel like I'm the one parenting my parents half the time, you're not the only one with weird feelings about yours."
"I'm his," Robin says, then grits his teeth in visible pain. He's this close to crushing the smoothie cup he's holding but hasn't actually done it. Jazz wonders if that's an example of deliberate self-control or subconscious restraint.
She's pretty sure Robin didn't mean to say that, though.
"Are you okay?" she asks, a little concerned. Normally ghosts just stop talking about things they want to lie about, when they realize who she is.
"No," Robin says. "I'm just his. I've always been his, I always will be, his good soldier, his worst mistake, not his actual fucking son, why am I telling you this?!"
"I don't know," Jazz says, frowning in increased concern. "Usually people can work around the inability to lie a little bit, but you sound like you're being compelled to speak. Increasingly like, actually. Hm. What's your Obsession? And what kind of core do you have?"
"What?" he says.
"They might be making you unstable, is all," Jazz says. "I don't think it'd be a soulmate thing but to be fair I don't really know how that works. Are you dead, or are you a manifestation of something?"
"I'm dead," Robin says, staring at her. "That bastard clown beat my head in with a crowbar and blew up what was left of me. I woke up in my grave and–I–how did you know that?"
"Well, I didn't, that's why I asked," Jazz says reasonably, idly wondering why the Joker isn't dead yet, since this is Gotham and obviously it wouldn't be another "bastard clown" Robin was referencing, even if he wasn't a Bat. But like, at least dead via the court system, if nothing else. The Joker is insane, yes, but no one can argue he doesn't know right from wrong at this point. Does New Jersey just not have the death penalty, maybe? She hasn't thought to check. "Maybe it's the guy you're in? He's not drunk or high or anything, is he?"
"I hate drugs," Robin says, gritting his teeth again; tightening his grip on the smoothie again. He's trembling, just barely. "I hate them. I'd never touch them. I don't know what you are. You're scaring me. Please stop."
He definitely didn't mean to say that, Jazz can tell.
But . . . he doesn't know what she is.
He doesn't know.
Well, that's a problem.
"Robin," she says gently, and for some reason his face twists painfully at the sound of his own name. "Can I see your core? Please?"
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martuzzio · 4 months
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HERMITCRAFT CATCHPHRASES
Hi, here's a (hopefully comprehensive) reference list of hermit catchphrases! The main goal here is to help writers and artists who (like me) might struggle with getting the characterization of some hermits right. Check out more info at the end of the post!
Note: this list updates a lot whenever I get new suggestions, which means reblogs aren't always fully accurate. I've linked this post to the top of my blog so it's easy to access the most recent version :)
Bdubs Shreep / uh-oh, gotta shreep! Crastle I love ya to death It’s gorgee Beyootiful Uh oh! Hell’s blazes! Hawsies YOU'LL SPEAK WHEN SPOKEN TO! Shuddup! Judas priest! Bdubs' PERFECT REDSTONE!! What in the world! Holy cow! Nuh-uh! Hoimycraaaaaf Whimsy Trying my heart out
Beef EEskall That was my nickname in college! Nailed it! Dangit! Beefy Tunes Smelly Etho Opulent Etho? Oh, yeah, I own him Eyy, I go up and I go down. Ladders! / Eyy, ladders! Beef taught Etho about redstone Oh my goodness! Oh boy! What the heck Oh, baby! Quote unquote A ton of __
Cleo Class dismissed! I don’t need your stinky torches I will break your legs Trash is fish The answer to everything is leather pants Not because it’s the sand castle you deserve, but it’s the sand castle I need! What did you do, Joe…. It's FINE, everything's FINE Lovely Silly I mean... Not gonna lie... To be fair...
Cub DA CREAMADA CROP Alright guys Nice, nice Ladies and gentlemen / ladies and gentlemen, we got ‘em Eeeeasy money Beautiful, absolutely beautiful Mmmmmhmmmmmm Holy smokes Let's goooo! Sweet Oh, baby! Man, oh man Without further ado Peace out Cheers / cheers, man There's some heat coming off that thing
Doc Are you kidding me now? Alright guys Can’t touch this The G.O.A.T. Etho, get to the damn land man! It all started when Grian touched my redstone… Epic
Etho Uh-huh Like-a so Oh snap Get your snacks! Holy smokes! Take care, have a good day, bye bye Aww snappers! Aww yeah Von Sway I barely know ‘er! Speaking of llamas Bright blue bamboo E. to the T. to the your mum Beefaroni / Beefers Speaking of llamas… That’s what she said! Free glass Eyy, I go up and I go down. Ladders! / Eyy, ladders! Suckerrrr! Check it out
False Blimey Awh dude Frick False Supremacy Oh my goodness I don't know about you guys, but... Props to __ I'm not gonna lie...
Gem Gem is great Her [name] is [adjective]! Gem will __ ("Gem will watch Impulse") Perfect! Epic It's true, I swear! Not gonna lie... Oh gosh! Trust the process Nailed it!
Grian Hello! My name is Grian Good… byeeeee! Pesky bird My heart! My little heart! Mumbo Mumbo you are AFK Can we just agree that Mumbo loses? What in Queen Elizabeth’s shiny crown was that? It wasn't me, it was the man in the chicken costume! SaAaaaAaAnd Chobblesome SCAR NO— / NO SCAR— In theory… Electric boogalooo What does this button do? What on earth? This is in shambles Get outta here! Hear me out... We don't have __. What we DO have is __ Just straight up Without further ado Crack on Bingo bango Yes. 100%
Hypno Right, right Mmhmm You guys Dang guy
Impulse What’s goin on everyone? Shovel Shuffle BEHIND YOU GEM! Peeps Geez Let's goooo! Are you kidding me? Oh, man Now we're talkin'! Holy smokes Oh my gosh How cool is that? Jeez! Dang it! Buddy Presi (for present) You bet!
Iskall Hallo -skall ("richskall") That’s mega / that’s looking absolutely mega Omega “Excuse me? Sir?” __ of doom Okay, lol And I will see you dudes in the next episode I’ve had a realization Oh for goodness sake! It’s not fat, it’s big-boned Not gonna lie SaAaaaAaAnd Very fine Great success! Bird poop Bumbo Cactoni Do you even bust? / Do you even bust bro E Pag
Jevin Hypno smells! Oh my god Sucker What the heck Dude Man I swear
Joe Howdy y’all! That’s the Joe Hills difference! I will now say a poem of my own devising Core concept Keep adventurin’! Time skip! Who’s the guy who conquers death? That’s Joe Hills No not rage quitting I have to pick up my daughter from school or my wife will rage quit me! Grow Hills / Expand Joe Joepacity / Jhost
Keralis Look into my eyes and nothing but my eyes Wanna buy a book? Spank you very much Just sit back, relax, and enjoy Like this, like that I can see my house from here! Bubbles, Shashwammy, Sweetface, Princess Lookie lookie at my cookie / lookie lookie at my cookie… no, please don’t Like-a so I love your face I’m a real boy! I don’t k-nove (know) Not like this! Booshes Clever girl But first… lemme take a selfie I’m sinking… mayday mayday we’re sinking! Hallo yes dis is de German coast guard what are you sinking about? Scary harry larry I’m alayve! Breathtaking — no you’re breathtaking Mm-kay Oh behave I’m a simple man MeOOOow Welcome to my humble abod-ee Not too shabby My face! My palms are sweaty, mom’s spaghetti Tag 2 Booga Booga Stiffy nipples Batman! First I was afraid, I was petrified...
Mumbo I worry about myself sometimes I'm not really quite sure if I like that or not Yeah… yeah that's looking good… I guess… Dude! Chuffed to bits It’s a bit pants I’m such a spoon Oh my word It’s quite simple, really / it’s actually quite simple Bonkers I’ll catch you in the next one. See ya Off you pop Oh goodness me! Hermit challenges — initiation! All done and dusted To be frankly honest Seriously seriously cool Absolutely nuts I don’t even know what to say Iskall I feel sick Peace, love, and plants Moon’s big Mumbo for Mayor Quite simple
Pearl Lovely Bonkers At this point... Cheeky / you cheeky What's this? Mate
Ren Now we’re cooking with gas / we be cooking with gas today Ladies, get in line! / ladies, gentlemen, everybody get in line! You picking up what I’m putting down My dudes Y’know what I’m sayin’ Coming atcha frommmmmm Dude Coming from left, right, and center Greetings cyberdogs and citizens of the Interwebs, this is Ren-diggity-dog comin at ya in another episode from the Hermitcraft server (ey!) Automagically Jazztastic Janktastic Oh baby Like nobody’s business Looking absolutely magnificent Anyhoozle Twaddle Renstone The Octagon is a well-oiled machine! [word]-age [word]-ation [word]-i (to make things plural You love / hate to see it I'm just sayin' / if you know what I'm sayin' Professional __ Jazz Anyhoozle Exqueeze me? Freakin' Some serious __ What's happenin', baby? Chesticles
Scar Scarred for life Woah, what in the world! It’s gonna be am-ay-zing LOOK at the siiiiize of that Well, hello there my fellow miners and crafters, GoodTimesWithScar here. Welcome back to the wonderful world of Hermits and crafting Don’t forget to subscribe or you might just become scarrrred for life! Looking super fancy Let’s hit super fast build mode! Look at the size of that Appreciate ya Hotguy! Operation: Aquathunder! That’s what she said! Rapscallion You silly goose Oh, sweet baby Jellie! Bayum! / Bam! The bee's knees Easy peasy, orangey squeezy
Stress Are you havin’ a giggle? / are you takin the mic? Mate Oh my god / oh my gosh / oh my good gordons Gorgeous Plonker Geezer Ohhhhh nooooo! Yeeeesshhh I legged it Such a pro / I'm such a pro Proper __ Cheeky Bloke Thingamajig Ain't [word]-age [word]-ies
Tango Happy fun sauce -ificator, -inator, -ness, -tastic Skadoodle Fearsome bunny slippers Noob juice So here’s the deal Holding shift Shwoop Flim flam Poop came out Extra dumb with dumb sauce / __ of extra dumb Flee with extra flee! / fleeing with terror! Boom booms Gah! The dungeon is ready for its next victim Behold! Results may vary! I think my math is correct, but it’s been known to be wrong This is the worst timeline. I hate everything Big no! You— you freak of nature! Jerkface Jerkbutt Excellent How embarassing This is true Zombert Bits This I gotta see! Right in the face! [word] is happening Yeah baby! Stupid jerks Boop This is the best / worst thing ever! Niner niner niner [general unintelligible noises]
TFC What in tarnation! Crap-tacular Humongous Butt-ugly Ugly as sin Oh, goody Ender-twits Bugger Oh, fart For crying out loud
Wels Words are hard If you will Super __
xB Aww yeah Mmkay Son of a biscuit Pretty frickin' __ Man Get frickin' wrecked! Chestacle Dang it Staaph it Oy vey Crap on a cracker Dang it, Bobby! Dang guy
Xisuma Oh goodness me Oh dangit Geez Peeps I’m such a derp Oh my days Chooturial Issooma Allo Woa’ah Brought (instead of bought) My dude Achacha
Zed Hello hello hello A-good a-bye Muckin' about I lied TaaaAAnnGoOOooooOOOo Hu-jah! Pretty darn __ Certainly Rubbish I'm [word]-ing [word] me [word]-iness What happens is... Get kersplatted! Epic Oh my goodness!
More Info
So I'm currently writing a HC fic and realized how little I know about some of the hermits (I unfortunately don't have time to watch all of them), which made it really difficult to depict them properly in my writing. I'm assuming at least some of you might also struggle with this, so, here we are!
If you know of a catchphrase from any hermit from any season, comment, reblog, send me a an ask or dm, dm me on discord, whatever works the best :D
Note: when I say "catchphrase," I mean anything a hermit repeats over an extended period of time. It can be something said during a single season (like "You'll speak when spoken to!" or "Hermit Challenges!"), or something that spans their entire careers (like "Aww snappers!" or "Plonker"). I'm not looking for one-off quotes that are never bought up again — there's some great sources (like @hermitcraft-correct-quotes) for that already :)
Sources (which will hopefully expand with time): This reddit post from four years ago This other reddit post also from four years ago Reddit from three years ago This cute diagram A more up to date source Another Xisuma's dictionary on his website HC character tv tropes page This incredible google doc
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What did Andrew Lloyd Webber do to make Patti Lupone upset? Sorry, saw your tags and i was curious
Oh.
Oh honey.
You sweet child.
Anyway, get ready for one of the most infamous showdowns in all musical theatre history, with the guy who writes the straightest musicals on Broadway (derogatory) and the one and only, the matriarch, the queen, two three-time Tony award winner Patti LuPone.
So, Andrew Lloyd Webber was basically kind of a boy genius in his prime - he met his future collaborator Tim Rice when they were 17 and 20 respectively, he wrote his first big hit, Jesus Christ Superstar, at 22, with Tim Rice writing the lyrics. And it was kind of a big deal at the time because the topic was controversial (you know, the Passion with rock music), but also because Broadway wasn't that far off from its golden age and let's just say the music and style were very different from, say, My Fair Lady. Or The Sound of Music. Or Funny Girl. It was basically the Rent/Hamilton of its time. (Yeah, Stephen Sondheim was around at that time, he worked on West Side Story which was revolutionary in of itself, but he's kind of an oddball in this case. You'll understand why later.)
Their real follow up (I'm not counting Joseph and the Amazing Technicolor Dreamcoat for a variety of reasons) was a little musical called Evita, which you might know mainly because of a song called Don't Cry For Me Argentina. Or at least, your mom has probably heard it once at the very least. It's that song that's oversung from a musical while being out of context along with I Dreamed a Dream for Les Misérables. Or Memory from Cats.
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Evita tells the story of Eva Peron, the wife of an Argentinian dictator, who basically screws her way to the top and ends up becoming the mistress of Juan Peron and the most beloved woman in her country through guile and deceit. Yes, I know the historical accuracy is very much debated but I know jackshit about Argentina's history except the bare basics so don't come at me. It was first produced in the West End in London, with Elaine Paige in the role, but because of Equity issues, she couldn't reprise her role for the Broadway production. So a Julliard graduate who was mostly starring in David Mamet plays got the part instead, and that was Patti LuPone.
Patti... did not have a good time during Evita, because the part is basically the kind of score where you can tell the composer is used to writing male parts, but most female singers have a two-octave range (yes, you got Julie Andrews who used to have a three-octave range, and many others, but they're exceptions), so she struggled a lot. That being said, if you listen to live recordings of her, you wouldn't be able to tell, and it got a lot easier later on. But she had this to say:
"Evita was the worst experience of my life. I was screaming my way through a part that could only have been written by a man who hates women. And I had no support from the producers, who wanted a star performance onstage but treated me as an unknown backstage. It was like Beirut, and I fought like a banshee."
This is from Patti's autobiography, which she wrote in 2007 - 8 years after shit with ALW went down. With all that said, she won a Tony Award for Evita, and she pretty much became a musical theatre household name from then on. She played Fantine in Les Misérables, Nancy in Oliver!, Reno Sweeney in Anything Goes. Meanwhile, ALW's next big hits were Cats (I'm not even kidding, Cats was a hit), and, you guessed it, The Phantom of the Opera, which he wrote in part to showcase his then wife Sarah Brightman's triple threat talents.
So, you need to understand before I continue that ALW, from my perspective, has always had a bit of an inferiority complex. He's basically associated to writing these commercially successful musicals that show a big spectacle but aren't ultimately substantial. I'm not sure I entirely agree with that, but I do think that if he didn't have Hal Prince, Maria Bjornson, Charles Hart and Gillian Lynne backing him up for Phantom, it would have probably been a Rocky Horror Picture Show knockoff people would have forgotten about pretty quickly. This is what I mean:
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Yep, that was Phantom before any of the people I mentioned above (and Michael Crawford) were really involved.
Remember how I said Stephen Sondheim was an oddball? The thing with him is that his musicals weren't always commercially successful, but in general, in part thanks to being Leonard Bernstein's protégé, he was generally pretty well-respected and it was considered that his work was bringing musicals to a whole other level. Without Sondheim, you wouldn't have Jonathan Larson, and you wouldn't have Lin-Manuel Miranda. I am convinced ALW is resentful of that, and when you stop and think about it for more than 10 seconds, it's so obvious he REALLY wants to be Sondheim or at least command the same level of respect, but that's a story for another day.
So, after Phantom, ALW had other musicals that followed that either got a meh reception or outright flopped. Then there was Sunset Boulevard, which is based on the movie of the same name with Gloria Swanson. Despite all of her griefs for Evita, Patti LuPone agreed to partake in the musical as Norma Desmond, for its production in London, with the promise that she would transfer to Broadway once that production would open. And overall, after a string of flops, Sunset was actually doing pretty well.
HOWEVER. One day, while reading the gossip column of a newspaper, Patti found out that contrary to what she was promised, Glenn Close, who was meanwhile starring as Norma in the Los Angeles production, was to play Norma on Broadway. That was a complete surprise for her since no one on the production team had bothered to tell her it was happening - and keep in mind that for the news to come up the way it did in a gossip column, it probably would have necessitated a delay of a few weeks between the producers and the newspaper, which would have given them plenty of time to break the news to Patti. And Patti kind of needed the leg up because she was pretty bitter that a) Madonna was cast in the Evita adaptation instead of her; b) they actually lowered the key to fit Madonna's voice range, and she still had to expand her own to be able to sing the (lowered) score. And trust me, Patti is mad about it to this day.
So of course, she trashed her dressing room, the cast and crew weren't even mad about it because they were as shocked and angered as she was by the news. Patti sued Andrew Lloyd Webber for breach of contract, namely for 1 MILLION DOLLARS (yup, those are the real numbers), won, used the money she got from the lawsuit to get a swimming pool, which she called (and I SHIT YOU NOT) the Andrew Lloyd Webber Memorial Pool. Since then, Webber is dead to her, to the point rumor has it she had part of a building blocked during an event so she could get out of it without coming across Webber, because she hates him so flipping much she doesn't even want to be in the same building as the guy.
(There's also drama that happened with Faye Dunaway who was supposed to replace Glenn Close after she went from Los Angeles to Broadway, except they abruptly closed the show down after Close left, but that's a story for another day)
So with all the bad press, and with ALW forced to pay 1 million dollars for Patti's lawsuit, that led Sunset's productions to close earlier than expected. ALW has stayed around since, with... mitigated output, so to say. The lowest point for a lot of people is Love Never Dies, the sequel to Phantom, which some people love, and that's fine, but it didn't do well with either critics nor fans of the original show, which ALW is EXTREMELY BUTTHURT ABOUT. And like, there are so many stories I could tell about LND alone, but I will share my own crack theory about it, since it does relate to the ask.
Anyway, buckle up.
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So. There have been jokes going around for years that the Phantom in LND is basically ALW's self-insert, where he displays to the world that he's totally not over Sarah Brightman leaving him (in part because making Phantom kinda ruined their marriage lmao), despite, you know, having married since. (Aaaaaakward.) So LND basically becomes this really uncomfortable therapy session where a man writes a self-insert musical about how his ex-wife made a big mistake of leaving a sensitive artistic soul such as himself. The characters from Phantom who appear in LND are all more or less unrecognizable as a result, and one who gets it worse (in my humble opinion) is Meg Giry, who was basically Christine's sweet and loyal ballerina friend who basically went into the Phantom's lair on her own to save her friend despite the danger. In LND, she's basically a bitter hag (because ALW hates women, guess Patti was right about that), who really likes the swim and even has a stripping vaudeville number about it, written in universe by the Phantom, no less.
For comparison, here's Don Juan Triumphant (the Phantom's opera in the original):
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And here's Bathing Beauty (the vaudeville number):
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Yeah, so... do you see why people hate LND already?
And that's not the only thing with Meg! She's also pining for the Phantom to pay attention to her and threatens to drown the Phantom and Christine's secret love child when he makes it clear that he's gonna love Christine for EVA AND EVA.
So, with everything we learned today about ALW, would someone like him view someone like Patti LuPone as some sort of crazy, bitter diva who's obsessed with him for whatever reason? Absolutely. Would he be petty enough to insert Patti LuPone into his self-insert musical, which gave us the version of Meg Giry we got in LND? Of course. Why does Meg love to swim so much and why does she drag Gustave out ostensibly for a swim? Is it a dig at Patti's Andrew Lloyd Webber Memorial Pool? Maybe.
I kind of hope we find out one day if that theory is true. And maybe start a kickstarter so Patti can add this painting from the 2004 movie in her collection.
Fun fact: during the process of casting for the 2004 movie adaptation of POTO, ALW allegedly suggested Patti LuPone to play Carlotta... only for Joel Schumacher to have to awkwardly remind him that they were not on speaking terms. The idea was therefore promptly dropped.
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sunny44 · 6 months
Text
All these years (Part 2)
Pairing: Charles Leclerc x Ex girlfriend! Reader
Warnings: bad words, fights and maybe more things
Summary: Separated by a disagreement, Charles and Y/n meet again after years apart and all the feelings they had repressed come flooding back.
Previous Chapter | Next Chapter
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It was a long journey to Monaco.
My mother wanted me to stay at home and I really didn't want to, so I just arrived at the hotel I was going to stay at.
"What do you mean there's a problem with my accommodation?"
"I'm sorry Miss Y/l/n but your reservation was canceled two days ago."
"I didn't fucking cancel it."
"I did." I turned and saw my mother standing there. "Come on, Y/n."
"I'm sorry." said the receptionist who agreed and I followed my mother outside. "What's wrong with you? I said I didn't want to stay at your house."
"And I said I don't care what you want or don't want."
"So you called the hotel impersonating me and canceled my reservation? How did you know I'd be staying at this hotel?"
"It was obvious that you'd be staying in the hotel closest to us." I rolled my eyes. "Don't roll your eyes at me, young lady."
"Then stop acting like you're the boss of me."
"But I am."
"No, you're not, the moment I moved out of your house and started supporting myself you lost that right and in case you can't count it's been years."
"Get in the car."
"I'm not going home, I told you."
"And I've told you that none of the other hotels will accept you there, so you either stay at home or sleep on the street. Now get in the car."
"I came by car so I don't need your ride."
I got into the car and slammed the door, driving off as fast as I could.
This was another reason why I hated coming here.
My mother.
Ever since Charles and I split up, she turned into this completely cold person, said I'd ruined everything and that I should have said no to the promotion and stayed here.
But her vision of a woman with the perfect life was to be married to a guy who worked to support his wife and kids.
That's what her mother, my grandmother, taught her, and that's why she's always been like that, so she thought I'd fall for it too.
I got home and after parking I saw my father coming out of the house and he smiled when he saw me.
"Hi my love, I've missed you so much."
"I missed you too, Dad." I hugged him tightly and he kissed my forehead.
"Where's your mom?"
"She’s probably coming, I drove here."
"She said she'd pick you up."
"She did, but I drove from Milan so...”
"You had a fight, didn't you?" I agreed. "Love, you have to make things right with her."
"No, she's the one who has to apologize to me." I looked at him. "Since when is a mother disappointed by her daughter's success?"
"She wasn't disappointed in you."
"Yes, she was and you know it, her dream was for me to marry him, get pregnant and live the life of a madam who doesn't do anything the way she does."
"Darling, your mother was raised like that.”
"So was I, but I took different paths, so it's her fault. We decided our own future and she decided hers and I decided mine." he agrees quietly. "Can you believe she canceled my hotel reservation and even called others so they wouldn't accept me just so I'd stay here?"
"Did you do this Jessica?" He asks and I turn around to see my mother standing there.
"You're barely home and you're already causing friction between me and your father, aren't you?"
"There wouldn't be any friction if you didn't do shit like that."
"Look at the way you talk to me in my house," she says angrily.
"I didn't even want to be here, you brought me here so take the consequences."
I picked up my suitcases and took them to my old room. It was completely different, but since I'd taken most of the things that made up my room, it ended up becoming a guest room.
"Y/n." Knocks on the door and enters. "We are having dinner later at the Leclerc's, okay?"
"I don't think I'm going."
"Why not?"
"Kind of obvious, isn't it?" I say and he laughs.
That's what I liked most about my father, he understood my jokes and ironies and was always in a good mood.
"Well, it's up to you, but Arthur asked me to tell you that if you didn't show up he’d come and pick you up."
"Then he'll have to come." My father laughs and leaves.
tag list: @formulas-bitch @nuggetvirgo @lndonrris @cmleitora @janeholt3 @coffeewhore18 @blueflorals @agentadhd @eviethetheatrefreak @honethatty12 @lec-16 @ariamox @boherahpsody @ssararuffoni @leilani13gc @alldaysdreamers @minmira95 @dessxoxsworld @dessxoxsworld
The names with a line above were because I couldn't tag them
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jinnie-ret · 7 months
Note
skz with a 9th member who grew up in england so sometimes they use slang they dont understand or sometimes their british accent gets really strong when theyre tired or drunk and the boys think its funny.
it's a brit thing
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stray kids x ninth member!reader (platonic)
genre: fluff
content warnings: swearing, alcohol mentions
word count: 1.2k
summary: the boys find it hard to understand their british member a lot of the time...
Hi! Sorry for such a late response to your ask! Loved writing this one! Love to my fellow British Stays. Also I love a Yorkshire accent, just putting that out there haha...
As always, like, reblog if you enjoyed, and my asks are open for any requests you may have. And let me know if you'd like to be tagged when I post :)
MAIN MASTERLIST
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aka five times the real brit in y/n appeared
1) tired
You were tired, so tired. After a long flight back from LA to Seoul, all you wanted to do was get back to the dorms and go to sleep. Just simply get out of the airport, get into the cars, and listen to some music before ultimately entering a calm, unconscious state.
Yet with the experience of the paparazzi and screaming fans awaiting you, your plans were ruined. They swarmed you, and even as you formed your usual chain amongst the rest of the members and your security it didn't stop the flash of the cameras blaring in your face and fans getting too handsy.
Other times it would overwhelm you but this time it was just annoying. You would say you were just agitated, but the boys thought you were grumpy.
"Oh no, she's grumpy," Seungmin teased from beside you as you squeezed into the back between him and Changbin.
"Fucking twats the lot of them," you grunted in English, digging through your backpack for your airpods as your northern British accent came out.
"That wasn't Korean but I'm not entirely sure that was English either..." Changbin said with wide eyes, only vaguely recognising the swear word and nothing else.
"Chan can you translate?" Jeongin asked curiously, watching as you entered a calmer state when you started playing music.
"Basically she's annoyed at the paps and fans," Chan laughed after translating what you said.
"T-twateu?" Jeongin tested out, and your music just happened to go silent before changing to the next song, meaning you heard what he said.
"You what?!?"
2) vlive
It was time for your bimonthly vlive, which Stays managed to guess when you'd go live, getting used to your system of interacting with them.
"There aren't really a lot of British idols out there, are there?" you chatted with the fans, face near the screen as your eyes squinted to read the comments, forgetting to wear your glasses.
"Haha! Yes Han is our honorary British member," you laughed as you read the comments, hand going over your mouth.
"Wait doesn't Jennie from Blackpink speak with a British accent?" you double checked you theory with the fans, letting out a successful cheer when they confirmed your thoughts.
"Yes!!! Up the Brits! There are too many Aussies I swear..."
"Teach us some British phrases? Okay hmmm, what can I teach my Stays?" you wondered, tapping your chin comically.
"You can say 'I'm gutted', which means you're really upset about something, like you're so sad you feel it in your gut. Or, 'I'm knackered', which means you're tired. Or you're 'pissed off', which means you're angry," you explained to the Stays, frowning when they started saying you sweared on vlive, the staff now staring at you awkwardly.
"Ani, ani, no, no," you pointed to the camera, fake scolding the fans, "I don't think it's swearing, right?"
3) drunk
You and the boys had been out drinking, celebrating the promotions for Case 143. And let's just say, you had a few too many, at least you weren't the only one.
"I'm fucking hammered mate," you slurred, stumbling into Minho who wrinkled his nose at your alcohol breath as all 8 of you walked home from the bar.
"Hammered?" Han asked curiously, his doe eyes somehow more apparent in his intoxicated state.
"Like tkk tkk?" Hyunjin tested, pretending to hammer a nail as he recognised the tool name.
"I'm trollied, I'm so out of it, mate," you giggled, facepalming yourself, well, you thought you did and then realised you accidentally smacked Felix in the face, collapsing on the ground in a fit of giggles.
"Y/Nnie, get uppppp," Felix groaned, rubbing his face drunkenly as he tried to pull you up.
"She's speaking nonsense," Jeongin said with wide eyes.
"Not until you can understand me," you poked Felix in the chest with each word.
"Yah, you're so touchy tonight, Y/N," Changbin laughed at your slow yet somehow affectionate movements as he and Chan lifted you up, you clinging onto their arms for balance.
"That makes me sound so noncey," it was your turn to wrinkle your nose.
"No one can understand you right now, and we are fluent in English," Chan laughed as he supported most of your weight and gestured to Felix next to him.
"I'm too wankered," you groan, now feeling the headache set in and just wanting to be in bed.
"Woah, what did she say?" Seungmin pulled a confused face, his features scrunching up.
"She's uncontrollable," Minho said bemusedly.
4) school memories
In a new episode of SKZ Code, they were all back to school, dressed in different school uniforms.
"Why is Y/N's uniform so different?" Han pointed out.
"It's cute, though," Hyunjin cooed.
"This is what we'd wear," you do a cute spin in your dark green checkered dress, white socks, dolly shoes and bows in your hair. Of course, you wore a green cardigan with it, representing the colour of the uniform designated by your primary school.
Then you went onto other school experiences, and the boys were interested to hear about how yours differed.
"And then, around Easter time, we'd sing a song like this. 'One mother hen sat on four little eggs'," you began singing, doing actions alongside that you remember being taught by your teachers.
"'Keeping them warm in her little egg nest, then one day she heard a crack!'" you widened your eyes as you mimicked the egg cracking with your hands, the boys giggled at this.
"'And a little voice said as the egg was hatched... I'm a spring chicken! I'm yellow and small...'" you sang the song, the mood becoming more joyful as the boys clapped in time for you and you stood doing the actions.
"'Chicken, I'm a chicken! And I'm having a ball!'" you excitedly finished, a big grin present on your face as you flapped your 'wings'.
"Wahh, that's too cute, surely?" Changbin thought it was adorable, copying the last line.
"Maybe Y/N should replace Bbokari!" Lee Know smirked.
"No!" Felix yelled out laughing, hand over his heart.
You carried on reflecting on your experiences.
"Or at our schools we'd be sorted into different coloured houses," you informed everyone.
"Harry Potter! Harry Potter!" Seungmin cheered.
"Woah, so you went to Hogwarts?" Jeongin gasped, a playful look on his face.
"No, I was in yellow house," you I formed, folding your arms.
"Hufflepuff!" Chan pointed at you.
"Noooo," you shook your head, gosh, how did you deal with them on a daily basis?
5) accent
Y/N was on the phone, talking to her friends from back home.
"The British accent really is... woah," Felix whispered to Hyunjin who nodded.
"So pretty," he added on.
"It's kinda, sexy?" Han wiggled his eyebrows, trying to copy what you were saying.
Ah yes, the Y/N simp line, back at it again.
This was all caught on a SKZ talker, and British stays had a field day with it in the comments.
Why is it so funny that the boys think a broad Yorkshire accent is sexy
The boys think it sounds pretty? I'm flying to Seoul rn brb or maybe not
I just googled how to be Y/N
Y/N got bitches but no one here notices me and we literally sound the same lmao, tough times
tagged: @skz-streamer @kiraisastay @hannahhbahng @backintomykpopphaseagain
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canisalbus · 8 months
Note
hello! i've been thinking about asking about this detail of machete for a while now and figured i'd just go for it, it sounds quite dark but it isn't my intention for it to i'm just really intrigued by his character and want to learn more about it yknow? essentially, with all the hardship machete faces, long before he meets vasco i mean, why does he continue to have such a drive to keep going? (when it'd be so easy to give up long before he meets vasco) what drives him to strive to do so well (in terms of succeeding not, well-being wise) essentially, in the path he is handed? it isn't that i do not find this believable and that there aren't many possible motivators bc i do see that wholeheartedly which is specifically why i am just very curious as to what specifically motivates him in his youngest years you know? does that make sense? i know you've mentioned guilt and perfectionism, are those already his driving forces? does it go deeper than that? is it simply not that deep, etc? (ps. much love for the creation of your storyline and your characters, it's immaculate, and your art illustrates all of it so well, it gets across exactly the things you intend to me)
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I think guilt and perfectionism definitely play a big part in his drive to be successful, but the main motivator is probably his low self-esteem. He's overcompensating to a pathological degree, he needs to convince everyone, including God and himself, that he's not weak, stupid and useless. He was somewhat neglected and eventually abandoned by his birth family and since then he's been seeking approval and validation from outside sources, the more esteemed person the better. He's not highborn, particularly talented or good looking, but I like to think he's naturally inquisitive and academically oriented so being the smartest, most educated person in the room just gradually became his objective in life. He was also extremely hardworking right from the start. Many of his teachers regarded him as an exemplary student with great potential, but behind the scenes he was sacrificing much of his health and wellbeing to keep up that "gifted kid" image, constantly fearing of not living up to their expectations and failing everyone who had ever believed in him. As a grown man he continues to measure his worth by his achievements which leads to stress and overworking, but also rapid and impressive career progression. I believe he goes through multiple burnouts before he snaps for good.
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rebelangelwings · 10 months
Text
Thank you so much for the request Sparrow <3
It's a little open ended but I hope you like it!
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could i please request a buddie/reader getting together fic? i dont mind the specifics but maybe reader thinks buck and eddie are already dating (even though they arent) so when one of them confesses, reader is really confused and it ends up with all of them tgt?
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Y/n had been introduced to the 118 family through Maddie and her work at Dispatch. The two had clicked instantly, sharing knowing looks about particularly arrogant members of staff or stifling giggles in the breakroom. Relatively new to the area, y/n didn't have any friends or many family members she could regularly see other than her cousin and their kid who she doted on. 
Chimney had been her first encounter with an official member of Firehouse 118, when he kindly picked up a tipsy Maddie and y/n from a Dispatch work Christmas party, and chatted along with her before dropping her to her small apartment. 
"So, y/n do you have any family in the area?" Chimney looked at her in the rear view mirror.
"My cousin Lola doesn't live far. She has a kid, Joey. I adore her." She replied with a smile on her face at the mention of Joey. 
Maddie tuned into the conversation, sitting up and exclaiming, "oh she is so adorable, Chim! She's got this wheelchair with all these Disney characters painted on it that y/n did by hand!"
Y/n smiled but ducked and shook her head slightly at Maddie bragging on her behalf. "We've actually been having a bit of trouble recently…trying to find or get Joey into a school that is accessible. There aren't as many around as you might like to think." 
Chim looked thoughtful, "my pal, Eddie, he's another firefighter at the 118, his son Christopher has CP. I could ask him if he'd be willing to speak with you about how he got Chris into his school?"
Not one to naturally ask for help, y/n felt awkward, "do you think he would mind? I don't want to put people out, especially as he's never even met me."
"Come meet him then!," Maddie chirped, spinning in her seat, "Bobby is having a BBQ tomorrow afternoon. You should come, right Chim?"
"Absolutely. Bobby always says, 'the merrier' and there are always so many leftovers. We can pick you up if you want?" 
And so the next afternoon, y/n found herself in the garden of the captain of the 118, someone who she had spoken to plenty of times over the Dispatch radios, but never met.
Everyone in the extended 118 family was kind and welcoming, not thrown off at all at an outsider joining them.
Maddie had gone round giving introductions, most memorably for y/n were two tall and effortlessly handsome men who were seemingly teasing each other, shoulder and thighs pressed together and beers in hand. 
Buck and Eddie. 
Y/n would have been enamored with them, had she not taken note of the way Eddie's hand rested on Buck's shoulder, or Buck teased Eddie about his cooking catastrophes, or the looks of sheer devotion both of them had for each other. 
Of course these two gorgeous, kind, selfless, brave, firefighters were already spoken for. 
Y/n did get an opportunity to speak to Eddie about little Joey, and he was more than happy to speak about Christopher's school and his struggle and eventual success with getting him enrolled. 
"It's really sweet of you to care so much for your cousin's kid," Eddie smiled at her. 
"Me and my cousin are close. More like best friends, and we have a bit of a rocky relationship with the rest of the family so it was just pretty natural to step in and be a part of Joey's life."
Eddie nodded appreciatively. 
Later, Buck found y/n trying to find a drink in the kitchen, "hey, y/n, I forgot to say earlier how great it is to finally meet you - Maddie talks about you a lot." 
Y/n looked up from the fridge and beamed, "naaw that is really sweet and I am most definitely going to tease her about that later…what sort of stuff has she said about me, exactly?" She becomes suspicious. 
Buck looked mischievous as he said conspiratorially, "Uh… does blue vomit right a bell?"
Y/n gasped, "she didn't?!"
Buck nodded, repressing a laugh, "mhm. An unfortunate incident with a hot glue gun? Oh! My favourite has to be the one with the LEGO."
Y/n had her head in her hands whilst Buck laughed at her embarrassment. Finally  she lifted her head and raised an eyebrow, "Laugh it up Buckley. Go ahead. But Maddie talks to me too and I know a fair amount of your greatest hits."
"You're bluffing."
"Am I? Am I really…Firehose?" 
Buck's mouth dropped open as his ears turned pink, "wha- how did she…dammit Chim!" 
"Not to mention the bread that landed you in hospital, or your unfortunate boy-band blond frosted tips phase."
"Hey, that was fashionable when I was in Peru!" Buck tried to defend himself. 
"Baby, that has never been fashionable anywhere on the globe." 
At that moment, Eddie joined them in the kitchen area. He was overcome with an emotion he didn't often feel, which confused him to no end. Because, jealousy was not completely foreign to him, however, confusion over who he was jealous of in this situation, was a foreign concept to Eddie Diaz. 
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Weeks went by following y/n's first introduction to the 118, and many encounters had followed, either as a big group, or as quiet nights drinking wine with the Buckley siblings, or a meeting at a coffee shop with Eddie to talk about the bureaucracy of the American education system. 
Whilst y/n enjoyed the company of Buck and Eddie very much so, she didn't allow her feelings to be anything more than friendship, knowing they were unavailable on several levels. 
The boys however, had found themselves conflicted for a while now. 
Firstly, Eddie was still ruminating over his feelings of jealousy that occurred that day, hearing and seeing the almost flirty conversation between his best friend and the beautiful woman that cared so deeply about her family. 
Buck, in a slightly different position, was far more in tune with her sexuality that Eddie. Buck had explored other options on his travels, he knew that he was not straight although he had yet to place a label on himself, and he had even been in a poly relationship whilst in South America. It hadn't lasted long and was mostly about sex rather than feelings, but it had opened his eyes to other options. Buck was also painfully aware of how in love with Eddie Diaz he was. Had been for a while now. But he had yet to make any moves, giving Eddie space to come to terms with his own identity and feelings. 
And, unbeknown to Buck, Eddie had realised his feelings towards his best friend were not strictly platonic. He was talking with his therapist, Frank, and slowly coming to his own conclusions. 
So, when y/n arrived, all yellow energy and wit, that really threw a spanner into the works for Eddie. 
Unknowingly, both men experienced the same "oh" moment about their feelings towards y/n at the same moment. They had arranged a playmate between Chrisopher and Joey, the three adults first taking them to the zoo, and then returning to Eddie's house for snacks. The two children were crowded around y/n as they recounted their favourite animals from their trip, and she proceeded to illustrate them in a sketchbook. 
The children were amazed at her accuracy, as were Buck and Eddie when they saw her work. 
"You're an incredible artist, y/n," Buck told her.
"Don't be silly, they're just doodles, Buck" She rolled her eyes.  
"Not like any doodle that I've ever seen," Eddie chipped in. 
"Well then I'll take the title of Doodle Queen if it's up for grabs," she joked, not looking up from her paper. 
Both men glanced at each other, smiling fondly. 
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Things started to evolve from there, at least for Buck and Eddie. 
Eddie began to feel a low level of animosity towards Buck, thinking that he would make a move on y/n. 
And Buck, whilst he was open to ideas of polyamory, did not think Eddie or y/n would be, and thus felt anxious at the prospect of becoming a third wheel. 
The other members of the 118 started to sense the different dynamic between the two, having expected them to finally realise and admit their feelings for each other by now. 
Everything changed when the 118 were dispatched to multiple vehicle pile ups.
"Alright Team," Bobby directed as they exited the engine. Each member took stock of the several damaged cars, a small fire already forming from one and a lorry pressing a small Toyota precariously onto the edge of the bridge. "Hen, Chim, you're on triage, work your way through the casualties. Buck, Eddie, I want you harnessed up and working on that Toyota, I'll assist from up top. Let's go!" 
As they got closer to the teetering vehicle, Buck turned to Eddie, "isn't that… is that y/n?"
"Shit. Y/n!" Eddie began running, joined immediately by Buck. 
Y/n was just coming round to consciousness, confused why she had fallen asleep upright. When she finally managed to peel her eyes open, being stuck together by something, she could see a clear view of LA. 
Looking around frantically, she started to remember the moments before she had fallen asleep: horns honking, crashed from behind her, her leg hurting with the force she applied the car brakes, it not making a different because a lorry slammed into the rear of her tiny car and propelled it through the bridge barriers. Pain. Airbags. Nothing. 
The moment before she felt her heart was going pound right out of her chest, she heard two familiar voices. 
"Y/n, is that you?!"
"Y/n?!"
"Buck! Eddie!" She clarified her identity. As she turned to get a better look at them, there was a wobbling sensation that had her freezing. 
"Woah woah! Don't move, y/n. Y/n, do not move, okay?" That was Buck. 
"You're going to be just fine, but we need you to stay really still, okay? Just let us do all the work, y/n." Eddie that time.
For the next few minutes she could hear them speaking in low voices to each other, could hear shouting from the rest of the scene, and the occasional radio crackle. The lack of distraction from her view of impending doom wasn't serving her well. 
"Uh…guys. I don't mean to be any trouble and I know you're doing your best out there, but I'm really freaking out. Like, about to have a panic attack kind of freak out." She called. 
A pause. And then Eddie spoke, "That's okay, mi amor. You're doing great, y/n, handling this like a champ. We've secured the bumper of the car to our engine so we've got you a little more secure. Still need you to stay nice and still though, got it?"
Y/n nodded to herself, "Thank you for updating me. However, I've been driving this car for years now and I'm well aware of it falling to pieces. I don't know how confident I feel about it being secured to the engine."
"That's why Buck and I are putting on harnesses right now and are going to get you out. Don't you worry, you're going great, just keep taking deep breaths."
Buck was next to speak, "Eddie's right, you're going great, y/n. We're on our way to you now, okay?"
Buck didn't lie. Within minutes she could hear movement at the rear door of the vehicle. The rear of the vehicle had been squashed like an accordion in the collision with the lorry, and so they were going to use jaws on the back door to access her. 
She was instructed to cover her eyes if she could and keep her back to the machinery. 
Soon, she felt the door being removed, and the unforgiving movement that alerted her to someone else entering the car. 
"Hey, mi amor, how are we doing?" Eddie. 
Eddie was with her. She allowed herself to breathe a little easier just knowing he was close. 
"Try not to move, okay, I'm going to access you real quick and then pop this C-collar on you just as a precaution." Eddie proceeded to feel her neck from behind her, getting her rapid pulse, then placing the hard plastic around her neck, forcing her gaze upwards. "Can you tell me where you're hurt, y/n?" 
"My head. Think I passed out. And my chest…probably the airbags." 
"Okay, good job, and can you wiggle your toes? No numbness anywhere?" Eddie asked while moving about doing something. 
"No numbness I don't think. I don't know, Eddie, I really want to get out now please." Her voice broke as her resolve started to crumble. 
"I know, mi amor, we're working on it."
"Eddie." She heard Buck. He sounded serious, almost like a warning. Then she heard the metallic grinding. 
"Okay, okay. Y/n this is what's going to happen, I'm going to cut your seat belt off and on the count of three I'm going to pull you through the middle of the seat and pass you over to Buck. We're going to be quick and we're going to be careful." 
She could hear the barely stifled panic in Eddie's voice.
The belt was cut and she made an effort not to move. 
"Okay, one…" Eddie had his arms around her waist, putting uncomfortable pressure on a sore spot, "two…" he moved causing the car to wobble precariously, "three!" Eddie heaved her body through the gap, ignoring the cry of pain. Y/n could barely make out what was happening before she was face to face with Buck who was reaching out for her. 
She moved her arms out too until she cast her eyes downward and noticed there was nothing but a sheer drop and water below them. If her head wound wasn't already making her queasy, that view certainly had done it. 
Eddie was gently guiding her to Buck as the car became less stable as a result of their abrupt movements, "y/n, you have to go. Buck had you, okay? He won't let you go. We won't let you go," he murmured in her ear whilst making eye contact with Buck. They seemed to be having another of their silent conversations. 
Buck nodded at her, getting a proper grip on her as the car shrieked, "I've got you sweetheart, we've got you. Just close your eyes."
She did as suggested and closed her eyes, and let herself be handed over, limbs automatically grasping at whatever they could, which happened to be Buck as she wrapped around him like a koala to a tree. 
She could still hear the metallic creaking growing louder and louder, and then a crack and she felt more than heard Buck gasp. 
"Eddie! Eddie, you okay?" Buck called somewhere stirring panic in y/n. 
"I'm good! Let's get her up here." Eddie was safe. 
Next thing she knew, she was being gently laid on the ground, although her limbs were reluctant to unfreeze from their terrified position. 
She could feel movement around her. 
"Hey," that was Buck. "Hey, sweetheart, you can open your eyes now. You're safe, y/n. 
Slowly, she peeled her eyes open and unbleached her arms and legs, relaxing onto the pavement below her. 
Buck was smiling down at her. 
"Eddie?" She asked. 
"Right here." She couldn't turn her head, but she could hear that he was to her side and feel something wrapped tightly around her arm. 
Buck didn't fully disappear from her view but he did move to lightly pressing on her sides, assessing her ribs and noting when she hissed in pain. 
Eddie appeared directly in front of her, "just going to shine this light in your eyes, just look straight ahead…Hey," he began softly, seeing the distress in her face, "You're doing really well. We'll get you out of here soon and to the hospital."
At Eddie's soft voice reminding her of an impending hospital stay where she was bound to be alone and uncomfortable, she couldn't help the burning tears that rolled fiercely down her face and tickled her ears. 
Eddie started to catch some of the tears with the back of his fingers, making concerned eye contact with Buck who leaned into y/n's line of vision. 
"Hey, hey, sweetheart. None of that, you're safe. We'll get you checked out at the hospital and you'll be back to normal in no time."
"I- I don't want-" she struggled to get her words out.
"Take a breath. That's it. What don't you want?"
"I don't want…to be a-alone. I'll be…all alone in the h-hospital. Like al-always." She stuttered. 
"You're not going to be alone. We won't let you be alone, okay mi amor?"
"Yeah, we'll stay with you, I know how much hospitals can suck without someone to distract you."
Y/n appreciated the sentiment but if anything, having Buck and Eddie sit vigil at her bedside only made it more apparent to her that she was alone whilst they had each other. 
"I don't want you wasting your time babysitting me. You have a life together. You have Chris. Plus, no offense, but you two being sickeningly cute and in love won't make me feel any less shit about being alone."
At that moment, Buck and Eddie shared a look over her form. Confusion at her assumption, turning to shock that she could see their inner feelings for the other, then settling into something that looked like contentment and understanding.
It was clear to both men that they shared the same affection for y/n and would do anything to stop her hurting. It was also apparent that both Buck and Eddie were willing - no not just willing, but that they yearned to share this role with y/n. 
Eddie was the first to make his move. He reached over across y/n, extending his fingers to his partner. Buck, surprised, but eyes full of contentment, wrapped his own fingers around Eddie's.
"Let's get you to the hospital and home. I think we have lots to talk about." 
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rusmii · 4 months
Text
꒰ Here With Me ꒱ - d.osamu
🐈‍⬛💬 : 15!d. osamu x fem!reader
💬 : whew I'm pumping out these dazai posts a lot. anyways expect a chuuya post soon! NOT PROOFREAD, just posted it.
🐈‍⬛ : not following the main story but has some elements of the original, dazai is a lonely mean dick, reader has this super ultra crush on dazai, one-sided crush, timeline jumps A LOT, up to reader to interpret who says the last line, open ending
💬 : getting rejected by your crush every day was a norm for you. so you turn into a cat to be his friend!
🐈‍⬛💬 taglist (free to join!) : @luvan1 @dollchuya @asqmi @squigglewigglewoo @liviash
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"No."
People around you giggle amongst themselves as they pass by. A smile was still plastered on your face as you nodded your head and waved him goodbye. "See you tomorrow then, Dazai-kun!" That was a lie; truth be told you'll see him tonight.
From the corner of your eye, you saw how Dazai interacted with other people — happily chatting to people within his social circle, so unlike him — sure, he was introverted, but you knew that he could be just as social as he hated people.
As he hated you.
Walking home was always a boring adventure. Nothing exciting seemed to catch your attention, like how it does to a normal teenager.
When the sun had set, and people had their windows closed, you finally decided that it's time. Throwing a leg over the short concrete wall, you climb up the fence and onto the rooftop; a random persons rooftop but they didn't have to know.
Digging through your school bag, you pulled out a unique kitsune mask that a jumbo cat had given you one evening. You remember that day like it was the seven stars.
Rubbing your stomach, he whispers, "I wish life was just as beautiful as you are." What should have sent you into cardiac arrest made you purr instead.
You cling onto his vices — his already solitude atmosphere making you calm. "You know.." He says as he lifts you up to examine your face. "..You kind of remind me of someone I know," he continues his little inspection as he plays with your little paws as gently as he could.
You tilt your head, 'What does that mean?' And for some reason, Dazai feels like he could understand you. "I honestly don't know." Oh, who was he kidding? Understanding a cat? Yeah understanding their social cues, not their thoughts.
Dazai bit his inner cheek, your coat keeping him in a trance as he rubs your back. He looks at your eyes; so glistening bright, opposite of his. Full of life like a little midget he knows and.. well, someone who just won't get off his ass.
"[Name]..." He whispers before he could shut himself up. When he sees your spine perk up, he panics a little. "What's wrong?" He asks you, the chills still never leaving your body. Was he seriously thinking about you? What happened to him constantly saying he hated you?
And wanted nothing to do with you? "[Name]," Dazai repeats again but this time you don't give him much of a reaction, trying to act calmer; pawing at his shirt as soon as he says the name. "Meoow!" A long drawn sound escaped from your little mouth, and when another repeat of your name came up, you rub your head against him.
"[Name] huh?" Dazai ponders, "You seem to like that name a lot kitty," he pets your head. "Do you like [name]?"
Dazai smiles when your meow sounded positive. "Yeah.. I like that name too," He admits — which catches your interest real fast. Noticing your new profound interest, Dazai fake coughs. "Sharing secrets aren't my thing but...." He looks around his room, despite it just being you two, he eyes his window before bring his head down to you.
"I guess I can share this one with you," he smiles at you, placing you on your back as he gets up to close his window.
Each piece of foreign information made you happy to say the least.
Sure, it may seem a little creepy to have gain any new knowledge on someone's personal life this way, but that's what made you love him even more.
All the little oopsie daisies and the big successful achievements he makes are all worth sacrificing your human self for just a bit.
Putting the mask on your face, you jump from your two human legs and land on your four paws.
"Do you wish to meet your boy?" A voice from behind you asks. You yelp and jump up from the bench, a big cat eerily smiling your way. It was standing next to the vending machine and had a whole selection of kitsune masks right next to it.
You hopped from roof to roof, in the direction of his house. The outline of his neighborhood finally coming into view.
'What the hell did you do to me?!' You wanted to scream as soon as you saw the world get bigger and your hands more warmer, but what came out was gurgled angry screeches. As if it was mocking your current predicament, it points into a random direction.
"Go see your boy, and thank me later when you're satisfied."
Once you reached the premise of Dazai's house, you scoured around to where his bedroom was and started scratching at the window.
It didn't take long for your beloved to open his window with a platter of food already ready for you. "You must be hungry, huh?" He laughs when you jump inside and run straight towards the leftovers from his dinner.
"[Name], if you eat too fast, you'll choke and die!" The name. Your name sounds so endearing when he says it like that. "Actually, imagine a cat and a human dying together," he continues — rubbing your back.
"Would you be buried next to me?" He questions as you finish your meal, licking the plate clean. Once you turned to him, he picked you up and placed you on his lap as he sat on his bed.
He looks down at you with an expression you couldn't read. "Would you want to be buried with me?" He asks again, albeit a bit sadder this time.
"I do."
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mcflymemes · 7 months
Text
MISCELLANEOUS PROMPTS *  assorted dialogue from various sources, adjust as necessary
nice to see you back from canada!
i find you really distracting.
i'm ready for the party!
i'm just a man... doing things.
come on in. we've got so much to get through.
would you believe i'm single?
i think i'll be pretty good at this.
it's funny when things are too long.
it wasn't a good day.
i was told i need to talk faster.
is that what we're doing here today?
that sounds dangerous.
i'm pulling that out of context.
what do you sing to them?
in the event of an accident, please load your revolver.
if the door doesn't open, shoot it open.
what else can you make disappear?
i hate to say it, but i'm impressed.
how about putting your phone number on there?
it's a total mystery, everybody!
you don't have to explain how it works.
this is probably more complicated than it needs to be.
oh fuck. you're fucking kidding me. really?
i guess i've kinda taken the reins.
that was the exact opposite of a nice, clean segue.
was that clean enough?
we ruined it by flailing.
motherfucker bit my finger!
that was awkward.
it's not always about you.
you didn't spin the wheel, bitch.
i'm having a brain aneurysm right now, okay?
you were just there in the room.
this is all a lie. this is a sham.
there's nothing sexier to a woman than being approached by a magician.
this is how everyone dressed back in the day.
everyone on the planet knows.
the only ones who got fucked was us.
hurry up! i've got a nap to take!
this man has my posture. he needs all the help he can get.
now we get it.
no bullets in here? check.
i have got to see dancing with the stars!
there is no success without hate.
where the fuck do we start?
they're gonna replace us.
is that for me? thank you!
you forced my hand.
do you have this in an email or written form?
that's a fantastic question.
why me? why would you want me to know this?
he's imagining taking over the world.
don't go under there.
look. you gotta talk faster. more energy.
this... is a disaster.
i don't want to know what he's thinking about.
i've got an idea.
guess that was always going to happen.
why aren't you doing it with us?
i don't know how you've been friends with them for so long.
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goodluckclove · 19 days
Text
I've been meaning to say something. (100 follower hot take)
Hey! Thanks for stopping by. I hope you've had a nice day. Why don't you rest with me for a while? I made some chocolate chip cookies - with shortening instead of butter, so they're very soft and very chocolatey. I made way too many and they aren't my wife's favorite, so I could use some help in eating them.
You're probably a writer, right? Or maybe you think about how you could be. Browse the tags here, or on other social media platforms. Maybe you used to write stories as a kid. I bet those were fun. Teachers might've thought they were impressive, or they dissected them line by line until the words didn't make sense in your head anymore. Either way, if you're here you're probably here for a reason.
(rant alert)
I dipped a toe in online writing communities on and off. My last attempt was forty-five minutes scrolling through the writing hashtag on Youtube Shorts (so TikTok, I guess? I don't know). I didn't like it. I really didn't. The thing that sticks out the strongest in my mind is one particular video where a woman claims that every story needs a second act plot twist.
Huh? Every story? All of them? Why? Since when? Who are you? What qualifications do you have to make a statement like that?
That's the common thread that makes a lot of writing spaces very uncomfortable for me. Successful writers are really only successful in their genre and for the given moment, so they don't have that much objective authority in the craft. And yet I see a lot of people deciding the things that you can't do in writing. Or the things you have to do, and how you have to do them. It was so much of Writeblr at first glance that I almost dipped out once again. I didn't, though, and I'm glad I didn't because now I get to watch some of the next great storytellers from across the world grow and examine and forge their way forward.
No one can teach you how to write. No, that's not true. Teachers teach literacy. Handwriting. Typing maybe - do schools still teach typing? Let me try saying it in a different way - no one, not one single person on this goddamned planet, has the right to tell you how to make a story.
I was supposed to get my MFA in creative writing before my first breakdown. My uncle stayed in the program I was meant to be in, and a few years after I dropped out he graduated. Recently I had the thought to look up his thesis novella, and as I searched I found myself regretting my decision to leave school. If I stayed and got to develop my writing in an actual class, with other writers and a knowledgeable professor, how much further along would I be than where I am right now?
It was bad. His novella was terrible. It was so bad I had a small existential crisis for, like, three days. He spent so much money on years and years of professional education and came out with a truly soulless story that read as if you prompted an AI to write the next Great American Novel. So if you think you need a writing degree to be a legitimate author, it could help connections-wise, but it ultimately won't be the thing that does the work for you.
Not all advice I see online on writing is bad. I find the people who are able to capture the "I" statements of therapy and phrase advice as things that have worked for them, or things that they personally enjoy, to be fine. Some writing advice can spark inspiration.
But if someone is the type of person to boil every story down to troupes and cliches, and then immediately say that every story that uses the trait they don't like is automatically bad for everyone? I'm dropping the kindness for a second - that's trash. That's a trash take and I see far too many writers use it as a reason to stop before they begin.
I don't like whump. I say my reasons in previous posts if you go back through my blog. But you will never hear me say that any story with whump in it is bad, because I don't know that. You might prove me wrong. I am an adult human being and I have the humility to admit that I can like something I didn't expect to. I genuinely enjoy the direction of The Human Centipede (only the first one) and if you cringed just now that probably means you haven't seen it.
There are so many types of books and movies and plays and comics out there. To enjoy a specific genre is fine, to ignore the existence of everything else is a really, really, really odd thing to do. Maybe someone will hate your story because they think everything should be Neil Gaiman, and therefore have no way to understand your epistolary high-Western. You are not the wrong end of that situation just for existing.
And at there is a definite threshold on how many writing tips you can gather before they stop being useful. If you find them interesting, that's one thing. That's fine. But if the culture of creativity online has made you feel like you need to educate yourself on every possible angle before you can write a story, you are actively harming yourself.
Imagine taking the level of structure you put on yourself in that way and putting it on children playing pretend in the backyard. Oh, Susie, don't you know that it's overdone for your Kitsune have dead parents? Xyler, shouldn't you ask someone else before you decide how Spiderman would react to this? It would make no sense and they do not need it. Kids will make a whole world out of nothing and it's the most fucked thing in my heart that at some point they get access to Reddit and dipshits start insisting that's wrong.
They aren't wrong and you aren't either. Your favorite creative influencer can't tell you your story, strangers on the internet can't tell you your story, your teachers and loved ones can't tell you your story. They can influence it, but they can't write it honestly the way you can.
You do that. That's the thing you do.
Man that makes me upset. I can't tell you how to make a story, either. If anyone sends me asks for writing advice the most I'll do is say what I've done before hopping into your DMs and starting a direct conversation. it's so personal to each individual artist, and I'd like to think that the people selling these classes and software and promoting these platforms haven't thought about that before. Otherwise it does feel manipulative. If you have a willingness to practice and imagine and really experiment with the possibilities, you are ready to write your story.
And if it doesn't work? Try again. That's what you do.
Stephen King has written roughly a thousand books and maybe five of them have decent endings. He is unimaginably successful.
I'm rambling now. I think I got that out of my system. I was really worried to say this out of fear of being too weird or somehow reverse-gatekeeping so hard that it circles back into also being a bad thing. I've just spoken to a lot of people who I still think of throughout my day, and I truly ache for them to get past the fear of creation. Because it's worth it. It's worth it and it's fun, even when it's messy and you're tired.
Let it Be just came on. Beatles. I haven't listened to The Beatles in a long time. Feels a little apropos.
I love you, reader. Reader, Writer, Colleague. Take care of yourself. Especially the little you, still sitting there in the backyard of your soul, bathing in the sun with their bare feet in the damp earth.
Consider joining them, maybe.
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evilkaeya · 1 year
Note
Sai!! what are YOUR ada chuuya hcs?
Ohh this is going to be a long post so hold tight. Here are some of my hcs on ada chuuya based on asgr's idea (chuuya deflects with dazai)
> When they first join, they refuse to be partnered with anyone else in the agency. Despite claiming to hate each other it's clear that they share an unbreakable trust. They're not really inseparable, but they're always in each other's orbit. Both have a wall built around themselves but are also confined within a wall together, haunted by a past they share.
> Every mission they're sent to ends in success but with a cost of some destruction and agency money. Fukuzawa let's them be.
> Ranpo is the one Chuuya is most wary of at first. He's a genius on an equal footing of Dazai, if not a step ahead of him. Ranpo seemed to know too much and Chuuya hates it. Until the detective tells him, "People are built of both truths and lies, you know. I can tell both, but it's up to you how you're going to build yourself, and there isn't much to see for me beyond that." Chuuya held onto those words, feeling like he was truly given a chance to find himself, for himself and not for any greater purpose for the first time.
> His first Dazai less mission is with Ranpo, and he's amazed by the detective's ability. Even more amazed by how unprofessional he is, almost to a disrespectful extent. It's a bit like Dazai, but Ranpo doesn’t wear a mask like the other guy.
> So they both learn to trust, bit by bit, and settle right in. Fast forward to a few months later, Chuuya works with Ranpo and Dazai with Kunikida.
> When Atsushi joins, Chuuya is immediately reminded of Akutagawa and how Dazai had treated him. Part of him fears the history to repeat itself, but it doesn't. Dazai takes the kid under his wing and guides him in his own Dazai way, but it's unlike how it was in port mafia. Dazai has changed, and so has he. Maybe they aren't too gone to be saved.
The ghost of the past is still there, but it's not haunting them anymore. It's simply watching from the sideline, fading, as if saying goodbye.
> Chuuya keeps a framed picture of the flags on his desk.
> The girls are very curious about Chuuya's hair care routine, especially Naomi. He's also good at hairstyling and styles Kyouka and Naomi's hair sometimes. Needless to say, he's invited to girls' sleepovers.
> Chuuya is like a big brother to Kenji. They compete on strength, like who can hold the most stuff with one hand and all that. Dazai nullifies his ability mid competition one time, and Chuuya throws him out of the window.
> Kunikida and Chuuya don't get along at first, but they sort of become best friends eventually. One time Kunikida comes back after a mission with Dazai and starts shaking Chuuya.
"How. How did you do it for so long? How did you not go insane?" Chuuya laughs.
> Chuuya is very caring. No matter how much effort he puts into being subtle about it, it's obvious to everyone. He leaves energy drinks on people's desks, carries heat packs with him in winter in case someone needs one, and makes sure everyone has breakfast. The ADA is his family now, he's going to treasure them with everything he has.
> Chuuya stops by Dazai's desk one day and simply says, "Osamu," (cue Dazai snapping out of his doze and nearly hitting his chin on the desk) "thanks, for not leaving me behind." And he fucking leaves, bolts away almost, face hidden by hair but Dazai can tell he's trying to hide tears. But that aside, he still hasn't gotten over Chuuya calling him by first name.
("Ne Dazai, can you stop smiling by yourself like that? It's creeping me out." "Ranpo san, I think I'm in love with Chuuya." "Congrats, you're the last person in the agency to figure it out.")
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kzlove · 1 year
Text
oh no you didn't!
syn -> carla jaeger thinks she raised her son right, but this is a sight she never thought she'd see.
modern!eren jaeger x fem!reader
beware of.. foul language, eren is a father, arguing, ymir and eren are siblings (hc)
~
if you were to ask carla jaeger her opinion on how she raised her children, she'd proudly say she did a great job.
eren always tried to be a respectful boy towards people, and could be such a sweetheart.
sure, his mouth got him in trouble more times than not, and maybe he fought more than he needed to.
but she made sure he was raised correctly for sure.
ymir had no filter on her mouth, but was still likeable by people.
she was carefree and honest with people, which would also get her in as much trouble as eren got into.
but carla was the same way, so there wasn't much she could do about it.
ymir understood, and tried her best to be well behaved. even with her potty mouth and snarky remarks.
carla's marriage with their father didn't work out in the end, so it was always just her and her two children.
it was hard for her to push on at some point, losing it and failing her kids for a part of her life.
but that didn't slow them down on being successful.
ymir went into the music industry, having her own group that she allowed her brother to pitch in every now and then.
she got a wife, who had a daughter. luckily, the daughter loved ymir like she loved her mother.
eren was able to get him a wife, have a well paying job, and advancing in his studies and the world on its own.
just a few months back (six to be exact) you were able to bring life into the world for eren.
a daughter.
ymir couldn't visit as much, so she left that to eren to fill their mother's loneliness.
and because his mother held a huge place in his heart, he always made sure to take a week or two to visit and stay in his mother's home with his little family.
they never get to see each other alot, so eren always goes all out when it comes it his mother.
so when she walked into the house from buying groceries, she never expected to hear this.
"i work hard. for this goddamn family. and this is how you fuckin repay me?" eren's voice boomed from upstairs.
carla paused and raised her eyebrow in confusion, placing the groceries on the cleared off counter.
did something happen while she was gone or was eren just being dramatic yet again?
sometimes carla swears she raised two daughters instead of one.
eren must've not heard his mother when she walked in, because he just continued going.
"but-" "there aren't any buts! you think i'll be all 'akekeke' after you fucked my boss? in my clothes?" eren cut you off, sounding angrier and louder than before.
carla held her gasp in her throat, placing a delicate hand over her mouth.
had you cheated on him?
in his mother's home? the home he grew up in?
carla had half the nerve to dash into the room and begin cursing and yelling as well.
but suddenly remembered one thing when she made it past the picture frames on the wall.
eren was a grown man now. his mother couldn't always handle all his problems for him.
so she paused where she was and listened.
"you have the nerve to have him hold my child, and have sex with him in the same room?!" eren grew even louder, making you sob even more.
carla shook her head in disbelief. she would definitely have to call mrs. springer when they were done.
the older woman listened even more, hearing her son mutter 'you know what' before a bit of shuffling could be heard in the room.
carla assumed eren was tossing you out of the house, until a scream rang throughout the house.
suddenly, carla grabbed a wooden spoon from the kitchen and dashed upstairs, running to the room you were staying in.
the possibilty of eren putting his hands on a woman was extremely low.
then again. the percentage was not zero.
when carla opened the door, the sight she'd seen was definitely not what she was expecting.
you and eren were kneeling beside each other at the foot of the bed, backs towards the door.
at the sudden outburst, you two whipped around and looked at carla.
she paused, still clutching the wooden spoon in her hand.
"what's going on." carla demanded, out of breathe and looking between the two of you.
she definitely missed the little bundle of joy between you giving her a sleepy, gummy smile.
"it's not what it looks like." eren said, holding his hands in the air.
in his hand was a ken doll, dressed in a suit with white paper wrapped around his neck.
in your left hand, was another ken doll with a (horribly) drawn mustache and the same suit. the only difference?
the paper around his neck was yellow.
your left hand held a barbie doll that wore a red bathing suit, a very small towel wrapped around her body.
carla blinked in confusion at the sight before her, before looking at her son for an explanation while lowering the spoon.
"we can't get her to sleep." eren complained, looking towards his little girl.
carla looked at you, who was smiling just a bit with the dolls still in your hand.
she then averted her eyes to eva-lee, your shared daughter.
little lee cooed at her grandmother, before rubbing her eyes with her little fists.
"so.. you had a argument. with dolls." carla said, rubbing her forehead in growing annoyance.
you and eren looked at each other, the dolls in your hands, and then back at eren's mother.
"uhm.. yeah." eren said, placing the dolls down and standing up to his full height.
you followed after, placing the dolls down and smiling just a bit.
carla was entirely speechless.
she didn't know what to say, or why eren thought this was an amazing idea to put his daughter to sleep.
the room stayed silent for a bit, save for little lee's tiny coos.
"eren." carla sighed rubbing her temples in soft slow circles to ease the headache coming along.
"we were just mimicking your dramas!" eren defended, gesturing to his mother.
none of carla's dramas were like whatever eren was up here doing.
"oh just give me the dang baby. and stop cursing around her." carla scoffed, stepping over to pick the young girl up.
but before she could approach, you stood in front of your daughter and held a finger to your lips.
carla raised her eyebrow, peeking around to look at her grandbaby.
eva lee was knocked out, sucking on her thumb while snoring softly.
carla couldn't believe eren's ridiculous tactic had actually worked.
her son wore an extremely proud smirk, looking towards his mother with an 'i told you so' look on his face.
"you know what? make dinner yourself eren. put the groceries away while you're at it." carla scoffed, shooing her son away.
eren let out a dramatic gasp. "that's not even fair!" he yelled, protesting like a teenager.
loud wails rang throughout the room, making everyone look at eva lee.
she was wide awake once more, and fussier than ever.
"get your ass downstairs and cook, eren. i'll help my daugther in law." carla smiled evily, lifting up the baby in her arms while cooing.
you stuck your tongue out at him and watched as he pouted, childishly stomping his way downstairs.
of course not before adding in his two cents.
"this is such bullshit!" he had yelled towards the two most important women in his life.
yeah, carla was definitely telling mrs. springer about this.
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baeddel · 8 months
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when i was a child i liked combat sports; i took martial arts classes (i forget which form) and i competed in fencing. i had to stop when i went to highschool because we didn't have time for it anymore. after leaving highschool i met a girl who did boxing and i planned to go and sign up at her gym to learn it with her, but i became too ill and it never happened. still, it had reignited my interest in combat sports and i would talk about it with people. i told one guy that i liked the look of Muay Thai; he expressed a common view, which was that martial arts like this sucked, because they were impractical in a real fight. he liked Krav Maga because it was real.
[long-ish post about fighting]
and i always objected to that kind of thinking! look here: it's true that much of the game which is played on the mat is produced by the restrictions placed on combatants. even in a very permissive sport like MMA, the great importance of ground fighting to that sport is produced by the restriction on fish-hooks and head kicks. thus, you can say that even these fights 'aren't real' in some sense. but how often are you ever going to be in a fight where you're willing to rip the other guy's cheek out, gouge out his eyes and so forth? Krav Maga was first developed for Jews to defend themselves from anti-semitic mobs in the 1930s. i know that some of you have certainly been in fights like that; but not all fights are that existentially serious. even in fights where there is such a high level of emnity there are often factors which restrain the fight from becoming an existential one. if you live somewhere that fascists are embedded and you blind one of theirs in a fight you might expect retribution; likewise you would be guilty of a felony and might get in real trouble. apprehensions like this might stay your hand—and already you are engaging in a kind of combat which is to some extent governed by extra-martial rules that produce a to some extent artificial situation.
of course, some martial arts will be more useful to know in the kind of combat games you are likely to play even so, and Muay Thai has not suddenly become more useful than Krav Maga on the basis of what i said. but i think that it is common to 1. underestimate the usefulness of even highly artifical combat sports, like fencing, and 2. overstate the utility of various 'self-defence' techniques, especially blinding, because the artificial, rules-governed nature of real fights is forgotten.
on point one, i would always credit my fencing experience with my success at fighting in highschool. i would sometimes even adopt the pose—one hand back, foot pointed forward—and people would (jokingly) say, 'it's [her] style! [she's] the fencer!' this part was not really useful; these fights were between friends and featured no emnity; we wanted to entertain the crowd, so there was a certain amount of kayfabe. but we were teenagers and behaved badly; once blows began we really hurt each other, and i even sent a few kids to the hospital (one with a concussion and the other with a wounded leg). plus, secret feelings of jealousy and resentment could be awakened during the course of the fight, so more emnity was felt as the fight grew more serious. what i thought really helped me from all the fencing matches was simply the sparring experience. when another living person attacks you without relenting, watches your movements for openings, and tries to stop whatever you do to them, it's difficult not to be overwhelmed and confused. being able to keep a level head, comprehend the situation and make decisions in the moment gave me an advantage over less experienced friends.
on the second point, i had older male friends who gave me a lot of advice that i can now recognize was plainly bad advice. for example, a girl i had a crush on had an older brother who always gave me and her other friends a hard time. i hated him so much i wanted to do something about him. so my friend told me that when fighting a larger and stronger opponent, i should do this... and this... a lot of techniques that had i really gone and done it would have left him permanently blind and disfigured. how do you think my crush would have felt if i went and did all that to her brother? these 'real' street fighting techniques were not useful in a real fight—a fight with stakes proportional to my real situation. when i did end up in situations with existential stakes (you know the stories) these techniques did nothing for me, since i would be alone against multiple attackers, or the other guy had frightening connections, or there was an asymmetry of power (who teaches 'defense against a guy in a car'?). in all cases the only wothwhile advice i ever got was this: you cannot run away in high heels.
similarly, when we had our low-stakes fights at school, the crowd would call out for me to punch the other guy in the face, or to kick him when he was down. afterwards they were disappointed that i didn't 'really go for him.' all this kind of talk really got to me; i would be standing there, facing my opponent and saying to myself, 'do it! do it!' in the end i never punched anyone in the face or tried any kind of dirty fighting at all. for this i hated myself so much. i was furious with myself; i would sit down and be angry at myself for a long time. i considered myself a coward and a weakling because i wouldn't go 'all in.' i didn't 'have the guts.' actually, what i felt was compassion for another person, and it was not a contemptable restraint at all. what was i trying to do—what was i trying to become? i think this is a way you can be misled by the discourse around 'real fighting.'
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the-badger-mole · 7 months
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In the debate between pro-aang-kill-ozai and anti-aang-kill-ozai. Which side are you on and why? If it's the anti then did you like how it was done or do you picture something else?
I think I've mentioned before, but I am not inherently against Aang not wanting to kill Ozai. Some of my favorite heroes have a no-kill policy. I don't even mind the lionturtle solution itself. What I didn't like was how it was handled. There was plenty of time to address Aang's reluctance to kill before the second to last episode. I can think of three points in particular where it would've been thematically appropriate and given Aang's bland, two-dimensional character some depth.
First, right after the siege at the Northern Tribe. Aang may not have technically been the one who killed all those Fire Nation soldiers, but it couldn't have happened without him. You would think that someone who is both committed to pacifism and also the one the entire world is relying on to end a war that people have been fighting and dying in for a century wouldn't just be able to shrug off what happened. Aang did, though. Didn't even cross his mind when he was whining about people expecting him to kill Ozai.
What should have happened was the next season should've opened with Aang grappling with what happened and his part in it. He should feel guilty about it, not because he was actually wrong, but because it should feel wrong to him. Then, Katara and Sokka should comfort him and tell him he did nothing wrong. Build it up that their word are comforting him a little, then drop the bomb when they start talking about how cool it was. How amazing it was to see all those soldiers running in fear for once. How relieved they are that so many of them died. Then have Aang snap on them about the sanctity of life. He needs to be angry and hurt, and this should be the point where he decries the powers of the Avatar. He'd call himself a monster, and maybe he would call Katara and Sokka monsters, too. Then they (probably mostly Sokka) would argue with him that they aren't monsters, they're just trying to survive, and the Fire Nation is a threat to be taken out. This would be the first time it's brought up that Katara, Sokka...the entire world expect Aang to kill Ozai. I think it would be perfect as a season 2 opener. Season 1 was light and goofy, and Zuko was their biggest immediate threat. The siege raised the stakes, and season 2 should continue on that rising. Aang should also have started looking for another solution here. In the library, Aang should've asked Wan Shi Tong if it was possible to end the war without more violence. We should've seen Aang coming to terms with the fact that the world is suffering and he is the one they are looking to to save them. One thing I think the Harry Potter movies in particular did well was that shift from goofy and whimsical to darker and more frightening (as far as kids movies go) as the story went on and the stakes got higher, and the danger felt more real to the characters. Aang never gets that realization. He has moments when the danger feels real, but he's goofy and whimsical for pretty much the entire series until the plot of an episode needs him not to be.
The second place they should have brought up his reluctance to kill was DoBS. This really should've been a no brainer. Aang was loosing sleep over facing Ozai. He had his anxiety about losing- though not really what losing would mean for his friends and the world- but he didn't even consider what winning would take. If DoBS had been successful, there's no way Ozai would've been able to be taken alive. Logistically, killing him would've been the easiest, safest option. You mean to tell me no one brought it up? No one asked Aang how he was planning to take Ozai out? No, instead we get Aang proving he knows what enthusiastic consent looks like and taking away his excuse for what happened later, but nothing about Aang weighing his personal beliefs against the needs of the world. That training montage and confrontation that he has with his friends in the second to last episode should've happened here. This should've been when his tendency to run away should've been challenged, too, because half a season before he was crying about how he abandoned the world again. Now his instinct would be to run, but his friends would challenge him, calling back to that moment. They could demand that he present an alternative to killing Ozai. I don't think any of them would object to him living to stand trial, but Ozai is a rabid dog, essentially. He needs to be put down. Aang's got nothing, but not for lack of trying. When he tells his friends about all his efforts to find a non-lethal way to defeat Ozai, they are unmoved. They are at the doors of the Fire Nation, and now is not the time to be indecisive. He has to go face Ozai. And he's probably relieved when the plan fails. This whole situation would have the added bonus of skipping that first Kataang kiss because no way would Aang want to kiss Katara after her insisting he terminate Ozai with extreme prejudice.
The third place Aang's no-kill policy should've come up is TSR when Zuko asks him what he's planning to do when he faces Ozai if he's so against killing. This should scare Aang, and it should be his focus for the rest of the season. He should be more withdrawn from his friends, because with all the training he's doing (and he would still be training on all the elements because he's not that good at any of them), talks about the most efficient way to kill would be unavoidable. Katara might actually try to teach him bloodbending. Toph would just tell him that a big rock is just as effective as some fancy bending move. Zuko would be warning him about his father's ruthlessness and cunning. This would be where Aang looses his patience with his friends and insists that he's a pacifist and Ozai doesn't deserve to die. This would piss Katara in particular off because by this point, Aang knows what happened to her mother. He would get an earful about how Ozai's plan is to do to the Earth Kingdom what his grandfather did to the Air Nomads and how he's going to let millions of people die because of his refusal to kill one. Now, Aang can take off, only instead of just running away from his friends because he doesn't want to hear them anymore, he could be making one desperate last ditch attempt to find a solution that both ends the war and keeps him from having to kill Ozai. EIP could still happen in this circumstance, but instead of getting mad that he's being played by a girl, he would focus more on how eager for his death the Fire Nation is. That would come up in the argument about killing Ozai.
Now, for the lionturtle. I'm about to blow some minds. I have been vocal about my hatred of the Lionturtle/Rock of Destiny desu-ex-double team, and I do still hate it with a passion. However, as a concept, I don't mind the lionturtle. This is a fantasy adventure. You expect a bit of magical intervention. What I wanted was Aang grappling with this problem for more than half an episode. I wanted him working on a solution the entire time, starting from right after the siege. I wanted to see him take initiative. To actually think about the problem. Maybe have him specifically looking for the lionturtle. Then when it shows it, it could be because it knew Aang was looking and decided he was worthy of a meeting. Aang could still have his meeting with his past lives, and that could still go the way it did. Then the lionturtle could speak up. Instead of poo-pooing the idea of killing Ozai, it could agree that it was the most effective way to make sure that the war would end. Then, when Aang is despairing that he'd wasted all that time trying to find a different solution, the lionturtle could offer the spirit bending. But it would have to come at a cost, and it might not work the way that Aang hoped. Now Aang has to make a choice. Sacrifice something for this spiritbending ability (I'm thinking he loses his airbending, because it seems poetic) that might not have the outcome he's hoping for, or give up his pacifism- one of his few connections to his heritage- and kill Ozai. He chooses the spiritbending. Instead of the conveniently placed rock, Aang would actually have to give up his attachment Katara. I think he would be half-way there, having finally realized how little he understood her. He "loved" her because she was pretty and took care of him, but he's come to realize there's a lot more facets to her that he hasn't gotten to see because they don't fit his narrow view of her. He also understands what Guru Pathik was trying to tell him about one person not being able to replace everything Aang has lost, and he realizes how unfair to her he had been. He still loves her, but as a friend and caretaker. This will actually lead to a deeper friendship between them. Aang defeats Ozai without killing him, but now he has to deal with the loss of his airbending, which only now does he realize was a much of a connection between him and his people as his beliefs. He still has spiritbending. He can still airbend in the Avatar State, but he's effectively cut off a limb to keep his integrity. He will go the rest of his life wondering if it was worth it, especially after Ozai goes to trial and is sentenced to execution anyway. The effects of that on his children could be explored in LoK.
TL;DR I don't have a problem with Aang not wanting to kill Ozai. I just wanted to see him deal with it before the last minute. I think the show would've been better for it, and Aang would've been a more interesting character.
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