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#Wonder Woman 1984 Review
joshiesworld · 2 years
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funnypages · 10 months
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Post Snyderverse Ranking of DCEU movies
With the Flash movie rebooting the universe, thought I would list my rankings of the movies.
Shazam
The Suicide Squad (honestly this and Shazam are neck and neck)
Wonder Woman
Birds of Prey
Flash (I shockingly liked this more than I expected)
Aquaman
Justice League
Man of Steel
Shazam: Fury of the Gods
Suicide Squad
Black Adam
Wonder Woman 1984
Batman v Superman
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theladyfromplanetx · 1 year
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harrekisreviews · 2 years
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Wonder Woman 1984
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DC, is it too much to ask for a friendship between women that doesn’t turn into them killing each other? I swear, there were like 4 characters in this 2.5 hour movie, what would it have cost you to add a bit more depth to, well, all of it?? Was it necessary to turn Barbara this horrible (TBF, I loved the cheetah, but, uh)? Oh noo, let’s stick with the traditional formula of Wonder Woman loves one man and is incapable of even forging new friendships. That is like the whole premise of the movie.
Also way to vilify a woman by having her stand up to someone harrassing her. Granted, she did go too far but you could have chosen LITERALLY ANY OTHER SITUATION that shows her straying from humanity. No need to mirror what Captain Marvel did and go “see, woman bad”. Yuck.
What happened to Barbara anyway. I was hoping until the end they could become friends again but NO, it is YET ANOTHER GUY. C’mon Diane, plenty of women out there who will have your back, romantically or not.
There’s also no real resolution to the mysterious artifact. What about everyone who didn’t renounce their wish? What was it with the god? Does the artifact still exist?
Though I must say it is hilarious how well the bad guy remind me of my dad. Minus the whole TV personality and the fact he would NEVER admit fault and actually mean it.
in short
Gal Gadot is a treasure
Barbara is a better cat than Cats
4 characters in 2.5 hours and they still didn’t flesh them out well
DC ya’ll need some women writers
help my dad is on screen
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witchofsouth · 1 year
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Meine erste 1-Stern-Bewertung auf letterboxd, der Film hat einfach gar nicht funktioniert.
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morallyinept · 4 months
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Running in conjunction with my Pedro Character Dialogue Masterlist, I've created this Pedro Character Analysis Masterlist as another writing resource.
It will feature each character Pedro has played, with a full in depth review of the character, including physicality, distinguishing features, personality, attire, weapons used, cars driven etc...
Please feel free to refer back to this when fleshing out your characters for your fics. Or if you simply want to learn more about Pedro's characters. This will align to canon, and I'll include links that may be helpful/elaborate further on each character.
☝🏻This will be updated regularly, and when new characters are added to Pedro's portfolio of works.
*List does not include certain adverts, podcast characters, voiceovers, very minimal roles, guest appearances on shows/SNL, or table/script readings.
Enjoy! 🖤
Buy me a Ko-fi ☕️ If you like my work and enjoy what I put out there, you have the option of buying me a Ko-fi, if you'd like to. It's never expected, but always greatly appreciated. 🖤
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In alphabetical order:
TV & FILM:
Billy - Iris
Clint - Freaky Tales
David - Window Shopping
David Portillo - Homeland
Dave York - The Equalizer 2
Dieter Bravo - The Bubble
Din Djarin - The Mandalorian
Ed Indelicato, Detective - Wonder Woman UNAIRED
Eddie The Freshman - Buffy The Vampire Slayer
Ezra - Prospect
Francisco 'Catfish' Morales - Triple Frontier
Frederick Mercer - Charlie's Angels UNAIRED
Greer, Special Agent - L&O SUV
Jack Daniels, Agent Whiskey - Kingsman: The Golden Circle
Jay Castillo - Red Widow
Javier Gutierrez - The Unbearable Weight Of Massive Talent
Javier Peña - Narcos
Joel Miller - The Last Of Us
Juan Badillo, Agent - Graceland
Kyle Hartley - CSI
Kyle Wilson - Without A Trace
Liam - Nikita
Lucien Flores - The Univited
Marcus Moreno - We Can Be Heroes
Marcus Pike - The Mentalist
Maxwell Lord - Wonder Woman 1984
Max Phillips - Bloodsucking Bastards
Nathan Landry - The Good Wife
Nico - House Comes With A Bird
Noah - I Am That Girl
Oberyn Martell - Game Of Thrones
Omar Assarian - Lights Out
Ortega, Special Agent - The Sixth Gun UNAIRED
Oscar Castro Varga - Exposed UNAIRED
Paulino - Sweet Little Lies
Pero Tovar - The Great Wall
Pietro Alvarez - If Beale Street Could Talk
Reggie Luckman - L&O Criminal Intent
Ricky Hauk - Touched By An Angel
Santos - Drive Away Dolls TBR
Shane 'Dio' Morrissey - NYPD Blue
Silva - Strange Way Of Life
Steve - Hermanas
Steve - Nurse Jackie
Ted Garcia - Eddington
The Thief - Casillero Del Diablo Wines
Tim Rockford, Detective - Merge Mansion
Tito Cabassa - L&O
Veracruz, Comandante - Burn Notice: The Fall Of Sam Axe
Zach Goffman - Body Of Proof
Zach Wellison - Brothers & Sisters
AWAITING CONFIRMATION OF ROLE:
Gladiator 2 - Character TBC
Materialists - Character TBC
☝🏻New characters will be added as and when new projects are released.
If I've missed any, or there is one you would specifically want to see, please let me know. 🖤
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rosesloveletters · 4 months
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YOU ARE AMAZING FOR WRITING ABOUT GENE’S OTHER ROLES!!! 🥰😍 his other roles deserve the same amount of love as Wonka! your latest piece on Dr. Frankenstein was *chefs kiss* MUAH, delicious, perfect because oh my GOD he’s sexy in that film ❤️🥰 he exudes so much sexiness. I’ll be watching it for the first time tonight so my feelings might get deeper 😣💕 no wonder he considers it one of his fave roles💖 (also I need to say that your Wonka fic called “all is fair in love” has been on my mind for DAYS, it’s one of my faves from you💕)
he has so many amazing roles, and all of them are super FINE🥰 Apart from Wonka and Dr. Frankenstein, I have a serious thing for Leo Bloom from The Producers (1967) who’s an absolute golden retriever sweetheart who I love🥺, and The Woman in Red (1984) where he’s an absolute DILF 🙈🤭❤️ im super attracted to them help
Then again im just super attracted to Gene in general hehehe,🏃🏽‍♀️ *runs and hides*🩷
Aw, thank you so much!🥰🩷🫶🏻 I thought his other roles could use a little extra love. Although Wonka is my fav, since I've known him the longest❤️
Thank you! I'm happy to hear that you enjoyed my Dr. Frankenstein piece. I agree — I think he was at his sexiest in Young Frankenstein and it's definitely one of Gene's best roles, he was right about it being one of his faves; it comes through in how outstanding his performance was. I hope you enjoyed watching it!!
Aw you are so so sweet, I am so glad you liked "All is Fair in Love"!! That one was a BEAST to write. It took me several weeks (in actuality it was more like a month) to put it together. I'm honored that you've been thinking of it and that it's one of your faves of mine🥺🥺 Thank you thank you thank you!! 🩷🫶🏻
Agreed, his filmography is filled with so many treasures. The Producers has been on my watchlist for several months and I've not gotten around to seeing it yet. I'm savoring his films because I typically binge watch actors' filmographies, but I want to take my time with Gene's🥺 I have a feeling that Leo Bloom is going to become a favorite of mine. I've heard mixed reviews about The Woman in Red and I'm not sure it's a film I'd be interested in seeing, though I'm sure Gene does a wonderful job as usual. I'm glad to hear that you're enjoying his films and I think he'd be honored that you're getting so much enjoyment out of them🩷🩷
Your love for Gene is so so sweet, don't ever stop being you🩷🫶🏻 he would just LOVE to know he has fans like you who truly appreciate him and his work and his legacy.
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nerdieforpedro · 6 months
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Get to know me game
@mandoisapunk tagged me. Thanks for thinking of me. 💕
What are your astrological big three?
Aries sun
Capricorn moon
Gemini rising
Last song?
The Way I am by Charlie Puth (I was singing with my window up)
Current reading?
Falling Slowly by @musings-of-a-rose Slow burn with the reader and Tommy Miller. The Tommy Tower has cookies 🍪 Warm cookies that melt in your mouth.
Paranoid Heart by @goodwithcheese You had me at Javier Peña and I stayed for the poetic storytelling and watching the slow descent into attraction between the reader and Javi. I’m behind on it but I plan to catch up.
You were Marked by @handspunyarns Din Djarin has a bounty in an unknown region of space. What he finds, is beyond his comprehension and understanding. It changes him and who he meets. (Make sure to review author’s warnings before reading).
Be My Little Darling by @megamindsecretlair The push and pull between Loki and the reader make the crux of the story. Their enjoyable banter and the mystery at hand keeps things moving through the chapters.
Working Title by @rhoorl Sadly, another one I’m behind on, but I’m gonna catch up because Dieter Bravo! Slow burn romance is my jam. Doing hair and makeup for your crush shouldn’t be awkward right?
I’m sure there’s more but I need to better organize fics I’m following. 😭
Last Movie?
Wonder Woman 1984
It’s karaoke night, what are you singing?
Our Day Will Come by Amy Winehouse
Love Come Down by Evelyn “Champagne” King
Tokyo by Lianne La Havas
Lipstick by Charlie Puth (reminds me of Red Light Special by TLC)
Obsessed by Calvin Harris, Charlie Puth and Shaneesa
I enjoy singing. My neighbors may not 🤣
Currently working on?
A multi chapter Dieter Bravo fic, My Frankie fic, My Javier Peña fic, two Dieter drabbles, a Joel assignment, planning two Din Djarin fics, one Ezra fic I’m toying around with
Are there too many WIPs? Always! 😆
My mind’s a mess, can’t you tell?
No pressure tags: @morallyinept @legendary-pink-dot @maggiemayhemnj @ramblers-lets-get-ramblin
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my-chaos-radio · 5 months
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Release: August 8, 1980
Lyrics:
Four o'clock, I've been walkin' all night
It's the time I always think of you
If you could only see through my eyes
Then you know just what I'm going through
Here am I, I'm taking a chance
In running around with stars in my eyes
Here am I, I'm looking for you
Wondering, why do I feel so blue
I'm dreamin', dreamin' of me and you, oh-oh
I'm dreamin', dreamin' will see me through
Never letting chances pass me by
I'm gonna dream you right into my life
Yeah, dream you right into my life
Woman you'd better believe that I'm
(Dreamin' you into my life)
Five o'clock still walking around
I call you up but you'd just bring me down
I guess you'd say I'm getting nowhere
But in my dreams you always come around
Here am I, I'm takin' a chance
I'm walking on air, flyin' so high
Here am I, facing the truth
There's no other way I'll ever make you mine
I'm dreamin'
Dreamin' of me and you, oh-oh-oh
I'm dreamin', dreamin' will see me through
Never letting chances pass me by
I'm gonna dream you right into my life
Yeah, dream you right into my life
(Dreamin' dreamin' will see me through)
Woman you'd better believe that I'm
(Dreamin' you into my life)
Woman, you've got to believe me woman
Oh woman, you've got to believe me woman
I'll be (dreamin' you into my life)
You've got to believe me woman
Songwriter:
Woman, oh woman you've got to believe me
I'll be forever (Dreamin' you into my life)
Leo Sayer / Alan Tarney
SongFacts:
"Dreamin'" ("Dreaming" in the US) is a song recorded by Cliff Richard from his 1980 album I'm No Hero. The track was the first of three singles released and the album's biggest hit. It became a top ten hit in numerous countries, including the UK and the US, where it became his third and final top ten hit.
"Dreamin'" was composed by Alan Tarney with lyrics by Leo Sayer, whose own hit, a cover of "More Than I Can Say", charted at the same time as "Dreaming" in the last four months of 1980. Richard feared that the song was too high for his range. However, Tarney told him: "It was fantastic and asked [him] to sing it in that key."
It was released with the B-side being a re-recording of "Dynamite", a song Richard had originally recorded with the Shadows in 1959 and released as the B-side of their number one hit "Travellin' Light". The re-recording was later included on Richard's 1984 album The Rock Connection due to a lack of material for that album.
Robin Smith reviewed for Record Mirror: “Golden-toed and almond-clad Cliff snorts a ginseng and climbs to another winner. Smooth as a koala bear's bum in summer and with the same listenability as 'We Don't Talk Anymore', The man who makes the EMI accounting department very happy looks set for another decade."
The release of Richard's follow-up single to I'm No Hero album "A Little in Love" was delayed by the release of his duet with Olivia Newton-John "Suddenly" from the Xanadu soundtrack.
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Welp, with The Flash coming out and it being like swan song to the DCEU, I couldn't help but take a look back at some of the other DC movies and i was like, "why not just rank them and with my stupid opinions!"
Aight so this is the part where I explain why, originally i considered making a post of each movie like how i did it with marvel movies and shows on Twitter at some point but decided not because I'm not a poignant person with the most creative writing nor could i often keep the same attention span for it for awhile so here is the best way to review em all in a few words or less.
Will be doing it in the order they were released in.
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1. Man Of Steel
7.5/10.
I actually like this movie, it's definitely has non-stop action and i can't help but think maybe I just enjoy that because I have a peanut for a brain. It definitely tries to be more grounded to see how humanity would react to Superman existing our world. I do like Henry Cavill as Superman i just wish we got more scenes of him being more warmer and more scenes of him helping and saving people. I can definitely understand why others disagree and really dislike this one.
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2. Batman V. Superman: Dawn Of Justice
3.5/10
This movie exists and is what set off panic triggers at Warner Bros. & Prettyyyyyyy much ruined the perception of Superman and Batman to a bunch of "certain" people. It crams in way too many storylines, tries to set up way too much, some miscasting, kills off superman in his like 2nd appearance, wonder woman got spoiled in the trailers and whatnot.
Ben Affleck as Batman was cool and the warehouse fight scene was cool. I'm sad that it was Dick Grayson the one who got killed.
The Ultimate Edition of this one is just a 6/10, while it does give more context and more scenes that I do like, it still has the same problems so no, it doesn't fix everything.
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3. Suicide Squad
2/10
Nobody likes this movie, also nobody likes me.
I remember thinking that the comic con trailer was the coolest shit to ever exist. Then I saw the movie and remember feeling lied to and deceived.
Everything sucks, everything happens too much at the same time, characters barely feel like character at times, etc. Really deserving of that Oscar!!!!!!!
I did like Harley Quinn, Amanda Waller, and Captain Boomerang (even if he barely did anything)
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4. Wonder Woman
8.5/10 Wonder Woman
Really love this movie, Wonder Woman is great, i love the characters, the chemistry, the action and her helping people.
It does stumble abit towards the end however but even then, it still felt like a great movie 👍
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5. Justice League (2017)
5.5/10
This movie pretty much is the reason why the DCEU became a wild rabid animal that needed to be put down immediately.
Movie is just mediocre, humor is just "Not funny. Didn't laugh." , Action is lame, backstories are rushed, Flash is annoying, Aquaman is a dickhead for no reason, cyborg doesn't even get a backstory, they really take their time saving people, dumb Russian family subplot.
I liked the after credits scene of Superman and Flash racing. So while the movie is not extremely awful and not a bad waste of your time, it's also not a good waste of your time.
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6. Aquaman
7.5/10
Really like Aquaman, love how cheesy it was, Black Manta was cool.
While i love the cheesiness in this movie, this movie does also get abit stupid at times but still a fun time where you can go off with, with a pal or smth.
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7. Shazam!
8/10
I thought the movie was a fun time, nothing outrageous but nothing bad as well, just a movie i can have a good time watching.
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8. Birds Of Prey
6.5/10
Cassandra Cain is not even Cassandra Cain and that still pisses me off to this day. Overall, it's definitely a Harley Quinn movie and NOT a Birds Of Prey movie. Black Mask was a cool villain. This movie felt like it was trying too hard to be like Deadpool ngl.
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9. Wonder Woman 1984
4/10
It's like being asked out by someone you like so you get excited and say yes and later show up to the date all ready and stuff, only to find out it was a prank just to see if you were gullible enough to fall for it.
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10. Zack Snyder's Justice League
6.5/10
Welp, i now wish the movie never got released so the people who are like #restorethesnyderverse never got the satisfaction and got to comfortable enough to become a bunch of crybabies believing they are the top of the world.
Movie is just okay, cool action, good characters for the most part but holy shit is it way too long with really unnecessary scenes. If you can't release a movie without making it 4 hours long thinking it'll make things more cohesive, well i got some news for ya pal.
Welp turns out i ran to a limit with the images so lemme make another post about it to keep sharing my thoughts on the DCEU Movies, ig this is a part 1 of 2 post.
But for now, what did you think of my thoughts? Do you agree or disagree to the point that you wanna break into my house to beat me up, kill me and burn my house to the ground.
Lmk what you think or want to hear more thoughts for me to specify.
Thanks for reading, losing your braincells along the way and have a nice day.
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darthkvznblogs · 3 months
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Total non sequitur of a question but what do you think of the DCEU?
I like the non sequitur! I hope y'all don't feel like you can only send me asks about the Kverse lol (though of course I'm always happy to answer those!)
I'll give you a very brief review of each:
-Man of Steel: I enjoyed it for the most part. I don't really gel with all the Jesus-y imagery, the bizarre choices with Jonathan, or the incredible amounts of collateral damage (you can't avoid everything but Superman would definitely try to limit it), but I kinda dig the look of all the Kryptonian stuff, I like Henry Cavill's more brooding Superman, and Zod was a cool antagonist.
-Batman v Superman: Dawn of Justice: wayyy too many things going on. I can't McFucking believe they made Jimmy Olsen a CIA plant and killed him off immediately. I don't completely hate that version of Lex Luthor but he gets grating pretty quickly. The Knightmare stuff is pretty eyeroll worthy IMO (especially once they double down on it later). The titular duel is pretty good, but very short, and leads into some of the worst stuff in the movie. Doomsday sucks!
-Suicide Squad: aside from some cool freaky stuff with Enchantress, and Viola Davis and Margot Robbie being great casting choices, this one's kinda nothing to me. Rick Flagg, Capt. Boomerang and Deadshot are various flavors of decent to good. Tried to do a Guardians of the Galaxy-y thing and failed miserably. Top contender for worst Joker adaptation of all time.
-Wonder Woman: Great, if very simple plot-wise. The Ares stuff at the end really lets the rest of the movie down, but most of the movie's very cool and fun. I still get chills from the no man's land scene! Chris Pine's Steve Trevor is pretty damn good (but Chris Pine is just good in general)
-Justice League (Whedon's version): I actually like the choice to have a more colorful look for a Justice League movie, but yeah, not good. To say nothing of the behind the scenes drama, they tried to do what the MCU did with the Avengers with half the build-up. Doesn't feel earned at all. Some good action and character interactions, but that's about it.
-Aquaman: Pretty fun, I really appreciate the commitment to being just kinda bonkers, from the more comic-accurate looks to the ginormous underwater battle. I don't really love Momoa's Aquaman but I didn't mind him too much on his own.
-Shazam!: One of my favorites in the DCEU. Doesn't overcomplicate itself, doesn't exhaust itself with references to other stuff, just a good story about found families with real heart, some good humor, and a decent villain.
-Birds of Prey: Other than the bizarre choice to give Cassandra Cain's name to a character that couldn't be more different, I fucking love this one. Very fun, great action, and it reminded me I have a crush on Mary Elizabeth Winstead lol
-Wonder Woman 1984: Sucks. I hate to say it, I went in thinking I'd really enjoy it but it was genuinely painful to watch for the most part. Not even the power of Pedro Pascal and Chris Pine combined could save this one.
-Zack Snyder's Justice League: Definitely an improvement overall compared to the theatrical release, but dear lord it did not need to be 4 hours long. Flash's turn-back-the-clock gambit was super cool. Legit kinda ruined by the Joker monologue in the Knightmare, lol.
-The Suicide Squad: Didn't watch it! I saw how bloody and murder-happy it'd be and just shrugged and moved on. I'm sure it's as good as people say, but I'd have to be in a very particular mood to wanna watch it, tbh.
-Black Adam: Enjoyed it quite a bit, though the presence of the JSA in the modern day with very little explanation is a bit jarring. The Rock's Black Adam is a bit too heroic and personable for my tastes but brutal enough that I'm okay with it. Kinda loved Pierce Brosnan's Doctor Fate (except for the suit design, I hated it)
-Shazam! Fury of the Gods: Haven't watched it yet, but I don't hear great things about it, so not super enthused about it. Probably will watch it eventually.
-The Flash: I categorically refused to watch this one because 1) I got spoiled on what happens to Supergirl and y'all know I love Kara so it pissed me off, and 2) the CGI nostalgia fest felt extremely cynical and cash-grab-y to me. Not particularly interested in watching this one, but maybe someday.
-Blue Beetle: Gods, I really wanted to watch this one in theaters. It was in my town for all of two days and I couldn't go :( I plan on watching this one soon-ish - even if it's really bad I'll probably enjoy it, I'm a Jaime simp haha :P
-Aquaman and the Lost Kingdom: Genuinely didn't know this one was coming out. Also not particularly interested in watching it, but also not against it, so I'll probably end up putting it on some really boring weekend hahaha.
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herecomesthefirstday · 4 months
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herecomesthefirstday's year in review
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Big things: Published a paper & a letter with my job, moved out of my parents' house and in with my boyfriend, stopped having a job, started watching One Piece, flew to Atlanta even though I hate flying, caught up with One Piece
TOP 20 FILMS OF 2023 / more & more year in review (music, TV, books, games) under readmore
Bottoms
Past Lives
Polite Society
The Holdovers
Oppenheimer
John Wick Chapter 4
Spider-Man: Across the Spider-Verse
Rye Lane
Killers of the Flower Moon
May December
Barbie
Mission Impossible: Dead Reckoning
The Pope's Exorcist
Asteroid City
Theater Camp
The Wonderful Story of Henry Sugar
You Hurt My Feelings
Poor Things
They Cloned Tyrone
80 For Brady
BEST SHORT OF 2023: Take Me Home
Songs on repeat / movies I watched and rated 4.5 or 5 stars / books read / TV watched / games played by month
January 🎵 Marigolds - Kishi Bashi American Teenager - Ethel Cain 🎬 Hail, Caesar! (2016) 4.5 Embrace of the Serpent (2015) 5 Fail Safe (1964) 4.5 Honorable mention: The Best Years of Our Lives (1946) 3.5 📚 World War Z - Max Brooks 🔁1/16 Gideon the Ninth - Tamsyn Muir 1/18 Harrow the Ninth - Tamsyn Muir 1/23 Nona the Ninth - Tamsyn Muir 1/26 📺 Dark
February 🎵 Partita for 8 Voices - Roomful of Teeth God Is a Freak - Peach PRC 🎬 Third Kind (2018) 4.5 Showgirls (1995) 4.5 Lord of the Rings trilogy (2001-2003) 🔁 5 📚 The Memory Police - Yōko Ogawa 2/7 Authority - Jeff VanderMeer 2/15 📺 Crazy Ex-Girlfriend 🔁 Bloodline S1
March 🎵 Not Another Rockstar - Maisie Peters 🎬 Banshees of Inisherin (2022) 4.5 John Wick (2014) 🔁 4.5 John Wick: Chapter 3 (2019) 🔁 5 Honorable mention: 80 for Brady (2023) 3 📚 Acceptance - Jeff VanderMeer 3/4 How To Hide An Empire - Daniel Immerwahr 📺 Crazy Ex-Girlfriend 🔁 Yellowjackets S1 🔁 S2 Poker Face Defending Jacob
April 🎵 2 Be Loved (Am I Ready) - Lizzo Daytona Sand - Orville Peck Little Dark Age - MGMT 🎬 John Wick: Chapter 4 (2023) 4.5 Honorable mention: Rye Lane (2023) 4 📚 How To Hide An Empire - Daniel Immerwahr 4/1 📺 Succession Grey's Anatomy Yellowjackets
May 🎵 Home - Diana Ross Lipstick Lover - Janelle Monáe Gloria - Laura Branigan 🎬 Polite Society (2023) 5 The Joy Luck Club (1993) 4.5 Crank (2006) 4.5 📺 Succession Grey's Anatomy Yellowjackets White Lotus 🎮 Tears of the Kingdom
June 🎵 Lipstick Lover - Janelle Monáe Movin' Out - Billy Joel 🎬 The Fabelmans (2022) 4.5 Casablanca (1942) 🔁 4.5 Spider-Man: Across the Spider-Verse (2023) 4.5 Deep Blue Sea (1999) 5 What We Do In The Shadows (2014) 🔁 5 📺 White Lotus Grey's Anatomy Marriage The Bear 🎮 Tears of the Kingdom
July 🎵 My House - Diana Ross Both Sides Now - Joni Mitchell 🎬 Lady Bird (2017) 🔁 4.5 Pacific Rim (2013) 🔁 5 Whiplash (2014) 5 The Watermelon Woman (1996) 4.5 Howl's Moving Castle (2004) 🔁 4.5 Oppenheimer (2023) 4.5 📺 The Bear Grey's Anatomy Black Mirror What We Do In The Shadows Foundation 🎮 Tears of the Kingdom Rocket League
August 🎵 It's All Coming Back To Me Now - Celine Dion Adagio in D Minor - John Murphy 🎬 Marcel the Shell with Shoes On (2021) 4.5 📺 Foundation Only Murders in the Building Grey's Anatomy One Piece 🎮 Tears of the Kingdom We Love Katamari 📚 The Name of the Rose - Umberto Eco
September 🎵 American Pie - Don McLean 🎬 Bottoms (2023) 5 📺 One Piece Foundation Grey's Anatomy 🎮 We Love Katamari 📚 The Name of the Rose - Umberto Eco (9/9) Stone Butch Blues - Leslie Feinberg (9/26)
October 🎵 No One Comes Close - Infinity Song New Body Rhumba - LCD Soundsystem No One Dies From Love - Tove Lo 🎬 Past Lives (2023) 5 Deep Blue Sea (1999) 🔁 5 📺 One Piece Grey's Anatomy Lupin GBBO 📚 Arsène Lupin, Gentleman-Thief - Maurice Leblanc (10/26)
November 🎵 Liability - Lorde Together in Electric Dreams - Philip Oakey & Giorgio Moroder 🎬 Annette (2021) 4.5 Electric Dreams (1984) 5 Honorable Mention: Light & Magic (2022) 4 📺 One Piece Grey's Anatomy GBBO The Crown Mindhunter 🔁 📚 The Uranium Club - Miriam E. Hiebert (11/16)
December 🎵 Isumagijunnaitaungituq (The Unforgiven) - Elisapie Butchered Tongue - Hozier Christmas Baby - Infinity Song Home For Christmas - Infinity Song 🎬 The Holdovers (2023) 4.5 x2 Take Me Home (2023) 5 - short Pro Pool (2022) 4.5 - short Mamma Mia! (2008) 5 🔁 Mamma Mia! Here We Go Again (2018) 5 🔁 The Muppet Christmas Carol (1992) 5 🔁 Honorable mention: The Quiet Girl (2022) 4 📺 One Piece Grey's Anatomy Only Murders in the Building New Amsterdam Frieren Mobile Suit Gundam: The Witch From Mercury The Crown Pokémon Concierge 🎮 Fall Guys Super Smash Bros. Ultimate 📚 Station Eleven - Emily St. John Mandel (12/25)
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blakegopnik · 5 months
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THE FRIDAY PIC is Nicole Eisenman's “Untitled (Billy Clubs),” from "The History of Hand Knitting," the two-woman show she shares with Rosemarie Trockel at Leo Koenig's gallery uptown in New York.
I reviewed the show for today's New York Times, and as I came up with what I wanted to say, I began to wonder how much of a critic's take can be purely personal, even eccentric, and how much has to be rooted in likely readings that others might come up with in looking at the work. Which is better, a reading of Hamlet that gets at his undoubted self-doubt and procrastination (for the umpteenth time) or one that decides to test the possibility that he's all about identifying with Ophelia's female gender? Which is better, that is, explication or interpretation?
At any rate ... here's what I did come up with for the Times:
So much of our suffering is caused by male aggression. (How many victims of war have been killed by women?) But for all the horror of that violence, there’s often something oafish about it, if only because of the boundless stupidity it represents.
This show captures some of masculinity’s toxic idiocy.
An untitled installation by Nicole Eisenman presents 20 “clubs” leaning against the wall. Each is just a length of scrap wood with a dumb blob of plaster at its top, as though its maker was either too lazy or too dimwitted to perfect his weapons beyond the minimum needed to bash a head. Nearby, also in plaster, a three-fingered blob of a hand sits on the floor, ready to grab at its clubs at the slightest provocation. (“You callin’ ME a blob of a hand?!”)
A blob of a head, about three feet tall and painted blue, looks on dimly from a pedestal, as though helpless to govern its own hand.
Rosemarie Trockel contributes quite different pieces to the show, but they hit similar notes. Back in 1984, she began to order up machine-knit balaclavas, like a terrorist or paramilitary fighter might wear. But instead of being bad-guy black, they had “girlish” patterns knit into them. My favorite covers its wearer’s face in plus and minus signs, like the love charms worn by Frenchwomen that stand for “more than yesterday, less than tomorrow.” It’s not clear if Trockel’s pattern counters the balaclava’s associations with masculine threat, or if instead of pointing to a love that’s bound to increase, it lets its wearer proclaim a hatred that’s always on the rise.
Photo by Shark Senesac
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xoxardnekoxo · 9 months
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Movie Review: TMNT Mutant Mayhem
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WARNING: SPOILERS AHEAD!
Ah, Ninja Turtles. My childhood superheroes... oh who am I kidding, my eternal superheroes. :D This fabsome foursome debuted in 1987, the same year I was born, so I literally grew up watching the franchise. The series has gotten several reboots over the last three decades, and it's still going strong. The hype now is around the latest installment, Mutant Mayhem, created by Seth Rogen.
So, confession - when I first heard details about this movie and saw promo images, I was NOT on board. The art style is amateur at best, and yet another one of my beloved childhood redheaded characters has been black washed. First Ariel, now April? If we could stop doing that, that would be great... I'm totally okay with her being heavyset and more realistic in terms of body. We could all use THAT type of PC upgrade for beloved classic characters. But at least keep them the same race we've always known them to be.
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But enough about that. It wasn't just the art style that made me stick my nose up in disgust at yet another remake of my ultimate childhood series. I'm literally a mega fan - my TMNT collection dates back 30+ years and is still growing, and it features some sort of item from every series thus far (with the exception of Rise... because even I can't get on board with that one). I'm talking figures, plushes, clothes, jewelry, hats, backpacks, bookmarks, magnets, buttons, piggy banks, etc. You name it, I've got it in TMNT form. So I'm very passionate about the show and can be quite critical of changes to it.
Which is why when I was starting to get past the art style, I was appalled to learn that not only would Shredder not be the main antagonist this time around, he wouldn't even be referenced at all.
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Uh... yeah, we all know - we've known since 1984, when the comics came out - that Shredder is THE villain of the turtles. That's the one thing that's been consistent with every franchise (except The Next Mutation, but he at least made an appearance in that, albeit for a brief time). Instead, the bad guy is a hideous creature called Superfly. Kind of a double play on words considering he's literally a giant mutant fly with fancy/classy/fast cars and an entire mutant army and crime baddies at his disposal.
And Splinter? OMG, what did they DO to him? His face looks like someone splattered vegetables on the sidewalk. I see a squashed tomato/potato where his nose should be, and his "beard" is like the top of broccoli or a garlic clove. (shudder) And let's not get into the fact that, when the turtles were kids, he had a freaking Afro and a mustache. The turtles are meant to be 15 in this time, which would make the year roughly 2008 when they were kids, so the 70s look was way dated at that time.
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Then we get more great news... not only are we now race-swapping characters; we're also gender-swapping them. Leatherhead and Wingnut, while minor characters throughout every iteration, are now girls instead of guys.
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Leatherhead has always been an ally to the turtles, except in the original series, and considering the direction this movie took, I have to wonder if the writers thought it would be inappropriate to make them enemies because it would show teen guys beating up a girl. I mean, "beating up" may be a stretch, but you get what I mean. And Wingnut has always been super annoying to me, so I would have been okay had she not been in the movie at all. But I digress.
Okay, so, plot. Since Shredder isn't the main villain, the plot isn't the usual "stop Shredder from conquering Earth" thing. The movie starts with Baxter Stockman raising a giant mutant baby fly - in a crib and all - in a lab surrounded by test tubes of animals. Yeah, I didn't make that up. Animals of all different species and sizes are somehow shrunken down to conveniently fit inside a test tube.
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Some heavy-duty suit guys break in and grab Stockman to take all his research at the behest of a mysterious woman named Cynthia Utrom. We know from prior series and lore that the Utroms are the alien race that created the ooze that caused the mutations of, well, all mutants. Utrom looks like a woman here, but she could be wearing a human suit like in the 2003 series. We don't know, and we don't find out.
Anyway, the baby fly escapes and takes out all the suits because, well, he's super strong and inhuman. And he has wings. He manages to grab all Stockman's test tubes and book it out of there, and then we fast forward to 15 years later where we meet our protagonists. Their current mission? To acquire necessities for the lair from a list given to them by Splinter. So they do this and they're like, "Hey, we've only been gone for a little bit. Let's go check out the outdoor movie playing in the park." So then we get to see them watching Ferris Bueller's Day Off. Yep, a live action movie in a CGI movie with art that's literally meant to resemble sketches like kids would draw.
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So then they get back to the lair but Leo guiltily confesses that they all went to watch a movie in close proximity to humans. We're then introduced to the origin story of the turtles and Splinter, and while we're all familiar with it, it's slightly different this time. Splinter was a normal rat before, but he wasn't anyone's pet. He was a typical NYC rat, hated by humans (and raccoons... and dogs...) and one day he finds himself in the sewers and comes upon four baby turtles crawling around in green ooze. This ooze had come from a canister kicked into a sewer grate from Stockman's lab earlier. Splinter was shocked that the turtles took right to him, and they were the first and only things to not instantly hate him or want to kill him. So of course he touches the ooze and mutates, as do the turtles. He raises them as his sons, and honestly, I don't recall ever hearing him being called Splinter. All the turtles called him Dad. I don't think we ever knew his name... so if you didn't know of any other TMNT series before this, you'd have no idea what his name was.
Anyway, the turtles, as kids, wanted to go above ground one day, and Splinter thought he'd give it a try. Bad idea, because, of course, everyone freaked out and chased them away. So Splinter vowed to keep his sons safe and refused to let them leave the lair except to get supplies. We're also treated to a montage of cheesy old footage of actual martial arts movies/shows depicting how Splinter trained the turtles in ninjitsu as a means of self defense. He now loathes humans and wants nothing to do with them, and wants the same for his sons.
So after the confession of watching a movie, the turtles get grounded and are all talking in their room about what they'd do if they could be normal. Meanwhile, a crime spree has broken out with mega villain Superfly (yep, that's his name) stealing all kinds of high-tech scientific items... and if anyone sees his face, he kills them.
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We're soon introduced to April, who, this time, is not an adult reporter. She's an aspiring reporter in high school, and she's collecting information on the Superfly case because, due to the crime spree, the school's prom has been cancelled and she thinks she can get it back if she solves the mystery of Superfly.
Well, the guys are throwing ninja starts at watermelons (because why not) on the rooftop one night, and one lands in April's helmet. As she's chewing out the shadows on the roof that she can't see, someone steals her scooter. And Leo decides this would be a great time to play hero and get the scooter back for the "beautiful human girl." Yeah, in the 2012 version, Donnie had a crush on April. This time around, apparently it's Leo.
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The guys then partake in their first actual fight with bad guys - I'd love to say that I went YES in the theater when a car radio turns on and "Ninja Rap" from the original second movie is playing - and shortly thereafter, April sees them. But she doesn't freak out even when she realizes they're not wearing costumes. She's more interested in getting a story about them for the school newspaper. But of course, considering they aren't supposed to be seen or known about, that won't do. April then tells the guys that, had they not helped her beforehand by getting her scooter back, she probably would have had a much different and more negative reaction to seeing them. This gives the turtles an idea: Become heroes by finding Superfly and bringing him to justice, allow April to get it all on film to showcase them as heroes, and then she can write and submit her story.
April accepts the terms, and the turtles go to her high school with her and are all "ooohh, ahh, we want to go here." They find April's locker, which has been graffitied with things like "puke girl." We're then treated to the ever delightful scene of our female protagonist spewing what looks like green ooze all over a desk because of nerves while giving the morning announcements. Look, I know this is CGI and not real, but that was completely unnecessary. More on that later.
So to get to Superfly, the guys have to interrupt a transfer of goods, i.e. the final piece of some machine Superfly is building for his nefarious plot (which we don't know what it is yet). The guys are waiting in the truck and he shows up... with Bebop and Rocksteady. You remember them. The mutant warthog and rhino, respectively, from 1987 and 2012? Shredder's mutant allies? The ones Shredder created? Yeah, those two. Well, this time, since there is no Shredder, they were created in Stockman's lab. Remember all the animals in test tubes? Yeah, they're all grown now as well, raised by Superfly since he was the oldest. Stockman's plan was to create a family of mutants because he was never liked or understood by people. Superfly's plan is to pick up where his "father" left off... by turning all animals into mutants and killing all humans.
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So of course, eventually the turtles manage to turn the tables and attempt to escape with the last piece of the machine Superfly needs to spread the mutagen. But of course, that falls apart and a bunch of Utrom's suits find and capture them. April races back to the lair to tell Splinter that his sons are in trouble... yeah, that's an awkward first meeting. Splinter shows up and takes out all the suits (Utrom has been taken away to safety), saves his sons, and they all start to head back home to come up with a plan to stop Superfly. It results in them basically appealing to all the other mutants, telling them that they don't have to listen to Superfly and that they have a choice. Surprise, surprise, they all turn against the big bad. Even Rocksteady and Bebop, and they're supposed to be villains... I realize their origin is different here, but come on.
Well, everyone takes out the giant mutagen machine... sort of. It lands in the river below, where there are dozens of species of sea life. Yep, you guessed it. Superfly merges with all the animals in the river. He gets a whale body, crab pinchers, some sort of tail, etc. And, for some reason, random horses on his legs. Wha... Oh, and he's now taller than the Empire State Building. Awesome.
Yeah, as if he wasn't ugly enough before LOL. Well, the suits in Utrom's lab had been working on an anti-mutagen, and April managed to swipe one of these canisters... somehow. It didn't really show how, she just did it. Times Square has a huge news report going on about mutants attacking, so April manages to get inside the Channel 6 (yep, the right station!) building to take over the report and explain that she knows the truth - that the only bad mutant is the giant fly/whale hybrid thing. And then she pukes again. Seriously, STOP THAT.
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Splinter is trying to get to his sons, but Superfly manages to knock him back hard enough to break his leg. Humans approach, and he's terrified... but they're reaching for him to help him. So then we have humans and mutants working together to get the anti-mutagen to the turtles, who manage to throw it into Superfly's weak spot - the whale blow hole. Yep, that takes care of it. So then the turtles are revered as heroes, and the other mutants are all now living in the sewers with them... and the turtles wind up going to high school. They're got human clothes on, ditch their masks, etc. And all the kids welcome them and think they're super cool. April's locker has been re-graffitied with things like "cool girl" instead of "puke girl," and then the movie just... ends.
Then we get a post-credits scene, showing how the turtles are getting along in high school. Each one seems to have found his niche, and they're even all at the prom together. However, Utrom is watching them, and she says that capturing them will be difficult. So she asks her assistant to bring her... The Shredder! Then we see an outline of Shredder before the scene cuts away. So yeah, totally open for a sequel, as is the norm with movies these days. In fact, a sequel (and TV series) has actually already been confirmed! I mean, honestly, how could Seth Rogen, a self-admitted TMNT addict, create a TMNT movie without at least planning for Shredder to be in it?
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So, all in all, it wasn't a bad movie. I appreciate the throwbacks to the original series, and I'm glad to see my favorite heroes getting so much recognition again.
However, there are definitely some things in this movie that weren't necessary. The top of that list is April's barfing scene. She was nervous doing the morning announcements at school and wound up throwing up as a result. Then later, during her news broadcast telling everyone that the only bad mutant is Superfly, she does it again... honestly, I get that we may need a reason for her to rather be behind the camera instead of in front of it, and she needs an obstacle to jump over to tell the people who tease her to suck it, but did it have to be that??? We're showing puke in kids' movies now? Please, just, don't... I don't care that it's a cartoon and looked like the ooze that mutated our beloved heroes. That doesn't mean I want to see it spewing out of someone's mouth. What is it with Seth Rogen and vomit movies? Is it like some unwritten rule that someone has to upchuck in everything he's in? UGH.
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Also, this movie is rated PG, but... were all the nipple references necessary? Splinter is legit concerned that, if his sons are found by humans, they'll be put in a lab and milked...and they're like, "But we don't even have nipples!" Then the turtles say the same thing to April when she talks about writing a story about them, and she asks how that could be done for the same reason. Then later, in Utrom's lab, they are getting milked... but, I mean, how... way too much emphasis on that.
And did Splinter seriously need a love interest? With an unintelligible giant bug? Just... why? That's wrong on so many levels.
It was said from the start that this movie would focus mostly on the "teenager" aspect, and it absolutely did that. The guys weren't all serious about ninja training and mastering new techniques; they were more interested in what it would be like to be a normal kid, go to school, go to the prom, etc. And since it's 2023, and because it's Seth Rogen, we have to have some swearing and such, even in a cartoon. Mostly it's by Superfly (aka Ice Cube), so not surprising. But even the original 1990 live action movie had cursing LOL.
You know, I'm almost positive that the turtles never officially introduced themselves to April upon meeting her. She introduced herself, but I don't think they ever identified themselves. The closest we came was in they were in the school and Michelangelo was signing himself up for a talent show. We all know who they are, but a human meeting them for the first time more than likely wouldn't. Hmmm... I think some details got overlooked. Just like how I swear Splinter's name wasn't mentioned once in the entire hour and 49 minutes of the movie's runtime.
Anyway, as a hard-core TMNT fan, I did enjoy the movie. Definitely some things that I would have changed, and others that should have stayed true to the original, but all in all it wasn't bad. I think I can give it 8/10 and be satisfied. :)
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watching-pictures-move · 10 months
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Movie Review | The Flash (Muschietti, 2023)
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This review contains spoilers for this movie and Wonder Woman 1984.
So, if I can point out the positives about this movie, it’s that the special effects, through their shortcomings, achieve a sense of accidental surrealism. I don’t just mean the scenes in the Speed Zone (or whatever, I’m not looking it up), where the effect is intentional, but even things that are supposed to be closer to a superpowered reality. There’s an early scene where the Flash has to save a bunch of babies and a dog and a nurse falling from a crumbling tower, and aside from some conceptual novelty, the monstrous computer-generated faces of the babies make you feel like you’re watching an episode of Ren & Stimpy. What should be cartoonish fun is instead rendered into a grotesque, Boschian hellscape. But the majority of the effects are astoundingly bad, with many of the CGI-rendered characters having that unsettling dead-eyed Polar Express look, , doubling effects (which were perfected decades before CGI) being botched, and many of the scenes of rubbery, weightless supposed spectacle looking about as good as a PS3 cutscene from a decade and a half ago. Never has so much money been spent on effects that look this poor. (One shot in particular brought back memories of watching my brother play RTSs when he hogged the computer growing up.)
And I’ll say that compared to the other actors in supporting roles, Sasha Calle as Supergirl gives the kind of performance that feels like it belongs in a well executed version of these things, in that she actually tries to evoke some kind of emotional reality for her character. (I don’t put much effort in anticipating these things, but it does seem a bit cruel that she’s probably been jettisoned from future entries.) In comparison, Michaels Keaton and Shannon seem to be in a competition to give the lowest energy line readings possible to still meet the contractual definition of a performance Keaton wins, as his eyebrow raising provides a level of charisma that can’t be quashed, while Shannon seems so affectless and so frequently depicted through special effects that I’m not convinced he ever actually stepped on set and didn’t just bark his lines over the phone one afternoon. And Gal Gadot in her cameo gives a line reading so bad that you wonder how she ever passed an audition or screen test.
So aside from that freaky ass baby scene and Sasha Calle, this is quite bad at being an effective superhero movie. At this point I must concede that I struggle to muster much enthusiasm for the majority of entries in the genre, and the fact that this is bad in ways that suggest autocritique makes it a more interesting than a lot of these things. In fact, like Wonder Woman 1984, its badness gave me a lot to chew over. That one, while pretty awful as spectacle, laid bare the implied contempt of the genre and maybe doubled as a commentary for our present political situation. That movie, which has a grifter promising people their wishes will come true only to complicate them with monkey’s paw twists, ended not with Wonder Woman actually doing anything useful to save the day, but with her browbeating everyone for wanting better lives for themselves and taking back their wishes. You see, you shouldn’t expect these things to actually be good (or for our leaders to do anything to improve our situation), and in fact you’re a bad person for wanting that, so fuck you, eat your scraps and be happy. (Perhaps I have some firsthand skin in the game, having been accosted years ago by some fucking weirdo acting like he wanted to start a fight after a screening of Guardians of the Galaxy when he overheard me complaining to my friends. I am a man of peace, but motherfucker was scrawny as a toothpick, I could probably have taken him.)
This one, where the plot is instigated by the hero traveling back in time to save his mother from being murdered and ends with him accepting her death but managing to at least clear his father of the crime, offers a somewhat more optimistic message. We can’t fundamentally change what’s wrong with the genre or the world, but can maybe make things a bit more bearable. That being said, this absolutely is not more bearable, given its total failure as spectacle. (And to be honest, I’m normally one who finds the thinkpiece-brained moralistic handwringing about blockbusters to be a bit obnoxious, between the Oedipal obsessiveness with which this movie ponders the mother’s death and the glee with which it repeatedly kills Supergirl, I found its treatment of women a bit unseemly.) The fact that much of the plot hinges on the Flash trying to go back in time to course correct future events plays like a commentary on its release, having been crapped out by Warner Brothers when it’s in the midst of course correcting its handling of the DCEU, and the flagrant disrespect it shows cultural history (exhuming George Reeves and Christopher Reeve to turn them into unsettling CGI puppets) matches the attitudes of a certain WB exec who’s been in the news more than anyone would like. And perhaps the ending lends a certain self-critical read to this element.
Like Wonder Woman 1984, this feels like the overarching corporate strategy being exposed, or more accurately, falling apart. There’s the awkward mix of irony-tinged Whedonian quipping and solemn Snyderian destruction, executed so as to lack any of the timing of the former or the weight of the latter. And in that sense, Ezra Miller’s twitchy performance feels like a glitch in the algorithm, refusing to work on either level the movie aims for. That they weren’t recast despite their offscreen criminal antics and that this movie was released, despite the abrupt change in corporate strategy and the aggressive PR management these things normally have, give this all a certain morbid interest. The near-empty theatre I watched this in gave this an ambience of archeological decay, like I was watching the detritus of a collapsed civilization.
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thebossestunicycle · 10 months
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Final Flash Update: an actual review
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The DCEU has always been very hit or miss for me, but it has a special place in my heart. When Man of Steel came out, my dad was OBSESSED with it (still is), and it became the first superhero movie I ever watched. Despite the mediocre scores internet-wide (and how the terraforming scared the shit out of me as a kid), I cannot help but love that film to death. It really sparked my interest with superheroes and just ‘nerdier’ stuff in general.
While the DCEU opened me up to the whole world of superheroes, it also became part of what made me so weary of comic book movies. While there were good movies like Wonder Woman (2017) and (hot take) Black Adam, and great ones like the Snydercut, there were also huge disappointments that left me feeling pissed off when the theater lights turned back on. It’s not like all of these movies are downright horrible in every way (exception being 2016’s Suicide Squad), but each seemed to have its own form of kryptonite. The Justice League (2017)’s being its lack of character development; Wonder Woman 1984’s forgettable plot; and of course, Batman v. Superman’s Martha scene.
With the DCEU’s track record, the over saturation of superhero media, and with Ezra Miller being… Ezra Miller, my hopes for this movie were extremely low. But I actually left the theater feeling pretty.. decent?
Here are my main takeaways. Spoilers ahead:
Plot + Characters
As of now, I haven’t noticed any critical plot holes, which is pretty great, especially considering it’s a multiverse movie and all. Everything that blew up in Barry’s face was tied up nicely. But I am sorta curious to see how moving the tomato can caused Ben Affleck to become George Clooney.
The time mechanics were also pretty neat, like how a new future creates a new past.
I kinda like Barry a lot. He’s wicked awkward but it’s funny to watch.
Younger Barry too! He was such an airhead in the beginning that I was shocked to find out he was the guy that our Barry kept seeing when he time travelled.
I found Keaton’s Batman entertaining too. But the whole time Keaton didn’t really seem like he was trying to act. He just looked happy to be Batman again, which I can’t blame him for. On that note, I wish Bale’s Batman made a cameo somehow.
I was underwhelmed with the Zod plot. I was ready to watch him totally kick Flash’s ass. I didn’t mind Kara, but again she was a bit underwhelming too.
I got excited when Zod mentioned discovering Clark in his pod somewhere in space. I was like “Oh shit, did they take him in and train him to fight for them?” Seeing an evil Superman would’ve been crazy, but nah, they just killed him instead. Lame-os.
Effects / CGI
Oh man, I did not enjoy some of the choices made here.
First of all, the deep fake cameos. And also, deepfaking people like Adam West and all, who are dead, is a little odd. However Nicholas Cage showing up was very funny.
Then there was the CGI in the Speedverse (?? correct me if that’s the wrong name). It was video-game level. I felt like I was watching a skyrim-inspired acid trip.
Even outside of speedverse, the quality was really spotty.
Action
Oh my god, it’s so refreshing when there’s even the tiniest ounce of creativity in fight scenes (Looking at you, MCU).
Diving deeper into Barry’s powers was cool and seeing him fight with (and then against) himself was neat!
Then there was also pretty standard Batman stuff that I’m a sucker for
NEEDED a better Kara v. Zod fight. I wanted lasers. I wanted them to go to space. ANYTHING
Overall Emotional Reaction
Both Barrys hit hard a few times. The desperation to fix everything. Having to let go of their mom and accept their fate(s?). The scene when he said goodbye to her for the last time was pretty sad.
The themes were simple: accept your past; pain makes us who we are; etc etc. But there’s nothing really wrong with that.
The jokes landed! I laughed with, not at, most things
…Okay, I did laugh out loud at some things, like the deepfakes and when the Barrys phased for the first time.
But yeah, it was really enjoyable to watch. The runtime wasn’t an issue at all. Dull moments were rare (though I didn’t give a single shit about Barry’s dating life at all)
Final Score:
Characters: 7/10
Plot: 7/10
CGI: 4/10
Action: 7/10
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6.3 / 10
If I had to rank: above Black Adam, below Wonder Woman
but seriously can they just recast flash already. I wish ezra miller all the best on rehabbing themselves, and they really do a great job with the character, but it’s like they’re trying to get a jail sentence with everything they’ve done
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