#and I’ve been reading the manga and I really liked this page

[entropysanyt]

coloring manga pages is. fun I think

panel is from chapter 12 woohoo

#got sick and bored #and I’ve been reading the manga and I really liked this page #tbhk #tbhk manga #jshk #jshk manga #toilet bound hanako kun #jibaku shounen hanako kun #manga page #manga coloring #coloring manga #yippee #the line art ain’t the best quality cause I couldn’t find a great image but alas #GOD I LOVE THIS MANGA #HAJKSHJKABLSJHSLLS #only just finished volume 8 #AUGH I can’t wait to read more hhhhhh #the art is so so sosososososo pretty #literally eye candy

[empty-movement]

Chiho Saito’s 1999 Revolutionary Girl Utena Original Illustration Collection

IT’S HERE. IT’S DONE. IT’S FINISHED. NOW…IT’S YOURS. Happy Holidays, my friends.

Vanna here! I have posted some already about this project, and the responses I got, public and otherwise, have been absolutely incredible. Y’all have been reblogging and hyping this before it even finished…I haven’t felt so encouraged about an Utena project since the musicals! (Yes, streams soon, I promise.) You can read the other post to get more details, and catch my post here with more details about the process if you’re interested. The long and short of it?

This is the first artbook I ever scanned. I did it in 2001. In Photoshop, using multiple scans per page that took hours to process. But it was 2001. A half megabyte file that was 1250px wide was considered extremely hardcore and impressive. That’s just always been the business I’m in when it comes to Utena art, you know? 

It’s now the latest artbook I’ve scanned, and so much of the process, and effort involved, is unchanged. What has changed, is the result. Welcome to your new desktop background. Your new phone background. Your new poster print. 

What I’ve done here is attempt to create definitive digitized images of Chiho Saito’s work as offered by this book--I have removed the print moiré of the original scans, and used my literal decades of experience to try and tease out as much information from them as possible. Without being physically in front of the original artwork (which is a thing I’ve had the great fortune to get to do) this is The Most Chiho Saito you are ever going to get. I’ve tried my best to make sure there is a way to get it that works for everyone:

Do you just wanna scope 'em out? Look at some disaster gays? Grab your favorite one or two? This is the path for you! Check out the ‘compressed’ (not very) 10k ‘web friendly’ (not really) copy at the Bibliothèque, the media archiving wing of the Something Eternal forums at Empty Movement*. All the following links are also available from here. Do you want these copies? All of them? Don't just grab them individually, friend. This batch is 375MB and can be downloaded as a zip of the individual files here on our Google Drive.

Do you like digital archiving? Are you looking for a copy that preserves the archival quality of the effort but sits nice and comfy in a single file? This is for you. A minimally compressed 10k, 513MB version worked into a PDF is now up, shiny and chrome, on the Internet Archive. Do you like the idea of the minimal compression, but want the individual files in a zip? Yep I did that too, here's the drive link.

Are you looking to print these in a larger size? This is probably the only reason on Earth you’d ever want them, and yet a bunch of you are going to go straight for these. Here are the zero-compression JPG full size copies, most of them are 15k across, like simply a ridiculous size. Pick your fave and download it from our Google Drive! 

I am genuinely really proud of this work.** I was able to tease out so much new detail from these…her incredible layering techniques, the faintest brush of her highlights, and the full range of her delicate hand at whites and blacks… details commonly lost in digitization. I sincerely hope you find something here that you’re looking for, as an artist looking for inspiration, as a weeb looking for a desktop, as an archiver excited to see incredible 90s manga artwork saved forever in the digital realm. I feel like I have already said so much about them, and could keep going, but you know what? This work speaks for itself. Enjoy, use, explore, and definitely tell us what you think!

We love y’all. ~ Vanna & Yasha

* AHEM ASTERISK AHEM

You might be wondering what any of that is. Something Eternal? Biblewhatawhat??? EmptyMovement.com? You might even have done a double take at the word ‘forum.’ And you should!!!

I have a confession. This artbook was my ‘side project’ as I worked on this, *the main project.* For a couple years I’ve been banging around with a new domain, and originally I had other plans for it, but Elon Musk ruined my Twitter and Discord is well along on its way to enshittification, and well….we joke on the Discord a lot about ‘reject modernity, embrace forums’ and you know what? We’re right. So Yasha and I are putting our money where our mouths are once again, and doing something insane. We are launching, in 2023, a website forum. Obviously, this is not the official ‘launch’ per se, but I cannot announce the artbook without directing you to the forum, since it sits on the attached very cool gallery system. Oops! Told on myself. Another post more focused on the forum will be forthcoming, but if you are just that motivated to get in right away, you absolutely can! (This will help stagger new arrivals anyway, which is good for us!) If you would rather wait for the ‘official’ launch, by all means that’s coming, including a lengthy screed about how and why we’re doing this. In either case, remember: this is a couple weebs trying to make internet magic happen, we are not website developers by trade. Give us grace as we iron things out and grow into this cool new website thingie…hopefully along with some of you! :D

If you do join up, naturally, there is a thread about this project!

** If you like this kind of content, consider helping us pay for it! We do have a Patreon! If you’re wanting to use these in some public-facing distributive way, all we ask is for credit back to Empty Movement (ohtori.nu or emptymovement.com, either will work.) 

I would like to say ‘don’t just slap these files on RedBubble to get easy money’ but I know that saying this won’t effectively prevent it. Y’all that do that suck, but you’re not worth letting it rain on the rest of this parade. :)

#revolutionary girl utena #utena #rgu #sku #empty movement #chiho saito #90s manga #digital archives #manga aesthetic #shoujo kakumei utena #utena art

[mamapyjama]

I’ve been rereading the current anime arc in the manga, and finally got to The Apology™️, and I wondered what words Katsuki used before translation.

Disclaimer: I’m sure others must have posted about this before but I couldn’t recall reading it myself. I do remember there was a lot of talk about the way he used “gomen” as the Japanese fandom were saying how cute and childlike it sounded, so I thought I’d see if there was anything else interesting there.

Oh, my sweet sweet baby boy…

So, just before he says ‘Sorry for everything’ (ima made gomen), he says:

言ってどうにかなるもんじゃねェけど

本音だ

出久

“Itte dōnika naru mon ja nē kedo… Honne da…Izuku”

Which in the English translation, gave us:

And “speak my truth” is lovely and all, but the word from the original that stuck out for me was ‘honne’.

I’m not sure how familiar most people are with honne–tatemae (I only know about it because I go way way too in-depth when researching for my fics lol), but it’s a concept that every Japanese person is deeply aware of, and underpins much of their society.

Here’s the Wikipedia intro:

Ohhh, that is some extra juicy context for Kacchan’s speech. Essentially, he is saying that everything up until now has been his tatemae, a public façade to protect his own position (strong, powerful hero etc), but that he can’t keep that up and he wants Izuku to see his honne, his true, private self.

Excuse me while I melt from the cuteness.

But WAIT! There’s more!

How much do you know about second-person pronouns in Japanese? (Nope, this isn’t about ‘kare’ again this time hehe).

You’ve probably noticed in the anime that Kacchan says “Temee” a lot, and you may have also noticed that it tends to get translated as cursing. So it actually just means ‘you,’ but like a really rude way of saying it, such that the only way of reflecting that in English is to replace ‘you’ with something like Bastard or Asshole.

Again, have an expert explain:

This and the below are from a very excellent article about second-person pronouns and how they are used for context and drama in anime specifically. I’d recommend reading it as the context is really interesting!

So although pronouns aren’t actually commonly used or necessary in much spoken Japanese, when they are used, it’s a deliberate way to tell you about the relationship dynamic between two characters.

But why, you may ask, am I talking about pronouns again?!

Because, dear friends, throughout the first half of his speech, Kacchan uses ‘temee’ as usual to describe his past with Izuku. I’ve highlighted it below, and pls also note the shaky speech bubble showing his nerves during the ‘honne’ section. 🥺

HOWEVER, straight after he says he wants Izuku to see his Honne, Katsuki switches pronouns from ‘Temee’ (v rude), to ‘Omae’ (very casual/familiar). Below is the page after the apology.

Considering we now know pronouns are not necessary to convey meaning, that’s a hell of a lot of omaes on one page!! Boy cannot get enough of saying it.

If you want more about the different pronouns, see below for a helpful table of common uses for both. And please indulge my shippy heart for highlighting the second usage (but, like ‘kare’, you never know)…

Katsuki is showing Izuku immediately and repeatedly that this is who he wants to be to him and how he wants the world to see them. His honne, his inner desire, is to be close to Izuku, to treat him as an equal.

He’s not just saying sorry, he’s showing that—at least from his perspective—things are going to be different from now on. But, like, also, that this was how he felt about him in private the whole time?! GAHHHH.

So there you go, the apology that was already a massive turning point in their story/relationship was actually even deeper and more beautiful than we all thought. Yet again, Japanese conveys nuance and intention far beyond what can be translated. 😭💕

#mha 322 #bkdk #bakudeku #deku #bakugou #mha #bnha #Japanese wins #kacchan loves deku #the apology #izuku #kacchan #pyj obsesses

[darkcircles4lyfe]

This doesn't have anything to do with anything, but i had a talk with a friend a few days ago, about shonen biasis and the way this shapes our expectations, and mha came up so i remembered how so many people apply those biasis HEAVILY into the manga, to the point that they sound like they're looking for a different story.

And one of those things that it seemed to be MOST talked about is exactly bkdk's relationship.

I have seen many times people from the fandom (sometimes really angrily) point out how in most cases Katsuki seems to basically take up not one, but four roles in Izuku's life and this includes putting him in situations that people associate with the MC's love interest, and it is weird that, despite Izuku "having a girl" for people to make assumptions about, he seems to completely repulse any female character that could be the counter part to Izuku's.

And this made us wonder if Katsuki's placement in those roles and lack of interest was made specifically because the author precisely did not want the actions that both do for each other as romantic but a whole another thing entirely, as a subversion for the these classic tropes, as he did by making the conflict between Ochako and Himiko not a "rivals fighting for the affection of a boy" but something that is connected to the plot of these characters instead.

Oh you bet! I am always down to talk about this, because I think about it a lotttt.

This reminds me, recently I remembered a funny habit I used to have with books I read. Like, back in middle school. I used to start by flipping directly to the last page and reading the final sentence. Usually this did not spoil anything whatsoever, but sure enough, by the time I read through the whole book, that sentence would take on new meaning.

So I started musing about what it would be like if only I could do this with bnha, if everything was already out. It made me feel so nostalgic…

Will the last panel be something grand, or something small? Hopeful or sad? Distant? Intimate? A parting message to the reader? Will it look like almost nothing of consequence to the unknowing eye—yet burst with hard-hitting subtext?

Of course I wonder about all the twists and reveals that might be still ahead of us, but it’s kinda soothing to think about how the whole thing could be put to rest. Because then I realize I’m not worried.

For once, this is not because the story is following so many tropes so predictably that I know exactly, in so many words, how it will end. It’s more like the story is a close friend who I’ve gotten to know well enough that everything they do is so “them” it makes me smirk. I'm often marveling at how Horikoshi has managed to pull all this off. How is it that (at least here in the west) people who aren't really paying attention call it basic and cookie-cutter. Even a Japanese animator called it "classic," and this interview shows such obvious dissonance between Hori and the interviewer, just... wow. But it's so clear that bnha has broken just about every rule in the book at this point, so much so that I struggle to condense it into words. I'm like--*gestures broadly at everything*--why haven't more people picked up on it??

Yet we still get bombarded with people saying "it's a shonen, c'mon, we all know how this will end." Um. No you don't. I KNOW there has to be a bunch of people who are secretly frustrated by Kacchan taking up all the roles and getting all the moments. It's not even in a mysogynistic way, because Kacchan is the most anti-dudebro character imaginable. Bkdk's relationship isn't intended for them and they know it... and you know what, I'm starting to ramble. You've heard all this before. The thing I should really be focusing on in your ask is the part where you mentioned how you and your friend were speculating about bkdk ending up as "a whole other thing entirely" rather than simply romantic.

Well, fuck it, I've been biting my tongue, but now might as well be the time I talk about this. I got into a bit of a disagreement with someone over it once and then I shut up. Because it's very difficult to approach the subject without being lumped in with those people who see bkdk as "brotherly" (ew) or otherwise try to push some "crisis of male friendship" agenda, or at the very least without being accused of enabling people to make excuses against bkdk being canon ad infinitum. So let me be clear that I do NOT want bkdk to have an ambiguous or open ending. I want their complexity and importance to be acknowledged. I want them to use their words. I think we may have created a bit of a false dichotomy there.

I am aromantic, and to suggest romantic relationships are inherently the most important and intimate goes against every fiber of my being. I also reject the idea that cut-and-dry gay representation is more desirable just because it is more easily understood by the masses than aspec representation or representation of relationships "beyond" both romantic and platonic. We recognize how ridiculous it is for people to expect Izu*cha at this point, right? Well, the reason they're so confident anyway isn't just because of heteronormativity. It's also because of amatonormativity, the assumption that romantic attraction trumps all: no matter how much focus bkdk get, Izuku blushed at Ochako, so that automatically makes them more "important." THAT is the notion that I want to challenge most. More than anything, I want bkdk's relationship to be fully acknowledged because they have so much more going for them than just attraction.

You and your friend make an excellent point, that it would be very much in line with Horikoshi's taste and the patterns of his writing so far if he chose to subvert the shonen romance trope not just by giving it to two boys, but also by disregarding its premise entirely. It's unlikely he'd try to stuff them into such a copy-paste ending right at the end.

So maybe they won't get the blushy confession, the obligatory kiss, the wedding, the 2.5 kids and a white picket fence. That's fine, we shouldn't pretend those tired tropes are suddenly revolutionary just because they're gay. But don't be disappointed! Without them, we have more room for things that are actually personally meaningful to bkdk to stand out and receive the nuance they deserve: talking through their feelings openly, building each other up like no one else can, understanding each other like no one else can, smiling at each other, embracing, holding hands, rushing to the other in the hospital, being glued at the hip (or even closer), healing mutual trauma, putting each other first in all things. Maybe we'll also get confirmation on Ochako's side as she moves on from her crush on Izuku. You know what other shonen manga took this exact angle as a way of subverting tropes and presenting genuine complexity? Blue Flag! There are so many ways to do bkdk justice.

Even a kiss isn't out of the question, if the right opportunity comes along. A perfect example of what I'm talking about is Good Omens (major season 2 spoilers) because the kiss between Crowley and Aziraphale was not at all about canonizing them. It was an expression of pain and desperation that just made sense at that particular moment. Neil Gaiman was adamant that if it took that kiss to understand the context of their relationship, you really weren't paying attention. I respect the hell out of that.

Recently I was even daydreaming about bkdk getting something similar to the sort of uh, shall we say tasteful nudity, that togachako got, because of how Izuku appears in the vestige realm.

Ya know like not in an nsfw way but in like a "this is so deeply intimate and soft that I feel like I'm intruding" kind of way... yeah. Because it represents vulnerability and openness and acceptance of someone as they are. And I don't care if people call that bait. It's not. It's beautiful. It’s honest.

#asks #anon #lin answers #bnha manga #mha #boku no hero academia #my hero academia #bakugou katsuki #midoriya izuku #bakudaku #bkdk #dekubaku #dkbk #aspec #queerplatonic

[randomyuu]

the way it follows you home, the stories i never told

My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.

Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???

FUCK.

I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH

So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???

This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.

Fic info:

Title: the way it follows you home, the stories i never told

Author: @voxofthevoid

Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou

(idk why I laugh writing YuuGoGo. I’m beyond help)

Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!

The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha

SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!

Also for the comics, read from right to left please!

From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.

Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.

CHAPTER 1:

Whooo. Whooooooooo—

Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.

Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?

I lost it.

Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?

Help me, for I am drowning in my love and adoration for Yuuji.

Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v

CHAPTER 2:

This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.

Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao

The second scene that I want to draw the most is this:

Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.

This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.

Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”

I just—

AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh

But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)＿

For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)

CHAPTER 3:

We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao

I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?

I’m not really good at explaining my intention ∠( ᐛ 」∠)＿

I love Yuuji’s answer to Nanami's question.

AND FINALLY.

A Yuuji SandwichTM scene.

And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭

I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3

Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.

However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D

When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol

Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v

And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v

AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS

Have I told you I love this fic?

…I probably have.

Have an amazing week (❁´▽`❁)*✲ﾟ*

#yuu's art #jjk-fic-fanart #jjk ship #jjk-ship #五悠 #goyuu #goyu #5u #gojou x yuuji #speedrun this bad boy of a project in 3 days #from planning #now I can sleep in peace

[thechekhov]

Dungeon Meshi: Quick Reacts (CHAPTER 1)

Hey guys, what’s up! I’ve been neglecting to read things for a long time, being as busy as I am, but I thought it was about time I actually consume some media instead of making it for once. That’s the healthy way of doing it, I hear!

Anyway, since I like to react to the things I read, I figured I may as well record my reactions to the manga known as ‘Dungeon Meshi’ or ‘Delicious in Dungeon’ as its localized title. 

You can read the manga on your own here! Or find it elsewhere, though I encourage you to support the artist as much as you’re able. 

I cannot promise that this will be an ongoing series, I just wanted to have a bit of fun with it. This read-and-comment liveblog will contain spoilers - obviously!

Let’s get right into it!

For the sake of clarity - this comics reads RIGHT to LEFT!

Immediately, this is way more intense than what I was expecting! I thought this was gonna be cutesy, but this is straight up intense! I wonder how the eating portion of the story will tie into--

ah.

Gotta say, this style is one of my favorites. This is such a simple yet expressive way of drawing characters, distinguishing them and yet keeping it mildly realistic! It’s a delight to see. 

The resource scarcity realism is.,.. impressive. I wonder if the author based it off of a specific videogame or a ttrpg? I know TTRPGs aren’t huge in Japan, but this really does have fantastically recognizable RPG vibes. 

This is great, but I have to comment on the fact that (unsurprisingly) this is such a Japanese array of foods. It reminds me of an izakaya menu. Specifically the ‘thick-cut bacon’ bit - what is called ‘bacon’ in Japan is not bacon as Americans know it. It’s the same cut of meat, but it’s not cured nor smoked... It’s simply HAM. 😂 

Shockingly, I really can sense that these guys are friends with just a few pages.

What do you mean ‘noo’??? It’s literally a giant ass mushroom 

I think I can honestly this this is the point at which I realized I might just love Laios. 

you may not like it, but this is the ideal man. rabid and ready to cook anything he finds at a moment’s notice. 

IT’S A WOK. I THOUGHT IT WAS A SHIELD. HE’S CARRYING AROUND A POT ON HIS BACK. Incredible.11/10

I do so appreciate the seasoned-adventurer energy here. She straight up said ‘oh huh this thing killed me once before! a traumatic memory! neat!’ and then got right back to it. 

Never have I wanted to create a character based around this whole concept more than I do now. 

oh I SEE. 😂

#delicious in dungeon #dungeon meshi #chekhov reads dungeon meshi

[sacchiri]

[Hellsing] Female Fans' Round-Table Discussion

A 6-page interview from the 2012 Hellsing Official Guidebook, featuring five grown-ass women chatting about Hellsing in a casual discussion format and translated into English for the first time ever by yours truly.

Honestly this was way more entertaining to read than I thought it would be. It’s also really funny seeing this super-casual discussion printed in the book right alongside Hirano's—-oh who am i kidding, this is 10x more professional and less deranged than whatever goes on in Hirano’s interviews.

Anyway, without further ado...

Does Hellsing have little to no female fans? Nay! Assembled before you are five women with an undying love for the series. Let’s see their passion for this work show itself as they butt heads!

Is the female fanbase just hiding itself or what?

Moderator: Now then, everyone, let’s start off with introductions.

Ms. T: I am Ms. T. I’ve been walking the path of an otaku since middle school, and it’s already been ● years since then. How do I put this, all of you seem like fairly normal people…

Everyone: Oh no--rest assured we are all otaku as well. (laughter)

Ms T: Oh, really? (laughs) Anyway, I’ve continued to love manga for all this time. Thank you for having me.

Ms J: I’m Ms J. I was already at a decent age when Hellsing began serialization, but to create something so enticing-- as expected of Hirano-sensei! (laughs). This is the kind of manga I’d better buy and collect, I thought.

Ms A: Out of today’s gathering, I’m probably the one who became an otaku at the oldest age. (laughs) My friend told me, “Hellsing is a manga that really crazy people read”, so at first I couldn’t get around to starting it. But around the time volume 8 came out, I binge-read it, and it was so interesting that I couldn’t help but get obsessed.

Ms R: I’m probably the youngster in this group. By the time Hellsing started serialization, I was just entering middle school. [T/N: That makes her 27 at the time of this interview.]

Of course we didn’t really have the term "edgy-teen syndrome" back then, but around me the manga was definitely gaining popularity in that edgy teen fashion. One of my best friends was obsessed with Hellsing and I’d borrow it after they finished reading it, and I got addicted too.

Moderator: I’m under the impression that the female readership for Hellsing is overwhelmingly small, but…

Ms J: Nah, I think they’re just hiding. I mean, it’s not like you’d talk about Hellsing to someone in passing. You wouldn’t suddenly say, “Y’know, Alucard is…”

Everyone: True. (laughs)

Ms J: There isn’t much opportunity to bring it up, or perhaps you could say it’s a hard topic to bring up to the general public.

Ms A: Like how you can’t have a pork-and-rice bowl first thing in the morning or something.

Ms J: Yeah, like that. Actually, among my circle of female otaku friends, everyone has read Hellsing.

Ms T: Among manga fans, Kouta Hirano is well-understood.

Ms J: Any fan of manga who doesn’t know Kouta Hirano is a faker!

Ms T: Disregarding whether you’ve properly sat down and read his works or not, I feel like it’s impossible for a manga enthusiast to not have at least heard of Hirano-sensei. But we are talking about manga fans in general, and the range of tastes is so broad. If someone were to say to me “I’m a fan of Kouta Hirano”, only then I would be like, “Oh, so I can talk comfortably with this person”.

Moderator: It’s a good litmus test to use. (laughs)

Ms A: It’s only when you broach the topic of Kouta Hirano that you can finally talk about Hellsing. You can’t go straight from “So I hear you like manga” to “So, about Hellsing…”, lol.

Ms J: If you met someone for the first time and you go “So I heard you like manga? What about Hellsing?” that’s like coming straight for their throat with a knife. (laughs)

Moderator: Even as a gauge to see how much of an otaku your opponent is, it’s a bit too much to try and break the ice with Hellsing.

The wonders of dialogue

Ms J: Speaking of the good points of Hellsing, I think it’s that it doesn’t get overly preachy. You can see this starting from Cross Fire, but you really get the sense that everyone’s equally crazy here.

Ms A: I can see that. No one is on the side of justice. Like the Major, he’s a nasty little guy. The type of guy who would casually twist off an ant’s legs or something like that.

Ms J: That Major, his beta male levels are literally off the charts.

Everyone: (bursts into laughter)

Ms J: Actually, something that caught my interest about the setting is that only virgins can become vampires. In the first place, I don’t think European vampire lore makes that kind of distinction.

Ms T: Father Anderson is probably a virgin, since he has religious reasons for celibacy. Though it might depend on religious sect. I wonder if there’s a meaning behind this concept of chastity?

Ms J: The idea of chastity is valued in the Hellsing universe as well.

Ms A: Right, since if you aren’t a virgin you become a ghoul, and then it’s game over and there’s nothing you can do about it.

Ms R: Speaking of which, Integra’s a virgin, too.

Ms T: Integra being a virgin is an important part of the story.

Ms J: In my personal opinion, the best couple is definitely Alucard and Integra.

Ms R and Ms A: I was going to say the same!

Ms T: Integra and Alucard call each other “Count”, don’t they? You know, in a previous life it’s possible that Integra was a man. Perhaps Alucard is seeing the Count Hellsing of the past through Integra. Thinking about that possibility makes a girl’s heart flutter. Not to mention Integra’s appearance leans towards that of a man— Ah, it’s just so peak! [T/N: I'm not being facetious, 盛り literally means peak]

Ms A: Those who want to read a male/female romance can enjoy doing so, and for people who like BL, there are plenty of elements that can be enjoyed as BL also. I feel like the reason you can enjoy both things is because the relationships that are depicted are not constrained purely to sexual love.

Ms J: For those who like to read into the BL aspect, there are lots of fight scenes that can’t be ignored, can they? Particularly in the endgame. Like Girlycard and Young Walter, that was...really something.

Moderator: That part was just unfair! I mean, after getting captured by Millennium and going M.I.A., all that anticipation was building and building, and for Walter to be reintroduced like that!

Ms J: When I got to that part I was like, “Man, Hirano-sensei really did his best to keep all that stuff pent-up for so long". For both Walter and Girlycard, I mean.

Moderator: Speaking of Girlycard, I get the feeling that the idea for her was in place since the early stages of story development.

Ms J: I wonder about that… on the other hand it seems like it was a very spontaneous decision. (laughs)

Ms A: Even if the story developments feel spontaneous, I feel like the characters' settings are polished to a high degree from the beginning. Even though a new character suddenly appears out of nowhere, you end up following along without feeling a sense of discomfort. In Hirano-sensei's mind, I'm sure that each character is cultivated with an equal amount of attention. After that it's just a matter of deciding what situations the character will appear in.

Ms J: Each character is excellently molded to their place in the story. Even though normally it should be very challenging to create characters that would fit in this sort of world. (laughs) From the moment of their introduction, they are already dyed in Hirano's unique brand, and you can tell that Hirano understands them well.

Ms R: After all, characters from his past works before Hellsing make appearances in the manga, so you get the feeling that these are ideas that have been stewing in his head for a long time.

Moderator: And within Hellsing too, these characters grow and develop. Like Maxwell--he started out as a mere brat, but then he went full tryhard mode and developed that cunning and pretentious side to him.

Everyone: (leans forward) Yeah, that's right!!

Ms J: --And he had that past with Anderson, didn't he? I was like "Hold on a sec, a flashback scene now, are you kidding me"? Even though I knew that a flashback is basically a death flag, I couldn't help but love it. (laughs)

Ms A: At the final moment, Maxwell called Anderson "Sensei", a reversal of their dynamic thus far. Up until then there were hints of foreshadowing, but nothing definite. But with that single word you could feel the adoration Maxwell had felt for Anderson when he was a child... It's amazing how potent that line was. The timing of delivery was excellent, too.

Ms R: Up until that point Maxwell was portrayed as nothing more than a snob, but the truth is there were reasons why he became that way.

Ms T: Hirano-sensei is very skilled at depicting relationships between men.

The beauty of composition

Ms A: In Hellsing, there aren't any characters that go too far beyond the range of normal anatomy.

Even with regards to enemies and such, there aren't any massively gargantuan or bulky characters. Everyone is more or less normal. And yet, there is so much impact in the poses that it leaves you with a strong impression. Those standout panels just radiate style-- so much so that anyone with an eye for art will be impressed by them, I think.

Ms T: The paneling is relatively simple, but the composition sense of each panel is amazing.

Ms R: I love the stuff like Rip Van's silhouette. The balance between her and the musket is super cool. Even though something that size in real life would be impractical to shoot, it looks so cool that it's like, "Who cares!"

Ms A: Fight scenes that should have a lot of movement are instead surprisingly depicted with still frame shots, and they have a beauty to them reminiscent of paintings. It makes me want to stare at the same handful of panels for a long time. Calling it aesthetic beauty might be a bit of an exaggeration, but...

Ms T: Not an exaggeration at all, I think there is a lot of aesthetic beauty. For me, when I look at Hirano-sensei's artwork, I'm reminded of ukiyo-e paintings. And in the movement, I sense a bit of kabuki theater.

Moderator: Each panel is created with beauty in every nook and cranny, so as to work as a standalone illustration.

Ms R: The way shadow and blood is depicted is so good, isn't it? It really makes full use of the monochrome medium.

Ms A: When I was reading the scene in volume 8 when Cromwell Level 0 is released and soldiers are unleashed in hordes, it reminded me of a medieval copperplate engraving. The plot developments in that moment were so interesting, and the density of the illustrations so rich, that simply staring at them was enjoyable.

Ms T: It really draws you in, doesn't it? In other manga that have very detailed art styles, the realism makes it feel similar to a liveaction movie. But Hirano's works are 100% "manga", I would say. In that sense, none of it is realistic at all. But that's why it's possible to achieve poses and compositions that are impossible with photography, and that's why he can portray things I didn't even know I would want to see.

The position of women in Hellsing

Moderator: To all of you, was there a scene where you were like, "This scene right here is where I became obsessed"?

Ms J: So this is my personal taste, but I liked the setup of the handsome lady Master and the handsome male Servant. I like butlers, too. So once those three conditions were satisfied, I was like, "This is a good manga". The part where I was like "This is a really good manga" was when Anderson was introduced. At first, I was thinking this would be a story where Alucard dotes upon Seras and raises her up as a vampire, but then we were introduced to a Catholic priest from the same religion, yet who aims to defeat the protagonists...

Ms A: You can't deny the impact of Anderson. The only thing he wants to do is "exterminate vampires". While characters in Hellsing may undergo sudden changes, they never waver. They race from their introduction to their final chapter with just as much momentum as when they were first introduced. Not only is it satisfying to read, you won't be disappointed. As long as your favorite character appears, you can focus all your attentions on them, and before you know it you'll have binge-read to the last chapter. (laughs)

Ms T: For me, the scene when Integra discovers Alucard in the basement, and Alucard was revived with her blood is when I became hooked. While it is an expected development for vampire stories, that part of the story was very beautiful. And afterwards, I loved the tender portrayal of Seras's growth. Among ero-guro media, there are many works that portray women in a demeaning manner, but Hellsing is not one of them.

Ms A: In Hellsing, there is no distinction in the roles that are assigned to men and women.

Ms J: Indeed, women fight and stand on the front lines. And it feels natural.

Ms R: To tell the truth, when I first started reading Hellsing, I thought Integra was a man. And, for some reason it felt overly pandering [T/N: I assume she means pandering to fujoshi] and I just couldn't get into it. But then I realized Integra was a woman, and I was like "Oh, so it's a female/male master-servant relationship! I'm sorry for making such a weird assumption!" (laughs) I feel like it's important that Integra is a woman.

Ms T: In volume 1 there were moments where Integra was told incredulously, "You're a woman?", but in those moments I always felt that, ironically, being called a "woman" was what made her so much more cool. In Hellsing, you get the feeling that all characters are loved by the creator regardless of being male or female, enemy or ally. There are many standout characters among the villains, for example.

Ms J: Each character showcases their individuality in their fighting style as well.

Ms A: I love that Rip Van is this scrawny girl with long limbs, who wields an old-fashioned musket-- it gives off a really fantastic impression. The fact that a girl is given that kind of position, without it feeling offensive. When men draw female characters there tends to be a bit of double standards going on, or it can feel cloying or annoying depending on the scenario, but I don't feel that in Hellsing.

Ms J: Far from being annoying, the depictions of women feel unique and cool in their own way.

Ms A: You're right. Traditionally, female characters are accompaniments to the hero, aren't they? But Integra takes the lead, and while Seras is supported by those around her, she moves according to her own choices. Even among the female villains, they are given important roles that they carry out to the end, so you can read while feeling a sense of satisfaction.

Points you would recommend to other women

Ms T: Doesn't the series in general have a sort of sensuality?

Ms J: It does. As it gets nearer and nearer to the endgame, even the fight scenes show more tenderness. It's like a "They love each other, therefore they trade blows" vibe that feels erotic.

Ms R: When Alucard returned to London in volume 8, it felt pretty romantic.

Ms T: On the other hand, the explanations about weapon specs that pop up everywhere seem very male-oriented. I guess this is what you call the author's hobby.

Ms J: Speaking of the author's hobby, I feel like the fact that Walter is an old man is one of them. If you think about it purely in terms of reader appeal, there should have been no problem if Walter was young from the beginning. I get the impression that he was like, "If you're going to add a butler, it better be an old geezer". Ahh-- the more I reread, the more I feel like I discover new things.

Moderator: There is plenty more we weren't able to talk about, but to close us off, please appeal to the women who haven't read Hellsing yet as to why they should read the series.

Ms A: The female characters are so full of life, so why not give it a try mainly for the female characters?

Ms T: You can read it together with your boyfriend! There are lots of battles and weapons that guys would like, and there's no nasty relationship drama, so it might actually be a big hit among couples.

Ms J: "Look at Integra and Alucard, honey, they're just like us!" or something? (laughs)

Ms R: When you think of vampire media, you might be inclined to imagine something campy and whimsical. But even though there's a lot of absurdism at play, the world is based on real historical facts. So I want to recommend it broadly, even to those that don't normally enjoy fantasy.

Ms T: I feel like Hellsing is like a very strong liquor. At first you might feel that the taste is overwhelming, but once you get used to it, it becomes delicious.

Ms J: Please go in with zero expectations and give it a read.

Moderator: Thank you all for your time today!

--------------------------------------------------------

Link to the raw scans (which are not mine). Feel free to spread and repost my translation to other sites.

#hellsing #kouta hirano #integra hellsing #seras victoria #alucard #i’ve seen the “AxI as yuri” interpretation before but “AxI as yaoi” is new to me… anon is doing some 10000 iq 4d chess maneuver there #I was debating whether to use Girlycard or “Lolicard” like in the original jp but the former is more popular in the eng speaking fandom #it makes sense but Girlycard/Walter being classified as BL is hilarious to me #j anon is a real mood #my translation

[batbabydamian]

🦇🐥 Batman and Robin (2023) #5 rambling and a conspiracy theory lol

tbh this is the most exciting issue for me since…the first one 💀 i’m going to talk about the story and art separately because Nikola Cizmesija’s one of my favorite action focused comic artists so this issue’s a treat 😭

Alfred used to mediate during a lot of Bruce and Damian’s early relationship, so it’s refreshing to see Bruce take more initiative involving himself in Damian’s life even if it’s for a case lol

a couple instances of Alfred’s fatherly support on behalf of Bruce and Damian from Batman and Robin (2011) #2, 4, 39 and Teen Titans (2016) #1

Damian seems to take Bruce's involvement more as a sign he’s not reliable rather than Bruce finally just. being around to help him. which is fair 😭

this is complementary to Cizmesija’s art, but i love this half of the page so bad 😭 the negative space and the shaded foreground with Damian mid-run gives this feeling of time kinda stopping for us to really feel the impact of Damian’s entrance AND the effect it has on Bruce, like!! that wide eyed expression in the below panel!! 😭

Bruce’s quiet “you can do it, son” to A FULL BODY CHEER OF “GO, DAMIAN!” Bruce witnessing Damian be great outside of Robin, and on top of that it’s just another mundane moment that Bruce has wanted with Damian 😭

this is such a goofy bully line sdfgh though the whole “broken” bit might be a callback to Batman and Robin (2011) #1, in that Bruce is really trying to do his job as a father here or i'm likely reading way too into it

SO the “shocking ending” of Zach being Zsasz’s kid was definitely a surprise but then got me wondering what is up with Williamson doing reveals of new kids for villains lol otherwise, the hints in the issue were neat!

the tally marks!! at least tallying blocks is pretty innocent compared to kills 😭

and Damian would recognize how Zsasz moves, since he’s personally fought him before in Streets of Gotham (2009)!! very much not in a sport, but uh maybe it was to Zsasz

the art!! first a shoutout to the colorist Rex Lokus for giving Damian his green eyes and maybe melanin (it didn’t look consistent throughout so i say maybe)!! 😭 also a Talia by Cizmesija!! even though this panel calls her a “not great” teacher…💀

SUCH A FUN PAGE 😭 i’ve been into montage scenes lately lol and i love how quickly Cizmesija establishes Damian’s routine - Tues, Wed, and Fri are the funniest for me!! Damian grumpily getting lectured by his teacher in the foreground while his classmate’s still visibly steaming from the hit he took LOL, DAMIAN’S BUG EYED STARE WITH HIS SUNGLASSES UP, and then Damian looming. stealthily. in a tree. while some kid is blatantly pointing him out HAHA 😭

Cizmesija’s use of motion lines and effects when conveying movement is so cool!! the shonen manga vibes jumps out!! the smoke/dust trails following the movements; the limbs and soccer ball having a sort of blur effect with the motion lines. V COOL.

which leads to my favorite part of Cizmesija’s work - HIS IMPACT SHOTS!!

more motion lines and effects!! the splatter effects!! the arcs!! the jolting impacts!! GRRAAHH!! the setup to that impact shot of Zach's block is so great, and then following with Damian's reaction!! i almost wish that "???" wasn't there, just because that expression of stunned silence already feels so loud!!

last thoughts about Cizmesija's art is that i'm really hoping for a showdown between Damian and Zach next issue because i need to see a Damian fight scene in Nikola Cizmesija-fashion 😭 we get a taste of it with Orca and soccer but i NEED MORE LOL for now, dropping the moment when Damian overpowers Zsasz, in Batman: Streets of Gotham #11 since it was such an epic moment

okay SLAPPING MY CONSPIRACY BOARD!! so on another note Principal Stone being Shush is starting to feel like a red herring and Ms. Heather Hall could actually be Shush. Shush’s main point about Damian as his instructor was emphasizing how much potential he has, but the “wrong” influence could affect that

Stone and Hall have made the same observation about Damian’s potential, but the difference is how they address that - one wants Bruce to be more involved while the other wants Bruce to back off

Stone acknowledged Damian can take care of himself but still wants Bruce to step up in Damian’s life; Hall says it’s okay to be a helicopter parent BUT implies giving Damian space (which we already know Bruce has given so much of after Alfred’s death to the point of neglect 😭)

Hall even suggests moving Damian on to college, which would estrange Damian further. also idk how Damian kicking his teammates/bullies asses at soccer is really “making friends” lol

and of all the subjects she’s teaching, it’s AP Biology - according to the current case Batman and Robin are working on, which is centered around DNA-sequencing, it makes Hall the perfect accomplice to Langstrom

this is where my brain started reaching because i laughed at first at how specific that comparison is, but then it just made me think of how Shush’s first introduction was sniping Bruce LOL anyway, Bruce’s reaction is me 😭

one more Cizmesija appreciation panel - the lil running effects behind Damian :)

#rambling #CONTINUING CONSPIRACY THOUGHTS adding an anomaly like Zach to the soccer team would justify Damian joining them #otherwise he’d join and then he would find nothing but soccer if Stone really isn’t Shush #if im wrong then WHOOPS LOL i do find Ms. Hall's support for Damian sweet so i wouldnt mind tho Damian being wrong would suck asdfg #now that i think about it Damian going to college would be a neat development. let him study to be a veterinarian or artist or smth lol #the other action focused artist i would LOVE to see give Damian a fight scene is Daniele Di Nicuolo 😭 #I EAT HIS ART UPPP #where Cizmesija is heavily shonen manga influenced Nicuolo is heavily shonen anime influenced esp like Trigger studio artists YUM

[twitteringthings]

Yoneda-Sensei

Just some thoughts…

In order to craft a story as rich and as layered as saezuru, you have to be a person who really gets humans. You know? And in order to make characters this realistic and this tragic, you truly have to understand the motivations and deeply rooted traumas that drive the human spirit. Along with the truths they bury so that they may move forward. In order to create a story like this, these primal and honest human traits must imbue every action and thought process of each character. And at this, Yoneda is a genius.

Many other stories or manga that I’ve read present the reader with a characture of what a person is. Their ideals too manufactured, and understating of life too naive. I find this leads to stagnant protagonists, cliche character archetypes, pseudo-conflicts, and a predictable/flat storyline. This is especially why I love how the characters are actual adults and not some cliche teenagers. They’ve lived through much and are aware of the true nature of the world they live in.

Saezuru is unlike anything I’ve read if I’m being honest. The core of what makes this story so successful and passionately loved is that Yoneda-Sensei allows these characters - these people - to control their own narrative. It’s their love story after all. Do you know how easy it would be to say “okay, it’s been 12 years, I think it’s time to wrap this up and give the people what they want. I’m tired.” This is the very idea she rejects. I know she is probably wanting to work on a new series and that we are nearing the rising action/climax, but I am so glad she isn’t rushing it. She simply refuses to - that sex scene could have been five pages, but they needed to do what THEY NEEDED TO DO! It is so cool to see an author allow her characters to develop at their own pace. She’s spent all these years truly getting to know them herself and so, she tells their story with integrity.

It is their own motivations, flaws, and decisions that drive the story, Yoneda doesn’t impose her own will onto them. She doesn’t allow her own idea of what the plot should be control the characters actions (if that makes sense - this is getting kinda meta lol). The story purely responds to the decisions of the men who it follows, whether they are born from greed, jealousy, lust, anger, Yashiro’s explosive temper tantrums, or love. Sometimes the characters don’t even know why they do the things they do - because that is real life! And I cannot express how well it allows the story to flow. I’ve also noticed that this allows for the story to mimic real life under the context of “Nothing is truly black or white.” In traditional storytellings, there is obvious right and wrong, blatant heroes and villains. But in Saezuru these lines are sometimes blurred, what can I say…true art mimics life. And that is why you must pay attention to every nuance or you’ll miss a core theme.

The topics of childhood trauma, rape, assault, sexual abuse, being thrown into a world of ruthless men, parentless children, homosexuality amongst wolves, fearing one’s own feminity, self-hatred, lovelessness, hopelessness, shame, grief, guilt, being hurt by and hurting the ones you love, and the true nature of love as paradox are all topics needing to be dealt with using the highest sensitivity and empathy. And Yoneda-Sensei has proved that she is an author who can handle these nuanced and difficult topics with grace. And it’s so cool that she trusts us readers to empathetically understand these characters as well!

As Yashiro says, “People are full of contradictions. They’re lonely and then they’re not, they’re missed and then they’re not.” So simply put. This very understanding of the human condition is what makes Yoneda-Sensei an amazing storyteller in my book.

This story could play out for another five years and I wouldn’t mind.

Thanks for reading!

<3

#I will write my masters thesis on Saezuru any day #saezuru tori wa habatakanai #ramblings #twittering birds never fly #yoneda kou #saezuru feels #doumeki x yashiro #saezuru analysis #yaoi bl #manga #yaoi manga #it’s almost saezuru month

[suffarustuffaru]

Hello!

A bit of a weird ask, so sorry in advance.

What methods/sites would you recommend using for reading Arcs 5-8 of Re:Zero?

I’ve almost finished season 2 of the anime, and I’m pretty sure this has become one of my new favourite anime/works of media in general. 

And considering I keep spoiling myself anyway when I look at Re: Zero tumblr blogs, I figured I should just find a way to catch up with the rest of the series. 

You seem smart, and have clearly read Arcs 5-8, so I was hoping that you would be able to provide some advice. 

Thanks!

hi there!! :D no worries for the ask, its cool to have another rezero fan join in the fandom especially on tumblr (which is a very small, curated circle of a bunch of us trading posts around a campfire HAH) and i hope youve really been enjoying the anime and your stay here so far!! :o this is absolutely one of my favorite media as well (if. if you couldnt tell by the blog pfft) and thanks for the compliments haah i am glad to seem smart.

but yes i gotchu on where to read!! ill be giving you a pretty detailed explanation/guide. (this explanation also goes mainly for english speakers / people who wanna experience rezero in english.) (and of course if any other seasoned fans are seeing this feel free to add on if i miss anything or correct me if needed)

Main Route Stuff:

witchculttranslations is where you can find the translations for the entire main route (which is arcs 1-8). this page is where youll find the main table of contents for each arc and you can find arcs 5-8 there!

note that arc 8, at the time of me writing this ask, is still a work-in-progress and the team of translators in this fandom are always hard at work to translate each chapter. also note that arcs 7-8 are "conjoined arcs" - think of it like arc 7 is part 1 and arc 8 is part 2. so if you happen to get caught up to where rezero is currently at, the rezero subreddit regularly updates chat + update threads whenever new rezero novel content comes out in general. youll find updates on translations or summaries for new chapters there.

there's also distinction between web novel and light novel - web novel are the chapters that tappei releases online, light novel are the official finished versions of the chapters that are released for sale. sometimes there's changes between the web novel and the light novel, but for the most part it's either minor changes to improve on the web novel - sometimes it's major, but for arcs 5-8 iirc there isnt any major changes that you need to worry about.

just note that in the wn translations, all/almost all dialogue is written in script-style. let me show a small excerpt from arc 5 chapter 1:

???: “Good job, Subaru, I suppose.” A small silhouette enters Subaru’s view from above. A loveable girl with long, cream hair and an extravagant outfit—Beatrice. Her fluttering dress looks out of place in the meadow as she presents Subaru with a towel. He accepts it and vigorously towels his head dry. Subaru: “Ah, thanks. Was looking to cool down so this’s perfect.”

so yeah the wn will be formatted like this by the way, just in case you didnt know this yet!! i hope thats not much of a turnoff or anything, but dont worry you get used to it - and the story is still pretty great anyway!!

also dont bother with arcs 1-3 wn. its not so important (and you already know all the major info because youve seen the anime) and also arcs 1-3 wn doesnt have the Best writing. tappei himself had to make extremely major changes for the light novel and the light novel (along with the anime and manga) is the finished and polished result.

and of course the light novel comes with illustrations for each arc. the web novel sometimes includes images as well at the beginning of each chapter, but if youd like to see finished and official illustrations for various scenes throughout arc 5-8 its easy to find them if you search them up online!!

the anime also has a few bits of Important cut content from arcs 3-4 - unfortunately i dont have any resources on hand for this ;-;;; but you can look this up on rezero reddit or online in general since a lot of people have made summaries about this. from what i remember in arc 3 (which is the royal selection/white whale/petelgeuse half of season 1!), the main thing is just the reveal that al has some sort of connection to ram (and rem by extension), some sort of connection to satella possibly, and he is ALSO someone that was isekaied into rezero's fantasy world.

as for arc 4 (which is season 2 of course), the anime got down almost all of the general important info you need to know, but there's a lot of important information in the last parts of arc 4 that the anime didnt include. the anime may include this information (and the al stuff from arc 3) later, but you'll need to know it for arcs 5-8. you can find the witchcultranslations guide for arc 4 here - scroll down and youll find the chapter called Appendix: Advent!! you'll need the info in that chapter for later.

if you want, you can also read the chapters after that - theyre sorted under One Day II and are the official arc 4 interludes that take place before arc 5. i do recommend reading through them, but theyre mainly characterization stuff, character dynamics post-arc 4, everyone trying to recover after arc 4, etc etc. the most important info in there is leadup for arc 5 (all the post-arc 4 aftermath stuff) and also some info/introduction on clind and annerose (who are characters that are briefly shown in the anime for like two seconds). these two do play minor roles in arc 4/beginning of 5, but theyre hinted to be important for later. if youre in a hurry to get to arc 5, totally fine to just skim through it, get basic info on clind and annerose then continue into arc 5 or something. or you can look at their wiki pages - totally cool to enjoy rezero however you wish. it's a LOT of reading dont get me wrong HAH.

as for the manga - this is not required reading or anything, the manga has only done arcs 1-4 atm so it's not really super relevant to you since youre almost done with arc 4 already via the anime!! but of course if you havent done so youre welcome to check it out if youd like, the manga artists are pretty great imo. im just gonna show some art from the manga artists here:

isnt it pretty? :O very nice stuff.

anyway thats it for main route content!! now i gotta explain side content.

Side Content:

you can find witchculttranslations' side story table of contents here, which very neatly shows you Every Single Side Story and is updated regularly every time tappei comes out with new side content. and trust me, tappei makes A Lot of side content. i guarantee you a lot of rezero fans havent read every side story (and i still have a lot of side stories to catch up on myself), so theres absolutely no need to read every single side story!! honestly just read the ones you find interesting + the ones that are required reading! im not sure how much of the side content youve heard about, but ill give you a rundown:

this extremely helpful google spreadsheet here (thats also regularly updated) tells you how important each side story is and where you can find it so you dont have to go on a wild goose chase wondering which ones you need to read for the main story. rezero side stories are on a sliding scale of just silly stuff tappei wrote for fun to this is VERY crucial for the main story. that google spreadsheet should help you out with that - both the spreadsheet and witchculttranslations have links to almost every side story available.

(the spreadsheet also tells you important details and who it's centered around + when each side story is safe to read free of spoilers after a certain point - so it's easy to decide when you wanna read the side stories and WHICH side stories you'd like to read!)

also i guarantee you that if you have a favorite character in rezero that character Probably has a ton of side content theyre featured in - so i recommend just hunting down all their side content and devouring it whole because im sure youll have a fun time with that. a lot of side content also fleshes out a ton of side characters as well in general - people who Looked shallow in the anime ARENT shallow at all, i promise. many people have hidden depths, which is one of the fun parts of rezero!

witchculttranslations and the google spreadsheet also tell you what order you might wanna read in terms of when each one takes place. i recommend following that order for the most part if youd like, but if you wanna binge read side content or something later you can also do that after reading arc 6.

that's how i experienced the side stories myself (i started reading them after finishing up with the arcs 5-6 plot) and in a way, i would say that might just be the easiest way to do it given a lot of the side stories take place during arcs 1-6 or before the events of arcs 1-6. itll make you go "ohhh thats what was happening with these background characters during *insert event here that was focused on in the main story*" or "ohhh thats why These Guys are like this" a lot pfft. so its easier to just get out the most important ones / the ones thatre most interesting to you all in a row after finishing up with arc 6 👍

The Ex Novels:

these are THE MOST IMPORTANT side stories. :o theyll be extremely important for arcs 7-8 especially!! also because these are light novels the dialogue is written in normal narrative format so hooray for that!!

anyway theres five ex novels. i recommend reading these after arc 6 so you got them fresh on the brain for arcs 7-8.

however if you happen to be a crusch camp fan, you can read ex novels 1-3 at any time youd like!! these flesh out characters like crusch, felix, wilhelm, and theresia (some of the wilhelm and theresia content was shown a bit in season 1 of the anime!) so youd probably enjoy these even more if youre a fan of any of them. ex novel four also features felix, julius, and reinhard too, if that interests you! (as a knight fan ex novel 4 was my favorite akdndn and i loved ex 1!!). but yeah in general though read the ex novels in order (from 1 to 5 of course) so you dont spoil yourself for other ex novels, but as i said - you can read 1-3 at any time, and in general its best to read the rest of the ex novels after arc 6.

the ex novels in general mainly focus on important historical events in the rezero world and stuff that happens before arc 1. the ex novels are also our first introduction to the nation and empire of vollachia—this is also the country that priscilla is from (and al also came from there)!! you get introduced to vollachia's whole deal in these novels. youll need this info for later!

anyway witchculttranslations and the google sheet dont have links to them because theyre published + officially translated light novels that are easiest to access by buying them, so harder to get a free pdf of them. however i got you (and your wallet) covered because i got pdfs for all of them right here (if these links dont work let me know!):

ex novel 1 - crusch and felix-centric

ex novel 2 - wilhelm and theresia-centric

ex novel 3 - wilhelm and theresia-centric

ex novel 4 - felix, julius, and reinhard-centric

ex novel 5 - priscilla and al-centric

anyway thats the ex novels in a nutshell!! and of course if you want a physical copy of these books (or any of the rezero light novels in general) in english you can buy these online (sites like amazon has them) or at a bookstore. if you live in the US like i do, barnes and noble has them irl as well. or if you happen to live near a kinokuniya store, they also sell rezero irl. kinokuniya is also specifically for japanese media so i highly recommend giving it a try if you happen to be near one (i got a rezero keychain from there also hah, rezero merch is a little hard to get a hold of sometimes).

rezero light novels are also translated in a few other languages (iirc spanish and polish are some of the other languages its translated in) so if youd like that too you can look into it and buy some!!

The If Routes:

if youre not familiar with these by now, theyre basically "what if"/ alternate universe stories where subaru makes a different and Very Major choice at different points of the main route. theyre not necessarily required reading, but some do have some important lore regarding several of the characters and in general most of them are extremely important AUs for rezero that emphasize all the themes of the story. they also show the Insane butterfly effect of subaru’s decisions.

and if youve gotten this far with the anime already im gonna assume you probably like subaru at least a little bit? :o yeah his character gets fleshed out in Very Interesting ways in these routes. other characters also get changed in various ways due to his decisions!

new ifs are also released typically every year on subaru's birthday - april 1. so with every april 1 the entire fandom plays russian roulette because either the if will be a super silly one or a Very Important one LMAO.

also these ifs tend to be mentioned a lot in fandom bc theyre very beloved and interesting side stories, so i highly recommend choosing which ones you find interesting and just have fun reading them!! you can find them on the spreadsheet, if you want to read them in a more chronological order, or you can find them on the main witchculttranslations website as tabs on the side underneath Re:Zero If Stories. (but ill provide the links to each separate one in this post also.)

all current if routes at the moment take place somewhere in the arcs 1-6 range, so you can look at them either after arc 6, like i said, or in order as you read along with the main route. ill give a quick breakdown of each if just in case!!

Pride If - diverges from arc 1; subaru doesnt call for help when fighting the three thugs in the alleyway. slight spoilers for one part of arc 5 in like One Scene of pride if.

Wrath If - diverges from arc 2; subaru accepts beatrice’s offer to help in the loop where rem dies + subaru tries to run away from the mansion. very minor spoilers for ex novels/arc 7-8 (characters who appear in those arcs appear in wrath if).

Sloth If - diverges from arc 3; subaru gives up and runs away with rem instead of dealing with the arc 3 conflict. very minor spoilers (a character who later appears in arc 8 appears here).

Aganau If - diverges from arc 3; in the loop where rem dies in the cave and subaru carries her back to the mansion, he decides to go down another route away from the mansion instead. years later, he’s now older and still alive after almost everyone else has died. this if is one of the routes in the now discontinued lost in memories mobile game (and this is The Most Important route out of the whole bunch anyway). you can find a playthrough + english translation of it here.

Greed If - diverges from arc 4; subaru accepts echidna’s contract. major spoilers for arc 4 of course. minor spoilers for arc 5+ (small plot beats are mentioned iirc). a bit of important lore for characters like echidna and clind. the first edition of it can be found here - make sure to read this first. this is because this if was also given a longer and polished light novel version of it (it was a special that came with some of the season 2 blueray dvd packages?) and you can find an english translation for the extended + final version under the Blueray Novels and Databooks section of witchculttranslations' side content page.

Gluttony If - diverges from arc 6. major spoilers for arcs 5-6.

Mimigau If - this is just a genderbend au that tappei made that starts from arc 1!! almost nothing is changed besides the characters’ genders, biological sex, names, etc. i sadly dont have a link to this one, but iirc this hasnt been fully translated yet? and it's also very much not that important of an if lore-wise so you're not missing out on much. the genderbent character names are really fun though!

Lust If - this is, supposedly, an if that tappei wrote in one sitting and then decided to delete off of the official rezero wn site. this if is just an april fools joke where subaru gets a harem of various rezero girls. and imo its not Particularly Good, but it was meant to be a joke and tappei just wrote it for no reason so ig the quality makes sense haah. and also sadly that harem includes petra iirc which. yeah. not what id call great.

Vainglory If / School If - basically a canon high school au for all of rezero! not a necessary read at all but it's super silly and fun. and if you like anastasia and/or priscilla they have a lot of Fun Interactions in this one. im not sure if all of this if is english translated yet, but you can find chapter one here.

Other Various Ifs from Lost In Memories - i dont have the links to all of these, but lost in memories has a lot of other more minor aus as well, aganau if is just the most important + the darkest one. the other ifs are more lighthearted and just extra stuff for funsies. other big examples include a julius if (subaru calls for help in arc 1 and julius is the one who comes to help), a reinhard if of sorts (takes place around arcs 1-2, it's a sillier story where reinhard just keeps appearing out of nowhere to help subaru every time he needs help), and also an otto if (arc 1 divergence; subaru gets involved with otto and the two of them decide to start a mayonnaise business).

A Side Note About Rezero Video Games:

ok i know your ask is mainly about how to READ rezero but i figured i might as well explain this really quick just in case!!

there are a bunch of rezero video games and none of them are really Necessary, so dont worry about it. theyre either like - silly alternate universe stuff or theyre a bit more of the serious au variety (like aganau if, as mentioned earlier. i dont know every single rezero video game out there (and i think theres still new ones in the works at the time of me writing this??) and also almost none of them are english translated so its hard to experience them if you dont understand japanese.

the two most important ones (aka the ones with more story in them) are gonna be prophecy of the throne and lost in memories (which i mentioned earlier!). and again, these games are not necessary content - theyre mostly just side content that you can look at/watch/play through for fun and if you just wanna see more of your faves. you can check them out at any time since they dont have any major arc 5-8 spoilers.

Prophecy of the Throne - this is visual novel + a divergence of arc 3 where a new and sixth royal candidate emerges and it looks like emilia is the fake royal candidate here.... so yeah the plot is just. it's like a game of among us. but it's a fun story with a lot of different character interactions (so if you really like the entire cast of rezero youre in luck!!) and features a tiny bit of lore about some powerful groups in the fantasy world. a few of subarus failed loops in this one are also Particularly Brutal. you can watch gameplay of it on youtube or play through it yourself (i know that the game IS on steam too) since it's fully english translated (and all the jp vas and english vas reprised their roles as well).

Lost In Memories - as mentioned earlier, this is a now discontinued mobile game. iirc it was a gacha game? a sort of fighting game? and also it's narrative driven with a bunch of different routes. you can find the wiki for it here - it summarizes a lot of the main story beats. theres no official english translations for this game, but theres a lot of fan translations that you can find on stuff like youtube if youre ever interested in any part of the game. also it has a really fun opening song and animated sequence. nonoc's rezero music is great <3

A Side Note About Rezero Youtube:

theres a lot of summary videos for both main content chapters and side stories on youtube. im not sure how accurate these videos are, but i know that at the very least they can give you a brief rundown on the main points for certain chapters/side stories if thats something youd like to have!

theres also an entire team of people making a fan-run audiobook for arc 5. ive given some of their episodes a listen, and i can confirm that theyre absolutely great. you can find their readings of chapter 1-47 on spotify, and on their youtube channel theyre up to chapter 62. i think theyve also expressed their interest in branching out into other rezero content as well? :o so if thats also something youre interested in you can check them out there!

In Conclusion

anyway, that should be all you need to know - thats a summary of basically all important rezero content from here on out!! i know this is like. Super detailed. so i hope that this was helpful and didnt scare you away or anything hah. and i hope you have fun reading through rezero :o !! you got a lot of content to choose from thats for sure!!

but yeah ty for the ask, i hope i explained everything clearly enough :o !! and if you need any clarification feel free to ask!!

#rezero #re:zero #ask #save for later #<< bc this is my most detailed post on 'how to read rezero' aljsdlf so i might just put this in my pinned post for this blog later #also even if ur a seasoned fan and u havent heard of the arc 5 fan podcast yet pls give them a listen. they work so hard on it and i love #their performances there <3

[makeste]

BnHA Chapter 403: (But Just That One Part, Because I'm Not Caught Up)

Previously on BnHA: Truly no idea, but it kind of looks like Katsuki is riding some sort of spaceship, and everyone has gotten really, really sparkly. I see you all have been busy these past 22 months. Great job, keep it up.

Today on BnHA: “So it’s come to my attention that a truly shocking number of you are only reading this manga for a single character.” – Horikoshi Kouhei, October 2023.

so. where to start, lol

I guess I should open with an apology, because I am about to make a fairly selfish decision! what I am about to do, is post a reaction to Bakugou’s Return To The Manga. however, because I’m not caught up, I’m going to be reading this one scene completely out of context without knowing anything about what is going on. which means that I’m going to be missing out on god knows how many nuances and details, which means this reaction post will be short on those things as well. so basically I’m prioritizing my own personal gratification as a fan here even though it is 100% going to affect the quality of my reaction blog, and for that I genuinely am sorry. eventually I will finish catching up, and when that happens I will post a proper reaction with all the trimmings. that’s just how it is for now though

anyway so with that said, basically what I’ve done now is I have gone to the scanlation website, and clicked on chapter 403, and then scrolled down through most of the chapter while sort of half-looking away from my screen with my eyes squinted so that everything is mostly blurry, until I finally reached the big double-page spread with you-know-who doing his thing. namely, standing around on this giant glowy cereal bowl from the future, which appears to be either hovering up in the air, or slowly crashing onto the ground

and this right here, is exactly what I was rambling on about a moment ago. you guys I really am sorry to be doing this, because even I can tell this should be solemn and sincere moment of awe and excitement and relief. but because I completely lack any context whatsoever for wtf is happening, most of the dramatic impact is lost on me, and to tell the truth right now this page is a hell of a lot funnier than it has any right to be

like, so Deku. this boy is crying all the tears. I recklessly scrolled back up one page to see why, and it appears the answer is Because All Might Is About To Fucking Die (which, !??!?), so that’s actually VERY fucked up, and I’m sure I will have PAGES AND PAGES OF WORDS to say about all of that once I finally catch up properly. that is very traumatic and emotional and I will probably cry a lot about it

BUT, that being said, I just need you guys to know that without that context, Deku standing here with his giant head all >:O in the foreground, while Kacchan appears out of nowhere glowing with the power of a thousand suns and standing on top of this giant floating Smash Bros level that Nezu maybe probably built with his nine million dollars, is one of the wildest fucking things I’ve seen in my life. I feel like an accidental time traveler. you know when a character has one of those crazy prophetic dreams showing them chaotic glimpses of the future, and they’re just standing there all “???” because they have absolutely no clue what the fuck is going on? that is what it’s like right now

heh but there he is

“did you miss me, Izuku. back by popular demand after being on IR for 14 goddamn months. rebuilt better and stronger than ever thanks to the heroic spaghetti man wrapped tightly around my heart keeping me alive. just BnHA things. just a flesh wound. by the way, it’s me, Kacchan, just in case you didn’t recognize me on account of my still being really far away and completely covered by smoke, and also you thinking I was dead. here let me give you a close up to make this easier”

“fuck yeah. it really is me, btw. just in case you still couldn’t tell on account of me also being like 100x prettier than you remembered. guess it’s just that blindingly handsome character development”

also, “the end of an era” um hello, yes, what?? just what exactly have I missed here with all this All Might stuff?? because apparently All Might just prior to this was in some sort of mortal danger, is what I’ve been hearing, because everyone keeps posting excitedly about Kacchan showing up in the nick of time to save him? which incidentally makes my heart so incredibly fucking warm omg. it’s what both of them need AND deserve

why is everything so goddamn sparkly right now. this is like a Sailor Moon battle over here

love that look of instant recognition and shock and overpowering relief in Deku’s eyes though. also has he really been fighting in this cracked out OFA-overflowing mode this entire time?? he looks just like he did on the cover of volume 37. I still haven’t seen his actual canon reaction to the “death”, and I haven’t been keeping tabs on his fight with AFO??/Tomura?? at all, but I’m glad it looks to have been as emotional as I could have hoped

aw fuck yeah

his precious card. I’m now almost as invested in the saga of the All Might card as I am in all the rest of this. it’s all beat to hell, but somehow still made it through in the end. just like him

oh. my. g

protect them.

protect them all.

so is the reason this fight is so sparkly just because of OFA symbolism, then?? or is there something else happening here?? goddammit, okay, I‘m gonna very carefully scroll back to the beginning of the chapter, because I’m 100% positive there is some sort of deeply meaningful symbolic thing going on here and I’ll be damned if I miss out on it, spoilers or no

-- oh my goD??!

1. BABY ALL MIGHT WHAAAAAAT

IS THAT HIS MOM???? OH MY GOD DID WE GET ALL MIGHT BACKSTORY. oh my god. oh god. no actually don’t tell me, ahhhh I cannot fucking wait to read this properly, holy shit

so did something wind up happening to Mighty Mom later on then?? feels like it must have, since he wound up getting so attached to Nana? man I don’t want to think about any of that stuff after seeing this panel though :( just, damn it, why is this man’s whole entire life so goddamn fucking tragic

“the one thing I’ve done most is looking back to the path I took” my god I cannot wait to read this. only two short pages and I’m already buried miles deep into my All Might feels. came here for the triumphant Kacchan return and now I’m sitting here tearing up about All Might, god damn you Horikoshi YOU’VE STILL GOT IT. and I am STILL A SUCKER FOR ALL OF IT

anyway, so now back we go to the last couple of pages with this additional context, aaaaand...

...and apparently I’m now full-on crying about All Might! (: well how about that. turns out when you read the manual and follow the instructions properly this series still works exactly as advertised. don’t mind me I’m just sitting here sobbing because everything is exactly what I wanted and I apparently don’t know how to deal with that!!

THEIR FEELINGS BECOME WHAT?!?!?!

EVERYTHING IS EXACTLY WHAT I WANTED AND I’M GONNA BE A MESS ABOUT IT FROM NOW UNTIL THE END OF TIME BECAUSE LIFE IS GRAND!!

ARE ALL OF THESE WATERY SPARKLES LIKE. DEKU’S FUCKING TEARS LMAO OR WHAT. HOW IS KACCHAN IN THE SPLASH ZONE. HOW ARE HIS TEARS HOLDING UP THE SPACESHIP. I DON’T UNDERSTAND A GODDAMN THING BUT THIS IS NOW OFFICIALLY A SHOUJOU MANGA, I DON’T MAKE THE RULES

the urge to ruffle baby Deku and baby Kacchan’s hair is so goddamn powerful you don’t understand. this is PRIMAL. they are SO happy and SO good and perfect. I’m gonna fucking die

there’s not even any dialogue. what the fuck are they even gonna say. their expressions say it all and more. also they are being kind to me because they know I’m not caught up so they don’t want to spoil me any further, thank you my sons

lastly, I guess, because I don’t really have anything else to add now that my brain has fully turned to sappy mush: so uh. I truly have not the slightest clue how or why, but. does Kacchan have OFA though. and why is the answer, “yes he definitely does.” ???

like, I don’t understand it, but I confess that by now I have spoiled myself on the last few pages of chapter 362 for reasons (those reasons being “I finally gave in and looked at them on purpose, because I’d already seen most of them out of context here and there, and my willpower is only so strong”), and so I know that this boy was talking to vestige!Might, and as far as I’m aware that is 100% not possible unless he has some sort of connection to OFA in some way so yeah

and now here he on this last page being all Profoundly Connected with Deku while they gaze into each other’s eyes, and I can’t help but notice that said eyes are all explodey and they look a LOT like Deku’s actually. and on top of that we have all of this All Might symbolism that I’m still crying about, so like? ???

anyway so I’m not going crazy here right? like this is definitely a thing? for whatever reason?? unless you guys know something here that I don’t. in which case I actually am asking to be spoiled fully just this once, because at this point I just need to know one way or the other and I don’t care lol

anyway so that concludes my thoughts I guess! so now my absurdly ambitious goal is to speed read the manga this next week and hopefully at least catch up to Kacchan’s “death”, so that I can better understand what’s happening when I inevitably wind up spoiling myself for chapter 404 as well. the plan right now is to still type up my liveblog notes as I go, but to not worry about posting or editing anything in between chapters. so I’ll have a big backlog of chapter recaps which I’ll eventually get to uploading whenever I can, but in the meantime I can participate more in the fandom side of things. since I really want to share all of my endgame theories and so forth, but in order to do that I really need to find out just what the fuck is actually going on lol, so yeah

#bnha 403 #bakugou katsuki #midoriya izuku #all might #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #I see your bakugou katsuki: rising #and raise you one bakugou katsuki: risen #he comes back to us now at the turn of the tide

[yggdraseed]

Women in Jujutsu Kaisen

Let’s get this out of the way first: if you’re reading this because you enjoy reading posts by people who hate Jujutsu Kaisen, you’re going to be disappointed. I actually like Jujutsu Kaisen a lot, I have a lot of positive things to say about it, and I’m going to be explaining my reasoning here. You should probably move on if you want trash talk. But if you have a negative view point that you’re nevertheless willing to reevaluate or recontextualize by looking at things from a new perspective, please read on.

A lot has been said about how women are written in Jujutsu Kaisen. A lot of good, and a lot of bad. I think a lot of the bad comes from how Jujutsu Kaisen was praised so early on for how it’s women were written, only for people to either not see it or have their expectations not be met due to events in Shibuya and the Culling Games. However, while I try to respect diversity of opinion, I feel like a lot of people aren’t really grasping why the way GeGe Akutami writes women was lauded. I think a people have lots of different ideas of what makes for a well-written female character, and don’t find what they’re looking for in Jujutsu Kaisen, thus they get angry and they post online about how GeGe Akutamisogyny isn’t going to beat “the allegations.”

I’ve never liked the justifications put forth for that argument. There’s a lot of subtext to how the female cast of Jujutsu Kaisen are written that can’t fit neatly into the simple world of page and panel counts or win-loss ratios. And, fortunately, there are tools for feminist literary analysis that I am going to employ in what will hopefully be a short trilogy of posts, starting here.

When I see people criticizing how women are written in Jujutsu Kaisen, I usually only see them using one point of interest: the outcome of a fight. If a female character doesn’t win a fight, then some people in the audience take that to mean that GeGe Akutami hates that character, hates women, and doesn’t want them to succeed — or some variation of that, perhaps less extreme.

This is a product of Jujutsu Kaisen being a Shonen, and thus being on the radar of Shonen fans who — let’s be honest — are not known widely for consuming anime or manga outside of the Shonen demographic. Shonen is heavily focused on conflict and competition as storytelling, it’s why the term “battle shonen” is used so prevalently. And Jujutsu Kaisen doesn’t try to deny its own Shonen heritage: it uses fights for storytelling all the time, sometimes even more than other Shonen seem to do.

I think this might also be a cultural thing. Anime and manga are written very differently from Western movies or comic books, with very different cultural background and different artistic sensibilities. However, that’s a topic that I’ll unpack another time, maybe not even in Part 2 or 3 of this post.

Point is, we need to step back and get some perspective. People who use the losses or deaths among the female cast as evidence that GeGe hates women, or sees women as inferior, or has some sort of passive, culturally-inherited sexism in their worldview are suffering from tunnel vision. You need to look at the story as a whole sometimes, not just the one subject in question.

Go back to the Goodwill Event, and the fight between Nobara and Momo. Their whole conversation is a huge part of why Jujutsu Kaisen was praised early on for how Akutami writes women, and I think the subtext of it really went over some people’s heads. It did mine, the first time around: to me, it just felt like a competent, if tired “girl power” moment for Nobara. But as I invested more time and thought into reading the series, and as I learned more since first viewing that scene, I started to realize what I wasn’t seeing in that scene.

Momo shares something in common with all of the Kyoto Students, Todo and Miwa being the exception. In addition to seemingly coming from a more-or-less established sorcerer pedigree, Momo shares the general pessimism that hangs over the Kyoto Students like a dark cloud. There’s this very morosely Japanese sense of “woe is me, but there’s nothing to be done” about Momo, Mai, Noritoshi, and Mechamaru, in one sense or another. These four are people who will complain about a problem, then just sit while it washes over them and batters them like a wave. They just accept the unfair hand they’re dealt in life, and while they don’t like it, they treat it as something no one can overcome. Furthermore, on some level, I think these four don’t necessarily want to overcome the misfortunes and injustices they face.

See, Momo pours her heart out at length about how hard it is being a woman and being a sorcerer. And the way she talks about it is a very different critique of society than you’d see in a lot of Shonen. She talks about how women are expected to be perfect: beautiful, graceful, exquisite, the model of femininity, while also keeping up with the macho “might makes right” sensibilities that dominate sorcery. In her words, “men have to be strong, women have to be perfect.”

This isn’t something that’s just being plucked out of thin air, this is a criticism of the girlboss culture that arose through the 2000s and 2010s up to now. Women are expected to battle sexism alone, in their own lives, by being exceptional: rather than reforming cultural structures that put women at a disadvantage to men, girlboss culture says women just need to always wear perfect makeup, always be fashionable, always work 2.5 times harder than men, and find time to raise children and have a side-hustle at the same time. Instead of fixing the problem, it’s telling women, “Just work harder. Just be better.” As if women haven’t been having to work harder for nothing in return for the past 50 years, holding down jobs that they have to go above and beyond to prove themselves in as compared to male coworkers for whom the job might as well be a guarantee by comparison, having a ceiling put on their promotion while men who didn’t put in as much work get to move up the company ladder, and frequently having to juggle having a child and taking care of housework in addition to the expectations of jobs that often don’t afford maternity leave. And then, on top of all of that, the expectation is then foisted on to have the time and energy to perfectly craft your hair, makeup, and outfit for the day, and if you miss a single step of the whole stupid dance, you’re seen as an underachiever. That’s girlboss culture, and that’s what Momo is indirectly criticizing when she laments the contradictory and unfair expectations women in the sorcery world have to uphold. They need to fight just as hard as the men, while wearing skirts and not getting a single scar on that pretty face.

(Just as an aside, I love the way this conversation comes about. Momo and Mai are pretty close to each other, to the point that it sometimes feels like nobody else in the Kyoto school likes or respects Mai like Momo does. And Momo targets Nobara with this whole speech because of the friction between Mai and Nobara, and because she wants to stand up for Mai. I like that element of both solidarity and conflict between women, about being a woman, and I’ve always gotten sapphic vibes from Momo and Mai, so I’m glad that she’s the one giving this whole speech and why she’s doing it. But I digress.)

And the thing is, she’s not wrong. Neither Nobara nor the story as an overall entity refutes anything she says. However, Nobara points out something else about Momo that she shares in common with the other Kyoto Students who were raised to be sorcerers: the way she treats her whole life like a job. Momo has internalized the culture she despises, and instead of trying to rebel, she just accepts all of it as “the way the world works.” She soldiers on, just as Noritoshi soldiers on with his family’s expectations, Mai soldiers on with her pain and feeling of being abanoned, and Mechamaru soldiers on with the isolation, unfairness, and general misery that comes with his Heavenly Pact. Soldiering on, as if soldiering on has inherent value when it leads nowhere and accomplishes nothing. Never addressing the problem, or trying to find a way around it; simply rolling that boulder up the hill, grumbling all the way. She and the other Kyoto Students have this sense of treating their own misfortune as a badge of honor. To them, they’re justified and validated because they have experienced more than their fair share of suffering. They’re always eager to flaunt the crosses they have to bear.

Momo treats being a woman as a curse. Funny how that ties into the rest of the narrative, huh?

For Nobara, being a woman is not some great burden she has to live with. Being a woman in general and being Nobara Kugisaki in particular is something she revels in, and it’s just the fault of everyone else if they think otherwise.

Let’s talk about Nobara, and let’s not reduce her to her death scene. When we meet Nobara, she’s immersing herself in the Tokyo way of life after moving from the countryside to the big city. She encounters a sleazy talent agency recruiter who’s pestering women on the street with his hand-rubbing, obviously nefarious ways… only for Nobara to stop him, turn him around, and say, “What about me?” He gets intimidated, tries to run, and she drags him back. From her perspective, he should be happy to have her, and the fact he isn’t means he’s ignorant of her beauty and wit and needs to be corrected. If he won’t convert to Kugisakism, then her charms are wasted on him, and he’s doomed to the dim world that is Nobaralessness. When she meets Yuji and Megumi, she introduces herself with a line that’s translated into English as, “I’m the only woman in your group.” But from what I’ve been able to gather, her line in Japanese is, “I’m the red mark.” The phrase “red mark” can mean “the one who’s different from the others” — like the one girl in a group of boys — or it can mean “the one who stands out.” So you can also read it as her saying, “I’m the stand-out of the group.” Nobara Kugisaki, everybody.

If you want to talk about how literary circles analyze how women are writing, let’s leave the topics of fight outcomes and feats to one side. One thing you immediately look for is motivation. What’s motivating a character? This is important for how female characters are written, and especially in Shonen, which revolves so much around characters with some goal or belief that the story pursues through fights and other forms of adversity.

Now poorly-written women will tend to be motivated by men. They’ll be attracted to a man, or trying to support or protect a man, or trying to find a man. This by itself isn’t a death sentence for a woman’s characterization, but it is a red flag. It’s also not as if women have to never interact with or think about men to be well-written. It’s not an on-off switch, a bad writing-good writing switch. It’s a meter, like Mahoraga steadily adapting to a technique. Just a little bit is fine, and can be even turned into good writing in capable hands. But if it becomes too prevalent and is never examined, then you get a situation where a story’s women are not permitted lives outside of being in a male character’s orbit.

How do we gauge this? Well, there are lots of ways, but one of the more well-known and simple techniques is the Bechdel test. The name is derived from Alison Bechdel, feminist author who penned such classics as Dykes to Watch Out For. Bechdel proposed a simple litmus test for how to tell an author’s seriousness about writing women, and it goes like this: 1.) Look for scenes where women talk to each other. 2.) In those scenes, check for how often they’re talking about things besides male characters.

This isn’t the only way to tell if women are written well or not, and some will say it isn’t even the best way, but it’s a good foot in the door to get us thinking about what divides well-written female characters from poorly-written female characters. I’m not going to go back and scan through the whole manga just yet, but let’s look at some examples.

— The aforementioned conversation between Nobara and Momo, where the two pit their different view of what it means to be a woman and a sorcerer against one another. — Maki and Nobara talking to each other after the encounter with Mai and Todo. Curious by meeting Maki’s sister, Nobara talks to Maki a bit about their upbringing. Having gained more insights into Maki’s past and personality, Nobara leans on her and tells her how much she respects her. — Miwa and Mai discussing the upcoming Goodwill Event in a flashback. Mai tells Miwa that Maki is weak, which leaves Miwa unprepared for their fight. — Maki and Mai arguing and coming to terms with what drove them apart. Mai just wanted a peaceful life with Maki, but Maki couldn’t be happy and authentic with herself if she just left things the way they were. She was forced to choose between herself and Mai, and Maki chose herself, knowing that Mai would suffer and that she’d shoulder some of the guilt for that.

This indicates that GeGe found it important to divorce the identities of the female characters from male characters. And this holds true in what drives and motivates the female cast.

Nobara is motivated by her own goals. She hates the countryside, and she loves the city; becoming a sorcerer is a way she can make a lot of money, live in the city, and pursue the kind of lifestyle she values. She wants to be a true blue Tokyoite, wearing trendy clothes and eating crepes and taking selfies by the statue of Hachiko outside Shibuya Station. She’s not doing this to avenge her dead brother, she’s not doing this to find her father, she’s not searching for a strong man to sire strong children — yuck. Nobara has aesthetic values and strongly held beliefs, and becoming a sorcerer lets her pursue those values and beliefs.

And if you really want to analyze the action side of Jujutsu Kaisen as an indicator for how GeGe feels about female characters, consider how Nobara takes to sorcery like a fish to water. Both Megumi and Yuji have their own internal dilemmas with being a sorcerer, but not Nobara. In a series where mindset is so important, Nobara has the mindset. Uro describes the model sorcerer as having “no concern for others and an overwhelming sense of self.” There is no one with a more overwhelming sense of self than Nobara. She’s loud, opinionated, loves to argue, flaunts herself, and demands other people give her more than what they think she’s due. She’s narcissistic, but that faith in herself makes her mentally strong.

She lacks experience, but even then, she learns and grows rapidly through the series. Due to running out of nails to fend off cursed spirits during the first stretch of Fearsome Womb chapters, she invents Hairpin as a way to reuse nails she’s already launched and embedded in a surface. She manages to land a Black Flash during the tag team fight with Yuji, and it’s her oppressive use of Resonance on Eso and Kechizu that turns the tides — a tactic which required her to hammer nails into her own arm. She takes it on the chin and gets her brain rattled around in her skull during the fight with Haruta, but even while borderline unconscious and suffering from a concussion, she forces herself to keep him talking in hopes Nitta can escape and manages to get to her feet and keep fighting despite the total disorientation and inability to summon her strength. While she didn’t win the fight, she showed more fighting spirit than half of the male cast tends to, and I find it kind of gross that people will ignore all of that and mock someone who kept fighting against the odds. That’s like laughing at Mumen Rider when he’s hopelessly trying to fight Sea King even as his body is breaking. I don’t exactly see what about either case is so funny or worthy of ridicule.

Even in the showdown with Mahito, people always fixate on how she dies, but never consider what led to it. She crosses paths with Mahito, and even knowing from Yuji what he’s capable of, she goes in — partially because he hurt Yuji, her friend, and she wants to make him suffer for it. And her technique turns out to be a worst case scenario for Mahito. She’s hammering his clone with Resonance and sending the blowback to the original while he’s fighting Yuji, dividing his attention and weakening him. Her only mistake was chasing him down, and even then, this isn’t the story punishing her. It’s the story being consistent with who Nobara is. She’s got a dangerous enemy on the ropes, her pride is bruised after the fight with Haruta, and she has a chance to get vengeance on someone who’s hurt her friend while helping said friend in the process. If she hadn’t followed Mahito into the subway, then she wouldn’t be Nobara Kugisaki.

And in her final moments, Nobara achieves something that’s considered to be out of reach of most sorcerers. She dies content, with a smile on her face. Nobara may not have realized her potential to be a great sorcerer, but she got what she, personally, wanted. Sorcery was a means to an end, and she got to live the Tokyo life and meet interesting people that she considers her friends. She got to fill out that finite number of seats in her life, and even meet a few people who pulled up a chair when she didn’t expect it. In her words, “It wasn’t so bad.” Nobody else but Toji and Gojo have gotten to die this satisfied — Toji because Megumi had grown up free of the Zen’in curse, Gojo because he was authentic to himself right to the end and left it all on the field. Nobara was authentic to herself right to the end, and that’s worthy of high praise. If she is definitely dead and not coming back, then she managed to accomplish what it was she wanted before dying. Not many get that luxury in Jujutsu Kaisen. It hurts because I liked her and admired her and appreciate the way she was written, and her dying doesn’t make the value of her character disappear from the story entirely. It’s the character’s death, it’s everything that led to that death and what that death means to them and to those who are left behind. And if it’s manga that explore death, nobody does it better than GeGe Akutami.

Lots of people will point to an interview where GeGe said that Nobara was not originally considered part of the cast, and they’ll use that as evidence that secretly, GeGe’s a big stupid misogynist who hates women and likes killing them in stories and blah blah blah blah blah. You know, first of all, I doubt that the editor held a gun to GeGe’s head and said “Put in a female main character or die.” Secondly, if GeGe really didn’t care, Nobara would just be a two-dimensional copy of Sakura who dies in the first arc or two. GeGe would not have put in the effort to set her apart from other female leads, or given her so many stand-out moments, or given her such an interesting motivation and world view. In short, if GeGe didn’t want to write a female character, they’d do what Kishimoto did: write Sakura. But that comparison is a can of worms I’ll need to pry open another time.

To sum up for the time being, no, GeGe Akutami does not hate women. Losing a fight does not make a female character worthless, and does not indicate a disdain for them on the part of the author. I don’t know about you, but I don’t read Shonen just to see who punches harder. I want to see characters be challenged, sometimes fail, learn, grow, and overcome adversity — and it wouldn’t be adversity if all the characters I like win and survive easily. I love Kashimo and will continue to love Kashimo, and Kashimo being super ultra dead doesn’t change that.

Look out for Part 2, in which I’m going to unpack some really contentious stuff when it comes to challenges and female characters in Jujutsu Kaisen. We’re gonna talk about the concept of screen time, we’re gonna talk about subtext, we’re gonna talk about great expectations and the great unexpected in Jujutsu Kaisen, and we’re gonna talk more in-depth about the narrative outside the narrative of Jujutsu Kaisen in a vacuum. If your sense for danger is giving you a bad feeling about this, then it should be: we’re talking about that. Switch on your Anti-Gravity System, it’s going to get messy.

#jujutsu kaisen #literary analysis #analysis #jjk analysis #feminism #feminist literature #feminist literary analysis #nobara kugisaki #maki zenin #akutami gege

[genericpuff]

I’ve been wanting to try a hand at making comics since I think it’d be the best way to tell some of my stories- but the thing I tend to have the most trouble with is the actual layout and composition of panels.

do you have any tips/tricks or resources that might help me get a better understanding on what to look out for, think about, or even just start? I’d really appreciate it!

That's something that'll just take time and practice, honestly :'0 Sorry that's probably not a very satisfying answer but there's a reason why the answer to so many "how do I get better at xyz" questions is "practice" LOL That said, there are ways to help you practice, I think in the case of composition and layout the best way to do it is go read other comics! See how they set up their panels, how they vary them, how they push the limits of the boundaries of the panel and page to emphasize characters and speech bubbles, etc. It also depends on what kind of story you're telling, as composition is just as much a conveyer of information as the characters and art. Different genres and mediums of storytelling will use different compositions to reflect that.

I'm gonna use BONE as a starting point. It tends to have pretty easy to read panels as these books are meant for all ages and the art is designed to be easy to read-

-but they also get fun with them sometimes:

BONE tends to focus on per-panel art pieces so it just makes it look a lot nicer than if they had cut the panels up individually when they let the previous panel operate as a backdrop like this.

And then there's shonen manga, which tends to be way more focused on action and movement, so the panels reflect that. You'll find a lot more panels cut up into unique shapes to convey movement and action in manga like Naruto and Berserk.

And then you get REALLY crazy shit in stuff like Tales from Alderwood where the characters break the panel line entirely on a regular basis.

If I can use some of my own pages as an example, here's stuff I've done with my own compositions:

Really it's just treating the page as a composition, and each panel is a different aspect of that composition. Narrow down what your goals and focuses are when it comes to depicting a page, and look at other works that are the same genre/medium as what you're doing, there's tons of inspiration you can get just from reading alone :)

#ama #ask me anything #anon ama #anon ask me anything #comic advice

[chaoticdelinqueerwithglitter]

I'll love you better when I'm dead

(chapter 206 from Sanzu's POV)

(tragic MuSan drabble)

(link to ao3 in case some one preferes to read it there)

First of all...I'm sorry for this (not really but yes a lot at the same time, but I did this to myself too). An evil snail shared with me this AMAZING AND BRUTAL essay on Sanzu & katana-chan and reading the last pages about Mucho, this fic happened. So first of all...

GO, READ THE ESSAY NOW!

Summary: "We are both dying here today, captain."

[or why Sanzu looses his grip]

Warnings: Manga Spoilers. Major Character Death (chapter 206, duh). Hurt/No Comfort. Like for real, comfort has been slashed with a katana and is sinking in the bottom of the ocean.

The title is from "Love you better" because I listened in a loop for two days while reading the essay and writing this.

Oh, I played with Sanzu name (again, yes) but this time doing a full Jinx, ooopsie!

(English is not my first language, so be nice please 🙈)

It’s been six months since the Kanto Incident. Six months of planning for this day, of imagining how he’s going to punish that damn traitor. Of pretending his whole body doesn’t ache at the idea of killing the only person that made him feel like he mattered.

Haruchiyo is good at that, at hiding his true feelings from the world, lying to himself as much as he needs as a way of achieving it. He’s good at rationalize the overwhelming whirlwind of emotions that threaten to flood his mind all the time. He’s used to repress the pain, keep his anxiety at bay, bury all of it next to the memories he can’t face without having the need to scream and break everything at his reach (including himself).

Six months that seem to crumble the second his captain’s eyes light up when he spots him outside the detention center.

The ride is dominated by silence, that only breaks with Muto’s simple questions about how he’s been doing during this time. Genuine concern plastered on the face he’s supposed to hate. Haruchiyo wants to laugh hysterically at this, the irony that even now the older boy is only worried about him. Instead, he just gives short answers, knowing the other won’t push his boundaries.

They are finally at the wharf and his resolve flatters for a moment, overwhelmed by a kindness that he forgot how warm it feels.

“I’ve been waiting for this day...”

Haruchiyo trails off, talking mostly to himself. His hands grip the hilt of the katana, steading his inner turmoil with the reminder of why he’s doing this. The tangible proof of his vow, of the promise that gives him purpose. Wielding it with years of practice, preparing himself to strike a fatal blow.

‘Is that it? Is that the only reason I’m doing this?’

He hesitates, consciously loosening his grip on one hand and landing a sloppy cut that buys him some precious seconds.

“You damned betrayer!”

‘Liar, you made me think I could trust you, made me feel safe, seen. How can you say you love me when you couldn’t tell your treason would rot everything we shared?’

“Sanzu...?”

Muto looks at him in shock, trying to stop the bleeding with his hand and falling on his knees. He’s the perfect image of bewilderment, like he can’t comprehend what is happening, why is happening.

“I’ve been fooling you all along.”

‘I’ve been fooling myself, pretending this never meant anything to me. Pretending you never meant anything to me.’

Haruchiyo keeps talking, winning some time in order to collect his thoughts, to understand his own feelings in order to let them go and fully put his heart on the second hit.

“Remember our conversation that day when we were playing shogi? I said it, right?”

‘Do you remember how you told me I also mattered? You made me yearn for more, you were the first person that taught me to be selfish, to listen to my own needs.’

It’s almost ironic, realizing killing Muto is a sick way of putting himself first. Realizing this is personal.

“Protecting the king is the priority. You betrayed Mikey, didn’t you?”

‘You betrayed me, didn’t you?’

He takes off his mask, the scars reminding him of his place, letting go the faint illusion it could ever be somewhere else. That it could be next to his captain. He can’t forget it again, can’t keep hiding his devotion behind his craving for affection.

A sadistic grin on his face. That’s the new mask he’s going to show to a world that will never be the same for him.

“Now it’s checkmate.”

This time the cut is fatal, slashing a lot more than flesh and bones and severing the ties between them.

‘We are both dying here today, captain.’

Somehow, Muto hears the words he never says. But his will be the only tears shed, no one else will mourn the Haruchiyo that knew genuine love.

Sanzu can’t allow himself to grieve. He can’t be weak again, these seconds that felt like ages will be the last entertaining the idea he could be more than a loyal knight to his beloved king.

He made a promise and Sanzu is willing to do anything in order to fulfill it. Even killing a part of himself forever. His weakness, the love that tempted him to break free of his sacred vow. In a twisted way, he can’t avoid thinking how fitting it feels burying it with his captain.

Haruchiyo is dead.

Only Sanzu prevails.

#tokyo revengers #tokyo revengers spoilers #me writing🌻 #tokyo revengers fic #drabble #kanto manji timeline #bonten timeline #hurt/no comfort #comfort is not here anymore #angst #sanzu angst #sanzu haruchiyo #muto yasuhiro #musan #tragic as fuck musan #but what's new #tr chapter 206 #katana-chan is here again #canon complicit

[randomyuu]

so hold my hand (consign me not to darkness) [1/4]

Ah, yes. The fic that made me realise I’m in desperate need of Cursed Spirit Gojou in my ever-growing favourite GoYuu tropes.

Content Warning!

Major Character Death. Other characters are disrespectful to the corpse.

I highly suggest you read the fic first, or just the fic, since I don’t think I was properly able to adapt it into drawings. While I managed to use roughly two weeks of on-and-off planning, researching, and storyboarding, I only had a full week to finish it. You can read more of my thoughts below the comic if you’re curious.

Title: so hold my hand (consign me not to darkness)

Author: qalb_al_louz

It’s ongoing, and as of this drawing, the fic is in its third chapter. While this is (sexually) SFW, always be mindful of the tags! Please keep yourself safe and sound.

Please read from right to left, and enjoy!

You can only upload 30 images in one post, huh Damn, I gotta divide it into parts

Part 1 | Part 2 | Part 3 | Part 4

Alrighty, I'll put my watered down unhinged thoughts below. No extra drawings down there if you're curious haha (unless you want to see the storyboard and the characters' full body character sheet, lemme know). You can skip the stuff underneath the Keep Reading for all parts.

This fic had me grinning from ear to ear every time I read this. The atmosphere, how it goes from POV to POV—of pure fear and panic—and the peak excitement I got when Yuuji properly meets Gojou, like brooooo 😭

Gosh I cannot emphasise how much I love this fic. I’ve always been wanting to make a whole comic out of it, especially since it was 2 chapters and it doesn’t look like the author will update it, but it just… kind of forgotten ∠( ᐛ 」∠)＿

But then the author posted a new chapter and I told myself this is a sign I should really start.

also goddamn I was so naive to think I can tackle 2 chapters as comic—no I was in fact cannot

The moment I laid my eyes on the first paragraph, things were portrayed very vividly in my mind. The panel, the angle, Gojou's head rolling down... I was like, hell yeah. Then I continued reading and I finally succumbed to my desire to draw this out.

At first I want to adapt this into a vertical format like those manhwas. However the longer I try to learn and storyboard it... I am simply not yet comfortable with it, especially for such a big project. Even the 1st storyboard starts vaguely vertical before the panels quickly crammed into that B4-B5 format lol. The first sketch estimated 69 (heh) pages for 90% of chapter 1. I said "no" for my own sanity and fully focused on the usual manga format and it was narrowed down to 60. Still a lot though, quantity and time-wise. So with a heavy heart, I can only do the majority of chapter 1 :”) I really really want to draw Sukuna talks back to Gojou—do you have any idea how good that scene was??? Gojou tried so hard to restrain himself, he’s so other I love him 😭

Due to the sheer length of this comic (I'm still in disbelief), I have limit lots of things, and that includes the drawing. If you've seen my other JJK fanarts, they are more rendered than this one. Well, this one is purely sketched with the help of the eraser to tidy up some lines. This is also the first fanart that I did purely on Photoshop, so I can control the typesets and drawings in one place. Usually, I use Photoshop for panels and typesetting and Krita for drawing.

I don't really like Photoshop's brush, but it did really well in curbing my perfectionist tendencies, so that's good.

It's also been quite a while since I draw in general (sobs) so... yeah, you might find differences, or not ¯\_(ツ)_/¯ But I hope you enjoy it nonetheless!

I know setting is important, but maaan I genuinely won't miss rereading chapter 83-93 with a heavy focus on background and character locations. I just want to read the action and dialogue😭 However continuity is really important. But my spatial intelligence is almost non-existent even GPS sometimes can't help me. All I'm saying is that if you find some silly drawing mistakes, do forgive me ∠( ᐛ 」∠)＿I only drew all this in a week because otherwise I won't have another chance to complete this.

Well, lots of things I won't miss from this project, but haha let's talk about the characters instead because holy shit what was I thinking, starting this year drawing this many characters in the same project??? I have never drawn anyone here except for Yuuji, Gojou, Nanami and Megumi. I don't think I've ever drawn older Getou before. I already forgot how to draw my boy Yuuji and I gotta draw all these people???

This is what you call making a bad decision, kids. Don't do your "drawing warmup" after months of not drawing and tackling a project of a scale way bigger than you've ever tackled before.

Thank you for reading this far! I hope you find my complaint entertaining! But make no mistake, I genuinely still love the fic. Drawing this, even with all the headaches it gave me, only makes me adore this fic even more.

Thank you very much to each one of you who follows and leaves comments and tags on my silly art—it never failed to make my day :D And I sincerely wish this one also made your day or even made your minute! I'll see you in the next part!

#yuu's art #jjk-fic-fanart #jjk-ship #五悠 #goyuu #goyu #5u #gojou x yuuji #shibuya arc #shibuya arc canon divergence #lots of characters on this one #kenjaku #chousou #mahito #jogo jjk #gojo satoru

[momtaku]

I saw the ask about No Regrets and it reminded me of this question I’ve tried to find an answer to for years but could never find. Sorry if the wording is weird, it’s hard to type out because asking and explaining my question is difficult

Did the author of No Regrets get permission to use characters from Isayama? Or was it just a fan made thing that wasn’t canon and just something created for fun?

What’s always been weird to me is it actually got ADAPTED. Like it wasn’t created by Isayama or even canon in the series yet, but Wit animated it. It was published in September 2013, animated in December 2014 and April 2015, and THEN chapter 69 came out in May.

Did Isayama even have a backstory for Levi? Did he see No Regrets and decide to give Levi a backstory and make it canon? I have no idea how far ahead Isayama even planned aot back then because I 1) had no idea of aot’s existence, and 2) wasn’t there when the manga was released back in 2013-2015.

For the new chapter we’re getting for Levi, do we know how many pages it’ll be? Will it have the same amount of pages as a normal chapter, or be shorter or longer?

Isayama authorized the No Regrets manga and visual story. You might find this post interesting as it contains an interview with Isayama and Hikaru Suruga (the No Regrets artist) as well as words by the author, Gun Snark (Gan Sunaaku). No Regrets was one of 6 visual novels/mangas that were release by various authors in the 2013-2015 times frame . All with Isayama's permission. There was a huge explosion of authorized material during those years, including the Smart Pass content, A Spoof on Titan, Attack on Titan Junior High, Before the Fall and so on. The list is really endless.

My opinion on the why of it all is that Isayama has talked about how he was convinced in those early years that each chapter would be his last. He was in constant fear of cancellation. He's also mentioned his long work days, the stress, and how little sleep he was getting. Writing and illustration 46 pages a month was a more-than-full-time job for Isayama and he was stretched entirely too thin. When the series exploded in popularity, there was a desire for more and tons of money to be made, but Isayama didn't have the time to produce anything beyond what he was doing. Thus the collaborations started. With No Regrets, Isayama provided guidelines as to what he envisioned for Levi's backstory. I can't find proof of that, but I do recall reading that he provided the general idea. It was a very limited scope, which is why he's able to produce Bad Boy now. He had a vision for Levi, but no time to develop it so he allowed No Regrets to cover a small period of time. I believe Bad Boy is only going to be 18 pages, but I'l very excited for it. I can't wait to see what Isayama can do when he isn't dealing with strict deadlines. Thanks for the ask! I hope this covered some of what you were interested in.

#chatting with friends #bad boy #levi ackerman #no regrets