when are we as a society going to nut up and stage a genderbent production of the producers. i have never seen two characters who deserved to be morally bankrupt middle aged women more than bialystock and bloom.
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As an eligible young noble of no small fame, Ambroys had a number of arranged courtships and suitresses in his youth, but any nascent marriages always fell through.
It's not that he didn't try; he certainly knew how to court a lady (perhaps too well, according to many fathers and husbands), and when he lacked knowledge on the affairs of womens' hearts, he sought counsel from a young woman who was a dear friend of his (perhaps too much counsel, according to his own father). Nonetheless, all he garnered for his efforts was separation after separation.
Ah, well. Maybe it was for the best.
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You cannot tell me Gortash isn’t the reason Orin turned on Durge. In Rivington, if you encounter all her forms from nearest to farthest from your starting point, Orins first disguised interrogation of durge is about who they’re in love with. She assumes durge loves someone. If they haven’t romanced a party member, she pushes it further- surely there’s someone you respect- someone you trust (a partnership built on mutual respect and trust, no?) .
Next, as the smith, she wants to know if you’ll kill those you care about. And we know who Durge didn’t want to turn on in the past- she surely felt personally betrayed by that as well.
Only then as the journalist does she actually get to the more important questions: how did you kill Ketheric and what do you plan to do next?
She may as well say it: she mutilated Durge, she removed part of their brain and did all she could to tear apart their memories but it still is at the forefront of her mind: do they love Gortash now? Do they remember how to trust him? Do they remember being respected? Cherished? Will they still refuse to kill the Banite? It might be semi strategic, but knowing why they’re in the city and what they know of Bhaal would be much more so.
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"I thought you might be lost." is one of the most delightfully romantic things Jon ever says to Martin.
It's so devoid of blame, of derision. A truly neutral statement, soft, no touch of sarcasm, no hint of cruelty. A gentle hand reached out to pull him from the depths of the lonely.
Such an unusual phrase for Jon, especially at that time. There's no definitives, it's entirely open to correction, open to being wrong. 'I thought' not I knew. It comes from Jon's perspective, he holds himself out to rejection, something that's hard to do at the best of times.
'you might be lost', not you were, not you are. He respects that this may well have been a conscious choice, that Martin really could have chosen to abandon him, preferring the lonely to the lack of certainty in their relationship. But it retains the softness and love, the worry and care. He was worried that Martin might not be able to find his way back, but not willing to drag him out of a place he might have chosen to be.
And that's not even mentioning the softness with which he says it. In an intense moment of great urgency and importance he's able to drop his fear, stress, and anger, in an attempt to reach the man he loves.
It's such an elegant moment of love; in a second Jon is willing to let go of the gravity of the situation and put all of his being into connecting with Martin, and when it comes down to it, it works.
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Part 1 of 4
I thought Gale's romance scene in Act 2 was really wonderful and special and decided to make a whole multi-page comic about it.
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[[ All Croissant Adventures (chronological, desktop) ]]
[[ All Croissant Adventures (app) ]]
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The thing that really gets me about xiyao. that will never NOT get me about xiyao. Is that they met in circumstances where for just a moment their respective stations in society didn't matter. Not to each other. Their relationship started outside of social conventions. And they spend the next 17 years trying to preserve that time, that relationship outside of society. And society crept in anyway.
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And darling, you need to be patient with yourself. The pain does not vanish overnight. You heal one day at a time, one step at a time. And maybe, just maybe, in six months from now, you will find yourself enjoying a day where the pain ceases to exist. Be gentle on yourself, allow the healing process to take place.
Excerpts from the book I’ll never write #411
09.04.2023
11:17 pm.
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im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.
It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.
And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.
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