#It was and still is a very important part of my life

[navybrat817]

Smartie: would you love me even if I were a gecko?

Stud: I would find a Witcher and make him turn me into a gecko and this would be us: https://vm.tiktok.com/ZMMVoXtHD/

BAHAHA. Nonnie, I burst out laughing watching this and reading the comments.

Like Animals

Pairing: Roommate!Bucky Barnes x Female Reader Summary: You ask Bucky an "important" question and he gives you a thorough answer. Word Count: Over 1.2k Warnings: Humor, fluff, implied explicit sexual content, inner monologue, TikTok video, pet names, established relationship, feels (it's me), Bucky Barnes (he's a warning, okay?). Apologies to geckos. A/N: Some Stud and Smartie for your Tuesday. Had to do it, @whisperlullaby and @targaryenvampireslayer! ❤️ Not beta read and written on my phone, so any and all mistakes are my own. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

A smile pulled at your lips when you saw Bucky relaxed in his chair, engrossed in his newest book. Soot and Alpine cuddled up together nearby, both letting your man have some peace as he read. Naturally, it was the perfect time to interrupt him. Because you had a very important question for him.

One that would shape the future of your relationship.

He’ll understand why I bothered him.

“Hey, Stud?” You asked as you took a seat on the sofa, his steel eyes peering up from the pages to gaze at you. Your heart would always skip a beat from that look. “I have something very important to ask you.”

He put his bookmark in to give you his undivided attention. “What’s up? Is it about the wedding?”

“No,” you smiled. You were aware that some men didn’t care about wedding planning, but Bucky was. He wanted it to be the perfect day for you. “But the question is kind of related to love and our relationship.”

His brows furrowed when you didn’t elaborate. “Okay. What’s the question?”

You inhaled and exhaled slowly. “Would you still love me if I turned into an animal?”

Bucky blinked once. Twice. The corner of his mouth twitched, but he didn’t smile or laugh. “An animal? What kind of animal?”

You huffed when he didn’t immediately say “yes”. That should’ve been his answer. “I don’t know! A gecko! Yeah. A gecko.”

I have to keep a straight face.

Amusement sparkled in his eyes, but he still tried to remain as stoic as he could. “A gecko? Why a gecko?”

“Because geckos are cool!” You replied, close to bursting out laughing at the absurdity of the questioning and logic. But wasn’t part of the fun of having a partner being able to discuss stuff like this? “They can climb walls, can live a long time, they make great pets-”

“You wanna be my pet, Smartie?” Bucky asked, his voice dropping an octave.

Yes.

“You’re…” you sighed when he ran his tongue along his lips. He was a sexy bastard and you would soon call him your husband. “You’re distracting me. Answer the question, please.”

“So, that’s a yes,” he smirked, pushing his hair back and causing you to stare a bit again. “You’re asking me if you were a gecko, would I still love you?”

“Yes,” you said, rolling your eyes to try and play it off as something silly. Which it was. “Would you love me even if I were a gecko?”

Bucky set the book on the table before he moved from his chair to the couch. Your heart raced when he took your left hand and kissed over your engagement ring. “Smartie. Doll. Baby. Love of my life, of course, I would,” he said, your cheeks warm when he smiled at you. “In fact, I would find a Witcher and make him turn me into a gecko so we could be together properly.”

Right answer, Stud.

“You would?”

“I would,” he promised, pressing his forehead to yours. “I don’t want to exist in a world where we can’t be together.”

Don’t cry. Don’t cry. Don’t cry.

“I don’t either,” you whispered, your heart full. “And no matter what, human, gecko, anything, I’m your Smartie and you’re my Stud.”

You knew if tomorrow you woke up as some different version of you, he’d love you. If someone tried to separate you, he’d find a way to get you back. He was your soulmate. You had the whole world because of him.

“Damn right,” he whispered, brushing his lips against yours before he pulled away. “Besides, if I ever found that Witcher, this would be us.”

…What?

“What would be us? I’m confused,” you said as he took out his phone and pulled up a video, cuddling close to you could both see the screen. “What is this?”

Bucky gently shushed you as he turned up the volume. “Just watch.”

You tilted your head as a rock came into view. “What are you showing me?” You questioned before your eyes went wide. Bucky’s arm over shoulders shook as he started chuckling. “Are those geckos fucking?!”

The decibel of your voice made the cats raise their heads, but they didn’t move since you weren’t in any sort of danger. “Yeah, they are,” your fiancé laughed. “Geckos in their semi-natural habitat.”

This wasn’t on my BINGO card for the year.

“Why do you have this?!” You asked, turning to look at him. “Wait, when did you start using TikTok?! Is this on your FYP? Is this a new kink you haven’t told me about? Because that’s a whole other conversation.”

He threw his head back and you couldn’t help but laugh with him. “You’re missing it.”

“Yeah, because gecko porn was the thing I was missing in my life. Everything makes sense now,” you teased, gesturing to the screen. “And, by the way, that’ll never be us.”

Bucky’s laughter came up short and, for a moment, sadness flickered in his eyes. “I thought you said we’d be together if we were geckos.”

“We would be,” you assured him, seeing happiness all over his face once again. “But look. He’s doing all the work and she looks bored as hell. That’s not me and that’s not our sex life.”

“So, I fuck you better?” He teased you.

Duh.

Whatever kind of sex you had before you met Bucky didn’t even count to you. He ruined you so thoroughly that you didn’t even remember the first guy you kissed. It was as if he erased all other guys from your mind.

Love was a powerful thing and Bucky had it in abundance.

“Yes, so much better. I mean, come on, she looks like she’s thinking, ‘Did I leave the stove on?’”

The brunette burst out laughing all over again.

I love that sound.

“Seriously! I would never just be still like that and you know it. There’s a difference between being a pillow princess and a dead fish,” You smiled, cuddling closer so you could feel his chest rumble beneath your hand. “And just for making me look at that, I want you to try and keep a straight face the next time we have sex.”

“What? That’s not fair,” he groaned, making you shriek when he suddenly laid you out on the sofa, his phone forgotten. “I can’t keep a straight face when I’m inside you. Your pussy feels too good for that.”

He always looks gorgeous when he slides into me.

“So does your cock. I don’t think I could look bored if I tried,” you agreed, raising an eyebrow when he moved on top of you. “But seriously, how is it that you just happened to have that video when I asked about us being geckos? You didn’t know I was going to ask you that.”

He grasped your chin to give you a thorough kiss, the kind that drove every sane thought from your mind. “I guess the two of us are just in sync,” he said.

“I guess we are,” you smiled. “But no more gecko porn today, okay?”

“Okay,” he smirked down at you. “But I will fuck you like an animal.”

True to his word, that was exactly what he did.

Oh, I adore them. 🥰 Love and thanks for reading! ❤️

Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi

#navybrat writes #bucky barnes x reader #bucky barnes x female reader #bucky barnes x female!reader #bucky barnes x you #bucky barnes x y/n #bucky barnes x fem!reader #bucky barnes x f!reader #roommate!bucky barnes #roommate!bucky barnes x reader #bucky barnes #bucky x reader #bucky x you #bucky barnes fic #bucky barnes fanfiction #bucky barnes imagine #bucky barnes au #bucky barnes oneshot #james buchanan barnes #sebastian stan #bucky fic #stud and smartie #bucky barnes fandom #bucky barnes fluff

[dyaz-stories]

don't get cut on my edges || gojo satoru x reader

synopsis: Gojo is easily bored, you're the latest enigma that's caught his interest. He sets off in trying to figure you out. Lucky for him, you're coming on the week-end trip Shoko's planned for the week-end.

“Was I off script?”

You look up at him.

“You’re always off script.”

word count: 5.4k

genre: college!AU, fluff, slice of life

cw: unresolved sexual and romantic tension, reader has anxiety and is socially awkward, she/her is used for the reader, a little suggestive, overall very sweet and fluffy

a/n: this was fun to write! any feedback is appreciated, and i hope you enjoy my writing here :)

soundtrack

Gojo knows that people talk, knows that they talk shit, knows that there isn’t a soul on campus that doesn’t have an opinion on him. He can tell that eyes follow him around when he walks into a room, that his presence is enough to shift the atmosphere at a gathering, that some people roll their eyes at him while others try their best to catch his attention. It’s a lot to take in, for just one person.

Fortunately, he’s proved to be incredibly gifted in the art of not giving a fuck.

Then again, he’s incredibly gifted in most areas of life. Truth be told, he thinks people aren’t giving him enough credit for that. Sure, they tend to know that he’s a physics major, but that’s just tangential to what they know about the rest of him. He’s not just kinda good at physics, not some dude that goes to college mostly for the parties and then get a meaningless job at daddy’s company, no, he’s the fucking best, and he works fucking hard to be able to claim that title.

But that doesn’t really fit in with the rest of him, and at the end of the day, who cares? He certainly doesn’t.

With all that, it’s not statistically unlikely for him to catch people talking about him.

Well, he’d have to conduct a detailed study to calculate the exact odds, but with how much alcohol is in his blood at this very moment, it makes sense to him that it would happen.

Still, for people to be talking about him at a party he is at, in front of an open window, you’d think they would have some sense of shame. Not that he has any room to talk, because shame is not part of his vocabulary, but like. Come on.

“Gojo really can’t take not being in the spotlight for more than ten seconds, huh?”

That voice, he’s quick to identify, even if he can’t see her face from where’s he’s standing under the porch, belongs to Mei Mei. Aw. Bummer. They’d spent quite a lot of time around each other, have friends in common, slept— Wait, have they slept together? He can’t say for sure anymore. It seems to have slipped from his mind. Oops. Maybe that’s why he’s getting that treatment. Maybe he deserves it.

There’s a scoff, and really, the acoustic of this place are impressive. It feels like he’s straight in the room with those people.

“What else do you expect from someone who’s always had everything served to him on a silver platter?”

And that would be Noritoshi Kamo. Man. That was one of the few kids in the families his parents insisted on frequenting. They used to be sat next to each other at the kiddie table while the adults talked about the important stuff. They never had much in common — not then, not now. And, after all, maybe Noritoshi has a point, after all. His mother wasn’t a mistress, wasn’t turned into an outcast, and he’s never had to pretend he didn’t hear the loud whispers that tarnished her name. Yeah. Sounds like these two aren’t saying anything new after all. Not that he’s gonna change, y’know, but he already knows who he is, and he is all that.

“That seems like a very mean thing to say about a friend,” a quiet voice comments.

The world freezes.

A silhouette appears to go along with the voice, then a blurry face, then the picture becomes clearer. A figure sitting next to Shoko, giving him sweet, polite smiles when he approaches. Not chatty, kinda shy, pretty cute. Would get quiet when he was near, though, so he hadn’t paid a ton of attention. He’s used to giving it to people who asked for it, who wanted it.

You’d never asked.

But you’re… not wrong. He’s not sure why he hadn’t picked up on it himself. It is a mean thing to say.

“Don’t get me wrong,” Mei Mei protests, “I love Gojo, but you know I’m right about this.”

“Yeah, and I’ve known him my whole life,” Kamo adds. “It’s just a fact, we’re not talking shit.”

There’s a silence. Gojo’s invested now.

“I don’t know him that well,” you say. “Like I said. It’s just a mean thing to say about someone you hang out with every day.”

“Come on, don’t act like—”

“I think I’m going to go, actually,” you say. “This feels super shitty.”

“What the fuck was that?” Mei Mei laughs, just a second later — presumably after you’ve left the room.

“She wants to fuck him, I guess,” Kamo says.

Well, you’re making one hell of a headway then, because he’d do you so hard after that.

When he walks back in, you’re chatting with Shoko. You give him your usual, close-lipped smile, don’t quite make eye-contact. If you’re trying to get in his pants, you have a very original way of getting it done.

“Who was your friend again?” he asks Shoko, later that night. She answers without looking up from her phone.

“She doesn’t talk much when there are new people around,” she warns him. “Leave her alone.”

“When have I ever bothered anyone—”

She reaches to smack the back of his head, misses and gets the nape of his neck — that’s the downside about being so tall, there’s just a lot of him to hit.

“Don’t make her uncomfortable. That’s all I’m asking.”

He wasn’t planning on that. He’s just— curious. Intrigued.

It’s unlikely to last, though. He’s been known to get bored easily.

You’re already in the car when he gets in. Well, okay, when he gets shoved inside by Todo, despite his protests that his legs are too long for the backseat. You’ve squeezed yourself in the middle seat, with Shoko on one side, and him on the other now. There’s a bag of snacks in your lap, yet you still try to shift yourself to give him a little more room. It doesn’t help at all, but in your defense, the only thing that could help would be to buy a new car.

“Is everyone ready?” Suguru asks as he adjusts the rearview mirror.

“Sure,” Shoko says.

“Let’s go!” Todo shouts.

“No,” Gojo whines.

“Yeah,” you say, completely drowned out under the rest.

“Good,” Suguru hums as he starts the engine.

Gojo pouts, but he doesn’t insist. Well, he doesn’t make any more of a scene than he already has. Truth be told, he could have taken Todo — dude might be all brute force, but Gojo has brains and brawns, thank you very much.

But he’s curious, still, and he hasn’t been given enough information to quite satiate his curiosity. Everything he’s gathered about you says that you mind your business and keep to your corner.

So why did you say that to Mei Mei and Kamo? It makes no sense, but Gojo’s never met an equation he couldn’t solve.

That’s an overstatement. Obviously there are equations he can’t solve. Yet. He’s sure he’d figure it out eventually. Like he’ll figure you out. See? That metaphor does make sense.

Suguru’s music is playing in the car. The sun is still low in the sky, the day is quickly getting warmer, and the phone says that they’ll be at the beach in two hours.

Satoru closes his eyes. Fun fact about him? He can fall asleep anywhere he wants to.

He wakes up with his face smooshed against the window, a hand tapping his shoulder carefully.

“We’re here,” you say, giving him a smile and then shuffling to leave the car from the other side.

Todo’s already running towards the beach, while Suguru and Shoko are getting the bags out of the trunk. Somehow, Shoko manages to sling a bag over his shoulder, but he takes off before she can stuff the cool box containing all the drinks in his arms.

He then lies to Todo to get him back to the car, so that he can carry the damn thing. Shoko better thank him later for that.

He catches up with you, and he sees your eyes widen a little when he approaches, as you visibly search for something to say. He can’t resist the temptation to shoot you a grin. There’s a light breeze in the air, but he won’t be fooled that easily — with his skin, he’s going to need an insane amount of sunscreen, if he wants to survive the day. Which makes him think, actually—

“Wanna help me apply sunscreen?” he asks.

“Huh?” you say.

He leans towards you, looks into your eyes from over his sunglasses. You appear to be fully frozen in place, only swallowing once as he gets closer. His grin gets wider as he takes in all of you, and he’s once more fascinated by the idea that you had been able to say something to Mei Mei and Kamo but you can barely face him.

His gaze drops to your parted lips.

Then the bottle of sunscreen smashes against his cheek with impressive precision.

“Todo can help you put that on!” Shoko offers as Suguru starts setting up a parasol. “Right, Todo?”

“Of course I will, my brother,” Todo say as he appears, but by then, Satoru has already started running for his life.

“Just kick him in the balls if he pulls something like that again,” Shoko says.

“Oh, no, it’s fine,” you reply, shaking your head in mild horror. “I just— I don’t— know— how to react sometimes. But he doesn’t bother me.”

That statement has her raising an eyebrow at you, filled with doubt, but she doesn’t insist.

“Play nice,” she does warn Satoru once more, later on. “Don’t push it too much.”

“Aw, Shoko, are you saying you wouldn’t approve of me?”

“Do whatever you want to,” she replies, rolling her eyes, “but give her more space. She’s not used to you being… you.”

Satoru rests his chin on his knee. He’s taking refuge under the parasol for now, and you’re already in the waves with Todo and Suguru. You seem comfortable with Todo, laughing at something he said, less so with Suguru. It all looks like a lot of work, all to satiate his curiosity. He’s all about committing to the bit but— he doesn’t know about that one.

This, too, all this thinking and questioning, is a lot of work, though, so he ends up shrugging it off.

“Are we getting in or what?”

“Absolutely not. No— Gojo— Don’t you fucking dare— Gojo!”

Shoko’s full-on shrieking by the time he throws her in the water. You burst out laughing. She comes out screaming for revenge, and Gojo starts scampering around to try and avoid her.

The sun is high in the sky, there’s a light breeze.

The time is good.

“Satoru!” Suguru calls when the watch on his wrist starts beeping, “it’s been two hours!”

It takes a second for the information to reach his brain, but the second he understands it, Gojo’s sprinting back towards the parasol at full speed. You look up, surprised, from the towel on which you’re lying with a book. Shoko doesn’t even bother with lifting an eyelid to see what’s going on.

“You okay?” you ask.

Ah, so she does speak.

“Yeah,” Gojo says, ruffling through a bag. “Just need to reapply some sunscreen. I’m not trying to look like a lobster.”

“Oh,” you say, “so, did you want me to help you with that?”

His fingers finally close around the bottle, and he stills to look at you. Shit. He’s curious again. Shoko’s words are swirling around in his mind, though, and he has no interest in forcing your hand.

“You didn’t look like you wanted to do that,” he says with uncharacteristic caution.

You roll your lips together, glance away from him, and your hand curls into a fist in the sand.

“No, it’s just— Um, I’m sorry about earlier. You— caught me off guard, I guess. I couldn’t figure out what to answer.”

“I usually just go with whatever appears through my head first,” he shrugs as he comes to crouch in front of you — you in the sun, him in the shade.

You laugh softly, but you avert your eyes, focusing on the sand as you trace patterns in it.

“Yeah, I think that’s the preferred method, but it— doesn’t— really work for me. So I have— I have a script, kind of, for interactions.”

“And I was off script?”

You glance back up at him.

“You’re always off script.”

For a moment, he just looks into your eyes, and you look back without any of that earlier nervousness. Then you shrink back into yourself, and the smile that so rarely leaves your lips reappears, like a shield that comes back up.

“Sorry. I know— I know how silly this sounds. I also wish I didn’t feel the need to do that, I just, um—”

“All good,” he replies with a shrug. “Sure. Help me with that.”

He throws you the bottle and you miss it, and he can feel you eyerolling at his back without needing to turn around, but when he shoots you a grin from over his shoulder, he can see how your breath catches in your throat.

Softly, your hand goes over his back, your touch gentle and cautious. It feels quite nice, actually, especially when your nails brush over his skin.

“It’s not too cold?” you ask.

“All good,” he repeats.

Shit. He’s invested again.

“Okay, we have the tickets, we have the water bottles, we have the hats, we have flat shoes, we have Gojo, we have the car keys—”

“I’m sorry, why was I just in the middle of a list of belongings?”

“We have cellphones and portable batteries… I think we’re good,” Shoko concludes, fully ignoring him.

“You don’t think we’re just a touch overprepared?” Suguru asks.

“You can never overprepare, my brother,” Todo says, grabbing his shoulder firmly. “If you want to triumph in the face of adversity, you need to know everything about the enemy.”

Suguru opens his mouth, closes it again. He knows how to pick his battles.

Gojo doesn’t.

“We’re going to a festival, not trying to breech the Pentagon,” he deadpans, and then, from the corner of his eye, he tries to see if you’re laughing. He delights in how you lower your head and try to keep it discreet.

“You never know what—”

“If I have to hear a second more of this nonsense, I swear to God I’ll kill someone here,” Shoko announces cheerfully. “Let’s move.”

Finally, after a good fifteen minutes by the door of the Airbnb you’ve all spent the night in, you start moving.

The good news is that you don’t have to get in the car, in the smothering heat, to get on the overcrowded streets packed full with the cars of the other attendees. The bad news is that you have to walk there, in the smothering heat, near the streets packed full with the cars of the other attendees. Suguru’s in charge of the map, which everyone seems happy with. Gojo had offered to do it, too, and there’s not a shred of doubt that he’d be able to read it competently, but Shoko had insisted the risk of him taking everyone to the wrong place ‘just because it would be funny’ was too high.

She’d been right but like, that was still rude.

The march in the heat and the waiting in line, while painful and unpleasant, as Gojo makes sure everyone around him is well aware of, go pretty smooth. Everything is planned and accounted for. There’s a game plan once they make it into the festival, too, because of course there is, but that’s when things start going south. First, Todo tries to go rogue when he spots someone wearing Takada merch. She’s not performing here, but he’s heard rumors that there would be a stand for her, and he lurches towards the woman. He’d get lost in the crowd immediately if not for Gojo’s lightning fast reflexes.

Unfortunately, soon enough it’s Gojo’s turn to get distracted. What can he say, there’s the smell of sugar in the air, and he needs to know where it’s coming from. Suguru’s the one to get him back on track, as they all head towards the main stage. Because that’s what Shoko’s grand plan leads to: sweet, sweet, close-up spots to watch the Sorcerers, headliners for the festival and also unarguably greatest band of all times, with minimum wait before their show.

There are a couple other close calls, but the group manages to get close enough to the stage. There are people here already, but they’re here for other artists mostly, and they’ll no doubt move quite a bit before the start of the real show. From where they are, even you and Shoko will be able to— Wait a minute.

“Huh,” Gojo say. “Hey, Shoko, do you happen to see (y/n) around?”

“If you can’t see her from up there, why would you think I— Fuck.”

“A fallen soldier,” Todo sighs somberly. “Sometimes, you have to make sacrifices for—"

“We should go get her,” Shoko interrupts him. She’s biting her lower lip, staring at her phone. She looks quite worried, Gojo notices as he stares at her.

“Why isn’t it enough to just text her?” Gojo asks. It’s not ideal, and it won’t be easy to find the group in the middle of this sea of people, but it’s not impossible.

“I just— I don’t know if she’ll want to deal with all that” she gestures at the crowd “alone. I’m afraid she’ll say she doesn’t mind and then she won’t have a good time.”

Gojo tilts his head. It wouldn’t cross his mind to say something he doesn’t mean. It’s an incredibly weird thought, actually. But Shoko’s better than him at, well, people, and she might have a point. He also doesn’t want you to have a bad time, after all. With one last glance at the stage, he nods at her.

“I’ll go get her.”

“Are you sure?” Suguru asks. “I can go, if you want me to. It’s your band.”

As if it isn’t his, too. But Gojo shrugs. His attention span is fleeting, and he’s got his sights on something else right now.

“Nah, don’t worry. I’ll make it back.”

“Thanks,” Shoko says sincerely.

He waves vaguely at her before making his way back through the crowd, earning his fair share of nasty glances. He still doesn’t care.

A few minutes later, he receives a text from Shoko with a screengrab where you say you’re getting something to eat. Sure enough, he has no trouble finding you waiting in line. You’re typing on your phone, not paying attention to your surroundings, and he’s grinning already. He lets himself half fall on you, arm wrapping around your body as he drops his chin onto your shoulder. You jump, glancing back bewildered, but you don’t stay tense long once you see it’s him.

Which makes him feel things, actually, but he’ll unpack that later.

“What are you doing here?” you ask, brow furrowing. “I thought you guys would be in front of the stage by now.”

“I came to rescue the princess, obviously,” he says, and you laugh. You laugh a lot when he talks, instead of rolling your eyes like people usually do.

Maybe you’re a bit too good of an audience.

“I don’t need rescuing, Gojo,” you answer, and it’s interesting how calm your voice is. “It’s packed too tight for me in here. I told Shoko but…” You shrug. “It’s not always easy to understand how it is. For me.”

“Yeah,” he says. “I don’t get it at all.”

Your shoulder’s pretty comfortable, though. And you haven’t tried to get him off of you yet.

“Do you want to order something, too?” you ask, pointing at the food stand. They sell waffles, and just the smell has his mouth watering. “Strawberries and whipped cream, right?”

Gojo pauses.

“How do you know that?”

“You’ve mentioned it. A few times, actually.”

He’s sure he has, but—

“You were listening to that?”

You blink at him. He realizes how close your face is, with his head on your shoulder.

“Of course I was. You were talking.”

“Shoko didn’t tell you? It’s like, rule number one of being around me, don’t listen to the stuff I say. There’s a lot of dumb shit in there.”

You tilt your head, looking kind of confused.

“I still want to hear what you’re saying.”

Something inside him feels warm all of a sudden. Very warm.

“Yeah,” he says, but his throat is tight. “Strawberries and whipped cream.”

When you step forward to they can take your order, he begrudgingly gets off your shoulder, which allows him to swipe his card before you can get to it.

“I had that,” you protest while he bites into the insane amount of whipped cream in his waffle — he asked for more until the guy behind the counter looked like he was going to murder him.

“I had it first,” he says, and then he sticks his tongue out at you. He anticipates your laugh this time, finds himself waiting on it. When it comes, it sounds just like he wanted it to.

For a while, the two of you sit on a fence. You hand him a water bottle, say that he needs to stay hydrated. With no one else around, you don’t seem to have such a hard time speaking. You’re so quiet when everyone’s there and, well, him and Todo take up a lot of space, when it comes to conversation. Neither Suguru nor Shoko struggle with making their voices heard either, and in the middle of all that, you tend to stay silent. Apparently, that doesn’t stop you from listening.

“Shouldn’t you be going back?” you ask, after a while.

Gojo tilts his head as he thinks about it.

“Nah, I’m good. Let’s find some place where you can enjoy the show.”

“You don’t have to—”

A grin, and then he’s jumping from the fence to come stand in front of you. Even like that, he doesn’t have to look up to meet your eyes.

“And how d’you plan on stopping me?”

Your eyes go wide. He can almost hear your heart racing, and he thinks he’s starting to get a little too high on that feeling. It’s just so easy, so fun, so delicious.

“Okay,” you squeak, averting your eyes and jumping down after him, clearly trying to hide your reaction. “Okay, I’m coming.”

When you start walking by his side, grabbing your hand is just too easy not to do it.

“Wouldn’t want you to run away again,” is what he says as he intertwines his fingers with yours. “Now you’re stuck with me.”

You still refuse to look at him, but there is no actual discomfort in your reaction, just what he thinks is uncertainty about how you’re supposed to behave now.

“Have I gone off script again?” he practically purrs.

You glance up, a flash of amusement on your face. Lots of fondness, too, and this time he’s the one who gets caught up in it.

“You haven’t been on script once today.”

“Good,” he says, managing to pass off the emotion that just choked him for a second there as impatience. “Someone’s got to keep you on your toes.”

“I’m always on my toes,” you mumble behind him, but you can’t explain to him what anxiety feels like, so you just let him drag you away. His fingers are long, his hand engulfs yours easily. You like the feeling of it more than you should.

Your eyes are on Gojo’s broad back as he pulls you through the crowd, which parts effortlessly for him. You’re enjoying this.

You don’t think it’s going to last.

Gojo doesn’t think about that though, just like he rarely thinks about tomorrows. What he’s thinking about, as he keeps far, far away from the stage, is how to find a place with enough air around for the two of you. It’s easy for him to get a good look at the stage, and he earns his fair share of pissed off glares — “Seriously, it should be illegal to come to an open-air stage when you’re that tall” — but it takes more work to get the perfect space for you. Finally, his eagle eyes figure out some place that’s just perfect, and he beelines for it with you in tow.

“There,” he says, pulling you in front of him and putting his head on top of yours, just to check that the line of sight is good enough.

Ha. He nailed it.

“Thanks,” you say. There’s surprise in your tone.

“Is this a good spot for you?” he checks, but really, he just wants to hear you praise him?

“It is, but— I thought you said you didn’t get it? My—” You gesture vaguely. “—struggle. With all that stuff.”

Oh right. You actually listen to what he says. He needs to keep that in mind for the future.

“Does it matter?” he asks with a shrug.

You stare. You open your mouth to speak, but no words come out, and then the crowd starts absolutely howling and you spin around to see the Sorcerersget on the stage. Whatever moment there was there, is forgotten right away. He sees you fish in your bag for your phone, then raise it over your head and tiptoe around, trying to get a good photo.

It’s cute, it’s adorable even, but it’s not very efficient.

“Do you want some help here?” he asks, leaning close to your ear so you can hear him over all the noise.

Your body shivers into him, and he files that away for later.

“Um, yeah,” you shout over the noise. “Here, could you—”

But he pays no attention to the way you offer him your cellphone, and instead he’s bending down, and ignoring your surprised protest as he pushes his head between your legs.

He bench presses a hell of a lot more than he looks like he does, for the record.

With a grunt, he manages to get you up on his shoulders, and some people behind him complain loudly, but whatever, they can wait for you to get the perfect picture. You struggle to stabilize yourself for a dangerous second, and then you stop moving around for a second. Your thighs are supple and warm under his hands and around his head.

One more thing to remember.

“I’m good, I’m good, get me down,” you say quickly, just as he’s storing the thought away.

You seem relieved when your feet get back on the ground, and Satoru lets his hands linger on your waist.

“Was it a nice pic?” he asks. He knows he’s all red in the face, but he’s grinning so wide it almost hurts, actually.

“Perfect,” you squeak. “Thank you. Again.”

Aw. He’s going to get used to that word real quick.

A familiar guitar riff comes from the stage, and you turn away from him once more, but his hands are still on your waist. He uses that to pull you against him and this time, you don’t hesitate to let yourself lean back against him as the two of you move in rhythm with the music.

The concert is a blur after that. There’s a lot of singing, a lot of screaming, basically no time to catch a breath, because the Sorcerers are fucking beasts that don’t let up, not even for a second. At some point, you tell him something, but he can’t really hear, so you crane your neck back and he lowers his head. Your lips brush against his neck, an accident really, but it sends such a jolt of electricity through him, he thinks he’ll go into full overdrive.

The only thing that stops him from chasing after your lips immediately after that is Shoko’s voice, going around in his mind. ‘Don’t push it.’ What the fuck was that supposed to mean?

You move away, and he still has no clue what you were saying. If after that, his hands hold your hips a little tighter, if he pulls you a little closer, he can’t be blamed. If, during one of the more sulfurous song of the show, as you’re swaying against him, humming along to the song, his lips find your neck, he doesn’t want to hear about it.

When he presses a kiss right by your jaw, you turn to look at him. You’re pretty. He’s always thought you were pretty.

Fuck Shoko, he thinks, and he’s ready to put his mouth on yours, to slide his tongue between your parted lips that have looked so inviting this entire week-end, when the riff of the band’s most popular song starts playing, and he loses you attention once more.

Cock-blocked by his favorite band. Fuck his life.

When the song ends, there’s movement in the crowd as the band gets off the stage and people start chanting for an encore. In Shoko’s fool proof, perfect plan, this is when you’re supposed to start leaving. Gojo doesn’t want to — how is he supposed to do anything about how much he wants his mouth on you once you’re back with the other — but this time you grab his hand and pull him away from the stage and he has even less of a clue of what he’s supposed to do about that.

You get to the meeting point before Shoko, Todo and Suguru, which makes sense, considering you were much further from the stage than them. It’s a specific pole that Shoko had pointed to as you were first getting in, and the urge to push you against it and to taste your lips is strong. Gojo isn’t typically one to ignore that kind of feeling. He just goes for it, doesn’t let his brain get in the way too much. He’s not sure what it is with you and your doe eyes and your sweet smile that makes him act different.

Whatever it is, it makes him ask “Did you have a good time?” instead of kissing you senseless behind the pole while watching to make sure Shoko doesn’t catch him in the act.

“It was amazing,” you say. “I don’t think— I don’t think I’d have gotten that close without you.”

“Did I force your hand?” he asks, frowning.

“No, no, that was great, actually.” And there it comes, his favorite words, and then he’ll kiss you. “Thank—”

“There you guys are!”

You have got to be kidding him. The Gods of timing are so set against him, he must have done something to piss them off badly in another life.

“Okay, we should start heading towards the exit,” Shoko announces.

“Nah, we ‘re staying until the end,” Gojo says, burying his hands, balled into fists, in his pockets. He’s being needlessly belligerent, but whatever, she deserves it, whether she knows it or not.

“Don’t be a dick,” she glares.

He smiles at her. And he doesn’t budge.

“We’ll run,” you say, stepping in. “I’m sure we can still beat the crowd if we run.”

She narrows her eyes at you, then at Gojo.

“You’re a bad influence, you know that?”

So many delicious thoughts coming to him, and he can’t do anything about it. Damn it all.

Of course, it ends with the five of you sprinting on the lawn and all the way back to the house. Of course, he doesn’t catch five seconds with you after that. Of course, your face is on his mind the whole night.

Of course, because it’s just his luck, isn’t it, in the morning, Shoko tells him you had to catch a flight early in the morning.

“I told you, don’t you remember? She’s going back to her family for the summer.”

Of course, he doesn’t.

Ah, whatever. It bothers him for a minute, but then the day continues unfolding, and the sun’s warm, it’s the peak of summer, and he only really knew you for a couple of days. He’ll see how he feels about it when college starts up again in the fall. He’s not known for sticking with things, anyway. He’ll probably forget; you probably won’t capture him again like you did; it was probably a fluke.

That, or these will become famous last words.

sequel

thank you so much for reading! i had a ton of fun writing gojo's pov and i hope you enjoyed it too, even if i'm still finding his voice :) please reblog or comment if you've enjoyed this, i'd love to hear from you! getting readers' feedback on my writing is what keeps me motivated to write so if you'd like to read more from me, that's the way to do it!

tagging the people who expressed interest in this: @elidebrey @xstom @chosospookiebear @xmysticredx

#gojo x reader #gojo satoru x reader #gojo satoru #gojo x you #gojo x y/n #jjk x reader #jujutsu kaisen x reader #gojo fluff #jjk fluff #jjk x you #my writing #gojo imagine #jjk imagine #jjk x y/n

[tuliptic]

My Way: Finding My Place in Adulthood

Don’t be afraid, dreams are everywhere, just keep going as I always have, this is my way.

Henlo adults here, this is another reading for y’all. This reading is specifically targeted to all adults: young adults to ease their minds; regular adults to get used to adulthood. Adulthood is really… Something… And this is coming from someone who’s turning 30 soon. I still have no grasp about what I’m doing, how I’m living my life, etc. Adulthood is still scary to me, though I have to say I’m seeing myself getting better and better day by day. Taking baby steps is important, as we all grow from what we experience.

Close your eyes, meditate on this topic and ask yourself the question: How am I supposed to move around in adulthood, being an adult? Breathe in and out, make sure your mind and heart is calm. Then, open your eyes to see which pile talks to you the most/draws you in the most. Once you’ve found your pile, scroll down to the respective parts to see what are the messages for you.

Pile 1 - Pile 2

Pile 3 - Pile 4

Disclaimer: This is solely for my entertainment purposes. Take only whatever you feel like it. If it doesn’t resonate, it’s okay to just drop it. Also, I do not consent to my work or images being used by third parties on this platform or other websites as well.

Decks used: Luna Cat Tarot Deck (Major Arcana), Linestrider Tarot Deck, Sweet Dreams Oracle Deck, Starcodes Astro Oracle Deck.

Pile 1: Don’t be afraid, dreams are everywhere

One card to represent you: The World

I feel like there’s some sort of fear and enlightenment here. Some of you have an idea of what you want to do or achieve in your life, some of you know your life purposes, most of you are content with how your life is right now and are just going with the flow. However, all have a certain discomfort in common, which is fear of uncertainty. Most here may have earth influence in your chart, where stability is needed, where you are able to hold certain control over your own life. What if I do this and I could no longer go back? What if I give up my job and pursue something else? You have the answers to these questions, but you’re not ready to take the first step because of how certain you are that things will not go as you planned and hence, you’re in a standstill. (PS: Some of you may be into spirituality as well, and you might be called to use this gift to achieve enlightenment for yourself and the people around you.)

1. What are the expectations I have for myself? - Four of Wands rx

For some reason, I feel that… You expect difficulties. You don’t expect or believe good things can come to you without lessons or pain. You believe in fairness and balance, that amazing things can only come to you if you put in the effort and work hard. Hence, you tend to not take certain opportunities either because you think you don’t deserve it or you don’t think you’re capable of it. In a sense, I’d say that this way of thinking has caused quite some conflict and tension, not allowing you to enjoy the peace and security you usually like. What has brought you comfort in the past is now hindering you to accept new happiness in.

2. Feasibility on achieving those expectations? - Seven of Cups rx

Seven of Cups is a card of illusion, but with it in reverse, it is a card of choice. This relates back to the first card pulled, the card to represent you. You know what to do, you are capable of doing it, but there’s fear holding you back. Or maybe, fears. To you, you’re not only jumping out of your comfort zone, but into a danger zone where you have no idea how to manage the risks. Accept your fears, let yourself fall, let yourself fail. Have courage, believe that you’ll still be able to stand up after the fall and grow better from it. You’ll be surprised with what you’re capable of.

3. What are my weaknesses and how do I compensate? - Death rx

This card here is very self-explanatory: You fear change. That’s it. You prefer stability over anything else, and you fear losing control over what you have. What is yours needs to remain yours. This may stem from insecurities that were caused by traumas when you were younger, may it be people leaving you, or being disappointed by others, or something else. It has definitely affected your thought process, your understanding of the world and your way around it. The first thing that came into my mind was therapy, because there are some deep-seated issues that you may have. You’ll need to identify your fear, the root cause of it, work it out, and step out to try something new, constantly regenerating yourself on the way.

4. What are my strengths and how do I get better at them? - Nine of Wands

You’re resilient. You may not think so, thinking that how you function is just the norm and everyone else does the same. No, you’re different. You have gone through a lot of things and those experiences help you manoeuvre yourself around the present issues, and you learn as you grind through the challenges presented. People may see you as an inspiration with how you manage to not dim your lights through the darkest nights. You need to know that you have a side like this, and that you’re able to encourage others through you being you. Shine. Accept yourself and shine brighter, be the inspiration you’ve wanted to be. You’ll be surprised with how things will fall in place and come to you.

5. What is it in adulthood that I should focus on? - Eight of Wands

I’d say building connections would help you in the long run. Eight of Wands is a card that talks about action, which is… Again, self-explanatory. But what sort of actions should you be taking? In what field? Connections and networking. I’d say most of you have a way with words, or some may even have 3H or 11H placements. By building a web of connections, you’re able to gather information and help from various parties that will help you to get on the right track. Some may even push you towards the direction that you want to head to. Be proactive in making friends, talking to people, and taking the first step. Once you throw yourself out, people will know you and will be able to provide the support you need. And then you can vroom your way.

6. What are the directions and advice that I need to know/hear? - Five of Pentacles rx

One comforting message here is that difficult times shall pass. You may think you overcame something but there’s more to work on, which you’ll realise that the issue you face is still affecting your decision making as of current. You’ve got to review your past and learn your lessons, know that you can’t afford to stay in this mindset for long. This card acts as a sign that it’s time for you to move from feeling insecure to a more adjusted mindset, which will be prompted when you see new perspectives. You will be receiving messages from your guides and higher selves in various forms. Trust your gut feeling, believe in every reason that makes you feel better.

Overall energy: The Tower, Five of Cups rx

The themes of lesson, growth and replacing things and values that no longer serve you. Liberation will come to you when you move past that phase that’s holding you back. Hmm… Lemme reword myself. This pile gives me the feeling of something promising is coming, but you’ll need to go through the lessons (aka accepting that good things can come to you without your expected cost, it’s alright to fail, the need to find out the root cause of insecurities, etc). Life will present opportunities to learn, and will bring in new people for you to grow together. You know you are loved. If you don’t know it, now you do. Believe it.

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Pile 2: Finally we begin

One card to represent you: The Empress

I would say that you have a gentle energy, you’re the person others go to when they’re feeling down or when they need some advice. You radiate a warmth that’s calming, providing a space of comfort for the hurt and wounded to rest and heal. You are intuitive, tho I have to say that your wisdom outshines it. It’s not just wisdom, it’s not just gentleness, but also a sense of belonging, a place where one returns to. Your intuition is what gives you the ability to see through things, people as well as the unknown. Some of you may have clair abilities, especially claircognizance. 

1. What are the expectations I have for myself? - Ten of Pentacles

I would say that you expect to build a life, build a family of your own, to be your own source of whatever you want. You do not want to rely on other people for things, especially financial abundance and happiness. You want to be your own provider so that you would feel secure with it, and that you’ll be able to contribute or give out what you have without needing to be conscious of how others look at you. There’s a hint of family themes among this, so it could also be you wanting to be the provider in your new found family without losing your own independence, if this makes sense.

2. Feasibility on achieving those expectations? - Ace of Swords rx

It’s doable, but it’s difficult. I feel that there’s quite some conflict between you and your family, resulting in you wanting to build a new family or to have your own found family. There’s this tension in you that is blocking a lot of blessings, I’d say. There’s a lack of clarity and undefined goals, preventing you from achieving success and happiness (depending on what you define them as). You will need to review your expectations, to set clear and measurable goals, only then you’ll be able to see your progress and further decide on how you want to proceed or to make changes along the way. Do not try to cover up facts or find excuses. You know that it’s not going to help you in the long run. Face it, accept it, work with it. 

3. What are my weaknesses and how do I compensate? - The Sun

Optimism is great, but being overly optimistic is not good. You tend to see the good side of things and may end up beautifying them, exaggerating them, or even fabricating them unconsciously. For some reason, I’m also seeing that you may be beautifying self-sacrificial tendencies, or attempt to attract people with your pain. You want to shine, want others to pay attention to you. Some of you may be prideful, but some would use whatever they’re “lacking” to attract attention. Example: Your friends use iPhone, and you use Android. Instead of saying you want to be different, you probably will go with the approach of “people who use iPhones are just keeping up with the trend and thinking that’s the higher end”, when in reality you can’t afford an iPhone. This is just an exaggerated example illustrated here for you to have an idea.

4. What are my strengths and how do I get better at them? - Death

Change is your forte. Some of you may not know it, but some of you do (and perhaps do not accept it). It’s not flexibility that we’re talking about, but more of an open-mindedness along with acceptance. Once you’ve overcome your weakness, you will be more open to listening to what others have to say, and forming your own opinion based on whatever information you’ve gathered (from others, from your own research, as well as updating outdated data). The transitioning phase will be smoother during then, when you shift from the old to the new. Right now, I’d say that there’s still a part of you who’s unable to accept that you’re wrong, or incorrect at certain things. There’s no fault in having pride over your knowledge, but if it is hindering you from improving, then you may need to work on that. 

5. What is it in adulthood that I should focus on? - The Emperor

Focus on your goals and what you want to achieve. For you, I’d say, one of your goals would probably be something that’s legacy related, may it be inheriting something (finance, career, skills, connections, etc.) or starting a new legacy (starting your own company, building network from scratch, starting to take up a very specific and niche role, etc.). I would also say that you’ll need to look straight ahead. The Emperor can’t afford to look around, only focusing on the path that’s in front of him where he tread carefully but boldly, carving the steps out for his people to follow (somewhat a legacy too). Do not be distracted, do not easily give in to temptation.

6. What are the directions and advice that I need to know/hear? - Eight of Cups rx

First thing I’d like to say is that your journey is going to be lonely. It’s not just going on that journey alone, but it’s something akin to a burden or a mission that you can’t tell anyone. You may have tried telling a family or a friend about it, and they don’t think it’s a big deal, resulting in you swallowing the pain alone, no longer willing to trust. The disappointment and disillusionment has uhhhh thicken around you. Think of them as fogs around you, and as they thicken, the more difficult it is for you to see your path. That. Communication with boundaries is very important for you right now, where you can put a balance between the socialisation and exposing yourself thoughtlessly. It’s difficult for some people, where you unknowingly overshare too much. Learn from it, find out a way that works for you. Open yourself to things, allow yourself to be open to inspirations from things and people around you.

Overall energy: Strength, Six of Swords rx

You’re strong, knowing where to go and how to reach your destination. Just that whatever that’s happening around you is preventing you from moving forward. You’re holding a lot of things back because whatever situations you’re in, but your passion and faith in life is strong enough to support you. You are doing your best with whatever you have right now, looking for opportunities in life’s challenges and learning the lessons. It is a difficult time, but have faith that things will turn for the better. Prepare your boat, and once the wind blows, set sail.

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Pile 3: No matter what I’m going my way, to the place I’ve dreamed of every night

One card to represent you: The Chariot

I would say that you’re someone who’s goal oriented. You know what you want and you'll work towards it. I would also say that you may be impatient at times, wanting to achieve things in a short time. It feels like you feel that you're running out of time, especially when you compare yourself to your peers. For example, people your age have been talking about career advancement while you're still figuring out what to do, or your friends are married with kids and you're still single and feeling miserable. You know you're on the right path at your own pace, and you appreciate your days and blessings, but sometimes you just feel anxious about being “left out”. 

1. What are the expectations I have for myself? - Three of Swords rx

You expect yourself to be healed from your wounds and traumas soon. You want it quick, you want it urgently, and you’re pushing yourself far more than you can deal with at the moment. You probably may have gone through some childhood traumas and you’ve left them as they are. It may be due to the society or environment you grew up thinking that whatever you experienced was normal (Asian families, perhaps?). You thought vulnerability was a fault until recent years, where you learn to accept and honour them, and from there you proceed to heal your inner wounds. You may have thought that once you’re done with Phase 1, you can immediately complete Phase 2 of your healing, and… Sorry to break it to you, it’s not gonna happen that way.

2. Feasibility on achieving those expectations? - Two of Swords

It feels like you’re asking yourself the question: Am I healed or not? And your answer to it is either yes or no. Which… Is not how healing works. Healing is a process; a journey, not a mathematical equation which is either right or wrong. You may think you’ve been healed but in reality, you may not have achieved that yet. You’re not seeing a lot of things yet, which is why you need to rely on your senses, especially hearing. You need to learn to listen to the whispers of others, may it be your friends or your guides. You are not alone, you have people accompanying you through this journey because you are loved. Healing is not linear, so take your time.

3. What are my weaknesses and how do I compensate? - The Fool rx, The Devil

I would say that you have expectations and you may think you’re living up to that, believing that you’re better and you live like it. … Lemme rephrase myself: You think you’re alright and that you’re living as how you expect yourself to be when you are not. It’s like you’re putting on a mask to deceive yourself and to show others that you’re doing fine. There’s this saying that you’ll need to fool yourself first if you want to fool your enemy. That’s you. You’re pretending and putting up an act, which will eventually cause your downfall to be greater than what you’ve experienced. Your insecurities are devils in disguise, which you probably know of. Now that you know of this side of yours, you will need to think and use your brain to figure out as you go. 

4. What are my strengths and how do I get better at them? - Four of Swords rx, Eight of Pentacles rx

I would say that you’re very action based, and you think a lot. One thing that’s special about you is that you know when to stop thinking. Unlike most people, once they start thinking, they spiral into their thoughts and have no way out. You, however, know when to stop and how to pull yourself out from that headspace. From there, you then use that energy and time to focus on earth-themed items, such as career, work, fame, building something, etc. You’re basically the healthy combination of brain and physical energy, making sure both of these aspects are taken care of, working on them when others are still trapped in their heads. If you think that you do not have this trait, maybe you can try it out. I believe all can achieve this, but your pile is able to tap into it easily as compared to others.

5. What is it in adulthood that I should focus on? - Four of Pentacles

Learning to focus on yourself, to put yourself first before others. I’m not sure if you’ve been called selfish for putting your needs above others, but you’re not. You can only share when you have extra/excess, and that’s when sharing becomes something comfortable and meaningful. Remember, you are not supposed to burn yourself to warm others. Let yourself have your own time, build connections with yourself and with others. Collaboration is something that you can work on, may it be work related projects or personal projects. Passion projects are things that will help you redirect your energy, and for you to keep yourself occupied when you realise your thoughts are jumbled up again with the excess energy.

6. What are the directions and advice that I need to know/hear? - Three of Cups

I would say that you will need to build your own home with people you trust in, with people you’re comfortable with. You may have gone through quite some family trauma, and your safe space may no longer lie with it. Remember, home is where the heart lies. As long as you feel comfortable, comforted and safe, you are home. For some reason, you may have been seen as the black sheep of your family. You have been told that you have great communication skills (may also have 3H placements), and it would be great if you know how to use that skill to its full potential. There’s more you can do with it, may it be drawing people to you, or drawing people away from people who harmed you. 

Overall energy: Judgement, Wheel of Fortune rx

I feel that you tend to judge yourself a lot, or people may have passed their biased judgement onto you when you’ve decided to not go their way. There are also some… Remnants? Of feelings of unjust? You have felt that life was unfair and things have not been going your way. Though you may have put that thought aside real quick cuz you believe in yourself more than what the stars or fate has said. You prefer to take things into your own hands instead of whatever higher beings there are out there, and I’d say that you’re doing a good job with it.

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Pile 4: I admit it now life is a long marathon, the difference is that I set the course

One Two cards to represent you: The High Priestess, The Lovers rx

The first word that came to me is intuitive. You know you’re intuitive and you have used your intuition on a lot of things that came into your life, may it be making decisions or using it to discern those who come close to you with agendas. But still, you probably have some… Troubles with love? Not necessarily romantic ones, but platonic and love towards yourself as well. For some reason, I feel that you may feel called to be a lover. It can be self love, but personally, I feel that the energy here is more outwards, where you are supposed to love others, and yet there’s no one out there deserving of your love. Some of you may have 12H or Pisces placement as well, which may give others an impression of being dreamy or drunk in love. (My logical head thinks so, but for some reason I’m feeling that heart-clenching feel, as well as a sense of loss. Not sure how to phrase it well tbh.)

1. What are the expectations I have for myself? - The Moon rx

Weirdly, for some reason, I’d say that you expect yourself to be… Different? You know you’re different and that you may sometimes feel that you are unable to align with how this world functions. Hence, when you feel you’re becoming too “earthly”, you may feel torn, because you expect yourself to do or achieve “unearthly” things, eg: to be a spiritual guru, to do reiki healing, etc. You are definitely one pile that is more prone to the spiritual side of the world, where you’ll often have a nagging feeling at the back of your head when you’re not doing anything of that sort. 

2. Feasibility on achieving those expectations? - The Empress

It is definitely something achievable, that is, if you focus on healing yourself as well as creating meaningful bonds with the people around you. One of the main themes of The Empress is to nurture, which you are called to not only nurture the people around you, but also to nurture yourself. You will also need to be with the right group of friends who will be able to help you flourish (and of course, you helping them as well, as this is a mutual relationship). I honestly don’t know what else to say about this because the message is repetitive, and I think you know it as well. 

3. What are my weaknesses and how do I compensate? - Two of Cups rx

This card in this position talks about tension, deception or even lack of trust between you and your spiritual side. For some reason, I’m feeling that you are holding too strongly to a certain thought or a belief. It causes stress and fatigue, making you lose hope in the process. Instead of taking a forced “temporary” approach, it would be better for you to reflect on what it brings you, and to let go of past beliefs that no longer serve you. Two of Cups is supposed to be a card of joyful celebration, a union between two parties. You will need to turn the card upright. It’s time to release the old and embrace the new, only then you’ll be able to grow into your very best self.

4. What are my strengths and how do I get better at them? - Six of Swords rx

I would say that one of your strengths is special, because it is not so to a lot of people. You do not let your problems push you, but you work your way with it. See, most people’s first reaction is to solve the problem or to run away from it, but you choose to live with it and rebuild your life around it. There’s a part of you that is unwilling to make your life a mess by running and avoiding the problems. You surrender. Not in a negative way. You surrender the pain and stress, you abandon the old, limiting beliefs, and you live in the present. The best way I can describe it is… It’s like you’re a monk, where you live with whatever that is happening around you. Waves (troubles and challenges) are around you, and you’re on the boat, keeping yourself calm, not bothering with what the world is doing, keeping your calm. It's like you know there's a life after death and that you're working on it right now instead of being present in the current earthly life.

5. What is it in adulthood that I should focus on? - Ace of Wands

Ace of Wands is the first card in the Minor Arcana. What I’m picking up from here is that you’ll need to create a new beginning for yourself. I wouldn’t say it’s The Fool kinda journey, because The Fool’s journey is of meeting people and learning the lessons on the way. Your kind of journey is understanding what you want, seizing opportunities, and turning your enthusiasm into actions. You have an idea of where you want to go, when you want to reach there, how you’re going to move, with whom you will want to travel on this journey. I would also say that it would be a great time for you to filter your circle so that you’ll be able to go on this journey with the least distraction.

6. What are the directions and advice that I need to know/hear? - Four of Pentacles rx This is a time where you should consider relaxing your mind and remember that you cannot control what others are doing or holding. You know you have enough, and instead of focusing on the action of others, focus on yourself instead and how you can block out the noises. With this done, you will be able to move from a period of control and fear and anxiety to a stage of being more open (and blank). It’s like… Once you are able to clear your mind, those noises no longer mean a thing to you, and you’ll be able to focus on yourself and what you want to achieve. I’m also picking up words like “zen”, “calm” and “enlightenment”. … Yeah the word “monk” too.

Overall energy: The Devil, The Chariot

I am feeling some self-sabotaging themes here. It may sound difficult to accept but I do think The Devil here talks about you, where you’re embodying some traits, thoughts or beliefs that you’re unwilling to let go. Y’know how some things turn toxic when there’s excess or if you hold onto it for too long? That. It’s burdening you and you probably are actively trying to run away from it. I’m having the image of you being annoyed at how you’re not progressing, and you end up flipping the table, scattering all the plans you’ve made for yourself. Probably some big changes are bound. Clear up the space and welcome your spirit guides to show up in wondrous and unexpected ways.

#tuliptic #🌷 #pick a card #pick a pile #pick a picture #tarot reading #general tarot reading #self related reading #aite another reading here #i finally finished deciphering the cards and have completed this reading #i'll be doing some proofreading (if i have the strength to do so) #hopefully this reading sheds some light or gives you a lightbulb moment to work things out #hopefully you guys had fun with this #cheers

[theemporium]

hi king!! could i get a uuuuhhh…

"I'll do anything for a woman with a knife."

🩷 w/luke? xoxo

we tried something different with a wee historical fiction/prince au🤠they are not my forte but i wanted to try challenging myself. thank you for requesting!🫶🏽

22. "I'll do anything for a woman with a knife."

.

Luke had always found the royal festivities to be tedious and long winded. 

Maybe it was because they very rarely focused on him, with most guests taking interest in his parents or his older brothers—Quinn especially, being next in line to the throne. Or maybe—just fucking maybe—he found them tedious and long winded and boring because they were. 

He wasn’t even sure what the reasoning behind this one was, if he was being completely honest. Though, there was never usually a good reason for many of the high class patrons of the kingdom to deny the chance to be invited into the castle or flaunt their pretty fabrics. But Luke had to assume this one was semi-important if people from neighbouring kingdoms—people of importance—were making the journey. 

Still, it did little to make him feel anything but utter boredom as he did his rounds. He flashed the guests a few smiles, usually letting Jack or Quinn take over the conversation. And once he had shown his face for a socially appropriate amount of time, he found himself sneaking off in the shadows to find something to occupy himself before his father’s expected speech. 

Usually, he would find himself sneaking into the kitchens to see if the staff would slip him a few desserts before dinner or some snacks to entertain him with. 

This time around, Luke didn’t even make it to the secret corridor that led down the kitchen before he was pressed against the wall, his breath knocked out of his lungs and something cold pressed against his neck.

“Shit,” you hissed, only your eyes visible to the boy as you glanced over his face. 

Maybe it was the adrenaline pumping through him that didn’t have him thinking straight. Maybe it was the excitement for something different to happen at this ball. 

Or maybe Luke just lacked common sense and self-preservation because the only response he managed after a random woman dressed in all black with a knife pressed against his throat was, “pick the wrong prince?” 

You blinked. “You matched the description.” 

“So…I was the right prince?” He asked, something akin to amusement in his voice and it threw you off.

“Do you have your life threatened often?” You questioned, partially rhetorical because a part of you was genuinely interested in the answer. “You seem very calm.” 

“I just assumed if you wanted me dead, I would have been dead already,” he replied honestly, making no move to try and escape your hold. He had a feeling you would bury that knife in him before he even got the chance to take a step.

“I could still kill you if you don’t listen to what I say,” you told him, and he knew better than to question how truthful you were with that promise. 

But still, Luke was young and sheltered and spent far too much of his time trapped in the castle, learning how to be a prim and proper gentleman. There was something thrilling about you and, for reasons his own brain couldn’t comprehend, he didn’t want to lose your attention just yet.

“I’ll do anything for a woman with a knife,” he retorted, his lips twitching upwards when he noticed your eyes widen slightly in response. 

“It’s like you have a death wish,” you grumbled, the edge of your blade digging a little further into his skin.

“So if I wasn’t your target, who was?” He asked casually, like you were two acquaintances catching up. Like there wasn’t the possibility of someone turning the corner and finding the two of you. Like there weren't guards already starting to notice his absence. 

“None of your business,” you snapped, your eyes narrowed in annoyance. He wondered if you were contemplating whether or not he was worth killing and adding the extra hassle for.

“It seems like my business when you have a blade to my throat,” Luke added cheekily. 

“You have no sense of survival,” you told him like it was an insult. 

He grinned. “Perks of being a prince, I assume.” 

“I don’t have time for this,” you grumbled and, in a blink of his eye, you were already three paces away from him. “You’re distracting me.”

He pushed down the uneasy feeling in his chest the second you were no longer pressed against him, the second your eyes were no longer on him. “Will I see you again?” 

You paused, tilting your head to the side. He couldn’t see your mouth but he had the strongest sense that you were smirking beneath your mask. 

“Depends what kind of enemies you plan to make, Your Highness.”

.

#cece's cocktail celebration #luke hughes #nhl #new jersey devils #luke hughes x reader #luke hughes x you #luke hughes x y/n #luke hughes fic #luke hughes one shot #nhl x reader #nhl x you #nhl x y/n #nhl fic #nhl one shot

[signalburst]

Shōgun Historical Shallow-Dive: Part 1

Does everybody else's heart hurt? Good! Let's get learning. These characters and the people that inspired them all deserve their own post, but here's a quick one if you're wondering what happened. This is a shallow-dive because the history is extremely complicated, and a condensed version of just the events leading up to Sekigahara (the battle depicted in the finale) take up entire volumes of history. I'll do my best to answer questions about what happened to our three protagonists, in the show, as well as real life 🙇

One note: given I'm not a professional historian, I've got no obligation to not have biases and favourites. I've tried to keep most of them out of this, but if you want to punish yourself by trying to keep track of who's who in the Azuchi-Momoyama period, this book is the best English-language overview.

What happened to Toranaga (Tokugawa Ieyasu)?

Gif: @yocalio

I am not as strong as I might be, but I have long known and practiced patience. And if my descendants wish to be as I am, they must study patience. - from The Legacy of Ieyasu Tokugawa

In the book, Toranaga reveals that it had been his aspiration to be Shōgun from the very beginning. That was what drove his alliance with the Taiko, that was what drove his feigned alliance with the Heir.

History follows a very similar path. I re-read some chapters on the battle of Sekigahara last night, and there is no easy way to explain it, but: the result of Sekigahara (an enormous, two-day battle with 200,000 samurai and ashigaru warriors in the field) was an enormous victory for Tokugawa, Toranaga's real-life counterpart.

Years - sometimes decades - of scheming by Tokugawa had made Ishido/Ishida's Western Alliance completely fragmented. In the months leading up to the period displayed in the show, Toranaga was calling in a lifetime of marriage alliances, diplomatic advantage, defensive pacts and childhood friends who'd risen to high status. Re-reading the sources, the names of all the lords of all the important fiefs and castles makes my head spin, let alone the ones that turned out to be pivotal to Toranga/Tokugawa's victory. But it was a resounding victory, and by both the numbers and the disposition of forces, he should have lost.

Historians have a consensus that if the 'Western forces' of the Heir had have fought together with a unified command structure, they would have won, easily. But they didn't - orders from Ishido/Ishida were ignored, Toranaga/Tokugawa endured onslaughts, and the Regents' opposing armies eventually fractured and melted away. This was a last-of-an-era battle. Families were fighting on either side, every single unit that could be brought to bear was on the field. It is no exaggeration to say Sekigahara is one of the few, unambiguous battles upon which the beginning of a historical era came down to.

Toranaga/Tokugawa triumphed because he spent decades building unity of purpose and strong alliances, simultaneously sowing division amongst the Regents, who ultimately balked at being commanded by a bureaucrat like Ishido/Ishida. Whilst there was no one decisive moment of an extremely bloody, rainy, two-day battle, the fact that Ishido/Ishida's forces refused to be told what to do by someone of lower status was the main theme of their defeat. A crucial army stationed on the hill stayed still, refusing to commit to either side, until Toranaga/Tokugawa fired muskets into their ranks. They made up their mind, and attacked Ishido/Ishida's Western army. Ishido/Ishida's one trick of firing a flare to commit the reserve army didn't work. The commander ignored it. Instead of being there to fight for something, Ishido/Ishida's coalition was there to oppose someone. They all had different reasons. And ultimately, the man that brought them together didn't command enough respect to command a battle.

As our show Toranaga said, the Regents fell upon each other. He might have been a bit optimistic about how and why this would happen (they fell over each other in retreat, and it took two days of horrific combat), but it happened. Tokugawa Ieyasu was famous for richly rewarding former enemies, and most of those he defeated kept their heads. This reputation is a strong incentive for leaving the field when things start going Tokugawa's way.

The two exceptions were Ishido/Ishida, and Kiyama/Konishi, both beheaded in Osaka (Ishido, bizarrely, was upbeat about his fate, until seconds before the sword came down). Killing Ishida was the obvious move, as the man schemed and bitched so much he caused a civil war. Killing Konishi was more calculated - it opened up his trade-hub in Kyushu to being ruled by a fervent Buddhist daimyo and ally of Tokugawa.

Toranaga/Tokugawa forces soon captured Osaka Castle after the battle of Sekigahara, and with it, the Heir.

Toranaga/Tokugawa 'reluctantly' accepted the Imperial appointment of Shōgun three years later, in 1603. In 1605, he abidcated, passing the title to his most malleable and competent son, Hidetada. He was the real power behind the throne and ruled until his death in 1616.

The year before he died, he was able to fully secure his legacy. The Heir (in real life, Toyotomi Hideyori) had begun to gather daimyo to Osaka castle who were opposed to Tokugawa. Tokugawa used the flimsiest of pretexts - the opening of a shrine - to order the Heir out of the castle. He refused, Tokugawa forces besieged the castle - twice. The first one was called off because cannon fire nearly killed Ochiba no kata, and she pushed her son to sue for peace. By the second siege, there would be no peace: the Tokugawa forces defeated all oppoosition, and secured the legacy.

Toranaga/Tokugawa's descendants would rule for 250 years of internal peace and external lock-down of the country from barbarians (and Christians), except for limited trade.

The big question: did Toranaga/Tokugawa really want to be Shōgun from the start? History tells us, rather unambiguously, yes - before the campaign, he was writing his 100 Articles for ruling Japan, which would be instrumental for his family holding on to power and preventing internal strife. His plan may well have gone back to his formative, teenage years. At the very least, it is highly likely it was solidified when Toranaga/Tokugawa was a vassal of the Dictator Koroda/Oda Nobunaga - the man Mariko/Hosokawa Gracia's father assassinated, who was brutal even by the standards of the day. We don't have time for him, the Taiko, and Mariko's father today - but my opinion is that the motherfucker firmly deserved to be assassinated, and the only amazing thing is that the inspiration for Mariko's father was able to hold off for so long.

But that killing set off a chain of events that would lead to Toranaga/Tokugawa becoming sole ruler of a unified Japan. So much of history is contingent on individual actors and random events. It didn't have to happen. It was extremely unlikely. But, through patience (and by my reckoning, a lot of luck), he made the world he wanted to see. Whether that was worth the price in lives is for the reader to decide.

But by all accounts, Toranaga/Tokugawa died very satisfied in the knowledge that his legacy was secure, his realm was unified, and, finally, at peace.

What happened to Mariko (Hosokowa Gracia)?

Gif: @yocalio

As is probably obvious, Mariko's purpose was fulfilled before the conclusion of the show. As is also probably obvious, her historical counterpart - Hosokowa Gracia - did not have an affair with an English sea pilot (😢). She did, however, change Japanese history, and tipped the balance of noble support towards Toranaga/Tokugawa. Her death had meaning.

The framing of her marriage to Buntaro and exile after her father's successful assassination of a brutal dictator is almost exactly correct. She was one of the most desirable, valued and accomplished young noblewomen of the day. The stain of the name Akechi would haunt her for the rest of her life. Real life Buntaro, Hosokowa Tadaoki, genuinely sent her away for two years to save her life. The Hosokowa family even went so far as to pretend that she had died, to save her from the Taiko's vengeance. Whilst her marriage was an unhappy one (though not, as far as is known, abusive), she was beloved by the head of the Hosokowa clan, the show's Hiromatsu. They went to extraordinary lengths to keep her safe.

Her main comfort in her life was her faith. It's perhaps here that we get the strongest through-line from Hosokowa Gracia to Mariko - unafraid, intelligent, and fierce.

She first came to learn about Christianity from her Christian maid, who extolled the virtue of the faith, and the opportunities for intellectual stimulation theological discussion could bring. In 1587 (five years after her father assassinated the dictator, three years after she returned from exile), she decided to take action on it. She snuck out of Osaka Castle and visited the main church in Osaka - she had lively conversations with the elderly Father-Visitor, and was an excellent pupil of both Portuguese and Latin theological texts. I don't know if you guys have ever tried to read those things, but even in translation, they are torturous. This woman was extremely intelligent.

As a noble woman of the Taiko's court, she knew he was about to issue an edict outlawing Christianity. Being the (excuse the language) absolute fucking badass that she was, she had her maid (baptismal name Maria) baptise her before the edict was issued, transforming from Hosokowa Tama to Hosokowa Gracia. Even though she had to keep her faith a secret due to the Taiko's edict, she found a way to hold on to it. She had a special sake cup made with the Hosokowa mon emblazed on the lip, which, on very close inspection, was actually a Christian cross.

During this time of her religious conversion and education, a primary source from a Jesuit priest says that 'I have never disputed with a woman of such clear judgement, and such definite knowledge.' She was known for being fiercely intelligent, and this is commented on in many European letters and journals that have remained from the Catholic church's time in Japan.

Her relationship with her husband - like Buntaro, a senior retainer of Toranaga/Tokugawa - was frosty. They never reconciled after her father's (Akechi Mitsuhide) rebellion, but her husband did recall her from exile when it was safe to do so, and she lived to serve a very similar purpose to Mariko in the book and show. By virtue of not being an interpreter, she was less close to Toranaga/Tokugawa than in the book and show, but she was still dedicated to her clan and her clan's overlord, as will become clear.

Just as in the show, Hosokowa Gracia agonized at the thought of seppuku putting her soul in mortal danger. But she perceived her duty to be to ensure death before being captured or otherwise dishonoured.

To put it bluntly, Ishido (Ishida in real life) fucked up. Before any military manouvers had begun, he went to seize hostages of friends and enemies alike throughout Osaka castle. His forces tried to forcibly seize Hosokowa Gracia from the family quarters. She gave orders for her senior retainer to kill her, her daughter, and set fire to their section of Osaka Castle, so that none could be taken and subjected to dishonour. She arranged with this samurai to stand on one side of a shoji screen, facing him. He stabbed her through the heart with a naginata. She died, satisfied in the knowledge that:

...the death was not suicide, and her soul would doubtless be spared from the torments of Hell.

Although not doing this directly on the orders of Toranaga/Tokugawa, it's highly likely she knew that she was making a statement (many of the other hostages went quietly). This furthered his cause immensely. Inspired by Hosokowa Gracia, families streamed out of Osaka Castle and other Regent-held castles by any method they could. Her example ignited a firestorm of controversy surrounding the gall of a jumped-up bureaucrat (a reputation Ishido/Ishida would never escape) forcing the death of one of the era's pre-eminent noblewomen. Although her husband was relatively unbothered by her death, her father-in-law - the book/show's Hiromatsu - was furious. Because of Hosokowa Gracia and his granddaughter's death, he immediately fortified his border castle.

He defied a large [Ishido/Ishida] army of 15,000 men with only 500 men of his own.

Many of [Ishido/Ishida's] commanders held [Hosokowa Fujitaka/Hiromatsu] in such high regard that they went through the bare motions of laying siege. On a regular basis, gunners 'accidentally' forgot to load their cannon with iron shot, and so Tanabe Castle's walls reverberated daily to the harmless booming of blank gundpowder explosions. [Ishido/Ishida's] military offensive had launched to a disastrous start.

The siege only ended because of an imperial decree (it's a long story - Fujitaka/Hiromatsu knew an oral tradition special imperial poem that risked dying with him, nobody could refuse the Emperor). More than this, any chance Ishido/Ishida had of convincing skilled and respected generals to commit to his side ended with Fujitaka/Hiromatsu's defiance. Such was the respect that he commanded, and such was the rage he felt at the death of his daughter-in-law, that he worked tirelessly to gather support for Toranaga/Tokugawa, despite his advanced years.

Mariko/Hosokowa Gracia's contribution was an inflection point to what many samurai, busho and daimyo were suspecting - that Ishido/Ishida was a snake bitch who couldn't be trusted (I believe that's the correct historical term). Her actions galvanized resistance against him, and continued to spread the wildfire that would seal his defeat on the battlefield of Sekigahara: 'Why are we taking orders from him?'

Importantly, Hosokowa Gracia's remains were gathered by a Catholic priest, and given a Christian burial in Osaka. From everything we know of her, this would have been very meaningful indeed. Just as with Mariko in the show's depiction, Hosokowa Gracia's death was not senseless or without meaning. It meant something, and continues to resonate through the centuries.

What happened to John Blackthorne (William Adams)?

Gif by @cinematic-gif-archive

The short answer: imagine an alien landed in America. It was smart enough to avoid death. It ended up chief special advisor to Obama, and they became bros. That is William Adams's life.

First things first: Blackthorne stays in Japan. 'Old Rich Blackthorne' scenes are basically fever dreams. I was worried when the episode opened with a flash-forward to an old man living in Tudor comfort. This would be a huge change from both the book, and history. The novel ends with Toranaga confirming that his plan is for Blackthorne to never leave Japan. Blackthorne finds his place there. In history, the same is true of William Adams.

In episode 10, the 'is this a flash-forward?/is this a dream?' question is answered halfway through the episode. Blackthorne drops Mariko's cross over the side with Fuji's family ashes. As soon as that's done, the aged visions of Blackthorne disappear.

For those who are more textual than visual: the episode is titled A Dream of a Dream (a play on the title of the Taiko's death poem). Concussed, grief-stricken Blackthorne is dreaming of the dream he used to have - returning to England with riches and glory, his family name secure, with every comfort Queen Elizabeth the First can offer a pirate-explorer like Sir Francis Drake or Sir Walter Raleigh. But as soon as he lets go of Mariko's cross into the water (earlier, actually, when he sincerely attempted seppuku to try and save the people of Ajiro) that dream stopped appearing. The dream he had of exploiting Japan for riches and glory was gone, replaced with the reality of the life he is left to build.

In the show and the book, Toranaga is explicit about never letting Anjin-sama/Blackthorne leave Japan. If he builds new ships, Toranaga will burn them again. He needs Blackthorne's knowledge, expertise, and - in a bizarre twist of fate - friendship. We leave him hauling his wreck from the harbour, ready to salvage the keel and spars, to build a new ship in Japan.

So how does this marry up with history? Extremely accurately. As far as we know, the historical William Adams was slightly less of a pirate/privateer than the book/show's John Blackthorne. His hatred of Catholicism was more driven by their fervent desire to kill him, which they kept up for nearly a decade. His interest in exploration, in the show and in the historical, was genuine.

The show's story very closely follows what actually happened in real life (again, sans romance... although he does have love in his life, which we'll get to). His crew were initially imprisoned, he was summoned by Toranaga/Tokugawa, and met with him many times to discuss his knowledge of the outside world, trade, and Christianity's impact in Asia. The Jesuits did pester the Council of Regents, and Toranaga/Tokugawa in particular, to execute him. Toranaga/Tokugawa refused, saying this barbarian had done nothing to harm Japan or its people. The Jesuits would not forget this.

He did train elements of Toranaga/Tokogawa's army in how to work the cannon his ship possessed - a skill he possessed, but no one else was willing to offer. He actually followed Toranaga/Tokugawa to several battles. Recent primary source evidence has revealed it was highly likely he was actually at the Battle of Sekigahara, which is a very recent development in the historiography of his life. It is just bananas insane, but it demonstrates just how useful (and likeable) Blackthorne/Adams was to Toranaga/Tokugawa.

I've read two biographies of William Adams, and he was very, very like the Blackthorne portrayed by Cosmo Jarvis. Other Europeans in Japan complained that he was arrogant and dismissive - historians see this as Adams adapting to his station in Japanese society, and being extremely frustrated with European manners and bearing in Japan.

Once Toranaga/Tokugawa became shōgun, Adams - already a samurai - was made hatamoto, and forbidden from leaving Japan. He was granted many generous cuckoos (250 of them!), an estate in Edo, a fief at the entrance to Edo bay, and rose to become Toranaga/Tokugawa's chief trade advisor. During Toranaga/Tokugawa's remaining life, he built two Western-style ships (which Tokugawa came aboard and was very pleased with - that's nice!), and took over piloting duties of Portuguese and Spanish ships making landfall in Edo, pissing off the Catholics to no end.

On Ieyasu Tokugawa's death in 1616, his holdings and fief were confirmed by the new shōgun, Ieyasu Hidetada. But his relationship with the court wouldn't be the same. My reading of the sources leads me to believe that James Clavell was right here: Toranaga/Tokugawa Ieyasu genuinely liked Blackthorne/William Adams, and wanted him around.

As more and more Europeans arrived in Japan, including the English and the Dutch, Adams served as translator for them, and - for the Enlgish - fixer whenever they did something barbaric and rude that would warrant execution. He seemed to view spending time with the (no joke) drunken, whoring, disgusting-smelling English trading factory members as an extreme annoyance. He seemed happiest at sea, and at his mansion in Edo, where he married the daughter of a merchant in 1613. Whilst her name is lost to the historical record, they had two children, Joseph and Susanna.

He wasn't a deadbeat dad - he wrote to his wife back in England, explaining that he could not return. She was a firebrand, and eventually extracted a form of life insurance from the Dutch company that had contracted Adams's piloting services. Partly she was able to do this because of a proclamation issued by Toranaga/Ieyasu Tokugawa: 'William Adams was dead the day he was made samurai, and Miura Anjin - the pilot of the fief of Miura - was born.' That sounds like a badass quote I've made up, but that's one of the English translations of Tokugawa's proclamation.

Adams kept up his maritime adventures, charting the Japanese coast, going on several trading missions to Southeast Asia (sailing to Thailand and meeting with the King of Siam, furthering his amazing ability to charm and dazzle). He struck up firm friendships with members of Tokugawa's court, fellow Japanese merchants in Edo, and the much more polite Dutch traders, despite the tensions that had grown between their two countries.

There's an important aspect of his legacy that endured for centuries. Toranaga/Tokugawa, suspicious of what he had learned of Catholic conversion and invasion of other Asian states, was already disposed to be wary of the Church. The Church in Japan would not let Adams rest, attempting to kill him, convert him, bribe him, and offer him passage home in 1614 on a Portuguese ship. In the same year Portuguese priests claimed that only Spanish miners had the skills to open up the mineral wealth of Japan. Adams warned the shōgun, again, that this was the Catholic way - first the priests, then the conquistadores.

Influenced by these reports and counsel, and because the Jesuits legitimately were conspiring to do the shit Adams accused them of (always a tough charge to defend), Toranaga/Tokugawa Ieyasu expelled all Portuguese priests in 1614, and demanded all Japanese Christians recant. Apart from this leading to the Dutch being the only nation allowed to conduct trade with Japan, this was the end of Japanese Christianity, until the country was forced open in 1855. Christianity never took root in the same way it would in places like Brazil and the Philippines. Was William Adams the only factor in this development? No. Was he a factor? Yes.

He died in 1620, after twenty contented years in Japan and Asia. His will stipulated that his estates and belongings be split evenly between his family in England and Japan. One of Adams's colleagues recorded that Ieyasu Hidetada transferred lordship of Adams's fief to his Japanese son, Joseph, as well as his katana and wakizashi. His line fell out of the historical record, but memory of and monuments to the Anjin remain in Japan.

Faring Well

Shōgun, the book, was fiction, written by a man fascinated by Japanese history, driven by a desire to bring it to the world. He was overwhelmingly successful. It was an excellent start, and even fired up some fascinating academic discussion at the time that I'd definitely recommend. The 2024 adaptation, in my view, changes many of the elements that have aged poorly, were flat-out wrong to begin with, and - like all great adaptations - adds to the work, rather than cheapening it.

Despite being based on real people, the fictional characters created for the show - Blackthorne, Toranga, and especially Mariko - feel real. That is an amazing achievement.

I hope this opens up an interest in Japanese history for some viewers. Being able to visit the places where these events took place is a truly awesome experience. Like all history, it's for individuals to judge what they think of the players.

Hiroyuki Sanada said that he admires Tokugawa Ieyasu because of his ability to bring forth 250 years of peace out of nearly 500 years of chaos. Was Ieyasu motivated by altruism, or self-interest? Does it even matter?

Anna Sawai saw in Hosokowa Gracia a moving, powerful woman, deeply committed to her faith, and to doing what she believed was right in the context of her time. As a person without faith myself, I found this portrayal of genuine belief extremely moving. The demonstration of her convictions was one of the most amazing performances I've ever seen.

And as for the English pilot, Cosmo Jarvis said he wanted to capture the restlessness of Adams, his slow transformation and growth, and the unique qualities that allowed the man to survive and thrive in an extremely deadly time. One thing he nailed that I think even James Clavell messed up was how deepy strange William Adams was. Not weird, not insane, but just a very singular individual. Biographers talk about his aloof, detached, self-aware nature being misconstrued as arrogance by Europeans who encountered him in Japan. Part of it was his annoyance at their inability to learn how to be in Japan; part of it was that he was simply built very differently. In embodying this, I think Cosmo Jarvis succeeded amazingly.

From what we can find in the historical record, William Adams and Hosokowa Gracia may not be 'great' in the sense that Tokugawa Ieyasu was 'great'. They did not build an era. To borrow a phrase from one of my favourite historical writers, whilst they may not be 'great' people, they were good people. That is vanishingly rare in the history we celebrate, and I think, for that reason alone, it's important to remember them, and the things they lived and died for.

#shōgun #shogun #shogun fx #anna sawai #cosmo jarvis #toda mariko #john blackthorne #anjin #adaptationsdaily #perioddramasource #hiroyuki sanada #yoshii toranaga #akechi mariko #history #history lesson #japan #japanese culture #tokugawa ieyasu #hosokowa gracia #william adams

[10underoot2]

I thought I would have so much to say about the car accident scene. And while I could go on for a while on why it's everything I've ever wanted from a scene of this nature and why it's a beautifully acted cinematic piece, I do think the beauty of the scene lies so much in silence. Their expressions are do a fantastic job to express their emotional state so I'm just gonna call attention to a few things I won't get over anytime soon.

Imagine being Haein and seeing your husband wrecking a car window in hysteria. Imagine seeing disbelief on his face when he sees you and walks towards you. Imagine watching him unable to breathe properly (sound on and high for this scene). Imagine seeing life flood into him as soon as you touch him.

Jiwon plays such an important part here. Because Haein has NEVER seen Hyunwoo like this. He's a pretty calm nice, non-violent guy. She knows him to like mostly everyone and he rarely gets angry - he's pretty composed. But then what is this look of complete shattered pain on his face? With a mix of disbelief, bearing the heaviest heart on the planet? He's unrecognisable to her. She can't make sense of any of his actions. She's in utter shock hearing how hardly any air is making it's way into his lungs.

In his eyes is a look of crazed wilderness just tamed. He's out of his sense. Completely lost in the events that have just passed. Not believing that he can breathe. That it's okay. All is well in the world for now. She's unscathed.

'What's going on? Calm down.'

The way she asks him to calm down - touching his face - cause she just doesn't know what in the world could send him in such a frenzy to forget himself. Her asking him to calm down here is everything to me. She's really just saying I'm here okay. Calm down. Calm down, you can breathe. Tell me what happened and I can fix it.

'Even still, Are you crazy? How could you break the window with your bare hands? Look at this!'

I know it probably didn't register to him at that point. But he's hearing her being worried for him again when he thought her lost forever. Wouldn't that sound like music to his ears.

And her...god she's so worried for him. She's never seen him like this. She doesn't know what happened to make him like this. One she sees his absolutely broken bloody hand. Two she's seeing her husband absolutely crushed. She's so confused.

That is until his words hit her like a truck. I think she had an idea that he did it to save her but she didn't know he did it because he thought her dead. And that makes all the difference for her.

Also I thought it was very interesting to keep showing his injured hand clenching. I think it was a way to show how the physical pain still didn't hold a candle to his emotional turmoil. He CLENCHES that broken hand multiple times. I can't even begin to think when he actively registered the pain.

The need for constant touch to reaffirm that she indeed is there. The sitting down. The head on her hand. The heavy breathing. *Chef's kiss*

I love women comforting the man they love when he's broken. Gah! That hand on his face and hug. Her embracing him. Letting him cry all he wants. Giving him the reaffirmation he needs by placing her self as close to him as possible. Trying to tame and override his sense. The hand on the nape of his neck. The hand caressing his hair lovingly. And good god, the RINGS.

Also notice his breathing on her shoulder. He's trying to calm himself. Telling himself she's here. Hearing her say it's alright. Everything will be alright.

I'm sure they stay like this until the ambulance comes and asks them if they're hurt. Only then Haein must've gently tore him apart from her (hand on his face again ofcourse) and convinced/guided him to finally get treatment. I can just Imagine Hyunwoo completely dishevelled going, 'Huh *sniffs*......oh.......Right, my hand' and that's when the pain hits him.

Special mention to the hospital conversation when Haein asks him 'Will you sob like this if I die?' and he says truthfully, bashfully, embarrassed but without missing a beat 'Ofcourse.' He's hiding behind nothing. He truly meant to give up on himself after her.

For me this is also the night Haein starts to write her diary. Hyunwoo must've been sound asleep, amped up on painkillers and she must've had so much time to sit and admire him and write.

Gif credits: @wolha and @seawherethesunsets

#he cries like such a child and its heart aching #I love/hate how I didn't think I'd write much but thsi post is still so long #this scene satisfies the angsty writer in me #it's beautifully done #such gems acting! #there are no gifs of Haein fussing over him #which is sad #queen of tears #baek hyun woo #hong hae in #kim soo hyun #kim ji won #baekhong

[kristsingto]

Thinking about the Mock-Trailer for The Ex-Morning

Pathapi is said to be the Best Reporter of the Year in the beginning. How. I want to know his career accomplishments so badly? I need to know how he got here!

I’ve been considering why Pathapi acts the way he does in the beginning. Has he always been like, since his university days? Or was it perhaps heartbreak and the passage of time that’s made him more like this? 

Aou is being made to play the exasperated best friend in Be My Favorite and the rival with coffee thrown on him in The Ex-Morning. Someone give both characters a raise. And a boyfriend!

I looooove the trope of the arrogant, whiny jerkass in a successful position who gets humbled. And that paired with him rebuilding his reputation with his ex-boyfriend of all people? I am so ready to see Pathapi’s character arc, and the things Tamtawan makes him do in this trailer makes me think he’ll get more in-tune with the spirit of good reporting and why it’s so important.

How does Tamtawan know and decide to come back? Obviously, he wants to help Pathapi and is still in love with him, but why did he leave? WHY DID HE LEAVE? Later in the trailer, when present-day Tamtawan leaves, it’s after he’s told “Tam. You have two options now.” What are the two options? The way Tamtawan leaves and the look on his face makes him look regretful, but what exactly is motivating him trying to leave here? Why did he leave in the first place? Does Pathapi know? His face looks half confused rather than just heartbroken!

What has Tamtawan been up to? I am intrigued.

The SOTUS reference in their university days flashback? I am obsessed. They were so sweet in that one frame, it makes me wonder how they fell in love. How different were they? How much of the same remains in them? How did they fall in love? Oh my god!

The transition from Pathapi being awkward with shirtless only-clothed-in-a-towel Tamtawan to taking his own shirt off and asking if Tamtawan has an ulterior motive to fluster him is hilarious to me. I love how forward Pathapi is here! And Tamtawan getting flustered is amazing. Oh my god, I love this trailer. It balances a comedic tone, angst, tension, etc all in one show. Can’t help but adore it.

“You’re still the same selfish jerk.” I need to know what happened! I said this above and I’m saying it again. I am intrigued.

Uni Tamtawan pulling Pathapi by his tie? I am obsessed.

The umbrella scene is both so very P’Lit and so very much a SOTUS reference, it delights me. I wonder how many SOTUS references we’ll have in the show proper.

I wonder if the car accident will coincide with the climax of the show.

That! Last! Scene! I suppose this is a scene when they’re hooking up but not properly together, seeing as they’re flirting, shirtless, and probably just had sex, but still won’t admit they still like each other. This sounds great to me.

I’ve mostly not talked about the meta elements here, because I feel it’s less about the contents of the actual trailer and more about the nature of the series as such a KristSingto RPF-type plot. Anyway, I love it. Everything about the meta of this series is perfect to me, and exactly what I wanted. This show is SO fun to think about when you know about the lore of KristSingto in real life. I’m half expecting Tamtawan to have hazed Pathapi at this point!

Side note that is not a side note: I LOVE THEIR ACTING! I love their characters!

Is this vers? I’m going to say it’s vers or Top Krist until proven wrong, because that last scene? Well. Let’s put the KristSingto into the KristSingto.

I love the small cast and the focus on KristSingto! I just need to say this. I am so excited for this comeback, in-part because it really is just Tamtawan and Pathapi’s story.

Tamtawan is supposed to mean “follow” and “sun” whereas Pathapi means earth/soil/ground. Coming off of KongArt, where Arthit is obviously “sun,” and KristSingto, who compare themselves to the sun and moon, this seems so definitely meaningful. Aof and Lit, I need to know what you’re cooking! 

The coals scene is sooooo perfect, both for the characters AND KristSingto themselves. Again bringing it back to the meta of it all, but, oh my god? This is perfect? Aof wrote a screenplay that was KristSingto RPF? On that note, I keep thinking about the idea of KristSingto channeling their feelings from the irl work-partner “break up” and it makes me go a little crazy. Especially with Krist talking about all his efforts to bring Singto back, and how he over-thought it when Singto left. And even more so seeing as they say they’re basically playing themselves.

The lyrics of the song used in the trailer are so fitting, I am now looping it and thinking about Pathapi and Tamtawan forever and ever.

I noticed that Tamtawan goes by “Tam” but did I miss it for Pathapi in the trailer, or do we get no indication of his nickname? I’m curious.

The “Begin Again” for the new Peraya Party speaks to both KristSingto and their new characters, and this is again making me go, oh god it’s true they’re just playing themselves.

I said my ideal KristSingto BL was a vers exes-to-lovers that parallels reality. Evidently, I was not alone.

Is it just me, or do the Pathapi + animals and Pathapi + soil degradation water scenes feel a lot like certain episodes of Friendship with KristSingto? Just me? Maybe it’s just Krist. I love him so dearly.

So much is revealed in this trailer, but that somehow makes me more intrigued about what is not being revealed to us?

Krist still goes for the top lip and Singto still goes for the bottom lip when they kiss. This kills me every time. I am so excited to see lovey-dovey Tamtawan and Pathapi!

#sou post #krist perawat #singto prachaya #kristsingto #gmmtv 2024 #gmmtv #the ex morning #the ex-morning #pathapitamtawan #im just loggin down my thoughts for the future.

[curioushabitforarivergod]

I LOVE the historical context you add to tom riddle meta. im curious. at that time how important and wealthy would tom riddle sr likely have been? i.e. how nice was the life that Tom missed out on by growing up in the orphanage instead of with his dad?

Omg thanks so much!

We don't actually know much about the Riddles. They likely lived in Yorkshire, Lancashire, or the very west of Cornwall (200 miles from Surrey as per Goblet of Fire), but I think it's more likely they lived in the North, specifically in Yorkshire. The Riddle's name is probably locational rather than profession based, and from a village called Ryedale in the North Riding of Yorkshire. It was probably mutated over time because spelling wasn't standardised or even close to standardisation when last names were beginning to become a thing (roughly 11th century in Britain).

Okay, now the reason I went into that is because I believe the Riddles were the big guys back in the day (by which I mean late medieval period c. 1100s until the late 1500s) and were the kind of wealthy landowners who employed serfdom potentially even past the Peasant's Revolt of 1381. I know a lot of people place them as merchants who made money from trade but based on their name and location (Yorkshire is famous for its sheep) I think it's more likely they were landowners. They probably had pretty solid generational wealth, potentially even being landed gentry (a class of gentry who made their money on leasing land and known as lords of the manor), although I'm fairly certain they lost most of this later. I don't think they ever were part of the peerage (the level above gentry in the British aristocracy who hold hereditary titles) but gentry usually married into peerage and vis versa so they were likely quite connected despite never being "Lords" themselves. They got their name through their association with the village as the big whigs.

Even if the Riddles had kept up serfdom for a century or so after the Peasants Revolt (entirely plausible), serfdom was abolished by Elizabeth I in 1574. Whenever they stopped working as part of the feudal system, I don't think it had major impacts on their wealth. Like I mentioned above, they were probable landed gentry, making their money by leasing out land and still profiting off the lower classes.

With the Industrial Revolution and the Agricultural Depression of the 1870s, I think they would've lost quite a bit of money, potentially even their place as landed gentry. They would've still been quite rich, but their wealth was probably in decline and they had to look elsewhere. Maybe they never succeeded in this.

The thing is, we know next to nothing about the Riddles and the family we see through Tom Riddle's eyes is one that's lost status and connections because of the scandal of Riddle Snr. having run off with Merope without being married and (rumours have it!) having a child out of wedlock. The Riddle family probably declined economically with WWII (and to a lesser extent WWI) as well, although they never got a chance to really see the era through properly due to their… untimely deaths.

I think if Tom had been raised by the Riddles, they may not have fallen so far, providing Riddle Snr. married Merope before her death, or at least had falsified documents that he did. Tom would've still grown up in declining wealth, but more than enough money still to not have to work. Life for Tom would've been far better, what without starvation, disease, poverty and later, bombs and would've remain largely untouched by the war. The Great Depression wouldn't have it so hard, and Tom, not being surrounded by so much death, would've been fundamentally altered. I'm not sure what the Riddle's reaction to Tom being magic would've been like, but I'll leave that to any writers. All in all, Tom missed out on a far better life.

Thank you so much for the ask! It really made my day!!

#tom riddle #tom marvolo riddle #hp meta #harry potter headcannons #riddle family #land ownership is a headache #also why were there so many agricultural revolutions?? #tom riddle meta #harry potter meta #ask #anon ask

[where-theres-smoak-2]

So in my next episode of I just can't stop talking about Dune part 2, lets talk about the ending scene, specifically about the positioning of the characters during the duel and kiss the ring scene, because I think there's some really interesting symbolism there.

At the start of the scene we see everyone enter the room and take their places and what is interesting is the characters are in groups with each representing part of Paul's journey. The best image I could find of where everyone is positioned is this wide shot where everyone is bowing to Paul towards the end of the scene:

It's not the best image but you can just about make out that on the left, where the blue arrow is pointing, you have Chani and the Fedaykin, then in the middle along the back wall, where the orange arrow is, you have Jessica, Gurney, Stilgar and the fundamentalists and then finally on the right with the black arrow is the emperor, irulan and the bene gesserit. Three separate but important groups.

Just before the emperor enters, Paul approaches Chani and we get that exchange, 'this isn't over yet' and 'I'll love you as long as I breathe." To me its really interesting that this final showdown starts with Paul directly in front of Chani, looking at her, with his focus on her. Another interesting detail is that when the emperor enters Paul does not immediately turn to face him, in fact he stays looking at Chani, lingering on her, even when he first begins to speak his focus still remains on her. It is only when he says that the great houses may be curious to hear his side of the story that he begins to move. Again it's interesting that its when he is talking about 'his story' that he moves across the room and that story or journey is visually set out for us. He starts with Chani, expressing his love for her, the fedaykin are also there, the people who took him in and accepted him as one of their own, they very much represent the path that he had chosen for himself. The path that he then steps away from.

Paul begins to approach the emperor and as he does we see him walk past Jessica, the mother that he followed south, whose footsteps he followed in when he drank the water of life leading to him becoming the kwisatz haderach, Stilgar the man who was constant in his belief that Paul was the Mahdi and who became teacher to him, helping him learn the ways of the fremen, Gurney who is a connection back to his identity as the son of Leto and the house Atreides, and the fundamentalists who became the army that he was able to control in order to overthrow the emperor and who will also fight the holy war.

Finally he arrives in front of the emperor and his daughter, the final obstacle in his way, his way of getting vengeance for his father's murder and, through his marriage to Irulan, the title of emperor of the known universe. Of course the emperor isn't going to give up his throne easily which is when we have the duel between Paul and Feyd and once again their positioning throughout the duel is interesting.

At the start of the duel Feyd is positioned here:

You can see he is standing in front of the emperor and irulan, who are outlined in the grey box. Also if you turn the exposure up:

You can make out the bene gesserit there as well in the black circle. This is a visual representation of what it is Feyd is fighting for, he is fighting on behalf of the emperor but his end goal is that he wants the emperor's throne for himself. The way he gets there is the same way paul would, marrying the princess. The bene gesserit being there also shows how they are on Feyd's side, they know how to control him and so would rather have him as emperor and as a prospect for the kwisatz haderach than paul. So in the shot above we have Feyd, and then a visual representation of what he is fighting for but also everyone that is depending on Feyd winning this duel.

The same can be said of this shot here of Paul where you can clearly see Chani (in the blue circle) and the fedaykin behind him:

Like Feyd, Paul's ultimate goal is to be emperor, however whilst Feyd wants the throne for his own selfish reasons, I think for Paul his motivations are that he wants to protect Chani and the Fremen. Paul has seen multiple futures thanks to drinking the wol and he wants to guide them down the one where all his friends and loved ones live. But once again we are being shown a shot that represents what Paul is fighting for and the people whose fates are depending on him winning this duel.

So at the very start of the duel, the two sides are clearly set out and we know what the stakes for each side are. I also like how they are both almost standing guard over the side they are fighting for, like a shield protecting those behind him.

As for Jessica, Stilgar, Gurney and the fundamentalists I do think its intriguing that they are kind of separate in this scene, they way they are position makes it seem like they are almost an audience in a theatre watching to see how it plays out. I did wonder what significance this might have as they do still have stakes in this fight. But I think, and I could be wrong this is just speculation, I think it might be because even though they have stakes in the who wins the fight their fates are already sealed. I think at this point irregardless of who wins they will still unleash a holy war on the universe, the only difference would be whether Paul is actually leading them or whether they are doing it in his name as an act of vengeance for his death. Whereas the emperor, irulan and the bene gesserit's fates still depend on whether paul or feyd wins, if paul wins they lose their power, if feyd does they can control him and stay in power. Chani too I think her fate is dependant on who wins once Feyd takes notice of her, if paul wins she has choices, stay or leave (and she choses to leave) but if feyd had won you can bet she would have been taken by Feyd as some kind of prisoner of war or pet for him to play with. But like I siad that is speculation on my part.

Throughout the duel itself there are also some interesting positions and symbolism going on. For example at first when they are fighting and are evenly match they maintain their positions of Paul being in front of Chani and the Fedaykin and Feyd in front of the emperor etc. However if you watch closely whenever it appears like Feyd is getting the upper hand on Paul and like Paul may lose its whenever Paul is on the side of the emperor. When Feyd knocks him down, Paul is in front of the emperor and lands pretty much at the emperor's feet.

I interpreted this as showing Paul's downfall, showing how he lost his way, it was his pursuit of revenge against the Harkonnens and the Emperor, his desire to claim the throne, that pulled him onto the darker path he is taking. It's again that visually representation of what Paul is going through emotionally/internally. We are seeing him being pulled and pushed away from Chani and the Fremen and that life that had made him happy and being, quite literally, thrown onto this path of becoming emperor and starting the holy war.

It can also represent the emperor's and Feyd's on desires to see the House of Atreides quite literally brought down, laid at the emperor's feet and defeated. It's like we are getting a glimpse of what one potential outcome/future could have looked like, Paul defeated.

Another way you could look at this is that when Paul is kicked to the floor, Feyd is now in between Paul and what he is fighting for, his motivation for fighting. I mentioned earlier that to me their positions at the start of the fight were like they were guards, well now Feyd has broken through that shield and is a direct threat to those Paul loves.

Paul falling down at this position also means that he is now directly facing Chani and the path he's left behind. It is as Feyd approaches Chani, a looming threat getting closer and closer to her, that Paul finds the strength to get back up and continue the fight. Seeing the threat to Chani makes Paul move away from the emperor and towards her and Feyd. I think this shows the shift in Paul's motivations and what is keeping him fighting, what is giving him strength, at first he was fighting to get revenge and the throne or at least I think that was his priority, there were other reasons too but in the moment it was his wish for justice that was driving him, but here it shifts to wanting to protect Chani from a more immediate danger, I said in another post that at this moment dying is no longer an option as it will leave Chani vulnerable to Feyd if he does which is something Paul will not let happen.

Another interesting moment is that when Feyd stabs Paul he first drives him backwards, back towards the emperor, so similar to when he is kicked down the first time, we have this imagery of Paul losing and him standing with his back to the emperor and the bene gesserit, the people who have been the cause of his suffering, and who represent this path of becoming the kwisatz haderach, the madhi and the holy war etc. When they are closet to the emperor, Feyd pushes the knife in deeper.

But then Feyd flings Paul away from him and Paul stumbles back so that he is once again standing with Chani and the Fedaykin at his back. As Feyd menacingly approaches him to finish him off, instead of focusing on the incoming threat Paul looks to Chani, to get a reminder of why he is fighting, why he is doing this and to draw strength from her. When he finally defeats Feyd it is again when he is standing closer to Chani.

I just think its really interesting that during this duel whenever Paul is at his lowest we are shown him on the side of the room with the emperor, bene gesserit, the people who are seeking to destroy him, and then when he is at his strongest and at his moment of victory in the duel he is standing on the side of Chani and the Fedaykin, the ones who give him strength and who he loves.

Once he's pulled the knife out we see him once again look to Chani, all of these looks to me make it very clear that she is his motivation behind his actions, he's doing it for her, he's doing it all because of that vision he had of her death, to keep her alive, which is really heartbreaking because its his actions to keep her safe and alive that are breaking her heart and that ultimately cause her to leave him. But I digress.

After this look to Chani we then see him repeat the same journey we saw him take at the start of the scene. He starts close to Chani and the Fedaykin, crosses the room passing Jessica, Stilgar, Gurney and the Fundamentalists and arrives before the emperor. Only this time he completes the next step, making the emperor bow and kiss his ducal ring.

When everyone else in the room bows, three stay standing, Princess Irulan, the woman who is his key to the throne, Chani, the woman he loves, who taught him the ways of the fremen and the desert and Jessica, his mother who fuelled his legend amongst the fundamentalists and trained him in the ways of the bene gesserit allowing him to become the kwisatz haderach. Not only is it symbolic that its these three women alone that remain standing but their positioning is again really interesting.

They are each a point of a triangle. Triangles have alot of symbolism and often represent three sides of a whole or a cycle. There's religious connotations to it too with the triangle often being used to represent the holy trinity in Christianity. Some meanings that I think could be relevant here though is the cycle of birth, life and death. Jessica representing birth, she is his mother but also she orchestrated the 'birth' of the kwisatz haderach in the south. Chani I think would represent life, she was the life he chose for himself. Then Irulan would represent death, she's the key to the throne and the Paul we knew had to die in order to become the man he is now. She represents the death of his old life.

Another meaning is beginning, middle and end, its similar to the life cycle triangle but this one is a reminder that everything has a process, there's the start, the journey and the end. I think this ties in well with what I was saying about how Paul merely crossing the room showed his journey throughout the film. So too does the positioning of each of these women in his life. Chani was the start of his journey, where he learnt from her, where he fell in love, then he drinks the water and becomes the mahdi, represented by Jessica and it ends with Irulan and him becoming the emperor.

Triangles can also represent protection, power and strength which I think each of these women provide Paul in their own unique ways. They can also mean creation which you can argue that each of these women contributed to who he is and has become, in a way they are the ones who have created him.

What is ironic is at this moment as the emperor is bowing, Jessica communicates with Mother Mohiam and tells her she chose the wrong side to which Mohiam replies there are no sides. I just found this kind of funny considering the room is set up into three very clear sides.

But anyway, moving on, after the emperor and everyone bow we then see Paul, yet again look back to Chani, even after everything he still can't completely let go of that link back to who he was, the life where he was happy and loved as a man and not a prophet. But then Chani walks away severing that last link. Paul keeps his eyes on her until she is completely out of sight, then he half turns, looking down and closing his eyes so that he is front on with the fundamentalists and Jessica. It is at this moment that Gurney tells him that the great houses are refusing to honour his ascension. Paul then turns his back to Stilgar and facing Irulan and the emperor, he looks to the floor and takes that final step when he says lead them to paradise, unleashing the holy war from his nightmares onto the universe. His only hope now being that the fundamentalists believe in him enough that he is able to control this war in his own favour. I think its significant that Paul turns his back to Stilgar, the friend who became a fanatical follower, and looks down to the floor at this moment of declaring the holy war. It's indicative of his shame, of his pain and shows how much its hurting him to make this choice, so much so that he can't look at the fremen as he gives the go ahead.

Honestly I could be looking into this way too much but on a rewatch of the scene I just found it all very interesting the way it was all laid out and how Paul navigating the room seemed to reflect his own personal journey from Paul Atreides to Usul Maud'dib the fedaykin to the Lisan al gaib to the emperor of the known universe and how that is reflected in the people around him.

#dune #dune part 2 #dune part 2 spoilers #dune part two #dune part two spoilers #paul atreides #paul x chani #paulchani

[portagas-chan]

Yours Forever and Ever : Part 2

Yandere Katakuri x Isekai Reader

Things to note: Angst, Manipulative Behavior - where Katakuri gaslights [Y/n] and guilt-trips her.

Much to her surprise, Katakuri has been very nice to her. His behavior towards her was like a slap to her face when she compared it to the possible worst-case scenarios she had of him. It's not like she was complaining though.

"Are you bored?"

Katakuri's voice snapped her out of her daze. She was sitting on the edge of his bed and was daydreaming. Katakuri sat on what seemed like his working desk, writing something. It probably has something to do with the wedding preparations.

"Kind of?" [Y/n] tilted her head.

Katakuri looked at her before dropping his quill pen and walking towards her. The bed shifted a little when he sat beside her.

"I've been wanting to ask you something," Katakuri started. [Y/n] stared at him silently, waiting for him to continue. "How do you feel about this whole thing?"

"Which one? Being kidnapped and held as a hostage or my friend's wedding with your sister?"

"Everything," Katakuri answered.

"Sure, this whole thing was unexpected but I'm not bothered at all," She shrugged.

"And why is that?"

"Well, when you have someone like Luffy as your captain, crazy things always happen which is normal. Plus, I have faith in Luffy. I know we will always find a way out of difficult situations," Katakuri noticed how her lips curled up into a soft smile, how her eyes looked innocent and overall, a gentle expression she has on her face.

Katakuri was jealous of Luffy. He didn't like how she was so devoted to Luffy. How much she trusted him and her loyalty towards him. What does that damn straw hat has that he doesn't? What should he do to make her act the same towards him? He didn't know but one thing for sure, no matter what, he would never let go of her.

Katakuri hesitated to ask but did it anyway, "Does that mean... you will leave me?"

[Y/n] paused not knowing what to say. Katakuri had been sweet to her. He was kind and she felt grateful towards him but staying here forever? She couldn't see that happening. She didn't mind visiting him occasionally but being stuck in a place forever? Joining a crew as worse as the Big Mom pirates? Yeah, no.

Katakuri was such a sweetheart and a good friend of hers. He'd probably be happy if she accepted his offer to join his crew but that was only him and maybe Brulee too but the others? She'd probably spend the rest of her life being bullied by them whenever Katakuri wasn't around.

"[Y/n]?" Katakuri called her. She looked at him in the eyes and sighed, "Katakuri, you're a very nice person and I'm thankful for that. I honestly don't know what would have happened to me if your siblings were the ones I'd be held hostage by."

Katakuri smiled under his scarf, "It's not a problem at all."

"But I don't think I can abandon my crew for something like that," [Y/n] didn't dare to look at him in the eyes. She knew Katakuri would be upset.

"Am I not important to you?" His voice was cold and there was a hint of sadness behind it.

"You are!" She quickly denied him. "It's just.. you know, I don't know how to explain it but I will come by and visit you often," She tried to reassure him but it didn't help. Katakuri was still gloomy.

[Y/n] was met with silence. Katakuri didn't even look at her. He just stared into space not saying anything which worried her. She placed her hand on his and squeezed it lightly, "Katakuri? I'm sorry. I'm sorry, okay? I wish we met under different circumstances."

"I don't want that," Katakuri mumbled but [Y/n] couldn't make out what he said.

"Come again?"

Katakuri slowly took off his scarf, dropping it on the floor. He finally faced [Y/n] but this time his whole face was exposed, allowing her to see his expression.

When she saw her face, it shocked her. His mouth turned downwards, frowning. His eyebrows knitted together and his eyes reflected desperation, frustration, and sadness. [Y/n] had never seen Katakuri like this. The only time she had seen him with this kind of expression was when he was younger and Brulee got hurt.

"I don't want that, [Y/n]!" He hugged her. "Please don't leave me."

[Y/n] didn't know what to say. Why was Katakuri acting like this? She couldn't think of any other reason but one. He liked her but why? They haven't known each other for long. Was it love at first sight? No, that was absurd and out of character for him.

[Y/n] remembered something and wanted to make sure what she thought was right. She pushed Katakuri away and looked at him.

"Why did you take off your scarf?"

Katakuri was taken aback by her sudden question.

"You never took it off so I assume that it's your biggest insecurity," She continued. "So, why?"

Katakuri sighed, "Because I trusted you. I had a feeling you wouldn't judge me." Well, he wasn't wrong but he literally killed people if they saw him like this even if it was unintentional, and yet here he was, taking it off and showing his weakness to her willingly.

So, she was right. Katakuri liked her but what about her? She didn't know how to feel about this. She knew about Katakuri but never got to know him personally.

"Or am I wrong? Do you hate me now because I look like this?" Katakuri said which made her stare at him in disbelief. "What? No! Are you kidding me?"

Katakuri smiled, tucking her hair behind her ear, "Then, I don't see the problem here."

[Y/n] avoided his eyes and sighed, "No, you are not getting it, Katakuri. I can't just abandon my crew. I have friends out there and I can't leave them like-"

Katakuri cut her off with a groan, "It's always about your crew. What about me? Do you not care about me? Then all those words you said were just words that meant nothing. You're lying to me, [Y/n]."

"No, Katakuri, that's not what I meant," But she was cut off by the knocks from a servant.

"Katakuri-sama? Mama would like to see you," He said before leaving.

"It's okay, you can stop pretending to care. It hurts more if you act like you care. I would prefer if you didn't and just be honest with me," Katakuri said as he got up from the bed and put on his scarf.

He started to walk away but [Y/n] immediately followed him.

"Wait, no! You've got it all wrong!" She grabbed his arm to stop him but Katakuri shook it off. With his strength, [Y/n] fell onto the ground and yelped in pain.

Katakuri looked at her and for a moment, he felt bad for hurting her. It wasn't his intention to hurt her and never will he hurt her. He walked back to her and crouched down.

He took her wrists in his hand and destroyed those cuffs. [Y/n] closed her eyes waiting for the explosion but it never came. She opened her eyes and was met with Katakuri's cold ones.

"It was just a fake to scare you off."

[Y/n] looked at her now free hands and looked back at Katakuri.

"You're free now. You can run back to your crew that you love so much and leave me behind," Katakuri said making her feel a pang of guilt.

[Y/n] didn't move an inch. She stayed in the same position.

"What's stopping you, [Y/n]? I don't matter to you and nothing is holding you back so what's stopping you?" Katakuri repeated before standing up and turning around to leave.

"Katakuri! There's been a misunderstanding. Please, hear me out!" [Y/n] pleaded but Katakuri ignored her pleas slamming the door in her face.

"Katakuri..." [Y/n] whispered sadly.

[Y/n] felt guilty. Had she gone too far with rejecting him? But it was all too sudden for her and she didn't know what to do. She didn't know Katakuri was feeling like that.

She felt like crap. She felt like a horrible person. She didn't want to leave her crew. She had stayed with them for a long time and grew fond of them but she didn't want to leave Katakuri too. Especially, now that she knows he felt hurt and betrayed by her.

[Y/n] didn't know what was the right decision to make.

Should she stay?

#one piece #yandere one piece #yandere katakuri #yandere x reader #charlotte katakuri x reader #op katakuri #katakuri one piece #katakuri x reader #charlotte katakuri

[alphaketoglutaricacid]

the way he came real close to one of laios desperate plans while sleep deprived and hangry several chapters in advance.. he really does know laios huh.

my tags got too long so here they are under the cut

Even tho he wanted to sleep he probs was still listening to everything laios has to say. Bc he is Always Listening and Observing

Interesting in the context of how laios wants someone to understand him - to see him as he is but also the ways in which hes afraid of rejection and being seen as less than human but lacking the monstrousness to retaliate and lash out without regret bc then it would be The natural order of things but hell never be a monster he can only be a human being

but i think part of the reason shuro got so mad is bc he was putting all this effort into being considerate and feeling he got none in return. i think he wanted to be seen too! But i think he overlooked how he feels safe enough to express his rawest feelings w laios

But also i think laios was the first relationship shuro did not just let fizzle out at the first sign of interpersonal difficulty. bc lbr in this manner hes a coward. Disgusted by maizuru being his fathers mistress ? Dont talk it out n continue letting her treat him like a child while ignoring her. concerned hien and him will turn out like maizuru and his father—just let the friendship drift apart w time. concerned abt how inutade views her retainership when he knows his father just sees her as an oddity—dont say shit n just stew in it 5eva

passive aggression warrior!!!

Also interesting laios is like if we can make her monstrousness more manageable maybe she can live among ppl…the projection

The part at the end where toshiros like I know his gait from the sound of the bell by heart so i 100% know its him. he was listening the whole time! like a second heartbeat. Very metaphorical for their relationship. its a challenging relationship for the both of them but they dont give it up bc they care about each other.

thats love honestly i was genuinely moved by the interplay of toshiro laios n kabrus relationship. that laios promises hell eat w kabru on his terms even tho kabru wasnt upfront abt the monster thing initially giving him a motive to return. and how shuro gave him the bell as a promise hed bring him back to the surface no matter what. And he fulfills it even when laios leaves the bell behind bc he knows him so well To the surface and live among other ppl.

bc laios whole life he felt like he couldnt understand other ppl and they couldnt understand him even tho he wanted that connection that seemed so easy to everyone else

but thru kabru and shuro we see that no one in the world understands anyone else completely- thats why they enter the story w awful first impressions. As well as like well. Thats probs how laios comes off to other ppl

shuro calls him back bc the two as his peers are like u already have connections who value you (shuro) and deep connections youve yet to make w ppl who will be important to u going forward (kabru) and theyll both challenge and change deep seated issues about themselves to keep their connection w u alive

#dungeon meshi spoilers #What a fascinating and loaded dynamic #toshiro nakamoto #laios touden #shuro

[vasilek-ymep]

my lorax au once-ler (Drug-Ler/Junk-Ler/Weed-Ler/Addict-Ler or just Torchalkins)

translation of the interview 1997:

Jane: We haven't been able to contact You for a long time. Are You always so busy, or is there some other reason?

Once-ler: Yes, I work all the time. The corporation isn't standing still. I'm directly involved in the development of new and more advanced 'drugs' .

Jane: Is 'Dr.' Moore after all?

Once-ler: (laughs) You could say that.

Jane: The our article title is 'Sweet 16x2'. How do You feel at 32?

Once-ler: I feel great. I can't believe it's been so long! This age was always seemed unattainable and very far away to me. Especially at the 16.

Jane: The article should have been called 'Sweet 16'!

Once-ler: (laughs) maybe!

Jane: You haven't changed much. What's the secret?

Once-ler: There are no secrets. I just don't drink or get drugs.

Jane: That's good. Now many people are addicted. Especially teenagers.

Once-ler: It scares me.

Jane: Is Your company RSGS MED CORP aimed at combating teenage alcoholism and drug addiction?

Once-ler: Yes, that's right. It needs to be eradicated.

Jane: I like Your attitude!

Once-ler: Likewise, Jane.

Jane: It's great that You took the time for a little interview. You haven't appeared on TV since the 1990s. What is the reason?

Once-ler: I try to exclude TV from my life. It spoils the nerves. There are no promising shows for me at the moment where I would like to appear.

Jane: Mr. Moore, You have become a sex symbol of the 80s. It's already the 97th year, and You still remain the idol for teens. Tell us about Your views on life.

Once-ler: I think everyone should appreciate the time that God has given us. Every second should be spent usefully. Communication gives us a lot. You need to strive to get to know new people in order to gain experience from them. Of course, the most important thing in life is mental balance, career and family.

Jane: (laughs) arranged in decreasing order of importance for You?

Once-ler: (laughs) Almost.

Jane: My newspaper has received a lot of questions from fans about what You're listening to. Tell us about Your favorite musicians.

Once-ler: I really like Prince!

Jane: Exactly, how could I forget. You have his guitar?

Once-ler: Yes, yes!

Jane: A gift?

Once-ler: Yes, we contacted.

Jane: Which his song do You like the most?

Once-ler: 'Soft and Wet'.

Jane: (laughs) Exotic and sexy!

Jane: In '89 You released Your album under the label 'Crystal', and in '91 You starred in the musical 'Go Billy Gox3'. What was the reason to stop trying to enter a musical career?

Once-ler: Perhaps a criticism. You know, I've always loved funk and rhythm-and-blues more, but my voice is too low to compete with Sly & the Family Stone or Talking Heads.

Jane: I think You'll find Your genre!

Once-ler: (laughs) No, no, I'm not into music.

Jane: You've been in three films. Are You planning to shoot more?

Once-ler: I would like to. So far, there are no scripts that I like.

Jane: Really?!

Once-ler: Alas!

Jane: Tell us about Your favorite actors and films.

Once-ler: Audrey and Ted Wiggins definitely!

Jane: Such a quick response. What kind of paintings do you like with them?

Once-ler: 'Sweet Blood'. All the parts.

Jane: Wow!

Once-ler: I like the theme of inquisitions and steampunk... and vampires, of course! (laughs)

Jane: What do You think about the progressive-anarchic views of life of young people?

Once-ler: I think this is maximalism.

Jane: Were you like that?

Once-ler: Perhaps! It's just that my environment is enviably full of aggressive fanatics. I know you're going to read this, American!

Jane: (laughs) Is there a problem with your cousin?

Once-ler: Conflicts of worldviews.

Jane: You have a direct influence on American politics. Why haven't You been running for president yet?

Once-ler: I'm a pharmacist. I doubt that I can make America strong if I become president.

Jane: Are You a patriot?

Once-ler: True. I protect my homeland from people like me. (laughs)

Jane: Tell readers Your favorite books.

Once-ler: Read McDonagh.

Jane: The Scotsman?

Once-ler: The Irishman. But it seems to me that these are familiar problems for our country.

Jane: You've written two books about finding yourself. Is this an important issue for You?

Once-ler: Very much. As I said before, balance in the soul is a balance in life.

Jane: It's inspiring!

Jane: Are You still single? Or have You got a partner?

Once-ler: I haven't found the right person for me yet.

Jane: In the future, can I leave you my number? (laughs)

Once-ler: I'm yours! (laughs)

Jane: We don't know much about Your personal life outside of the media amplua. Why is that?

Once-ler: I prefer to be in the circle of friends and family without prying eyes.

Jane: Do You like being alone?

Once-ler: Perhaps…

Jane: Thank You, Mr. Moore!

Once-ler: It was a pleasure to answer Your questions!

Jane: You're very sweet. You seem so serious on TV!

Once-ler: Really?! How embarrassing…

Jane: It's even entertaining!

#art #digital art #oc #onceler #onceler au #onceler oc #once ler #onceler art #onceler fandom #the onceler fandom #lorax au #the lorax #lorax #lorax 2012 #lorax fanart #lorax fandom

[breadsticksposts]

yandere scaramouche!

rapunzel references reader!! {when will my life begin}

-you woke up at 7 am the bed beside you empty, well scaramouche usually left you alone in the morning. so this is normal

-you go to the bedroom and clean yourself. after that you go to the dinning room to eat your breakfast that the maids prepare for you, many people says yyou are living your best life, but how can it be the best if you are lock in a big villa?? well yes itts pretty and anything you could ever imagine. BUT you also want your freedom!! what is fun about being lonely?? you have no one to talk too and barely anything to do! well, that is until you kinda do chores around!

-firsr scaramouche doesnt understand you, why would you want to do chores when you can just sit ot read a book?? i mean you do get too watchh TV but you can watch it if you have his permission, and how can you ask him when he is mostly not with you every time??

-so scaramouche let you do what ever you wat, yyou kinda just clean the room that you like! like the painting room,library, kitchen, sewing place,music room.

-after you eat your breakfast, you take a broom and went to the music room, because that is the pllace that really need a tidy up! you brush and bruch the floor, mop it and put the instrument in their own place!

-next you do your laundry, well you inda just seperatted the clothes and gie it to the maids to do the rest, but that must count for something right??

-after all of that you look at the time and its omly been 7:30, you do it all in 30 minute!? you decide to sweep the rooms that you like, you went to the library and clean it, but mostly you dont see anything to clean, mayybe just the floor but the books is in their place. you are kinda great full too

-the library is not that big so you usually dont gett tired up from just sweeping the floor, well..maybe just a little bit!

-you then try to pick a book to read and waste your time on, but you cant get any book that you like! most of the book that you like, its finished! gods why dont scaramouche put the kind of books that you like?? maybe you can aste your time reading new books! at the end of the day you read the same books over again.

-its 10:30 now, well that sure waste much time! i guess?? well you get bored of reading, you know all the plots already so its came to be a bit boring, but there some parts you like or still miss! after all of that you were thinking that its a great time to start paiting! you love love LOVE painting! i mean you could draw anything that you like, that is practiclly freedom fr you!

- you went to the painting room or you can say art room, that room is only ffills with your paintings in the walls and canvas! all match your aesthetics. you take your brus and start painting on the wall, you sit on a ladder and paints some details that. you miss on the previous drawings, or just add some more drawings!

-you waste your time mostly in the art room, coloring every inch. you were thinking to ask scaramouche to buy you more canvas for you to paint, well you just need the right moment, really.

-you lose to track of time until someone knock at the door. “my lady, please come ouut, its already lunch time. the lord will not be very pleased if he knows you forget or didnt eat.”

-you sigh and clean up the mess you create and came out of the room. you went to the dining room again and you have been prepared some foods, mosty its cold but you dont really care.

-you always wonder why scaramouche have a long didng table,its mostly just you and him so why there is many sits, who is. that for?? but you always think tht maybe sometimes there will be some important people joining dinner. who knows??

-after you eat the foods that you were given, you went to your room, where many things are in the tto keep you distracted! like sewings/knits,and puzzles

you do your puzzles, which is the one you been wanting and been begging for scaramouche to buy it for you. you put it up and it only took 15 minutes. boringgg!

you try to knits but you cant get how to do it! like how can people do this thing?? its so hard!!

-ell finally after many tries you kind of give up and went to the kitchen to bake!

-you try to bake some cookies but you kinda dont get the hang ofbaking yet so you mess up many times and ending up the cheff bake it for you. its so delicious, its warm and h=when you put it with cold milk its just make the. perfect combos!

-then you feels like you need a GOOD stretch from all of those activity. you went to your room and stretch, you try to hold your own feet but you cant and you just end up being tired.

-but if you were thinking, why dot i just escape from here?? you tried. really! but every inch of this villa is filled with maids and body guards, and you always feels like the is eyes on you every inch of your body. the last time you tired to escape, you kinda end up being punished by scaramouche and we do not want to think about it again!most of the time you do just end up being cought or fail and you will face his wrath later..

-you end up laying in the couch, resting. its so boring in here, how come they say i should be greatfull living like this??

-you take your book and reread it again, you miss when your life is just about friends, family, and freedom. until this happen, now you can only read a book about fantasies. there is not many amount of book about fantasies in the library, most about education, funfacts or straight up history. you always falls asleep reading tthose books! you were thinking for your birthday gifts, you could ask for books??? WHAT! no way1!! you could ask for “anything” but you ask for some books!? ugh..

-how about..the outside?? i mean its been so long that you didnt see tthe outside! youu always wondering what is it feels like again?? windy? refreshing? hot? you can only imagine it.., the closes thing you got is the garden! you can only see the skies..,every corner have a tall smooth walls that was imossible to climb on.

-okey thats enough!! just focus on the book you are reading and dont think about thos impossible things. scaramouche? letting you out?? you must be dreaming!

.

.

.

.

.

.

.

‘

“this woman..keep reading tthe same book over and over again?? ugh..there is so many book i bought for her and she keep reading those books?? what is she thinking!? i. didnt waste all that money for nothing!” scaramouche groan while looking at the cameras he set up in every corner of the rooms.

“my lord, if i read the titles of the book, i would think its an fanfiction book, or full of imaginative things.., i do recommend buying her more like those books, rather than historical books” the head maid says, giving scaramouche some advice.

“gods.. what girl want so much!-“ scaramouche complains

“my lord, this girl have been goods for a few days..i think you could give her something for her being obidient? from the reports of the workers, she been helping around the villa, and didnt do any escape attemts” the head maid told scaramouche about the past few days ago.

“i see, i will take a look. now leave.”. scaramouche order the head maidas the. take a look of you laying on the couch reading those books again.

im so sorry if there any typos! and i hope you enjoy it!

#scaramouche x reader #reader x genshin character #genshin scaramouche #yandere #genshin yandere #genshin headcanons #headcanon #scenerios #scaramouche

[castawavy]

November Save MEGA summary (part 8)

before / next

here it is... the penultimate chapter of november save, its been a long journey guys and im glad you all joined me on it. this was definetly my fave family and one that was really important to me because I made steve and june during a time in my life where things were very uncertain & I was going through a lot of changes, so they were pretty much my one contsant for awhile, anyways here are the photos!

so steve and june are still on their little fitness journey together, its a thing that steve has always been into but june wanted to join him cuz she got super into yoga

then as usual they couldnt keep it in their pants

june also got promoted to judge finally, she basically switched career branches after she left Landgraab Industries, but I didnt have any pics of her leaving... but now she works at the local court, and doesnt have to commute to the city anymore which she prefers

then it was Winterfest 🎁 and I decked the halls

lucky elijah got gifted a telescope but I don't remember what we got adelaide

adelaide spent new years with her childhood friend peter (luke's step son) in san myshuno I think she graduated from highschool by now but again, ive lost the photos from her prom... idk what happened to those

the bheeda girls were there too of course, theyre kind of like cousins to adie since shes very close with them even though theyre not even related AHAHAHA

she also met a mysterious stranger named jolene who she later kissed at a house party, she kind of stopped seeing landon because the two of them would always fight, and I think she just had enough

steve and moose cuteness

and a makeover for elijah in prepartion for his YA life stage (he sometimes wears contact lenses now)

THEN a major event in steve's life, but he spoke with june and she persuaded him to finally reconnect with his younger sister, Claire, who he has kind of been no contact with since he was a teenager (mostly because he cut off contact with his parents)

later in spring, the weather started to get nice, so steve and june threw a BBQ / get together with all their friends in the yard

sita and elijah also reconnected as they hadnt really seen eachother since they were toddlers and sita quite liked him :eyes:

then when everyone was gone, steve & june enjoyed some quality time together in the new pool...

meanwhile elijah and sita got cozy and 'watched' a movie teehee

ALSO big news from Raj FINALLY he couldnt make it to the BBQ cuz he and julia just had TWINS

adelaide also worked her final shift at the country club and she and her coworkers played some foosball behind their manager's back

before / next

#ts4 #ts4 gameplay #sims 4 #sims 4 gameplay #november save #nsgen1

[dwreader]

Post-Season 1 IWTV Podcast Transcript

Special Guests: Assad Zaman, Rolin Jones and Mark Johnson

"Armand is someone who comes into Louis's life in the second half of IWTV, they meet in Paris and Armand is immediately like most people completely entrhalled by everything about Louis and what he stands for. He's changed from the person he was before he met Louis, which is a person who's a bit lost in the monotony of his life is the way I would describe it. -Assad Zaman

[intro chit chat with Assad]

Assad: Armand is someone who comes into Louis's life in the second half of IWTV, they meet in Paris and Armand is immediately like most people completely entrhalled by everything about Louis and what he stands for. He's changed from the person he was before he met Louis, which is a person who's a bit lost in the monotony of his life is the way I would describe it.

N: Its been 500 years its definitely been monotonous. [514] Ok yes 514. Ok we get it. You need some love in your life. Now did you know from the beginning like when you got the sides, were you told you were going to be playing Armand.

A: I think if I knew I was auditioning for Armand, I wouldn't be here. I think just the prospect the notion would send me over the edge and I would crumble. I got the audition, a couple scenes with Daniel Molloy, a character named Rashid, I know who this guy is he's highly efficient and he's got skills, very clear part to play in. I kind of went in and did those tapes fairly confidently. Then I got a recall and another scene added, with a bit more subtext. Rashid has a bit of a sting to him with his status. Then I got a third recall and Rolin asked to have a meeting with me on Zoom, give some notes... I was thinking why is he wasting his time talking to me about Rashid when he's got Louis and Lestat to worry about so I'm terrified I get onto Zoom with him and okay okay so basically Rashid is in disguise, he's not Rashid he's actually the vampire Armand and he proceeds to tell me all about Armand. I'm think just don't lose your cool. This has to be a secret and we don't want to leak it but we want to see a bit more from you. And I got off the call and I almost started crying.

N: So how much time did you get then? between that first audition to the recall? You have to go from a no nonsense assistant to I am a vampire king?

A: They gave me maybe 8 or 9 hrs between the call with Rolin and the next tape I sent over. And then I did another 4 rounds after that... it was a grueling process.

N: Once you get to set, everyone knows or its still a secret you're witholding?

A: Apart from the main cast, a lot of the crew didn't know.

N: Sit quiet in a corner and don't attention?

A: That' was my initial approach to Rashid before I knew he was Armand. All  he wants is to keep his job and not get killed.

N: Now while you're filming the first season, what convos did you have with Rolin about the plan for Armadn in the show?

A: We did discuss wth events in IWTV and where we're gonna see him in season 2, a lot of that is very important. Where Rolin has curiosity is when we look into Armand's past and where he came from, there's some obvious differences to me in what to explore and to see what we want to pick from it. His story.. its complex. He's messed up. He was messed up even before he became a vampire. The events that makes Armand have to be complex enough to see how he turned into  what he is. .... I was also very aware as an actor a duty to the story being told in this moment, it's Louis's story and him recounting it to Daniel, their story is very important as well. As much as Armand is sizzling in the background, I have to honor their story as well. We don't want the audience to draw too much attention to it right now cause it deviates from the story and the themes that are important to explore in the season.

N: When Rashid revealed himself, I screamed. It only works cause Rashid has so cleverly.. you almost forgot about him.. "love of his life"? Louis?? Not another old vampire and this one who can stand in the sun.

A: We hope that he hasnt made the same mistakes all over again.

N: Why is he pretending to be Rashid this whole time?

A: I think it's incredibly painful for the love of his life describing another love of his life. There is also curiosity with Daniel about why he's allowing this interview to happen.

N: And Rashid was there in that first interview so that whole thing makes sense.

A: We actually don't know what transpired in SF, cause he was not there in the book. How far did Louis get and what Armand had to do to stop him? That could also be why this interview is happening.

N: A little taste of what's to come in s2?

A: Theatrics, vespas and romance is in the air. We're in Paris. It's a gorgeous part of the Paris and the journey they take to get to Paris and the showdown that has to happen in Paris.

Highlights of Rolin Jones/Mark Johnson

N: How are you feeling about Season 2? Is there pressure? Is there a feeling that OK we did one and now we can really dig in?

R: Actually I'm just sort of being excited about Season 2 and not being scared out of my mind with it. The second half of iwtv, there's some lovely passages but there's a lot of people sitting around talking.

M: It's a whole new continent, but it's characters Rolin has already created. Im feeling quite confident and excited and abuzz about what we're going to do next season.

N: I'm very curious what attracted you to vampires and the world of AR.

M: I was not familiar with AR to begin with, my excitement has to do with what Rolin did with it for the pilot and thought this is extraordinary and I read AR and realized all of the treasures, of what Rolin took advantage of and what needed redressing.

N: Rolin, can you explain to me the process, you know, how did you pitch yourself as the showrunner of this?

R: I had an overall meeting with them about a list of things I wanted to do and as I was leaving they said we forgot to mention our boss bought the Anne Rice books, I stopped and I put everything and I said we're gonna take another 45 min for the meeting. By the time I left, I knew that's what I was going to do. They put me thru the gauntlet to prove if I was a guy. It wasn't just about whats a good poilot or first season it's what does this look like 8 seasons from now.... I was really excited cause I wanted to do something grand and big. I had some of my theater pals create a visual world.

N: Let's talk about Louis being black. I feel as though we are in this age of adaptation or reboots if there will be a gender or race swap and that's the extent of it. It felt as though you making this change meant you got more story, you were able to mine that fact for more story points and a new dynamic. These two men are famously white... and I'm wondering about the choice to do that and what it was to execute that.

R: I came around to his ethnicity a sort of interesting way which is through Lestat. There's a famous rewrite of Lestat in book 2, he's sort of an aggressively different character than what he was in book 1 and that's the Lestat she carried on for the rest of time. So that's our Lestat. So we tried to take the given circumstances and put him back in this time period, so he had a super emo relationship wtih this guy with Nicki, then he had uhhh  a very excitable relationship with his mother as his second companion choice (we'll get into that in season 3 y'all), and then I was like lets give him a legitimate a third attempt at figuring how to be with somebody for the rest of his life and how to not repeat your mistakes. And I started from there so it had to be someone with some money cause he had to be with his own folks and I thought he wanted someone who could fight back and who could be a challenge and would force him to restrain himself. And nobody at AMC was interested in 7 seasons of the regretful plantation owner, so we made Louis come from a lineage that did have a plantation and did own slaves. And the second thing was aesthetic if you take away the ruffle shirts and all the swampy goodness and you wanted to make this new, whats the new hot time and birth of jazz seemed right on. And there was a spot when a black man could get in on some business and have some morally gray thing that owning a plantation would. It all clicked into place pretty quickly. ... and the other thing is you're trying to build as much inherent conflict, enough not to burn thru in a season you want 7-8 years of conflict and distress and vulnerability in both of them. I wanted to load Louis with as many contradictions and things unsettled as possible.

N: How did you decide when to deviate from Anne's books? Were there rules in what you could invent ?

R: There were a couple caveats make it here and now, make it grand and big but we said she wrote a very transgerssive book in 1973 and tried to put her in the room in 2021 making a TV show... there's no point in making it if you're going to make a roughshot of it. You're constantly revisiting the book. That's when you're in draft, in after produciton draft, dropping in as much Anne as we could. We were going to write the heightened language thats in the novel. 

N: Can you tell me about how you found Jacob and Sam?

R: Obviously 9 billion people auditioned. It was very clear something very dynamic was happening when they got in the Zoom. For Jacob, there's this genuine warmth, kindness, for a character who's going to make a number of questionable choices, how do you make you want to love him? .

...

N: Did you always know the season was going to end with the reveal of Armand and the "murder" of Lestat?

R: Very early on, we were talking about making this thing in the writers room and pre-production. A lot had to do with lumber and covid. We were wrting scripts for the entire book and we got a lovely call from AMC "is there enough in this story to stay in new orleans this whole season?" So what we ended up doing, we made the first 4 into the first 7. We did that 50 days before we shot our first day.. it was a lot. And it was to the benefit of the show, we made a better product. We were not going to be able to do Europe in the same beautiful detailed way we were doing New Orleans. What was originally 8 episodes is now a 15 episode book. Was that the ending of my season 1? Not originally but it became the ending.

M: Now it's hard to imagine how we were going to pack all that into one season.

N: There's such a movement to that finale.

R: For me, that kind of episode. It's one for the people, the one for everyone else. you're doing twists and turns like a thriller. My favorite scene is the one that stops the action, the balcony scene...

N: Thinking this is all from Louis's memory.

R: Memory is a huge part of the show. We are only 7 episodes into a 15 episode story.

Audience Q: How sympathetic do you think Lestat is? Obviously this man has some major flaws like the whole next book is a whole lot of backpeddaling like he's not so bad he's not so bad. How sympathetic do you think he really is?

R: The more you spend time with it. I find Lestat wildly sympathetic. and the way it's built... You're not gonna see Lestat speaking for himself until season 3. Its a big deal right? You go ahead and have someone else tell the world about you from their POV. Who had the most traumatic entrance into the world of vampires? It's Lestat. You have no idea the baggage going into North America. We are playing with POV. Stick with Lestat, he's got a lot of pain.

Q: Why is Louis truly doing the interview? He says I wanna redo, but yet he's doing the same thing, he's dodging, cagey. Why did you bring this man to Dubai to do this?

R: It is absolutely THE question. IF you wanna know what we're still digging out, it's the why of it. There's a reason why this is the second interview. The first interview is very important. Something signifcant life altering happened in 1973 but they weren't the right people to do back then. There's a lot if meat on Louis's side, Daniel's side and most important Armand's side.. who's become the most fascinating character of season 2. There's a lot in Dubai left to be revealed.

Q: Do we think we've seen the end of Lestat and Louis's sexcapades?

R: So it's AMC, we are trying to sliding as much under the door as we possibly can. We are interested in the whole thing - the sex sure, the love story, the psychological torment, we are trying to write a love story that doesn't disappear after book 1. There's Armand coming..

N: Can we talk about what's to come? You're hinting this show can go on for many seasons, how long?

R: The real reason I wanted to do this show.. season 3. The Vampire Lestat. I really know how I wanna do The Vampire Lestat and I couldn't be more excited about it... and as goofy as body switching is, I think there's something in the tale of the body thief. QOTD... you gotta think on that one, how to do such a massive object, if you do it in one or two seasons.

#vampterview #rewind the tape

[marsprincess889]

Which is more important according to you, moon nakshatra, sun nakshatra or the ascendant nakshatra , also could you please explain what each of them are important for?

have a nice day 😌

Moon nakshatra is the most important, 100%, not just according to me. In traditional vedic, when they just say "nakshatra" without specifying, they usually mean the moon placement. Yoni animal is also dependant on the moon nakshatra, even yoni animals of other placements are playing their part, too. In my observations, moon nakshatra is definitely the most consistent influencing factor in a native's life, I'd say the ascendant is the next one by importance, but it might be Sun based on if there are any aspects to it, esp conjunctions.

I'll give you my example: I have moon in Bharani, with nothing else there or in Aries in general, Uttara Phalguni asc in Virgo(again, nothing else in that nakshatra or in Virgo) and Sun in Mrigashira in Taurus conjunct Saturn and Rahu within the same degree, I kid you not, with also Mercury in Krittika in Taurus(in vedic, being in the same sign is already considered a conj. between planets, as far as I'm aware). I'm 100% way more venusian than solar or martian in nature or in appearance. Even tho I have such a conjunction in Mrigashira, I'd still say I'm more Uttara Phalguni and solar more that martian.

Moon, as I've said, is the most consisttent influence that leaks through and affects everything. Ascendant is a very obvious energy that the person presents themselves by, and by that I mean, you don't even have to meet them to notice it, by that time moon and sun are already showing, you just need a quick glance at them, when you aren't even thinking, and the impression that they leave_that is the ascendant. For example, without realizing, I can be very solar, very Uttara Phalguni in my demeanor, esp with strangers. With the sun, because it is the king of planets, and represents the soul of a person in traditional vedic, there are instances where it overwhelmes and dominates other placements. I've seen that mostly with Ashwini sun people, probably because Sun is exalted in Ashwini.

There is no formula of this that is without its exceptions, but mostly, Moon is the most important(even when other placements overwhelm it, it still holds a special significance), then the Ascendant, then the Sun.

As always, observe for yourself and see for yourself, without pressure, and fact-check everything others say. There is no point in relying on any knowledge without filtering it through your own conciousness and discernment.

#vedic astrology #astrology #astrology observations #nakshatras #sidereal astrology #astro notes #astrology tumblr #ask