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38sr · 11 months

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My Adventures with Superman EP 4: Design Works

My goodness it feels so strange to see these designs two years later but I actually had a hand in Clark, Lois and Jimmy’s gala suits in episode 4 of My Adventures with Superman!

This happened WAY back in Sept 2021 but during my first week on the show I jokingly sent a piece of art to one of the design leads and well, one thing led to another:

This is kind of running gag with my work, but I somehow always predict things when I draw fanart haha. I truly didn’t know there was gonna be a gala episode and now I was tasked to do a pass for the main trio’s gala outfits.

CLARK KENT

Naturally since it started with Clark, he was the first one I did a pass on. I actually really like men’s suits design so this was the most fun to design out of the three. Overall, I drafted up four different suits that gave 4 different feels for our soft boi. Option A was a full 3 piece with slick backed hair (which honestly now feels very Bruce Wayne than Clark haha). Option B had a high school prom feel, Option C was more business casual (hence why his dress shirt was unbuttoned at top) and finally Option D was sleek turtleneck & suit combo. Honestly, I was rooting Option D ‘cause I’m a sucker for a turtleneck but if I remember correct they went with Option B ‘cause it felt the most Clark. But just know I tried haha.

LOIS LANE

Lois’s outfit was quite challenging since I had no clue until I was given the assignment that she’s Korean (yes, Lois is canonically Korean in the show). I remember the design leads Jane Bak and Dou Hong showing me a rough concept of a modern hanbok. I spent so many days researching hanboks and the construction behind them...it truly was a learning experience for me haha. It was quite challenging trying to create and outfit that spoke to Lois’ heritage while still keeping her energy. This was my very first pass but I think ultimately the team did a great job to hone in the final look and balance both elements for her outfit (the backless top is just chef’s kiss). Also yes, I did try giving Lois slick back hair haha.

JIMMY OLSEN

There isn’t much to say about Jimmy’s outfit (sadly I left the production to work on Spiderman Freshman Year before seeing what they decided on). But from what I remember, I specifically was looking at men’s outfits from the Met Gala from that year and before (I think Chadwick Boseman was the biggest influence for me at the time). Though I think his final suit design aren’t like too far off from my initial thoughts, it’s still super cool to see how it evolved into the final look! But yeah! Just a little behind the scenes on the work I got to do on the show. Again, super brief since Spidey was calling my name but I truly had so much fun getting to design for this show. MAWS was my first ever time doing design work (since I primarily work as a 2D animator and board artist). I was so nervous but the team was welcoming and taught me so much! I really have to thank Dou Hong and Jake Wyatt for taking a chance on me and allowing me to draw hot anime characters for a DC show haha.

#long post #my adventures with superman #maws #maws spoilers #superman #lois lane #clark kent #jimmy olsen #digital art #character design

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alicenpai · 4 months

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edgeworth family & summer 🍉

i needed to go through an old file in my 2021 folder, and i stumbled upon this drawing. 2021 was an incredibly arduous year & resulted in a lot of art block, so i have a lot of unfinished drawings from then. the fact that i finished/drew anything at all is a feat honestly (and you guys should be proud too if you drew anything at all during the early months of the pandemic...!)

i quite like the look of jeluto's csp brush here to achieve a blocky effect...

i dont know what is UP with the bleed border here, did i plan to print this in a book? especially with how close greg's face is to the gutter??? *avgn voice* what was i thinking

the one time i ACTUALLY tried a bg and it backfired on me bc i never finished. im sorry to my 1st year layout teacher who gave me a 1 on 1 personal pep talk *dexter voice* i have failed you 😭😭 i think this drawing had a lot of potential, i just wouldn't go back to it bc it's 3 years old now. backgrounds are tough because i never really know how to approach them. do i line it? do i keep it a sketch and just paint over/under the sketch layer? do i lineless it?

i guess it depends. much to think about... i definitely want to challenge myself whenever i can, but not overwhelm myself with the need to "improve". gotta remember that art should be fun ♥.

#ace attorney #miles edgeworth #gregory edgeworth #my art #do people on twitter still like seeing wips/throwaway drawings/lower quality art? i feel like it's ..crickets over there..........#aa

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oofthwoods · 5 months

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INTRODUCTION! ── ˙ ̟ the echo !!

𝐬𝐮𝐦𝐦𝐚𝐫�� :: get to know porsche's bet for the newest legend in the making in formula one, dubbed as the echo.

𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞 :: i've been absolutely hooked in @disneyprincemuke vettel reincarnated's series and i have always loved fem!drivers so i decided to give my own take on this <3. | can definitely be read as a reader insert, but the driver will driver under a specific flag and related to a famous driver! even so, physical descriptions will not be given, so you can definitely picture yourself

our fem!driver has a few titles to her name! the most well known, echo, comes from her championship winning f3 & f2 seasons, where she was consistently the fastest driver in the grid, leaving behind only a faint trace of her presence for the other drivers to see.

other nicknames include "lightning" due to her great performances on wet races (as the media says, the only thing faster than the rain is the lightning.), "pg" (stands for both princess of the grid, which is an old karting nickname, and parental guide, given due to her young age), and the legacy.

she is the daughter of ex- formula one driver, rubens barrichello. she drivers under the brazilian flag. i picture her as the middle child, so that would place her date of birth between '01 & '04.

has a streak of four consecutive championship winning years: the italian formula 4 in 2019, freca in 2020, formula 3 in 2021 and formula 2 in 2022.

art grand prix girlie! has been with the french team for both her f3 and f2 seasons.

she was a red bull junior, but was suddenly cut from the team after her formula 3 season. helmut mark claimed that she wasn't consistent enough to justify a contract renewal, which was clearly bullshit as she had literally won the championship.

competed in formula 2 without an academy, but was in talks with porsche to join their team.

committing to her lightning nickname, she chose 95 as her number!

grew up in the paddock! her dad loved to take her around the world with him, and she became a familiar face to all crew and drivers. although she is the youngest of the current grid, she is closer to the oldest guys due to knowing them since she was very young.

outside of formula 1, her closest friends are gabriel bortoleto, felipe drugovich, frederik vesti, liam lawson and clément novalak.

within formula 1, she is closest to fernando alonso, lewis hamilton (both who met her when she was a baby), mick schumacher (her teammate at porsche), lando norris, alex albon and oscar piastri. but she is friendly with everyone, and tries to know them better — it does help that she is a social butterfly who could talk to the walls even if they don't answer.

about porsche: have been in the talks of joining the grid for a long time, and finally got their approval for 2023. they could go for veteran drivers but decided against it, placing their bets of mick schumacher, who had just been dropped from haas, and y/n barrichello, the f2 champion.

when the news dropped, it was the talk of the town! not only she would be the first female to compete in formula one in several years, but the duo barrichello-schumacher would be present again in the grid!

actually loves doing grill the grid and other challenges. some people think it's the rookie rush, but she has always loved playing those games.

has the biggest fat girl crush on susie wolff. would kiss the ground she walks if she could.

still needs a lot pr training due to amount of cursing and off-pocket things she says. apparently saying "i'll throw myself in front of verstappen's car and change the trajectory of his entire life" is not socially acceptable, neither is saying that she's plotting his accidental death.

sponsored by vivienne westwood, which she claims is probably the coolest thing to happen to her.

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nanowrimo · 3 months

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When Is a Small Press a Good Fit?

When it comes to publishing, many writers will think about big publishers first. However, there are a lot of different publishing options out there to explore. NaNo participant and author, Clara Ward, talks about their experience publishing with a small press and gives you questions to consider while you think through your publishing options!

NaNoWriMo inspired me to write. Signing with a small press gave me the support I needed to publish a book I love.

I’d published books before—starting with NaNoWriMo sponsor deals in the early days of online publishing—but I never had the right skill set to promote those books. As a result, they never truly found their audience.

In November of 2020, I poured my heart into a genre-blurring near-future tale of sailing across the Pacific and building a neurodiverse, queer, and possibly magical chosen family. In 2021, I titled it Be the Sea and asked myself: What am I going to do with that?

1. Are you looking for fame or family?

Small presses are as varied as the people who form them. If you read widely, you may already have a treasured book on your shelf from your publisher-to-be. Try asking NaNoWriMo friends who share your interests if they’ve discovered any surprising or emerging sources for great reads. (At the very least, you may find books you’ll love in unexpected places!)

Admittedly, a small press doesn’t have a fortune to spend on paving your path to fame. But I have never felt as seen as when my soon-to-be publisher, E.D.E. Bell at Atthis Arts, wrote back, “I’m really in love with what you are doing and would like to talk about it.”

2. Do you have the bandwidth for working with others?

Even with the most supportive small press, you may have to push outside your comfort zone. I know authors who love the absolute control and freedom of self-publishing. For a time, I felt very comfortable just posting my NaNoWriMo fanfiction novels on Archive of Our Own. At most, I had one or two beta readers to offer feedback on those works. Whereas E.D.E. told me in one of our earliest conversations that in addition to our three rounds of editing we’d need “a good number of betas” to cover the range of topics we were working on together.

I was delighted! I knew what I’d written was ambitious, and I welcomed all the feedback I could get. But it turns out, each extra person in a process adds new challenges and delays. I had to stretch my empathy as well as my publishing timeline because, to quote E.D.E. again: “It’s a lot of emotion (as well as brain cycles) to go through...” Outside perspectives will only improve your writing if you are willing to work with them, to truly listen and learn.

3. Can you handle the two-way commitment?

No form of publishing is easy. The myth that authors write while others handle business and promotion is not true at the top, and certainly not with small presses. In my experience, working with Atthis Arts was like joining a team or chosen family. Beyond certain paid tasks, such as editing and sensitivity reading, I discovered a community of authors who freely offered coaching before my first public reading, social media boosting, tips for author webpages, and an extra pair of eyes on letters requesting bookshop readings or other events. While not all small presses work the same way, this supportive culture proved to be an excellent fit for me. Naturally, I wanted to give back whenever possible.

Small presses can only succeed with community. This month, as I promote the launch of Be the Sea at bookshops in Mountain View, Davis, and Sacramento, I will be introducing many Californians to my Michigan-based small publisher, Atthis Arts. When I stand up as a panelist at Norwescon in Washington state or at various science, library, or Pride events later in the year, I’ll be promoting more than Be the Sea by Clara Ward. I’ll give back by sharing my appreciation for small presses, the supportive and inclusive practices they can normalize, and the opportunities they open up for future writers and readers.

Clara Ward lives in Silicon Valley on the border between reality and speculative fiction. Their latest novel, Be the Sea, features a near-future ocean voyage, chosen family, and sea creature perspectives, while delving into our oceans, our selves, and how all futures intertwine. Their short fiction has appeared in Strange Horizons, Decoded Pride, Small Wonders, and as a postcard from Thinking Ink Press. When not using words to teach or tell stories, Clara uses wood, fiber, and glass to make practical or completely impractical objects. More of their words along with crafted creations can be found at: https://clarawardauthor.wordpress.com

Photo by Hümâ H. Yardım on Unsplash

#nanowrimo #now what #writing #publishing #small press publishing #by nano guest #clara ward

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shirecorn · 6 months

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Your reindeer designs give me such childish joy I can't wait to see the rest. What's your process (aka any advice) for designing from scratch with something like just a name or concept?

Redbubble (buy reindeer swag) || Patreon (see all early!) || Ko-fi

See more free tutorials!

You can see my process unfold in real time by joining any tier of my patreon discord. Which doesn't even have to go through patreon! If you want, you can just pay me $20 and let you in for a year (and then lose track and probably keep you anyway)

Here's a preview using comet! (nevermind the preview thing I wrote you a whole lecture lol)

initial sketches in 2021:

Revisited in 2022 and 2023

I was constantly asking which design was the weakest, why, and how to fix it. Whenever I tested without the magical comet behind it, people could only guess who comet was by process of elimination.

I didn't want to rely on throwing icons into the design. I wanted each one to communicate through shape and silhouette alone. It would be like drawing a little cherub with a bow and arrow floating along with cupid. If you have to include a nametag to communicate, your design can be improved.

So I tried a few different strategies to say "comet" before I realized I could twist the antlers into any shape I wanted. I was worried I would have to discard the drawing and restart from scratch! Which is what I did for rudolph about 6 times before I had a breakthrough.

Then I gave my patrons a brief lesson in antlers to explain where and why I was placing the tines. When I stray from the caribou structure, I do so knowingly in order to achieve something that cannot be achieved within the caribou shape, like dancer's tutu. Know the rules before you break them. My goal is to make animal nerds (myself chief among them) happy when they see species-specific anatomy instead of cop outs.

I tried a few things before figuring out antlers could become comet

Another thing that often caribou have is an unsymmetrical "spork" that comes forward off only one antler. I figured this out by looking at hundreds of reindeer pictures and saving them to my reference folder. A few of my designs have this, that's what the little spiral is in the final comet antler design.

When I put comet in my lineup, I realized that the antlers I drew were way more stylized, chunky, and "tribal" than the others. I had already changed the proportions on one of my designs to match, so then I had to hack away at the basic comet rack to make it look natural.

I already knew that comet's colors would be easy because a basic reindeer already Has the big comet on the shoulder. But here's a peak at all the reindeer images I posted for my patrons to look at.

As you can see below, I chose reindeer markings for all my designs instead of other deer or animals. Even vixen is tied to actually possible reindeer patterns rather than copy-pasting a fox. Almost all of my designs have light-colored anklets on dark colored legs, which is very common with caribou of any color. This is the sort of thing no one tells you; you have to observe it yourself.

Ft cupid's early design! I was continually testing out my reindeer silhouettes and colors on new people, taking their feedback, and fixing what wasn't clicking.

I know I could have made vixen sexy and curvy to play into a recognizable trope, but I really wanted them to be scary and fox-like. Sometimes you gotta do what you want and not what you think will appeal to audiences. Reindeer Days is a purposeful exercise in audience resonance. Most of my art is 100% me and what I feel like doing with no regards to anyone else. So it was a fun challenge!

My patrons also got to see me making fun of corporate designs for recognizably/cliches at the expense of literally anything good

One of these is going to get a lot more "that must be vixen!" results from people who aren't constantly thinking about animal colors, markings, hunting strategies, and teeth.

And one rocks.

Vixen changed the least from the initial 2021 concept!

A Vixen is a female fox. In english slang, it means a cunning, fierce human woman, and sometimes sexually attractive or promiscuous. Quite often an insult to someone because she won't date you!

But to me, a vixen is an animal. A predator.

When designing to reference something, I like to hit it at multiple angles, referencing obscure trivia about something to delight and educate. This is done by researching a topic deeply, far below surface level and beyond what you think you need to make your design. Or in my case its just knowing a bunch of animal trivia already.

After researching/dredging your knowledge, sit there and Think. Don't draw anything. Come up with several ideas and then throw them all in at once for the ultimate trivia design.

Trivia about red foxes:

They have Long bushy tails

They have teeth that include large sharp canines, flat incisors, triangular premolars, and chunky molars with points on them that slide scissor-like with the molars above to cut meat via chewing

They hunt rodents in burrows under the snow by jumping into the air, arcing, and slamming down with their face through the snow

They are orange

They have a dark vertical stripe on their snout

They have black legs, with the backs and bottoms being orange

Translated into the design:

Pose based on a fox jumping, about to land in the snow

Antlers twisted to resemble teeth

Long (for a reindeer) bushy tail

black mark on snout

Some adjustment to the pose to be at the top of the arc and flow better.

Tinkering with the design to make it recognizable but not 100% copypasta fox

I was finally happy with a design that absolutely showed "fox" while still being creative and plausibly caribou shaped. This would absolutely communicate who it is! I thought!

The most obvious one of the bunch! After all, everyone knows what a vixen is!

Nope! No they do not

Want to be part of the design process, help me with WIPs months before everyone else, see exclusive doodles every day, and join a funky little community?

(you also get to see photos of my dog)

Connect your discord to your patreon and join any tier to automatically get added to the server. Not a fan of patreon or monthly subscriptions? message me here, on ko-fi, or via email (shirecorn.art@ gmail.com) and ask if you can pay $20 to get put in the server for at least a year and longer if we work it out later!

This was supposed to be a preview to get you to pay me but instead I wrote an entire lecture for free because I can't help myself.

Want to thank me for the free info? Tag me when you use what you learned! Comment and give feedback! If I could pay rent with attention I would never need anything else in life.

You can also thank me by tipping my ko-fi! I use it to buy pens since I die if I have caffeine. But could you imagine??

#shire screams #shire draws #art tips #art tutorial #character design #character design tutorial #tutorial #behind the scenes #design tutorial #design tips #reindeer days #ask #ramble machine

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ribbonetteart · 4 months

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Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I was confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be, working against my usual style, rendering a background, so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

#Barbie in the Nutcracker #Sonic the Hedgehog #Blaze the Cat #Sonaze #Jess's Digital Odyssey #Sorry for not posting frequently it may happen again

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byghostface · 3 months

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Daminika asking game

Questions for Daminika/Flamian Shippers! a Thread ♥️🫀 by @ damiandefenderr on Twitter(X)

1. What’s your favorite panel/moment of them?

Need them to hold hands again please…

-[Robin(2021)#7/#11]-Artist: Gleb Melnikov-

Also this one panel of reunion hugs from the newest issue🫶♥️

-[Batman and Robin(2023)#6]-Artist: Nikola Čižmešija-

2. What was your initial reaction to them getting together?

Tears of joy + stayed up late drawing out of excitement, cuz I've been rooting for them since the Robin(2021) # 7 issue.

3. What song/lyric reminds you of daminika?

♪-We could be together, you could stay forever

We could waste time baby, nothing else matters

Oh, when I look into your eyes

I wanna bury you by my side-♪

-BURY YOU by Ari Abdul

4. How do you think their first date would go?

They catch up with each other 's life while having a meal and doodling on Damian's sketchbook at his favorite Arab restaurant.

5. What’s your headcanon for Nika regarding Damian?

She likes to listen to Damian talking about his original story and ideas, and his plans to present them with different forms of media( art, acting, music ).

Nika thinks Damian's an interesting and straightforward person and likes his pride in himself in the first introduction he has on Lazarus Island. Think he's an honorable and fairly challenging fighter. Plus the mystery ghost(Alfred) that keeps appearing around him intrigues her. After stealing back his manga from XXL and giving it a good read, she wanted to know more and more about him.

6. What’s your headcanon for Damian regarding Nika?

He likes to text Nika from time to time, and when he doesn't know what to say he sends pictures of his pets to her, Nika sends back pictures of her own pets(cat, insects, reptiles) and the activity she is doing or the sunset view that is outside of her room window.

Damian is angry with Nika at first but realizes that he can only blame himself for being impatient to learn the Death Tournament's rules, thus letting her get the upper hand. Damian thinks Nika is a quick wit, bold and resilient person. He admired her fighting skills from afar and was secretly pleased that she kept seeking him to talk and be friendly with him, and still kept a respectful personal space for him.

7. If you could publish a daminika mini, what would it be about?

daminika sketchbook tour (about their daily life inspirations, choice of art styles, their views on people who are around them), and they have doodles/comments cameo on each other's pages occasionally.

8. What do you think Bruce & Taila's reaction would be to Damian & Nika being official?

Bruce is wary about Nika but can’t say much to Damian because of his own dating/lovers history, later on, realizes what Damian has seen in her.

Talia tells Damian a few times how she is unimpressed by Nika, but Damian doesn’t hear a word from her after he introduces Nika to her in person.

9. What’s a trope that you think fits daminika?

Sent to kill each other (secret mission) but fell in love unintentionally when they met and learned more about one another.

10. How do you think their relationship would be like?

It’s both their first ever relationships, so they are cautious and consider each other’s feelings a lot. Damian is serious about it and mentally initiated. Nika is much more relaxed and physically initiated.

1．2 (dates and activities)．3 (taking care of each other, sleep habits, gifts) ．pet names．art styles．asking game

#daminika #flatline #nika #damian wayne #flamian #gravebird #graverobin #nika dc #flatline dc #daminika hcs #bruce wayne #talia al ghul #dc comics #damian x nika #damian x flatline

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moonstarsunplaneta · 8 days

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Rewatching the movie yesterday and Tashi's injury happened on March 2 2007,what makes me think about the movie's time line. Us junior open finals took place in real life on 10 Sep 2006. So we can say Tashi and Patrick were together between 5 and 6 months.

Art and Tashi met again 3 years later in Cincinnati,I think it was 2010,that took place from August 7 to 22 of 2010. They were engaged in Atlanta 2011,that took place on 18-24 july of 2011,they were engaged not even a year later.

Interesting Atlanta was also the tournament Art lost in the beginning of the movie against teenager Du Marier and Tashi decided to skipp Cincinnati where they reconnected because Art wasn't at a good level to play there,so she decided to go to a Challenger in New Rochelle.

This would be movie's timeline because I think in the screenplay timeline makes less sense. Tashi,Art and Patrick met in 2006 too but Rochelle happened 15 years after not 13 ,that would mean 2021,pandemic,maybe that is why it was changed. But there Art and Tashi were engaged 10 years ago,that would be 2011 too ,but Art and Tashi met again in Cincinnati when he was 20,so it was what 2008??,so they were longer together before being engaged,but that also would mean just 2 years since they met until they reconnected,did they even graduate from Stanford? Interesting Art said in the screenplay he waited 5 years to be with Tashi,it doesn't make sense or he was exagerating because that would mean 2011 when they were already engaged.

#tashi duncan #challengers #patrick zweig #tashi donaldson #art donaldson

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dsi-os · 10 months

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guess whos back in the cats are liquid fandom!

enjoy this comic i made. im planning on making more comics too .. if anyone has any suggestions ..... gimme gimme . more doodles ive made below the cut!!!!

some old stuff: 2018 - DOGS ARE SOLID (fangame concept)

2020 - Unfinished Animation

2021 - another unfinished animation, and a scrapbook page!

2023, now! - dogi (DAS) dance gif!!

little minis of the entire CAL cast + ocs!

lumi doodle ..

a doodle of something that happened in the last quarter studio discord ..

style/design guide of the cast for my comics + personal art!

made TPO on the level maker on CAL:ABP!!! it was a challenge i gave myself. i think i did good ...

interactions from the comic:

"can i have a piece of the cloud"

[lumi hugging maggie (the magnet clouds from alits)]

and thats all for now!! enjoy!! waves waves hiii cal fandoommm im hoommmeee

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doumadono · 10 months

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Hey so I didn't think I'd need to use this, but if your Emergency Requests are open, I could seriously use some comfort right now..

So I was supposed to get a kitten soon from a friend who's cat had just had babies and I haven't had a cat in years since my previous baby died in 2021 during an extremely hard time in my life. And I was so incredibly excited to meet him and I had all of the stuff ready for him to come home to me, I just had to wait a few more weeks for him to be old enough. Well yesterday I got some horrific news that he had passed away and I spent about 3 hours crying so hard about the loss of a kitten I never even got to meet and I'm still extremely torn up about it.

Could you possibly write something about some of the Hashira (preferably Sanemi, Tengen, Giyuu, Kyojuro, and Obanai) helping their partner (they/them pronouns) deal with the grief of losing a beloved animal? You don't have to do all of those Hashira if that's too many, any of them will work fine. I just feel so swallowed up in this and I really don't know how to cope properly right now.

Thank you so much, my love💜

Hashiras & s/o who lost beloved animal - headcanons

A/N: I'm truly saddened to learn about your loss, my dear. Even though you didn't have the chance to meet that wonderful furry soul, it's completely natural for you to grieve. Your heart and home were ready to embrace them, showering them with all the love they could ever need. Take all the time you need to navigate through the mourning process. Of course feel free to reach out to me – whether it's here or on Instagram. I'm here for you ♥ I trust these small headcanons will provide a measure of solace.

MASTERLIST

Sanemi Shinazugawa

When he notices his partner's heavy heart due to the loss of their beloved animal, Sanemi decides to take a straightforward approach. He invites them to join him for a training session. With a mix of tough love and encouragement, he pushes them to channel their emotions into their movements. As they spar and practice together, he reminds them that strength comes from within, and sometimes pushing through physical challenges can help ease the weight of emotional pain. And in his own gruff way, he lets them know that he's there to support them every step of the way.

Tengen Uzui

Tengen understands the power of distraction and beauty. He takes their mind off the grief by whisking them away to a serene garden or a lively festival. He's the epitome of flamboyance and indulgence, but in this case, his extravagant gestures are all about making their partner smile again. He encourages them to express their feelings through art or music, even if they've never tried it before.

Giyuu Tomioka

Giyuu is quiet and reserved, but he's incredibly sensitive to their emotions. He doesn't overwhelm them with words, but he's a steady presence by their side. He brings them calming teas and sits with them by a tranquil river or under a cherry blossom tree, offering silent support. He shares stories about the strength and resilience of nature, reminding them that life is a cycle of beginnings and endings.

Kyojuro Rengoku

Kyojuro Rengoku, with his boundless energy and enthusiasm, knows that sometimes comfort can come in the form of a delicious meal. He spends the day in the kitchen, whipping up an array of their favorite comfort foods. The aroma of delicious dishes fills the air as he presents a table laden with a feast of flavors. With a warm smile, he encourages them to eat to their heart's content, reminding them that even in moments of sadness, there's solace in sharing a good meal and finding joy in the simple pleasures of life.

Obanai Iguro

Obanai's approach is gentle and soothing, grounded in tradition and mindfulness. He introduces them to the art of meditation and deep breathing, guiding them through moments of inner peace. He believes that by embracing stillness, they can feel their animal companion's presence in their hearts. He encourages them to plant a tree or a flower in honor of their beloved animal, fostering a connection between life and remembrance.

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genopaint · 3 months

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Week 8 of Daily Dragons! I was INSANELY sick so the first 4 days had to be fused together lol. But I got through it!

As always you can follow me on twitter where they’re posted daily

And read more info on each of them below the cut

Daily Dragon #49/#50/#51/#52 - Bub, Bob, Peb, and Pab

You like that? You like how I got around the missed days? Pretty smart, right? You can give me props for it I don't mind. Yeah I'm starting to feel better, but I'm still a little messed up lol

I'll try not to make this and also not to make recolors so frequent as individual dragons throughout the year. But hopefully having them each be unique art makes it an easier pill to swallow. Cut me some slack, y'all! I was dying the past few days

Daily Dragon #53 - Berserkrunch

These impressively angry and aggressive dragons seemingly love proving how tough they are to anything that crosses their path. While they may seem scrappy due to their short stature, they do have some considerable strength to back up that attitude

This is a remake of this little guy! While it's not that old of a dragon, having originally come from 2021, for some reason I just kept thinking about redesigning it. And, dang it, it's my challenge, why not?

Also, I included fully raged (red) and fully calmed (blue) variants :)

Daily Dragon #54 - Glidrogon

Fast and ruthless, these dragons can dive bomb preys at incredible speeds, then tear them up with their claws. Sometimes they've been seen hunting in packs to take down considerably larger prey than themselves!

If Berserkrunch can get a redesign and a new name, it's only fair its brother can too! This is a redesign of this green pterodactyl looking dragon I made the same day as Berserkrunch back in 2021 :)

Daily Dragon #55 - Howl Gravwyrm

A mysterious martial artist that few people have seen, let alone actually met. He appears wherever opponents of great power are, and some people claim to have been rescued by him from danger. But he never accepts thanks, he just wanders on.

Very rough week, things are gonna keep getting rougher soon I'm afraid, so I figured I'd go ahead and do another redesign of an old OC! This is a reboot of a random buff dragon design I did in roughly 2016 I believe? Decided to make him even edgier this time around

#dragon #dragons #daily dragon challenge

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diezmil10000 · 5 months

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2023 art summary + thoughts on my own art progress under the cut!!

(template by HedgeCatDragonix on deviantart)

so i've been doing this for 10 years :P

i'm not posting these pics in high quality, they're somewhere on the internet if you want to scavange for a bit. i didn't start taking art seriously until late 2015 and i honestly don't like looking back at old drawings. i still like my 2022 art summary but it wasn't until this year that i'm proud of all my finished artworks.

my art journey is complicated. i'm not one of those artists who can say they've been drawing for all their lifes. i used to trace pokémon in my school agendas but that was it. around 2013, a couple of friends invited me to their Skype server where we used to draw each other's ocs and make art memes and stuff - it was fun and cringe in the most positive way i can say it :] i didn't know shit about art and i took pride in drawing on MS Paint with a mouse just because it was hard.

(all of my drawings until may 2018 were made with a mouse)

when i was 15 yo i got into Love Live! and i decided to get better at art because i didn't want lesbian fanart to be made only by creepy cishet men. at some point i watched this video from Sycra and it rewired my brain. i understood that i needed to actually practise and understand what i was doing, and that i wasn't going to improve just by observing. its follow-up video also helped me a lot, i remember watching it on the day it was posted jskhfdjdfd.

and so fast forward until 2021 approx. i spent all of those years practising drawing in my traditional sketchbooks, so my improvement was steady. the only problem, and in retrospective i see it as a Big Problem, is that i was grinding mindlessly. by that i mean that i copied artists i liked and i drew again and again stuff i was bad at, but i didn't think too deeply about it or analysed my own art to look for faster ways to improve it. i also don't take feedback well so i didn't ask for it either, which further slowed down my progress.

on top of it, that just made me better at drawing, not at illustration. i firmly believe that a good drawing is hard to ruin but i could have made my illustrations way more interesting if i had started going wild with colors and effects way earlier. i don't exactly regret my choices because at the end of the day it's just my hobby, and i've been praised for drawing a lot and for challenging myself to practise drawing traditionally, so i want this to be read as introspection rather than complaints!!

the reason why 2021 was a big change in my art is because in november i did this monstrosity:

i got an Android tablet to be able to draw in class and took the challenge alongside my friend Nico, who also did their own Huevember. hola si estás leyendo esto Nico, aunque lo dudo :) i can't say that any of the drawings made me better at anatomy, or composition, or colors. i can't say that they solidified my knowledge, either. but they planted a seed in my brain that would fully bloom in late 2022, which is the seed of hating the finished result of some pieces so much that i forced myself to improve.

everyone has their own motivation to get better at art and i've always thought that mine was a healthy one (i want to draw more lesbians, that's all). however, i've had a very solid 2023 and now i don't cringe at any of my pieces, plus i can notice any mistakes they have without wanting to delete them from existence - and i could only get there because at the end of 2022 i told myself i wouldn't make any more ugly illustrations. like, period. i didn't want to get anxious every time i had to look back on my own art.

i also learned that no ammount of compliments from others would magically make me like a piece i see as mid at best. of course, i appreciate every single nice comment i get (genuinely, i get very happy knowing that other people love my work), but gratitude doesn't fix a skill issue.

so, late 2022, many things happened. first i got cancelled on twitter over a drawing of my beloved mizuki from project sekai (this info will be relevant later). then i spent a whole month doing this other monstrosity that is to this day the best thing i've ever done. i haven't peaked it (yet):

this comic actually made me improve and solidify my skills. it wasn't a class assignment, or a collaboration, or anything more than a headcanon i shared with a friend - it was pure brainrot over Revue Starlight and it made me put all my cunt into it. this was also the point at which i started filling in blacks with the bucket tool instead of picking a very dark color, which is a big part of my current style :3

the thing about people cancelling me is that i had to distance myself from fandoms and eventually change accunts, which also affected how i perceived my own art. even if i draw for myself, at the end of the day i still draw characters that are loved by many people, so i disabled comments and stopped interacting with other artists of my fandom circles. that led me to go on hiatus at the start of 2023, knowing that it was time for a fresh start (my art accounts were 5 years old anyway).

that period of time made me think a lot about my finished pieces. since i wouldn't post them until i had a new account, i would stare at them for longer than ever or make small changes even if days had already passed. letting my mind rest from illustrations i had been working on and knowing i could change them whenever i wanted was a big step forward.

i realised that for the past years i had been in a hurry to post my drawings as soon as i was done with them instead of appreciating them. that was a turning point for my mindset. this was also past the time i decided to stop making ugly art, but i hadn't really taken any measures to get better. so i changed the wording of the challenge: i can make ugly art but i can't post it if i don't like it.

it doesn't sound epic, but for some reason it worked. every time i was in the middle of making a drawing that looked kind of ugly, i changed it until it looked right. not perfect, but good enough to avoid cringing in the future. some times i had to redraw it from scratch with a more interesting pose. some times i needed to add a background or a graphic element to make the characters pop. and somewhere on that period, i went wild with colors and effects, and a lot of times that saved a piece that would otherwise be boring.

i have to thank Revolutionary Girl Utena and Revue Starlight for making me experiment a lot during my hiatus. both pieces of media, one being the daugher of the other, give artists so many visual metaphors and interesting topics to work with. the revstar brainrot had been there since the junnana comic, but rgu was something i had been meaning to rewatch for a couple of years and it hit me like a fucking train. it also made me create one of the comics i'm the most proud about:

then i got into homestuck and my art got. well. stuck!! >D< but it was okay because i wasn't making ugly drawings anymore. i was putting into practise a lot of things i had been learning or experimenting with, especially regarding colors and character interactions. and the yuri was delicious hmmmmmmm.

the rest of 2023 was very linear in terms of art but not so much in terms of fandoms (?). which is fine, honestly, but i was also glad to get back into Fire Emblem: Three Houses in late that year because when i first got into it in 2019 i didn't have the skill to draw everything i wanted to draw. and i still haven't drawn all the yuri scenarios that i've been cooking in my mind, but i have until forever to do it!!

so for 2024 i want to study some stuff i feel i'm still lacking in. i think i've always had a good eye for composition, but i've never actually pushed it in my finished illustrations - they depend a lot on the poses because i've always been prioritising drawing over everything else. that needs to change this year.

i also want to get better at drawing characters from extreme angles. i've always felt like my poses are a bit flat and i think i can study photos taken with wide angle lenses to improve at that.

and of course i still want to draw faster, which is something i've always struggled with. i think i have a good rhythm of "producing" art (excuse me for the poor wording), but i'm still too slow for the kind of artstyle i want to achieve, which includes having a looser lineart and less details in irrelevant areas of the drawings. i think that overdoing the lineart actually hurts my illustrations, because everything ends up pulling the viewer's attention with the same energy. i also think messy artstyles are neat.

i promise i'm not crazy and i don't hate what i do. in fact, it's precisely because this year i managed to make some pieces with that kind of feel that i know where i want to aim. special mention to the junnana comic because i haven't been able to replicate that lineart ever since.

examples:

as for the stuff i like about my current artstyle, i definitely want to keep the way i color!! and by that i mean the method i have for applying filters that make my colors pop. i could maybe play more with textures too.

i also like the way i depict intimacy, and people have praised it too. thank you for noticing. it's the yearning that's doing it, not me. but i don't think i'll ever change the content (?) of my art, i eat breathe and speak in yuri. if anything, there are still some ways of conveying feelings that i haven't been able to draw because i lack the skill to do so, but i'll keep trying ;)

i honestly didn't expect this post to be this long. i've been writing for hours now and i'm not sure my thoughts are coherent for anyone that isn't me. i also can't grasp the idea that some people know me from fanart i did in 2016 while others started following me last month, time is wild and it's an extra dimension of complexity that i don't know how to account for when i write stuff like this.

but again, as i do with art, i've written this for myself. it's been nice to put my thoughts in order. i think i've only talked about art in depth with like 5 people and it's always been in casual conversation. no creo que estéis leyendo pero Nahia y Henar os amo y he aprendido mucho de vosotras.

thank you for reading until the end if you have. i hope you have not only a nice day but a nice year. let's meet again in the future.

#diez's art thoughts

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sreyeh · 1 year

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(November 2021)

A collection of my favorite Huevember pieces from 2021! I think this is the only monthly art challenge I’ve fully completed (woopsy)

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starrysharks · 9 months

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ive sent like 20 asks to you atp but i really love ur art soooo so so so much like ur like my biggest inspiration fr like seriously i could blab all day abt how much i love your art and your arts almost singlehandedly motivated me to start working on shape language more bc i think thats like the key part of your art (to me at least) and youre like the true embodiment of "same face syndrome fears me" but like fr because all your ocs are so distinct and unique

do you have any tips on creating unique silhouettes / just general character design tips?? also id love to hear abt how your use of shapes and shape language evolved over time if ur fine sharing that!!

ok this is literally the sweetest ask ever like first off thank you so much ;_; i'm glad i was able 2 inspire you!!!

for me if you look at my old art there's little to no focus on shape language cuz i wanted to express a 'pointy' animeish style. examples are from 2020, 2021 respectively

as you can see i did NOT flip my canvas and my art was samey as hell,,, but in 2021 i started going for softer colors and shapes rather than points and spikes and brighter shapes. but, if you were to look through all of my art from either era, you'd see it's identical cuz i didn't care for shape language. this went on for quite a while :,)

then i discovered worlds end club in late 2021 and everything changed !!! i watched playthroughs cuz i didn't have a means to play at the time, and decided on making my artstyle a blend of cartoony and animeish - which ended up in choosing more expensive silhouettes and faces in turn

honestly i'm too tired to actually chronicle my artstyle change so i'll just skip to late 2022 in this timeline, sorry 😭

so by now has my artstyle evolved into aomwthing super cool n expressive ? no actually i think my art got worse in late 2022

as you can see, my colors got super washed out and i didn't really take risks, i guess? but i was finally starting to come into my own in terms of artstyle and was finally acknowledging shape language a little bit.

very early 2023 is the same, so let's skip to the one thing that changed my artstyle - the big 8 lineups

suddenly everybody was like 'wow your shapes are so good!!!' this was because i had tried to challenge myself with character design in these drawings. so i tried to emphasise interesting shapes more - using a technique where i'd just take an interesting shape or line that corresponded with a character's personality and repeating it as much as i could across the design.

like this deep cut art, where i tried to 'dial up'their already exaggerated shapes and design aspects (such as making frye's pants sag more or changing up shiv's hair. big man is perfect and needs no changes)

but this journey is still not over because a few months ago i rewatched all of panty and stocking and watched clone high for the first time, and both of these shows emphasise shapes a LOT in their designs, and i picked those up. here's art from a few months ago - in short, i tried to find the 'focal point' of the design, something that set it apart from other designs with similar body types or clothing, and built around that, if it makes sense? here's some art that i think expresses that well

comparing the new quintet art to the old one, i think you can also see that i started to try and use different body shapes and shapes in general (such as clyde having a more triangular build ig) . and tumblr doesn't let me add more pictures so this is where the overview ends !

my advice is - watch and rewatch anything that might inspire you, because it has the ability to push you in the right direction. for technical tips, id say -

draw different body types and age ranges (often times same face syndrome is born from only drawing the same age range, usually 15-20 for most sufferers)

play around with style - do you want a more western inspired style or something more akin to modern anime ? maybe something entirely different! try drawing in different styles that you like and see which ones stick

research fashion if only a little bit - it can help understand visually pleasing silhouettes (such as the famous big jacket or big pants silhouettes)

speaking of big jacket or big pants, contrast is key !!! top or bottom heavy designs are an easy way to express personality and an expressive silhouette ig

ummm thaz it ithink. once again thank you for your kind words and remember to take advice from multiple artists im just one guy!! i hope anything in here helped or was at least interesting to read

#ask zeno #zeno's art #long post #old art

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