#rather than being allowed to be a complicated messy interesting character

[arcadianico]

i think one of the reasons i dislike qtntduo as a ship is that wilbur hasn’t been on since literally before the brazilians arrived and everything about qq and elq was always made to be about him. and listen, i know qq’s obsession played a role in that but also qq’s thing about wilbur is so much more complicated that it usually gets portrayed. also having them be romantic and actually involved with each other would be boring sorry

#like the most interesting thing about their dynamic is the tension #also the unbalanced nature of the interest and the unhealthy route of qq’s interest are compelling as character aspects #but not as interesting within a romantic relationship #qq’s whole thing about wilbur is genuinely incredibly interesting. it also has very little actually to do with wilbur as a person #that’s why it’s able to continue so long without his presence #also every time i see a post about how wilbur will meet elq and immediately know he’s not qq im like ok and??? #didn’t literally every other player immediately see that he was acting off as well??? #i think their dynamic is interesting and that wilbur genuinely does give qq something he needs (open acceptance in a way he doesn’t receive #from any of the other players) #but that doesn’t mean i want to see that dynamic turned romantic #and i certainly don’t think it would healthy for qq if it did (if he was still here which he isn’t rn so yk kind of moot) #i hope elq doesn’t view him as anything special at all #i hope wilbur was just a means to an end for him and nothing else #but yeah a large part of my frustration comes from seeing qq moulded and filed and chipped away at to fit into the dynamic #rather than being allowed to be a complicated messy interesting character #idk #quackity #qsmp

[lakesbian]

i have had like 10 friends rec worm to me but nobody’s given me a good like, gist of its vibe and what its abt because ‘its best blind’, could u please give a like brief summary and vibe check of it 😭 it’s so long i dont wanna try and invest that much time without knowing much abt it

so, worm is a 1.7 million word long webserial written in 2010. 1.7 million words seems like a lot, but it was also written over a relatively short period of time, which means the writing style is very easy to parse--the ideas aren't without complexity, but the language itself isn't intimidatingly dense. you can get through it at a very decent pace. i agree with your friends that there are vast portions of worm that hit best when you're unspoiled, but the thing is that worm is long enough that giving you the basic plot pitch is in no way spoilers for any of the things that i wouldn't want to see spoiled for someone. i'm actually kind of baffled they're not telling you Any Thing, because it is in my estimation one of the best books i've ever read, but it also Needs a briefing before you get into it for like five different reasons. which i will now provide. i swear to god this is brief by my standards it's just that i am very thorough

worm is a story about superheroes and supervillains, set in a world where superpowers are traumagenic--rather than appearing randomly or innately, some people gain powers after a traumatizing event happens to them. the protagonist is taylor hebert, a 15yo girl who has the power to control insects and desperately wants to be a superhero. and then accidentally finds herself scouted by a team of teenage villains instead. who's to say how she's going to react to all that!

one of the most compelling things about worm is that the superpowers in it serve as visceral, hyper-literal metaphors for the trauma and traumatized coping mechanisms of the characters with those powers. each power is incredibly specific and thematically relevant to the person who has it, and it's incredibly interesting and evocative. it feels so natural and well-done that it comes off like how superpowers are just meant to be written.

the fact that superpowers stem from trauma also means that worm is fundamentally a narrative about trauma. specifically, about traumatized teenagers and the relationships they form as they cling together while struggling through growing up traumatized & mutually coping with an increasingly intriguing, intense, and far-reaching escalating plot. worm's depictions of trauma + mental illness--including unpalatable trauma responses, including traumatized characters who are allowed to be complicated and nuanced and messy while still receiving narrative respect--are deeply real-feeling and impactful, and they're placed in the context of a well-spun + engaging story.

i really do have to stress how excellent the character writing is. worm is fully deserving of being as long as it is. over the course of 1.7 million words of character development, the average reader's reaction to the main characters goes from "sorta interesting" to "okay, i want to see where this goes" to "augh...really likable" to "i am now on hands and knees crying and these characters are going to stick around in my brain forever." wildbow has incredible talent for efficiently conveying complicated, real-feeling, and viscerally evocative characterization. many of the interlude chapters (chapters written from the perspective of different characters other than taylor) are so interesting, fleshed-out, and emotionally affecting that they make you wish you could read an entire novel about just the side character being featured. with that level of characterization for just the side cast, it's not surprising that taylor (& co) are genuinely just downright iconic. and i do not say that lightly--taylor is truly one of the best-written protagonists i've seen in anything. ever.

the other main pitch-point for worm is that it's a fascinating deconstruction/reconstruction/examination of the conceits of the superhero genre. it answers the question of--what would the world have to be like, for people with superpowers to act the way they do in classic cape media? and it does this well enough that it's interesting even if you have only a passing familiarity with cape media. i am not a big superhero media fan, but worm addresses virtually every aspect of cape media that was under the sun around 2010 in a way that's so interesting i still find it incredibly engaging. the approach it takes makes the narrative very accessible even to people who aren't usually cape media fans.

and speaking of the narrative: the end of the story is coherent and satisfying and deeply thematically resonant*. the way worm follows through on all of its main mysteries & plot threads is excellent. you don't have to worry about getting thru 1.7 million words and being dissatisfied by the author shitting the bed at the end, or anything like that. he does an amazing job of weaving together plot events in a way that makes each successive one feel rationally, thematically, and emotionally connected to what came before. there's really only one part where i feel the story stumbles a bit, but i think it was the best option he had for the narrative, and it's by no means a dealbreaker. it's in fact really impressive how cohesive and satisfying worm is for such a long webserial released over such a brief period of time.

*this is subjective ive seen some people who didnt love it but ive never seen anyone who downright Hated it who didnt also demonstrate egregious misunderstanding of literally everything worm is about. so thats a good sign

as for the downsides of worm/things that might put you off:

there is a very long list of trigger warnings for it. if you have any trigger warnings you want you should ask your friends to let you know about the relevant parts, because the fact that it's About Trauma (& about typical cape media circumstances presented very seriously) means that traumatic and violent things & their realistic aftermath are constantly happening and/or being discussed. i would not classify worm as needlessly dark or spiteful to the audience by any means, but it is intense and covers a lot of heavy topics. i do assume if your friends are all recommending it to you, they think none of the material would be too much for you, though!

worm was written in 2010 by a white cishet guy from canada. it's typical levels of 2010-era bigoted, it has a deeply lesbophobic stereotype character, it has some atrociously racist stereotype characters, the author really hates addicts, It's Got Blind Spots. i think worm is generally fully worth reading despite these, but very fair warning that it can get bad. i think what exacerbates this is that worm is generally extremely nuanced & sympathetic regarding ideas such as "crime is a result of systematic circumstance vs people just being inherently evil" and "mentally ill people who are traumatized in unpalatable ways are still deserving of fundamental respect as human beings" and so on and so forth, so it's extra noticeable and insufferable when you get to a topic the author has unexamined biases on and all that nuance drops out. the worst part is that a lot of this is most concentrated in the early arcs, so you have to get through them without being super attached to any of the characters yet. it is worth it though.

worm like. Does have a central straight relationship in it. and it's a very well written straight relationship for the most part and i like it quite a lot. but worm also passes the bechdel test with such flying colors that it enters 'unintentionally homoerotic' territory. which means a lot of people were shipping the main character ms taylor hebert with her female friends while the story was being released. which caused the author to get so mad he 1. posted a word of god to a forum loudly insisting that all of the girls are straight and 2. inserted a few deeply awkward and obvious and out of character scenes where he finds an excuse for the girls to more or less turn to the camera and go "i'm not gay, btw. this is platonic." This is fucking insufferable, and will piss you off immensely, but then you will get to any of the number of deeply emotionally affecting scenes between them, and at that point you will be too busy sniffling piteously and perhaps crytyping an analysis post on tumblr to be mad about all that other shit. also they're only a couple tiny portions out of an entire overall fantastic novel

overall: if those points don't sound like dealbreakers (i hope they aren't they're really massively outstripped by the amount of devastatingly good moments in worm, worm still has a thriving fandom over a decade later for a reason), you should absolutely give it a shot and see what you think. my final note is that you have to read up until the end of arc 8 to really see where what makes worm Worm kicks in, so aim for at least there to see how you feel about it if you're just thinking about dipping your toes in vs fully committing. i hope that was helpful and not too long :)

oh and don't go in the comments section on wordpress if you don't want spoilers. or anywhere else in the fandom at all. you will be spoiled. quite possibly for things you could not even have imagined were topics to be spoiled on.

#ask #wormblr #parahumans #ill tag it to save it so i can reference later. and maybe other people will find it helpful

[invisibletoothpasteman]

Something that is completely unserious but I just need to get off my chest is how people mistake complicated family dynamics as something inherently bad and therefore gravitate towards something completely stripped of any real complexity.

While I know this applies to lots of fandoms, I'm thinking specifically in regards to Batman comics.

With the rise in popularity of comics over the past little while since their decline in popularity in the 2000s there has naturally become an increase in their fandom as well, especially for Batman and the batfam. Don't get me wrong, this is great news. The comic industry NEEDS all the readers it can get and the renaissance of sorts it's been going through really shows hope for the future of comics. And with a growing fandom comes more people introduced to these characters through the fandom itself rather than the source material, which again, is a good thing.

What grinds my gears is how throughout this fandom theres been this whole idea spread that in the comics Bruce Wayne is always a shitty parent, the batfam is hardly a family, that the fanon version of him is what we deserve and is the "superior" version of him.

This fanon version of bruce (and the batfam as a whole) is perfect. He's not perfect in the sense that he's perfectly characterized. He's not perfect in the sense that he never makes mistakes. No, he's perfect in the sense that when he makes a mistake, he can flawlessly atone for it. There's conflict sure, but whenever there is some amazing therapist-approved communication is put right into play, the batfam talks about their feelings, and boom everyone is happy.

The thing is in reality that's just not how things work. Relationships are messy, especially family. Resolving conflict is messy. This is all especially true when you apply it to a family of messed-up vigilantes that go through incredibly stressful, emotional, and just plain crazy things on the daily.

The lack of always perfectly solved conflict is what makes stuff interesting. It allows for nuance in characters and situations that there isn't normally room for if everything is designed to be wrapped up in a sweet little bow.

I feel like a lot of people see the comics solely as batman being shitty and the rest of the batfam not really being a family and just overall poor story choices. While I can't deny that sometimes there are really poor or ooc choices made (such is the nature when so many different creators get to work on the same group of characters) for the most part batman in the comics is portrayed as he should be: well meaning, but far from perfect. The rest of the batfam is similarly flawed. Their relationships with each other are far from perfect but such is the nature of family. It's messy, it's imperfect but going through all of that makes it more compelling.

While I still definitely enjoy the simplified version of the batfam from time to time and am glad so many others do too, I think it's a disservice to say its the better version of them. as much fun as wfa or the like can be, they're not able to portray the same complexity as the stories that have the batfam with their flaws and all. It's still possible to tell heartwarming and fun stories in comics where everyone is heavily flawed and nuanced.

That being said really i'm glad people are able to enjoy these characters no matter how they're presented. Goodness knows that everyone should absolutely be indulging in little things in life even if that is ooc batfam. Just consider if you're still new to batman and only familiar with the fandom getting out there and reading some comics because they're pretty great.

(sorry this whole thing was written in a sleep deprived rant state, don't take it too seriously)

#batman #bruce wayne #dc comics #dc #damian wayne #bat family #wayne family adventures #wfa webtoon #wfa #anti wfa #comics #nightwing #dick grayson #red hood #jason todd #red robin #tim drake #robin dc #cassandra cain

[delistravaganza]

I swear I relate to everything you have written about the enemies to lovers trope and lesbians.

it’s not even about lesbian representation, at least in fandom, of course that’s important but it’s not the point here, it’s about having wlw stories that are as...complex? Messed up? Intricated? as straight or even (in more recent years) mlm romantic storylines are allowed to be. I feel like I am constantly hungry of complicate stories with lesbian or bisexuals female characters involved in messy relationship. But almost every popolar ship that I meet on fandom or tv shows either is watered down, made all soft and sweet and not threatening and so not complicate enough to be appealing. (or in the fews that are not like that in the original media they get made in this way by the fandom- it’s so unnerving). it seems to me that’s it is either “tragic dead lesbian” or “soft sapphic story all is sweet uwu”. As someone who love stories with romance only when the romance is very complicated and not necessarily healthy and full of ambivalent feelings (don’t judge me as you said it’s just a matter of preference ashahaha) I sometimes read slash (mlm) fanfiction on ao3 that feature very complicate and not necessarily healthy dynamics and I go damn I wish that there was a fanfiction exactly like this but with two women instead of two men.

I get this 1000%. To be fair, I don't think it's just the wlw couples being UwUified in recent films and shows, this happens to all queer representation because of the pressure to create "good rep". To some extent, it's even happening with straight pairings because people are more aware now of sexism and what it really means to consent, though everyone still seems to be willing to let this knowledge fly off if teh guy iz HOT.

But there seems to be a particular issue with writing f/f interactions that are manipulative, dark or somehow more adult, not necessarily meaning sex but rather a more nuanced portrayal of the relationship. Whereas all the straight toxic romances went to specific (and thriving) genres such as "dark romance" (which at least seems to be more self-conscious as the Reylo fic I mentioned before), and we get glorious epics of m/m fanfiction stories (and books that feel like fanfiction), it sometimes seems like the women characters are treated as little girls.

Even in a dark, creepy, cannibalistic, adult-oriented show such as Yellowjackets, I found myself more interested in the hypothetical Jackie/Shauna pairing because oh boy that was complex! than in the actual lesbian pairings involving Tai, who is a great and somewhat nuanced character except when it comes to her (sanitized) relationships. Is it really just me favoring problematic and unhealthy dynamics or is there some truth to this? (It may be me.) Is Tai a bit tamed down because she's gay AND black?

Also, to be completely fair, I think that I have more expectations when it comes to wlw plots, maybe because I subconsciously think of them as more "me" than the others. I've read a lot about how women use slash to slip away from the narrative and write more freely, and the fact is - I've read a lot of trash when it comes to m/m. And I definitely don't remember it with the resentment I save for f/f media like First Kill ("you fucking set out to be everything I wanted and turned out to be a pile of dog shit!").

I have also read extremely interesting books featuring f/f dynamics on the latest years, which I could post here instead of whining à la Louis de Pointe du Lac, but the fact is that these books already set out to be a work of literary merit and weren't written to dwell on the romance or possible romance itself. I'm not even counting MBF here as I read it a while back for the first time, but it could be an example - I don't know, but it definitely wasn't written with UwUification in mind. I'm still thrilled at how much the marketing DID and DOES UwUify our girls and their relationship. Sometimes the marketing is like: Wouldn't you just love to have such a special friendship like these two? Uhhh what? No, thank you, I had my share of that shit?!?

Oh, and also - I'm not even sure it comes down to self-identification either. I said I identify with Catradora, but the fact is I don't necessarily identify with either Catra or Adora. I just identified with their feelings, and I felt empathy for them, and I worried and I suffered and I felt frustrated and I so, so, so hungered and feared for their fights and God, you should really check this one out because it's really on the edge between UwU and dark, and I think it's this mixture what made it work in today's world. It seemed to appeal to both parts of me - the one who lowkey wants the positive, young-and-healthy-oriented rep she didn't have as a teen, and the more prevalent one who prefers angst and twisted things. And yes, it's a cartoon. A cartoon did what many real, adult-oriented shows and books couldn't do with me.

But Catradora probably also worked because we, the audience, were purposefully kept in the dark about them, so we got to experience their story as it developed and without any clear expectation as what the end would be (compared to: here's your wlw romance of the day! Ship them! Hope they don't die!), something I'm sure you wouldn't be able to achieve now that all the info is out there.

Anyway, I'm rambling now and already taking too much time off work. But I find this topic fascinating. If anyone else wants to join in the conversation or point me somewhere that isn't Buffy/Faith or Catradora or Villanelle or Nicky/Lorna (YES I STILL SHIP THEM AND WILL ALWAYS DO) or our Neapolitan toxic friends, please do. And as always, nice talking to you. <3

---

P.D.: Here's a long video analysis that I really liked that tackles why "good" LGBT representation is boring (not wlw representation exclusively).

#queer representation #my brilliant friend #yellowjackets #jackie x shauna #catradora #f/f #sapphic #first kill #wlw

[unchataparis]

Reasons Why Lila Rossi Is One of the Best Miraculous Characters

I am not defending anything as I don't believe opinions need to be defended. That being said, I would like to announce that I am firmly aware Lila isn't a stereotypically good person, one might even call her – bad. But I do strongly believe Lila is a good character (even if she's not a particularly well-written one).

[Note: Have not seen Season 5 yet, I do not know what is going on there. All my rationale is based off Seasons 1-4.]

1. Lila is INTERESTING

Think about it. Every time this girl has stepped onto the screen, when has she ever failed to do something to generate controversy, scandal, and send the fandom collapsing in on itself like an undercooked soufflé scrabbling over her actions? The events of Caméléon and Ladybug cemented her notoriety in the narrative, and, coincidentally, her presence in Season 3 are what also sent the fandom over the Point of No Return. It got to the point where Chloé became preferred over Lila, if the amount of Chloé & Marinette 'best friends' fanfics on AO3 say anything.

Despite her tremendous impact on the story however, not much of Lila is known. Her family, her past, why she lies, or how she even wants her infatuation with Adrien to turn out (again, has not seen Season 5).

2. Lila is COMPETENT

Lila joins league with Félix in being teenage villains who can accomplish Papillombre's job much better than him. I firmly believe that much of Gabriel's bumbling and ineptitude is due to cartoon limitations and the need to dismiss common sense for the sake of telling an entertaining story, but nonetheless – like Félix – Lila displays an attitude of ruthlessness, cut-throat determination, and will which allows her to gain the upperhand over the heroine of the story. Both Félix and Lila alike has managed to overwhelm, throttle, and push Marinette/Ladybug to despair that Papillombre has yet to reach.

More than that, Lila is in absence of many of the powers that make Gabriel formidable. She's not rich or famous (yet), neither does she have minions, or a Miraculous on her chest. But while these scarcities should make her more vulnerable and less impressive, they only add to her legend, increasing her mysteriousness, movement, and competency.

After all, Gabriel Agreste has a schedule, reputation, and history to keep. Lila Rossi can flicker in and out of society for all anyone cares.

3. Lila is COOL

She really is. If I'm asked to select one Miraculous character to embody and borrow the style of: Lila, no contest. Her hair, her playsuit, her jewellery, her boots. All Miraculous characters are dressed in atrocious Y2K fashion (which are admirably accurate to the era) paired with obnoxious colour palettes, but Lila's stye is more stomachable than average.

Beside, Lila has a quality that many characters in Miraculous lack: confidence, and a paucity in need to doubt her own actions. The heroine display plenty of anxiety and guilt, so does her leading male co-star. Even stoic characters such as Gabriel and Kagami hesitate at times. But apart from Félix, Lila is the only character I can think of that's 100% in at all times. In her case it's not an entirely positive trait as many of her actions could use some self-reflection, but the boldness is refreshing.

I always found the IT girl characters and Queen Bees more appealing than mousy protagonists, Regina George over Cady Heron, and Mackenzie Hollister rather than Nikki Maxwell. It's just so much more interesting to see the world from the perspective of someone who's out to conquer it rather than survive it. Beside, the outfits, the attitudes, what's not to love?

Lila is a complicated, messy, dislikable character, sure, and she bears a certain one-dimensional-ness of her writing which makes her generally unrealistic. But Lila is also an important part of the storyline, a future Papillon (or as the rumour mills go), and in the short few appearances she's made, Lila has been more of a threat to Ladybug, more of a wrecking ball to Ladybug's psyche, than Gabriel has been throughout the etntire show. Honestly, I'm firmly of the belief that if it isn't for Lila's involvement, Miraculous' fandom wouldn't be as active and operative as it is today.

#miraculous #lila rossi #adrien agreste #félix graham de vanily #analysis

[micamicster]

I finished the first season of Veronica Mars! And decided to stop after a couple of episodes of season 2. Idk, I guess I got tired of the lack of closure for many plot lines. The finale was interesting tho, I loved the final villain.

Share your thoughts on the show (here's supposed to be a question mark but tumblr wouldn't let me)

Hi bestie I'm sorry it's taken me so long to talk to you about this show! I'm gonna make up for taking forever by writing like, an essay haha brace yourself

I think that Veronica Mars is a good show that runs into some classic 2000s tv stumbling blocks, manages to do some things that infuriate me personally beyond reason, but ALSO manages to have some elements that are so powerful and so well executed that I'm honestly astonished it got made. These kinda peter out and become muddled over the years, but oh well, we'll always have season one <3

In brief, the 2000s messiness, in varying degrees of offensiveness to the world and to me personally:

The aforementioned plot lines that go nowhere <3

It's case-of-the-week, some cases are gonna suck! What can you do lol

The black best friend who doesn't ever really get any satisfying arcs or attention given to him as a character who contributes beyond letting our protagonist have dialogue with him rather than exclusively monologuing in voiceover

How they handle race in general ofc. Like while I think that in the actual plots of the show there are good intentions (and sometimes good material!) in depicting the racism of this insular hiarchical society, racism in the real world affects the writing by giving the characters of color very little to do, and over all they are taken less seriously by the narrative.

Veronica's rape plot line. I actually think this plot started out very strong! But the minute the show focuses directly on it the writing gets lost in the weeds of plot twists and rival love interests, and I really think the points they were originally trying to make get buried.

Deadbeat Mom ran off she's got a single dad raising her (i feel like the number of single dads in media is exponentially larger than the real number of single dads in life. it's propaganda. and its misogynistic. but I digress)

The stuff I personally hate:

The romances :) lol. lmao, even. (I would love to rant about this but I really think that's not something that deserves to be on what is currently a measured review of the show as a whole)

The stuff that's great:

The noir homage: It's just. It's so good. It's so fucking good. This is to noir detective stories what american vandal will be to true crime 20 years later. I want to give whoever first thought "hey, being an ostracized teen girl is kinda like being a hardboiled noir detective," a raise and a kiss MWAH <3 A+ for tone! Veronica lives on the edges of her society (high school), allowing her to see all of it's pieces and hypocrisy, turning her cynical and aloof. And she's a teenager who solves crimes :D She's funny and self aware of her role, but never in such a way that it feels like lampshading or winking at the audience. They take it seriously--they take HER seriously, and that makes the show work.

Lilly: The central case of the show, the murder of Veronica's best friend and Veronica's revenge-driven mission to find her killer, is where the first season gets its power. Veronica gets to have the noir detective plot line of being haunted by the death of a woman she loved and driven by revenge, and it is so much more powerful here than I've ever seen it in its original form. Lilly is a tragedy, she is an unflinching look at the sexual exploitation of teenage girls and the casualness with which violent men will turn that violence on them, she is a messy bratty bitch of a sixteen year old, and Veronica loves her. Lilly gets to be complicated because Veronica, who knew her and loves her, is telling us her story. There are a lot of people who are affected by Lilly's death, but this show is about Veronica, and her reaction to the murder of her friend is what matters to the writers and the viewers. Once again, the show takes Veronica (and her grief and her rage and her love) seriously, and there is a lot of power in that. I think the reason the later seasons struggle is because they simply can't stand up to the emotional intensity that made up the core of season one.

#here i am answering asks weeks late! MWAH babe thanks for asking me always <3 #i know you're asleep lol but here are My Thoughts for when you wake up <3 #if you are willing to sit through my Complaints About The Romance In Veronica Mars send me a dm or another ask or something haha #i love talking about it but i think it would be unfair to put in like an overall review of the show? #we are Serious Bloggers here we present unbiased opinions of television shows from the 2010s #just went and looked up when it actually aired and wow it was 2004. a lifetime ago! wild #veronica mars

[prince-liest]

ARO/ACE NAVELGAZING

Now that I've unlocked the final square on my ell gee bee tee bingo card, I've begun to wonder how much of my gender thing is sourced in being an aroace thing. I find that despite being 27 years old, being called "girl" has never actually quite bothered me, but the word "woman" in relation to myself is so viscerally unappealing that I can't find any way in my imagination to comfortable with it. I've noticed that about myself before, but I've never really thought about it overmuch, and now I'm wondering if it is because "adult woman" is a status that is just inextricably connected with being an object of sexuality and romance in my mind for messy societal misogyny reasons.

I've always identified extensively with robot/android/AI characters - Breq from Imperial Radch, Murderbot from the Murderbot Diaries, Connor from Detroit: Become Human - and I used to think that it was, in fact, the gender thing.

But the other thing all of those characters have in common is that they're not canonically subjects of romance or sexuality and, in fact, in some cases are explicitly portrayed as finding those things repugnant. Further introspection also reminds me that I've found similar comfortable relatability in female characters who aren't inhuman in any way, but also aren't involved in romance in any major way. Archivist Wasp comes to mind, and so does Baru Cormorant (who is very notably a lesbian, which is an active threat to her existence, but did not feel to me like she ever had a romance so much as she had close, complicated, painfully unromantic yet codependent relationships that she then destroyed - though I haven't read the third book).

In those cases of female protagonists who aren't involved in romance, they are significantly more relatable than non-romantic male protagonists because non-romantic male protagonists still feel very male to me. Society and media don't usually hinge male characters' masculinity on their romantic and sexual experiences in the same way that feels like a default for female characters. And in comparison, female characters that aren't involved in romance still experience the societal consequences of being female, which are important to my ability to relate to a character. And in the meanwhile, separating them from any romance feels like it de-sexes them in the narrative, in a way. I get that I'm reading a female character, but I don't feel like I'm reading about a woman because woman is something that has been drilled into my head as "object of sexualization and romance."

Despite the lack of discomfort, "girl" is still not a word I identify with strongly. Rather, it feels more like a safe mask, particularly since most of the people who use it are people who I do in fact have to mask with. But it's a comfortable mask. It's not one that I mind. In contrast, any time someone calls me a "woman" it makes me want to crawl out of my fucking skin. On the other hand, being called "boy" was outright delightful as a kid. On the third mutant hand presumably growing out of my rib cage, I strongly identify with the term "lesbian" because I feel like it encompasses many of my experiences, ranging from misogyny to compulsory heterosexuality. It just also turns out that the discomfort I feel at someone being interested in me isn't restricted just to men.

Coming to the realization of the aroace thing feels freeing in the sense that I no longer feel like I have to seek and perform romance that I have no interest in, and that I'm allowed to continue being comfortable in my skin without ever wanting a romantic partner. However, it does also certainly highlight how strongly I value my platonic friends and makes me wish that deep platonic relationships and non-sexual closeness were more normalized in society. I've spent a long time mentally prodding my feelings about closeness with people with a stick (particularly the way that they are sometimes very hot-and-cold), and I think a lot of it comes from the fact that I do in fact really value closeness and intimacy, but that on top of having strict personal limits, I am also just extremely put off by this perpetual undercurrent of anxious concern that what if someone thinks this is not platonic.

People having romantic interest in me is very stressful and frequently makes me aggressively disinclined to be around that person at all, and I have not always handled that well in the past. I actually recently had someone (cishet, unfamiliar with the term) say that the very concept of being aro/ace sounds like a code word for "intimacy issues." Which sucks! I didn't see that statement coming and had a difficult time explaining how incredibly not-uncomfortable I am with intimacy. If I had any desire for sexual or romantic intimacy, it would not be even remotely anxiety-inducing to acquire. Source: Been there, done that, it was gross. I am very full of love. I would just like it to be platonic. The wires simply don't run in the direction of romance for me and I want people to stop assuming that they do whenever I do express fondness.

Shout out to the one friend I have that actually did have a crush on me but never acted on it because she picked up what I was putting down before I realized what I was putting down, pfft. She is the best. I can't wait to further irrevocably integrate myself into her life and babysit her future children.

Anyway, I'm gonna go bury myself in another several dozen Hank & Connor fucked up found family fics and also continue to emotionally identify with robots because that is how I see myself emotionally, which I am very comfortable with.

#personal #this is introspection #this is NOT political or queer analysis #don't come at me for committing wrongthink I'm just trying to figure my own shit out here #shoutout to my ego for this literally never having been a “what's wrong with me” problem #and literally always having been a “what's wrong with other people” problem lmfaooooooooo #long post #sexuality #introspection #navelgazing

[mistress-of-vos]

Timber / timsteph? (I personally hate them, with good reason, of course! but I'd like to know ur opinion on them.)

I'm gonna do these two together! But this time I won't tag the ships as I don't want 🐜 interacting plus I don't really think it would be nice to put my hate on their tag lmao 🤣

TimBer:

Hate it. Loathe it. Rather than not ship it I'd say I want to destroy it.

1. Why don't you ship it?

It's terribly written. It's an ooc Tim with a self insert of the author and not even the most bland straight ship writing of DC is at this level of awful. It has done nothing but make Tim a terrible character and ruin him; currently Tim is a no one at DC and I blame this ship 100%. Amazing that what Slade's comics did so easily with Jericho was something impossible for Batman editorial.

2. What would have made you like it?

It would have to be written by another author. Someone who understood Tim completely, someone who wasn't afraid of real queer experience, someone who wasn't sexist as hell, and someone who didn't destroy years of a character's legacy.

B would have to be the old, original version. And his messiness should be kept, because that's literally the only interesting thing he had going on.

3. Do you have anything positive to say about it?

Sadly no. B current character sucks, which is a shame because his old version was kinda funny and definetely had the vibes of "mean, rude boyfriend". This B is nothing but a self insert and is closer to a woman than to an actual queer man, which also sucks. Tim has been made something he isn't, and it's horrible.

The fandom is disgusting. It's full of sexism, racism, and most people have zero media literacy which means they spend their time harassing people who create content for other Tim ships.

I really hope DC buries this ship down on the grave.

TimSteph:

Huh, 50/50?

1. This is a complex ship for me. I think my problem is that I was very satisfied with their situation at the end of New Earth: I see them dating, caring for each other deeply, and eventually going their own ways but still being friends. Not even as bitter exes, no, I genuinely enjoyed Tim & Steph still trusting the other and being friends. I do enjoy them as two teenagers who feel attraction to the other and try it out. Now, this is usual verse. As you know, I play with Tim's gender quite often, and when I write Timothea/Thea, I really enjoy TimSteph more and feel like it's a sad but real romance.

Perhaps my feelings are too complicated for a single post. I see Tim as a queer person who loves strongly and not always in conventional ways. I think he loves Steph and Tam and Pru in different yet similar ways, and with the first two there was an attraction. It's just that it wasn't meant to be. That being said, I would really prefer Tim to be dating Steph or Tam in current canon (as long as it didn't do the girls any disservice) rather than his current love interest, but if it were up to me, Tim wouldn't have a canon love interest and Steph and Tim would be friends (not to be confused with family).

Plus I think a deep part of me was really confident Steph was gonna come out as bi or lesbian before Tim did because her story resonates a lot with wlw people who stay in the closet for different reasons (such as her past pregnancy) so... 😅

Idk! I don't want them to get married or anything like that but I think them dating is and can always be part of their story and something they look at with a smile. No need to ruin their friendship or push any of them as "evil".

2. If Tim were Timothea in canon I would be definitely obsessed with TimSteph. Something something make them the DC version of the manga NANA and have them reject heteronormativity.

3. Steph is a character unfairly hated most of the time and I think it goes hand on hand with people's own sexism and DC's awful writing for her. It makes me mad that we have so few moments where Steph actually shines and is allowed to be a more complex character. This is why I say I really would prefer if she and Tim had been allowed to stay single and as friends, because both of them deserve better than current DC.

#my writing #my opinion #ask game #ship ask game #proship

[ufonaut]

all jokes aside i’ve always liked what todd represents as a character and i legitimately think marc andreyko made history with him & damon in manhunter 2004 and that’s very very daring history for the time & place (they even had a sex life! you don’t get gay characters allowed to have a sex life nowadays, let alone messy complicated feelings about their sexuality) but todd has always worked best as a standalone thing -- again, manhunter did it right -- rather than as part of the scott family and pretending that his happy ending would be anything to do with them (and with alan specifically) is absolutely insane regardless of alan being gay or not. i find todd boring nowadays because he’s been forced to forgive alan and vice versa, i’ll never deny that alan’s been an absolutely abysmal father to him but the fact of the matter is that that is a delicious narrative choice that makes for some tremendously complex characters on both sides. alan never wanted to be a father, todd is allowed to live his own life with as much hatred for alan as he must have for his adoptive father if that’s what he desires.

it just feels like every obsidian fan being like ‘alan should be guillotined for internalised homophobia & bad parenting’ is completely out of their mind bc in what universe is the fact that he’s not all that great of a person equal to being a bad character. like what is there to hate about this? the fact that it’s a great interesting story with genuine depth like we’re never getting ever again? how do you not love the fact that alan can see himself reflected in nearly every facet of todd and instead of seeing him as his own person he just decides to dislike him and/or pretend he doesnt exist? my god. i cannot comprehend this pov.

#personal #alan's my fav character ever /because/ he sucks like you wouldnt believe. because theres stuff to think about and explore

[drawlfoy]

detention retention finale p.2 (the real finale!)

masterlist (catch up on parts 1, 2, and the first half of the finale here!)

request guidelines

pairing: draco x reader

request: no my original idea

summary: gryffindor and friend of the golden trio y/n y/l/n is tasked with getting close to malfoy to learn his secret in 6th year. things quickly become more complicated.

warnings: (please pay attention this time around) nsfw content, implied sex, swearing, character death. however, if you are sensitive to gore know that this one is a lot less graphic than the first half of the finale

a/n: wow. here we are! this part is going to be considerably more light hearted than the first part. ngl while writing this i reread my 8th grade diary when i spent hours overanalyzing what my crushes did/said and i kind of wanted to emulate that school crush feeling of “does he like me does he not”. if this seems like a weird turn considering how dark things were in the last chapter, i’m sorry i just really wanted to give poor draco and y/n a break fdajkfls. i hope you guys like it :) 

word count: 16.1k (the longest part of them all...lmfao)

tags! @sycathorn-slush @writeandtranslate  @gruffle1 @missmultifandommess @cleopatera @hahaboop @accio-rogers @geeksareunique @eltanin-malfoy @war-sword @cams-lynn @itsivyberry @ayo-cowbelly @nerd-domland @yesnerdsblog @shizarianathania @evanstanfanatic @strawberriesonsummer @hariosborn @night-ving @straightzoinked @imintoodeeptostop @naiomimoonshard @jejegu @ophelia-enthusiast @alwaysbeanunknownfan @nearly-memories @litty-dumb @callieclearwater @malfoy-wife15 @charlenasaxen @belladaises @fiantomartell @yiamalfoy @crystalox @dracoismybabey @dreamcxtcherr @decaffeinated-turtle @marrymetheonott @felicityofbakerstreet @daedreamss 

here’s a spotify playlist i made for this!

enjoy!

Back at the Gryffindor tower, she was met with a surprise: Ron, sitting cross-legged on her bed, paging through a random Quidditch catalog he stole from Fred. 

“Hi, Ron,” greeted Y/N tentatively. Despite the fact that Harry and Hermione had both been outwardly stand-offish towards her, Ron had, for the most part, remained neutral. “What’s up?”

He jerked his head upwards, his eyes wide. “Sorry, er, you scared me. Hey, Y/N.” Ron awkwardly waved. 

“Is something...going on?”

“Oh.” He uncrossed his legs and sat up straight, his thumbs twiddling together in his lap. “I just wanted to, erm, have a chat with you. I know Hermione and Harry are a little angry with you still, but I miss you. And I don’t think they’re right in doing this to you.”

Y/N allowed her shoulders to sag in relief as she joined him, letting the bed sink under both of their weight. “I understand why they’re upset. I just felt so bad, you know. Drac--Malfoy is going through a lot right now, and even though he’s been a prat to you guys, all of a sudden it was like I would be a horrible person to ignore what’s been going on with him.”

“Harry and Hermione think it’s because you’re a pureblood,” Ron said. “That’s mostly why I came to talk to you. Harry said something before the day in the bathroom about how he wasn’t surprised ‘your kind’ was so quick to turn on us.”

“Does he not know that you’re literally a--”

“Exactly.” A nervous laugh left Ron’s lips. “I mentioned that, and I think he realized how messed up that line of thought was. Anyways, he feels proper terrible about hurting you the way he did. I think you’ll have to wait around a bit before he swallows his pride and apologizes to you himself, but he hasn’t been the same since what happened before the break.”

“Wow.” Y/N allowed that thought to sink in. “And...Hermione?”

“She’s still hurt,” admitted Ron. “Can you blame her, though? One of her best friends starts messing around with her childhood bully?”

She winced. “I know, I know. Believe me, I know. But we’re not...like that.”

“I think you should try talking to her again. I’m not sure why you’re so insistent on keeping a promise to Malfoy, but nothing’s going to change unless you tell her why you did what you did.”

“Thanks, Ron.” Y/N reached out to lay her hand on his shoulder. “Also, I don’t want to be gossipy or anything, but I think you should leave Lavender for Hermione.”

Ron balked. “I’m sorry?”

“It’s just an idea,” said Y/N, shrugging. “I just have a feeling you two would be really cute together. I dunno what it is. Just an inkling of a thought.”

“I would never leave Lavender,” he said, frowning as his eyes hazed over. “I would never do that…”

“Are you trying to convince me or yourself?” Y/N smirked, elbowing him in the side. He grinned at her, the dimples easily forming in the freckled skin of his cheek. 

“Shut up, Y/N.”

Hermione Granger was not a difficult witch to locate. All Y/N had to do was wait until prime studying hours before searching the library’s long halls until she found the bushy head of hair craned intently over a large textbook.

“Hermione.”

At her voice, Hermione snapped to attention, a sour expression forming on her face. “What do you want?” She didn’t even wait for a response, dipping her head back down and continuing to take notes.

“I want to apologize, properly, for what happened,” Y/N said, settling into the seat across from her and dropping her voice. “I know I didn’t give you a very good explanation about what was going on, and I know I wasn’t completely honest with you.”

“I’m not interested in hearing what you have to say right now, Y/L/N.”

She brushed off the pain of her last name being used instead of her given name and continued. “I know you must be really hurt that I got close with Malfoy, especially considering how cruel he was to you.”

Hermione remained silent.

“I know that I’ll never understand how it feels to be an outsider in this world,” she said. “I’m sorry that I can’t change what happened in the past. You’re allowed to be as angry as you want with me. Believe me when I say that I never meant to lie to or to deceive you. You had to have noticed how different Malfoy looks. He needed someone, and I was there. He might not deserve that kind of treatment, especially not from you, but it would’ve been wrong of me to just let him suffer on his own.”

Hermione finally met her eyes, a few tears shining in the deep brown depths of her stare. “I don’t understand how you could overlook all the things he’s said about me. Is...that what you think of me, too?”

“Of course not, Hermione,” exclaimed Y/N. The angry shh from the table over made her drop her voice once again. “You’re twice as capable as my entire bloodline combined. You have every right to be part of this world. You are part of this world and you always have been. If I thought that Draco hadn’t changed, I wouldn’t have become friends with him.”

“You call him Draco now?”

“He’s my friend. And I think that if things were a little different, he’d actually defect from his family’s beliefs and join our side. Living firsthand in the close proximity of Death Eaters really took a toll on him.”

Hermione chewed her lip. “This is really hard. I don’t know what to say.”

“I miss you,” confessed Y/N. “And, to be honest, I felt quite left out, too. I know you and Harry and Ron have important confidential business to attend to, but the way it was treated made it seem like I was too stupid to hear about or understand it. Draco didn’t make me feel that way, and I liked it.”

To her surprise, Hermione’s features softened. “I’m sorry. I really am, Y/N. I don’t know why I didn’t realize earlier how unfair we were to you about that.”

“Really?” 

She shrugged. “I think so.”

“Are we okay, then?”

Hermione frowned a little deeper as her idle hand allowed her quill to dribble ink over the fresh parchment she used. “Not really. I think I need some time. It’s hard for me to feel like I can trust you again after all of this.”

“I completely understand,” Y/N rushed out. “Hopefully one day things will be better, yeah?”

“Yeah. Maybe.” Hermione offered her a small smile before turning back to her work. If it had been another time, Y/N would’ve invited herself to sit across from her and distract her as she tried to study, telling Hermione all about her day and how much she wanted to drop kick Goyle across the Quidditch pitch, but it was different now, and she knew that. 

Without another word, Y/N got up and left her old friend in her library. 

Her dorm was rather quiet as she settled back into her bed for the second time that day, this time happy to find it entirely empty. It was a Sunday, after all, and she had an entire stack of homework to try and drag herself through before her classes the next day. 

As her fingers began to card through the messy parchment of her desk, she took notice of an item that hadn’t been there before--a crimson red envelope, embossed with glittery golden piping and a roaring lion. Her family crest.

Y/N tore into the parchment as she wracked her brain to try and guess the contents. A howler? No, she’d been (mostly) good. A gift? She hadn’t been that good. What awaited her was much more underwhelming--just a boring old piece of parchment with black ink penned in her father’s handwriting. 

But the news that it brought her had the memories from Christmas Break rushing back.

~

The next day, he was sitting in his Potions seat, making small talk with Pansy that coaxed a few laughs out of both students like nothing had happened the day before. Their eyes met briefly before he uncomfortably cleared his throat and turned away, back to Pansy’s animated speech over how ridiculous this class was. 

Her heart ached at the sight. How could he act like nothing had ever happened between them? How could he just evade eye contact like that? Y/N felt a wave of uncontrollable jealousy wash over her when the thought of Pansy lying in his silk sheets with the knowledge that she was actually HIS, that he actually wanted her. It was all she could do to avert her eyes and pretend it didn’t happen, though Draco wasn’t exactly ignoring her anymore, which was almost worse. Now that she knew he only saw her as a friend, it only hurt so much more when he would chivalrously offer to walk her back to the library at night or say polite hellos to her in the halls. 

The days began to bleed into each other again, speeding along even quicker now that she actually had people to sit with during meals and to talk to during common hours. Hermione and Ron had begun speaking to her again, though Harry was still making himself sparse whenever she appeared in a group.

To her surprise, though, that changed one day when a paper crane fluttered onto her desk in Charms. She opened it quickly, hoping desperately (and against her will) that it was from Draco, but instead she was greeted with a messy scrawl that she knew very well.

Meet me after practice on the pitch if you’d be okay with talking to me. -Harry

Despite the recent events, Y/N couldn’t help but feel a twinge of nostalgia for the many times that Harry had written her similar notes, back when their relationship wasn’t rocky and she was actually helping the Trio. That wistfulness was quickly replaced with anxiety when she tried to figure out what to expect from Harry.

“Y/N,” he greeted her a few hours later. She rose from her seat on the bleachers and began to walk alongside him.

“Hi Harry.”

“Listen,” he began, pushing his glasses up the bridge of his nose, “I know I’m not very good at talking about feelings--that’s why I’ve been putting this off for so long--but you deserve an apology for what happened in Myrtle’s bathroom. I don’t think I’ll ever understand your connection with Malfoy, but that isn’t an excuse for what happened.”

Well, this was going better than expected. “I’m not going to lie and say that it’s okay that you hexed me, but I don’t blame you all that much.”

Harry let out a nervous laugh. “That’s, er, really good to hear, Y/N. I am so, so sorry for what I did to you. Are you okay?”

“Just peachy,” responded Y/N. “Madame Pomfrey even said that the scarring might go away.” The way the blood drained out of his face made her realize that that probably wasn’t the right thing to say.

“Oh, Merlin, there’s scarring?”

“Forget I said that,” replied Y/N, placing a hand comfortingly on his arm. “Water under the bridge. It really is okay.”

“Well…” He coughed awkwardly as they neared the castle’s entrance. “I think I owe you an explanation as well. If you want one, that is.”

“Shoot,” she said. “Preferably not a deadly curse at me, though.”

If Harry thought that was funny, he certainly didn’t show it. “Looking back on what happened, it was all just a complete blur. I lost control.”

“Because I hadn’t told you about Malfoy?”

“Oh, well…” He cleared his throat, avoiding her eyes. “Obviously I was angry that you’d lied to us. And I was angry at Malfoy over Katie Bell. But that wasn’t what made me lose control. It was seeing you together. There was this moment before either of you noticed I was there and it just made me sick to my stomach to watch. Merlin, the way he…” Harry trailed off, squeezing his eyes shut. “The way he looked at you. It just boiled my blood.”

“What do you mean?” asked Y/N, beginning to grow more and more confused. How could Harry have seen something that wasn’t even there in the first place? 

“And the way you two looked at each other in Potions,” he continued, clearly not planning on answering her question. “It makes me sick. He doesn’t deserve you.”

“He doesn’t see me that way, Harry,” she said, her voice little.

“Has he told you that?”

“As a matter of fact he has.”

Harry’s eyebrows shot up. “Oh. Sorry about that.”

“No, no, it’s fine,” she replied, holding his palms up in a surrender. “It’s not as if it came as a surprise or anything. Plus, not like I care. Just because I don’t want to see him get hurt does not mean I have feelings for him.” Y/N was talking too animatedly, something that prompted her friend to tilt his head and send her a curious look. 

“Right. Well…” Harry stood up, brushing his robes off. “If I didn’t make it clear enough already, I’m sorry. I don’t think I’ll ever understand what you see in him. But you haven’t lost me. I just hope I haven’t lost you.”

Y/N gave him a grateful smile before launching into his arms. He started, but once Y/N had her arms around his neck, he hugged her back. She breathed in the familiar woodsy smell she’d known since she was 11 and swallowed the lump in her throat. “I missed you, Harry.”

“I missed you too. So much.” 

She was just about to poke fun at him for being sappy when someone pointedly cleared their throat behind them, prompting her to spin around and prepare to tell someone off for interrupting her conversation. Once she saw who it was before her, though, she froze. 

“Try and keep the PDA at a minimum, yeah?” Draco Malfoy said, his lips twisted into a bored scowl.

“Draco,” she warned. He simply arched an eyebrow at her before swiftly passing by the two, being sure to brush harshly against Harry’s shoulder.

“What has gotten into him?” she asked in astonishment. “Merlin, it’s like we time traveled back to 5th year or something.” 

He scoffed at her side. “Y/N, what did I tell you?”

The next day, Draco wasn’t at breakfast. Y/N tried not to think too much about his empty seat as she listened to Ron ramble on about how crazy Lavender was being. She had finally migrated over to the Gryffindor table, bringing her new Ravenclaw friend along with her. Hermione was still giving her side eye, but it was better than being treated like a complete outcast. This time around, Parkinson was gone from the Slytherin table, too. The thought of Pansy being the one to comfort him filled her chest with the slimy coolness of jealousy, but instead of dwelling on it further, she stabbed her fork through the strawberry on her plate and took a bite. If he wanted to mess around with her, he could. Merlin knew he needed some sort of distraction. But her most private thoughts couldn’t help but wonder if he ever had feelings for her. There were so many moments that made her think otherwise--the way he’d blush when she said anything flirtatious, how eager he had been to walk her to her dorm, all the glances sent her way…

It was at moments like these when Y/N sternly reminded herself that they were just friends and that was all he’d ever seen her as. Friends brushed hands. Friends walked each other to their dorms. Friends stared across the room at each other sometimes. Friends gave each other gifts. Hermione, Ron, and Luna had all acted similarly to her in the past and it was entirely platonic. She was just overanalyzing.

He didn’t show up to Potions, Charms, or Defense Against the Dark Arts. Snape was giving her the eye, and Y/N uncomfortably shifted in her chair as she wondered if the wizard had found out it was her who stole the Veritaserum.

“As you all may know,” he drawled, stalking the perimeter of the classroom, “A particular potion of mine has been...misplaced. If any of you happen to know where it is, I suggest you confess now.”

Nervous chatter erupted around the room as Snape’s eyes bored into hers. Was he using Legilimency on her? Wouldn’t she feel something? Despite her worries, he broke eye contact and spun around to the board, scrawling the topic of the lesson on the chalkboard. Y/N reminded herself to breathe. 

He wasn’t at lunch, Transfiguration, or dinner. Y/N was starting to believe that Draco had just up and left Hogwarts as she began to get ready for bed, showering off the day and dressing in comfier clothes. For once, her homework load had been lightened to the point where she could put it off for a full day. Diffuser on, windows open, and sleeping clothes on, Y/N was ready and settled into bed early with nothing but her racing thoughts to keep her company.

Was Draco okay? Did something happen with his task? Where was he?

Her thoughts were interrupted by a light rap on her door.

“Y/N?” A young girl’s voice, muffled but distinguishable through the heavy wooden door shook her out of it. She groaned, throwing the blankets off her and closing her hand around the doorknob. She wasn’t even a prefect, but for some god-forsaken reason the first-years always went to her instead.

“Candace,” she greeted. “What’s cracking?”

“Someone wants to see you.” The first-year’s voice sounded shakier than usual. Y/N finally cast her eyes up from the short girl to take in the sight of a rather disheveled looking Draco Malfoy standing in her hallway.

“Draco? What are you doing here?” 

He cleared his throat. “Are you busy?”

“Candace,” Y/N said, addressing the eleven year old in front of her first, “Thanks for helping Draco. You should go to bed, you know. It’s late.”

Wide-eyed, Candace dashed off without any protest. Y/N cast a raised brow to Draco and tried to look like she hadn’t spent the past 12 hours obsessing over his disappearance. “You better have a good reason for showing up at my dorm in the middle of the night and scaring one of my first-years to death.”

“She wasn’t scared,” he argued.

“You must be horrible with reading children,” stated Y/N. “Anyways, is this a conversation that you want to have in my dorm hall? Or would you prefer to come inside?”

He tilted his head towards the doorway. “May I?”

“Er...sure. Come on in.” She bit back the quip about already offering. “What’s going on? You missed all your classes today.”

“I’m aware,” he responded drily as he sat down on the same spot she’d just been nearly asleep on. “I just...something happened last night. I didn’t know where else to go.”

Y/N tried not to blush at how flattered she was. He didn’t even like her. Why was she acting like that still? Friends did this sort of thing. Friends were there for each other. “Oh. Do you want to talk about it? Or do you want to just take your mind off of it?”

He seemed to ponder this for a moment before exhaling a deep sigh. “I don’t know. Maybe take my mind off it until I feel ready to talk about it.”

Y/N gave him a small smile, leading him by the cuff of his sleeve over to her window. “I think I know something we can do. Grab a pillow and a blanket.”

He did as she asked while she opened up the window wider until it was large enough to crawl through, spelling the tiles of the roof outside clean. 

“Are we going on the roof?”

“As long as you’re not too scared of heights, yeah,” she responded, using her desk as a stepping stool while she swung the rest of her body out on the old Hogwarts roof. Despite the age of the castle, the structure was thankfully sturdy. “Pass me anything you want out here. I’ll get it set up for us.”

“I’m not sitting on that dirty roof,” he said, his usual snotty tone creeping into his voice as he handed her a blanket for each of them. 

“Okayyy, Your Highness.” Y/N rolled her eyes. “We can sit on my blanket.” True to her word, she took the one she usually slept with and covered the tiles. “Will you come sit with me now?”

“Since you asked so nicely.” He settled in next to her, his own blanket barely draped over his knees while she sat cross legged at his side, trying not to shiver from the cold late winter air. “Wow. This is actually a better view than from the Astronomy tower.”

“I know, right?” she said, trying to ignore how her heart fluttered every time he looked at her. “You can see Hogsmeade from here, too.”

The pair watched the scenery before them in silence. Y/N drank in the landscape bathed in soft moonlight, the winding creeks leading into the Dark Forest reflecting the moon while the Black Lake’s waves gently lapped at the shores. 

“I come up here sometimes when I get stressed,” she confessed after a little while. Draco turned to look at her, his lips slightly quirked up and his eyes soft. 

“Yeah?”

“It just helps clear my head,” she continued. “I feel really lucky to live in the Tower. It must be kind of weird to know that if you opened your window you’d just flood your room.”

Draco snorted. “You get used to it.”

Y/N hummed in something that felt a little like agreement.

He shuffled, clearing his throat. “By the way, I’ve been meaning to tell you this since that night. I’m…sorry that I can’t give you what you want.”

“It’s really okay,” she said, her cheeks growing hot. “I understand. You can’t change how you feel. I’m happy to be your friend and eventually that’s all I’ll ever want.”

Draco dipped his head in a nod of acknowledgement when a brilliant display of lights suddenly exploded over Hogsmeade. Fireworks. They were obviously magic, charmed to glitter in the shape of the words, “Happy Birthday, Margie!”

“Oh my god, happy birthday Margie,” Y/N echoed, eager for the distraction of their conversation.

“I wonder how old she’s turning.”

“I bet she’s 34,” said Y/N. 

“32.”

“33, maybe, but that’s pushing it.”

She returned his grin before she felt something hit the top of her head--a raindrop, fat and cold--and roll down the back of her neck. “Shit. I think it’s going to rain soon. Do you want to go back in?”

As if to accentuate her point, the clouds above them rumbled. Draco shrugged. “If you want. I kind of like staying out here, though.”

“Me too.”

They sat in the quiet for a few more moments, the only sound coming from the soft patter of the rain and the occasional boom of Margie’s birthday fireworks. Y/N began to shiver as the raindrops became more frequent, her loose sleeping shirt and her shorts not really doing much for her. All of a sudden, she felt something fuzzy on top of her head.

She looked to her left to see that Draco had lifted his blanket to drape over both of them, creating a tent of some sort. “Thanks, Draco.”

“Don’t mention it.” His smile set off the butterflies in her stomach once again, but she beat them back. The fireworks continued, now switching to a glittering sage green. “I bet Margie was a Slytherin.”

“Or maybe she just likes sage green,” argued Y/N. 

“Maybe.” He held her gaze for what felt like a second too long before clearing his throat and turning his attention back onto the night sky. It occurred to her at that moment that they could’ve just transfigured the pillows they were sitting on into umbrellas, but traitorously, she didn’t want to mention it if it meant she lost her chance to be near him. 

She felt something lightly brush past the hand she had rested in the space between them but thought nothing of it, instead focusing on her breathing and making sure she didn’t sound like she was hyperventilating because she most certainly felt like she wanted to. She’d never shared her special roof spot with anyone, not even Harry or Ron. But he didn’t know that. 

The fireworks exploded with a crescendo of motion as multiple green sparkles were launched into the air, crackling and sparking with energy. At any other point in time, Y/N would’ve found it easy to focus on the beauty of the show, but something else caught her attention: the fact that Draco’s hand was now set directly next to hers, the edge of his touching her with the lightest of pressures. Every nerve ending in her left hand felt like it was burning with energy as Draco, without even sparing a glance in her direction, inched his hand over just enough for his pinky to overlap with hers.

Y/N tried to remember how to breathe as her thoughts ran wild. Friends touched hands sometimes. Maybe it was an accident. Maybe he didn’t even know it was her hand.

She heard Draco’s own breath hitch in his throat as his hand finally slipped under hers, intertwining their fingers and turning them so her hand rested in his palm. 

Friends held hands sometimes. There was nothing romantic about this. Nope. This was normal. Y/N’s frenzied thoughts were interrupted by Draco’s voice.

“You know how much danger my family is in,” he said, finally revealing what had him so shaken up. “Well, I got a letter from my mother last night. Apparently she’s been getting these strange, veiled threats. She can’t identify the owl and it seems like whoever this is is hell-bent on breaking into the manor. My aunt and the rest of the Death Eaters have been ridiculing her for even worrying about it.”

Y/N started to feel a guilty pit in her stomach. The letter her father sent her was beginning to make more sense. “Draco, that’s awful.”

“Do you think that maybe they’re the ones who are sending them to her?” he asked, his voice raising an octave at the end, flourished with a small crack in his tone. “As a way to rush me to the end of my task?”

Draco had slowly leaned into her as he told her his worries, and Y/N found herself gently squeezing his hand. “I’m so sorry you have to deal with this on top of everything else. This isn’t fair to you. Is there anything I can do to help you? Do you need help solving the cabinet?”

He shook his head, casting his gaze down to their hands. “Is it okay if I just stay here for a little?”

“Of course you can,” she said, immediately regretting her words. Having him around would only make her feel worse. Was this how he treated all of his friends? She held back an ill-timed chuckle at the thought of him holding hands with Goyle. 

“Thanks, Y/N.” His eyes were so light that she could still see the silver hue of them in the dark, reflecting what little moonlight found him under the blanket. “You know, I’m glad we had detention together. I don’t know what I’d do without you. Pansy kept badgering me all day about how she could help instead of actually listening and Blaise just told me that if I kept moping around he’d nab my mother himself.”

“Oh,” said Y/N. Jealousy surged through her as she thought again about Pansy. When she held hands with him, she probably never had to wonder what it meant. “Do they know about…”

“Not everything,” Draco clarified. “That’s just you. They just know about my current house guests. I haven’t told them any specifics.”

Another pang of guilt rattled through Y/N as she ran through the information she’d gotten the night prior in her head while he squeezed her hand back, his thumb running along her skin. She felt like the shame of not mentioning it earlier was burning her up.

“Draco, I need to tell you something.” The makeshift blanket tent all of a sudden felt like the most intimate location in the world as he turned to face her fully, now gripping her hand with two of his own and leaning closer, his eyebrows raised in curiosity. “What is it?”

“I…” She trailed off, squeezing her eyes shut as she mentally ran through the contents of the parchment on her desk. For a moment, all she could hear was the pounding of rain and Draco’s breathing. 

“If this is what I think it is, then I--”

“I’m not about to confess to you again literally right after being rejected,” she snipped back, pulling her hands from his grip in a moment of unexpected humiliation. “I’m not that stupid.”

Draco took his own hands, now empty, and folded them neatly on his thigh. He stopped meeting her eyes. “Oh. I’m sorry. I didn’t--I wasn’t going to--”

“It’s--no, I’m sorry.” Y/N found herself angry that she gave up her excuse to hold his hand. “That was just a little embarrassing for me. I promise I won’t bring it up again. This is something totally different.”

“It’s okay. I understand.” To her surprise, there was no usual teasing lilt to his tone; he was being entirely genuine.

“I want you to know that we can call this off at any time,” she began, watching his blank expression carefully should it change, “But I hope you think about this.”

“Think about what?”

“I’m kidnapping your mom.” 

There. It was out. Draco’s mouth had long since fallen open, a look of mild horror on his face. “What the actual fuck?”

“Let me explain,” Y/N rushed. “The Order owes my family a favor. My mom knew yours. I may have mentioned something about the treatment towards her over the holidays and now my family is orchestrating a way to fake a kidnapping-turned-murder situation to get her out.”

He blinked at her.

“Of course we can call it off anytime you want,” Y/N repeated. She cast a quick Accio (something she was surprised worked considering how shaky she was) and summoned her father’s letter from her desk, thrusting it into his arms. “Read this. It has all the details.”

Draco scanned the document without a single word leaving his lips.

“You’re scaring me, Draco. What do you think?”

“You have an Italian beach cottage?” he asked. 

“Apparently so,” answered Y/N. “I’ve never been there, but we haven’t actually registered it through the British Ministry. If we hide your mother there, no one is going to be able to find her. She’s not required to give up information to the Order, either--I mean, we kind of hope that she will, but there’s no mandated amount of intel to keep her safe.”

“And I can…”

“Yes. After your task is straightened out, you can join her if you want.” She hardly finished her sentence before Draco’s arms pulled her into the tightest hug she’d ever been given in her life.

“I can’t believe you did that,” he mumbled, his voice strained. “How did you...wow. Thank you.”

“Don’t mention it.” Her voice was muffled by his shoulder. “I’m just glad I could help.”

He finally pulled away, still keeping his hands gently placed on her forearms. She tried to keep her thoughts from straying too much as he gazed down at her, a slightly sad downturn in his lips. The way he was looking at her began to make her even more nervous.

“Well, it’s getting late,” she stated. “I want to get up early tomorrow so I’m not too late to Potions. Are you feeling better?”

Draco cleared his throat. “Er, yes. I suppose so. Thanks again, Y/N. I’m assuming this is when you kick me out?”

“Don’t say it like that.” She spelled her blanket clean from under him and stepped back into her room, turning to face him. “I’m just tired. That’s all. I’m glad you felt like you could come to me.”

He sent her a small smile before swinging his legs over the windowsill and making his way to the door. “I hope you have a good night. Sleep well.” He went in for another hug, but this time Y/N accidentally leaned the same direction as him, nearly crashing her lips into his.

“Shit, sorry,” she murmured as she quickly corrected herself to lean the other way--and was horrified to find that he had done the exact thing as well, barely dodging him this time and instead reeling herself back as far as his hold on her allowed. Draco let out a nervous laugh, letting her go and stepping away, rubbing the back of his neck. 

“Well. That was poorly timed considering the conversation we had,” he pointed out. What stellar observational skills.

“Er, yeah. Well…” Y/N held her hand out and immediately felt herself cringe. “Here’s to being good friends.”

He took her hand in his and tentatively shook it, a sort of half-smirk dancing on his lips as his eyebrow raised. “To being good friends. I’ll see you later.”

Then he was gone, and Y/N was able to flop back on her bed and frantically sort through her thoughts in peace. He’d almost--no, she’d almost--well, they both had almost kissed. As friends, though. Obviously.

This is ridiculous. She pulled a blanket up around her and immediately froze when she breathed in--black tea and sage, just as she remembered. She decided it was high time to switch her blankets anyways and tossed that one in the laundry bin.

~

“And then guess what she said?”

“Come on, we’re waiting,” Y/N said to Ron as they chattered over their cauldron in Potions together, flanked by the rest of her Gryffindor friends.

“Lavender said I’m obviously pining after Hermione because I keep asking her to study with me.”

“No!” came from Neville after a theatrical gasp. “She did not.” 

“She literally did, mate,” Harry cut in. “I saw it myself. Honestly, I think she might be onto something. I’ve always sensed some sort of tension between you two.”

“I think Harry’s right, as much as it pains me to say it,” she teased, giving her friend a little shove. Seamus had just opened his mouth to start talking when the sound of shattering glass prompted them all to whip around to face the Slytherin section. Draco Malfoy stood awkwardly clutching the broken remains of a glass vial in his hand like he was still in disbelief over what had occurred. 

“Malfoy, boy, is everything alright over there?” Slughorn asked from the front.

“Yes,” he said quickly, a faint blush spreading across his cheeks. “I’m sorry, sir. I don’t know what happened.”

“You should sleep more,” the professor continued. “It’s harder to control your magic when you’re young and exhausted.”

Draco just nodded, his gaze turning over to meet Y/N’s worried one. She tilted her head, mouthing, “Are you okay?”. He sent her a tight smile and nodded, though Pansy sent her a very dirty look. 

“So that was weird,” said Y/N, turning back around to face Harry. “I haven’t broken glass by losing control of my magic since I was a kid.”

“One time I let a snake out in a muggle zoo,” said Harry, his eyes miles away as he traveled down memory lane.

“You what now?”

“I can’t believe I never told you that.”

“I think I would’ve remembered that. What’d you do, whisper in its ear about how the only thing it has to lose is its chains or something until he was motivated enough to escape?”

Harry laughed. “No. I vanished the glass. And then it thanked me, which was horribly alarming for a kid who had no idea what magic was.”

“You poor, poor thing,” she mocked before Slughorn dismissed them and they began to make their way together down the hall. “Suffering from success.”

Harry chuckled, and Y/N felt a surge of affection for the fact that they were friends once again. “Basically the story of my life. Anyways, I’m off to see Snape.”

“Merlin, are you okay?” asked Y/N, holding her hand to his forehead and miming the motion of checking for a fever. “On your own time?”

“Yeah, yeah, it’s alright,” he said, suddenly looking more somber. “I’m just serving detention for what happened in the bathroom. I am still very sorry about that, you know. If you wanted to curse me to get back at me, I’d understand.”

She shoved him forward, a smile dancing on her lips as she said, “Go on, suffer for my honor.” Then she felt a hand pull her back into an empty, dark classroom. 

“Let go of me!” she exclaimed, twisting around to try and see the person who had grabbed her.

“Boo,” whispered a familiar voice in her ear. 

“Draco, you do realize you could just talk to me in the halls like a normal goddamn person,” she chided, finally being released from his grip so she could give him a stern look. He only shrugged, a slightly impish look displayed across his features.

“But it’s more fun this way.”

She tried her hardest to frown at him, but it was honestly difficult when he was smiling at her the way he was. “So, what’s up? Did something happen?”

“Nothing really,” he admitted. “I just know that we both have free periods. Do you want to spend it together?”

Friends, friends, friends, friends, friends Y/N chanted in her head. He’s only saying this as a platonic thing.

“I guess I don’t really have anything better to do,” she teased. Despite her light hearted tone, she couldn’t help but notice the shift in Draco’s behavior. In a matter of days, he was looking more like himself than he had all year--the color finding its way back into his cheeks, the corners of his eyes crinkling up when he smiled, the food on his plate in the Great Hall actually being eaten. 

If there was one thing that Y/N was quickly learning about Draco, it was that under all of his snobbery, he was endearingly weird. He’d memorized all of the captains of the Slytherin Quidditch team, read everything there was in the library about alchemy, and always sent her the dorkiest fucking waves whenever their eyes met. 

So, in spirit of Draco’s newly recovered persona, Y/N spent the rest of her free period sitting in the empty classroom and chatting with him about a whole load of nothing. They’d both sat on top of adjacent desks, and sometimes Y/N would swing her feet so she kicked his shin. He’d always promptly return the favor.

“So,” she said after a while, “Have you been thinking about what I told you? My family’s plan, and all?”

He was quiet for a few seconds, his gaze cast down to his hands. “A little. I guess I’m just a little confused about what I should do with my task or when all of this is going to happen.”

“I’m only asking because I’ve been thinking about it,” confessed Y/N. “I think I’ve figured out what you should do with your task. If you want to, that is.”

“I’m listening.”

“We’ve already established that You-Know-Who has nothing to hold over your head without your mother at stake,” began Y/N, searching his face to find agreement, “But it’s going to look suspicious if you suddenly stop sending progress reports.”

Draco reached his hand up to scratch his cheek. “One problem, though. I don’t think I’ll be able to repair the cabinet. I’ve hit a complete dead end anyways.”

“That’s fine,” said Y/N. “That doesn’t matter. Fake the progress reports. I don’t think that you should fix it at all, to be honest. I think you should leave it broken and still invite Bellatrix and her friends to travel through it.”

“And kill them?!”

“Or maim them,” offered Y/N. “I know it’s not ideal, but I think that if I tweaked the cabinet’s lunar belt just right, I might be able to control how the space-time continuum is warped and simply incapacitate them so the Order can take them into custody. Of course, the dark magic as an element may throw a curveball, but it’s worth a shot. And if you do this, it’ll mean that the Order will trust you more.”

“Hm.” Draco caught his bottom lip on his teeth while he shut his eyes, obviously stewing over everything. “That’s quite the risk.”

“I can run it by my family to get their thoughts on it,” she offered. “But the only caveat is that I have to mention what you’re trying to do.”

His eyes shot open. “Maybe don’t mention the part where I’ve already made more than one attempt on the headmaster’s life if we end up going down that route.”

Y/N shrugged. “The Order might already know. Isn’t Snape onto you?”

“He’s not ‘onto me’, he was instructed to help--” Draco stopped in his tracks as he stared at her. “Wait, what?”

“Oh,” she said, both of them frozen as they realized what they’d revealed to each other. “Erm...forget I mentioned that.”

“Yeah, probably a good idea,” he mumbled, sending a half-hearted kick at her. “Let’s change the subject.”

“Love it,” she said absentmindedly. “Anyways, will you go to Slug’s Valentine party with me next weekend? As friends, of course. He wants all of us to bring dates and I don’t know who else to ask.”

Draco looked like he was glowing. “Really? You wouldn’t bring Potter?”

“Eh,” she responded. “I’m pretty sure he’s going with Ginny. Plus, I see him around the common room enough as it is.” Y/N waited a few moments. “So? Are you in?”

He shook himself out of what looked to be a weirdly stupified state. “Er, of course. Just let me know when you need me.”

The Hogwarts bells began to chime outside, signifying that the third period block was beginning. 

“Saturday at 8,” said Y/N, turning to leave. “You can meet me in front of the Great Hall.”

“I’ll just walk you from your dorm.”

“Then you have to be there earlier.”

Draco shrugged. “I don’t mind. Anyways, I’m off to Runes. Enjoy Divination.” He bumped her shoulder as he walked past, sending a thrill through Y/N. How had he even known that she had Divination? That was one of the few classes they didn’t share, and she probably just mentioned it in passing once. 

Then again, they were friends. And just because Ron and Hermione hadn’t memorized her schedule, it didn’t mean that Draco was the same kind of friend.

Things only got more confusing as time went on. Draco found any excuse to talk to her, especially when she was with Harry. If he were any other boy, Y/N would’ve immediately assumed the obvious: that he had a crush on her and was jealous. But, obviously, that was impossible. He’d told her upfront that he didn’t have any feelings for her. So why was his behavior so different after that night they spent together on the roof? 

It got even weirder on Friday. Draco once again pulled her away from a conversation with Harry to shove a little box in her hands.

“What’s this, Draco?” she asked, frowning as she turned it around in her hand.

“It’s just something I thought you might like,” he muttered, his hands shoved deep into his pockets. Her interest piqued, Y/N opened the box.

“A quidditch bracelet?” Y/N gulped as she looked down at the enchanted diamonds, each glittering with a gentle silver pigment--as well as a slight lavender purple sheen. This was not a normal gift to give to your school friend. This was at least a few thousand galleons--probably even more, considering the enchantments that made the stones glow. Even her considerably wealthy family wouldn’t buy her one because of her horrid track record with jewelry.

He shrugged. “I picked it up while I was at Barnaby’s a bit ago. You don’t have to wear it if you don’t want. I remembered I had it when you asked me to Slug’s party and I thought I’d see if you’d be interested.”

“Erm,” said Y/N, stammering, “I’ve never gotten a gift like this from someone before.”

“Believable.” Draco snorted. “Take it and do me a favor. It’s not like I’d wear it. It might as well be appreciated by someone.”

“It’s beautiful, it really is. I’m just worried because I have a bit of a habit of forgetting I’m wearing jewelry and breaking it….”

“I assumed. That’s why I charmed it to be unbreakable,” said Draco quickly. “If you don’t want to wear it, I won’t be offended. I’m just offering.”

Y/N couldn’t help but be thankful that the abandoned classroom he’d pulled her into was dark. Otherwise, he might’ve seen how red her cheeks were. “I guess we’ll figure out how strong your unbreaking enchantments are shortly.”

“Is this your way of saying yes?”

“Help me put it on, will you?” 

She could see dimples form in his cheeks as he allowed a small, close lipped smile to spread across his face while he unclasped the bracelet from the box and gently turned her arm so her palm faced up to the sky. His touch lingered over her skin for a few seconds. Y/N had to remind herself to breathe.

“I’ve been thinking,” he said, his voice suddenly low, “About what we talked about last time we were here. About the cabinet, and the Order…”

“Yeah?”

“I think I want to do it,” he said firmly, finally pulling his hands away from her arm and tossing the empty wrapping into his pocket. “Just tell me what you need from me.”

“Nothing yet, really. Just your consent to tell my family about your task. I’ll let you know if they want anything else.” Though Y/N’s response was truthful and concise, her mind was elsewhere as she came to a depressing realization. He wasn’t giving her the quidditch bracelet because he secretly liked her and wanted to spoil her or whatever. He was doing it as a thank you for what she was doing for him and his mother. An elaborate gift for an even more elaborate favor. 

“That’s easy enough,” Draco mused. “In the meantime, I’ll keep sending progress reports.”

“Good plan,” said Y/N, her voice a little deflated. “Thank you again for the bracelet. I’ll see you tomorrow.”

She left the classroom and spent the rest of her night stewing over the poor decisions she’d made regarding her emotions over the past week. She knew about the effect that Draco had over her, yet she still invited him to Slug’s party like an idiot. And then she’d let herself get her hopes up over dumb little things like the way he looked at her in class or the quidditch bracelet when he was really just being a friend trying to pay her back for a big favor. 

Saturday night was going to be rough if she couldn’t get her feelings in line.

~

At 7:50 sharp, Y/N waited by the portrait of the Fat Lady. Peeves wailed above her as she tried to practice slow breathing--in for 5 seconds, out for 5 seconds. I am in control of my feelings. I control my own reality.

Then she saw him, and all of the work she’d done trying to quell the butterflies in her stomach at the thought of him amounted to nothing. He looked breathtaking. Y/N bit her tongue as she tried to violently beat back the thoughts of all the things she wanted him to do to her. 

“You look nice,” he said smoothly once he was close enough for it to be socially acceptable. Her mouth went completely dry as she drank in the sight of him in an all-black suit.

“Thanks. So do you.” She internally congratulated herself for getting through that without stumbling over her words too much. Gingerly, she pushed herself off her position of leaning on the wall and began to walk alongside him.

As they ascended the steps, her heel teetered. She reached for Draco’s hand in a moment of sheer panic--and, surprisingly, he latched onto her and held her up. 

“Didn’t your parents ever tell you to not wear shoes you couldn’t walk in?” he said, amused. He didn’t move to let go of her hand. 

“Don’t be rude, Malfoy,” she fired back.  

“You’re not wearing it,” he noted. His lips slightly turned into a frown as he cast his eyes downwards.

Y/N stared at him, her mind barely functioning at this point. “What?” 

“The bracelet,” he said, letting go of her hand to motion to her wrist.

“Oh,” she responded lamely. In truth, she’d tossed it into his quill box while she was in the throes of self-pity over the whole ordeal of unrequited feelings, but she could hardly tell him that. “I took it off to shower and it took too long to put back on.”

“You know, you could’ve just asked me to help again,” he said with a teasing lilt. “I’d only judge you a little.”

She smiled, grateful he wasn’t pushing it any further. “Ever the gentleman. I’ll keep that in mind next time.”

They made it to the fifth floor in no time. Slughorn only seemed slightly concerned with the presence of Draco, but he didn’t say anything to Y/N. As she expected, Hermione and Ron gave her a little bit of side-eye once they saw her choice of a date, but neither of them brought it up and even spoke to her for a little--though they never verbally acknowledged Malfoy. While she was constantly overanalyzing the little things that Draco was doing--the way he offered her a sip of his drink when she spaced out on the way his hands looked holding it for too long, the way he was always touching her in some way, whether it be a hand on her lower back or a lingering grip on her waist--she couldn’t help but feel overcome with the relief that her friends seemed somewhat accepting of her new friendship with Draco. 

Then Harry opened his mouth. 

“Malfoy,” he greeted through gritted teeth. 

“Potter.”

Ginny met her slightly panicked gaze with one of her own. To her surprise, though, Harry just flicked his gaze to where Draco’s hand was lightly poised on her waist, raising an eyebrow. “Congratulations for finally being honest with her. I always thought Y/N deserved a bloke who outright admitted his feelings. I never thought I’d say this, but maybe that is you after all.”

Draco’s hand immediately dropped. “Do me a favor and bugger off.”

“Or maybe I’m wrong,” replied Harry, looking Draco up and down with possibly the pettiest look she’d ever seen on a wizard before. “Enjoy the rest of your night.”

“That was weird,” said Y/N, though she secretly revelled in the fact that Harry was picking up on something too.

“I suppose.” Draco slid off one of his rings, running his fingertips over the ridges of his family crest.

“Hey, are you okay?” asked Y/N, placing a hand on his shoulder. 

He nodded. “I’m fine. Sorry. I don’t know what’s wrong with me. I’ve just never really been a party person.”

“I imagine it’s probably not helping that Harry’s here,” she said, giving his arm a little squeeze before releasing him. “Do you want to just get out of here? I think we’ve been here for long enough to justify ditching.” His grateful smile told her everything. “I had a feeling. Where do you want to go?”

He pondered this for a bit. “I’m not sure. Anywhere but here.”

“Anywhere but here” quickly turned into his dorm as they wordlessly made their way down to the dungeons, passing by Marvin the raven outside Snape’s stores. Y/N’s pulse sped up every time their hands brushed--which seemed to happen far, far too often for it to be accidental on either of their ends. 

“I can’t believe you broke in there,” he said finally, chuckling as the raven cooed at her appreciatively. “And just for me? I’m flattered.”

“Yeah, yeah, don’t mention it,” grumbled Y/N. Obviously she’d done it just for him--she was hopelessly obsessed with him. He knew that. She found herself profoundly grateful that she’d been under the influence of Veritaserum that time instead of now--if she’d had so much as a drop of truth serum, she’d spend the entire night telling him how much she wanted him. “Anyways, I’m sorry for how weird Harry was back there. I don’t get why he feels the need to make assumptions about everything.”

Draco hummed, tapping his fingers on her wrist. Just friends, just friends, you’re just friends. Merlin fucking damnit, why did he have such nice hands? “I don’t know. He was certainly sure about it.”

“And I have no clue why,” Y/N said, pretending like she was in disbelief instead of acute pain. “I know you don’t see me like that. I’m not really sure where he’s getting that from.”

“Oh?” Draco let his hand fall, a weird tone coming over his voice. “You aren’t?”

“Well, I remember what you said,” she said matter-of-factly, trying her hardest not to read into the way he was staring at her, watching every fidget of her hands. “It’s not like I’d be self-loathing enough to expect anything different.”

He let out a huff of frustration. “Y/L/N, honestly. I sent you a box of special Wurgie’s lavender chocolates on Valentine’s day. I spend all of my free periods talking to you.”

“Ok?” Y/N couldn’t help but be taken aback by how argumentative his tone was becoming. “I suppose I see how Harry could read into that. But I have to spend my free periods with someone, right? And sometimes I get my friends chocolate on Valentine’s day too.”

“I bought you a whole enchanted quidditch bracelet. It’s the only one of its kind,” he snipped, obviously becoming more agitated. “I spent an entire day trying to find the right unbreaking spell. My father literally wrote to me from Azkaban to ask me why the Gringotts bank statement recorded me taking out that many galleons at once. He thought someone had broken into our account.”

“He doesn’t know that.” Y/N was becoming keenly aware of how close he was standing to her now that they’d stopped walking, her back a few inches from the wall as he leaned into her space. “Even if I had worn it out, there’s no way he could’ve known it was from you.”

“That’s not what I’m--” he began waspishly before clearing his throat and collecting himself. “I’m just saying, those things aren’t exactly platonic.”

“Okay,” said Y/N slowly, trying to turn her thoughts away from how soft his lips looked, “I’ll concede that some things that we do can be read as something more than friendship. But I know how you feel. You told me.”

He wet his lips. “Do you actually think I care about whatever goes in that dim brain of his?”

“Normally, no. But considering the fact that we just had an argument over it, then maybe I’m incorrect in assuming.”

“Well, I don’t,” he said, his voice suddenly quiet. He was close enough that she could smell the traces of that expensive cologne he always wore that reminded her of loose leaf lapsang souchong and fresh parchment. “And I was never trying to argue with you about his perception. I was talking about my actual intentions.”

“What?” Y/N choked out as she tentatively glanced up to see his jaw set. Her heart was pounding so hard it must’ve been audible. What the hell was he talking about?

Instead of answering, Draco gently reached up to her shoulders, walking her back until she was pinned up against the wall. His other hand came to tilt her chin so their eyes met. She would’ve been deceived into thinking he was confident by his unwavering stare, but she’d felt how his hands were slightly unstable. “Merlin, are you going to make me spell it out for you? How many different ways am I going to need to tell you?”

In the end, she wasn’t quite sure who it was who closed the gap--just that, at some point, one of them did, and that she was all of a sudden kissing Draco Malfoy with a fervor that she didn’t know she had in her. His mouth was hot against hers as he pressed her up further into the wall, his knee rising between her thighs to prop her up.

In the recesses of the back of her mind, it vaguely registered that this didn’t add up with what he told her the last night they spent together--but she decided to brush all those concerns off to the nebulous concept of later when his hands tangled into her hair.

The sound of footsteps and students giggling echoed down the corridor, making the pair jump apart. Y/N wiped her lips, trying to fix the smear of her lipstick as Draco frantically straightened out his tie that she’d tugged loose. No matter how much she wanted to, she couldn’t make herself meet his eyes. 

“Do you still want to go back to my dorm?” he asked, his voice barely above a whisper. 

She dared to look up at him, not expecting the sight of his pupils blown out and his cheeks slightly rosy. “If that’s okay, yeah.”

Neither of them attempted to make conversation as he led her through the empty Slytherin common room. She could feel her heart crawling into her throat. She’d never gone to a boy’s dorm before other than during the Veritaserum incident--sure, she’d kissed some boys before, she’d even gone to the Yule Ball with a cute Beauxbatons boy--but she didn’t know how this worked. Was she supposed to immediately start kissing him the moment his bedroom door was closed? Was she supposed to be kissing him now? Was she supposed to be kissing him at all after that?

They made it into his bedroom before Y/N could come to a decision on her next action, so she decided to just not make any moves. Fuck, that was almost worse. Where would she sit? At his desk? No, who the fuck does that? Next to him on his bed? No, too suggestive. Just stand by the door? Merlin, no. She wished that the ground would just open up and swallow her whole so she could sit back in her dorm and think about the way he’d kissed her in private. 

“So,” said Draco. 

“So,” echoed Y/N, finally giving in and sinking down onto the bed next to him. 

“So, I take it that you still like me?” A small smirk danced on his lips. 

Her cheeks blushed into a furious red. “Draco, please don’t make this any more embarrassing than it has to be.”

“What are you...huh?” He shifted so he was on his side, propping up his chin with his palm as he studied her with agonizing attention. “Why would it be embarrassing when I was the one who kissed you?”

She shrugged. “I don’t know, maybe the fact that this isn’t the first time? And the fact that I’m waiting for you to tell me you didn’t mean it again?”

“You think I didn’t mean that?” Draco’s eyebrows raised. “Do I need to do it again to get it through that thick skull of yours?”

“I--what--don’t be rude,” she stuttered. 

He rolled his eyes but didn’t lose the upturn of his lips. “I guess so. I suppose I was planning on it anyway.” 

All her nervousness melted away as Draco edged closer, the coolness of his rings pressing pleasantly into her neck. Instead of kissing her immediately like she expected, he traced the outline of her neck up to her ear where he wound his fingers into her hair, finally leaning in so their lips met. 

His skin was soft against hers as he tilted his head, deepening the kiss and pulling her into his lap, his fingers spanning the width of her waist and twisting in the satiny fabric of her dress. When she was out of breath and the pillow she was next to was beginning to get pushed dangerously close to the edge, she finally broke the kiss. 

“Can’t you just tell me how you feel with your words?” she prompted.

“Isn’t it obvious?” said Draco. 

“I thought it was obvious last time.”

“Well, it was. That was before I knew that I was relieved of my task,” he explained, his grip around her waist tightening to tug her ever closer. 

“Why would that matter?”

“Because,” he began, a slightly exasperated look in his eye, “If I had my task and my mother was still at stake, I would’ve had to go back home over the summer. And You-Know-Who would see you in my memories. Plus, I think that being a full-time Death Eater makes it very difficult to be a good boyfriend to someone who’s best friends with Harry Potter. That would complicate things. I knew that if I told you I felt the same way I wouldn’t be able to say no to you.”

“So…” She swallowed. “Does this mean that you’ve liked me all along? Like, from the start?”

“What do you think?” he drawled, his fingers ghosting over the zipper of her dress. “Do you think I just go around kissing random girls in my bed?”

“Well, what about Pansy?”

“Yeah, actually, what about her?” he asked, a little glimmer appearing in his eye. “We haven’t been together since, what, the middle of 5th year? I talk to her as much as I talk to any of my other Slytherin friends. I don’t know what’s got you so up in arms over her.”

“She obviously isn’t over you,” Y/N pointed out. “I just know it.”

“And? I’m over her.” He gave her a knowing look. “You’re jealous, aren’t you?”

“I didn’t know!” she exclaimed. “I thought that maybe there was something. It’s not like I’m keenly aware of the Slytherin social going-ons.” 

“Sheesh, so defensive,” he tutted, his thumbs now rubbing circles into her shoulders. “It’s almost like you like me or something.”

“Draco!” She swatted at him, but he caught her hand in midair and kissed each of her knuckles, giving her an almost sheepish look. It was all she could do to keep her laughs from getting too loud as he dropped her hand and swept towards her again, kissing her fully. 

Before she knew it, they were rolled over so he was on top of her, hovering over her with his elbows supporting his weight as he pressed warm, open-mouthed kisses along the bare curve of her neck. She closed her eyes and let a soft sigh escape her as his lips drags across the spot under her ear, pushing up further into him.

“You liked that, huh?” He looked far too pleased with himself.

“Shut up,” she said, reaching up to thread her fingers lightly through his hair. It was just as soft as she imagined it to be. Something possessed her to wind her fingers through the locks on the back of his neck and close them into a fist, awarding her with a sharp intake of air from Draco. “You liked that, huh?” she mocked.

He rolled his eyes, muttering a “fucking hell” so quietly that she wasn’t sure if she was supposed to hear it. Despite the exasperation in his tone, his mouth was still fixed in an upturn as he looked down at her, his eyes soft. She couldn’t help but move up to kiss him again, and again, and again, until her lungs were screaming for air and her neck was cramping from the angle.

She let her head fall back onto his down comforter, taking in the sight of Draco with swollen, well-kissed lips. 

“What?” He tilted his head as he regarded her.

“I just love you like this,” she said shyly. “Oh, Merlin, wait, I didn’t mean it like…”

Draco let out a chuckle. “It’s okay. I know what you meant. I love you like this, too. You’re not as difficult.” He rolled off of her, taking a moment to shed his dress coat and pull off his tie.

When he was close enough again, she rewarded his tolerance with a smile and a delicate, nervous kiss on his collarbone, dragging her teeth over his skin for just a moment. The hand that was placed on her back scrunched up the material of her dress as Draco’s breath caught. 

“Your hands are bloody cold,” he complained as her fingers wound themselves under his dress shirt, exploring the new expanse of exposed alabaster skin.  

“Do you want me to stop?” she asked, pulling away and letting go for just a second before he grabbed her wrists together and hauled her back.

 “No.”

“I’ve never…”

“That’s okay,” he said as she settled back onto his lap, reveling in the soft way that he was treating the skin that was exposed by her dress. “We don’t have to do anything you don’t want.”

“I’m just scared,” she suddenly choked out. Where did that come from? “I want you, now, but I don’t want to wake up tomorrow to you telling me that you can’t do this or that you didn’t like it or…” She trailed off, distracted by the way he firmly tapped the outer edge of her thigh.

“I’m not going to do that to you,” he said. “I promise. I made that mistake once. Plus, the burden of the performance is kind of on me anyways, so there’s nothing to be nervous about if that’s a hold up.”

She snorted. “Don’t make me change my mind, Malfoy.” 

Despite her words, the corners of his eyes crinkled. “I mean it. If you want to just lie there that’s fine. As long as you enjoy it, it’ll be great for me.” His hand came up to gingerly brush away the pieces of hair that had fallen in her face before dropping to gently toy with the top of her zipper again--a question. Wordlessly, she allowed herself to be helped out of the garment, letting it fall to the ground before turning back to attack the buttons on Draco’s chest. He made an amused sound as she struggled, eventually unsheathing his wand and opening it up in a second.

“I could’ve done that, you know,” she said rather defensively.

“Yes, yes, I know,” he said, hardly masking his teasing tone. “You’re very capable. Now come here.”

 And so she did.

The idea of sex had always been scary to Y/N. Someone, especially someone attractive enough for her to want to sleep with him, seeing her fully exposed made her want to freeze up and dive under her blankets. But that was before Draco. Somewhere, hidden deep in the back of her brain, lay an anxious switch that flicked off as soon as she was pinned under him with his knee pushing up to part her legs. She no longer felt like she had to be self-conscious--despite how intimidated she was by him, she’d never felt more adored. 

Y/N learned three surprising things about Draco in the span of that night: one, that in some places his skin felt like crushed velvet under her fingers; two, that he melted in her hands when she pressed her lips to the sensitive spot on his neck; and three, that he had a freckle under his jaw. And on his left shoulder. And at the spot where his thigh met his torso.

“What are you thinking about?” he murmured to her after they’d slumped together, his duvet haphazardly flung over their bodies while his fingers traced patterns on her back.

“I’m just so glad you feel the same way,” she admitted. “I thought I was going crazy over your actions not lining up with your words. It was driving me insane.”

Draco let out a little laugh. “I thought it was painfully obvious.”

“Remember when you tripped up the stairs that time you walked with me after detention?”

“Remember when you tripped up the stairs today?”

“You’re ruining this,” she said sourly as she swatted his chest.

Instead of responding, he just snatched her hand and held it hostage. “I’m not the one resorting to physical violence. Which, now that I think of it, is pretty commonplace for you.”

“Hey! If I hadn’t thrown the york pudding at Pansy, we wouldn’t be here right now.”

Draco was silent for a few moments.

“You know I’m right,” she pressed. To her surprise, he shifted uncomfortably under her.

“I’m not so sure,” he finally admitted.

“Huh?” Her features flooded with confusion. “What does that mean?”

“I mean, I’m lucky it worked out like this,” he said hesitantly. “And...so soon. You hated me.”

She sat up, pulling away from his embrace and folding her knees under her. “What are you talking about?” 

“I dunno.” Draco refused to meet her eyes, his fingers instead playing with the edges of his sheets. “This is probably stupid, but do you remember the time we brewed Amortentia in Slughorn’s class?”

She nodded. 

“You told me that it reminded you of a memory,” he continued, “And that you knew you had to have danced with them at some point.”

“I’m aware.” Y/N blinked down at him as she tried to piece the puzzle together.

He finally flicked his gaze up to meet her eyes. “I guess you don’t remember it, but in fourth year we danced together once. I’d never talked to you before--I knew you were friends with Potter and the like--but I just never really stopped thinking about it since.”

“This is so embarrassing,” said Y/N. “How do I not remember?”

He shrugged. “I think you were a little tipsy at the time. I did, though. I’ve never forgotten.”

“Then why were you so mean to my friends?”

“I stopped for the most part,” he pointed out. “And, if you’ll notice, it was mostly towards Harry.”

“I thought that was because he’s the Chosen One.”

“No, it’s because I could see that he liked you and I was jealous. Eventually I just gave up around 5th year, around when I started dating Pansy. I didn’t think there was a chance in hell that I was ever going to be able to be with you, especially not after getting my task.” 

“Oh,” Y/N said as she mulled over this information. “My story isn't as romantic. I suppose I’ve always had a little crush on you too, but I was definitely in denial. I just always found you ridiculously attractive and tragically funny considering what you used to support.”

He glowed down at her, pressing the pad of his thumb into her cheek. “Well, I’m glad I can finally give you what you deserve.”

“Me too.”

~

The weeks began to pass faster after that. Draco never really struck Y/N as a PDA type of guy, but he was surprisingly affectionate. When they began to brew potions together again, he was quick to tuck away her hair behind her ear when she was looking over the cauldron and sent her sweet, private smiles that made her heart flutter. He even sat with her every once in a while at the Gryffindor table when the trio was busy doing whatever they had to do to save the world. Y/N pretended to not notice the whispers that were elicited from her peers when Draco would casually touch her.

They spent as many nights together as they could, but considering how often her friends were giving her dirty looks for stumbling into Potions after not being seen in the Gryffindor Tower for the past day, they had to be reasonable, cutting it down to three or four nights a week. 

Y/N treasured every moment she had with Draco, even when they were fleeting and in between classes. She learned everything she could about him--how he was actually terrified of snakes, how he preferred his tea black, how he had an elaborate morning routine he hardly ever deviated from--and committed it all to mind. Her favorite version of him in her head was the way he looked when he was between her sheets, fast asleep with his arms draped over her. Whenever she woke up before him, she tried to memorize it.

He was absolutely ridiculous with the kind of gifts he gave her. Y/N swore that one day she’d wake up to find that he’d bought the British crown jewels because he “saw them” and “just thought of her”. She now had enough Barnaby’s quills to rival the number of feathers on the country’s entire population of geese, but instead of feeling overwhelmed with gratitude, all Y/N could feel was the impending doom that, one day, those gifts would be the only thing she had left of him. He seemed to know this, too.

Draco always found some kind of reason to pull her away and kiss her senseless, whether it be behind a tapestry or in a broom closet when Filch heard them walking around the castle after curfew. In a way, it was like they were just normal teenagers, enjoying the thrill of the moment and acting out. When she thought of it like that, it made the inevitable events seem more bearable; at least they had some time together.

The letter came with no more context than just a simple “Tomorrow.” Y/N knew exactly what it meant--Narcissa Malfoy was going to finally be taken from the manor. Bellatrix needed to be convinced over the next 24 hours to enter the Borgin & Burke’s Vanishing Cabinet as a distraction, and Y/N needed to be sure of her work on the cabinet.

“It’s been a while since I’ve been here,” Y/N mused absentmindedly as she sat in front of the cabinet. Draco’s head rested on her shoulder after recounting all of the changes he’d made. “That was clever, switching out the conductor clasp with a copper fitting.”

He smiled, pressing a kiss into her shoulder. “I’m not totally daft, you know.”

“Of course I know,” she said, her voice dropping into a soft murmur. Fingers pressed into the soft flesh of her thigh as he pulled her onto him. “Draco, I have to fix this first. Then we can do whatever you’d like.”

“Hm,” was all he said, burying his face in her neck once again and letting out a deep sigh.

“Are you worried?”

He was still for a few moments before dipping his head slightly in a nod.

“You’ll be okay,” she promised, winding his fingers through hers. “I’ll make sure of that.”

“I should be comforting you, not the other way around,” he said softly. “I dragged you into this.”

“I pushed myself into this,” she corrected. “And, plus, it’s not my mother on the line. It’s okay to care, you know.”

Y/N got up, making her way towards the cabinet and meeting his eyes once. They shared a knowing glance as she brandished her wand and whispered a quick fracturing spell, sending cracks down the eastern side of the lunar belt. Her hand shook as she shrank back onto the couch until his arms found her shoulders and turned her towards him. “I can’t believe I just...I just did that.”

Instead of responding, he simply sat up straight and delicately pressed his lips to her forehead, his hand coming around to cradle her for just a moment. “Let’s get out of here.” 

“Out of here” once again turned into Draco’s dorm room.

“I can’t believe this will all be over tomorrow,” Draco said, his back turned as he loosened his Slytherin tie. “I’m going to be gone by Sunday morning.”

“Yeah.” Y/N tried not to let the lump in her throat garner too much attention at the thought of losing Draco into what was essentially the Order’s witness protection program. 

He seemed to notice her uncharacteristic silence, frowning at his reflection before making his way towards her and diligently pressing kisses on her cheeks. Instead of grabbing onto his sleeve cuffs and pulling him closer like she usually did, she just let out a tiny sigh and kept her eyes fixed on the tie slung over his shoulder. 

“Hey,” he murmured, moving so she had to look at him. 

“Hey.” She sent him a watery smile, hoping that he couldn’t see how close she was to tears. 

“What’s wrong?”

Y/N just shook her head, anchoring her bottom lip with her teeth so she didn’t choke up. “It’s nothing.”

Draco rolled his eyes. “Don’t pull that with me. I’m not falling for that. I’m going to ask again. What’s wrong?” His hand came up to pull her chin up again so their eyes were level, his eyebrows raised in expectation.

Y/N tried to tell him; she really did. It wasn’t her fault that the most pathetic sounding sob of her life came out of her mouth instead of a confession. Instead of asking any more questions or trying to get her to talk, Draco just pulled her into his arms and held her there, letting her weep into him. His hands came up to rub her back as she struggled to breathe normally.

“Everything’s going to be okay,” he whispered, breaking the silence. “I’m not going to let anything happen to you.”

“This isn’t about me,” said Y/N miserably. “It’s about you. What if something happens to you while we’re apart? What if I don’t get to see you again?”

Draco made a small sound in his throat, almost like he was holding back a sob himself. “Y/N, don’t worry about me, okay? It’ll all be alright, love. Don’t worry.”

Despite the fact that Draco was doing his best to comfort her, Y/N knew one thing for sure: his word couldn’t stand against fate, and if he were meant to die or disappear during the time that he was hidden away in Italy, there was nothing either of them could do about it.

She turned her head and found herself pressing her lips to his with so much desperation that she hardly even noticed the few stray tears that had made their way down her cheeks. He met her with much more tenderness, his fingers gently brushing away the wetness on her cheeks. For someone as cocky as Draco, he could be so shy when he kissed her, almost like he expected her to change her mind halfway through. 

“I don’t want this to be over,” she whispered as she pulled away, leaving the slightest gap between their lips. 

He cupped her face, his eyes shining. “It’s not over. We have a few hours left.”

To her horror, another strangled gasp left her lips. Draco had her tucked into his arms in an instant, his lips pressing into her hairline. “It’s not over, okay? I just don’t want to hold you back if you aren’t allowed to see me. Don’t wait around for me.”

“I don’t care,” choked out Y/N. “I’d wait forever if it meant I got to have you.”

“I know,” he murmured. “But it’s not fair of me to expect that from you. I don’t know how long this war is going to last.”

“I don’t care about fairness,” whispered Y/N. “I just want you.”

They spent the rest of the night tangled together in his sheets, just waiting for the morning to come. Neither one got any sleep. Instead, Y/N entertained herself by playing with his hands and asking him questions about his childhood--anything to keep her from remembering what was in store for both of them.

It had been decided earlier that Y/N would have no part in the cabinet plan after they ran the information by the Order. Actually, it was decided that she’d have no part in anything beyond just bringing the situation of Narcissa Malfoy to attention. “It’s crucial to your safety that you don’t connect yourself and by extension our family to this,” one of her father’s earlier letters had read. “Doing so puts you and everyone you love in jeopardy.”

That evening, just as dusk set in, she stood with Draco in her dorm for what was the last time, shaking with unshed tears. He just clung to her for the first few minutes, her head tucked under his chin as his hands were clasped around her back. 

“Give me your hand,” he said finally. “I want you to have something.”

She felt something slide on her thumb, her eyes widening as she realized what it was--his family ring.

“Draco…”

“I probably shouldn’t have this on me, anyways,” he explained. “And I want you to have something of mine, something that’s really mine, not just a gift. Just...maybe don’t wear it in public, and if you do wear it as a necklace charm or something. The last thing I want is you to get connected to this--”

Y/N cut off his rambling by pressing her lips to his, his hand feeling oddly bare as it came up to touch her cheek. “If anything happens to you, I love you. I hope you know that.”

He smiled, then kissed her again--so long that it seemed like he was savoring every moment of 

it before finally stepping away. “You know I love you. Always will.”

She managed to fit in one last kiss before he left.

Monday turned into Tuesday which turned into Wednesday which turned into the next week. Before she knew it, her 6th year was almost over. Neither Draco nor Narcissa had contacted her. The Order had been cagey about the details leading to the Malfoys--while she obviously had a general idea as to the location of her Italian vacation home and thus by extent the Malfoys, she hadn’t heard anything about their travels there. All she’d heard was the basic news that everyone had--that Bellatrix Lestrange had been found dead and that the Ministry had taken both Fenrir Greyback and Antonin Dolohov into custody with near fatal injuries.

But that didn’t make her miss him any less. Y/N found herself longing for the nostalgic, innocent time when she shamelessly flirted with him in detention and only worried about whether or not the Trio would like her again. It all seemed so long ago. 

Falling asleep was the worst. She couldn’t smell the lavender of her diffuser or her room spray without relating it to him, couldn’t slide under her sheets without remembering how it felt to fall asleep in his arms. Around May, Y/N came to the most disturbing realization: she wasn’t entirely sure if she remembered what his voice sounded like anymore. Not in the way that meant she wouldn’t recognize it if he called out to her--she would, of course she would--but she couldn’t replicate it in her mind or replay their interactions with convincing accuracy.

Sometimes, on the nights when she couldn’t sleep at all, she envisioned her last interaction with Draco: his snow blond hair ruffled and his face grim as he turned to leave. Even though she couldn’t hear his voice quite right as he told her he loved her, she remembered the scent of his cologne against her jumper and the feeling of his skin against hers as he slipped his family ring onto her hand. It was killing her that she didn’t know exactly what happened to him. He could’ve been taken by a surviving Death Eater and held hostage at the manor. He could be dead. The papers had printed that he’d been pulled into the Vanishing Cabinet and, true to the name, completely vanished, caught in the space passageway between it and the sister cabinet. She’d known that that was the angle the Order was going to take from the start, but it did nothing to ease her anxiety. 

It was even more concerning when she remembered that they’d never agreed upon anything in the future--just simply that they cared about each other in March. At that moment it had been enough. But it wasn’t anymore. All she wanted was for him to appear, give her that stupid wave he sometimes sent to her from across the dining hall when she saw him enter in the morning, and sweep her up into his arms. But that was hard to do when he was countries away. 

N.E.W.Ts had been cancelled, much to the dismay of Hermione, so Y/N had even less things to distract her with. Harry was off with Dumbledore doing Merlin knows what to try and defeat Voldemort. She was left with nothing to do but wallow in her own pity.

In early June, days before Hogwarts classes were officially concluded, someone knocked on her door.

“Come in,” mumbled Y/N. While she had thankfully gotten past the habit of crying every day, she’d instead slipped into a sort of anxious paralysis, lying on her bed after all of her tasks were done.

“It’s me.” Ron’s voice made her sit up in surprise. He hadn’t really spoken to her privately since he’d brokered the peace between her and the rest of the trio. “Do you have time to chat?”

“Sure,” she responded, moving over so he had room to sit beside her. “What’s going on?”

“Lavender just broke up with me,” muttered Ron, his hand coming up to brush at something on his cheek. “And I’ve never felt this way before. Is this what it feels like for you? With Malfoy?”

Y/N met his eyes and saw the same kind of hopelessness in them, the edges pricking with tears. “Yeah. I think so.” It was hard to choke back her own sob, so she just hugged him. He smelled of caramel and spring grass.

“Not to be a prat,” he said, “But you shouldn’t waste any tears over Malfoy. I don’t care if he switched sides in the end, he’s still a snot-nosed tosser to me. When this is all over, we’re going out together so we can find you someone better.”

“You know he switched sides?” She pulled back in surprise. Ron sent her a little wink.

“Of course not. I’m not sure why I said that. I’m sure if it was true, it’d be confidential Order information.”

“Who else?”

“Just Hermione and Harry,” he replied in a low voice. “But we weren’t supposed to figure it out--it was an accident over Easter break while we were eavesdropping on an Order meeting. That doesn’t change anything, though. You could definitely do better.”

“And so could you,” she said. “Remember what I said about you and Hermione?”

He laughed. “I’m working on it.”

Her conversation with Ron shed light on something else that had baffled her as of late--the tentative rekindling of her friendship with Hermione. The witch was actually inviting her to study nowadays, making small talk with her despite steering clear of all topics regarding Malfoy and Death Eaters. 

The last day of school rolled around before she was ready, the final ceremony being spoken by McGonagall instead of Dumbledore while he was still traveling with Harry. As she got up from her seat in the Great Hall, Hermione grabbed onto her sleeve.

“Let’s go for a walk, shall we?”

So, instead of walking straight up to the Gryffindor Tower on the route they’d used countless times since the beginning of their educational career, they took the scenic route along the Black Lake, away from the hordes of students. They walked the shore quietly until Hermione spoke up.

“Draco needs a tutor to cover what he missed this year.” 

Y/N snapped to attention. “What?”

“Narcissa Malfoy has been requesting it and all the professors are busy with Order work,” continued Hermione, not bothering to repeat herself. “They want me to do it. When they ask, I’m going to turn them down and volunteer you instead. Is that okay?”

“Um…” Y/N stuttered. “I’m going to be a pretty shit tutor. Why would you do that for me?”

“I’m going to try and help Harry this summer,” she explained. “And even if I wasn’t, consider it my formal apology. I know it wasn’t right how I treated you this year. I don’t expect you to forgive me right away. I just hope you understand why I was hurt.”

“Of course I understand!” said Y/N, reaching out to touch her elbow. “Considering the way he treated you, I can’t blame you for feeling betrayed. I should be the one apologizing. It just...happened the way it did. I didn’t want to fall for him, but I did anyway.”

Hermione covered her hand with her own and gave it a little squeeze. “I know. Do you think we can put this all behind us? I’ve missed my best friend. Ron and Harry have been driving me crazy this term. Ron told me to tell you that you have permission to smack me if I ever say something condescending to you again.”

“Please, let’s. And I think I’d resort to throwing a nice york pudding instead…”

The familiar bittersweet feeling of looking forward to putting school behind her yet dreading leaving her friends consumed her as she filed onto the Hogwarts Express, looking back onto the castle for the last time. She didn’t know it then, but she wouldn’t be returning. At least not for a long time.

“Luna!” she exclaimed as she ran into someone trying to find her seat. The blonde Ravenclaw sent her a dreamy smile.

“You certainly look happier.” Luna tilted her head as she studied her features. 

“I never got to properly thank you for this,” said Y/N, “But you absolutely saved me this year. I don’t know what I would’ve done without you in January.”

“You don’t need to thank me for being your friend,” responded Luna. “If you really want to, owl me this summer. I think I’ll miss you quite a bit.”

“I’ll miss you more.” She let her new Ravenclaw friend pull her into a hug before she finally retired to her respective seat next to Hermione, who pressed a package into her hand.

“McGonagall just gave it to me,” she whispered into her ear. “Don’t show it to anyone. I think it’s a Portkey.”

True to Hermione’s prediction, it was a familiar object from her manor--an ornate vase that was normally on display in the main foyer. A piece of parchment was rolled up inside.

Activates at 9am on the 10th of June. Closes 5 minutes after the hour. Do not be late.

~

Instead of feeling excited to see Draco, all she could feel was her nerves as she stared at the vase in front of her at 8:55 in the morning. It’d been so long since she’d kissed him that she wasn’t even sure if she remembered how. She literally felt as if her virginity had grown back like her leg hairs did the morning after she cast hair removal spells. 

And not to mention, seeing Narcissa again--that was terrifying. She’d always been a very intimidating woman, dressed impeccably with sharp, aristocratic features much like her son. Y/N doubted she’d take kindly to her son’s tutor being more interested in him than the actual job at hand. 

That assumed he even wanted her still, anyways. Maybe three months in isolation made him come to his senses and realize he’d been absolutely off his rocker for liking her in the first place. Merlin, did he regret it? Was he going to tell her they couldn’t?

Swallowing her worries as the clock chimed at 9, she wrapped her hand around the vase and allowed herself to be pulled across international borders.

The first thing she noticed was the smell. Instead of the florally pine forest that surrounded her family’s main manor, she was greeted with the scent of sea salt and the sound of cawing birds. The sun had long since risen, the temperature a pleasant warmth to her skin after she’d spent a year in the cooler English air. 

Y/N stepped forward, towards the looming white structure that she assumed was her beach cottage. Her feet sunk in the sand as she made her way across the beach. Did he even know she was coming then? She would’ve thought he did, considering that anyone approaching the safe house unannounced would no doubt send everyone into some sort of a panic. 

Finally, she made it to the front door, tapping her wand on the enchanted knocker to signal that someone was at the front door. It creaked, and all of a sudden she was looking into the silver eyes of Draco Malfoy. He looked less pale than he did the last time she’d seen him, like he’d actually begun to spend time in the sun instead of locked away in the Slytherin dungeons. His hair looked somewhat sunbleached. She could see the faintest beginning of unfamiliar freckles across his nose. 

“Hi,” she said shyly, toying with her nails in front of her and not sure whether or not to embrace him. “I’m not sure if you knew, but your mother wanted someone to review the material you missed this year and Hermione didn’t want to, so--”

She didn’t even get to finish her sentence before he crossed through the door, swept her up, and kissed her with conviction. 

“I was wondering when you’d show up,” he whispered when he pulled away. Her eyes pooled with tears as his voice re-registered in her head. 

“I missed you,” Y/N managed. She let her fingers run over his cheekbones and the rest of his face and hair like she couldn’t believe he was actually there in front of her again. “I thought something had happened to you.”

“Something kind of did,” he admitted. “My aunt died.”

“So I’ve heard. Sorry about that.”

“It was her own fault. She brought a dagger enchanted with dark magic and it messed with the energy.” His smile had morphed into something more tense, so she stood on her toes to press a kiss to the corner of his lips, a bit tentative after not touching him since March. 

“You were all I could think about,” she admitted. “I’m not going to be much good at teaching you anything because I honestly stopped paying attention after you left…”

Draco’s smile widened, and she felt her legs turn to jelly. “I don’t mind. You were all I could think about, too. If you ever run out of things to teach me…” His fingers ghosted along her jawline as he spoke, “...I’ve had three months with nothing better to do than to think up ways to make up for the time we’ve spent apart.”

As she basked in the warmth of his embrace and the gentle sound of the Mediterranean ocean lapping at the earth, she allowed herself to relax for the first time in months. There was a war on the horizon, her friends were in danger, and her parents were once again risking themselves to aid the Order. But she’d gotten Draco out of his task. They had at least a summer left together. And at that moment, that was enough. 

“What are you thinking about?” he murmured, tugging her chin up to meet his eyes once again.

She shrugged. “Nothing. Just kiss me again.”

And so he did.

final a/n: thanks for hanging in there! i hope you guys liked it! first off, apologies if my fluff scenes are choppy or repetitive. i’m not very experienced with writing them yet. also, i decided to write draco this way last minute because i like to imagine him as someone who has never had to actually admit feelings for someone and put himself on the line--instead i think he’d try his hardest to get you to confess that you like him if he’s afraid of messing it up. also if you were confused the quidditch bracelet is supposed to be the magic equivalent of a tennis bracelet lol...when i was shopping w my mom i may have been inspired when i saw those bc literally who wears diamonds around their wrist that cost thousands of dollars every day? i asked the saleslady how much the smallest one was and she was like “only 4k and you can wear it anywhere!” like girl i work a minimum wage customer service job and that shit would break in a few seconds. no i would not wear that everywhere. tennis bracelet rant over but anyways ig i was saying that a tennis bracelet def has draco malfoy energy per se

#draco x reader #draco malfoy x reader #draco imagine #draco malfoy imagine #draco #draco malfoy #draco x you #draco malfoy x you #draco x y/n #draco malfoy x y/n #draco x oc #draco malfoy x oc

[alcorian]

God the Ro'Meaves but with a competent writer,,, good/evil brother trope, but things are messy and complicated and—like,,, the Zianna, the "good" mother shares so much with Zane, and Garte the "evil" father shares so much with Garroth, and then Vylad just visibly doesn't fit in.

More Garte/Garroth parallels! Zane who has actual goals and is an actual character instead of cardboard! Zane kills Vylad but Vylad doesn't trust his own memory because he saw what happened to Sasha so he still thinks somewhat highly of Zane!! The dynamics!! The drama!! The arcs!! Garroth learning to overcome his fear of leadership and responsibility, Vylad learning he doesn't need to hold on to others for his sense of morality or purpose!! Zane,,,, being like an inflatable rather than cardboard.

I don't care *that* much about Zane having character, but like, he's such an interesting villian because he's not physically powerful but if you killed him there'd be huge political fallout, and then!! There's!! No!! Political!! Fallout!! when he disappeared?? And like the fact that people claim that he's well loved and respected when everyone we actually meet hates him?

I'm also so mad about S3, for all three of them. Although I do like Vylad being in tu'la looking for Garte because it's kind of a point about how he cares for Zianna and Garroth over himself

Zianna, the "good" mother shares so much with Zane, and Garte the "evil" father shares so much with Garroth, and then Vylad just visibly doesn't fit in.

Yes yes yes! I've always loved this about them. I think it would be interesting if it extended past physical traits, too. Garroth and Garte share a laugh. Zane and Zianna walk the same way. Garroth inherited some of Garte's quiet/stony demeanor (although it presents slightly differently) and Zane took up his mother's habit of singing to himself or others when he wants them to be calm (it's much more menacing coming from him). (also this is purely headcanon, i havent seen MS and i dont know what garte and zianna are like there). And then of course there's Vylad, always the odd one out. Always trailing a few feet behind. Always the third, fourth, final thought. He looks like none of them, acts like none of them. Has a nervous fidget with his hands that his brothers have never struggled with; maybe it's because Vylad's father worked with his. I hc that he was always rather... individualistic, compared to them. Maybe it's because he didn't quite grow up in Garte's shadow, at least not under the expectation to be like him. Always thinking, always something new and abstract where Garroth struggles to break from the mold and Zane only cares for what brings him power. Someone stop me from going on a Vylad hc rant

Ahem. Anyways

Zane who has actual goals and is an actual character instead of cardboard!

Yes! I think he has a lot of potential as a villain that somewhat goes to waste because of his two-dimensional motivations. "He wants power" isn't very... er... deep or realistic. I feel that that in itself requires a motivation. Why does he want power? Does he fear being weak? Does he enjoy being able to hurt or control people? Does he want something in particular that power will allow him to get? Some of these options I like more for him;; I just wish Jess had given us even the slightest hint of a reason for Zane to be so power-hungry. It would have done wonders for the believability of his character (which is already very good, I have to add. Like you say, the political aspect of his villainy is very good and intriguing)

And that point too! WHY WAS THERE NO POLITICAL FALLOUT FROM HIS DEATH? That was the only thing keeping him alive until now! You are NOT going to tell me that was all smokescreens. We know he's the second Prince and the High Priest! That power has to mean something! We saw him wield it! Garroth never spoke up and said "hey he actually isnt as important as he says he is." Nothing suggests there shouldn't be fallout. And honestly, it would have been really neat to compound that with the Tu'la War and Garte's disappearance. We can play a fun game: How Much Political Turmoil Can O'khasis Take Before Garroth Breaks and Comes Back?

God you're so right, Vylad. S3 did everyone a dirty except Dante & his family

also hey. tell me more about that last bit pleeeease i wanna hear all your ro'meave analysis

#zane ro'meave #garroth ro'meave #vylad ro'meave #tadofvylad #aphmau #alv posts #minecraft diaries #askbox

[treybriggsthewriter]

This makes me nervous, but I’m going to post it. I’m going to try my best to achieve my goals. I’ve put in a ton of work already, so I’m looking for additional help. 

From the campaign:

My name is Trey Briggs, and I'm a black woman who writes paranormal horror, speculative fiction, and other types of fiction. You can find my stories at MaybeTrey , Astrid the Devil , and on Instagram , Medium , and Wattpad .

My stories are aimed at black people who want to read dark stories that focus on original black characters that are complex and interesting. I genuinely believe Black audiences deserve a variety of genres to delve into, and I want to introduce them to paranormal horror, dark romance, and fantasy that they haven't gotten enough of in the past. I also believe that this can be done across multiple mediums, and I spend my money with black creative professionals to make these experiences extend beyond my words. For the last two years, I've run my stories on sites and Instagram to great reception. I like to craft complex experiences that offer looks at character backgrounds, side and backstories, full websites for each title, and more. I also provide encyclopedias, maps, audio journals, and other ways to get into each world. During these last few years, I've run into a lot of walls, jumped a lot of hurdles, and tried my best. I've worked with amazing black artists, voice actors, and actresses, musicians, designers, and more. I trust my ability to run a project, especially when it comes to planning and finding talent. My overall goal is to run a team of black creatives that crafts novels, graphic novels, audio experiences, and animated series for a dedicated audience.

Why I Need Help Long story short: I have the skill, I have the marketing/website building/business experience, and I have the drive. There's a lot I can do on my own, but there's also a lot that gets left behind because I don't have the money I need to proceed at a steady pace. I need help with funding so I can focus, hire the right people, and craft these stories the way they deserve to be crafted. I have thus far spent over $60,000 of my own money on my projects over the past two years - the writing and site-building are easy for me; the rest has to be hired out. I have art, site costs for hosting, domains, templates, specific plugins, and maintenance, audio (and vocal artists to pay), musical, and editing costs. I'm by no means rich or even particularly financially stable. I have taken on tons of extra clients for my digital marketing business, transcribed hundreds of hours of audio for dirt cheap, and taken out personal loans. I even worked a second full-time job along with my full-time business last year to afford to produce the content I love. It's starting to take a toll on my mental health. I plan on continuing to fund these projects out of pocket (and finding ways to do so), but having financial help, however big or small, would allow me to move a lot faster and with less stress. It would let me flesh out ideas and concepts that I have had to scrap because I can only physically handle so much extra work. I run a full-time marketing business from home, homeschool my autistic 10-year-old, and generally have a busy life. Some of the strain is taking a toll on me, and I don't want to give up. Having some financial backing could allow me to drop a client or two after a few months and focus on the work I love to do.

How You Can Help I mainly need a start—a sort of base. I want to emphasize that I plan to continue to provide the main bulk of funding for my projects. I know my goals are ambitious, and I know each step will take time and money. I welcome any help to make the process smoother and to get around the initial hurdles. I'd like to have ebooks and novels offered on my site by the end of the year (along with the free serials and stories). Funding means that I can broaden the projects, include more free aspects to my sites, and secure direct financing through sales of ebooks and audiobooks sooner. It also means that I can offer MORE stories, whether they are online only or fully fleshed out novels and sites. I am swamped with trying to work enough to cover all my bills and creative projects, so I lose a lot of time I could spend plotting and writing. If I have better funding, I can get my stories out quicker (and with fewer mistakes).

The Initial Stories Let's talk about my stories! If you're familiar with my work already, you can skip to the next section. My main story site is Maybe Trey . Currently, I have two big titles and a bunch of smaller ones that I am seeking help with funding: Astrid the Devil

Astrid the Devil is the complicated story of a girl who inherits not only her family's features and DNA, but their fears, struggles, and fights. It's the story of a condition called Devil Syndrome, the women who suffer it, and the monsters that devour them. It's the story of the fight to save the people you love at the expense of innocent lives. At its core, Astrid the Devil is the story of a woman who inherits the chaos of three generations before her. It's a look at what is truly passed down to our children, and how they're left to fight our battles in the aftermath of our failures. It's the tale of an indescribable monster and the women who struggle to defeat it. It's a journey into how their every decision could save or destroy an entire world. Astrid the Devil is the story of Astrid Snow, but her story can't be told without the story of the women before her.

Vicious: On MaybeTrey  and The Vicious site (in progress)

Somewhere, a war is brewing.  That's the only thing that's for sure to Junnie Gorton, a young horned girl suffering from a debilitating disease called Horn Rot. She typically dealt with her low survival rate and abnormally large horns by escaping the world with her best friend, Lewish. Now she's forced to figure out which side is which, save her entire species, and find out the truth behind the sudden uprising in her home. Horn Rot, a highly contagious and violent disease spreading through horned people, is causing mass amounts of madness and death. Normal horns grow in ways that will pierce, suffocate, and maim their owners, and the only one who can stop it is Junnie's mother, Lyria. As Lyria falls deeper and deeper into an anti-social revolt, the country reels. While Junnie broods, her entire species must prepare for mass extinction. Her brother plots with a group of people with less than good intentions and Lewish is quieter than usual. In a civilization brought up on extreme violence and competition, Junnie and Lewish try their best not to get swallowed by their culture, their lives, or their horns.

Bunni and Bosque :

Bunni lives. Bosque dies. We all know how this story starts. Bunni is obsessed with destruction and death. She comes from the healthiest Horned family in her country. She's from the oldest, purest bloodline in the world. And she's bored with it. Bunni spends most of her time trying to escape her duties as a pureblood. She wants things dirty, messy, foul, inconsistent. Having parents that are willing to kill to keep their bloodline pure is annoying. Knowing that she'll live a long, full life, produce more perfect children, and die unscathed is agonizing. Bunni wants something to mourn. We all know how this story ends. Bosque is destined to die an agonizing death, alone on his family's land. He's watched everyone he loved and grew up with perish. Sometimes it was because of their disease. Sometimes it was because of the malice and hatred of others. While he's absolutely withdrawn and satisfied with his life, Bosque has never had a chance to live it. He spends his days basking in the sun, bathing in wood baths, and contemplating the end. Bosque isn't interested in joining the rest of the world. He'd rather die out, alone, where his family belonged. Bosque wants to go peacefully. But neither expected to meet each other one day in a supermarket. Neither expected to fall in love, lust, and every vicious and dirty thing between. Neither expected to be so right for each other, all while being wrong for everyone else. You know the end of this story. Bunni lives, Bosque dies. But maybe something will change.

My smaller titles, Bunni and Bosque /Aite and Jude, can be found at Maybe Trey .

The Business Plan

The initial phase of my business plan is to get the sites populated with ebooks and audiobooks for sale. I also have prints that can be sold. Right now, I am in the audience-building phase while I save up for editing the full novels. 

In terms of an actual business with which to publish the stories, I already have a registered publication company in Illinois: Wolfless Studios LLC. I took this step earlier this year with plans to self-publish Astrid and Vicious. So that is paid for and done.

I have also gotten initial editing done on the first six chapters of Astrid, though it will need to be edited from the beginning again once everything is said and done. I've spent over $1000 on that so far, and it would go a lot faster if I didn't need to save up to edit each chapter.

Astrid the Devil is fully plotted, outlined, and only needs the last three chapters. Bunni and Bosque and Vicious are newer, but plotted and already deep into character development (all being shared across social and Wattpad for audience growth). Aite and Jude and other shorts are plotted, and three other unshared stories are plotted and at the editing phase.

Other costs and ways I would use the funding (I would still put in my own money and do as much on my own as possible):

Initial $30K

$6000 - $7000 Line and Copy edits for Astrid (currently at 250000+ words/expecting over 300000 at $0.02 rate)

$6000 - $7000 Line and Copy Edits for Vicious

$3000 - $4000 Line and Copy Edits for Bunni and Bosque

ISBN Purchases (Separate ISBN for each format for each book) - https://www.myidentifiers.com/identify-protect-your-book/barcode

Covers for Astrid/Vicious/B&B Print Versions

Site Hosting Costs and Maintenance for 2 Years

Site completion for all stories

Initial store and app development

40K - Marketing and Graphic Novels

Social, Print, and Web ads

Email Marketing Campaigns 

Booths at Decatur Book Festival (depending on COVID)

Social ads and promos

50 to 60 pages

First two chapters offered as free promo with email sign-ups

Audio journals for each character

Situational audio journals

Encyclopedia for Astrid (finishing up)/Vicious

65K - Hires and Next Phases

Ability to hire a Full-Time Editor 

Audio Series for each (professionally done)

Vicious Graphic Novel

Additional Title Added

Short animations for both Vicious and Astrid (with plans to fund more with book sales)

Fleshed out Story Sections (Novellas for each character of each series)

Short comic series with Astrid and Vicious side characters

Possible to plan out monthly subscription service with new stories and 'story package' deliveries

75K -

Astrid the Devil Graphic Novel

Vicious Graphic Novel

Astrid the Devil Animated Short

Ability to hire part-time Web Developer

Additional bigger title

Anything Over - I ascend into pure light. And also, I can add titles, cover more mediums, and eventually expand my publishing to other black creatives.

From there, I should be able to handle the funding via sales of books, comics, audio, and more. Again, I will always offer mostly free content across the sites.

I believe in proof of concept, and I have diehard fans on my social platforms. With no outside funding, I've been able to a lot on my own. I'd love to expand my business into one that does the same for other black authors, artists, voice actors, and animators somewhere down the line. 

Thank you so much for your consideration. I appreciate all my readers, present and future, and I appreciate any help!

See incentives and more on the actual campaign: https://www.gofundme.com/f/help-trey-publish-black-paranormal-horror-stories

Thank you so much!

#support black authors #writeblr #support black creators #black creators #original characters #original story #donate #buy black #black businesses #my writing #Astrid the Devil #Vicious #Bunni and Bosque #Aite and Jude #Trey Briggs the Writer #paranormal horror #speculative fiction #gofundme

[mindibindi]

They are destroying Rebecca’s character this season and this Sam bullshit is the final nail in the coffin for her. What the f*** are they doing to their female lead ??

Well, I suppose this is the danger of offering resolution early in the piece and why so few television writers do it, particularly when it comes to romantic relationships. Because then there is the looming question of What Happens Next. So many writers prove that, while they may have the imaginative juice to create, they don't have what it takes to re-invent.

Whether you understand her as the protagonist or the antagonist of the first season of Ted Lasso, Rebecca's big revenge plot drove s1, gave it a clear narrative arc. This inaugural season likewise gave her character a clear and compelling arc. You could posit that, while Rebecca's pain drove season 1, Ted's pain is meant to be driving season 2...? But whatever Ted is going through does not have as clear-cut an objective so it is not giving the same sense of cohesion or direction. Within her s1 arc, we got to see Rebecca feel angry, frustrated, victorious, smug, thwarted, conflicted, heart-broken and vulnerable. Last season gave Hannah Waddingham so many opportunities to show the range of her skills as an actor and I still hope she wins an Emmy for this performance. But I doubt she will be winning any awards for her performance this season.

Most situation comedies stick to the same situation, snapping their characters back to where they were at the beginning of each episode. Certainly, this formula can become repetitive and dull after years. Ted Lasso received a great deal of praise when it broke this formula by offering resolution at the end of its first season no less. It broke the no-hugging-no-learning mantra of so many sitcoms when it allowed Rebecca to learn from her trauma, come clean and literally embrace Ted as a valuable part of her life. Since her character went on the biggest journey of the season, the question of What Happens Next was always going to be more significant for her than it was for any other character on the show.

Season 1 of Ted Lasso made me fall in love with Hannah Waddingham and the character of Rebecca Welton. But as much as it pains me to say it, in s2 she is nothing like the problematic powerhouse we met in s1. Her friendships with Keeley and Higgins continue on nicely enough. She's had some good moments with characters she had little interaction with in s1, like Roy and Nate. And it was great to meet her mother and god-daughter. But this fleshing out of the character is mostly work around her rather than work that propels her forward in any meaningful way. I understand that some people may be content just to watch Rebecca living her best life after the intensity of last season. But, for me, the pursuit of heterosexual romantic love by a woman to the exclusion of all else is a problematic aim since women have been told for centuries that securing a man is the single most important thing they can achieve in their lives.

Rebecca wants love and doesn't want to be alone. She's stated that, that's canon and that's fine. But romance seems to be Rebecca's ONLY aim, her single focus. We haven't seen her do anything in her role as club owner except make a phone call and look sharp, which I admit she does well. The woman looks INCREDIBLE. But if you are in your right mind (at least in my opinion), you are not expecting this amazing woman to end up with a pretentious windbag, a hot booty call or a wildly inappropriate youngster. So it all seems a bit aimless, purposeless. All of this dithering about with wrong dudes is just a waste of time when we have limited time with these beloved characters. We know we are only getting three short seasons of this show and I don't want to spend a full season watching a previously complex female character stare at her phone, only ever prompted into (questionable) action by her cute best friend. And I DEFINITELY don't want to watch...whatever the fuck they think this thing is with Sam.

Frankly, I am still flabbergasted that they have chosen this path. They genuinely seem to think that their audience will enjoy this as some hot romantic adventure...? And hey, a small but vocal minority are. Some diehard fans are trying to hold onto their faith with white knuckles. And the rest of us are just over here in compete and utter shock at the suddenness of the decline in this show's quality and ethics. The latest justification some fans are rather desperately grasping at seems to be that Rebecca's actions stem from her trauma. Now...okay. Trauma can be responsible for many things. But not this. Trauma can make you act in v strange ways but I don't see the connection here. I can clearly see how Rebecca's trauma from her first marriage dictated her actions towards Ted in s1. That is a very clear line to draw. I can see how, after her disastrous marriage, her judgement may be off and she may go for someone like John Wingsnight: someone safe, solid and appropriate. Again, a clear line to draw. I can also see why she would indulge in fun, shallow sexual relationships with the waiter in Liverpool and her booty call from bantr. All normal, understandable behaviour for a woman in her situation. And a v clear narrative line for the writers to draw. No problems there. Her actions in each of these cases can be traced back to Rupert and his abuse. But I cannot for the life of me draw a line between Rupert and Sam. As a traumatic reaction, that does not make a shred of sense to me.

It's true that sometimes those who have been abused become abusers, not that I'm saying Rebecca is abusing Sam in this scenario. What I am saying is that most trauma survivors will go out of their way to avoid becoming anything like their abusers. Most survivors try their damnedest to break the cycle of abuse, not perpetuate it. Most victim-survivors will act, sometimes even to their own detriment, to spare others from being impacted by their pain and trauma. Trauma and abuse does not break your moral compass. If anything, it makes it stronger. Trauma and abuse heightens your sensitivity to what is right, just and honest. Having seen Rebecca ultimately unable to follow through in her trauma-inspired revenge plot on Ted, it does not make sense to me that she is blindly (without any of the nuanced inner conflict of s1 Rebecca) allowing her trauma and abuse to lead her into a situation that not only emulates her ex-husband's hurtful, unethical behaviour, but endangers what is now supposed to be so valuable to her.

All the press for s2 as spruiked Rebecca as a dating disaster but enthusiastically committed to her club. There is a huge difference, however, between charmingly, comedically 'messy' and inept to the point of self-destructive stupidity. I just don't buy her as this dumb. Yet here she is, after all her dealings with the savage British press last season, endangering the reputation of herself, her club and one of its most vulnerable players. Oddly enough, the Rebecca we saw in s1, with her many layers and nuances, seems to me to be a far more moral (not to mention interesting) rendering of this character. This Rebecca was motivated by injustice, she had an acute understanding of what was and wasn't right. It's why she conceived of her revenge plot and also why she ultimately dropped it. It is one thing for writers to propose that there are multiple steps on the way to healing. It is one thing for them to lead a character into a dark forest full of conflict and complication. But, from what I can tell, some people don't know the difference between a dark forest and straight-up bad writing. And it really fucking shows.

#ted lasso #rebecca welton #hannah waddingham #sam obisanya #ask #whoops another long post without a cut #sorry not sorry

[sedge-yells-at-comics]

Reprinted below, in case the link implodes.

Flash #27 Reveals Why Reverse Flash Is a Truly Unique Villain                

The finale of "Running Scared" provides a gut-wrenching Rebirth update to one of DC's most complicated villains: Eobard Thawne, the Reverse Flash.

By Meg Downey Published Jul 27, 2017               

If you’re a fan of the Flash, you’re probably pretty familiar with the concept of the Reverse Flash, a man named Eobard Thawne who, like Barry, has super speed and wears a flashy costume. Of course, the “Reverse” might sound like he’s the literal opposite of the Flash -- maybe someone who slows things down instead of speeding himself up? Or maybe someone who runs backwards?

There are a lot of obvious and incorrect guesses pretty readily available for casual or newer fans to throw darts at. The reality of the Reverse Flash is, however, pretty complicated. Mostly because his “reverse” status is actually ideological at its core. Flash media, be it print, animated or live action, has traditionally made this apparent by painting Eobard as someone who is essentially pure evil -- a sort of manic, time traveling serial killer who is motivated solely by his endless need to destroy Barry Allen from the ground up.

At that point, the problem then becomes finding a way to make Thawne’s homicidal drive, well… unique in the scope of the DC Universe, a place that just so happens to be populated by enough over-the-top villains to populate a decent sized Midwestern town. Why is Reverse Flash someone that’s specific to The Flash? What differentiates him from any of DC’s other iconic arch rivals, like Lex Luthor or The Joker?

Well, The Flash #27 has the answer, and it's probably not the one you expected.

Running Scared

The rebirth of the “classic” Eobard Thawne (as opposed to his New 52 revamp) began in the Flash/Batman crossover mini-event “The Button” back in April, a four-part storyline which connected the original Thawne to the events of last year’s DC Universe: Rebirth one-shot.

Since, then, Thawne’s taken up residence as a perpetual thorn in Barry’s side in the hero's own ongoing series, stepping directly into the spotlight for the three-part “Running Scared” arc which served to highlight Thawne’s Rebirth status quo. For the most part, it’s a story that fans will be pretty familiar with, borrowing heavily from elements of stories like The Flash: Rebirth and Flashpoint. Thawne’s from the future, he time traveled to kill Barry’s parents, he’s connected to a negative form of the Speed-Force, and so on -- But that’s where things start to get their Rebirth-specific legs.

It’s not that creators Josh Williamson, Howard Porter and Paul Pelletier are trying to reinvent the proverbial wheel with “Running Scared” -- just unlock a different side of it by shining a light on one of the most unique aspect of Eobard and Barry’s relationship.

Reverse Flash doesn’t hate Flash the way Lex Luthor hates Superman, or Bane hates Batman. It’s actually (appropriately) quite the opposite. It’s the reverse. Eobard Thawne loves Barry Allen, obsessively and vengefully, which is where his endless, destructive need to ruin Barry’s life comes into play.

“Running Scared” highlights the fact that a young Eobard grew up alone (though Williamson was quick to confirm that that particular story element came out of an earlier Geoff Johns Flash issue) with only his idealized and imaginary version of Barry -- a character from his history books -- to keep him company. Barry was, for all intents and purposes, Thawne’s only friend, confidant, and emotional anchor, despite the fact that the two of them wouldn’t actually meet for years and years.

It was plenty of time for a very troubled and very lonely Thawne to fall in love with a version of The Scarlet Speedster that existed only in his imagination...and, well, it’s pretty obvious how that particular emotional endeavor actually went down. Actually meeting Barry and subsequently being forced to deal with the fact that he was just a guy and not the cartoon character Thawne had built in his head for years, proved to be too hard a stress test for Thawne’s fragile psyche.

Fatal Attraction

Meeting and being disappointed by a personal hero is a rough experience for just about anyone, but rather than allowing himself to move on -- or even allowing himself to simply decide to hate Barry instead, Thawne’s obsession only doubled down.

As issue #27 hurtles to its conclusion, Thawne’s real motivations become abundantly apparent. As Barry, infected with Thawne’s own inverted Negative Speed Force thrashes Thawne within an inch of his life, he presses him with a question - Why, if Thawne has always been so inspired by him, has he gone out of his way to ruin Barry’s life at every turn? Why has he done all of these terrible things, from killing Barry’s parents to beating Wally within an inch of his life, to kidnapping he and Iris and hauling them to the future?

Thawne’s answer is as unexpected as it is heartrendingly honest: because these horrible things are the only way Thawne understands how to make Barry spend time with him.

It’s that simple.

Thawne’s love for, and obsession with Barry Allen has permeated his life so deeply and completely that he is even willing to count his time spent being pummeled half to death by Flash as a win. He’s completely unable or unwilling to differentiate between Barry’s affection and Barry’s hatred, and he’s ready to do whatever it might take to put himself at the center of either emotion in Barry’s mind.

“A few years ago, it would have really hurt my feelings to hear you say that,” Thawne taunts after Barry threatens him, “but now to think that I caused you that anger? That I could get under your skin like this? It warms my heart.”

It’s deeply troubling, of course, and horrifyingly uncomfortable to get a look into the head of a villain who is, essentially, the personification of a fan gone terribly, terribly awry -- a theme that only gets more difficult to swallow when you begin to think about the increasingly complicated relationship between fans and their idols in actual, genuine, non-super heroic world around us.

This subtle reworking of the Reverse Flash has made him one of comic’s most poignant ruminations of the idea of toxicity in fan communities, idolization of strangers, and self destructive obsession, and it did so in a way that boldly allowed Thawne to win at the end of the day.

The issue closes, and the arc completes, with Barry exactly in the position Thawne wanted him in: completely alone, just like Thawne was as he built Barry into a hero of mythological perfection in his head. Now, where Barry will end up, and whether he’ll be forgiven by Iris, Wally and the roster of people he’s been manipulating as he leads his vigilante double life, is still largely a mystery.

It’s clear that Thawne didn’t expect, or even really want, Barry to come running into his arms to start their life together the second he succeeded in isolating him -- he makes that abundantly clear as he warns that he’ll just return again and again and again, de-powered, killed or otherwise hindered. Iris may have added an exclamation point to the end of the story arc by “vaporizing” Thawne with a Black Hole gun, but it hardly matters.

Reverse Flash will be back, somehow, at some point, and it’s doubtful that his love and obsession for Barry will have wavered in the slightest. We know now that’s just now how his mind is capable of working. It’s unlikely that Thawne will ever feel anything for Barry beyond his own supremely twisted adoration, no matter how many times the Flash pummels him into the ground. It’s just not the way Thawne’s brain is able to process information anymore.

It’s complicated, messy, and uncomfortable, but it’s also one of the clearest articulations of exactly what makes Reverse Flash such an interesting villain in the scope of not just the Flash family of books, but the DCU as a whole.

#the flash #eobard thawne #barry allen #eobarry

[phoenotopia]

The Last Phoenotopia Blog Update

(Date 2021 MAR 01)

I debated how to open this blog post, but perhaps the main crux of this blog post is the best place to start. The blog is being retired.

The purpose of this blog was to be a "development" blog for Phoenotopia, and well, Phoenotopia's development is done. I'll still be doing bug fixes and maintenance on the PC and Switch versions, and playstation and xbox ports are underway (by a publisher). But I'm not going to be making any more major changes to the game. At some point, you put the paintbrush down and say it's done. Blemishes and all.

Recent Events

The game launched on Steam last month, and like any launch, it was hectic. Bugs Galore. This is our first commercial PC launch, so it was a real baptism by fire. Unlike Switch's one configuration, the PC has multiple configurations and factors to account for. The game needed to be able to handle multiple control schemes, screen resolutions, refresh rates, and more! I had a 60Hz monitor going into launch and didn't know anything about Hz (I do now). There was a troublesome stutter that some players were sensitive to that my whole team didn't notice since our eyes compensated it away. There were a few times where in fixing something at one party's behest, it introduced problems for another party. A few times, due to disorganization, I unwittingly rolled back a fix that was meant to be applied. For some, the game couldn't play at all (really glad Steam allows refunds).

It was messy. It was tiring. I.AM.BEAT.

I think the worst of it is over... I'll still be around to do the last updates and bug fixes, but I'm ultimately ready for what's next.

SO what is next?

What isn't next... is Phoenotopia 2. As you may have heard down the grapevine, the game couldn't be what you call successful. No one's earned even minimum wage on it.

Maybe there's hope in the game's long tail. A year or two down the line... maybe. I won't hold my breath though. At some point in the past few months, I finished processing (or grieving) and it's time to move on.

The game has at least earned enough for us to continue our modest operations. As long as we don't expand the team, and we don't take another monster six-year dev cycle like what Phoenotopia took, we can continue. We'll have to be smarter and faster. Perhaps the most valuable thing we gained from all this is experience.

The Experience

It is a dev blog. Here are some of the lessons I've accumulated from this game's development.

- Have a good menu design. Menus aren't just that in-between fluff before you get to the good stuff. Menus are KEY. Your menus need to be robust, expandable, and *understandable* (to you, the developer). Because once the game's out, you will invariably be asked to add more options. And if your menu design is bad, every time you have to add a new menu option, it becomes a whole new pain all over again. Support mouse from the get-go, etc.

- Focus on features that people will actually care about. For instance, I've never seen anyone praise the camera's zoom feature. In practice, people try that feature a few times and then never use it again. But that feature was a constant consideration factor for every level. Run through it multiple times to make sure the level didn't break, think about which zoom levels made sense, resize rooms because they worked at one zoom level but not the other, and so on.

- Don't do boxes that you can move around. Other 2D platformers avoid movable boxes because they're a huge headache to program and they really complicate the game space. Enemies need to respond to boxes you throw in their path and either navigate around or attack it. When you're moving the box, you have to worry about constantly changing your collision size and reconciling when the box gets snagged on the environment. The boxes were also a constant source of bugs because people can manipulate them to soft-lock themselves and more.

- More focused script. Phoenotopia's 100,000+ word script was panned more for being bloated than it was praised for being lengthy. Long scripts take a long time to write and make the game more unwieldy, increasing the costs of translation and upkeep. Every update we're addressing some textual error or mistranslation. There are some highly renowned games (e.g. Hyper Light Drifter) that do without a script at all!

- Be flashy! A bat and a lightsaber take the same amount of work to program, but the lightsaber will draw a lot more attention and interest.

- Slopes, surprisingly! Six years ago when I started, Unity was ill-equipped for 2D games. If you used the physics that Unity provided you'd have a really floaty character that wouldn't adhere to the slope when going downhill. There were a hundred different tutorials saying different things (use forces, use move position, use translation, etc). You can get rectangular collisions done in a day, but to do slopes took weeks. Meanwhile, games can actually get by fine without slopes. Most people won't even notice. Did you know the Phoenotopia flash game didn't have slopes? Neither does Hollow Knight or Rogue Legacy. You can save yourself a lot of work by avoiding slopes.

(big entities look weird on slopes. Bad slope!)

I could write enough little knowledge nuggets like this to fill a book! But I'd rather just make the next game. 

So… what IS next?

As mentioned previously, it's not Phoenotopia 2. Pirate and I are mostly just tossing some ideas back and forth right now. We'll go silent for a year (or two). Our next game's scope will be more modest in some ways, more ambitious in others. It will definitely be more smartly designed. (There will be a map!)

We'll announce it when it's ready for the public. It might be necessary for us to do a kickstarter. I've tried to avoid kickstarters having been burnt on quite a few myself and also because I worry that mismanaging a kickstarter would earn the ire of backers.

But I did keep this blog regularly updated for six years. So I've gained some confidence in my abilities to at least manage a kickstarter well.

Is it really the last Phoenotopia Blog update though?

Okay, not really. There is some news that I'll need to announce, and this blog is one of the game's main outreach channels. Here are the events that will cause me to update the blog:

Announcing the launch of the xbox/playstation ports when they're ready

If a physical edition of the game happens

If a new language is getting introduced into the game (Korean is a high possibility)

When we're ready to talk about our next game

If (BIG IF) we begin development on a Phoenotopia sequel. I do want to do a sequel one day if we have the means and the demand is there. 

Those updates will be more on a "when they happen" basis, rather than me reporting in every couple months.

Fan Art

As always, I'm very happy to see fanart of Phoenotopia. Major thanks again to Pimez for collecting all the artwork from the corners of the internet! Since this is the "last" blogpost, Sir Pimez can finally take a rest from collecting the fanart :P

ÆV made a series of pictures that tell a story. A Pooki is humanely sheared of its wool to create a hat. The Pooki is unharmed. Nice! Gotta love Gail’s expressions.

Amagoo Mazeru makes a stunning landscape shot of a full moon and shooting stars. It’s a sharp and clear vector art. I like the faint glow of the moon and the fire and the subtle gradient in the night sky. Very skillfully done!

Hah hah. I got a chuckle out of this one. I imagine this is how Gail's enemies see her by the end of the game. CaESar made this image based on TerminalMontage's famous youtube videos. Nailed it!

CrownStar drew two pictures of Gail. I'm a big player of JRPGs, so the first shot instantly reminded me of Persona 4's art style. (Hmmm... Phoeonotopia as a JRPG... there’s potential there...) Next, Birdy is shown carried off after her defeat. I really like Birdy's expression here - she just seems mildly uncomfortable.

There's a bit of a story behind the first image. As Firanka shares it, she wasn't able to defeat the Big Eye monster at the end of the flash game, so she believed a tall tale that what awaited after was a 6 armed Kobold boss. Hilarious! The second is a rendition of the lonely Anuri elder. A rare subject. The loneliness is portrayed well here. I feel lonely just looking at it!

Koo_chop draws the clash between Gail and Katash at the top of the towers. I really like this interpretation of the game's art style. It’s faithful to the in-game graphics. And the lighting, from the glow of Gail's bat, to Katash's sword, and the lightning in the background... Amazing!

Lime Hazard shows Gail with a salute pose. Very appropriate for this occasion. I also like how there's a slight tilt in the angle that Gail is portrayed. Those dynamic angles are always hard to get right, and Lime Hazard pulled it off very skillfully. See you next mission!

Lyoung0J with a digital painting of Gail posed sitting on a rock. I like how it almost seems like she was caught in a candid moment - she’s smiling, but also feeling self-conscious. Cute! The art style really pops, and I like how Gail is sporting what I call the old anime style nose. 

MyUesrNameIsSh*t with a sketch of Gail performing a skillful slingshot. I like how Gail is depicted with her tongue out in a mischievous manner, the way all mischievous people with slingshots do.

Niitsu Kentaro returns with a 2021 Happy New Year picture. That happened didn't it? A New Year... Gail's pose gave me a chuckle with how she seems to be waving the bat around as casually as one would wave hello. And "Phoenotopiyear"... Well said! One day we'll have our Phoenotopiyear...

Ochan Nu breaks all records with a stunning NINE pictures in one session :O

There's so many goodies here. My favorite would be the one with Gail staring intently at the screen - it's like she's looking directly at you. You almost feel uncomfortable.

Next, there's an Animal Crossing villager dressed as Gail and sporting her pink hair. It even looks like a house Gail would live in. Gail is a connoisseur of the arts and likes Mona Lisa. Yes :)

There are various comics of Gail pointing out Gail's weird food habits. A picture of Fran looking really cool, and even Gail rocking a bathing suit. (bathing suit image linked here in case NSFW). Wow!

Pimez didn't just collect the arts, he creates them as well! This one, which he aptly named 'The Year 175' is a depiction of when the dragons invaded the towers as told by an elderly Daean woman. Great pixeling skills! I got a good chuckle from the ice dragon leaving with its stuff slung over its shoulder.

Quo made a stunning picture of Gail playing the flute surrounded by the 5 musical notes and the Phoenix logo behind her. The theme seems to be "fire" and it works really well. Gail herself looks awesome depicted in her red suit - it's like she's leading a marching band!

Rai Asuha depicts Gail in the late game with her red suit, and night star bat, and holding a lamp. She looks ready for adventure! I really like the white outline here and Gail's poofy shoulders here - the art style feels reminiscent of Final Fantasy Tactics.

Seri also draws Gail bearing her late game equipment. Unique to Seri's drawing is how all of Gail's equipment is accessible from a pocket on her shirt. I also like how Gail is depicted with her lucky earrings - that accessory is often forgotten.

Treedude depicts Gail with a bat and wearing a funny smirk. She looks like she's ready to hurt someone!

Warotar returns with everyone's favorite Great Drake, Bubbles! It seems so happy to be featured!

I'm really grateful for all the fanart this game has received. From the bottom of my heart, thank you!

Closing Notes

Pirate drew a picture to mark the occasion. It shows Gail enjoying a hot chocolate with marshmallows and a pumpkin muffin. A rest well-earned...

Goodbye! Until next time!

#phoenotopia

[radiodread]

yeah I always enjoy role swap aus more than complete character swaps. it allows for explorations of the same characters but in completely different contexts and I love that.

I think uenoyuki's dynamic would be a lot more based on banter and ribbing (aka yuki teasing ue and ue getting flustered + mad). their 'big fight' would also be a lot bigger and louder because ue gets riled up really easily and would probably rile yuki up in return.

by contrast, I think harugetsu's dynamic would be almost the opposite. because haruki has a more level demeanor, they'd probably be a lot less chaotic overall, and their fights wouldn't get as messy without akihiko's temper. haruki would probably be more willing to give in to ugetsu (similar to how he does with akihiko) because of how much he cares about him, at least for a little, before he puts his foot down and stops putting up with it (once again, like he does with akihiko).

that being said, I wonder what... That One Scene with akiharu would look like with the role reversal...

another interesting thing I didn't think of initially would be baby gay mafuyu. since we only ever see him in a place where he's very comfortable in his sexuality, seeing him figure himself out during the actual story is quite the thought.

also ue's issue with how expressive he is would probably be more related to how he doesn't know how to express himself without being angry (this one book quote "I wish I could be as subtle and beautiful, all I know how to do is scream" came to my mind that pretty much sums it up).

as you can see I have a lot of thoughts about this au lol

I KNOW I JUST SENT AN ASK BUT I JUST REALISED

THIS MEANS HARUKI DATES MAFUYU'S SISTER?? (I'M NOT 100% SURE IF HE HAS ONE I THINK HE DOES BUT CORRECT ME IF IM WRONG)

OH BOY

Ohhhh man YES and wow that would hurt, seeing a fight between Ritsuka and Yuki rather than Mafuyu and Yuki because like you said, given Ritsuka's personality, it would be very different and a lot more explosive. It also makes me wonder if, at that point, spectator Hiiragi would react even less to the fight since this probably wouldn't be the first time Ritsuka and Yuki had a fight. In canon, Hiiragi had referred to that one fight between Mafuyu and Yuki as "just an ordinary fight that couples have" or something similar, but in the case of Ritsuka and Yuki having that fight, it would be very different. Hmmm.

(Cut for length. I can't keep things short because this is super interesting and I have A Lot to say about it. :V)

Also! The whole thing with Haruki and Ugetsu would probably be one of the biggest contrasts in this AU and it makes me wonder how their conflict(s) would pan out, how exactly they break up (who would break first in this case, Haruki or Ugetsu?) and indeed, with Haruki's way more levelheaded personality in contrast to Akihiko's, a lot of things would change there, too. (Oh yeah, that one scene in chapters 19-20... Yeah... yeah. How would that happen in this case?)

The idea of Mafuyu struggling to come to terms with his sexuality in place of Ritsuka is a very interesting one! Like you mentioned, canon Mafuyu is seemingly very comfortable with his sexuality and it doesn't, to me, look like it's ever really been anything he's thought much about, probably since he dated Yuki when very young. How would that one conversation Ritsuka had with Akihiko pan out if it was Mafuyu instead? Would it even happen in the first place since it's Mafuyu we're talking about? Ohhhh and just... the thought of Ritsuka being like Mafuyu in terms of not knowing exactly how to express himself along with just not talking much in general? Absolutely heartbreaking, and yet... intriguing. 😂

Since Akihiko and Yayoi weren't technically dating (like Yayoi said that one time after she got rejected, it was a one-sided crush), it wouldn't be quite like that but it would still mean Haruki had to reject Yayoi at some point like Akihiko did, and it would also mean they'd have a pretty complicated past. Ohhh. This is good. 👀

#answered #half of twelve is six #given #there are ideas™ in my head #and i think i need to write them down for future reference #thank you for filling my head with this AU this is great #given character swap AU