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#one piece said gay rights
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it’s a GREAT day to be bisexual
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apote-lesma · 3 months
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Altered my brain chemistry honestly. You can’t look at this picture and provide any other explanation than lesbians. Be real
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andthebeanstalk · 3 days
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ur post about queerbaiting and the dismissal of people in fandom to critical analysis is so incredibly true thank you. i feel like marcille's writing in the anime has been super misogynistic a lot of the time and every time i bring this up all anyone wants to say is "well maybe this isn't for you! and you shouldn't watch the show!" like. i don't think this is about taste lmao, i am analyzing the text in front of me and coming to conclusions about the craft of it.
[This is in reference to this post]
YES!!! THANK YOU!!!!!
It is so so frustrating!!!!
It's like being at a restaurant and being served a bunch of delicious appetizers, but then one of the bread appetizers is literally just a plate of crumbs; and then when you're like, "Hey, uhh, why are we being served literal crumbs?", a bunch of the other folks eating at the restaurant are like,
"WELL HOW ABOUT YOU JUST DON'T EAT HERE THEN??!? YOU MUST NOT BE THAT HUNGRY, SO JUST FIND ANOTHER RESTAURANT AND DON'T EAT WITH US!!"
And maybe they say it politely, but "Aw, sorry, maybe this restaurant just isn't for you 💖" is just trading out an aggressive dismissive tone for a patronizing dismissive tone. It's the same message.
And it's like! I was honestly happy to move on from the crumbs once my complaint was acknowledged because the meal overall is still delicious, but then all these folks got SUPER WEIRD AND DEFENSIVE ABOUT IT, so now I find myself double-checking all the other dishes -- and, actually, you know what those eggs DO look a Iittle misogynistic undercooked!!!!
#original#queerbaiting#dunmeshi#dungeon meshi#falin x marcille#marcille x falin#marcille donato#delicious in dungeon#dungeon meshi marcille#listen i like marcille but u r right she is basically there to be a wet blanket a LOT of the time and that is a sexist trope#i think the bar is super super low for female characters in adventure anime and the lack of constant ogling maybe makes the female#characters feel better written than they are. i mean falin basically has no personality. she's got an innocent heart but that's nothing.#and i think these conversations are worth having bc no piece of media is perfect and this is how we learn to do better#also like. I've seen media criticisms that make me go 'oh you straight up should reserve commentary bc you#haven't watched the show and you're wrong' or 'i see what you're saying but you are simply incorrect' but like#i don't think I'd tell someone to just NOT watch Hazbin Hotel bc they have a bad take - and certainly not bc they have accurately#pinpointed a real flaw about the show (of which there are more than a few but frankly not what became the biggest subject of Disc Horse)#Angel is actually an amazing character & i think people mistook a criticism on the way abuse is glamourized as actually glamourizing abuse#like his song about abuse is called Poison and he's trapped in an abusive performance contract - bringing to mind Britney Spears#i think it is a wildly triggering and painful scene but i think a lot of people took the pain it gave them to mean it was bad art#but tbh they are still allowed to eat at the table if they so choose!!!#sorry i got sidetracked - as an abuse survivor Angel just matters a lot to me. i have a couple serious criticisms of vivziepop's work but#Angel is very much not one of them#also in regards to the actual subject of this post i think the most audacity of the responses i got was the one that said#that by complaining about queerbaiting I was 'de-incentivizing writers to write any interaction b/t women that could look even a little gay#and I'm just like. good. I hope they stop writing entirely. if the takeaway from 'please don't sell me bread and then serve me crumbs' is#'WELL NOW I JUST WON'T BAKE ANY BREAD PRODUCT' then that person is a bad chef. they should find a different job.#or at least do a whole lot of work on themselves. but either way i wouldn't be too broken up to know i won't be getting any food from them.#'just leave then' is so obviously a gut reaction defense mechanism & it implies media criticism should only be for things you don't like
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hauntingblue · 2 months
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Oden is winning the bad bitch competition jesus
#so the prophecy was from before oden was killed... so he sacrificed himself for it too...#TURN THAT SONG UPPP!!!!!#WHAT HAPPENED??? also kiku is like 'why am i the only one here serving cunt' and she wojld be right....#luffy got socks and new sandals omg.... and a new sword....#zoro almost killing sanji with enma aldhakdjsksjskqj sanji said put on the armor 😉 and the sword became homophobic#wanda still has namis clothes on... oh its serious....#otsuru omg.... queen.... and she also knows kinemon is there.. the drama the angst#this episode is just edging.... why do i know that something happened at the end of the episode.... enough.....#talking tag#watching one piece#episide 959#NOT THE SUNNY!!! THE PEOPLE FROM OKOBORE BURNT ALIVE???? NOOOOO#me wondering why oden has such a short skirt and then they hide their wives from him when he enters the city ajdjsksk yeah....#omg oden pantyshot.... i keep getting fed this season.....#why the new ad breaks with luffy ace and sabo omg..... dont....#i love this bit about old people with black hair having blonde hair when they were young...#tsuru stripping kinemon of his clothes akdhakdhak#why is oden such a menace lmao jotaro kinda man..... he changed the course of a river 💀💀#hes got a harem???? consensual and everything wow... first poly man in wano lmaooo#oden sama you have to stop... your drip too hard.... your swag too different... your bitches too bad... oden sama they will kill you#making oden on top of someones cremation is too much they should kill him for that i agree also wdym he is 18.... this is a grown man#that was fun but wtf is oden.... what kinda creature#episode 960#kinemon and otsuru hug??? damn why are all the men blushing sndjks i wanna say he is cool but i can't... internalized homophobia...#this is so funny they hugged to fight the gay for oden allegations bc why after all that kinemon is on his hands and knees crying about how#he would die for him????? gay as hell#orochi was a servant for yasuie???? damn...#oden receuiting his band of simps....#episode 961
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musical-chick-13 · 11 months
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Oh not me avoiding a wildly popular piece of media that I’d probably actually like out of sheer spite.
#maybe this is my True Toxic Trait but I just get really annoyed when all I hear is 'this thing is PERFECT it's EVERYTHING it's the only#TRULY high-quality media to EVER exist it is OBJECTIVELY better than literally EVERYTHING else it's the MOST IMPORTANT thing of ALL TIME'#like...again. not that you have to issue a disclaimer for media discussion of every single one of it's flaws before you earn the right to#talk about it. but if people keep holding something up as The Best Ever No Exceptions with literally no other commentary I just kind of...#get irritated to the point where I don't want to engage with the thing#I think in this case it's really...Objectively This Is The Best. I think that's what bothers me. because there IS no objective measurement#of art. it doesn't exist!! and that's okay!!!! just be honest!!!!!!!#'but mc13 what about your relationship to cxgf' well if you go back through my episode reviews you will see that I very much#acknowledged that some things could be done better and that it is not a perfect show because perfect media ALSO doesn't exist#and I've never said that it's the ONLY '''right''' way to present the themes it explores. there are a million different ways to do that#and it is the Greatest of All Time in MY OPINION. that's not going to be true of everyone!! and you can think something is the Best™#WITHOUT PUTTING DOWN OTHER PIECES OF MEDIA /ESPECIALLY/ ONES THAT ARE NOT EVEN IN THE SAME GENRE OR HAVE THE SAME FUNCTION??????#I'm also so tired of people saying 'it's good because it's gay™' like that tells me NOTHING#and like. the ideas/themes/concepts presented in this thing (from what I can tell) ARE present in other types of media and y'all REFUSE to#engage in those other things??? like you write them off and disparage them and basically unconditionally hate the things in them but#THIS time it's okay THIS is the exception and there is just NO awareness or critical thought there at all. it's the hypocrisy for me#In the Vents
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the-cimmerians · 3 months
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It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.
In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"
"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."
It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"
In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."
Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.
***
In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.
***
The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.
***
By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"
I blinked. "Is... that a problem?"
She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."
"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.
When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.
***
By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.
***
Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.
1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.
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youwerelikeanangel · 9 months
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oh but how absolutely monumental it still is to have all these big and mainstream pieces of queer television right now. remember how excited you got when there was one character who said he was bi or gay only then to be killed or written off or treated horribly by both writers and the public. remember how hard it was to find queer shows and movie that didn’t make you hate yourself or so angry or scared. remember how seen you felt about that one queer kiss or that one coming out or within one particular character! yes, devastating sad queer pieces are important. fucked up queer stories need to be told. queer period pieces and dramas with unhappy endings too. but queer happiness, queer young and old love, queer cringe, queer joy- we deserve that too.
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nach0 · 1 year
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i have so many fics i should be working on rn and a bunch of art things i want to get done but brain says no, instant task completion validation of ask blog
anyway go send asks to @ask-vulpec-city if you like little gay idiots and also the system itself being harmful despite those in it trying to do the best they can
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incorrectbatfam · 2 months
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Damian being a gen alpha implies in gen alpha Jon too ...
[at a sleepover]
Damian, whispering: Jon?
Jon: Yeah?
Damian: Our planet is doomed.
Jon: Yeah, it is.
Jon: Wanna sneak downstairs for snacks?
Damian: Sure.
———————
Steph, as a Batburger cashier: Sorry ma'am, that product was discontinued months ago.
Jon: *secretly starts recording*
Margie: You didn't even bother to check! What kind of lazy service is this? No wonder the world is the way it is with your generation. I should call the corporate hotline right now and report you for refusing to serve a paying customer. See how you like it when you lose your job.
Damian: Hey Karen, she said they don't have it anymore. Either get something else or leave. Some of us have places to be.
Margie: And who do you think you are?
Damian, pointing to Jon's camera: The best friend of someone with 150,000 followers.
Jon: Say hi to the internet!
———————
Damian and Jon: *putting up hand-drawn posters around town*
Comm. Gordon: What are you kids doing?
Damian: Advertising our joint channel.
Jon: We're gonna have an epic Cheese Viking and Fortnite mashup tournament.
Damian: Proceeds go to the Wayne Foundation.
Comm. Gordon: *scribbles a note and hands it to them*
Comm. Gordon: If anyone asks you for a permit, it's on me.
———————
Damian and Jon: *huddled around the Batcomputer*
Jon: I think we should sort it by distance instead.
Damian, typing code: Good idea.
Barbara: What's that?
Jon: Our new website.
Damian: It allows people to report stray animals they see without the risk that comes with physical contact.
Barbara: Oh, cool. Carry on.
———————
Kara: What do you want to drink?
Jon: Mountain Dew. Dami, you want one?
Damian: Depends. Is it vegan?
Kara: *starts typing into Google*
Jon: Hey Alexa, is Mountain Dew vegan?
———————
[texting]
Jon: Dami, get on Discord.
Damian: Why?
Jon: Live-action One Piece streaming in the Gay Minecraft server.
———————
Jon: Ms. Kyle, check it out!
Selina: What is it?
Damian: TikTok added a set of Catwoman stickers.
Selina: Show me.
———————
Kate: I still think you are far too young for things like Instagram.
Damian and Jon: *snicker*
Kate: What?
Jon: Well, Ms. Kane, how should we put it...
Damian: No one uses Instagram anymore.
———————
Jon: *takes a 0.5 of him and Damian with Dick in the background*
Damian: You're in our BeReal now. Deal with it.
Dick: What's a BeReal?
———————
Damian, handing Jon a rock: I would like to buy this playhouse.
Jon: Too bad, the economy just disappeared.
Lois: What are you doing?
Jon: We're playing Society.
———————
Damian: Alfred, we're hungry.
Alfred, on the phone: *makes the thumb and pinky gesture and mouths "I'm busy"*
Jon: Huh?
Alfred: I'm on the phone, boys.
Damian: I think he meant this.
Damian: *puts his palm to his ear*
———————
Jon: Parkour!
Jon: *hops over a log*
Jon: Parkour!
Jon: *climbs a tree*
Damian: *recording*
Clark, to Bruce: That's one way to play.
Bruce: Mhm.
Clark: Do you ever get worried about, you know, how these kids are turning out?
Jon: Parkou—
Damian: Wait, stop, there's a bird's egg here. I wonder what species it is.
Jon: I have an app that can scan it.
Bruce, to Clark: I think they're gonna be alright.
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nvirskies · 4 months
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it's getting hot in here - c. la rue
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warnings: reader is like half-naked? just no shirt on is all but reader is wearing a sports bra, nothing sexual just like a tad suggestive?, clarisse is a gay mess, kinda ooc clarisse, i know next to nothing about blacksmithing please hang in there with me, fem reader, no use of y/n, self-conscious reader, not beta read
summary: clarisse goes to pick up a custom order dagger from the forge when she's met with an unexpected sight.
hephaestus!daughter!reader x clarisse la rue
word count: 1.3k
taglist: @lvrue @azrielsdiary @b0ok-lover @star-girl69 @petitegavotte
from this post !
a/n: tbh might make this a multi part thing, at least a second part. also, so sorry this took so long to finish- i got sidetracked with a couple other things irl. hope you enjoy! men, nsfw, non-sapphics, 16- / 19+ dni
It was no secret the kids of Cabin 9 ran a side business to make some extra cash. It was pretty lucrative, given that there would always be a line of demigods waiting to have their weapon(s) of choice customized. Custom engravings, patterns cast into handles, ergonomic handpiece add-ons, and so much more. Name it, and it would be done for the right price, forged with impeccable quality.
And that was how Clarisse La Rue found herself heading to the forge just east of the strawberry fields with a thin paper in one hand and a small bag of golden drachmas in the other. The edges of the slip were just barely singed, and the writing on it looked nearly incomprehensible to many eyes, scribbled notes of her order confirmation and gods only knew what else. It didn’t matter to her, she just needed it to get her dagger and go.
Crowds parted for her like the Red Sea, once-lively conversations coming to a grinding halt as she walked straight through crowds and groups with nothing more than a glare and a sharp look in any general direction. 
In no time at all, the familiar sounds of machinery clanking, fire hissing and crackling, and hammers striking metal filled the air. It was the forge, the singular place where one could guarantee there would be at least one child of Hephaestus in there at all hours of the day. 
She pushed open the heavy metal door, swinging it wide open soundlessly despite its obvious weight. And what a sight she was greeted with. You were there alone, hunched over a piece of blisteringly hot metal, pounding away at it with a hammer in one hand and a pair of tongs in the other.
Something about you entranced her. 
She didn’t know if it was the way your hair was pulled into a low ponytail, some loose strands clinging to the sides of your face, the way you subconsciously bit your lip as you focused completely on the red-hot metal in front of you. Or perhaps, it was the way your muscles rippled in the dim firelight as you struck the metal again and again, a thin sheen of sweat covering the exposed portions of your skin from both the heat and the exertion. 
Maybe it was a combination or something else entirely. 
As she gazed at you, a light blush dusted her cheeks as she came to the realization that you weren’t wearing much while working. The heat of the forge had led you to forgo wearing a shirt entirely, said shirt reduced to a tiny, crumpled gray bundle of fabric in the corner of the room. You were left wearing a sports bra, dusted with ash and soot and a pair of baggy sweatpants resting just above your hips.
It wasn’t as if Clarisse had never seen people dressed in less before. Hell, she’d seen her own fair amount of skin for various reasons. But this time, it seemed different. The slip of paper and bag of coins in her hands were forgotten momentarily as she simply stared at you from the doorway.
The way the dim light of the roaring furnace illuminated you from behind gave you an almost ethereal glow, the edges of the flames flickering around your moving silhouette. 
She could see the muscles in your arm and shoulder tensing and relaxing with every ever-so-precise swing of the hammer, and she found herself silently watching you work from the doorway. 
Ultimately, it was the soft clinking coming from the bag of drachmas Clarisse held in her hand that drew your attention away from the project in front of you. Your head snapped up, tense and a tad startled from the sudden sound, having been so zoned into your work that you hadn’t noticed her presence. 
The hammer in your hand dropped to the metal workbench with a loud clang, the sound reverberating throughout the forge, ripping Clarisse from the glossed-over, hazy look in her eyes as she watched you move just moments ago, having been completely and utterly under your spell.
“Shit-!” you exclaimed, jumping slightly and wincing at the harsh sound, eyes widening further as you’re greeted with the sight of a Clarisse who seemed far too casual compared to how she normally treated campers, especially given her outward distaste towards children of Hephaestus. 
And all of a sudden, you’re all too aware of your lack of a shirt and your cheeks flare with an embarrassed bright red flush.
Flushed the same color as the heated metal in front of you, Clarisse noted absentmindedly. It wasn’t a look she didn’t like. But of course, she would never admit that. The big, bad Clarisse La Rue flustered over something as insignificant as muscles on a girl? Impossible.
Her attention is drawn back to you, observing as you scurry to the other side of the room to grab your stashed-away shirt, slipping the loose grey fabric over your body, any and all views of the muscles she had seen just moments prior completely disappearing in a matter of seconds.
After having taken a few calming breaths, you steeled yourself for a barrage of snarky remarks that you were sure would come spewing out of the Ares cabin counselor’s mouth like acid out of the myrmeke’s mouths, but they never came.
Instead, you’re greeted with the sight of a Clarisse who seemed to be a bit flustered? Her eyes didn’t meet yours for a moment before she straightened herself out. Before your very eyes, you watched her cool and collected facade slip over her like a mask, and that trademark smirk of hers tugged at the corners of her lips.
“I’m here to pick up an order, under my name,” she remarks, holding up the bag of drachmas and thin slip of paper in an outstretched hand. Her gaze seemed like it was scrutinizing everything about your appearance from the baggy grey shirt that hung loosely over your frame to the soot just barely smudged on your forehead. Whether it was a good or bad look you had no idea, subconsciously shrinking into the shadows of the dimly lit forge.
“Right, right, La Rue…” you trail off nervously, scanning the room for the rack that held completed orders and leafing through the tags attached to each object. “La Rue, La Rue, La Rue, where is it-?” you muse to yourself, repeating her last name in a hushed tone until the sight of it comes into view. The dagger she had ordered was at the edge of the table, with the request for a heavyweight handle and an etching of her initials into the butt of it.
Normally, Clarisse would have found your behavior annoying if it were coming from anyone else, but oddly enough, she quite liked the way her last name rolled off your tongue. It felt almost natural, too natural. Quickly, she brushed away the lingering thoughts about how you had looked almost god-like with the flame from the roaring furnace glowing behind you, the thoughts of what your skin would feel like under her hands. 
After a beat of silence, you grabbed said dagger, placed a little ball of clay over its razor-sharp tip, and slipped it into a small drawstring bag, pulling it closed. 
“That’ll be five golden drachmas, La Rue, or fifteen silver ones. Whatever works for you” you say as you hand her the bag, other hand outstretched for the paper she held and to take the coins. She dropped the five golden coins in your palm and grabbed the bag to turn on her heel and walk out without another word.
Or so you thought.
“Thanks for the weapon. I’ll see you around, pretty girl.”
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sibylsleaves · 9 days
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rewatched 7x05 in its entirety and the entire conversation buck has with maddie is SO funny from maddie's perspective. like.
The FIRST thing he says. NO OTHER CONTEXT. is that he lied to eddie and it's eating him up inside.
Maddie is sitting there thinking like oh boy. lied to eddie??? Ok. what's all this then.
Buck explains about being on a date, running into Eddie and Marisol etc etc etc and after Maddie rules out buck doing something TRULY wild like dating a celebrity or a married woman she's run out of possible options as to like. WHY did Buck lie to Eddie? So ofc she asks him, why did you did that.
Buck is like I don't know.
NOW IF IM MADDIE. sitting here wondering why my baby brother just lied to his bestie about being on a date for no apparent reason. like. She's GOT to be wondering, right??? She's gotta be like. Something has CHANGED between Buck and Eddie and Buck now, out of nowhere, seems to NOT want to tell Eddie he's dating someone. WHATS all this then.
Finally she gets the crucial piece of information that oh yeah, i was on a date with a guy, no big deal maddie NOT THE POINT. obviously i check out hot guys' asses CAN WE PLEASE FOCUS
now things are making sense again. Maddie's like, yeah actually, kind of the point. You felt weird about telling Eddie you were on a date with a guy when no one, not even you, even knew you were interested in guys before. that totally tracks, very reasonable actually.
except then. THEN. Buck reveals the second crucial piece of information. that the guy Buck was on a date with. was Tommy. as in BBPU double-u backslash TOMMY. TOMMY FROM THE CALENDAR TOMMY!!!!!! WHOM. LAST MADDIE CHECKED. IS BUCK'S SOLE RIVAL IN THE BATTLE FOR EDDIE'S ATTENTION THAT HE MADE UP IN HIS HEAD.
at this point, in maddie's head she's gotta be like. ah. my little brother has entered into some kind of insane gay psychodrama of triangulated desire the likes of which patricia highsmith could only dream of. and she's just like well. it seems that your problem might be that you were on a date with a man whom not one week ago you were competing with for your best friend's attention, and now you are lying to said best friend about it and THAT PART is what made you spiral so hard you showed up at my door like a guilty puppy. and frankly. as a woman who is happily nearly-married to the love of my life whom i have a three-year-old with i am not qualified to tell you what the FUCK it is you think you are doing here. so. you should tell eddie your feelings, which you still don't understand, at some point i guess! godspeed little brother
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actual-changeling · 6 months
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This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.
The tear and I are getting married, her name is Trina and I love her.
Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).
We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.
As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.
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Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.
Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.
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The best spot to look at is his waterline, and as you can see it's free of any sad tears.
We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!
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We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!
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This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"
I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?
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There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)
Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.
you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.
As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.
Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?
That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.
It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.
Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.
Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.
This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.
Yeah.
Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".
Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.
We could have been us. (I wanted us to be an us)
And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.
Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚
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drchucktingle · 3 months
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let the message bake
someone on way of bluesky was asking chuck about WRITING PROCESS for novels and it is good talk so i am going to but my answer here
they said: I respect ur trot as a writer and I was wondering if u wrote in a straight line from beginning to end or if u start in the middle/end and fill in? I've got a great story idea but idk how it starts, so I'm not sure if *not* writing from beginning to end would even work.
for full novels i have 'ideas' (high concept) and 'messages' (WHAT i want to say) and these tumble around in head until crashing into a match to unlock something more. then i tell story in my head until i know it perfect. finally i sit to write it out in one straight line over a few weeks
so ideas and messages could lurk in brain for years, even decades. once the match happens i am telling myself story in head and working out details for a month or two. then when it is time to write the novel it takes about 3 or 4 weeks because i know story like back of hand. that is process
i always write MESSAGE FIRST and will not write until i have something important i want to say (sometimes message can change during process but this is where i start). by separating IDEA and MESSAGE i give time for each to evolve into something special in its own right
then when they come together it BLOOMS into more than sum of parts. for instance i have high concept horror idea i have loved for around ten years. but i did not have a 'what do i want to say here?' then recently i had big feelings about BI ERASURE and realized 'whoa that idea is PERFECT vehicle.'
on other hand with something like BURY YOUR GAYS the message and the high concept idea happened at basically the same dang time. these two trotted out so close on the timeline it was almost a whole piece.
so the pace of creation can change from story to story, but i always allow each half the time to bake until its ready
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tgcg · 4 months
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ill break your shit adam
warning for adult lang
fuck you adam sandler
youre lucky karkat likes you
stupid fuck sees an amnesiac girl
and asks her can i marry you
that lady got issues mentally
you still down to do shit anally
deplorable zit on the ass of romanza
karkat told me to put that shit in this stanza
do raps even count as having stanzas
slam poetry tyke at preschool im no manza
youd probably jack it to a log with holes if they were wet ones
sitting on that stupid dock with her papa cracking cold ones
piece of shit id push you off that dock and watch you bubbling
kick your ass like her shitty bro failed when you were troubling
penguins dont quack like fucking ducks you dumbass
thats not part of the rap i just think that youre a dumbass
back to the rap sandler i bet you couldnt drop a single bar
too busy picking up stupid women at the stupid women bar
who even let you into hawaii
also did i say karkat liked you i was kidding he wants to kick your heinie
seriously watching that shit again made him start slamming his head into the cushions and screaming i had to pry them out his hands and he almost bit me
sorry i forgot i was rapping again
piece of shit forgot that you can like women while dating other men
still not over that chuck and larry shit adam
if you just said to the gov you were bi you coulda had em
firefighter of the year? well try putting out this heat
karkats gonna beat your ass like you do every night to your meat
gotta ask is this shit wish fulfilment for you
gotta say larry deserved better than you
i could treat him way better than you not in a gay way though
i just mean youre a massive sleaze basically the worlds shittiest bro
back to 50 first dates man sandler your shit is a bore
the stupid bits with schneider got my ass addicted to snore
if i was that stupid walrus id tear your ass to shreds
if i was that penguin i would also tear your ass to shreds
itd be harder but id still do it
bro fuck adam sandler im through it
===
TT: Wow. Bravo, Dave. You've outdone yourself.
TG: i wrote this one exceptionally fucking terrible to represent my inner darkness
TG: i can never unwatch those cinematic fossilized turds theyre like time capsules devoted to everything wrong with america
TG: you dont even understand how egregious that was
TT: I can sense the utter malaise and contempt in every word. It's beautiful.
TT: One particularly interesting point I'd like to make is the fact that you managed to refer to butts in a song about a male target, 10 times in the span of 37 lines. It's not an exorbitant amount, but it appears to be a running theme in your works. Very interesting, if you ask me --
TG: nooooo
TG: nope no
TG: not this shit again
TG: listen one of them is karkats fault
===
CG: ROSE, YOU JUST DON'T FUCKING UNDERSTAND WHAT HE'S DOING HERE AT ALL.
TT: No? Please, enlighten me Karkat.
CG: GLADLY.
CG: HE STARTS OUT WITH THE FRIGGIN WORD "ANAL" PRECEDING ALL OF THE OTHER MENTIONS, OF COURSE IT'S ON PURPOSE. IT INSTILLS THAT IMAGERY IN YOUR NUGBONE THROUGHOUT THE TRACK.
CG: AND YOU MAY HAVE NOTICED A RECURRING USE OF THE WORD "SHIT", IN TANDEM. BOG-STANDARD FOR DAVE, RIGHT? NO! IT'S PART OF THE EFFECT!
CG: MY THESIS: ADAM SANDLER MOVIES ARE PIECES OF ABSOLUTE SHIT AND THE REFERENCES TO WORDS LIKE "LOG" AND "SHIT" AND "ASS" ARE TO INVOKE THE SENSE OF TAKING A MASSIVE DUMP THROUGHOUT THE SPAN OF THE RAP, WHICH BY ALL MEANS WOULD BE AN EQUAL OR GREATER USE OF YOUR TIME THAN WATCHING THOSE MOVIES.
CG: RIGHT, DAVE?
TG: … yeah
TT: Okay, I'm willing to concede to that. On this subject matter, as an avid terrible movie enjoyer, you admittedly know better than myself.
CG: SHOULD KNOW BETTER.
TT: And you love them anyways.
CG: YEAH.
TG: hes right
TG: you hear that shit hes right
TG: fuck death of the author im verifying that interpretation
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genderkoolaid · 3 months
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Examples of transandrophobia: i've seen sections of Leslie Feinberg's piece "Sisterhood: Make it Real" passed around this site for literally years, and TODAY was the first time that I saw the whole thing and learned that ze called out cisfeminists in it for getting rid of trans men the second they started transitioning. Like I always thought it was a good piece but I had literally NO IDEA that it talked about trans men because that part was never included in posts about it, even when those posts were calling out cisfeminism for being transphobic. I'm just gobsmacked tbh
This is a great point!
Honestly more people need to read that full chapter. There's a lot of really good points.
Amongst other things, Leslie talks about how "women good men bad" is poor feminism:
Of course, as a result of the oppression women face growing up in such a violently anti-woman environment, some women draw a line between women as allies and men as enemies. While it’s understandable that an individual might do so out of fear, this approach fails as theory. It lumps John Brown and John D. Rockefeller together as enemies and Sojourner Truth and Margaret Thatcher together as allies. This view of who to trust and who to dread will not keep women safe or keep the movement on course.
How feminine men are victims of gender oppression:
The oppression of feminine men is an important one to me, since I consider drag queens to be my sisters. I’ve heard women criticize drag queens for “mocking women’s oppression” by imitating femininity to an extreme, just as I’ve been told that I am imitating men. Feminists are justifiably angry at women’s oppression - so am I! I believe, however, that those who denounce drag queens aim their criticism at the wrong people. This misunderstanding doesn’t take gender oppression into account. For instance, to criticize male-to-female drag performers, but leave out a discussion of gender oppression, lumps drag queen RuPaul together with men like actor John Wayne! RuPaul is a victim of gender oppression, as well as of racism.
How masculine women are assumed to know less about gender oppression:
But I grew up very masculine, so the complex and powerful set of skills that feminine girls developed to walk safely through the world were useless to me. I had to learn a very different set of skills, many of them martial. While we both grew up as girls, our experiences were dissimilar because our gender expressions were very different. Masculine girls and women face terrible condemnation and brutality including sexual violence - for crossing the boundary of what is “acceptable” female expression. But masculine women are not assumed to have a very high consciousness about fighting women’s oppression, since we are thought to be imitating men.
And as you said, how trans men deserve access to women's and lesbian's spaces without having their transmasculinity ignored or seen as being butch-in-denial:
And our female-to-male transsexual brothers have a right to feel welcome at women’s movement events or lesbian bars. However, that shouldn’t feed into to misconception that all female-to-male transsexuals were butches who just couldn’t deal with their oppression as lesbians. If that were true, then why does a large percentage of post-transition transsexual men identify as gay and bisexual, which may have placed them in a heterosexual or bisexual status before their transition? There are transsexual men who did help build the women’s and lesbian communities, and still have a large base of friends there. They should enjoy the support of women on their journey. Doesn’t everyone want their friends around them at a time of great change? And women could learn a great deal about what it means to be a man or a woman from sharing the lessons of transition.
Not that "trans women belong in feminism" wouldn't be a good point on its own, but people's selectivity with which parts of that chapter they share definitely warrant scrutiny.
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beautifulhigh · 8 months
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The smallest of looks is the loudest moment in the room
Just a little one from me to save me from going insane and to sate my followers...
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ZAHRA: How long has this been going on?
Alex is focused on Zahra, Henry is staring off into the middle distance until Alex answers her.
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ALEX: Since New Year's.
And it's that Henry reacts to. Have a close up.
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Henry's gaze flicks to Alex. In this exact moment (1 hour, 5 minutes, and 41 seconds), he looks at Alex for a few seconds.
This is the moment Alex has put a start date on this thing between them.
It's a little more certain here than it is in the book:
"How long has this been happening?" "Since, um, New Year's." (page 233)
The placement of that "um" holds meaning for me - in the book Alex is hesitating before he pins a start date on him and Henry. He's trying to figure it out and that's what he goes for. Because how long has it been going on? Since they started sharing intimate thoughts and fears? Since they increased the benefits they had added to their friendship? Since the Red Room?
Nope. Alex goes for the moment when the possibility between them changed and he completely ignores the weeks of silence that happened straight after. The period of time in which Henry was full of fear over what he'd done, what Alex might do. In the book we know he runs scared, going on a public date and being photographed.
If there was a prince, and he was gay, and he kissed someone, and maybe it mattered, that prince might have to run a little bit of interference. (page 125)
We don't have anything like that in the movie but we do have the silence. We see Henry's fear when he comes into the Red Room. Not just because of the line he crossed with Alex but because he has exposed himself and his most closely guarded secret, a glimpse of his true self.
He will know that Alex isn't going to out him - they've spent long enough talking and getting to know each other for that to not be Henry's fear. And if he was then it would have happened long before the State Dinner. Henry's fear is about losing Alex, losing the friendship, losing that connection with the boy he's wanted since the Olympics/Climate Conference.
I'd put money on Henry promising himself, once upon a time, that he would never do anything to risk losing what small pieces of Alex he could have in his life. And when they start up this thing he goes in thinking that this is all he can have, all he will get.
"I thought I could have some part of you, and just never say [I love you], and you'd never have to know, and one day you'd get tired of me and leave, because I'm--" (Page 272)
Henry didn't think he would have all of Alex, at least not anything of import, that Alex wouldn't be as far in as Henry is. And yet here he is in this hotel room, declaring they have been this thing since that kiss. Since before they properly made out in the Red Room, went down on each other in Alex's bedroom, talked about "keeping things casual" before embarking on the most insanely devoted shag fest known to mankind.
Alex has been in since New Year's and he tells Zahra just that.
In the movie he is more decisive. (Just like the instant "No" when Zahra asks if it would make a difference if she asked them to stop.)
Since New Year's. Since the moment Henry kissed me and I became unable to think about anything else except doing it again. And doing other stuff.
And even though Henry ghosted him right after, even though the next thing Henry said to Alex after his apology and disappearance into the night was another apology for his behaviour, Alex has labelled that moment, that kiss, as their start.
The moment when Henry was brave.
And in the movie we get to see Henry's reaction to that. They've been discovered, things are about to blow up in a way they can't control, and Alex says that as far as he's concerned this thing between them has been going on all year.
Before the emails. Before Paris. Before the State Dinner. Alex has been Henry's since New Year's and this is the moment he finds that out.
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