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laneywrld · 6 days

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Oh Baby | part three

third and final part.

word count: 8.6k

Warnings: tame(er) smut. Pregnancy sex. childbirth.

progress is made, all thanks to your hormone gremlins.

It's safe to say everyone's favorite duo was back like they never left, just with a lingering air of sexual tension and babies in the oven.

You were never good at holding water, which is why you told your family and friends about it the very same night. Your friends were the most excited you'd ever seen them, and that was before you even mentioned who the father was.

When Miles questioned who the father was with a meek voice interrupting said celebrations, Lewis stepped forward with a cocky smirk and a pep in his step that made you want to kick the back of his legs in.

Instead, you gently motioned to Lewis with your arm thrown out.

You'll never forget your friend's reactions like a scene from a telenovela; they all gasped dramatically and clutched their pearls. "Oh, I'm going to beat everybody's ass; why didn't we know y'all were together?"

"We are NOT together." You interrupt.

"So fucking?" Miles pipes up, and you feel like you are on stage with a literal spotlight directed at you, with the way they are all intently observing you, including Lewis.

"Not fucking either." You deny, slapping Lewis' arm as to say, help me out here. He shakes his head at you, shoving his hands into his pockets.

"It was a one-time thing that we both agreed would never happen again. This is the consequence of our actions that night." You put your hands on your pudgier stomach. "Yay!" you cheer quietly.

Whit stands first, and with tears in her eyes, she throws her arm over your shoulder, pulling you into a hug. Mori stands after already having been emotional since the initial announcement. She saunters over with a coo of "Aww, mama bear," joining in on the embrace.

Lewis' boys stand up, Miles put his hand out to Lewis for a dap and ends up pulling him into a hug. "One step closer." He chuckles gripping Lewis' shoulder as he steps back.

Daniel grins, approaching Lewis with his arms open and ready, "I'm proud of you, brother." He congratulates them through his own wide grin.

You turn to Lewis with your bottom lip poked out as your friends kneel around your tiny belly. It doesn't even really look like there's a child in there, but that doesn't halt your friends from gently caressing it.

You wipe away an unsuspecting tear as Miles coos gently to your stomach, "Hope you don't get your dad's forehead, lil man."

"She's a girl!" Whit scowls, mushing his face away from your belly.

"We don't know what it is, actually." Daniel returns Whit's actions, mushing her to the right as he emerges front and center.

Lewis, who had stood off to the side watching your friend's love on you and your unborn baby, steps to your side, wrapping his arm around your shoulder and pulling you closer to him. He leaves a lingering kiss on your hairline before knocking Daniel over with his foot.

"Don't call my child an it."

Your parents, on the other hand, were a completely different story.

Your full government name is shouted by your mother as she holds onto your dad for support. They both look like they've been shot, and the greater betrayal was that you were the one who pulled the trigger. "Oh, Lord in heaven, please!"

"Ma." You whine, "Don't look like that, guys."

Lewis parents are sat beside your own, his mom is eyeing you up and down a interested look dawning her face. When your dad wipes the suprise from his face he looks like he is beginning the five stages of grief.

"My baby- I can't."

Lewis' mother slaps her ex-husband's thigh, motioning to the anxious look adorning their son's face.

"Lewis," His mom all but shouts, "Are you the father?" It comes out in a squeal, one that has your parents pausing their dramatics and leaning forward in sync.

Lewis looks like a thief caught red-handed. And just as you looked to him for support earlier, he does the same to you. You shrug at him, throwing your hands into your pockets.

How does it feel to be thrown to the sharks?

He stutters for a while, so he avoids eye contact with your dad. When his father speaks up, his voice is demanding. "Be a man, Lewis, answer."

You almost feel bad watching as your guys' parents sit literally on the edge of their seats. Lewis has never felt more nervous in his life. Deciding to put an end to his misery, you close the distance between you two and intertwine your hands.

"The baby is mine," Lewis announces, and your family jumps up like they've won the lotto.

Unlike your friends, they don't rush to you guys; they rush to each other. Your mom and Lewis' mom bounce up and down as they hug, and like the annoying men your fathers are, they point at each other with wide grins on their faces before they are in each other's embrace as well.

You and Lewis face each other in perplexity.

He clears his throat, and you call out, "Umm, hello?"

"Aww, my baby," your mom cries, rushing to you with her arms held high. You still stare back at Lewis, and your face is set in bafflement as she presses her lips to your cheeks and then cups your belly. Your dad comes barreling through, quite literally pushing your mom out of the way, and he is enveloping you in a bone-crushing hug.

Your mom shouts your dad's name, whacking the back of his head, "The girl is pregnant. Be gentle."

He eases back and holds your face in his hands, eyes staring into you with such adoration that it makes you emotional all over again. "My baby is having a baby."

Choked up you see Lewis' parents loving on him in the same manner, you catch Anthony's eyes and he is unraveling himself from his son and pulling you into him. "I couldn't be any more happier, my girl." He talks quietly into your ear as he hugs you.

As you talk to Lewis' mom, you see your dad and mom embracing Lewis, and you chuckle as he happily accepts their graces.

As time went on they just barely settled down.

"Oh please," you taunt. "You literally looked like you guys were ready to kill me."

You watch on in puzzlement as they begin writing Facebook posts.

"Yes, my darling." Your mother hums.

"Before we found out Lewis was the father." His mom adds with a cheeky smile.

"So?" your dad motions between the two of you, relaxing comfortably on the loveseat. "How long has this been a thing?"

At your words, the grin is wiped from his face, "It's not."

"Have you defiled my daughter Lewis Carl Dav-"

"Dad!" you shout, groaning again as he turns to Anthony with an incredulity like no other.

"So, maybe let's not do Facebook?" You suggest.

Lewis raises from beside you sauntering over to the dad couch, he sits on the arm of the chair beside your dad and talks lowly to them. You cannot hear what he says but by the way a grin covers the faces of the entire couch you know he's used his classic Hamilton charm on them.

He watches you as he speaks and shoots you a wink when he sees you trying to read his lips.

"I think we're going to head back to our wing of the house." He announces and that's your cue to start lifting from the couch.

You say your goodbyes, giving everyone smooches and welcoming the last of their congratulations. Lewis saunters over to you after doing the same and reaches for your hand. You graciously accept, waving one final time before he pulls you from the secondary house.

"So how are we going to go about this?" You question as the two of you walk hand in hand.

"However you want."

"I don't like how you just agree with everything I say; give me some input; this is your child, too." You ensure, "I'm open to what you want as well."

"I want you to be close to me during the pregnancy. It'd make me feel better for sure." He hums.

"Can I ask how that'd work? You're going to be traveling for the season. I want to keep my job for as long as I can."

"I want you to be stress free, I meant what I said, I'll take care of anything you need. Please just- you don't have to quit forever; just let me take care of you while you're pregnant, at least."

He looks so concerned with the idea of you working that it has you reaching up to physically push the frown from his face. You stop in front of him and poke your finger on his face by the corner of his mouth.

"Stop pouting," you instruct, "I work for my dad, after all. I think he'll understand."

He breathes a sigh of relief, grabbing your hand again as you start walking ahead of him.

"I also want everyone to know the baby's mine." He adds. "Unless you planned on keeping them out of the light, which I get-"

"Done." You cheese. "I'll let the world know you knocked me up, Sir Hamilton. More requests?"

"Move in with me."

You don't say anything as you turn to face him. The moon creates a glow around the two of you as you glance up at him.

"C'mon, I purchased the house because you liked it anyway," he shrugs. "You're there more than me during the season; Roscoe loves having you there; I love having you there. Plus, you love it there."

You stare up at him with an admiration like no other. It has him turning his blushing face to the side.

"I did say it'd be the perfect home for a kid one day, huh?" You squeal, wrapping yourself around him, "I'm so excited!"

He lifts you with one arm like you weigh nothing, and you wrap your legs around his waist.

"I'm excited, too." He hums as he walks you into the primary home. The lights are all off as he carries you up the stairs and into your room. He plops you down onto the bed, crouching down to pull your slippers from your feet.

"I can do that myself, you know? I'm not that pregnant yet." You huff.

"What kind of man would I be if I had my baby mama doing anything?" He smirks up at you.

"All it took was me carrying your child for you to be awfully sweet to me, would've fucked you sooner."

"Always sweet to you," Lewis smiles up at you, "gotta stop talking like that to me if you don't want me to get the wrong idea."

"Mhmm." You fall back into the bed.

Lewis crawls onto the bed beside you, laying his head against your stomach; he pokes you, making you jump.

"Stop it, I'm ticklish." You warn; he only smiles, nestling further into you. "There's a baby in here." His voice is so low you almost miss it.

"Thank you." You express gently, rubbing your fingers through his braids.

"For what?" utters Lewis as his palm rubs in circular motions against your belly.

"For giving me everything I've ever wanted."

"I always will."

Whoever came up with the saying that distance makes the heart grow fonder was truly right. Although it was less than ideal, you and Lewis were back as if it had never happened. In fact, it's like the time you had away from each other forced you into the beautiful dynamic the two of you have now. Neither of you wanted to be without the other again.

It had been three months since your beautiful discovery, so that put you at a whopping five months pregnant.

Your belly was now noticeably bigger and rounder, much bigger than it would've been if Lewis' family didn't have a history of twins. And it was most definitely getting in the way of things, literally.

You huff as you struggle to squat down low enough to lift the box of blankets you packed. Just as you feel yourself get a good enough grip on the box and you begin to lift Lewis is by your side wearing a disapproving scowl.

"How many times do I have to tell you to stop trying to carry stuff out of here."

"Lewis," you huff, "It's literally just blankets."

"I don't care, sit down." He orders.

You stomp away from him, plopping down on the couch. He walks out of the front door and returns only moments later, waltzing into your kitchen.

He appears again with a plate full of orange slices, and you sigh as he approaches you.

"Lewis, there's only so many orange slices I can take in a day, buddy."

"The doctor said oranges are a good snack for month five," he pouts, "my kids need vitamin C."

"Trust me, belly's fine."

Almost like they can sense the presence of food, they kick at you, and you, still not used to the sensation, cup your stomach in a gasp.

"Mhhm," Lewis disapproves, "feed my babies." He is setting the plate of fruit in your lap, bending quickly to peck your stomach. "I have a few more boxes to help them load and then I'll be taking you home, okay."

You can only offer him a puffy smile, your cheeks filled with fruit. He chuckles leaning over to ruffle your hair and he's pulling your forehead to his lips pressing a chaste kiss there before he's walking towards the stack of boxes.

You dreamily sigh, watching his glistening tatted back contract as he lifts the heavy mass.

These fucking babies were turning you into a horny mess.

It was the second week of June. A week later than the deadline, you promised Lewis that you'd move into his home. Well, your home now, too.

It was safe to say that Lewis meant business. You had spent the last few months bouncing from country to country, attending every race with him and basking in the free time with each other, which he had before and after races.

When you opted to skip the Canadian Grand Prix under the pretense that you would go home to oversee the movers, he hesitantly drove you to the airport the day before qualifying.

But when you got home and your preganacy brain got to you, you realized you scheduled your movers for the wrong saturday. You could've sworn Lewis was having a panic attack with the way he was in hysterics over the facetime call as you explained your situation.

He had booked himself a very late flight after his race and appeared at your doorstep with an armful of plant-based treats and a carton of strawberry fro-yo. "It's good for the babies." He smiled sheepishly as he rushed in.

And here you were now, big and bored, spread across the couch as Roscoe snuggled into your side. You don't remember falling asleep next to your furry friend, but as Lewis gently shakes you awake with an adorable twinkle in his eyes you can't even be bothered to be irritated.

"Hey, mama," he coos. "You ready to head out?"

You nod, still groggy, swinging your legs over the couch and preparing to stand. Lewis catches you off guard as he swoops you into his arms, carrying you bridal style with ease. He calls for Roscoe as he slips through the front door.

He opens the passenger side door of his car and sits you down softly, reaching over you to grab the seatbelt. And he's so close to you that it has your heart hammering when his hand swipes against your chest to pull at the belt.

"I'll be back in a second, going to lock up here."

He smirks as he closes the door and you see him taking his precious time to make it back into your former home.

You were no fool; truthfully, you were fully aware of the sexual tension that hung between you and Lewis since the night of his birthday.

There were lingering touches and gazes that you were sure were sexually charged. You've even noticed Lewis' impure reactions to you, and it made your brain race with questions.

The driver's side door opening drew you from your thoughts as Lewis appeared this time covered in a white tee. You will away your disappointment and reach for his phone to play some music. When you do you see a message from a saved contact.

Marie

Isn't it about time for you to come see me again?

"You've got a message." You tell him nonchalantly even though your heart aches.

"From who?"

You try to hand him the phone, but he waves it off, reversing the car. "Can you read it to me?"

"Marie, she says, and I quote, Isn't it about that time for you to come see me again? You late to a link, Lew?" You laugh even though there isn't shit funny to you.

"You can block her." He declares casually.

"Huh?"

"Block her for me." He orders, but he still hasn't turned to look at you. "She was just someone I saw when I was in Canada."

"Lewis, you don't have to end your fun on my account; I'm the pregnant one. You do know that you don't have to."

"Yeah." He pushes out hoarsely. You wait for him to continue, but he doesn't. In a way, you feel a sense of relief wash over you. Life with Lewis has felt so extra domestic lately. It was almost like the two of you were in a relationship, minus the physical affection. And even then, that physicality was there; you two just never kissed or, well, had sex.

You wondered if he felt it the same way you had.

But then the thought lingers in the back of your head: did he see her when you left to come home?

The way he was acting oddly uncomfortable with the conversation gave you your answer, and in the end, you couldn't fault him for it.

You do as he instructs, clicking Marie's contact and blocking her number, and then you continue on with your initial mission and scroll through Lewis' Spotify until you find music to your liking.

The rest of the drive is silent except for the soft melodies escaping his speakers.

When you pull into Lewis' driveway, he parks, turns off the car, and hurries to your side, opening the door before you even have the chance to do so. He opens the backdoor and holds onto your hand. "Roscoe, c'mon boy."

He leads you into the home like you haven't passed through the very same doors a million times before.

"Which room did they move me into?" You question making your way upstairs.

"Oh," Lewis pauses, "I figured you'd be with me, in mine."

"Oh, okay."

You walk past him and further up the stairs as he trails behind you.

When you enter his room you beeline straight into his closet, well you guys' closet and sure enough there are more of your belongings taking up space.

You stand on your tiptoes to reach for one of his tee shirts. He is behind you in an instant, one hand holding your hip firmly and forcing your feet back onto the ground. The other reaches up and grasps the shirt you had been aiming for.

When you turn to take the shirt from him, he once again gives you the same disapproving gaze he'd given you earlier.

"Oh God, Lewis. I can't even get on my tiptoes anymore?" You question, pulling the shirt from his grasp.

"You could've tipped over." He argues, following you out of the closet. "You want a bath or a shower tonight?" He queries, already heading into the bathroom.

"A bath, please; my body is killing me."

"Put this on," he orders, tossing you your robe.

You strip from your shorts and tee-shirt throwing the robe on and waiting patiently for Lewis to emerge from the bathroom.

When he does, he's shirtless, and the sweats are hanging low.

"I've got your bath running. Sit down," he orders, pointing to the bed.

"Why?" you question, but you're already moving to the bed and plopping down.

"Why do you question everything?" He chuckles. And he is slipping behind you in an instant, his hands instantly moving up to knead at your shoulders.

You can't help the moan you let out. "Fuck, that feels great. Thank you."

"It's the least I can do, letting my youngsters beat you up all day."

You can only chortle as his hands move along your back.

"Gonna come out feisty, like you."

"I am not," you argue.

"yeah, okay." He whispers, his hands traveling lower and lower. His hands are gripping your sides firmly as his thumbs massage masterfully into your back.

"Fuck, Lewis." You mewl.

"Feels good?"

"Yeah."

You almost cry as you feel him lifting behind you, but when he pushes you onto your back gently and cradles your legs, the whine in your throat is replaced with a nervous gulp.

His hands caress your thighs, moving up and down expertly, and you bask in the comfort.

"I didn't sleep with her in Canada, never even saw her this year."

"Oh," you murmur with your eyes closed. On the outside, you were calm, but mentally, you were shrieking tears of joy.

"Haven't been sleeping around." He announces again.

When you say nothing, he persists, "Haven't been with anyone since you."

You know Lewis so well that you can predict his face even before you open your eyes.

His voice sounds a bit gravelly and shaky, and you know he's peering up at you through his perfect lashes, waiting to gauge your reaction.

So when you open your eyes and see him hovering over your legs exactly as you imagined, you can only shoot him a purposeful smile.

"I figured. You've spent all of your time with me." You shrug. He nods relief washing over him. In all honesty he was happy that you recognized the switch in him. Recognized that all of his focus was soley on you and your unborn babies, who you've nicknamed belly.

"Five months is a long time to go without sex." You declare, and he bobs his head to the side,

"Not really, not for me. What about you?"

He feels his heart leap with joy at your next words.

"I haven't slept with anyone else since you either. I've gone longer without sex, so five months would've been easier if I wasn't lugging around two hormone gremlins."

You both share a laugh as you motion to your round belly.

"You're suffering then?"

"Suffering like a motherfucker." You huff.

"I can fix that."

You sit up, coming face to face with him; he stares at you intensely. It was your idea, not to mention the night you two had shared, as well as your doing, to solidify the fact that you two would never sleep together again.

However, your emotions were running, and your hormones were at an all-time high, so could anyone really even blame you for pulling his mouth to yours in a searing kiss?

Like the time before, it's like Lewis is ready for you. He pushes you back down, his legs still holding him above you. This time, Lewis takes the initiative, spreading your mouth open and entering like it's home. One of his elbows is being used as leverage to hold him above your bump. His other hand has your jaw in a tight grip, holding you in place.

Your hands are exploring his body. Traveling the expanse of his chest to his back, anything you can reach.

He disconnects his mouth from yours, his head turning towards the bathroom. "Shit, sorry."

He stands, shooting you a sorrowful look as he beelines into the washroom.

When he appears again, he is looking at you with hungry eyes, but his words are so domestic that you are ready to jump his bones.

"Made your bath too hot. Got time to let that cool down."

You smirk at him, beckoning him over. You're both sitting angled towards each other and just as you move forward to touch his lips with your own he is moving his head to the side forcing you to peck the corner of his mouth.

You lean back with furrowed brows. "What was that?"

"I want to clarify something first, this time. So we won't have a repeat of last time."

Damn, you scream to yourself. You were already extremely horny, and now you'd have to sit and listen to him declare that this was a means of pleasure only. Which in return would most likely turn you off. So yay, no life-altering dick for you tonight.

"Go on then." You wave your hand, and Lewis laughs.

"Patience, you horny beast."

You gasp, thumping his head.

"But really, I, um, wanted to let you know this for a while. It's been on my mind even heavier since my birthday."

"Okay,"

"I love you." He blurts, "and not in the conventional friendship way, you're my best friend but I love you more than that. And I have for as long as I could remember."

You feel like you've been freed from hell's gates; everything in you feels so much lighter, so much more merrier.

Like always, when Lewis tries to find the words to say, his head is tilted downwards to the side as he works through what to say. His heart is beating a mile a minute, and he can't find it in him to look at you quite yet. He has to say how he feels now, or he'll never say it.

"I'm the man I am today because of you. You've been with me every step of the way. You've never turned your back on me or gotten sick of me; you've been everything I've ever wanted from the beginning. I've tried to fill the void of not having you with other... distractions, should I say. And it never made me forget about you, never made me want you any less, always made me want you even more."

You choke up at his words. This was all you've ever wanted to hear spoken to you.

"I love you and I feel like I have ever since I've been able to have complex emotions. You are my childhood dream. Over the racing and the luxury lifestyle, over anything. I've always wanted you more than anything. I meant every word I said to you on my birthday, and I'm taking accountability now for the argument. I wanted to hear you say that you meant the words you said to me, like I meant the words I said to you. I should have just admitted it. But I didn't, and I was a fool; I regret it every day. But I love you all the same."

He peers up at you through his lashes and through his own teary eyes he can see the tears bubbling over the surface as you poke out your bottom lip in your classic pout.

"Oh, Lew," you whine, wrapping him in such a tender embrace. "You don't know how long I've waited to hear you say those words."

He nestles his head into the crook of your neck, and you can feel wetness glide down your collar.

You grasp his head in your hands, cupping his cheeks so that you can see him eye to eye.

"I love you," you state. "More than the entire world, I've always told you that, and I've always meant it."

His lips twitch, and his eyes soften. Finally, he breaks into a smile. "How much I love you is unexplainable, Lew. I've been fighting myself forever about it, frustrated that I'd never see anyone like I see you. I've been settling because I thought I couldn't have you. You're all I've ever wanted. And I meant what I said that night, too. I was made for you and only you, always only ever been yours. No one has had my heart but you."

This time, the kiss is passionate and slow. You taste saltiness as you succumb to each other. You separate with a gasp, hand coming down to soothe your stomach. "They're beating me up again." You whisper, watching as their tiny feet nudge against your stomach.

Lewis bends down, pressing pecks to your bulging belly, "Think they're just celebrating."

You watch from above with a loving smile on your face. "My little family." You coo, bringing your hand up to rest in Lewis' hair.

"I'm going to marry you, you know that, right?" Lewis peers up at you.

"I sure would hope so." And you lean down to press a kiss to his forehead.

"They're not stopping." He announces, his hand covering your own on your belly.

"They always get excited when you're close to me." You admit.

His eyes crinkle at your words, and his mouth spreads into a grin.

"I'm happy to be with you guys, too," he coos to your gut, "but we have to let Mama relax, okay." At his words, the thumps from inside of you come to a halt, and you and Lewis marvel at each other.

"Wow," you whisper.

"Come on." He is standing from the bed, holding his hand out for you.

He helps you stand from the bed, gently pulling you into the bathroom.

When you're inside, he faces you towards the mirror. He unclasps the necklace sitting it onto the bathroom counter and slowly his hands travel to your front to untie your robe. It falls off of your shoulders and he proceeds to drag it down your arms and from your body.

You stare at him through the mirror with no shame as he trails his eyes along your body.

"Most beautiful woman in the world." He hums. You're standing in front of him naked as he reaches past you to drop your now discarded robe beside your necklace.

As he does so, he presses lingering kisses to your neck.

He steps back, holding out his arm to direct you into the bathtub.

"Get in with me?" You suggest as you notice him standing off to the side.

Lewis curses himself for feeling like a shy virgin around you every time you even remotely flutter your eyes at him.

"Please." You add submerging yourself into the warm water.

Lewis slips from his sweats, easing into the tub at the other end.

"Remember when we used to have baths together as kids?" You reminisce, blowing a pile of bubbles at him.

Lewis leans back, his arms dangling over the edge. "Simple times."

"You remember when you pooped?" You tease, leaning forward.

Lewis splashes you a tiny bit, bubbles landing on your face. "That was you," he denied.

"Big fat liar." you cackled.

Lewis sees you inching towards him like a tiger on the prowl. You're in his lap before he knows it, your arms locked around his neck. He wraps his own around your waist.

No more words are spoken between you two. You lift your soapy hand and tilt his head up to you, pressing your mouth to his.

Lewis groans into your mouth as you settle over him.

"Want you so bad." You confess, your lips trailing from his mouth to his jaw and down into the crevice of his neck.

Your hand reaches down between the two of you, and you smile against his skin as you grip him.

So hard already.

Lewis throws his head back against the porcelain as you wrap your hand around him in a snug grasp.

You're in his ear saying some of the most obscene words he's ever heard as you sit on top of him, tugging him. He can feel your belly rubbing against his, and it's driving him mad.

"Want to make love? Can we do that, Lewis? Make it even better than the last time."

Lewis gasps out his words as you sit back on his legs and use both of your hands to twist and tug on him. He bites on his bottom lip and grips you tighter. "Fuck, yes. Please"

You can only smile at him as you observe his resolve crumbling. You don't stop even as he begins to spasm and continually moan out your name. He grunts one last time before it transforms into a fit of masculine whimpers. He literally falls apart in your hands as you massage him through his release.

"Got another one in you?" You ask, already positioning yourself over him.

He opens his eyes, pupils blown and wild. And then his bitten and swollen lips spread into a dopey smile.

You give him a peck; widening said smile before you line him up at your entrance. The smile is wiped from his face as his facade once again contorts to one of pure pleasure.

You can only gasp and move your grip to his shoulders as you sink onto him inch by inch until you feel him nestled tightly into you.

"Fuck." He groans.

You ease your body up and down over him slowly, he's so fucking big.

You moan as you continue your slow pace. You want to take your time with him. But it was getting increasingly hard feeling that delicious stretch every time you lifted over him.

Lewis hasn't taken his eyes off of you since you sank down onto him. He is staring at you like you hung the sun, moon, and the stars yourself.

He uses both of his hands to pull your mouth towards his, "I love you." He breathes into you, pressing passionate pecks onto your lips. He holds your face close to his, maintaining eye contact as you roll over him.

Your mouth drops open as you feel him lift his hips over and over. Between his eyes piercing into you and the slow, languid strokes he's giving you, you weren't sure what would throw you over the edge first.

You moan quietly as you feel the blaze building in your belly. He's so big that it feels like he's entering you for the first time all over again.

You feel inebriated by him as he whispers sweet nothings into your ear. He's still just as vocal as he was the first time, and it's putting you in overdrive.

Lewis is thrusting up into you with a force that has the breath leaving your lips in sharp pants with every re-entry.

Your foreheads fall against each other, both of you watching your bodies drive against the water.

Lewis is lifting you from his lap like you weigh nothing. He turns you around to face the opposite way. You gasp as he pulls your arms up and directs you to hold onto the end of the tub in front of you. You're on your knees, arms holding your upper body out of the water. You feel his knees slide in between your spread legs, and his hands caress up and down your wet back.

One hand settles on your shoulder, the other on your waist, and then he is sliding into you slowly. You hang your head, letting out a deep breath, "fuck." you cry out as he strokes at such a deliberately slow momentum.

As he pushes into you, his grip on your shoulders forces you back at the same time. He's going so slow but getting so deep that it has you tightening your grip.

When he hits your spot, you lurch forward.

He pulls you back onto him, his hand tightening against your waist.

"Don't run. Stay with me." He orders, his voice is deep and raspy. "This what you wanted, remember?"

You nod your head, eyes closing shut as your thighs quiver. "Oh god."

"Want to make you feel better." He moans. "I was waiting for you to let me see this pretty pussy again." He hums, and you feel his hands spread you apart.

"So fucking pretty, so tight."

It was like he was tormenting you, giving you an inch and then taking a mile every time he pushed into you slowly just to have you wallowing for more when he pulled himself out.

"You're being greedy, mama." He chuckles as you push yourself back onto him. "take what you want then."

At his words, you begin to swivel your hips back at a much quicker pace, feeling his pelvis brush against your ass with every motion.

"C'mon, take it." he grunts. "that's right, want it so bad."

You pull yourself forward, only to spiral back into him repeatedly. Lewis is a mess behind you, his hands reaching up to hold his braids from his face. He kneels there and allows you to use his body in any way you please.

He takes in an unsteady breath when you tighten around him. As you drag your pussy over him, he feels himself being tugged with you. "So tight." he moans, "don't even wanna let me go."

He pulls you up by your waist, pulling your back flush against his chest, and begins hammering into you over and over. One hand travels to your throat, and his grip is temperate.

"All you needed, huh? Feel better already?"

You nod your head, yes, head falling back onto his shoulder. He pummels into you stroke after stroke until he feels it. You constrict around him, hands coming to grip his arm, and you moan his name over and over.

He doesn't show you any mercy. He keeps up his fast pace as you writhe in his arms. His head falls, and as he feels himself come undone, he bites down on your shoulder with a growl that lights your body on fire all over again. You feel him spurt into you, and you whine as he nestles himself into your core further.

After a while, Lewis pulls himself from your gut with a hiss. He reaches down and unplugs the drain. He sits, spreading his legs and pulling you in between them. When you're nestled against his chest, he sighs, once again placing his hand on your neck to angle your face towards his. He places a sensual kiss on your lips before letting you go with a smile.

"Should I run us a bath, or do you want to hop in the shower for a quick wash?"

You turn to the left, observing the standing shower, and you scoff. "you've ruined my legs, Lew; I couldn't stand in there if I wanted."

"Bath it is." He grins, already reaching for the knobs.

"Plus, I want to sit with you like this for a while. Bask in this."

"I love you," he expresses, "I don't think I'll ever get used to this."

Spoiler alert: he never did. As the days went on and turned into weeks. Weeks turned into months, and Lewis never changed his affections. You two were in a constant honeymoon phase, which you were sure was permanent.

You two were perfect for each other in every sense and made each other whole.

The dynamics that made you two the perfect friends bled over into your relationship, and things were flawless, to say the least.

Until, you felt a popping feeling and then a gush of water fall between your legs. Lewis was on his way home from the airport having left to race in Singapore he was relieved that he'd be back three days before your expected due date.

But when he gets a call from his best friend and hears your cranky voice in the background, his heart hammers with nerves.

"Miles, I swear to fucking god," he hears you groan. "if he doesn't have his high yellow ass to the hospital before I push these goddamn babies out of me, I will kill him. Tell him I will kill him."

"You heard her, man," Miles stammers. He hears commotion over the phone, and he gives up his useless attempts to grab either of your attention.

"Oi Miles!" He hears a slap in the background. "Oh my fucking god," you cry out. "Where is Whit? I don't want your help, fucking men."

Miles reappears on the screen; he looks disheveled and like he's just been in a cat fight, "Hey, brother." he pants. "I'm trying here, just how far are you?"

"Lewis leans forward, seeing his ETA on his driver's screen. "Only ten minutes. Is she okay?" His voice is full of concern, and Miles squawks.

"Brother, ten minutes is too long. She just absolutely beat my ass for putting the wrong treats in the bag. There are a million gummies in here. How am I sup-"

"Gushers, Miles. On the top shelf of the pantry behind the rice cakes."

"Why the hell are there gushers behind rice cakes?" He cries out, rushing to the pantry. Lewis sees you in the background as Miles breezes by.

You stand in the middle of the living room face set in a pout one hand grasping the a bag of organic gummies and the other holding your phone to your ear.

"Whit!" He hears you cry out, "I'm about to have these fucking babies alone with fucking Miles! Fucking Miles! And he gives me fucking Annes organic fruit snacks, Whitney! Why the fuck would I want organic candy? And Lew hid the gushers, and he's not going to be here in time, and I don't know where he put them."

Miles drops his jaw, halting his reach for the treats. "Hey, I'm trying my best! I want the best for you and my godchildren. I'm trying here!"

"Your trying isn't enough; obviously, I need the god mom. Whit! Fucking men, can't even find my fucking candy." You call out again.

"Ugh- did she just stomp away from me."

The call disconnects, and Lewis lets out a sigh of relief as he pulls into his neighborhood. He rushes out of the car, running up the steps of you guys' home. When he enters the foyer, he rushes to where he saw you last on the phone. Only you're not standing in the living room in distress. It's Miles slumped onto the couch with a family pack of gushers in his lap. He notices the two gusher wrappers beside his friend, and he storms up to him, snatching the box and slapping the side of his head.

"Where's my baby?"

"Upstairs, y'all are going to learn how to appreciate me one day. I'm the godfather to your children-"

Lewis smacks his teeth, rushing up the stairs and into your bedroom. He sees you lugging your baby bag onto the bed, and he rushes over to you, pulling it from your grasp.

"Hey bunny, I'm here."

Your lip wobbles as you look up at him, and you let out a relieved cry. Lewis opens his arms to embrace you, and you quickly pull the box from his hands, stuffing it into your bag.

"I was looking for these." You cried.

Lewis, used to your pregnant shenanigans, allows you to cry tears of relief for the sudden appearance of your after-labor treat. It's all you'd been asking for for weeks, but your doctor had you on a strict diet.

"Bunny," he persists, his arms open. You sniffle, stepping into his embrace.

"How are you feeling?"

"My vagina hurts, and I was scared you weren't going to make it."

He chuckles, holding you close to him, "always going to make it when it comes to you guys."

It's safe to say your mood didn't get any better when you made it to the hospital.

Lewis was by your side as you held onto his hand for dear life.

"Baby," he coos, "you're doing great."

"Oh my god," you wince, pulling your hand from his as you clutch the sheets. "Get the fuck away from me."

He looks baffled as you curse up a storm.

Lewis takes a step back only to be nudged forward again by the doctor. "Trust me, she'll murder you if you get away from her."

He holds onto your hand again, using the towel to wipe the sweat from your hairline.

Even now as you take in deep breaths and hang your head like you're about to die, Lewis think you are beautiful. You're glistening with sweat and throwing out words that would make a pastor faint but you're still beautiful with your freshly done birthing braids and bewildered face.

"Oh fuck this! Count the shit, measure the shit, whatever, and check again. I don't care if I'm not dilated enough; make it enough! Get these babies out of me."

You were regretting your decision to go all-natural as another contraction rippled through you. You let go of the sheet and grasp Lewis' hand again.

You look up to him, and he is staring at you in pure adoration. "I promise, you've got this." He encourages.

You feel tears of relief pool as your doctor let's out a direct order. "And we're there, when I get to three you push, okay."

You only nod as Lewis crouches down, "Push like hell, bunny."

You don't count how many times you hear him count to three or how many agonizing pushes you give until you hear the first cry. You're momentarily distracted as you watch them hold your baby into the air.

"Come on, Mom, got to keep going," your doctor orders.

You exhale, taking another deep breath as you push again. Lewis remains by your side, holding your hand and coaxing you through the pain.

"You're doing so great, bunny. So proud of you. We're about to meet our babies; we just have to push a little bit more."

His words are all you need to get through another insufferable ninety seconds before you hear an even louder cry.

Lewis kisses the top of your head as you fall back in exhaustion. "So proud of you, baby, hmm. I love you."

You're no longer the angry woman you were twenty minutes ago. You're looking up at Lewis with tired eyes that still glow with love and excitement.

"Baby boy came first." Your doctor hums settling him on one side of your chest, Another nurse comes forward settling your second baby on the oposite side. "And his sister came to stake her territory after."

You cry out, but it comes out in the form of a laugh. Your hands come up to hold both of your babies against your chest. Lewis crouches down, eyeing you three in amazement.

"My beautiful family."

He places a kiss atop each head, watching as they instantly settle down amongst your warm body.

You've never felt so much love in your life. You think back to all of the times you felt you were destined to be alone, all of the times you craved for someone to love you unconditionally. You gave up hope that you'd find it in a partner, so a baby was all you craved. But here you were with a man who loved you more than it was possible for love to exist. Here you were with two products of that love.

You order the nurse to remove one of the railings so the Lewis can nestle in beside you. The doctor suggest for him to remove his shirt and he does so quickly, gently sliding beside you. You motion for him to grab the babygirl and he eases her onto his chest with ease. You peck his head as you watch the tears glide down his face.

"I just love you all so much." he cries.

And you know exactly how he feels as you two bask in the moment.

You think back to the moment that made this all possible, laying in Lewis' bed as the words leave his mouth, "It's something about loving someone so much that you want to fill them up with another part of you."

Looking at your two babies, you could tell they each were going to represent a part of both of you. As your daughter lets out constant noises, Lewis turns to you with knowing eyes, "Just like her mama." Your son's eyes pop open at the sound of his sister, and you coo, "Brother bear."

"Do we have names ready?" The doctor hums.

y/u/n

liked by fencer, champagnepapi, and 2,786,901 others

y/u/n I want to share this love I found with everyone. you deserve to meet my happy family after all of this time. Of all of the things that I wanted to be, being a mother was always my true calling. It's not easy, but it's worth it. To my babies, mommy loves you always; when the world is cruel, and your heart makes you feel like a fool, know that I will be there always. To LJ, my daring little boy, I see your father in everything you do; you will always be my baby bear, so strong and courageous, but with a mind so strong and a heart so big, you're forever unstoppable. My baby, Giana, Gigi girl, you came into the world demanding to be heard. You're fierce and bold in all of the best ways. Already, I admire the way you think and the things I know you will do. You heal a part of me I didn't know needed healing. You're my favorite girls girl, I love listening to you yap puppy, I love that you love talking to me. Always stand your ground, girly; never dull your light or lower your voice for anyone or anything. If no one listens, know I will. And to the love of my life, who has given me everything I could've ever wanted, plus more. You've outdone yourself, Lew; there aren't enough words to articulate how much I love you. Still my best friend, soon to be my husband, forever and always, the love of my life <3

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lewishamiton I can never think you enough for all that you've given to me. I love you more than life bunny. ❤️

user okay but the family of crochet animals. PUPPY? BEAR? CHEETAH? BUNNYYYY? 🥲

whitwhit still so proud of you mama ❤️

y/u/n the best god mommy in the world! I love you.

landonorris Mother🤰🏽Literally. Beautiful souls, even more beautiful children.

y/u/n love love love you Lando

user i always knew they'd get together one day, my happy heart!

lewishamilton

liked by charles_leclerc, mercedesamg, and 7,796,801 others

lewishamilton Thank you will never be enough for all that has been given to me. I love you, bunny, and every time I think it's impossible to feel more than that, you prove me wrong. To the rest of our lives together, to our children, and to the life I've had with you. We're in this together, forever. Daddy loves you, LJ, and Gigi, forever here, forever loving you.

charles_leclerc So happy for you man!

sebastianvettel never have you been happier man, congratulations.

user you mean to tell me that all of this time we thought he was uncle lew and whole time HE'S THE PAPPYYYY

lewishamilton like these are my kids, that my son. I was so bothered by that ngl. THEY LOOK JUST LIKE ME.

user you tell us not to assume and then when we don't assume you want us to assume what do you want from us sir?!?!

so this is the end that's not the end, I'll most likely make blurbs for their future 🌚

hope you enjoyed it.

not proofread sorry for any mistakes I was rushing honey

@barcelonaloverf1life @mitruscity

#lewis hamilton imagine #formula 1 #f1 #black reader #lewis hamilton #lewis hamilton x black reader #sir lewis hamilton #lewis hamilton smut #poc reader #lewis hamilton x reader #oh baby part 3 #oh baby mini series

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sv5hive · 1 month

Text

'cause when you know, you know | cl16

pairing(s): charles leclerc x fem!reader

content warning(s): mentions of drinking

word count: 708

note: i haven't posted anything in so long i hope you didn't forget me 🫣🫣

masterlist!

"this is who i was talking about! charles leclerc, you know, the racing driver i mentioned?"

reluctantly, he looked up from the drink in his hands to introduce himself to you. in all honesty, the first half of the season had been tougher on him than usual and he just wanted to be left alone.

that plan was derailed the moment his eyes landed on you.

as he took you in he failed to notice your outstretched hand, waiting for his.

idiot.

it wasn't his fault you looked like an angel in that white dress which seemed to hug your body perfectly, your skin glowing in the warm sunset and eyes twinkling much like the fairy lights illuminating the rooftop. it's almost as if a switch was flicked in him and all the fatigue left his body at the sight of you.

he was definitely in trouble.

"nice to meet you. i hope he hasn't told you too many stories about me." was all he was able to get out while still in a daze.

"nice to meet you too. don't worry, he's only told me the good ones!"

you even had the voice of an angel.

the conversation flowed easily with the steady stream of drinks from the bar. at some point near the beginning of your conversation, your mutual friend had abandoned you, leaving the both of you to lean against the wall in a secluded corner. neither of you minded though, as you spent hours learning almost everything about each other from your careers and families to your favourite dishes and childhood pets. somehow, you had managed to ignore everyone else at the party and stay by each others side in that corner the entire time. you looked around you only to find out you two were the last ones left up on the quiet roof. not that it mattered; you could've spent lifetimes talking to charles, shoulders pushed together, hands almost touching but jumping apart whenever they got too close, just talking about whatever came to mind.

the sun had long since dipped below the horizon and the moon was now glimmering in the waves. charles took the opportunity to admire you in his slightly drunken state before he lost the little confidence he had suddenly gained.

a cool breeze had come with nightfall and danced through your hair as you gazed at the sea through lidded eyes. the moon reflected on your face like a spotlight, magnifying your beauty to him. it felt like the universe was giving him a sign, screaming at him to not let you slip away. even if he wanted to ignore the universe, he couldn't. not when he had already felt himself falling the second he saw you and lost all common sense. a permanent, dopey smile rested on your mouth while you nursed the last remainders of your drink. whether you were smiling because of him or the several drinks you had he didn't know, but he certainly hoped it was the former (it was).

he had just met you a few hours ago but in that instant he knew this would be the story he would tell your all your friends and families over and over again until they could repeat it from memory. he could see it all so clearly.

they would ask how he knew you were the one and he would recount this exact moment, where you weren't even really paying him any attention and instead opting to stare out into the endless sea. they wouldn't understand but when they did and they wondered if they've found the one, he would be there to tell them that if you really have to ask yourself, then they aren't the one. because when you know, you know.

"what are you thinking about?" you had realised the silence had stretched on for much longer than what felt normal.

"hmm?"

despite charles drinking several glasses of liquid courage, he still couldn't form a proper sentence around you.

"i said, what are you thinking about? you look very, concentrated."

"nothing, don't worry."

"whatever you say."

he studied your features once more before shaking his head and smiling to himself.

"come on, it's late. let me walk you back."

#cl16 #f1 fic #f1 x reader #f1 x you #f1 fanfic #f1 imagine #charles leclerc fluff #charles leclerc x reader #charles leclerc fic #charles leclerc imagine #charles leclerc fanfic #charles leclerc x you #cl16 x reader #cl16 imagine #cl16 x you #cl16 one shot

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thepixelelf · 4 months

Text

ah! love - 3

genres: married life au, family au, fluff, a little... angst? but we know it ends up okay (best friends to lovers) relationship: husbands 95 line x reader (feat. baby doremi line) words: 2.0k warnings: none notes: joshua centric!! also they live somewhere where it gets cold sometimes. I know that Joshua's had a little less time in the a!l spotlight, so I hope this satisfies the shushus[?] out there! this is the first >1k bday fic I've written in a while idk what came over me lol

ah! love masterlist

Joshua saves the day...wait, the night?

Joshua loves his kids. More than anything, though that thought sometimes scares him if he thinks too hard about it. The point is, he loves his sticky little mischievous imps, no matter how many times they throw up in the middle of the night, or run around with food half-chewed in their mouths because they've yet to develop a fear of choking like he and the rest of his partners have, or the half a million other things they don't warn you about parenthood. He loves his sons, end of sentence. Period.

But that's not to say they were his idea. Like a lot of the current life he feels overwhelmingly lucky to live, none of this was his idea. He hadn't even dreamed of it -- even his sleeping consciousness couldn't have been so creative as to spin the love story that led to his present. He hadn't fathomed marrying you and his other two best friends.

The marriage was Seungcheol's idea. But apparently you and Jeonghan were already thinking about it, too.

Joshua had been entirely caught off guard.

He was thinking too rigidly, he realized. Their marriage isn't legally recognized in any sense, and it was for that reason that he'd never even considered it in the first place... but it's still his marriage, whether penned and signed or not. There are three rings on his finger to prove it.

The kids were Jeonghan's idea. Well. The kid was sort of his, Seungcheol's and your idea. Jeonghan had said he'd always dreamed of having two kids -- a boy and a girl, like him and his little sister. You'd had your own fears about children, as did Seungcheol. You were scared you wouldn't know how to parent, wouldn't be able to raise a child in the way they deserved. Seungcheol worried how a child raised in their unconventional family would be treated by their peers. They'd all chosen the life they would live together, society's judging eyes be damned, but the child wouldn't have a choice, least of all an informed one.

Over the breakfast that was long forgotten after Jeonghan made his casual suggestion and vulnerable confession, you and Seungcheol eventually needled him down to one kid. Maybe.

As for Joshua, he didn't say a word. He was too lost in his own head, imagining a swaddled baby in your arms, and you in his. A shimmering mirage of his lips pressed upon your forehead, before he bent slightly to kiss the baby's tiny hands.

One kid may have been Jeonghan's, Seungcheol's, and your idea, but with Joshua, and circumstances as they were, you came home with three.

So perhaps some of this was his idea.

Not this, though.

"Papa...?"

Joshua blinks himself awake. His room is mostly dark, but warm light filters in from the hallway. The culprit? A little boy with one hand on the doorknob and the other wiping the corner of his bleary eye. Joshua can't tell who it is by looks alone, since the boy is all but a silhouette in the doorway, but he knows from the sound of his voice that it's Vernon.

Slowly, he removes his arm from around your waist. It's unlucky, maybe, that tonight you chose to sleep in Joshua's room, and then Vernon decided this was the place to be, too. He scoots away from you, then tries to lightly step across the room to kneel in front of Vernon. "Hey, bud," he whispers, trying desperately not to wake you up after a long day. "Can't sleep?"

"Bad dream," Vernon mutters.

⭒-⭒-⭒

"Bad dream?" Joshua sat up from the couch he was sleeping on just a minute ago, and he watched you whip around like a kid with their hand caught in the cookie jar.

But you only had a glass of water in your hand, and you winced as you turned off the tap. "Sorry. I was trying not to wake you."

"You didn't." Not really, anyway. The couch wasn't exactly the most comfortable thing to sleep on in the first place, which was why he offered you his room to sleep in while you needed a place to stay for the night. Actually, both Jeonghan and Seungcheol had offered their beds too, and it became a bit of a squabble, but you'd settled things by just picking the room offered to you first.

"Liar," you said, and even though the only light in the room came from the moon through the balcony windows, he could hear the smile the word came through. Still, there was a certain tiredness in your voice.

"Seriously. What's wrong?"

A sigh left you.

"Come, sit," he insisted. "Talk to me. You know I'll annoy it out of you eventually."

Another sigh came from you, but this one of reluctant, amused acceptance. You walked across the combined kitchen slash living space in in their three-room apartment, set your water on the coffee table, and sat on the other end of the couch from him. Too far for his liking.

"What's your mood like tonight?" you asked him as you relaxed into the cushions, your head resting so that you stared at the ceiling.

"On what scale?"

"Hm... holiday rom coms?"

He thought hard for a second. "The Princess Switch 2: Switched Again."

You snorted, rubbing your hands over your face. "Not good then?"

"Well, you did have to abandon your apartment because the heat turned off and your dumb landlord is completely MIA." He shifted his body to face you, one arm propped up on the back of the couch to lean his head on. "But you showed up here wearing a comedic amount of layers, so the day had its funny moments."

A laugh bubbled from your throat, and Joshua found himself smiling in the dark. "I guess you're right. How's your mood in terms of..." You let your head flop to the side to look at him. "...a hug?"

He had to wonder sometimes if you had absolutely no idea what he would do for you if you asked. A hug wouldn't be on that list-- it was so easy that it didn't even constitute consideration.

But his heart warmed, because even though he knew he'd never refuse to give you something so simple as a hug, you knew he wasn't constantly the physical affection kind of guy. You wanted to ask him. You wanted his comfort, but only if he was willing.

God, was he willing.

"All yours." He opened up his arms, and you all but sank into him.

You both stayed like that for a while, silent, but warm. He was satisfied with you in his arms, but he could tell your mind was still stewing.

"You gonna tell me what's got you up so late?" he muttered, rubbing his thumbs back and forth on your sides.

"Do you ever think about the future, Joshua?"

Sometimes. But it was always with you in it. "Not really."

Leaning back, he brought you to lie almost on top of him, so now he was the one staring at the ceiling.

You sighed. "I try not to... at least not too much. But sometimes, on nights like these, I'm scared that I..."

He waited for you to continue, but when you didn't, he gently patted your back. "That you what?"

"That I want too much."

Joshua breathed in. Held that air for a few more seconds than necessary. Breathed out. He wondered if it would always be like this-- you being brave enough to speak aloud the fears he kept locked up.

"Don't be scared," he whispered, because what else could he say?

Me too?

No. He couldn't know if you meant it in the same way he felt, and it would be selfish to let his words and feelings out now, while his two other best friends were asleep mere meters away.

You chuckled, as if to dispel any vulnerability you'd revealed. "Easy for you to say."

You had no idea.

"I'll protect you."

"Ah, right. Did you read my mind? We'll have to sleep out here tonight."

Not yet catching up to your joke, Joshua loosened his arms around you and furrowed his brow. "What do you mean?"

You lifted your head, a cheeky, bitable smile on your lips. Your voice lowered to a conspiratorial hush. "There's a monster under your bed."

⭒-⭒-⭒

Joshua ends up in the kitchen downstairs, all three boys sitting on the counter since Papa Seungcheol isn't there to discourage it. He tried to help Vernon right back into bed, he swears, but as soon as Seungkwan roused from his sleep and asked Vernon what was wrong, a conspiracy of monsters under each of their beds spiralled out of control. Even Chan got dragged in, heavy sleeper that he is.

Now, Joshua's showing them his ultra-secret monster repellent recipe. He melts an ice cube on a warm pan like a slab of butter, then pours warm water over it. Hiding more ice in his hands, he pretends to pull it from the pantry and adds that to the "mixture" too.

The boys watch, entranced and more than a little tired, as Joshua carefully pours the pan's contents into a measuring cup filled with yet more ice. He then pours that into a spray bottle they use to water the plants and screws the lid on. "There," he says proudly, presenting the bottle in front of the boys like it's a fine wine.

"What's going on down here?" your soft voice comes from the bottom of the stairway.

Joshua winces. "I was hoping I wouldn't wake you."

"It's alright," you say, though he can tell you're still fatigued. You walk over to the kitchen and pet the first boy's head that you reach, Chan's. "What are you all doing up?"

While Vernon makes grabby hands for you to run your fingers through his hair as well, Seungkwan answers. "Papa Shua's making monster-go-away juice."

"Monster-go-away juice?" you echo, then turn to Joshua with feigned shock and a quiet gasp. "Not your secret recipe?"

Joshua smiles. You're always so quick to match his humour. "I know." He throws the boys a look before meeting your eyes with full, teasing seriousness. "But I think they're ready."

Your eyes glimmer with laughter, but you hold yourself back for the sake of the bit. Turning to your sons, you wag your finger. "This is powerful stuff, boys. You have to use it carefully."

Chan's eyes are wide, sparkling with awe as he takes in your every word. Seungkwan and Vernon are equally rapt. Joshua's going to have to explain all this to the more straightforward husbands tomorrow, but tonight? Seeing the adorable looks on his sons faces and the playful tilt of yours is totally worth it.

"But don't worry," he chimes in. "It only works on monsters. It's harmless to humans. See?"

In a flash, he points the bottle at you and pulls the trigger, spraying a thin mist of water-water right in your face. You flinch in surprise, affronted, but only Joshua can tell. You laugh, then look at the boys again. "See? Nothing." You snatch the spray bottle from him. "It doesn't do anything to papa Joshua, either."

Okay, he thinks as you spray him not once, but three times, he deserves that.

"Now, papa Joshua and I are going to take care of any monsters, and then we're all gonna go to sleep, okay?"

The boys nod, and Vernon yawns, then motions for you to pick him up. You send a look Joshua's way, and he sends one right back. He gathers both Seungkwan and Chan in his arms, but before you start the trek up the stairs, he stops you. Each of the sons in his arms get a kiss to the top of their head, and then he leans over and presses one to your temple. Lastly, he bends down and, while Vernon has raised his arm to once again rub his eyes, Joshua kisses his tiny little hand. Just like he imagined over breakfast not so long ago.

No, waking up in the middle of the night to save his sons from imaginary monsters was never his idea. Neither was this life, or this family.

But Joshua wouldn't have to any other way.

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steddieas-shegoes · 3 months

Text

oh, that's why

for @steddielovemonth prompt 'love is showing up when someone doesn't ask'

rated t | 1,533 words | cw: implied sexual content | tags: friends to lovers, getting together, realizing feelings, love confessions, fade to black

💖💖💖💖💖💖💖💖💖💖💖💖💖💖

Eddie was nervous.

He hadn't bothered mentioning Corroded Coffin's first show back to anyone except Wayne, didn't want anyone he knew to see him stumble over chords and lyrics with nerves he'd never had before Vecna. The guys didn't really say anything, but they'd casually suggested some slower songs mixed in to give him a break during the set. They just seemed to know that he didn't have the stamina anymore.

It's not like the Hideout was Madison Square Garden, but news had spread amongst the locals about Eddie's return to the stage and people must have gotten curious. The bar was busier than Eddie'd ever seen it, people lined up against the tiny stage and filling the tables spread out around the room. Every stool at the bar was filled, the door constantly opening to welcome someone new with a chilly breeze from the fall air.

"Hey, man. You ready?" Gareth's hand on his shoulder was meant to be comforting, but all it did was remind him of how much everyone in the crowd probably wanted to watch him fail.

"Yep," Eddie breathed out.

It was fine. This would just be another show, maybe not the best they've ever had, but they did fine during practice. He was fine.

There was no announcement for them, there never was. The bar owner and the main bartender pretty much only invited them back because the regulars would order double the amount of drinks when they performed.

The lights were already dimmed in the bar, and the spotlight stayed on on the stage all night.

It wasn't anything special, but it still felt like a step towards more.

The crowd was loud, and barely paid them any attention during Jeff's introduction.

They started playing Master of Puppets, a shorter version without the solo since Eddie still struggled getting through it without having a panic attack. It was part of "reclaiming his trauma" or whatever the government appointed therapist told him on his second and final visit.

He took the first minute to really look out at the crowd, passed the obnoxious spotlight.

Most of the people were unrecognizable, dressed a lot like Wayne, but lacked the friendly smile he gave him when he managed to make it to his shows. He saw a few people he knew from his first two senior years hanging by the back, probably trying not to be noticed by him.

And then he saw him.

Steve.

His fingers skipped over the strings, missing a note and then two, though only his band and maybe the bartender would notice.

Steve smiled back at him, mouthed 'lookin' good', and gave him a thumbs up.

How did Steve even know about this? None of the other guys had told him, he begged them not to, made them pinky swear that they wouldn't invite anyone they knew for the first show.

Eddie smiled back at him still, happy that Steve was here, realizing now that a friendly face was the only way he would get through this set. He should have told them all.

Most of the set went surprisingly well, and most of the crowd seemed content to watch and sing along. Only a few people walked out when they realized it was mostly metal music, but he figured they weren't really there for any music at all. Watching the freak was the only entertainment a lot of people had in this town.

Steve was nodding his head, nursing the same beer for the entire hour they were on stage, smiling every time Eddie made eye contact with him. He seemed to be enjoying it, despite his usual refusal to listen to any of Eddie's music.

When they got off the stage, Eddie rushed to Steve, not even bothering to put his guitar back in its case first. Most of the crowd had gone outside or settled around the bar anyway, so his sweetheart would be safe.

"What are you doing here?" Eddie bounced on his toes, adrenaline pumping after a successful show. "I didn't tell anyone about this."

"Wayne mentioned it by accident. He assumed you'd asked me to come," Steve shrugged. He didn't seem hurt about not being invited, thankfully, but Eddie still felt guilt bully its way into his chest.

"Sorry. I just wanted to get the first one done before I had anyone here," Eddie nudged his hand. "But thanks for coming. I'm glad you came."

"I'm glad I did too. I'll always be here if you need me, Eds."

It sounded serious, less like what friends do and more like what love does.

"How do you always know what I need?" Eddie couldn't help asking. "It's like I think I'm fine, but then you're there with a glass of water because I haven't remembered to drink all day. Or like tonight, when I thought I could do it on my own, but played much better because you were here."

"I just know you," Steve smiled.

"Wait," Eddie started thinking back to all the times Steve was there. All the times he would show up at the trailer after work to make dinner, not knowing that Eddie had been feeling lonely. All the times he sat next to him on the couch while he planned out Hellfire campaigns because he needed someone to bounce ideas off of who wouldn't be involved. All the times he had to brave the general public and Steve always managed to find a reason to be right by his side, silently protective. "Wait."

"I'm waiting," Steve said. And was he sounding smug? What was that smile on his face? "How long am I supposed to wait?"

"I didn't ask you to be here."

"That's true. You didn't even tell me you'd be here."

"I never ask you to come over. Or go places with me. Or anything."

"You do sometimes," Steve argued.

"Wait."

Steve's lips pinched together, but a smirk was starting to tease its way onto his face.

"You're here because you want to be. Because you knew I'd be a mess and would actually want someone here even though I didn't tell anyone. Because you're always there when I need someone even when I don't admit I do. Because you care about me."

"Love, actually."

Eddie stopped in his tracks. "What?"

"You said I care about you. Duh, of course I do. But I actually love you."

"Like...the way you love Robin?"

"No. Like the way I thought I loved Nancy. But with you it's more. It's way more, Eds."

Eddie was grateful for the dim lighting and Jeff's sudden appearance by his shoulder.

"Eddie! We fuckin' nailed it! I signed an autograph for a girl who knows my name!" He yelled before he noticed Steve. "Oh, hey Steve. Enjoy the show?"

"You all did great, man. Glad you're back out there," Steve reached out to grab his shoulder, a friendly gesture that Jeff wasn't expecting judging by his face. "Need any help loading up?"

"Uh. No. I was actually gonna let Eddie know Gareth's dad came by to help bring all our stuff home so we don't need his van." Jeff gave them both a knowing look, then smacked Eddie's shoulder and smiled. "See you tomorrow!"

Eddie waved at him, still in shock from everything Steve had said before Jeff interrupted.

"You should probably put her in her case, Eds," Steve gestured to the guitar still slung across his back. "People aren't that careful in a bar."

"Wait."

"You've said that a lot tonight."

"Because I'm having a stroke or something. I'm having a very lucid dream. Or maybe I got too high." Eddie shook his head and pinched his own arm. "You love me."

"That's what I said, yeah."

"And you meant it?"

"I wouldn't have said it if I didn't mean it."

Eddie still felt like he might be dreaming, but he decided to lean into it. If Steve loved him, then that meant-

"Wait."

"Oh my God," Steve groaned, but he was smiling. "What now?"

"I love you, too."

"Yeah? You just figure that out?" Steve definitely sounded smug now.

"Yes! I thought I just had this stupid crush on my straight friend. Sorry I didn't realize the way my stomach does cartwheels when you're next to me meant I loved you!"

They both started laughing.

"So, that's why you were staring at me like that at the pool," Steve finally said through his laughter.

"And that's why you asked me to read to you when you had a migraine," Eddie crossed his arms across his chest to avoid doing what he really wanted to do: pull Steve into the most John Hughes-esque first kiss ever.

"We should probably get out of here," Steve said when he recognized Eddie's twitching fingers fighting to not reach out. "Don't think anyone here would like it too much if I made out with you next to the bar."

"Give me two minutes. I'll meet you outside."

Their actual first kiss was just as John Hughes-esque, but it was in the privacy of Eddie's bedroom, and immediately followed by Steve pushing him against his own door and dropping to his knees.

#steddie #steve harrington #eddie munson #stranger things #steddielovemonth #love is showing up when someone doesn't ask #friends to lovers #getting together #realizing feelings #love confessions

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still-a-morosexual-help · 1 year

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Right ik we're all in love with MC from Nightbringer but can we please acknowledge that they're literally just og om! MC but their usual personality is highlighted because of their new situation

MC's personality has always been like that

They've always had batshit options.

Nightbringer isn't the first time MC tried to kick down someone's locked door, in the og game they actually succeed.

When I say MC grew/had character development I mean: how it's canon that MC is reserved with people they don't know and Lucifer acknowledges in S2 that they're growing more open. + that they're grown confident in their magic now.

Personality wise though they're still the same shithead from og om!

Remember what they were like during the cowboy event?

How much of a snarky ass they were to Mammon & Levi in S1?

How they canonically know how to push Lucifer's buttons & delight in it?

How they're crazily adaptable & calm in bad situations?

How they have no problem choosing violence and relish in the chaos the brothers create?

How weirdly okay they are with accepting death?

Just the entirety of "Lucifer's Rough Day" Devilgram. If you have that please read it! MC's hilarious & terrible, the absolute love of my life

All that & more are present in both games.

MC's personality is still the same, the fact that the brothers are now on new ground, unsure of themselves and their positions, shy and scared and confused, unsure of even their own powers just means that MC gets the spotlight to shine because the brothers are relying on them much more heavily and their usual level of competence & snark gets elevated because of it

Here's all my posts I could find about MC from the og! game that show what they're like:

MC being done with Mephisto

MC brutally judging Satan's level of pranks

MC being absolutely badass when they save Barbatos using pure brute strength in S4

Canon facts about MC

MC being willing to lay down and die part 1

MC's emotions + facial expressions

THIS CHAT! Just casually dropping the most batshit information

Being a shithead to Satan for no reason

Being a shithead to Mephisto for a very good reason

MC happily pissing off Lucifer for the lols

MC being not nice to strangers

MC thriving on Chaos

MC being jealous/possessive

MC having 0 fear of horror

MC being Done

MC being fucking insane

MC's emotional intelligence and how they use it

MC having 0 fear in general

Giving priority to cows over their best friend

100% commitment to the bit

Being a dick

"Yaaas hon, come through!"

Giving Lucifer grey hair

MC vs the brothers on freaking out each other

MC being willing to lay down and die part 2

When MC loses their temper

Memes

MC's Magic

MC being very obviously not human

A typical friend group

The pirate event

This entire amazing compilation by @radarchives

#obey me spoilers #obey me nightbringer #obey me #obey me shall we date #obey me!#shall we date? obey me!#swd obey me #shall we date obey me #obey me main character #om mc #obey me mc #om! mc #swd mc #obey me! mc #shall we date mc

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eriexplosion · 2 months

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Tech Lives: An Ungodly Long Essay

(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)

There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!

THE LEAD UP

So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.

Doomed By Character Development?

We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.

When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?

Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.

The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.

But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...

That Sure Is A Lot Of Open Plot Lines

And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.

The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.

The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.

Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.

And then there's his personal plots.

Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.

Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.

Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.

We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.

Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?

A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.

But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.

The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?

Too Much of a Survivor To Die?

There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:

Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.

Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.

A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.

Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.

We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.

Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.

THE FALL

Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.

What is Plan 99?

Well, that's just it, we don't actually know.

We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'

Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.

It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.

Pacing Goes Out The Window

Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.

Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.

The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?

Tarkin, Eriadu, & Saw Gerrera

A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.

Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.

All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.

So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.

By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?

They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.

And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.

Did Tech's Sacrifice Mean Anything?

In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?

Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.

But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.

Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)

So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.

Framing is Everything

In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.

So why does Tech die with his helmet on?

If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.

And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?

Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.

Which means instead of our last glimpse of Tech being something like this.

We end up with something closer to this.

Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?

The Flip Might be Intentional

And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.

The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.

THE AFTERMATH

Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.

"What if he's hurt?"

Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.

So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.

Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.

However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.

If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.

No Body?

And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.

Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.

Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.

Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.

Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.

These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.

Reused Score

The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?

It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.

Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.

The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.

SEASON 3 SO FAR

Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.

They Aren't!

That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.

In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.

This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.

Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.

Narrative Grief

Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.

This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.

Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.

How Do You Like Yearning?

Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.

So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.

If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.

Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.

Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.

If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.

What's to Come

We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.

One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.

MARKETING, INTERVIEWS, & SOCIAL MEDIA

I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.

Constant Focus

In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.

Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?

And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.

So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.

Never Say Die

In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.

Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.

It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.

Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...

What an Odd Thing to Say

The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.

There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...

Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?

Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.

During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.

So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?

We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.

#the bad batch #tbb #tbb tech #the bad batch spoilers #tbb spoilers #the bad batch speculation #this thing is some 7500 words i might have an obsession problem

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theanimeoftheblackbunnymask · 1 month

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Gojo and Geto College AU Imagine

Author's note: Trying to get used to writing for these characters again.

Warnings: Intoxication, Rape Implied, Blackmail, Yandereish Behavior, Corecion, Peer Pressure, and Gojo and Geto being assholes.

Imagine Gojo and Geto being the biggest manwhores in school.

Like, they're popular because they're in sports, in a frat, and extremely good looking, but they've pretty much fucked the entire cheer and volleyball team.

You knew better than to interact with them. Anyone who dated them rarely lasted a month, so why would you even bother.

Well, that was the case until last year. Your school was paying students to help with tutoring and you needed some extra cash, so you applied. But, much to your suprise, and horror, Gojo fucking Satoru was sitting at your fucking table. You pretty much wanted to walk out right then and there. You didn't want to admit it, but you've had a major crush on the duo for years, but you were doing everything you could to not get heart broken.

But, Gojo could sense you liked him. He could tell from the look in your eyes. So, anytime he'd get the chance, he'd tease you like crazy. Whispering in your ear, sitting extremely close to you, ghosting his hand over your arm, and so on. You're reactions were the cutest thing! You'd flinch in suprise whenever he touched your shoulder, your stuttering after he made a perverted joke, and your flustered face. Ugh, they were all just so fuckibg cute.

But, you were a no life. Had a few close friends, but you were far from entering the popular crowd.

Howver, that didn't matter to them. So, one day Gojo invites you to a frat party with him and Geto, and you wanted to refuse, having an off feeling about the whole ordeal, but the idea of getting into the spotlight and Gojo's manipulation, you agree to go.

The party was first time you ever met Geto, and he was a lot hotter up close than you thought. Unlike Gojo, Geto was a real charmer. He'd often compliment your outfit, and also comment about really unnoticeable details about your hair or your outfit.

After an hour into the party, Gojo comments on wanting to get some drinks. You weren't too sure about it, never having alcohol before, but the two men persisted.

After a few drinks, your mind started to become foggy and your memory became patchy. One minute you downing a shot, and the next moment, your head on Gojo's lap as Geto's head rested between your legs.

"Shhhh, it's ok princess/prince, we'll be gentle."

After those words left Geto's mouth, you felt your body curl up, but that's where your memory ends.

The next day, you woke up in your dorm, PJ'S on and everything, but you still had a rough idea of what happened. When it came to tutoring Gojo that day, you were quiet and barely bothered when reacting to him playful teases.

This went on for a week, but after a week, Gojo and Geto cornered you while on the way to class.

When you told them to leave you alone, you felt your body freeze as they showed you the pictures they took of you.

"If you don't want these getting out, let's make deal," Gojo said, scrolling through each and every picture.

"What is it?" You asked, voice cracking as your hands shook.

"If you let us fuck you, these will stay nice and safe on Satoru's phone, but, if not, the entire school will get to see what you were up to last week," Geto stated, leaning down to your level as he spoke. "Internship opportunities, Gone. Job opportunities, gone. No one would wanna hire a whore."

You were scared to say the least. Have your life ruined in a single clip, or swallow your dignity and give your body up to two popular assholes?

"...Ok."

#jjk x reader #jjk x you #yandere jjk #yandere jujutsu kaisen #yandere gojo x reader #gojo saturo x reader #gojo x reader #yandere gojo satoru #yandere gojo #gojo x y/n #gojo x you #geto suguru x reader #geto x reader #yandere getou #geto x you #geto suguru x you

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ekat-fandom-blog · 6 months

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Mythical au

Alfred had been the guardian angel of the Wayne family for many centuries. He'd been worried that he'd be forced to watch over a different family after Bruce died, but luckily he'd decided to take in Dick then Jason then a whole slew of children after and he didn't worry about being taken from his family for decades at a time. There would be challenges, he knew, but nothing he wouldn't do for his family.

When Bruce brought home two half dead children, Alfred knew that they were going to be a permanent fixture in the family's lives even if Bruce insisted that he was only fostering them until their aunt could safely take them in.

↓ more ideas ↓

Alfred Guardian angel - has a human form, minor healing powers, minor precognition concerning their charges He's the guardian of the Wayne family and upon his "death" he'll go visit his previous charges. After a few years in heaven, he'll choose a new form and come back to Earth. Knows what species his wards are almost immediately, but tries not to say anything as it's typically considered rude to talk about someone else's species without them saying something first. He isn't aware that some of his charges have no clue they're anything other than human.

Bruce Human No one but Alfred, his teammates, and his children believe Batman is human. No one thinks Brucie could be anything but human. His kids have a running joke that he's not actually human.

Dick Selkie - seal that can turn into a human, in human form they have a coat, if a human steals said coat they can force the selkie to do whatever they want, can be vengeful and dangerous, are normally friendly helpful and attractive. He takes many precautions to hide his coat from everyone. He sometimes sneaks to the pool in the mansion to swim. Bruce didn't know for a few months. Jason didn't find out until before Ethiopia. Tim figured it out after one month. Damian didn't know until Dick decided that Damian wouldn't use his coat against him.

Jason Wraith - steals/hoards souls, holds grudges, targets those who've wronged them until they've captured their soul and can force them to wander outside of the spirit world for eternity. He became a wraith after being resurrected and is very vaguely aware of being one. He's definitely collecting and hoarding souls, but has no idea what to do with the souls he collects. His ultimate goal is to collect Joker's soul and force him to wander aimlessly for eternity. He absent mindedly tries to take any ghosts for his hoard whenever he zones out around them. The magic community and ghost community are aware of this very-much-alive wraith and have mixed feelings about it, but the overall consensus is that it's a bit funny. His family - except Alfred, Danny, and Dani - don't know.

Tim Sphinx - smart, guardian, can prophesy, ferocious, generous, merciful He doesn't know he's a sphinx. He gets glimpses of the future but doesn't normally say anything to warrant anyone becoming suspicious of him having prophetic dreams. If he was aware he was a sphinx, he'd be able to tap into his true form and become stronger, faster, and better at controlling his prophetic ability.

Damian Imp - crafty and mischievous demons with minor magical abilities and a craving for the spotlight, typically garners attention from those who want to enslave them, born pranksters, impulsive, good at shapeshifting and conjuring fire He's very unaware that he's an imp. Talia is also unaware. Ra's is aware and hiding the fact that they're imps.

Danny Halfa He's very confused about Jason being a fully alive ghost (almost, kinda). He does think it's funny when (in ghost form) Jason tries to add him to his hoard of souls when he's sleepy or absent minded.

Dani Will-o-wisp halfa - mischievous, sometimes they're reported to have led people away from their deaths and sometimes they are reported to be the cause of people's death mostly due to causing confusion in said people. Dani's aware of being a will-o-wisp, seeing as she shines brighter than Danny and has a propensity for wandering and mischief. Also, she was told about being a wisp by a wisp while traveling. She also thinks it's funny when Jason tries to add her and Danny to his soul hoard when he's sleepy or absent minded (when they're in ghost form of course, he doesn't react when they're in human form).

#dp x dc #dc x dp #dcxdp #dpxdc #dc x dp prompt #mythical dpxdc #this isn't how i wanted this to turn out but i couldn't get this prompt to work with me #i do love will-o-wisp dani and 100% alive wraith jason tho

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ckret2 · 18 days

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Chapter 47 of human Bill Cipher thinking that being imprisoned in the Mystery Shack is looking pretty good right now:

The Eclipse: Part 5

Bill and Ford are just... so energized and enthusiastic after their near death experience. Not to mention fashionable.

But they've got nothing on Dipper.

And, at long last, Ford and Dipper badger Bill—who's just too tired to lie—into explaining what kind of an "eclipse" involves a giant flying axolotl making gravity disappear.

####

When they reached the cave, Ford discovered that his antique lantern was too waterlogged to light.

"I'm not sure how we're getting to the top now," Ford said. The cavern directly behind the waterfall had some ambient lighting, but it wouldn't carry very far. "I know you can see, but I don't trust you to lead me through a cave system in the dark, no offense." He was surprised at himself for saying no offense.

"If I was planning to let you fall off a cliff, I could've saved myself a swim in the lake." Bill had taken off his backpack and was rummaging through it. "Didn't your lantern go out when you took four-eyes hiking through here? You should have learned your lesson."

Bill must have meant Fiddleford, though it was strange to hear him single out Fiddleford as "four-eyes" when Ford wore glasses too. "I did learn my lesson. I brought three flashlights as backup," Ford said. "Which are in Dipper's backpack."

Bill laughed weakly.

"Did you bring a flashlight?"

"Better." Bill pulled out a kazoo. He blew a stream of water from it, shook it, and then took a deep breath and played a long high note that wavered up and down.

Ford cringed at the noise. "Bill, what—?"

Bill held up a finger to silence Ford. Okay, fine. He was curious now.

It took a few moments of increasingly irritating kazoo playing, but Ford heard a soft clinking sound coming from the deeper caverns; and then several geodites—small creatures that looked like stone orbs with crystal limbs and teeth and glowing eyes—curiously emerged into the main cavern. Ford hadn't seen these creatures since he'd documented them in the eighties. He hadn't known they could be summoned via kazoo. They began making a high pitched humming along with Bill's kazooing.

"There you are." Bill stuffed the kazoo into his backpack and crouched down, holding out a hand until a couple of geodites crept closer to inspect it; and then he scooped up the closest one. The others startled into breaking off singing, but hovered nearby, chirping and clicking. "Okay, grab a flashlight." The light the geodites' eyes gave off wasn't very bright; but it was enough for Ford to see Bill's smug smirk. They proceeded into the caves, and a dozen-odd more geodites—perhaps out of curiosity, perhaps out of concern for the two hostages—followed along behind them.

The climb went much slower than it had just a few hours earlier. Unsurprisingly, without low gravity on his side, Bill was the holdup this time. Not only was he not as experienced in spelunking as Ford, but between his waterlogged dress shoes and his borrowed trout slippers he didn't have any appropriate footwear, and he'd elected to carefully climb barefoot again. When Ford had climbed up this path with Fiddleford in the 80s, it had been a six hour climb. He had no idea how long it would take with Bill.

But even at that, Ford hadn't expected Bill to need to pause so often to get his energy back. It seemed like the more Ford recovered from their fall in the lake, the weaker Bill got. In any other situation, he'd suspect Bill of slowing them down on purpose, but after... well, even that aside, Ford couldn't think of any reason Bill would want to delay getting home.

"It's just this body that's dizzy," Bill said, the fourth time they had to stop for him to sit. "Probably one of those... counterproductive stress reactions human bodies get." He wiped a film of sweat off his forehead, then stopped to examine how his hand trembled when his geodite's spotlight eyes fixed on it. "That or it's because I've only had a handful of cereal for the past two days."

Ford stared at him. "You what? Why?"

Bill shrugged. "Body wouldn't let me get more down. Wasn't my idea."

"Well, for goodness's sake, eat something now."

Bill took off his backpack, pulled out a cereal box, and opened it. He grimaced. He poured out a puddle of sugary lake water and dissolved cereal.

Of course. "Here." Ford pulled a tube of astronaut meat out of his backpack and offered it over. "It's not the most nutritionally complete meal supplement, but it's something. It'll have protein."

Bill took the tube with a grimace, but squeezed out a dollop of meat paste and licked it; and then he gagged so hard he doubled over. He clapped a hand over his mouth to keep from retching and offered the tube back. "Mmmf." The geodite hopped out of his lap in alarm and retreated to the group of hangers-on traveling with them.

The meat paste wasn't great, but that was a disproportionate reaction out of the alien who liked to mix chocolate sauce and mustard. This was a bigger problem than Ford had anticipated. "Keep it. If you can get down even a tiny bit every few minutes, that's better than nothing."

Bill nodded jerkily.

"I think it's better if we reach Dipper and get out of here as soon as possible."

Bill nodded more enthusiastically.

What would they do if Bill couldn't make it the whole way? Would Ford have to leave him in the cave and come back for him later? Ford hadn't tied the infinity belt's cable to Bill like he'd meant to, he just realized. It seemed unnecessarily cruel to try now; but it might be useful if he did have to leave Bill behind. He didn't know that they had any better option, he couldn't carry Bill all the way up and down. Especially since Bill had let go of his geodite, and Ford suspected the rest might abandon them if he put down his own...

They'd have to figure that out if it came to it. For now, they kept walking—Ford glancing back regularly to check on Bill, and Bill pretending he didn't notice.

####

After another half hour and another two increasingly frequent breaks, Ford saw a faint light in the tunnels ahead—yellow-white, not like the geodites' natural blues and purples. "Bill, is that...?"

"Hm?" Bill looked in the direction Ford was pointing. His right eye twitched, and then he had to squeeze his eyes shut in pain. "Yep. Boy child at 12 o'clock."

Ford called out, "Dipper?"

"Great Uncle Ford!" Dipper's voice echoed through the caves. There was a sound of clattering rocks as Dipper scrabbled down the tunnel to join them. The geodites scattered in fear, peering out from behind stalagmites as Dipper's flashlight swept over the scene. "Grunkle Ford! Are you okay?"

"Yes, yes, I'm fine. Are you—?"

Dipper collided with Ford to hug him. (Ford held his geodite out to the side so he could return a one-armed hug.) "I'm so sorry I saw you go over the cliff but I couldn't do anything I was in the mindscape the whole time something sucked my soul out of my body—"

"Not it, I'm innocent," Bill said unnecessarily, "nobody look at me." He'd taken advantage of the break to immediately sit on the ground. His abandoned geodite crept back over to check on him.

"—and—and wow, that was the Axolotl you were talking about, right?" Dipper let go of Ford to gesture like a fisherman demonstrating the size of an enormous catch, "It was huge, it had to be—I don't know, as long as the county? The whole state? How did it get so big? Is the Axolotl an alien or some kind of mutant Earth axolotl? Are all axolotls aliens—?"

"Now, hold on," Ford said, putting a hand on Dipper's shoulder, "what huge axolotl? What are you talking about?"

"You didn't see it?" Dipper paused, looked Ford up and down, and said, "What are you wearing?"

Ford grimaced, tugged his bandanna up a little higher, and turned his geodite away when it tried to aim its spotlight eyes at his neck to see what he was doing. "We had to borrow some dry clothes."

"He couldn't see the Axolotl," Bill said. "You shouldn't have, either."

"Sor-ry. Getting sucked out of my body wasn't my idea—"

"Hold on," Ford said again. "What do you mean, sucked out of your body?"

As they headed back down toward the waterfall, Dipper and Ford exchanged their versions of events. It didn't take long for them to realize Bill had saved both their lives with a swift efficiency that, had it been applied to any less altruistic a task, could have been called "ruthless." They didn't say anything, but neither one could stop from glancing back toward Bill.

"What?" he snapped, clinging to his geodite a little tighter like he thought they were planning to take it. "I don't owe you an explanation. You're not dead! Be grateful. Stop looking at me."

They stopped looking at him. Bill should be gloating about them owing him their lives. He should be convincing them they had to pay back their debt. Silence alone would have been worrying; but bristling like he wanted them to forget what he'd done was baffling.

As Dipper finished explaining his version of events, he said, "I think I remember meeting the Axolotl before—like you said." He directed this last comment back over his shoulder toward Bill.

Bill—whose entire attention had been focused for the last ten minutes on walking without collapsing, tripping, or dropping his geodite—simply muttered, "My condolences."

"Wait," Ford said, "You've... met a giant invisible axolotl before?"

"Mabel and I both did."

"When?"

Dipper opened his mouth, paused, and glanced back again at Bill for help.

It took a few seconds for Bill to register the question. "Oh—they've never met before. Not in this reality."

Exasperated, Dipper asked, "Then why do I remember it?"

"I told you—echoes," Bill said. When Dipper continued giving him an expectant look, Bill sighed deeply and said, "This is an embarrassing oversimplification, but you're at least familiar with the concept of branching timelines, right?"

"Of course I am. Every time you make a decision, the timeline splits into two paths—"

"Cute that you think it caps out at two," Bill said. "And a decision doesn't always split the timeline, sometimes the branches collapse back together depending on the gravity of the decision you made. I don't literally mean a decision 'you' made—you've never made a decision that important—but sure, you've got the basic idea."

"Fine," Dipper snapped. "So I met it on another branch, right? When?"

"Never," Bill said.

"Okay. Yes. But there is a branch where... some version of me met it. Right?"

"It depends on how you define 'is.'"

Dipper puffed out his cheeks with the effort of restraining a yell. He looked at Ford for either help or sympathy.

Ford winked surreptitiously at Dipper and said, "It's probably some complicated chronological issue. I doubt Bill can explain it in a way humans can understand." Under his breath, he loudly muttered, "Some 'teacher.'"

Bill straight-armed Ford aside to walk beside Dipper. "You humans have no sense of humor," he said. "I said you met him never because it's literally true. You had an accident that landed you in a time and space outside time and space—the meeting happened never and nowhere. It's where he prefers to take visitors. That timeline terminated after your meeting—and I don't mean you died, I mean he terminated that entire timeline."

"Really?" Dipper shivered. "With... With everyone in it? Why did he do that? Did something dangerous happen in that timeline, or was it unstable, or...?"

"That's how he usually ends casual meet-and-greets," Bill said. "Higher dimensional beings. He sees your reality from a perspective unimaginable to you. Remember when I told you you're just a movie projecting on a wall to him; he's got no problem with pulling the film out of the reel to inspect a few frames and then turning the entire projector off when he's done. What does he care if that's somebody's entire reality?" He paused to think that over. "Maybe the projector metaphor's getting strained. Imagine flipping through a book with all the pages out of order, and meeting him is like somehow flipping to a page outside the book... No, that's a little too contrived. I'll stick with the projector."

"When did we... when would we have met him?" Dipper asked. "And—when I say 'when' I mean—you know what I mean."

"You mean, when would you have made the decisions that could have led to you meeting him? Depending on your perspective, either last August or 207̃05. Time travel was involved."

"Last August..." Dipper thought back. "Was that when we were—?"

"Treasure hunting, yeah. By the by, I never asked—" Bill gestured vaguely around them at everything in general, "—which dimension did I end up in? Is this the one where you went hunting in the 1400s or 1800s?"

"Uh—1800s."

"Hm. Knew this wasn't a 207̃05 treasure hunt timeline, Questiony doesn't have a pet enslaved time pirate."

"A what?"

"So you never had a chance of meeting the Axolotl anyway," Bill said. "Hey, fun fact! Did you know there's a time pocket where twelve million alternate versions of you, your sister, and the puppet with the goggles failed at your quest and plummeted out of time? I wonder how long the last of them survived! I meant to check in after Weirdmageddon. Human flesh isn't that nutritious and doesn't have much water, but with millions of bodies and a little determination— Hey, wanna know how long you all were there before you started resorting to cannibalism—?"

"No," Ford said before Dipper had to. "And I'll thank you not to get off topic to try to give my gnephew more nightmares."

Bill shot him a sideways glance. "Remind me to tell you about the time pocket formed by all the timelines where you and Specs did your first portal test without checking your math."

"So if I wasn't even supposed to meet him—how did I see him today?" Dipper asked. "Did he pull me out of my body into the mindscape so we could talk, or...? But he didn't even tell me anything, was he just trying to get me to remember meeting him in the terminated timeline—?"

"He wasn't trying to do anything," Bill said. "He wasn't here for you, he didn't care. Shadow on the wall."

"Then what was he here for? You?"

It took Bill too long to answer. He just shrugged vaguely. "Probably not."

"Huh." Instead of questioning Bill, Dipper briefly turned introspective himself, gaze far away and thoughtful. "I think I remember a little more about meeting the Axolotl now. The first time, I mean."

"Oh, do you?" Bill asked. "Ha! Poor kid."

"Mabel and I were in some kind of rocket car?" Dipper's brows furrowed in concentration. "And the Axolotl had a... bean bag chair?"

Bill scoffed. "He still has that old thing?! Wow."

"It was really comfortable."

"It's also really tacky."

"You talked about him like he was some kind of... of big... eldritch cosmic horror thing," Dipper said. "What kind of a cosmic horror has bean bag chairs?"

"What, do you think being a vast multidimensional amphibious monstrosity with an incomprehensible mind and a body that can only been seen in lower dimensions as grotesque shapeshifting cross-sections protects you from having bad taste? He'll flay your sanity straight out of your gray matter—and you won't even have the comfort of knowing your mind-shredder had nice interior decor sensibilities!"

"I can sympathize with the experience," Ford muttered. "I was driven to the brink of paranoid madness by a nightmare demon who thinks Doric columns go with checkerboard flooring."

Bill let out a shrill "Ha!" and smacked Ford's shoulder.

"But he remembered me when we met," Dipper went on. "He told me to say hi to Mabel. And—the last time we met, we—talked. I don't remember it all yet, but... you were wrong about him. There was nothing insanity-inducing about him. He was just... nice."

"You don't think the madness sets in all at once, do you?" Bill turned back to Dipper, with an air of what Ford uncomfortably felt like was ill intent. "Go on then—what did you talk about? You can't remember it, can you? Why not? Just a harmless little conversation, right?"

Dipper frowned in thought. "There was something important, but—I can't remember what it was. What was it?" He muttered, "I know it was something important—"

"And there we go!" Bill gestured at Dipper with a flourish, triumphant. "Now you're digging for the significance of the whole thing. You're trying to comprehend the motives of something that has a state of existence your mind wasn't built to understand! You'll either go mad trying to understand his motives—or you'll go mad because you do understand. You're doomed now, kid—this is gonna haunt you for the rest of your days." He laughed. "Try to stop thinking about it now while you're ahead!"

"I'm not going insane," Dipper said. "Just shut up, I'm trying to remember."

"'I'm not obsessed, I swear! I can stop thinking about it any time I want!' Sure."

"Shut up," Dipper repeated. "It had to have been something important! Otherwise why would he dragged me out of my body and—and shown me the fourth dimension just so I could meet him?"

"Don't sound so self-important! You never saw the fourth dimension; if you had, you wouldn't think he looks like an axolotl. He visited this dimension's mindscape," Bill said. "And he didn't even mean to drag you into the mindscape! It was just a side-effect of his gravitational pull. He tugged you toward him just like everything else in town; but Earth'sgravity doesn't extend through planes like the mindscape, and his does. Yanked your spirit right out of your body."

"Then why was I the only one?" Dipper demanded. "Why didn't you or Grunkle Ford leave your bodies?"

"Your spirit's more loosely attached to your body than ours."

"Why?!"

For a moment, Bill's face twisted with displeasure; and then he sighed in resignation. "Ah, heck with it. You've been astral projecting."

Dipper's mouth worked uselessly. He croaked, "What?"

"It's when you—"

"I know what it is! I mean—what? How? When?"

"At least as long as I've been here. How long have you been having those out-of-body dreams?"

"Y—!" Dipper socked Bill's arm. Bill didn't even flinch. "You said those were nightmares!"

"And I lied," Bill said tiredly.

"Why?!"

"Thought you'd be annoying about it."

"I've been dealing with this all year, you—!" Dipper groaned in aggravation. "Why am I astral projecting! I wasn't trying to learn or anything!"

"How should I know, I wasn't around. Best guess, I think I ripped up the Velcro sticking your soul to your body when I yanked you out to puppet it," Bill said. "Oops."

Dipper gaped at him in outrage. "'Oops'?! That's all you can— I've been terrified and I thought it was a nightmare and it was real all along and it was all your fault and you won't even—"

"I knew you'd be annoying."

"I'm annoying?! How would you like it if you'd spent a year getting dragged out of your body in your sleep—!"

Bill abruptly stopped walking, turned toward Dipper, and said with an intensity that startled Dipper into silence, "You don't have the slightest idea how much I'd like it. How would you like it if you'd been trying for weeks t—" Bill cut himself off before he could get more heated; and instead, only said, "If you. Wanted to get out of your body. And couldn't. And some brat down the hall is doing it without even trying."

Dipper remained frozen, jaw locked tight in a grimace, until Bill turned away and trudged on. Dipper snapped, "But I don't want to do it. And it's your fault I am."

"Great. Nobody's satisfied." Bill sighed. "Make the most of it. Watch late night TV. Learn to meditate or something, I don't care. You've got nothing to worry about, it's harmless." He paused. "As long as nothing else crawls in your body while you're outside of it."

"WHAT?!"

"It's fine. Nothing'll get you in the shack through the unicorn hair barri... hm. Well—you're safe in the shack."

"But I have to go home at the end of summer! Will something be able to get me then?!"

Bill shrugged. "Hypothetically."

"Am I gonna die?!"

"Given my understanding of human mortality? Sure, sooner or later. Wanna hear your top five most likely causes of death?"

"No! Is it possible to—to stop? Can I control the astral projecting?"

"Yeah, sure, I guess. Ask me next time you're out of your body. I'll show you"

"Can't you show me n—"

"No. Not while you're in your body."

Dipper scowled. "Fine! Next time I'm projecting, I'm kicking you awake until you help me." He turned away from Bill; and, after a moment of fuming, mumbled to himself, "If I've been astral projecting... then that time I visited the neighbors... oh, man..." He trailed off, getting lost in his own thoughts.

Keeping silent during that discussion had been agony for Ford.

Every few seconds, he'd wanted to butt in either to eagerly ask for more information about the Axolotl or astral projection, or—far more often—to express his rage on Dipper's behalf, that Bill (of course!) had put him through this, and then not even had the decency (of course!) to try to rectify it.

But it was Dipper's conversation. It was about Dipper's problem, and anyway Dipper had been trying so long to pry some sort of useful information out of Bill—it would be cruel of Ford to snatch the conversation away from him when he was finally getting somewhere. He'd have a lot to discuss with Dipper once they were home and could get away from Bill.

But staying outside the conversation had let him observe three points he might have otherwise missed.

One: Bill really wasn't himself. Back when he'd been playing as Ford's muse, whenever he got to answer questions, he'd always done it with an air of theatricality and barely-suppressed glee; and after he'd given up that act, he'd answered questions with smug arrogance, the glee turned to sadistic delight at the bad news he could deliver. Now, he simply answered them. Even his attempts to be condescending gradually got less enthusiastic until they petered out completely.

Two: Bill was answering questions he never would have answered that morning. After telling them as little as he could about the thing coming to Gravity Falls, even trying to avoid admitting it was the Axolotl, now he was freely talking about the Axolotl's taste in furniture as though he knew the beast personally. After hiding that Dipper was astral projecting for over a month, he simply told him. Heck with it. He'd admitted it was probably his fault. He'd said the last two words Ford had ever thought he'd hear come out of Bill's mouth: I lied.

Three: this was the longest Bill had walked without needing a break all day. His voice was stronger. His steps were more steady. Ford had even seen him squeeze out a few dollops of astronaut paste between comments—and he struggled to make himself swallow, but he didn't gag.

And now that Dipper had stopped asking him about the Axolotl and about astral projection, Bill's footing was growing less certain again. He wove unsteadily on the path and had to pause to lean a hand on a stalactite, taking deep breaths. "Gimme a second."

Bill was distracting himself. He was keeping himself going through conversation, the simple ritual of receiving and answering questions. Ford understood: sometimes, in desperate circumstances, you had to burn yourself out to get somewhere safe enough to collapse and recover. When you had no choice but to push yourself, the best thing you could do was think about anything but your exhausted, failing body. It made it easier to keep moving and burn through what energy you had left.

Ford had once wondered if his "muse" was some manner of creature that was compelled to answer the questions his protégés asked him. This was perhaps the closest Bill had ever gotten to actually being such an entity: answering questions because he had to to go on, and willing to give away almost anything as long as it kept him moving.

Ford stopped next to Bill. "So. The Axolotl was the source of your 'gravitational eclipse,' I suppose."

"Astute observation," Bill said flatly.

"I take it that it isn't 'eclipsing' gravity so much as canceling it out. The Axolotl must have a mass similar to Earth's, if the force it exerts flying by above us is nearly identical to the force of Earth below us."

"More or less."

"But according to Dipper's observations, this Axolotl is only the size of Oregon at most. Did he underestimate its size? Or perhaps it's incredibly dense...?"

Bill gave Ford a sharp sideways glance. Were this any other conversation on any other day, this would be when the gloating started. Well, well, well, look who finally believes I was telling the truth, finally crawling back to me to give you all the answers you can't find yourself— But Bill only looked away again, pushed himself back upright, and kept walking. "You're the square looking at the sphere and thinking it's a circle," Bill said. "The majority of the Axolotl's mass is in dimensions you can't see. The little bit of him that's visible in the mindscape is just a... a feeler. Or an anglerfish's lure. The rest of him is close enough to exert a gravitational pull—but not in a dimension you can see."

"Which dimensions does he exist in?"

"I can't tell you because your species knows so little about them that the answer wouldn't mean anything. You haven't even decided whether or not you want to officially call the dimension that time shines from the 'fourth' dimension—I could tell you he comes from the seventeenth dimension and it wouldn't mean anything but an impressively high number to you."

Dubiously, Ford asked, "Does he come from the seventeenth?"

Bill waved a hand vaguely. "Heck if I know. The most I've ever seen at once is nine, and I was on a lot of psychedelics at the time. My eyeball popped."

"Eugh."

"Worth it, though. If you ever wanna feel cosmically insignificant in the most breathtakingly beautiful way possible, and you don't mind going blind, let me know. I think I can remember most of what I was on."

"Pass," Ford said. "If the Axolotl is so enormous, then why was only Gravity Falls affected by its gravity? At a minimum, shouldn't have the rest of the Pacific Northwest been impacted—if not the whole planet?"

"He wasn't near the rest of the Pacific Northwest. In the third dimension, Gravity Falls is obviously connected to Oregon; but in higher dimensions, it's..." He tried unsuccessfully to pantomime something mountainlike. "Imagine if the second dimension were a flat sheet of stretchy fabric. If somebody plucked the fabric up in the middle and made a peak, a creature living on the surface of the fabric would still be able to travel across its slope like it was flat, right?"

Ford tried to visualize Bill's description. "Right."

"And so if a fly flew past the peak of the fabric, it'd cross near whatever town's at that peak without getting near the towns at the bottom of the slope."

"Rrright."

"That's what Gravity Falls looks like from the fourth dimension," Bill said. "In the third dimension you can't see anything, but to fourth dimensional beings it sticks out of the fabric of spacetime like a thousand mile high pillar in the middle of a desert. That's why Time Baby put his capitol here."

Now, Ford wasn't sure that sounded right, but he didn't know enough about the seventeenth-or-whatever dimension to dispute it. "And why you kept trying to punch through to our dimension from here?" he guessed. "I imagine stretching the fabric of spacetime that far might make it easier to tear."

Bill shot him a sour look, but didn't deny it.

"Why did the gravity go down slowly for two days and then come back all at once? Did the Axolotl just leave faster than it came?"

"You know how the Doppler effect works?"

Ford hesitated. "Yes. Obviously."

"Well, in higher dimensions, gravity works like a reverse Doppler effect. It spreads out in front of a moving object—"

"Oh, come on."

"—and compresses behind the object—"

"Now you're just making up scientific-sounding nonsense because you know I can't disprove it."

"I'm not, and as soon as you get me a pen and paper I can prove it." Loftily, Bill said, "There's a simple equation that can explain higher dimensional gravity."

Ford was pretty sure he was being made fun of. He didn't mean to laugh, but he did. Dipper looked at him like he'd lost his mind; but trying to explain what was so funny would probably just make him look more insane.

Bill looked nearly as surprised.

####

"... And the smaller axolotls, what are they—heralds, worshipers? Children?"

Bill scoffed in disgust, "I don't know, I've never asked him. I see them like the flies orbiting a cow's tail. They migrate with him, that's all I know."

"Then the Axolotl really was just 'migrating'?"

"Well. Migrating in the sense that a mayfly watching a human walk back and forth to the office thinks it must be 'migrating.' He has..." Bill gestured vaguely, "duties, that mandate he travel fixed routes through the multiverse. He just happens to have a years-long workday. His commute doesn't usually take him past 46'\."

"'Duties' as in... divine duties?"

"It depends on if you worship him for doing them. I don't."

The cavern was growing light again, and the distant waterfall was audible. Ford quietly sighed in relief. Even as oddly forthcoming as Bill had been, Ford doubted that even two-thirds of the information he'd shared was true. But it was hard to tell. It had always been hard to tell.

Dipper helped Ford deflate the raft and pack it up. As he did, he said, voice low, "Is it just me, or is Bill kinda...?"

Ford cast a sideways glance across the cavern. Bill was crouched in front of the geodite he'd carried all up and down the tunnel, backpack in his lap, pouring a pile of soggy cereal onto the ground for the geodite to eat. Ford was surprised he'd gotten so attached to the creature. "I think he's been in some state of mental shock since the fall in the lake," Ford said. "And it seems he hasn't been able to keep down a full meal since we left yesterday. I suspect he's barely on his feet. The sooner we can get him back to the shack, the better."

"Oh." Dipper frowned toward Bill. (He was now pouring cold medicine on the cereal. Ford would have to ask him about geodite diets.)

"What are you thinking?"

Dipper shook his head. "I just thought... He seems like he's thinking about something. And he's giving so much away... I don't know. I wanted him to talk, but now it makes me wonder if he's scheming something."

From what Ford had seen, at the moment he doubted Bill could so much as scheme a way to ruin a picnic. But now he was second-guessing his perception. Ford knew Bill better than anyone; but that also meant Bill knew how to manipulate Ford better than anyone. What was Dipper seeing that he didn't? "Really? Do you think so?"

Dipper hesitated. "I—thought so? Maybe not." (Well, now they were both second-guessing themselves.) "I just don't know why he'd tell us so much if he isn't up to something. It feels like a distraction."

"Ah." Ford nodded. "I think the distraction is for himself."

"Mm." (Ford wasn't sure if Dipper had heard him.) "I just feel like there's—something. I can feel it in the back of my head." He stared at Bill a moment longer; then shook his head and turned away. "Maybe it's not him, maybe it's the Axolotl. He said something I can't remember. Something about degrees."

"Degrees?"

But Dipper didn't reply. He'd returned to his work, lost in his own head, mumbling under his breath the way he did whenever he was trying to work something out. Something else for Ford to ask about later.

When they got in Tate's loaned motorboat to head back out, Dipper got a look at the rainbow trout slippers Bill had put back on, and let out a choked laugh of surprise; and then that was the last sound any of them made as they crossed the lake. Ford steered, Dipper remained lost in his own thoughts, and Bill stared at his friendship bracelet, thumb running around the glass evil eyes.

####

(Finally a few mysteries solved! I hope y'all enjoyed, and I look forward to hearing what you think. Next week is another emotionally wrenching chapter!!)

#bill cipher #human bill cipher #grunkle ford #stanford pines #dipper pines #gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher

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brodieland · 1 month

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.˚ 𓈒 ࣪.𝝑𝝔 he's not just a man, mom.. ´ˎ˗

Luke Castellan x Fem!Athena!Reader Synopsis: Reader sneaks on a cruise ship with Percy, Annabeth and Tyson. Guess who she has a run in with !!!! Warning(s): slight angst. and uh swears ig Word Count: 1833 A/N: part 2 was requested😘 and I skimmed over a lot, I didn't want to copy and paste most of Sea of Monsters so yk Part 1

Months, well actually, an entire school year has past since your boyfriend, well ex boyfriend now, Luke turned to Kronos. And yes, the rumors are true! Time heals all wounds!! Sure you needed some more time but you were starting to get back to your normal self slowly but surely. And the Athena head counselor position was rightfully handed right back to you (until Annabeth comes back for the summer).

Normally time isn't real for a year rounder like yourself, but there's been an issue. The magic barrier that protects camp Half-Blood is held up by Thalias tree, except her tree has been poisoned. No one knows when or how it happened, but you decided to keep your guess to yourself. Well that doesn't matter now. With Thalias tree slowly getting worse and worse, the border surrounding camp is weakening, allowing monsters to start slipping through and find the camp. Defenses are thinning, and even with summer around the corner enrollment numbers are at their lowest.

Thankfully you weren't on Charisse's bad side so she didn't mind joining forces. And don't get it twisted, you love Annabeth, but you've never loved her more than when you watched her and Percy (and a cyclops??) run up the hill and help fight the monsters.

After the fighting was over, you weren't injured yourself so you went to help out at the infirmary. It helped keep your mind off stuff, and now you had Percy and Annabeth to keep you company. You were currently checking them for burns.

"Wow, 13 and no body hair?"

"THE MONSTER BURNED IT OFF."

You and Annabeth just laughed at the boy. After you both calmed down you started to explain whats been happening the last couple of months at camp while they've been away. Grim expressions washed over them as you finished, Chiron being fired and being replaced with TANTALUS was truly the cherry on top in your opinion.

"Well, time to eat right?"

This might've been one of the most interesting dinners yet. The cyclopes, also known as Tyson, ended up getting claimed by Poseidon (Percy wasn't the biggest fan of this particular development), and we have an upcoming Chariot race coming up (something Tantalus decided to start doing). You weren't planning on participating in the race, but Annabeth and Percy got into a fight so now you had too.

Finally the day came and instead of a friendly race, everyone was attacked by killer birds that were just barely shot out the sky. Maybe some help on Clarrise's end would've been nice, but she thought winning was more important, while you, Tyson, Percy and Annabeth just got punished.

The four of you were stuck washing dishes when the two younger campers got to talking. They were smart ones, basically we needed the Golden Fleece, simple as that. Except who did Tantalus give the quest too? The winner of the race. Clarisse.

"But Grovers my friend!"

"Yeah you guys wouldn't even have the quest if it weren't for us!"

Your yelling didn't help matters, the Ares kids just accused Percy of wanting the spotlight. They just never liked Percy after he beat up their dad, the fact he did that still amazes you. You and Annabeth just accepted the defeated and walked yourselves to your cabin.

"So Annabeth, how's it been in the outside world?"

"Cooler than I thought but please, how's it been with.. you know what?" You averted your gaze slightly and swallowed. You were getting better, but that certainly didn't mean you were over him.

"I haven't heard from mom in like eight months." Annabeth looked at you confused. You never told her about the last conversation with Athena.

"What? I thought you were like, her favorite or something?"

"To be fair I basically told her to fuck off," you shrugged like it wasn't that serious but your sister looked at you like you were crazy. "It was about Luke, you know she never liked him." She just nodded as you both walked back to your cabin. When you got there neither of you couldn sleep and decided to stay up late studying maps of the sea of monsters, where Grover and the Golden Fleece were. Suddenly Annabeth stood up.

"Annie whats wrong?" You asked, looking between her and the maps.

"You didn't hear that?" you just shook your head slowly.

"Maybe it's just time to sleep-"

"No it was Percy, he was screaming for help cmon!" You decided not to bother questioning it and started chasing after her. Annabeth was following the sound and you just followed her. You guys made it out to the beach, where you saw Percy, just fine and not screaming. Tyson came running out too.

"Percy are you okay? Why were you screaming?" Annabeth questioned.

"I wasn't screaming, but I'm glad you guys are here." Percy explained how he had a run in with Hermes. The thought of Hermes just makes you think of Luke. That kinda sucks.

"Anyways, we need to use this," Percy held up a jar and pointed to the cruise behind him, "to get over there."

"Seems... reasonable. We have to hurry the harpies are getting close." you urged.

"Yeah ask your dad for some help" Annabeth pushed Percy toward the ocean. Why did Percy start with small talk, we're on a time crunch. Never the less a bunch of hippocampi came forward and we were off.

"I've never been on a cruise before, I wonder what it's like." You said.

"Probably won't be like any normal one if Hermes sent us." Percy pointed out. If Hermes sent us you, you hoped it meant what you thought it did. And you hated that you were hoping for that. Luke. Ever since your last conversation with your mom, it's like you've been seeing things differently. The gods really did just use their kids, but could you really turn your back on them?

You were cut out of your thoughts when you finally made it to the ship. You all snuck on and wandered through the cruise. Everyone here was like a bunch of lifeless zombies. Now if that didn't raise your suspicious nothing would. You guys were sneaking around until you found an empty suite on the 9th floor. Sleep was a must right now.

"Us girls will be next door alright?" You said.

"Yeah, don't eat or drink anything either," Annabeth added. She was right, something was off here. You and Annabeth left to your side of the suite to change for bed. Annabeth was knocked out in seconds but you just couldn't sleep. You knew why Hermes wanted you guys here, and it kept you up. While your sister was snoring beside you, you took the chance the sneak out the room. All you had was an oversized t-shirt that hung to your mid thigh and a dream.

As you started walking around, there were no lights to be seen. You started from your floor and made your way up. When you got off the elevator on the 13th floor, you saw the room at the end of the hall had a light on. It was nearing 2AM, most people should be asleep. That's when your gut told you this is what you were looking for. You thought it was time to listen to it. You made your way to the door, and saw that it was unlocked. You slowly opened the door and saw a certain someone with his back facing the door, looking off into the ocean through his window.

"Hey Luke," you said. Luke didn't move for a second, but when he turned it was slow.

"Y/N.. I didn't think I'd see you again." Your lip quirked ever so slightly, and you walked up and sat down on the bed in front of you, now just a mere few feet away from him

"Likewise."

"Lemme guess, Percy and Annabeth are with you? Were you sent to kill me?"

"Yes, and no. We weren't sent here, or anywhere in fact."

"Wow, look at her. Ms. Rule Breaker. What would your mother think?" You swallowed at the mention of your mother. What would she think?

"Well, we haven't spoken in eight months." You looked at the ground.

"Hmm, what happened?"

"You happened, that's what." You looked back up at him, he had a shit eating grin on his face. "Wipe that smile off your face Castellan."

"Or what? You're already here, why waste our time together fighting? We both know you're not here for the gods," Luke teased. He was right, so why fight?

"Just come here," you lunged up and jumped in his arms, kissing him like the starved woman you were. You missed him more than you were allowed to admit. Luke was a sore spot at camp, but hey, right now that was not your problem. You knew you were probably disgracing your family by being here doing what you were doing, or WHO you were doing, but you didn't care. You just needed Luke, even if it was just one last time.

When you woke up after a few hours, you wouldn't say you regret it, but maybe it wasn't the best timing. You were facing the window while Luke held you close. You slowly moved his arm from your waist and sat up, seeing the little clothing you had scattered across the room. Crazy night. You untangled yourself from Luke and got redressed. You truly didn't want to leave, but despite everything you couldn't stand with Luke and the war, too many lives would be lost on his behalf. As you made your way to the door Luke woke up,

"So this is it?" You had your hand on the doorknob and turned back to face Luke.

"Yeah," you made eye contact with him, a single tear falling. "It is."

"Goodbye Y/N."

"Goodbye Luke." You made your way out the door and shut it behind you. You took a deep breathe before rushing back to your shared room with Annabeth on the 9th floor. You opened the door, making sure not to make too much noise, except Annabeth wasn't in her bed. You continued walking into the room when the bathroom door opened from behind you.

"And where were you?" Annabeth questioned as she walked out the door.

"With no one!" You said quickly. Annabeth scared the shit out of you. She slightly frowned.

"He's here isn't he? That's why Hermes wanted us to come here?" You just nodded. "Guess it explains the hickies," Annabeth yawned and headed back to her bed. Your face flushed as you ran into the bathroom. Wow.. awkward!!!!

"It was just a goodbye, I'm not joining him," you walked out the bathroom and laid down next to Annabeth. "I can't stand for a war, no matter how much I love him. Or loved."

"Glad you made up your mind, but it's 6AM, can we sleep a little longer?"

You chuckled, "Of course."

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