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#I definitely have a few nitpicks though
iseel1 · 10 months
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I just saw Barbie, and I thought that it was pretty good
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incorrectbatfam · 4 months
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Types of obnoxious batfam stans
Written by an obnoxious batfam stan
Not really a rant but something I've noticed over the years interacting in different spaces and I've decided to make your problem now.
Please note that I'm not saying there's any "right" way to be a fan because we all suck by virtue of being comic nerds, but there are certain kinds of batfamily fans that stick out to be in particular.
Anywho, here are 12 kinds of annoying batfam stans that you've probably run into and you better get a laugh out of it *points gun to your head*.
1) The Newbies Who Never Heard of Google
There's no shame in being new to something. It's a phase that we're all guaranteed to go through, whether we're 11 or 101. However, in this day and age, so many things can be easily googled that you don't need to shout every question you have into the VVorld VVide VVoid. If you need comic recs or a reading list, google it. If you wanna know a character's origin story, google it. If you need to know the color of Batman's underpants in a particular issue in 1965... well that's probably too specific for Google but Reddit will definitely have an answer.
2) The Middle School Authors
Before the 13-year-olds get up in my notes, I'm not saying everyone that age writes like this. Middle school is a state of mind. These fanfic writers usually stand out in a few ways.
They're oftentimes first-person POV or reader-insert. Give Y/N a break, she's tired.
The grammar is stunningly atrocious. I get if you're inexperienced or if you're writing in a second language, but we are in the prime era of autocorrect. If you need help, it's right there. Also, fuck c*nsoring b*d w*rds and fuck "unalive."
The characters do things that are out-of-character because the author is projecting their own personality. Bruce Wayne is a lot of things but he does not listen to the fucking Mountain Goats.
There's a lack of experience or research when it comes to certain topics. That's not how physics works. He can't walk that injury off. And that's definitely NOT how you do the horizontal hokey pokey.
3) The Neckbeards
Unfortunately, these basement-dwelling mouth-breathers tainted the image of what a comic fan is, though that's been changing recently. Still, we've all seen them. They gatekeep via pop quizzes, 'cause obviously you're not a real fan unless you know what page 10 of Batman #138 smells like. They give unsolicited commentary on people's cosplays, nitpicking the guys and being gross toward women. And heaven forbid the comics add a little diversity.
4) The Moviegoers
Nothing inherently wrong with getting into the fandom via the movies, nor is there anything wrong with sticking to that. I just feel like we're two different species of Galapagos finches, you know?
5) The Christopher Nolans
Separate from casual fans of the Nolan movies. I'm calling them the Christopher Nolans because these people have a tendency to reach for the grimdarkest thing possible. It's like they cannot fathom Batman having any other emotions besides punching and gargoyle brooding.
6) The Canon Purists
Wanna share a fun headcanon? NO, because Stephanie Brown never used cherry lip balm in the comics so therefore that must be the absolute truth. These people are a stickler for comic accuracy to the point where it's like... why bother interacting with the fandom in the first place? The worst part is when they're adamant on following a single continuity and refuse to consider anything else. This is comics we're talking about. Everything either has been or will be canon at some point.
7) The Fanon Worshippers
On the opposite end of the spectrum, we have the people who base their entire perception of the characters on something either they pulled out of their ass or that their mutual with 16 followers came up with, despite evidence directly contradicting it. I love WFA, but I feel like that's partially responsible for further perpetuating certain popular myths. Also, these fans tend to focus solely on the batfam/their ships. It's one thing to have some people in the foreground vs. background, but put some respect to Bart Allen's name you goddamn cheesecakes.
8) The Golden Age Dads
These guys aren't really obnoxious. I actually find it kind of cute how they think Jason Todd is still dead.
9) The Chronically Online
I have a rule of thumb when it comes to discourse: if it's not something I'd hear about at a bar, it's not worth my mental energy. Some people haven't gotten the memo, though.
These are either the well-intentioned but misinformed teenagers or grown-ass adults beefing with children because they don't have a life. They have takes that are oversimplified, rage-inducing, TikTok algorithm attention-grabbers that no one cares about in real life.
Don't get me wrong, we've got a bunch of issues in comics and fandom that are worth discussing. However, there comes a point where you're splitting hairs and need to go the fuck outside. I'm not gonna link the post 'cause I don't wanna call them and their 7 notes out, but the other week I saw someone saying Stephcass was a racist ship because something something colonialism parallel. You gotta be Elastigirl to have that kind of reach.
10) The Corporate Simps
I love comics. I appreciate the writers and artists. However, you will find my carcass in a ditch before you catch me licking the boots of DC/Warner Bros. Basically, these fans, fewer as they are, can't seem to fathom that their favorite franchise can (and does) put out some steaming motherfucking garbage.
11) The Hot Cosplayers
Not actually annoyed, I'm just a little jealous. Stop being hotter than me, please and thank you.
12) The One With A Punchline For Everything
Wait–
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taesanrot · 11 days
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[twenty questions] sungho x f!reader | 2.3k words college au, coworkers 2 luvrs, e2l kinda, forced proximity lolz note. thank uuuu to lovely anon who requested this <3 i need to write for sungho more this was sm funnn. nini’s summer writing era starts NOW.
park sungho is an actual fucking dumbass. he decides this as he stares at the newly formed wet spot at the front of your sweater, wincing at the deathly glare you're shooting him.
"you're kidding." you grumble, watching your wide eyed coworker scramble to the bathroom in search of napkins, and perhaps a baseball bat to knock himself out cold with.
for the longest time, you'd been the sole employee at your university's bookstore. it was a small store your uncle owned, and with how many other bookstores that ran in your college town, you didn't have much work to do or much foot traffic to counter.
but with your uncle and aunt travelling to spain for the majority of your semester, they decided to take on a couple more employees in consideration of the fact that you were just one person and the fact that you were starting university.
one of these new employees was none other than park sungho. the first time you met the boy, he was already 10 minutes late to his training shift. you let it go pretty easily though, seeing the panic on his face and the way he explained how he got lost on the way in between heavy breaths.
you found his nervous demeanor pretty cute at first, not to mention his raven hair that draped over his ears and framed his face prettily. sungho, on the other hand, was floored by you.
so floored in fact, that he'd found himself with a pretty bad habit of dropping whatever he was holding or tripping on air when he saw you.
you two had gotten into the routine of always nitpicking each other's mistakes, picking apart any little thing each other messed up. sometimes that was a mislabeled box, a mistake in the cash transactions, or stumbling on the stepladder while shelving new arrivals.
it was like you two were keeping a mental scoreboard of who was the clumsier employee, and most of the time you came out victorious, including today
the day had been nothing but ordinary, both you and sungho a bit bitter to have to be working on a saturday afternoon.
you walked up to the bookstore entrance to see sungho already leaning against the wall next to the door, scrolling on his phone before looking up and noticing you. upon your arrival, he sighed, causing you to turn and look at him as you typed in the security code into the entrance's keypad.
"look who’s finally here." he droned, glaring at your pretty fingers gliding across the buttons.
"oh, shut the fuck up." your eyes nearly rolled into the back of your head as you yanked the door open, nearly whacking sungho with it.
the shift dragged on as usual, boring and uneventful. you'd like to think you mentally jinxed it when you were smiling to yourself at how well the day was going. because less than a second later, sungho's chest was in your face and his cup of water from the break room was spilling onto you.
you didn't get the chance to hear what he had to say, groaning and tugging off your sweater and stomping into the break room.
after the whole water cup incident, sungho had definitely taken the brunt of the tormenting today. checking the time, he sighed and stretched out his arms. the final few shoppers were filing out and he followed behind them to lock the door after, tapping on the keypad and listening for the familiar beep and click.
cracking his knuckles, he walked behind the counter to begin closing the registers while you, now in just a tshirt, cleaned up around the store.
it was still light and balmy outside, the last rays of the sun resonating through the clear sky and casting a pinkish purple glow into the store, as you slowly found yourself squinting to read the section labels and book titles, you called out to sungho.
"sungho, it's dark, turn on the lights."
"yeah, yeah, whatever" sungho rolled his eyes even though you couldn't see him, leaving the front desk to find the light switch. you scoffed at his sarcasm, using the flashlight of your phone to illuminate your workspace.
"uhhh, y/n?" you looked toward the direction of your coworker's voice in confusion, wondering why the lights hadn't turned on yet. groaning, you hoisted yourself up to go find him, figuring that he simply couldn't operate a light switch.
"i swear to god if you're seriously getting bamboozled by a light switch--" your voice faded off as you found sungho and the switches, realizing all of them were flipped on.
"what the fuck is going on?" you asked, pushing the boy out of the way to properly look at the switchboard.
"i wish i fucking knew, y/n" he retorted sourly, clicking his phone open to check his texts. as you turned around to glare at him, you noticed his eyes widening at one of his notifications.
"what happened?" you inquired nervously, not particularly comforted by sungho's dreary expression.
"there's a fucking power outage." you groaned loudly in response, before your face blanched white.
"the back door." you stated monotonously, causing sungho to tilt his head in confusion.
"what about it?" he mumbled.
"whenever the power goes out, the emergency alarm system engages and it automatically locks all of the doors."
"does that mean-" sungho's question was interrupted as you bolted over to the back hallway. the boy stood in confusion, listening to the sound of your yanking the doorknob and kicking the back door.
"it's locked!" you yelled down the hall. sighing as you retired yourself to the break room. sungho joined you soon enough, not quite sure what else to do with himself.
"the generator will probably start up in a bit, we can just wait until then." you sighed out and sat down in defeat, laying your head down on the break room table.
maybe if i close my eyes and fall asleep this will go by quicker.
sleep was immediately out of the question, though, as the lack of heating sent a chill up your arms and legs. you really should've brought an extra sweater.
sungho watched your figure from the break room couch, looking back down at his phone to check the time. he sighed, shrugging off his jacket and moving over to you.
"here." you looked up to see the broad shouldered boy's jacket in front of you, hanging off of his outstretched hand.
"sungho, i'm fine."
"no, y/n you're shivering. plus it's my fault you're cold anyways. and come sit on the couch, it's warmer than sitting by the window." you met his eyes hesitantly as you grabbed the hoodie from his hands. slipping your arms into it, you sighed in relief as the boy's warmth encased you.
"thanks." you smiled and stood up to move and sit on the couch. sungho followed you quietly.
sitting on separate ends of the couch, an uncomfortable silence fell between the two of you. you didn't particularly want to kill the time scrolling through your phone, afraid it was going to die. looking over at sungho's side profile, you thought about how you've never really talked to him other than your stupid banter.
as if he'd read your mind, the boy turned to you.
"wanna play 20 questions?" you giggled at his silly inquiry.
"what?"
"don't you want to get to know your fabulous coworker better?" he smiled and held his chin in his hands dramatically, making you laugh again.
"sure."
over the past 15 minutes, you learned that you and park sungho liked the same music, had the same favorite show, and had fairly similar majors.
"how have i never had a class with you?" you breathed out in between giggles.
"actually, we have bio together." sungho spoke nervously, wondering what you were going to say next.
"no fucking way. you're lying." you stared at him blankly, reeling from shock. how had you never noticed him? why didn't he say anything? for a reason you couldn't decipher, it made you sad to think he might've avoided you in class.
"i'm serious! i'll show you my schedule." sungho exclaimed as he fished his phone out of his pocket. you moved over on the couch to sit next to him and peer over at his phone screen.
"why didn't you say anything?" sungho's cheeks flushed red, not that you could see it in the dark anyways, the whole room lit up dimly by the evening light.
"i don't know. i was nervous i guess." he spoke quickly, stuffing his phone back in his pocket and fiddling with his thumbs.
the idea of you making sungho nervous made your head spin. was it because you guys always bickered at work? you fought to not delude yourself into assuming it was for any other reason.
you slowly looked down at sungho's thigh that was mere inches away pressing against yours.
hm.
seeing how close he was to you, almost hearing his breathing, you don't know what came over you.
you scooted closer to him, fully letting your thigh rest against his and your shoulder kiss his bicep. sungho sucked in a breath.
this was normal, definitely. you two were just conserving body heat.
"y/n ..." sungho spoke quietly, his voice breaking the thick silence. you turned to meet his eyes just to see him avoiding your gaze.
"what?" you pouted teasingly, fighting not giggle at the way sungho was acting. you brought a hand to his lower thigh, fingers splaying across the thin fabric of his pants. sungho bit his lips and screwed his eyes shut, trying to think about anything other than you touching him.
your lungs and stomach burned as you decided to test the waters further, moving to slide your hand higher up. before you could move your fingers any further, a hand wrapped around your wrist.
"don't..." sungho's eyes bored into you in a way that made your cheeks flush. "don't play with me right now."
the boy's lips were parted slightly, expression almost pained as he breathed shallowly. your lips curled upwards. there was no going back anymore.
"i'm not playing." you whispered. that was all the boy needed to hear; before you could even blink his lips were on yours, hand moving from your wrist to slide behind your neck.
you gasped at the feeling of his plump lips against yours, hands grasping for his chest and clutching his shirt. you shifted to sit on his lap, sighing into sungho's mouth as you felt his other arm wrap around your waist. you swiped your tongue across the boy's lips. they parted immediately, beckoning for you to explore him further.
you moaned softly after feeling his fingers slide into your hair and push your face even closer to him. he tilted his face so he could meet your tongue with his, groaning into your mouth.
shaking your arm slightly, you silently asked him to help you out of your jacket. the boy took the hint immediately, pushing his hoodie down your arms and letting it fall onto the floor behind you.
running his hands up your arms, he broke away from your lips to catch his breath. you watched as the boy under you tilted his head back and sank further back into the couch. he pulled you onto him, letting his wet lips land on the soft skin of your neck.
you melted in his grasp, moaning and bringing a hand up to pull your hair out of the way. reaching his tongue out to taste your skin, sungho's hands pressed into your shoulder blades, holding you close to him. your eyes fluttered shut as you tilted your head back, sighing softly.
sungho ran his hands up and down your sides, groaning into your neck in a way that made you shake. you brought your hands to push at his shoulders lightly. breaking away from your neck with a lewd pop, the boy looked up to meet your half-lidded gaze.
you cupped his jaw with your hands and pulled him to smash his lips against yours. you moved your arms to wrap around his neck as he slid his hands up your shirt, dragging them down your back and sides. you whimpered as his hands ghosted over your boobs.
"can i?" sungho whispered against your lips, hot breath fanning onto your chin. you nodded hurriedly, aching to feel his hands on your skin.
in all honesty, sungho was ready to take you right then and there if you'd let him. luck was not in your favor, though, as the two of you were unceremoniously interrupted a loud whir and blinding light.
pulling away from the dark haired boy, you giggled.
"power's back on." you smiled as you watched the boy underneath you groan out curses. you didn't miss the feeling of something poke your thigh as you got off of his lap, laughing even louder.
...
sungho walked you to your apartment, mumbling that it was too dark for you to go alone.
before you had the chance to walk towards the entrance of your complex, you felt a hand grab your wrist, just like in the break room.
turning and smiling, you took in your coworker's nervous demeanor.
"y/n, i know we kinda got off on the wrong foot, but do you wanna ..." his voice trailed off.
"wanna what?" you played dumb, finding enjoyment in his nervous laughter and pink cheeks.
"hang out? just the two of us?" you smiled and stepped towards the boy, softly placing a hand on his shoulder and leaving a chaste kiss on his cheek. you smiled giddily at sungho as you nodded.
sungho's smile was even bigger as he pulled you in for a hug.
"are you gonna spill coffee on me this time?"
"shut up."
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toruro · 1 year
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Hi I was wondering if you could do a Maknae line - having a argument and making up after a fight ? Thank you 🤍 love your work
maknae line + fighting with them
a/n: of course! i’m so glad you’re liking my work! this was a fun write, but writing for vernon for this scenario was sooo difficult for me lmfoa?!?! anyways pt.2 of them making up can be found here and hyung line's version is right here! c: please leave likes/comments/reblogs if you enjoyed!
w/c: 2.1k
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seokmin
in large arguments like this, he’s just as much of a mess as you are. you’re both emotional, and while some might think that large arguments like this are impossible between you just because of how soft-spoken he is, they’re so, so wrong. the fact that you’re both so emotionally driven heightens arguments like this, even though they may be rare. you’d both be crying for sure, yet neither of you relent because you want this issue to resolved and you’re both too stuck up in how you’re feeling individually to think about compromises and solutions. it’ll just go back and forth for literally ages until one of you just can’t find it in you to even cry or yell back anymore. once you've both reached your breaking points, it'll be pin-drop silence. neither of you would be saying a word, the only noises coming from the shaky inhales and exhales. eventually seokmin would get up and grab himself a glass of water, retreating to your bedroom afterwards. you use these moments to think about your next actions, but with your mind all foggy like this, all you really want to do is sleep. you debate for a few moments if you should choose to sleep in the guest room or follow seokmin and sleep with him. your head is telling you that maybe you need space but your heart is telling you that you can't bear to be this distant from him in a time like this, and quickly follow in his footsteps, crawling into your spot on the bed next to him without a word. seokmin doesn't speak either, but the way that he shuffles just a little closer to you under the covers sends you the message that things will be okay.
mingyu
i can see him getting *really* worked up by arguments just because he tends to get blinded by his own emotions. when you guys are in an especially big argument, he’d definitely forget completely about what you guys are even fighting over and will try to nitpick at your words because he just lets everything get to your head. oh you want him to change some of his behaviors? that must mean you hate him. and let me tell you this man is SO stubborn that once his mind is set on one idea, as long as he’s angry and heated like this, he will NOT relent at all (thinking abt that one time jeonghan talked abt an argument he had with mingyu where they were yelling so much that jeonghan lost his voice but mingyu kept going help). he’ll be so stuck in his head and it all just builds up and you’d be getting sososo frustrated it would literally bring tears to your eyes and with everything that he’s saying and everything that you’re thinking, nothing is making sense because there’s just so much going on. at some point you feel like you can’t even comprehend the words coming out of his mouth so you cut him off, saying, “mingyu i can’t do this anymore,” and that’ll make him stop dead. you’d realize he thinks you’re talking your relationship in general, and while the silence is thick, you clarify, “this argument. i can’t think right now,” you murmur. you realize that mingyu’s breath is labored and that this entire fight has really taken a toll on you both, and he takes a moment to respond. “okay,” is all he says, and he doesn’t move when you go to the bedroom to grab a pillow and blanket because he only thinks you’re going to get into bed. when you walk out and place the two on the couch, he catches on, quickly catching your wrist before you can lay down. “what are you doing,” he’d ask. “going to sleep?” you shoot back. “okay well sleep on the bed.” you’d shake your head. “i want to clear my mind.” mingyu tugs at your wrist, “okay well do that on the bed.” like i said, mingyu is STUBBORN he definitely won’t relent until you finally agree to sleep on the bed with him, even if you two aren’t pressed up against each other like usual.
minghao
i said this earlier but the yelling-in-each-other’s-faces kind of arguments don’t happen with minghao. with the others, those kind of arguments may be rare but with minghao they are quite literally nonexistent. that doesn’t mean you two don’t argue or have issues, but having them emotionally escalate to that level with either of you can’t even think is just not something minghao or you will let happen. the worst of your arguments are still quite tolling though: you and minghao would start talking faster and maybe not all of your words are thought through but whenever either of you realizes what’s going on, you’d take it as your chance to just stay quiet for a few moments, collecting your thoughts. tonight, you’re both frustrated and emotional and you know that this isn’t the best time to have this kind of conversation. eventually, minghao will say what you’re both thinking: “i don’t think we should talk about this right now.” you agree with him, you know you do, but you’re so upset and desperate to fix this issue and for once you speak without thinking, “then when will we?” and the words come out harsher than you’d like. minghao gives you That Look and you’d falter. “in the morning,” he tells you, “we should sleep now.” he can tell you’re hesitant so he walks across the room to where you’re standing to hold your hand and gently pull you to the bedroom. he understands that you’re still tentative and doesn’t push you to do anything you don’t want, but is still insistent on the fact that he wants the two of you to at least still sleep in the same bed.
seungkwan
petty as fuck. kind of like mingyu in the sense that he would definitely nitpick at your words and make the argument far more stretched out than it should be. you love him and all off his dramatics but in some situations it’s just too much, and this happens to be one of those rare occasions. you’re just trying to get your point across and you get the feeling he isn’t really listening to you—it's infuriating to say the least. you're both upset and frustrated and seungkwan is too angry, too caught up in the moment to catch on. it's when your tears stop steadily falling and you end up bawling into your hands that seungkwan seems to sober up. you're crying out so loud and so hard hat neither you can think, seungkwan standing still on the opposite side of the room while you just bury your head in your hands, trying your best to take in deep breaths and ease yourself. seungkwan is, least to say, astounded with himself. he's still upset, still angry, but the only thought at the forefront of his mind is the fact that you're literally sobbing your eyes out and it's his fault. he's not sure how it came to this point, since the moments before you crying were pretty much just a raging blur for him. now is seungkwan's time to step back and reflect on anything and everything he's said in the past few minutes, eventually making the decision to walk over to you and place a hand on your shoulder, hoping it'll help ground you, help calm you down. and much to his tentative relief, it works, and you're able to start muttering words about how you're too tired to talk about this anymore, sinking into seungkwan's arm further. he feels his soul nearly crush at the sight, pushing any anger towards this situation to the back of his mind before he's pulling you along with him to the bedroom. "sleep," he'd instruct, opening the covers for you, and when you look at him with puffy cheeks and glossy eyes, he sighs heavily, "we'll fix things in the morning, i promise." as you both slip under the covers, you drift off to sleep with the welcoming thought that you know seungkwan always lives up to his promises.
vernon
vernon in a serious argument is reserved. it almost pisses you off how he's just...taking everything in. you'd be talking endlessly about your feelings and trying to discuss the issue and he wouldn't even look at you, having his eyes trained on the ground intently. after what feels like ages of you just pretty much talking to yourself, you sigh in defeat, crossing your arms over each other as you blink furiously, trying not to cry. "can you at least pretend you care?" you spit out without thinking, and you regret it for a moment but then you don't, not if it has vernon looking up at you, seemingly more reactive to your words right now than in the past ten minutes. "i—i'm sorry, i'm—i'm thinking," he'd stutter a bit before looking you in the eyes properly, "i care, you know i do, i just—this is a lot." you want to cry even more now, not because you think he's lying but because you know he's telling the truth—it's glaringly obvious to you now that this issue is, in fact, quite a lot and you know vernon likes to take things slowly. you're honestly a little desperate to get this whole situation resolved right now, but you're tired and vernon is tired and you don't know how you're going to make it work. vernon notices this doubt on your face, stepping forward to take your hand. "i'm so sorry," he'd murmur again when you struggle to meet his eyes, "i just—it's late, and i'm trying to think about everything and it's not making sense right now and i think we need to talk about this later." you want to frown and protest, say that no! we need to talk about this now! but you know vernon's right and that if you keep this up you'll keep going in circles. you'd let out a short hum of approval before letting vernon pull you by the hand to the bedroom. he notices your hesitation to get into bed next to him, but he gives you a look which is filled with so much sincerity that any thoughts you have of sleeping on the couch are withering away.
chan
he’d be very mature about most arguments, but that doesn’t mean he’s the best at controlling his emotions when things get abnormally out of hand. you aren’t sure when this argument escalated from just going back and forth to pretty much yelling at each other from across the room but it happens and you’re not thinking straight—not seeing straight, definitely not through the tears in your eyes. chan would be glossy eyed too, and this whole situation is less about you two being stubborn and more about you both trying to communicate your emotions in it’s full capacity. normally that would be good—you and chan are heavy on being honest about your emotions but when both of you are thinking and feeling so many things, it’s hard to comprehend, let along discuss how you’re feeling. it’s after you go on a long, long tangent about something when chan doesn’t reply, kind of just staring at the floor with a clouded expression. he’d be trying to formulate a response but his brain would be fried and all he can think about his how he painfully wants this issue to be resolved, but fights back the thought that you guys can’t do that right now—not when you’re both so foggy minded. “i’m sorry,” you’d finally whisper, looking down at the ground as well, not finding it in you face chan. “i don’t think we can talk about this right now,” chan says in response with a heavy sigh. “let’s just—“ he takes a shaky breath to run a hand down his face to wipe away some stray tears, “—let’s talk about this in the morning.” you’d follow him to the bedroom and the thought of sleeping in the living room crosses your mind, but when you see chan crash down into the mattress, obviously exhausted, you just *know* your heart won’t let you do that. instead, you crawl into the bed next to him, and while you have a feeling a bit of distance would be good, you can’t help but curl up by chan’s side tentatively, sinking further into the sheets when he grips you closer without a word.
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merrycrisis-if · 5 months
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Not to nitpick the Realism (TM) of this story, but I just wanted to ask the full names of the ROs (if you have any idea)? I'm new and I just heard of Qiu, and was a bit "huh" because I thought Qiu is usually a surname, lol!
Ah! Hmm, a few points here!
First off, I take your point! Both Qiu (丘) and Ling (凌) are common surnames, and in my head (author headcanon?) it does happen that folks who see the name are unsure which one is the first name and which one is the surname, especially because two-character first names are more common in Singapore compared to single-character first names. And I love that you're thinking about it!
Really long geeky answer about Qiu's name & its meanings / subtext below the cut, but tldr; I like thinking of names, and I actually really like coming up with names for my characters, so this definitely was an interesting ask to answer :)
Ling Qiu's parents are canonically from mainland China (immigrated to Singapore after 1989) and one-character first names are a lot more common there. I actually specifically chose it (having a one-character first name) it to be something that sort of makes Qiu stand out, with that palpable difference between being Chinese-Singaporean (like MC, with a two-character first name) and being obviously born to immigrant parents from mainland China.
I'd also add that actually, the character used in Qiu's name (秋) is quite a popular first name, at least here in Singapore, though as mentioned previously, it's usually paired with another character (meaning, in a two-character first name).
So in summary, agree that Ling Qiu immediately reads as odd to most Chinese-Singaporeans, but a note that the Qiu that you're thinking of (surname) is a different character from the Qiu in Qiu's name (popular first name).
And finally, I think I mentioned this before but Qiu means autumn, and is a nod to the fact that their parents actually see moving to Singapore as... almost like a 'third act' to their lives, right before the curtain falls (they never saw themselves in a different country, and were very respected, influential people in China before immigrating. So yeah. A symbol of... disappointment, close-to-death/winter, regret, in some ways. But also I think something that speaks to Qiu's temperament (they're certainly not summer, nor fully winter), but the quiet brilliance and crackling, dryness of Autumn I think suits them very well.
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bonefall · 7 months
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I’m not sure if you talked about it, but what do you think about A Thief in Thunderclan? I actually liked it, though it definitely had a few ehhh moments
Eh, honestly? Im kinda disappointed that James Barry had to go out on such a low note. I did not like it, it felt like a waste of time.
It wasn't like... offensively bad but I have very little good to say about it. It was fine. If you want to see more ThunderClan you can check it out?
(A lot of Thief in ThunderClan critique below the cut, I didn't like it much)
First of all, the mystery was just bad. I'm sorry. An owl? Swooping in at night for dead animals and leaving perfect scores in the dirt? It felt like a real "running out of ideas" type plot.
Brightheart was NOT fun to follow. She was uncomfortable for most of the story and secondhand embarassment is an emotion I really don't enjoy. Even moments that were supposed to be thought-provoking (like the Brambleclaw name confrontation) just felt like cringe because they were written so poorly.
Like, seriously? "Firestar why did you name Bramble after his father who disfigured me?" "Oh its because i uhhhh wanted to remind ppl of it so they would stop being reminded of it eventually" WHAT? That was a brainless enough choice when it was FIRST made, you can't fucking tell me any cat with a brain cell would go "wao... really makes you think... hngsociety"
I disliked the fact they decided to give Brightheart serious suspicion towards people like Longtail and Brambleclaw, I strongly disagree she would be like that. She feels so much to me like someone who would feel awful for doubting people she logically knows are innocent, and express to Cloudtail that it makes her feel like a bad person, but she CANT help it. She is such a kind, loving, and self doubting sort of cat... or, was, I guess? Or maybe it was never there at all and I'm the fool.
On that note? Her character arc was a mess. As much as I hate Shadow in RiverClan, I can say that Feathertail's arc was a competent *story*. Brightheart is having nightmares, suspects Bramble and Long of treason, is trying to figure out this mystery, trying to help train Rainpaw, the fact she resents not being his mentor is mentioned and dropped, she is pregnant... so much shit is going on and it feels absolutely unfocused.
And even worse, because it's overlapping with the beginning of Firestar's Quest, we end up having to Show Off The Continuity instead of telling a cohesive story. Oop Willowpelt died and Rainpaw is kind of sad about it! But wait we have to say bye to Firestar, make sure to squeeze in the Brambleclaw name confrontation before he goes! GO BACK Longtail has been blinded!! ALSO THE OWL! HERES WHY THE OWL WASNT MENTIONED IN FQ!!
And DUDE if there's anything that's a SERIOUS problem, it's Brightheart's stupid ass cutesy "look who's being USEFUL in here!" When blinded Longtail is helping out in the medcat den
First of all fuck you for the wording of that line! Second of all, GET IT THROUGH YOUR HEAD that disabled people shouldn't have to find a way to be "useful" to belong to their society.
The fact we're getting a book from Bright's perspective as a disabled person and the whole thing is chock full of "useful" language as she struggles with PTSD makes the fact this is COMMON in WC sting so much more.
Anyway back to just, normal critique and not frustration with ableism in wc.
I feel like they really wasted Brightheart's family. I enjoyed finally getting Cinder and Bright hanging out as sisters, but we got a MENTION of Frostfur, and barely anything with her brothers. It's already a mess so why not go the whole way?
Ashfur also has his post-TBC personality retcon which absolutely kills me. Why do we need this shitty "foreshadowing"? Why do we need him to have been so obviously controlling and argumentative? Why are these writers fucking allergic to having a villain that people thought was nice and normal once?
NITPICK: if i have to see another cat gently picked up by a large bird of prey without at LEAST getting a cracked rib I will shapeshift into 10,000 crows and fly away forever
I have some good feelings towards it though, and I have to be clear, this is actually Ambivalent Bones. I'm only mad at the "Usefulness" rhetoric, the rest is just my normal amount of whinging lmao.
I do really like Cinderpelt and Brightheart finally getting some interactions. It's long overdo lmao
I like Cloudtail and Brightheart as a ship so it's nice to see them hang out.
Uhhh this is a bit of a backhanded compliment but I liked how she was upset at not getting one of Whitestorm's children to mentor? I don't like how it bodes for the wider narrative though, because we know this ends in her getting shafted FOR YEARS and unable to get an apprentice. But I liked the plot setup of her having resentment for Cloudtail because of this. I thought that would make a really good plot point for putting a wedge between them to work through. Like, stop being cowards, LEAN INTO Firestar making some very serious, insulting, short-sighted mistakes, and it interfering with Brightheart's ability to heal. Kill your darling.
There were some nice lines. I do remember Ashfur's lame "greedyclaw" insult, which was funny.
I enjoyed the cute moments between the cats in ThunderClan. Ferncloud chasing after her kids, Brightheart convincing people to help her investigate, the Willowkin being upset about their mom. It's a mess but there's some nice stuff in that mess, y'know?
Overall, my memory hasn't been kind to it. I think I was giving it a 6/10 when I first saw it, but it's dropped down to a low 5/10. Not (very) offensive but too messy and pointless to revisit.
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moonshine999 · 6 months
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Spill your post trailer Helaegon ideas with us please😩
hellooo, I will try my utmost best to articulate them.. sensibly
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as the teaser stands, the performances by Tom and Phia genuinely look phenomenal. It seems stealing the spotlight worthy, especially Phia. Since this is the first season we get to explore her character and also her last season because damn you writers, it looks like she’s really giving it her all and I’m genuinely so excited to see that. details? Love that they grew Aegon’s hair out, the Helaena shot of her looking up might be one most ethereal shots I’ve witnessed, the aegon strut was legit everything. things I am not much a fan of though is the costuming (for them, more so Aegon because we haven’t seen any Helaena dresses in full, at least officially). Because though I love the sunfyre embroidery on his outfit now, it literally looks no different from the coronation costume at first glance. Sure it is dark green instead of black but like cmon. Give aegon pretty costumes 😌. Also sad we didn’t see Sunfyre, Dreamfyre is understandable but come on, we see Syrax and not the most beautiful dragon in the world? Not the dragon who had the strongest dragon-rider bond in history with Aegon? Not the dragon who ends up killing Rhaenyra?? THE FUCK.
but I’ll stop complaining because the teaser is nice and these are just nitpicks about the definite bias. .
. Okay the next things I’m gonna cover are more so ideas for scenes rather than a breakdown or analysis cuz we literally got 2 shots of each of them 🥲
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🕯️Helaena’s visions
I did see quite a few posts saying/implying that we will dive more into Helaena’s visions this season. So I do think it would be interesting to understand that dynamic with her and Aegon when she has them. Like has he matured enough to understand that even though he can’t comprehend his wife, she needs his help OR he still thinks that she is acting idiotic as he did in s1. The leak that said something along the lines that Aegon will first be seen at the council, bored but then is called to attend to his queen could also tie into this. Maybe Helaena isn’t crouching over due to pain of pregnancy ,as some have speculated , but due to the suddenness or pain of one of her visions.
(also I have put a one shot surrounding this in the W.I.P folder along with the thousand others lying there so expect it in about 80 years 😃)
🕯️just them handling being king and queen
this is a pretty vague thing but literally just show them. Just show them getting along, sitting at councils, dragon riding, sleeping in the same room, all before b&c rips everything down. Even one scene of them together handling this can work, in fact just one scene of them being soft with each other would just go to show what it was like and what it could have been like had the war not happened. Just adding more tragedy to their story.
🕯️flashbacks
another pretty vague one. But as I said in this post , I really do think we should have seen them as kids, how they get along and especially their wedding. They could perhaps fit it in, in the episode of the funeral. Aegon or Hela looking back on that day, when things were arguably simpler and their only concerns were stopping Aegon from crying during sex. (IM SORRY, WE ALL KNOW IT HAPPENED)
okay more seriously though, them reminiscing on the past i.e. the day their union was first formed on the day it all broke apart. They as parents should be allowed to feel that grief, with each other and I genuinely hope we don’t get robbed of that. speaking of them as parents though…
🕯️the kids
it is actually so unsettling that half the fans didn’t even realise that they have kids until b&c started being talked about.
Again I beg, SHOW THEM. show them talking to Jaehaerys about becoming heir, how Aegon would go back to his memory of his mother doing the same to him (could also come under flashbacks). Show them trying to stop Maelor to stop crying, show them sitting with their kids at the feast, show them trying to manage their duties as well as their kids.
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but alas it’s just speculation, half of them just wishes. Let’s hope we get some glimpse of their dynamic is season 2 because my god helaegon nation is starving.
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Ep. 15 "The Cavalry Has Arrived" Review
To say that I am happy is an understatement. I am beyond satisfied with the finale of TBB. For me, it was perfect and I cried several times. This was about a family. Of course, there are small things I would've liked to see more of, but that's more nitpicking. I watched the finale twice today and I am happy. I guess if I had to say anything, it's that I wanted more. I love these characters and I could spend hours with them.
From a more constructive criticism side (just to get it out of the way): I definitely think the writers needed more time overall with this show. There are corners that had to be cut and you can see it. The pacing is rushed at times. While I'm still happy with the final result, you can tell it really needed more time for character moments. I don't necessarily blame the writers; I blame Disney for not giving them more time. Jen and Brad are very capable of both action and character depth, but it's clear they didn't have the time for both.
On another note, the music and animation were phenomenal. The rain animation looked so real to me, especially when dripping off of the characters. Everything was stunning. And the music, like my gosh. The Kiners popped off here. Crosshair's theme and Omega's theme are two absolutely beautiful pieces of music and I really enjoyed hearing them throughout the episode. And my gosh, tension during the final stand against Hemlock was perfect. The music was incredible and I rewatch that sequence because of it (and other things).
Spoiler time; you know the drill 😎 This will be long, fair warning.
Crosshair's conversation with Wrecker and Hunter was truly heartbreaking. You can hear the guilt in his voice, especially when he admits he feels like he deserves to 'Plan 99' himself. To hear Crosshair admit that hurt. His past mistakes weigh heavily on him. However, I loved that Hunter stepped up and told him no. Family sticks together no matter what. It's a far cry from S1, where Hunter and Cross both left each other. But now, nothing will split their little family up. Crosshair's theme playing over that whole sequence had me in shambles.
The whole fight sequences with the operatives was also really well done. I can't imagine what would've happened if Hemlock managed to condition the boys. Omega got Cross out at the right time; if he'd stay'd there a few weeks longer, then Hemlock would've definitely adjusted the conditioning machine in time to fully break him. Luckily, Crosshair avoided that fate. Still, to know that he suffered in that machine for 5 months is heartbreaking. The operatives are true killing machines, devoid of life.
I can't believe I live in a world where Crosshair got Jaime Lannister'd. AND IM A HARDCORE JAIME STAN. This wasn't on my 2024 bingo card! I will say though, I can see why some people personally don't agree with it as a writing decision. Cutting off his had doesn't magically "fix" anything; it honestly will just add to his trauma. But at the same time, I love whump and there is symbolism of Crosshair being truly free. He is now just Crosshair and that's enough.
Omega really learned from the best, didn't she? Seeing her help the other kids and free the Zillo was epic. I got so many Ezra vibes from her as she slipped in and out of the vents of Tantiss. The faith and trust she has in her brothers is truly heartwarming. And it makes the epilogue feel even sweeter. Omega knows they raised her well and she can take care of herself because of that. She's grown so much since that first time seeing her on Kamino. It feels like looking in a mirror sometimes, at least for me. I see a lot of my life reflected in her, just like I do with Crosshair. It hits home.
The final standoff with Hemlock was definitely my favorite part outside the ending. I loved the music, the animation, and seeing Hunter and Crosshair work together. There is such trust between the brothers and Omega. Despite Crosshair's worries, there is no moment that Hunter doubts Crosshair's abilities. Hunter knows Cross will make it. He assures Cross that Omega also trusts her brother's abilities. And the hug after Hemlock died was so beautiful. I love that Omega hugged Crosshair first; he needed that.
Hemlock's demise was perfect. I kept joking that I just wanted him to fall off of Tantiss because it would be so pathetic. And guess what? He did fall off of Tantiss (after getting shot before hand).
Echo of course was awesome! Loved how he commented that he knew Omega was the one to release the Zillo. I also loved how he did get to fulfill his wish of freeing the clones and even lead them into battle against the operatives. The last domino still stands and I couldn't be happier. (Also glad that Emerie lived. She deserved it after realizing how messed up everything was).
Nala Se and Rampart were also handled well. Rampart never changed and I'm glad he didn't. Some people are just not nice, even after getting served humble juice. Meanwhile, I will cut Nala Se some slack. I will never forget Fives. However, she did save Omega so there's that. And she took out Rampart.
Overall, I'm just really glad that everyone made it out in the end. I would've been fine with a sacrifice, but the Batch was constantly being forcibly split apart, I'm glad that they now get a break and can be family. (Tech lives on in all their hearts). They will be ok and they know that. TBB was my comfort show and seeing that final shot of the Batch reminded me that I will be ok. Stuff happens, but somehow, things will work themselves out.
And the epilogue! I wish we got old man Crosshair and Wrecker (maybe one day we will), but it makes sense why it was only Hunter and Omega. He's her primary father figure and their relationship has been one of the driving forces of the show. For so long, Hunter has been very protective Omega, almost going too far at times. However, he learns to let her go and trusts that she will be ok. He is at peace knowing he, Wrecker, and Crosshair (and Tech + Echo) raised her well. It reminded me so much of my own experiences with my parents and I couldn't have asked for a more perfect epilogue. It also hit hard seeing Omega as an adult; she was so tiny in the beginning.
Anyways, that was a long review. I am overall thrilled with the final and I'm glad everything wrapped up neatly. I'm sure we will see Wolffe, Cody, and Rex in another project; their story isn't over. But Clone Force 99's is. They struggled so much and are now finally able to rest. The epilogue confirms that Hunter, Wrecker, and Crosshair got to grow old and watch their kid grow up. For me, there's such a beauty to that. In a galaxy that is riddled by war and darkness, there is hope for a better future. The Bad Batch started as a group of "defective" clones, but in the end, they became something so much more: a family. And in my eyes, that is the perfect ending.
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mcytblr-archive · 2 months
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Early MCYTblr Interviews: georgeeehd
today's interviewee is reese/georgeeehd/lmanburg/tommyofcolor! dreamlying member, mcytblr og, and the person who discovered that dream wasn't registered to vote. below is a transcript of questions and answers!
Q: What was your experience in wider MCYTblr?
A: I don’t have much experience with wider mcytblr. Maybe I used to reblog Grian stuff on my main blog, before all this DSMP shit. There wasn’t much of a Dream community when I started posting, much less one for DreamNotFound (surprisingly, Dreamnap was the popular ship of the two early on????? so bizarre to me), so I dug out my microcosm immediately. There was never a wider myctblr for me.
Q: What was your experience in critblr/dreamlying specifically?
A: The notion that dreamlying is the spawn of critblr is interesting to me, because I agree with you now, but I wouldn’t have at the time. Critblr was a tumblr community. Dreamlying was a friend group, predating critblr. I considered myself dteamblr for a really long time— I never felt aligned with the critblr movement because that was always Jason’s territory, really. I don’t mention it to nitpick or to scold, but like, I’m into this archiving thing, too, so I wanted to opine on how we label these groups. Maybe there should be a distinction made between what we considered ourselves vs. what we actually were.
My experience in proto-critblr was pretty cushy because it was all mine. Me and my contemporaries had a following, we were respected, we had smart things to say, we were funny, established, etc. Think, “The School of Athens.” I definitely grew a bit of an ego with how popular I was, which I’m sure will come across in this interview, haha.
At times I felt a little unchallenged, like people were only agreeing with me not because I was right, but because I was saying anything at all. At the same time, I was incredibly defensive and insecure, so the little pushback I might have gotten would bother me terribly. I was probably overreactive and mean. I was fifteen then, and I’m nineteen now, so there’s lots of things I would’ve handled differently, if I could.
In terms of my experience with dreamlying, I like what Ozzie had to say. We were all just very, very good friends. There’s not much else to it. In my first discord server, “dream lying” was a hidden messaging channel where we could critique Dream Team freely. “Dream lying” was supposed to parody the phrase “dream truthing.” So we were basically this tiny little secret society, at the start. There was no way we wouldn’t have hit it off.
Q: Are there any events that stand out to you?
A: A lot. Too many. Some are more personally relevant than historically relevant, and I don’t really know where to draw the line. The voter registration fiasco was a big one, but there were other smaller things… I was always in some fuckin’ controversy or another! The magic 8 ball says, Ask again later.
Q: Was being in MCYTblr an overall positive or negative experience for you?
A: Undoubtedly positive! I don’t even know where to start with this question. I met a lot of wonderful people that I still keep in contact with today, right? But beyond that, I feel like being in this community helped me grow a lot, like, personally. I was thinking and writing a lot. I learned so, so much, about people, about the internet, about fandom, about myself. It was such an expansive experience.
I guess I should mention that my time with mcytblr was incredibly stressful. My involvement in the fandom weighed heavily on my mental health. I felt very watched, and I still do. At my worst, I was hospitalized. (I couldn’t live with myself if I didn’t mention my mcyt-induced mental hospital stint in my mcyt interview.) None of that really moves me, though, ‘cause it was all just part of the experience, and I find it all pretty funny, looking back.
Q: A few people have mentioned the account mcyttruth in relation to you, specifically around a callout post. What happened there? [I had misremembered-- I meant to ask this to Jason lmanburg, not Reese lmanburg.]
A: The mcyttruth callout wasn’t about me, but my discord server, dteamblr 2. I was not as involved here— at this point, critblr was in full bloom, and this server was like a rendezvous for people who liked dreamlying and modcord blogs (modcord was another friend group, like dreamlying, but critblr-based).
Regarding that callout specifically, I don’t know. Probably, there were too many r-slurs, too many jokes about hating Ranboo, the usual. There were a lot of callouts (for me or for people I was friends with), and I never really took them seriously. I mean, honestly, the url “mcyttruth” alone is derivative. Do you know how many times I’ve read the words “mcyt” and “truth”? Everything about this is a blur to me.
Q: I suppose I would ask-- given the current events surrounding many of the creators who were popular in 2020/2021, do you feel that dreamlying has been vindicated in their criticisms of creators?
A: Yes, but I would have said yes in 2020, because who these people are was as obvious to me then as it is now. Our criticisms weren’t like, headcanons that we made up to be mean, they were plain old observations. Wilbur was openly mentally ill, creepy, and generally dismissive of other people. Not to say that there aren’t good things about him either, but, of course this is the kind of guy to make his girlfriend clean up after him. There’s a million cautionary tales about guitar stringers with floppy hair under a beanie, whiny song lyrics, and a masturbatory approach to self-loathing.
Dream’s not this person anymore, so that’s not why I bring it up, but think back to when his old Reddit account was exposed for being active on r/The_Donald. That was everything we were ever talking about! That was Dream being exactly who he was— a young white man from Florida. I love Dream, always have, always will. Acknowledging that he is/was a whole person with flaws and unsavory politics, I think, is truer fanhood than the idolization everyone puts him through.
You use the word “vindicated” to acknowledge that we were heavily criticized ourselves. Most of that was on the basis of privacy— you know, whether or not it’s okay to speculate on people’s personal lives. It doesn’t matter that we were “right” so often, that we still are, and always will be, because people will focus more on the original sin of having speculated in the first place.
I used to love vindication because it made me feel smart, like I could see things that no one else could. Now it just makes me sad. I don’t think it has anything to do with smarts, nor would I care if it did. I think people just don’t let themselves think that far. You know, “I don’t want to make assumptions,” “It’s none of my business,” “It’s not that deep,” etc. Maybe there’s no instinct to look deeper at all. It really just makes me sad.
Q: Is there anything else you'd like to add/have archived?
A: I’d like to ask everybody to stay critical. The hivemind response to recent events have shown me that this fandom remains as shallow, unthinking, conformative, elementary… as it was four years ago.
Thank you for conducting these interviews in the first place. It's nice hearing everyone’s voices again.
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gentlebeardsbarngrill · 3 months
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Yes, the hate towards Taika and Rita as a couple is soo weird.
I saw so many comments on Fauxmoi Reddit (a miserable cesspool, never going back) about how they're 'annoying, cringe, only PR' bla bla bla. The thing is i genuinely didn't know they were together until a few months ago, so like 3 years later. People who seem to hate them seem the most obsessed with them.
The thing is they HATE her and ridicule her every chance they get (often for something as small as using a wrong word, as if thats not a completely normal thing), but trotted out the BS about 'he just wants someone young now' etc, like WTF. They were adults when they met, she was 30 when they got together (just Googled to check). he wasn't in a position of power over her (im pretty sure she's richer then him but I have no proof ha).
Also (obligitory we don't know them, i'm just going off things she's said) as you said, she's said multiple times SHE made it clear she wanted to be with him and knew she had to take it seriously because there were kids involved. Yet, people infantalise her when they have a chance to shittalk him ugh.
Sorry this is so long, it's been rattling in my brain for a while.
That place definitely does not sound fun. I get so irritated with people when they nitpick at little things. Not only that but she's bi-lingual for godsake she speaks English and Albanian, I get words confused all the time when I have multiple languages I'm working on at once and I'm only beginner level in 1, intermediate in another. That's how our brain works, it's very easy to do. People need to calm the hell down and mind their own business I swear.
You make good points, I mean she's an adult, they met as adults became friends as adults, fell in love, as adults. There's nothing wrong with that. It really is bizarre how obsessed people are with having to have an issue with them. It's also so incredibly degrading towards women in my opinion that they're so obsessed with age. How could Rita, a strong, empowered woman, possibly want a handsome, funny older man that makes her smile and laugh? *eyeroll* She made her own damn decision, no one held a knife to her throat, they need get over it. And no worries on the length, I get it, I've been feeling the frustration rattling it my head today too. I've spent most of the day though looking at BTS photos and videos when not working and that has helped significantly :) Thanks for chiming in on this! I know it's frustrating, you're not alone.
Sending love, enjoy those BTS photos from today! There were a lot!
Take care! <3
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roxannepolice · 1 month
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Masters, coyotes and reset buttons
Ok, so this has been going after me for a few months now and probably won't end up as coherent as I'd like it to, but this is also a warm up for finally fixing that stupid article that everyone tells me is good but has been halted by journal paperwork since 2020, so... As always, because there be salt, putting everything under a cut.
There's been this debate on whether the Master should be given a break from appearing for a while and, as always, it's usually taken somewhat hostile as an attack on the character or a particular actor (which. look if this was about acting skills BBC should have never moved from sir Derek Jacobi, period). And I would say the problem lies entirely elsewhere. Namely, circularity vs. linearity.
There has always been a mythical or commedia dell'arte element to the whole concept of regeneration, an archetypal thing in characters going by titles as names and having a certain set of characterisics and narrative functions that go along with those. Hell, commedia dell'arte even has a literal "Il Dottore" whose whole thing is embodying science and education - more often than not mockingly. When you employ Zeus rather than Poseidon in your story that's probably because there be weird sex rather than disproportionate fury. When you choose a paladin class in your rpg that's because you're going to have different skills and make different choices than if you were a rogue. Galahad and Lancelot will go on completely different journeys of nunnery/brothel and rescuing a prince from forced marriage even while they both seek the Holy Grail. When you want your children to have different properties you'll use your mantra to invoke four different gods.
The thing about archetypes, though, is that they are, literally, timeless. Or better yet, outside of time. But stories, narratives are, by nature, linear and timed. There's the beggining, the middle and the end. And of course, the whole fun is toying with the archetype, tweaking and reinterpreting them in specific contexts and stories. And DW has been doing a phenomenal job of it throughout its history, even if occasional nitpicks can be made. Classic Who was perhaps more circular and repeating in its storytelling and - sorry, posession by Marshall McLuhan - this makes sense in a medium where a story airs just a couple of times. There were arcs for each Doctor, though significantly more so for companions. NuWho became much more clear in this, but still mostly managed to keep a neat balance between the timelessness and timeliness.
Take the Saxon's story, which is what kickstarted me spilling here. Not to come off as a canon snob, but I think if he was an introduction to the character it may not be clear just how shocking him dying on the Valiant was. This is the character that was a skeleton, a gooey body snatching snake and a cat to go on living, and has been the Doctor's prisoner, in fact begging them to save them. Ten is 100% justified in his assumption that he'd never kill himself. His death introduced a major shift to their dynamic, especially when framed as fuelled by hatred. The finale in EoT is largely a return from this shift. No, the Doctor didn't only care for the Master because he wanted another Time Lord. No, the Master doesn't wholeheartedly hate the Doctor. They can and will always cooperate when there's a common enemy. As has been the case throughout all of Classic Who.
Enter Moffat era. Now, it's a bit of a cliche to say Moffat is a better episode writer than showrunner, but it being cliche does not make it incorrect. His poetic definitely works better when there's an ending, a specific goal in sight. In singular episodes this works like a charm. It worked terrifically in season 5. But later on there definitely came this element of "keep watching, because this is all heading somewhere, trust me". And all too often the answer was proving less interesting than the question. This was particularly clear in seasons 7-9, with return to Gallifrey being hyped up repeatedly, only to fianlly fall flat. And I guess Moffat realised that and decided to go for a soft reboot in season 10.
Which brings me to Missy and redemption arcs. Now, in our completely not puritan era there's way too much talk of whether characters deserve redemption, and what would account for a redemption, and how that differs between different legal systems, and too little appreciation that redemption narrative is as linear as they get. You get the starting point of sin and have a clear goal of that sin being repaid or undone. Sure, you can dig into that, and question that, and reinterpret that, and cynically cut that, but it always relies on that clear line. And it's obvious that Moffat was aware of how linear he wanted Missy, and indeed the Master in general, to be. The fucking text says that: "where we've always been going". The disagreement is only what that where is. Now, if the story was meant to be lieanr, then it really does make infinitelly more sense to view the events of EoT as a turning point in the thoschei relationship, but the story explicitly shuts that down. Nah, it was more infitely more important to have the initial sin embodied to be killed in the ultimate act of redemption. #symbolism
A slight tangent here. I know that the original plan for Delgado!Master was to have a redemption arc where he sarcifices himself for the Doctor, so I guess it can be argued this was indeed where the story was going all along. But things turned out how they did and people generally don't introduce Moriarty into their sherlockiana to have no actual screentime (literal or metaphorical), as was the original plan.
Aaaand then there's Spymaster. I've seen dozens of explanations of why he is the way he is, and whether that follows logically from Missy's story or not, and whether he might be before her, and whether he undoes her redemption, and blah blah, but the bitter truth is: Chibs hit the reset button. He hit it hard. No, we are not meant to keep in mind the events of s10 when we analyze the spydoc relationship. Again, a comparison to Moffat explicitly bringing up the events of EoT with Saxon, if only to brush them aside as meaningless for both parties. More importantly, if those were meant to affect Thirteen's hostile attitude towards the Master, then she shouldn't have been so shocked with his appearance. She might be surprised he regenerated, but like the whole reason for bitterness over being abandoned would go along with the expectation the Master did survive, that's why they left Twelve in the first place ffs. So, it would look like Chibnall tried to go back to a circular status quo after a linear redemption, and that's certainly what the writing thinks it's doing. Except now that the whole TTC can of worms has been opened, the relationship is deeply imbalanced. Imbalanced in a way that cannot be easily undone. Like, I know the fandom is trying to frame the Master's sense of inferiority as somehow mistaken and fanon!Thirteen certainly thinks so, but that's not what the text is saying. There is a misundertanding going on here, but a misunderstanding that goes on unresolved gets tiresome and frankly masochistic pretty fast. Either the Master should get to the point of understanding that the Doctor is not inherently superior to them because of past or magic of friendship and that they're Kenough, or accept the Doctor as their lord and saviour and martyred god who died so they may live and spend the rest of their days as a lapdog. Which, I understand the fandom may enjoy, but doesn't make for a very exciting story. So yes, there's definitely a linear narrative going on here. One that does need some time in a fridge and exposition of how the Doctor themself feels about their relationship before the character is brought back. Right now we are not in the The clown always gets up again, no matter how often he has been knocked down paradigm only No clowns were funny. That was the whole purpose of a clown. People laughed at clowns, but only out of nervousness. The point of clowns was that, after watching them, anything else that happened seemed enjoyable. It was nice to know there was someone worse off than you. Someone had to be the butt of the world.
Butbutbut, of course, what about Ainley!Master being brought back again and again seemlessly? That's just the thing - Ainley!Master existed in a completely different poetic. He was purely circular. He was the most circular of the Masters. He was as circular as you can get without actually being a cartoon coyote who only falls down when he realises he's midair. I'm not entirely ironic here - there is an inherent trickster element to the Master as a character! Perhaps more Goethe's Mephistopheles that Native Americans' Coyote, but between constanct scheming, shapeshifting and falling into the pits they've dug the elements are all there. And a trickster either endlessly travels between Olympus, Earth and Hades or gets killed by Heimdall.
And before a gotcha of me insanely hoping for a Saxon cameo either in the 60th anniversary or, that being off the table, somehow meeting Fourteen - yeah, in an anti-linear bubble. I've seen speculations that RTD wants to do another soft reboot, hence there's no knowing what Master will pop out of that tooth. As far as I wouldn't like it to be one of pre-Delgado Masters and for the record I wouldn't mind if it is Spymaster!, there's definitely something to the idea there's a soft reboot in The Giggle, with the Doctor "going home". Because you don't necessarily want to know what Odysseus' tax policies were once he reached Ithaka, but you do want to know that he's been a year on Circe's island.
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cherryfennec · 1 month
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hot take: the bosses in super paper mario permanently damaged any chance of the game ever getting rpg mechanics, it would make the rpg mechanics feel cheap and the bosses feel boring, especially super dimentio
abandoning the flippage and making the game be fully 3d like sm64 would be a good move though
Super Paper Mario stands out in the Paper Mario games especially because of the fact that the bosses aren't turn based. The fact that they mixed RPG and platformer elements was interesting, in the end some of them hit while some miss.
The bossess definitely have quite a lot of charm from being in full motion and not locked to turns, you get to see personality through movement like O'Chunks being a little slow to react, Dimentio and Mr.L being hard to catch and Bleck taking advantage of the background. A few that especially benefit are: Fracktails entire battle, Mimi climbing the ceiling midfight (and also her and Dimentio being able to flip after you), Brobot L-type or even Super Dimentio like you mentioned.
Despite this I have to admit that some fights might feel underwhelming gameplay wise. Getting personality is awesome but if it's at the expense of difficulty or unfun mechanics then it might be better to not push it. Especially with the problem of BIG open spaces. Chapter 4-4 boss room is super open and super empty which feels a little anticlimactic while Mimis boss room is super small and has little wiggle room. Mimi was in fact harder than Mr.L just because of the fact i couldn't jump or evade her as easily.
This doesn't mean that everything should be crammed into a small area but it is a little cheesy seeing the AI struggle to attack you in the few ways it can. (again with Mr.L, he makes mighty leaps in this large room and with how slow he descends and predictable the landing spot is you can just. walk under.)
When it comes to making it 3D sm64 style it would be conceptually interesting but personally? I think it should remain paper style. A story like this would be difficult and very time consuming to execute in the mainline 3D Super Mario style, especially considering the time it released in. The main focus here was clearly the lore and dialogue which a lot of people agree is the best thing about it. It's cut like a story book, which ties with being Paper Mario, and the idea that these characters are already doomed by the narrative.
But that's an entirely different discussion so I won't delve deeper or else we'll be here much longer.
If I could personally offer any changes to SPM it would be:
The timer on the FLIP ability sucks, either extend or remove completely. I want to see all these beautiful assets and bosses in 3D which are already fully programed but the timer is actively discouraging me from doing so because of the damage penalty. "Mario is getting nauseous that's why he can't stay there long" is a cool in-universe explanation but it's not fun gameplay wise.
Personal design nitpick but some areas could use some retouches. What do you mean you associated the colour of the Pure Heart to the worlds palette only in 4 Chapters? What about the rest? Please keep going!!
Increase the difficulty a little (aka make the AI somewhat smarter). Personality and struggle is what makes a character memorable in games. (really big detour but for example take Malenia from Elden Ring, she has lore that is optional to learn and yet theres a big chance you'll remember her anyway because she's a super hard boss)
This ones more of a 'what if' but I've been trying to imagine for a while the possibility of: normally everything is 3D/with depth like the other Paper Mario games and when you FLIP it becomes 2D (basically reversing the effect). I know this ruins Fracktail and would require more work with sculpting the environments but I like the thought of the hub being 3D. If not that at least add more assets to the environment when you flip. A lot of the time every tree and rock is in 2D while 3D is just so empty. Also consider just for a moment how little people FLIP during bosses and areas, probably forgetting they even can, and missing out on these cool models. Either that or they're aware that when they do FLIP they won't see anything because the cameras obscured by a wall (looking at you chapter 4).
In conclusion I think this take has stable ground and in the end I agree to an extent! There are some rather specific cases that I feel would work better in a turn based system but overall a lot of them are good as they are!
Making the game like sm64 sounds fun but could be difficult to execute without loosing any of the beautiful charm the Paper Mario format/style provides to it's stories.
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franki-lew-yo · 5 months
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inb4 nicer post than my last one:
I saw Chicken Run 2. It's pretty cute. Definitely not as big a letdown or wasted like a Pixar sequel is.
Keep in mind I think I'm one of the few people in existence who's never itching to get sequels and continuations of my fandoms. I never wanted a Finding Nemo sequel and Finding Dory broke my heart in the worst way; by having unlimited potential and squandering it and the characters I love.
Chicken Run: Dawn of the Nugget doesn't do that, happy to say. Mostly it's just underwhelming.
It's weird. I'm definitely not a better writer than these professional writers, I just find myself going "why didn't you have the characters do/say THIS instead? It would still be cinematic and in character". I'd have to rewatch to give you a play-by-play of exactly what I mean. Overall I'd call that a nitpick. Bigger criticisms, especially when this is a sequel to a 20 y old film with fans who've seen in hundreds of times and know the details:
Hated how they retconed the chicks at the end of the original. You Thanos snapped Bunty and Fowler and possibly some of Rocky and Ginger's children. Also, those little 100% chicks were adorable. I'm okay with Molly being Ginger's only chick, but she'd look adorable as one of these:
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Another distracting continuity thing: Rocky gets upset that he can't crow anymore. Even though...he was never a crower. That was Fowler's job. I remember. I get that he's a rooster but my point is that was never a thing Rocky did in the original and that should be been better established as what he does now on the island. Put it among the lines that I think could have very easily been slipped in to make it more digestible; you could have had Rocky say to Ginger, "you gotta let me crow! That's, like, my thing now", implying that he's turned to being the island's crow-er to cope with abandoning his lone-free-ranger lifestyle. See? Small changes of dialogue that can imply so much and give you an idea of all the things you need to know in this newer story.
Even though Fowler did technically do something in the end most of the movie felt annoyed and just there. Really would have liked it if he and Babs were back up and helpful some other way while it was mostly Mac, Bunty, and the rats who went in to save Molly and Rocky. Idk. Maybe it's hard to be the absolute banger of a convenience that is the green aliens and ' the claaaaaw' in Toy Story 3-- needed to utilize him better for the gag and the story is what I'm trying to get at.
Rocky and Ginger's voices were distracting. It's odd because Rocky's is definitely the more noticeably different one that you have to get used to, but I am 100% replacing him considering who was his og voice. I'm mostly mad that in order to free Rocky of the curse they had to take the part away from Julia Sawalha.
This is probably going to controversial here but, um, I really wish Mrs. Tweedy wasn't the Mrs. Tweedy in this. I think it'd be a funnier, more of a "here we go again" gag that they actually find some way to contrive the villain of this movie to be Mrs. Tweedy's relative that just happens to look the same, sound the same AND have the same bloodlust for chickens. Like, the gag is that all of Mrs. Tweedy's family is Officer Jenny/Nurse Joy who are all identical to one another but they're also the Cruella of birds and all have a bumbling husband. Even though it's explained how she got here, it just kind of takes the teeth out of her original defeat and even her one in this film.
I kind of wish Ginger had stayed "colarred" for a longer stretch of time and the rest of the crew had to save her. I feel like Molly being placed in her mother's shoes would have been more dramatic and made the situation all the more dire and dependent on the other characters to think up a plan. Ginger being unable to do anything or "broken" would change it up a bit, provided she still makes the final save in the end.
That pop song during the 'Molly-growing-up' montage was bad and didn't suit the time period and vibe of the movie. It really took me out. Just play that in the end credits.
Mr. Fry never appeared again in his creepy chicken man suit and I kind of really liked the idea of this creeeeeepy farmer basically wanting to be friends with the chickens while dressing as one because he thinks he's more connected to them that way. But no that's just for one scene.
I was also expecting Mr. Fry to turn on Mrs. Tweedy as he noticed her obviously flirting with Reginald. Having the ending twist be that he assists the chickens in their escape or lives among them in a horrific chicken suit with the chickens taking advantage of this would have been right at home.
that's all I got.
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adobe-outdesign · 1 month
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I would love a meerca review! One of my earliest disappointments in life was waking up to find my adorable meerca standing on two feet with a shortened tail and one fist raised to the skies. Of all Neopets I feel like you’d be hard pressed to think of one that was done a greater disservice by conversion than the meerca.
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Meercas are one of a only a few rodent 'pets, and between them, the Xweektok, and the Usul, Meercas definitely come across as the most rodent-esq—though which rodent is somewhat ambiguous. I like their faces a lot, which sport little dot eyes and a set of buck teeth.
The Meercas big theme and uniqueness comes from their tails. It's harder to tell with the converted art (which we'll get to shortly), but Meercas have incredibly long tails that they use to balance on. It's a fun premise that gives them a lot of personality, especially when combined with their round bodies.
Beyond that, Meercas have a good use of color, which white around the bulk the body, under their tails, and in their ears. My only nitpick is that in the converted art, the color underneath the tail bleeds a bit onto the outside, which isn't too big of a deal but always low-key bugs me.
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Customization-wise, Meercas were unfortunately done pretty dirty. I'm not sure I can call them the worst case of conversion, because to be fair, conversion kind of requires all pets to be standing normally and to have a fist when possible. The issue is more with the entire premise of customization itself, but I'm not going to blame a converted pet for, well, being converted.
The Meerca at least doesn't change that much about the body at random the way the Wocky or Lutari did, and the old art was starting to look very dated, with minimal shading and some kind of janky anatomy. I also like how the converted version did things like remove the little hairs from the top of the head.
However, what I can't excuse with the converted Meerca is the absolute butchering of their tails. The entire point of this species is that their tails are stupidly long. Even if customization means they can't sit on their tails anymore, they could've at least kept the length, as it was the key element of the design. Maybe the concern was trying to keep the pet itself fairly centered, but like... have the tail curled up against the body, have it go vertically up above the body, fold it over on itself, there were tons of ways to keep the length. Unfortunately none of that was done, and we ended up with a sadder Meerca as a result.
Favorite Colours:
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Candy: It's a gumball with those sour belt candies! It's absolutely perfect for the species, utilizing both their long tails and gumball bodies beautifully. The shading on the body is also richly detailed and gives it that extra bit of gumball shine, and the colors are nice and cohesive. Good stuff all around.
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Striped: One of only two striped pets that doesn't default to being blue with pink stripes, the striped Meerca is a chipmunk, applying some lovely brown shades and lots and lots of stripes but stylizing them just enough to fit the body shape. I also like little details, like removing the outline around the white part of the body.
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Woodland: Similar to the candy Meerca, the woodland Meerca takes full advantage of the round body and long tail to make it into a taro, a type of root vegetable. While its very different than most woodland pets, the tail works perfect and the body has lots of attention to detail.
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BONUS: Maraquan Meercas, while not the best Maraquan pets, have to get at least a shout-out for the fun pufferfish concept. I do wish there was more color, maybe on the fins (I know pufferfish aren't known for having a ton of color, but this is a fantasy creature first and foremost), but the overall idea is very fun and it's one of the only ways to get the old Meerca expression post-customization. The converted and UC/styled version are literally identical save for the customized version sporting fists, which aren't as good at the original's hands but aren't too bothersome.
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fizzingwizard · 3 months
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Five: the one you've been waiting for, about Moomintroll!!
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It is so much fun to go on a rescue mission to find Moomintroll. The bittersweet beginning, with Moomintroll sad as Snufkin leaves for the winter, and Snufkin's dread when he returns in spring to havoc and no Moomintroll... mwah. Love it
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Goodness Snufkin chill out would ya
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Snufkin might love you, Moomin, but that doesn't mean pics of your body gone splat in the mud isn't absolutely getting posted on his Instagram
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So in this game Moomintroll is pretty angelic. He doesn't have a bad word to say about anyone. It's nitpicking of me, but yeah, that take isn't for me. I like my hospitable, awkward, endlessly tolerant Moomins with a pinch of spice. Actually it's rather funny because so much of the game characterization seems to pick off the cartoon, but Snufkin and Moomintroll themselves are just so nicey-nice...? At least we spend enough time with Snufkin to hear him take a few digs at the other colorful characters lol.
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I MISSED TAKING A CAP OF SNUFKIN FALLING ON HIS ASS that would have been perfect revenge too ugghh
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BUT THE PIGGYBAAAACK
AAAAAAAAAAAAAHHHH
[fizz.exe has stopped working]
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Can't get over how cuuuute this is. If the whole game sucked, it would still have been worth it just for this ending haha. Btw I will definitely have a piggyback in a fic some day and this is the inspiration xP
I love how Snufkin's flower-covered hat blends right in with the flower bed when they're hiding teehee
So theme again. When Snufkin hurts his foot, he encourages Moomintroll to go on without him. But Moomintroll says no, we'll go together, hence piggyback. This is my favorite way the theme comes out, and not just because it's cute, but because it involves Moomintroll overtly offering to help and then really helping. Not needing to be coaxed and indulged or endured first. Yes, in the real world there are all types and we all need to get along. But Snufkin accepts nearly all help, talks to everyone kindly (much more kindly than they are to him!), and isn't even wrong when he tells Moomintroll to go on without him - neither does he make a fuss about going together anyway.
So what growth is he supposed to have here? He doesn't decide to not leave in winter anymore (and I certainly wouldn't want him to). The story is like "Snufkin learned something" and it's... that he should keep being friends with the people he's already friends with? Even though he never said he planned on doing otherwise...? Or are we just punishing him for daring to go on loner adventures period? Maybe a cut scene showing him running away from the Fillyjonk or avoiding parties or something would have helped frame things better, but as it is - I fully understand what the story wants to say, I just don't believe it actually says it.
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Take this scene. In essence, I don't have a problem with it. But, since when does Snufkin kick people out of Moominvalley? More likely he's the one skedaddling... "But it's the Park Keeper!" So? In Moominsummer Madness he destroys the park but the Park Keeper still is the one with authority, so it's Snufkin who tries to leave. That's minor, though, what bugs me more is this "Moomins tolerate everyone!" bit. Of course it's not bad...! But Moomins definitely do not tolerate everyone and go to lengths to drive certain types away... Including potential romantic threats haha. This isn't a complaint, the game just goes in a different direction than what I prefer when it comes to Moomins. But Moomintroll is a little over the top, that's all I'm saying...
"He just dammed the river without asking and imprisoned all the animals and caused a forest fire... But I'm sure deep down he's a nice guy"
psst fizz it's a game for kids...!
yeah i know it's my blog and I'll bitch if I want to bitch if I want to bitch if I want to
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I digress. The point is how cute these two obviously are. Gaaah. The piggyback 💕💕💕 Also Snufkin's little (>m<) face!
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olderthannetfic · 1 year
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A recent anon made me want to read a bit more about queerbaiting and I ended up on James Woodall’s video Dr. Who Was Queerbaiting (https://youtu.be/Olpn9YsyMeM), have you seen it?
I found it interesting, especially for his sources and the reasoning for why the definition of queerbaiting should be expanded from the original marketing technique one. My first reaction is that it’s better to make up a new words, like queercatching, than to endlessly expand the meaning of an old one, potentially into uselessness. And well, once you expand the meaning into “not good enough to satisfy expectations” or say “it’s not queerbaiting because it feels more authentic to queer communities” the questions “Whose expectations? All communities? What about conflicting needs? Should we decide by hand raising?” come to mind. Obviously the answer is always that we need more and more varied representation but it does seem like a definition that would leave space for a lot of infighting (and leave us in need of a different word to convey the original meaning). I’d like to hear a few different thoughts on this from you and other readers though!
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I haven't watched it.
Broadly, the rallying cry I want to see is: Media by people like us, for people like us.
Define "us" as you see fit. What you want to get behind is going to be very personal, and it won't be the same for all of "The Queer Community".
For me, it's people who like BL—as opposed to other m/m media—and who are willing to admit that what they like is BL and welcome other fans of BL.
I have a visceral horror of being asked to identify too closely with a female body or female role despite being reasonably comfortable as a woman. I dislike being told which character to identify with, regardless of their body or identity. I lack the self insert gene, like to a claw my skin off, get it away from me level.
I dislike things that are trying to be too tightly #ownvoices. "Queer Media" in a broad sense is irrelevant to me as a fan, though I care about it for broader political reasons. I want a media that actively promotes and pursues a disconnect between viewer's body and character's body, between viewer's identity and character's identity. Drag queens are interesting even if not aimed at me. Drag kings are great. BL is great. Cringey, unrealistic f/f by dudes is sometimes great for me too. The closest I'll go to #ownvoices is bisexual media for bisexual people.
The biggest mainstream media is not by people like me or for people like me if it's from the US or UK, and that includes mainstream-ish queer media.
The closest we get is cis gay dudes making art about cis gay dudes who live in their same city and work a similar job, yadda yadda. Or slightly mainstream stuff by poisonous trolls who cry about how much they need to gatekeep and how their BL is not BL. There's a constant assumption, even for the BLy shit by AFABs, that a narrow definition of #ownvoices is the objective and a 1:1 correspondence between everything about the character on screen and the viewer is desirable and most moral and politically best. No amount of nitpicking over terminology is going to change that.
I can consume indie books or head over to Asia where commercial BL industries exist. Those are my options right now.
The entire concept of queerbaiting is stupid as fuck because it imagines that other people are paying attention to us in contexts where they just aren't.
I don't think we should expand the meaning. I think we should approach media differently.
Nothing will change until:
1. People like you/me/whomever the desired queer voice is control media.
I don't mean "are in the writer's room": I mean are the showrunner. I don't mean "are the director" of a big movie that answers to a thousand producers: I mean are the studio head.
Power is what's needed, not begging for scraps!
Or 2.
We as consumers stop going "Sempai will notice me any day now!" about big shit and start spending 100% of our leisure entertainment time on indie things. Not as an also-ran that we fit in around HP and SPN and DW or whatever: as the entirety of the media empires we care about.
And no, that won't solve the problem of horrible people who turn out to abuse their partners still being good at art or whatever. Consuming indie media doesn't make it less problematic. It does offer the opportunity for me to consume media that is aimed at me.
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I really don't care whether James picks yes or no in that video. The entire question is pointless.
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