Independent Girl Quotes and Sayings
In life, being independent means that you don’t always need someone else to take care of you. You are in control of your own life and you can make the decisions that are best for you. This doesn’t mean that you’re a lone wolf or that you’re not sociable.
It simply means that you know how to take care of yourself and that you’re not afraid to take risks. Here are Elegant Inspirational quotes about being independent and Independent quotes for girls living life on your own terms.
Independent Girl Quotes
Above all, be the heroine of your life, not the victim. – Nora Ephron
A woman without a man is like a fish without a bicycle. – Gloria Steinem
A woman with a voice is, by definition, a strong woman. – Melinda Gates
No one can make you feel inferior without your consent. – Eleanor Roosevelt
The question isn’t who’s going to let me; it’s who’s going to stop me. – Ayn Rand
Once you figure out what respect tastes like, it tastes better than attention. – Pink
The kindest words my father said to me women like you drown the ocean. – Rupi Kaur
Don’t let anyone speak for you, and don’t rely on others to fight for you. – Michelle Obama
She was a wild one; always stomping on eggshells that everyone else tiptoed on. – Katlin Foster
I’m tough, ambitious and I know exactly what I want. If that makes me a bitch, okay. – Madonna
If you’re always trying to be normal, you will never know how amazing you can be. – Maya Angelou
I am no longer accepting the things I cannot change. I am changing the things I cannot accept. – Angela Davis
Cute Independent Girl Quotes
As for my girls, I’ll raise them to think they breathe fire. – Jessica Kirkland
I figure, if a girl wants to be a legend, she should go ahead and be one. – Calamity Jane
A strong woman is a woman determined to do something others are determined not be done. – Marge Piercy
She was powerful not because she wasn’t scared but because she went on so strongly, despite the fear. – Atticus
The woman who doesn’t require validation from anyone are the most feared individuals on the planet. – Mohadesa Najumi
Be strong enough to stand alone, smart enough to know when you need help, and brave enough to ask for it. – Ziad K. Abdelnour
I am a woman with thoughts and questions and shit to say. I say if I’m beautiful. I say if I’m strong. You will not determine my story— I will. – Amy Schumer
Of course, I am not worried about intimidating men. The type of man who will be intimidated by me is exactly the type of man I have no interest in. – Chimamanda Ngọzi Adichie, Independent Girl Quotes
Independent Girl Quotes for Instagram
I never dreamed about success. I worked on it. – Estee Lauder
You don’t worry about fitting in when you’re custom made. – Drake
I’d never been a good damsel in distress. I was a ‘hands-on’ damsel. – Jennifer Armintrout
There is a special place in hell for women who don’t help other women. – Madeleine Albright
She was free in her wilderness, she was a wanderess, a drop of free water. She belonged to no man. – Roman Payne
Do not tame the wolf inside you just because you’ve met someone who does have the courage to handle you. – Belle Estreller
I would rather be thought of as smart, capable, strong and passionate than beautiful. These things all persist long after beauty fades. – Cassandra Duffy
You need to know that you’re enough – a mantra that has now ingrained itself so deeply within me that not a day goes by without hearing it chime in my head. – Meghan Markle
The woman who follows the crowd will usually go no further than the crowd. The woman who walks alone is likely to find herself in places no one has ever been before. – Albert Einstein
Independent Girl Quotes for Instagram
I never dreamed about success. I worked on it. – Estee Lauder
You don’t worry about fitting in when you’re custom made. – Drake
Each time a woman stands up for herself, she stands up for all women. – Maya Angelou
I’d never been a good damsel in distress. I was a ‘hands-on’ damsel. – Jennifer Armintrout
There is a special place in hell for women who don’t help other women. – Madeleine Albright
She was free in her wilderness, she was a wanderess, a drop of free water. She belonged to no man. – Roman Payne
Do not tame the wolf inside you just because you’ve met someone who does have the courage to handle you. – Belle Estreller
I would rather be thought of as smart, capable, strong and passionate than beautiful. These things all persist long after beauty fades. – Cassandra Duffy
You need to know that you’re enough – a mantra that has now ingrained itself so deeply within me that not a day goes by without hearing it chime in my head. – Meghan Markle
Independent Girl Captions for Instagram
Women must learn to play the game as men do. – Eleanor Roosevelt
The most courageous act is to think for yourself. Aloud. – Coco Chanel
I’m not afraid of storms, for I’m learning to sail my ship. – Louisa May Alcott
You don’t have to play masculine to be a strong woman. – Mary Elizabeth Winstead
She’s an old soul with young eyes, a vintage heart, and a beautiful mind. – Nicole Lyons
We, women, talk too much, but even then we don’t tell half what we know. – Nancy Astor
You are more powerful than you know; you are beautiful just as you are. – Melissa Etheridge
If you want something said, ask a man; if you want something done, ask a woman. – Margaret Thatcher
I am proud of the woman I am today, because I went through one hell of a time becoming her. – Unknown
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BLOODHOUNDS
ft Y.T and Tripwire
[their ‘duo name’ is Bloodhounds from now on btw… if you even care..]
alternative title ver- it would’ve taken away the effect of the *COUGH* easter egg
notes n what not coming soon
The sketch and the flowers used :3
The composition originally was going to be a lot different (had two in mind) where the Red King’s involvement would’ve been more prominent. Went with this one simply cuz it was just more fun to experiment, where the negative space is made front and centre focus :]
Whennnn picking out the plants ddint think for a second about symbolism- and going off of just ANY flower for flower language would have been too big of a selection pool… So in respects to SL environmental setting - native Australian plants it was.
-The golden wattle trees by its abundance and have benefited Aboriginal and Torres Straight Islanders for thousands of years to create various markers and tools. The plant survives harsh droughts, and its seeds have a coating strong enough that can be salvageable beyond bushfires.
-as a signifier of Spring and new beginnings hence rebirth, the golden wattle to me was also very thematically fitting for a season like Secret Life :]
-I never looked into what Illawarra flame trees (the flowers of the coat my SL!Bdubs design is wearing) before until today.. and I quote “Regains confidence and self-approval, able to make commitments with the strength of self-reliance. Clarity in life and ability to adapt to all situations. Secure enough to express and communicate true feelings. To be beautiful and strong ” [SOURCE: Australian Bushflowers] which…. Ok damn. There’s also alcohol in it.
-Eucalyptus trees in Indigenous Australian culture represent the division between the underworld, the Earth and heaven.
The selection of plants while don’t represent Bloodhounds together - but more of what Martyn and Bdubs are individually, they’re interesting in the things they have in common what they represent. And the differences they go about this loyalty throughout the seasons and why they devote - especially in LimL and SL.. Fascinating stuff.
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A critique I've heard of season two is that we’ve lost a lot of our symbolic objects, archetypes, and motifs. Season one gave us the lighthouse, the kraken, the red silk and the unicorn, the seagull, the auxiliary closet, Gnossienne no. 5, Pinocchio…
And then I think back to Samba sharing a quote from writer Alex Sherman during the ECCC panel:
“Season one is Stede going from a puppet to a real boy, and season two is Stede becomes a man.”
And that’s it, isn’t it? The transformation from object to subject, from something that has things done to it versus someone with agency. We see that transformation throughout season two. Almost every significant object is discarded, every symbol realized in flesh.
The process starts at the end of season one with the throwing away of all of Stede’s things. So much has been written about Stede’s potential response to that act, and so many folks (myself included) held on to the idea that perhaps Ed kept a little bit, maybe the auxiliary closet. Stede literally no longer cares about those things. He originally brought all the things he loved with him to sea because he didn’t have significant personal relationships. That’s why we hear Gnossienne no. 5 as he goes through the empty cabin pulling out all of the knives. The discordant love motif shows how his priorities have changed, how his love has transformed.
The red silk is gone as well, but instead we have Stede, real and in the flesh wearing the exact same color, clutched in Ed’s hand in the moonlight.
The kraken, a giant monster capable of rending a ship in two? Ed becomes that, literally, disassembling the Revenge to sail her into a storm and destroy her.
The lighthouse? A warning, Ned Low in his silver suit, a beacon in the dark warning Stede of what he will become if he continues on his course.
The unicorn, the destroyed masthead, literally becomes Izzy, a man taken apart and rebuilt piece by piece out of the parts of Stede Bonnet to become a beloved and respected member of the crew, and perhaps one of the strongest examples of self-actualization so far.
The attempts at reversing the process are demonstrated to be ineffective. The catalyst is when Buttons becomes a seagull, which shows Ed that the process of change is possible—that someone can become something or someone else. And he tries, he throws away his leathers, dons Button’s old jacket, tries to become an archetype. Stede tries to become a “real pirate”, despite the warning from Low. Even in Ed’s vision of Stede as a merman, Stede is being reduced to the role of symbol—a mythical being rather than a very real, very flawed man. They are both still trying to be the object when they need to be the subject. They need to take action, to realize themselves. And it’s a gruesome process. Jim’s version of Pinocchio is about the horrific transmogrification from wood into flesh and the horrors that need to be faced in order to make that transition.
We, the audience, are experiencing discomfort in this process. We are being held right up against the lighthouse lamp, and it burns. This is the emotional equivalent of body horror. It feels like all of our beloved belongings are being thrown overboard, but I promise they aren’t.
They are becoming.
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