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thankskenpenders · 4 months

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Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

#tkp post

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yurinaa-world · 28 days

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hello!! platonic dr ratio with a teen!student reader who excels at one particular subject but is bad or average on the others? also lacks social skills

(kinda inspired by me lol 💀)

Characters: Dr. Ratio platonic! x Gender-neutral Reader

Synopsis: with student reader who excels at one subject but is bad at the others + lacks social skills

Warnings: Fluff and spelling mistakes, got lil personal

𝒱𝑒𝓇𝒾𝓉𝒶𝓈 𝑅𝒶𝓉𝒾𝑜

He’s so strict about your grades, looking at you with disappointment as if a parent would when their child an F. What? does the information just go through and out one ear? (it does for me 😀) Can your brain handle one sentence at a time since it doesn’t look like it to him with these embarrassing grades?

He immediately got you into summer school so you could at least try to get good at other subjects, one subject won’t get you a future. Even worse with fact you can’t even talk without staring endlessly at your paper contemplating just to ask him the most simple question.

The man knows no mercy, making you write out several essays over the whole summer but just like every teacher that wants to suck the souls from students he’ll make you plan every tad bit of detail, even refuse you from starting to write if one detail isn’t explained and well thought out enough for him.

Then oh don’t forget to make the rough draft of the essay (it’s more like writing the real essay itself with the way he’s being strict with every typo & grammar mistake, but oh don’t think you're going to get this using simple and basic words like “in conclusion.” or “well, I believe.” Throw those out the window along with every other basic sentence that people use to put up the word count or just get the whole thing over with. He isn't accepting it. No exceptions.

─── ⋆⋅☆⋅⋆ ───

Blank.

You’ve been staring at the next part of your sentence but unsure how to use the word “Magnanimity”. How were you even supposed to use this in a sentence?! (he made you pick several high-level words to use in an essay), you look up to silently curse your teacher, Mr. Ratio out in your head before immediately looking back down when your eyes connect.

You begin to contemplate, that maybe jumping out the window ain’t bad, it might be your only way to get out of here. you sigh, just giving up on your constant stalling, getting up from your chair (with your paper in hand) and walking over to your teacher, dreading every step you take.

Before stopping at his desk, “Mr. Ratio, could you tell me what the definition is for magnanimity again?” He just sighs, closing up the book he always reads. (You don’t know why he always reads the same thing, it’s so boring.)

“Magnanimity means the loftiness of spirit enabling one to bear trouble calmly, to disdain meanness and pettiness, and to display a noble generosity.”

you stare at him blankly, he wasn’t kidding, he seriously expected you to know what he was saying?! “I’m sorry but what does that even mean?” you whisper your voice cracking with frustration, you just feel a blood vessel getting bigger.

He sighs once again “Showing kindness towards an enemy or you had been defeated in battle. using it in a sentence would be like he showed magnanimity towards his enemy, understand?”

“Oh, okay. Thank you Mr. Ratio” You nod taking in his words. “Let me see your essay.” He tells you out of the blue, holding his hand out to see your paper, which makes your mouth dry. “you have something written, correct? Let me see it.”

You give him your paper and watch in nervousness before he begins to read out loud “A great man once spoke mighty wor-“ “Mr ratio please read it in your head!” you cut him off with panic, yet what a fool you are since when was he merciful? “a great man once spoke mighty words…”

Listening to him read your essay made you cringe and close your ears. He’s the worst!

if you liked this, consider tipping me on ko-fi! it'd mean a lot!

#✧*:･ﾟ✧:･ Yurinna's Writing :･ﾟ✧*:･ﾟ✧#honkai star rail #honkai star rail x you #honkai star rail x reader #star rail #star rail x reader #hsr x you #hsr x reader #hsr dr ratio #dr ratio #dr ratio x reader #honkai dr ratio #veritas ratio #veritas x reader

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bao3bei4 · 10 months

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ON THE TSHIRT METHOD TO WRITING ESSAYS IN YOUR OWN TIME:

i have had a couple people mention to me that they would like to write essays too, but they are a little out of practice. so i thought i should gather some scattered thoughts into one place. this is not a systematic guide. i am young and inexperienced and still working out things for myself, but this is my basic process and some things that have helped me, summarized.

my biggest single piece of advice is to write with your proverbial pussy. you are not writing for a grade so don't act like it. forget rigor, forget academic style, etc. read what you're interested in, and write following up on the threads that you're interested in. don’t sweat the details. just do you.

if you still need more advice..... here’s a long winded post.

step zero: if you have no clue what you want to say yet

read. and read a lot.

but be realistic. be kind to yourself. your attention is a precious resource, and it is getting eaten up by shit out of your control all the time. if you’ve had a busy day, you may still have the brain power left to read. i almost never do. lol. so make sure to carve out time on a day off, if possible. otherwise you might end up completely fried, reading the same sentence over and over, and ending up scrolling on your phone LMAO. <-- painful lesson also to this end, if you haven’t picked up a denser book in a while, start with shorter articles, especially ones written more recently. if your attention wanders, try getting a physical book instead. the most important thing is just starting things you’ll actually read. i’ve seen a lot of people (and been that person) who was like. “oh i’m going to start with THE canonical text in a subject i’m interested in” which makes sense right? but that book is inevitably long and dense and convoluted and boring. you can come back to it later. this shouldn’t feel like a chore!

genuinely this is the most helpful thing you can do is just. read anything. it may be difficult at first (or always), but it is still the easiest way to engage with the foremost experts from around the world and the entirety of written history on any subject you are interested in. there’s not really a substitute to this.

note: you may say that people can and do come up with brilliant ideas independently of their access to written works. this is true! but if you are one of them, you should skip this section/post, because you already know what you want to say. okay that was a little too facetious. let me revise: when i say that, without reading, it will be hard to come up with more complex ideas than what you have now, that isn’t necessarily pejorative. maybe your current ideas and impulses are original and meaningful and complex. if they aren’t, however, you don’t have to resign yourself to it. your experiences in real life are the most valuable thing you can bring to the table, but it can be very difficult to articulate and contextualize them without community—whether that be irl, or the simple textual company of other writers. you can let other people help you and teach you. basically, this is a long winded way of saying something extremely simple: reading is not the only way to gain knowledge, or even the best. but it is an extremely consistent and relatively egalitarian way.** **scihub and libgen and sometimes the public library are your friends. (my local library’s book coverage is spotty) who cares about piracy. LMAO.

you may surprise yourself by how nicely you fall into little spirals. you read one thing. and you are enamored with the way the author approaches their subject. so you end up reading everything else they’ve written, and then you start on the authors they list that inspire them in their interviews. maybe you just read one article that’s a little dry but it cites something else that seems far more interesting. read that next. and so on.

if you are struggling to read that’s okay. you have options. start a book club (or just get a friend who also wants to read more). if that sounds like too much work, pick a friend to keep updated on all your new facts. you just want to get used to reading something, and telling someone your favorite parts again. skim books. skip the boring parts. drop them entirely and find a more interesting one. no one’s going to quiz you. this is for your own enjoyment.

also important here: read books that make you want to write. sometimes this is because the methods and/or prose of the author are so exciting, you want to do something just like that. sometimes it’s because the content is so exciting, you want to say something about that too. sometimes they speak so powerfully to your own life, you want to tell people this is me!! i see this!! there are books i just enjoy reading, sure, and i do read them. but you know how, like, a good movie makes you want to tell stories too? good theory should do that too, in my opinion.

step one: you have some ideas now.

these ideas don’t have to be set in stone. but you should have an idea now of what you might talk about. personally, for me, i have two interconnected types of essay ideas.

interventions. this is like [tumblr voice] Why Is Nobody Talking About This. i see some sort of hole. maybe i know how to fill it, maybe i don’t.

free associations. basically i read one thing, or some analysis of one thing. and then it reminded me of another thing. and i’m like. i want to tease apart their connections, their similarities, and their differences.

there are more types of ideas, i’m sure. but these are the ones i consistently have. with me, the second kind is more common. very rarely do i find that my thoughts are that original. rather, i’ve found that one of my strengths as a writer is being able to make connections that other people haven’t made, or haven’t made in depth before. IN MY OPINION.

so i find it quite flexible. maybe i watch a movie, and it reminds me of my own life, because i think two women in the movie could be sad queer freaks. and i’m a sad queer freak. or it could be that i think scum villain could be analyzed through the framework of freudian psychoanalysis. you get the idea.

at this stage of the process, i don’t have a thesis, necessarily. but i have a couple phrases i’m drawn to. i have a bullet point or two. i have vibes.

to use an example from this blog, one of my friends hui once mentioned that that one fan image was going around again. we were going ughhh it’s victorian not chinese! together and they said “you should write a meta on it.” i wasn’t sure quite yet what i had to say. but i knew a couple things.

this is, incidentally, because i had done some research into chinoiserie before, because i had cited the zuroski book for a paper i had to write for an english class some years before on pride and prejudice and its use of descriptions of material culture, an essay that in turn was inspired by my random yet deeply felt conviction that jane austen hated me personally and wanted to kill me. this is why i encourage reading a lot. i think.

to work on this stage, make lists. lots of them. i have a .txt file where i keep every essay idea i have. a lot of them are a sentence. or they're lists of books or theorists i think i could make something out of. or they're theses that feel true, but i’m not sure why yet.

it took me a while to get to this point. just like with writing fic, there was a period when i first started where i was like. i only have one idea. i’m going to write it, and then i’m never going to write again. and then i had just one more idea. after a while. eventually you will find you have so many ideas and the world is full of possibilities. it’s a muscle you have to flex. like reading. and telling people about what you’re reading.

actually, i feel like there was a step 0.5 here that i completely skipped.

step zero point five that i skipped: how to generate ideas

my very truly complete “first time writing something semi-academic that was original” (with a loose definition of the word original) was literally just me reading literary criticism of one book, and saying “i think this author’s thoughts can be applied to this other book” and found some textual evidence that supported that the process could be replicated.

this is like, writing with training wheels on. eventually i got better at it (see aforementioned chinoiserie essay. i hope you agree.). but that was a good place to start for me. it made the proverbial blank page less intimidating, knowing i had a scaffolding.

i suggest trying this. see how it goes for you. read around until you find some piece of criticism, or just some theory about how something works, that you like. and using your newfound hammer, go look for some nails.

note: i know this expression is meant to like. be a negative thing. but you do have to start somewhere. it’s okay if it sucks. it’s just for your practice and your enjoyment.

be cautious of stances. weak writing (in my OPINIONNNN) tries to unilaterally defend or condemn a behavior. what you need to do is treat your writing as a bit. and then you need to run with it. you need to take it farther than what is reasonable. if this bit is truly actually deeply true, then what does it mean about yourself? it’s like using a new set of pronouns as a joke or something. you know what i mean? (that was an example of what i’m trying to communicate here)

what else is key to look out for... look for oppositional pairs or tensions. look for perverse incentives and vicious circles. look for embarrassing ideas. that is, what would be extremely embarrassing if it was true? (or to admit that it was true) you may go—tshirt, here you’re just describing things that are sexy. yes, exactly, that’s the point. you want things that thrill.

just keep reading and making notes until everything echoes with something else. now you’re ready for step two.

step two: refine your ideas further.

let me do this by demonstration. once more extending my earlier example of my chinoiserie essay, i knew that i really wanted to take zuroski’s points and basically... steal them. this is called “citation,” i guess. but i thought the following insights were useful to me:

british women were invested in chinese material objects

they incorporated them into their own subjectivity

past a certain point, they no longer “consumed” these signifiers, but these signifers became theirs

critique of one was able to stand in for critique of the other

and from being on fandom twitter, i already had the following insights:

people deliberately blurred the lines between china and england when it came to fans and tea

people also liked talking about victorian modesty when it came to china

so it seemed like victorian england and china had a privileged relationship, in a lot of people’s minds in fandom.

so it didn’t really seem a stretch to say... how can we look at one history, and apply it to our present?

it was a bit of the combo of the two: i saw something i didn’t see people were talking about, and it reminded me of something else i’d read before.

something that helps me a lot is tweeting about my essay ideas. if you have me on my private account, you already know this. it forces me to explain myself to someone who doesn’t know what i’m talking about in a very succinct way. oftentimes, i tweet something out while i’m brainstorming, and then i steal the phrasing back into my essay. see? tweets can be writing too.

this is microdosing on step zero’s “read something and practice telling a friend about it.” now you’re writing something and telling a friend about it.

step three: okay now you can like. open a google doc

make an outline. i know i know i know. i’m sorry. you can start just barfing thoughts if you want, but eventually everything that was on the top of your head will be out. and now you can start thinking about structure. the reason the outline is important is because it makes clear the logical progression from one idea to the next.

i know i usually bounce around in my writing (a tendency which has been magnified here because this is so casual LMAO), but i always want to make sure that my points are substantiated. if we want to talk about how a causes b, we should prove a, we should prove the causal link, and only then can we infer b, for instance. it doesn’t really matter what order that happens in (or even that we set about it that way), but the more complicated your idea is, the longer checklist you need. it’s just a checklist. that’s all.

as you start writing, you’ll probably need to read some more. you’re going to want to say something you think is true, but you’re going to realize that you haven’t proved it (or you can’t). go look to see if someone else has proved it.

maybe you’re right. add that evidence in. maybe you’re wrong. now your essay has a new direction. there is a living thing beneath you. actually, on that idea—

i tend to structure my outlines (if i’m not sure yet what my point is) by pasting a bunch of quotes in a document, and reorganizing them until they make sense, they seem to flow. and then i start explaining why, until i realized i have begun to walk off in a new direction. always embrace that new direction. eventually you will find that you have not been taking twists and turns, but actually you were dizzily walking along a straight path. (unless you have been unfocused and you are trying to say too many things at once. ask a friend to read your essay if you’re not sure which is the case.)

quotes are the smallest unit of your analysis. work with evidence. or, at least, i do. it makes writing an essay like solving a mystery. the idea of just spontaneously generating something new fills me with terror. rather, i want to autopsy something, trace its steps, and then discover how it came to be dead. this may not be true for you. but it’s true for meeeee and this is my post.

tl;dr

0. read something and tell someone about it/post it out

0.5. come up with a bit and run with it

1. think "why is no one talking about this" or start free associating

2. come up with weird connections and tell someone about it/post it out

3. collect all of your posts and ideas into a gdoc and organize them.

anyway i like reading posts like this because i’m incredibly nosy. so i tried to write out the sort of thing i like to read from other people. i don’t suggest you actually try to replicate it (if anyone would even want to.) practically basically i just encourage you to try any single part of this that you think was interesting or relatable or helpful. personally, i suggest reading a book and posting your favorite lines from it. if you do this a couple times, i think you will find the seeds of an essay waiting for you in your own posts.

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chubs-deuce · 1 month

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Haaard agree on anti-Chaggie post (so sorry Chaggie shippers. We love you)

Alastor is known to steal the attention of people whenever he is on screen. But when he is with Charlie it makes it more interesting! They bounce off of each other in an entertaining way. Even if you don't ship them they are funny. Alastor is getting a kick out of just talking to Charlie. He finds her amusing (probably in a mean way lol). And Charlie while thinks he is an asshole, (cus he is!) she sees he tries to help her even with an obvious hidden ulterior motive.

They don't see eye to eye in their goals but at least they are both real characters with their own motivations and that makes them very dynamic with each other. Also they are both goofs, love 'em

Chaggie has fans within people that just want cute and non-dramatic relationships. Or just a queer couple that is wholesome without any dramatics. Valid!

It's just awkward that Vaggie is all about Charlie. This one thing puts me off. Considering my previous experience with it was in Steven Universe (Rose and Pearl, anyone?). But it's just personal thing. Sometimes things like that are funny like "they are obsessed with this person lololo" or "they are... Uncomfortably obsessed with this person"

[I think it depends on if the other person is on the same level? Charlie seemed somehow dismissive of Vaggie but it can be explained that the plot was just more focused on hotel than them (ugh 8eps. waiting for S2 to have fillers).]

Shipping is all about preferences and that's okay! My friend is a Chaggie shipper and I am a Charlastor shipper. I asked her to explain to me the appeal and she explained it as "a cute couple that has no conflict whatsoever. People like that exist and it's more common than very dramatic or action-driven couples". And I just like a bit fucked up dynamics where I watch someone in that dynamic go through some emotional turmoil (mostly Alastor<3) and also co-workers/housemates dynamic (when I need something cute and simple)

Some people just prefer down to earth things, especially if their life is a rollercoaster. What's important is to respect each other!

Sorry for a lil essay. I just think sometimes it's important to say "these are prefrences. We don't hate you for not liking your thing and the same goes in vice versa"

All fandoms have a group of people that is.... A bit too devoted to something. Respect others even if they don't like the same thing you do. Instead ask them to explain to you why they like it in a non-hostile manner or don't interact at all.

We're all tired of shipping wars, especially when some companies add oil to this fire to monetize more. I just want to get back to old fandom days when you both would be shopping different things and then end up in a make out session /j

Sorry for an essay again. Love your art, especially when you draw unhinged or going insane Alastor because Charlie makes him "feel". Thanks for all the content<3

This!!! So much this!!!

I hardly even need to add anything to this tbh, you already said everything that needs to be said perfectly!

I often like to think of shipping as the more adult version of playing with dolls, and that different people will play with their dolls differently! Some may prefer to follow the instructions on the packaging, playing with the toys exactly as intended, whereas others might find that boring and instead prefer to mix things up and do their own thing!

How I play with my set of dolls should have absolutely no impact on how you play with your own.

Thank you so much for writing out this ask, I'm honestly really glad to see that common sense and critical thinking skills within fandoms haven't completely died out yet lmfao

#chubs answers #anti chaggie #hazbin hotel #charlastor #bc it was mentioned

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she-posts-nerdy-stuff · 2 months

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More titles of Grishaverse essays I'm yet to write

Last time I did this I called it "essays I'll probably never write" and then ended up writing all of them lol, so stay tuned and let me know if there's any in particular you want to hear :)

The manipulation of corrupt governments and the abuse of Grisha in both Fjerda and Ravka as shown through the presentation of Nina Zenik and Matthias Helvar (this post has been in my drafts for a while and I kind of covered this in a long rant about Nina recently but I’d love to do it properly)

The importance of Fruszi in season 2 of Shadow and Bone; her presentation, her parallels with Zoya, her parallels with Inej (and the subsequent parallels created between the Darkling and Tante Heleen), her parallels with Genya, and the relevance of her character to the arc of the show. (I have a lot of thoughts about Fruszi and this one might end up being included in the minor character analysis series (if I ever get myself together and start it) even though that’s really going to be focusing on the six of crows books)

The importance of the Komedie Brute in Six of Crows and Crooked Kingdom as devices of both plot and character, particularly with the interpretation of Mr Crimson as an omen of death. (I know I technically already wrote this one, but I did it a long time ago as two separate posts and I’ve had a lot more thoughts about it since so I really want to combine them and rewrite it all as one)

My personal take on what the global landscape of the Grishaverse would look like if parem had become a global resource (I have thoughts - and a lot of them are about how much I hate the Kerch government)

The importance of denying certain important characters a name (eg Inej’s parents, and Matthias’ parents and sister) and why this is both heartbreaking and literary genius (firstly, you may have noticed I’ve given up on making my titles sound academic, and secondly I have started writing this one so yeah it may come soon if anyone would be interested)

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upheavalofmemory · 1 year

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pick a pile || future spouse/lover letter!

I am someone personally who tends to find comfort in these types of readings, so I hope someone here can find the same comfort.

Keep in mind that I am still a beginner, not even quite sure if I have abilities, so I will say that this is mostly for entertainment only, but if it resonates with you, it resonates.

I will be using tarot as a guide and leave the rest for whatever is told to me. Keep in mind I won't be editing the written portions, just the portions that I write myself from my intuition and the cards, everything else is raw and unedited.

pick a pile! webkinz dog inspired <3

masterlist

Pile 1

Wow, they have a lot to say I think.

"Hello, dear (a faint chuckling in the background),

my sweetheart, my beloved. My beloved, I can see you, you are not too far away. Do you miss me? I hope you do, I miss you, I miss you the most. How are you? fine? I'm glad of it. You are stronger than you think, you know, that is why i love and adore you. five years ago, I never thought I would meet someone like you, and here we are today. finally you are here, with me, in my arms, something i never expected to be saying. finally finally finally. there's something about you- there's so much about you that i adore. i cant approach you yet. look at you in your elegance, absolutely a marvel and me? i am just a peasant boy, waking and quaking in your presence. will you do me a favor? don't let someone else sweep you off your feet just yet, i promise that when i get my confidence up and my ducks in a row, marbles in a bunch. it will be soon! I promise. i promise i promise i promise, for your sake and mine we need to meet soon! maybe i hope so, I'm not sure.

anyways i do love you, see you soon.

yours forever. "

I believe that this is from their future self. They are fiery and loving and they love you so much. They may be very nervous in your presence but they want you to know that YOU and only you cause that nervousness, it's like they are a shipwreck when they are around you. You give them anxiety and butterflies! They give off very anxious energy, they just want to keep repeating how much they love you. They'll shake your whole body and shout it from the rooftops and the tops of mountains, only you do this to them. They love you they love you they love you, they really do. I have a feeling that they don't express this verbally but they think it so much and they don't want you to doubt their appreciation.

pile 2

I had to do pile 3 before this one.

"Hi baby <3

My adoration, a mirage of all things beautiful and concrete. Except you're real of course! My beloved baby, how are you? Dazzling, as always. A fortress that cannot be torn down, stopped, or blocked, an absolute unit! (laughter here) I love you, you know? You're funny as hell and I'm glad to be with you. My every wish was granted, would you look at that? I guess the universe really is some unstoppable force, except when it comes to you, it bends for you I guess, like you've got some magic powers? But nothing will stop how I feel for you. You are mine. Alllll mine (hearing Stingy saying "mine mine mine"). Sorry I'm clingy, you know I am though and sometimes you tell me that I need to let go a little bit, which is okay, I can give you a little space sometimes, but I'm still stuck to you like a leech, head over heels! My final resting place will be just in your arms, perfect just how I wanted. God, this is like a school essay. Sorry, this is supposed to be romantic, but maybe it can be funny too? I don't know, sorry, I'm being stupid & silly with you but I think you don't care so it doesn't matter anyway. We are so different but we are so good together yk? Two peas of a pod...except maybe we are two different peas, maybe I'm spike-y, lol! Or no, you're probably the spike-y one, okay I'll stop. But my lovely, I'm glad to talk to you. You're such a good friend to me, how do you put up with me? I'll never know, I can barely put up with myself. Have you ever heard that humans think they're ugly because they get used to themselves and their faces? Maybe that is me, maybe I'm just insecure and you see something magical in me, just like I see it in you. Maybe you feel the same way about yourself and you don't tell me, which makes me sad, but you know you can tell me and I wont push it. I love you ok? stay hydrated and things, do the work, have fun, live your life, whatever bye.

okay i'll give you a proper goodbye, a hug and a kiss on the cheek, a proper smooch maybe? no? okay fine. bye my love, see you in the afterlife... JK!!!! I'm not dead hehe>>, okay sorry bye. nonon wait, okay never mind yeah I'm done now, bye." *phone click*

They have a hard time saying goodbye to you, they never want to stop talking to you. I remember another reading on here (sorry I cannot remember which one or who) describing someone as a "down bad loverboy/girl" and that's what I'm getting for you (if someone knows which reading I'm talking about, please send it to me so I can link it here !!). they are cute. you guys might be long distance in the beginning, which is why i got the phone click. but whatever it is, they love uuuuuuu ok? "to the moon and back."

pile 3

"Hello. (I hear a very deep masculine voice here, very prominent) If I've ever seen such a beautiful soul, no soul could be no more beautiful than yours. No sun could shine brighter than the way your eyes light up, nothing can take that away from me- that appreciation I have for you and your beauty. You radiate, you know? I love that. You radiate like the sun, shining brightly and me being the humble man I am, simply adoring you from below. They say that if you look into the sun, you will go blind, but I would gladly go blind for you my love, because you are blinding and I would rather have you seared into the back of my eyeballs and in my mind as the last thing I've ever seen than to never see you again. Everything is for you, always for you, just for you. Why did you go so soon? We barely had begun our journey and you were off again on your great quest for such knowledge I can never give you. I wish I could give you everything but I cannot, only you can do that for yourself and I will let you- I mean, I don't control you. You're free to do whatever you want, I support you, I just miss you..a lot. more than I admit it. Come home safely, bring me a souvenir? The pretty kind, the beautiful kind, but none will be as beautiful as you are; they're only beautiful because they've been touched by the hands of the angel on earth.

hands I am glad to hold one day, hands I will gladly hold forever.

yours,

fs."

Once again, I got very masculine energy from the beginning. They may be very masculine, I'm seeing mostly a male here. It can be the other way around, or really any gender, but that's what I'm seeing here. They're very....formal? Cut edge, straight to the point. They're good with words, they like using them (I just heard "In more ways than one" :I, that was meant to be sexual but I don't do 18+ readings so they can shut it, haha!). They like you a lot, they think you're amazing and personally lovable (lovable just for them and only them, perfect match, a match made in heaven). They encourage your adventures and your thirst for knowledge, the need to explore, although they may not be able to come with you. They root for you on the sidelines though and may provide financial assistance for you to accomplish your dreams. I'm getting older businessman vibes from this, specifically getting a white older 'gentleman' with brown hair and a very thick beard? that might be someone's person, their name might be Micheal with their last name beginning with an R, very specific.

pile 4

TRIGGER WARNING; d3ath, self-loathing, overall a very depressing & heavy energy.

If you aren't comfortable with these things, here is a quick overview minus the heavier topics.

Your future spouse is going through a lot right now. They may be in a depressed and detached state, they might be a player but it isn't something they enjoy. They need time, they don't believe you exist at this moment. Their energy is very sad and dark, although if they don't change, someone else will take their place as your future lover. The lessons they need to learn are important and you should also take your own lessons seriously.

"introducing... you, my beloved lover!

one of three, hehe. or maybe not, maybe you are the one. i don't know why you would think i am the one, did i make you think that? I'm not that good of a person, you know? people toss me to the side and use me like a puppet, toy on a string. i want you so badly...no, i just want someone. have you ever seen those cute movies with cute couples doing cute things? i would love that to be me and someone, someone out there maybe. but maybe I'm not meant for that, I'm not sure. maybe I'm meant to be a plaything and a lesson and eventually end up in a dumpster somewhere (wow wtf?), not from dying though, just being trash i guess. i'd rather not die. i mean, i don't know anymore. if you're real, can you come get me? pick me up? carry me away, safe in your arms? but there's no guarantees though, I'll probably kick and thrash and be toxic and make you feel lonely for a while and I'm sorry. but i promise I'll be yours one day, let me just get it out of my system. or maybe you don't care? i don't know. I'm tired of people pretending to care, if you don't actually care, maybe it's your actual emotions about me. maybe I'm projecting, I'm sorry. i love you. but this is empty. empty love, no cup to pour from. maybe there's someone else for you out there, maybe i need to find myself first.

-someone new."

oh, this got sad and dark :(? sensing that this is current energy, they're in a bad place. sorry for the sad reading pile 4,if you were expecting something happier & lighter-hearted. i hope you can love your fs in the future for all of the shit they have to go through. they'll be better when they get to you, the universe will make sure of it and if they aren't then someone new will come and take their place for them, they're willing to let the spot go because they know you deserve the best.

they do want you to know that lessons are important.

#pick a card #tarot reading #oracle reading #pac #pac tarot #pick a picture #pac reading #tarot pac #pick a pile reading #love tarot free #love reading #fs reading #future spouse tarot #future spouse pac #future spouse pick a card #upheavalofmemory #uomTAROT

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pandoa · 1 year

Text

rook hunt is ripped with muscles and here's why

because some of you guys don't give him enough credit and my brain is rotting; let me live

i'll get straight to the point, i've tried out archery to see what it's like in the past—learned the basics and such—and for those who have never held a bow in their life, let me tell you it gets extremely tiring after shooting for more than an hour or so. so imagine how strong you must be to be shooting bows and arrows since you were a child. that is Rook Hunt, who was practically born from the womb with an archery set in his hand /j

bows have different draw weights that affect the speed, force, and distance that is needed to shoot an arrow. typically, children use bows with a 10-pound draw weight, as young adults and adults use bows with 20 pounds or more. to put this into some sort of perspective, i remember my stamina with the 20-pound bow lasted me about half an hour until my arms began to weaken and shake with how out-of-shape i am but anyways 💀

i've heard that the typical draw weight for hunting is about 40 pounds. and assuming with how long Rook has been an archer, i can imagine that he is physically well-fit enough to exceed the 20-pound draw weight and move onto more efficient bows for hunting like the 40-pound.

think about how developed your muscles must be if you began shooting with 10-pound bows since you were just a kid, moving onto 20 pounds as you get older, and eventually using the 40-pound draw weight as you gain more strength and hunting skills. knowing with how much Rook uses his bows and arrows, it's safe to assume that he most likely hones these skills by practicing archery quite often (i can see him going out to practice at least once a day; don't quote me on that though, this is just a thought i have considering that other hobbies also require daily practice to maintain a person's skill).

there are so many muscles involved in a human body's shoulders, back, chest, and arms that you must use when drawing a bow. exercises focusing on the muscles needed for archery are often done to strengthen an archer. this is where Rook's very toned figure comes in lol.

with the numerous muscles needed to carry out his hobby on a constant basis, Rook would need a strong set of biceps and shoulder muscles to keep up with the bow's general weight and stamina for however long he goes out hunting for. bro has built up muscles, man. built up muscles.

in game, though, i will admit his body does look on the more slim and slender side. i can see why some people in the fandom don't see him as a character with buff arms, but i would like to respectfully disagree. Rook Hunt has scrumptious arm and back muscles i'd shamelessly stare at as his magic hands do whatever wonderous things they do with his bow OH AND GUYS HIS LEGS I MEAN-

ahem. anyways.

i know many in the fandom tend to bully this observant hunter—with his questionable haircut and uh huntsman habits of his—however, these targets for harmless memes cannot overshadow the fact that Rook Hunt is ripped. from head to toe, this man is most likely relatively high among the list of twst characters that are incredibly strong (with Jack trumping them all) and is probably covered in toned muscles, which he maintains with his hunting.

this isn't even me simping anymore; it's just simple logic if we all go by what we know about the Pomefiore vice housewarden. i'll defend this man with my life—and that includes writing a useless essay on why Rook is more muscular and buff than we may think lmao

so in conclusion, Rook has beefy arms that the world is not prepared to talk about just yet. the end.

#twisted wonderland #twst #rook hunt #twst rook #rook twst #rook twisted wonderland #disney twst #HELP ME MY FACE IS BLUSHING WHILE WRITING THIS HAFHAUKDHJNADA #DOWN BAD #i just want to defend my lil french he-man <3 #fr wrote a whole ass essay on why rook belongs on the beefy arms club #why am i such a nerd #how many of u will actually read this nonsense anyway?? no idea lmao #pando's braincell

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lemonhemlock · 4 months

Note

i get what you’re saying but i get what dany stans are saying too, what is the difference between dany taking back kl and sansa taking back winterfell? at the end of the day, monarchy sucks and none of these characters are truly "worthy"

I approached this topic more in-depth here and here.

The difference between Dany taking back King's Landing and Sansa taking back Winterfell lies in the construction of legitimacy. When engaging with medieval fantasy, rejecting its political framework and ignoring its limitations in absorbing more egalitarian ideology (and the socio-technological constraints that inform those political/philosophical limitations) is going to prove a fruitless pursuit. Westeros is roughly based on feudal Europe and has a recognizable European political thought inheritance and recognizable medieval technology and means, so I think it would be reasonable to employ political philosophy that could be plausibly applied during the period from which it takes inspiration.

~unnecessarily long essay no one asked for below~

In this regard, what makes for a "worthy" ruler in medieval times might differ with the passage of centuries, as socio-political practices transform. Which is why I feel like the validity of monarchy as a form of government was never truly under question in this setting, even though it has certainly been criticised and points have been made about social injustices arising from wealth disparities and the segregation of social spheres (I hesitate to call them social classes as I don't think the Westerosi have developed class consciousness yet).

I think that this is ultimately an element of disappointment for some readers, who are trying to project onto the text something that is not there, instead of switching to progressive fiction that addresses their concerns and presents alternative political systems. What I mean to say is that dismissing all types of monarchy as illegitimate is not useful within the text, as it renders all differences between the characters null & ignores the entire historical evolution of the concept of legitimacy. So you end up with takes like "it doesn't really matter who sits the throne". It matters very much to Martin, because that is the type of story he is trying to tell, that's... the entire point of the series. He is a boomer writing about dragons and knights in the 90s, not a transformative political thinker who is going to smack us with a new social order at the end of the series. That doesn't mean he can't critique the system or the characters' approaches to ruling. That's why he keeps killing the unfit kings & punishing those who rely on wanton brutality.

Coming back to the question, Dany's family was deposed, meaning that, legally-speaking, she doesn't have any "birthright" to the throne of Westeros anymore, no matter what she tells herself. Is deposition legal? John Locke certainly thought so in his Second Treatise of Government, chapters "Of Tyranny" and "Of The Dissolution of Government". Below we have Jean-Jacques Rousseau, "Discourse on Inequality":

OK, these are Enlightenment thinkers, but the concept was not new. The Magna Carta of 1215 certainly has a provision for this. That's medieval enough, I feel.

(Ralph V. Turner, "Magna Carta Through the Ages", Harlow, Pearson Longman, 2003 - the original article was too long lol but anyone can look it up for themselves).

Thomas Aquinas, "Summa Theologica", 1274:

etc.

You will find these ideas under the term "right of revolution".

Many medieval kings IRL have been deposed or lost their crown. Richard II, anyone? There's an entire play about it. So, yes, Robert Baratheon is the legal king of Westeros at the start of AGOT and Viserys / Daenerys simply are not. There is no birthright to speak of, that is just Dany's entitlement that goes unchecked and unquestioned.

Of course, crowns can be won back by the right of conquest, which is what Dany is trying to do. GRRM's plan for her seems to either be rejected by the people of King's Landing for whatever reason (a la Rhaenyra maybe) or for her to commit such an atrocity on the city in her attempt to seize it that it disqualifies her as a potential ruler because she breaks the normal rules of engagement to a horrifying degree (i.e. dragonflame). Dany's entire plan is questionable from the start, since she intends to mount an invasion on a people brutalised by several years of war already, on the onset of winter - essentially extra suffering. The conditions are there so that the Westerosi might not interpret her actions as liberation, but merely as another pretender to the throne, who is only after her personal betterment - basically no different from what they've seen before, so no reason to join her cause or believe in her propaganda. She will bring fire-breathing monsters, Dothraki and Unsullied warriors to their lands, whom they fear and for whom they have no kinship. They have no particular attachment to the old Targaryen kings either. In short, Dany's father was deposed and she will end up deposed herself because of her own actions (or never recognised in the first place). I'm not saying this because I have beef with Daenerys, she is not a real person who did me wrong, she is a fictional character the author is using to illustrate a political idea.

Whereas the people of the North maintain a very favourable view of the Starks and of Ned Stark in particular. They are seen as the legitimate rulers of the North and their replacements (the Boltons) are almost universally hated. The text is littered with "the North remembers" and "there must always be a Stark in Winterfell" and general Stark-fawning. The people of the North were very eager to name Ned Stark's son as their king. The people of the Night's Watch voted for Ned Stark's 15-year-old bastard as their leader. Ramsay Bolton pretends to marry Arya Stark to consolidate his legitimacy as the ruler of Winterfell and the North. Many other characters covet Sansa for the same reason. The Starks have not been deposed, unlike the Targaryens, they're just missing / presumed dead and Winterfell is up for grabs. None of our Northern characters think how lovely it would be if we had a Targaryen restauration. These things may seem like candy floss to the modern reader and they may not resonate, but they mattered a lot in the past. So when Sansa takes back Winterfell, it will be with the backing of the majority of the Northern population and with the help of the Knights of the Vale, who are seen as honourable and are of Andal descent, so will not be perceived as foreign invaders. No one in the North will be contemplating their right-to-revolution against the Starks, because they will be revolting alongside Sansa to free themselves from the abusive Bolton rule.

Sansa rebuilds Winterfell out of snow and thinks of it warmly as her home, feels kinship and connection with the place she grew up in, whereas Daenerys feels possessive over a land she's never seen and wants to take it with "fire and blood". True, these are not actions, not crimes for Dany and neither acts of benevolence for Sansa. They haven't done anything yet. But they are images. Framing. Hints. That's how literature works.

Could Dany be given a narrative of Westerosi restauration? Could GRRM write her as gaining popular support and as not breaking the social contract while installing herself back on the throne? Had only Book 1 been published, these questions would have had more validity. But after Book 5? Not when Martin frames her like that and literally kicks her out of the city she conquered.

#not me writing a whole ass paper on this LOL #🤦‍♀️🤦‍♀️🤦‍♀️#ask #anon #asoiaf #grrm #asoiaf endgame #anti daenerys targaryen #sansa stark

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weirdkpopgirl · 1 month

Text

In My Dreams | Renjun Imagine #5

Title: In My Dreams

Genre: College AU, a little angsty with a little fluff

Warnings: mentions of reader feeling insecure (what else is new 🙄)

Word Counts: 911

Author's Note: I seriously apologize for posting such depressing content lately. Honestly writing this type of stuff just makes me realize how much I hate myself. But I'm fine lol, using the Dreamies to distract me is more than enough. I really shouldn't be complaining. Anyway, hope you guys like this little imagine for Renjun ^ ^

𓆩⟡𓆪༝༚༝༚༝༚༝༚༝༚༝༚༝༚𓆩⟡𓆪༝༚༝༚༝༚༝༚༝༚༝༚𓆩⟡𓆪༝༚༝༚༝༚༝༚༝༚༝༚𓆩⟡𓆪༚༝༚༝༚༝༚༝༚༝༚𓆩⟡𓆪༝༚༝༚༝༚༝༚༝༚༝༚𓆩⟡𓆪༝༚༝༚༝༚༝༚༝༚༝༚𓆩⟡𓆪

The sigh that escaped your lips came out louder than intended, echoing slightly in the back corner of the lecture. As usual, your mind was subjected to its daily attack of self-conscious thoughts, though today they seemed particularly annoying.

Absentmindedly you fidgeted with the hem of the black two-piece dress you had carefully chosen to wear. Was revealing your shoulders too much? Too bold? Did it make you look desperate for attention? It was the only thing in your closet that you had yet to wear, mainly because you wanted to wait for the right time. However, you should’ve known you’d have doubts the minute you put on the dress.

Your reflection stared back at you from the mirror-like surface of your phone screen, its intensity making your stomach churn. This morning, your wake-up routine had been prolonged by the meticulous effort you put into perfecting your makeup today and undoing the braids you’d done the night before so your hair would be wavy.

Honestly, you weren’t entirely sure what drove you to put in the extra effort with your appearance today. Initially, you believed you were dressing up for yourself. Yet, as you navigated through a day packed with classes, a tiny glimmer of hope lingered that perhaps someone would notice, though the idea of attention drawn to you was intimidating.

However, as you glanced around the room, everyone seemed to be engrossed in their conversations about the upcoming essay that was due. Sometimes, a part of you wished you could muster up the courage to join one of those groups. But socializing never came naturally to you, and the lack of invitation to contribute only served to dishearten you.

As the professor began the afternoon’s lecture, you temporarily forced those thoughts to go away and focused on taking notes. Though it worked for the most part, your mind occasionally drifted back to the same imposter feeling you consistently experienced. Feeling as though everyone had their lives figured out, while you couldn’t be more out of place.

You were mentally ready to retreat into the confines of your apartment and change into sweats, by the time class was over. By now, your makeup was most likely smudged and the waves in your hair had gone down. Any semblance of confidence you donned that morning had diminished completely.

But just as you gathered your belongings and rose from your seat, a small folded piece of yellow paper fluttered to the table in front of you. Your eyebrows furrowed in confusion as you glanced around, expecting to see someone retrieve their misplaced note. Yet, people were already disappearing, leaving you alone with the mysterious paper.

Trying not to dwell on it too much, you hesitantly unfolded the paper. Your breath caught in your throat as you read the words neatly written across the page. While they sounded simple, they held a sincerity that you didn’t receive often.

~ Hi there, sorry if this is a little forward. But I just wanted to say that I think you look really pretty in that dress today (not that you don’t look pretty every day!). Also, you should curl your hair like that more often, it suits you ^ ^ - Huang Renjun

As you reached the end of the short message, your heart was pounding in your chest. You had to reread it a few times, to make sure you weren’t just hallucinating. Of all people, Huang Renjun noticed you? The cute boy who sat a few rows ahead of yours?

A shy smile tugged at the corners of your lips as you shifted your gaze upward to the doorway where he was nervously watching for your reaction. A light shade of pink tinged Renjun’s cheeks as he offered a tentative smile when the two of you locked eyes. Still trying to comprehend was just happened, you cautiously made your way over to him.

“Um, hi,” you managed to stammer, your voice barely audible.

Renjun stepped closer, his expression softening with genuine warmth. “I’m sorry if I startled you. I just couldn’t leave without saying at least something.”

His words only made you blush more, but the smile on your lips grew with each passing moment.

“No, I should thank you…for the note. I feel a lot better now than I was earlier,” you said, with a half-hearted laugh.

Renjun’s ears perked up at your response. “Really? Well, I’m glad to hear that.”

A hesitant silence stretched between the two of you, filled with unspoken possibilities. But before you could gather the courage to find something else to say, Renjun reached into his pocket and brought out his phone.

“Would you maybe want to have a meal sometime?” he asked, nervously rubbing the back of his neck. He extended his phone toward you, displaying a new contact pulled up on the screen.

“I’d love to,” you replied a little too eagerly, feeling your heart skip a beat.

Your hand trembled slightly as you took his phone to quickly type in your number. Renjun thanked you with a shy smile and shared he couldn’t wait to get to know you more before leaving for his next class. You had to take a moment to process everything. Did you seriously just get complimented and asked out by Renjun?

Shaking your head with a laugh, “Yeah, right. In my dreams.”

However, that belief couldn’t wipe the foolish smile off your face as you walked out of the lecture hall.

#nct dream #nctzen #kpop #czennie #nct dream imagines #nct dream fluff #renjun #huang renjun #nct dream scenarios #renjun scenarios #renjun imagines #renjun x reader #nct

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thatdeadaquarius · 1 year

Note

About language brainrot. Imagine writer creator reader who finally learns how to write in Teyvat's weird symbols and they want to publish their book. They decided to do it anonymously to avoid the "aaaaaah our creator wrote the holy scripture" sort of situation. Except it didn't work. The reader's style is too different from the rest of the world, so even if they tried to simulate the flowery speech it wasn't effective.

Another thing. Reader who decided to read some local books to practice their reading. They asked for something simple and similar to their speech. But the only books merely similar to it are 2000 and more years old. It's funny how the older text is the more you can understand it. On this note. If reader write something i feel like it would be hard to understand for Teyvat's people.

Imagine a reader who is autistic or has any other NDs imparing their communication skills. They practically trained themselves to say sertain phrases in sertain situation. But it doesn't work in Teyvat. And everything just stacks at each other. Difference in speech, being a God (so people react weirdly to you), bad communication skills, not understanding nonverbal cues and so on. There's gonna be a lot of misunderstanding. I imagine how followers would walk on the eggshells not to upset and angry their God and reader who does the same not to say something people will get wrong. Again.

Reader who regained all their memories of creating Teyvat, they're super powerful and stuff. But they still struggle with the modern language. Because all the memories are like millions years old.

✨️NEXYLAZA UR SO FUCKING SMART AND CREATIVE✨️ UR BRAIN>>>>>> EVERYTHING

GIF Akashi (black hair) is all the people who read the Sagau/Isekai Genshin tag and Bokuto (silver) is STILL ME RANTING ABOUT LANGUAGE IN TEYVAT LMAO

They cant escape me, sorry people who just wanted to read SAGAU normal things, im filling up the tag💀

I HAD OTHER ASKS BEFORE THIS ONE AND AS I GOT THRU EM I WAS "OMMGGGG WE'RE GETTIN CLOSER TO NEXY'SSSS ASSSKKKK EEEEEEE"

YOU ARE A GODDAMN GENIUS

DHALALWKDHDHS

ME ABOUT THIS ASK:

(^ lol biblically accurate deadaquarius)

I DONT EVEN KNOW WHERE TO BEGINNNN

BRAINROTTING OVER UR ENTIRE ASK!!

♡

Also, its getting kinda old now, so here is the blunt language v. Teyvat's flowery language post for reference! :)

Hhhhhhhhhhh

IF U WRITE STUFF

AND UR IN WORDY TEYVAT LAND

AINT NO WAY,👏

U COULD EVEN, 👏👏

GET CLOSE👏👏👏

TO THESE BITCHES SPEECH👏👏👏👏

◇

Like,, imagine right now if i told you to write me 4 pages of an essay in entirely early 18th century vernacular.

(For reference: when the story Pride & Prejudice takes place)

... like??

Bitch aint no way u can do that and actually show that to a historian or an actual living person from that time period

and them actually say "wow! An excellently worded 18th century essay!"

💀.

◇

So tying into that whole, "the only simple texts are like literal cunnieform clay tablets or sm shit"

Your writing to them just sounds like if a scribe just copied off what one of those tablets said just onto paper HAHA

And like, if u try and dress it up, it just ends up sounding like its from a slightly later time period

Like if ur casual writing sounds like 1 million years ago, u being flowery sounds like 8-7 thousand years ago u cant win LMAO

◇

Omg ur trying to go to that-

wait whats it called,,fuck i dont know Sumeru good enough yet

The.. HOUSE OF DAENA GOT IT

Yeah so ur thinking "Oh what better way to learn a dialect?/vernacular than reading books by them!"

And u basically snatch Alhaitham at the soonest possible chance to take you there

(Bc when i went in, it was just random lore books everywhere so)

Needless to say you have no clue how this place is organized, so u convince him to direct you to books u can easily read first

Like as close to your speech as possible!! U tell him :)

...lol

It literally takes like 3 hours to get something readable LMAO

Bc when the poor feeble scribe initially brought you smth he thought was pretty old and close to ur speech, like just first thought,

... It sounded like it was from the middle of the 18th century to you lol

So, with a "hmm" and a squint at the dusty book you'd already given up on

Alhaitham slowly went around the library making a stack of books, dropped them off in front of you... not a single sentence.

...then he made a stack of scrolls...

..nope..

...a stack of stone tablets...

.....getting closer?? it was really weird seeing Shakespearean language carved into stone....

...and then, with a conversation to a second library secretary deeper in the library, past a caged area of shelves to protect them...

...he escorts you behind the restricted section towards the back filled with glass display cases.

(Several of which contain the most ancient looking sets of artifacts you've ever seen)

...Finally, u arrive at a long glass case of several clay tablets.

Half of which sound like they're from the 1910s-20s, and the other, even older half, sounding straight out of the 2000s..

....

......

...Good god.

(Good..you??)

These crazy speaking bastard-previously-video-game-characters were right.

...

You are suddenly, viscerally hit with the image of Zhongli's idle, "Osmanthus wine tastes the same as I remember, but where are those who share the memory?" 💀

◇

Alhaitham side eyes you,, (he looks,, very interested, yet also kinda concerned??? HIM, CONCERNED????!!!)

"Ahem, the texts before thy Greatest Lord art the eldest- well, perhaps, more appropriately, the eldest and most intact, pieces of written language known to our humankind."

...

....aYOO MAN 😭😭

...Ur just staring at these half cracked, baked clay tablet thingys, full of slang from like 2003-

Alhaitham coughs.

"Uh, thanks. ...Sorry about all the.. trouble with this..."

BRO HOW OLD DOES HE THINK U ARE NOW-

"This task assigned to mine own person was of no trouble to my mind or spirit, Greatest Lord, fret not about it any longer."

And with a sort of shell-shocked atmosphere surrounding both of you, Alhaitham walks off to check out some other restricted books, hovering nearby yet also trying to give u space LOL

Top 10 cursed images: Seeing "Chillax, bro, dude, and weeb" carved into ancient clay tablets that look like they would be part of the Egyptian exhibit back in ur world 💀

◇

You eventually just kind of end up writing a couple pages after studying the writings, going younger and younger (nothing has ever made u feel more powerful...yet also more old..)

You stretch, just as Alhaitham finally has made his own little stack of creaky old books

He seems very curious to read what u wrote, peaking a glance over the top of his book every so often (lol nerd, cute nerd... but NERDDD)

You just offer the academic lunatic what he wants 🙄

"Haha, wanna take a look? Some drafts are... closer than others..."

The scribe immediately puts his book down, not even saving his page,

"I would be honored, Greatest Lord."

Is he excited?? 💀 omfg

U very slowly hand ur most recent practice pages over, he curls his hand under his chin "hmm" ing

...Alhaitham shakes his head

"My..deepest apologizes My Creator, but this still seems, at the earliest, from when papyrus was invented, and not yet even into scrolls..."

OK BUT ALHAITHAM WOULD GENUINELY GIVE NO FUCKS ABT CRITIQING YOU, HE MAY BE MORE POLITE ABT IT BUT EVEN IF U DID MAKE THE WORLD HES GOING FOR IT

KAVEH HAS A HEART ATTACK BC HIS ROOMMATE GOT ONTO GOD LMAO

U let ur head plop on ur pile of papers, srry babe youll never be as fancy as Mr. Darcy 😕

And as ur resting there, contemplating just walking out and finding smth to eat instead- same

Alhaitham picks up another draft.

Except it's your first attempt.

As in, you didn't even try, first attempt.

You just made some bullet point notes or some Bs, in ur regular. modern. language.

Alhaitham knocks his chair over standing up so fast-

(HE GETS SHUSHED BY THE RESTRICTED LIBRARIAN LOL, also another person unafraid to scold God lol)

...he says its a perfect example of the oldest records they've found of writing on the continent, most of which they haven't even translated yet

He asks u to teach him how to read this/speak like this lol

♧

(^^^not my best work but hope yall got smth outta it💀)

I WAS LITERALLY GONNA MAKE A WHOLE POST ON THE NEURODIVERGENT EXPERIENCE OF BEING A GOD IN TEYVAT

ESPECIALLY OF THE LANGUAGE BARRIER VARIETY!!!

THERES JUST

ACK

aCK HDHAKD

SO MUCH

TO SAY

!!!

AHHHHH

OK BUT LIKE

IF WE ACTUALLY TOOK THIS TO THE EXTREME IM IMPLYING IT WOULD BE

LIKE TEYVAT SPEAKS SEVERAL DECADES BEHIND U- MAYBE EVEN ACTUALLY

CLOSE TO PRIDE AND PREJUDICE TIMES SPEECH

THEY WOULD LITERALLY BARELY COMPHREHEND YOU

IMAGINE TRYING TO TALK TO MR. DARCY 😭

THATS LITERALLY ALL OF TEYVAT

JUST

???¿¿?????!!! <- THEM ALL THE TIME

ESP IF UR NEURODIVERGENT

I THINK IT WOULD BE EVEN MORE PROOF FOR THEM TO THINK UR GOD

BC UR BEHAVIOR WOULD BE "OFF" TO THEIR NEUROTYPICAL ASSES,

YOUR FACIAL EXPRESSIONS,

LIKE UR MASKING MAYBE BUT

U CANT KEEP THAT SHIT UP ALL THE TIME-

ESP IN CRAZY ISEKAI CIRCUMSTANCES

AND LIKE-

(ok ill tone it down before i also get shushed)

U used to be a player!!

Which would maybe mean u got rlly comfy playing Genshin all the time!

...like i know im kinda stimming when im gaming (and my natural stim is rocking so yeah no way they wouldnt notice that 💀)

So, since u may be still yknow unconsciously wanting to be comfy (esp around ur mains/team/favs)

U probably have stimmed a little around them, which, not that neurotypicals dont stim, but like

They would notice after awhile

And esp people like Alhaitham, Zhongli, Ningguang, Xiao, Ei, Aether/Lumine, Kaeya, Diluc, Kazuha, Heizou, Shenhe, Kokomi, Sara, Albedo, Dainsleif- !! GASP- !! <- my bbygirl omg i forgot abt u before now im so sorry </3

(once again i have not checked a character list, forgive my sins my readers)

^^^ Are like pretty focused on you/observant, so they'd eventually pick up on it first probably

...

....which allsssooo means they're like, collecting all ur neurodivergent thingys lol to compile as EVIDENCE AGAINST YOU AS TO WHY THEY KNOW UR THE CREATOR LMAO

◇

Honestly the biggest factor against u is definitely social interaction,, srry love :/

(if it helps, its bc i know itd be my downfall too thats why thats there ^ 😔)

Mostly bc i have this idea/theory? obervation? that when I especially met Adepti for the first time

Esp ones that werent as close to human society for as long as some others (like think Xiao vs. Ganyu)

And for literally every other non-human people we've met so far in Genshin-

They kinda- they kinda, radiate neurodivergent energy??

Like, they're not adherring to social norms, and not in like a bad way,

But its still rlly obvious (i mean also its probably exaggerated for us as an audience) that theyre not human pretty quickly

coughzhonglicough

COUGHVENTICOUGH-

oh geez wow excuse me, cold weather must be gettin to me- ahem hem-

Anyway, like what Nexy said in the ask,

...

...Yall are all just tiptoing around each other 😭😭

Bc these ppl arent from Earth countries,

All their behavior is weird to you 😭

U dont know how to mask with them yet 😭😭

THE UNBELIEVABLE AMOUNT OF MISCOMMUNICATION THAT HAPPENS ALREADY WHEN UR NEUROSPICY VS. NEUROBLAND PPL

IS LIKE, ALMOST WORSE??

Bc they cant even understand ur phrasing bc its so simple 😭😭😭

◇

Tldr: "Being Neurodivergent means ur a god, confirmed." - says all of Teyvat's denizens

◇

NEXYLAZA.

MY BELOVED.

I AM IN LOVE WITH UR BRAIN.

IF I COULD GIVE IT A HUG I WOULD🫂✨️👏👏👏👏

BC I WAS ALREADY LIKE IN THE BACK OF MY MIND LIKE-

*rubs my little rat gremlin hands together*

"hmHmHMMMM BuT wHaT iF mAYbE yOU reMeMbeREd cReATinG TeyVAT, hmHMHMMMMM"

AND FOR VERBALIZING IT WITHIN BLUNT LANGUAGE AU- !!!!!!!

(one of my favs, if u cant tell)

I would (platonically) kiss you right now dude.

Instead I give this:

♡ ily

And also, I AM GOING TO MAKE A WHOLE POST ABOUT THIS-

MAYBE EVEN A FANFIC, OR ONE SHOT AHDHAKFHSKLAAL-

UNTIL NEXT TIME MY BELOVED PARTNER IN CRIME <333

PSPSPSPSsppspspspssss Last Time! CLOSES TOMORROW @1pm CST: VOTE on my 100+ followers celebration POLL :)

Tell me what u wanna see me write about! PSPSPSPSpspspspssss

(U can vote even if ur new! :] )

THANK YOU FOR SUBMITTING THIS ASK

THIS IS A TREASURE OF MINE NOW

GONNA HIDE IT IN MY LITTLE CAVE OF SCREENSHOTTED SAGAU POSTS <333 hehehehehehehehehehe

THIS IS LIKE PT2 TO MY ORIGINAL LANGUAGE POST AHHHHH

NEXY BIG BRAIN ILYSM <3

Cheers,

🌒🌧🌊Aquarius♒️🌌🌘

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza lol ur own ask im a menace sorry

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katiekatdragon27 · 3 months

Text

Guys sorry, I am not immune to Hazbin/Helluva propaganda. I am also not immune to criticizing the designs and character motivations.

So! Let’s start with one of the most redesigned characters in the show: Beelzebub^^

So, sorta hot take, I really like the idea behind Beelzebub in the show. Ik "boo tomato tomato," but hear me out. I like how she is meant represent the hellhounds she rules over (ik she actually is a reference to Jay Jay, but let me have this connection PLEASE). However, the source material is very bug-like and compact.

The HB Beelzebub is NOT that bug like. Or compact.

With this redesign, I decided to pick all the stuff I liked about the og, and what I wanted to see more of. I kept her colors and general vibe but made her more built like a bumble bee with more inspo from the fly Beelzebub.

This is what I got.

Progress doodles n stuff below cut (it's gonna be an essay, y'all know the drill):

(She was much sharper in the sketch lol)

DESIGN EXPLANATION:

Anyways, I always imagined Beelzebub to be, y'know, more BEE like. The show did not give me that, so I did it myself. I made her wings bigger, gave her an actual bee tail and face (with the proboscis and stinger too), and more stripes and fluff. I also made her small and slightly chubby. Gotta hone the bumble bee.

I thought the hair made the original design too cluttered, but I wanted to keep the party colors. To compromise, I stuck all the goop in her tail. It sort of works like a firefly's abdomen and a lava lamp. I also nullified her cloths, so they would blend more with the body and help pop the neon colors in her eyes, antenna, and tail.

When she stands at her normal form, she is the smallest of the sins. But when she is in her "true" form (that I have not illustrated yet), she is the biggest of the sins. This is a reference to how gluttony starts small but gets really large over time, both mentally and physically.

As for additional details, I wanted to keep her "foxness". So in a brilliant brainstorm of ideas, I came up with the concept of "Masks". Basically, all the sins I'll redraw will have them. The masks are meant not only to represent their hellborn, but to represent how the sins pretend to be good things at first.

Stuff like "Rest a little more, it won't hurt" and "Be proud and don't care for what others say" are how they present on the surface, but if you continue those mindsets in a toxic way, it turns into sloth and pride and stuff instead of self-care and being proud of things.

For Bee specifically, it's "Have a little more, you deserve it!" and she has a hell-hound/fox mask. This also feeds into her personality change.

PERSONALITY CHANGES:

In the og, she's a party animal who cares for... moderation??? Yeah, I hate this about Helluva Boss. Why is it so hard to write *sshole/negligent people in power and why is it only Mammon who's allowed to be like this? Give me more morally dark grey powerful people!

That's where Bee is different for the redesign. She runs te lowest ring in hell and is in charge of hellhounds, the lowest species in hell. B/c of this, she is much more lenient compared to the higher ranked sins in hell, which is why she is often seen talking and hanging out with lower classes. (She gets slack for this from the other sins). She is also the only sin who has had open relations with lower class citizens all the way down to hellhounds. However, none of them last. Most of her relations outside of the sins are one-night stands and flings.

As for how she sorta sucks: she is still a party animal, yes, but she purposely chooses to be blind and ignore all the suffering that occurs at the parties. People have fun, but they overindulge, and as a result get sick, sad, and violent. However, Bee leaves the parties before they get this way. She does not want to see it. She is negligent. When she comes back to the party aftermaths, she quickly gets her workers to clean everything, so she does not have to discover anything gruesome and sad. She just wants to live, party, and see people "happy". (Sort of like Gatsby's parties minus the pining for a single woman who does not care for her).

... I wonder what would happen if that mental image she had shattered? I guess only the future will tell.

But anyway, if you have any questions or characters you recommend I design or redesign, feel free to ask lol.

I hope this made at least a little sense. Have a lovely day^^

#beelzebub is probably one of my favorite sins in the show aesthetically #but it's so cluttered and looked so painful to animate #also having her be stout and fluffy seemed so novel to me #no more skinny girls with thick thighs give me tiny girls with thick everything #hazbin hotel #hazbin art #helluva boss #helluva fanart #helluva beelzebub #helluva beelzebub redesign #redesign #character redesign #vivziepop #helluva redesign #helluvaboss #also if you don't like this please don't comment that #i don't need that negativity in my life this is just for fun #katiekatdragon27

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ichinoue · 8 months

Note

I just finished watching bleach, and I'm not much of a shipper, as in I didn't care for the ships. But ichihime just didn't make sense to me, I have no problem with renruki but ichihime just didn't do it. So like I'm genuinely curious as to how they stuck out for people like you who absolutely adore it, I've also seen alot of hate towards it so once again I'm curious. Is there any reason that you personally always loved the ship? Be it their chemistry? Or interactions?I don't know I just want to see the appeal

Well, for starters, if you've only watched the anime, I think that can definitely taint your perception of IH because the animators butchered it so much compared to how it actually is in the manga, especially in the early arcs. I made a post on the very first IH moment in the anime vs. the manga here although it's pretty old so the links I used as references are probably broken now. But I definitely recommend reading the manga to get a true sense of what their dynamic is like!

Honestly it's hard to sum up why I love this ship so much without pulling out a bunch of manga pages and turning this into a full blown essay of things I've already said a million times before (but I'll attach a bunch of links to some of those posts below lol).

But I just love the sweetness of IchiHime. The mutual respect. The selfless care and consideration they have for each other. How dorky they are together. The way they make each other better, and stronger. The way Orihime can pull so many passionate, emotional reactions out of Ichigo--the way he softens around her, the blind rage when his enemies use her to taunt him, the way he flies off the handle in a panic when he thinks she's in danger, the depression he fell into when she was gone, the relief he feels when he realizes she's okay. The puppy dog eyes he gives her. The way everyone else kicks him in the head or punches him to lift his spirits, but Orihime--she only has to use gentle words. The vow to protect, the rising up from the dead to keep that vow. Not even death could keep them apart. Orihime wanting to love Ichigo in every lifetime she lives, she would choose him every single time. And yet she never expected him to love her back--he just did. All on his own. He was pining for her, they were pining for each other. It was mutual long before they even knew it.

And I think Kubo did so well writing for the IchiHime relationship. It's got cute, heartfelt moments, angsty teenager moments, silly, comedic relief moments, and dramatic, life-or-death moments. You can see their development from one arc to the next, see the clear-cut changes and growth in their dynamic from beginning to end. They never stopped changing, and growing closer over time. Which created a nice, long slow-burn for me to sink my teeth into over the course of Bleach's 15 year run.

Anyway, here's some links of posts that explain different aspects that I love about this pairing:

I have an extremely long masterpost about IchiHime here, which mostly goes into detail about why I think it was obvious for canon, but it covers almost every single IH moment in detail and my love for the pairing and reasons for shipping it are pretty much woven into the fabric of this post lol.

The chemistry of IchiHime.

My top 3 favorite IchiHime moments.

Masterpost of moments where Ichigo and Orihime protect each other.

IchiHime implications of the lust arc.

Ichigo being teased about Orihime.

Ichigo's vow to protect Orihime.

Ichigo and Orihime's growing feelings for each other.

Orihime consistently being singled out to target Ichigo's heart.

Orihime loving Ichigo's kindness.

Ichigo being receptive to Orihime's feelings.

And these are some posts made by other people that I like:

A post about Ichigo's feelings for Orihime.

This one is an image post that basically combines almost every single IchiHime moment from the first to last chapter, as a visual reference.

A response my friend gave when asked the reasons that they ship IchiHime that I wholeheartedly agree with.

And another list of reasons.

I also just really love this post.

#IchiHime #fav

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wavesoutbeingtossed · 3 months

Text

Screaming from the crypt (or how the past haunts the present on Midnights)

I know it's been discussed so much since Midnights came out but just.

I love how there is such a clear narrative throughout the album (and perhaps especially on the 3am/Vault tracks). About questioning and regret and choices and coming to terms with all of it. It is one long story about how we're all a mosaic of the choices we make, each one taking something from us and leaving something else in its place.

(And now a disclaimer: I'm looking at this mostly through a narrator/subject lens, and trying not to dive too deeply into real-life events or speculation except for in a general sense. For this purpose I like to look at the body of work as art, like literature, because I find it makes it easier to see the common threads in the different songs and cohesion in the narrative.)

In looking at the 3am+ tracks in particular, it's fascinating how some turns of phrases or themes repeat themselves in different songs, in different contexts. (I'm only focusing on the non-standard tracks because there are too many songs and I'd be here all day but I bet I could do a part two lol.) I know many people have pointed out the parallels throughout her discography already and I’m not saying anything groundbreaking by writing this, but I love how these parallels run through in the same album, because it makes it seem like it's one long story, or at least, one long rumination on many different stories that are coalescing into a single narrative.

Battle (let’s go)

For instance, the one that jumped out at me when I started writing this post the other week was, "Tore your banners down, took the battle underground," in The Great War and "If clarity's in death, then why won't this die? Years of tearing down our banners, you and I," in Would've, Could've Should've. It's a story about staying stuck in the same cycle of reliving trauma and coping mechanisms and bad habits over and over again and fantasizing about how taking the “antagonist” out and gaining the upper hand for good would bring closure (WCS), but the truth is that nothing ever will. All that cycle does, though, is repeat itself in other situations, and in this case pushes someone away the narrator cares for (TGW). The difference is that the imagined battle in WCS is a two-way street in her mind (that is ultimately unwinnable because it was never a fair fight), but in TGW it's one-sided -- she's the one fighting dirty, taking shots, the way she'd been doing in her imagination (or nightmares) all these years. But the person in front of her isn't fighting back the way the person in her mind in WCS would, because their intentions are honourable instead of exploitative.

And that's paralleled in another pair of lyrics from the two songs, "And maybe it's the past talking, screaming from the crypt, telling me to punish you for things you never did," (in TGW) and "The tomb won't close, I fight with you in my sleep," (in WCS). In both cases, the funeral imagery makes it seem like this past event should be dead and buried in WCS, but it keeps rising from the dead, haunting her no matter what she does and in TGW, another (or perhaps the same?) tomb that won't close keeps unleashing new ways to hurt her and in turn the new person in her life. In other words, the trauma from the past continues to bleed into the present.

(Again from a literary point of view, I'm not saying the events of the two songs are linked IRL, but they're fascinating textual parallels on the album as a string of chapters, which is why Dear Reader is so compelling, but that's a whole other essay.)

To keep the battle motif going, there’s yet another parallel, this time between TGW’s "[You were a] soldier down on that icy ground, looked up at me with honor and truth," and You’re Losing Me’s "All I did was bleed as I tried to be the bravest soldier, fighting in only your army.” In the former, the subject is laying down his armour in the war she’s projecting onto him, waving the white flag, and she realizes that she’s about to destroy something if she doesn’t put her sword down too. By the time we get to YLM, the roles are almost reversed; at the very least they’re supposed to be on the same team, but in this case she’s doing all the heavy lifting, fighting for their relationship in contrast to his apathy killing it. It’s also pretty interesting (if not outright intentional) that one of the 3am+ editions of the albums starts with The Great War, where they find themselves in conflict (even if it’s in her head) that ends in a truce, and ends with You’re Losing Me signalling the end of the relationship, evidence that the resolution in the first song wasn’t an ending but merely a ceasefire before the last battle.

Putting the rest under a cut because this is waaaaay too long now ⤵️

(There’s also another metaphor there in The Great War with its battle imagery: World War I, aka The Great War, was supposed to be the war to end all wars, because loss on its scale was never seen before and when it ended, most thought never again would the world embroil itself in such battle, the horrors and implications were so devastating. Two decades later, the world found itself in WWII, with an even larger scope and more horrific consequences, the intervening time between the two a period of festering conflicts and resentment leading to some of the worst acts the world would see. Bringing real life into it for a second, there’s something a little poetic, though sad, about The Great War the song being about a fight that could have ended the relationship that they ultimately resolved and was meant to be evidence of the strength of their love, but so too did it end up being a period of détente, the greater battle coming for them years later. But that is not the point of this post.)

If one thing had been different

Another major theme in these editions is pondering the "what ifs?" of life, but I think it takes on even more significance in the broader context of the album in the lyrics of "I'm never gonna meet what could've been, would've been, should've been you," in Bigger than the Whole Sky and the repetition of would've/could've in Would've, Could've, Should've (I would've looked away at the first glance, I would've stayed on my knees, I would've gone along with the righteous, I could've gone on as I was, would've could've should've if I'd only played it safe, etc.) In both songs, the narrator is mourning an alternate course their life could have taken* and questioning what they could have done differently, in the aftermath of trauma and loss, and the regret that comes with that loss, and with the loss of agency in the situation because ultimately it was never in their hands. In an album full of questions, wondering about the path not taken, or the forks in the road that have led to a different version of your life, it's digging deeper into the contrast of choice vs. fate, action vs. reaction, dwelling on the past vs. moving on. When you're supposed to let go of the past, what do you do when it is holding your future hostage?

(*I know there are different interpretations/speculation about BTTWS which I am not getting into on main. I'm just saying that whatever the song is about, it's grieving something that never came to be. The literal origin of the song is less important to the album than the sense of loss it portrays. Whatever the inspiration is, it's crafted to tell part of the story of Midnights of ruminating over how, to borrow from her previous work, if one thing had been different, would everything be different?)

(Also I was today years old when I realized that the words are inverted in the two songs. Apparently I've been hearing BTTWS wrong this whole time.)

There's also an interesting tangent in the role of faith in both songs: in WCS, the events of the story cause her to lose her faith (e.g. "All I used to do was pray," "you're a crisis of my faith,") and question all the things she felt had been unquestionable until that point in her life (e.g. "I could have gone along with the righteous"), whereas in BTTWS, she questions whether that very lack of faith is to blame for the loss in that song ("did some force take you because I didn't pray? [...] It's not meant to be, so I'll say words I don't believe"). It's like pinpointing the moment her life changed and upended her beliefs (WCS), but as a result then leaving her unmoored in times of crisis because ultimately there's no explanation or comfort to be taken from what she used to hold true before that (BTTWS). The words she once relied upon to guide her have long since lost their meaning, but in times of trouble it leaves her wondering if that faith she once held then lost could have prevented this pain.

(Shoutout to WCS for being Catholic guilt personified lol.)

To keep on with the vaguely faith-y notions, an obvious parallel is the line in Would’ve Could’ve Should’ve about, “I damn sure never would've danced with the devil at nineteen,” and, "When you aim at the devil, make sure you don't miss," in Dear Reader. All of WCS is about her fighting with an antagonist who haunts her, with whom she wholly regrets ever becoming involved. DR could be seen as a reflection on that fall from grace, warning the audience that if you choose to go after the person (or thing) haunting you, make sure you do so clearheaded enough to be decisive. Again, these “devils” may not be related in real life: the IRL devil in DR could be speaking about her naysayers, or Kim*ye, or Scott & Scooter B, etc., meaning not to cross your enemies until you know you can win. But taking real life out of it and looking at it textually, I am intrigued by the link between WCS and DR, so that’s what I’m going with here. And perhaps that’s even the point in a wider sense; there will be multiple “devils” in your life, or threats to your well-being. If you’re going to commit to taking them down — whether it’s an actual person, or the demons inside you that refuse to let you go — make sure you have the right ammo so that they can no longer hurt you. (Of course, one lesson from these experiences is that sometimes you can’t win, and you have to live with the fallout.)

(Sidebar: I know that “dancing with the devil” is a turn of phrase that means being led into temptation and engaging in risky behaviour, as opposed to describing the actual person. Given the religious metaphors in the song, that could very well be/is the intention, particularly when it’s preceded by, “I would have stayed on my knees” as in she would have continued to follow her faith — in whatever sense that means — had she never met this person, which could also be a more eloquent way of saying she would have continued to be live her life in a way that was righteous (even naive) and seen the world in black and white. Either way, it’s a force she wholly rejects. Like I said, multiple devils, same fight.)

Regret comes up too: in WCS, she says, "I regret you all the time," obviously directed at the person who manipulated her and led to her perceived downfall, citing him as the one impulse she wished she'd never followed, because it won't leave her no matter how hard she’s tried. In High Infidelity, she tells the person to, "put on your records and regret me," and on the surface, it’s like she’s turning the tables, painting herself as the one now causing the regret in someone else, the one inflicting the pain this time. Yet the verse preceding it and the lines following it in the chorus depict a partner who is also emotionally manipulative and vindictive like in WCS (“you said I was freeloading, I didn’t know you were keeping count,” “put on your headphones and burn my city,”). It’s not so much that she’s intentionally harming the person (the way the person in WCS does to her), but rather that the venom in the subject’s feelings towards her seeps through; she’s imagining the way he’s going to feel about her when she leaves, hating her just for by being who she is. (There could be another tangent about how in both songs she’s there to be a “token” in a game for both of the men, who play her for their own purposes.) The regret is dripping with disdain. It’s as though she’s picturing how the person is going to hate her for doing what she’s thinking of doing the way she hates the person who first hurt her.

Sadness, unsurprisingly, shows up in a few lyrics. In BTTWS, “Everything I touch becomes sick with sadness,” sets the scene of a person so overcome with grief that it permeates everything around them; they cannot see their way out of it and feel like the fog will never lift. In Hits Different, it’s, “My sadness is contagious,” the result of a breakup where the person’s grief again touches everything and everyone around them, pushing them further in their despair and loneliness. The reason behind the grief in either case may vary, but regardless of the source, the feeling is overpowering and isolating. They may be different chapters in the story, but the devastation is hauntingly familiar. (As is a recurring theme in Midnights as a whole: there are situations and feelings that present themselves at different points in her journey and colour in the lines in different ways along the road. Like revisiting an old vice and realizing the hit isn’t quite the same as it was in the past.)

Death by a thousand cuts

She also writes about wounds on this album, which isn't surprising I suppose given that the whole conceit is that these are things that have kept her up at night over the years. WCS is perhaps the driving narrative on this never ending hurt when she sings, “The wound won't close, I keep on waiting for a sign, I regret you all the time,” suggesting that no matter what she does, the pain of this experience has permeated everything she’s done afterwards. (Not unlike the overwhelming grief in BTTWS, for instance.) Elsewhere, in High Infidelity she sings, "Lock broken, slur spoken, wound open, game token," and in Hits Different, "Make it make some sense why the wound is still bleeding.” Again I'm not suggesting they're about the same events; the line in HI is about a situation where a partner crosses a boundary, hits below the belt, picks at an insecurity (or creates a new one) and treats the relationship like it's transactional, opening the floodgates in turn. In HD, the wound seems to be more self-inflicted, where she's pushed the person away. (Over a situation real or imagined she feels she needs distance from.) But again, something has picked at her like a raw nerve, and just like in the past, she's hurting, even in a different time and place and person. Almost like the wounds of the past break open over and over again to create new scars. If one were to extrapolate further, it wouldn’t be the biggest leap to wonder if the wound open in WCS, then torn apart in HI makes the one in HD hurt even more.

(I once wrote a post about how I think as time goes on, WCS is going to turn into one of those songs that will be found to drive so much of her work, because it’s just… kind of the unsaid thesis statement of so much of her songwriting.)

Another repeated theme is that of the empty home and loneliness. In High Infidelity, she sings, "At the house lonely, good money I'd pay if you just know me, seemed like the right thing at the time," painting a picture of someone who may have everything they'd want to the outside world, but in reality feels metaphorically trapped in their home (or at least alone amidst abundance), a symbol of a relationship gone sour and a failure to build connection. She just wants someone to understand her, want her for her, but as she's written earlier in the song, she's just a pawn in the game, a trophy from the hunt. Home, in this case, is lonely, isolated, an emblem of her fears. In Dear Reader, she continues this thread, then singing, "You wouldn't take my word for it if you knew who was talking, if you knew where I was walking, to a house not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care, no one sees you lose when you're playing solitaire." It's the same idea, admitting to listeners that the gilded cage she lived in kept her distanced from her loved ones and real connection, keeping her struggles close to the vest but feeling desperately lonely amidst her crowning success. She's pushed people away and it may have felt like the right thing at the time, but in the end maybe felt like she was trapped. And when you push people away, eventually they take you at your word and stop pushing back; you’re a victim of your own success at isolating yourself. What starts out of self-preservation then further perpetuates the underlying problems.

(There's another interesting link about "home" also feeling unsafe with HI's "Your picket fence is sharp as knives," which further leads into the theme of marriage/domesticity feeling dangerous, which is a whole other thing I won't get into here because it's another discussion and may derail this already gargantuan word salad.)

In a slightly similar vein, we have the metaphor of bad weather for a rocky road or unstable relationship, in High Infidelity again with, "Storm coming, good husband, bad omen, dragged my feet right down the aisle" and You’re Losing Me’s "every morning I glared at you with storms in my eyes.” They aren’t speaking of the same situation or even same kind of breakdown, but it is pretty interesting how the idea of clouds/storms/floods/etc. play such a role in Taylor’s music to signal depression, apprehension, fear, uncertainty, etc. In HI, I think the “storm” coming is the looming threat of commitment to a partner who makes the narrator uneasy (if not fearful). In this case, the idea of making a life with this person is not one that incites joy or comfort, but instead makes the narrator feel that dark times are ahead if she continues down this path. Perhaps in some way, the “storms” in YLM have made good on the threat in HI in a different way; it’s a different home, a different relationship, but the clouds have settled in regardless, and some of her fears have come to fruition in ways she did not expect. The person she once trusted no longer sees her or her struggles (or worse, doesn’t care), and the resentment and pain build with each passing day.

Coming back to heartbreak, one of the obvious "full circle" moments is the beginning of a relationship in Paris, where she says that, "I'm so in love that I might stop breathing," clearly enthralled in a new love that allows her to shut the world out and grow in private, capturing the all-encompassing nature of the relationship. This infatuation has consumed her in the most wonderful way (in contrast to the sorrow of some of the previous songs), and it feels like a life-altering (or even life-sustaining?) force that is so strong she may forget what it’s like to breathe. (Metaphorically speaking, of course.) By the end of the album, though, in You're Losing Me, that heart-stopping love has become a threat: "my heart won't start anymore for you." In the former, her racing heart is full of excitement, but by the latter, her heart has given out completely under the weight of the pain she bears. (YLM is full of death/illness imagery which I already wrote about awhile ago so I won't hear, but needless to say that song deserves its own essay for so many reasons.) She's gone from the unbridled joy of the beginnings of a relationship to the unrelenting sorrow of its end, two sides of the same coin.

Love as death appears elsewhere in the music too, for instance, in High Infidelity’s, “You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough" and You’re Losing Me’s “How can you say that you love someone you can't tell is dying? […] My face was gray, but you wouldn't admit that we were sick.” Though not completely analogous situations, they both tell the tale of one partner’s apathy (or at least denial) destroying the other. In the former, the partner’s actions (or inaction) are more insidious, if not sinister; in the latter, the lack of momentum (or admission of a problem) is passive. In both cases, the end result is the narrator’s demise; it’s a drawn out affair that chips away at her morale and her health and her sense of self. (Breaking my own rule about bringing in alleged actual events into the discussion, but the idea that the relationship in High Infidelity, which was obviously fraught with unease and even fear, ended in a similarly excruciatingly slow and hurtful death by a thousand cuts as the relationship in You’re Losing Me almost did at that time must have been so painful. It almost feels like YLM is wondering why what used to be a source of light in her life was mirroring a situation that caused her such pain in the past.)

From the same little breaks in your soul

I said early on that part of what is so compelling about Midnights is that it feels like an album about ruminating — on choices, on events, on people — and the two final “bonus” tracks of the album depict that as well. In Hits Different, she sings that, “they say if it’s right, you know,” an ode to the confusion of a breakup and struggling with the aftermath of calling it quits. It’s a line that has always intrigued me, because the typical use of the phrase is in the sense of, “you’ll know when you meet the one,” but here it seems to have a double meaning, a reassurance perhaps from the friends (who later on tell her that "love is a lie") that she’ll know if she’s made the right decision in calling it off, but could also be her wondering if the relationship is right, she’ll know, and want to reconcile. In the final bonus track, You’re Losing Me, she sings, “now I just sit in the dark and wonder if it’s time,” this time leaving no doubt about the dilemma she faces, though it’s no less fraught. She’s wondering, perhaps for the last time, if now is finally the moment to end the relationship for good. They say that if it’s right she’ll know, and now she’s wondering if that feeling inside her (that once told her her partner was the one, which is why it hit differently), is telling her that it’s time to go for good. Wait Alexa play “It’s Time To Go.” These are not only the things that keep her up at night, but the things that play over in her mind like a film reel in her waking hours.

Midnights as a whole is a deeply personal album, as is most of Taylor's work, but the 3am+ edition tracks seem to dig even deeper to a lot of the issues raised on the standard album. Almost like the standard tracks are the things she wonders about on sleepless nights, but the bonus tracks are the things that haunt her in the aftermath. The regret, anger, sadness, grief, relief, even joy— they’re the price she pays for the memories she keeps reliving. Midnights might be the most cohesive narrative of all her albums, and really does feel like we’re watching someone work through her journal over time, stopping short of outright naming those giant fears and intrusive thoughts (except for when she does) but making them plain as day when you connect the songs together, and perhaps never more clearly than in the expanded album. It’s incredible how the songs stand on their own to relay a specific moment in time, but that they are also self-referential to each other (whether thematically or overtly) to weave a larger web over the entire work. We’re so lucky as fans to have these stories and to keep peeling back these layers as time passes. (And my literature-analysis-loving ass loves her even more for it.)

This is obviously by no means an exhaustive list, and I know there are more parallels and probably even stronger links (particularly when you add the standard version into the mix), but these were the ones that particularly struck me and I’m just glad I’ve had a chance to sit with this and think it through. ❤️

#writing letters addressed to the fire #me thinking too hard about taylor lyrics #taylor swift #midnights #long post #lyrics analysis #song parallels #Gabby this one is for you friend <3 #here goes nothing #Happy Friday or something idk!#(also i know i said there are things i wouldn’t discuss on main but my dms are open lol)#this is not as structured or well plotted out as I wanted it to be #and turned out to be more stream of consciousness than legit essay #but whatever at least i got my thoughts out there and it can release some plot of land in my brain for other stuff to think over lol #If anyone ever reads this thank you! And I’m sorry?#The best compliment i ever got in school #was when we were doing an analysis of a poem in English lit in college #And i brought something up casually #and my prof went ‘I’ve been teaching this class for eight years and that’s the first time anyone’s ever brought it up like that’#’and that just blew my mind’#and i was like ‘who me?’#so that’s all you need to know about me lol #Midnights: The Great War #Bigger than the whole sky #bttws #Midnights: Paris #Midnights: high infidelity #would’ve could’ve should’ve #Midnights: dear reader #midnights: bigger than the whole sky

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