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#wait.... who is peter parker????
ry-ichi1 · 2 years
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Tired single daddies
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buglover77 · 11 months
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oh, so when SPIDER-MAN can sense a bug moving on the wall across the room, doesn’t have the fine motor control to get the right amount of toothpaste, and can feel each individual drop of sweat down his neck, it’s a “super power,” but for me it’s a “sensory processing disorder” yeah okay sounds fake doc I think you just don’t want me to stop you from committing crimes, how about THAT
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lildoodlenoodle · 11 months
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Why I think Spider noir is on the younger side(18-20) in the new spiderverse movie per my previous post:
Let’s break it down by Context, Timeline, Mood, and ATSV
Context:
Spider noir has two comic runs that happen before COMICS spiderverse. With that said, there were like inter dimensional energy vampires and that’s obviously not the direction the spiderverse movies went with. So we’re going to largely disregard them for this. To expand, there was a big time jump between that last noir comic and the spiderverse ones. Peter would be closer to mid/late 20s at the start of the comics spiderverse and therefore ITSV if we were to integrate and replace the timelines, BUT I always hated the way they did that time jump in the comics and what it did to Peter’s character.
It felt like they were trying to tie him into 616 Peter wayyyy too much by making his love interest MJ(who we rlly haven’t seen and what we have seen hasn’t had good chemistry), have a good relationship with May(they rlly brushed him shooting someone in front of her and calling him an animal under the rug Huh), and going to college(I get it I do, but unlike most universes I don’t think this Peter could ever stop spiderman enough). There wasn't really any mention of Felicia, Urich, or Robby and their past. They also changed his webbing, his look, and his spider senses.
I felt like that was completely getting rid of all of Peter's characterization and he just becomes the spider with a gun from the 1930s. But the point is they clearly went in a very different artistic and narrative direction after the time jump to a point where it doesn’t feel like the same character.
Refitting the timeline:
So, scrapping the comics spiderverse timeline, I don’t really see a reason for a disjointed time jump. And after those first two comic runs it can be argued, for this Peter, that ITSV happens much sooner for him after that second run, possibly even after the first comic. Then ATSV would happen after that second run. There is an 8mo. time jump between the two runs so it is definitely feasible.
But let’s talk about mood between the runs.
We all know at least somewhat this Peter's origin, and if you don’t, to sum it up: organized crime, monsters, socialism, cannibalism.
The first run ends, Peter beats the goblin without killing him and he’s feeling pretty good about himself/confident. But he’s still got a lot of well deserved angst and self hatred. His uncle is dead, his new mentor/father figure is dead, his relationship with May is on the rocks to say the least, and there’s the whole Felicia thing. He’s still a high schooler and in that teen range, but a big ass lanky teenager who's only solid looking because of the gear he wears. I’d place him around 16-18, a case could be made for 15 but I’m going to politely disagree. ITSV could very easily be fairly soon after these events.
It’s 8 months after the first run. He becomes cocky and overconfident this whole next issue, possibly because of an interdimensionally inflated ego? Point is he feels on top of his game. Also worth mentioning, he’s ignoring MJ this whole issue to the point the audience knows basically nothing about her while he is having a very intense relationship with Felicia(which we already know how I feel about that whole mess) and who MJ is very blatantly and very badly a foil to.(I love MJ she is just not well written here).
The second run ends, his best friend/possible love interest(I said what I said), Robbie, is dead and unavenged.(I can talk a lot more about Robbie and what effect he had and will have on Peter going forward, also the disservice of his ‘death’) Felicia is disfigured and blames Peter. Peter not only blames himself for all this but the comic ends with him saying he feels powerless and a constant sense of impending doom. He really did not get a single win during this comic, man got the shit beaten out of him too. The age at the end of this comic is 17-19. After the last comic dude was messed up but still had hope, after this one we don’t see the fall out, but I can assure it was BAD. That whole ‘you don’t have to kill the bad guy thing’ is probably out the fucking window. I’m more hesitant to think ITSV happened after this run because of that. He isn’t just depressed or self loathing anymore, he isn’t just playing fast and loose with his life to get results. He does not care, he has no hope, and he doesn’t see a good future.
Pre - ATSV predictions with mild spoilers:
With the year and a couple of months time jump for ATSV it’s very plausible that the events of that last run plus possible spider task force shenanigans could happen before the movie. For more context in the comics spider noir was a recurring spider in the ‘elite strike force’. Personally, if he was invited, I could very much see him accepting, especially with his current mental state, and being very aggressive about it. Which, theoretically, could cause him to get kicked off or make a rash decision to leave bc fuck those guys. But the point is at the end of that last comic this man really doesn’t have a single win, he is in a prime state to be manipulated in.
Edit: my dumbass forgot literally the most important detail. The year 1933 is when ITSV noir comes from which matches this timeline with the comics as well.
To sum everything up, the reason why I think spider noirs age is in the 18/20 range is because it fits the above timeline, which I believe to be the most probable timeline of events that are canon by the movies while also staying consistent with at least some of the original comics. It should be further noted there is no evidence of his age throughout the ITSV movie, besides him being played by Nicholas Cage and being tall. In fact, I’d argue due to his excessive use of slang it would naturally place him in a younger category as well as the classic melodramaticness that can come with being a coping teenager. The most important thing that makes his age and at what point in his storyline he’s in up to interpretation is the fact that we see his face once and it’s heavily shadowed. If we saw his face more I’d feel better about giving him a more solid age, but till then context clues for the win. But anyways, this was long and I still have more I could get into/say and I will eventually. Feel free to ask any questions or even tell me why you disagree!
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marvel-lous-guy · 2 years
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Peter: You can't kill me if I kill myself first!
Villain: Wh-what?
Tony: No.
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cyberxoxo · 10 months
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i fear i may have thoughts a/b peter b. parker that may be controversial… idk if i’m spittin or not
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edgepunk · 7 months
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I'd love to see a journey of Peter Parker's self-discovery in his early-to-mid-20s and realizing he's bi. like, there's never too late to explore your sexuality and realize you might not be straight, but we all know Marvel are a bunch of cowards and will never lean into the fact that Peter's been bi-coded for decades
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hi friends !!! send in requests please :))
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kitcat992 · 2 years
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Identity Crisis︱Chapter 28 - Venom (PREVIEW)
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Not a second later and they were bolting down a staircase, leaping two steps at a time.
“Is it too late to get Strange here?” Steve’s words ricocheted as he bounced down the stairs, colliding into the wall at the very end before throwing himself down the next flight of steps. Not daring to take pause, not even to breathe.
“We’re in Wakanda!” Tony’s voice was high-pitched and panicked. “How the hell—!”
“He said he had a spell,” Steve rattled on, his legs springing with each leap taken. “One that could extract the symbiote entirely.”
Tony didn’t respond.
“Right!?” Steve spun around — slamming into Tony when he kept pace down the stairs. Nearly knocking him to the ground with a forced stop.
Explosions from outside were muffled through the walls of the stairwell. And yet in the moment of silence that followed, they seemed impeccably loud.
Tony floundered, his mouth opening and closing like a fish out of water.
Steve reached for his arm and shook him. “Tony!”
“It’ll kill Peter!” The words clawed out from Tony’s throat, throttled underneath the stress that swelled his windpipe twice its size.
Steve frantically shook his head. “Peter’s dead!”
The next explosion rocked them sideways.
Tony cursed as he toppled forward, landing on his knees at the bottom of the stairwell, his head crashing straight against the wall.
His HUD fritzed with static, bright colors that had him seeing double. He immediately retracted his helmet with a thoughtless command.
“I don’t know how to contact him,” Tony answered in a tight, shaky voice, taking Steve’s hand as the soldier hauled him back to his feet. Debris from hundreds of floors above began to rain down, and they both looked up at the vast open space of the stairwell. Everything above was a danger to come down at any second. “Maximoff was the only one who could —”
“We need to kill this thing,” Steve’s command was laced with a tremor that neither of them wanted to acknowledge. He shot his head back down to Tony. “Use whatever force is necessary —”
Tony whipped his head towards Steve. “That’s still Peter in there!”
“Peter’s dead!” Steve’s shout echoed the stairwell with a frightening volume. Reality etched into every feature on his face — it was hard. Certain. Leaving no room for argument. “He’s dead, Tony! Venom’s using his body as a host, and if we don’t use all force, we’ll be dead next!”
Even as rubble showered down from high above, neither Tony or Steve dared to break eye-contact. Dust and drywall dirtied Tony’s hair, turning locks of brown into gray and embedding into the deep lines of his exposed face. Sweat trickled down his jaw, and ice pricked the back of his neck.
He opened his mouth to speak.
No words.
Suddenly, Tony felt cold all over. And frighteningly hollow.
“Tony!” Steve shouted.
“Fuck!” Tony spun around, bolting down the stairs as his helmet re-formed to his head, reaching over until it covered the integrity of his face.
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starlooove · 2 years
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Fuck the logistics of it: magic user Duke my beloved <3
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milimeters-morales · 2 years
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the thought of sandman calling cps in the middle of a fight on Peter bc of Miles saying something like “yeah he always argues with me over food and if i could have some” when he is actually talking about stealing Peter’s candy bars has me rolling on the ground and howling
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maximoff-pan · 1 year
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Is there a you are not to blame part three?!?!?
no :(
It’s been in my drafts for a while and I just haven’t had the courage to post it (I honestly also thought no one would want it by now)…
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spideymichelle · 1 year
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literally cleaning out my drafts now why do i have over 15 gwen is actually a lesbian posts ...
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“Lure of the Spider,” Web of Spider-Man (Vol. 1/1985), #120.
Writer: Terry Kavanagh; Penciler: Steven Butler; Inkers: Randy Emberlin and Don Hudson; Colorist: Kevin Tinsley; Letters: Loretta Krol, Jeff Powell, and Susan Crespi
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siegelst · 2 years
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sooo what happens if the spidersuit runs out of battery during a fight? does it go into its portable mode? does Peter end up without a suit? or does the lights on the suite goes out? what happens?
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deadpooly · 9 months
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cant believe my bestie is 18 now. it changed absolutely nothing bc he was making bad illegal choices before he even was legal
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fictionaltrvlr · 1 year
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peter parker is so ‘wait for it’ coded
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