#I don’t normally (ever) do human designs for characters who aren’t

[jae-in-a-trenchcoat]

Human broppy!

#all the posters and albums in the background are just blurred pictures #i couldn’t be effed drawing them #I don’t normally (ever) do human designs for characters who aren’t #but I was pretty happy with this! #that’s just a fraction of poppy’s music collection #trolls #trolls fanart #trolls human au #trolls band together #dreamworks trolls #trolls branch #trolls poppy #queen poppy #broppy #branch x poppy #my art

[bookdragonofsomekind]

*****Manga Monday 02*****

Tokyo Ghoul volume 2

Summary:

Meet Kaneki who finally has found a job and a position in life that does not make him miserable anymore. After taking his first new steps in ghoul world he comes around new challenges. 

Because ladies and gentlemen it gets spicy. 

Kaneki has his first encounters with ghouls who aren’t bad at all and human hunting ghouls who are totally evil. So now Kaneki is more confused then ever and has to sort out on which side he will stand from now on… will he keep to himself or will he stand up for him and others and fight?

That might me a bit much for an 18 year old.

Poor Kaneki. 

New characters you will meet in this volume:

Yomo 

Ryouko Fueguchi 

Hinami  Fueguchi

Koutarou Amon 

Kureo Mado 

Uta 

Quotes I particularly liked:

"For us to blend into human society, it’s basically like walking on an endless tight rope.“ - Uta

"I was about to scream. The only thing I could do was to keep her from seeing it.“ - Kaneki

"What’s tragic isn’t that we can’t retaliate. What’s truly tragic is being consumed with vengeance and not being able to live your life anymore“ - Mr. Yoshimura

My thoughts:

As I said… it gets spicier. The plot I mean. I liked this volume way more than the first one. That might be because the first volume came with little surprises (again my partner is to blame) but the second one has me more intrigued.

First and foremost Kaneki. He has survived the fight with Nishiki and won. Even better, he now learns to make coffee. The job gives him stability and the owner of the "Anteiku" Mr. Yoshimura is his new role model when it comes to the survival in the human world. Because eating like a normal human being is still Kaneki's biggest nemesis. But not for very much longer. Now being a part of the ghoul world he quickly has to learn that ghouls can be as good as humans and humans as bad as ghouls. And that’s why I say it finally gets complicated! And I loved this by the way. Kaneki can not see black and white anymore. Ghouls bad. Humans good. Oh boy was he wrong. 

For example as good as a flower… Hinami Fueguchi. A little ghoula just existing beside her mother Ryouko Fueguchi. Hinami recently lost her father and is now fighting with her mother for survival. When I first saw Hinami with the book in her hands I almost instantly knew that Kaneki and Hinami will have a connection. And I am glad to say that I was not wrong. The interaction between him and Hinami was very cute. It showed Kaneki furthermore that ghouls can be as sweet and innocent as one can be. No monsters in sight. I also think that this was the first time that Kaneki bonded with a ghoul that is not Mr. Yoshimura. Having a good time and even smiling.

So… it was even more heartbreaking for him to see Hinami in such pain when her mother was brutally murdered. But a bit later more to that. 

Moving on to new characters! Uta. I have to say he is my new favourite so far. From his character design to his way to interact with poor, scared Kaneki. Uta not being afraid of physical touch and a creative mind Kaneki is in good hands with his future mask. 

A mask that Kaneki doesn’t know the usage of. He does not want to have trouble with anyone and he definitely does not want to hunt humans. I still don’t know exactly how Uta got the idea for Kaneki’s mask and I also don’t know if I like the mask or not. But hey it looks professionally made. Soo good job Uta. 

Someone who should visit the mask maker is Yomo. He is giving me spy vibes. I also think that you don’t want to mess with him. Knowing absolutely nothing of him… I don’t know… I like him. He cares for his people. He "shops" for Mr. Yoshimura and is kinda acting like the security for the 20th ward. He is clever and strategic. He doesn’t let his feelings overcome him. Unlike Touka. 

Touka is a troubled soul. In this volume she seems even angrier to me than in the one before. She is overcome with grief and therefore revenge. I can’t blame her. She seemed more then shook about the execution of Ryouko. I kinda got the theory that something like this tragedy happened to her when she was growing up. I mean where are her parents? (I hope to get an answer next volume or so). Also… who hurt her?! When she trains Kaneki to get control over his kagune, she mentions that she will train him like she was trained. Who in the ever loving fuck trains someone like this. I highly doubt that it was Mr. Yoshimura. But breaking someone’s finger just to get him riled up is something else. But I have to say, the girl can fight. And she is not afraid of cold blooded murder. It was awesome to see her fight those doves. And we even got a new fun fact: like Ryouko, Toukas type of kagune is an ukaku. Very pretty! Ryoukos I mean. Another fact about Touka. She is stubborn. Not listening to "orders" she attacks the doves anyway and deals with the consequences alone (if Kaneki would let her).

But now taking a closer look at the new trouble maker. Mr. Koutarou Amon and Mr. Kureo Mado. Aka bad cop and worse cop. You don’t want to stand on opposite sides of these two. I’m pretty sure that Amon has some glorified reasons why he wanted to be a hunter but for Mado I can’t say the same. He is just crazy and at first sight he is Igors brother from "Frankensteins monster". The way that he openly enjoyed the cold cruel murder of Ryouko or the fight with masked Touka… it gives me shivers. On the other hand Amon is not giving me that much safety either. For him the world is still black and white. And he is ruthless. Oh and even better… he’s ambitious. I’m telling you: best combination ever! Together they are like bloodhounds and they now have a new prey. Touka. And they just smelled blood!

The element of the doves is very nice.  It adds so much depths for Kaneki now living in both worlds. New conflict with his own morals. I have to say that I didn’t really expect to find out that the food source for ghouls would be corpses from successful suicide attempts. But it’s clever on the no killing part… even though I’m pretty sure that it is not ideal. I mean if a person who killed themselves isn’t found… there will be others searching for them. But hey… you win some you loose some. 

Gotta say… this volume really got me intrigued. I could say that I was missing something last time when I finished the first volume. But now… oh Boy I’m excited to start the next one. The characters Uta and Yomo really made it for me. Not to mention Quasimodo and his companion. Still, questions are there and no answers to be found!

Please leave your thoughts and be kind and don’t spoiler anything!

Thank you for taking your time!

Please feel free to discuss your thoughts, I would like to hear them!

I will see you in a week with a new volume!

#tokyo ghoul #sui ishida #ken kaneki #reading #manga #book #book review

[eternally--mortal]

So I’ve seen a couple comments lately specifically associated with the ever-growing comment chains of @buggachat’s bakery enemies au where some fellow readers are claiming that a lot of us are hating on Marinette.

It’s not a lot of comments, but it’s enough that I wanted to say something. You don’t have to listen. That’s ok. You can scroll if you want to, but the thoughts are here if you wanted or needed them.

Here’s the thing:

When you write a realistic character, or adapt a character realistically from a tv show, there are going to be moments of pain and frustration on all sides. Yes, Marinette is allowed to feel her own pain and frustration, but We as an audience are Also allowed to have second-hand frustration based on her actions.

I’m allowed to like Marinette and acknowledge and validate her frustration while still Also Being Frustrated at her. That being said, I understand that We can see the whole story and She can’t. Even apart from that knowledge, I am allowed to have compassion for her and Still Disagree with the way that she handles things. That is not me being a Marinette salter or me hating on Marinette. That is me recognizing that this very human response of Marinette’s is placing Adrien — and herself — into unhealthy situations.

People aren’t good and bad all the time. You don’t have to love them all the time. And even if you Do still love them, you don’t have to agree with them.

I’m not trying to start a fight, but I wanted to put all of this out there because . . . I’ve read through the comments. And I haven’t really seen a great deal of people genuinely trashing Marinette. They’re just responding to the direct situation with their very-normal emotional reactions. Which is sort of part of the point, isn’t it?

And I’m sorry @buggachat . I know I tagged you. It’s mostly to give context to this post. I’m not trying to pull you into the discussion or force you to comment on it or pick a side. Please continue on with your beautiful life and enjoy torturing us every 24 hours. You’re doing great, sweetie. This post isn’t really for you unless you want it to be. I don’t know. You might not even agree with me. And that is your right as a human being.

To everyone who feels this Does apply to them, I just wanted to say, here are some general facts of life that the world continues to beat into us, whether we like it or not:

Good people can do terrible things. In fact, some of the worst things are Genuinely Awful to that degree because they were done by good people. Just look at Adrien’s situation. He’s seen how Marinette has So many friends who love her. He’s seen that she’s capable of being an absolutely wonderful person. To him it looks like she’s choosing to be a terrible person to him specifically. Real people go through this in the real world, too. When a good person does something horrible, it doesn’t change the fact that they’re still a good person to Someone out there — maybe to multiple someone’s. They’ve just chosen not to be a good person to You. Or chosen to be a Bad person to you. And that Hurts. And it’s Worth acknowledging and talking about. (This is the real tragedy of evil, in my opinion. It’s why children of abusive and negligent parents often struggle so deeply with the question of why they still feel a need to earn love from their parents and whether they should leave them behind.)

People are constantly experiencing growth and change. There’s something great called the Theory of Positive Disintegration that describes the process. It’s super cool. Look it up. It’s healthy to acknowledge that we all make varied choices as our worldviews change and as we experience new things. People we see as ‘bad’ don’t have to stay that way and likely aren’t what we expect. People we see as ‘good’ are not always strictly good. (Besides this, How many people do we call “Good” because of whom they decided to be evil to? Who gets to decide who the enemy is anyway?)

Literature is designed with complexity in mind. Stories are often made with fleshed out human beings. Sometimes stories are written Specifically to show us questionable behavior so we can see the world through a new lens and decide for ourselves whether we agree with that person. Just take a look at Restoration Drama if you have any doubts. Old white men debated for ages about whether or not their audiences were smart enough to notice questionable behavior in cases of, for instance, rape or cheating or manipulation. Did they ever ask the audience? Not really. But the point is that we Do sometimes get suckered into blindly supporting characters without really watching what they’re Doing. It doesn’t mean we’re not smart enough to notice or talk about it. The danger comes when we try to shut that conversation down by Never showing evil or Never acknowledging it when it’s there. —No one is perfect. So we have flaws. So what? That’s normal. It’s human. It’s normal to empathize with a character. It’s ok to openly express second-hand embarrassment or frustration for their actions. If you don’t want strangers on the internet to point out Marinette’s flaws, then maybe You shouldn’t be pointing out the flaws of strangers on the internet.

I’m not trying to attack anyone in particular. Or anyone at all. I just wanted to put some of this into perspective. Some of you making these comments might be joking! I can’t really read emotional subtext on the internet. Some of us are bad at reading it in real life, too. This is just me putting some thoughts out there to remind you that we all have complex emotional lives, and that discussing a person’s flaws isn’t the same thing as hating them or rejecting them or making them out to be the enemy. If no one ever talked about the bad parts of good people, we wouldn’t have compelling stories.

#marinette dupen chang #bakery enemies au #just some thoughts #mlb #miraculous ladybug #people are complex #let us acknowledge their complexities

[being-of-rain]

Random thoughts from my Classic Who watch, this time season 9.

The Daleks return in Day of the Daleks! And boy do they not do much! I feels like easily the poorest Dalek story so far because they just have other people do the commanding (the Controller) and the fighting (the Ogrons). They don’t realise the Doctor is involved until the final cliffhanger, and in the whole story I think they only kill two people in the final episode, and one of them was their own man. I guess I can just be glad there was a 5 year break from them, something we can only dream of today. On the other hand, the plot with someone going back in time to change time but instead accidentally create the timeline that they’re now living in is fun! It’s just a shame that it was rushed so quickly in the last episode, and ends really suddenly rather than dwelling on things. The leader of the rebels, Anat, was a very interesting character, and I really wonder if she was originally written as a man in the script. So far in my watch, it’s been very rare to see a woman in the middle of the action who doesn’t quickly go to pieces, so Anat was refreshing. The Ogrons are a pretty racist design, and is the Doctor stopping to shoot them the most bloodthirsty the Doctor ever gets on the show? But it was quite unintentially funny when the Ogrons had their first bits of dialogue; the first one speaks slowly and deliberately, and then the next one casually says his short line as a normal human would. It gave the impression that the first Ogron was just messing with the Controller for fun. There were some other funny moments in the story, like when Yates announced the Doctor and Jo have vanished when, unlike all the other people who had literally vanished into thin air, the Doctor and Jo had just been tied up in the cellar. Also the Doctor attempting to escape on a trike that turns out to be about the same speed if not slower than the guards chasing him. Altogether a pretty meh story, but at least it isn’t 6 parts.

As I think I mentioned in my thoughts on this year’s Peladon audio series, I do love The Curse of Peladon, if only because of its approach to aliens and how they’re not all evil. A low bar I know, but the format of Doctor Who obviously made it hard to follow through on it. But this follows in the footsteps of season 7 and has a collection of friendly alien ambassadors, and the Ice Warriors aren’t the ones that turn out to be evil! Villainous Doctor Who species as a good guy is still one of my favourite tropes in the show. So I didn’t get along with the politics in Brian Hayles’ first Ice Warrior story, but he may yet win me round. It’ll never not be ironic to me that Big Finish took the villain in this story who replaced the Ice Warriors as the baddie, and make his whole species a monolith of evil and greed instead. I don’t have a lot to say about the plot of this one, because I wanted to do a post about it some time from Alpha Centauri’s point of view, which is hilarious. Oh Jo never really gets used to the whole travelling to other planets thing, but it is amazing how quickly she gets into the role of princess of Earth.

For a serial with such incredibly iconic moments and designs, I really didn’t know much about what happens in The Sea Devils. I didn’t realise that the Doctor tries to negotiate a peace with the Sea Devils just like he did with the Silurians, that was sweet. And almost succeeded too, if not for the extraordinarily hateable Secretary character. Interesting that the Brigadier wasn’t in this one. Predictably, this story has a lot of fun with the Doctor and the Master’s dynamic as well, which is really one of the best things you can do with a Master story, I love it. I also love the small moment when the Master tries to hypnotise a navy man but fails because he’s too strong-willed. If the Master succeeded every hypnosis except for the main characters that’d feel like a bit of a cop-out. Jo absolutely rocks her outfit this story, and the few seconds she’s shown riding a motorcycle is incredibly hot. If a bit dangerous because I know Katy Manning needed glasses jdskjhfksdjf. When she (literally) breaks the Doctor out of prison is phenomenal, I love how she expertly pulls off her plan, and communicates with the Doctor by miming through the window. You can really see her spy training at work. Finally, there’s some wild incidental music in Doctor Who (the original Silurians is a classic) but I think The Sea Devils might actually take the award for the most... incomprehensible? Just a bunch of random sounds?

I quite liked The Mutants, even if it could’ve been a little shorter. As has become obvious, I do like sci-fi stories that feel very real, in characters’ motivations and flaws. Very human. The human empire shrinking and letting a planet go but some of the officials being unable to accept it. The Marshal’s monstrous schemes casually being dictated from his administration space station as he gets more unhinged by the episode trying to cling to power. I love how Cotton and Stubbs, the guards sent after the Doctor & co, very quickly decide to defect and help them. Stooges of empire that just needed a moral push. The scientist Jaeger, on the other hand, you can see struggle with the morality of the situation, but never takes the final steps himself to actually confronting it. And on top of that, this is probably the most interesting use of the ‘sent on a mission by the Time Lords’ story premise in the show. The package the Doctor is given to deliver provides a series of questions and troubles to overcome throughout the serial, and in the end play a large role in the way everything wraps up. I liked it! Oh, and I laughed for ages at Jo performing the most efficient and effective “oh no guard I’m sick!” trick ever. She complains until a guard walks over to her, then just straight-up snatches it out of his hands before he can do anything else.

The Time Monster is so camp and ridiculous. Very fun. I also really can’t think of much to say on it. It’s been a few weeks since I watched it because I procrastinated writing up these thoughts, which is why this post might be a bit all over the place. But that’s probably what these posts are like anyway. There are so many great iconic moments in The Time Monster. Immediately starting off with the Doctor’s dream of the Master. “I’m sorry about your coccyx too, Ms Grant.” The Doctor’s time scanner device looking Like That. Jo’s ancient Aegean makeover. Galleia’s whole deal (she’s petting a black cat in her first scene, I love her). The Master even gets to sit on proper a throne for a few minutes! Good for him. The scene a little later when he double-dog-dares the Doctor to destroy them but he can’t because it’d kill Jo, but then Jo who the Master’s holding captive goes and does it for him, is metal. And then Kronos being a giant lady face is maybe my favourite use of CSO is classic who (which isn’t like saying a Lot, but whatever). Overall, good story, and good series!

#my thoughts #Three #Jo #Brig #Yates #Benton #Daleks #Master #as rambly and unedited as always #I mostly just make these watchthrough notes for myself and I'm always amazed when other people actually read them tbh #I wouldn't have the patience XD

[jdgo51]

Unconverted Places

Today's inspiration comes from:

Resilient

by John Eldredge

"Now Peter was sitting out in the courtyard, and a servant girl came to him. “You also were with Jesus of Galilee,” she said. But he denied it before them all. “I don’t know what you’re talking about,” he said. Then he went out to the gateway, where another servant girl saw him and said to the people there, “This fellow was with Jesus of Nazareth.” He denied it again, with an oath: “I don’t know the man!” After a little while, those standing there went up to Peter and said, “Surely you are one of them; your accent gives you away.” Then he began to call down curses, and he swore to them, “I don’t know the man!” Immediately a rooster crowed. — Matthew 26:69–74

"'Survival situations bring out the best and the worst in people.

Who we are, what we love, and how far we are willing to trust God are revealed when we are truly hard pressed.

There is poor Peter, of course, and the call of the rooster. But another revealing story — especially in terms of the fear of not having enough — comes to us from the life of the young church. Things are still turbulent. Revival is happening, but so is persecution. The infamous Ananias and Sapphira sell some real estate, and the problem isn’t that they kept part of the cash for themselves; the issue is they pretend they are sharing it all with the poor. They want to look sacrificial while living selfishly. The duplicity is the issue. I think the fear of not having enough causes them to hoard, but they lie to the apostles and say they aren’t. Things don’t go so well after that.

Pressure brings it all to the surface.

Military training is designed to do exactly this — strip away all pretense and expose what’s really in you, see what you’re made of. All those popular outdoor leadership programs have a similar goal but take a less severe approach. They simply drop people into the backcountry — far beyond the Comfort Culture — push them past their normal limits, and see what comes out.

Most of the time what comes out is not something we wanted the world to see.

I enjoy watching those wilderness survival reality shows not only because I adore the wilderness but because as a therapist I love the raw look into the inner world of hard-pressed human beings. Everybody knows how to put on a brave face; what I want to see is what’s beneath. If you’ve ever watched any of those shows you’ve seen it — how their biggest battle ends up not being cold or hunger but their inner demons.

I’m bringing this up because we are trying to thoroughly strengthen our souls’ “immune systems” for trying times.

There are pockets of resistance in us that will prove our downfall if we don’t bring them to Christ.

"The goal of God’s work in us is Jesus taking up residence in every part of us. Nothing left out."

— John Eldredge

The Sweet Safety of Holiness

Now may the God of peace make you holy in every way, and may your whole spirit and soul and body be kept blameless until our Lord Jesus Christ comes again. — 1 Thessalonians 5:23 NLT

I absolutely love this verse; I love the hope of my entire being made pure by the Spirit of God.

I realize that holiness is a word with a lot of baggage for many people, but we can get past all that if we look at the gorgeous life and character of Jesus — He was simply good through and through. His character is so alluring, so winsome, and whenever you see Him relating to people you are watching true holiness in action. Women who everyone had used and abused came to Jesus, threw themselves at His feet, and He was only loving toward them. Sometimes the crowds loved Him, other times they shouted for His head, but He didn’t let it faze Him. Jesus’ goodness in the Gospels is captivating.

When His own time of severe testing came, that goodness was His shield. Just before the secret police came for Him, before the grisly scenes that follow, Jesus told His disciples,

I will no longer talk much with you, for the ruler of this world is coming, and he has nothing in Me. — John 14:30 NKJV

The enemy tried every angle he could find on Jesus — seduction, rejection, threat, the fear of not having enough, even torture. Nothing worked, because Satan had nothing “in” Jesus to use as his hook. Imagine the sheer relief of it.

It probably feels like obtaining even a fraction of that goodness is beyond you, but the promise of the Christian faith is that God will reproduce Jesus’ goodness in you:

I feel as if I’m going through labor pains for you again, and they will continue until Christ is fully developed in your lives. — Galatians 4:19 NLT

The goal of God’s work in us is Jesus taking up residence in every part of us. Nothing left out. No little pockets of resistance. (And did you notice? Paul, with the Holy Spirit through him, is “mothering” these dear followers of Christ toward the beautiful goal. He is “in labor” with them, for them!)

In our own times of severe testing, we want to be made “holy in every way,” our entire “spirit and soul and body... kept blameless” (1 Thessalonians 5:23 NLT). Let me be quick to add, I think much of the testing and the Falling Away takes place very subtly in the heart. It’s the small turns from God toward our other comforters, the quiet feelings of being disappointed with Him, the early stages of Desolation — this is how most of the testing plays out. But it has momentum like an avalanche.

C. S. Lewis’s personal secretary was a man named Walter Hooper. He described the Oxford professor and creator of Narnia as “the most thoroughly converted man I ever met.”1 What a wonderful thing to be said about you. Lewis was a man whose entire being — heart, soul, mind, and strength — had become almost thoroughly inhabited by Jesus Christ. His fragmented self was nearly fully reintegrated in Christ. (Nearly, because none of us are utterly whole until Christ returns. But my goodness — nearly is fabulous.) Many people fell in love with the presence of Dallas Willard for the same reason.

Let me pause on that thought for a moment, because while this is known to the saints, the Comfort Culture framed within us other goals. Does your heart tell you that it agrees with this — that the goal of your life is to become the most converted person your friends and family know?

Or does your heart prefer the goal to be something else? Perhaps, “I just want things to be good again, and let somebody else live through the end of the age”? Ouch. That hits close to home.

The battle taking place over the human heart can be described as Satan using every form of seduction and threat to take our hearts captive and our loving Jesus doing everything He can to form single-heartedness in us. This often plays out in thousands of small, daily choices. Which is kind, really; we want to develop single-heartedness before the severe testing comes.

Theodore Roosevelt had a lifetime of stories to prepare him for his last great adventure and ordeal — descending an unnavigated tributary of the Amazon in primitive canoes. And he needed preparation, because he nearly died on that trip. But this is the fellow who rode eighteen hours on horseback across the Dakota Badlands without water because the spring from which they’d planned to get water had dried up.

I love another story about a hunting trip during which Roosevelt and his guide repeatedly got their wagon stuck in mud as they tried to travel into the mountains.

The second plunge of the horses brought them up to their bellies in the morass, where they stuck. It was freezing cold, with the bitter wind blowing, and the bog holes were skimmed with ice; so that we passed a thoroughly wretched two hours while freeing the horses and unloading the wagon... My companion preserving an absolutely unruffled temper throughout... whistling the “Arkansas Traveller.” At one period, when we were up to our waists in the icy mud, it began to sleet and hail, and I muttered that I would “rather it didn’t storm”; whereat he stopped whistling for a moment to make the laconic rejoinder, “We’re not having our rathers this trip.”2

A whole lot of that gets you ready for just about anything.

Maybe this helps you reinterpret the story of your own life. Maybe all those former hardships were developing resilience in you!

Marriage and parenting do this too, famously so, but it takes place over years not weeks, and less publicly, so the exposure isn’t as immediate. But you are revealed for who you are nevertheless. How you respond to these challenges is one of your most important tests."'

Walter Hooper, “Preface,” God in the Dock: Essays on Theology and Ethics (1970; repr., Cambridge: William B. Eerdmans, 2014), xiv.

Theodore Roosevelt, Hunting Trips of a Ranchman and the Wilderness Hunter (1885; repr., New York: The Modern Library, 1996), 436–37.

Excerpted with permission from Resilient by John Eldredge, copyright John Eldredge.

[witch-hazels-musings]

Hey there! I wasn't sure if this was something you're comfortable writing, so if not, feel free to skip! I couldn't find anything in your faq but I just wanted to make sure!

Can I request a reader who never really drinks getting a little tipsy after a particularly stressful day? Just acting kind of giggly and clingy to their s/o? Nothing dubious ofc just some fluff 🥰 for Diluc, Xiao and Kaeya?

^ This made me laugh. I am a LIGHTWEIGHT, so I tend to get drunk after like ... one beer - haha! Anyway - enjoy ;) 

Tipsy, Touchy

Warning -> flirty, touching, fluff, mentions of alcohol, and getting drunk

Includes: Diluc, Xiao, Kaeya

Character x GN Reader  |  Anthology

Diluc

He’s a bit shocked when you go beyond your normal one drink, in fact, he’s a little surprised at your demeanor in general - normally you only had a drink if the event warranted it, but today, you seemed to be throwing them back all on your own 

“Did something happen?” he asks you, his attention on the third glass you’ve begged him to pour. 

“Today,” you groan, your words already slurring a little, “was … not. good.” He can see the alcohol already making an impression on your skin. Your cheeks were flushed and you kept fussing with your hair, little strands making their own decisions as if in defiance of your touch. 

“Hmm, well don’t go overboard.” 

Once you reach your fourth drink, we gotta cut you off, too drunky. And worse, you were starting to get a little handsy with the people around you. You’d already given a few of the female patrons a hug goodbye, telling them you were the designated “send-off committee”

In fact, you were having a hard time keeping your hands to yourself especially when it came to Diluc. When he forcibly switched you from wine to water you grabbed onto his arm, or tried to convince him to lean in close so you could share with him a secret - he wouldn’t 

You thought everything was funny, and he often caught you giggling to yourself or chuckling after the small conversation you and he shared 

He wasn’t really on board with your ostentatious behavior, but he did enjoy seeing you smile in the grandiose way you were - unreserved and relentless 

As the evening beings to slow and patrons leave the bar, you were trying to work out a thought in your head. It had been floating around for a while and you weren’t doing a good job keeping it off your face. 

“Hey,” you finally speak up. You wait to finish your thought until Diluc looks at you. He’s been gathering the final glasses from the tables so he takes a bit to react to you. “Come here.” You beckon, uneasily, with your finger for him to walk closer to you. 

When he does, you wave him down so his face is close to yours. 

“You.” You point your finger at him, “are my favorite person.” There is a smirk on your face and playful energy in your eyes. 

He scoffs at you and tries to retreat but you grab his face in your hands, “Wait. Wait. Diluc Ragnvindr ... “ he’s so close to you, his face, his eyelashes, his lips … it’s too much and in defeat you let him go, dropping your head in your hands. “Ugh, you are much too attractive for me right now.” 

“You are a lot of things right now.” You peek your eyes out from over your arms and see him rubbing the back of his neck, his head turned to the side. There is no doubt in your mind he is blushing. 

“You’re blushing!” you shout. The excitement of his reaction is too much to handle. 

“Shut up.” He tosses a towel your way and disappears into the back office. 

Diluc makes a mental note to not let you drink that much in public again, not only is he worried you might do something dumb, but he worries how he will keep his composure

Xiao

Xiao would have no idea what to do with alcohol. He doesn’t touch the stuff, so he wouldn’t really know the common behaviors of inebriated people 

He’d probably take whatever you were drinking and dump it out in front of you the drunker you became - he could barely handle normal humans, let alone a drunk one 

“What are you drinking anyway?” He looks at the bottle, turning it over in his hands. 

“I don’t know, I picked it up on the way out here.” You rub your hands over your face, the wine hasn’t fully hit you but you know with the amount you drank it’s only a matter of time. 

“Is it normal for humans to drink so much, all at once?” 

“Meh, maybe? Today was the worst though, so I’m giving myself permission.” 

It’s hard to tell if he would have any reaction to your tipsy behavior other than being exhausted by it

The way you laugh at things, that to him, aren’t funny or how you try to ask him really silly questions about things he wouldn’t know anything about 

Xiao is prickly, so you’d have to push through a lot of spikes to get to the gentle core he’s given you flashes of, so don’t get offended if he reacts to your clingy-ness in an irritating way 

He just doesn’t let people in very easily, and even though you two are together, and you’ve been physical before, this level of touch might be overstimulating for him 

You look at him from the floor of the inn. He is sitting on a pillow with his eyes closed. There were many nights you spent with him where you just fit yourselves into each other's space, like pieces of a puzzle nestled tightly together. He looked so regal, and you wondered how he would act if you poked at him. 

Carefully, you crawled your way over to him with wobbly limbs. When you got close enough you whispered his name. 

“Xiao…” He opened his eyes and is startled by how close your face is to him. His arms launched to his sides to steady himself as he leaned back away from your proximity. The reaction made you laugh.

“What?” 

“Nothing, I just wanted to get closer to you.” you desperately want to touch him: his cheeks, his forehead, his collarbone, his arms and hands, you wanted to touch them all. The alcohol emboldened you. You scoot closer to him, your sides practically touching, and, in an instant, you wrap your arms around his. The grip you have is possessive. 

He sighs but doesn’t push you away. So you tread onward. You slide behind him and wrap your arms around his chest, each of your legs on either side of him Rubbing your face against his back you breathe him in, he smells like rain after a thunderstorm. 

“I like you.” You place a kiss on his exposed shoulder before resting your cheek against him. 

It’s quiet for a time, all you hear is his beating heart and slow breaths. You don’t expect him to answer you, or say anything, you know he likes you by the way he lets you cling to him like this. That’s all you’ll ever need him to say. 

“Are you always going to be this clingy when you drink?” the question breaks the silence. 

“Mm, possibly, I don’t normally drink this much. Why.” You return his question with your own, slightly tilting his body to the side so you can strain your head to look at his face. 

“No reason.” Even in the dim lighting, you can see the blush on his face. 

Kaeya

Kaeya finds your behavior hilarious. He’d be so enamored with the way you were acting and amazed it happens with only a few drinks of alcohol in you

“You’re putting those away,” he’d muse over his own beverage. 

“Well,” you’d say as you empty yet another glass. “Today sucked! So i’m drowning my stress in sweet, sweet alcohol.” 

“Cheers to that!” 

When you laugh he melts, when you giggle he nearly passes out, and he’s having a hard time not fainting right now. Everything he says to you sends you into a fit of laughter and he just can’t stop himself - he’s obsessed with you and when he can see something new that he’s never noticed before he is filled with pride 

For instance, he didn’t know that when you laugh when drinking that you shield your eyes and nose and let out breathless laughter. He didn’t know that when you had several drinks you started to get louder and louder - which may have annoyed others, but he found it endearing

“... and after finishing the bottle he passed out for three whole days. And that is why our aloof bar owner doesn’t drink.” You can’t help but laugh, you’ve heard this story already but it makes you chuckle every single time. 

“Kaeya, how many times are you going to tell that story…” Diluc warns from behind the counter, his hands dangerously wrapped around the neck of a wine bottle. 

“Oh, come on. Look at how happy it’s made them.” 

“I’m cutting you both off.” 

“Hey!” Even with the cap on your drinking for the night, you couldn’t stifle your laughter. 

Normally, Kaeya is the overly touchy one. His hands cannot keep themselves from your tempting body. So when you cling to him he finds the action rather refreshing 

Wrapping your arms around his, leaning your head on his shoulder or digging it into his arm. Scooting closer to him, practically sitting on his lap, he finds it all a riot - don’t be shocked if he helps you into a comfortable position on or between his legs 

“Kaeya,” you look at him, your head bobbing around, your cheeks the color of pomegranates, and your hair falling out of place. 

“Yes, lovely?” He helps steady you, a possessive hand wrapping around your lower back and his other moving from your shoulder or lower arm, whichever one needs the most support. 

You giggle, and the sound pulls at his heart, “Do you know that you’re handsome? Like, really, really handsome.” 

“I’m glad you think so.” 

“No, listen, it’s kinda ridiculous how attractive you are. LIKE … WhO do you think you are with this face?? hmmM?” You wave your hand in front of him as if to drive home your point. You aren’t sure what answer you wanted from him, but his laughter seems satisfactory enough and you join in shortly after. 

He finds everything you do to be adorable, but multiplied by ten when you start drinking - he will always make sure you have a good time, and as long as you are safe and happy he will be there to join in on the fun

#genshin impact #genshin impact X reader #genshin impact headcanons #genshin impact musings #genshin impact fiction #diluc X reader #genshin diluc #diluc ragnvindr #diluc #kaeya x reader #kaeya #kaeya alberich #genshin kaeya #xiao x reader #genshin xiao #xiao #genshin impact xiao #genshin impact diluc #genshin impact kaeya

[greysfall]

My 4444-word review of NEO TWEWY (with personal illustration + heavy spoilers)

My overall critical score for the game is 7.5/10, while my personal enjoyment score is 8.5/10. This review is posted as I have 80% completed the game, got the secret ending and achieved the Angel psychic rank. I’ll first start with the main pros and cons as follows.

PROS:

-        Enjoyable as a whole, still upholding the first game’s spirit in world building and sharing the same backbone - which was mostly revealed in the Secret Reports, it’s impossible to grasp the story without reading them.

-        The new cast and new game is charming in their own way

-        The old cast’s return is one of the biggest highlights for sure, it was fun and impactful. Everyone stays true to themselves and also had their own stories wrapped up nicely.

-        Boss designs are cool, new pins are fun to use and collect

-        The connection between the old and new cast is well written and executed, including but are not limited to the tension between the old and new protagonist, the weird but fun interaction between the 2 Composers, the new friendships revealed and formed

-        Sho being in the main cast is something so uniquely TWEWY and uniquely Sho

-        Still good music

-        Still many fun side quests, some of them really uphold the same quirky spirit of the old game and some are surprisingly touching

-        Many new nice stores and yummy looking foods to explore

-        The map is really easy to memorize for me, it’s fun to travel around the “current” Shibuya to see all the differences compared to the past

-        The social network is crazy and interesting to read through

-        Has an anti-frustration system to help 100% complete the game more easily and earn money faster, so post-game is relatively managable.

-        Overall, I really feel the efforts the team poured into making this as their passion project, not just during the development process but for all the last 14 years. They showed the vision of what they wanted to make, at the same time giving something to both the old as well as new fans.

CONS:

-        The biggest problem with the game is scenario writing. The story is so heavily back-loaded. The director himself thought it would be better to balance out the tension flow by adding more at the beginning but gave in to the scenario writer in the end, probably due to time pressure. This results in an underwhelming execution of characterization and lots of wasted potentials for the first half of the game.  

-        I struggle to view it as a stand-alone game, since the backstory and the old cast both play such an important role in the core of the game. If someone plays this game without having played the OG, they can only enjoy it on surface value at best.

-        The new cast is nice but most of them aren’t quite as intriguing as the old cast, maybe it’s cuz they’re all too nice deep down that they lack a little bit of an edge, of that batshit craziness that everyone in the OG used to have? I think some characters (Fret, Nagi) ended up weaker in terms of characterization because the writer is too afraid of making them unlikeable – which kind of backlashed cuz they only became likable in the most expectable way to cater for a specific group of fans. I would have wished for the other team leaders to be more crazy too, had they not suffered 30+ loops of the Game…

-        The CAMERAWORK IS HELL.

-        Gameplay does get tedious at certain points with all the time travels.

-        Shiba is so badly written as a villain, some Shinjuku characters should be given more screentime cutting into Shiba’s– like Hishima or Kaie or even, Hazuki (though his limited presence also solidified his importance).

-        Some of the main character designs, for example Beat’s hairstyle and his food reactions are hilariously bad. What’s the point of covering up most of his unique facial features?

-        Some of the minor/side characters’ design are too cool for them to have such a small role (eg: Ayano, Eiru). Ryoji did get much screentime but is nowhere as fun as Makoto was.

-        Overall the scope of this game is made a little too big for the team to handle as perfectly as the last game that was very compact, it felt somewhat rushed in development too so the missing pieces are clearly there in the final picture

The entry fee versus paying for it all in the end

An important difference between the Neo game and the original Shibuya game was that the Shibuya rule asked for an entry fee that is the Player’s most important asset, stated as a chance the Composer gives them to reexamine themselves. Meanwhile, the Shinjuku rule neither encourages nor allows personal growth and ultimately aims to erase as many Players as possible. It’s a pity we were never introduced to the full Shinjuku rulebook, as it seems like the system there focuses more on building up power and a grand government to compare with the individuality-driven system of Shibuya.

When you have to compare the new game and the original game (OG), this is an important factor to consider. Also, the OG has a serious storyline running through and through, locked with a different partner/GM creating unique atmosphere for each week and you don’t get to see your old partners again until the end. NEO’s team system does not allow such deep insight and communication between the Players. All of your teammates are always there throughout, the dynamic does change with each new addition but it is not as prominent as a partner change.

Another important factor is how the OG was built from scratch for a new platform as “something no one has ever seen before”, while Neo recycled a lot of old unused ideas from the previous development (check out this interview for more details). The development team for NEO lacks 2 key members and had a change of writer so the final product is not as strongly bound together as the last game.

The new cast is definitely inspired by today’s teenagers (from the view of creators), compared to the old cast they’re more sociable and always seem to take whatever works for them despite feeling unstable inside. They are all innocent and genuinely nice kids, avoiding to hurt each other to a degree that they end up keeping some sort of distance. They’re also unable to communicate at deeper levels, always stagnant at this half-baked stage of equilibrium without any motivation to get to the core of things. That is the cost of entering the game without an entry fee, without even dying or having a reason to be there/to fight seriously. These kids were stolen from the RG into a Game that was decidedly the worst environment for them to change or develop, just wandering around cluelessly to find a way “out” until tragedies started to unfold one by one and they ended up being charged the total sum of the price for their actions – ultimately losing everything in the end.

That is, I believe, a story arc which can resonate more to the youth of today rather than of my generation. If the message of the old game was to “listen”, enjoy life to the fullest and accept to trust others, the message of the new game is to “speak up” from the inside, trying to understand yourself and take actions instead of just going with the flow and finally, to take responsibility for such actions.

If Neku was handpicked by the Composer for being the special one with an all-dense soul to ensure victory of the game then Rindo was just a normal kid chosen out of random by Kubo to be his back-up plan, who just happened to have a high enough imagination to awaken the incredible power from his pin. Rindo was then officially chosen by the Composer as Josh picked up and handed the pin to him again, this time not as Josh’s personal Proxy – but as the Proxy to represent the normal people of Shibuya and via whom he could gamble if humans can fight for their own fate.

The underworld heroine and the hero with little of his own

Shoka is for me a refreshing and layered heroine. She’s the kind of character that took at least 3 trials of creators to form as a complete individual – that included Nomura who gave her the base design and Reaper background, Gen who gave a more cunning touch and the writers who made her English dialogues more punchy. Dishonesty equals “tsundere” is such a cliché, so the English writers tried really hard to avoid that trope in my opinion, while still letting her good intention come through.

She serves as the character who is informed of everything the players should have known, and there was almost nothing she could do about it. Almost. Until she met Rindo.

They were drawn to each other by sharing a state of “not having anything of their own”. They both started out with not being able to truly know themselves, Shoka even hated her RG life but also managed to mature from that stage before Rindo. She must have vibed with Shiki’s love and passion in the Gatto Nero threads, initiating her connection with Shibuya and understanding herself more. With Shoka as Swallow, they were able to open up to each other and offer mental support… but was still not getting to the centre of their problems because for all this time, Shoka could not tell Rindo the most important things about herself.

How did Shoka feel when she met Rindo at the UG? She probably didn’t want to hope that he would live the day until she witnessed the Twisters’ potentials. From the very beginning, they were both incredibly conscious of each other and also constantly frustrated that the person they happened to “notice” was such a condescending bitch/a clueless loser. The Shinjuku Reapers are overall quite drunk in power and uncompassionate to Players, Shoka included. She is also a master of dissociation, which results in her constant boredom, tone swings, haughtiness and subconsciously distancing herself from the friend – the boy she cares about – from false hope, as she judged from facts that it was a hopeless situation where nothing could ever be. Maybe she is naturally a bit of a chameleon just like her name suggests (Shoka 紫陽花 = hydrangea, the color-changing flower), so putting on an act and always dissociating herself from what’s important was easy, while hiding her contradiction was impossible. It was the ex-Reaper Beat who broke it out to her, that she should decide whether she really cared and wanted to do something for a change. He knew how it felt like to cross that line, and knew she wanted to too.  

Shoka is endeared by many of the Shinjuku Reapers and has shown independent acts of kindness (the Shinjuku ghost), proving that her kind and truthful side is as real as her harsh and dishonest side – which makes her a nice mirror to the previous heroine Shiki, who also embraced a dichotomy of self-complex and self-love within her character. In the end, she was the first of the new cast to ultimately accept all that is important to her and independently made the decision to help save Shibuya despite all costs.

She was jealous at Rindo’s interaction with Tsugumi and Kanon but remained silent cuz she wasn’t at a place to have any say about it. She also didn’t reveal about Swallow because that would only add an awkward irrelevance to their current situation, as she was too ready to face erasure at the end of the Game. She only wished to “play a game” with him, be it FanGo or the Reapers’ Game. The tension that the team could only feel at the end, she’s felt it the entire time. The song “DIVIDE” is applicable to not just one bond in the game, but it always makes me think of theirs. There is always a “divide” between her and Rindo throughout the course of their journey, as the living and the dead, as a Player and Reaper, as someone who has a place to return to and someone who doesn’t, someone who knows little but wields too much power and someone who knows a lot despite not being able to do much.

“If only I had the chance to connect with you on the other side

But time goes on, and without us realizing it

The battle is getting heated

Time goes on, and without us realiazing it

Divided again”

To be honest, maybe I didn’t grow any affection for the new main cast from Rindo’s perspective but from Shoka’s. Since I started to sympathize with Shoka, I started to see the boy in a more “real” way. The real Rindo, behind his peaceful façade with others, would lash out on Shoka for her unfairly harsh attitude while none of the others cared. He could also subtly feel that mantle of unspoken secrets from her, her own contradictions, the unresolved chemistry between themselves – and not knowing what to do with it rather than to feel angry with all the unfairness he could not process. (As a Libra too, he’s triggered the most by unfairness!)

It is actually a positive development as he’s at least “reacting” to something strongly now rather than to keep evading his problems. During my replay, I clearly saw the difficult situation Shoka was in, her remaining harshness after the Motoi incident was due to her internal struggle with a mission to save her own life, versus a chance to really be with the team. Her decision was to do both at the risk of losing favour from both sides. Rindo started to accept her layer by layer, as the person who resonated the most to her contradicting nature from the start and knew that via learning her resolve, he has learnt his too.

Later into the game, she even got too much of his attention. Maybe even without knowing she’s Swallow, he’s familiar with her thinking direction and Swallow had always been closer to him than any other friend. It was only after she had to betray her important ones twice that she could start being truly honest. The scene when she died a 2nd time left a strong impression in me, the little reveal let Rindo know that he is also losing Swallow as he’s losing Shoka – and that only death could drive the last secret out of her. Her final “Later, loser” echoed through Rindo as it was the final truth, with only him remaining to hear it: they had actually, already lost everything.

Rindo was the boy who never dared to face all that matters to him until he lost it all, fighting an unfair battle in the faith that they would somehow still win. Shoka was the girl who always knew what was dear to her, but never dared to think she could be together with them ever after and still threw her all into a battle she knew was losing. I think they stir each other on naturally to fill out their gaps, similar to what the Shibuya game partner systerm would have aimed for. The end reward was a little divine intervention to help close up the divide between them once and for all.  

During the game there was not enough space to process anything personal so at the ending when they officially became “friends”, it was an important affirmation of their bond. Some people complained it was friendzoning but it’s not, they just have arrived at the perfect place to start something more. “From now on, we will truly be together” – I read it as that kind of message.  

The heroine from a lost battle, with her story taken away

After reading the secret reports and playing the game to be surprised of how small a role Tsugumi had in the main game despite being the “Hype-chan” thought to be a major character of the next TWEWY installment, many fans would feel sad at a missed opportunity to see the Shinjuku arc in full depiction.

It was shown clearly that, a Shinjuku arc was very carefully planned out and is a vital part of the whole story, yet it could not be made due to various circumstances behind the development scene. I would assume, that the team were not able to make a TWEWY game that ended on a despairing note, but it already happened in their mind, thus becoming a mental burden that forced them to break away from it and started the game anew with NEO. A significant part of NEO became the healing arc for the Shinjuku characters, especially for Tsugumi though I really wished more emphasis should have been placed on her rather than Shiba. We didn’t even get to see her brother – Shinjuku’s Conductor who had a vital role and instead was given the clueless Shiba, who had absolutely no idea what’s going on all the way until the last day in NEO. It’s as if Tsugumi has had her story stolen away from her, because her own battle ended with a saddening loss.

I think every time the game creators look at Tsugumi, they would feel that sadness too. Maybe to them, she is a bigger character than what is seen by the fans, as despite their failed effort to depict her story, she’s lived in their mind for all these years through periods of destruction, healing and rebuild.  Though it is a pity we could not get to experience the full scope of the Shinjuku story, the creators was clear about the place they wished for it to arrive at.    

Individuality, connection and the social network

The team system adapted from Shinjuku rulebook does not allow much room for personal development, as the team dynamic is closer to a work relationship forced to bear results, than a spiritual bond to max out all corners of understanding as found in the partnership system. The old Shibuya system allowed only 1 winner and 1 week limit per game, while the new rule declares for a 1 winning team and only the team at last place will be erased – the other teams will enter another loop. Furthermore, whichever team to challenge the unwinnable Ruinbringers will face the risk of ending up dead last followed by erasure. As a result, the longest-standing teams are most likely not the strongest ever recorded, but the ones who have figured out a strategy to simply survive until something changes, enjoying their newly found social constructs while they are at it. Basically, it is a system to hypnotise players into the illusion that they are still “living”.

Therefore, we as players would not get to the core of each Player individually as fast and directly as we did in the last game. The Twisters were able to stand out not because they’re powerful, they only started to have a real chance after growing enough to each form a meaningful and personal connection to another teammate. It did not come as a team, nor did it intiate from the existing friendship between Rindo and Fret. In fact, I did not find much solidity or anything truly note-worthy about the main team and new characters within themselves until they started clashing with other team members, Reapers and new recruits from week 2 onwards. Rindo found his personal development with Shoka (via a clash with Motoi and pretty much a mini dating sim between them), then via the confrontation of his role with Neku; Fret found his with Kanon then Nagi, the team learned about the real Neku via Beat, Neku entered the UG via Coco’s wish to save Tsugumi… it was not the team but their personal links that empowered them to fight and solve each of their problems.

The other team leaders may have failed because they did not form such personal links, after 30+ hopeless loops Fuya’s team all fell apart to pursue their own interest even at the cost of erasure, Motoi quit his KOL façade to work like a dog for the Reapers (probably to save just his own ass not his team), while Kanon dropped her tricks to find changes via honest cooperation in acceptance of a fair loss. The despairing note in that is huge without making much of a scene because their failure didn’t happen at their best effort to “win”, but in their last attempt to find a way “out”. Even Shiba got his way “out” in the end thanked to his personal friendship with Hishima and Tsugumi.

Something has shifted in the mindset of the game creators in the last 14 years, as both games are about “connection vs individuality” but the last game focuses more on connection between just individuals and this one on the overall network that is formed out of those individual connections.

The introduction of Beat into the main cast was truly the bridge between old and new, they helped each other out in several turns before officially recruiting him. Beat is a character whom a lot of fans including myself have felt somewhat concerned about after Neku disappeared from the RG, so when the new kids welcomed Beat with warm and organic interaction and Beat seemed happy, I started to feel like I wanted to help them out too! I think the overall team chemistry is enjoyable enough for new players, but I could warm up to the new kids more from the pov of a returning character – whom I’m glad to be Beat, as the older brother figure who is genuinely kind, fun, serious and upbeat at the same time; who is needed and needs the kids in return.

The social network is a fun and refreshing feature. You can read all of the crazy tidbits about Shibuya and the links each character have formed with the town people, it’s also fun to visualize how the characters act off screen. Characters’ profiles provide extra insight into their background too, like how it reveals Tsugumi has been friend with Coco during her time in the RG. During the game when not all characters have showed up, you can sometimes guess which empty spot will belong to whom. For example there is a 1 character linking to Neky that is not linked to anyone else, so I could guess that was Joshua, and that another character linking only to Joshua was probably Hazuki, hinting that the 2 Composers are related before either of them even showed up.

Hazuki only showed up for 5 minutes, but his presence is so vital and true to the game that I think he is the most memorable out of the new cast. The two Composers have such an intriguing bond, with their yin/yang or phoenix/dragon themes, opposite color design, the sempai/kouhai tone and the way they keep some sort of distance/work relationship as if it’s mandatory between Higher beings, yet at the same time they can talk so casually because they are truly equal – and different from one another. I have written a separate meta on them here.

Some people pointed out, that all Shinjuku characters’ names and themes are based off Hanafuda cards and the Phoenix in Hanafuda belongs to the Paulownia suit – which is Joshua’s name flower. This is so interesting because it feels like the creators somehow saw it as a sign to interweave the Shibuya and Shinjuku storylines together. Though it doesn’t come out much on the surface, it’s fascinating nonetheless considering both Josh and Haz had at some point interfered with the other town’s affairs.

“Shibuya tour with Haz” was such a special scene, as it happened between 2 characters who do not/no longer have a reason to care about Shibuya, on the subject of what is worth saving about Shibuya. Hazuki carried out the purification of Shinjuku and stepped in to restore Shibuya just as part of his job and unlike Hanekoma or Joshua who both possess profound understanding of humanity, he really didn’t know humans at all. Rindo’s irrational wish invoked in him a sense of curiosity, to try gambling on something irrationally and learning a bit of what his senior have experienced. With all the pieces put together, it provides an overview on Higher beings as a whole, and that Joshua and Hanekoma are really the odd ones out with Hazuki being somewhere in between them and the rest.        

The old friends

It’s easy to have returning characters overshadow the new cast as they have already matured out of their personal story arc and stayed in our hearts for all this time. In the end, I have managed to enjoy both the old and new cast separately and altogether, and they will both find their own place in our memory of this game for the long term.

Sho is truly as crazy as ever, the game wouldn’t be the same if Sho is any less of what he is. Sometimes it doesn’t feel like Neky or Beat is younger than Nagi at all, with moments when it seems like Neky has aged 14 years instead of 3 years. His friendship with Coco surprised me pleasantly, and their interaction together with Beat was fun to watch. Rhyme’s found a new dream and her friendship with Kaie is precious too, especially considering that she can still talk to him online after the game ended. Josh and Neku’s interaction suggested that they have resolved the past and are on equal terms now, they even parted ways in good spirit and I don’t feel any worry about them like I did before.

Neku and Shiki’s reunion scene was beautiful, theirs is such a special bond that it has grown and supported them even without being able to see each other. I am so happy to see them all again and that they stay true to who they are, albeit looking more grown up, cooler and happier than ever before.  

Overall, NEO can’t become a classic on par with the OG, but is definitely a good sequel and a good game in its own rights. I’m happy with whether or not there will be a 3rd game to complete the 3 monkeys theme, but if there will be – I hope the creators can really find the time to learn from the last 2 games and start over with a fresh mindset and strong core.  

#neotwewy #neotwewyspoilers #ntwewy #ntwewy spoilers #neo the world ends with you #twewy #review #meta #neo twewy #shoka sakurane #rindo kanade #tsugumi matsunae

[linkspooky]

Eren Jaeger’s Final Words

So there are many people unimpressed with the final statement given by Eren’s character, either finding it inconsistent with the build up to this point, or too ambiguous a motivation for trampling all over the world. I’m not really here to talk about the quality of the story, whether it was good or bad, because I don’t really care. However, I think it’s fascinating what the text is trying to say about Eren’s character and his motivation. 

This is why, “I don’t know, shrug” is both an answer and not an answer to why Eren did what he did in the end. For making my point in this analysis, I’ll be talking about Eren’s character from Marley on showing both the Eren that appeared before Reiner, the one that talked to Zeke, and finally the one Armin saw are all the same person. 

1. And Now for Something Completely Different

Before I even begin though, let’s talk about something entirely different. My favorite episode of Doctor Who is from the 4th Doctor Era, entitled “Genesis of the Daleks” first broadcast around 1975. What makes this episode my favorite episode is both the premise, and the question it asks. If you haven’t watched Doctor Who the basic premise is the main character is a time traveler who can go everywhere and everywhen in the universe. One of his common enemies is the Daleks, a race whose goal is to kill everything else in the universe. The Time Lords order the Doctor to go back in time to the era the daleks were created, and prevent their creation in order to prevent every person they would eventually kill. 

He goes do the Dalek homeworld, and meets the scientist who created them Davros. Eventually, the doctor fails enough that he’s not able to prevent their creation, but he could, wipe them out when they were just newly born children and completely innocent. The doctor decides not to kill them right then because that would be a pre-emptive genocide, and the Doctor is a pacifist. When Davros witnesses him making this choice it prompts this conversation one of my favorite in all of television. The link to the clip is here if you’re interested. [Source.]

Davros: "Now, future errors will be come victories. You have changed the future of the universe, Doctor." Doctor: "I have betrayed the future. Davros, for the last time, consider what you're doing. Stop the development of the Daleks." Davros: "Impossible. It is beyond my control. The workshops are already fully automated to produce the Dalek machines." Doctor: "It's not the machines, it's the minds of the creatures inside them. Minds that you created. They are totally evil." Davros: "Evil? No. No, I will not accept that. They are conditioned simply to survive. They can survive by becoming the dominant species. When all other life forms are suppressed, when the Daleks are the supreme rules of the universe, then you will have peace. Wars will end. They are the power not of evil, but of good." Doctor:"Davros, if you had created a virus in your laboratory, something contagious and infectious that killed on contact, a virus that would destroy all other forms of life, would you allow its use?" Davros: "It is an interesting conjecture." Doctor: "Would you do it?" Davros: "The only living thing, a microscopic organism reigning supreme... A fascinating idea. Doctor: "But, would you do it?" Davros: "Yes... yes..." [ Davros raises a hand as if holding the metaphorical capsule.]

Davros: "To hold in my hand a capsule that contains such power, to know that life and death on such a scale was my choice. To know that the tiny pressure of my thumb, enough to break the glass, would end everything... Yes, I would do it! That power would set me above the gods!

Davros’ motivations seem at first brush look one-note and evil, just another mad scientist playing god. However, what makes the conversation great is the context it takes place in. Here is the choice offered to the doctor, kill a race that he knows will go on to make war and kill innocents in the future in their infancy before they have done anything wrong, or don’t kill them and ensure the future you know will happen. 

The Doctor isn’t saying that his choice is the right one. He’s not saying he’s doing good by choosing not to slaughter an innocent race. He’s saying, he can’t bring himself to make that choice. In that situation he chooses not to choose, because it would be against his pacifist believes to choose either way. Which Davros at first, takes to mean the Doctor siding with him. However, when they begin to debate it, notice how they’re not talking about what is the philosophically correct choice to do. The doctor hammers in this point, would you do it? Would you do it? After getting Davros to admit that yes, he would do it, his motivation becomes much clearer, he doesn’t actually care whether his actions result in a good thing or a bad thing, he simply wanted to be the one who got to choose. 

What does Davros want? The power that surpasses a normal human being’s ability to choose. Davros himself is basically written to be pure evil, but his desire itself is a little more complex. Davros is a person lacking in agency, if you tear him away from his support system he’ll die within thirty seconds. He designs what he believes is the perfect race capable of conqueringthe universe which are reflections of him. They’re soft little squid creatures in mechanical shells which are inpenetrable. Davros himself cannot seize that power, he is inferior because he’s attached to the life support system (in his own mind), so the power he wants instead is the power to make the choice to unleash them upon the world. 

If the Doctor by failing to make that impossible choice in the situation, by not wanting to even hold the capsule in his hands and have that ability to choose remains a man, then Davros chooses to throw away his humanity (which he ties to his inferiority and weakness) and becomes a god instead. To tie my long tangent which just shows how much of a geek I am back to Eren, Eren’s choice wasn’t actually about bringing a good result or a bad one at all. He simply wanted to choose. People who are lacking for agency, who feel powerless and inferior to tend to grasp for it. They try to fix external circumstances instead of internally facing what is within them, because they can’t bear to face it (hence the complex about being inferior in the first place). 

People often compare Kaneki from Tokyo Ghoul to Eren because their stated motivation bears some resemblance “we were doing this all to protect our friends”, however, it’s important to grasp that Kaneki and Eren are liars and unreliable narrators both. Their stated motivation isn’t necessarily true. I don’t think the final chapter is as clear as it could have been in nailing down the finer points of this, but Eren does in fact change his stated motivation from “I was doing it all to set up you as heroes of the world” to “I would have done it anyway even if you didn’t come to stop me” to “I don’t know. I just wanted to.” So, the fact that Eren will directly lie about his motivation and try to rationalize his actions and even switch stories in the space of one conversation is at least established. 

So to bring the comparison back to Kaneki, both Eren and Kaneki lie about their external motivations that they are doing this for their friends when really they act because of unacknowledged internal motivators. They are secretly selfish, while presenting their actions as some kind of great sacrifice they’re making for the sake of others. The deepest we ever dig into Kaneki’s head he makes this statement. 

I’m going to do something that will make everyone love me. Good, bad, it could be anything. After that, I wanna die heroically!

Eren and Kaneki aren’t the same because they’re brave people who fight for their friends, it’s because internally they’re pathetic and unlovable. They’re so starved for agency and attention that they’ll do anything for it, and they just don’t care about the consequences for their actions. Kaneki also, later on in the manga engages in mass slaughter for once again what is a pretty bad reason. It’s not to protect someone or for the sake of someone else. It’s because he’s lonely and wants comfort. 

Kaneki doesn’t care about what he’s doing or the consequences of his actions, he’s desperate and wants to do what will immediately gratify him in the moment. He doesn’t even realize what he’s doing will unleash mass slaughter and have greater consequences because he’s not thinking about that. 

Compare this to the doctor’s choice. The doctor knows the direct result of his actions, if he does not abort the daleks he will fail to prevent the deaths of innocent people. Knowing those consequences he says he still won’t make the choice because he believes his pacifist principles are something he won’t bend on. Kaneki, and Eren both have on principles, or no reasons. They just do whatever in the moment, and make up a reason after the fact. For Touka, For his friends, because he wanted to, because of freedom, because why not? 

Kaneki and Eren can construct no good reason for their actions, and no principles behind their actions, because unlike the doctor, they don’t have a developed enough and they’re not capable of making measured choices. They steal away agency because they’ve been deprived of it, they want the feeling of power and control that comes with making the choice, but they don’t want the responsibility for it. The doctor knows if he doesn’t choose to wipe out the Daleks he’s responsible for that choice, but can’t bring himself to kill. His actions are pacifistic. However, Eren and Kaneki choose to kill in the same situation, and their actions inevitably cause the conflict to accelerate. The Doctor remains a man, Kaneki and Eren do not. 

What kind of person would want to become a god anyway? 

A person pathetically, incapable of feeling alright as a human being. 

That’s why Kaneki and Eren make the choice to become monsters, because they’re incapable of living with themselves, or their actions as people. Either way they can’t live with it, hence why, Kaneki’s stated motivation is I’ll make everyone love me and then I’ll just die. Hence why the person who is making this statment is a childish version of him. 

There is no good reason for what Eren does. That sounds like a cop-out answer after making you read all this long, but what is a good reason for killing people? This is a lot of rambling but I hope I’ve at least established that Eren’s internal reasonings make no sense, his internal mechanisms at least do. The reason he doesn’t come up with a reason is because he didn’t actually care about the result of his actions, he just wanted to be in the position to choose. He wanted absolute agency because he was denied agency like a child, and as a forever stunted child, he never grew up to realize that most people in the whole world eventually make compromises and live on with sadness instead of getting to do whatever they want. 

Words that Eren was told again and again but failed to listen to. He’s not the only person that suffers in the world. He’s not the only person that’s lost people. He’s not the all-suffering protagonist of reality, he’s just one personin the greater scheme of things. However, the ability to compromise like that. To realize that other people exist besides you, that they have feelings separate from yours, that you are not the protagonist of reality is what an adult does, and what Eren can’t do. It’s easier to become god apparently, throw his whole life away as a child soldier making the ultimate sacrifice then just try growing up. 

What’s the point of writing a character with such a pathetic motivvation? It’s because it’s human. 

To badly misquote Jung, most people assume they are nice people when really they are in fact jerks. The reasons can be very complex, but sometimes it’s just as simple as not being able to look past your own ego and understand people feel differently than you do. Eren cannot accept other people, whether they be his friends, the comrades he’s fought with this entire time, the adults trying to guide him, he is just so incapable of accepting them that he regresses into a child making selfish demands of the world. It seems inhuman but imagine Eren in a completely different setting. What if Eren were just a shut-in? Just a teenager who didn’t leave his room. A fundamental ability to accept other people would sabotage all his other attempts to grow up and leave his room, and he’d choose to remain a child forever. The stakes are different, the situation is different, but the internal mechanisms are unmistakably human. 

2. All Erens is the Same

Okay, here’s where I actually try to prove that Eren’s character arc is consistent with the story. What was revealed in 139 at all wasn’t a 180, and wasn’t a reveal that secretly Eren had good intentions all along. He never had good motivations, or selfless one. From beginning to end he was a selfish child, and his reasoning was always that of a stunted individual unable to understand the feelings of others but placing his own feelings as far more important.

What Eren does in 139 is rationalizing and changing his answer, which he has done several times before that point anyway, and is therefore consistent with his behavior up until that point. It’s important to acknowledge that Eren models himself, not after Grisha, but rather Eren Kruger. The foil to Grisha and the reaction to Grisha’s bad parenting is Zeke. The person who Eren makes similiar choices to is Kruger says the reason he picked Grisha is the eyes he possessed in childhood. 

The thing about Kruger is, textually, Kruger fucking sucks. He says it himself. He claims he was doing it for the sake of helping others, and yet, all he ever felt like he was doing, was torturing people, and throwing them to the dogs. He kept saying he had good motivations, but his actions were repeated brutal violence, over and over again. He contributed more to the conflict than he helped to resolve it. 

At the end of his life, Kruger says once again he doesn’t believe what he’s done has changed anything, and doesn’t believe he himself hs changed. He’s still the child with hatred in his eyes. His reason for passing it onto Grisha is because he knew Grisha wouldn’t grow up either, and would keep that inside of him. Kruger failed to grow, Grisha failed to grow, in a way that mattered, in time to make an actual change. They only ever made things worse, and that is, the model we are supposed to parallel Eren to. 

Now this is at the same time that the Attack Titan’s future vision powers are shown to us. The question a lot of people are asking is if Eren had free will in his choice, or he was fated to make that choce all along. The answer is. No. Nope. Nope. Nope. Not at all. The fact that Eren was destined to do it, is yet another excuse, the like seventh change of motivation that Eren gives us. “I saw it happen in the future so I did everything I could to make it happen, but I didn’t think I had a choice this was the only way to make you guys hero,” Eren says, and then five seconds later. “I didn’t know what would happen , I probably  would have done it anyway even if I knew you guys were all going to die and fail to stop me.” 

Eren is once again making excuses, and avoiding all kinds of responsibility. If he is the chosen one, if his actions are controlled by fate, if he’s a god, if he’s a devil, he is not human and therefore he is not responsible. Eren wants the power to decide the fate for the world, but will do anything but accept responsibility for that choice. Eren wants to be Eren the bloody conqueror, but he’s not even self-aware enough to see himself as a bad person he can’t even own that so when confronted on his actions he reduces himself back to a child, and evades responsibility. Eren’s own motivation, his stated motivation is for no reason, however, the reasons he avoids the guilt like this are complex in their mechanisms as I wrote about above. The simple question is if Eren saw this future why did he not try to stop it? The simple answer is because he did not want to. 

There are a million and one excuses Eren has for why he thought the future could be avoided, but his actions tell a different story. He didn’t lift a finger to try. He spent the next four years making rationalizations for what he eventually would do. I will now establish, Eren was actually given several oppurtunities to stop, and then he just did not stop. 

In the Reiner and Eren scene while Tybur is speaking in the background, Eren is offered a choice. Quite literally, Tybur is narrating the same story that Eren wants to set up. Become the devil that tried to destroy the world, so the heroes (his friends) will defeat him. He’s given the chance to be genuine and talk things out with Reiner and what does he choose. 

He chooses to accelerate. He could have stopped. Remember how Reiner was practically begging him to talk things out? Not only that but Eren sees that Reiner’s stated motivations for doing what he did were, completely fake, just rationalizations made up in the moment. 

Eren is presented with the reality of who he really is, a child who hates himself, who wants to kill himself rather than take responsibility for his actions, and he chooses the narrative Tybur offers him. Rather than be hismelf, stop the story here, he chooses to move the story forward.And the conflict accelerates when they could have reconciled. Not because there was no other choice, Reiner was begging, crying, and holding Eren’s hand at the same time asking for peace and forgiveness but because Eren chose to accelerate the conflict. 

Eren’s choices are always that of an accelerationist. When given the oppurtunity to stop, he chooses instead, to always make the conflict worse. That is, the result of Eren’s myriad of choices made throughout the arc. Everything is worse now, and more people are dead. Nothing good is achieved through these means because Eren wasn’t trying for good. Eren didn’t care about good results, he just wanted to be doing something. Easier to be an all powerful demon, than a powerless child which is what he sees Reiner as in the moment.

The only time I believe that Eren was putting on an act was when speaking with Mikasa and Armin. The rest of it wasn’t acts, it was just who Eren is, who he sees himself to be. The thing is most people don’t read Eren’s kind of behavior, constant masculine posturing, war mongering, accelerating the conflict, throwing himself into fighting, as childish and toxic when it is. The point of Eren’s masculinity is it’s a performance. Reiner crying and begging in front of Eren is embarrassing and pathetic yes, but it’s also how he felt in that moment, it’s a human vulnerability. Whereas, Eren’s outer persona is entirely empty of love and vulernability, of every emotion besides anger, and violence. However, because it’s empty, he just acts, empty... Great wording there I know. Eren when posturing in front of others basically has no personality. He is just guy who fights. 

Eren performs the role of a ruthless soldier in front of others, because it prevents him from being vulnerable. Remember who Eren is posturing in front of, Reiner, and then later Zeke. What were they doing? They were both at the moment trying to appeal to his human side, Reiner by crying and begging for forgiveness a show of vulnerability, and Zeke by tryig to show Eren what their father did to them was wrong.

Calls for violence, posturing, warmongering and rhetoric, Eren’s every response when Zeke tries to examine his humanity. Eren insists over and over again, you see I’m not actually a human being. It was impossible for father to reach me because I was simply born that way. However, the kind of person Eren pretends to be is empty, someone incapable of feeling anything. The only way he knows how to be strong, is to simply not have feelings, to deny all human emotion and become something else and that’s just lame. We also know, that Eren himself is not like that because he contradicts his stated motivation that the only reason he killed those slavers was for the concept of freedom itself when he takes too long trying to look at Mikasa.

Eren denies himself empathy, he denies himself udnerstanding, and therefore no one will ever see his emotional wounds. That way, he can be invulenerable forever, but at the same time he denies MIkasa and Armin.

We return again to the motif of the story. It’s the same repeated image, someone tells Eren to stop, Eren says that it must not stop, the story must continue. 

Both of Eren’s foils and family members,Zeke and Grisha  tell Eren to stop this. That they do not want this. The whole world yells at Eren to stop, and he does not stop. Stopping would mean, accepting some measure of helplessness so Eren does not stop. 

To be honest, what Eren says in 131 is far more telling than literally any of the excuses he came up with in 139 which is why I think it should be interpreted not as the final word on Eren’s character but rather, showing what his waffling actually looks like to an outside observer - not heroic at all but rather pathetic. 

Eren’s childish desire to be this powerful, to stand up above everyone like a god while ignoring the suffering of the world around him - is pretty telling enough of Eren’s true motivations that he needs no further elaboration. Eren does not become god for the sake of his friends, he does not do it because he thinks it will make the world a better place, he does it because of childish delusions of grandeur and his inability to let go of his childish feelings of entitlement. The world isn’t the way he wants it to be and he can’t comrpomise with that in any way. Eren is more like a caricature of the most petty person on earth when you put it that way, but this is... a fictional story. Thematically Eren is a good example why ideals are ideals, and people are in fact, people, ulitmately very disappointing and falling short of those idealse. So once again moving past this. 

Eren, you can literally just stop. Eren is basically given every choice in the world to stop, everyone else in the story tells him to, and he just doesn’t. The author does go to a painstaking extent to show that Eren in fact could have stopped. Every single time he is given the oppurtunity to stop he instead chooses to accelerate the conflict.

It is interesting to show the one time Eren actually did stop though. It wasn’t for Mikasa, it was Mikasa’s decision. 

When Eren puts the decision on someone else, he can stop. Eren has feelings for Mikasa, but rather than confessing to her he makes her speak up about what her feelings are, even when everyone around him just, straight up tells him. 

Why is he capable of stopping when it’s someone else’s choice? In those cases, Eren succesfully avoids responsibility. When he makes the decision to run away in the possible alternate reality he’s doing what Mikasa wanted. 

The other time is when he decides to accept the result of whatever Mikasa decides. In both cases, Eren rather than accept responsibility for his actions and the results of his actions, just, puts it all on Mikasa. 

Is he doing this for Mikasa’s sake? To set Mikasa up as the hero of the world? No, he can’t even face Mikasa and explain himself or his feelings. Eren makes the choices to... put the ultimate decision on Mikasa, and run away without explaining himself because, that’s easier than taking repsonsibility for his choices. Every choice Eren makes, is to either make the conflict worse, because stirring the pot makes him feel powerful and in control, or throw control away to someonee else or some other reason (predestination whatnot) because he can’t bear the responsibility of what he’s doing. He wants to kill a bunch of people, but like... he doesn’t want to feel like a bad person about it (hence the excuse, he was doing it for his friends and yet later in the same conversation him saying that if he had killed his friends and they failed he still would have done it anyway). 

Therein lies the rub. Eren is not doing this for his friends, because he takes the one path that is guaranteed to take him out of their lives. He doesn’t do it for Mikasa because he does the one thing guaranteed to destroy her. 

I love this girl so much, that I created this elaborate scenario where the only way she could save the world was to horribly behead me, the one family member left from her childhood after she spent her entire life trying to protect me from fear of losing her family - yeah that sounds completely insane.

It is meant to be. Eren is thinking jack all about what his friends are feeling. His feelings for Mikasa, his desire to keep her safe and away from everything else trump everything even the idea that his love might be returned. He loves at Mikasa. He’s not in love with her, he’s projecting his love upon her. “Why didn’t he just tell her about his feelings if he secretly loved her all this time?” the point was, he couldn’t. Eren’s ego isn’t developed enough to love another person, that requires actually caring about their feelings which Eren doesn’t do to well.

 There’s a reason Eren and Mikasa’s connection keeps lingering back to the small kindness they showed each other as childhood,it’s because literally despite spending their entire lives growing up together, their connection hasn’t grown at all since then, because they can’t grown. 

At the end of the series however, Mikasa makes the opposite coice of Eren. If Eren’s choice has been to remain a selfish child all this time, to make other people suffer rather than face his own hurt feelings. Mikasa makes the choice of selflessness, to grow up, beyond the child who loved Eren into the adult who knows that even if you love people, one day you might lose them. 

Eren’s choices only ever make the conflict worse. Mikasa’s choice finally stopped the conflict that Eren kept accelerating. It didn’t save the world, it saved the world from Eren. 

I think it’s important to remember that Eren didn’t see what MIkasa was going to do, that her actions were going to end up breaking the curse. He literally had no idea what was going to happena fter the massacre, all he saw was the massacre and decided to do what he could to bring it about. 

“I did all of this for you guy.” 

Backtracking, five seconds later, and making excuses it all would have happened anyway. 

It’s the same behavior consistently shown throughout. Eren could have stopped. Eren did not stop. Afterwards, Eren wants to reconcile the guilt and believe that his motives were good, when his actions were the actions of a bad person. It’s the same as Reiner’s crying and begging after years of guilt and failure to reconcile his acitons with who he is. Eren can’t understand why he did what he did, he just knows he did it, and he can’t accept responsibility for any of it. So that’s why Eren throws the choice away. 

Eren can’t understand his father’s words, because in the end, being born, living his life, growing up, falling in love, making friends, losing some of those friends, growing older, getting weaker, all of those things are things Eren doesn’t want to do. Eren begins his life with “You were born into this world, you’re free to live hwoever you want” and ends his life wishing he was never born, and that’s the utlimate tragedy of his character arc. Not that it was inevitable he would eventually do these things, but beause it wasn’t and Eren chose to do them anyway instead of choosing literally anything else. Therefore, despite claiming Mikasa and Armin as the reason behind all of his actions, they weren’t, because he was inacapable of making the simple choice to be with them and grow up with them which is all they ever wanted from him. 

#eren yaeger #eren jaeger #reiner braun #grisha jaeger #zeke jaeger #attack on titan #aot meta #attack on titan meta #aot 139 #aot 139 spoilers #attack on titan spoilers #aot spoilers #snk meta #snk theory

[lovee-infected]

Hello! Recently I've seen a lot of twst blogs arguing on how twst characters are mischaracterized, especially Malleus. So do you have any ideas on how he is mischaracterized? Also, is it okay to ask for your general opinion on questions like a short character analysis or how a healthy a relationship with each twdt guy might be? Hope it's okay to ask!

For your first question anon, it's a GREAT thing to ask and to be honest I've been waiting for a chance to talk about him! And for your second one, yes, of course! I just love writing character analyis and it's totally okay to ask for character/personality/relationship analysis here! I've got a lot to say about Malleus so this is going to a detailed analysis about his whole personality.

There are commonly two popular opinions on how Malleus is which divides the fandom into two groups:

Group A:

Those who consider him to be an absolutely soft, baby dragon who just wants to be invited and have a friend. They believe that Malleus needs more attention and can be quite affectionate at the time, he can also be sometimes idiotic toward simple stuff like working with a computer or trying to talk with others which makes him even more adorable. "Despite Malleus's harsh and emo appearance and terrifying powers, Malleus is just a small baby inside," is also a common belief of this group.

Group B:

Those who argue that group A is totally shading everything important about Malleus's personality and true self just because he looks cute and plays with a childish tamagotchi. These group also comes up with rather strong points about his personality such as his status as a crown prince, his naturally dark personality as not only a dark fae but also Maleficent's grandchild, his maturity and cold nature and also, the aspect of his hellish powers which can make him look like an absolute monster at the time.

I believe most of you are familiar with these points of view but the question is, which one of them is the real Malleus?

And the answer is: Neither of them; yet both of them do have a point.

The main problem is how the fandom portraits him as either an emotional tamagotchi baby or an absolutely cold and heartless mister of evil, while the true Malleus is far beyond than just being either good, or bad.

Now let's discuss some of the important facts and common mistakes about Malleus's personality:

(1) Malleus isn't a baby, but he isn't a monster either

This is supposedly the main idea here which will be continued to be discussed through the rest of this analysis. This is often how many end up mischaracterizing him because: the way the describe Malleus is either too dark or too childish. What we need here, is a balance. This is the grandson of one of the most important Disney villains that we are talking about, and don't forget that Maleficent herself was confirmed to consume the powers of Hell, as she was indeed the mistress of all evil. So this dragon boy here surely isn't one to underestimate, and he clearly has inherited that hellish power of her grandmother. It's obviously seen through the story as well, from the way he was presented in chapter 2 and beans day event to how terrified other students always are to even talk about him.

But the thing is, there are softer aspects of his personality as well which prove that Malleus isn't just designed to present an undefeatable force of evil, and this is exactly what makes his personality a lot more interesting.

(2) Malleus is actually hard to approach and talk to

Let's be honest, Malleus isn't as soft and easy to befriend as many fans consider him to be. He doesn't get too friendly or chill as he speaks, and even his close allies like Silver and Sebek fail to get close to him as much as they wish to. When we talk about his dark aura, we aren't just talking about his horns and fearsome magic, it's also because of his personality itself. His calm yet cold tone always remains still regardless of who he's talking to. No need to mention that he isn't an ordinary student either, he not only comes from a well-known family but is also the crown-prince of valley of thorns. Out of all twst characters Malleus is the only one who is directly connected to the great seven by being Maleficent's grandson. His family and people on the other hand are overly protective over him, to the point of not letting him to even have a fake proposal in the ghost marriage event which means that Malleus has also got each and every of his actions under watch.

(3) He's slowly getting used to isolating himself

In his ceremonial robes story, he's obviously upset that he never had a chance to wear his ceremonial robes because he never got invited, but when Lilia says he'd one day overcome his ill fate and gets to wear them as he always wanted to, he says that he's fine. Then again when Lilia tried to bring him to the singing test in chapter 5 he avoids showing up. In his voice lines he also said: "Are you as well scared of me?" which is clearly shouting that he's no longer surprised to see people being afraid of him, he's getting used to being feared and at some point, hated. That's probably one of the bitter sides of his personality which he's slowly giving up on trying to change it.

(4) Malleus has got a great confidence and isn't shy at all

There many fanfics in which Malleus is presented as a shy boy who's scared of confessing to his s/o or asking them out, while he's the total opposite in reality. Just like Maleficent herself, he speaks calmly and in a formal tone, is very respectful as he speaks, and isn't one to ever have problem while talking to others.

It's others who always avoid talking to him while Malleus himself isn't the least uncomfortable with presenting his ideas and asking others for help when he needs to.

He isn't ever shy over his lack of ability to work with machines or asking others for help for seemingly childish issues like having his tamagotchi fixed or finding a friend for the GaoGao dragon.

The only thing left is how Lilia described him as "Kind of shy" in chapter five, which is most likely because of another reason discussed in part (3)

(5) He doesn't eat ice cream and play with a tamagotchi for no reason

Malleus explained that everything is ran by magic back in the valley of thorns and no one really uses any machines there, that's how he's pretty new to both technology and complicated tools.

I believe that the tamagotchi part was given to him on purpose, because else than showing the fact that he's bad with tools, it's great contrast to the harsh picture that his power and personality gives him!

Admit it, it's a funny and somehow, adorable contrast to see one of the strongest magicians who can burn the room to ashes in just a matter pf second playing with a children's toy. And I believe that it was given to him on purpose. They meant to give him some soft and cute features as well instead of just presenting him as an evil fae. He is indeed evil and his powers are terrifying, and that's how watching him play with a tamagotchi is rather surprising to many. If you saw Ortho or Cheka playing with one it wouldn't have gone any further than a simple "Awww" or "How cute" because it's something you'd expect to see from a kid, but when you see Malleus of all people playing with it, you can't help but to fascinated and flustered over how cute this fae's habits can be.

Ice cream on the other hand doesn't really have to do with cuteness, it's something Yana Toboso discovered while doing her researches on fae mythology which discuses that Dark faes enjoy cold and sweet foods, especially cream. So it doesn't really have anything to do with him being either a soft or a cruel boy, it's just a normal part of his nature as a fae.

(6) He might be crazily old to humans, but he's still pretty young as a fae

This one has really been getting on my nerves, come on people! It's true that he's probably been living for decades and possibly, centuries but don't forget that it isn't that much compared to a normal fae! Even Sebek calls him 'Young master' which means that he's still a pretty young one, no need to mention that he hasn't yet became the king either so he's not much different from the rest of the students in NRC.

I've seen people saying: "No Malleus won't do that he's -too old-" and I've got to say: What?

Come on even someone like Lilia who's been living for over 5 centuries can act like a nasty 14 year old at the time, so for faes at least, age isn't a limitation.

Malleus on the other hand is still a teenage fae! He needs to discover new things and talk with more people, just like a normal human being does. So if he doesn't enjoy doing anything too silly or stupid, it's because of his 'personality', not because he's too old. Even when tells Lilia that he isn't a child anymore, it's like how an 18 year old says it to his father.

(7) Malleus won't take insult easily

He is polite and respectful in general, but when he's offended, he'd seriously respond to it. Remember that a single swipe of hand from him can set the whole room on fire.

Rook and Leona were probably one step away from being burnt and when Leona really got on Malleus's nerves by humiliating him, Malleus stopped respecting him as a prince of an ally kingdom and humiliated back.

He is calm but to a specific point, and you can make sure that he won't be any soft or forgiving if you offend him, and it'll probably end in no good if he gets mad. So better not think that Malleus is one to just keep it in and later cry in a room because he's sad baby when someone dares insult him.

(8) Angelina Jolie's Maleficent has nothing to do with his story!

Nope, Malleus never had a lover who cut off his wings and sent him to a hell of depression and loneliness, and no you cannot find those two wounds on his back regardless of how romantic it may seem.

I admit it, it's a lovely Au, but it's JUST AN AU! I can still see people saying stuff like "Ohh!! Will we discover if Malleus too had his wings cut off in chapter 7?" and the answer is NO. While Angelina Jolie's Maleficent is surely a great one on its own, it needs be understood that twst's source of main information and characters designs is nothing else than the original Disney villains.

Malleus cannot be associated with any Maleficents else than the version we saw in 1959's sleeping beauty and it's an important fact to look through.

(9) Malleus is NOT Maleficent!

While they are a lot more similar than you can imagine(in both power and personality), let's not forget that Malleus is NOT Maleficent! He's a total new character on his own, and is unique in his own way.

He is twisted from Maleficent which means that no matter how similar they are, Malleus is a new character with a new personality.

Saying that he isn't soft at all and the fandom will see his true face when he overblots ( It's supposed to mean that the real Malleus is an absolutely evil and destructive one, just like Maleficent) is nothing different from denying all of Yana's hard work on designing him and his personality!

Malleus himself said that his grandmother's skills were far greater than his and most importantly: Malleus still has chance to have a better fate than Maleficent did.

Once again: He's still young! He still has a chance to be saved from turning into a heartless and isolated creature like Maleficent. No matter how cold he is, he hasn't yet got to the point of hating the whole world and losing all of his emotions. And that's why it's totally wrong to deny all the good that he might still have inside by saying that he isn't soft at all. He isn't a baby, but he isn't a monster either. Not yet.

(10) Even Lilia agrees that Malleus is still learning and his personality is in development

Can't you see? Malleus isn't attending to this school for no reason. His magic is already top notch, and his knowledge goes far greater than anything they might teach in NRC.

If you take a look at the story, you'll see signs of Lilia indirectly giving us signs of why Malleus still needed to attend to this school. In Malleus's SR robes' story, Lilia told him that he still has a lot to learn and knowledge isn't everything. And what might he find in NRC which has nothing to do with knowledge? People.

Lilia is trying to hold him back from isolating himself like Maleficent did, and is indeed trying to help him make friends and learn to get along with people without thinking that it's useless because they'd fear him anyway.

Also, he clearly wants Malleus to learn and experience new things in NRC by taking part in activities. In Malleus's Halloween SR story Lilia, who was always the one to choose Diasomnia's Halloween costumes, asks Malleus to choose this year's costume instead of him. Lilia first says that he wants Malleus to do it but later tells him that he has other reasons as well, he was trying to put Malleus into trying something new therefore he can have something learn from the experiment! (What a cute papa he really is...)

This is another proof of him not having the cold and unapproachable picture some imagine him to have, he isn't against experiencing and trying new things.

(11) He's still looking for a true friend

Malleus needs a friend, that's a fact. During his chats he mentions how Maleficent always had her loyal pet crow by her side as the only reliable creature she could always trust, and how Malleus wonders if he can ever find such a worthy ally of his own.

Even as he has Lilia, Silver and Sebek by his side he doesn't feel like he has such a friend.

People have been avoiding him through his whole life, and you can see how excited he got when Cater asked him for a selfie as he was one of the very first people who ever tried to approach him.

While he's slowly getting used to being feared by everyone, he'd still appreciate a friend and he needs one. Not even Maleficent herself could've made it all on her own without a friend by her side.

(12) Malleus isn't heartless

While he won't easily fall for anything or anyone, it isn't impossible for him to love.

We haven't yet seen anything that directly gets us to the point of love in the story but it's something you can tell through his actions and words.

When he cares for something or someone, he'd be serious about it.

Two obvious examples would be his tamagotchi and the ramshackle dorm. He'd certainly get out of his way to find someone to fix his dear tamagotchi and as we saw in the Halloween event, he furiously stated that he'd burn anyone who tries to the ramshackle dorm any harm, because he likes that place.

There isn't much he holds dear in life, but when he does, he won't let a single soul to take it away from him.

When he can be this protective over something that just entertains him, just try to imagine how far he might go to protect the one he loves. He falls in love very slowly and it'll probably take him a while to realize it if he actually does. He can begin with small interests and repeated meetings but at some point, it'll turn into a routine, an obsession. He won't easily fall in love, but when he does, he won't be able to easily let go of it either.

(13) His relationship with MC is far more important than you're thinking

Just by going through his voice lines, you can tell how MC is effecting Malleus's personality and life. I'm not saying that it's love or anything but the thing is, MC is changing Malleus nonetheless.

Their relationship has been a totally new thing for Malleus to experience from the very beginning, because MC didn't know him. Malleus is obviously used to being well-known as the infamous prince of the Draconia family by almost everyone, but MC was an exception.

He asked MC to talk to him and tell him stories, it can be clearly see that he enjoys talking to them.

He also mentioned that MC has made him feeling lots of things he hadn't felt before, which can also be connected to part (10) where we discussed how he's still young and needs more of communication and friends because he needs to learn.

Some argue that Malleus couldn't care less about MC and the only reason he shows up around them is because of the ramshackle dorm, which can be easily proven wrong by two hints:

1) Malleus sent a Happy holiday card to MC after the winter holiday.

2)What Malleus told Lilia at the end of the Halloween event stories after all the troubles that was brought upon the ramshackle dorm: "I want that human to enjoy Halloween too"

While it isn't necessarily romance that we're talking about, his relationship with MC is clearly telling us that he's a lot more of emotions and humanity inside him than what we were expecting.

At this point, it's important to see that in spite of his cold nature and mature personality he is slowly beginning to feel more and more emotions as the result of meeting newer people in NRC, especially MC. Saying that he is nothing but a heartless fae who is wrongly thought to be a soft and emotional boy is nothing different from judging him the same way as most of the people in twisted wonderland itself judge Malleus, it's important to see that he's a lot more.

His personality itself is surely amazing and as a Malleus hoe stan myself I can't wait to get more of his background in chapter 7, although it's probably going to be dark as well. They really did give his design a twist and that's how he's a balance of and menacingly powerful magician and a young boy who's just learning to deal with emotions.

For now, that's all I had in mind! Hope that I didn't miss anything. This was a general character analysis which also discussed some of the common mistakes about Malleus's personality but-

In case that you're wondering how he's being mischaracterized in reader insert fics, that'll be a totally different issue to discuss which would also need another post to be discussed through.

Small note: Just saying that there's often a dark lore to twst x reader fics (Especially for Malleus/ Leona x reader) which is usually better to be ignored while reading/writing for them...

#twisted wonderland #twst #twst theories #twisted wonderland theories #Twst x reader #twisted wonderland x reader #malleus draconia #malleus draconia x reader #Character analysis #answered

[vintagepomeranian]

So here’s what I got for my Neverhood universe headcanon (or something for my story, idk):

- Father, Quater, and the Seven sons (and maybe their offspring) are all older than the solar system itself

- They are immortal unless something happens like getting stabbed, get lethal injection, fall out off from a 16 storey building, etc.

- Also the solar system exists within the Neverhood universe since the cancelled movie adaption was going to have a female human lead, who is Shella, so Klaymen and Willie would’ve gone to Earth at some point in the movie

- There is an EIGHTH brother, who was the creator of the Solar System and the planets we all know, and he’s basically like Lucifer because he was like a favourite, but then this guy decided to ruin it by doing some unjustifiable things that I haven’t planned out yet and caused a big ass war that would’ve been the end of the universe if the eighth brother ever won. So, as a result, he lost ownership of the Solar System (thus, makes it liberated) and was banished into a black hole, never to be seen again…? (btw, Planet Nine was his kingdom until he was banished, so his son is currently governing and residing it and keeps it a secret from the humans)

- The clay peeps can find each other through warp pads (yes, like Steven Universe)

- The characters don’t require food, they can eat if they want

- If a person wears a crown for greed, they just become corrupted like Klogg did. If they wear it for righteous purposes, they just look normal but have some new designs on them with the same motif and attire based on whose crown it is, e.g. if Klaymen wears Hoborg’s crown, and Hoborg’s motif is hearts, Klaymen would have a heart motif and Hoborg’s sash and stripes on his right shoulder (oh yeah, and the original owner of the crown won’t be paralysed unlike what happened in the game)

- The seven sons are atrociously tall.

- Ogdilla, we don’t talk about him

- Bertbert is about 9 ft tall, not really intimidating tbh

- Numeron, considered to be the tallest out of the brothers, is 13 ft 9 inches tall

- Ottoborg is just a fun size of 10 ft

- Homen is 12 ft tall

- Hoborg is 11 ft 3 inches tall

- Arven is 11 ft

- There are other monarchs and beings that aren’t related to Father, Quater and the seven sons, some living in other universes and planets

- I guess they could be considered aliens considering they’re humanoids made out of literal clay (and klay) and they have leaders of their own, especially from other universes

Ok that’s all I got, aight bye

#the neverhood #neverhood #headcanon

[immaturityofthomasastruc]

IOTA Reviews: Sole Crusher

Well... It's finally here... the episode introducing the new bee hero. And what do you know? It looks like I was right about how the new character would be portrayed.

It's kind of funny how I made predictions exaggerating what could happen, and they were surprisingly accurate. Isn't that funny?

Let's just get into the seventh (chronologically the seventh and the seventh episode in the season to air after “Mr. Pigeon 72”) episode of Miraculous Ladybug's fourth season: Sole Crusher. Damn, I hate that a pun this clever was used for the title.

We get to the point pretty quickly with the first scene being Zoe arriving in Paris and getting a tour of the city. She asks to stop at the Dupain-Cheng bakery, where she meets Marinette through some brief Unfunny Marinette Slapstick. The two quickly strike up a conversation.

I mean, it's not like Zoe is the sister of the absolute worst human being in existence, right?

Marinette compliments Zoe's shoes, and she points out that she designed them herself, and wrote every good thing anyone has ever said to her on them. But because she only has one friend, there's only a standard “I <3 U” on the left shoe.

So Zoe leaves the bakery and heads to Le Grand Paris where she meets her mother, Audrey. Unlike how she talked with Marinette, Zoe pretends to be just as snobby as Audrey in order to fit in. She then meets up with Chloe, who criticizes her for having poor person things like a phone without any diamonds embedded in it. And then she sees Zoe's shoes.

Look, that meme was already dated when it was referenced in Black Panther three years ago. Please don't try to reference memes in 2021, Miraculous Ladybug.

Chloe offers some golden heels while saying that those kind of shoes are for winners to wear and crush the losers underneath. This is the only episode to mention this kind of ideology, and believe me, it gets worse when Chloe decides to teach Zoe how to be like her.

Get used to this. This episode is all about demolishing any semblance of likability in Chloe's character. Now that Astruc doesn't have to bother with writing Chloe with decency since she's not Queen Bee, watch as he turns her into an absolute caricature of her former self.

Yes, Chloe has ordered her father to give her a lot of frivolous things in the past, but she has been shown to care about him, like immediately rushing to hug him after she was safe in “Origins” and showing concern for when he was akumatized into Malediktator while apologizing for causing it. For the love of God, one of the first things she did when she allied with Hawkmoth at the end of Season 3 was to have him unto her parents' akumatization. I guess she only cared about her rich parents for their status and not because she actually loved them right?

Next up on the list of Chloe's positive qualities to ruin is her friendship with Sabrina.

🎶It's seven o'clock in the morning🎶 🎶I can't believe they made this scene🎶 🎶With the writing Astruc's enforcing🎶 🎶It's like he's trying to piss off me🎶

Yep, Chloe doesn't view Sabrina in a twisted view of friendship anymore. Now she's a slave. I'm not exaggerating by the way, he actually said that in a tweet.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES

Okay, so I guess all those times we saw Chloe playing superheroes with Sabrina in “Antibug” and “Miraculer” were just a slave driver playing with their property. Actually apologizing to Sabrina for getting her akumatized in those episodes? Protecting her from the Scarlet Akumas in “Ladybug”? She was just interested in keeping her slave around. I think Astruc may have slept through the slavery unit in his history class. Yes, Sabrina was mostly used as a joke to show how controlling Chloe could be, but there were still semblances of an actual friendship between the two.

Chloe arrives at school and introduces Zoe as her half-sister, despite being the same age and having the same mother. Because I guess we can add basic biology to the list of things the writers don't understand. Now that we're at school, Chloe's friendship with Adrien is next up on the chopping block.

Yep, despite being Adrien's only friend and making a big deal about valuing his friendship to the point where she threw a big party just to make sure he wouldn't leave her and risked cooperating with an Akuma to save him, now Chloe just sees Adrien as a rich meal ticket. Two of the earliest episodes to show Chloe had a more compassionate side to her, and they just undid them. Even as much as I hated the episode, “Felix” showed Chloe was willing to cooperate with Marinette and her friends just to find a way to cheer Adrien up on the anniversary of his mother's not-death.

For the love of God, Astruc, 1984 was supposed to warn people about what could happen if they rewrote the past, not encourage people to rewrite the past. He probably finished Animal Farm thinking Snowball really did work alongside the humans, didn't he?

Marinette comes up and Zoe pretends to hate her, leading Marinette to wonder why she did that. She texts Zoe (she gave her number to her earlier) and invites her to a concert on the Liberty, but Chloe finds out. Zoe thinks fast and pretends it's just so she can torment her more. Chloe then takes out a book listing all the ways she can torture Marinette. I wonder if this is a metaphor for the writing process behind most of the episodes last season.

Zoe decides to go outside for some fresh air, and Andre comforts her. Funny how Andre bends over backwards to give Chloe whatever she wants, yet he's willing to actually talk to Zoe like an actual parent. Andre tries to cheer Zoe up, but she talks about her past where she had to put on an act so she would be liked, but (bet you've never heard this before) she just wants to be accepted for who she truly is. The surge of emotions is enough for Shadowmoth to akumatize her into Sole Crusher.

In addition to having one of the most clever puns for an Akuma name, I actually like Sole Crusher's design. Not only is it a good excuse to reuse Chloe's character design, it makes sense thematically, as Chloe was trying to mold Zoe into a copy of herself. The gold and diamonds also make sense given Chloe's love for shiny things. Her powers tie into the bizarre belief Chloe has about stepping on the winners. Whenever Sole Crusher kicks or steps on someone, she absorbs them and gets progressively bigger, making it easier to do so. While it's not cracking my top ten anytime soon, it's still an interesting character design.

Sole Crusher heads to the hotel to get Chloe, and she manages to get away pretty quickly. Maybe in an alternate universe, she's a track star? For some reason, she runs to the Dupain-Cheng bakery and then... Oh my God... pushes Marinette's parents so they get absorbed by Sole Crusher, before trying to do the same with Marinette.

When has Chloe ever done something like that? Whenever she endangered someone during an Akuma attack, it was unintentional or a result of her naivety. She was only trapped in Pixelator's dimension because Adrien tried diving to save her, she only alerted Rogercop to Ladybug's presence because she eagerly called out for her, and during “Zombizou” she only tried to throw Sabrina towards the horde of kissing zombies once, and that was meant to highlight her growth. The only person to actually do stuff like this consistently is Lila, but I guess she got vaporized by Big Brother offscreen.

This episode is determined to make the audience hate Chloe by retconning everything about her character while portraying her as a complete monster. As bad as Chloe could get, she was never selfish enough to use anyone as a human shield. This kind of behavior honestly could be explained by saying Chloe was lashing out as a result of losing the Bee Miraculous permanently, but the events of the Season 3 finale aren't mentioned ONCE, not even in the next episode that introduces Queen Bee's replacement! How the hell can you set up the next Bee hero without explaining why the original needs to be replaced in the first place?! And trust me, I'm going to talk about Zoe replacing Chloe later.

Sole Crusher grabs Marinette in her hand, so the Horse Kwami, Kaalki, uses her power to teleport over to Adrien's house and inform him Ladybug needs help, meaning once again Adrien did nothing in this episode before becoming Cat Noir.

At the Liberty, Chloe offers more victims to Sole Crusher in the form of the band Kitty Section (consisting of Luka, Juleka, Rose, Ivan, and Mylene) and theatens the giant golden supervillain she can send her back to Paris, even though she's really not in a position to bargain right now. And she STILL continues to insult her. Do you hate Chloe yet? Come on, do you? The writers won't stop until you do.

After we see Sole Crusher's conflicted emotions, Marinette is set free by Cat Noir and transforms into Ladybug, immediately summoning her Lucky Charm, a shoehorn. They only learn Zoe's sneakers were where she were akumatized thanks to Chloe's ranting, so the episode unintentionally made Chloe save the day. Ladybug breaks into Le Grand Paris and breaks the sneakers where Zoe hid them, using the shoehorn to open a door. So Sole Crusher is de-evilized, Ladybug fixes the damage, and gives yet another charm to Zoe.

Afterwards, Zoe goes to the Liberty, apologizes for the act she put on, all while divulging to the audience her “tragic backstory”.

Of course, everyone welcomes her with open arms.

And right here is where the biggest problem I have with Zoe as a character. I normally hesitate to use this term given how often it gets thrown around when criticizing characters these days, but I really can't say anything else.

Zoe... is a Mary Sue.

For those who don't know, the term Mary Sue originated in a Star Trek fanfiction from 1973 satirizing several self-insert stories at the time. Most of these stories showed a beautiful young woman joining the crew of the Enterprise and immediately gaining the attention of the crew. Mary Sue parodied this character archetype by showing how much she was appreciated by Captain Kirk and Mr. Spock, the latter being driven to tears at her funeral despite his species being emotionless normally.

What does this have to do with Zoe? She has the exact same storyline as Mary Sue in the parody fanfiction. Her mere presence is enough to make Chloe act extremely out of character in an attempt to make her look better, and as soon as she apologizes while giving a frankly vague backstory, everyone just accepts her as their friend, and I mean everyone in the entire class. I'm sorry, but it just doesn't feel earned. Why was she bullied at her old school? What did her bullies have against her? What caused her to stop going along with her peers, and why did everyone turn against her? How the hell did the bullies who put cockroaches in another student's locker get no punishment while the victim was forced to transfer schools? It's an intentionally unclear backstory designed to make the audience feel sympathetic towards Zoe without actually doing anything else.

I want to ask anyone reading this who watched the episode a question: Outside of her backstory, what do we actually know about Zoe?

What is her personality like? She's nice? Socially awkward? We've never had a character like that in Miraculous Ladybug before! Sorry Marinette, Adrien, Juleka, Nathaniel, Mylene, and Marc, there's a new character with more personality than all of you combined!

What are her goals? She wants to be an actress? Great, but why? Even though there's no clear answer for why Marinette loves fashion, or why Alya loves journalism, or why Nino loves DJing, you can still see the passion in their lives when they do something related to their goals. Zoe only says she wants to be an actress, connecting it to her people pleaser backstory (and given how it ended, she must be a terrible actress), and in the next episode, she immediately gets the lead role in a student film.

When Mylene got the starring role in the movie in “Horrificator”, we at least got snippets of her acting skills in the same episode that established her desire to be an actress, which is also implied to be because she was inspired by her father in “The Mime”. She didn't just say she wanted to be an actress and got the leading role. She still had problems to overcome like her cowardice, which threw her own self-confidence into doubt. Here, Zoe just says she wants to be an actress, and is rewarded for no reason the very next episode.

Zoe basically exists only to be a foil to Chloe, and the writers had no idea what to do in terms of a personality, so they just dumped a bunch of extremely likable character traits onto her without thinking of how her character could come off. And like I said, she's a Mary Sue.

I'm not the only one who thinks this. I've seen a handful of posts on this very site calling Zoe a Mary Sue. In fact, I even asked another Tumblr user @anxresi​ to quote their take on Zoe being a Mary Sue, which I couldn't even top in terms of accuracy. They basically listed off five things that made Zoe a Mary Sue.

She has to have a ‘tragic backstory’ so all the other characters will fall in love with her. Usually within minutes, in the very first episode they’re introduced.

She has to have a supercute design so that the audience at home will fall in love with her. And if they don’t, they’re automatically dismissed as ‘haterz’ even if their objections are purely from a writing POV.

Her only flaw will be thinking too little of herself. “What, lil ol’ me as the Bee Miraculous holder? With my shyness, colorful shoes, chic beret and personalized pink strip in my hair? Gosh, who’d have thought it?”

The contrast to her half-sister will be a constant plot point, with Chloe always getting dumped on. “You see, kids? Bad things happen to bad people. But you see this super-sweet girl over here? She gets a free DAD. Instant FRIENDS. To star in her own MOVIE. The chance to be a SUPERHERO, even though she only arrived last week. Who cares if she has no depth, no personality and barely any reason for being in the show, apart from being a massive ‘Up Yours’ to all the Chloe fans out there?”

What about character development, Mr Generic Zag Guy? “Development? What’s that?! Zoe is already perfect as she is. The only ‘development’ she’ll receive is having her hair done in the first episode she’s introduced. Besides, That‘d’ word is banned here at Zag studios. Why do you think we abandoned Chloe’s stillborn arc so quickly? This is a KIDS show, why bother trying to create a complex character with more than one dimension?”

This is essentially who Zoe is. She's perfect, has no character flaws, has a cute design so the audience will love her already, and was designed only to replace Chloe as Queen Bee. That's all she is.

So the episode ends with Zoe feeling happy at all the new friends she made while we get one of the most blatant attempts of symbolism in the ending card I've ever seen.

See, look. While Marinette is happily talking with Zoe with the image of Ladybug next to them, Chloe is to the far left with an EVIL purple aura, showing how bad she is compared to how great Zoe is. Only a braindead moron would actually like Chloe over the super awesome and pretty Zoe!

I'll give my final thoughts on the episode in the next part where I analyze this plotline as a whole.

LINK TO “QUEEN BANANA” REVIEW

#immaturity of thomas astruc #iota #thomas astruc #thomas astruc salt #miraculous ladybug #miraculous ladybug salt #marinette dupain cheng #ladybug #adrien agreste #cat noir #chat noir #chloe bourgeois #queen bee #queen b #zoe lee #vesperia #sabrina raincomprix #andre bourgeois

[weirdmarioenemies]

Name: Martian

Debut: Rhythm Heaven Megamix

People of Earth, how do you do? This post’s on Martian... right? Okay yes it is. I checked. Very good. Because I love Martian!

Martian debuts in the new rhythm game First Contact, and I love it so much! The player takes the role of Translator Tom, who has landed on Mars and is attempting to translate a Martian’s message to Earth. Naturally, this is done through Rhythm. Do you think that’s unrealistic? What if I told you it’s made possible by Martian’s telemopathic lingualyzer? That’s right. You probably feel silly now.

Now, Rhythm Heaven characters normally don’t get much individual spotlight. They’ll star in a game, maybe with some funny tutorial dialogue, a short game description, and an additional unlockable description of some sort, but that’s about it. They certainly don’t tend to have DIALOGUE... but Martian sure does! Martian’s entire game is about having dialogue! So what does Martian say?

The full message can be read on the wiki, or better yet, watched, but basically, Martian is just extending a friendly greeting! It obliges the Earthlings’ request to meet its leader, and expresses its love of pork rice bowls, which previous human astronauts had left behind. What a delight! We should have started befriending aliens a LONG time ago!

Look at this image. Its caption is “Fun is the universal language.” I love it. YOU love it! Martian is the master of making friends!

First Contact was already an incredibly fun and creative rhythm game.. but then there’s SECOND Contact, which is even MORE fun and creative, with even more Silly! They’re spoiling us! This time, the situation is inverted, as Martian has landed on Earth, and attempts to translate the message of an earthling to its home planet. This is Farmer Bob. And he’s single!

What does Martian do after broadcasting Bob’s message? It does what it does best! It makes friends! And gets a bunch of rice on its face, but it will get used to human food soon enough.

Also, shout out to Martian’s ship! You travel in style, Buddy! This thing has EYES, which means it is basically a character to me in its own right, and a Best Ever Character at that! I am going to assume that it is sentient, and a robot, and is Martian’s friend.

Martian has made frequent appearances in official Megamix comics, as it deserves! They knew they had a perfect character here, and they really made the most of it! Yes, I know it has a very generic alien design (which there is even a comic about). I also know that this type of generic alien design is Awesome!

Aren’t you proud of Martian for mastering Earth Language, the language that all Earthlings on Earth speak? I sure am! I don’t think anyone has ever done that before.

#martian #rhythm heaven #funky friday #not mario #mod chikako

[shihalyfie]

You talk a lot about how the Digimon are born from the kids own souls, would you be interested into describing how the digimon partners reflect their humans' personalities?

Oh man, I love this topic! (You’ll have to forgive me in that my desire to do justice for it is why it ended up taking me this long to answer it.)

The part about the Digimon literally being part of the kids’ souls comes directly from official (it’s been mentioned several times, not only in what I just linked). This was never stated outright in the original Adventure or 02, and it took until Kizuna to really shove the link between the partner and the human’s inner self in your face and make it a huge part of the actual story, but fans had been catching onto it long before that, and even without reading what the staff had said. Kizuna throws a bit of a nail in this because it’s said to be a bit lore-noncompliant, but considering how much of the background lore it still goes out of its way to adhere to, and the fact it still does match the fundamental concept of “human heart = Digimon partner” regardless of detailed minutiae, we can still apply and analyze this concept with no problem, especially since Adventure and 02 always walked the line between sci-fi and fantasy, and there is undoubtedly a spiritual element to them no matter how you look at it.

(My personal comfort zone in analyzing Adventure and 02 comes moreso from a human behavior and mentality perspective, which is also why my meta on this blog tends to focus more on the human drama aspects of Adventure and 02 and especially the latter’s story being so heavily about human relationships, but if you’re interested in said spiritual elements, I heavily recommend @analyzingadventure‘s very comprehensive meta on Adventure background lore and themes, which also covers similar territory in detail. We’re different people, so our takes on it probably differ in some respects, but that’s the beauty of having different perspectives, after all.)

In any case, back to your question. I think it would be best to break this down piece-by-piece with the Adventure and 02 kids in detail, so more is under the cut!

...Well, okay, before we continue, I do want to touch on something briefly, and it’s regarding the fact that “evolution” in this series is generally a metaphor for human growth. That counts for when everyone gets their evolutions, but it also counts as a metaphor overall -- after all, Adventure is about self-assertion and pushing oneself as far as possible (the major evolution gimmick being tied to Crests), whereas 02 is about cultivating differing aspects of yourself and applying it to how you form relationships with others (the major evolution gimmick being tied to Digimentals and ultimately Jogress). The human self is quite a flexible thing, and the Digimon themselves quite often change personalities as they evolve. (I touched on this briefly in my discussion of honorfiics and first-person pronouns earlier, but in Japanese, the Digimon will often even change personalities and speech patterns as they evolve.) This also leads to a few other potential observations (not really corroborated by official, just my personal view of it):

Speaking from a meta perspective, the fact that only the “front protagonists” end up getting the highest level forms is pretty obviously so they don’t have to spend toy budget on allocating it to everyone, but from an in-story perspective, Adventure episode 50 adds an implication that not reaching as high of a form may also have to do with how inherently attuned one is to combat (Jou says that he believes that Gomamon will never reach Ultimate because he doesn’t have the sort of strength Taichi and Yamato do, and it contributes to his conclusion that his skills are more meaningfully applied as a healer instead of as a fighter). Of course, none of the Adventure or 02 cast is necessarily the belligerent type that inherently likes fighting in itself, but of course certain ones are less emotionally drained or more attuned to it, so you might be able to see a rough pattern there. (Again, I’m not going to sugarcoat how this still has a lot of dismaying issues on the meta level, but the difference between “how much this sucks on a meta level” and “whether this at least tracks in-story” is a common theme on this blog.) In a franchise sense, Digimon were of course conceptualized as fighting monsters, but within the narrative of Adventure, it probably stands to reason that having a manifested part of your soul or inner self shouldn’t necessarily mean they have to be fighting things all of the time unless it’s necessary.

It’s very often been pointed out that the 02 cast is at a sort of “combat disadvantage” compared to their seniors (well, and Takeru and Hikari, anyway) because their highest forms require two people/Digimon to be in play, so their overall combat power is rather low. My impression is that this is by design (and it’s a subversion of the usual expectation of shounen anime sequels where the sequel will often power creep everything to make the new guard outdo the first). That the 02 team is inherently dependent on each other for support, and to a degree far more than their seniors, is rather baked into its narrative, and moreover, from an in-story perspective, the 02 group doesn’t seem like the type to really care about being outflanked by their seniors (on the contrary, they’d probably take that as more proof that their seniors are amazing). Moreover, the forms you see their Digimon in most of the time tend towards the smaller Baby-level forms instead of the Child-level ones, and while this is partially due to plot logistics about being in the real world (and, admittedly, kind of inconsistently applied), it gives you a much stronger impression of the 02 kids and their partners in general being people who aren’t that individually imposing or strong and get more mileage out of flexibility and variety (see: the Digimentals and the huge number of lower-level forms the kids have access to).

With this kind of metaphor, I caution against taking it too literally as a 1:1 thing (especially since official has been generally quiet about it and there isn’t much in the series text itself to corroborate this), but I do think there is certainly some kind of relevance that’s worth thinking about.

Many people, including the official notes I just linked, refer to there being some Digimon partners that are "like-minded” with their partner, and some that are “opposite” in personality. This is roughly true, but I find this to be a very simplified description of the concept; it’s more like all Digimon partners are a reflection of the less easily exposed part of their human partner (and, most pertinently, the part that would allow them to express themselves in ways they wouldn’t normally), it’s just that the kids with more straightforward or less extreme personalities don’t have as much to hide or cover up in the first place, and so their partners come off as more “like-minded”. Even Urawa Megumi, voice of Iori and Armadimon (arguably one of the pairs of partners that seem “opposing” in personality), stated that she didn’t personally feel like the two characters are all that different, since humans have different sides to them, and Armadimon is functionally an expression of the side of Iori that isn’t apparent.

Because the Adventure narrative has the Digimon partners be linked to human mentality, this leads to the side effect that you won’t have a Digimon partner who ever truly denies the human partner (barring external factors like Evil Ring-induced brainwashing), which is something producer Seki Hiromi was quite insistent about. That said, this is a very Adventure and 02-specific thing, since other series go more into different angles about how one would approach partnership when this factor is not in play; half of Tamers’s drama regarding partners comes from the fact they are not necessarily mentally linked all of the time, and need to find a way to build a relationship by bridging that gap, and so non-Adventure universe entries are more freely able to explore the concepts of a Digimon partner more consciously entering conflict with their human partner. Well, that’s the beauty of having a multi-entry franchise, after all.

Taichi and Agumon

Taichi and Agumon immediately jump to mind as the first among the “like-minded” pairs, especially since the series shows them so often in sync and chilling together. Taichi himself is a straightforward person, so it stands to reason that his straightforward personality would also lend to Agumon coming off as being rather much like him.

However, there is one slight difference between the two, and it’s that Agumon has a somewhat stronger sense of “easygoing chill” than Taichi does, right down to using the more polite boku first-person pronoun in contrast to Taichi’s more assertive ore. He also lacks Taichi’s penchant for mild insensitivity -- in fact, very unlike Taichi, he has an incredible amount of emotional insight (02 spends quite a bit of time in 02 episodes 32 and 46 to showing off Agumon as someone who makes up for all of his lack of intellectual understanding with emotional and borderline poetic insight). And, really, while Taichi is a bit surface-insensitive, and while he seems to be impulsive, he actually is a conscientious person and is trying his best in his own way, and he isn’t the kind of person who cares about societal things like seniority, and he demonstrates multiple times that he’s easygoing and chill, and so you can say that’s a part of Taichi as well. Remembering that a Digimon partner’s presence helps their own human partner grow, Agumon being so openly friendly helps Taichi maintain good relations with others without running afoul of them.

One of Agumon’s most famous traits is that he likes food, which is not actually something that was in the original Adventure or 02 all that much but has been somewhat exaggerated since. That said, back in Adventure, while it was established that all Digimon regularly need food in order to maintain their evolutions, Agumon would usually be the first to complain “I’m hungry,” and whenever they did get food, Agumon would be one of the most prominently enjoying it. Food is, after all, one of the simplest and most universal of pleasures, and there’s a lot of visual framing of Taichi chowing down just as ravenously as Agumon is -- so, honestly, he probably got it from him.

Taichi also speaks a bit about his pain of being separated from Agumon in the space between Adventure and 02, and he directly refers to Agumon as “the other me”. The word “partner” was not actually used very much in the original Adventure or 02, and Taichi is not able to fully elucidate the sentiment of Agumon’s connection to his own self, but he still understands this much and why the loss cuts him so deeply, and by the time we get to Kizuna, it’s presumably why he uses similar language in his thesis proposal to refer to him. (I already covered the circumstances of Agumon’s relationship to Taichi’s existential crisis in Kizuna and how it led to their separation earlier, so I will omit it here for the sake of avoiding redundancy.)

Yamato and Gabumon

This might surprise some people to hear, but I would also pin this as one of the more ostensibly “like-minded” pairs. Gabumon is shy on the surface, but turns out to be quite passionate -- he uses the same assertive ore as Yamato, in contrast to Agumon’s boku, and he demonstrates his capacity for passion and action in that he’s arguably one of the most assertive in the cast. Note his taking initiative against Yamato’s frostbite in Adventure episode 9, or declaring his intent to stay with Yamato even if it means going against the others in Adventure episode 44, or singlehandedly dragging Yamato out of the hole of darkness in Adventure episode 51.

And, of course, Yamato himself is someone who initially seems a little awkward or detached around everyone, but is actually very passionate, so that’s all the same. And because Gabumon himself is so open about communicating with the otherwise closed-in Yamato, Yamato is able to express himself better over the course of Adventure.

Funny thing about that “shyness”, too -- the idea of Gabumon being particularly shy isn’t present in 02 much at all (we don’t get to see him very much, so it’s hard to say whether it’s completely gone, but it’s at least gone enough for the duration of his appearances). Which is funny, considering: guess who else stopped being shy and became naturally outgoing in 02? Yeah, so, as much as you might hear people (even official!) claim that the Digimon are static while their partners change, that’s not completely true -- the Digimon themselves develop in personality in the same way their human partners do. It’s just more subtle and less drastic, since they’re representing an abstract single part of their personality rather than being an exact match.

Sora and Piyomon

Sora and Piyomon have an interesting relationship in that they’re the only one where their relationship started off on a note of conflict -- mainly in that Sora was very put off by Piyomon at first and even looked down condescendingly on her (well, only for the duration of a single episode). In fact, Sora’s own surface behavior is very different from the kind and caring Sora we know -- Sora dislikes associating with the clingy and affectionate Piyomon for being “mushy”, and even declares that she doesn’t want to “take responsibility” for lugging her around.

Of course, Sora’s character arc later revolves around the fact that she has abysmally bad self-awareness and doesn’t even realize that she has a compulsive sense of responsibility to others. So Sora is affectionate and loving -- she just puts up a front of trying to act a little above that (well, at least, during this part of the series) and doesn’t even see herself as someone capable of being like that (again, purely during this part of the series).

Piyomon is also interesting in that she has one of the most dramatic personality shifts even as early as Child to Adult, where she suddenly switches from the casual atashi to watashi (sometimes even kono watashi, which is super regal), and becomes incredibly dignified and regal even as Birdramon, and you can certainly see why Sora immediately started taking her seriously thereafter. It also begs a lot to think about, considering Sora’s very convoluted character and the many layers of herself that even she isn’t consciously aware of.

The way Piyomon helped Sora shift her own mentality is pretty directly handed to you on a plate in Adventure episode 26 -- because Piyomon played the role of Sora in the metaphor of Sora’s behavior towards Piyomon correlated to Toshiko’s behavior towards Sora, Sora was able to re-adjust her position relative to her family and consider her both someone capable of love, and someone who is loved.

Koushirou and Tentomon

Koushirou and Tentomon are another pair that initially seem like they’re opposing types, with Koushirou being constantly curious and Tentomon being comparatively simple-minded, but the first key to figuring out where the similarity is ends up being a bit deceptive -- Tentomon says in Adventure episode 5 that he’s not particularly interested in himself. And, certainly, Koushirou is interested in Tentomon, but he, too, is not interested in himself -- in fact, he considers himself to be a topic he’d rather avoid instead of looking into everything else.

As far as language goes, while Tentomon does also use the stereotypically easygoing Kansai dialect, he also specifically uses the polite form, mirroring Koushirou’s own perpetual use of polite language. But unlike Koushirou, who uses it to keep distance from others, Tentomon is in fact very sociable, and is even portrayed as a Digimon who’s conscientious of others and “takes care” of them. And because Tentomon is so openly friendly, he manages to coax Koushirou out of his shell and allow him to think about more complicated things related to his own position in the world that he’d been avoiding.

As Koushirou’s character arc proceeds, we learn that he’s polite not only out of distance but also because he really is a very kind person, and moreover that he does eventually want to open up to others. And the payoff for this eventually comes in 02...

...when he ends up becoming one of the most visible members of the older Adventure cast to appear in the series, checking in on the younger kids and developing into someone capable of organizing and managing people. Hmm, seems familiar.

Mimi and Palmon

This one’s an easy one. Mimi is possibly the most straightforward person in the original Adventure cast -- well, that’s the point of her Crest after all -- and so Palmon is almost exactly like her, being a cheerful type who loves being cute. Any contrast between them is only really apparent in the very early episodes of the series, and that’s not even a contrast in theory as much as it’s just something that might intrigue audiences at first when Mimi spent a lot of those episodes complaining, but that’s also mostly because she was heavily under stress, and otherwise Mimi has always been kind and cheerful and indulgent in being cute.

Perhaps the only real difference is that Palmon, being a plant, is more willing to get involved with dirt and other things that Mimi ostensibly would rather not, but as the series progresses, Mimi manages to gain a higher sense of tolerance and get past her initial sense of materialism (which is something she’d had the capacity for the whole time).

Jou and Gomamon

Of the Adventure pairs, this one is probably the one that seems like the biggest contrast on its face, with the overly high-strung and constantly stressed Jou, and the more playful and relaxed Gomamon.

In the end, Jou is someone who’s defined by his desire to support others, and even admits at the end of the series that he’s better suited for a support role than for fighting, and that there’s nothing wrong with that as long as he continues to channel his desire to help people in a way he’s most comfortable with. So, in the end, he’s not actually an inherently aggressive type. And, meanwhile, Gomamon is the kind who’s constantly looking out for Jou, to the point of knowing (such as in Adventure episode 7) when he’s about to do something phenomenally stupid and minding him so that nothing bad happens to him, and so, this is probably why they’re ultimately able to settle down and end the series eye-to-eye (or perhaps hand-to-hand).

And, again, recall that Digimon partners generally reflect a part that’s vital to their own human partner’s growth; considering that Jou is most certainly one of the more extreme personalities in this cast, you get the feeling that he probably needs someone this chill to keep his massive stress tendencies in check.

Takeru and Patamon

Takeru and Patamon are an interesting case largely due to the two of them being so present for a whole two series. In Adventure, both of them seem to be largely like-minded, being playful, innocent, and childish -- although Patamon is more open about expressing the childishness that Takeru keeps trying to cover up. Patamon being roughly on the same playing field (no pun intended) as Takeru means that Takeru has someone he’s willing to be open with and let himself loose a little (such as in Adventure episode 12), because for the first half of the series, he’s almost entirely in the presence of elders and stifling himself for the sake of being “well-behaved”, and it starts his long journey of being able to understand his position and his actual sense of emotions over the course of Adventure and 02.

Patamon also has a striking personality change upon evolving, becoming the regal and dignified Angemon, and, interestingly, his appearances have a very “knight templar” vibe where he takes a no-compromise stance against dark forces and states that he’ll condemn all of them to oblivion. This is a stance that’s unnervingly similar to Takeru’s own no-compromise stance against the darkness in 02, and it’s interesting in that Takeru himself had been advocating for pacifism in Adventure episode 12, but this incident traumatized him enough to start taking a position that more resembled Angemon’s.

As we go into 02, Takeru’s contrast with Patamon initially seems like an increased mismatch, since Patamon is still ostensibly childish and playful while Takeru is ostensibly more mature. But for one, Takeru’s character arc is about the fact that he’s still pretending he’s more in control of his emotions than he actually is, and in some way you can also glean that there’s a sort of naivete present in his character that he keeps covering up with confident smiles. Patamon, for his part, does actually seem to have adopted a bit of a mentor role to the other Digimon, and we also learn that he’s capable of deliberately trolling people instead of just being generically playful -- much like Takeru himself, who’s a bit evasive and not entirely honest.

We do actually see Patamon reach HolyAngemon in 02 episode 34, but it doesn’t work out well, and while this is partially for plot mechanic reasons, it also says a lot that the “knight templar” stance that both Takeru and HolyAngemon have, with the full depth of no-compromise, isn’t going anywhere, and in the end, something more effective is only possible when Shakkoumon appears in 02 episodes 36-37 -- that is, Takeru is only able to better move on with Iori’s support.

Hikari and Tailmon

Hikari is the only of the Tokyo Chosen Children to have a Digimon who “defaults” to Adult instead of Child or lower, and it means that Tailmon herself comes with a certain amount of maturity -- on top of having been become a bit hardened due to her experiences being isolated. This is an ostensible contrast to the more pure-hearted and innocent Hikari, but note that Hikari’s own will can be pretty assertive when it comes down to it. On top of that, as much as Tailmon is a bit standoffish, Hikari is also “emotionally isolated” -- she has trouble vocalizing her negative feelings, and it’s difficult for anyone in Adventure or the first half of 02 to truly connect with her internal thoughts. Recalling that the Digimon partner reflects a side of the human partner that’s less easily exposed and allows the human partner to grow in ways they wouldn’t before, Tailmon’s sheer presence gives Hikari a route to action in ways she probably wouldn’t have beforehand.

In 02, Hikari becomes a little more mischievous and playful, and Tailmon also becomes a bit more willing to indulge (she even switches first-person pronouns in sync with Hikari, going from the more polite watashi to the more casual atashi). Both of them are now more able to enjoy themselves more openly. That said, Tailmon still has a certain degree of stuffy personal pride (she snarks at everyone quite easily for fussing over snacks in 02 episode 3), and Hikari herself remains emotionally elusive and repressive at the start of this series.

Tailmon evolves temporarily to Angewomon in 02 episode 13, which is the first time anyone (in this case, Takeru) makes some degree of headway to reaching out to her and allowing her to open up a bit more, but it’s not until 02 episode 31 when Hikari is fully reached out to via Miyako, which marks the first appearance of Silphymon.

Daisuke and V-mon

Now here’s a very like-minded pair, even more so than Taichi and Agumon -- and, after all, Daisuke is simple-minded, so painfully simple-minded that he’s practically incapable of hiding anything, and so V-mon is almost exactly like him, down to using the same ore pronoun and being feisty and mischievous (a point is also made that he plays soccer with Daisuke, something that Agumon didn’t necessarily do with Taichi), and, heck, in a rare show of Digimon-Digimon crushes, has a crush on Tailmon in the exact same way Daisuke has on Hikari. (By the time we get to Kizuna and its higher animation budget, a lot of attention is paid to having even their body language mirror each other.)

There is only one real functional difference between the two in disposition, and it’s that V-mon is very straightforward, friendly, and kind, without being prone to getting angry or spiteful at anyone, and in the end, it’s indicative of the fact that Daisuke’s tendency to lash out defensively at everyone is just a front -- at his core, he’s friendly, supportive, and kind. Daisuke’s experiences and banter with V-mon contribute to him getting the sort of validation he needed without having to worry about being on edge or lash out defensively, and because of that, he was able to form a healthier and more supportive relationship with the rest of the group.

Miyako and Hawkmon

This one seems to be a contrast right off the bat -- Miyako is bubbly, over-the-top, and rather messy and lacking in restraint, whereas Hawkmon is formal, graceful, and polite. But Hawkmon’s most prominent trait is his absolute loyalty and devotion to Miyako -- he’s very often referred to by both official staff and fans as her “knight” -- and is constantly minding her to protect her and make sure she doesn’t go over her head (most prominently, 02 episode 18). And as far as Miyako’s relationship to others goes -- she’s also devotedly loyal to everyone she loves and is constantly going out of her way to help others, and her character arc in itself is about the fact she wants to do her best to reach out to people and help emotionally support them in the best way she can, and Hawkmon managing to channel that to its utmost extent to Miyako in turn (in a very “who watches the watchman?” sense) allows her to regain her bearings and have better control over herself in the aftermath of 02 episode 18.

On top of that, as the series proceeds, it turns out that Hawkmon also shares Miyako’s penchant for dramatic theatrics and being a bit over his head -- even if he seemingly has himself more together than Miyako does, he’s not completely above it all...

Miyako is also the franchise’s first example of a female character with a masculine Digimon partner, and while Miyako herself openly identifies with and indulges in all things hyper-feminine, she also has zero issue engaging in more masculine-associated things as they suit her -- most prominently her Digital World outfit, and the fact she often displays a rather aggressive go-getter and hot-blooded/in-your-face personality that would not be out of place on a male shounen hero in a more conventional show. (Although, as much as these have generally been on the thread of “less visible aspects”, it’s not like this was that less visible of an aspect of her to begin with...)

Iori and Armadimon

Iori and Armadimon hold the honor of being the only pair in the Tokyo Chosen Children to be voiced by the same voice actress (Urawa Megumi), driving the parallel down even further. And while their surface temperaments seem different, with Iori being rather uptight and strict on himself while Armadimon is laid-back, carefree, and even somewhat assertive, they’re not that different -- Armadimon is basically the curious, impressionable, somewhat childish spirit that Iori would be if he weren’t constantly holding himself back. (There’s a lot to be said about Submarimon going out of his way to take Iori for a ride in 02 episode 16 so that Iori can finally properly enjoy himself for once.)

Iori takes a lot of very stubborn, no-compromise positions over the course of 02, but Armadimon asking just the right kinds of questions allows him to “snap out of it” and be a little more receptive to considering alternatives, or at least taking into account more emotionally-oriented issues he’s dealing with. You can say that Armadimon (especially as Upamon) softening Iori up a bit -- since Iori will never be cold or unforgiving towards his partner, no matter what -- serves as a precursor to Iori starting to question the limitations of his black-and-white view of morality, which allows him to successfully break through to Takeru and fill out the rest of his character arc.

Ken and Wormmon

Considering how much of the plot revolved around this one, this one almost goes entirely without saying! During Ken’s stint as the Kaiser, Wormmon represents the heart that Ken’s not entirely willing to leave behind -- and, also, the affection that he’s still craving from his family. The Kaiser going practically out of his way to deny Wormmon yet paradoxically keeping him around is basically his attitude towards his own “weak” and naturally kindhearted self. Notably, recall that the principle of “a Digimon will never deny their partner” applies here -- Wormmon’s “betrayal” of the Kaiser isn’t really any kind of denial, since he was doing it mainly for Ken’s own sake, and, more symbolically, it’s Ken reaching his own limit and coming to realize that this path isn’t what he really wants.

Wormmon is unusually clingy to his own partner over the course of 02, and it’s vital to Ken needing to learn to love himself and also getting important validation that he needs, especially during the critical point in time during 02 episodes 23-30 when he’s still not sure how to approach the rest of the group -- Wormmon gives him someone to talk to honestly and openly, giving him a proper springboard to sort out his complicated feelings about the others and himself. You can say also that as Ken becomes more open and straightforward over the course of the latter half of 02, he, in turn, becomes much more shameless about showing affection and opening his own heart.

Wallace, Gumimon, and Chocomon

Bonus round!

While it’s hard to fully apply Hurricane Touchdown to this theory (by official admission, it wasn’t properly cross-referenced with the original Adventure/02 series lore, and trying to correlate all of the evolutions in this movie to something metaphorical will give you a headache), Wallace’s two partners still fit very neatly into this overall theory of Digimon partners as a part of the self. Wallace is a character with very sharp duality, trying to be a flirt who asserts himself as a vagrant who’s about to “become an adult”, yet still feels an obligation to keep calling his mom and is engaging in increasingly self-destructive behavior.

Most pertinently, Gumimon and Chocomon represent the two stances Wallace is torn between: wanting to “return to the past” (Chocomon) because he’s still hung up on having lost Chocomon and is convinced that he can make everything just like it was before, and “being able to productively move on” (Gumimon). For most of the early parts of the movie, Wallace is stuck on Chocomon’s mentality of fixating on the past, and Gumimon isn’t even remotely subtle when he draws an explicit parallel between the two (saying that Chocomon didn’t like the heat, followed by offering to give Wallace shade as a hat). But once the conflict escalates and Wallace realizes just how deep in denial Chocomon is, to the point of being destructive to himself and others, Wallace comes to embrace Gumimon’s stance of practicality and moving on. In the end, the ultimate conclusion is reached, and Wallace is forced to fully accept that latter stance when Chocomon dies, but the movie’s ending (and Kizuna) provide an extra option: allowing the past to come back, but in a new form and treading new territory instead of trying to make it “the way it was before”.

#digimon #digimon adventure #digimon adventure 02 #digimon adventure last evolution kizuna #kizuna spoilers #qwertyshuman #shihameta #shiha's ask box

[michaels-reality]

jsaghka whats wrong with ok ko?

Okay so I will spoil the whole main plot of the series with it but there are 3 main problems I’m gonna get into with this series and it’s problems with character design, jokes on child neglect, and ableism with system caricatures. And this is coming from someone who enjoys the show before anyone thinks I’m just hating to hate on it. But again, these issues are so big for me that I would not recommend this show to anyone skjhskjf.

1. Issues with character design

Alright, so first off, please look at this picture of the majority of the women of the show and tell me what’s wrong with it?

Yeah! Almost all of them have the exact same body type! I’ve seen people praise ok ko with its diverse character design but if you boil it down, almost all the women have the same cinched waist and big hips. And for the characters the characters that do have different body types, it's almost unfair to compare them to the rest of the characters, like you can’t compare Carol to Rippy Roo because Rippy Roo is an actual animal. And you can’t compare Dendy to Enid, because Dendy is a child and Enid is a teenager. And for the Ladies that have an actual difference in body type, that’s like 6 characters out of how many? And to those characters that have different body types, the Hue Troops only show up for 2 episodes and even then the main focus isn’t on them so they barely get any screen time, Punching Trudy shows up for one episode to fight Punching Judy, Pheobe shows up for 7 episodes but she’s a background character and I don’t ever remember her speaking, and then there’s Foxtail. Foxtail is probably the only female character that has a different body type that has an important role in the story and shows up for more than just background appearances.

Compared to the men in the show, there is way more diversity but even then, there is a lot of making the upper half of them bigger and giving them tiny hips and legs. 

There is also the issue that kinda pisses me off is the racial ambiguity of everyone. Like most of the characters aren’t even human so whatever, but there are characters like enid that have darker skin but she has straight purple hair so what are we supposed to get from that? I mean, I guess there is some wiggle room for anyone that isn’t white to claim her but then you start to see that all these darker skinned characters seem to always have straight hair and that’s also a problem. The only character I can confidently say is black is foxtail and she has straight hair. And the only character that is said to have curls and an afro is RADICLES who is BLUE and an ALIEN! Like it makes me mad that our curly haired and black coded character is designed like this. Like, I get it, he’s an alien, he’s blue, he’s not human, BUT WHY DID HE HAVE TO BE THE ONLY ONE? WHY CAN’T THERE BE ANOTHER CHARACTER WHO IS DARKER SKINNED AND CURLY HAIRED? 

It’s so ironic given that ok ko has one of the BEST racism metaphors I’ve ever seen in episode 28. Dendy says kappas don’t need pow cards to be heros but it feels nice to be appreciated but this show is not making me feel very appreciated right now sjglksjgds.

2. Jokes about child neglect/abuse

OKAY! BOXMAN! I LOVE BOXMAN BUT WHAT THE FUCK?

Okay, so in the show, Lord Boxman has robot minions that he is constantly annoyed with the performance of and punishes them and yells at them. AND I WOULDN’T HAVE A PROBLEM WITH THIS IF BOXMAN DIDN’T REFER TO THEM AS HIS CHILDREN! It’s shown in the show that Boxman raised them as baby robots and they call him daddy and they have a very familial relationship. But it’s constantly joked about with Boxman saying how they never make him proud not taken seriously in the show. Like, in the second episode, one of the first things we see Boxman do is put Darrel in the furnace and Darrel says “I deserve this” BUT DON’T TAKE IT SERIOUSLY CUS DARREL IS A ROBOT AND HE’S BACK 2 SECONDS LATER! The robots get emotional over any sense of approval, like at the end of “Villains Night In” Darrel and Shannon literally fall apart after Boxman gives them shirts and says to “keep up the good work”, and the end of Plazalypmics, Darrel, Shannon, and Raymond get participation trophies and are really happy with that. Like, this isn’t normal.

The whole relationship between the robots and Boxman is actually pretty toxic and kind of bothers me sometimes. The robots seem to have a very intense sibling rivalry but it’s over the affection of Boxman, which is unhealthy but most of the time it’s just played off as funny joke for the tv. And it becomes even more apparent because episodes without Boxman, like Rad likes robots, it shows them getting along fine and even worrying about each other. And in season 2, Boxman comes back from the sun and Darrel stands up to him and says he doesn’t need him anymore, but one “I’m proud of you” from Boxman and Darrel is back to wanting his approval. LIKE ITS ALMOST NEVER FRAMED AS A BAD THING OR TAKEN SERIOUSLY! I AM NOT A FAN OF HOW THEY TREAT THIS! Like, I can admit it gets better after Venomous comes into the picture and Boxman has that realization of “oh I should be proud of my kids achievements” but to me it looks like this whole forgiving your abuser plot line and I fucking hate it! And Boxman still admits to incinerating his robots after the company switches over to his and Venomous’ ownership when discussing what to do to punish them and he says “I usually see improvement in my robots after I incinerate them.” 

And even if it got better, it’s still played off as a joke in all of season one and normalizes terrible behavior. Child neglect in tv shows, especially in children’s media, played off jokes and funny are never good and can be insensitive to children who are in these situations seeing it played up for laughs. You can argue that being on the villain’s side frames it as a bad thing but that kinda loses meaning in a show like ok ko where you start to see the villains as regular people and not necessarily bad, just “evil”. I just feel like this could have been treated so much better and not trivialized like this.

3. System Caricatures and ableism

Let me start off by saying, I am a singlet and I don’t have as much authority on this type of thing so feel free to correct me on anything I get wrong or add on in anyway. 

With that said, KO and TKO along with Shadowy Figure and Professor Venomous are terrible system caricatures. KO is 6-11 years old is prime age to develop a system, so when shadowy figure comes into KO’s life and traumatizes him, he splits. And so we begin our little “evil alter ego”(quoting the show! using this phrasing is terrible and should never describe a system like that) stereotype.

I’ve talked about OK KO with my friends who are systems and it makes them mad that this show had so many moments to be good system rep and then it turns around and fucks everything up! Like TKO could have been written well. TKO is very clear on stating he isn’t KO and is his own person but everyone still refers to him KO and treats him like a bad thing because he isn’t KO. And when TKO acts out due to being referred to as KO and rightfully being upset, they act like it is some evil act against them and they need KO back! Like, the show misses its own point so much!!! If they treated TKO like a person (which he is!!!!!) then half the problems they have wouldn’t be a problem in the first place. And TKO has done nothing wrong other than wanting to front! KO even talks about TKO as another person but they address him as such! 

The way people talk about TKO in this show makes me so mad, like when Dendy does tests on KO in “Mystery Science Fair 201X” to bring out TKO, TKO finally comes out to deal with the feelings KO can’t deal with and then they almost do it right when Dendy realizes she was the one that fucked up and then SHE APOLOGIZES TO KO INSTEAD OF TKO FSDGHSDFJ!!! And they always treat TKO as a threat as if he’s a danger! Like TKO’s a kid just like KO and acted out when the people around him upset him! Like a kid! And the last time TKO shows up in season one in the finale, TKO actually SAVES everyone in the plaza and leads the battle away from the plaza but because “oh but TKO is the evil” they go and try to stop him from saving them? Like yeah he got a little reckless but he only ended up hurting people in the plaza when Rad and Enid interfered. They treat him like a problem because they MAKE him a problem! 

Also, the moments where everyone tries to bring KO back by saying “you are loved” and all that, that’s actually really manipulative! Like, they’re using positive triggers to kick TKO out of front and that’s actually a really rude thing to do. They’re trying to bring to front who THEY want to see and it’s not fair to TKO who is fronting. It also goes the other way around when Dendy is experimenting on TKO to try and get him to front.

And then even KO treats him terribly, locking him in a cage, then keeping him in his head all the time, and then when he finally lets TKO out and TKO acts out from being locked in his own head for so long, KO then traps TKO in his subconscious. Which is terrible! TKO should be allowed to front and should be treated like his own person! It’s so weird how the show almost gets it right but then does shit like this that makes it terrible again. Like KO has a headspace and he creates things in his headspace and he talks to TKO like another person and they communicate their feelings but then the show turns this all on their head when KO locks TKO away and blames him for destroying everything when he’s the one trapping him in his brain. 

There is also the problem with TKO being the one with all the power and changing his appearance cus that all contributes to the system caricature. Also, TKO and KO integrating at the end of the series? ALSO VERY BAD AND HARMFUL CARICATURE! Alters are different people and they should be treated as different people and KO is not TKO all along THEY ARE DIFFERENT PEOPLE! And integration is possible but it’s usually not by choice. And even then, integration being the end goal of a story is a very ableist narrative and shouldn’t be written.

And it confuses me, why does shadowy figure have his own pow card but TKO doesn’t. Like, KO and TKO are established more as being different people than Shadowy Figure and Venomous so why doesn’t he get his own pow card? Like the end of season one, TKO fought the fight at the plaza and used his power to defeat Boxman jr but at the end KO ends up leveling up instead. And on the topic of TKO’s power, again, that shouldn’t be a thing. TKO and KO should both have access to the same power because they use the same body because that's how systems work! They use the same body!

And I know what the show was trying to do like “oh TKO is a manifestation of all the bad feelings that KO has!” but there are so many ways to do that without making a caricature of systems. Like if you didn’t make TKO a person then this would have been fine. Like if other people didn’t see TKO this could have been fine. There are ways to make a manifestation of your negative emotions without doing it like this. And the way this show did it is such bad writing, because you are meant to think TKO is this terrible manifestation of emotions but all you see is this scared kid who doesn’t know where he is and lashes out when he gets rightfully upset. BECAUSE LET ME REMIND YOU! TKO AND KO ARE BOTH 6-11 YEARS OLD! THEY ARE KIDS! THEY’RE SITUATION SHOULDN’T BE TREATED THIS WAY

And my guy shadowy figure...... bad. Shadowy Figure and Venomous’ is not only a terrible caricature but also very inaccurate. With KO and TKO, their system developed at the correct time as a child, but with Shadowy Figure and Venomous, they developed after Venomous got his snake disease. And, Venomous doesn’t even know about Shadowy Figure and that can be a result of dissociative amnesia but it’s really unfortunate. And again! the end of the series! Shadowy Figure and Venomous integrate into one entity and it’s terrible! Because they aren’t the same person and shouldn’t be treated as the same person! And again with the whole “evil alter ego”. Like Shadowy figure only exists to traumatize KO and make him split and create TKO. And the fact that they turn out to be KO’s dad??? Yikes??? Like again, these are terrible caricatures and are harmful to systems and should’ve been treated better in the show.

---

Like, I love OK KO, I used to hold this show very close to my heart and made me very happy to see this show with the amount of LGBT rep but looking back it was very bad in many ways. Like that racism episode I mentioned, that shit resonates with me! And I appreciate characters like Dendy and KO and I still love the boxbots and venomous, I just wished this show lived up to the potential that it had.

TL;DR: OK KO has a problem with misogynistic character design and colorism, normalizes child neglect, and has put out an ableist narrative with system caricatures.

#long post #racism m #colorism m #misogny m #ableism m #ok ko #malware-rants #intergration m

[0poole]

I LOVE No Straight Roads

Honestly it’s hard to keep me away from a game with great visuals and even greater character design. I knew from the INSTANT I saw these characters that I was going to love it. I just finished it because it’s (unfortunately) pretty short, and even though I cheesed the final boss through it’s very lenient death mechanics (Instant respawn at the cost of a good rank) I actually appreciated that it wasn’t a pure cake walk. I’ve yet to rematch all of the bosses, but since I had genuine trouble with the later ones I’ll hold off on that.

But who cares about gameplay, am I right? I sure as hell don’t. I would’ve bought the game no matter what the hell it was. I wanted the characters (and the music, although I realized that second) and that was it. 

First of all, I love any world that is super fantastical but cheesy in its concept, ala a city powered by music, and battles between artists using music. Ideas like this only spawn from a mind that wants to create a fun atmosphere, if nothing else, and it was sure as hell fun. I genuinely love when someone goes so far into a crazy idea and doesn’t waste your time explaining it with real world logic. Wanna know how a city can be powered by music? Shut up and look at the cute virtual mermaid. Lord knows I did. Every once in a while, it does you good to just let the player/reader/viewer just revel in the idea without having to go out of your way to make things seem realistic. It’s not about “turning your brain off” or whatever, it’s picking your battles.

Also, I can seriously love a world with great background characters to it. Any game with the right situation to insert the random nobodies you find onto the streets into the art in the credits really played into the greatness of the world’s less important characters, and that’s always a good thing. It’s technically world building. But, since I always love to pick favorites, I’d have to say my favorite background character is easily Mia, the NSR infodesk assistant. It’s funny, because you can literally search “nsr characters” into Google and she’s the third image result. I love how jumpy she is when you first interact with her, since NSR probably spread the word about B2J suggesting they’re rock thugs who’d beat up anyone, so for all she knows she could die right then and there with a guitar lodged in her skull. She’s probably just some intern trying to pay for college. She don’t want trouble.

Also, I just realized that 90% of the characters in this game have the same body structure that I always love, that being having arms/legs that sort of fan out in width into relatively large hands/feet. It’s a kind of limb structure I fall into so much because it just really hits me right for some reason. I really can’t explain why.

Anyways, I gotta talk about the big boys individually:

Mayday and Zuke are an amazing duo. I’m always a sucker for a cute and crazy girl, but honestly Zuke hit so many of the right notes too. I will say it’s weird to pair the martian Zuke with the humanly-skinned Mayday, but honestly it doesn’t even matter because he looks so cool on his own. I love his weird blocky blue dreadlocks, and his weirdly shaped shirt which bares his chest in the weirdest way... And, oh my god, Mayday’s weird Spongebob background flower eyes? It’s little tidbits like that that really make me jealous. How could I have ever thought of that? It looks so perfect, and I don’t know why. And her little booty jig she does in her idle animation? Adorable. I played as her as much as was reasonable not only because I’m a filthy button masher with little strategy but also because she’s so damn cute. I can also appreciate how she has a tough-as-nails persona while still keeping a semi-girly attitude, like with her falling for 1010 and Sayu. Characters are so much better when they’re a perfect blend of characteristics, instead of being all one-note, like how Zuke is the quiet one but gets heated against DK West, and all. 

Honestly the voice acting for every character is great, but I love when Mayday’s VA’s accent shows through. It’s a perfect twang to accent (consider this the only acknowledgement of a pun in this post) her snarkiness. 

DJ Subatomic Supernova was going to be an easy favorite since he’s all space-themed. Also, I don’t know why I always end up liking the egotistic characters. Not in the sense that I like their egotistic-ness, but in the sense that I like everything else about them and they just so happen to also be egotistic. The same applied with Empoleon (maybe like my 2nd favorite Pokemon) and Rarity from MLP, probably among others. Either way, I’ll never not love space themes. Not to mention he’s got a funky disco theme, and I’m slowly starting to realize that I am in extreme love with techno-funk styles of music. The instant I heard his music he cemented his place into my playlists. 

As for design, I still have no idea what the fuck he is. Clearly AI is at human levels in this world, but if he’s a robot why does he still have hairy legs? But, if he’s a human, is that weird orb his head? Is it just some sort of puppet which he controls from inside his giant jacket? I know I dissed explaining things realistically but I actually want to know with this guy. Even the wiki doesn’t say. Either way, he’s clearly the logical extreme of “being at the center of your own universe.” Even his jacket depicts a solar system, with his hood being the sun. Didn’t see that until I tried to draw him. I really wish this guy wasn’t so tied to his DJ stand so I could reasonably draw him without it. I don’t want to draw his hairy ass legs. It is a great touch for his design though (although I prefer his beta look with pants and long boots, another design trait I tend to gravitate to) since DJs could reasonably not wear pants, since they’re always behind a table.

Sayu is my favorite. It’s so plainly obvious. It’s weird to say that sometimes, because some characters like Sayu are so clearly engineered to be as adorable as possible, to the point where they’re basically a parody of whatever they’re supposed to be emulating, but then they do that so well that they are still likable for what they’re trying to parody. Also, even though I’ve never looked into any vocaloid superstars myself, the fact that they exist and are loved in real life is absolutely perfect to be used as a character design in a world like this. It’s so weird conceptually, but we all know it’s normal and realistic. But yeah, she’s a giga-cutie whom I’ve already drawn and I’ve listened to her theme on loop on many different occasions. Favorite character, favorite track, favorite weapon of choice (What did I say about Empoleon?), which, and I wouldn’t have noticed this myself, looks like the USB symbol you see above USB ports on computers. How crazy perfect is that?

Even apart from my unbridled love for cute monster robot(?) girls, her boss fight is probably the 2nd greatest of them all, at least conceptually. She’s just a hologram, so you can’t touch her, but you CAN disconnect the artists which control her in order to defeat her. It’s the kind of concept for a boss fight that could only work for this type of character. I’m a sucker for the cute girl that provides her voice, but I love how the animator (video editor? the yellow one) actually attacks you with a mouse and lowers the brightness of the setting once he appears. Also, the mocap guy being the deeply-voiced type but still providing the adorable movements of her body. It’s such a great combo of characters, and their little extra art in the credits makes me like them even more. I just wish we could interact with them individually.

DK West was probably one of the most interesting characters visually, especially since I knew of every other NSR member long before the game came out, but I only just heard of him closer to the release. I wasn’t sure where he was placed, but I definitely assumed his gig was the weird shadow demon we saw in the trailers. When I finally saw him in game, I was shocked to hear him speak an entirely different language most of the time, which was really cool. Also, finding out he was tied to Zuke and wasn’t strictly an NSR artist really made him more interesting. You know, if his fucking shadow clone magic didn’t make him crazy cool enough. Even though I suck at his game and am not especially fond of his raps, the visual of him rapping with this giant monster behind him and dozens of weird shadow wingmen by his side hyping him up was probably one of the coolest in the entire game. The dark way they were hyping him up too gave such a bizarre atmosphere, especially since it parallels his seemingly chill and smiley demeanor. 

I definitely hope they’ll introduce new bosses as DLC in the future, and make them sort of in the same vein as DK West, where they aren’t the biggest artists ever, but they want to pick a fight with B2J. I’d kill for any extra content this game can provide.

Yinu is obviously special since she was the subject of the demo they put out for the game. Even though I knew all her bells and whistles, she and her mom still beat me a few times in the full game. Considering she’s semi-tied to story-ish spoilers I kinda want to go more into her in a separate section. It is worth considering playing the game first since it’s not hard (with the easy going deaths) and it’s short length.

1010 seriously grew on me as I learned more about them and interacted with them. I got their shtick when I first looked at them, but after seeing that animation of them touring the city on Youtube I was kinda falling for them. Then, I learned that they’re apparently repurposed navy war robots? I mean, maybe not them specifically, but it seems to heavily point in that direction, with the warship cars and “attention!”s and all. It took me a bit to get into their music too, but once I actually fought them and put their actions to the music I fell in love with it. I swear, Neon J’s weird dancing can has some of the smoothest moves in all of gaming. I don’t know whether they mocapped out those movements or got one of the greatest animators ever, but it looks so impossibly clean his part of the song gets me like 30x more hype than it would normally. 

Also, their little art piece of them looking at fan mail in the credits is probably one of the most adorable things ever. Even if they’re just Neon J’s puppets, that piece of art really makes it seem like they love every one of their fans. I’m not gonna lie, I might swoon a bit too if they picked me out and gave me some special attention.

Oh yeah, and the fact that Mayday was super sad in her showstopper against them was adorable and hilarious at the same time. The little tweaks they made to the showstopper for each fight were great.

Eve just has to be Lady Gaga, right? Like, an even crazier Lady Gaga. DJSS is Daft Punk (or any artist with a helmet persona, you know what I’m talking about), Sayu is Hatsune Miku, DK West is Kanye West, Yinu is a generic child protege, 1010 is a KPop boyband (just pick one) and Eve is Lady Gaga. That’s just how things are. But, again, this is the kind of boss fight that only this type of character could provide. It’s not just surreal imagery, it’s ARTISTIC surreal imagery. The fight is so mesmerizing in every way, especially by how it starts off so slow and calm and progresses to insanity, as well as the increased emotional investment in the fight making you feel so much more into it than just “That’s the boy band. Let’s fight.” Not only does it get you more invested, but it makes her artistic persona go deeper than just “she looks weird.” She is genuinely conflicted about her relationship with Zuke, and naturally that leads her to literally split him and Mayday apart. That mechanic specifically was the coolest, although I do wish they made it more obvious when you needed to switch over to a different side. I was getting pulverized by her fight too, since there were so many things to pay attention to. Her fight was definitely the best one. 

Tatiana and Spoilers:

Let’s be real with ourselves, the twist was so obvious. I do also think, though, that obvious twists aren’t bad if they’re just good reveals. At some point, a person just has experienced so many stories that “only pretty good” twists are easy to spot. It doesn’t mean that the twists are bad, it just means you yourself experienced.

I feel like her transition from rock to EDM was pretty understandable, even as a non-musician. She was so caught up in what she assumed was popular that it basically consumed her. It’s easy as an artist to want to forgo what you truly want to make in favor of what makes you popular, and clearly since her transition to EDM made her the CEO of the biggest company in the city (world?) that probably made her think she truly needed to change her outlook. Then, when she saw B2J try to bring it back, she sort of coined them as being as misguided as she was and knocked them down a peg. Plus, they were kinda being jerks about it.

It’s kinda like the Trolls sequel, where everyone pegs rock music fanatics as being too stuck up in their own heads to appreciate other types of music, which honestly seems more like the case than the alternative. When I first heard of the story of the game, I was seriously hoping they did put an asterisk on B2J’s ambitions because they were a bit sketchy from the start. 

That’s kinda where I want to talk about Yinu, because she was the true turning point in what they were doing. She’s literally 9 and yet she’s getting dragged into all this BS. When she said “I hate you all” at the end of her fight, and played a somber tune on her broken piano after the fight destroyed it, you kinda got a kick in the face to realize you’re kinda being an asshole to some of them. Sure, they fight back, but they wouldn’t fight in the first place if they didn’t have to. They are just people who play music under a joint name that B2J just so happened to get in hot water with. 

Then, of course, there’s Kliff, who also reeked of surprise villain, and who’s basically the embodiment of the bad side of B2J, where he just wanted to destroy for his own sake and not for the actual greater good. Once B2J realized their mistake, they backed off, but Kliff was so hard pressed to do what he planned on in the first place he wouldn’t stop. I kinda wish he got a bigger fight to his own since he’s clearly a big enough tech genius to divert a whole satellite into one specific building. Maybe the Elliecopter chase bit was his thing, but I do kind of wish he was there to fight against them too.

Even though Tatiana did kind of reform a bit quick, It’s still not too crazy to assume she could see that B2J was just misguided and the fact that they worked to revert their wrongdoings for her sake would make a pretty strong impressions. They clearly can hold their own, so it’s not like she wouldn’t want them to join NSR too. 

Oh yeah, and her boss fight was clock/time themed. If there’s a theme under space that I love, it’s clocks/time. 

And If I am to be respected by the internet, I must provide a negative opinion to balance out my positive one. I will say that the character model physics (like Mayday’s braids, DK West’s vest thing, Neon J’s fluffy neck thing, etc) got kinda funky at times. Especially DK West’s vest, which was completely messed up for every scene he was in... Also, even though the voices are mostly great, some lines felt a bit off. Just a bit. That good enough? Good.

But yeah anyway that’s another favorite game to add to the pile. Eventually I’m gonna have to compile a true list of my all-time favorite games/movies because I do kind of want to have a solid idea of what my all-time favorites are.

#nsr #no straight roads #bunk bed junction #dj subatomic supernova #sayu #yinu #dk west #spoilers #1010 #eve #tatiana #rambling #review #poole #etc #opinions #rant

[papers4me]

Fruits Basket Reboot: Analytical  Overview of the Anime

Fruits Basket’s reboot is one of most successful anime reboots since it has:

Amazing story that celebrates human weakness, digs into the depths of human identity & doesn’t shy away from depicting child trauma & abuse. Teaches the values of letting go & walking forward.

The author’s blessing, nostalgia factor from loyal fanbase.

Fixed scheduled 3 season comeback with 63 eps in total planned from the very beginning.

Finished source material with its ending approved by manga fans.

Anime follows the official manga ending.

The “slice of life/shojo” genre doesn’t need budget for fight scenes or big scale realistic animation for its lore.

All these factors contributed to its success, however, this doesn't mean the anime was a masterpiece. It is very good but had issues aren’t in the writing, but rather in the format, overall vision & its effect on characters’ depths.

1. Format:

a. ( Is Fruits Basket an episodic anime or a plot-driving story?) 

-The anime couldn’t decide how to adapt the manga content, should it follow it literally & combine two chapters together each time, or take the core plot & drive it by character, or focus on its vision or what? they KNOW that can’t adapt everything. They have 63 eps in total so they have good number of eps to do any choice. However, since the anime is advertised as “ a faithful adaptation” they wanted to cement this announcement in se01 & chose “character of the day” format. Once, the manga fans are assured & hooked, they can drive the rest wherever.

-Se02 was slightly less episodic (minus the beach arc which had perfect pacing). Afterwards, the yuki content was approached similarly to se1 but centered around “ episodic themes”.  Lots of characters arcs are pushed to se3 to keep the “mother” theme of se2. that’s why all eps ended happily minus few eps such as tohru’s nightmare ending in isuzu’s ep.

-Se03 is where the anime really had the biggest issues & couldn’t decided between keeping themes or rolling like a true well-written drama-infused story. Thus we see them trying to keep the episodic themes as long as possible in 5 eps & once ep 6 starts & they can no longer label a flowing plot into themes, they rolled into the climax. The entirety of tohru’s neglected issues outside of her role as a mother was condensed in one ep via audio narration, since ep 7 should drive akito into the climax spot, ep 8 is kyo’s & ep 9 is female antagonist vs female protagonist clash. The rest of the eps focus around wrapping the growth arcs of kyo, akito, yuki & tohru.

I wish they kept the episodic forma for se01 only. Se01 is episodic by design since you can’t maneuver around character introduction, but they should’ve let season 2 & 3 flow smoothly without imposing episodic themes that a junior high schooler could detect, simply because the theme will choose which character fits this ep & which must be cut. Hardly a smart decision for a drama-focused story. Example: Se02 post-beach arc, being “mother tohru” themed meant the cut content of any “teenage girl tohru content”, focusing only on her role as a mother & shoving the rest of “tohru” into the unbelievably packed se03.

b. ( How the seasons are divided & which one is best?)

Lots of fans believed that: se1 (kyo focus), se2 (yuki focus), se3 (tohru focus), I don’t think this is the correct official anime format at all, but rather the fans wishful thinking, here’s why:

se01 isn’t kyo’s focus at all.  Kyo has ONE focused ep each season: se01:ep24, se3: ep9, & se03: ep8. He gets more screen time in se03 to deal with the aftermath of ep8 & to mark his growth & close his arc. But, yuki had more focused eps in se01 than kyo. Example, se01, ep 12, yuki tells the audience abt his dream of new friends, home & new self, sth he achieved gradually ever since that ep ended, thus, Kisa’s ep is a yuki centered ep as well as it marked the beginning of (a) “mother tohru” issues, (b) him deciding to join student council & get out of his comfort zone which is the beginning of “ new yuki”.

se2 is indeed a yuki centered season.

se03 is not a tohru’s focus at all, we still had (akito, shigure, kyo, kureno, momiji, isuzi, haru, machi, motoko, & more yuki) to start or finish their arcs & it is 13 eps only. tho, Tohru had a self-focused role at last which is good.

-I believe the following format better describes the anime’s seasons’ division since it is driven by themes:

se01: Life teachings for the youngsters, due to the direct format of advise given by mother kyoko thro her daughter to the characters/ audience.

se02: Life teachings thro a coming of age story. The trio are struggling to choose a future, afraid & burdened by their trauma’s. Yuki with the help of “mother tohru” , leaves the nest “youngster stage” & sets his foot into the future & struggles to: have fiends, express himself, face his parents, be honest with himself, form an identity & understand himself.

se03: Life teachings of mature issues to those who have already chosen wrong once or twice. bigger issues are presented such as: guilt, death, trauma, extreme self-loath, self-destructive tendencies (kyo), grief, lack of self-esteem, refusing to let go of the past, abandonment issues, constructed polite girl identity with false happy mask (tohru), superiority complex, false forced identity, sins & misdeeds (akito), other themes such as adultery, manipulation, passiveness & enabling can fit the other characters.

So, naturally, season 3 is the richest in content, extremely entertaining story-focused, plot-driven, multi characters depth, plethora of themes, issues & variety of fascinating character writing to distinguish between various arcs & wrap ups. Honestly, se03 carries the whole success since it IS the story of Fruits Basket ( a basket of different fruits & we get to hear/see them all, including the rice-cake!). Still, se03 suffered from the issues of pacing & format I mentioned above, plus condensed content due to short number of eps dedicated to 12 characters.

2. Overall Vision:

Tohru being the main protagonist carries the story’s vision, however, I think Taklaya-san wanted the vision to expand to all her characters. I duno abt the author’s true vision since I haven’t read the manga, but if I were to guess based on the overall story: it is “the acceptance of human weakness”. Yuki isn't the perfect prince, tohru isn't the angelic mom, kyo isn't the horrible monster. These assumptions are the OTHER characters’ perspective of them. Not their true identity or reality. We later even learn that the abusive akito herself, chose a healthier identity, the atoned family head. However, in the anime, characters’ weakness isn’t the center of the anime’s vision, rather its vision is abt the “nurturing effects of the mother figure”, which is supported by the writing as well, but shouldn't be the core driving plot. The anime is more centered around mothers & more narrowly guided. The characters’ weaknesses takes a second seat until the focus on the mother role is over. This does not affect tohru only, but all characters including yuki himself.

-Tohru being the female protagonist shouldn’t be angelic as this contradicts the core theme, thus tohru is given her own set of (human aspects):  trauma, frustrating character traits, faulty coping mechanism: the fake happy mask. Her role as yuki’s mother is only ONE part of her, as big as it is his life & as huge as it is from his perspective. It should NOT be what the audience can only see & feel from tohru. If it is, then Tohru is forever the 16 year-old mother of her peers, sth a normal teenager shouldn't, contradicting the basic existence of the human aspects mentioned above.

a. How does the overall vision being focused on “tohru’s motherly role” affect characters’ depths?

-For Tohru: In the anime, tohru being yuki’s mother lasted for 2 seasons, during that time, we are ONLY allowed to see HER from HIS perspective. Everything abt her human weakness is either vaguely hinted “ few scenes here & there” or pushed to se03. In se01 & 2, tohru is only allowed to act as a “teenage girl” in front of two male characters: (kyo & momiji):

How is tohru depicted in front of kyo & momiji? If you re-watch the anime, once tohru is around these two, her character is very different & she stops giving advice & instead “listen” to them. She is shown more lively & drawn younger & girly, asking more than talking, receiving advice, they both look at her as a normal girl with burdens on her shoulder rather than “savior/care taker”. Kyo complains to her few times abt that & calls her out on her self-denying antics, momoji takes a different approach & subtly provides chances for her to be a “teenage girl”: going to a hot spring & vacation. She opens up to kyo slowly in all her scenes with him, but while she doesn't open up to momiji, she allows herself to show vulnerability & throw her mask a bit in front of him (se01, ep12: she listened to his talk abt his mom, related to him, cried & hugged him with NO advice even tho she didnt tell him abt her mom), se02, she listened to his talk abt his sister, related to him, cried & gave NO advice even tho she didnt tell him she thought abt her mom).

The anime’s heavy focus on her “motherly”side, contradicts showing her as vulnerable & traumatized, hence her backstory lasted for 4 minutes in her own ep, se03, ep6. Later when she faces akito, tohru’s growth kicks in & she starts relating to her issues of abandonment but all this growth came from those 4 minutes of backstory in ep6. In ep9, in front of akito, tohru was depicted just like how she is depicted in all yuki centered eps, ( giving an advice, smiling, a hallow of light around her, the sun rises, the rain stops & she shines her kindness to heal the wounds). 

-For Yuki: In the anime, Yuki is shown seeking a mother & all the right monologues & issues are perfectly presented. However, his weakness isn’t only wanting a mother!! yuki is depicted as a prince by others, so a huge part of his growth is to leave the princely persona behind, which is sth that was not focused on in the anime. Outside of his issues on viewing tohru as a mother & wanting friends, yuki continued to be depicted as prince & wasn't much allowed the freedom of being “a normal teenage boy”. Machi narrated that part of his growth, motoko too, but it wasnt depicted much on screen & yuki continued to have dashing bubbles, sparkles, hair flowing on wind & extreme focus on beautiful face. Him becoming a dynamic character outside of his “finishing my tohru-mother confession to my friend” is very short lived. This would’ve easily been fixed if less attention was given to his “mom tohru” phase. He is more than “I used to look at tohru as my mom”.

-For kyo: In the anime, kyo never looked at tohru as a mom, hence from the beginning kyo didn’t fit the overall vision. Hence, all his issues are pushed into se03 when tohru’s “mom role” is finished. There is a reason we have ONE kyo centered ep in se1 & 2. it IS contradicting the current tohru-image of being a mom. Also, kyo’s thoughts are blocked completely for dramatic purposes but he didnt need to be absent from tons of eps which he was, even his growth ever since se01 finale is very subtle in order to not derive from tohru’s image as a mom. We have some scenes of kyo & tohru interacting, but they should be sparse se01, ep 23 (soup ep) or se02, ep2, or short scenes such kyoto scene or tohru’s worried abt her grandpa scene in se2, ep14. Most of kyo’s & tohru’s scenes aren’t solely romantic in their nature but they provide in depth peek into their true personality & identity as humans. With her kyo isn’t angry or annoyed & with him tohru isn’t bubbly with the “I’m okay” mask.

Side Notes:

There is no doubt that the anime was made with respect & love to the source material & the author. I can see this clearly & I don’t deny it at all. This isn’t meant to ridicule them at all. I respect them all plenty.

There is no doubt that the anime team were trying their best & if you like everything, then good for you, if you like some parts & don’t agree with others, then that’s fine. Criticizing is a form of loving, too. Just be respectful.

Preferences, tastes, visions, & outlooks, all differ from one human to another. This is normal & healthy.

The director or decision maker in the anime having different vision from the author is fine, too. After all, he’s a different person. His perspective & understanding of her characters is different. Disagreeing with him is fine. All medium of art are exposed to the audience perspective. I disagree with him on lots of creative decisions such as reliance on monologues, wide shots on intense moments, lack of zoom on facial expressions, most parallel scenes are very in the nose, need for exaggerated drama & over dramatic drawing of tohru & akito at times.

You can even differ with the writer herself on some parts of her writing, that’s fine, too.

I enjoyed this anime lots, it helped me make new friends, discuss lots of fascinating content, & practiced writing short critical reviews, which is sth I’ve missed from my college days!

I love the writing for the main male characters: Yuki & Kyo. I love their arcs so much! Yuki got the best focus on his core issues. Kyo, in particular surprised me as I used to think, due to the minimum content on him, that he’s only the secondary rival of the main male protagonist. But kyo’s story turned out fascinating & very psychological informed. 

Still, the anime is lacking to me for its depiction & presentation of women. The main female characters (Tohru & akito) are lacking realistic depiction of their core issues & time dedicated to that.  The focus on tohru’s mom role steals from realistic existence as a character on her own right. Akito is a villain for so long & her atonement is quick & her love story is quicker. Both females didn’t get to tell us their traumatic backstory in detail like the boys & they didn’t have enough focus on their human side.

Altho kyo had (1) way less screen time than yuki or even tohru, (2) his true backstory was only revealed in the climax, (3) his inner thoughts were blocked for suspense, he was written wearing his emotions on his sleeve from ep1, so, we grew to feel for him & dreaded what could’ve broken such endearing boy, hence, once it was shown we understood the psychological trauma that destroyed him. One third of the puzzle of his story was revealed each season gradually. (1) se01 (true form), (2) se02 (his bet with akito, knowing kyoko & loving tohru), (3) se03 (His whole backstory including the abusive father).

I wouldn’t say, I wish tohru was given the (yuki treatment) cuz then we’ll need more than 13 eps for se03, I just wished her story & emotions to at least be given the (kyo treatment): Divided into clear thirds (parts).

The anime is a lovely treat that I can recommend to lots of ppl with ease. You dont have to be into shojo to get into it, but it’ll undoubtedly trick you into its subtle main love story that subvert most shojo tropes. The other love stories are good as well, there’s a type of love for every fan!

There’s a number of platonic friendships which is very refreshing! 

My Final Verdict of the anime: Very Endearing as it tugs at my heart!

#Fruits Basket #Anime Only #overall impression #analytical overview #tried paper #Recommended anime for sure! #Will read the manga! #se03 sells the manga good!