they don't see it, because it is around them like air. to them, it would have to be through movies, through magazines. they think it happens outside of life, like it must be selected to be interacted with.
but you discovered in the fifth grade that you couldn't wear shirts with words on them, it was an excuse for someone to look at your chest. you were catcalled before you were in middle school. sometimes you look at that memory and deny it - surely that can't be right, you were young. but you were in a skirt, so maybe that was a natural byproduct. it was a skirt from that place "justice by limited too" - a store literally for kids. it was popular around then. you wore that skirt twice and then never again.
you can't wear headphones, because what if a man wants to talk to you? there's a guy on the internet who complains that women shut themselves off from being approached. at night, you often keep the headphones positioned but with the sound off, just in case you need to hear something behind you.
you learned at 12 that you can't make eye contact, don't acknowledge the aggression. just walk faster and hope he picks on somebody else. don't wear your hair like that. do not park next to that kind of car, park an entire cityblock away if you must.
you can't go to the museum, you're sitting and tying your shoe when he approaches you and mentions that nobody understands art anymore. that in the whole world, it's just you-two. you have no recourse for eating a meal (it's rabbit food if it's salad, and someone will roll their eyes, eat a sandwich. it's pick-me behavior if it's a burger, we get it you're a cool girl). if you like mushrooms you are cottagecore, which is cheesy. if you like video games you're an egirl (similar to a pick-me). boys do not get categories, but if you point out the categories are sexist, you are told okay but these girls really exist.
it is somehow developing, a little undercurrent that you've been uncomfortable with. the nickname "karen" went from being "a white woman that uses her whiteness as a weapon, particularly against people of color," to now mean "any woman raising her voice or being even a little upset." the reappropriation of a term used specifically to call out white women for their racism has set your skin on edge. now it is just another version of "bitch," one that can be said on television. recently you saw a woman get called a karen because a drunk driver sideswiped her, and she screamed when it happened. the comments on the dashcam video all say "why do women always scream about everything." "when has the world ever been bettered by women screaming." "this fucking karen. she deserved to get hit."
in the sitcom, it's a joke that the wife is furious; slamming her hands down into the sink. i do everything around here, might as well do this too. in your house, your father is always in-his-office. before you know better, your first boyfriend is the type to say it's just easier for you. you used to beg him to take you on dates. he used to make a big deal about it, about the sacrifice of effort, even if you were the one who did most of the planning.
someone on the internet makes a "POV: the most boring person you've ever met" where he puts a towel on his head and just talks like a normal person. his impression of a boring woman is just a woman that is talking about her pretty-average life without exaggeration.
you are sometimes actually sad in the reverse, because actually you did used to struggle to pay attention in conversations. you were also easily bored of normal things, your adhd pinging off of every radio tower in the vacinity. it took time and therapy and patience, and now you delight in the small things about your friends. you like having them show you their organizational systems and talk about their taylor swift tickets. you are entertained by them because you learned to be, even though your brain is structured to only be excited by novelty. you kind of hate the idea that the reason your father will never actually pay attention to you is that you're no longer interesting. eventually the shine wore off, and you were just a person, not a spaceship. he never learned how to just, like, form an actual intimate friendship. it was always at a distance, this sense - emotional closeness was too much. (and yes. he's homophobic).
you're already tired of whatever the fuck is happening with the words "divine feminine", a rancid take that is basically just a rebranding of the patriarchy in action. what the fuck do they mean "being small and delicate and needing protection" is feminine. the words they are looking for are that they want a partner, not that their desire for equivalent support is relegated to gender. the human desire for community is not actually gendered at all. also, what fucking wolves are these "divine masculine" men even battling. fuckken taxes? shouldn't their "desire to protect" also mean "protect you from emotional neglect", or are all emotions off-limits (and how sad would that be. that's a horrible bar to set.)
and they tell you it's really not bad actually, because it's just there. they suggest you get off the internet or you stop reading that book or you stop thinking so hard about the movie or you stop just-being-a-feminist because honestly it's a killjoy sort of thing and then you tilt your head to the side and there's that little siren in the back of your head. if things were actually fine, being a feminist wouldn't put a stop to anything, it would go completely unnoticed, because you wouldn't have any comment to make about any of this
but you are ruining your own life, they tell you. also, girls don't sit like that. also, all girls are catty. also, all girls are bad drivers. also, all girls just need a cute bracelet and an iced coffee.
you do like iced coffee, is the thing. when you close your eyes, the world around you has this strange note to it. and once you hear it, it never stops ringing.
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How You Turn My World; Chapter 4
You finally find your way into the labyrinth, coming across some new and old faces; both friendly and malicious.
Character; Lilia Vanrouge
Content; Gender-neutral reader, reader is getting tired of being stuck here and smelling like a bog
Content Warnings; Swearing, some talk of death, reader passes out
Word Count; 2.2 K
Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 |
As per usual, don't put my work into AI.
You were finally making some decent progress, what, with not being stuck in some bog and knowing somewhat of where you were going. A vast improvement really! Well, it would be, but unfortunately, you still reeked of rotten eggs and skunk — apparently the bog stench only got worse the longer it stayed on.
“Why did it have to dump me into the swamp,” you huffed, rounding yet another corner. “Like, it could have dumped me beside the water, but, no, no, let’s dump the magicless human right into the putrid bog water! A good guffaw, don’t you think? Ha ha ha HA!”
At least your au de Bog of Eternal Stench kept any would-be assailants away since you hadn’t run into anything (besides a rose bush, ouch) since you started making your way through the labyrinth. So maybe it wasn’t all that bad… damn, maybe your sense of smell was just used to it… hey, if stink helps you not die, then you would gladly stay stinky! Well, bitterly stay stinky is more like it.
“Assholes,” you muttered, rounding another corner.
But it wasn’t a corner; it was a crossroad. Three paths merged off of the one you were on.
… aren’t labyrinths just one long line? THIS IS A FUCKING MAZE?! You groaned, looking at your possible options which all looked exactly the same.
Decisions, decisions, decisions. Of course nothing is easy here, no no no! Gotta make things difficult now.
The hedge behind you rustled, and you whipped around, getting into a stance where you could either land a pretty good sucker punch to the hedge-stalker or make a mad dash away. But out of the hedge crawled out a small, fuzzy, caterpillar. And back at home you would have thought it was cute, but you learned your lesson from the doors; don’t trust it, or anyone for that matter.
You looked down at the caterpillar, and the caterpillar looked up at you, blinking slowly.
What are the chances…
“Do you know a way out,” you asked the caterpillar, crouching down so that you didn’t tower over it.
The caterpillar blinked at you again (apparently caterpillars in the Underground have eyelids, which isn’t the weirdest thing considering everything). “No,” it chirped and continued crawling on its merry way, wherever that may be. “But you’ll find the way.” And it disappeared into the growth of the maze, humming a little tune to itself.
You sighed, and pushed yourself back up, straightening out your shoulders and looking up to the sky. “I’ll find a way,” you breathed, looking up at the cloudless sky which was starting to turn a brilliant amber with the setting sun. “I might want to find a way is more like it.”
You looked back down to the ground, looking at the three paths in front of you. They all look the same, save for the ground making up paths themselves, with the middle and right paths looking well worn with travel. And while they may be well worn, there was a voice at the back of your head that was whispering caution. The left-most path was not as well travelled, with dead vines covering parts of it.
“Hopefully you’re right, little buddy since I could use all the luck I can get.” And you made your way down the path, hoping that it was the correct one and didn’t lead you to your death or some other unpleasant thing.
…
…
Lilia was at the entrance of the labyrinth, in front of the two doors.
“Have you seen a human, about this tall, a bit of a temper, and smelling foul,” he asked the doors.
The doors looked at each other before looking at Lilia. “And what’s it to you,” they said in unison.
Lilia smiled, but it was one of mild annoyance, not joy or amusement. “Royal orders I fear. You wouldn’t want the mistress finding out about you both tampering with a royal matter, would you?” The smile turned cat-like since Lilia had backed them into a corner.
The doors paled, with the blue door speaking up. “No no, sir! We would never dream of such a thing!!! Yes, there was a human, a wretched one at that, horribly rude!”
Lilia hummed, cocking a brow at the door. “I do think wretched is a bit of an overstatement now,” he whispered to himself. “Well, tell me where about they are then. The sooner I can collect them, the better for you lot.”
The red door sighed, “Near the heart of it, they took the left path.”
Left path? Why the left path leads to… Shit. Lilia mentally groaned, knowing that regardless of the path you took, you would end up having to deal with them eventually. “Your cooperation has been noted,” is what he said though, giving the doors both a nod before turning into a bat and flying over the labyrinth, trying to find you before you ran into whoever them was.
“Please be clever enough not to die,” he whispered to no one, hoping that he didn’t have to deliver your body to the Queen.
…
…
The left path brought you to what looked like a forest; with old-growth trees, ferns and moss covering the ground, and a list mist hanging in the air. It was peaceful and beautiful, with the setting sun illuminating the mist without burning it away.
But that would not last, night was fast approaching and you had nothing to protect you this time; no rowan tree to haul your ass up, and no sort of weapon to protect yourself besides the oh-so-lovely smell of the bog to deter something from eating you. You were pretty sure it would also keep away anything that wanted to otherwise snatch you up.
“AH!” Something jumped out from a tree, and you couldn’t fully register what it was since you were also screeching, much like the creature was at you; you with fright, the creature with amusement and joy.
Two other creatures jumped out from behind the trees and startled cackling, jumping, and clapping. Together, they surrounded you, with no way to really escape them without fighting through.
… you really should have read about fae species, since you didn’t know what they exactly were, or how dangerous they were either.
One pulled you near a pit and lit a fire, cackling in glee and dancing, trying to get you to join them. “Ah come on, human, have some fun! DANCE BABEY!!!!”
But you stayed still as more creatures came out of the shadows, dancing around the fire, giggling, cackling, and pulling a bit at your clothes to prompt you to join them. You didn’t know, cementing your feet down, your eyes watching their movements with caution.
‘Should you dance with the fae, you shall not stop dancing until you exhaust yourself. And once you wake up, you will continue dancing. This cycle will repeat itself until you dance to death.’
At least that was what the book said, and so you stayed still, regardless of how much the creatures pulled at you. While it looked like a grand old time, you remained where you were.
“I don’t have time for dancing,” you answered coldly, flinching from pinching fingers. You were also a bit shocked that Eau de Bog of Eternal Stench wasn’t keeping them away. Either, they couldn’t smell, or, they didn’t care that you smelled downright awful. “So this ‘baby’ won’t dance.”
And should I be offended by you calling me ‘baby’ or am I reading too much into it?
The main creature just shrugged and spun its dancing partner around. “Your loss human! More fun for us then! YIPPEE!!!” And it threw something in the fire to where you could feel the heat on your face.
What now? You were just standing there awkwardly as the creatures danced about, singing something that you couldn’t really make out. All you knew was that the heat, noise, and the dizzying dance of them was making your head pound, and throat scream in thirst. You hadn’t drank anything for over a day(?) — no, bog water did not count — and the heat from the fire made the thirst only worse. Shit.
“Ah, you don’t look too… hot there human,” one of the creatures snickered at its own joke at your expense. “Maybe if you dance with us, loosen up and have a bit of fun, then you can have a drink? Hmm? Dancing won’t kill you!” But its failed attempts at covering up its own malicious giggles were more than enough to stand your ground… which was coming at you quite fast since you practically collapsed.
Was it the thirst? The pounding migraine that wanted nothing more than to crawl into some dark hole and hide? Or your exhaustion from making that tiring trek, crawling yourself out of the bog and making the trek again, or the hours you had spent wandering around the maze with no real idea of where you were going? All you really knew was that you were now on the ground with the creatures poking at you to see if you were still alive.
“Aw, man! Are they already dead? That’s no fun!” One of the creatures pouted, raising up your arm, and you let it plop back to the ground. “Come on human! Get up! You’re not a party pooper are you?”
Scre you buddy! Can’t you read the situation?!
You were trying your best to stay quiet, which wasn’t all that hard, since all of your energy was gone.
“They best not be,” a familiar voice called out.
From your position, you couldn’t see who it was, but you could make out the creatures jumping away from you like you were the hot fire instead of the fire pit. But someone else was approaching until you could make out a pair of shoes in front of your face.
They crouched down beside you, placing their fingers gently at the base of your throat; taking your pulse. “Hmph, playing dead, are we, Beastie?”
That irritating chuckle. The annoying nickname. Those mischievous magenta eyes that now looked at you with curiosity and amusement.
It was him — Mr. Sparkles.
And he had just blown your act of playing possum (well, not really, since you had actually collapsed).
But you didn’t say anything, instead favouring to give him a dirty look. Yet he just shook his head in jest, and proceeded to pick you up and wrap you around his shoulders and neck like some sort of bizarre ermine pelt; better than being carried like a sack of potatoes or the bridal carry you supposed.
“Her majesty sends her regards for not turning or killing her guest,” Lilia offered the creatures. It would be such a waste and pity to see such an entertaining Beastie leave us too soon now. “But do know she won’t take to their condition lightly.”
My condition? I’m not some Victorian child with some unknown illness wreaking havoc on their body you know?! But all that you did was groan and cough. You couldn’t even cough in Mr. Sparkles’ (Lilia’s) face, since you had a lovely view of the moss-covered ground and the fae’s shoes.
He patted the back of your calves, and you would have kicked him if you had more energy, but you didn’t. “Now, we really should be off, since Beastie has… an hour to get out of this maze before they turn into some sort of worm, or a hedge; never know what this old labyrinth will decide on really.” Lilia chuckled at the thought (was it merriment, or was he happy that you weren’t joining the caterpillar you met earlier?).
“No,” you wheezed. “WoRm!”
“See! They said it themself! No worm! How lovely that we are on a similar wavelength, Beastie! Marvellous even!” Lilia exclaimed, and the both of you started levitating off of the ground. “Now, do enjoy your party, Fireys!”
The creatures (Fireys apparently) groaned but got back to their party, dancing around the fire like they didn’t just try to lure you to your death mere minutes before.
“Tsk tsk, Beastie,” Lilia’s tutting brought your attention back to him and you grumbled. “You owe me two favours now, you know. Lucky that I found you… although that part wasn’t hard. I thought you learned your lesson the first time you decided to take a dip into the Bog of Eternal Stench?”
You lightly kicked him, letting your irritation be known, but Lilia just hummed. “Now now, no need to be like that! Do you want to smell like a bog when you meet the mistress? She wouldn’t take kindly to your… unique aroma.”
You hissed out a breath since he decided to pinch at your ear rather harshly — prompting for you to answer. “No,” you whispered hoarsely.
“Also, do read up on that book, since you will want to know about the government and fae species etiquette!”
From a smelly bog and fumbling around a maze for hours on end, to finding yourself being taken to fae high society… was it too late to become some worm in the maze? I think being a worm actually has a better chance of me living.
But sadly, you were saved from an eternity of being a worm. Hopefully, Mr. Sparkles (Lilia) would cover for your blunders a little for when you found yourself in front of ‘the mistress’.
...
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To be continued!
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Tags; @afunkyfreshblog @cheezy-moon @eynnwwyjth @identity-theft-101 @ithseem @lucid-stories @ryker-writes @twistwonderlanddevotee @xxoomiii
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do you guys every think abt death vs immortality as a thoroughline in like. literally all of the mechs albums.
old king cole is explicitly warped by immortality (never to forgive he would eternal live, his hands dyed red by gore - can be read a few ways depending on where u place the emphasis, but at the very least communicates that his wrath is facilitated By his immortality), and the olympians commit attrocities in order to hold onto their wealth and the immortality that it grants them (murdering arachne, yanking heracles' chain the second he tries to go freelance, having a monopoly on the acheron etc). the value they put on immortality and living forever, and the fear they have of ever possibly losing it, has completely warped their morals and priorities.
and while it comes up less in tbi, there's still significant emphasis placed on how odin has been in power for a century (both thor + the narrator bring it up, and there's also an emphasis on how long ago the bifrost project was started, and how 'no one left living' can explain its science). her villain monologue in rangarok iv places the extinction of asgard as an honour - a ruin that no one can possibly rebuild from is called 'apotheosis'. and as she says at the end, the idea that no one can possibly outlive her is a key draw for odin. asgard dies with her.
in hnoc, the only really immortal character is brian (and we only really know that bc of knowledge we get from outside the album), but the axis of life and death as a privilege vs a curse is still very present. 'mordred's gift to Arthur could be love in his own eyes / fating him alone to keep the life to which he clings', not only posits that the gift of survival isn't inherently good + kind (which the audience would immediately recognise as love, not possibly love), but places emphasis on the fact that arthur is now utterly alone. the station's death at the hands of mordred is hardly a happy one ('Its people damned, doomed by a man who's lost all his regrets'), but arthur's fate is arguably worse. severed from the finality and closure of death, what does he become? [insert that one cool theory abt hnoc arthur becoming old king cole here]
it's like. on a meta level, the reason we as fans don't put much emphasis on the depravity + cruelty of the mechs is bc the people portraying the mechs are all charismatic + skilled performers. in live gigs they're all portraying the fun side of their characters - roasting each other, bantering with the audience, making fun of the characters they're singing about, referencing off-screen violence - bc if they portrayed their lore too literally they'd be comitting felonies LMAOOO
but narratively, its like. literally every album is a meditation on the ways that the glorification of immortality can ruin civilisations - can ruin galaxies. whether its rooted in the fear of you specifically dying, or of being outlived, or overpowered or forgotten, or if its done for the sake of someone else's survival... it's all corrosive. if u refuse to accept the indisputable impermanence of life, you lose the ability to value it, and u numb urself to the reality of just how fucked up it is to cut another person's life short for any reason.
like. i do think some of the mechs started as good people, and some of them even might still have ethical standards, but i REALLY cannot stop thinking about how fucking. fascinating it is that this group of immortals who are KNOWN for basically considering nothing but how fun and/or violent any given activity will be, have basically filled their entire discography with songs about how their continued existence is corrosive and brings tragedy + ruin wherever they go.
so how self-aware are they? do you think those old morals + ethics still linger in their mind, when they're writing down these tragedies? they willingly self identify as liars + thieves + bastards, etc etc, and they seem to have no trouble identifying the 'bad guys' in the various albums (ie: humanising snow + cinders + rose, but not king cole), but do those concepts actually mean anything emotionally, or even theoretically, for them all beyond their dramatic potential? do they remember their lives before they were mechanised as it actually happened, or do they remember it as lyrics to a song? is it possible to be entirely self aware abt ur own capacity for violence (as jonny in paticular claims to be), if you no longer relate to violence as anything other than a narrative device - a means to an end, whether comedic or dramatic?
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