#of this scene is VERY different from the final version I do think this one bit of description from it is... insightful: 'Josh seems sincere

[lurkingshan]

Unknown Episode 11

Well, let me get this out of the way upfront. This episode brought us to the big moment we've all been waiting for, the final turn in Yuan and Qian's relationship--and unfortunately, it didn't quite land.

I've been sitting with this episode, contemplating my disappointment with the first sequence, and I think it comes down to this show that has been so assured and confident through most of its run faltering at the crucial moment and seeming to lose faith in its own storytelling to the point that it used editing tricks to compensate. The choice to chop up and sequence this narrative lynchpin of a scene out of order is baffling, and it's a choice that significantly stepped on the most important emotional climax of the story. I was confused to go from the conversation outside to a sudden kiss, then disappointed when we cut back to a very short exchange between Qian and Yuan that was supposed to provide the basis for this turn with only some thin dialogue that didn't connect the beats of the scene, and then into an intense sexual encounter (that was constantly interrupted by repetitive flashbacks) that should have felt like a triumphant and revelatory moment but didn't because of the way we got there.

I know I'm not the only one feeling that way, since folks have been creating and distributing reedited versions of the scene, and Youku actually uploaded a new version free on YouTube with all the flashbacks removed (a clear move toward fan appeasement after the show received a lot of negative feedback on the scene). The editing and the flashbacks were annoying, but honestly the fundamental problem was the scene they wrote did not sufficiently sell the change for Qian--he goes from saying he is still not certain what he wants to being ready to be dicked down in a couple minutes' time, with nothing in the exchange providing any new information or impetus for the shift. The performers did great work but unfortunately the writing and directing and editing decisions around this sequence were just bad; it's frustrating for this to happen with arguably the most important scene of the romance.

A note about the novel: the way this final turn happened there was quite different and, candidly, better in just about every way, from the impetus for the change to the beats of the revelation to the progression of physical intimacy on a pace that felt much more attuned to the emotional complexities at play. I do not know why the show did...this when they had better source material content to work with, but here we are. I absolutely recommend that anyone who loves this show read it!

So, with that disappointment expressed, on to the rest of the episode, in which Yuan and Qian settled into their couple era. I was deeply amused by Qian taking to their sex life like a moth to a flame to the point of daydreaming in meetings, but I do wish the episode had focused more on the natural tension and role confusion that should have resulted from this huge shift in their relationship. They touched on that a bit in the scene where Yuan asked Qian if his hug was from his brother or his boyfriend, but they didn't delve into those complexities in the way I hoped they would. I enjoyed their date at the local restaurant (and loved their friendly neighborhood gangster helping to set the mood) and how much it felt like they were surrounded by their history as they moved through all of these familiar locations where they've had important moments. I didn't much care for the insertion of the health scare plot or the time spent on Le and the doc, though I'm always happy for more Sam Lin even if it comes in the form of a weird late stage and wholly unnecessary ship.

My favorite scene between Yuan and Qian in this episode was far and away the discussion on the stairs with Qian reflecting on his fears of becoming more like his mother and Yuan biting him to snap him out of his fatalistic attitude (this felt like such a classic Priest tribute, she always has biting in her romances). It was a helpful re-centering of what they do for each other and why Yuan is an important presence in Qian's life. I didn't think we needed the health scare for Qian, but I did love Qian choosing to go to this place where he found Yuan to contemplate his life and what matters, with Yuan in turn reflecting that even though he's seen a lot more of the world now, he still prefers to come home to this street. I found that exchange so moving and I think it was important for Qian to hear that.

And that scene led to my other favorite thing in this episode, which was everything to do with Lili and her bond with her brothers. I teared up to see her standing against the wall where Qian has measured their growth talking about the sneaky ways she would try to care for Qian when they were younger, with San Pang listening attentively and gazing at her adoringly. It was such a small moment, but a really lovely window into their relationship dynamic and the shared history they also have together. And when Yuan and Qian came in hand in hand and she just ran to them and offered up her love and acceptance, I felt so much warmth for this family and everything they've survived together.

#unknown the series #taiwanese bl #shan shouts into the void

[signalburst]

Shōgun writers on Blackthorne's journey, A Dream of a Dream's theme of letting go

Emily Yoshida (writer): "Blackthorne's fate is so interesting, and totally unexpected. People are going to see in it what they wanna see, because there's a lot of ways you can read it. It could be somehow worse than death, like a purgatory of some sort. And then there's a way in which you can read it as a life of devotion to something beyond him, which has been something that has been a struggle for him. How do you view Blackthorne's fate?"

Justin Marks (co-creator): "I think Blackthorne's journey in this episode to the place where it lands, in such a beautiful and powerful scene between Blackthorne and Toranaga - on that hill where he offers up his own life. That's the journey that I hope all of us are on, if we're trying to understand how we interact with cultures we don't know. We want to forge relationships with people that go on, but we don't necessarily speak the same cultural or spiritual - or literal - language.

Which is to say, Blackthorne has been a prisoner of his own ambition. Which one might call the disease of colonialism - or capitalism, too. This idea of a man who is so bound by his ambition and where he belongs in this world, and what is owed to him, that he is the worst prisoner of all. So is Yabushige. They're both like this. And Yabushige never comes to that awakening, and finds himself dying here.

But for Blackthorne, it revolves crucially on this idea of what we call the 'false dream'. We wanted to open this episode on what feels like the beginning of a flashback structure, where we jump forward into the future, and we meet Blackthorne as an old man, and we tell the story of an old man looking back. And looking back with regret on the life that he led.

Only to realise that that was not the dream of an old man looking back - it was the dream of a young man looking forward to one possible version of his life. A version of his life that he has to draw to an end by killing that path. What Blackthorne is trying to kill there isn't himself, it's the version of himself that he's always been.

When Toranaga knocks that knife out of his hand and looks down at him, he's looking at a man reborn now, to a completely different life.

What is powerful is the idea of a man finally, spiritually, letting go. And this is something that we talked about from the very beginning, Cosmo and I. This whole story for Blackthorne is really just a story of a man learning to let go."

Shōgun official podcast Episode 10: A Dream of a Dream

#shōgun #shogun #shogun fx #hiroyuki sanada #cosmo jarvis #john blackthorne #yoshii toranaga #adaptationsdaily #dailyflicks #perioddramaedit #cinematv #tvandfilm #shogun spoilers #shogun 2024 #writing #writer stuff

[ectonurites]

SUPER DARK TIMES (2017) DIR KEVIN PHILLIPS

#tragically had to skip the 'are you afraid of me' exchange i love at the start bc. this scene is Long #super dark times #josh templeton #zach taylor #sam edits #btw i'm firmly in the 'Josh didn't kill John' camp. bc to me THIS scene is the point that... makes the most sense as Josh's breaking point/ #'villain turn' if that's what you'd want to call it. because this is really when Josh... sort of 'officially' loses Zach. from early on in #the movie it becomes clear how much Zach is like... an anchor for him—the way Josh is just fucking *chanting* his name in distress during #the Daryl accident. The way Josh begs Zach to believe him that it was an accident. The way Josh turns to Zach for answers/clarity/direction #Like even if we want to take a cynical approach and think of it as Josh just latching onto Zach in the Daryl situation because he was There #rather than that being an established thing w/ them... in the aftermath of that same incident Josh is still looking to/depending on him! #Josh self isolates at first... but after they talk & Zach tells him they shouldn't act weird Josh goes back to school. (yes #he lashes out there because He's Dealing With The Crushing Guilt but *all* of 'em are acting off then—Charlie specifically calls attention #to the idea they all probably are) Josh goes to the party just like Zach said they should and is *visibly confused* when Zach seems mad to #see him there. He goes to Zach's house to talk and you can SEE how caught off guard he is by what Zach says. Even though the script version #of this scene is VERY different from the final version I do think this one bit of description from it is... insightful: 'Josh seems sincere #almost vulnerable. But Zach is too focused to see it.' LIKE in this scene Zach is already convinced Josh has lost it! He's trying to act #more neutral about it (claiming they could just 'draw a line') but we saw his phone call with Charlie. Because of his own guilt-fueled #paranoia—something shown pretty clearly through the assorted dream sequences and like tht scene of him walking in the hall hearing people #gossip about Daryl—it seems like everything lines up too well! that '*of course* it's Josh and what if it's *been* Josh all along and well #then the role *I* played in the situation really isn't *my* fault because it was all *Josh* and...' etc. even if that's more subconscious #But like... this scene is really when it hits Josh! from the moment he asks if Zach's afraid of him now like... there's a shift. although #Zach says he isn't... i mean he fucking stumbles on the word 'afraid' (like... he hangs on the 'f' sound a moment too long to sound natural #its very subtle but like Noticeable). But Josh sees right through him. Zach doesn't trust him anymore. Zach thinks he's the bad guy. the #monster. Josh feeling like he lost the last person he had in his corner feels like the most realistic thing to... push him over the #edge. like that's a compelling tragedy to me—the idea that these two poorly coping with the Daryl situation in these separated ways where #they *aren't* talking/communicating ends up CREATING the feedback loop that makes everything get worse and worse. #But for that to be the case... it wouldn't make sense for Josh to have just randomly killed John before this scene. I think it's a more #interesting story if certain things really ARE just coincidences but it's that Zach's paranoia won't let him see that 🤷

[evilwickedme]

Fuck it I'm bored so here's a ranking of different Peter Parkers by how Jewish they are

Dead last, obviously, is MCU!Peter Parker. This version of Peter is the farthest from comic canon to the point of being almost unrecognizable at times. Also, Tom Holland answered the question "is peter parker Jewish" in a Wired Autocomplete Interview a while back with a very baffled "no", cementing him forever as my sworn enemy. So he's actually the only peter parker who, at least by word of God, is canonically NOT Jewish. -1000000/10

Next up is Tobey Maguire's Peter Parker. I think this Peter is... fine, at least he's much closer to comic canon than MCU!Peter, but honestly that's not saying much considering how far the MCU strayed from comic canon or even the spirit of comic canon. But like overall, Sam Raimi's movies just aren't particularly interested in presenting Peter as Jewish, so, eh. 1/10

By far the most Jewish of live action Peters is TASM!Peter, also by far the most comic accurate of live action Peters. I'd be remiss not to mention the fact that Andrew Garfield is Jewish, and he understands the character so fucking well. He stated on record that he played Peter as Jewish and that he sees Spider-Man as an inherently Jewish character:

However, the Webb movies still do not textually define him as Jewish, and the best parts of Andrew's Peter's Jewish subtext are better when viewed in light of the comics. Overall, 6.5/10

Next up is the original, our beloved comic book Peter, pictured here saying Happy Hanukkah in a panel from Matt Fraction's Hawkeye. Comic Peter is one of the most heavily Jewish coded comics characters of all time, which is saying something considering how Jewish comic books are as a medium. Obviously he was created and often written and drawn by Jewish writers and artists, but beyond that his driving ethos and values are incredibly Jewish, and as a bonus he's constantly sprinkling Yiddish and Jewish phrases into his speech, alongside things like the above panel where he outright acknowledges Jewish culture in a scene where everyone else is saying merry Christmas. However, despite the extremely heavy coding, Marvel Comics are fucking cowards, and he has yet to be confirmed Jewish, so I must give him a measly 8/10.

Finally, the cream of the crop, the most Jewish of all Peter Parkers, Into the Spider-Verse's Peter B. Parker my beloved!!! Peter B. is voiced by Jake Johnson, himself a Jewish actor, and is a phenomenally accurate representation of comic book canon - but he also has the unique quality of being canonically, textually, in the actual movie Jewish! It's a bit of a blink and you'll miss it scene, but when we get introduced to Peter B. in his "one more time" segment, we see his wedding to MJ, where he steps on a glass. This is a Jewish minhag - custom - meant to represent the destruction of our Temple and Jerusalem, as well as remind us that sorrow and joy come intertwined, and is one of my personal favorite Jewish customs. It's a phenomenal moment in the best Spider-Man movie, and while this version of Peter would have been my favorite film version regardless, his Jewishness absolutely pushes him even further up. 13/10, no complaints

#jew tag #jumblr #comics #marvel #marvel comics #spiderman #peter parker #peter b parker #spiderverse #into the spiderverse #tasm #sam raimi #the amazing spider man #mcu #gail speaks #jewish superheroes

[inconveniently-discorporated]

Today it's time for me to be heartbroken about Crowley and HIS version of events, because of course HIS version makes sense to him too.

The thing about Crowley is, he acts so nonchalant about everything.

Like, at first, he's simply just a demon. Sauntered vaguely downward and such, it's barely even really a thing, honestly -- it's just sort of his job title, y'know? Aziraphale's in one department, he's in another, that's just how it is. Like satanists, right?

But then the more the story progresses, the more we get the sense that there's something deeper than that. It becomes especially apparent with his plants, and how he puts the fear of God (then corrected by the narrator: the fear of Crowley) in them.

And these scenes, as many of you well know, have been theorized to be Crowley working through the circumstances of his fall. Projecting his emotions onto the plants, inflicting on them what was done to him. Processing what it was like to be on the other side of the curtain, maybe -- possibly try to figure out what could drive a creator to harm their own creations.

The details of the fall and what Crowley did, exactly, are unclear. The details of what Crowley knows about his own fall are unclear, because evidence could suggest that maybe he doesn't remember. But his perception seems to be that it didn't take much to be a demon.

What he does know, is that nothing lasts forever -- not even the grace of God.

But Aziraphale is different.

Aziraphale is an angel with very black-and-white ideas of what it means to be an angel, and what it means to be a demon.

But Crowley sees through it. From giving away the sword alone, he sees the cracks in Aziraphale's rigid thinking that allows the light to shine through. And he chips and he chips at that thinking -- he asks the kind of questions that probably made him fall in the first place -- until finally we get here.

God saw Crowley at his most innocent. God saw Crowley at his most joyful state of being. God saw him at his holiest.

God heard his questions, likely knowing that Crowley was expressing love in the way that he would want to receive it. Crowley says, "Well, if I was the one running it all, I would like it if someone asked questions. Fresh point of view."

God knew all of this, and then cast him out anyway. Unforgivable, that's what he is. Not to be forgiven, ever. Not to be loved -- not by God.

Then here comes along this angel (who he may or may not remember). This angel knows he's a demon, and talks to him anyway. This angel knows he's a demon, and listens to what he has to say. This angel knows he's a demon, and still looks him in the eye, sees the good in him, and forcefully tells him that HE still sees the good in him, even when God refuses to.

Aziraphale sees everything in Crowley that God could not, and that is something Crowley thought was lost forever.

So it only makes sense that when Aziraphale first burst in with his words all aflutter at the idea that they were going to go back to Heaven and change everything, Crowley felt this was something they couldn't do. Because he understands better than anyone, Heaven has the power to change the angel, the angel does not have the power to change Heaven.

It makes sense that Crowley gave him a chance. Crowley didn't exactly erupt with rage at Aziraphale. Yes, he was loudly against the idea and very disappointed, but then he goes, "Oh. Oh God. Right. Okay. I didn't get a chance to say what I was going to say, I better say it now."

He still thinks there's a chance. He's still giving Aziraphale a chance to back out.

He gives Aziraphale multiple chances. And every time Aziraphale will not back down. Every time, he thinks he hears the same message. The one he's always heard, the one he should know by now but somehow still hopes it isn't true.

Nothing lasts forever.

Not the universal star machine.

Not the grace of God.

Not the bookshop.

Not my acceptance of who you are.

Not us.

He doesn't hear the way Aziraphale remembers his joy and wants him to be happy. He doesn't hear how Aziraphale wants him and needs him and begs for him to be on his side. He doesn't hear the hope and the desire to be safe and together and in control -- forever.

He doesn't hear the way Aziraphale is lying to himself because we all know damn well he would live in a state of comfortable happiness if he could.

Instead, he hears this.

He hears that he is in need of forgiveness. He hears that he has done something to warrant it.

Only, he is unforgivable. Nothing lasts forever, but maybe that part does. Out of everything that never lasted, the one that did is that he is unforgivable the way that he is.

"Don't bother," he says.

Don't bother, because he doesn't hear Aziraphale, he hears God.

Don't bother, because maybe God was right.

#good omens #gos2spoilers #good omens meta #Crowley #the DEPTH of this scene #two characters speaking in entirely different planes of existence #two entirely different messages from opposite sides

[somevagrantchild]

Missing Loustat scene discovered in Anne Rice's diaries

I HAVE SOMETHING AMAZING TO SHARE WITH YOU!!

As I was reading Anne Rice's diaries in the special collection library at Tulane University while I was in New Orleans for the Vampire Ball, I discovered this intensely sexy scene she wrote between Louis and Lestat that never made it into her books. This is Anne Rice's original writing, never before shared anywhere online.

Anne Rice wrote this scene by hand in her diary dated November 6, 2015 (which she mentions is the day before Stan's birthday. He would have been 73😭). I have deduced that it is her very first (and very rough) draft of the scene that eventually became chapter 4 in Prince Lestat and the Realms of Atlantis, aka the scene where Louis agrees to move into the chateau and be Lestat's partner/companion again. The final version of the scene in the book reads like wedding vows, serving as the beginning of their marriage in the modern era. As you'll see, the first draft was rather different. 

In Prince Lestat, Louis and Lestat's interactions are extremely brief, and they aren't able to talk beyond one stolen moment to reassure each other of their love. It would seem that in the six months between the end of Prince Lestat (when Louis thinks to himself that he will be with Lestat very soon), and the beginning of Atlantis (when that finally ends up happening), Louis and Lestat do not have any intimate conversation. They may have talked somewhat, but only briefly about superficial matters, or they may have not even spoken to each other once over those six months until Lestat asks Louis to meet him in New Orleans for chapter 4.

In an earlier diary entry, I found a note where Anne said she wanted their first reunion conversation to begin by finally addressing Louis dumping Lestat's body in the swamp after Claudia tried to kill him—something they have never once discussed. So when I came across this scene in a later diary, I could tell it was a direct follow-through on that idea. 

The scene begins with Lestat speaking to Louis, and it seems they are outside on the streets of New Orleans, but someplace private where they aren't being observed by mortals. This is different from the final book version with them sitting at a sticky table at the Café Du Monde (though it is similar to how Lestat tells us they walked around the city streets together for hours after the reunion scene was over). 

Anne headed this part of the diary entry with: Early on: L+L quarrel—

“I can forgive her for what she did. She was never a human being. She went from being an infant to a monster. But you—you stood there and watched. You carried my body into the swamps and dumped me there as if I were trash—you were the one I hated! How could you do that to me? Decades we’d been together!”

He stared at me for the longest time—not defensive, not angry.

“I could do it because I was afraid,” he said. “I didn’t know how I was going to live without you.”

“I don’t believe you. You were fine without me. You were preparing to sail to Europe. You were making plans.”

A torrent of words.

“Stop!” he said. “I’m here now. I love you! I thought you wanted me here! I thought you’d forgiven me. I thought we had a second chance, now, you and I. And miles to travel together!”

I nodded.

“A second chance!”

I nodded.

Then I took hold of him as if I was going to kill him. I threw him up against the wall and bit into his neck for the first time in two hundred years—the first time since the first time—and when the blood gushed into my mouth, I saw again—for the first time in two hundred years—his soul, his heart.

I was lost in his mind, his thoughts, his dreams, flashes…

I drew back—I’d drunk too much. He was being held there by me, his head bowed. I slapped him hard and when he opened his eyes, I pushed his open mouth against my neck. I forced his fangs into me.

And we were together, wrapped in one another’s arms…

Finally I pushed him back.

He was sitting on the paving stones, hair in his face, back to the wall. I took his hand and helped him up.

“Kiss me,” I said. “No, really kiss me.”

Finally I let him go.

“I can’t live without you! “ he said. “I swear, you wander off on me again, I…”

“I won’t. I won’t ever.”

We walked along in silence.

“He loves you too,” he said.

“Who?”

“The silent one, the one who’s never spoken to me, the one inside you.”

It was time. I could have lingered a half hour more in the old times, but the time was now.

The End 

------------------------------------

Above is the clean version, which I have corrected for missing punctuation, missing letters/words, and necessary dialogue tags.

Below is the original rough version as I have transcribed exactly from Anne Rice's handwritten diary.

------------------------------------

“I can forgive her for what she did. She was never a human being. She went from being an infant to a monster. But you—you stood there & watched. You carried my body in the swamps & dumped me there as if I were trash—you were the one I hated! How could you do that to me? Decades we’d been together!

He stared at me for the longest time—not defensive, not angry.

I could do it because I was afraid, he said. “I didn’t know how I was going to live without you.”

“I don’t believe. You were fine without me. You were preparing to sail to Europe. You were making plans.”

—A torrent of words.

“Stop! I’m here now. I love you! I thought you ’d wanted me here! I thought you’d forgive me. I thought we had a second chance, now, you & I. And miles to travel together!”

I nodded—

“A second chance!”

I nodded—

Then I took hold of him as if I was going to kill him. I threw him up against the wall & bit into his neck for the first time in 200 years—the first time since the first time—and when the blood gushed into my mouth I saw again—for the first time in 200 years—his soul, his heart—

I was lost in his mind, his thoughts, his dreams, flashes — (more)

I drew back—I’d drunk too much He was being held there by me, his head bowed. I slapped him hard & when he opened his eyes I pushed his open mouth against my neck. I forced his fangs into me.

And we were together, wrapped in one another arms — (more)

Finally I pushed him back.

He was sitting on the paving stones, hair in his face, back to the wall. I took his hand & helped him up.

Kiss me. No really kiss me.

Finally I let him go.

I can’t live without you! I swear, you wander off on me again, I … I ”

“I won’t. I won’t ever.”

We walked along in silence —

He loves you too

Who

The silent one, the one who’s never spoken to me, the one inside you.

It was time. I could have linger a half hour more in the old times, but was now —

The End 

------------------------------------

The spots where she wrote (more) are clearly areas where she intended to expound upon all Lestat was seeing and feeling in Louis's mind, soul, and blood, and then what he felt and saw as Louis was drinking from him. How I wish we could know what she would have written there! Also the lines that start or end with a — make me wonder if she intended to add more to those bits as well. Would she have actually written out Lestat's torrent of words?

Lestat's line "Kiss me. No really kiss me." isn't in quotation marks in Anne's diary. I chose to add them, because there were many other obviously spoken-aloud dialogue lines also without quotes. But it is possible that Lestat only thinks these words as he and Louis are kissing each other. It reminds me of in Queen of the Damned, when Daniel thinks, "I like kissing. And suggling with dead things, yes, hold me." The narration doesn't tell us Armand actually starts holding him, but Anne's style of using internal monologue makes it clear that's what happens in the action. So the "Kiss me." could be similar in this instance as well. And in that case it might mean Louis is the one who initiates the kiss, and this is Lestat’s internal “yes, yes!!” reaction to it. But I do suspect he is actually meant to be saying it aloud.

With the em dash at the end of it, the very last line could have been meant to continue: "but was now ______" was now...something. But considering she wrote "The End" after it, it seems like it was meant to be a final statement, so that is why I added the missing words I chose in my edited clean version.

Although this conversation is very different from the one we get in the final version of Atlantis, I do still see elements of it in the book's scene:

Louis's line "I can’t live without you! I swear, you wander off on me again, I …" became "so I'll come. And when you tire of me and want me gone, I'll hate you of course."

They still kiss, really kiss. In the book, it is moved to before their conversation, when Lestat first sees Louis in their Rue Royal flat, wearing the new clothes he ordered for him and Louis says, "This is what you wanted, isn't it?" and Lestat is so shocked, he's unable to respond.

They do still discuss Amel in the book version, in much more depth than he is mentioned here. Louis having never heard Amel's voice in his own head remains consistent. 

They do still go walking around the streets of the Garden District, though it happens after the conversation, not during it. Lestat does say they talked for hours during that walk, but about Amel and what's been happening to Lestat as Prince. Not about themselves or their past. 

MY THOUGHTS!

The confirmation here that Lestat never tasted Louis's blood before their new marriage begins in Atlantis is one of the most amazing parts to me, when combined with the offhand way that Lestat mentions what Louis's vampire blood tastes like in Blood Communion. Even though the final version of Atlantis never shows us Lestat drinking Louis's blood (either forcefully like this scene, or consensually in other ways), the mention in Blood Communion does confirm that it DOES happen off the page at some point during the years between Atlantis chapter 4 and the beginning of Blood Communion. 

We know that Louis drank much of Lestat's blood at the end of Merrick, and this was his first time doing it because we were told in previous books how much he resisted his powers being increased by drinking ANY other vampire's blood. It is nice to have it confirmed that Lestat never bit Louis or drank any of his blood in return either before or after Merrick. But now, after Lestat becomes Prince, this is now a new element to their relationship. It makes me consider more strongly that Anne perhaps meant to imply that they then for the first time began to engage in blood sharing the same romantic way Lestat did with Akasha in Queen of the Damned, and then in the even more explicit way she shows us with Rhoshamandes and Benedict in Prince Lestat. 

I don't take all Anne wrote in her diaries as canon. It is clear that much of what she wrote there were spitball ideas that she later chose to absolutely reject (as opposed to deciding they were true but she just didn't mention them in the books). But I do not see anything in this scene that the final versions of the books contradict. So even though this scene didn't actually happen in canon, we can believe that the feelings and emotions that drive this scene are still canon. And I love that for us 🥰

I have cross-posted this on ao3 to give us a good place to talk back and forth to each other about it in the comments section there. Reblog and reply to this post as much as you like, but if you want to have some conversations and share your own thoughts on what she wrote, ao3 will give us a much more organized place to do it, where other people will be able to easily find and read your meta as well.

#anne rice #anne rice diaries #tulane #vampire chronicles #interview with the vampire #prince lestat and the realms of atlantis #loustat #louis/lestat #lestat de lioncourt #louis de pointe du lac

[paperclipninja]

Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".

#good omens #good omens meta #aziraphale #crowley #aziracrow #honestly don't know if this even makes sense #middle of the night thoughts and all that #good omens thoughts

[shmaba]

I’m going to assume that at this point you’ve all seen Critical Role’s new show Candela Obscura and at least skimmed through the Quickstart Guide (you have done all that riiiight??) So I wanted to compile all the things I’ve done that have been shown so far. Its long so read below the line!

I’m going to try to avoid spoilers. So feel free to read without worry. I’m also going to try and avoid breaking any NDA like a good professional. So I will not be doing some deep dive behind the scenes thing. Only visuals that have already been publicly shared are going to be on here

The very first thing I did on this show was the concepts for the main set. Everything is practical. Nothing is green screen or cg or whatever. Some people think it’s just good cg but nope that's all real. You could touch it! (don’t touch it, there are ghosts)

There were multiple iterations on the design, each with their own vibe and statement piece. CR narrowed it down to what you see in the show: a sort of storage hall with an odd clock contraption behind the GM. I think I called this design version the “Abyssal Hall” or something like that (I gave the different versions names to better keep track of which design was being discussed)

The company Flip This Bitch built the physical set. They turned my silly little art into a real thing. So they did all the actual magic of making this set come together in the end! They deserve a lot of the credit for it looking so good in the end.

Also that little piece of art in the bottom left of the preshow is a section from the final concept art of the set.

That contraption behind Matt is based on astrolabes and clocks. This isn’t really meant to be a literal astrolabe or a clock as we would use them in our world. Narratively this isn’t a device that measures either of the things that a traditional astrolabe or clock does. This is a special magickal tool that does a secret third thing.

Also I did concepts for the GM screen. You don't really see it besides in the fancy-shmancy preshow. There were a number of more intricate designs for it but CR went with the simpler option since the only part that would be visible on stream is the top, so that's where I put the most detail.

I should also note that I did not design the logo! It’s pretty prominent on the GM screen but I was supplied an already existing logo for this.

NEXT is the Taliesin enclosure set that you see in the trailer. This is actually meant to be like the lantern room on the top of a lighthouse, minus the big light beacon (You could say Taliesin is the beacon).

Also in the trailer you see a couple brief sketches I did for some world building concepts:

Speaking of sketches there are a number of art pieces of mine in the Quickstart guide

A lot of my art is sketches. They’re all meant to be like notes and drawings from members of Candela as they travel and notate their findings. Most of the notes on these sketches are my actually my notes when I was doing world building concepts, but they replaced my handwriting with a font because my handwriting sucks lmao (also likely for ease of future localization).

Also the cover of the Quickstart guide uses line art of a part of that astrolabe clock set piece. This line art was part of the deliverables that was sent over to Flip This Bitch for construction. They’re just using pieces of those set concepts everywhere!

As you can see I’ve done a lot of art for this project. I was part of this project when it was still early in development. It’s changed quite a bit from where we started. 

I wasn’t the only one that made all this art happen though. Other artists, writers, and designers got to add their own vision to this. It was very much a collaborative effort that took a long time to happen. It’s very exciting to see everyone’s hard work come to fruition and there is a lot more to come!

#candela obscura #critical role #my art #ttrpg #illustration #art #cr #candela spoilers #I could say a lot about what went into each thing #but that would be too long #this is already too long #more art is coming #you’ll see it in the final release of the rules/setting book #also it’s very likely a significant amount of art won’t ever be show to the public #such is the life of a concept artist

[wilwheaton]

I have a small part in the 1987 television movie (failed pilot) version of The Man Who Fell To Earth. Lewis Smith played the titular character. Beverly D'Angelo played my mom, his love interest. (Fun Star Trek connection: Bob Picardo is also in it).

My character was a Troubled Youth, which I gotta tell you was not a stretch for me at all. I was deeply, deeply hurting at the time we made it. I was struggling not to suffocate on all the emotional and financial burdens my mom put on my shoulders, and fully aware of just how much my dad hated and resented me. You need a kid who doesn't want to be an actor, whose eyes can't hide the pain? I'm your guy.

Anyway, one of the scenes I was in took place in a record store, where Troubled Youth steals some albums, before he is chased by the cops and saved by the Man Who Fell To Earth, who uses a glowing crystal to save his life from ... some scratches on his face.

We filmed the interior of the record store at Sunset and La Brea, in what I think was a Warehouse, and at the end of the day, I was allowed to buy some records at a modest discount.

I was deep into my metal years, on my way from my punk years to my New Wave years, so I only bought metal albums. I know I bought more than I needed or could carry (I was making a point that I was allowed to spend my own money, mom), but the only ones I can clearly remember are:

Iron Maiden - Piece of Mind

Judas Priest - Turbo and Defenders of the Faith

W.A.S.P - The Last Command

(I know this was in March of 1987, because Turbo had just come out.)

Of those, Piece of Mind is the only one I never really stopped listening to, even through all the different it's-not-a-phase phases. I still listen to it, today.

Ever since I became an Adult with a Fancy Adult Record Player And All That Bullshit, I have kept my records in two places: stuff I want right now, and stuff I keep in the library because of Reasons.

Generally, records move in one direction toward the library, even if it takes years to happen. I just don't accumulate albums like I once did, because I'm Old and set in my ways.

Earlier today, I decided that I wanted to listen to an album while I cleaned up the kitchen, and because I wanted to make my life more interesting, I opened the library cabinet for the first time in at least five years.

There was the very same W.A.S.P album from that day in March, 1987. I don't have any of the others -- I looked -- but The Last Command was right there.

Before I really knew what I was doing, I put it on the Fancy Adult Record Player and dropped the needle.

I watched four decades of dust build up with a satisfying crackle, and there was something magical and beautiful about hearing all the skips and the scratches, realizing I remembered them from before.

The title track was just as great as I remembered it. It struck all the same chords in me that it did in the late nineteen hundreds. The rest of the first side was ... um. It just didn't connect with me, and for the few moments I spent trying to find a connection, I don't think it ever really did. I would remember.

But I did remember how much I loved making those mix tapes, and what a big part of them that song was. I did remember how empowering it felt to not just spend my own money that I earned doing work I didn't want to do, but to spend it on music my parents hated, right under their noses. I did remember how impressed Robby Lee was, when I showed him my extensive heavy metal album collection.

Remembering all of that, in one of those cinematic flashes of rapid cut visuals and sped up sounds, told me why I kept this record, while I gradually sold or replaced the other records I bought that day with CDs, then mp3s, then lossless digital files, before finally coming all the way back to records, where I started.

I didn't listen to the second side. I didn't need to. I took it off the Fancy Adult Record Player, and put it back into the library, next to the George Carlin records.

#music #memories #records #Youtube

[firstkanaphans]

I know this post is only for like two people, but I’m going to make it anyway. So, my obsession with Dead Friend Forever finally reached critical levels and I resorted to binge-watching The Hidden Character just to get more content. For those that don’t know, The Hidden Character (which they literally call “THC”) was the reality show Be On Cloud used to cast DFF. It is bad. Like really bad. And not in a it’s-so-bad-it’s-good-type way. It’s one of the most exploitative pieces of media I have ever watched. I walked into it with a favorable view of BOC, Mile, Apo, and Pond (the CEO), and walked out of it hating all of them.

A small collection of things that happened over the 11-episode run:

Everyone was told that they had to share every single aspect of their life with the viewers or they would be eliminated. And, in fact, the first person eliminated was told that it was because he wasn’t being open enough with the audience. They filmed these boys—one of whom was only seventeen at the time—talking explicitly about their sex lives. Which is, of course, fine to talk about. It’s not fine to air it on television! Even some of the games themselves contained sexually suggestive content (i.e. Which do you prefer "eating" with—your hands or your mouth? If you were to cheat on your significant other, would it be just sex or a full-blown affair?)

During the first part of the show, everyone had a secret that the other players were supposed to guess. One of the player’s secret was that he used to be homophobic. (Questionable casting for a company that only hires men, but I digress). He was praised for having changed his mind. In contrast, JJay’s secret was that he was raised in an abusive household and had once hit his father. Pond crucified the poor guy for this. He made him sit there in front of the whole cast sobbing and apologize for hitting his dad who was an abusive asshole.

After the first half of the show—which served absolutely no purpose at all—we finally move onto the acting portion. This is, after all, supposed to be a talent competition. The judges were so mean. Especially Apo. He was like the Simon Cowell of BOC. There was no constructive component to their criticism. The fact that any of these people are still acting is honestly unbelievable. I would have gone home and cried myself to sleep and then never stepped foot on a stage again.

At one point, each of the groups was assigned a scene from KinnPorsche to act out (because BOC very clearly owns no other IP). One of the pairs was given the scene where Porsche gives Kinn a handjob in the bathroom. I wish I was kidding. 

The judges constantly told the contestants to make their scenes feel new and different but any time the actors actually tried to change anything, they complained it was “too” different and the original script was already perfect so who were they to think they could create something better. Once again, Apo and Mile, the original actors of these scenes, are the ones judging them! Like of course they like their version better. What is even happening??

And finally, the whole fucking thing was rigged for Ta to win. Like don’t get me wrong, I love Ta and I think he did a great job, but he was the only one who came into that competition with a built-in fanbase and the winner was chosen by popular vote.

It was all just…baffling. Especially from a company that claims to be trying to change the industry. Like if you want the industry to stop being so exploitative to its actors, maybe start with yourself? It also makes those condescending “how dare you watch our shows just for the NC scenes” press releases they do every week even more annoying.

I have no clue what the reaction to this show was while it was airing but god I hope they never do it again. It literally makes me feel so weird watching DFF now. I feel like those poor kids are being held hostage. Maybe CEO Pond’s been the one under the mask the whole time 🔪

#y'all help #did anyone else watch this or was it all just a fever dream? #the hidden character #dead friend forever #like don’t get me wrong I will continue to watch dff because i’m obsessed #and because i want to support these actors and what they were forced to go through #but idk if I’ll be watching much from boc after this

[shall-we-die]

╔‌‌‌‌•°𖤍༄•°══════════•⊰•°༄༚

{Kisses}

#Part 1📍 || #Part 2

What are their kisses like? || Where do they like to kiss you? || Where do they like to be kissed?

╞•⊰❖⊱•═══•༻𖤍༺•═══•⊰❖⊱•╡

↬[Fandom]•⊰ {Obey me!}࿐

↬[Characters]•⊰ {Lucifer || Mammon || Diavolo || Barbatos || Simeon || Solomon}࿐

↬[Warnings]•⊰ {None}࿐

☰[Main list]•⊰────┈┈{0001}┈──╮

╭───────┈┈┈┈┈┈───────╯

╰┈➤Likes/Reblogs are appreciated࿐

╚•°𖤍༄•°══════════•⊰•°༄༚‌‌‌

↬|Lucifer|

• He's such a prideful demon; so your kisses, of any kind, will be in private. in his room, or yours...

• Bet your ass, he'll ask your permission first; that if he can kiss you or not.

• But "asking for your permission", takes as long as you're in the beginning of your relationship. After some time, you have to say goodbye to your rights about your body; cause this man... the avatar of pride, will kiss you at any time without any warnings...

• He leans down, puts his arms around your shoulders and hugs you from behind. A funny scene will surely be created because of the height difference between you. nice ass luci

• He whispers in your ear with a smirk on his face. And sure enough, his breath hits your ear, and he ends up smelling your hair calmly.

• {"Dear, you smell really nice. That's my shampoo? Hmmm... You worked hard today, I think you deserve a kiss."}

• Another version is, when you're sitting on his lap while he's doing paperwork. It depends on how you're sitting on his lap. If you're facing him and resting your head on his shoulder, the best for him place to kiss you is, on your temple or forehead. But if you're leaning back on him, your shoulders and the back of your neck will be bitten in addition to being kissed by him.

• We were talking about forehead kisses. Yes, this is one of the types of kisses he gives you. You can't change my mind, he has a very cute father figure behind that bitchy face. He usually cups your cheeks with his two hands, keeps you steady, bends down and kisses your forehead. Of course, you get this kiss also when you fall asleep on the sofa + his warm and big coat that covers you like a blanket.

• Hand kisses. Hand kisses. HAND KISSES.

• The French kiss is also one of his favorite. He tries to act like the gentleman he's, but sometimes, (always) he gets out of control and sadistic. So you have to attend classes with swollen or bruised lips. lol

• He'll happily accept any kind of kiss from you as long as it's in private, but, 1) If he wants to make others jealous (Mammon or Satan lol)/ 2) punish you for a mistake you made, He'll definitely kiss you in public.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Mammon|

• let's get to the second brother. (my best boy I love him) A man who tries his best to look normal but his face turns completely red. (It's fun teasing shy Tsundere guys Lol) At first he's so awkward. He doesn't know how to ask you to kiss him. (Everyone says that he has had many partners. But look at this kid! I think his only partner before you was Luci's credit card...)

• He has no idea what he's even doing! So he needs time to change from "Oi...H-human...I..I let you k-kiss the... great Mammon... I-I mean...No! You know what? I take my words back! Go away human!" *runs away with red face* to "Hey babe... come here I wanna kiss ya..."

• After banging his head against the wall several times and Lucifer hanging him from the ceiling for making noise. he finally realizes that he loves you and you love him back; so he finally calms down a bit and opens up to you more.

• He likes to kiss you in public especially in front of his brothers. He wants to prove to everyone that the Great Mammon is your FIRST man. (Maybe everyone sees him a submission in bed, but that's another issue that has nothing to do with this post, we'll talk about it later.) He holds your chin or cheeks with one hand and kisses your lips after looking into your eyes for a while.

• I feel that he's more into biting than kissing. Mammo bites your lips, cheeks, ear lobe, neck and even your nose. Of course, he does it slowly because he doesn't want to hurt you.

• He's the type to hug you tightly, with his arms wrapped around your neck and his head close to your neck and head, smelling your hair. Then he presses his cheek to yours. Just like a jealous boy who hasn't received attention from his crush for a long time.

• {"Mine mine mine mine... I'm your first man! I'm the greatest! I'm the great Mammon!...Hey Human! give me my daily Kisses!"}

• He's more interested in being kissed. Especially when cuddling under the blanket. Kiss his forehead, kiss his neck and kiss his eyes. He loves it. His whole face may turn red, but he won't run away. He sits there looking at you and waiting for more kisses.

• One of his dirty secrets in kissing? Showing off with your lipstick mark on his body. (Tbh I really love his skin color) He's a model so it's natural that he has an attractive body. Now imagine the lipstick mark on his body. Maybe with every kiss his body trembles or tickles and laughs a little, but after that he goes in front of the mirror and takes a picture of himself.

• He also likes very simple kisses on the cheek. When all his brothers have offended him in some way and he's sitting on the couch feeling lonly. Then you come and kiss his cheek and caress his face and tell him how much you love him. Well, he can now endure their bad behavior for another hundred years.

• Another one of his favorite things is to put his head on your lap and sleep. I can say that biting and kissing your stomach and thighs is another thing that he likes to do but is shy about.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Diavolo|

• Giant fluffy puppy. Pure sunshine. Sexy cute dady. I don't know how to describe him better (lol)

• Kisses? You can't escape from this man. Good morning kisses, good night kisses, hello kisses, goodbye kisses, praise kisses, comfort kisses and sudden kisses are a must.

• He has no problem with expressing his feelings in public. tbh, he believes that expressing his love for you in front of others is necessary and something romantic.

(Brothers will get jealous, and Barbatos keeps warning Dia, not to jeopardize his position as crown prince.)

• {"Y/n... you make my heart beat faster; see?... come here... no, no! You can't run away dear!..."}

• Most of the time you sit on his lap like a little child. You're shorter, so it's difficult to reach his lips. What's the best option? Kissing his chin will surely melt his heart.

He looks at you with surprise for a moment and then, hugs you tighter with a warm smile and kisses your cheek.

• He likes to hug you when he's doing paperwork and kisses you whenever he's tired. You're his best motivator.

He gets bored quickly, so every ten minutes you have to spend time with a little boy who plays with your hair, rubs his lips on your neck and makes unintelligible sad noises.

• He's a softy. So it's not like he's interested in biting you. (However, it's not that he has no interest.) He's just afraid of hurting you. What if he presses his teeth too hard and breaks your bones?

• His lips are big and warm, also he has a lot of stamina; So you get out of breath after every kissing time and have to break the kiss up.

• He's fond of your neck and collarbone, he likes to lay his head on your small shoulders and then, put small kisses on your collarbone or run his lips over it.

• Okay, you can't tell me that he's not into praise kink. You just stand facing him when he is sitting (cause he's too fucking tall bruh), stroke his hair and kiss his forehead. Tell him something like "good boy" / "good job" or / "I love you"... and then, you'll have a happy little baby who hugs you tightly and presses his head to your belly or chest.

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Barbatos|

• Handsome gentleman who asks your permission before doing anything. Don't get me wrong, this guy asks for permission 'cause he IS polite. (Just the opposite of other guy [luci bitch] who asks permission with a fucking sexy grin on his face just to make you blush)

• And also a man who's interested in privacy. well, doing things like this (kissing, cuddling, blah blah) in the Demon Lord's castle isn't something  right to do. Also, nothing interesting will happen if a child (Dia lol) sees you guys in that situation.

• {"You seem to be doing well, don't you, Y/n? How about you come to my room for some tea?..."}

• And you know when he says something like that in the school hallway, then, gives you a smile like that and then moves on his way; It means that interesting things will happen while having tea in his room.

(I'm sure even if he wants to propose to you, he'll do it with a box of tea in his hand.)

• Oh! You want him to kiss you? What a shameless little human you are... He giggles and bows; kisses your forehead, cheek, nose and even your eyes. Then, he fixes your hair and walks away from you with a smile.

No kiss for lips! The school corridor isn't the right place for that! go to horny jail Y/n...

• A feeling tells me that Barbatos has hand fetish and you CAN'T change it! He likes to kiss your hands. He usually plays with them, massages them or puts moisturizer on them. He kisses your palm and each one of your fingers. Then he slyly stares at you. Are you blushing Y/n? yes you are. And if you kiss his hands? His heart melts completely. (the first time you did this, he was completely red) Thank him for his efforts and take care of his hands.

• Contrary to everything that has been written about him, something tells me that this man is a pure, soft and kind sweetheart who prefers everything to be fluffy. and Yes, neck kisses when you're cuddling IS a must!

again something tells me HE IS SECRETLY SUPER TICKLISH. So kiss his neck, even lick it. I'm sure he jumps up in shock. However, it will not end well for you. Good luck y/n

• I said he was a fluffy calm guy, didn't I? Ok, but we should not forget his sadistic side. Kisses and bites that leave you bruised are for times when he's angry or jealous of someone. (we need another post for this part)

• And one of his favorite things is to gently brush his lips over your skin.(ok bye) This guy is amazing. Especially when he does this to your spine in the bathroom while washing your body.

• (I'm a simp for this demon)

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Simeon|

• Pure lovely angel? Nope... I mean, he's trying! he's trying his best not to touch or kiss you before marriage... but... ok he just can't avoid you. (and I don't think he really cares, specifically after lesson 79/80....) anyways...

• At first, he's really gentle. Before doing anything, he asks your permission, kisses your hand, caresses your cheek... After kissing your eyelids and cheeks, he finally kisses your lips slowly.

• Then, he looks at you with seductive eyes and slowly turns his face away from you. (Of course, at night before going to sleep, by remembering these movements, he asks God for forgiveness many times.)

• (But we all know who horny he is...) So you have to cover your neck every day and avoid wearing short clothes for a while.  Unfortunately, Asmo will ask you out loud if this is the new fashion or not; And you just laugh in embarrassment.

• {"sorry... but you're so cute, Y/N."} *purely giggle*

• Let me give you a piece of advice. Best place to kiss him? Between his shoulders, somewhere between his two wings. I'm sure he's very sensitive and ticklish there.

• And as someone who has prayed for a long time and loves to praising and being praised. He talks a lot.

• You'll sit on his lap and he starts praising you. like, How beautiful and charming you are, blah blah blah (no I'm not jealous)

• He always behaves as if he has been away from you for about 100 years, while you met him at school just an hour ago.

• And no, you are not allowed to have physical contacts in front of Luke. Simeon is kinda sensitive about this. (Luke sits between you on the couch and likes to pretend you're a family... and Simeon thinks it's so cute.)

┣━━━━━━━━━━━━━┅┅┅┄┄

↬|Solomon|

• Our old man is not someone who gets too touchy with you quickly. Maybe he flirts with you, but he maintains physical distance to some extent. And when he gets comfortable with you, he will certainly do whatever he wants without any shame.

• He is one of those types who appears from behind you when everyone's sitting in silence and suddenly bites your earlobe. And you have to muffle your sudden scream so the brothers don't notice anything.

• Although he kisses you in front of demon brothers on purpose to make them angry. And in fact he's happy because they can't kill him.

• (Luci and Satan finally work together to find a way to make Solomon's death look like an accident.)

• In fact, there are very few times when he really kisses you out of love and really thinks about you. (Solomon looks cold and serious in that moment but he's really good at it.)

• His favorite part is your lips. Most of the time, your kisses end in a biting fight.

• He also likes to dig his fingers into your hair and gently grab and pull them to some extent.

• {"hehe, you look dazed... maybe amazed. Is it really that good?}

• It might be hard to tease Solomon by kissing him. In fact, you're the one blushing in the end, and he's the one laughing and teasing you.

• But!... the best way to stop him when he decides to cook is to pull his collar and kiss him. He completely forgets to try his new recipe.

• Let me tell you something, he really enjoys it when you caress his wounds by kissing him. He may not talk much about his feelings or show them, but every time you kiss him, Solomon feels butterflies in his stomach.

↬[A/N]•⊰

[And here we go; First post on the new blog... Yaaaay!~ I think I've come up with something great as my first post! Hope it gets enough attention and gets the blog going... Wait for Part 2!]

||[🄺isses]||

━●━━━━━━────────

     ⇆ㅤㅤ◁🄹ㅤㅤ❚❚ㅤㅤ🄻▷ㅤㅤ↻

#𝙵𝚕𝚞𝚏𝚏𝚢 𝚝𝚒𝚖𝚎–[🍓] #obey me x reader #obey me fluff #obey me x you #obey me x mc #obey me lucifer x reader #obey me mammon x reader #obey me leviathan x reader #obey me satan x reader #obey me asmodeus x reader #obey me beelzebub x reader #obey me belphegor x reader #obey me diavolo x reader #obey me barbatos x reader #obey me simeon x reader #obey me solomon x reader #obey me x y/n #obey me headcanons

[absolutebl]

This Week in BL - Top 3 Are HEATING UP

Organized, in each category, by ones I'm enjoying most at the top.

Dec 2023 Wk 2

Ongoing Series - Thai

Honestly, 3 are neck & necking for top position! They are all so good in different ways. But The Sign had me hooting with laughter this week, so it scooped #1.

The Sign (Sat YT) ep 4 of 10 - This show is literally everything (except straight) all at once. It's BL, queer, band of brothers, romcom, erotica, paranormal, fated mates, mystery, suspense, slasher, and horror. It’s the king of genre mash-up chaos. I have no idea what I’m watching but I’m ON this ride. Is it a roller coaster? Is it a haunted house? Is it a twirl & hurl? Is there candy floss? Am I even tall enough? Who tf cares. All through the second scene, I was laughing. It was legit funny. Billy has great comedic timing. Guess he’s not just a pretty face.

Everyone should be watching this. Sure, it's madness but there is genius in it.

Last Twilight (Fri YT) ep 6 of 12 -  Yech. August may be one of GMMTV’s least likable characters ever (and that is saying something). Meanwhile, MOAR language play! They spoiling me!

Mhok letting Day go then walking away at the party hurt so bad.

Argh this show is great!

Ep 6 so that kiss was right on schedule. I’m looking forward to the boyfriend eps before doom & pain in the new year. Carry on GMMTV. 

Speaking of...

Cherry Magic (Sat YouTube) ep 2 of 12 - Oh they’re great. It’s great. It’s paced oddly, moving quickly through most of the key scenes of the original JBL in these first 2 eps. I think it’s intending to encompass more of the manga series than that one did. Which is good, cause that will get us all the way to The Library Kiss (TM). It's the best kiss in the manga. I also like the sides in this show (better than the JBL version). 

My Dear Gangster Oppa (Thurs iQIYI) ep 8fin - What a lovely slightly unhinged little show. Tew, can we talk? Un-ironic suspenders, that takes courage. Also, the revolver was a crazy gun choice. 

Final thoughts:

This show is just as ridiculous as its title. About a gaymer who falls in love with one of his in-game teammates, who just happens to be a IRL gangster. A real gangster, the kind that actually kills people regularly. The lead pair is doing their best with a ridiculous story and shoddy script, but I enjoyed it. Although I was grateful it wasn’t very long, what we got was oddly satisfying if, frankly, a little bit silly. Recommended. 8/10 

That said, what's important about this BL is not the show, but the production and style. Let me explain... no, too much, let me sum up.

This is a chimera BL. Regarding characters: it has Japan's style otaku + Korea's style gangster + Thailand's style friendship group. It used Thai talent + Korean money (Kakao) & IP (adapted from a manwha) but aired on a Chinese channel globally (iQIYI). I'm delighted by the eclectic insanity of this production and truly doubt that any other genre but BL could ever produce like this. It's like diplomat's BL and it's the great wonder of our age that it happened at all. This BL deserves its place in the history books on production alone, even if that place is only in the footnotes. A remarkable little monster.

For Him (Thurs iQIYI) ep 3 of 10 - The sides are… messy. Using the same actor for the old bf is… odd. But in the end, this show leaves me smiling. Which means, I like it despite myself. 

Bake Me Please (Mon Gaga) ep 4 of 6 - It's decent. It’s basically what I wanted Antique Bakery to be when I first watched that way back when (not to mention Bite Me). But there’s been so much BL since then that, for some reason, this is falling flat. I think it’s moving too fast for a Thai series. Although, say what you like, Ohm has to be one of the best soft kissers in the industry. He's just good at mouth tenderness.

Ugh, that doesn't sound right. But you know what I mean.

Twins the series (Fri GaGa) ep 7 of 10 - I love how First is so upset when Sprite starts chatting and being nice to Koh. Sprite is just a sweet easy-going likable boy. I enjoy Sprite as a main character, he’s a bubbly little communicator. And they had a cute kiss.  

Pit Babe (Fri iQIYI) ep 5 of 14 - Because there was more Alan and Jeff and they were more key to the plot I was more into this ep. I do compare it to green smoothie down the pants in the Trash Watch.

Cooking Crush (Sun YT) ep 3 of 12 - Look OffGun are truly great. But I’m just not sure we need them in BL anymore. That said, it’s nice to see Off as "the one with the crush" for a change. Also, this show is only good when OffGun are on screen together, otherwise it kinda, well, sucks.

Night Dream (Sat YT) ep 1 of 6 - Cafe setting featuring a cook and a writer. *Seems awfully familiar.* Except these two are exes and this is a reunion romance. It’s stiff and very pulp but not bad (no crap sound effects) and I am a sucker for a reunion romance. That said, Rookie Thailand is not to be trusted, proceed with caution.

Absolute Zero (Weds iQIYI) ep 12fin - I'm grateful this is over. It was tense but for the wrong reasons - sadness and confusion. This final episode was fine, but that’s because it was mostly them being together + flashbacks. Plus all the familiar actor faces of the grown-up friends (hi, Karn my lovely, still stunning I see). But 2 of 12 episodes is not enough for the 10 of suffering and confusion that came before.

In conclusion:

A man is killed on his 10th anniversary resulting in a time paradox, for which the only solution is him never meeting his childhood sweetheart until later in life. Both lovers cycle back to the past at different ages, so that they each become their own 1st & 2nd great loves, but every time it ends in pain, until each also endures 10 years of separation. Finally it gets fixed, but leaves them with multiple memories of time's failures like temporal PTSD, and everyone around them has chronic deja vu. Me? I got both. This is one of those BLs that is high-quality with great acting but poor story. If you like your BL dwelling, maudlin, and tense due to angst and suffering, then you might enjoy this. But I just regret it, 6/10. Recommended only if you like confusing time travel emo pain.

In which case, just watch Tokyo in April is... instead. Give over Thailand, Japan does it better.

Middleman’s Love (Fri YT & iQIYI ep 6 of 8 - While our main couple isn’t working for me... the side couple isn’t working for me either. I really wanted to give LeoTai a chance, this is the 3rd show I’ve seen them in, and still nope. I like Jade a lot more when he’s sad. He’s a much more pleasant screen experience depressed. I would like him to stay hurt for a couple of eps, just so I can enjoy this show a tiny bit more. But then he just goes unhinged again. Argh. I just don’t like it. 

My Universe (Sun iQIYI) Pisces of Me ep 17 of 24 - Codependent boyfriends in middle school planning for high school dealing with stuff. Including other boys being into them. 

Playboyy (Thurs Gaga) 5 of 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. DNF 

Ongoing Series - Not Thai

VIP Only (Taiwan Fri Gaga) ep 5 of 10 - It’s cute but I don’t think BL in this short format is Taiwan’s strength these days. And this is quite slow and dull. Perhaps they should have whacked it down to 6 eps, not 10.

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 3 of 8 - This is one of those JBLs that I should like on paper but is failing me. The drag bit was ridiculous but handled gently. The kiss was… well… something wasn’t it? It’s all very odd. I like the photographer cutie character. 

It's Airing But...

The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.

7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if it's safe.

Beyond The Star (Weds iQIYI) 8 eps - House of Stars meets Boyband. I was NOT impressed with ep 1. Been told I shouldn't bother.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - I find this series more fun to binge, so I'm waiting until after it completes its run next week.

Dear Kitakyushu (Thai/Japan movie) in theaters in country only, I know nothing about distribution.

Behind the Shadows (Korea movie) this is a historical I was interested in, but I've been told they kill the gay so I'm OUT.

Next Week Looks Like This

Still coming:

12/23 Dead Friend Forever (Thai horror) iQIYI

Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED). With the end of the year upon us I'll do an "announced for 2023 but never happened list" soon.

THIS WEEK’S BEST MOMENTS

He so pretty.

I forgot how likable TayNew are, and frankly I think New is a better version of this role for me, personally. I like him a lot. He's a conscientious sweetheart. And a good egg. (Cherry Magic)

Ah the rooftop my old friend. (Last Twilight)

I would like to point out that it's no accident the naga's sex dream happened in the shower, he's a water creature after all. (The Sign)

(Last week)

#the sign the series #was very hot this week #this week in bl #bl updates #Last Twilight #Thai BL #cherry magic #my dear gangster oppa #my dear gangster oppa review #for him the series #Bake Me Please #antique bakery #twins the series #cooking crush #offgun #Absolute Zero review #bl reviewed #bl reviews

[epickiya722]

Actually, now I'm thinking about it, it's odd to me that Midoriya and Uraraka look similar and maybe that's on purpose.

Round eyes & face

Facial marks (Freckles for Midoriya, blush stickers for Uraraka)

"Brunette" (green hair is considered being a brunet/te in anime logic)

Shorter than the others

Now given that, what if Uraraka "falling in love" with Midoriya wasn't her actually falling in love? What if it was her having a self-reflection and accepting herself?

Further thinking about it... they're practically the same person.

They're both compassionate, kind. They learn to adapt to changes. They're cute, but they're vicious if pushed far enough. They won't give up on people or in a fight. Hell, they both float, use long range attacks, and close range ones. Works in teams of three (Uraraka-Asui-Hado, Midoriya-Bakugou-Todoroki) under a top Pro Hero.

And they both "rival" some feral blond that they don't act "normal" around.

What if Midoriya wasn't meant to be Uraraka's crush but her mirror? Mind you whenever someone points out her "crush" it's not someone you would turn to for love advice.

Aoyama is Aoyama (think about that reveal), Ashido practically ships anybody with anybody when there's no real chemistry, and Toga has a twisted concept of love.

You really think I would trust any of them on telling me I have a "crush"?

There's also the fact that Uraraka herself during her talk with Midoriya says they're both "oddballs". That whole talk during 342 comes off more as someone talking about their feelings about their identity and relating to a friend who feels the same about themselves than supposedly "romantic". When someone is called an "oddball", it means that person is "weird". They're not part of the "norm".

Sometimes it comes off as having different interests, like someone liking the arts unlike the majority of the group who likes sports.

Or it's someone who identifies as queer.

What if these last few chapters of Toga and Uraraka was Uraraka accepting herself?

@darkcircles4lyfe points out a detail that I didn't catch until now in this post here.

In this scene, Toga has a hold of that All Might keychain. We know it's of importance to Uraraka because Midoriya gave it to her. We also know that once before Uraraka snatched it away from her when Toga first got a hold of it during the PLF War Arc. Here, she doesn't do it. Granted, because she's bang the hell up and probably even isn't aware of her surroundings. But on Horikoshi's part, what if that's on purpose? What if here, Toga is taking the keychain as a way of saying Uraraka is finally accepting herself and her feelings? That Midoriya was that mirror she kept looking into and questioning until this very moment?

And let's be honest here, it's not like Horikoshi isn't incapable of writing M/F ships. I just think IzuOcha is a ship he doesn't intend to make romantic because of how underdeveloped it is.

Compare it to Kamijirou and Kirimina, it is pale. Also, make note of those two pairs.

The characters in those ships also have opposing physical features.

Kamijirou - dark and light hair colors, the extrovert and the introvert

Kirimina - Spiky hair and curly hair, sharp edges and round curves

A lot of pairs Horikoshi puts together in which the characters are close (romantic or platonic) have some opposing features to them.

Gentle Crimimal and La Brava - tall and short, dark hair and light hair, one is more hands on and the other isn't

Eraser Head & Present Mic - quiet and loud, dark hair and light hair, close combat & long range

Bakugou's and Jiro's parents - quiet & loud, dark hair and light hair

It's his shtick.

But for Midoriya and Uraraka? They are just genderbend versions of each other!

That's really all I have to say here. And if you disagree, fine. Don't care for the input though, keep it to yourselves. (I say this because some of you are just damn disrespectful.)

I myself don't think IzuOcha is a bad ship, but I just don't think it's a ship Horikoshi has on his agenda. Let alone wants the audience to perceive them as "romantic" but as a "mirror".

#didn't intend for this to get as long as it did #just kiya's thoughts #bnha #mha #boku no hero academia #my hero academia #midoriya izuku #uraraka ochako #uraraka ochaco #bnha spoilers #bnha manga spoilers #bnha 395 #bnha 342 #togachaco #togachako #bakudeku

[connoisseursdecomfort]

All the lies in Chapter 86, and the truth behind

Yes, I'm still screaming internally, and I don't think I will ever get over this chapter.

Endo have told us right from the beginning: this is a story about lies:

Everyone has a secret self they don't show to other people. Not even to family. Not to friends. Not to lovers. And thus the world. They hide who they are and what they want behind lies and painted smiles.

Twilight is a liar. He consciously tells so many lies in this chapter, but it's what he (and the people around him) unconsciously shows really count.

*Manga spoiler alert*

Endo masterfully blends lies and truths together in this chapter. They recognise the existence of all facades, but somehow still manage to show what reality lies beneath, i.e. the three scenes many people have discussed.

When he tries to use his infamous excuse, "for the mission", once again, even Nightfall could tell that it's not the whole truth.

What's more interesting is when the team is in the car, and the old agent asked Twilight to grab a drink with him once they got back. Twilight refused, and that's when the old agent said: クツ調子いい時だけ家庭面しやがつて in the jp version.

The slight difference is he's saying Twilight only puts on that mask of a family man when he sees fit. It of course still means that Twilight is using his family as an excuse to not grab a drink with him. Twilight then replied: その面をかぶるのが任務ですつてば. (It is my job to put on that mask.)

There is something poetic about the dialogues. There IS a pretence. There IS a mask to be put on for the mission. But Twilight's excuse has lost some of its validity because literally panels ago he's just got called out. And the old agent's tease is a common one against married men who'd avoid office gatherings "because he needs to go home and be the family man". It's a friendly banter.

They then chatted about his "fight" with Yor. There were four professional spies in the car, and none of them found it weird that he just called Yor his wife, and acted like a miserable married man worrying about his wife being angry at him. They were so normal about the situation it's as if Yor really is his wife.

It is the sense of normality that makes everything feel so real. He tried so hard to keep a distance with "his mission", but his actions and the word choices have exposed him.

He still doesn't call the Forger residence home, but he uses this word - 帰, to return. Mika made a thread about this. You only return to something or someone because at the very least part of you feel belong (I'm being ultra careful here but my soul is screaming it's because you feel at home). The place you "return" to must contain some sense of stability. He unwittingly reveals how the Forgers have become his safe place.

That's probably why once he stepped into the apartment and saw a smiling Yor, he fell to his knees. His body finally allowed himself to relax.

But that is also when his lies reappeared. He lied about his day. He lied about his wounds. And he lied about his feelings. It was Yor who opened up to him. He was lying.

While confessing to Yor in his mind.

This might be an unpopular opinion, but I don't think he's telling the truth in his mind. This doesn't mean he's consciously lying. He is trying to convince himself into "seeing the reality".

I'm going to gush so much about these two pages. Brace yourself.

I love these two pages so much, because it shows how lies can be more revealing than a spoken confession. Especially when Twilight is probably unaware of it.

Yor told him that he could rely on her. She uses the term 甘える.

甘える is to go to someone you trust when you feel scared or upset, to moan about your problems even if they sound trivial, and to ask for help for the tiniest things. It works both ways, you wanting to get attention and knowing that the person would still love you and baby you. You know you can be weak and the one you rely on would still find you to be adorable.

That's exactly what Yuri was doing. He ran to Yor crying after being beaten up. That's also what Anya did.

Yor told him that it's okay to be not perfect, and she's willing to share his burden.

He wanted to tell her so much more, but he only gave her a short answer. He just told her that she's made him feel better, but he wanted to talk to her about it. That's when he started to confess to her in his head.

On the surface, this confession shows that he's trying to deny her request. He is insisting that he has to be perfect.

Here's the tricky thing, by explaining to her why he had to be perfect, he had to admit that he's weak.

He wanted to tell her that he fucked up today and needed to be better. He wanted to show weakness. He wanted to 甘える. And his tone just further gives him away.

I will have to admit that I love how he talked to Yor in his head, especially "でもわヨルさん、オレは". He's using such a soft tone while trying to talk himself into toughening up. He went physically soft too. Fell down thrice even if he had prepped himself to get his guard up. He just couldn't do it when he's with Yor.

There are things he can't tell her, but there are more he can't admit to himself. He has wrapped himself in layers of lies, and they turned out to be more revealing than ever.

Twilight is still a huge liar in Chapter 86. I'm not sure if he's a cool liar, but he is the softest liar ever.

There are so many things I want to scream talk about. How he called Yuri "Yuri Briar" but Yor "Yor san". How he asked about Anya once he got home. How he's failed thrice trying to keep his guard up in front of Yor. How he called out to Yor when he thought Yuri had returned. But I guess it's for another day.

#spy x family #sxf #spyxfamily #loid forger #yor forger #agent twilight #twiyor #spy x family manga #sorry for the Ted talk

[brigdh]

Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

#ofmd meta #our flag means death #ofmd 2x08 #ofmd season 2 #ofmd critical #(I guess)

[lokiondisneyplus]

Warning: This story contains spoilers for the Loki season 2 finale, "Glorious Purpose."

Loki ends with its titular god claiming his throne — just not the one he expected.

The Marvel Disney+ show concluded its second season this week, seemingly saying goodbye to Tom Hiddleston's Loki. In an effort to stop the universe from collapsing in on itself, Loki learns to control his "time-slipping," using it to go back further and further in time. With help from Sylvie (Sophia Di Martino), Mobius (Owen Wilson), and O.B. (Ke Huy Quan), he tries again and again to fix the TVA's temporal loom and prevent a meltdown. But every time he goes back, he fails, and he spends literal centuries reliving the same events over and over.

Eventually, Loki admits defeat and chooses to sacrifice himself to save every universe. Walking toward the temporal loom, he grabs the very fabric of space-time and uses it to build a throne of his own, weaving the threads together to create a tree. (It's a nod to the legendary world tree Yggdrasil from Norse mythology.) With that, Loki essentially crowns himself master of the multiverse, watching over every timeline as a lonely god. It's the ultimate selfless act from one of Marvel's most notorious villains — a villain who once sicced an alien invasion on New York to get his dad's attention.

Here, executive producer Kevin Wright breaks down the series' emotional finale — from the throwback line that Hiddleston improvised to whether this is really the end for Loki.

ENTERTAINMENT WEEKLY: When did you decide this was how you wanted Loki's story to end?

KEVIN WRIGHT: I think we knew in season 1. Once we were going to do a season 2, we knew that Loki would end up on the throne. That was always the easy thing. The question was: How do you want that to feel for the audience? There's a version that's triumphant and super heroic. There's a version where it's an evil turn. But it was always about the emotional journey we wanted people to go on. It was about building that journey to be as cathartic as possible and to feel like a payoff for six movies and 12 episodes over 12 years with this guy. It was always about building that arc to be as fulfilling as possible.

Most of the episode is dedicated to this sort of time loop, where we see Loki trying over and over again to get things right and fix the loom, almost in a Groundhog Day kind of situation. What was fun about getting to do that endless loop?

Even in season 1, we always wanted to do a Run Lola Run thing, but there was never space for it. So once we started going into loops this season in the writing process, we thought, "Oh, let's finally do it." So much of that is total credit to Paul Zucker, the editor of the episode. That montage wasn't scripted per se. We knew Loki was going to be rerunning things, but it wasn't written exactly the way that it played.

A really fun thing, though, was that our cast — outside of Tom — had no idea what we were doing. They understood that he was rerunning time, but we shot a very different ending to episode 4 that was not the real ending. All the cast thought something very different would happen. We would send them away on lunch breaks, and Tom would take his lunch later, and he would just keep shooting with [directors Justin Benson and Aaron Moorhead] with a skeleton crew. There were very few people that fully understood what we were building in that finale. So, for that core team, I think there was a lot of satisfaction when everybody was able to sit down and see how it came together. It just felt like this little secret.

What do you remember most about watching Tom film those final scenes?

Two moments really jump to mind. The first is a little bit of a longer story. There's the scene with He Who Remains, and that was scripted one way. We had this fear, like, "Is this going to feel like we're retreading the same ground as season 1?" Would it be fulfilling? We started shooting one day, and anybody in any creative field will understand this: There are days where the words are right, they way you're doing it is right, but it's just not adding up. Something was missing. We knew we weren't nailing it, and I had to make the call. That is really scary, when your first AD just wants to keep moving, and I said we were going to stop shooting.

Tom went and sat down with our script supervisor and basically did this insane crash course in 30 minutes of every line that had been said on the whole series. Then, he went for a run around the lot at Pinewood [Studios], and when he came back, he was like, "I know what this needs to be now." Then, he and Jonathan worked out what it was going to be, and they sat down with Justin and Aaron and me and Katie Blair, our production writer. They just quickly rewrote this new scene and shot it. It was just the pinnacle of what Tom does. He has such a finger on the pulse of this entire series and how that scene had to go. In a moment, he was able to reconfigure it with all of our collaborators.

The other thing is that final line before he steps out toward the loom, which is the Thor line, which was not scripted. Right before we were going to shoot that, Tom came and pitched it to me, like, "Should we do this?" We were like, "God, why did we not write that?" It was perfect, and it was 100 percent Tom.

I wanted to ask about that line, where Loki turns to Sylvie and Mobius and says he has to do this "for you, for all of us." It's a direct throwback to one of his lines in the original 2011 Thor. So that was a Tom Hiddleston improvisation?

It was 100 percent Tom. We had already done a few takes of the first part of that line, which was, "I know what kind of god I need to be." And on the final take, Tom said, "Hey, can I try this?" As soon as he said it, all of us were like, "This is going to be the take." It almost gave me Truman Show vibes, that final sign-off, looking straight down the camera. But that story gets to the heart of how Tom is always trying to make things better. We just had to build a series that could give him the framework to have those creative pivots. Everyone would just kind of throw their hands up and say, "Geez, this is why this guy is fantastic."

With Loki in charge of the multiverse, this could affect how (and if) we might see Jonathan Majors' Kang the Conqueror in future Marvel projects. For you, where does this finale leave Kang and his future in the MCU?

I'm going to tread probably infuriatingly lightly, but for me — and I know all the filmmakers agree — we think everything is there on screen. I think all the details are there, and there is a lot that people haven't picked up on, or haven't fully understood what is being said. The key to the future is in that conversation with Sylvie, and this doesn't necessarily undo any of those threats. In my mind, it's what Sylvie said: "At least give us a chance. Let us fight that battle for ourselves and define our own destiny."

I also wanted to ask about that final shot of Mobius in Ohio, where he's standing there silently, watching time pass. Why was that the right ending for Mobius?

In the big picture of the show, we wanted this to feel like a real ending. We wanted to give closure on a number of things, and we didn't want to do anything that felt like it was just teeing up a new story. But you could plant new seeds that could become new stories. My feeling with that scene in Ohio is that it's Mobius overcoming a personal obstacle. He just had to go and look. The show is not telling you whether he's going to stay there, or whether he's going to go back to the TVA. I think both are possibilities. But the important thing was the character growth of him going to do the thing he has been avoiding. I think it took what Loki did to cause Mobius to go, "I have this opportunity. This opportunity was given to me by Loki. The least I can do is go."

So that being said, is this the end for Loki? Is this a season finale, or is it a series finale?

I'm thinking of it kind of like a comic run, and this is the end of that comic run. I know [head writer Eric Martin] has said this a lot: These two seasons were two chapters of the same book, and we wanted to close the book. That was a challenge from Owen in between seasons: He was like, "Nobody has the courage to close the book! Let's close the book!"

Again, I speak for myself and not Marvel, but I am certainly pitching ideas of where I could see certain stories going. I think there are a lot of stories you can tell at the TVA, and we are just scratching the surface on that. I would love to see more stories with Loki, and I think Tom would continue to play this character until he is Richard E. Grant's Classic Loki [laughs]. But I don't think that means you need to have this story every year or every two years. It's about doing it when we have a good story to tell. I would love to keep working with these filmmakers.

We built a really awesome team, and if Loki is Breaking Bad, maybe there's a way for this team to keep telling stories with our version of Better Call Saul — whether that's with Sylvie, with the TVA, or with a new Loki. But we only want to do that if we have the right story and it can be just as fulfilling as this one. After all, you can't be the God of Stories if you're not going to tell more stories.

#loki s2 #kevin r. wright #interview #tom hiddleston #owen wilson