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samaspic31 · 7 months

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Never have i felt rage worse than when i learned carrie fisher was sent to a fat farm, on the demand of fox studio executivess who put it as condition to have her cast cause they insisted on someone thinner (hi casting practices are deeply evil in fatphobic transphobic and racist ways- and that has only mildly improved since the fucking 70s) prior to filming a new hope, to lose 10 pounds, which was far from an exceptional practice in the film industry at the time. And lucas told it in the film bonuses with no shame or apology, they even interviewed carrie about it as if that was some fun anecdote-fuck lucasfilm all the way off for that. And to this day dieting for roles in blockbusters still is the norm (remember that anecdote of her telling john boyega to go break his diet and eat an energy bar from her fridge on the set of the sequels 30 years later ? we progress so fucking slowly)

In general Hollywood obsession/morbid fascination with actors modifying their weight to unhealthy degrees for roles sucks and so does the way journalism and the audience feed the mythos and reward those movies with press and promo about it (still haunted by that star trek press tour where benebitch cabbagepatch was asked continously about dieting for a scene not even in the movie, meanwhile the female actress who had a gratuitous scene in underwear it was just a normal thing, hello gender inequality). anyways as soon as i hear an actor had to diet i lose interest in ever paying for the media. no movie or series is worth the human suffering and its prevalence is yet another symptom of the dishonesty of art under capitalism

#some performance art that’s only lowkey commodified are a different thing #but omg stop making actors go without water for 3days for goddamn shirtless scenes people with fat exist and deserve to be seen on camera #this isn’t even touching the discrimination actually fat actors face #and hollywood preferring fat suits or making a thin actor gain weight before they’ll even look at a fat person #christian bale i am not impressed with your abs go drink something. idc about comic accuracy those are camp homosexual drawings #not beauty standards #im still mad about how the internet behaved about shirtless wolverine and thor #and the les mis disaster where the dehydration damaged the singing #diet culture #cw diet culture #star wars #carrie fisher #also the whole sexualizing layer with the no underwear and then rotj bikini #she had to diet for that too mark hamill still remebers they were anxious about their weight on the set of the jabba palace scene. obviousl #carrie more cause. fucking bikini #i hate lucas for how much he compromised #and how much he preseneted sw as indie/anti big studio while bending for them at the cost of his actors' health #the film industry being unethical pt294357 #cast fat and middle sized bodied people challenge #original trilogy #cw fatphobia #cw fat shaming #anti fatphobia #cw anti fa

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matan4il · 23 days

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Update post:

Today is the 180th day of the war. Almost 6 months since the Hamas massacre started this war. And still, when I came across a video clip of TV announcers broadcasting on Oct 7, 2023 and I heard the words, "hundreds of Israelis have been killed" (even as I know that the number was actually greater than that, something that took time to confirm back in October), it still felt like it just happened, like it's still hard to believe it's real, and not a nightmare that we might wake up from any moment now.

A combined terrorist attack (vehicular and then stabbing) took place over night. A 26 years old Arab man drove his car into 4 policemen, injuring them, one initially was in a serious condition. The terrorist then drove on, stopped by another group of police personnel, where he got out of the car and tried stabbing them. He was neutralized.

Obviously, everyone in Israel has heard about the aid workers killed in Gaza. IDK yet how it happened, what the details are, we're all waiting to hear, just like other fair-minded people are (I'm not talking about the anti-Israel crowd, who have made up their minds before the incident even happened, they come pre-programmed with the belief that everything wrong is both Israel's fault and intentional). For now, it looks like a huge, tragic mistake, based on misidentification in the middle of the night (such mistakes sadly happen. The accidental death of 3 Israeli hostages in broad daylight was an example that it does, and other "friendly fire" incidents that have happened to Israeli soldiers are another. That's war, there's tragically no army with zero mistakes on its record). I am SO sorry for the innocent people killed, and their loved ones. I feel for them, for their pain and loss.

That said, how do I know it wasn't intentional? For one thing, because World Central Kitchen is actually one of the few humanitarian aid organizations that tried to help both Palestinians and Israelis. Which is one reason Israel very much wanted WCK to be a major factor in aiding people in Gaza in the long run, not just during the war, and the last thing it would want, is for these workers to be hurt, and for this organization to stop working there. The other thing is that we know an incident like this might provide enough international pressure to force Israel to stop the war, while our hostages are still held in the hands of brutal rapist terrorists, and while Hamas still exists, and threatens more massacres like the one we saw on Oct 7. What logical country would sacrifice the safety of its 9.8 million citizens (and the 8.4 million non-citizens it sees itself as responsible for, too) just in order to kill 7 random people, who were perceived as helping it, and who aren't even a part of the group that supposedly this country is targeting? It's not a logical call to make. Anyone who thinks Israel did this intentionally, is treating the Jewish state as if it's a comic book evil villain. I wonder why. When a humanitarian aid airdrop accidentally killed at least 5 Palestinians, and at least 18 were killed during another, I don't remember that anyone was quick to say it was intentional without so much as an investigation, or that those responsible for it must be stopped, rather than that they must study what went wrong, and continue while taking precautions that it won't happen again.

In Belgium, a home for Holocaust survivors has been vandalized with supposedly pro-Palestinian graffiti, reading "Gaza free" and followed by a swastika. This is pure antisemitism, very thinly veiled.

Here's a reminder that if Hamas is allowed to continue existing, and ruling Gaza as a dictatorship, that's not just a threat to the lives of Israeli and Jews, it's also horrible news for Palestinians. IDF soldiers found in Gaza documents that reveal how Hamas had tortured and brutally executed one of its own commanders back in 2016, based on the accusation that he's gay. Anyone who claims to be pro-Palestinian, but is silent about the human rights abuses that Palestinian suffer at the hands of their own leadership, is not that at all, they're just exploiting the Palestinians to demonize Jews.

This is 22 years old Dor Almog (right) and his best friend, Amit.

Amit invited him to the Nova music festival, but he had to miss most of it due to an exam he had. Dor planned to study, and then join his friend at the end of the party, but he fell asleep, and was woken up by the sirens alerting everyone about the thousands of Hamas rockets fired at Israel at 6:30 in the morning. "That was the last time I saw Amit," Dor said about the moment his best friend left for the party. "We've been friends since the age of zero." Amit went to the party and was murdered by Hamas terrorists. Dor and the rest of Amit's friends decided to get his tattoo on their body, and that at some point they would travel to India, which was his dream that he didn't get to fulfil. Dor fought to be called for reserves duty in Gaza. He's the only soldier who survived the deadliest incident there, in which 21 Israeli young men were killed, the last operation his unit was supposed to be a part of, before being discharged. When the explosion took place, he was in a building that collapsed, he fell two floors, and the building crashed over him. "I smiled, because I thought I was about to die, and be with Amit again. But then I literally saw a light at the end of a tunnel, and started crawling there." He was kept in a coma for 5 days, to help his body cope, and only 2 days after he woke up, was he told the news about what happened to his friends in the unit. "That was the real blow." When asked about being a hero, he said, "I'll be that when I get back on my feet."

May Amit's memory be a blessing.

(for all of my updates and ask replies regarding Israel, click here)

#israel #antisemitism #israeli #israel news #israel under attack #israel under fire #terrorism #anti terrorism #hamas #antisemitic #antisemites #jews #jew #judaism #jumblr #frumblr #jewish #israelunderattack

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genericpuff · 28 days

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Seeing how there only 10 episodes left do you think Rachel will rush the ending?

The way I see she needs to somehow resign Apollo reign, reawaken the God's, have Persophone defeat Kronos, have Persophone create Elysian, stop the entered winner/killing of nymphs and humans, hell we don't even know what is Leto end goal and what is her whole role in this series other than manipulating Apollo to be king. We don't even know what exactly she did with Zeus (but knowing Rachel she made Leto the other woman despite the fact she was another respectable goddess)

Imo I think Rachel is officially done done with her series and know her viewers are fed up with her constant milking of the series. You can even see it in some of her work where you know she just gave up (unless it's her self insert scenes)

On a side note another thing I should point out is the anti climax of Leuce and Thetis. Besides the fact she made Leuce another other woman the way she made Leuce expression during Persophone home Invasion made it look like she wasn't going to back down. Only for her to make be forgotten 3/4 of the final arc and is never mention again. Persophone didnt even ask Hades how does he even know Leuce. So unless Rachel has plans for her again that was the last time we saw her making that whole plot unless.

While Thetis plot.........

I'll be honest she just got a slap on a wrist and Rachel just insert Achilles as a way to bait her audience/trying to make a cultural reference. Tbh I thought Thetis would have a bigger story like fast-forward she believes she gotten everything she wanted and is now Queen only for the Trojan war occur and she only lost her status bur her son. Thus making the scene a poetic justic/tragedy.

I'll finish this off since I don't want to run my mouth about this series so here's my 2 cent. Rachel is putting to many Greek mythologies in her series that a) she has forgotten about characters b) everyone is now expecting her to have this series be all wrapped up in a nice bow when it actually be worse c) and because she has so many subplots they are left unresolved or unsatisfied

Oh, Persephone created Elysium already. It was literally just this LMAO

Okay in all honesty I don't know if that was actually meant to be Elysium, but I remember seeing people comment on the S2 finale when she was bee-burping at Kronos that she was creating Elysium at the same time as fighting Kronos and I just... yeah okay? But they literally haven't even name-dropped it since the trial. This is what I mean when I criticize Rachel's writing for depending WAY too much on reader headcanon, because not only will she just roll with whatever her fans theorize, she'll do so without actually writing it into the comic so unless you're in the FB groups and Discord, you're probably not gonna pick up on every little decision Rachel made because she's making them with half a thought and a quarter of the effort needed to express it. It means people can say whatever and she'll just take credit for it like "yeah! that was Elysium! totally! you get it! okay moving on-"

As for the Leuce thing, Hades deadass met Leuce when Zeus offered her up as a bride, which Zeus explained to Persephone during the S2 finale arc-

-but again it suffers from a lot of the same issues of Rachel not expanding on her ideas and just resolving them with some other random plot convenience. Why would Leuce be so obsessed with getting with Hades that she'd make up fake text messages? Rachel just really didn't want Hades to be interacting with other women in the 10 years that Persephone was gone, so she had to make Leuce delusional for it to work ?? Why would she go so far as to tell Hades about the text messages if they weren't real the whole time?

-but then of course before Hades can respond to this, Persephone interrupts, meaning the plotline can be put on the backburner until Rachel comes up with a solution to it-

-and then we got to see Persephone 'resolve' the issue by harassing Leuce in her home, and it was only until after THEN that Rachel finally went "no it's fine that Persephone vandalized her home, the text messages weren't real!!! see??? Leuce is just a delusional nimwit! She deserves it!"

And yeah the Thetis and Achilles thing is yet another 'plotline' that Rachel only introduced to try and legitimize her comic as a Greek myth retelling. Just about every myth she tries to portray is done vaguely and without any thought for the world they're inhabiting, it's all just lip service.

At the end of the day, a lot of the writing in LO is 1.) trying to make up for the lack of plot development in the first two seasons (hence why we're now getting sudden lore dumping about how the seasons work) and 2.) trying to make up for its lack of Greek myth set pieces because Rachel has now been openly called out for being arrogant in her 'knowledge' of Greek myth and it has people analyzing just how little Greek there is in this Greek myth "retelling". It's especially apparent in the second season when the whole thing is just self-insert fantasies about Hades and Persephone living together until the plot finally has to get moving again. Every now and then Rachel remembers that this is supposed to be a retelling, so she'll throw in some random Greek myth reference like the Colchian dragon or Aphrodite marrying Hephaestus or Thetis and Achilles.

It's very evident that Rachel never learned how to write a longform story or planned to make LO as long as it is and the story has suffered all the more for it. And it sucks because that's not the story I got onboard with back in 2019-2020, but that's where we are. Ironically, as much as I criticize LO for not having enough Greek myth influence in it, I do think the story would have been far better off if it just stayed as a cheesy office romance fluff fic. It's clearly what Rachel wanted to write but either she or WT (or both) got ahead of themselves and took on more than what LO - and Rachel - were equipped to follow through on.

#ask me anything #ama #anon ama #anon ask me anything #lore olympus critical #lo critical #anti lore olympus

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david-talks-sw · 11 months

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The Sith don't want peace.

I've seen some fans use the below quote by Lucas in the Revenge of the Sith director's commentary to frame Darth Sidious/Sheev Palpatine as "evil but with well-meaning intentions".

"Lord Sidious thinks he's bringing peace to the galaxy because there's so much corruption and confusion and chaos going on. Now he's gonna be able to straighten everything out, but the price the galaxy is gonna have to pay for it is way too much."

And uh... no.

Sidious thinking that him ruling the galaxy will bring about peace as a byproduct and him wanting to bring about peace are two very different things.

He's not doing what he does for altruistic reasons. He's a selfish dick who is saying that technically the galaxy won't be fighting anymore and the corruption in the Senate will be quelled... because of course it will be, they'll all be under his thumb in his totalitarian regime.

So Palpatine is not lying, but he's not being genuine either. And that's his whole schtick.

"The Jedi are holding you back, Anakin." Yes, because Anakin has a tendency of flying off the handle, mainly because you enable him to give in to his darker instincts, Sheev!

"The Jedi are trying to take over!" Temporarily? Yeah. Because you're a dictator who orchestrated a war and cemented division across the galaxy, and everyone behind you is corrupt to the bone, SHEEV!

He's not Thanos or Killmonger, he's not the "if you think about it, he's actually a good guy who took it too far" villain.

This is a modern myth with a binary view of good and evil. He's Iago, Jafar, Freezer. He's not "gray", he's the classic "he's evil because he can be" villain. The Emperor is the Devil. As stated by Lucas himself:

"Palpatine is the Devil. There’s no fall from grace there. He’s the evil one." - Starlog Magazine #337, 2005

And the Sith are not pragmatists or people who try to bring positive change using their passion. They're not "free thinkers" who "follow their own path". They're not "religiously persecuted for pursuing knowledge beyond the dogma of the Jedi".

And this battle between the Jedi and Sith, thousands years prior to the films ⬇️...

... it didn't happen the way it's shown in the comic panel. That's Sidious showing horrific unreliable visions to Maul - a child - to indoctrinate him into hating the Jedi.

You know who does that? A cult. That's what the Sith are.

Hell, their code was partly based on Mein Kampf.

The whole "the Jedi 'limit' but the Sith 'embrace' and that's why we're being hunted down" line is just that. A line.

It's what the Sith tell themselves to justify the fact that they fucked with Dark Magic, got corrupted, and are now making it everyone else's problem.

"The Sith are people who are very self-centered and selfish. [They] learned how to manipulate both sides of the Force, and then they fell into the trap of being corrupted by the dark side." - Sci-fi Online, 2005

Which is why the Jedi step in, to stand up to them.

"The Jedi are the enemy of the Sith because the Sith want to dominate the galaxy, to control everything, and for a thousand years they have had a plot against the Jedi." - Sci-fi Online, 2005

The Sith just wanna subdue and control everyone around them, including the Force itself, to fashion the galaxy in their image.

"The end game for the Sith was to bring the world into a very selfish, self-centered, greedy, evil place, as opposed to a compassionate place." - James Cameron's Story of Science Fiction, 2018

So sure, have fun with your The Old Republic OC, go to town.

But when it comes down to it, when we're talking about the intended narrative (I'm looking at you, The Acolyte):

The Sith don't care about peace, they're literal religious extremists.

While some Sith may say they're misunderstood and some may justify themselves as being altruistic... at the end of the day, they're objectively not. They're greedy, power-hungry and self-centered.

They're the anti-theme to Star Wars' theme of "be compassionate".

#again 'The Acolyte' looks like it'll be objectively good but it's a real slippery slope man #sith #Darth Sidious #Sheev Palpatine

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ecoterrorist-katara · 1 month

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Katara would’ve been such a good diplomat (it’s canon)

everyone rightfully hates on the ATLA comics because the politics are baffling and the characterization is even more so…but if there’s one thing we can take away from the dumpster fire that is The Promise, it’s that Katara was BORN to be a diplomat and an international force for peace, okay? Especially since her besties, the Avatar and the Fire Lord, aren’t actually very good at this.

If you haven’t read The Promise, the Wikipedia summary is pretty good. The TL;DR is that Zuko and Kuei agree that the Fire Nation colonies need to be returned to the Earth Kingdom. The colony of Yu Dao is not happy about this because the people of the Fire Nation and the Earth Kingdom have been mixing together (under inequitable conditions) for more than a hundred years and “just kick out the Fire Nation” is not as straightforward as it seems, since there are blended families now. Zuko refuses to kick out the Fire Nation people from Yu Dao, Kuei wants to play hardball, and they almost launch another war. Oh and there’s a weird plot about Aang debating whether to put Zuko down like a rabid dog

For all that the Wiki page does a good job of summarizing the events, it forgets some key facts:

It’s Katara who first starts thinking about new solutions after witnessing the situation on the ground, and then comes up with the idea that Zuko and Kuei should meet and talk about the colonies:

It’s Katara who tells Kuei that Zuko has legitimate concerns (without saying that Zuko is right), when Aang tries to hedge and sugarcoat the truth:

And it’s Katara who says to Kuei, wait, what the hell do you mean that you have no idea what your people want, that Yu Dao is just a dot on the map for you? We’re getting you out of this stupid blimp and you’re gonna talk to people before you make a decision that affects their lives, you coward

To recap, Katara demonstrates some pretty freaking key political skills, like:

finding out what people want before making a decision for them

seeing people as people first and foremost, not as fire nation or earth kingdom

encouraging her loved ones, the Avatar and the Fire Lord, to resolve a conflict by beginning negotiations instead of brawling like a couple of drunks at a bar / kids on the playground (both analogies fit btw, 13-17 is a weird combination of ages)

realistically reporting tricky disagreements without sweeping them under the rug

kidnapping a king to the middle of a battlefield to give him a reality check about listening to the people he’s trying to rule

Anyway, Katara is hyper competent at both war AND peace! We see this in the show, with her compassion for the prisoners of the Earth Kingdom (by inciting a prison riot) and the suffering people of the Fire Nation (by committing ecoterrorism), only now that compassion is backed up not only by her fighting prowess and speeches about hope, but actual ability to manipulate the levers of power.

And have I mentioned that she has the ears of both the Avatar and the Fire Lord and her dad is Chief of the Southern Water Tribe? Even if Katara didn’t get a diplomat position based on her skills, or her status as a war hero, she could nepo baby her way in. The fact that she does not pick up a career in international diplomacy is a crime & a colossal oversight from the creators. At minimum you know Katara would’ve established Healers Without Borders or something. She deserves to be yelling at people at ATLA UN and then drafting world-changing resolutions.

And as a bonus, Katara demonstrates her gift for diplomacy by not smacking Zuko up the head for attempting to legitimize colonization through the argument of economic progress…

…and by not smacking Aang up the head for seriously considering anti-miscegenation as a viable political solution:

This patience is a new development because show!Katara did not have this in her, but maybe this is what growing up is all about and not just yet another strike on the “comics are wildly OOC” tally

TL;DR: ATLA boys lost their brain cells post-canon. All hail Katara, Sugar Queen of international diplomacy.

#Katara #Katara deserved better #atla comics #Chief Katara of the Water Tribes #United Republic Councilwoman Katara #Ambassador Katara #I’m not picky which one she becomes I just want her to exert political power as a principled and fair and compassionate representative #She saved the world it’s only fair she gets to run it especially since unlike most nepo babies (ie monarchy) she’s qualified #pro Katara #atla #my meta

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theconstitutionisgayculture · 1 month

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Man, I like Daily Wire in concept but Matt Walsh needs to shut the fuck up about video games. The same guy who tried to resurrect the tired old "violent video games are harmful!" crap is now acting like he's the first person to notice that video games are pushing woke nonsense (even though there are about a hundred channels and outlets that have been talking about this for years) but his solution is to, of course, for the right to stop playing video games.

No. Just, no.

This is the same "bury our head in the sand and pretend pop culture doesn't exist" mindset that got us into this situation in the first place. You can't win a war (and there is a culture war going on, no matter how many people on both sides want to pretend otherwise) by retreating from every battlefield. You win by raising awareness of a problem and then offering a real solution.

And it's especially stupid seeing this cultural retreat mindset from someone working for DW because DW actually knows exactly how to fight this battle. They created their own media company to fight against woke Hollywood. Are all their movies and shows good? No, not at all. But they still did the right thing. They put their money where their mouth is, and created an alternative.

A much better example is Angel Studios, which is probably the only Christian movie studio I've ever seen that puts out top quality content with great acting, writing, and production values. They're raking in money and getting their content onto mainstream streaming services as well as theaters. In other words, they're taking their message to the people who need it the most. The ones who aren't already in the echo chamber. Unlike Daily Wire, which only offers its content on its own website through a subscription service to its own audience, and never advertises anywhere.

Another successful example outside of movies is Eric July's Rippaverse. He's been killing it with his comics, with every single one of his campaigns raking in over a million dollars, every cent of which is reinvested back into his business, helping it grow, creating more content, and expanding his already impressive roster of writers and artists. Mainstream writers and artists, by the way. Like Chuck Dixon, the guy who co-created Bane and wrote the seminal Tim Drake Robin comics, among many other credits, and Mike Baron, who wrote some of the best early Punisher comics. Eric had a following before he started the Rippaverse. He runs a successful YouTube channel and he's a regular contributor to The Blaze. He could have walled himself off with his fanbase, wrote comics about ancaps saving the world from the evils of government, and made some money while pandering to the people who already agreed with him. Instead, he went big. He invested his own money, runs his own distribution center, owns his own business with zero outside investors, hires the best talent he can, and offers a product that focuses on story and characters over messaging. His work isn't even "anti-woke". It's just not woke.

And that's what we need in video games. We need alternatives. We need to roll up our sleeves and wade into the deep waters and actually contribute our ideas and our talents. Offer an alternative. Hire people who know what they're doing, who care about quality content first and social engineering never. There is a huge untapped audience who would pay hand over fist for good video games free from microtransactions and woke nonsense.

But retreating is not an option. It's not brave or moral to hide in our echo chambers and scoff at anything fun. Entertainment is necessary. And maybe more importantly, it's not going anywhere. We will never live in a world where people go to work and spend time with their families at home and do nothing else. We need to engage with the world as it is. Not wait around for whatever our idea of a perfect world is to magically form so we can finally interact with it. You can't change society if you keep pretending large swaths of it don't exist.

#matt walsh #daily wire #video games #gamergate 2 #sweet baby inc #culture war

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aingeal98 · 9 months

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Thinking again about the al Ghuls and how DC deliberately tanked it's own writing to turn them into ooc cartoony villains because the anti Arab racism post 9/11 was just too potent for them to resist. You take a villain whos love for his family is one of his core characterisations, he's sexist and evil and runs a cult but he forgives his daughter every time she betrays him to help Batman. He lost his godson fighting nazis in world war two, he wants Batman to be his heir, to be family. Because he respects Batman's mind.

And DC looks at this and gives him a Jewish daughter who Ra's left to die in a concentration camp because in Death and the Maidens he found the Nazis to be useful allies. Nazis, who not even Joker would team up with. Who Ra's had talked about fighting against in older continuity. Whoever came up with that plotline needs to never work in comics again.

Nyssa tortures Talia into insanity and turns her into a willing member of the LoA who believes in Ra's vision for the future. Because it wasn't bad enough to assassinate Ra's, every single Asian character in DC had to be one dimensional racist evil villains. It's no coincidence this was the time period they tried to make Cass Cain evil too.

In Cass's case, the backlash to the awful writing forced them to retcon it. In the al Ghul's case, Morrison used it for Damian's story as if evil Talia and evil Ra's who didn't care about his family at all were always canon, and not just a disgusting racist retcon. And now it's the go to characterisation for them. Talia drugging Batman is still what a lot of dc fans assume is canon, even though it was retconned. And there was no reason for it to exist in the first place other than racism.

For DC to actually fix the al Ghuls, they'd have to acknowledge that Talia was brainwashed into being evil, and come up with some retcon for Ra's oocness. The Lazarus Pit is right there as an excuse. Robin Son of Batman managed it with Talia.

But instead DC seems to be working off the impression that their shitty writing for the past 15 years was the character's natural state. It's why "holding Talia accountable for her crimes" doesn't work any better than holding Cass accountable for all the terrible things she did during the garbage evil era.

DC needs to hold itself accountable instead of the characters. More of Ra's Talia and Damian bonding. Ra's runs a cult he is not a good person and it's a good thing that Damian got out but if you can't show that without relying on racist stereotypes and 00s character assassination then why are you even a writer lol. More clarification that what the Ra's and Talia did was not in character for them. Less "I helped torture baby Damian as part of his training but I felt really sad about it." That's never been what gave the al Ghuls their complexity.

Basically, stop trying to add nuance to the racist post 9/11 al Ghul characterisation and just give us back LexCorp era Talia and pre DATM Ra's. You're one of the top two comic book brands in the industry surely you can find someone who can make Damian's backstory work without destroying the rest of his family in the process.

#dc #dc rambles #ras al ghul #talia al ghul #batfam #damian wayne

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angelpuns · 1 year

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RURAL AU MASTERPOST!!!!

Information:

Been wanting to introduce the ruralau on here for a while now! Since I've decided to make a big official comic, here's the previous references for the boys ( and Yuichi and also Splinter)

This au takes place in Japan during the 1930s-40s and is meant to be more of an exploration of the effects of war on civilians. Some inspo for this au is This Corner of the World , The Wind Rises, My Neighbor Totoro. I have put a ton of research in and am still putting research in, but of course if I ever have something wrong feel free to let me know so I can fix it! I will say that I am not Japanese, I just have an interest in Japanese history and especially this idea of anti-war animated movies ( the ones I've listed above are a few examples, I can also give others that I've looked into )

The au starts with Hamamoto Yoshi ( Hamamoto is a more accurate name, Hamato does not appear to be an actual surname ) finding the turtles and raising them as his own. So far there are two mini comics, one Leosagi-centric fic and of course the giant comic I'm working on right now. I'll have more info on that once it's out!

I've made a ton of art for this au already, so keep your eyes peeled for the next part! ( also it will eventually have a real name, but I've been falling it the rural au for the past couple of months )

Links:

Other refs/more info

Rural Au Main comic/Webtoon

Leosagi fic

Mini comic 1

Mini comic 2

Sketches/doodles

DTYIS!!

#rottmnt art #rottmnt #tmnt #rottmnt au #rottmnt rural au #rural au

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laughingesper · 3 months

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DP X DC Prompt

In the aftermath of Gotham War, Jason Todd is just... done with everything. He's tired of trying to change himself to meet the expectations of a man who won't even try to meet him half way. How the rest of the Batfamily, while not as bad, usually take Bruce's lead in regards to interacting with him. Even in his altered state, he manages to make his way to Amity Park (pretend this is a universe where the Justice League are mostly ignorant of the shit that goes on there).

Coincidentally, Desiree is out and about at the same time he arrives. He's terrified and pissed at the same time. He can't even be depressed in peace without being dragged into some kind of BS! So in the midst of his mental breakdown, he wishes for a better life where he'd never met Bruce Wayne, not that he's actually expecting anyone to be listening or do anything about it. An Amity Park native would know better.

Desiree: "As you have wished it, so it shall be!"

Jason: "Wait what?"

And because Jason isn't wearing Fenton anti-ghost tech when his wish is granted like Sam was, he doesn't remember making a wish in the first place. As far as he knows this is how it's always been. A world where Jason Todd is living a normal, peaceful, happy life. However, Desiree isn't capable of making grand sweeping changes to reality like this without a few hiccups (yet). Her power grows in proportion to how many wishes she's granted and lessens whenever she's not granting any. She actually got it 99% right, but there is still some physical evidence that things weren't always the way they currently are, like in the actual episode. No one remembers the truth except her, but certain smart people are able to notice the inconsistencies.

Such as Danny and friends, who can tell that a wish was granted but not who made it and what for. Usually it's way more obvious.

Meanwhile in Gotham City, how do things change without Jason Todd? Did someone else become the second Robin? If so, who is it and how did they differ from Jason? It's meant to be a sort of examination of how the Batfamily and DC themselves treat Jason as a character. How would someone else deal with that? Would they rise above it all in a way Jason never could or become a full on supervillain? Ideally, like in the episode itself, Jason would eventually remember the way things are supposed to be and wish things back to normal, but would he even want to do that?

This idea was inspired by this one panel from White Knight, and it just made me think 'well Comics Jason has even more of a reason to wish he never met Bruce lol'.

#dc x dp #jason todd #batman #danny phantom #dc comics #dpxdc #batfamily #dp x dc #dp x dc prompt #dc x dp prompt

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artistsmellslikeunemployment · 2 months

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Things that natla did do:

- Katara stealing a water pouch from a merchant shop at night

- zuko draws!

- include pieces from the books and comics (mother of faces, Kyoshi‘s personality,

- „water the most promising seed“

- Katara standing by and smirking as Sokka flounders trying to impress Suki but her not buying any of it

- Katara never letting anyone talk over her once diplomacy fails

- Bumi‘s armpit hair

- Zuko talking about Lu Ten

- Azula learning to use a blue flame and failing

- what can I say, the actors make the show very enjoyable 🤷🏼‍♀️

- Kuruk refusing to take possession over Aang‘s body/ Avatar state

- overall I think they drew info from the books about the other eras

- the sound of Iroh‘s firebending reminding of a dragon‘s growl

- Avatar Roku making fun of Avatar Kyoshi

- Zuko basically enthusing about Kyoshi‘s strength only to then get his ass kicked by her

- Suki (and mom) gushing over seeing their role model Kyoshi in action

- random woman with broom and Zuko letting her hit him

- Aang running away at the end, after the battle. He might not have run from his responsibility but he ran from the consequences

- „have you seen my flying bison?“ which is way better because even less believable

- Katara being bold enough to train her waterbending in the abandoned fire navy ship around Wolf Cove

- emphasis on Sokka‘s inventory skills and by elongation his bad ice dodging skills

- Zuko deciding to stay with/ look for Iroh instead of chasing Aang twice

- Lu Ten‘s theme playing every time Zuko and Iroh confess their love for each other

- Omashu‘s part of the earth kingdom being India coded

- Zuko so specifically being triggered by the word „compassion“ but not „empathy/ emphatic“ because he actually does believe in kindness and much like Azula is still trapped in the pressure of having to represent all his father believes

- Zuko looking disgusted all the time

- 41st division bowing to their prince

- I had fun watching it and most of it makes sense tbh.

What I don’t get (logic mistakes):

- Mai being too openly anti fire nation by saying she wouldn’t ever come back if given the chance

- Iroh finding the Blue Spirit‘s mask in Zuko‘s pile of clothes but maybe that’s not even a negative.

- no talk about the meaning of the necklace

- Gyatso Living in the Spirit World (doesn’t Aang have enough guides with all his previous lives?);

- that assassination attempt on Ozai and Azula infiltrating the plan? Was this meant to show Ozai‘s cruelty and Azula‘s strategic thinking??

- what was Bumi‘s point exactly?

- Yue being a spirit fox. Why? It added nothing.

- „i bet you taste like chicken“ no opossum chicken. just chicken.

- Kyoshi being the narrator

- Aang being able to communicate with his past lives only by visiting their shrines and not in the right order (usually the avatar has to contact every avatar before him in the order of their lifetimes before he can get through to the next)

- Aang being shamed and gaslight by everyone

- confusion over what happened to the villagers as well as Katara and Solla by mixing Hei Bai‘s and Ko‘s stories as well as the Fog of Lost Souls and creating a new loophole into the spirit world when people stand too close to Aang while he meditates? Also, Ko‘s „Magic“ with individuality and his reason for stealing faces when showing emotion is lost.

- with all due love, what was Suki‘s mother for?

- Wan Shi Tong randomly sitting at some wayside

- Why wouldn’t normal people understand Wan Shi Tong? How are they planning for Team Avatar to find out about the solar eclipse if not through Wan Shi Tong‘s library later?

- Iroh suspecting Ozai behind the apparent assassination of Zuko so openly in front of Zhao

- Iroh justifying his war crimes with „I was a soldier“??

- Iroh „sacrificing“ himself in Omashu when the earth kingdom forces were looking for the firebender even though they both would’ve gone undetected otherwise

- Iroh killing Zhao

- does Momo carry the spirits‘ life now?

- the fire nation inventing a solar system model to predict Zosin‘s Comet and potentially the eclipse as well

#avatar #atla #atla la #natla #natla spoilers #natla positivity #i actually like this #netflix #i agree with the criticism tho #avatar the last airbender #zuko #uncle iroh #kyoshi #katara #the effects were decent

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homuraakemis · 3 months

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I keep seeing anti-Maiko people complain that Mai never had a redemption arc to learn about why the Fire Nation was bad, and that's why she shouldn't be with Zuko. And I think that fundamentally misunderstands what a secondary character is. Mai is not a main character. She is a secondary character. She is there to provide support to the narrative, she is there to fulfill her plot purposes and that's it. That doesn't mean she has no character development, but her character development is mostly related to her function in the narrative. In Mai's case, her main functions in the narrative are being Zuko's love interest, and being a key piece in Azula's downfall. Her character development is related to that: we have a girl who is closed off and suppresses her emotions who gradually starts to open up a little through her relationship with Zuko. We also have her feeling like she's always trapped by fear and by others expectations (by her parents and by Azula), and because of her relationship with Zuko, she is able to finally stand up to Azula. That's her character arc. That's what's relevant to her function in the story. Learning about how the Fire Nation is bad is not relevant to her main plot purposes in the story. There's no reason why it can't happen offscreen after the war, with Zuko teaching her about all the things he saw and learned about the Fire Nation during his travels. She is not a main character, the show doesn't need to focus on every single thing about her character. In case people forget, we don't get a "redemption arc" for Ty Lee either, because this is not important, neither Mai or Ty Lee are meant to be the focus of the narrative, we don't need to see them "learning that the Fire Nation is bad".

Another thing that people don't understand is that not every character has to be a copy of Zuko. People act like the only acceptable way for Mai to learn about the wrongs of the Fire Nation is by having a redemption arc like Zuko, but that's not really the case. It's not even feasible: Mai didn't go through the same experiences as Zuko, she wasn't forced to live as a commoner amongst the Earth Kingdom peasants, she wasn't forced to flee as a refugee, so she never really had the opportunity to speak to these people and see their plight the same way Zuko had. Of course Zuko is the one who gets the redemption arc, because he is the main character for which this arc actually matters to the story, but also because the circumstances of his story allow him to have this arc, while the circumstances of Mai's story don't. But that in no way means she is irredeemable or that she can't learn, it just means she will learn about the Fire Nation in a different way than Zuko did, probably through Zuko himself telling her about his experiences and the things he saw. And there's nothing wrong with that! Mai is not a main character, she doesn't need to have some epic redemption journey. She was a Fire Nation noble, just like Zuko, she was taught the same kind of propaganda that Zuko was, so of course she's going to believe in it and believe that Zuko is betraying his country when he tells her he joined the Avatar. But Mai is also not some cruel person, and she's also not a Fire Nation fanatic. If after the show Zuko told her about all the things he saw, she would listen. And in fact, the evidence we have is that she did listen to Zuko and she did learn about the Fire Nation: in the comics she works with Zuko against the New Ozai Society even after they break up. And if you don't want to use the comics as evidence, we have the epilogue of the show as evidence, in which Mai is shown to be on good terms with Team Avatar and playing Pai Sho with Suki. We don't need to see the details of how Mai learned about the Fire Nation being bad (she is not a main character, it's not relevant to the main story), we know that she did learn, we can fill in the blanks with our imagination.

Secondary characters not receiving a huge narrative focus and character development about every single aspect of their characters is not "bad writing". Bad writing would be if the show focused on every detail of every secondary character, because that would be losing narrative focus. Just because certain people don't like Mai with Zuko and use this as an excuse to say why the ship is bad, it doesn't mean that Mai not having a redemption arc is "bad writing".

Finally, this isn't a reason for her not to be with Zuko. Some people argue that Zuko would never want to be with Mai after his redemption because of her still believing that the Fire Nation was in the right, but people forget that if there's one person who knows what is like to have been brainwashed since childhood with propaganda about the Fire Nation, that person is Zuko. And Zuko was way more enthusiastic about the Fire Nation being right and the Fire Nation winning the war than Mai ever was. Why would he hold it against her that she believed in Fire Nation propaganda, when he himself knows what is like to believe in said propaganda? The most likely thing to happen is that he would want to teach her about everything he learned about the Fire Nation, he wouldn't break up with her just because she didn't magically unlearn an entire life of indoctrination.

#atla #atla meta #atla mai #atla maiko #mai defense squad #zuko #my meta #my post.

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alpaca-clouds · 3 months

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The DnD Lore Problem - Accessibility and Characters (and how BG3 might not help)

You know what? I am gonna talk about DnD Lore and the accessibility of that lore. I talked about this exessively before. But to summarize that long blog very shortly:

Wizards of the Coasts currently makes the mistake of putting basically most DnD Lore behind a paywall, rather than offering official ressources. This leads to a lot of tables actually playing with their original worlds, rather than Toril/Faerûn, which in turn also means, that they are not spending money on official products. While my anti-capitalist ass things that the lore should be accessible just so that people can enjoy it, I also think that this inaccessibility actually costs WotC A LOT OF MONEY.

Today I want to talk about another aspect of this inaccessibility, that is kinda linked to some of the stuff I talked about before, but also is linked to the things WotC is currently not doing in terms of both Honor Among Thieves and Baldur's Gate 3. A thing, that also might not quite work with BG3, though.

See, the core problem of this inaccessibility is, that a) there is no official place where you can just get base information about the world and the timeline, b) this world has grown organically for about half a century, which lead to clutter, but also to the fact that things are at times showing their age.

I might actually make a post on the gods and religion in the world at some other point - but for now let me talk about something else: Extended universes and access points.

The Problem with Extended Universes

Okay, let's talk about how a lot of the big franchises for the longest time have told their meta stories - including DnD - and how it kinda struggles to find its audience. The extended universe.

I am frankly not entirely sure what franchise has started this. I am assuming it was Star Trek? But that is just a guess. But at some point in the 60s oder 70s someone had the idea that: "Hey, we could totally give the fans more to chew on by making official tie-in comics and novels!"

And that was how it worked for very long. Like a lot of the big franchises had at times around 10 novels and comics (if not more) releasing per year that would just explore other parts of the universe and allow the very engaged fans to... well, learn more about the world. Now, I am not going to talk about all the drama connected to the Star Wars stuff, but if you know, you know.

DnD did this too. (As did a lot of the big TTRPG systems, like Shadowrun and WoD as well.) Having a lot of tie in stuff - in the case of DnD mostly novels - that told more stories on the world and also established like some big player characters within the world. Elminster Aumar is probably one of the best examples here.

Those established some characters that play a big role within the world and also told just more stories of those big world changing events. In the recent DnD history that would be stuff like the Time of Troubles, the Spellplague and the Second Sundering.

Now, here we have one big issue. And one issue where I am not entirely certain where it arose from. But the fact is: In recent years, people invest way less into those kind of books. This is just a fact.

It is the reason why those big universes went from publishing like ten novels a year to often not more than three. We saw that in the failure of the extended Universe Disney tried to pull off for Pirates of the Caribbean (though I will still maintain that another big problem was that they barely marketed that at all - hi, everyone, who did not know there were extended universe novels for PotC). We also saw that with League of Legends, who really, really tried to tell a lot more stories with short stories and then also some novels set in Runeterra, before finally giving up, because most people didn't care.

In terms of Dungeons & Dragons I can totally see that a lot of people will also say: "I do not care what some other people's characters do within the world." Buuuuuut...

Stories actually can help you understand the world. Which brings me to...

The Elminster Problem

Okay, I do not know how to put this, but... If you look at the novels coming out for DnD literally half of them focus on either Elminster Aumar or Drizzt Do'Urden. Characters that have pretty much been around since the very beginning and. Look, I don't know how to put it but... It shows.

I am currently reading some of the newer novels and the fact is, that they do not really feel like fantasy books from the 2010s and 2020s. Because Elminster and Drizzt are very clearly characters originating in a very different time when stories were told very differently.

I mean, just look at Elminster. He is a wanna-be Gandalf character. He is from the early, early days of fantasy and... Look, I personally just really am unable to identify with a character like this.

And while Drizzt is a bit better as a character, but even he... How to put this delicately? They are both very much characters written by white cishet men for white cishet men. There, I said it.

I am noticing this a lot with reading Salvatore's books currently. Like, female characters are not overly sexualized, which is a plus. But they also very much exist most of the time in service to a man or at least in relation to a man. There is not a lot of female characters running around that have their own agency.

Which kinda leads to another thing. I actually saw this one brought up by one of those very cliché nerdy Youtube channels talking on DnD, who recognized the problem as well: There are basically two large groups of DnD players who barely intersect. One is the cliché nerds, the other is a largely queer and largely diverse group. And the youtube guy, who was very in the white cishet nerd group, suspected that actually the later group makes up more of the player base by now.

Buuuut... that is also the group who really do not get catered to by the canon lore so far. That was until 2023 with DnD:HAT and BG3 - both catering actually a lot to those groups.

Honor Among Thieves and the undermarketed books

Okay, here is the thing: Honor Among Thieves had two novelizations (one for young readers, one for older readers) and two tie-in novels. One featuring Edgin, Holga, Forge and Simon before the stuff with Sofina went down. And the other featuring Simon and Doric taking place at the time while Ed and Holga are in prison.

I am honest: I really, really liked the Ed and Holga novel. It was super cute and charming and really gives a better understanding of the characters.

But of course once again there is the thing: The books - just like the Pirates of the Caribbean books - were super undermarketed. Like, most people I know off do not even know that there were books released. Heck, even within the actual active fandom there are again and again people who will be surprised that those books exist.

And... I actually also think that the books waste one big ass opportunity, by not at all tying into the broader lore. They are super self-contained.

And that is actually just a waste. Because the place were Edgin lived in? Yeah, that place was super affected by the Second Sundering. Heck, that might have had to do something with his troubles.

Why is that an issue? Well, because... there was not a lot going on there that was inviting you to further interact with the world and learn more abotu what is happening. For once, again, because I think it is a super fun and interesting world. But also, because... WotC wants to make money and is so bad at it, that it really boggles my mind.

See, here is the thing: They could've used those characters - that really are fun and sympathetic characters - to create an accesspoint into that world.

Alright, so what about Baldur's Gate 3?

Which brings me to Baldur's Gate 3 and the thing that a lot of people have noticed: The other Baldur's Gate games - as well as some of the other games releasing around 2000 - had their own tie-in novels going into the characters, their background, but also what they were doing in the future.

Something that so far BG3 has not done, which some fans have already critized. Because a lot of people have actually gotten really invested into those characters. A lot of the kind of people especially who so far are underserved by a lot of the tie-in stuff: Queer and generally diverse audiences.

Like, I think there would be a lot of people, who totally would read a novel, about...

Astarion getting drawn into some sort of political intrigue in Baldur's Gate while serving Cazador

Karlach's time in Avernus

Some Adventure Wyll got dragged into while being the Blade of the Frontier.

Shadowheart going onto a mission for Shar (maybe together with Nocturne)

Whatever Gale was doing during the Second Sundering

Lae'zel's youth among the Githyanki

The Dark Urge and Gortash starting up the entire conspiracy

... whatever Halsin had been up to in his long live

Heck, people would eat that stuff up. And you could not only use it to worldbuild but also once more create some access into the world and what happened there. And they are kinda wasting a lot of potential by not bringing out those novels.

Of course, there is one big problem: BG3 makes it kinda hard to write about anything happening after the ending. Because as it is right now, someone is gonna be pissed if a novel set after the game does not go with the decision for a character they go for. Like, Ascended Astarion fans are gonna be pissed, if they go with Spawn Astarion - and the other way around. Same goes with every other character where you have those big decisions happening.

This is something they will have to tackle eventually if they plan on doing something with the characters in the future (no matter if we are talking Larian or WotC), but it is definitely an issue that just arises from the structure of the game.

Bonus of course is, that you just cannot define a canonical Tav. But without a Tav, you also gotta act as if the story of the game happened without a Tav, which still is not ideal. I am honestly not sure with how they are gonna deal with this on the long run.

Access via Characters

Alright, but what is the actual issue here?

Well, basically there are two hurdles to overcome for the accessibility of the lore. The first is the physical accessibility - aka, what I talked about in the last long blog post. The second meanwhile is more related to making the lore engaging. And that happens through characters.

It is for me what happened last year. I actually tried to engage with the lore as the movie came out - but only when BG3, that tied a lot more into the actual lore was released I actually found proper access to the lore. Because I had concrete things I could now look for because the game hinted at so much both through characters and major story events happening.

Here is the thing: If you just have the lore on its own, it is about as engaging as reading a history book. Sure, as your local history nerd I find reading history books fun, but most people really do not want to read a history book to engage with a hobby.

People will however engage with stories and characters that interest them. Which is where we get back to the thing I talked about at the beginning: Right now most canonical novels and stories still cater to an audience that is male, cishet, white and also, let's be frank, definitely over 30 years old. Leaving behind a lot of potential fans that theoretically make up a big part of the player-base, but actually do not engage a lot with the lore for this exact reason.

Look. DnD right now is fairly close to being an actual mainstream hobby, due to the recent proliferation of formerly nerdy stuff. And yet WotC is bleeding money, especially in regards of DnD.

If you ask me, sure... DnD should go into public domain. But it doesn't. And given that there are so many creative, skilled people working on this - no matter how dumb Hasbro is and how shitty of an employer they are - I actually do want them to succeed. I have really become engaged with this world now. And I think it is a pity that they clearly do not know how to market this stuff.

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