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#and only have people talk about him in the context of his role in other people’s arcs and how his death made geto Sooo Sad and not
somestorythoughts · 3 days
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Eldritch Echo
So. I haven't seen the Bad Batch and don't really intend to, but I have read some fics (please do not take that as me saying that's the same as understanding the story) and between that and my thoughts of eldritch stuff in Star Wars and a cool art piece I came across that I think was referencing something I don't have the context for, I started wondering what it'd look like if of the Bad Batch, Echo was the only eldritch/cryptid/vampire/otherwise not human one. NOT because of the Techno Union, but because of something that happened sooner OR he'd always been like that. And I might put a bit of that in my vampire clones thing but I was thinking eldritch and I ended up writing a thing. So. Enjoy:
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Crosshair’s willing to admit he doesn’t dislike Echo. He respects the guy’s resilience and his willingness to go with the flow, which is necessary for someone working with their team, even as he rolls his eyes at Echo’s tendency to twitch at the state of their ship and his reluctance to drop the “sir” when talking to Hunter. More than that Echo has zero qualms about sassing him if Crosshair picks a fight and it’s a lot of fun to rile him up.
That said. Echo is also really freaking weird.
Crosshair is very observant, between his eyesight, his role on the team, and his training he had to be and either something’s very off about Echo or he’s started hallucinating because he keeps seeing things that don’t make sense. Not for a reg and not for a cyborg.
He explains this the Hunter once, trying to see if he’s noticed anything, and Hunter frowns. “Can you give me an example?”
“His eyes for one.”
Hunter blinked. “What?”
“We all know what most trooper’s eyes look like. And we’ve seen some variations. But they don’t change color. I’ve seen his eyes go golden or violet, and it wasn’t the lighting.”
“You’re sure?”
“Yes I’m sure what do you take me for?” Crosshair snapped. “Look. Next time we’re on a sunny planet. Take a look at his shadow. It doesn’t match him at all. I’ve seen it prowling around him like a tooka without him or a light source moving. It doesn’t look like him either. And remember that time we were sparring and he panicked and bit me? I asked Tech, the Techno Union didn’t do anything to his teeth, but I know what bitemarks look like and that was not it.”
Hunter sighed. “I’ll pay attention but-” He paused. “Huh.”
“What?”
“It might not be anything.” He replies and only knowing that he’s getting to the point keeps Crosshair from interrupting. “But remember how I told you guys that people smell like animals? They’re distinct from each other, and you know I can’t describe it cause I tried to describe you guys, but it’s not like they smell like flowers or old books or whatever people like to think they’d smell like unless they’re wearing a scent. Echo, he doesn’t smell like a trooper. I just never thought about it for some reason.”
“And what does he smell like?”
Hunter frowned as he tried to find the words. “Well. He does smell a bit like a trooper and a bit metallic. But he also smells like, what’s was the spice in that cake you liked so much? The one we found on that mission with the weird vultures?”
Crosshair hummed. That had been a really freaking good cake. “The lady said it was a cardamon cream cake. So he smells like cardamon?”
“Cardamon and lilies and wet dirt is the best way I can describe it and I know it’s not his soap cause he uses the same stuff as the rest of us. So yeah. I guess I’ll pay attention.”
Two days later Crosshair gets confirmation that something’s up in a way he did not expect.
Because walking around in the dark in the middle of the night is his job so it’s already odd to find Echo leaning against the cabinet in their ship’s tiny kitchen in the pitch dark. “You’re going to trip reg.” Crosshair says and leans over to get the lights when Echo looks up.
And twelve pairs of golden violet eyes meet Crosshair’s.
He staggers back, trips over something, falls. “Crosshair!” Echo grabs his hand, pulling him up, then scrambles for the lights as if he forgot they might be necessary and Crosshair yelps as the light hits his eyes.
He blames that and the shock for blurting out; “What the hell are you Echo?”
Echo blinks, looking hurt. “I’m a trooper. Like you all.”
“Troopers don’t have twenty-four freaking eyes.” Crosshair hissed. They aren’t there now, he’s got 2 brown eyes in the exact same shade of brown nearly every trooper has, but Crosshair knows what he saw. He knows what he’s been seeing.
Echo tilts his head. And he grins. It’s a smile Crosshair’s seen before, whenever Echo’s about to respond to his taunts with something cutting and clever, part “take that” and part inviting him to share the joke. There’s nothing off about that smile save for that it’s mirrored in Echo’s shadow, splayed against the cabinets behind him too dark for their lights.
“The Bad Batch.” Echo muses, like there’s a joke Crosshair hasn’t caught yet, and he’s never had a reason to call Echo dangerous even when he didn’t trust him, but he’s starting to feel cornered even though Echo hasn’t moved. “You think you’re the only strange ones. ‘Don’t worry Rex, we know how to handle a reg.’ Never mind that Torrent was always a little crazy, or it used to be. Never mind that I was an ARC and a damn good one, and we’re all more than competent. And I appreciate what you all did, in welcoming me into the squad, I appreciate it more than I can say, and I do really like you guys, but you are so freaking cocky. So certain you can handle anything. And to be fair you’re damn good at your job, but sometimes it’s annoying. So.” He grins that taunting grin again. “You want to know what the reg’s deal is? Figure it out.”
He leaves. His grinning shadow lingers a moment before following. Crosshair stares.
And then decides that a glass of water isn’t gonna cut it and goes for the stash of moonshine.
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bandtrees · 2 months
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the “good luck liking this character because all people get out of their arc is the surrounding satosugu” club
shoko
riko
yuta
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celaenaeiln · 7 months
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I want to talk about Dick Grayson's beauty, sex symbol status, and how it all connects for a moment.
This is a prelude to an upcoming post but I needed to include this separately because the other was getting too big.
First of all Dick Grayson is a beautiful man.
And you're probably thinking "well, no duh. Everyone knows that." but what I mean is Dick Grayson was intentionally made to be beautiful.
For a little historical context, around the late 1950s the culture in the US was changing. It was around this time, that people began exploring and accepting what they called a "feminine man".
This was really taking place in cinema and stuff where they began to show softer versions of men doing "typically female roles" as heroes.
One example is the movie "The Man Who Shot Liberty Valance", a 1962 Hollywood film. In summary, it takes place in the midwest and is centered about Cowboys, gunslingers, the shebang. But the point is, there are two male leads in the movie - Ranse Stoddard (played by Jimmy Stewart) and Tom Donophon (played by John Wayne). Ranse and Tom are both the heroes in the film but with a key difference. Tom is like the sheriff of the town, loved by all and focusing his time on practicing his gun skills. The savior of women and normal people, he's the typical masculine hero. His face is rough and handsome. Ranse however was the new wave. He doesn't care about carrying the gun, he thinks it's uncouth and focuses much of his attention on sending the evil guy (Liberty Valance) to jail through laws. He doesn't want to kill and he takes a more advocative approach. He is also loved by everyone despite not being super masculine. Ranse's face is clean and almost dainty in comparison to Tom and Liberty Valance's.
Despite the complete opposites they are, both men are considered heroes. On one hand, you have the very male typical hero but on the other hand, you have the feminine male hero. At one point the evil guy laughs when Ranse walks in wearing an apron because serving tables is a "woman's job", but Ranse doesn't let it bother him.
How does this connect to Dick Grayson?
Dick Grayson is the feminine hero of DC. DC jumped on the pretty boy hero train.
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That's also why in the Teen Titans (1966) comics, Dick keeps being referred to by endearingly feminine pet names by the titans which they seem to only use on him.
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Standard gender roles: Men were expected to be strong, aggressive, and bold while women were expected to be polite, accommodating, and nurturing. Sound familiar about a certain duo?
But Dick? He plays both male and female gender roles in a time period where it wasn't socially acceptable to do so.
So my point is, Dick was created to blur the lines between gender and the way his character has progressed - he's meant to be the definition of a man opposite to male toxicity.
He can cook and do laundry whereas Bruce, the image of male dominance cannot.
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This also falls into another role of Bruce and Dick's but it applies here as well in hindsight.
One thing people need to understand is that Dick was created to be the antithesis of Bruce Wayne. For all the gloominess that Bruce is Dick was meant to be the joy. He is the light to Bruce's darkness.
Which is why Dick often acts as the loving mother to the batfamily while Bruce acts as the stern father. Because Dick was created for the female role.
Part of the reason why I love Dick and Kory is because they do this at a time where girlbossing and malewifing wasn't a thing. Kori is consistently the dominant one when it comes to love in their relationship while Dick plays a softer, more "wife like" role. The way Kori is taller than Dick and buffer than him ✨
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He is quite literally a queen consort - that is the role that Kori begs him to take after she is forced to marry someone her father picks out for her. But Dick refuses in tears because his morality cannot bear becoming a mistress and ruining someone else's marriage.
I know this is a long tangent but here's where the sex symbol comes in. Dick was created to be the most beautiful figure in DC but him being beautiful is not supposed to be confused with him being objectified.
Being beautiful is just something he was born as. What people do as a result has nothing to with DC
Take this for instance
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He's literally just showering and comes out of the shower to find a random little girl singing about his and batman's identities. Creepy? Yes. Very much so. So he chases after her and finds her gone. Well there's nothing he can do now, he needs to go back and analyze what's going on and contact the other titans-
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Crap.
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Look at all the women that are ogling him, and even the ginger looks as if he doesn't know if he's jealous or wants to join - but there's nothing Dick did to make them do that. He's literally minding his own business and got caught outside. Did he hit on the women? Did he seduce them? Did he purposefully show off and make a loud commotion because he wanted the attention? No!
Arguing that Dick Grayson shouldn't be a sex symbol just seems wrong to me considering that it's not a fault of his.
It's like telling Kori not to have large breasts and telling Dinah not to wear fishnets.
People still ogle them regardless of how they dress because they're just that attractive. You can't tell someone to look a different way because you don't like the attention they're receiving...that's literally the opposite of everything people should be fighting for
Arguing that Dick Grayson being a sex symbol is a problem because he's too beautiful and blaming the actions of other characters for thinking so is just...
it's wrong.
He was created to be beautiful to fight male toxic masculinity. He's woman coded for a reason.
We should be embracing him. He represents everything male freedom should be about. He constantly placed in a female role, in female positions-
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In queer positions-
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He's acrobatic, slender, and sensual. He's gentle, loving, and beautiful.
When has the beauty of a person ever been a reflection of their character? The way fandom is going, it's implying that because female characters make sexualized comments about Dick's body, it's somehow Dick's fault for looking that way. We're blaming him for his "womanizing" ways as if he hasn't put his heart and soul into every relationship he's had. And while we're busy calling him a womanizer, we conveniently forget that the women he's in relationships with have significant personalities of their own. We inadvertently reduce their beings to plastic bags, ignoring that they have broken up with each other because of being unable to resolve conflicting beliefs, different career paths, different lifestyles, and more. It's not a one way road with our treatment of Dick. It's a two way street because we're harming both Dick and strong women like Kori, Barbara, Bea, Shawn, and Helena by pretending what they believe in and live for is unimportant in love.
Instead we should be exploring how the objectification might have an impact on Dick's mental health rather than blaming DC for using characters to describe how hot Dick is.
All the beautiful traits of Dick Grayson - his ambiguous sexuality, his overwhelming love for people, his affection for his friends, the way he cries and feels for others - all of it is beautiful, is it not?
From his very creation Dick was meant to be someone who breaks gender roles. The constant attraction he receives from both men and women in all of DC's media is evidence of that. The Grayson comics push the boundaries of his sexuality as much as DC will allow. To be queer without coming out with it. He is the feminine hero.
Everyone seems to hate that he's being called a sex symbol but why does that bother you? Dick Grayson IS the pretty girl of the comic universe. He IS the babygirl of DC.
DC has created the perfect view of what it's like to be a woman through Dick Grayson and we're spitting on the most accurate representation of a female that comics have ever created by blaming them for expressing what it's like to live as a woman.
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annabelle--cane · 4 months
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one of the things about mag 187 that bangs so hard is that this is our first proper look at how apocalypse era jon acts and presents himself when he's not around martin. I'm not saying that this is the "real" him and he's putting on a fake, soft persona for his boyfriend the rest of the time, but one has different faces for different people. with martin, he's constantly trying his best, and it can sometimes make him come off as awkwardly stony and withdrawn as he sorta overcompensates for his omniscience and keeps a bit more to himself than he needs, dropping only the barest necessary information with no context and agonizing about it the whole time. he and helen are closer to being on the same page, they have no qualms with talking openly about their shifting plans to kill each other while maintaining a vaguely friendly and upbeat rapport, and jon enters that confrontation with the knowledge that she won't be leaving it. with her, he's calculating and confident, and he does less active performance of compassion; he still shows concern towards the victim of her domain, but if martin were there I think he would have apologized after pushing her to the floor instead of talking over her head and just letting her be pulled back into the maze. it's a cool bit of characterization, it lets us see both what jon's strengths are when he's on his own and what exact role martin plays as his anchor.
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fabdante · 5 months
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@zutaraweek day 3: union
a little follow up to this comic i did last year. i really liked the idea of union in a political context and this was a very round about way of that. like, a little tongue in cheek with all the different kids from different nations just sort of talking and gossiping together. teens doing teen stuff despite their high profile roles in society, that type of thing.
initially this comic was a lot more ambitious but some complications happened in my life which made me have to chip away at a lot of it. such as having it in full color, with backgrounds. there's been a lot of thought put into the world of the chief kya au, though! particularly related to yue that is not featured at all asdfghjk.
the more i worked on it, the more i got worried zuko might be a little ooc. but i was a bit inspired by crystal catacombs and the softness he had there. whenever i try to write him in this au, he's just usually just happy to be around katara so i'm just going to let him do what he wants.
Anyway, a transcript along with brief image descriptions is beneath the cut under my obligatory art links as well as in the alt text of the art!
art only blog - insta - inprnt - redbubble
Page 1: Zuko and Katara are at a gathering for those invited to the peace accords which seems to be more packed then usual.
Katara: Wow, there’s a lot of people here Zuko: Yeah. There’s a lot of people this year. K: I don’t recognize anyone yet. Z: Oh! I can help you. Z: That’s Mai. Her father is an official. Z: She’s Suki. Leader of the Kyoshi Warriors. Z: And next to her is- K: Yue!
Page 2: Katara and Yue hug and the teens (Zuko, Yue, Katara, and Suki) all chat.
Yue: Katara! K: I missed you! Y: I’m so happy to see you! have never spoken more than hellos was just trying to chat with Yue awkward turtle duck Z: So you do know someone. K: We’ve known each other since we were kids. Lu Ten: Prince Zuko?
Page 3: Lu Ten appears, Yue and Suki gossip, and Katara's a bit sad as Zuko leaves with Lu Ten to handle business elsewhere.
Z: Lu Ten? L: Sorry to interrupt, but can I steal you? Z: Is it important? L: Unfortunately. L: They seem nice. I’m happy you’re making friends.
Page 4: The girls gossip and Mai overhears.
Y: I didn’t know you knew Zuko. Suki: Yeah. Do you know anything about the scar? K: I don’t really know him. We just met. What do you guys know? Mai: No one actually knows. M: About the scar. They kept it quiet.
Page 5: There's a small flashback to Zuko at 14 after receiving his scar, the girls continue to talk, and there's a final panel of Ozai, alluding to a family secret.
M: He just went away for a while. And then he came back and there it was. M: That’s all anyone knows. Except Zuko. K: That’s awful. There has to be more. M: Well…people have some suspicions.
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frankingsteinery · 3 months
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for some reason people seem to think that mary somehow stumbled into writing a commentary on marriage/incest accidentally, and that the themes of frankenstein are all about her trauma due to her experiences as a victim of the patriarchy, as a woman and a mother surrounded by men - as if she wasnt the child of radical liberals who publicly renounced marriage, as if she herself as well as percy shelley had similar politics on marriage, as if she would not go on to write a novel where the central theme is explicitly that of father/daughter incest years later…
the most obvious and frequent critique of victor i see is of his attempt to create life - the creature - without female presence. it’s taught in schools, wrote about by academics, talked about in fandom spaces - mary shelley was a feminist who wrote about feminism by making victor a misogynist. he’s misogynistic because he invented a method of procreation without involving women purely out of male entitlement and masculine arrogance and superiority, and shelley demonstrates the consequences of subverting women in the creation process/and by extension the patriarchy because this method fails terribly - his son in a monster, and victor is punished for his arrogance via the murder of his entire family; thus there is no place for procreation without the presence of women, right?
while this interpretation – though far from my favorite – is not without merit, i see it thrown around as The interpretation, which i feel does a great disservice to the other themes surrounding victor, the creature, the relationship between mother and child, parenthood, marriage, etc.
this argument also, ironically, tends to undermine the agency and power of frankenstein’s female characters, because it often relies on interpreting them as being solely passive, demure archetypes to establish their distinction from the 3 male narrators, who in contrast are performing violent and/or reprehensible actions while all the woman stay home (i.e., shelley paradoxically critiques the patriarchy by making all her female characters the reductive stereotypes that were enforced during her time period, so the flaws of our male narrators arise due to this social inequality).
in doing so it completely strips elizabeth (and caroline and justine to a lesser extent) of the power of the actions that she DID take — standing up in front of a corrupt court, speaking against the injustice of the system and attempting to fight against its verdict, lamenting the state of female social status that prevented her from visiting victor at ingolstadt, subverting traditional gender roles by offering victor an out to their arranged marriage as opposed to the other way around, taking part in determining ernest’s career and education in direct opposition to alphonse, etc. it also comes off as a very “i could fix him,” vibe, that is, it suggests if women were given equal social standing to men then elizabeth would have been able to rein victor in so to speak and prevent the events of the book from happening. which is a demeaning expectation/obligation in of itself and only reinforces the reductive passive, motherly archetypes that these same people are speaking against
it is also not very well supported: most of the argument rests on ignoring female character’s actual characterization and focusing one specific quote, often taken out of context (“a new species would bless me as its creator and source…no father could claim the gratitude of his child so completely as i should deserve theirs”) which “proves” victor’s sense of male superiority, and on victors treatment/perception of elizabeth, primarily from a line of thinking he had at five years old, where he objectified her by thinking of her (or rather — being told so by caroline) as a gift to him. again, the morality of victor’s character is being determined by thoughts he had at five years old.
obviously this is not at all to say i think their relationship was a healthy one - i dont think victor and elizabeth’s marriage was ever intended to be perceived as good, but more importantly, writing their relationship this way was a deliberate critique of marriage culture.
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vivacissimx · 3 months
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The puzzle piece about Rhaegar that is really interesting but unfortunately often overlooked is that he was relieved when he realized he was not TPTWP. Yes, relieved. Conflicted too which I will get into. And I believe it is obvious that when Rhaegar first read about Aegon's prophecy, he was not enthused— It seems I must be a warrior is trotted out to talk about Rhaegar's gender expression, his disconnect with capital m Masculinity that is purposely contrasted to Robert Baratheon reveling in it (indeed only making sense within the context of violence, battle, war) but there is more to the compulsion involved in the words It seems and I must than just It seems I must become an archetype. Socially becoming a fighter was already expected of him but he was not, presumably, in compliance with this expectation. The prophecy motivated him in a different way than you will be socially rewarded for acting as a man does.
Which brings me to another point i.e. how Rhaegar perceived himself prior to reading what he read; his connection to the tragedy of his birth and the grief, the resentment, the awkward dynamics between members of his family. "Oh he was a child" yes but we're told that Rhaegar did not act like, think like, or even particularly get along with others his age. So it's safe to say he was aware of Summerhall and felt it's shadow surrounding him from a young age. And Aegon's prophecy, combined with the Ghost of High Heart's prophecy, the events of Summerhall, put this weight on his shoulders completely into context. It was not that Rhaegar desired to be TPTWP because he took to it with determination but no particular joy. Every indicator just seemed to demand he give himself over to fulfilling this role. TPTWP was coming from Aerys and Rhaella's line? Well, he was their only child. Consult Maester Aemon on the matter? Yeah kid it's you. Ancient scrolls? Dusty, but they agree. Dead ancestors? Oh wait, they died so YOU could live. Woah.
This understanding basically necessitates us looking to ASOS Daenerys who also has some knowledge of TPTWP prophecy, and thanks to the Rhaegar-Daenerys pipeline, we can imagine that Rhaegar had similar thoughts to Daenerys, such as when she asks herself: The dragon has three heads. There are two men in the world who I can trust, if I can find them. I will not be alone then. We will be three against the world, like Aegon and his sisters. Who are Rhaegar's fellow two heads? Daenerys wonders at this, telling Jorah that her brothers are dead. Well Rhaegar's brothers die too, right in front of him. Rhaella suffers miscarriage after stillbirth after crib death. She is punished for this by Aerys via isolation and presumably Rhaegar is also kept separate from her— textually we know that Rhaegar was expected to take a sister to bride, i.e. further targcest was going to be enforced by Aerys, and to Rhaegar the loss would have also been of the other two people who would have fulfilled the requirements of the prophecy. Yes that's true. However, it was also the loss of his mother.
Rhaella was 13 when she had Rhaegar so it would be ridiculous to even think that she, a child, a Queen from when Rhaegar was 3, was this grand maternal figure to him. Of course she wasn't. There was too much on her shoulders. Too much on Aerys's shoulders as well, to be any sort of father except the kind who trotted Rhaegar out as an impressive little heir from time to time. Rhaegar was Aerys's success (it's the duty of the patriarch to sire sons who will continue the line) but as Rhaegar's siblings failed to survive, that success became a dicey thing. So when Viserys was born & survived, there is a thought that Rhaegar would latch onto such a sibling. This isn't the case— in fact, Viserys is Rhaella's. She coddles him. Keeps him close. Safe from Aerys (who already has Rhaegar). Viserys tells Dany stories about Rhaegar but this is done in the sense that he does not truly know Rhaegar. Why wouldn't Rhaegar have spent more time with Viserys, if he was motivated by fulfillment of the prophecy?
Because Viserys was Rhaella's, perhaps. Rhaegar never truly got to be his mother's son. To leech Viserys away from her... there's something in that. When Rhaella warmly welcomed Rhaegar's daughter, too. Rhaella's was Aerys's wife and property, which Rhaegar knew because he was also Aerys's property. Rhaella was mother to his brother. Rhaella was a grandmother to his daughter. She was everything but the woman who raised him.
"Rhaegar was a lonely man anyway due to his depression" yes that's true. There is an asceticism to Rhaegar Targaryen. The places he enjoys are bare and stripped, places he can keep his own company: Summerhall, the place of his birth, haunted, full of magic. Dragonstone where he retreats after his marriage, a place where the last embers of Valyria's magic died. Later the Tower of Joy is in a barren desert. But he finds a beauty in these places. He writes music that pushes him back into the shared world, songs he shares with people, about people, about lovers and those who sacrificed and who he is deeply moved by— almost like he's motivating himself. People are drawn to him.
Despite his lack of connection to Rhaella and Viserys he does bond with people. Arthur Dayne, who for all we can try and complicate, apply horseshoe theory to, is meant as the juxtaposition to characters such as the Smiling Knight. Brave as brass Myles Mooton whose memory his people still call upon. Richard Lonmouth and Jon Connington, both technically vassals to Robert Baratheon, funny little irony there. Princess Elia his wife who he is fond of along with the Dornishmen she comes to court with, "particularly" Prince Lewyn of the Kingsguard, who is in Rhaegar's confidence (per AWOIAF). These bonds seem strong because not a whiff of possible disloyalty on Rhaegar's part ever reaches Aerys despite it definitely existing and Aerys actively looking for it (again per AWOIAF). Do these confidantes know about Aegon's prophecy? IDK. At least in JonCon's case the answer seems to be no. However we also know JonCon wasn't actually the closest to Rhaegar. Nonetheless, I think we can assume that outside of Arthur Myles and Richard most of these were political relationships which Rhaegar pursued and all were concerned about Aerys's instability— there is also Tywin who Rhaegar performs certain overtures towards (such as knighting Gregor, Tywin's man, at a time when the Aerys-Tywin relationship had just grown particularly sour) indicating he'd like him as an ally. This is all straying away from TPTWP but I think it's important, it shows that even imbued with purpose, Rhaegar was in a position that did not lend itself towards him being able to take much action...
Then winter breaks. Spring comes. Nobody knows it's false yet. Rhaegar's whole deal is this coming Long Night. Everyone takes, quite literally, a breath of fresh air, and the tourney of Harrenhal commences, with Rhaegar as a shadow sponsor, thinking to call an informal Great Council which will begin to deal with Aerys (step 1)(step 1 failed).
This is where matters of prophecy come back into focus. I've covered Rhaegar's various relationships, the shallowness of them, the stagnancy in Developments due to Aerys's paranoia, etc. Harrenhal is not a solitary place but it is flush with magic in a way similar to Summerhall and Dragonstone— all places where dragons have died Harrenhal is thematically the cannibal dragon let's not get into that. And this is important to Rhaegar's characterization because of how things unfold with Lyanna Stark in several ways: 1) Lyanna cries to his song. Before they formally meet Lyanna is touched by the magic and purpose and sacrifice and yes, love, of which Rhaegar sings. It speaks to her. Of course, many others likely cried too. Common occurrence, see: A song of love and doom, Jon Connington recalled, and every woman in the hall was weeping when he put down the harp. Not the men, of course. Rhaegar gender moment but I digress. 2) Rhaegar's discovery of her as the KOTLT despite Robert & Richard Lonmouth both vowing to do so, those raucous manly men, both of whom failed; Rhaegar's subsequent hiding of her identity to unknown consequence for himself if any. All he produces is her shield which is painted with a tree on it, a purposeful callback to Duncan the Tall's shield, both Lyanna and Dunk being 'false knights' yet, in their actions, true ones. Sorry I love Lyanna so much I can't resist plugging her greatest hits 3) Rhaegar winning the tourney, the only tourney he's ever won... and immediately tainting his victory by awarding it to Lyanna instead.
I bring this all up and frame it because here we see that Rhaegar is not really invested in his own victory or legacy or even really his honor. His wife Princess Elia is there and she is pregnant with his son, something he could commemorate in the same vein that Aerys "honored" Rhaegar by showcasing him at various tourneys, an ode to a future warrior king, but Rhaegar doesn't do that. It's not his victory as a Man. It's never been about his victory as a Man. It doesn't even need to be his victory.
Neither does Aegon's prophecy. Rhaegar rapidly realizes that on two fronts: second, the false spring ends. It wasn't real! Rhaegar's spring isn't the lasting one. First, though, is that Rhaegar and Elia's son Aegon is born, a difficult birth in which Elia is rendered infertile. Who does this remind you of? Oh right, Aerys with Rhaella— only Rhaegar does not go about trying to impregnate Elia again. Rhaegar becomes convinced Aegon is TPTWP— something he was already thinking, prior. Rhaegar was never so invested in himself being TPTWP that he could not be convinced otherwise. Maester Aemon: Rhaegar, I thought... the smoke was from the fire that devoured Summerhall on the day of his birth, the salt from the tears shed for those who died. He shared my belief when he was young, but later he became persuaded that it was his own son who fulfilled the prophecy, for a comet had been seen above King's Landing on the night Aegon was conceived, and Rhaegar was certain the bleeding star had to be a comet. Rhaegar agreeing "when he was young" and being "certain the bleeding star had to be a comet" all indicate that he had been looking into the possibility that TPTWP was Not Him for a while. The visits to Summerhall— maybe they were a search for proof by encasing himself in the lingering magic of the place? He still messed up the prince/princess translation presumably because baby Rhaenys never seemed to be in the conversation. (The bleeding star was in fact a comet, funnily enough, a little consolation prize for the pretty boy.) Here's what we know: in Daenerys's vision, Elia asks if Rhaegar will write Aegon a son, we can assume because he wrote their firstborn Rhaenys a song, but Rhaegar says no, he already has one. The song of ice and fire. Aegon doesn't get a song. Why? Rhaegar believes he must be a warrior.
Yet, he sings for him anyway.
Rhaegar's "it seems" and "I must" and distance from Viserys and inner conflict about Aerys and doubt about his own place in the grand scheme of things all come to fruition with Aegon's birth. Rhaegar isn't TPTWP— and it spurs him into action. A weight is off his shoulders so now he can act. As in the case of crowning Lyanna, when the purpose of a task is not to honor or elevate him, we see Rhaegar able to perform in ways he could not before.
Namely there are two veins: acting against Aerys and seeking out information of the prophecy, but Rhaegar's general direction (through the Riverlands past Harrenhal) seems to indicate that he was headed towards the Ghost of High Heart. Not Summerhall, a place of mysticism meant to soothe Rhaegar. Rather a place of pain. The Ghost of High Heart who gorged on grief at Summerhall, who only ever demands Jenny's song (which Rhaegar seems to have wrote), who sees in Arya who looks like Lyanna, who looks like Jon, death. But instead of ever making it there... Rhaegar meets Lyanna.
And then they disappear. There are the Rhaegarwars to consider so I'm just going to say that, at the least, Lyanna did not want to marry Robert though society dictated that she must, and in removing her, she was removed from this. From there she came to be in Dorne in a place that was desolate desert, but similar to Summerhall, which was also abandoned, held something of magic in that it was near where Those Who Sing The Song of the Earth had split the Arm of Dorne. We can say a lot more about this but that's not the point of the post. I have explained Rhaegar as a person disconnected from his mother, later a person who in several manners refuses to act as Aerys did towards Rhaella, indicating that disconnect troubled him — Rhaegar's limited amount of close relationships with people he admired and the deep loyalty shown to him, presumably for a reason — Rhaegar's willingness to interrogate himself & his assumptions about the world.
So when I say Rhaegar was relieved what I mean is that upon suspecting and, to his mind, confirming that he was not the fulfillment of Aegon's prophecy, Rhaegar became proactive in ways he had yearned for but not been able to before. The Rhaegar that died with Lyanna's name as his last word was not a Rhaegar who died thinking the world was doomed without him. I think the Rhaegar that died on the Trident was a Rhaegar who had escaped the shadow of fate only to meet it, face to face.
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notfreetoday · 7 months
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The Importance of Amae in My Personal Weatherman
Masterlist || Language Analysis Part 1
I have seen a lot of discourse in the English-speaking fandom surrounding Segasaki's apparent dismissal or trivializing of Yoh's desire to pursue his manga, and most of it is negative. His comments about wanting Yoh to remain dependent on him, or that Yoh does not need to earn money are seen as patronizing or controlling at best and oppressive at worst. It appears that Segasaki does not understand nor respect Yoh's need for independence, and that is what strains their relationship.
But what if I asked you to consider that Segasaki's behaviour is actually an invitation to Yoh to reinforce their relationship? And what if I told you that Yoh's withdrawal from Segasaki constitutes a rejection of that invitation, and it is that rejection that strains their relationship instead?
Of course, the end result is the same - a strained relationship - and in reality there is never one side wholly responsible for this. The point of this is to simply challenge the cultural notion that a successful relationship is the coming together of two equally independent individuals, as opposed to the co-creation of a relationship formed by two interdependent individuals.
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"If only you could stay drunk forever..." "It's okay to feel down again for me too you know" - Segasaki, Ep 4, Ep 5
This isn't about Segasaki wanting to keep Yoh is helpless and dependent on him, but about wanting Yoh to be able to be true to his feelings and express his own desire for affection honestly, without having to hide behind "I hate you" or rejection.
Or, let's try and talk about how Segasaki and Yoh reinforce their relationship through the use of amae (featuring a brief mention of tatemae/honne) who am I kidding this is not brief at all
First: Cultural Context
The way people conceptualize and make meaning of the Self differs between Western and East Asian cultures, and this plays into the differences we see in the basis for our self-esteem, the personal attributes that we value, and even what constitutes the behavior of a mature individual. Broadly speaking, Western cultures tend towards the Independent Self Construal (whereby the Self is a distinct entity separate from others) whereas East Asian cultures tend towards Interdependent Self-Construal (whereby the Self is connected to and defined by relationships with others). Thus, in the West, expressing one's individuality is very important for one's self-esteem, and being able to communicate clearly and confidently is valued and a sign of maturity. Conversely, in the East, one's ability to integrate and become a member of the group is prized, and contributes significantly to one's self esteem. In order to be seen as a mature individual, one must learn not only to read a social situation but also how to modify one's behavior in order to respond to the changing demands of that situation, with the ultimate goal being to maintain group harmony.
tl;dr - In East Asian culture, behaviors and attitudes that emphasize interdependence and promote group harmony actually play a big role in reinforcing relationships and one's membership towards the group.
Segasaki is an expert at this - his "public mode" that Yoh refers to actually shows us how good he is at social interactions. This is the Japanese concept of tatemae/honne (crudely translated as public self/private feelings) - which I could link to a bunch of articles for you, but I'm going to suggest you check out this 9 min street interview instead. At 6:41, one of the interviewees comments that another is sunao, or "honest" (we'll cover this later too) and at 6:49 specifically talks about how reading situations is important as an adult. Segasaki reads the room well, but most importantly, he reads Yoh well.
Yoh is not good at this, at all. In Ep 6, we see that he does not integrate well with the group, and he doesn't realize how he might appear to others when he stares and sketches from afar. Yoh does not read the room well because he doesn't pick up on social cues and does not adhere to social norms (I'll point these out in Ep 6's corrections). He cannot read Segasaki, and especially cannot read Segasaki's amae, or his attempts at reinforcing their relationship. Part of this is because his low self-esteem causes him to withdraw from Segasaki's affection as a means of self-protection, and so he valiantly tries to deny his feelings for Segasaki. As Man-san commented in Ep 4, Yoh is not sunao - he has difficulty with being true/honest about his feelings, even to himself.
Sunao is another term that usually pops up when talking about feelings/relationships. It can be used to describe one's relationship with oneself, as well as the relationship with another/group. With oneself, it is usually used to mean "being honest/truthful/straightforward/frank/open-minded about one's feelings". With another person/group, it is usually used to mean "to cooperate/listen/be obedient, or "to be humble/open-minded". In essence, the word encompasses an ideal virtue that is often taught from early childhood - that we should treat both ourselves and others with humility and honesty, because that is how we accept ourselves and stay in harmony with other. This is what becoming an adult, or gaining maturity, means (not gaining independence, as adulthood is often equated to in the West - do you see a running theme here 😂). Of course, that's actually really hard to do, so you'll often hear children (and immature adults too) chided for "not being sunao" (this can therefore sound patronizing if you're not careful). We'll revisit this in a little bit.
Second: What is Amae?
Amae is a key component in Japanese relationships, both intimate and non-intimate. It happens every day, in a variety of different interactions, between a variety of different people. But it is often seen as strange or weird, and those unfamiliar with the concept can feel uncomfortable with it. This stems from the difference in self-construal - because independence is tied so strongly to an individual's self-image in the West, it is very hard to fathom why behavior that emphasizes interdependence could be looked upon favorably. It is telling that every possible English translation of the word "amae" carries a negative connotation, when in Japanese it can be both negative or positive. The original subtitles translated it as "clingy", for example. Other common translations include "dependence", "to act like a child/infant", "to act helpless", "to act spoiled", "coquettish", "seeking indulgence", "being naive" etc.
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From A Multifaceted View of the Concept of Amae: Reconsidering the Indigenous Japanese Concept of Relatedness by Kazuko Y Behrens
*Note - the word "presumed" or "presumption" or "expectation" or "assumption" used in the above definition and in the rest of this post, can give the impression that all of amae is premeditated, which adds a calculative component to this concept. Whilst amae can indeed be used in a manipulative manner (benign or otherwise), it is not the case for every single situation, and often amae that seeks affection is often spontaneous and without thought, precisely because the situation allows for it to appear organically. This is the amae that Segasaki and Yoh most often exchange - so think of these assumptions and expectations as "unconscious/subconscious" thought processes.
Third: Amae Between Segasaki and Yoh
Yoh shows a lot of amae when he is drunk:
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He whines, buries himself into Segasaki's embrace, refuses to move or let go of him, and keeps repeating "no". In these interactions, Yoh wants Segasaki's affection, but instead of asking, he does, well, this, and he presumes that Segasaki will indulge his behavior. Leaving to get some fresh air might not be as obvious - but it is a form of amae as well, because Man-san is his guest, not Segasaki's, and he shouldn't be leaving Segasaki to entertain her. The expectation that this is okay, and that neither of them will fault him for it, is what makes it amae.
Segasaki obviously enjoys indulging Yoh when Yoh does amae, because he recognises this as Yoh's request for affection from him. It's not that Segasaki enjoys Yoh in this drunk, helpless state; it's not even that Segasaki feels reassured by Yoh's requests for affection. Segasaki knows Yoh likes him, and recognizes that Yoh is struggling with those feelings. That Yoh is actually able to do amae to Segasaki is what delights him the most, because it is something that requires a lot of trust in Segasaki and a willingness to be vulnerable in front of him. This is how amae reinforces relationships - when a request for amae is granted, both the giver and the receiver experience pleasant feelings.
That said, an amae request can also be perceived negatively - if amae is excessive, or if the person responding feels they are obligated to do so. In Ep 5, Man-san chides Yoh for his amae - the fact that he expected to do well from the beginning, and became upset when he failed. He told her about his unemployment, presuming that she would comfort him, but alas.
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Segasaki also does amae - but unfortunately Yoh misses many of his cues, and so neither of them really gain pleasant feelings from the interaction (ok so maybe Segasaki does, but I will argue that is more because Segasaki also enjoys it when Yoh obeys him - see @lutawolf's posts for the D/s perspective on this!).
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Did you catch it? Segasaki wants Yoh to pass him the Soy Sauce, which, clearly, he is capable of getting himself. He tells Yoh to feed him, because he wants Yoh's affection. And the real kicker - he asked for curry, and expected Yoh to know he wanted pork. In all these interactions, Segasaki presumes that Yoh will indulge him and do for him things he can do himself perfectly well (and even better at that) - this is what makes this amae. But look at Yoh's reactions:
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Yoh just stares between the Soy Sauce and Segasaki, between Segasaki and his food, and then just at Segasaki himself. He doesn't recognise any of this as amae, and in the case of feeding Segasaki makes the conclusion that this is somehow a new slave duty he's acquired. And therefore, he does not gain pleasant feelings from it.
In Ep 3 we see a turning point in Yoh's behaviour - his first (sober) attempt at amae (the argument in Ep 2 is debatable - it's not amae from Yoh's POV, but Segasaki responds as if it were, with a head pat and a "when you get drunk, you talk a lot don't you?").
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Here, Yoh wants to express his desire for Segasaki's affection, but he can't bring himself to say it aloud. Instead, he dumps bedsheets on Segasaki's lap, as if the bigger the scene he makes the greater the intensity of his desire he can convey. It is the presumption that Segasaki will understand him that makes this amae. And then, we get this:
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Not only a happy Segasaki and a sweetly shy Yoh, but also a Yoh who's emboldened by Segasaki's response, and who finally, for the first time, reciprocates touch, and considers the possibility that Segasaki might actually like him.
With every episode, Yoh gets more and more comfortable with doing amae towards Segasaki, because Segasaki picks up on his cues and always responds to them. In Ep 5, Yoh's amae comes out naturally, triggered by the stress of his unemployment, and we see it in all those moments he sounds and acts like a child, and as I mentioned, Segasaki spends the whole episode reassuring Yoh that his amae is welcomed, and that Segasaki likes responding to it. If you've been wondering why the relationship between Segasaki and Yoh can, at times, feel somewhat parental in nature - this is it. It's because Segasaki sees the contradiction between Yoh's childlike insistence that he does not like Segasaki and his desire for Segasaki's attention and affection, for what it really is - Yoh's struggle with accepting himself. When Yoh is able to be sunao, he does amae naturally, and Segasaki responds to him in kind.
Now, all we need is for Yoh to recognize when Segasaki does amae, which will likely happen soon, given that Yoh has grown with every episode.
As always, thank you for reading :))
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meanbossart · 2 months
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What is it about Astarion that DU Drow fell for? Which traits/habits/quirks/whatever were the ones that he first noticed/piqued his interest?
Oh boy, I mean, at first DU Drow didn't care for Astarion at all. He was extremely on edge around all of these people and Astarion's rather invasive strategy only put him off further - his insight checks may be awful, but he can still tell when someone is trying to suck up to him a little too hard. DU drow thought he was attractive, of course (see.: the narrator's comment about the quote-on-quote pretty corpse) but otherwise didn't think very much of, or very highly of him.
Once he got his confidence back, and after Astarion caught onto the fact that he needed to play hard to get to string him along, there would have been a little while where DU drow only saw him in the context of a trophy or conquest - but admittedly, he also thought Astarion was funny, and he thought he was smart - even someone as dense as him could see that the guy had read him perfectly, and proceeded to adapt as necessary to get what he wanted out of him - and DU drow fell right into it, willingly so. There would have been some mutual respect there between them from understanding each other's games.
Their ritual of letting Astarion bite him definitely planted a little seed of something too. I've talked about it plenty of times so I won't dwell on it, but DU drow enjoys the intimacy implied in allowing someone to hurt him. This was far from an emotional turning point in the relationship, but it did prompt him to start seeing Astarion differently (not better or worse - just differently.)
(I'm a little drunk and went on and on, enjoy LOL)
Then, after one or two intimate encounters, the Urge would have started taking too much of a toll - violent lust turned into lustful violence, and hence DU drow didn't want to have sex anymore out of a fear of losing control during the act; yet, he had learned to trust Astarion by then and would seek out his comfort and companionship all the same. Faced with the situation where sex is no longer an option, I imagine Astarion would have been caught off guard and let the mask slip more often than usual. Pair that with the fact that DU Drow is a surprisingly affectionate (in private) but highly withdrawn person, left him in the role of leading their exchanges. Astarion, I think, would have felt the need to talk; if for no other reason but to fill the air whenever they were alone together. Eventually DU Drow would have started talking back.
These were long nights of just looking up at the sky and going through things that happened that day, what led them here, what the companions are doing, talking shit about whats-his-or-her-name, often just straight up gossip. Astarion eventually realized he could say whatever he damn pleased in front of DU Drow and nothing seemed to phase him, and vice-versa. DU drow enjoyed his bluntness, his earnest impulsivity that matched his own, he laughed at his jokes (as well as some things that weren't meant as jokes) he enjoyed his teasing and his reactions when he said something putrid in return, he liked the way he smelled when he was clean and he liked his stink when he was filthy, he watched him fidget with his own clothes and hair until Astarion gave him a weird look and aggressively asked what he was staring at. He enjoyed when Astarion got angry at something he said, because it felt very genuine - and he didn't use to think of him as a very genuine person.
Astarion was the first to notice something was wrong with him - so DU drow felt comfortable talking about it openly. On the other hand, DU drow never pressed Astarion about his past unprompted - instead just letting him talk about it if he so wished and without trying to milk it for more details when he did choose to do so. Because they spoke a similar language of violence and operated under the same hedonist-based beliefs, it was easy to talk to each other even when there was friction between them - similarly, they were both always willing to move past and quickly "forget" when someone said something truly hurtful.
I don't know if there was a key moment where he realized this had turned into love; that was probably a word DU Drow dropped quite unabashedly sometime after they got to Baldur's Gate, and before they faced-off with Cazador (to no reciprocation or acknowledgment then, not that he minded). But sometime during act 3, DU drow simply assumed that after this was all over they would still stick together.
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Text
The Bond
Author: Nat / @idontgiveaflyinggrayson69
Relationship: Neteyam x Fem!Na’vi!Reader
Summary: The bond is a beautiful thing, but it’s also the most painful thing you ever experienced.
Word Count: 14k
Warnings: Smut. Unprotected sex (wrap it up kids). Major character death. Angst. Pregnancy. ATWOW spoilers.
Comments: Hockey people look away, look away… After watching ATWOW I physically could not stop thinking about ‘what if you could feel the bond’ the way Parabatai feel each other in the Mortal Instruments and one thing led to another… This really was supposed to just be a short little imagine just to get the idea out of my head so I could work on my other projects but then I went hmmm no I think this needs some context for it to make sense and then I proceeded to write their entire fucking story cradle to grave and spent WAY too much time fact checking every single detail… There were a bunch of ways I could have expanded this, but I told myself no because no one needs a 50k+ Neteyam story... Also, this was not betad because I was not about to subject my poor beta to my current Avatar obsession.
Disclaimer: I thought Neteyam was 20 the whole movie so that’s how old he is in this, which is about the same age Jake and Neytiri were in the first film. And also, Neteyam wears a battle belt, which means he is seen as a man among the Omatikaya.
do not repost, do not claim as your own
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Tsaheylu.
The bond.
The beginning and the end of everything.
You feel their breath, you feel their heart, you feel their strength. It’s your way to connect with the world around you. At least, that’s what they always told you.
It’s a beautiful thing the bond. You can ride and fly and see and hear without uttering a single word. And most beautiful of all, you get to feel your mate, if you were lucky enough to find one.
With a mate, it wasn’t just their breaths and heart you felt like a horse or an ikran. It was deeper, much deeper. You felt them. Their thoughts, their memories, the every ounce of their being. The bond ties you to them—to their soul—for life, connects you to them in a way you’d never be connected to anyone or anything for as long as you lived.
It’s a beautiful thing the bond.
--
You could remember the first time Neteyam brought up the possibility of mating.
The golden son, the next Olo’eykton, the first-born son of Toruk Makto and Neytiri, Neteyam always had big shoes to fill, and it was always something he struggled with in silence. Who was he to talk to about the shade of greatness he grew up in? His father? His mother? His little brother? None of them understood, and none of them saw him.
But you did.
For as long as you could remember, Neteyam had been your closest friend, and you his—outside of his siblings at least. Kiri wasn’t much younger than him, but she had always been closer with Lo’ak than him, and Neteyam had always had more of a protective, fatherly role than a brotherly one with them and Tuk especially.
But you? You held no expectations for him. With you he was just Neteyam—or ’Teyam when he made you laugh hard enough you could barely breathe. You did everything with him. Training, hunting, claiming a banshee. Every step, you were there, and there was no one you felt closer to than him.
You didn’t have a big family like he did, it was only you. But you had him. He was your best friend, your everything, your—
Neteyam was going to be the next Olo’eykton and whoever he took as his mate would be the next Tsahìk, so you knew it wasn’t a decision he took lightly. If his father wasn’t Jake Sully, you were sure he’d have been betrothed to a woman his parents deemed worthy of being the next Olo’eykton’s mate. You didn’t know if Eywa had her eyes on you at the decision not to betroth him because, on one hand, there was a chance he’d take you, but on the other, you knew him choosing another of his own will would break you irreversibly.
Neteyam had shown some interest in the other girls in the village, especially the ones his mother mentioned to him, but you never saw him have more than a few conversations with them, mostly about hunting, which they didn’t seem to appreciate as much as you did.
You didn’t know that they were never the one he wanted. That for him, there had only ever been one.
It was the eve of his iknimaya ceremony, the final step of him becoming taronyu, of becoming a man, that he first brought up the possibility of mating with you. Once he became a man, he could choose a woman.
The thought alone made your chest tight. You couldn’t sleep, tossing and turning in your tent before you finally resigned yourself and slipped out. A night walk in the forest would, at the very least, keep your mind occupied.
You should have known Neteyam had the same idea.
Becoming a hunter, becoming a man, becoming one of the People, and earning his place in the clan all weighed heavily on him. He lived in the shadow of his father who had gone from Sky People to one of the People to Toruk Makto to Olo’eykton in a span of a few months. He was only the sixth Toruk Makto since the first songs and Neteyam knew that even if he were to be a great Olo’eykton, he’d never be his father, and it ate at him.
No matter how hard he tried, Neteyam couldn’t sleep. He tossed and turned but his mind fought his every attempt at sleep. He knew he needed sleep for the day ahead, but he wasn’t granted peace and finally he resigned himself to a walk to clear his mind. At the very least, the night would pass more quickly and bring him into tomorrow.
Neither of you realized the other was close, not at first. Your mind was so consumed by the thought of him that you weren’t looking where you were going and didn’t put the care into your steps like you knew you should. The snap of the twig under your step was secondary to you, but it made Neteyam’s ears twitch.
He wasn’t alone.
A moment later, another twig snapped under your foot and Neteyam let it consume his attention. All he had on him was his knife, but it would have to do, he was the best hunter of his age after all.
He followed your uncaring, twig breaking steps silently with his knife down, unsure of what he was following. But as soon as he caught a flash of blue skin in the dark, he let himself relax a little. When he stepped a little closer to get a clearer view, he sheathed his knife as he let out a soft laugh. He’d know you anywhere.
The sound of his laugh made your ears twitch and you tensed. You’d know that sound anywhere. “Neteyam?” You breathed as you turned around and a moment later, he revealed himself with his hands up and a playful smile on his lips as he said your name back to you.
“It is late,” he told you as he stepped closer, his tail flicking behind him. “You should be asleep.”
“As should you,” you replied and returned his smile. “You have a big day tomorrow.”
“Ah,” he brushed you off with a short wave of his hand. “I’ll be fine,” he told you. “I do not have to hunt tomorrow, just become taronyu.”
Your smile slipped for half a moment before you pushed it back up. “I know,” you replied, hoping your tone didn’t betray you.
His ears straightened as he watched you and he hoped, oh Eywa he hoped, that he wasn’t misinterpreting your hesitation as he stepped closer to you. “Once I become taronyu, I may take a woman.”
You couldn’t hide the disappointment in your eyes so you turned away from him. “I know,” you whispered. “It’s a big day for the clan. There are many fine women to choose from.”
His heart dropped, fearing rejection from the only woman he had ever wanted. “I know,” he said and let his tail brush yours as he stepped around you, forcing you to look at him.
You shivered at the touch but brushed it off as an accidental touch. “Your father is very fond of Miayho, and your mother favours Zia,” you told him softly, unable to meet his eyes.
“You’re right,” he agreed. “But I’ve already chosen.” His words made your heart drop and you tried to turn away from him again, but he cupped your cheek to stop you. “But this woman must also choose me.”
“She must be lucky,” you whispered, your heart aching.
“She is,” Neteyam smiled. “She is strong and beautiful and a little slow at times, but she is the only one I could ever want.”
“’Teyam,” you breathed, your voice breaking, but his smile never faltered.
“I’m speaking of you,” he told you and softly shook his head. “Tomorrow I am granted the chance to choose a woman, and you are the only woman I have ever wanted. I choose you, if you choose me, too.”
You were quiet as the weight of his words sunk in, but slowly you cupped his cheek, too. “I chose you the moment I saw you,” you replied and rubbed your thumb over the deep blue line that traced the arch of his cheek.
Neteyam’s smile filled your chest with warmth and you leaned forward to rest your forehead against his. Neteyam’s smile softened as he rubbed his nose against yours. He’d mate you right here right now if you let him, but it was not the way, and a day was a short wait compared to the years he had already been waiting.
“So, it is decided, then?” He asked as he pulled back to look at you.
“It is,” you blushed and dipped your head as your ears went back, already itching to reach for your braid. At your words, Neteyam’s shoulders lightened, somewhat anyway. The weight of being the next Olo’eykton and living up to his father still plagued him, but he knew as long as he had you by his side, he’d be alright.
“We should sleep, then,” he told you and bit his lip. “I intent to mate you before Eywa tomorrow.”
Your blush darkened as you smiled. You didn’t dare ask if his mother or father approved of the match, you didn’t care, you just wanted him, needed him. “We should,” you agreed and tilted your chin up. “It is a big day tomorrow.”
Neteyam’s smile widened and he dipped his head. “A very big day,” he agreed and took your hand before he led you back to the village. The sooner you both fell asleep, the sooner tomorrow would come, and the sooner you could become one.
“You could stay with me,” you told him as you approached your tent.
There was nothing Neteyam wanted more, but he also knew his father would expect him in his own bed bright and early and he didn’t want to start the big day on the wrong foot. “Tomorrow night,” he replied and dipped his head. “Tonight will be our last night apart.”
You hated when he pulled his hand from yours, but you knew he was right, that it was the way. You had waited years for this, you could wait another night. “Tomorrow,” you nodded.
“Tomorrow,” he echoed you before he stepped back. Still, he watched as you slipped into your tent safe and secure before he made his way back to his own and prayed to Eywa his father hadn’t noticed his absence. Thankfully, he hadn’t, and Neteyam settled into his bed with a smile and warm chest.
Tomorrow he became taronyu.
Tomorrow he became a man.
Tomorrow he gained you. 
His eyelids were heavy and sleep came more easily to him. One moment he was thinking of your beautiful golden eyes, the next he was passed out, dreaming of your smile and the comforting flowery scent that always clung to your hair.
--
The sun woke him bright and early like it always did and he smiled as he stretched out.
Today was the day.
“Are you nervous?” Lo’ak asked him over breakfast and Neteyam rolled his eyes.
“Why would I be nervous?”
Lo’ak’s shit eating grin widened as he shoved his brother’s shoulder, “that no woman will want to mate with your ugly face.”
Any other day Neteyam would have told his brother off and shoved him back, but your words were still fresh in his mind—I chose you the moment I saw you—and his ears went back as he dipped his head.
Lo’ak’s smile faltered as he moved closer, his ears perking up before he knocked his shoulder against his brother’s. “Bro,” he said under his breath so their parents wouldn’t hear. “Got something you’d like to share?”
Neteyam knocked his shoulder right back against his brother’s. He was quiet for a moment as he debated whether he should say anything, but Neteyam knew his brother well, better than anyone, and he knew Lo’ak wouldn’t stop pestering him until he spilled. “I may have already chosen a woman,” he said with a small smile. “And she has chosen me as well. We will be mated before Eywa.”
“Bro,” Lo’ak breathed and put his hand on the back of Neteyam’s neck as he gave him a little shake. “You asked her?” Neteyam didn’t have to say a name for him to know he meant you.
Neteyam dropped his head again as he nodded, “it is decided.”
“I am surprised she settled for your skxawng ass, but I am happy for you, bro,” Lo’ak grinned, and he laughed as Neteyam bared his fangs at him and shook him off.
“Watch who you call skxawng, skxawng,” he replied, making Lo’ak laugh hard enough that their father looked over at them and their ears went back as they quickly went quiet.
Jake watched his sons for a long moment before he stepped over and sat down next to Neteyam and put his hand on his shoulder. “Are you ready, son?”
Neteyam smiled as he nodded, “born ready, sir.”
“Good,” Jake smiled and patted his son on the back. “Your mom has the paint, whenever you’re ready.”
Neteyam’s tail flicked behind him. “Actually, if it’s alright, there’s something else who I’d like to do the paint.”
For a moment Jake’s eyebrows raised as he looked at his son before the corner of his lip twitched up as he remembered when Neytiri painted him for his own iknimaya. “Of course,” Jake nodded. “But you have to tell your mother.”
His mother wasn’t exactly happy to give up the chance to paint her first born son ahead of the ceremony, but Neteyam rarely asked for anything and she could see in his eyes that it meant a great deal to him, so she resigned herself and handed the bowls of paint over to him. “I hope you chose well, my son,” Neytiri told him.
“I did,” Neteyam replied with a smile. “Thank you, mother.”
The bowls were full and despite their small size, they felt heavy in his hands as he headed out to find you. Neteyam knew both you and the village like the back of his hand so it was easy for him to find you. you blushed as he met your gaze and he smiled before he lowered his head to you and he sat down across from you.
“Shouldn’t you be getting ready?” You asked him softly, buzzing with anticipation of what was to come.
“I should, yes,” he agreed and sat the bowls of paint down in front of you.
“Neteyam,” you breathed. It was traditionally done by mothers.
“I want you to,” he smiled. “That is, if you want to, too.”
You were quiet for a moment before you nodded. “I want to,” you smiled softly and moved the bowls closer to you, the weight of their significance not lost on you as you beckoned him closer. “Now?” You asked softly.
Neteyam nodded as he moved closer. You blushed when he ginned at you shoved his shoulder before dipping your fingers into the white paint. You started with his arm, your touch light as you traced familiar patterns over his skin. Neteyam shivered, both at the coolness of the paint and your touch and it made you blush deepen as you focused on your lines, not wanting to mess any of them up, especially when you felt the weight of his gaze on you.
After his arms, you moved on to his chest and you gave Neteyam a look when the corner of his lip twitched up. “I am well aware you are a mighty warrior, Neteyam,” you told him and pulled your fingers back so you wouldn’t ruin the lines.
“But now you feel that I am a mighty warrior,” he smirked, making you roll your eyes.
You were quiet for a moment as you tried to think of a reply. Slowly, you trailed your fingers down his abdomen and let your lip twitch up when you felt him tense at your touch. “I do,” you hummed and looked up at him. “And soon I will feel all of you.”
You bit your lip as Neteyam’s eyes darkened but you devoted your attention to finishing the lines on his abdomen before you picked up one of the bowls and moved to his back, giggling as Neteyam’s tail kept flicking as you traced the patterns on his skin and once you were done, you hesitated before pressing a soft kiss to the back of his neck and giggled when his ears stood straight up.
“You are a tease, woman,” he breathed as you settled back in front of him to paint his face.
“Am not,” you replied with a smile as you dipped your fingers into the paint again. “Now stay still.” To his benefit, Neteyam was still as he watched you, his tail flicking every now and then as you traced careful lines over his face, finishing with a feather light touch over his lips.
Your tongue darted out to wet your lips as you looked him over. “You are ready,” you told him as you sat back on your haunches.
“I am?” He asked and you nodded.
“You are.”
Neteyam knew kissing you would ruin the paint you worked so hard to get perfect, but he still thought about it and it took every ounce of his self control not to kiss you. “Thank you,” he smiled before he stood and your heart fluttered in your chest as you took him in.
Your best friend. Your lover. Your mate.
A man.
You took his hand when he extended it to you and let him lead you down to where the ceremony would take place. To no surprise, his parents, siblings, and grandmother were already there and when you met his mother’s gaze, you get go of his hand. You weren’t mates yet and this was his ceremony. A ceremony for the clan.
At the loss of your hand, Neteyam looked back at you but you gave him a reassuring smile as you encouraged him on with a nod so he returned his gaze to his parents. Slowly the rest of the clan emerged and began to form the circle around him, and you.
“Neteyam,” Jake started as he looked at his son, trying and failing to restrain his smile. “My son. You tamed an ikran and completed your dream hunt. You are one of the People now,” he said before putting his hands on Neteyam’s shoulders just like Eytukan had done to him many years before. Once Jake touched Neteyam, the rest of his family and then the clan followed suit, one by one until everyone was connected as they welcomed Neteyam into the clan as a man.
You smiled at him as the people began to separate and once he could, Neteyam turned and put his hand on your shoulder, making you blush. His parents weren’t oblivious as they watched you, and Jake gave Neytiri a knowing smile as he held his hand out to her. It felt like just yesterday that she had done the same to him and he was happy for his son. He chose well, just like he did.
--
Every time a member of the clan came of age, there was a celebration. It was filled with food and dance and stories and songs; and Neteyam spent the whole night looking at you.
He was seated between his father, the Olo’eykton, and Lo’ak, and you were across from him, much too far for his liking. He could hear the people telling stories, but he wasn’t listening as he focused on you. You were the only thing that mattered to him.
You had put flowers in your hair and you wore a top he didn’t recognize so it had to be new and Neteyam couldn’t take his eyes off you. You were his everything.
It was only once the sun began to dip in the sky and people returned to their tents that Neteyam was able to steal some much needed alone time with you.
Neteyam washed the paint off and put his newly earned battle belt on by himself, but Jake stuck around with a gut instinct and gave his son a nod before he put his hand on his shoulder. Neteyam didn’t have to tell him for him to know he intended to take a mate, he remembered his own youth well and he could only hope his son found the same happiness he found in Neytiri.
Neteyam nodded back to his father, a smile playing on his lips. “Are you sure, son?” Jake asked and Neteyam nodded.
“More sure than I have ever been.”
“Good,” Jake nodded and squeezed his son’s shoulder. “Don’t do anything I wouldn’t do.”
It was Neteyam’s turn to laugh and he shrugged his father’s hand off, dipping his head to his father one final time before he slipped out to find you. He was a man now, and you were his to claim.
Neteyam held his hand out to you and you blushed as you took it and let him guide you toward the Tree of Souls. If you were to be mated, then you were going to do it properly and you would be mated before Eywa.
It was only you and Neteyam before the tree and your heart raced with anticipation. By the time you got before the tree, before Eywa, you were a couple steps ahead of Neteyam and your ears twitched with every step he took to close the distance between you. Your tail flicked as he shifted his weight and it took him way too long to touch you, his hand just barely brushing your back to make you look at him.
“We don’t have to do anything you don’t want to,” he said softly, giving you an out. But you didn’t want an out.
“I want to,” you told him, holding his eyes before you slowly lowered yourself to your knees, your heart racing. This was the moment you had been waiting for your whole life, with the person you had been hoping for.
Neteyam followed your lead and knelt across from you before he pulled his braid over his shoulder. You held his gaze as you did the same, your braid heavy in your hand. You had made the bond with horses and your ikran, but taking a mate was something else entirely. Your heart raced with excitement and anxiety as you gripped the end of your braid and held it up, your tendrils searching for his.
You held Neteyam’s gaze as he gripped the end of his own braid and held it out. You let your eyes drop to your braid as he brought his closer. He paused to give you a chance to pull back, and when you didn’t, he moved his braid closer, letting his tendrils intertwine with yours.
It was unlike anything you had every experienced before.
The air left you lungs and you closed your eyes as you leaned into him, resting your forehead against his as you took a deep breath to steady yourself. His touch felt like electricity as he trailed his hands up your arms. And then you were overcome with warmth and familiarity and comfort. Home, you realized. You felt at home. You pulled back to look at him, your jaw slack and pupils blown and you found Neteyam looking back at you with the same awestruck expression. Warmth and pleasure coursed through your veins and when he cupped your cheek, you leaned into his touch.
And then he kissed you. For as long as you could remember, you dreamt of the touch of your mate, but it was so much better than you could have imagined and you melted into the kiss as you rested your hands on his shoulders and moved closer.
Neteyam’s hands trailed down to your hips and you let him pull you onto his lap, both of you desperate for every touch you could steal. You pulled back from the kiss to catch your breath as you struggled to keep air in your lungs, your pull to Neteyam so strong. Your jaw was slack as you looked at him and you were sure your pupils were as blown as his were.
“Neteyam,” you breathed and rubbed your nose against his, craving his touch.
“I know, my name,” he breathed and rubbed his nose back against yours as he let you feel him through his loin cloth. It pulled a soft moan from your lips which he quickly quieted with another kiss.
“I need you,” he said against your lips and let his hand brush the top of your tail, knowing how sensitive it was, and he was rewarded with you rocking your hips into his.
“I need you, too,” you told him and pulled back so you could run your hand down his strong chest to his newly earned warrior’s belt. It wasn’t something you had ever put on let alone taken off, so Neteyam had to help you rid himself of it so you could once again trail your fingers down his abdomen and down to the top of his loin cloth.
Neteyam’s soft groan had heat pooling between your thighs and you were sure he could feel it. “’Teyam,” you whispered and covered his hand on your hip with your own. His golden eyes were dark as he looked at you and you slowly guided his hand up to your chest, needing him to touch you.
Neteyam had seen your chest more times than he’d care to admit, the necklace and beads provided little coverage, but seeing you and feeling you were two entirely different things. Your skin was warm and soft beneath his touch, but your nipples were hard and when he caught it between his fingers, he was rewarded with a soft moan from you, which he desperately wanted to hear again.
He licked his lips as he brought his hand up to your other breast. His hands dwarfed you, and you moaned and leaned into him as he pinched your nipples, learning exactly what you liked, what you needed.
“’Teyam,” you whined and rocked your hips into his once again. His touch wasn’t enough, you could feel him and you needed him. “My mate,” you whispered and trailed your hands down his back.
“I know,” he nodded. You didn’t have to tell him for him to know. He gave a final tweak to your nipples before trailing his hands down your sides to the band of your loin cloth. He kept his eyes on yours as he undid it and slowly peeled the material away from you. it only made your racing heart more intense as you rested on his lap, and your tail brushed his knees as he looked at you before he laid you back against the soft moss.
You were bare to him, but you didn’t care as he looked at you like you hung the stars in the sky. Neteyam ran his eyes over you before he reached down to untie his own loin cloth, and then there was nothing between you.
“Please, ‘Teyam.”
He nodded and ran his hand up your thigh toward where you needed him most. As soon as his thumb reached the seam of where your thigh met your hip, Neteyam could feel how badly you needed him, your wetness coating your skin, pulling a soft groan from him.
When he finally touched you, his touch was light and you let your eyes close as you moaned softly. He was gentle as he trailed his fingers up your slit to the bud at the top and he was rewarded with a loud gasp when he rubbed your clit. He watched you with careful eyes as he circled the bud with his fingers and felt how you throbbed for him.
The tips of his fingers were rough from his years of hunting, and between the roughness and sureness of his touch, you wouldn’t last long. Your high was building fast and when you opened your eyes and found his familiar golden eyes looking back at you, it sent you over the edge.
“Neteyam,” you moaned as you came, your back arching as you pressed your hips into his hand. Neteyam groaned as you drenched his hand and he kept rubbing your clit through it, loving your blissed out expression. It was only when your moans turned to whines that he trailed his fingers down your slit to your entrance.
“May I?” He asked and you nodded quickly so he pressed his finger into you, moaning at how warm and tight you were. His mate, he thought. His perfect mate.
Once you adjusted to his finger, he added a second, not wanting to hurt you. He felt your every flutter around his fingers and it made his cock ache. “I need you,” he told you, his voice rough from holding himself back.
“Then have me,” you replied and spread your legs wider, desperate for your mate.
“Eywa have mercy,” he whispered and pulled his fingers from you before slotting himself between your thighs. He didn’t have to ask, he could feel your need, and he held your gaze as he guided himself to your entrance.
You gasped as he pressed into you and he rested his forehead against yours until his hips were touching yours. “My mate,” he breathed as you ran your hands down his back, and when you wrapped your legs around his hips, you felt his tail brush your ankle. Neteyam’s breaths were shallow as he rested his forehead against your shoulder, both of you needing a moment to adjust.
You were finally tied together the way you always should have been.
Together.
Connected.
One.
“’Teyam,” you breathed once you had adjusted and you cupped the back of his head.
He knew exactly what you needed and he nodded as he pulled halfway out before thrusting back into you and started a slow rhythm, soaking in every feeling of you. You had never felt so connected to someone and you melted at his touch, unsure of where you ended and he began.
His movements were slow but sure and you were consumed with the feel and smell of him. He filled you in a way you didn’t know you could be filled and you could feel yourself get closer and closer to that high with his every movement.
It wasn’t long until your moans grew louder and you dug your nails into his shoulders as your tail thrashed against the moss. When you came, your veins were filled with warmth, a warmth that only Neteyam could feel as his hips stuttered. The feeling of his mate cumming around him was indescribable and it pushed him ever closer.
He fucked you through your high before he picked his pace up, searching his own high. It wasn’t long before he came, too, burying himself deep inside you as he filled you up. You gasped at the feeling and pulled him closer, needing every piece of your mate you could get.
Neteyam smiled into your neck as you both caught your breath, and he pressed a light kiss to your skin before he pulled back to look at you with a soft smile. “We are mated before Eywa,” he breathed and cupped your jaw.
You leaned into his touch with a soft smile. “We are mated for life,” you replied, making his smile widen.
“My mate, my beautiful mate,” he smiled and rested his forehead against yours as you both soaked each other in.
You stayed with your forehead against his as your highs melted away, and slowly Neteyam pulled out of you, murmuring a soft apology when you whimpered at the loss of him. You could still feel his every breath and heartbeat, just like he could feel yours, and when he reached to break the bond, you shook your head. “Can we stay like this?” You asked softly.
Neteyam dropped his head as he nodded and he gave you a small smile before he kissed you softly. His every touch felt like home and you melted into him. He ran his thumbs over your cheek as he looked at you, his eyes full of love for you before he let himself settle behind you. His chest was warm against your back as he wrapped his arms around your waist and you smiled to yourself as you leaned back against him.
You could feel his breath and his heart and the entirely of his being.
Whole, you realized, you felt whole. Neteyam was your other half, the part you hadn’t realized you were missing. Your everything.
The bond was a beautiful thing.
You smiled as you melted back against him. Your eyelids were heavy and it was easy for sleep to claim you, and when it did, you dreamt of your future with Neteyam—the way you’d grow together and the son he’d give you—and you smiled as you slept, unaware that Eywa had shown Neteyam the same dream.
--
When you woke to the sunlight streaming on your face the next morning, Neteyam was already awake, just soaking in the feeling of you, your braids still conjoined. He smiled when he realized you were awake and guided you onto your back so he could look at you as he rested on his side.
“Good morning, my mate,” he smiled softly.
“Good morning, my mate,” you repeated and reached out to cup his cheek. Neteyam leaned into your touch, making you smile as you ran your thumb over the arch of his cheek.
All he wanted was to stay wrapped up in you forever, but he knew you both had things to do and expectations to meet. “We should head back to the village,” he whispered and you sighed before nodding.
“We should,” you agreed, even if all you wanted was him.
He nodded and pressed a soft kiss to your lips before he asked to separate your braids. You didn’t want to, but you nodded and let Neteyam pull his braid from yours. You gasped at the break, feeling colder than you did a moment before, but even without the bond you could feel Neteyam. It was nowhere as strong as when your braids met, but he still lingered in the back of your mind and you knew you lingered in the back of his. You gave him a soft smile as you trailed your hand down his arm and he grinned at you, so in love with you.
It wasn’t hard for both of you to redress, through it did take you a few extra moments to clean your thighs, which made Neteyam smirk as he watched you, both of you taking your time, neither of you wanting the moment to end.
You had left the village as individuals, but now you returned as a mated pair. You held his hand as you let him guide you through the village toward his parents, toward the Olo’eykton.
As the Olo’eykton, it was his duty to know of every newly mated pair, and had it been anyone but his father, you wouldn’t have been so nervous. Sure, it was soon after his iknimaya, but he was still a man. But it was Neteyam’s father and Neteyam was the next Olo’eykton, making you, his mate, the next Tsahìk, and you couldn’t disappoint his family, or the People.
To no surprise, his family was already awake. Village life always started early.
“Neteyam,” Neytiri started when she laid her eyes on her oldest son, but her next words died on her tongue when she saw him holding your hand. He didn’t have to say anything for her to know. At his mate’s voice, Jake looked over and the corner of his lips twitched up as he saw his eldest son, already sensing his earlier intuition was correct.
“Mother, father,” Neteyam said and dipped his head to his parents, his hand never leaving yours, “I am taronyu now,” he continued. “Which means—”
“You may now choose a woman,” his mother finished for him, thinking back to the night she told Jake the very same words.
“Yes,” he breathed before he glanced back at you with a smile. “And I have.”
“You have?” Jake asked and Neteyam nodded as he looked to his father.
“We are mated before Eywa.”
His mother took a sharp breath in, not in disapproval, but out of realization that her eldest son had truly become a man and had left her nest. Jake touched Neytiri’s arm to ground her as he nodded to his son. “We’re happy for you,” he said for the both of them before looking at his own mate, encouraging her to say something.
“We are,” she breathed and stepped forward to cup Neteyam’s cheek. “My son,” she whispered and ran her thumb over the arch of his cheek.
Neteyam smiled at his mother before he nodded and pulled back from her touch, his smile widening as he looked at you and let his tail brush yours. Jake nodded at the interaction before he smiled at you, “welcome to the family.”
Your smile widened before you dipped your head to him. “Thank you, sir.”
“Nah,” Jake waved his hand. “It’s Jake.” He told you, though one day you’d come to call him ‘dad.’
You were welcomed into the Sully family with open arms. Neytiri had her reservations, as would any mother, but Jake adored you. He saw how deeply you cared for Neteyam, and how deeply Neteyam cared for you, and though he’d never admit it, Jake could see him and Neytiri in you two.
Neteyam’s youngest sister, Tuk, adored you and though Neteyam was her best friend, you were a close second. Kiri was happy to have another sister, and one closer in age than Tuk. And Lo’ak…
Lo’ak treated you like you had always been there. He didn’t hesitate to make fun of you like he did for the rest of his siblings, and he certainly didn’t hold back as he made fun of you picking Neteyam for your mate. It always made Neteyam roll his eyes and, more often than not, call his sibling a skxawng, but it made you smile because it meant you were truly part of the family and you loved it.
The bond was beautiful, as was the family you gained with it.
The problem was, nothing stayed perfect forever.
Everything changed the day Jake realized there was one too many stars in the sky.
Twenty years before, Toruk Makto led the clans to victory over the Sky People, all Na’vi knew his story, but the war was over, something of the past, something that had come and gone before either you or Neteyam were born—or it was supposed to be anyway.
The Second War against the Sky People was more intense than you could have ever imagined, with the guns and the fire and the relocation and the devastation and the death—so many deaths.
A very capable hunter, Neteyam was always involved in the war effort. A spotter. He tried to reassure you that it was the safest role he could have, that he wasn’t on the ground on the front lines, but it didn’t make you feel any better. There was no “safe” in a war. And you had seen too many of your people die.
As the mate of the next Olo’eykton, you could be the next Tsahìk, so Mo’at had taken you under her win, teaching you so you could one day take her place. So, unlike your mate, his parents and his brother, your role in the war wasn’t out there but back at home as you worked to heal the wounded—and make comfortable those who would be welcomed into Eywa’s arms.
You knew your role was important, but it was hard. It was hard to see the devastation and the death, and it was hard knowing your mate was out there and could just as easily be the next person who came through the tent flap in need of help.
You could never breathe deeply, let alone eat or drink, until he was home safe.
And the day he came back home bruised and bloodied, you dropped your tray of herbs before you rushed to him, even as Jake scolded him and Lo’ak.
“I’m fine,” he told you softly, but the blood on your hand said otherwise.
“You are bleeding, he is bleeding,” you said as you turned to Jake after he finished his little speech. “I am taking him to Mo’at.” Neytiri backed you up, also worried for her son, so Jake dismissed him and you heard Neytiri arguing with him as you led Neteyam toward the healing tent, your hand on his back.
“I’m fine, truly,” he repeated once you two were out of earshot of his parents.
“You are hurt,” you replied softly and stopped to look at him, taking his hand in yours. “My heart aches seeing you hurt.”
Neteyam gave you a soft smile and rested his forehead against yours. “I am fine, my mate,” he said before he kissed you. “I feel no pain when I am with you.”
His words made your heart flutter and you retuned his smile. “You still require healing,” you replied and led him to Mo’at’s tent where Kiri was helping her grandmother.
You knew you should help Mo’at, but you couldn’t find it in you to leave your mate’s side. Kiri knew what to do, she was even better than you were, and you were more than happy to let her assist Mo’at while you held Neteyam’s hand, the end of your tail curled around his ankle.
Your heart ached every time he winced at the sting of the antiseptic and you squeezed his hand as you watched Mo’at and Kiri. His wound looked worse than it was, and you let out a relieved breath as they finished up.
“See?” Neteyam smiled weakly. “I’m okay.” You shook your head but still thanked Eywa that your mate was alright.
Still, you struggled to find sleep that night, your mind consumed with the what ifs of your mate’s injury. It would be too easy for his injury to be worse, for him to be taken from you. You had seen too many lose their mates the last year and had their blood curling screams as their hearts shattered beyond repair permanently imprinted in your memory.
To lose a mate was a fate worse than death, and you knew you’d never survive it.
Neteyam healed quickly from his wounds and Lo’ak was grounded for his recklessness. Neteyam was back on his ikran long before Lo’ak was, and without his ikran, without being involved in the war, Lo’ak somehow managed to create even more trouble as he convinced his siblings to return to the old shack.
It was a harmless intention born out of boredom and frustration, but the results were life altering.
It was Avatars. New Avatars. In tactical gear. They managed to get Lo’ak, Kiri, Tuk and Spider under their knives and you didn’t want to think of what could have happened if not for Jake, Neytiri and Neteyam. But Jake knew they’d never stop hunting them, hunting his family. They may have won the battle, but the war still raged.
Everything changed after that, after they took Spider.
Jake and Neytiri knew the People would never be safe as long as they stayed with them, so they had to leave.
The words were like stones in Neteyam’s heart as he told you his family was planning to leave.
The Forest was your home, the only place you ever knew, the only place you ever wanted to know. The Forest was where you were born, where you grew up, where you fell in love with Neteyam, where you were supposed to raise your children.
Neteyam could sense your hesitation. “My father said it was for the best. He said that the Sky People are hunting us and not the People, so if we leave, the People will be safe,” he explained as he took your hand in his and brushed his tail against yours. “But I will stay with you if you ask me, my mate.” He would follow you to the end of the world if you asked.
You tightened your lips as you thought, but it was an easy decision. Just a painful one. “I go where you go,” you told him softly and squeezed his hand. “You are my home and my future, Neteyam.”
In hindsight, you really wished you had asked him to stay.
You packed your things onto your ikran and your heart ached as you said your goodbyes, but Neteyam was your mate. You couldn’t be without him.
Neteyam flew by your side as you left the Forest and even without touching him, you felt his comfort and you gave him a soft smile. As long as you were together, you’d be alright.
In the end, you found sanctuary with the Metkayina, the reef people.
It was hard to learn their ways, it was hard leaning the way of the water when the Forest was all you knew, but what you didn’t expect was how hard it was to see Neteyam lose his battle belt. His whole life he had been working toward it, working to become taronyu and earn his place among the People, and he barely had it a year before it was taken from him; before his symbol of manhood was taken from him.
Neteyam may have been taronyu, a man, among the Omatikaya, but you were Metkayina now and the iknimaya of the Omatikaya meant nothing here. He had to learn the way of the water and earn his place among the Metkayina before he’d be seen as a man.
Like Jake, Neteyam’s ears dropped as his belt was taken away and you did your best to steel your shoulders like Neytiri. You both had to be strong for your mates.
None of you were seen as adults among the Metkayina, but rather as children. It frustrated some more than others, like you and Neytiri. Neteyam took after his father and tried to take the transition in stride and did what he could to fit in.
And if the relocation and the helpless feeling wasn’t enough, you were sick a few times after the transition. Initially, you blamed it on the dietary shift. Sure, fish had been a part of your diet before, but it was freshwater fish and something you only had on occasion rather than every meal of every day. It was easy to blame your sickness on the fish, you just didn’t realize that none of the others were getting sick. Not until you were shucking oysters with Ronal at least.
Ronal was the Tsahìk of the Metkayina. She saw all and she was especially hesitant toward you and Neytiri. Both you and Neytiri were being trained to become the Tsahìk of the Omatikaya, so it was natural for you both to resume your training with Ronal, she just wasn’t overly fond of the idea.
Ronal let it go the first few times you gagged at the smell of the oysters before she sighed. “Have you mated recently?” She asked without looking at you.
Your eyes bugged at the question. “Why do you ask?” You replied and stopped shucking to look over at her.
“Because I am wondering if you are with child,” Ronal replied, and the knife slipped from your hand.
“What?” You asked breathlessly.
“With child,” she repeated simply. She had had two children of her own with a third on the way, and she had helped to deliver more babes than she could count. She knew the signs well and given the amount of time she had been spending with you over the last couple weeks, she could see them in you. When you didn’t answer, Ronal looked over at you, “it is a simple question. Have you mated recently?”
Your ears went back as you blushed and nodded. Ronal hummed and put the oyster she was holding and her knife down before she stood and beckoned you up. She hummed as she looked you over before she touched your forehead and then your stomach.
“Food aversion?” She asked and you nodded.
“Fatigue?” You nodded again.
“Have you bled?” You thought about it for a moment before you ears went back further. You had been so focused on fitting in and your mate you hadn’t realized.
Ronal hummed and stepped back. “I do believe you are with child,” she said before she returned to her oysters like your world hadn’t just shifted on its axis—again.
Your hands shook as you gently touched your stomach.
Pregnant.
You—
You’d be lying if you said you couldn’t be, you certainly found comfort in your mate’s arms many, many times since the relocation. But pregnant? Now? Could there be a worse time?
Slowly, you pulled your hands back and took a deep breath to clear your mind and ground yourself before you picked your knife back up and reached for another oyster.
“There are other things to do,” Ronal told you. “If the small bothers you, you will be slow. Tsireya will provide you with a different task to do.” You wanted to take her up on the offer, but you could hear Jake’s voice in your head telling you not to cause trouble and pull your weight, so you shook your head.
“I will be fine.”
She hummed but wasn’t surprised when you gagged again a moment later and she cast a look in your direction. You sighed as you nodded and moved your basket of unshucked oysters over to her, “I will find Tsireya.” If she smiled as you walked away, well, no one had to know.
Everyone was still so focused on fitting in and you could see the way looking after Lo’ak and keeping him out of trouble weighed on Neteyam, so you kept the news to yourself. If you told him, he’d only worry about you more than he already did and you didn’t want that.
And, well, it was no surprise that Ronal wasn’t fond of you. Forest People. Outcast. Alien. But knowing you were with child made Ronal soften. She didn’t look at you with the same animosity she did the others, and every time she saw you, she was sure to ask how you were doing. The Sullys were smart people, and it didn’t take Neytiri long to put two and two together and realize something was up with you, but she kept her suspicions to herself as she kept a careful eye on you.
You had always been the more affectionate one in your relationship with Neteyam, always touching him or seeking to touch him, but now you were reserved. At first, Neytiri thought you two were fighting, but Neteyam assured her you weren’t, that it was just the move and the swimming was exhausting you and the fish wasn’t agreeing with you, which was true—it just wasn’t the whole truth.
It wasn’t that you didn’t want to tell him. You did, you just didn’t want to add to his already full plate, and then the longer you kept it a secret the harder it was to tell him. Between Kiri’s seizure and Norm coming and Lo’ak and Neteyam’s fight with Ao’nung and Payakan and the Tulkun, there just wasn’t a good time to tell him.
It was only after yet another dinner you couldn’t keep down that the truth finally came to light.
“You are unwell,” Neteyam said as he followed you toward your hut. It was the third time this week and he was tired of you constantly brushing it, and him, off.
“I’m fine, Neteyam,” you sighed. “It’s just—”
“The move? The fish?” He repeated your words back to you. “No, I don’t believe you. Have you spoken to Ronal? She is Tsahìk and she could help you.”
You hesitated before you turned back to look at him with tight lips before you sighed and took his hand. He gave you a concerned look as you guided him down to the beach where you could have some privacy. “Ronal can’t help me,” you said as you turned to face and gently fiddled with his fingers. “Because I am not sick.”
“It is just us, my mate, you never need lie to me,” he replied softly and used his free hand to cup your cheek.
“I’m not lying, ‘Teyam,” you breathed and covered his hand with yours before you guided it down to your stomach. “I’m not sick, I’m with child.”
Neteyam froze as he let your words sink in before he softened. “You are with child?” He whispered and stepped closer to you.
You nodded, “it’s horrible timing, but—”
“But nothing,” he smiled. “This is amazing news! We’re having a baby—the first of many I hope.” You were taken by surprise when he picked you up and spun you around, completely elated.
You laughed softly as you wrapped your arms around his shoulders before you patted him. “Enough, ‘Teyam, I’ll be sick again.”
“Right, sorry, my love,” he replied and sat you down, his smile never wavering as he touched your stomach again. “I’m just really happy.”
“I am, too,” you said softly and covered his hand before you kissed him softly. He cupped the back of your head to keep you close, but you both couldn’t stop smiling so you pulled back and rested your hand on his chest, feeling the familiar, comforting beat of his heart.
Neteyam wrapped his arm around you and pulled you closer by the small of your back before he rested his forehead against yours. “I would take you here and now on the beach if you let me, my mate,” he hummed.
“Anyone could see, including your parents,” you laughed.
“Then let them see,” he hummed and when he tried to kiss you again, you shoved him back, making him laugh loudly before he pulled you close again, the tips of his fingers brushing the base of your tail, knowing how sensitive it was.
“Once the sickness passes,” you told him and guided his hand back up to your back.
Neteyam softened and he nodded, “of course, my mate. May I at least hold you tonight?”
“I’d expect nothing else,” you smiled and let him lead you back toward your hut. Once Neteyam closed the flap, you rid yourself of your top—another sign of your growing baby was how swollen and sensitive your breasts had become and the weight of the beads irritated you in a way they never had before.
Neteyam groaned low in his throat as he knelt on the bed, “are you sure you don’t want me to pleasure you, my mate?” He asked softly.
“Maybe tomorrow,” you laughed and pulled him down next to you and you laughed when his hand managed to find your breast after he settled behind you. He didn’t try to do more than hold your breast while his other hand rested on your stomach, so you let him as you pressed yourself back against him.
The reef wasn’t the Forest, but it was nice and welcoming and you could see you two raising your children along the blue water and sandy beaches. Neteyam’s tail curled around your ankle and you smiled as you tried to press yourself closer to him. You could feel him smile into your neck and it was easy to fall asleep.
He was your everything.
This family was your everything.
And if you knew what would happen next, you would have fought sleep to soak in the feeling of his arms one last time. You would have memorized the beating of his heart and the rise and fall of his chest. You would have traced every dark line that decorated his body. You would have held him a little longer.
You wouldn’t have taken the moment for granted, expecting thousands more in the coming years.
But you didn’t know what would happen so you didn’t, and the ache of regret would eat at you for the rest of your days.
The bond… it’s a beautiful thing.
Until it isn’t.
--
The village was devastated by the hunting of the Tulkun by the Sky People. They were their spirit brothers and sisters, and Jake didn’t have to say it for you to know it happened because you were here. They weren’t hunting the Tulkun, they were hunting you. When Jake took the tracker from Neteyam, you took his hand and he tried to reassure you as he squeezed your hand.
“You tell the Tulkun if they’re hit by one of these, they’re marked for death.”
Jake’s words hung heavy in the air. Neteyam gave you a look that told you everything would be okay, but your stomach still twisted. You came to the Metkayina to hide; to keep your people safe. You promised them you were done with war, but the war still followed you—and at the cost of their spirit siblings.
And because nothing ever came easy, Lo’ak was determined to warn Payakan himself. Neteyam followed Lo’ak, knowing his brother better than anyone and his suspicions were confirmed when he saw Lo’ak gathering a saddle for an ilu.
He shook his head, a frustrated smile on his lips, “no way, you’re not going, baby brother.”
Lo’ak wasn’t having any of it. “I have to warn Payakan,” he told his brother firmly.
“No. You have to keep your skxawng ass here,” Neteyam replied, gritting his teeth. For once, could he just listen to him.
But Lo’ak never did. “He’s outcast. There’s no one to warn him but me.”
Neteyam shook his head as he clenched his fist. “Bro, why do you always have to make things so hard?” Neteyam said exasperated as he touched the top of Lo’ak’s’ head, but Lo’ak quickly shoved him off as his eyes hardened.
“No. You mean why can’t I be the perfect son like you, a perfect little soldier. Well, I’m not you, okay? I’m not you. He’s my brother. I’m going.” Neteyam clenched his jaw as he stepped back, his brother’s words cutting him like a knife. If he only knew the weight of his words, but he didn’t and he never would as Neteyam swallowed back the bitter words threatening to spill out and he steeled himself as stepped closer to his brother.
“Oh, he’s your brother? No, I’m your brother,” his voice was hard as he stared Lo’ak down, but Lo’ak didn’t concede and he scoffed before he dove in the water, heading for Payakan and Neteyam knew he had to go after him.
“Neteyam!” You called as you came up behind him and he shook his head.
“He’s going to Payakan,” he told you and you were hot on his heels as he summoned his ilu, as were Tsireya, Kiri, Tuk, Ao’nung and Rotxo. But when you went to summon your own ilu, Neteyam put his hand on your stomach to keep you back. “I need you here where you’re safe,” he told you but you shook his head.
“I’m going, Neteyam.” He opened his mouth to argue, but your look silenced him. Wherever your mate went, you would follow.
His tail flicked as he clenched his jaw before he nodded. “With me then,” he said before he dove into the water and you followed his lead. You quickly settled behind him on his ilu and wrapped your hand around his waist while he held onto the reigns of the ilu with one hand, his other hand reaching back to hold your thigh, keeping you against him as he followed after Lo’ak to Payakan.
By the time you got to Payakan, Lo’ak was struggling against the red tracker buried in Payakan’s back while the others tried to help. You and Neteyam were quick to jump on and help, but the tracker was in deep and you realized quickly that the demon ship was rapidly approaching.
“Call dad,” Neteyam said to Lo’ak. “Just do it.”
He didn’t want to, he knew the trouble he’d be in, so he hesitated before he called Jake. Lo’ak’s words were muffled as you all focused on the tracker. Your heart raced as you kept glancing between it and the demon ship. “Come on, come on, come on,” you said as Neteyam tossed a rope up to Ao’nung who wrapped one end around the tracker while Neteyam wrapped the other end around the reigns of his ilu.
“Please, Eywa, please,” you whispered as you pulled and pulled and finally the tracker gave, and you all fell at the release of tension. Neteyam was quick to gather the tracker as Lo’ak told Payakan to go.
“Go, I’ll draw them away,” Neteyam told you, making your blood go cold. When you opened your mouth to argue, Neteyam shook his head. They were after the tracker and Neteyam couldn’t have it anywhere near you, your baby, or his siblings. “Take Tuk, I’ll see you after.”
You had no choice but to nod and you gathered Tuk and Kiri on Kiri’s ilu and led them into the seaweed for cover, but the submarines followed you. Your mind raced as quickly as your heart as your ilu weaved between plants and leaves, desperate for any cover, but there wasn’t any to be had. There was too many of them.
The submarines swarmed you, forcing you off the ilu and you kept your eyes on Tuk as you swam toward an air pocket, Lo’ak and Tsireya right behind you while Kiri ended up with Ao’nung and Rotxo. “They’re coming,” Tsireya said and you were all quick to dive back under, but it was useless. The submarines could move faster than you could swim.
It was over when they launched the net at you. You didn’t realize it was coming until it was too late, the net already surrounding you and the air left your lungs as you began to panic. Lo’ak managed to escape before it caught him and he pulled at the net trying to rescue you, Tuk and Tsireya, but it was no use. The net scooped you up and dropped you on board the demon ship. Your vision swam as you tried to catch your breath, your lungs burning, and before you knew it, you were bound to the demon ship’s rail.
You watched as Tuk, Tsireya and Lo’ak struggled against the bonds but you knew it pointless. You were stuck. You were stuck and your mate was somewhere out there. You felt useless as the Metkayina attacked the demon ship. When you came and begged for sanctuary, you had promised them there would be no more war and now the war was here and they’d die because of your family.
You looked Tuk and your heart sank at the terror in her eyes, and you were so focused on Tuk you didn’t notice Payakan until he was on top of you, desperate to save Lo’ak.
All hell broke loose after that.
“Don’t watch,” you told Tuk. “Keep your eyes on me, okay?” Neteyam had always been her favourite family member, but you were a close second given you were his mate. Her cheeks were wet with tears as she nodded. “Just keep your eyes on me, Tuk,” you repeated.
It was only when Neteyam jumped on board that you were finally able to take a deep breath. A smile played on his lips as he cut your bounds, then Tuk’s, then Tsireya’s before he reached his brother and cut him free. “Who’s the might warrior? Come on, say it,” he grinned as he touched Lo’ak’s head before he turned back to you.
“Bro,” Lo’ak smiled and reached for a gun while Neteyam had his back to him.
“Go, get out of here. Take Tuk. Go,” Neteyam said to you.
“Neteyam—” you tried but he shook his head.
“Go,” he repeated, begging you to listen to him, and you clenched your jaw as you tried to lead Tuk away, and Neteyam kept his eyes on you, desperate to make sure you and Tuk were safe. But when he heard the familiar click of a gun, he turned back to his brother.
“We have to go,” he said but Lo’ak shook his head.
“He has Spider. Come on, bro, we can’t lose him,” Lo’ak said and headed into the ship.
Neteyam protested under his breath before he followed after his brother. Lo’ak always had to make things difficult.
At the same time, they managed to grab Kiri. Tuk’s scream for her sister would forever be imprinted in your memory, but you had to get her to safety. Jake and Neytiri would get Kiri.
Except, Tuk fought your hold on her before she slipped free and headed back for the ship. “Sullys stick together,” she said and you grumbled under your breath before you abandoned your ilu and headed after her, needing to keep her safe.
“This isn’t a good idea, Tuk,” you whisper shouted at her, but she ignored you, desperate to save Kiri, and you were sure to be quiet as you followed her.
“Kiri!” She called when she saw her sister, slipping under the bars as you both tried to break Kiri’s bonds, but it was no use and an Avatar was quick to bind Tuk to the rail next to Kiri before shoving you back into the water. Your heart sank and you wanted nothing more than to jump up and fight and rescue them and keep them safe, but when the bullets hit the water, you knew it wasn’t an option and you called to a nearby ilu and quickly jumped on. You’d have to find another way to rescue them and you circled the water looking for any sign of your mate and Lo’ak.
You were granted a moment of relief when you saw Tsireya, but it was short lived as you realized she was alone and your heart sank. Tsireya pulled her ilu up beside yours and pursed her lips as she shook her head. Neteyam and Lo’ak had to still be on board.
Your heart twisted before a flash of cold went through your body and you gasped for breath under the water, the air bubbling around you as Lo’ak, Spider and Neteyam jumped into the water above you, bullets still raining around you.
No.
No.
You knew it. Before he could even say it, you knew, the freezing cold blooming in your chest that left you gasping for air as you resurfaced in the water.
“That was insane, cous,” the voice was muffled in your ears.
“Neteyam,” you breathed and reached out to him.
“You skxawng, I’ve been shot.”
Panic coursed through your veins and you swore you didn’t breathe as you wrapped your arm around him to keep his head above the water, the normally clear water stained red with his blood. Too much blood.
“You’re okay, you’re okay,” you said to both him and yourself, even as the ice in your chest melted to a sharp ache that shot down your arm and Neteyam’s expression twisted in pain.
The panic in Lo’ak’s eyes mirrored your own as he helped you get Neteyam onto the ilu before he pulled you on too. “Shit,” he hissed under his breath. Neteyam was a mighty warrior, the best of his age, but he was weak in his arms.
“They have Kiri and Tuk,” Tsireya tried to tell him, but the words never really processed for him.
“We can’t go back,” he replied and raced for the rocks, Tsireya and Spider holding on to the side if the ilu’s reigns. You kept your hand pressed against Neteyam’s chest as you moved through the water and his hand gripped your wrist tightly, needing to hold on to you, needing to anchor himself to you.
It only took a minute to get to the rocks, but it felt like hours. Lo’ak helped you carry Neteyam as he gritted his teeth in pain. Your chest felt tighter with every passing second and you didn’t know if it was your own anxiety, or your mate slipping through your fingers.
Your hands shook as you moved around him and your ears started to ring as you rolled him onto his side. The shot was clean through.
“It’s almost always better for the bullet to be clean through.” You could hear Jake’s voice in your head and you laid him back and put pressure on his chest as you begged Eywa to help you.
It was almost always better.
Almost.
Neteyam’s hands were coated in his own blood and he looked up at you with wide, terrified eyes before he grasped your bicep, his grip nowhere near as strong as it was when he held your wrist.
“You’re okay, you’re going to be okay,” you told him, willing your voice not to shake so you could be strong for your mate. He breathed your name before he scrunched his face up like he was trying to get away from the pain. “You’re going to be okay,” you repeated before pulling your eyes away from his as Jake and Neytiri settled around you.
“No, no, no,” Jake whispered as he perched across from you.
“Clean through,” you told him before he could ask, your ears back and hands red with Neteyam’s blood, and your heart dropped at the way his ears went back. “No,” you whispered, unable to muster your voice any louder before you looked back at your mate. He had to be okay.
He had to.  
“You’ll be okay,” Neteyam told you as he struggled to force air into his lungs.
The ache in your chest began to ease to a fuzzy feeling and you shook your head. “No, no, Neteyam.” You couldn’t lose him. You couldn’t. You wouldn’t survive it.
“You’ll both be okay,” he breathed, his voice softer than a whisper as he dropped his hand to your stomach.
“I see you; I love you,” you told him, desperately trying not to cry and you pulled one of your hands from his chest to cup his jaw, your thumb tracing the dark line that decorated the arch of his cheek.
“I know, I—”
Neteyam never finished his sentence and his hand dropped from your stomach, leaving a bloody handprint in its wake.
You felt the moment he died.
The warmth, the comfort, the unmistakable feeling of him, fizzled out, replaced instead with an unshakeable feeling of emptiness.
This wasn’t how it was supposed to be.
This wasn’t how it was supposed to be.
This wasn’t how it was supposed to be.
You were supposed to spend your life with him.
It was supposed to be you and him.
You and him.
You were lightheaded as you settled back on your haunches, your hands red with his blood and Lo’ak caught you as you swayed.
Numb.
The only way to describe the feeling was numb, like he had taken your soul with him when he died, leaving nothing but an empty shell in his wake.
And maybe he had.
The bond is beautiful, that’s what they tell you. But they never tell you of the anguish that comes with it.
You could separate your life into before Neteyam and after Neteyam. The before wasn’t important, it didn’t matter, because Neteyam was your world. He was your everything, your world spun on an axis of you and him. The People say you’re born twice, once when you are born and then again when you find your place among the people, and you were born again the day Neteyam chose you. And now all that was left of your mate was his bloody handprint and the world had the audacity to keep on spinning.
The ringing in your ears drowned out Neytiri’s blood curling scream for her first-born son, and you slouched into Lo’ak as you kept your eyes on Neteyam’s. His beautiful, golden, lifeless eyes.
You didn’t hear Jake ask Lo’ak where his sisters were. You didn’t hear Tsireya tell him they were on the ship. You didn’t hear Spider tell him to follow him. And you certainly didn’t hear Jake tell Lo’ak to stay and that he had done enough. You didn’t hear any of it as you kept looking at your mate, unable to pull your eyes away, no matter how painful it was.
This wasn’t how it was supposed to be.
You only heard Lo’ak tell Tsireya he was going because he pulled back from you, jostling you enough to pull you from your trance to steady yourself. “Lo’ak, no,” she replied desperately, but there was no stopping him as he dove back into the water, leaving you alone with her and your mate’s dead body.
You didn’t know how long you two sat there in the silence, it could have been seconds or minutes or hours, before Tsireya broke it. “We should wash your hands,” she said softly.
You curled your hands into fists. You didn’t want to. Washing the blood off meant losing the only tangible part of your mate you had left. But you knew she was right, so you nodded and you moved on autopilot as she led you to the edge of the water. Your gaze was blank as she washed Neteyam’s blood off your hands, but you drew the line when she reached for your stomach.
“No,” you said sharply and gripped her wrist before she could touch you. Her ears went back as she nodded before she took your hand in hers as you sat back on the rock.  
You felt both empty and heavy at the same time as you sat there before Tsireya found her voice again. “I’m so sorry,” she whispered, unsure of what else to say.
Your ears went back as you nodded, not trusting your voice. You opened and closed your mouth a few times before you looked over at her. “You and Lo’ak deserve better,” you whispered and touched your stomach, desperate to remind yourself of something worth living for.
Her ears went back even further as her shoulders dropped, but she followed your hand with her eyes. “He—” she started before she stopped herself. “Are you?” She asked instead.
You nodded again before you looked over at her with tears streaming down your cheeks. “I can’t do this on my own. I can’t do this without him.”
Her shoulders dropped as her ears went back again. She couldn’t imagine what you were feeling. “You won’t do this alone,” she told you softly. “You have the village behind you.”
You knew she only meant to comfort you, but her words only reminded you that Neteyam would never meet his child. “But I need him,” you whispered before you pulled your hand from her and pushed yourself away from the water’s edge.
Your heart broke all over again as you looked at your mate, laying there lifelessly, blood staining his beautiful blue skin. His eyes were still open as they stared at the sky above—at nothing. You couldn’t help the sob that escaped you as you looked at him before you reached out and softly closed his eyes. He’d look like he was sleeping, if not for all the blood.
But despite all the blood, you laid down next to him and gently put your head on his chest as you curled into him, your tail wrapping around his ankle.
His chest was silent and still and you wept into him, begging Eywa to give him back.
But she didn’t.
His chest never rose, his heart never beat, his skin never warmed, and his eys never opened.
He was gone.
Your beautiful mate was gone and there was nothing you could do to get him back.
--
The funeral was harder than you expected, having to say goodbye to his body as you, Jake and Neytiri lowered his body down to the Cove of the Ancestors. You knew that he was gone, that your mate was gone, that it was just a shell of his being, but you still wept, your tears burning your eyes more than the salt ever did.
Your lungs burnt as the air left you as you watched as the cove took his body, wrapping around him as it slowly consumed him, and just like that, he was gone, a piece of the ocean.
The way of water has no beginning and no end. The sea is around you and in you. The sea is your home, before your birth and after your death.
The first thing anyone heard when you resurfaced was your sob and you let Neytiri hug you as you sobbed into her shoulder. “My child,” she whispered as she held you close.
“It’s not fair,” you managed to get out between sobs.
“I know,” she whispered, her heart just as broken as yours.
Eywa holds all her children in her heart, but all you wanted was to hold him in your arms.
--
And if you thought the funeral was hard, visiting the Spirit Tree was even harder. Jake and Neytiri had gone soon after the funeral but took you days to get the courage to visit, to visit Neteyam.
Your tears disappeared into the salt water as you held your braid in your hand. Your heart ached in your chest, but slowly you let your tendrils connect with the Spirit Tree.
At first, all you felt was warmth as white consumed your vision, but then you were filled with the familiar view of the Forest, of your home. You smiled to yourself as you looked around, and just like that, Neteyam slipped out from between the trees, his battle belt and ikran eyewear on and your eyes watered as you looked at him, every bit the man you loved.
“Neteyam?” You asked and he smiled as he came around you, his tail wrapping around yours in a way he knew comforted you.
“Why are you crying, my mate?” He asked concerned he reached out to cup your jaw.
“I’m just happy to see you,” you told him breathlessly and you committed his smile to memory.
“I’m happy to see you, too, my mate,” he replied and you trailed your eyes over every mark on his body as your heart wept.
This wasn’t how it was supposed to be.
Neteyam was your everything, your best friend, your lover, your mate, the father of your child.
From the moment his braid meant yours, you felt him. You felt him in a way no one else could and no one else would. You felt his being. And too soon you had felt him go.
Memories of you two as children, growing up, becoming teenagers, and falling in love, flashed before your eyes and you took water into your lungs as you sobbed, forcing yourself to pull back from the spirit tree and returned to the surface, one hand treading water as you held your stomach with the other.
A boy, you thought suddenly, the Tsahìk abilities you had been training for finally showing themselves. You were having a boy.
The bond is a beautiful thing, but it’s also the most painful thing you ever experienced, the beginning and end of everything, of all that you are.
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ilikekidsshows · 5 months
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The Totally Spies-ification of Adrien
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Okay, it's been long enough that I can actually discuss how Adrien's slavery is depicted in the show without anger-fueled exaggerations and hyperbole. I want to discuss how Miraculous treats Adrien's slavery very flippantly and how it is, like everything in this show post-retool, all about Marinette. The show has a lot of stuff that hints that the writers intend for Adrien to be viewed a very certain way. I believe the writers made Adrien a slave for Marinette’s benefit and I will explain how I came to this conclusion.
I’ve joked before about how Astruc has worked on Totally Spies, “one of the kinkiest cartoons ever made”. I’d like to tackle this idea and how it relates to Miraculous more seriously. I’d like to tackle the topic of titillation and how it relates to how this show approaches slavery with such flippancy. My claim is that Adrien being a slave is not meant to be horrifying, which is why the story doesn't treat it as such; it's meant to be titillating.
I usually don't use Read Mores, since they can lead to broken links later, but this is really long. Strap in, folks.
Titillation for the context of this analysis means “content with the intention to excite romantically or sexually”, basically it’s about “kinky” stuff. The purpose of talking about sexuality in relation to Miraculous is not to paint the writers as some kind of fiends, but to present the fact that many teenagers are curious about romance and sex and will think about sex unprompted. This means titillating content in cartoons doesn’t even need to be related to sex to be titillating. And Astruc has a history of putting titillating stuff in his work, with Totally Spies being a very notable example of how you can include non-sexual titillating content in a kids’ show.
It all comes down to expected audience reactions. Adrien is meant to be sexy. I don’t mean that in a “the writers think this is sexy” way, but a “the writers think the projected audience of straight teenage girls will think this is sexy” way. He gets put into bondage three times in ‘Copycat’, ‘Anti-Bug’ and ‘Reverser’ and all three times the camera seems to like to show him off. He is meant to be an object of attraction for the audience. The people criticizing this show have been pointing out how Ladybug's costume accentuates her butt for years, but this is not something that occurs with just Ladybug. When he isn't posing for the viewers, Cat Noir gets whacked around by Akuma’s a lot, but a lot of the time it ends with him in a prone position that is also titillating, in ‘Pixelator’ it goes as far as having his butt jut out. However, the idea that Cat Noir is the one who gets hit when an Akuma needs to show off how dangerous they are is also part of the power dynamic where Marinette or Ladybug gets to show off, so it’s not purely for titillation, which is why other examples, like ‘Stormy Weather’ are more comedic.
It’s likely that Adrien-as-Adrien doesn’t get to participate in the show’s slapstick much, since that aspect of the character is presented as the perfect beauty, a role usually reserved for female characters who only ever get a little bit flustered or banged up to make sure they keep looking attractive. Marinette screams "waack" and runs face first into a wall in the same episode where the silliest thing Adrien gets to do is sneeze (Mr Pigeon). Adrien is meant to be attractive, sexy, titillating, in different ways in his different forms. As Cat Noir he is more active and more sexy, as Adrien he’s more passive and pretty, much like how female love interests can fall into these categories. It’s the Betty and Veronica dichotomy; in the Archie franchise Betty and Veronica are shown as the wholesome and sexy romance options and the reason the writers go out of their way not to resolve the love triangle is to keep the appeal of these both options going. People’s tastes differ, so it would alienate some audiences to pick one over the other. With Miraculous they solved the problem by having the two romance options be the different identities of a single character.
Frankly, as of the season five finale, Adrien is approaching “sexy lamp” levels of replicating sexist ways of writing a female character but just changing the gender. What else do you call him lying on the floor in despair while his love interest gets his superpowers and uses them to beat up his abusive father, while somehow being perfectly fine and happily kissing Marinette later after said father is dead and gone? Adrien’s trauma is debilitating when it serves the writers’ purposes, but stops being a problem as soon as they need him to smile and look pretty. The main reason Adrien’s trauma is so inconsistent is so that he can act as Marinette’s trophy so that Marinette has somebody to kiss in the final shot. If Adrien was despairing about not being good enough for her, or grossly crying about being an orphan, Marinette wouldn’t have a fun time kissing him. And if Marinette isn’t having fun, the members of the audience projecting onto her aren’t having fun either.
Speaking of how Adrien’s depiction relates to Marinette, here comes the controversial part of this post: while Marinette is not depicted as a literal slave owner in-story, narratively, she is very much treated as Adrien's owner from a meta perspective. We, the viewers, are meant to see Adrien as Marinette's property, and the twist of Adrien being a part of a slave race in a dynamic where Marinette holds all the cards is meant to be a good thing. We have been primed to view everything about Adrien to actually be about Marinette, because Marinette is the center of the universe of Miraculous and Adrien belongs to her because he’s the main character’s love interest. Adrien being revealed to be a slave that Marinette could control but then chooses to “merely” manipulate is meant to be glorifying to Marinette and titillating to the viewer. I will elaborate.
Marinette has been incredibly possessive of Adrien since day one and she is only occasionally depicted as being in the wrong about this, when she goes too far by the show’s standards. She stalks Lila and Adrien whenever she sees them hanging out together and she’s unreasonably jealous of Kagami. The only time she is depicted as being in the wrong is not when she's sniffing Adrien's pillow after breaking into his room, but when she actually bullies Kagami out of jealousy, and even that is depicted as more of an unfortunate misunderstanding than Marinette actively doing something wrong. Marinette is more sympathetic towards Kagami when she finds out she and Adrien aren't as close as she thought, that Kagami’s pursuit of Adrien is more hopeless than hers. Basically, Marinette is only in the wrong because Kagami isn't a threat, not because she was doing anything wrong by bullying her to defend her “territory”.
This gets flipped near the end of the season, though. When Adrien and Kagami do start dating, it's depicted as this big tragedy even more so than Master Fu losing his memories. Master Fu going missing is an afterthought, while Adrien choosing someone else over Marinette is the big “darkest hour” moment of the season three mid-finale, the cliffhanger moment of her crying in Luka’s arms while all hope is lost. Marinette isn’t directly crying about this, she is crying from “all the pressure”, but Marinette breaking down happens immediately after a scene of Kagami leaning in to kiss Adrien that has a somber dirge playing in the background. The first part of the finale has everything going wrong at the end; Master Fu is missing, Chloé gets willingly Akumatized, Marinette breaks down, and Kagami leans in to kiss Adrien. These scenes being put closely together is telling us that these are all bad things to happen.
Adrien ending up with Marinette is a given, but it's also taken for granted. Every girl with an interest in Adrien is depicted as an antagonist, while Marinette can do whatever she wants in pursuit of Adrien and will still be morally correct. Chloé and Lila, even Kagami to a degree, are villainized for their attraction to Adrien in a way Nathaniel, Luka or Zoé are not with their attraction to Marinette. Chloé and Lila are full-blown villains while Luka and Zoé are some of the most selfless members of the cast. Kagami is aggressive and socially awkward in a way that is used to justify Marinette's initial distrust and dislike of her (in ‘Ikari Gozen’ Alya voices her pity towards Marinette for having to spend time with her) while Nathaniel is just the pitiful bullied loner who’s still a liked member of the class friend group. Girls who want Adrien are bad for trespassing on Marinette’s territory and trying to “steal” something that “belongs” to Marinette.
The writers thinking Adrien belongs to Marinette is also not just subtext. Later in season five, when Marinette and Adrien finally start dating, Marinette even outright states that Adrien “kinda does a little” belong to her when she’s scared that Zoé has a crush on him. The fumbling of the line means that the writers are aware of how toxic it is to consider your partner your property, but they want to include that sentiment anyway, because that’s how they view the situation. Marinette’s boyfriend is her property and other people can’t even look at her property. ‘Emotion’ continues on this increased possessiveness by having the entire Marinette plot happen because she can’t conceive Adrien keeping things from her, because he isn’t allowed privacy from her while Marinette lying to Adrien (or Cat Noir) is a show staple.
This same attitude of Adrien not being allowed to have romantic options outside of Marinette has also been in the fandom for years. Every time a new female character was introduced, there was a worry that she’d “try to steal Adrien from Marinette”. Marinette and Adrien are endgame, the writers know this and the fandom knows this. The characters don't know this, but it doesn't matter because Adrien was already seen as Marinette's (future) boyfriend even back in season one when he barely knew her. And this attitude the writers and audience have is extended to the characters more and more as the show goes on, as almost every single character becomes an Adrinette shipper in support of Marinette in season five, while no one thinks to ask Adrien what he thinks about this. Only once, in ‘Desperada’ did Alya suggest that Adrien could make his own choice on who to date, but it was implied the choice should be Marinette specifically (Marinette smiles at this, while Kagami frowns). The cast is lucky the writers have decided Adrien already is Marinette's, or he’d be really uncomfortable.
Season five episode ‘Pretension’ goes as far with this as having Marinette basically ask Gabriel for permission to be with Adrien, convinced that she and Adrien can be together with no problems if she can just get him to approve of her. And then Gabriel tells her he’s promised Adrien to Kagami. You know, like a piece of property women were treated as before women were allowed to live without a man to control them. The finale then ultimately does have Gabriel agree to hand Adrien over to Marinette by dying and leaving her in charge of Adrien. Just because she uses the privilege to do some things for Adrien’s benefit doesn’t make what happened any less of a patriarchal transaction. In fact, the writers wrote it that way on purpose, with the knight and princess parallels they set up between Marinette and Adrien earlier in the show being something they are prominently proud of (the “reverse fairytale” as they put it). Adrien is the princess the dashing hero Marinette gets to earn with her feats of bravery; he’s handed to her like a piece of property and Marinette is too happy with her acquisition to even be outraged on Adrien’s behalf. And Adrien wasn’t even allowed to know about any of this, instead it gets handled solely between Marinette and Gabriel, like his opinion on the matter didn’t even matter. And why would his opinion matter, since he already is ready to promise himself to Marinette, even as the writers deny him the agency to actually make such a promise.
The goal of making it obvious that Adrien is cool with being objectified like this is probably why they make Adrien so obsessed with Marinette in season five, constantly repeating her name to himself and saying stuff like: “I can’t stop thinking about you” in ‘Pretension’. They need to drive it home to the audience exactly how okay Adrien is with everyone forcing him to be with Marinette. After all, you can’t force the willing. As of ‘Confrontation’, Adrien’s official goals for the future are: “I love Marinette Dupain-Cheng.” I guess, from the perspective of the writers, the childhood dream of wanting to be what his parents wanted from ‘Wishmaker’ wasn’t sad because of Adrien’s lack of agency; it was sad because he wasn’t forsaking all of his personal pursuits for Marinette specifically. As far as the writers are concerned, Adrien should only care about Marinette and nothing else.
This same entitlement is also present in Ladybug and Cat Noir's relationship. Every time Cat Noir is upset with Ladybug, like in Frozer, Glaciator, Syren, The New York Special or even Kuro Neko, they never talk about what caused it. This is especially blatant in cases where Ladybug has wronged Cat Noir personally, like Kuro Neko or the NY Special, where she never has to face up to what she did wrong because Cat Noir comes back because she “needs him”.  Cat Noir will always come back to her without her having to do anything because she is the main character and she says she needs him. He exists for her and her needs. He exists for her; it’s just another way he’s hers.
Speaking of how Adrien is treated affects Marinette, even Adrien’s trauma actually belongs to her in the writing.  I pointed out earlier that Adrien’s trauma shows up when the writers need to put him out of commission, but disappears as soon as he needs to be Marinette’s trophy, but it goes further than just inconsistency. The early seasons spend several episodes on how Adrien is being locked up by his father and unable to hang out with his friends and, between him and Marinette, Marinette is the one shown to be more upset and hurt by this. They don’t do this in every episode, as ‘The Bubbler’ actually does a phenomenal job of making Adrien’s upset actually about him, but the big point in ‘Glaciator’ is that Marinette is so upset that she can’t see Adrien that she accidentally leaves Cat Noir on read so he’s upset about that. Adrien is only upset because he didn’t get attention from Marinette, while Adrien’s literal abuse at the hands of his father is only important because it makes Marinette upset. Even Adrien himself gets in on this action in ‘Conformation’ when the writers go as far as having Adrien chastise himself of not being more worthy of Marinette’s love when his dad is once again busy ruining his life. Even Adrien himself makes his abuse about Marinette; him being abused is bad because it’s inconveniencing Marinette and inconveniencing Marinette makes him less worthy of her.
‘Cat Blanc’ is possibly the worst offender of all, though. This episode should be all about how Adrien is abused by Gabriel, culminating with Gabriel turning him into a monster that destroys the world. And yet, what is the episode actually about? It’s about Marinette. The worst thing that could happen to Adrien is about Marinette. Only Marinette gets to remember or even know about the possibility of Cat Noir getting Akumatized and only Marinette is traumatized by it happening. After all that the writers later dare to use this event that didn’t actually happen anymore, that Adrien doesn’t know about, to justify him giving his powers to Marinette, because he’s “scared of getting Akumatized” when something like that has never happened as far as he knows. But the writers had him reason this way anyway, because apparently the culmination of Marinette’s character development in the show means taking Adrien’s power as her own and then failing to win even with that at her disposal.
Another note about ‘The Bubbler’ that has to be pointed out is that it’s also the first example of Marinette being presented as good for Adrien simply because she treats him better than Gabriel. The final scene of Marinette giving Adrien his best birthday present yet and letting him think it comes from Gabriel is done to show how selfless Marinette is by letting Adrien keep thinking good things about his abuser. This idea that Marinette is morally good simply because she’s better than pond scum Gabriel is also present in the season five finale, where Marinette manipulates, gaslights and keeps important information from her abused slave boyfriend. Marinette is presented as being in the right because at least she didn’t literally control him with a magical geas like Gabriel did and gave him the object with which to do so (while notably not telling him what it does). Marinette will do the bare minimum of not taking literal ownership of Adrien and we’re meant to see her as a paragon of goodness for it, while she still has no respect for Adrien’s autonomy and hasn’t had any since the show started.
The way the Sentimonster “reveal” is handled shows this utter lack of respect for Adrien’s autonomy that the writers, and Marinette by extension, have. The reveal is not for Adrien, but for Marinette, just like every other piece of Adrien has been made to be about Marinette. Marinette gets to know and she gets to decide if Adrien gets to know, and she decides “no”. She will manipulate him and lie to him to keep him happy for herself, she will keep important information about him to herself that he might never find out if anything happens to her, because Adrien is hers and no one else’s and she has the right to make that decision because the world revolves around her because the world of Miraculous was created to be her playground. “Adrien” is just a toy on that playground for Marinette to play with as the writers see fit.
Now we’re coming back to Adrien’s role as the sexy, titillating love interest character that I talked about at the start of this essay. If Marinette granting Adrien the bare minimum of freedoms as a slave while manipulating him “for his own good” is meant to be a good thing, why is Adrien even a slave? Well, outside of the writers wanting to add a plot twist that doesn’t come with any messy plot they’d have to write about characters other than Marinette, Adrien being a slave is also meant to be titillating. What really is magical super slavery than very, very off the wall bondage and power play stuff? The idea that Marinette could rob her love interest of his free will with ease but won’t because she cares about him so much is very empowering in two different ways. It gives Marinette all the power in the relationship and it makes her out to be such a good person that even having ultimate power over another person won’t corrupt her. Adding to that, we have Adrien’s people pleaser abuse victim personality, which makes him fawn over the people he loves. If Marinette ever wanted to have control over Adrien, Adrien would give it to her of his own volition, no need for magical super slavery or unbreakable geases.
As I stated earlier, Marinette is meant to be the point of view main character the audience of teen girls projects themselves onto. So, really, Adrien’s slavery and abuse responses are all about that fantasy of having a cute boy you have all the power over but not needing to use it because the boy is so nice and devoted to you anyway. Adrien really is “perfect”, the perfect object of attraction, a being who technically has free will but whose free will you never have to take into account because he’s been designed and trained to value other people’s wants and needs over his own.
Marinette doesn't literally own Adrien within the story, but the writers make it very clear that they think she should. In fact, in all ways except the literal, she already does.
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i-heart-hxh · 4 months
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is Killua truly jealous of Palm?
Yes, I absolutely think he is!
It's never explicitly stated, but the subtext is so in your face in a few different ways that it's essentially not even subtext any more.
Togashi could have chosen so many different ways to portray the way Killua feels about the Gon/Palm date subplot, but making it clear over and over again how bothered Killua is by the whole situation absolutely reads as jealousy, especially within the larger context of the arc. Look at these especially!
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Togashi puts so much emphasis on Killua's expressions and distress throughout the whole subplot. Of course it's partly intended to be comedic, but this situation with Gon and Palm does have serious emotional weight for Killua as well--pulling out the needle, his breakdown in front of Palm, what she ends up saying to him after that, etc. I do think the exaggerated and extreme ways Togashi expresses Killua's feelings are intended to make the audience go, "Oh, he's really jealous, isn't he?"
People can argue Killua's reactions are just because of who Gon is on a date with (someone unhinged/violent and much older than him), or that it's just "concern" about Gon because of his nen situation, and those are both definitely aspects of what's going on here--but to reduce it down to only that ignores those deeper emotional impacts it has on Killua. I think the protectiveness aspect is something Killua uses to veil some of the other things he's feeling about it even though of course he is legitimately protective of Gon in this situation (and he has good reasons to be so). I also think Togashi himself uses the ambiguity to his advantage here, because if he put in romantic jealousy that was any clearer, would Jump allow it?
The way Killua goes immediately from the topic of going on dates/being freaked out about the prospect of Gon having been on dates before to feeling heartbroken because he wants to be with Gon forever the next panel is telling, in my opinion... (The English translation is a little vague, seems like it was intentionally toned down. In the original Japanese version he says he wanted to be with Gon forever.)
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Here's a post where @tjlnn22 and I discuss this weightlifting scene in more detail.
I firmly believe that a big part of Palm's role as a character is to get the audience to question the nature of Killua's feelings for Gon. Without considering this context, the way her character is set up from the beginning and what role she's intended to play in Chimera Ant Arc is confusing. But when if you look at her character as having been built for that role, suddenly her entire character and subplot makes sense. Here's an older post where OP talks about some of the framing of Palm's character, and then I talk in more depth about why Palm is written the way she is.
It especially makes sense when you consider that the date with Palm is one of the factors that destabilizes Killua's faith in his relationship with Gon, leading to him wondering if they're acting together as friends or just as teammates. Here's an awesome post @tjlnn22 put together and submitted to me on this topic, with specific details supporting this argument. I think this is an important part of the arc that gets overlooked, and I love how clearly it's laid out in the linked post.
Killua also acts dismissive of Gon worrying about Palm to the point where other characters comment on his behavior, which to me seems like another sign of jealousy and bitterness on Killua's part. Then when he encounters Palm again after her transformation, this is how he behaves towards her:
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Hands on his hips, full sass mode here. Again with the jealousy...
...And then shortly after this he proceeds to have a total emotional breakdown when he admits to himself that he thinks maybe Gon cares more about Palm than him, and that Palm might be the only one who can help Gon, rather than Killua. Of course there are more factors than this behind his breakdown, including him getting pushed away by Gon prior, but this is DIRECTLY the thought that leads him to start crying and then sobbing on the ground.
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The Palm subplot is one of the biggest things in the series that makes me confident that the romantic subtext around Killua's feelings is completely and utterly intentional. The way the whole subplot is constructed, the decisions Togashi makes around Palm and how she's presented as a character, the way Killua's reactions and emotions are emphasized with regards to it, and the significance of this subplot in the greater arc of Killua's character all show a great deal of thought and care, and it's hard to come to any other conclusion when looking at it carefully.
Thank you for asking!
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nattaphum · 8 months
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Mileapo’s interview with WorldY [08/29/2023] - highlights
*translated by google from thai tweets*
MileApo talked about KinnPorsche and their direction after that
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Apo: i don't feel that there is anything in me that has changed from the KinnPorsche era. Porsche is still in my flesh with his determination and ambition. When I finished playing KinnPorsche, I said to myself that I would no longer play roles that I didn’t like. I will only accept the roles that I feel like doing. Because during this lifetime from today until the last day, we don't even know when we’re gonna die, so I think that, from now on, I will only do what I want to do.
Mile: The more I listened, the more I understood in which direction my ideas were going. Now, like Apo, I just wants to play in the roles I’m interested in. Be with a team that feels comfortable while working and has the same passion.
Host: What has changed for you after becoming an actor?
Mile: it helped me to understand myself better, understand what comes in during filming and after filming, making it possible to increase my performance skills.
Host: Apo's near and long-range goal as an actor is…?
Apo: I want to be a world-class actor. If it happens or not, it doesn’t matter. But I just want to dream because I feel that dreaming is not a waste of money.
MileApo talked about ChatKhem
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Mile: Chat is a calm person. He has high survival skills and can overcome any difficulties,
Apo: Khem is a good-looking and talented person, but people only pay attention to his appearance.
Apo gives 80-99% similarity between himself and Khem’s character. The other 1% may be the difference in the context of the social environment. Khem is not playful but bright and serious. The difference is about the impatience, Khem is more impatient.
Host: what kind of tv series/movie would you like to try in the future?
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Mile and Apo both reply a ghost movie.
(Ps. In the past Mile said his dream was to act in a ghost movie and Apo said he wanted too but only to make Mile happy because Mile made Apo happy accepting to play in a period movie with him)
Apo: I often listen to ghost stories.
Mile: I listen to them often too 🌚
Host: What kind of fashion has Apo never tried but wants to try?
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Apo: Drag, I never tried it.
The clip below seems insignificant but i think it means a lot <3.
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Mile was talking seriously when Apo suddenly teased him by imitating his gesture. Mile was focused on the topic and his eyes were focused on the interviewers in front of him but he still hinted a smile to validate apo. This is sooo subtle but so important 🥹
On intimacy and closeness (x)
Host to Mile: what level of intimacy do you have with Apo, from 1 to 10?
Mile: more than 10
Host to Apo: what level of compatibility do you have with Mile, from 1 to 10?
Apo: more than 10 *laughs*
MileApo: *shake hands*
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sinimake · 4 months
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Now, it's Johnny specific headcanons! Read Kenshi's here
Took a gap year to earn his college funds, but when he got accepted into a film school, his family wanted him to sign up for the army. So one morning, he just went out, took an interstate bus, and started living on his own.
He worked many menial works here and there, barely surviving, so he started to enter underground cage fights in the night for quick bucks. The first time he got in the ring and the announcer asked for his name, he chose Johnny Cage on a whim.
His college years were wild. Almost always drunk every night bc he's landed a job as a bartender in a local bar. Alcohol is conveniently within arms reach and is an effective painkiller to the punches he took in the ring fights. That's when his addiction started.
He got his Johnny tattoo when he was shit faced and sad. He desperately wanted to shed Johnathan Carlton name off himself, so he marched into a tattoo parlor to have a permanent reminder on his chest. People think he's narcissistic to have his name tattooed so big on his body, Johnny never corrects the meaning of it bc it is better to be seen as an asshole than weak.
One really good perk of his bartender job was talking to the patrons and hearing their life stories. It really helped Johnny's acting career in the long run, where he understands his roles deeply and delivers the portrayals from heart.
He got a golden raspberry award for his The Flesh Pits movie. Threw the tropy out of the window once in anger but now he displays it along with his other achievement awards as a reminder.
He's an ambassador of many luxury brands.
He's very timely organized person where he plans his days down to every hour. Hates when there's a sudden change in his timetable.
When Johnny and Kenshi have a movie night, not only does he narrate what's happening in the scene, but he nerds out on what exact techniques of shots and lighting are used.
A big car enthusiast. Gives his cars the names that are in Mambo No. 5 by Lou Bega. (A little bit of Monica in my life—)
Snores in his sleep, specially when he's really exhausted.
His music taste is mainly girly pop, but sometimes he belts out on old school rock songs.
Loves improv acting. Sometimes, he drops in at random improv club nights to participate in one or two sets. It is always fun to see the crowd going "is that Johnny Cage? THE Johnny Cage?" whenever he goes on the stage.
A serial double texter. Will send you random ass pictures with no context or whatever. It is especially funny bc Kenshi can't see the pics, and the voice-over feature of his phone gives him the most obscure descriptions that have the man facepalming every time.
Is a big coffee guy but always gotta have them with milk and sugar bc he can't handle bitter taste of americano.
Has love and hate relationship with paparazzi cameramen. When he's out with the earthrealm defenders, his friends sometimes get the feeling of being followed. They say the concern to Johnny, thinking some outworld danger is hunting them or something just for the actor go "no worries that's just my regular paparazzi, Jeff. HI JEFF!! HOW YOU BEEN DOING TODAY?" "I'm fine! How about you, Johnny?", "WOULD YOU LIKE SOME COFFEE? IS HOT OUTSIDE!" "yeah."
^then sometimes it's like this: "CAN YOU GIVE ME A BREATHER FOR A SEC?! YOUR CAMERA CLICKING IS SO LOUD!" "MY RENT IS DUE!" "NOT MY PROBLEM!"
He's an ambivert. Quiet night ins are as much appreciated as parties. He needs winding down moments but will go batshit insane if he doesn't get at least one human interaction a day.
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mysterycitrus · 4 months
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All of your Bruce takes are so real and so true. It must break your back having to carry the weight of being the most correct batman account on this website. 🙏🏻 I love your thoughts about Bruce and Dick in particular and I was wondering if you had any thoughts about Bruce and Damian? Something about them is just… oh boy.
that’s very sweet but untrue, anon 🫰
i love damian and bruce's relationship, but it's hard to talk about without mentioning two other crucial people - talia and dick. for my own sanity i only accept damian's conception as a consensual act, so in this context talia is a fundamentally well-meaning person who attempted to protect her son from a violent life, and hid his existance from bruce until she felt he could be safe. damian loves and respects his mother. this is important.
dick, on the other hand, is really the foundation for their relationship. bruce spent like two weeks with this kid before he went on his timestream roadtrip and left everything behind for dick to juggle. contrary to popular opinion, i think it's a real disservice to act like dick taught damian to "be a good person" or like basic etiquette - a more realistic interpretation would be that dick taught damian that he didn't have to prove himself to be worth something.
the robin mantle from the time it was taken from dick has always been about proving yourself to bruce, to justify your role as his partner. always unfairly, mind (think how tim is treated vs. steph, for example), but damian is the first robin's robin. dick isn't a wayne, he's a grayson. there's an interesting point of comparison being that dick is the only robin who had a clear trajectory for his life prior to his parents dying - he was a core member of the worlds greatest acrobatic troupe - but he then left that path to become something else. damian is destined for the bat, but becomes robin instead, serving beside someone who achieved greatness by his own skill and kindness. damian has been told about his father, and here he is with someone who knows bruce better than anyone but also understands what robin means, better than anyone. i cannot emphasise how important i think dick being damian's first batman is for their own development. it's so so crucial to combat damian's perspective on family and blood. it's so important that he has that foundational knowledge of what robin means.
by the time bruce returns, damian has made tangible human connections in gotham. he's not the prickly, reactive kid that bruce first met. he's allowed himself to trust that the people around him have his best interests in mind. he knows that he isn't cared for because he's bruce's son - he's cared for because he's worth loving. his siblings aren't competition for affection or honour. he no longer sees bruce as an omnipotent force, and rather as a man he could learn to love. i think seeing bruce through both talia and dick's persepectives really helps with that.
bruce i think is confronted by the fact that for the first time in his life he can't try and hide behind the "im not really xyz's father" excuse. not that his adopted kids aren't his kids, obviously, but i do think he sometimes tries to lean on that as a crutch so he doesn't get attached (way too late for that lol). he loves damian, and there's a lot of fear about damian reflecting his worst habits, his most self-destructive behaviours back at him. maybe there's some fear about damian's history of killing, and how close bruce himself always feels to that edge. maybe there's misery about missing one of his kids growing up, again, like he's always a second too late to the important moments. bruce and damian are so similar, but this is bruce's second chance to be there. he is thomas wayne, emerging from the alley alive. do u think damian looks like his grandparents?
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iraprince · 11 months
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I love the entire concept of Cookie... the look, the fashion, the gender... Would you mind telling us a little more about him? I'm also intrigued about why she's named Cooking with Gorgeous!
HI i would LOVE to talk about george thank you so much. also this makes me realize i've never actually sat down and just made a post unabashedly infodumping at length abt an oc before and it seems silly that i haven't. i ask only for all dear readers to please temper their expectations for this post with the knowledge that i just smoked half a joint before sitting down to answer it. a small one. but still. anyway
FIRST OF ALL FOR THE UNACQUAINTED THIS IS COOKING WITH GORGEOUS, aka cookie or george for short. he uses he/him and she/her pronouns interchangeably!
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hi sorry that's not cookie that's a horse in a bridal veil that i. found in my stuff while trying to scroll and find my cookie art. i just got distracted and had to show you. okay no for real here's cookie
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he's the character i'm playing in a playtest campaign of the absolutely mesmerizing sapphicworld, an in-development ttrpg!!! and if i'm going to be talking about cookie i feel like i HAVE to say i think a huge amount of her charm and dazzle and charisma comes directly from the charm and dazzle and charisma of the setting i created her for. i know i am laying it on really thick right now but that is on purpose. i want, desperately and unashamedly, for this game to get really popular bc 1. it's genuinely that good. and it's not even DONE yet and 2. i want everyone to get into it so that everyone will make sapphicworld characters and then i'll get to see everyone's sapphicworld characters.
EDIT i'm scrolling back up here and adding a readmore bc this is already getting so long lol. you asked for "a little more" and apparently i have graciously decided this means "literally every fact about cookie that exists in my brain"
SO a lot of the info/tidbits i haven't shared about cookie are i guess gameplay-specific stuff... his title (which is like a class/playbook) is "The Noble Sweetheart," though in sapphicworld "nobility" no longer has anything to do with wealth or class, and is instead entirely about amassing a court purely via devotion/popularity; her subculture (which is like, Who You Hang Out With; drifters, goths, poets, debauchers, cowpokes, etc) is Babe; and her kind (which is like ancestries but in sapphicworld is really just like, a physical form, which u can change more or less at will) is Lunarthrope, which is basically a werewolf!! or more broadly a furry, since u always look like whatever were-animal you are 24/7. just MORE at night, tho i suppose i don't represent that aspect much in my cookie art... ANYWAY i am restraining myself from just sitting here and like. transcribing her entire character sheet. but basically what all this means is that cookie's role in the world (at least at the beginning of the campaign) is "Professionally — no, VOCATIONALLY Hot Person who everyone loves so so so so so so much." cookie really enjoys this role.
he's named cooking with gorgeous because he's an avid cook, and he wants to share that with you, and he's gorgeous!! though honestly the cooking hasn't ended up as important to his character as it was when i first came up with him, lol — but my initial concept was kind of like, what's the equivalent of a bouncy normie recipe blogger/lifestyle influencer but in the context of the lush horny trans deathless psychedelic universe of sapphicworld. and it's cooking with gorgeous, a doggirl dyke with big blue boobs (six of them!!) who is so devastatingly cute and darling that a bunch of people just kind of pledge their fealty to him for no real reason other than he feeds them. and is cute
also her name is def influenced by the fantastic names of many canon sapphicworld npcs! like, quick example list of some npc names off the top of my head: the booty commie, death cybernetic, princess eureka!, the culinary goof (whom cookie dislikes. btw.), pizza friday (whom cookie loves!!!)
cookie is very very determined, and she's ALMOST always very confident. even when she isn't feeling confident, she's still very good at forcing herself to keep putting one foot in front of the other — maybe just while screaming or crying or uncontrollably barking or at least very ardently complaining. he has a tendency to be spoiled and, like, tactless-via-obliviousness, so sometimes he can be grating to interact with, and he has a petty/vindictive streak; but in general he's an AGGRESSIVELY kind person and usually aims all his shrill, cheerful stubbornness directly toward the goal of refusing to accept anything but the best for everyone.
at the beginning of our campaign cookie has JUST received a brand new castle!!!! (chateau gorgeous.) which he doesn't actually "own" bc, remember, no wealth or class in sapphicworld, but he's the ENTHUSIASTIC new caretaker and is chomping at the bit to renovate it so ppl can live there and he can throw a bunch of magnificent parties and basically continue living exactly as he has been, But Even More Fabulous. obviously this is exactly when the main plot threat of the campaign shows up and spoils everything and compels cookie to go on his First Ever Adventure!!!!!! she HAS to save the world otherwise NOBODY will be able to go to the first big party at chateau gorgeous :((((
at this point to prevent myself from just like, giving you guys a play by play of the entire campaign so far i am going to just start listing every cookie fact i can think of as bullet points
🎀 he owns a magical sword in the shape of a giant microplane. it's called The Microplane. he pronounces this "mee-crow-plah-nay"
🎀 george desperately wants to resurrect The Dog-Lich, an entity that once ruled over all beasts from its palace on the moon but was murdered and torn to pieces in a cosmic war far in the past. her attitude towards this desire is 50% devoted lunar cultist, 50% parasocially obsessive twitter stan
🎀 this isn't really a cookie fact but going back to how his title is The Noble Sweetheart — just for a glimpse at party composition, his fellow party members' titles are The Intimate Scholar, The Tentacle Advocate, and The Tw*nk Controversial (the * is the canon spelling).
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^ aforementioned tw*nk. its name is Mwah ("pronounced like the kiss you blow at someone you just fucked over"). mwah is played by @/squiddelyfather on twitter!
🎀 mwah and cookie used to be very, very tight, BEFORE mwah became the tw*nk controversial. now that it's so.... you know.... controversial, well. they're still very close, but it has gotten a little stilted and weird (and watching them slowly un-weird it together as the campaign goes on has been one of my fav roleplay experiences ever honestly)
🎀 cookie's other adventuremates, skarligge and delaryn, are both very indulgent towards him. delaryn acts the most grumpy/dismissive about it but is honestly sometimes the worst about spoiling cookie out of anyone in the party (skarligge's player is twt@/clown_dream and delaryn's is twt@/glaiveguisarme and hey while im at it our fantastic gm is the sapphicworld dev, twt@/ddemoneclipse. hi guys i hope u don't mind me chattering abt ur ocs here lol it's just hard to talk abt the best of cookie w/o bringing up everyone else's characters and roleplay also!!!)
🎀 cookie is very VERY sensitive and will burst into tears at the drop of a hat. the precursor to this is her eyes getting So So So Big And Wet And Round. one of my favorite bits to menace the other party members with is when something is not going cookie's way i will lean into my mic and say "cookie's eyes are getting so so so big. they're getting so big and wet and round and shiny. they're so so round and fucking big her eyes are like big wet black glass marbles" and this is like kryptonite to them. this is like getting hit with deadly radiation
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🎀 oh speaking of fashion!!!! one of cookie's perks from being a Babe is that she can always change her look whenever she wants. she will ALWAYS have whatever outfit she needs and can quickchange instantly. wait this reminds me i have a bunch of seasonal holiday outfits sketched out and i don't think i've ever posted them here but it'll only let me put one more image in this post. well here have this one
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🎀 okay well suddenly i have forgotten all other george facts so that's all for now!!! from now on i will try to just dump oc facts like this more often tho this is really fun. ty for getting me going lol!!!
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