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#then there were how to write a good villain/redemption arc posts with azula and zuko respectively
sokkastyles · 10 months
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So, this is a post for another fandom, but the discussion of Azula and Zuko came up in it, and OP revealed themselves as an Azula apologist. Thought you might be interested.
What's so funny about this is that before OP goes on their rant (so tired of people misusing feminist talking points to excuse abusive behavior) they themselves actually hit on, then immediately dismiss, the reason why people like Zuko more than Catra.
"just because her redemption arc wasn't as good"
Like, that's it. That's the thing. It doesn't matter what actions Zuko did that might be worse (although given what OP later writes, I would seriously question that statement). We're talking about stories, so the character who has a better written arc is going to be liked more, and that's that. It has nothing to do with gender at all. It also has nothing to do with who did what when they were a villain, because if the redemption isn't believable enough, it doesn't matter. Zuko has a better written story and in the land of fiction, that is always going to be more forgivable.
You could argue that there is misogyny in the fact that we don't get enough female characters who are as well-written as Zuko, but I'm a feminist who reads enough fiction that I don't need to pretend something is a good story just because it's female-led. I think a lot of people wanted the She-Ra show to be good for that reason, but in the end, consuming media isn't activism. And from what I've seen of the relationship between Catra and Adora - hell, from the way people talk about Azula, too - a LOT of people will forgive shitty behavior if a woman is doing it on the grounds of "feminism," and that's not only not feminist - how many women suffer because of Catra and Azula's actions? - it's extremely dangerous because it perpetuates the idea that women cannot be abusers.
You want good female representation? Maybe read a book instead of putting all your money on one or two popular cartoon series.
Now that I got THAT out of my system, there's a lot wrong with what OP says about Azula.
None of what OP says to defend Azula is feminist. Like, they don't even attempt to back up this claim the way some Azula stans do, they just say it like they think declaring themselves a feminist makes it so. And then they spend most of the post bashing Ursa, natch. OP will not explain why defending Azula is feminist (because it isn't), but I can explain why bashing Ursa is misogyny. Because you're taking a female character we know barely anything about other than that she was a mother and that she was fridged for the main characters, and insisting she must have been a bad mother based on minimal evidence. Even though we know why her children acted the way they did and we know it had to do with the negative actions of their father. Blaming Ursa for Azula is misogynist because it is shifting blame from a male abuser to a female character who was his victim, and focusing the blame on how she was a bad mother, with very little evidence that she was. But reducing a female character to motherhood and criticizing her for not being saintly is absolutely misogyny.
Where is it "expanded on in the comics" that Ursa gave up on Azula? Or that Azula acted out for Ursa's attention?
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Here we see Ursa spending time with both her kids. Azula hangs back because she sees a flower in the garden that isn't as pretty, and waits until Ursa's back is turned to burn it. Then, when Zuko tells on her, she burns Zuko. Azula isn't trying to get Ursa's attention here. She waits until Ursa isn't looking and is mad when she gets negative attention from Ursa because Zuko told on her. She did not want her mother to notice her burning the flower. But when her mother does notice, Azula explains why she did it. Because it wasn't as pretty. It's very obvious what's going on here. Azula is acting out, but not because she's being neglected by her mother. She's acting out in the ways her father groomed her to act out, because her father taught her that if something isn't the best, it's worthless and deserves to be hurt. She then applies this to Zuko, who she thinks deserves to be hurt because he told on her.
And this is a pattern of behavior for Azula that we see not only in the comics, but the series itself. In "Zuko Alone," far from acting out to get her mother's attention because she "gave up on her," we see Azula lie to her mother so that she can get Zuko to play with her, with the purpose of playing a mean prank on Zuko.
Azula appeals to the fact that she knows Ursa thinks she and her brother should get along. If Azula was desperate for her mother's attention, if Ursa gave up on her, Azula would not be able to successfully lie to her mother this way.
What these scenes show is not that Ursa gave up on Azula or that Azula lacked attention from her mother, but that even at a young age (which was more like 8, actually) Azula was influenced by her father's cruelty and acted it out on others, and knew how to manipulate her mother in order to get what she wanted. Shifting blame onto Ursa for trying to teach her child right from wrong, for trying to protect her other child, is misogyny.
Also "Zuko let his insecurities get in the way of his relationship with Azula" is a weird way of saying that Azula deliberately played on Zuko's insecurities to hurt him. Like, you cannot ignore that the reason Zuko is insecure is, in large part, because of Azula, because she provokes his insecurites and then blames him for feeling insecure. This is victim blaming.
Also, the doll thing. I am so tired, y'all. If you automatically assume Azula getting a doll from her uncle is proof he doesn't care about her, who is the misogynist again? If the show wanted us to think this was a thoughtless, sexist, or even misguided gift, that would be shown. We would see Iroh ignoring hints that Azula does not like dolls. Instead, what we see is Azula getting a gift from a relative who hasn't seen her in years, and she burns it because it isn't exactly what she wanted, and then says she hopes her uncle dies. This says FAR more about Azula than it does Iroh, and it is meant to. The OP then goes on to say that Azula was right about Iroh when she mocked his son's death and said he should have burned Ba Sing Se to the ground, but then says he committed more crimes and bloodshed than her, conversely. What bloodshed? We're shown no bloodshed because this is a nickelodeon cartoon show. But we ARE shown Azula mocking Iroh for not being more violent. So don't tell me Iroh is somehow worse. Azula's coup on Ba Sing Se would not be bloodless if this was Game of Thrones, and overthrowing a city using deception isn't more moral than a siege.
Azula also was not "right" about Iroh in the way OP claims because they make it seem like she objected to Iroh ending the siege because she cared about her nation and people. That is not what she said. She said he should have burned the city to the ground to be "a real general." This, and Azula's other actions, such as giving irrational orders and making threats when they aren't carried out from her introductory episode, show that Azula has no real concept of statecraft beyond how to violently assert power, and we know who taught her that.
Also, Azula did not immediately apologize to Ty Lee after making her cry by slut-shaming her (how often the "feminists" forget that). She begrudgingly apologized, and then made it about herself and what Ty Lee should do for her.
Okay, okay, calm down. I didn't mean what I said. [Frontal view over Ty Lee's shoulder.] Look, maybe I just said it because I was a little ... [Whispers.] jealous.
I know people make a lot of this because it's a rare scene of Azula being accountable for her actions, but that alone should tell you something. It doesn't make Azula this kind and compassionate soul. It's not even a great apology. Sincere apologies do not begin with "Okay, okay, calm down." Azula just told her friend that boys only like her because she's easy. The fact that Ty Lee forgives her, especially after everything Azula did to her, makes Ty Lee a saint. And then Azula has a very difficult time admitting that she is jealous, because of course she does. And yes, I know, people make a lot of this because it's Azula, and yeah, it probably did take a lot of effort for Azula to admit that Ty Lee was better at her at something, but that is because Azula is egotistical and selfish and cruel to even her "friends."
And Mai...Azula does not get points for not understanding that she can't force Mai to murder her boyfriend for Azula. Azula asking Mai why she did it even though she "knew the consequences" again shows how little regard Azula has for even her friends, who she thinks she can control using threats. Azula thought she could use Mai to control Zuko and then when Mai's feelings were inconvenient, expected Mai to just watch Zuko die, and is so offended when that doesn't happen.
Also, Zuko never worked on his anger issues? It is literally a major plot point that Zuko says he doesn't want to rely on anger anymore and finds another way. And I've talked about this before, but this idea that Azula is so calm and collected is utterly ridiculous. You only have to look at the examples I mentioned above, but also many more, to see Azula fly into a rage at the slightest provocation, make threats, act out violently, and attempt to control others through fear to see that that is not true. The real difference is that Azula thinks she is justified in acting this way, and when that stops getting her results, rather than trying to change and learning to understand and value other people, she has a breakdown. You have to misunderstand Azula's entire arc to not get that. It is literally explained to us at every opportunity in the narrative.
Conclusion: if you claim to be a feminist, act like one and get to know some feminist theory. And just because you're a woman does not exclude you from being an idiot.
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juniperhillpatient · 1 year
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u say Zuko’s redemption arc was well written but go on to criticize it so was it really well written or do you just want to believe that?
I mean, no, it was really well written lol
I can only critique Avatar so much because I’ve watched it so many times & put so much thought into it because I love it.
I think it’s fair to say “this thing is really good & well done but there are some valid criticisms of it.”
There are many inconsistencies as far as the buildup to Zuko becoming Fire Lord. It’s not well foreshadowed in my opinion because it’s unclear whether Zuko is supposed to have a destiny or want to make one for himself. It’s like the writers can’t decide & go back & forth without ever coming to a firm conclusion & that frustrates me.
I have also expressed my frustration that Zuko’s jealousy & resentment toward Azula was never addressed as an unhealthy thing nor were we given any hope about a reconciliation arc for the two of them which could have been as easy as a brief visit in the end - a glimmer of hope that Zuko understands he’s not the only one who suffered under Ozai’s parenting. Failing to address this is a pretty big oversight in my opinion because Zuko has been obsessed with his perceived idea of Azula & her perfection & how easily everything comes to her this entire time. Learning that she’s just a hurt kid who can fall apart too should’ve mattered / been part of his arc.
I’ve thought about it a lot & I’m not on Book 3 of my re-watch yet but I’ll ultimately say that there wasn’t time for an Azula redemption arc in the context of the show that we got & it wouldn’t have made sense. I would’ve loved a Book 4 redemption arc for her.
But in terms of critiquing what we DO have, I think it would’ve fixed a lot & specifically fixed a lot of my criticisms of Zuko’s arc to just have like, one scene where Zuko visits Azula in a hospital & they talk & maybe they’re not ready to hug & make nice but we get the idea that Zuko’s perspective on his sister has changed & there is hope. A brief scene like this would’ve really helped to cement his character arc in my opinion & show how much he’s grown from the angry boy in Siege of the North who’s filled with misplaced hate & resentment for his sister, not aware that they’re both in the same unfair position.
But these criticisms don’t mean that I think Zuko’s arc was overall poorly written, no. I’ll never think that because… it’s not true.
I don’t feel like writing a whole long meta post about why Zuko’s redemption arc is well written because like…. it’s been done a hundred times but like… yeah, the main villain of season one changing his mind about his nation’s violent, imperialistic ideals & calling out the abuse he was put through? Going from blindly wanting to capture the Avatar to wanting to help restore balance to the world? I love that arc. Zuko does grow immensely throughout the series & I kinda feel like ignoring that is ignoring a huge aspect of canon (cause it is.) That’s kind of the thing. I’m much better at expressing my criticisms than the things I liked lol - I guess cause there’s more to say & explain as far as how I’d fix things. But I mean, if you can really watch Zuko’s gradual development & internal struggle throughout the whole show & see him stand up to Ozai & go on life changing adventures with the Gaang & you just think he’s poorly written….I don’t know how to argue with that? Like….. that’s certainly AN opinion. Everyone is entitled to their opinions I just don’t know how to argue with that one & it feels so niche & rare outside of Tumblr that it doesn’t even seem worth it. It’s not about whether I or anyone else wants to believe it, it’s just a strong character arc.
TLDR: I think it’s completely reasonable to say I overall liked something but I have a few criticisms.
Also sorry if this came across curt, I really struggle with tone on the internet sometimes but I’m legitimately not trying to be aggressive I’m just trying to share my perspective. Thank you for the ask!
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starryknightwrites · 1 year
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starryknightwrites, anon admires you for attempting to reason with Chloe fans, but at this point, I don't think modern fandoms even CAN be reasoned with.
If Chloe fans were the only problem, fandom might be salvageable. But this isn't an "isolated incident" of bullying apologism, this has become a PATTERN, and it's not exclusive to Miraculous Ladybug.
In the My Hero Academia fandom, Bakugo fans believe it's Izuku's job to fix his bully, who violently assaulted him for 10 years and told him to kill himself.
In the Life is Strange fandom, Victoria fans believe it's Max's job to fix her bully, despite Victoria having almost driven Max's friend Kate Marsh to suicide.
In the Naruto fandom, Sasuke fans believe it's Naruto's job to fix Sasuke, and Sasuke fans acted like the show personally betrayed them somehow when Naruto married Hinata instead.
In the Avatar the Last Airbender fandom, Azula fans constantly scream at the top of their lungs that Zuko is a terrible person for leaving the sister who tormented him for years.
This isn't just a few Chloe fans, this has become an ORGANIZED PHILOSOPHY in modern fandom culture.
There is something horrendously wrong with Generation Z's expectations for "how the world should work." Somehow, Generation Z has been raised to believe, with every fiber of their being, that "other people only exist to act as therapists for their own attackers."
At this point, we may need to write off modern fandom culture as a "lost cause", and just concentrate on raising future generations with more humane and responsible values that don't burden victims with the expectation of appeasing their own attackers.
Hi anon. This has been a thing for a while. I wouldn't necessarily blame Gen Z. After all, this trope is named for many a millennial Harry Potter fan. All sorts of personal factors go into it... how much the fan relates to the character, the ability of the fan to be objective rather than subjective, media literacy ability, etc. I think so long as fiction and subjective bias exist, there will always be people who lean so deeply into their biases that they "______ in Leather Pants" their faves and blame anyone else in the process.
That said, I think the Chloe situation is unique in that, what started as your typical Draco in Leather Pants situation with biased stans being in the wrong, ended with Thomas Astruc making a poor choice too. Maybe I'm off with this, but I don't think Season 4 - 5 was the original intended route for Chloe's character. I think it's pushing it to say she was definitely getting a full redemption arc because Chloe never made that much progress, but I don't think the clownishly villainous Chloe in Seasons 4 - 5 was planned initially. That, to me, felt like an intentional slight at Chloe stans. And yeah, I get why TA is mad at them. Truth be told, Chloe stans are what kept me from joining the Miraculous fandom initially. I remember I logged into Tumblr to look up this cute show I just got into and I found several posts about how Marinette was being unfair to Chloe. It blew my mind. Like full 'Draco in Leather Pants' bias and logic. I blinked, closed my browser and decided I didn't need that in my life.
From what I understand, he also got quite a lot of harassment on Twitter from Chloe stans demanding that he write her the way they felt she should be written. Some writers would have crumbled under pressure and retooled it. More humble writers would have just blocked these people/left Twitter alone and stuck to their original plan. TA decided to take the aggressive route and troll the haters. Which I'm sure feels good for him, but he sacrificed the integrity of his show in the process. And gave Chloe stans a leg to stand on.
I don't agree with them on everything. I don't care to argue about it anymore, but I think a lot of their in-narrative takes around 'Revelation' are full of bias and misplaced blame. That's what my post was based on. But after seeing the leaks, I also can't completely wave their complaints off anymore. I am saving my final judgement there until after I actually see these episodes. Framing is everything.
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childofaura · 2 years
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Some things you think the Atla fandom gets wrong
Sorry, I was out at an event for the weekend, so I didn't have time to pull up my computer to answer this one.
I'm... very curious about this ask because I haven't really talked about ATLA in a while since that Azula post that went to hell in a handbasket. But I feel like I can answer it now that I'm not hyped on caffeine and can word my thoughts a little better.
Sooooo... Things I think the ATLA fandom gets wrong:
The opinion that Aang not wanting to kill Ozai means that he's weak. I don't like this opinion because it really seems like people are forgetting that Aang is entrenched in a culture that focuses on peace and coexistence. Yes we know that the Air Nomads were capable of killing since we saw that Gyatso was able to beat some ass at the Air Temple, but you're asking a twelve-year-old boy to traumatize himself and kill someone. I think Aang thinking creatively and taking away Ozai's powers was for the best.
The opinion that Azula could have had a proper and satisfactory redemption IF HER CHARACTER ARC AND PERSONALITY HAD REMAINED THE SAME. And before I get any trigger-happy jackasses jumping on my case again, I am not looking at this from a standpoint of "no character can be redeemed", I am not looking at it from a "She's a girl therefore she can't be redeemed but Zuko can" (what even is that opinion that these people have???), AND NO I AM NOT COMPARING A FICTIONAL CARTOON CHARACTER TO REAL LIFE CHILD SOLDIERS, SHUT THE FUCK UP. The reason why Azula's redemption doesn't work is entirely from a character writing/story writing standpoint. She simply was not set up by the writers to have a proper and satisfactory redemption arc. Blame the writers. There's many female redemption arcs I've loved that TRULY work: Laevatein/Laegjarn, Nomura, Lady Micte (Yes, I would argue that even though she was a good guy for most of Maya and the Three, her "redemption" came from Maya's birth. She was fully willing to sacrifice Maya until she actually gave birth to her and felt that maternal love for her.), Lust in the 2003 FMA (though whether that was a true redemption or not is still up to debate), and so on and so forth. But had Azula had a redemption, it would not have felt earned nor fitting. I love Azula, I love how deliciously sadistic she is, how she plays around and toys with her enemies, how she knows how to get under the skin of her enemies just right. But I love her as a villain, the same way I love Atrocitus as a villain, how I love MK 95 Shang Tsung as a villain, how I love Skeletor and Evelyn and Kronis as villains, you get my point.
The opinion that Toph would have been labeled as "too woke" for today's standards of characters. Bro, you know what makes Toph amazing? She's BALANCED. She isn't invincible, she isn't always right, and she doesn't act selfishly to boost herself. She was COMPETENTLY WRITTEN. She LOSES her first fight with Aang, and after the dinner scene, she and Aang make amends and she shares a moment of vulnerability with him by opening up to him. She can't see if her feet aren't touching the ground and she can't properly fight in sand. She's stubborn and sometimes refuses to listen to people even when they're right and has consequences for it (insisting that she can help put up the posters for Aapa and then slamming it on backwards). If Toph had the same writing from back then and was shown today. she'd be showcased as what writers NEED to be doing instead of giving us shitty women like Smith's Teela, Amber, or She-Hulk.
That's honestly all I can think of. I'm sure this will stir the pot a bit but honestly I feel safe enough answering this.
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isanyonetoknow · 3 years
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the only experiences i’ve had with pokemon growing up are when, in elementary school, i and a couple of other kids were trying to trade the cards but we had no idea what standards to trade them by so we were sort of just shuffling them around and one vivid scene in which ash(?) and pikachu are in a canyon and it sort of pans to show team rocket and they’re maybe going to have a stand off.
#vt.talk#oh i watched detective pikachu a while ago so does that count?#and ive seen some stuff on the internet though not muc#anyways i just kinda find it funny how much i know about some popular franchises#like star wars was just the 'i am your father' through memes; my friends arguing about the best watching order; watching one of the movies#i think tfa on a bus ride and honestly that's where i learned the most. like the fact that darth vader was dead and luke and co were old now#and then at disneyworld someone dressed as someone from star wars was talking about padawans or something; oh and obv i knew what#lightsabers were.#naruto i learned about cause the naruto run and i was a bit of an obsessive middle schooler so i had to learn the context of the naruto run#i know nothing about star trek except data's great spock's great and there's a kirk in there?#marvel i used to know nothing about except through my friends but then i watched some movies#and there were various anime i learned about because i used to listen to nightcore and people in the comments would be like#'poor [character whose image was used as the image for the video]' and id be like who tf is character#and figure it out#then usually be like 'damn that was fucked up' before forgetting about it until something triggered the memory#like once i was shelving books in the library and some of them were black butler and i was like 'wait i know this.'#oh and atla i knew nothing about except that i thought it was the same as the avatar movie and i remember seeing the comics around#then there were how to write a good villain/redemption arc posts with azula and zuko respectively#lets see what else.#see if it's a popular book series i will have read at least the first book so those don't count#ig i learned a bit more about some animes through listening to their osts though i don't really care as much about learning then#and then i know the basic gists of a lot of movies. like indiana jones deals with artifacts and adventure#james bond i read the first few books of but wasn't impressed at all#hp i unfortunately read and then decided 'ok' and moved on#and now i can't look back without distaste#oh and i do know a bit about like bleach op and another i think?#oh and i also remember seeing arabic sub of hxh episodes but idk arabic so i didn't click on them#unrelated to everything in this post but i would not survive star wars#i'd see darth vader and just start LAUGHING#i won't be able to run and he'd just kill me
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snafu-maniac1 · 3 years
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Zuko deserved better
So I rewatched Avatar the Last Airbender recently and let me tell you......
I wanna murder several people.
Looking back on this entire series I’ve come to notice something. I watched the show just like any other audience member and only saw the good and the bad characters. One of these prime examples is Zuko. Zuko’s redemption arc has been praised as one of the greatest in history, succeeding where others have failed. But watching it all again......it wasn’t redemption. Not to me personally.
Before everyone gets angry and defensive at me, please finish reading my post and hear what I have to say. I do not wish to start any fandom wars or discredit or disrespect anyone’s opinion, this is just my personal psychological analysis of Zuko’s character....Sigh and let me give you a warning.
It’s gonna be LONG. 
So if you’re not interested or don’t want to hear it or don’t feel like reading something this long that’s fine, you can go ahead and just click away and ignore this post.
Starting from book 2. 
Now you may be wondering why I’m starting here and not from the start of Zuko’s childhood but I first want to address the one question everyone had been wondering since the series 2 finale. What would have happened if Zuko hadn’t sided with Azula?
My answer is.....that wouldn’t have happened.
Everyone’s been focusing on the entire arc where Zuko was struggling to accept that the war was wrong and how Iroh was trying to get through to him when he tried to capture Appa and afterwards, but here’s something everyone tends to ignore.
Why didn’t Iroh try sooner?
Why didn’t he try to stop Zuko before Aang came, before he’d gotten so deep and desperate to the point that he continuously committed heinous acts to capture the Avatar? People would justify it by saying Iroh wanted Zuko to realize the wrongs of his father and Nation by himself to shape him into his own person. But that is in no way the appropriate way to approach a physically, psychologically and mentally unstable and abused child. Zuko was a thirteen year old boy when he was burned and banished. This is where we go into his childhood. Zuko was raised like any other Fire Nation citizen. As we’ve seen in book 3 and in the Pirate comic book, The Fire Nation citizens were led to believe that the other Nations were ‘savages’ and ‘barbarians’. It villainizes the Fire Nation even more. The very fact that they would spread heinous lies against other people when they themselves were responsible for the war that ruined so many lives. But when you realize, what Sozin and the other Fire Lords did was a solid battle tactic. Making the opposing side out to be these horrendous monsters. Making lies or accentuating every one of their worst traits to dehumanize their enemies so that the people would not have any qualms about fighting them. All of the Fire Nation schools were taught these lies. And Zuko was no exception.
Zuko was a member of the Royal family. And from what was shown in the Avatar series, the Royal family was isolated from the rest of Fire Nation society. Zuko had no way of knowing what the other Nations were really like, no way of knowing the truth about the war and no one had bothered to explain it to him. The one person that could have, did NOT. And yet people had expected him to just automatically know that he was being lied to and that his people were the villains. Zuko’s only social exposure was with Fire Lord Azulon, Fire Lord Ozai, Dragon Of The West General and Crown Prince Iroh, his cousin Prince Lu Ten, his mother Princess Ursa and his younger sister Princess Azula and her friends Mai and Ty Lee. All of whom believed in the Fire Nation propaganda and all of whom had no problem in participating in the war and making jokes about burning Ba Sing Se to the ground. Zuko was under scrutiny and aggression from Ozai. Ozai was Zuko’s ‘handler’, his ‘groomer’. He groomed Zuko into a certain type of submissive and obedient behavior. Zuko was not allowed to show any type of emotion otherwise he would suffer severe repercussions. Ozai and Azula taunted Zuko for having a sense of compassion and with how he was ostracized in a war loving family, he began to believe his behavior and way of thinking was unusual. It was like Azula said to Mai, “Your mother had certain expectations of you and when you strayed from them you were shot down.” In Zuko’s case, the expectations he strayed from resulted in severe punishment. Ozai was willing to permanently disfigure and traumatize Zuko when he was a thirteen year old boy. It’s not unusual to think that his punishments towards Zuko would sometimes very likely be physical and many people even write alternate universes of the Avatar series where Ozai was even more abusive than he already was. He was a manipulative man who brainwashed his daughter into being his perfect, obedient little slave and manipulated his son into questioning his own sense of reality. He would tell him that Azula was born lucky and he was lucky to be born, cementing Azula’s view of herself of receiving everything she wanted and turning her personality toxic while he made Zuko feel inferior and faulty. If there was something wrong with him, his father would tell him and he needed to fix it. But he never could. He strayed towards his mother, who like Iroh, abandoned Azula because of Ozai’s manipulation and did nothing to help her like they ‘helped’ Zuko.
When Zuko was thirteen he wanted to ‘prove’ himself to his father by attending one of his war meetings. Zuko very likely only wished to do what his father wanted because by then, Iroh had abandoned him when he left after the Siege of Ba Sing Se, his mother disappeared and his grandfather and cousin were both dead. The only ones he had left of his family were his father and sister who both abused him and he only wished for their approval and their affection. Humans need mutual affection. Children who do not receive affection from their parents, tend to not take that type of neglect well. Because people need affection to properly function. Our parents love us from when we are young and that emotional connection is something very important to every human being’s mental state. However, Zuko’s only source of affection, his mother, was taken away from him. Azula herself, had no source of affection. Not from her mother, who thought she was demented from her father’s brainwashing, nor from her brother who feared her, nor from her father who used her as a tool. Returning to the day of the Agni Kai, Zuko wished to be of use to his father, he craved his affection because that is what the abuser does. They make you believe they are the only ones who can validate you and if you do not abide by their rules or follow their orders then you mean nothing. Zuko for the most part from what I could see in the flashback, held his promise and did not speak. But when he refused to back down when his people were in danger, Ozai was not pleased. This is because he is an abuser. He is Zuko’s ‘handler’ and when someone who is abusing another person witnesses this type of behavior, they have a feeling of loss of control. They desire control, they crave it, over the abusee especially. So when Zuko showed empathy towards the Fire Nation citizens and did not do as Ozai wished, he decided to ‘rectify’ that. In the most BRUTAL way possible. An Agni Kai. A public spectacle where he would establish dominance over his son, over his pawn and he would make a show of it. He would show everyone that HE was the one in control and NO ONE could defy him. When Zuko refused to fight Ozai, because of his love for his father, Ozai only saw that as a weakness. Ozai is a psychotic man. The fact that he did not have any problem in burning his son so cruelly shows that he does not have any sense of morals. Going back to Zuko, a thirteen year old child at the time, he had just been punished for disobedience, for straying from his father’s expectations, in the worst way possible.
Zuko did what many people would say is the right thing to do. He tried to defend his people from a cruel man intent on sending them to their deaths. But in doing so, he had defied his father and was punished for it. He was punished....for trying to HELP people. His life was essentially DESTROYED and he was thrown out of his home...for trying to help people. For showing empathy towards others. He was punished in the worst way possible for defying his father. His entire perception of right and wrong was thrown out of balance. He was taught that the war was right and that the Fire Lord, his father, was all knowing. And his mother tried to teach him kindness and her lessons of kindness got him punished. The amount of physical and mental damage he had sustained from such a punishment would in some cases be irreversible. Iroh was right there with Zuko and he did nothing. I CAN understand why he did not step in during the Agni Kai. He had been gone from the Fire Nation, his brother had taken the throne and he could have very well himself been punished severely for intervening. However, why did he allow Zuko to continue to believe he was the one at fault? Everyone of us has seen Zhao, has seen the way he treated Zuko during his banishment. Zuko very likely spent those entire two years before Aang’s arrival, being subjected to that type of behavior from everyone around him. All of them blamed him, all of them very likely said that he’d deserved what had happened to him. No one was on his side. He ended up turning aggressive and cruel towards others, because that was the way his father behaved and it was his empathy towards others that got him punished in the first place. He said in The Storm ‘the safety of the crew doesn’t matter’, just like the general that called the 41st division ‘fresh meat’. It was easier for Zuko to lash out at others and be aggressive than to let them see his vulnerabilities and hurt him for them again. It was the same with Song and her mother. Ozai tried to force him to be cruel, he tried to groom him the same way he did Azula. They dehumanized the other Nations and Zuko behaved the exact same way he was expected to. ‘Their compassion would cost them’. It was exactly the way his father wanted him to be. It was what Iroh did not wish for him, and yet despite claiming he thought of Zuko as a son, he did not in any way try to convince Zuko to give up his quest during the two years he had been searching for something that at the time was believed did not exist. The only instance we were shown of Iroh saying anything against his search, and even that is a stretch, was in the Western Air Temple episode where Zuko has a flashback of Iroh telling him that ‘destiny was a funny thing’ when Zuko said it was his destiny to capture the Avatar. Iroh had time to run the White Lotus, an antiwar organization for two YEARS maybe even longer and he did not think of taking two MINUTES to talk to Zuko, to ease him into realizing the wrongs of the war. Okay, yes he could have passed it off as character growth. But how do you expect a person, surrounded by people telling him he was at fault, he had no choice, either obey or never come back, to realize something like that? How do you expect an abuse victim to accept help all by themselves when their abuser forces them to depend on them? Did Iroh take him to some Earth Kingdom villages to see that they aren’t the vicious savages the Fire Nation portrays them to be? Did he take Zuko to the Southern Water Tribe to see the damage done to them at the hands of his own country? No. Instead he acted like an oblivious old man who had no interest other than Pai Sho and speaking proverbs that Zuko could not hope to understand.
Two years Zuko spent looking and looking and he turned desperate to the point that he was willing to do anything to go home. And then The Avatar finally returned. And then the people that Zuko was raised to perceive as brutal savages continued to stand in his way. And did Iroh intervene? No. He still did nothing. He allowed Zuko to continue his pursuit and turn into the worst possible version of himself. People say that Zuko should own up to the consequences of his actions. And he should. But would he have done those actions had Iroh stopped him earlier? Would he have done any of the things he did when the only remaining adult figure in his life had told him otherwise? Would he have listened to Iroh? The answer is yes. He was willing to do what Ozai had expected of him so why would he not listen to Iroh with time and patience instead of waiting till the last possible moment to do so? Children don’t automatically know right from wrong from the moment of their birth. They are taught by their parents, by the adults in their lives and Zuko had Ozai as his parental influence. And Iroh knew that. He knew the type of man his brother was and he did not try to overwrite his brother’s abuse to help his nephew until Zuko was already on the path of no return. When they became refugees Iroh still did nothing until they got to Ba Sing Se and until Zuko, again in an act of desperation, tried to capture Appa. That was when he FINALLY decided to step in. Three years since Zuko’s banishment, sixteen years of his father’s influence and abuse and he decides the very moment his nephew is close to the brink of insanity is the perfect opportunity to DESTROY his entire world view. He had worked day in and day out for two years before Aang appeared, only for his uncle, someone he TRUSTED, to tell him it was all for NOTHING. Two years of TORTURING himself. A year of fighting against his Nation’s enemies and SUDDENLY he’s being told it was all for nothing. When Iroh and Zuko reunited, Iroh told him he found his way again ‘on his own’ like how Zuko told Ozai he had to learn everything ‘on his own’. And they were both right. Zuko had no one to help him. He had to suffer through so much on his own, without anyone’s help and they’re SURPRISED he acted the way he did. When everything came to ahead in Ba Sing Se with Katara, people thought ‘Oh Zuko has changed he’s going to help Katara.’ And when he did not they HATED him for it. 
The reason for this is because Katara was the ‘good guy’ and Zuko was the ‘bad guy’. Black and white. Katara and Zuko shared a moment of understanding from both losing their mothers and Katara offered to heal his scar and he chose to side with Azula and both Katara and the viewers saw this as a betrayal on Zuko’s part. This assumption however is completely unjustified and unfounded. Everyone sees Zuko and the Fire Nation as the bad guys. The villains of the story. But Katara and the Water Tribes and Earth Kingdom were the bad guys in the Fire Nation’s eyes. Katara was the ‘savage’ standing in the way of Zuko going home. The Avatar was his home’s greatest ENEMY and THREAT. Had the situation been reversed and Katara had to choose between Zuko and the Water Tribe and her brother and father, people would have supported her choice because they were the good guys. Zuko’s people were the bad guys so it had to be the wrong decision and a betrayal to Katara and Iroh. But Zuko was an unstable, traumatized child who did not wish to believe his people were bad, who did not want to fight his home after he spent so long trying to capture Aang, his home’s greatest THREAT and ENEMY. Katara hated Zuko because he represented everything that the Fire Nation did to her family. And Zuko hated her because she was the ‘savage’ keeping him from his one way home. To Zuko, Katara was the bad guy. And looking back at their moment of sympathy where Katara said he betrayed her trust I can only ask one thing....how could Zuko have known that Katara wasn’t trying to trick him? Now, the viewers would automatically respond ‘Katara’s not like that! She wouldn’t do that!’ but the fact is, we the viewers KNOW Katara. We know she’s not that type of person because we got to know her through out the series. Zuko does NOT know her. To Zuko, she’s just another faceless enemy out to KILL his father. He chose Azula’s side because he could not accept what Iroh was saying to him because why hadn’t Iroh said so sooner? He did not want to join Aang’s side cause this was the AVATAR. The one out to KILL his FATHER and take down his HOME. When Zuko returned, he was conflicted about what he had done because he had begun to see how wrong his father and sister’s behavior and The Fire Nation’s war truly was. And Iroh cemented that further by proclaiming Zuko’s struggle was because of Roku and Sozin’s conflict when that was clearly not the case. Zuko was groomed and brainwashed by the Fire Nation propaganda like every other citizen but he was not dispelled from that belief by anyone. No one tried to make him question that belief. Iroh did not try to ‘help Zuko’ until the very last moment in Ba Sing Se. People believe Zuko betrayed Iroh because that’s how it’s supposed to be when Zuko was the ‘bad guy’ and Iroh was the ‘caring’ Uncle and ‘voice of reason’. And yet he did not think to ‘reason’ with Zuko before this entire mess even started. He did not in any way try to disrupt Zuko’s view of the other Nations or his father. In my opinion, IROH was the one who betrayed ZUKO. Iroh KNEW the entire time that what Zuko was doing was wrong. Zuko was a child who was not allowed to think for himself and Iroh KNEW Zuko was brainwashed by the exact same propaganda he himself had believed before he lost his son. If Iroh, who had believed in the Fire Nation for so many years, was unable to realize the wrongs of the war until his ADULTHOOD when he lost his son, how in the world did he expect a 13 year old child to do so? And Zuko became even more unstable and then he chose the Fire Nation.
When he realized it was wrong and went to join team Avatar, they were reasonably mistrusting.
Zuko’s redemption arc from a simple perspective, from team Avatar’s perspective was very well done. Team Avatar did not know what Zuko had been through. To them he was just another Fire Nation monster who had hurt them. To the audience, he was just another Fire Nation monster who had hurt the good guys. No one would think that deep into a fictional character’s perspective or psychological and mental state. No one would think past the ‘good guy’ and the ‘bad guy’. But one thing I cannot justify is Katara’s accusation of betrayal towards Zuko. As we have mentioned, Zuko and Katara were enemies who had a mutual hatred towards each other before his ‘redemption’. They had one single moment of shared empathy and understanding and that is NOT the basis for earned trust. What would Katara have done had she been in Zuko’s shoes? Fighting her enemies, fighting people she sees as nothing more than monsters and she has to choose between her long time enemy and her sibling and her home and her family. If she was in that position, she would choose Sokka and Hakoda and Aang and the Water Tribe over Zuko in a heartbeat because those are her FAMILY members and her FRIENDS and people would justify her because she’s the ‘good guy’. The hero. But Zuko is the villain so his actions automatically AREN’T justifiable. I understand Katara’s mistrust towards Zuko because of their history and because again, she doesn’t know anything about him or what he went through. But she cannot expect him to just automatically leave behind everything he’s ever known and ever believed in because of one single moment of understanding. Zuko should have done everything he could to make it up to the group because he owed it to them and they again, did not know any of his reasons for hunting them. But Zuko does not deserve to be labeled simply as ‘a bad guy turned good’ when he was NEVER a bad guy to begin with. When he was never even mentally stable enough to make that type of decision for himself. In today’s day and age Zuko and Azula would have BOTH ended up in a mental institution. And after all of the things he went through, Zuko was the one who ended up going back to Iroh and apologizing when Iroh was the one who abandoned him and then Zuko at 16 years old ended up as the leader of a nearly fallen apart country. He had to suffer through insomnia, assassination attempts and mental instability and abandonment. Iroh left to Ba Sing Se and only made two appearances in a total of SIX comic books after the end of the War and one of those was entirely brief. So while Iroh gets to enjoy the rest of his life selling tea, Zuko has to suffer the consequences for what his family did. He was also abandoned by Mai which brings me to another point.
Zuko’s toxic relationships.
Some people say they dislike Mai because she is emotionally abusive towards Zuko. It never occurred to me before but looking at it now, I have to say that I agree. In the comics after book 2 had ended it was shown that Azula used Mai’s childhood crush on Zuko to manipulate him into going back to the Fire Nation with her. And Mai.....I don’t even know how to get started on the entire mess that is their relationship. Mai is a person who does not like emotion. She doesn’t like to express herself and immediately shuts down anything even close to emotion. The same applies to Zuko. Zuko is a very emotionally unstable and insecure person. And instead of reassuring and calming him, Mai immediately cuts him off whenever he loses a handle of his emotions and just flat out ends their relationship on the spot. She gives Zuko no explanation, just gets angry at him and then all of a sudden when Zuko can’t take anymore and explodes she suddenly says she cares about him. Their relationship is toxic. Mai demeans his problems and things that trouble him. Quote “I just asked if you were cold, I didn’t ask for your whole life story.” when Zuko was nervous about going back home. She demeans his guilt towards Iroh and tries to make him feel better by ordering servants around. And then in the Boiling Rock episode she attacks him for his letter which is reasonable on her part, but there is the problem that despite being Zuko’s girlfriend, up until that point she was Azula’s subordinate first and foremost and she could have tried to let Azula know. Still was a shitty way of ending their relationship, I’m not gonna act like it wasn’t but I still wanted to put that perspective out there just for thought. Not to mention how she ended things in the comic books. The trust issue I understand. But I don’t understand how ONE single mistake would lead to her just immediately ending things instead of at least TRYING to work it out. She could have listened to him and seen why he was so upset and scared of messing up that he went to Ozai of all people for help. She did not stick by him when he needed her and that was what forever ruined their relationship for me. 
In simple terms, Zuko was a bad guy who became a good guy and redeemed himself.
In psychological terms, Zuko was an abuse victim who was brainwashed since his childhood, blamed for it and made into a scapegoat while his sister ended up in a mental institution because of her father’s influence and because the same people who ‘helped’ Zuko didn’t think she deserved it too.
So from what I’ve seen while rewatching the series....
Zuko never needed redeeming. Zuko needed help.
And he didn’t get it. 
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listless-brainrot · 3 years
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The Fire Nation + Zuko’s Redemption
alrighty people asked for this analysis so allow me to try and coherently put my thoughts into a post
let’s get the obvious out of the way- zuko has a pretty solid redemption arc.
from a character and writing standpoint, his redemption is really well fleshed out. there is the constant repetition of needing to actively work towards improvement, there are moments where he gets what he thinks he wants and is still unfulfilled, there is the fact that he doesn’t get better overnight and how severely his familial trauma affects him when it comes to steering him onto the right path. people have analyzed this over and over, and for good reason. it’s interesting to pick apart and watch his growth as the show progresses.
however, there is a small issue with it overall.
zuko’s redemption (as well as part of the show’s narrative) goes from humanizing a fire nation character to redeeming and humanizing the fire nation as a whole alongside the character.
this is an issue because it presents this underlying message of “if one fire nation character can be good, then the rest of the fire nation can be good as well!”, or “if one fire nation character can be redeemed, then all fire nation character can/should be redeemed!”
in the grand scheme of things, this really doesn’t hold up at all.
for one, zuko’s circumstances were way too specific to be applicable to every single fire nation character. he is the crown prince of the fire nation who suffered abuse under his father, was banished and sent to find the avatar at 13, had his uncle with him to guide him towards a better path, and his grandfather was the late avatar roku. you can’t copy and paste these very specific circumstances onto any fire nation character, nor does having these circumstances to begin with immediately qualify a character for redemption.
furthermore, the fire nation is imperialist, and is actively imperialist over the course of the show. there are not many characters, if any, who weren’t complicit with what the fire nation was doing at some point over the course of the show. 
zuko still: is the crown prince of the fire nation, called multiple people peasants, crashed a ship into the southern water tribe looking for the avatar, burned down kyoshi island, stole from various earth kingdom refugees both as and not as the blue spirit, hired a bounty hunter and an assassin when looking for aang, and more. azula still: is the princess of the fire nation, also called multiple people peasants, used power and manipulation to keep people in line, attacked and stole the identity of the kyoshi warriors, colonized ba sing se (which is much more serious than people realize), took over the dai li and brought them to the fire nation, murdered the avatar, and more. 
as the show progresses and we lose characters who are explicitly evil and one-sided (such as commander zhao) and move into moral ambiguity, it’s not just the morality of the characters with which we are presented that are called into question. it’s their very identity as fire nation, and the narrative, which begins to shift in favor of redeeming zuko, also shifts in favor of the fire nation, which is something explicitly stated by the creators.
think about how many episodes in season 2 and 3 are focused on the fn in some way, shape, or form. you develop sympathy for zuko, and, by proxy, the imperialist monarchist nation behind the war.
it isn’t wholly intentional, but the fact that the message of “not ALL fire nation” is still there really rubs me the wrong way, especially considering that the show ends with zuko as the new firelord, instead of abolishing the monarchy altogether. zuko is still the crown prince- it doesn’t matter if he’s “good” now, he’s still continuing the monarchy and benefitting from this system of power. zuko being the firelord instead of ozai won’t change what truly corrupted the fire nation at its core.
i’m aware that this is somewhat explored/deconstructed in the comics, but its handling of the politics regarding of the fire nation still enforce this underlying message, and also redeem other people who actively assisted in the imperialism and colonization, such as the rough rhinos.
bryke’s inherent favoritism of both zuko and the fire nation leaves the audience with a really skewed message regarding the severity of the fire nation’s crimes and impacts on the rest of the nations as a whole, and it’s really unfortunate how sympathetic the literal colonizers become as the show progresses. it’s humanizing, which is good to do with villains sometimes, and can be done right, but when the creators of the show are white, along with a large majority of the writing team, you really have to wonder why exactly said colonizers are humanized to the sharp degree they are in the show.
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saby-chan · 3 years
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Why the ATLA comics fail when it comes to Zuko and his family
To whom ever took their time to actually stop and read this post, thank you in advance for not skipping my post and willing to stay and read my humble opinion! I hope I won’t disappoint you!
As a relatively newcomer to the ATLA fanbase since 2020, I’ve come across a lot of interesting debates, comments and rants about the show, characters and fandom in general, but nothing has captivated me as much as the dumpster-on-fire that are the ATLA comics, more specifically: The Promise and The Search. 
On one hand we have the hardcore fans who want them to be animated or serialized into the Netflix live action, praising the comics for the new views and subject matters they’ve brought into the show’s lore, while on the other hand we have the furious Azula fandom who is really angry for the fact that best girl didn’t get the redemption arc she rightfully deserved so much after the painful event that was the Last Agni Kai and the even more angry fans of the Urzai ship (yeah, the people who actually ship Zuko’s parents unironically) who hated the retconning of the show’s cannon since the comics basically took a huge fat dump on what was previously established as official cannon, when the Search entered the scene, but between these two sides, who has the more valid point? In the end, are the comics good cannon or bad written fanfiction?
Well... Here are my two cents on this matter since I myself happen to be an Azula and Zuko fan and had huge expectations from these comics (since I wanted more from my fave hot-headed fiery siblings duo) but ended up disappointed: the comics are indeed a huge mess and actually bad written fanfiction when it comes to Zuko and his family! Don’t click off yet, because I actually documented the reasons why exactly the comics fail in this area:
1. The author of these comics is not part of the BryKe duo
Yes, I would like to start with the fact that if you actually take a second to look up who in the heck took the time to write these two books, you won’t find Bryan, nor Mike, but a fellow man named Gene Yang. This is important because while the wiki of both The Promise and The Search state BryKe as the creators, that doesn’t mean that they were the actual minds behind these comics, but rather because ATLA is their “baby” and these comics involve their characters, over which they have copyright. Mr. Yang here is the actual brain behind the plot, as the main writer, which explains why we find huuuuge inconsistencies between the show lore and the comics, especially Zuko wise.
My main issue with Mr. Yang isn’t that he isn’t BryKe specifically, but because he did an unforgivable mistake in his writing process: He projected himself into Zuko’s character, based on the relationship Zuko had with his father. This is a documented fact from an interview in which he explains that he sees himself and his dad’s relationship into Zuko and Ozai and used that when writing their interactions and built Zuko’s character in the comics. And this is wrong because when you have an already very developed and complex character such as Zuko, you can’t just come in and be like “Oh, I was an angsty teen just like him in my teenage years, fighting with my dad and whatnot, so he must have the same thought process as me!”. NO! This is bad fanfiction writer behavior! Zuko has his own personality and philosophy, which he developed over the course of 3 seasons and is not defined by only 1 unfortunate aspect of his past, so you can’t just base his whole mindset and actions off of your own personal experience just because you had the same daddy issues he had!
2. The whole “Promise that you will kill me if I turn out like my dad!” nonsense in The Promise
Reason number 2 why these comics fail and go under the category of “bad fanfiction” is because they fail to convey the core essence of the source material. The whole point of Zuko’s redemption was that he realized the wrongdoings of his ancestors and his own mistakes. He outgrew his desire of gaining his father’s acknowledgement in favor of choosing his own destiny. Having him worry that he’ll turn into his father is utter nonsense and feels like poor angsty drama material for the sake of angst. At this point in time, Zuko has overcame that obstacle in his life a long time ago and should be at the level where he himself is the “Uncle Iroh” for other people and in no way someone concerned of becoming their own worst enemy!
Not only that, but the whole point of Aang’s journey and the story of the show as a whole was to teach us, the viewers, the importance of forgiveness, empathy and love in life. Aang didn’t spare Ozai, aka “the ultimate evil” just to flex in front of his pals or because he is a “ 12 y/o vegan pacifist monk kid”, but because he knew that killing someone, no matter of what they did or wanted to do, wouldn’t restore balance into the Universe, on the contrary, him killing the villain would have meant perpetuating the “endless cycle of hate” that plagued the world. So having Aang promise to kill his best friend in case “they turned into an evil maniac like their dad” contradicts Aang’s whole character and it’s a nonsense that throws into the trash what we’ve learnt throughout the entire TV series.
3. Azula deserved (and was supposed) to have a redemption ark
This might still be pure speculation, but I count it as a documented reason because I’ve heard quite a few people saying that there should’ve been a book 4 in the show, aka “Book 4: Air”, and no, it wasn’t The Search, but actually Zuko and Azula’s journey as Zuko helps his younger sister heal her broken mind by being her very own “Uncle Iroh”. Sure, they prolly were going to end up looking for Ursa, but the journey should’ve ended with them actually being happy and a family again and not the bs we got in The Search where a still very unstable Azula runs away and becomes the “Next Joker”! The only problem is that M. Night had to pop up and curse the world with his movie, which forced BryKe to delay the project (and eventually abandoned it in favor of Korra).
All in all, either if BryKe had this preplanned or not, it made sense for Azula to get a redemption ark, she deserved it because she was just a broken 14 y/o child! If Katara’s mom’s murderer deserved to be forgiven, so did this poor child who had no fault for what happened to her since she had a dysfunctional family! What Gene Yang did in his poorly written fanfiction was to just antagonize a broken child, turning her into a monster for the sake of friggin angst!
4. The Search is the worst of the two, being flat af character wise
And finally, getting to the point that I personally find the most annoying about these comics: The Search. This one... This one is a mess on a hella lot many levels, and just to list a few: characters are flat as fudge, being either black as vanta black (like Ozai and Azula) or pure white like Gene’s Gary Stue OC, Mr Ikem (or how I like to call him, IKEA man) and his ‘victim’ rendition of Ursa, Azula gets to suffer more for no reason (see reason number 3 to why I find this as a no no), Ursa’s whole character sucks ass (man, I could write a whole thesis on why Yang’s version of her is terrible and doesn’t match the strong woman we got in the show) and Zuko does morally wrong stuff (my man literally used his unstable sister to bribe their dad into spitting info about Ursa... Show Zuko would never do that!;-;)
Oh boy, as a person who’s seen a ton of anime and other media and read many books, I can’t begin on how much I despise this type of writing: flat characters are the worst!
 ATLA characters in the show are nothing close to being flat! What I mean by that is that none of them fall perfectly into pure white (aka goodest of good characters with no imperfections) or vanta black (aka lowest and darkest twisted monsters out there), each of them are various shades of grey (like Aang who is a very light grey because despite being a very kind and nice character, he still isn’t a “perfect hero” since he ran away from his duties, practiced tax fraud with Toph, had insecurities and even threatened to kill people on ocassions like with the sand benders who took Appa) and this is a good choice because that prevents them from becoming what’s globally known as Mary Sues and Gary Stues (aka those either “perfect” characters with no flaws and/or unlimited power, or the twisted monsters full of flaws).
And the other reason why many other people hate The Search: it literally negates previously established cannon. And here comes my short essay on why this comic fails Zuko’s family (since we’ve already talked enough about Zuko himself).
In cannon and even interviews with BryKe, it was clearly stated that Zuko’s family was “once happy”. Where is this “once happy” family in The Search? All I see is pain, deception, lies and betrayal, nothing close to anything that resembles happiness. Okay, some of you might come in and say that “It’s because it was never the case! It was only lies and Zuko trying to convince himself that he didn’t live in hell forever!” and here is WHERE YOU WERE ALL WRONG! And why? Because, my dear fella, where were depicted the flashbacks of Zuko’s “happy family” in The Beach? Ember Island. And what do we know and had been even quoted in the show?  "Like waves washing away the footprints on the sand, Ember Island gives everyone a clean slate. Ember Island reveals the true you." (direct quote from the show). Exactly, no matter who you are or how hard you try, you can’t hide your true self when you are on the Ember Island, best example being Azula, who’s impenetrable though shell cracked and revealed the true vulnerable child that was underneath. If Azula couldn’t resist the “spell of the island”, no one can. So this means that Zuko’s family was indeed happy once and yes, Ozai wasn’t always the douchebag we got to know in Season 3 (I have a whole nother essay on my theories regarding what could be his real past story and why he’s actually the “Zuko” of his generation, based on stuff I gathered from old wiki entries and character analyses I made, but that’s for another time, lemme know if ya’ll are interested).
And what I guess is the biggest proof why The Search did this family’s past trash is comics Ursa herself. My dude, if this woman were indeed the victim of years of endless abuse and never loved her husband, I guarantee you that she would’ve been closer to what we saw in Todoroki’s mom from BNHA and Zuko would’ve gotten that scar or even worse long before the Agni Kai, not from his “daddy dearest”, but from “mommy dearest” herself, because no sane woman would be soo affectionate and attached to a child that’s the perfect copy of their abuser, sepecially appearance wise (again see Todoroki’s mom’s case from BNHA because the stories are really similar) and in no way would’ve she been willing to sacrifice her life for said child’s sake. With this ocassion, I remind ya’ll folks that according to the ancient ATLA cannon wikis on Nick’s site, Ozai was designed with Zuko’s appearance in mind, being meant to be like a “grown up scarless version” of Zuko. So yeah, remember this with a grain of salt that whenever you simp over grown up Zuko, you involuntary simp for Ozai too.
So yeah, I guess this kinda concludes my “not so short” rant about why the comics fail and are bad fanfiction. Lemme hear your thoughts in the comments and if you agree, feel free to leave a like and even reblog.
Bye bye and remember that Momo is the true strongest character of the show!
 Saby out.
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arcadialedger · 3 years
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How Catra and Zuko have been saving me lately: A (sort of) meta
A very long, personal post under the cut. This is really important to me, and I could really use some support, so if you could take the time to read and reblog that would be greatly appreciated. I just want to reach out.
Once again, please PLEASE read. I really need help.
Recently, I’ve found myself desperately latching onto the characters of Zuko and Catra, as many have in the past. To put it simply, I’m in one of the most difficult times of my life right now.
I’m transferring colleges because I was doxed by an online hate mob (long story) , and in general because I just didn’t belong at my old school. I went to three different high schools, moved around a whole bunch, and I don’t really belong anywhere. All of my friends are far away, my parents are busy working and I’m alone.
I just feel like I’m wandering aimlessly in darkness, unloved and unsure where to go. I’m faced with making a huge decision about my future with this transfer, and I’m terrified. Terrified I won’t make the right choice, and terrified it won’t be the newfound happiness I so desperately need it to be. But most of all, I’m terrified of being unwanted and alone again, wherever I go.
I’m used to not being wanted. I’m 4’10, not thin, and have been tossed aside because of my appearance my entire life. I’m 20 years old and haven’t been kissed (how pathetic is that). I moved schools and stayed in my room depressed because I never got to lay down roots and establish a foundation. Hell, I never even got to live as a teenager. I’m just behind and broken.
I was hoping Tumblr would be my place, where I could write and analyze and showcase my talents. Be wanted for once. For a while, it looked like it might be. Then a friend blocked me and made a callout post, due to me having a different opinion on a sensitive matter, and a domino effect began. I lost more friends and half of the fandom we’re both in blocked me seemingly at their word. I had featured this friend on an episode of my podcast at, had many fond memories chatting with them, and even bought a zine to support them. The loss hurt, and I was cut off from one of the few things I had. It was all taken away from me. My growth halted as I dealt with months of online abuse: including death threats, suicide baiting (these people knowing I’ve struggled with being suicidal), aphobic slurs (knowing I’m ace), mocking and editing images of my face. My Twitter was hacked, I lost podcast deals with creatives who my friends who blocked me and started all of this went on to interview because of said hacking, and I was threatened to be doxed. I suffered blow after blow while the people who hurt me grew and were rewarded, allowed a place here, and this continues to this day. The damage remains. I have to self reblog a whole bunch to get my content remotely seen in the algorithm.
Because my entire life, it feels I’ve never been allowed a win. I’ve never been allowed to have and keep anything good. I’m short and ugly, talentless with nothing to give to the world, my family has no money so I haven’t gotten to travel or experience a lot of things. I’ve spent my entire life envious of the “hot skinny girls” who’ve been wanted and dating since high school, who live in McMansions and get to go on vacations.
When I work to make good content on Tumblr and build a following talking about what I’m passionate about? It’s taken from me. When I work hard to get into my old college’s honors program and earn a trip to Greece which I could otherwise never afford, a global pandemic comes along and makes sure I don’t get that kind of positive experience in life.
I’m used to it all, being worn down and unwanted and losing. I’ve gone my entire life behind, lesser, and not enough.
And that’s why I’m so scared. I have a big decision to make, I’m at my own crossroads, and I desperately need all of this to come together for me this year. I’ve gone so long without happiness and love. I need this to be the light at the end of the tunnel, newfound happiness. I need to find newfound happiness. All I want is to escape the darkness, find peace of mind and function day to day doing the things I love without being stressed.
So when I see Zuko— so angry at the world for being given the short stick, abused, and never making things easy, and Catra— driven mad by comparison and feeling as though the world takes away everything from her? Gosh, I feel it so hard.
Because that’s just what I do. I get angry at the world for making things so hard for me. I compare. I feel like the world just takes and takes and never gives me a win. And so I’m never happy. I feel their pain and loneliness so deeply, and I’m terrified that I’m the villain because of it. I cry at the anguish and self loathing in their eyes because I have been there. I AM there. 
Like Zuko comparing to Azula, I feel lesser because the world has constantly told me I am so. I feel cheated and given the short end of the stick, as though life has it out for me. I get angry and lash out from my pain.I’m desperate for validation from people who can never give it to me. I’m so scarred from my past, I can’t believe I have a future. 
Like Catra, I’m always left behind. I’m lonely and driven mad by the unfairness of the world. It takes and takes until I’ve lost it all, but it never gives. I’m so afraid of losing anyone and anything else, I refuse to let anyone in. Because why would I deserve love? There’s nobody who wants me, no purpose for me on this world. I’m nothing, just constantly chasing an impossible goal of perfection to justify my existence. 
“You drive them away, wildcat”
Yeah, I know their hurt. I know what it all feels like. To be that broken, that insecure, that left behind and unwanted. The punching bag of fate. These characters suffering is so much of my own.
And that’s why they’re the only thing to give me hope.
Seeing them be where I am now, and where they end up, I allow myself to believe that maybe, just maybe, that can be my future. That I’ll get a happy ending. It gives me the courage to believe that what I’m so desperately striving for can happen. 
Zuko standing up to his father and forging his own path in life, which leads him to a better place as he finds his destiny and happiness after so many years of torment. We both have scars-- if he can overcome his, why can’t I?
Catra, after so many years of struggle, taking agency over her life back from those to abused her, and finally learning to accept the love of those around her. Opening up to pain and rejection and ultimately being forgiven. Catra felt so lonely, unable to see the love around her-- maybe I’ve been doing the same thing. Maybe I’ll find the strength to take my life into my own hands and find my own love.
It’s so empowering, a flicker of light in what feels like eternal darkness. I am so worn out and broken. I’ve never had love, or learned to love myself. In the real world, it is find to find hope.
It is only in these characters, who have felt my pain and found their way to a better place, that I find comfort.
I am one of so many who have been touched by these characters arcs, and they are one of the purest examples of why stories are important. Why the emotions narrative can evoke are important. It is not only escapism, it opens up a door to critical self introspection that can make a real difference in our lives. It holds up a black mirror of our lives, providing an outside view of our deepest, darkest emotions and struggles which can be so hard to understand when they’re inside. 
These characters, and their stories: insecurity, abuse, doubt, comparison, chasing validation, just wanting to find your purpose in life and happiness-- they are the stories of life, stripped down to it’s rawest emotions. 
There is power in redemption. There is power in rising from the bottom. 
As I said in my last post about Catra and Zuko:
“Their stories: being angry at the world, driven mad by comparison and a need for validation, making wrong choices, processing trauma, needing help but being too scared to open up and accept it, feeling as though they don’t deserve love or forgiveness, fighting to restore and maintain valued relationships, convincing themselves they’ve lost it all, feeling conflicted or confused, realizing what they thought they wanted isn’t fulfilling and hasn’t brought happiness, escaping years of mental conditioning which told them they were worthless, not seeing the love they have right before them, constantly fighting uphill for a life which seems to throw everything it can at them… Well, isn’t that just the most human story of all? And so their redemptions give us hope.”
I have been so lost and lonely for so long, and now I’m at a crossroads. I’m so scared to believe that this change, this new path, can lead to a better place, but these characters? They give me strength to. They give me faith.
This has been a rambling post of feelings, and I am thankful to anyone who has read this far. I’m just so tired of feeling this way, and needed to reach out and share this. If you are also feeling this way, know you are not alone. You are so very far from alone.
I just really don’t want to feel unwanted and unloved, like I don’t belong, anymore. I want to have a place here. I probably sound desperate because I feel that way. I don’t know how else to cry out for help other than sharing this.
 If anyone wants to message or send asks about this, please feel free to do so. I want, and very much need, to talk. 
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sokkastyles · 1 year
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The Azula stans are going to be fucking unbearable when the "Azula in the Spirit Temple" comic comes out, since it hints at her redemption which automatically means she never did anything wrong. I don't consider the comics canon because they are so bad and OOC, but the stans will be rubbing it in everyone's face forever. They aren't going to do it well, considering it took Zuko 3 seasons to change and all Azula gets is a comic series to deal with her far worse crimes. One of the Azula stans, the one you were arguing with on that long ass post also says they are involved with it or something like that, so idk what sorta writing this comic is going to have. Probably gonna have Zuko abusing Azula or whatever, since they seem very happy in their last reblog of that post lol. I almost hope she doesn't change just to spite the stans. If they make Ursa, Iroh and Zuko out to be bad people I will be done.
I actually would like to see an Azula redemption, and part of me does want to see what the writers come up with because I do think that connecting Azula to the spirit world is the way to go there, but I agree that it won't be done well. I foresee a few different scenarios happening:
Azula gets a redemption but it's not good enough for these stans because it's an ACTUAL redemption where Azula has to actually face and admit her crimes and stop behaving abusively, and her stans don't want that and will claim it's not a REAL redemption. I mean, the series has been hinting at it for a while and the stans are still up in arms about how the writers hate her and want nothing but to abuse her. "The Search" does a lot to make her a sympathetic villain but her stans act like Gene Yang is the devil for it. It's still not good writing but it's obvious that the writers want her to be sympathetic to the reader.
The writers try to cater to Azula's fanbase and do a half-assed redemption, which may or may not be accepted. I mean, witness the pushback in recent years to the likes of Kylo Ren or Catra because their redemptions didn't have near the thought put into them that Zuko's did. Either the stans will eat it up or they'll use it to fuel their vendetta because what Azula gets won't be as good as what Zuko got and they will HATE that.
The problem is that bad redemption arcs, if not done carefully, run the risk of running into the same kind of victim blaming that these stans spout on a constant basis. Even if the writing doesn't make Zuko/Iroh out to be bad, there's the inherent implication, that already exists because we see it already in the discourse, that they're horrible for not sacrificing themselves for Azula and putting up with her constant abuse. What Ehasz described, the scenario where Zuko serves as Azula's long-suffering Iroh, is a nice thought, but it carries the implication that this is the virtuous way for an abuse victim to respond to their abuse. I find it hard to believe that Ehasz would even write that, no matter what statements he makes on twitter fifteen years after he had any involvement with the show, because when he was actually writing the show, even redeemed Zuko never became a doormat who only lives for Aang and the others. See also the constant discourse about how he's horrible for disagreeing with Aang or getting mad at Sokka for poking him with a stick.
See also the amount of crap that Zuko puts up with from Azula in the Search, but you know how the discourse around that goes. It's not enough because these stans WANT to see her as the ultimate victim, so any kindness offered to Azula can be twisted into actually another way that she's a victim.
I very much doubt that that person is involved at all with the comic. I've also seen them claim that they voiced Azula in some promotional materials, which I also doubt. They seem like the kind of person who naturally vacillates towards characters like Azula because they fuel their sense of grandiosity and victimization. I wouldn't believe anything they say. I'm still not sure they're not a troll trying to parody Azula stan accounts.
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thebad---catholic · 4 years
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Why I don’t think Azula should’ve gotten a healing/redemption arc
k so I made this meme a couple weeks ago
Tumblr media
and I got a lot (a lot? Like 10 but that’s a lot for me) responses disagreeing with my post, which is fair because there’s really only a tiny subset of fans who fit into the “if you stan villains you’re a bad person” category, and Azula’s character (like most other things in atla) is fairly nuanced. I won’t dive into her personal psychology so much, just why I was satisfied with her arc as a viewer.
Note: I’m only speaking within the context of Atla. I haven’t read any of the comics or seen Lok so for the sake of this lil post those don’t exist.
Not enough time
Plain and simple, Azula didn’t have enough time for any sort of healing or redemption. She would’ve needed at least 2 seasons based on what Zuko went through. Adding more seasons for this purpose would feel kind of pointless. Maybe they should’ve explored this in other media but not within atla as the story works best as a tidy three season bit.
Along this same vein, I’m not viewing the show the same way as I would irl. If we’re being realistic, Azula was a horribly abused mentally ill 14 year old who most definitely should’ve gotten treatment. But this is a cartoon, where standards are a little different, which I’ll talk more about in a minute.
Iroh used to be a bad person/If Zuko changed so could she
This one is more complicated for me, but basically I view it like this. In the show, Iroh and Zuko display goodness before their redemption.
We see this with Zuko especially. He is banished for trying to protect the lives of fire nation soldiers from certain death. Twice he spares the life of his rival Zhao, even after that rival tried to kill him. In season two, he saves appa, risks blowing his cover to light lanterns for Jin, saves a town from mercenaries, and even when he’s robbing, he spares certain people (the pregnant woman for example) and mostly targets the wealthy. Zuko, even at his worst, had hard limits on his morality.
Iroh is more subtle. The most clear example comes from the flashback in “Zuko Alone” where Iroh gifts Zuko a dagger from the earth kingdom that he notes is of superior craftsmanship. This, to me, shows where the start of Iroh’s arc comes from: his appreciation of the other nations. It’s been noted before that Iroh has also mastered all four elements, even though he can only firebend. Redirecting lightning comes from waterbenders- likely learned before Iroh “turned good”. Even as their adversary, Iroh respects the people of Ba Sing Se for their resilience. (This again contrasts Zhao, who was so deranged he murdered the fucking moon just to win.) Finally, the dragons. Iroh is known as the dragon of the west even to people from Ba Sing Se- this means that he spared the lives of the final dragons before Lu Tens death. Like Zuko, Iroh shows mercy even when on the wrong side. Lu Ten’s death breaks Iroh because it forces him to finally come to terms with the fact that the fire nation is built on a lie. Fire nation superiority is a lie, and it’s one he’s known for a long time.
Azula doesn’t display any of these traits. The only time in the entire series where she apologizes is after she insults Ty Lee, and I’d argue it was an act of manipulation, as she quickly uses the apology to receive praise from Ty Lee. The beach episode is the only soft side we ever see to Azula, and all of her interactions can still be interpreted like my example. Was the comment about Ursa thinking she was a monster a slip of her mask or an attempt to “perform” like the others? We know Azula is a liar, so was she lying when she said ursa was right, or that it still hurt? Or both? And, mind you, I do love how this episode explores azula more closely, but I don’t believe being a nuanced villain makes you a redeemable one. Even as a child, Azula is cruel and takes pleasure in hurting Zuko, and animals, and her friends. She’s a master manipulator who makes friends through fear and intimidation. Imo, the only reason she doesn’t actually kill someone is because Avatar was technically a kids show, though that sure as fuck didn’t stop her from threatening multiple peoples lives. There is no action of Azula that signifies an ounce of good in her.
She was abused
1) a tragic backstory isn’t the be all end all of whether or not a character’s redeemable, and 2) So was Zuko. And probably Iroh and Ozai, and probably Azulan. The fire nation royal family is fucked up. Even if Azulan was a “good” father to Ozai and Iroh he was still a dictator who was grooming them to take over.
Having Azula be a puppet in her fathers game was an incredibly mature route for atla to take. Once again, it adds depth with a realistic take for Azula’s villainy. Very rarely are individuals born evil (enter nature v nuture debate here). Some of the worst people to ever exist were victims of abuse and neglect to varying degrees. Once again, though, this doesn’t suddenly render Azula open to redemption. And from a storytelling perspective, there’s parallels between Ozai and Iroh and Azula and Zuko.
Ozai continued the cycle of abuse, Iroh broke free from it, Zuko ended it, and Azula was broken by it. These are all things that happen in real life.
She’s 14
Oddly enough this is the argument that baffles me the most. I know I just said a whole lot about real life vs fiction, but I’m gonna pull the fiction card on this one. I can suspend belief with these characters and their ages. I don’t think any 12 year old could function after waking up from a coma and finding out his entire people were slaughtered and that he only had like, six months to save the world, regardless of his upbringing and power set. I also don’t think any 14 year old could lead a trio to infiltrate a city state, outsmart the shadow leader of said city state, and manipulate and entire little army for her favor.
There’s just a point where you have to suspend belief. The characters of avatar are fantastic, but are not realistic portrayals of people in their age group. Azula could be 14 as easily as she could be 25 and nothing about the narrative would change. The same is true for the rest of the main characters- even Aang, as youthful and fun loving as he is, also has more emotional maturity than anyone in the gaang, and more than most adults i know. If you want a realistic example of a child working through trauma, try Lilo from Lilo and Stich. Not anyone from Atla
Not everyone needs a happy ending.
This is ultimately what it comes down to for me. I like Azula as a villain. I like Azula as a villain who stays a villain and who is driven insane by power and paranoia. I like Macbeth. Azula is a tragedy- and that’s what I like.
So there ya have it folks. That’s my take. I’m writing this at five am with very little sleep, so please forgive typos and whatnot. I feel like maybe I haven’t explained everything the way I wanted to, but I can’t stop thinking about this, and the great thing about this show is that it’s fun to keep thinking about.
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laurenhufflepuff2 · 3 years
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A list of fandoms I'm in (in no particular order, will probably be updated regularly. Some fandoms are more intense and some are more casual. Depending on the fandom, I could go on and on about fandom topics for HOURS. Let's get into it!)
Harry Potter, Disney, Marvel, DC comics, Miraculous Ladybug, Avatar: The Last Airbender/The Legend of Korra, Star Wars, Literature, Winx Club, Nintendo, Minecraft, Little Witch Academia, Voltron, Coraline
Details:
Harry Potter- I got into Harry Potter in 7th grade and now I am the resident expert in my family and in my friend group. I read all the books, watched all the movies (notably the British version), and I've seen the Fantastic Beasts films as well. I've also read Tales of Beedle the Bard (the Warlock's Hairy Heart was traumatizing) along with the Fantastic Beasts and Where to Find Them textbook (plus an updated edition). I also read The Cursed Child script and while I mean no hate to anyone that liked it, I hated what it did to the canon. I am in Hufflepuff with some Ravenclaw tendencies (I took the Pottermore quiz 3 times, 2 out of 3 I got Hufflepuff, the other time was Ravenclaw). I had a pottermore account and I was so upset when it got converted to the Wizarding World page. I cosplayed Hermione in 7th grade complete with British accent and even monologued as her for a talent show (classmates and teachers would recognize me as the Hermione girl all the way through high school). I was obsessed and I still love it even if J.K. Rowling has gone off the deep end on Twitter... yeah... my favorite character is Hermione but I also relate to Luna
Disney- there's so much that goes into the Disney part of my fandom list. I'm excluding Marvel and Star Wars from this part as they were originally separate entities before Disney got the rights to them. I have seen almost every animated Disney film ever and often use random movie quotes in conversation. My favorite villain is Maleficent, my favorite princess is Ariel (followed by Belle, Rapunzel, and Anna). I relate to so many of the characters. I'm not sure who my favorite Pixar character is though (I love Violet, Sadness, Dory, and Piper (from the short)). My favorite Disney fairy is Fawn. My favorite characters overall are Ariel and Stitch. Disney is definitely on the list as one of my biggest obsessions. My favorite movies are Lilo and Stitch, the Little Mermaid, Inside Out, Alice in Wonderland (original), and The Many Adventures of Winnie the Pooh.
Marvel- I mostly get my Marvel exposure through the MCU, other movies, and animated TV shows. I have difficulty reading graphic novels so most of my comic book knowledge comes from friends, posts, or wikis. My favorite characters are Spider-Man, Captain America, Peggy Carter, and Scarlet Witch. I also like Gwenpool, Deadpool, Spider-Gwen/ Ghost-Spider, Venom, Squirrel Girl, Daredevil, Mantis, Gamora, Black Widow, Iron Man, Thor, Loki, Bucky, Black Panther, and most MCU characters. Out of the X-men I really like Professor X, Wolverine, Mystique, Magneto, Nightcrawler, and Quicksilver (either version- MCU or Fox).
DC- this was the franchise I was more familiar with growing up but again, graphic novels aren't easy for me to read so most of my knowledge comes from information pages about the comics or from tv/movies. My earliest experience with DC came from the 60s Batman series, with Catwoman and Robin being my favorites. I also watched the Wonder Woman series from the 70s and a handful of CW shows, my favorite of which being the Flash and Arrow. I also managed to watch all 5 seasons of the Teen Titans Cartoon Network series from 2003. With that being said, my favorite characters are Wonder Woman, Catwoman, Flash, Batman, Nightwing/Robin (Dick Grayson), Green Arrow, Starfire, Raven, Harley Quinn, Poison Ivy, and Alfred. I also like most of the bat family, and when it comes to CW I LOVE Caitlin Snow/Killer Frost and Cisco.
Miraculous- this is one of my guilty fandoms but since this is Tumblr I'm not too worried about it. I love Marinette and I relate to her on an astoundingly deep level (minus the stalking and obsession with potential lovers, that's creepy). If I had a miraculous, I'd probably want the Ladybug one, but the Cat miraculous, fox miraculous, and snake miraculous are good too. My favorite character is Marinette/Ladybug.
Atla/Tlok- I jumped on the avatar bandwagon just when it was starting to get popular, so I managed to get through the series before the memes took over everything. Same with Tlok, although i couldn't completely avoid the spoilers for that when i started it. I've been wanting to get into the comics because of the short story comics I've read, they seem easier to read than superhero comics. My favorite characters are Aang, Katara, Ty Lee, Iroh, Korra, Jinora, Asami, Suki, Appa, Momo, Naga, and Pabu. I also like Sokka, Mai, Zuko, Lin, Kuvira, Varrick, Zhu Lee, and Azula. I feel really sorry for her and while I understand that a redemption arc would undermine the importance of her corruption arc, I still wish she could have one. I would love to be a waterbender or an airbender... maybe a waterbender raised in the air nation? Obviously, being the avatar itself would be awesome. The show has taught me a lot of great lessons and put a lot of stuff into perspective for me.
Star Wars- oh boy, talking about this one is dangerous. I've seen firsthand the horrors of the Star Wars fandom but then again no one will probably see this anyway so... I've seen all the movies and I remember watching the clone wars series with my brother when I was younger but we fell wayyy behind and it's taking us forever to get back into it. I've also seen the Mandalorian and quite enjoyed it. I like the prequels unironically, in fact, the prequels are some of my favorite movies. I especially like how they switched from lightsabers being heavy weapons to light weapons that can be used for all kinds of tricks that make for epic battles like the ones we see in Revenge of the Sith. The sequels were fun to watch but when I would analyze them along side their predecessors, I came to the conclusion that, for me, they were good to watch but did not do anything good for the rest of the franchise. My favorite characters are prequels/clone wars Obi Wan and Anakin, Padme, Ashoka, Leia, R2D2, BB-8, R4-P17, the Mandalorian (Din Djarin), and Grogu. If I had a lightsaber I'd want it to be blue, but when I was little I got a purple one like Mace Windu because it was closer to pink and I was into pink at the time. I still have that lightsaber and none of my friends have a purple one so it's one of my flexes. I feel like I wouldn't make a good jedi because of attachments being forbidden, so I'd probably become a grey jedi.
Literature- this is a broad term I use to cover all the random books and stories I liked reading and have studied. So we have Shakespeare (Macbeth, Much Ado About Nothing, Romeo and Juliet), The Great Gatsby (bored while reading, loved to analyze), Grendel (HATED reading, loved to analyze, Grendel really needed a hug and a friend), The Crucible, Fahrenheit 451, Dark Life (+ the sequel Riptide, both are by Kat Falls good reads, sci-fi and kind of dystopian), The Once and Future King
Winx Club- I think the show is trashy but I still love watching it. I haven't been able to get through season 6 though and I hated what they did with season 8 and Fate: the Winx Saga. My favorite character is Bloom along with Stella and Flora. I prefer rai to nick. My favorite transformations are magic winx, enchantix, and harmonix. My favorite member of the Trix is Icy followed by Darcy. My favorite Pixies are Chatta and Lockette.
Nintendo- mainly Pokémon above all else, followed by Animal Crossing. I have also played (mostly as player 2 or just never beat or watched my brother play) mario games, legend of zelda, pikmin, and kirby. Games I haven't played but I just liked the characters/the lore and probably learned about through Super Smash Bros. are Fire Emblem (Lucina mostly), Metroid (Samus and baby metroid), and Kid Icarus. Pokémon is where I'm most knowledgeable but you'll most likely beat me in battle. I am however great at MarioKart and I always destroy my friends at it. Terrible at fighting games though.
Minecraft- I like playing this casually. Sure, I'll play for hours and hours on end for months, but I prefer to stay exclusively in peaceful when playing Survival mode and I don't make anything too ambitious in Creative mode. I like to write, so sometimes I'll make a rough layout of the settings of my stories in different worlds. I prefer interior design and decorating when building, and when in survival mode I focus more on mining and gathering while my brother works on ambitious building projects. I just bring him the raw materials and furnish the interior when he finishes the outside.
Little Witch Academia- this takes up a smaller portion of my fandom list because there were only 2 seasons and a couple movies and I watched the whole series years ago, but I still enjoy it. At one point I wanted to cosplay Akko, and I loved the nod at Twilight through the Nightfall series. And I especially liked the twist that Shiny Chariot was Ursula, which I suspected for some time. The blend between magic and technology was fun to see, but I was so sad that the series ended RIGHT when Akko finally showed signs of magic proficiency. Also, Shiny Chariot being the reason Akko couldn't do magic was heartbreaking.
Voltron- this takes up a much smaller portion of my fandom list mainly because I haven't even finished it. I know hardly anything about Transformers aside from the Bumblebee movie so to me I just watch it for fun. It reminds me of power rangers, star wars, and star trek, and then there's just a transformer insert. But I don't know anything about Transformers so maybe the show is more rooted in canon than I think.
Coraline- I am in a love-hate relationship with Coraline. I have watched the movie several times, I've read the book, I've watched hours of theories and analyses on youtube, I've watched behind the scenes videos by Laika, and I even wrote a script for a fan film parody. I am amazed at how original the story is and how impressive the stop motion animation is but I also have recurring nightmares from it and it scares me/creeps me out to the max. If anyone asks what my scariness limit is, it's definitely Coraline.
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klm-zoflorr · 3 years
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Issues with the Tyzula ship that Tyzula shippers/fics typically avoid
Stereotypical Tyzula Ty Lee: “Azula-san, I completely forgive you for everything you ever did to me or my best friend and have always loved you unconditionally. I will help you become better if it means risking the quality of my life, my other relationships, my sanity, and even my life. I will magically be able to help you deal with your myriad of mental issues as if you always only needed love/affection instead of real medical help. I will always love you even if you don’t really change your behavior or worse, remain the same power hungry bitch you grew up to be. I love you ‘Zula.”
Look, I am not opposed to Tyzula for I actually think that they had a real friendship, even if there was a massive power imbalance, that got fucked up by Ozai’s abusive teachings and Azula trying to act as her sovereign and friend at the same time. But there is a tendency among Tyzula shippers/fics to make Ty Lee forgive Azula way too easily, make Azula not deal with her flaws or make (proper) amends to Ty Lee and Mai, retcon Azula into a soft baby who didn’t do anything wrong other than get abused, and/or gloss over the issues between the two.
For example, If Tyzula occurred pre-Boiling Rock like some fics imply, do you think it would have been consensual? Especially considering that there has been a massive power imbalance (Azula is Ty Lee’s Sovereign) since their childhood that Azula took advantage of even then; Azula forced Ty Lee to join her squad at firepoint; and Ty Lee is deathly scared of Azula? And if it happened post-Boiling Rock there is a massive power imbalance in favor of Ty Lee since the moment Azula “acts up” (it doesn’t have to be a big thing since Ty Lee is scarred shitless of Azula) Ty Lee can either call Zuko to jail her and/or have Aang de-bend her. There are some Tyzula fics that properly deal with, imo, the pre- and post-Boiling Rock power imbalances but most of them just gloss over them.  Not helping is the fact that comics imply that the two never had a real relationship at all and that Ty Lee is still deathly afraid of Azula, willing to chi-block Azula the moment she is anything other than docile. 
Also, how come most Tyzula shippers/fics don’t touch about LOK’s Turf Wars said about Sozin outlawing homosexuality and the implications it has for a lesbian/bisexual Azula? If Azula, who tries to be the model princess in a post-Sozin Fire Nation, can’t even realize that using fear is not a good way to maintain relationships, how would she deal with the fact that she has feelings for girls? Most of the Tyzula fics or headcanons I have read don’t seriously deal with the fact that either Azula is deep in the closet and/or suffering from serious internalized homophobia and would not likely express her sexual preferences in public unless she was in an extraordinary situation or got serious therapy plus years of self-reflection/character growth. Not to mention the fact she would be one of the leading perpetrators of homophobia by virtue of being Ozai’s right hand general/advisor.
So, do I have a valid point about how Tyzula shippers and fics often engage in abuse and/or toxic friendship/relationship apologism? Or I am just being too harsh on a group of shippers that have been vocally condemned by the greater ATLA community and most likely will never see their ship be canonized? And yes, some of my own fanfic works do contain Tyzula so feel free to call me out if I am being a hypocrite and holding people to standards that I can’t uphold.
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This was a very interesting submission, Anon, and I don't think you're "in the wrong" here, even if I don't necessarily agree with you. At least you're polite, so I won't swear at you xD I'll sum up your points for clarity's sake
"Tyzula shippers make Ty Lee dumber and ready to do anything for Azula. They write stories without depth and without adressing the imbalances in their relationship"
Here's my personnal opinion on that: this kind of drama/angst is hard to write, and I don't want to waste my time for 10 chapters while they're angstying over whether or not to love each other. Mental health issues are hard to write too, and I want azula to be happy, so I can just make them dissapear. I completely acknowledge it isn't the most realistic kind of writing, but I don't care, I just want to have fun. I wouldn't pretend it's canon either.
Now, some Azula fans are just biased towards her, and like to pretend her canon character did nothing wrong and is purely a victim and is owed Ty Lee's love. I'm not gonna shit on them, in the grand scheme of things it's quite inconsequencial, but I don't think that's accurate.
"Tyzula shippers make it happen even if Azula is still a "villain" and hasn't redeemed herself for her sins"
I can link this to my first point a little, and erase all moral complexity for the funzies while acknowledging it isn't canon. But there's also the fact in ATLA, Ty Lee has little to no redemption arc herself. She just betrays azula, and then the good guys accept her and mai with no problem? We could interpret that as "she was always supporting Aang's cause and hated azula secretly since forever" but I don't think that's very correct, because Ty Lee never shows any sign of it, never talks treason, never helps the good guys while azula isn't looking (unlike mai!). The only thing that could possibly make her betray Azula, in my point of view, is seeing her other best friend almost die to her hands. And even then, it isn't a moral choice. I firmly believe Ty Lee was just as indoctrinated in the Fire Nation's ways as everyone else there. And that she actually supported her nation and obeyed Azula as her commander not only because they were friends, not only because she had to, but because she was loyal to her nation. And the only reason I can see her go to the good guys' side at the end of atla was simply because of self preservation with a side of unbrainwashing from FN propaganda
So, in conclusion, I don't think Ty Lee is a completely good character, and I don't think she has a problem with Azula's crimes.
"There is a power imbalance"
I'm not going to deny that. But who told you all relationships with a power imbalance are inherently bad? They're more likely to be toxic, but they won't always be. If the person with the upper hand is respectuous and nice, everything works out perfectly. It's more of an advice towards people who don't have the upper hand in their unbalanced relationship, and who could get taken advantage of. But Ty Lee is smarter than she looks, and I believe she would know to stay away from that.
Pre-boilling rock, there is indeed problems with them getting together, but they're not due to one of them being toxic. Azula is Ty Lee's princess, and it isn't her fault. She was literally raised to lead. And Ty Lee was raised to follow. We see that despite that, Azula still considers Ty Lee as her friend and gets her in her team in a nice way. But it isn't her fault she was raised in the middle of a war and sees the will of the fire nation as more important than anything.
Additionally, I don't think Ty Lee hated Azula, for the reasons I mentionned before.
Post-boilling rock, I just don't think Ty Lee would be scared, or cruel enough, to jail or unbend Azula for no reason. Because, again, I don't think she hates her.
"The fire nation is homophobic"
As is usual with me, I loathe the comics and don't consider this as canon. It doesn't even make sense, apart from saying "fire nation's evil, they're homophobic now too" to be honest, if anyone's gonna be homophobic it's gonna be everyone, cause there was no gay representation in atla.
Oh, and f*ck this, I hate homophobia, I don't want my fictionnal worlds to have it too. It's dumb as shit and everyone is gay in the Fire Nation. There.
"So, do I have a valid point about how Tyzula shippers and fics often engage in abuse and/or toxic friendship/relationship apologism? Or I am just being too harsh on a group of shippers that have been vocally condemned by the greater ATLA community and most likely will never see their ship be canonized?"
You do have a valid point that some tyzula shippers have the same problem as some azula stans, as in that they put her on a pedestral and say she did nothing wrong. But some also just don't want to bother with that and just want to write fluff, and that's fine. There are way worse things they could be doing.
It is true that Tyzula is kind of a controversial ship, and for this reason I don't think you should care too much about it. Bullying people never help anyone, and criticising tyzula shippers will only push them back in their fandom spaces and make them unable to tell apart genuine, objective criticism and mean bullying.
I don't want Tyzula to be canon, btw. Well. For me canon kinda stopped at the end of atla, so everything is possible after this point lol. Not that I even care much about canon.
You are not an hypocrite for liking tyzula and criticizing it. You can call out the behavior of people in your own community, it's perfectly fine and should be encouraged. I'd pay more attention to your opinion too, because I know you don't just dislike the ship and want to find any reason for it to be "problematic"
I'm gonna put that submission in the Tyzula tag, if anyone in there feels offended by that do let me know. I don't intend to shit on this ship at all. Also, if anyone wants to add points or give me perspectives I didn't think about go ahead!
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callioope · 3 years
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Okay, well, apparently now I have to START OVER from scratch because the tumblr new post option doesn’t remember the text you already entered when you RESIZE YOUR BROWSER
*insert Zuko tantrum here*
ANYWAYS let me try to remember what I was saying before I lost like five or six paragraphs of thoughts.
Thoughts on Avatar: The Last Airbender
Overall, I really enjoyed the show. The main characters were interesting and well-written, including most of the villains, and it always felt like their actions and feelings were understandable, even when they were very obviously doing something that wasn’t good for them or those around them. (Which is not to say they were justified — just that you could understand why they felt, thought, or did something.) 
On that note, it also felt like their choices and actions drove the plot, and that’s generally something I’m trying to integrate more into my own writing. It’s easy to plan a story by saying the plot is a list of things that happen, but what I want is characters to shape the plot. 
What do they want? What are they able to achieve in the direction of that want? How might their flaws get in the way? How might the wants and actions of other characters get in their way? Etc. 
I mean, now that I’m writing it here, it seems pretty basic and obvious as far as storytelling goes, but I don’t think it always is to some writers and there’s something about writing it out and framing it in a particular way that helps me.
While we’re on the subject of character, I think most of the main characters had really satisfying arcs. Aang is very silly in the beginning of the show (and he’s a kid, of course he is), and he grows up a lot over the series (which is actually kind of sad, but apparently his burden. I was going to say the burden of the Avatar, but I don’t think that’s even true, especially considering they don’t usually reveal who the Avatar is until they reach 16 — Aang being an exception). Obviously Zuko’s arc is the most dramatic, and I’ll get to that later, but I knew where that was going and I loved every moment of it. 
Speaking of knowing Zuko’s arc ahead of time — I should disclaim that I very rarely shied away from spoilers when they showed up on my dash, so I had a pretty good idea of the main plot points of the show even if I didn’t know every detail. And while I may not have been able to state a lot of what I’d read off the top of my head, very frequently as I was watching, I’d go “Oh YEAH, I remember reading about this.” 
One final preliminary thought before we dive into things, but also, I had no idea how to pronounce many of the characters’ names! I’d only ever read them before. Particular ones I got wrong: Sokka (thought it rhymes with Ahsoka), Toph (thought it rhymes with loaf), and Mai (thought it rhymes with pie). Not important but just something I found strangely jarring. Toph was weird in particular because it sounded like her parents called her “Tough” but then everyone else said her name as though it rhymes with “off”. 
OKAY BUT ONWARDS
INITIAL IMPRESSIONS: Book 1
Sokka
Sokka became a fast favorite! Despite his major misogyny issues, which were quickly addressed and something he grew past, I really sympathized with him early on. He has to put up with a lot! I mean, Aang is really silly and playful in the beginning and Katara often joins in. I don’t remember specific examples but if I recall, in the beginning (and actually even towards the end), he’s incredibly goal-focused and Aang keeps diverting their plans. 
I’ve been told that the overall fandom of Sokka is that he’s a big dummy, and I find this baffling. Yes, he often has goofy ideas, but then often his creativity becomes incredibly helpful! He reminds me of Ron Weasley. He may not be booksmart, but he’s creative and strategic. And if you know me at all you know I love Ron Weasley. #WeasleyIsOurKing #RonWeasleyProtectionSquad
Some favorite Sokka quotes from early on: 
“Oh, what, I’m not good enough to kidnap?”
“our friend is the avatar and i bet he'll fetch more on the black market”
Man, Sokka ended up having two love interests in this season! First Suki, and by the way, I was always confused about whether or not Suki was officially “part” of the crew based on the gifs and posts I saw. Sometimes seemed like she wasn’t, sometimes not. Obviously I understand why that is now, but anyways. Also I think for some reason I thought it was Toph who became the moon rather than Princess Yue. LOL! Toph/Sokka isn’t even canon but I guess I’ve seen that ship around enough I thought it was. More on Toph/Sokka later, since Toph isn’t in Book 1.
Aang
Aang is a Lot. I’ve already touched on how he’s incredibly silly and playful and the tone of the show initially is pretty goofy. It’s a kid’s show! That’s to be expected. But I really felt overly conscious of the fact that it was a kid’s show and I don’t think I would have kept watching if so many people hadn’t already raved about the show. 
On the other hand, any character who decided to yell at a literal kid for “turning his back on the world” infuriated me. Like, yes, okay, that is how Aang feels already and perhaps arguably what happened, but he’s still a child, and that’s not fair to put that burden on him. I mean considering that it’s eventually revealed that the monks told Aang he was the Avatar four years earlier than usual, why would they even assume that he knew the consequences? 
Katara
I did like the plot with Katara being frustrated at how quickly Aang picks up waterbending. I’ve been on both sides of that situation, and it sucks for both people. I appreciated them spending some time exploring it. 
I hated Master Pakku. He only agreed to teach Katara after he saw she was his former fiance’s granddaughter, not because he had any kind of revelation that he was Wrong in his thinking. At least, that was my interpretation of that moment. Are there any other girls in his class after he agrees to teach Katara? I don’t remember seeing any. 
Should I talk about shipping yet? I’m under the impression that can be a very touchy subject! Well, all I’ll say is this: seemed pretty heavy-handed in this season that Aang/Katara was the intended final ship. 
I don’t have another subsection so we’ll just toss this in under Katara cuz why not: Jet is something else. SMH. I appreciate them including a character like that here, but man was he annoying. (And I know he’s supposed to be, so congratulations, effect achieved.)
Zuko!!! & Iroh
Uncle Iroh is amazing. He diverts their journey to buy a new lotus piece for his game, only to find it had been in his sleeve all along! And I really just adore how much Iroh cares about his nephew. From the beginning it’s clear that Iroh is a better father to Zuko. 
This ended up continuing through the show, but I appreciated how Zuko’s story tended to parallel the story of another character (usually Aang although not always). Specifically how we learn Aang and Zuko’s backstory in the same episode. 
Speaking of Zuko’s backstory, this is something I appreciate as a Well Done Redemption arc, and I know for a fact that I’ve already read posts about this but I just want to express my own appreciation for it. His redemption arc works because they show the seeds of good that always existed within him. We, as the audience, see that very early on. We see him stand up to his father’s war council and stand up for the troops they were going to sacrifice. This is *integral* to his redemption working. It’s not the only part of his story that makes it work, but that redemption arc wouldn’t have worked as well without it. 
Finally on that subject, my reaction to his Agni Kai with his father: “I knew Zuko’s father was Awful, and I think I even knew he was the one who burned him, but this? This is crazy. PS: pretty sure we just saw a cameo of Azula smirking in the background!”
This was getting long, so I decided to break it into parts for each book/season.
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I honestly quite enjoyed your thoughts on Azula's redemption arc which is why I was wondering what you think of 'attackfish''s take on it? I feel like they got Zuko's part wrong in AE's vision.
Don’t take it the wrong way, Nonnie, but I don’t think I’ll reply to this post. The time and place to respond to another blogger’s post is on the post they made. If you have a specific question on my thoughts, I’m happy to give it a go. 
I have been thinking a lot about how Azula’s arc could go lately and what would be Zuko’s role within it, because I’ve been working on a story that explores these themes, so I’m happy to talk about it. Feel free to come into my pm box.
I don’t think we know Ehasz’s exact “vision” of Azula’s redemption. It is a very tricky arc to write well, but if anyone on the original writing team of ATLA, I think he’d be the one to pull it off. If you need any proof, just read this fantastic meta by  @araeph  on how basically all the important story beats of Zuko’s arc were written by him (and his wife). He has the patience to write slow character growth, with big pay-offs. Just think about how we got to Zuko’s lightning redirect at Ozai, or the Zuko-Iroh reunion, and how those moments delivered the emotional punch they did.
Obviously, Azula’s arc is going to be a lot different than Zuko’s because the nature of their villainy is different. But there are also similarities. When Zuko was introduced in Book 1 Ep 1, he hasn’t done anything wrong (other than being a jerk to Iroh and the crew) - he’s only made to believe that he lost his honor. It’s his quest to regain it is actually that pushes him into villainy - but at the same time we keep seeing how this just ratchets up the tension inside him, because it’s not who he is. And Book 2 Zuko is already dancing the fine line between villain and good guy, and his fall in CoD is absolutely devastating.
Azula starts from a different baseline (her basic nature is undeniably much less compassionate than Zuko’s), but ultimately it’s also the mission that Ozai gives her (bring back Iroh and Zuko) is what pushes her to act on her worst instincts. 
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She’s way more efficient than Zuko, and also constantly wants to prove how she’s better than him, so she wants to over-achieve whatever mission she was given. She goes deeper into villain territory and also rather than being torn by it, like Zuko, she seems to revel in her role.  She doesn’t seem to be conflicted for a minute about almost killing Aang, imprisoning Iroh, or hurting Zuko. So admitting that she was wrong would be very hard for her, and the toxic mix of pride and shame will probably push her towards making wrong decisions (just like Zuko did in Book 2).
And it’s a fine line, but I think Zuko can reach out to her in little but important ways without actually forgiving her before she’s ready to ask for forgiveness. Iroh reaching out to Zuko in The Avatar and the Firelord, reminding him that he still has a choice, that it’s never too late to decide to do the right thing comes to mind. I don’t imagine Zuko’s role in Azula’s arc as one big speech or one big embrace, but these tiny steps, little openings for her to find her way. She’d still have to do the emotional heavy lifting of confronting herself. But small moments count (just remember how Aang’s question to Zuko at the end of The Blue Spirit stayed with him all the way until he was ready to join them - it was not an immediate fix, but it was still an important step).
Ehasz has a solid grasp on Azula (considering he introduced the character in The Storm, The Siege of the North and The Avatar State), and also on Zuko, so I have no doubt he could write this arc with nuance if he ever got the chance (which he sadly probably won’t).
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meggannn · 5 years
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hey just curious about your thoughts re: atla & fmab - both series have a premise of genocide, focus on the children of fascist societies, feature military characters who try to atone for ethnic cleansing (iroh & roy/riza/maes), contrast them with bloodthirsty foils (zhao/ozai/azula & kimblee), and even have a morally gray character who gets a redemption arc/backstory (zuko & scar). is there a textual difference in their approaches to narrative? is one ultimately more successful in its allegory?
thank you for this ask, I feel like this is a question I’ve kind of been asking myself for a while but i’m never really sure how to articulate it. they’re both good shows, and they both handle these themes fairly responsibly. i think ultimately most of their differences come down to the fact that they were written for different audiences.
I generally think of ATLA as a sort of stepping stone for the harsher narrative of FMAB, because FMAB has the room to show the audience what exactly the effects of war and genocide are. ATLA had to tiptoe around it at times, even though the writing was good enough to get across the horror of it, FMAB doesn’t have to beat around the bush when it comes to harder topics. you don’t get a tastefully cut flashback or pan over some skeletons; instead you saw exactly what happened to the victims, not as torture porn, but to get across the fact that this is what our heroes did, and they can’t turn away from it. FMAB has an attitude of “is this hard to watch? yeah, well, it should be.” FMAB also showed how difficult it is to live with survivor’s guilt (Ed-Al post-Nina), and emphasizes the value of one life, all life, any life. ATLA did have a great and important message of how everything is connected, but I think FMAB’s approach is a necessity when we talk about war stories.
I’m showing my bias here because FMAB is one of the best things I’ll ever watch but I think there is also an immense difference in how Roy&Riza and Iroh are portrayed in relation to their actions in Ishval/the Earth Kingdom. Roy&Riza understand there is no atoning for what they’ve done; Iroh is effectively forgiven for it. he doesn’t really even talk about it or show he understands the gravity of what he did. how do you tackle his crimes with an audience of 12 year olds when you’ve been portraying him as a loveable uncle? I think ATLA could have handled it if they had decided to address that, but they didn’t. it’s more nuance that FMAB has in its characters that makes me prefer it over ATLA.
ATLA’s real-life parallel is easier to swallow though, and I don’t mean that as an insult. you could argue that FMAB’s message got a little too cluttered in its fantasy; to the casual viewer it might be easier for them to say “well Father did all that shit, so it was the homunculi’s fault, and the good guys beat them, so I don’t have to do any soul-searching.” whereas in ATLA, Ozai the warmongering conquerer, who celebrated genocide and attempted to commit it himself, was always the villain.
I hope I answered your question, normally I’d write more but I’m feeling a little braindead today and I’ve waited long enough to respond. I’d pick FMAB just because I like the grittiness and appreciate that this show didn’t hold back, and it respected its audience to come to their own conclusions, but that’s also partly because of the rating. FMAB had the room to work with, ATLA had to keep it all digestable for children.
(that said, I think it’s important that children have this representation of a difficult subject that’s available to them; it’d be hypocritical for me to criticize it for being for kids, I mean, I grew up with the show lol.)
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