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#and the memory issues in 46!
monsieuroverlord · 5 months
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Marvel released some spicy previews for March 2024, continuing the Fall of X!
It includes the ongoing X-Men, Dead X-Men #3, Resurrection of Magneto, X-Men Forever (The Jean Grey/Phoenix-focused line), Cable, X-Force, and the ongoing Sabretooth War in Wolverine!
source here
Wolverine #45 written by Victor LaValle and Ben Percy, art by Geoff Shaw, cover by Leinil Francis Yu
"X marks the spot! The treasure hunt is on as Sabretooth picks up on the trail of an item that will turn the tide in the war on Wolverine! But as the best there is regroups with the remnants of his allies, it’ll be a race against time for the good guys to uncover a LOST weapon that could prove to be their LAST HOPE! And that’s if Orchis and the Stark Sentinels don’t get them first!"
Wolverine #46 written by Victor LaValle and Ben Percy, art by Cory Smith, cover by Leinil Francis Yu
"Brain changer/game changer! Wolverine’s memory has been altered, erased, restored, forgotten and destroyed. This time, if he can’t get his head on straight, Sabretooth will do far worse than that! The most diabolical chapter of SABRETOOTH WAR yet…and you thought those early issues were violent?!"
X-Force #50 written by Ben Percy, art by Robert Gill, cover by Daniel Acuna
"The final battle against Beast in the landmark 50th issue! X-Force confronts Beast with their secret weapon. A final reckoning. Not a dry eye in the house. TARGET: BEAST finale!"
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wolvertooth · 2 months
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10 days till the halfway point of sabretooth war....why cant it be like 20 issues man this shits gonna be SOsooo rushed fr😒
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star-girl69 · 4 months
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The Last Time
Clarisse La Rue x Fem!Demigod!Reader
—-
Part One - The Last Time
Part Two - Cowboy Like Me
Part Three - Tomorrow Never Came (coming soon!)
Part Four - Living Legend (coming soon!)
Part Five - Pretty When You Cry (coming soon!)
—-
synopsis: the last night you spend with clarisse before she goes on a quest
a/n: had to put my own take on the clarisse leaving reader behind to go on a quest SORRY Y’ALLLLL this is like devastating fr tho i’m kinda sorry like 😭
The Last Time - Taylor Swift (Feat. Gary Lightbody of Snow Patrol)
warnings: angst, like so much angst i’m gonna say it 5 times, angst angst angst angst angst, angst, hurt comfort and also hurt NO comfort bc i’m evil, kissing, cutesy until it’s not but it never really is, i felt like choosing pain, y’all should start calling me she-devil this is just so mean and evil, swearing, fighting, allusions to death, daddy issues lol, tell me if i missed anything!!
—-
June 4, 12:08 PM
It’s a cold summer night. You sneak out of your bed, sheets slipping off of your shaking body, the same memories playing in your mind. It always comes down to this, the nights.
In the dreams, she doesn’t come back to you, and the nights without her are so cold, so lonely, so horrible you can stand it. They’re only in your mind, but they hurt just as bad. It’s not every night you slip into each others beds, but whenever you have a nightmare, you find your way to hers. Whenever she has a nightmare, she finds her way to yours.
You both have nightmares about the same things.
The usual cryptic prophesies, the various monsters you just can’t seem to kill, and losing each other. Demigods die. They die easily. You both know that.
Some people swear off love.
And Clarisse told you she wishes she could, she wishes she could pretend you aren’t her entire heart, but she never had a choice. You are her Achilles heel, her one weakness.
You couldn’t either. You took one look at the beautiful daughter of Ares and never looked back again.
Still, there’s a certain desperation in every demigod relationship. Touches are just a bit tighter, hugs a bit longer. Because you all have lost so much, and you all feel absence heavily. Every time could be the last time.
Your footsteps creek against the porch of the Ares cabin. You open the door only a crack, slipping in silently the way you always do, avoiding the creaky floorboards.
Clarisse is awake in her bed, the corner of the cabin. She’s staring at the moon fiddling with her fingers. You frown, but Clarisse turns to you.
You’re sure you look as wrecked as you feel.
“Oh, baby,” she murmurs. “C’mere, what happened?”
You always ask each other, but you both know.
You crawl towards her, sitting in between her legs, arms around her neck, head pressed to her chest. She holds you up so you don’t have to. You can’t, not right now.
She kisses your forehead and her hand smooths down your hair.
“You went on a quest,” you whisper. You miss the way she stiffens. “You didn’t come back.”
She doesn’t tell you she’s not going on a quest. She doesn’t tell you she’s going to come back.
“I’m here,” she says. “Do you feel my heart? I’m here, and I feel yours. It’s beating so fast, baby, you have to take a deep breath.”
Tears well in your eyes. You dig your nails into her soldiers.
“Oh, Gods, please don’t leave me,” you cry.
She doesn’t tell you she won’t.
“I’m here, I’m here right now. I’m here right now, listen to my heart, baby, listen to my heart.”
Clarisse swallows back the bile in her throat. She tries not to lie to you, she tries. But sometimes, on cold summer nights when you find your way into her bed, and she doubts you’ll remember this in the morning-
“I’ll always be here, Y/N. I’ll always be here.”
—-
June 11, 5:46 PM
If you thought the nights without Clarisse were bad, then the days are even worse. You miss her. You never realized how much she was there, silently, always watching, not until you told her to stay away from you.
You sit at the dinner table, the sun setting. Most of your siblings have left- but you’re here with May, sitting there as she watches you like a hawk and interrogates you.
“You haven’t been the same. Not since, like, last week. And something happened with Clarisse, it’s obvious. I gave you a few days because I thought you were just having a fight, but you’re not.” She sighs and grabs your hands. “What happened?”
“You’ll find out soon enough,” you dismiss. She stares at you with such heartbreak in her eyes.
May is the sibling you’re by far the closest with- you like similar things, and people sometimes think you’re actual full-blooded siblings because you look so alike. She was the first person you ever met at Camp Half Blood, and after Clarisse, she’s the first person you run too. But now that Clarisse is leaving, and she’s already gone, May is all you have left.
You squeeze her hands. Your best friend, you want to tell her, but saying the words aloud makes them real.
She’ll find out tomorrow.
—-
June 8, 10:57 AM
She tells you privately, she smiles softly and leads you into the woods, she holds your hands and touches your face and kisses you like she’s not about to break your heart.
“Why are you bringing me out here?”
You know her like your own mind. You spend so much time with Clarisse, next to her, it’s like you have a window to her heart tattooed on your arm. You know, even when she doesn’t want you to.
“I just have something to tell you. And I wanted privacy.”
She doesn’t tell you it’s not a bad thing.
Your stomach sinks and you hold her hand tighter, and even though she’s about to break your heart she kisses your cheek and squeezes your hand.
“Just you and me, pretty girl. I just wanna talk, okay?”
She leads you to a clearing with a beautiful view of the strawberry fields and you smile, sitting down and letting your face feel the sun. You can feel her looking at you, but the beauty of this place and each other only blinds the two of you temporarily.
“Okay, what do you have to tell me?”
There’s stones in your stomach. Your heart is squeezing, you can physically feel the tension and anticipation in your organs.
You look in her eyes and you pray to every God that it’s nothing.
“I love you, you know that?”
Clarisse never says I love you, and your stomach twists more.
“Of course I know.”
She lays down on her back and opens her arms. She sighs when you lay your arm over her stomach, head on your chest. Her hands grip onto you tight.
She doesn’t speak for another minute, like she’s just soaking you and the sunshine up, like it’s the last she’s ever gonna get.
“Chiron… a week ago, I think, he called me to the Big House.” You hum, staring at the treetops. “Him and Mr. D… they… uh.”
“You can tell me,” you pretend you aren’t scared.
“A quest,” she blurts. “They have a quest for me.”
“Oh,” you mumble, stupidly.
A quest could mean a million different things. It could be an errand for Chiron and Mr. D, or it could be something preordained by the Fates.
She could have a choice or she could not.
“It’s three children of Ares. It’s about some sort of ancient blood feud between my father and- it doesn’t matter. But it- it doesn’t look good-”
You sit up. She follows you, eyes wide, hands splaying around where your body used to be on hers.
“‘It doesn’t look good’? Clarisse, what the fuck is that supposed to mean?”
She grabs your hands. “It’s dangerous, like any quest-”
“It’s not like any quest though, is it?”
She presses her lips together. “No. No, it’s not.”
“You didn’t accept it, did you?”
She stares into your eyes.
She looks so pretty today, her hair half-up half-down. Her eyes always shine so brightly in the sun- they reflect it. Sunny days with her make your heart squeeze, because it always looks like she’s got suns for eyes.
“I’m sorry, Y/N, I am-”
You tear your hands away from her.
“Why- why would you- Oh, my Gods, Clarisse, why would you do this?”
You cry, and she reaches for you, her face twisting into something painful. But how can she expect you to run to her when she’s the one hurting you?
“Just- just not right now. Not until the 13th, let’s just have this together, okay?”
“How, Clar, how?”
She grabs your hands and doesn’t let you pull away.
“My father asked for me, he asked for me. I have to go. I can’t refuse my father, Y/N-”
You rip your hands away. “He doesn’t care about you, Clarisse. But I do. I care about you.”
She rubs her temples with one hand, the other still reaching for you, eyes screwed shut.
“Please don’t be like this. Don’t be selfish, I have to this. He asked for me, Y/N. This is such a huge step-”
“A huge step to him loving you? He’ll never love you. Our parents will never love us, because they’re incapable of caring about us. But you have me, Clarisse. You have me, and I love you so much-”
“You don’t know that,” she whispers. “You don’t know they can’t love us.”
“And neither do you.”
She reaches out to touch the tears falling down your face.
“Clarisse, please,” you cry. “I’m here. I’m always here, and just- just don’t put your father over me, please don’t, not anymore-”
She grabs your face. “I’m not going to choose between you and him.”
You’re full on sobbing now, and Clarisse never cries, but just the look on her face at seeing you cry makes you cry more.
“But I’m here, Clar, I’m here, I’ve always been here, please-”
She shushes you and tries to hug you, but you can’t, not when your mind is spinning to fast, not when you want nothing more than to be in her arms because you know if she just holds you then you’ll shut up and forget. But you can’t, you can’t, not this time.
Not when all the pieces are sinking together.
The only time you see her is when you sneak into each others beds, dates in the woods, secret looks across the courtyard, pulling each other into the bathrooms or sheds or something to make out.
You needed her so bad you didn’t realize that you were never first. You didn’t care, but at least she was still there.
“Did you even think about me when you said yes?”
She tries to hug you again. You stand on shaky legs.
“Y/N,” she whispers, half-broken, half-disbelief. “Don’t do this.”
“I just need a day,” you say, but you both know what this means.
She laughs, runs her hand through her hair.
“I can’t believe you’re doing this. Fuck, I know it’s not perfect, we’ve never been perfect, but I need you right now. Don’t walk away. Don’t be like that.”
“And if I asked you not to walk away? If I asked you not to be like that?”
“I’m not being like anything!” she yells. “You’re the one who’s being a selfish brat.”
You cross your arms and look at her. You want the ground to swallow you whole. You want to jump into her arms and never leave.
“Don’t, okay. Just don’t. Stay, and we’ll talk, I’ll try, you know I’m not good at this but I want to try, we have to try for us.”
“Clarisse, there’s no us anymore. You’re leaving.”
“Not until the 13th, Y/N. We could have something so good if we just… pretend.”
You could play pretend with her for hours. You could be married and you could live in a place where no monsters can touch you, where there’s no one to hide from. Where there’s no memory of her father, no axe hanging over you.
“I don’t want to pretend. I want you.”
But it’s Clarisse. It’s the girl you love, and you’re young so you believe you can fix this.
“Don’t go,” you say, crossing your arms over your chest.
You’re both glaring at each other, stupid teenage girls who fell in love too hard too fast, and now you’re scrambling at the world changes around you. You love her so much, but you finally realized that she doesn’t care about you, you’re her secret, and you haven’t had a backbone for so long but you will have one now.
“He asked for me. I already accepted. I need you right now, so stop being selfish and accept it.”
“How am I being selfish? How am I being selfish for not asking you to kill yourself? For asking you to put me first, for once?! You never put me first. I see that now. You never-”
She scoffs. “We both know that’s not true.”
“But I don’t, Clar. I don’t know that’s not true. So tell me, show me, make me believe it’s not true-”
She crosses the distance between you, even though it feels like a thousand miles, and plants her hands on your face. She kisses you, she kisses you like she loves you but not enough to stay.
But you kiss her back. You kiss her back, because she’s the love of your life. You’ll always come back like a kicked dog, like a ball on a chain. You’ll always come back to her like you go back to your bed each night- mindlessly, wordlessly, because it’s routine. Because you sleep in your bed and you need sleep to live, you need her to live.
She pulls back, breathing heavily against your lips.
“You are the only person who matters to me.”
Your grab her wrists and take her hands off your face. She tries to resist you, keep touching you, but it’s halfhearted because she’ll always end up doing the little things that you want.
“Only because the Gods aren’t people.”
“Y/N, stop.”
“Why do you go back to him? Why? Again and again, you go back even though he feels nothing for you- and you know it-”
She steps back, takes your hands off of her wrists.
“I-I’m sorry,” you breathe, you see the hurt on her face. “I didn’t mean it, I didn’t, it’s just, I love you-”
She blinks and stares at you like you just broke her favorite toy.
“I-I should go.”
You want her to say something, you want her to protest, you want her to kiss you again.
“Maybe you should,” she agrees. “Before we both say more things we’ll regret.”
Her face twists back into what she lets everyone else see, that hard mask of indifference, of cruelty and ruthlessness.
How can she hold you so tenderly and look at you like this? How can you pretend you’re still the girl she loves when the fog clears and you realize what you said?
“Yeah.”
You turn and leave the clearing, you can’t look at her hurt face anymore, tears streaming down your face. Clarisse stays there. You swear you hear the sound of muffled crying.
—-
June 12, 3:46 PM
Chiron announces the quest. It’s dangerous, that’s what he says, and he didn’t want to cause commotion in the camp by letting it come to light.
Are you horrible for wishing you had found out now? You would have had this untainted time with Clarisse. You would have loved her. You wouldn’t have had to pretend, because it would be real.
She’s selfish at every turn. She only tells you when it’s convenient for her to tell you, when she knows it’ll ruin it, ruin you, and lose this time together.
Her and her siblings stand next to Chiron.
She stares at you the entire time, and you don’t look at her once.
May hugs you when she hears, and you don’t speak, because how can you speak when everything is wrong? Everything is broken?
The mirror is broken, and what you thought you saw is no longer there. You only see your shattered self.
—-
June 13, 12:38 PM
You lasted maybe 20 minutes. You went to bed early, slept fitfully for a few hours, and woke up gasping about another nightmare- the same one you had the last time you slipped into Clarisse’s bed. You barely remember the nights you have nightmares, but you always know you go to her bed and she holds you, tells you it’s alright.
The dream, anxiously waiting for her to come back, spending your nights alone but warmed by anticipation and hope- and she just doesn’t. She doesn’t, and it all becomes dark and dull in the dreams and they turn into nightmares.
You cry and you scream and you curse the Gods for not bringing her back to you, but no one can hear you. You’re laying in your bed screaming and your siblings are gone, you know Clarisse is, and you feel so alone.
Feeling so alone it makes your bones shaking is terrifying. And you should be used to it. But you got used to Clarisse and her warm body. You got used to her touches, her words, the way she made you feel even just being in her bed- you could always sleep in her bed because she was there.
After she leaves, would anyone notice if you snuck into her bed? Would anyone notice if you laid your head on her pillow and pretended it was her chest? Would anyone notice if you slept in the shirts she left behind?
You last 20 minutes staring at the ceiling before you’re up.
You don’t care if Chiron will catch you. You don’t care if the entire camp will see you, you never did, but a private relationship was nice. It was yours and hers and no one else’s.
Private is different from secret.
Your feet sink into the soft grass, wrapping your arms around yourself, legs freezing in a cold breeze. You stop, looking at the Ares cabin.
The Ares cabin is just a house full of the best fighters at camp. Everyone looks at it and feels a little safer. You look at it and feel safer.
You’re filled with dread but you don’t care, because you know she’ll let you in, you know she’ll let you into her arms.
The door to the Ares cabin whips open.
Clarisse is there, feet turned left, toward you and your cabin behind you.
She stops and stares.
“Sorry,” you breathe. “It’s your last night, and I…”
“I know,” she says.
You step forward, all you want is to forget, all you want is one more peaceful night. As soon as you step up onto the porch Clarisse grabs you and pulls you in tight for a hug.
Her hands are spread wide across your shoulder blades, her body is pressed to yours, her head hooks over your neck.
“You’re so cold,” she whispers, because that’s all you can say when you don’t want to talk about the things that really matter. Of course she’s warm. She’s like your own personal heater, always warm and always comforting.
She lets go after a moment, hesitantly, but winds your fingers into hers. She leads you to your bed, you avoid the freaky floorboards better than her-
“I never have to be quiet in here,” she whispers. “It’s funny.”
You hum, she urges you onto her bed and climbs in behind you. You face the wall, breathing in heavily, shivering as she wraps herself around you. You didn’t realize how cold you were until she was holding you.
You didn’t realize how damaging this relationship was until you were so wrecked by it.
You didn’t realize how much you loved her until she was leaving.
You can feel her wanting to say something.
“Shut up,” you mumble, holding her hand.
She laughs.
“Okay, whatever you want.”
You remember this might be the last time you’ll ever hear her laugh.
This might be the last time she ever holds you.
“Don’t cry, please,” she begs, kissing the back of your head. “If I can’t talk you can’t cry, I hate when you cry.”
“I can’t,” you breathe, shoving your face into her pillow.
“Hey, hey,” she murmurs, flipping you around so you’re facing each other. “I’m sorry, I’m so sorry.”
You don’t think she’s ever apologized this much in her life.
“It hurts me too,” she continues, you press your face into her neck and feel yourself exhale against her warm skin. “If it didn’t have to be like this…”
“It doesn’t,” you mumble. “It doesn’t have to be like this, so don’t let it, Clarisse.”
“I’m leaving tomorrow,” she whispers, her voice cracking just a bit. So quiet only you can hear it because you’re pressed up right against her.
You want to just climb into her, make a home for yourself in between her ribs where you could always feel her heartbeat and always know she’s there.
“Can’t I just come with you?” you cry.
She grabs you a little tighter, like she’s annoyed just by the thought of you being in danger. “No, Y/N. No, you’re going to stay here at camp, and you’ll be safe. I made my siblings promise to look after you, you’ll be okay without me-”
Her siblings are the only ones who know, but that’s only because every once in a while Clarisse won’t let you leave and you’ll oversleep and they’ll see you in her bed.
She swears them all to secrecy and as their cabin leader and their sister, a fellow child of Ares who’s doomed to want someone they can’t have, doomed to hide in the shadows- there’s so many campers who sneak into the Ares cabin at night, and you all ignore it.
There is a certain desperation with demigods and love. Every time could be the last time.
You wish you could swear off love, you wish you could, but Clarisse has you so wrecked you can’t breathe without thinking about her. You run on her, like she’s coffee or sunshine, she’s the IV stuck into your arm, and you don’t want to imagine living without her.
You think of a future without her and it’s just blank.
She holds you tighter and let’s you cry, louder and louder, muffled into her neck. She says she’s sorry but she doesn’t mean it, she can’t, and you don’t care. You can’t care, not right now, not when this is the last time.
“But I’m here right now, okay? I’m here right now, so just listen to my heart.” You grab onto her, trying to keep her here with you- but she won’t. She’ll go. She’ll leave you, and there’s nothing you can do.
You realize with such a startling finality that this is the last time. How deeply you feel it in your heart, not a pain but just an ache, an emptiness- it’s almost beautiful how it washes over you like a wave, like your heart stops and you’re just left a shell.
You breathe in wildly, but you can’t catch your breath, not when she’s half-here, you’re stuck in this hazy reality. Fading in and out. Her heartbeat. Her breath. Her touch. Her voice.
“I’m here right now,” she says. “I’m here right now,” and it’s the last time.
—-
taglist:
@lvrue @t-wylia @laughingcheese037 @kroumi @urdeadpoet @colezb @rey26 @harmzilla @elliewilliamsbae @amberfreemansburntface @kyuupidwrites @neverwaakeme-up @shark1008 @liballer @heyimadison @nvirskies @pnsteblnme @mar2ss @restellsss
—-
DID WE HAVE FUN OR DID WE HAVE FUN?!?!??!??
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mondothebombo · 6 months
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✨Small Canon Things in Ninjago That Aren’t Necessarily Important to the Plot, but Important to Me Pt 2✨
(in honor of the first post reaching 2.5k notes)
1. the reason the ninja can’t summon their elemental dragons anymore is bc they’re too traumatized
2. Kai takes laxatives
3. Lloyd felt responsible for Nya’s sacrifice
4. Morro took a shot while he was in Lloyd’s body
5. Cole’s favorite color is orange
6. Chamille, the master of form, is a “bad girl” post s4
7. the ninja were literal children when they waltzed into Chen’s tournament and proceeded to beat all the adult EMs in the competition
8. prior to seabound, Nya resented her parents for not being there in her childhood, her mother more so than her father (✨mommy issues✨)
9. Nya is hyper-independent as a result of her childhood; while Kai is more openly accepting to his parents because he has a better memory of them
10. Wu was close enough with Lilly that he could remember whether or not she wore a necklace
11. Cliff Gordon was a “womanizer”
12. Lloyd didn’t naturally hit puberty until s8
13. Cole and Jay are best friends
14. whether or not you see Pixane as a bf/gf situation in canon, they are canonically soulmates
15. Jay has not yet received his inheritance letter
16. at least up until the Merge, Zane’s statue is still in downtown Ninjago City
17. ninjago citizens are fully aware their only protection are six super-powered teens/young adults
18. the ninja are still famous, public figures
19. Jay is the only ninja who hasn’t died (yet)
20. despite being a terrible actor, Lloyd is always sent on the undercover missions
21. the ninja are on first name basis with each others parents
22. Cole’s favorite genre of music is soft rock
23. Zane has selective memory
24. after Nya’s sacrifice, each ninja depicted a different stage of grief (Zane-Denial, Kai-Anger, Lloyd-Depression, Jay-Bargaining, and Cole-Acceptance)
25. Cole never actually had feelings for Nya, he was just flattered by the attention and petty about Jay being mad at him
26. elements react based on the master’s emotions
27. Jay is so emotionally dependent on being around other people that he loses his mind when he’s alone for too long
28. Lloyd had a chat with god and wasn’t impressed
29. Cole’s snoring can be heard throughout the monastery
30. Nya is not a morning person
31. Kai and Skylor have been in a situationship since s4
32. Lloyd being the grandson of god is not common knowledge
33. the group of civilians that were on the bounty when Cole fell are probably the only ones who truly realize the danger the ninja put themselves in on the regular to protect the city, and how close they are with each other
34. Wu didn’t want to tell the ninja about the green ninja prophecy because he was afraid of having a repeat of Morro
35. since s8 at the very least, the ninja all shared a room on the bounty until the monastery was rebuilt
36. Jay’s confidence in his own abilities fully depends on what others believe he’s capable of
37. several villains have called the ninja out on being “just a bunch of kids,” and then proceeded to get their shit rocked by said kids
38. the overlord can gloat to Lloyd all he wants to in crystallized, but fact of the matter is Lloyd defeated him when he was like twelve
39. Kai and Nya raised and took care of each other, it wasn’t just Kai doing all of the work
40. Kai is two years older than Nya
41. Zane’s biggest fear is losing his humanity
42. Lloyd’s biggest fear is becoming his father
43. Nya’s biggest fear is losing her individuality
44. Cole’s biggest fear is letting his family down
45. we the audience are the only ones who see the characters as legos; they’re real people in-universe
46. Kai likes spicy food
47. while elemental masters are immune to their elements to some extent, their elements can also be shown to hurt them in some circumstances
and as always, feel free to add on!!
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AUs in the running!
(Not in bracket order) (Going to be slowly updated over time as I send out more messages and get more responses)
But first! The tagging system!
🐶 Ingo or Emmet are something non human (like a cretur, ghost, pokemon or some other non human thing)
🔥 This AU features intense emotions that may not be suitable for people who are looking for a more easy going experience (sometimes people can’t handle strong angst or horror- and that’s totally okay! This tag is to show that this AU may not be for them)
📚 This AU has a comic or fic you can read! (Purely organizational tag)
Every AU is tagged by the author according to what they think is best. Use these tags as guidelines when looking for new AUs and not as hard and fast rules.
And now… The AUs!
1) 🐶🔥📚Submas FaeU (Faerie AU) by @blueisquitetired 
2) 🔥📚 Submas Conjoined AU by @ingo-ingoing-ingone 
3) TRAIN OF THOUGHT AU by @waywardstation
4) 🐶 Ghost Worm Au by @blaiddraws 
5) 🐶🔥📚Placeholder AU by @blaiddraws 
6)🔥📚Heroes and Villains AU by @the-digital-pen and @ace-trainguys
7) 🔥 📚DAD INGO au by @a-stone-slab
8) 📚The Human Illusion AU by @raisans-art
9) 🔥📚Foxfall AU by @aenor-llelo
10) 🐶🔥📚Zoroark possession AU by @ghostypetrainer
11) 🔥📚 Reincarnation AU by @ghostypetrainer
12) 🐶🔥Magnus archives au by @jester-writing
13) 🐶📚Legendary Hosts AU by @toriistorii
14) 📚Typed Humans AU  by @toriistorii
15) 🔥 Clean Slate AU by @kurixta
16) 🔥📚 Ticket for Four AU by @ticket-for-four
17) 🐶🔥📚Misfits AU by @hehe-hoho-ohno
18) 🐶🔥📚Steven Universe Submas au by @squidthesquidd
19) 🐶Liminal Station AU (aka ENA AU) by @liminal-station
20) System!Emmet AU by @fighter-spirits
21) 🐶🔥📚Team Conductors: PMD AU by @teamconductors
22) 📚Fractured Memories in the Wild AU (Breath of the Wild AU) by @krakengoggles
23) 🔥📚Under the City Streets AU (Over the Garden Wall AU) by @coramatus
24) 🔥📚The Issue With Stealing? You could lose your arm AU by @spacenewzwastaken
25) 🐶🔥Gargoyles crossover au by @regular-samdragon
26) Legends: Kyurem AU by @pixelga1axy
27) 🐶📚TMI AU by @drag0n0fbutt3r
28) 🐶🔥📚Risk of Rain 2 crossover AU by @fourphoenixfeathers
29) 🔥📚Ei AU by @fourphoenixfeathers
30) 🐶🔥📚Pokemon Aspects Au by @patriamrealm
31) 🐶🔥📚Emmet's PMD Adventure AU by @fandom-soda-writings
32) 📚Cowboy Submas AU by @caramel-caracal
33) 🔥WELCOME HOME SUBMAS AU by @crowfonder
34) 🐶Mechanical Errors AU by @marchy-emmet
35) 🐶🔥📚Fractured Sky AU by @inkinary
36) 🔥MC Ingo AU by @peacheenie
37) 🐶🔥📚Ultrabeast!Emmet AU by @papier-ciseaux
38) 🐶🔥📚Masking AU by @entity9silvergen
39) 🐶🔥Submas Animated for Terror AU by @shadowfear-art
40) 📚Twin Princes AU by @aur0raaura
41) 🐶📚Transfer Error AU by @rosebloodcat
42) 📚Breakmas Au (Aka Team Break Submas AU) by @choochooboss
43) 🐶Submas plushies AU by @choochooboss
44) 🔥📚BotW: Trainmen Edition au by @thesilentgothitelle
45) 🐶🔥📚Veritas Detective AU by @wormhole2anywhere
46) Lost in distortion AU by @celebeatz
47) 🔥📚Injury Share AU by @waters-turn
48) 🔥📚The Black Coat AU by RyleeSheep
49) 🐶📚TW: Table by @raynavan
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oliveroctavius · 10 months
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Let's look briefly at the Coffee Bean in Spider-Man comics!
Contrary to popular memory, Peter's college pals initially met up at a diner called the Silver Spoon (ASM 44, but also 46, 52, possibly 125).
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The spread at the top of this post takes a lot from this place's layout. But as newcomer MJ might have pointed out, diners are so fifties. The modern teen needed someplace cooler and edgier to hang out. Somewhere more underground. Literally.
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Maps place The Coffee Bean alternately in East Village or Tribeca. The beret and glasses? The lowercase Dante's Inferno quote? The wall-hung guitar? So hipster. Wait, wrong decade. So beatnik.
The OG Bean didn't show up much more frequently than the Silver Spoon (ASM 53, 59, and 82, most notably), but it's the one that stuck in the cultural imagination. I enjoy Tim Sale's take in Spider-Man: Blue with the unfinished basement look and cult film posters.
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In early modern flashbacks, the location is plagued by a specific continuity problem: "then [character] leaps through the WINDOW!" from new writers who missed the fact that it's below ground. In ASM Annual '96, JRSr complies by raising the ceiling a level!
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The Sensational Spider-Man Annual's approach to the Coffee Bean makes me a bit sad. Dialogue repeatedly emphasizes its unique character and long history and how well MJ knows the place. But it's drawn aboveground and totally generic. (This from an issue with a dozen Silver Age panels directly traced!)
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It's not the first time that happens, but here feels like a critical failure of show-don't-tell. The eventual window smash is worth it, but... I'd argue this would work better set at the Silver Spoon (where MJ actually met the gang, old in an uncool way, aboveground) instead.
Brand New Day reestablishes a solid sense of place for the Coffee Bean. Brick and glass entryway, a logo that's less beatnik and more Starbuck, and an interior that reminds me of a Panera Bread.
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(If it's supposed to be canon that the new more corporate look is due to renovations by Harry, that's been lost in the shuffle. But it would make sense to me. His effort at impressing Norman with a plan to make the Bean a chain store circa ASM 569 would extend his trend of editorializing his own memories.)
While it still teleports between Astor Place and Tribeca, this version has now had more consistent (and just more) appearances than the original. And, of course, it has a beautiful bank of windows to—
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Ah, that's more like it.
The Coffee Bean has become a symbol of innocent nostalgia and a happier past. It was also (as designed by Romita Sr) a virtual bunker: not until 1977 would superheroics be written to take place inside the Coffee Bean. (ASM Annual #11—Romita Jr's first ever penciling job on Spider-Man, interestingly.)
As a silver age icon, the location was physically safe and interruption-free in a way that even Peter's apartments and Aunt May's house couldn't be. The architecture—and how it's changed—has been a large part of that symbolism, underappreciated as it sometimes is.
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empirearchives · 8 months
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I want to learn more about Napoleon and Josephine’s relationship. Can you tell me about it?
Of course! I love talking about Napoleon and Josephine’s relationship 💕💕💕
Let’s see. Well, Josephine was Napoleon’s first wife, and Napoleon was Josephine’s second and final husband.
They were married in 1796 when Napoleon was 26 and Josephine was 32. Their marriage lasted until December 1809, when Napoleon was 40 and Josephine was 46. They separated for political reasons, and Napoleon said “She has graced fifteen years of my life, and the memory of this will remain for ever stamped on my heart.” (Sergeant, The Empress Josephine; Napoleon's Enchantress Volume 2, p. 517)
Long periods of their marriage were spent apart due to the war. Josephine wrote to Napoleon when he was far away in Warsaw in 1807: “I took a husband in order to be with him!” (Castelot, Napoleon, p. 320)
Other times were spent traveling and living together. They had no natural children together, but Napoleon adopted Josephine’s children from her first marriage.
It was not an arranged marriage set up by their parents. In fact, Napoleon did not even ask for his mother’s permission (or tell her until after), which was considered to be disrespectful as it broke traditional Corsican custom. Napoleon’s parents had an arranged marriage when they were teenagers. Josephine’s first marriage was arranged when she was a teenager. Napoleon set up many of his relatives marriages. But Josephine and Napoleon’s marriage was a love match, so in that way, it was unique.
Josephine was Napoleon’s “star” or memento of good luck. When they got together, he got her a medallion that said “To Destiny” which is really quite prescient considering that they had no idea then what an amazing and extraordinary destiny they would have together. Together they lived through wars, created and broke empires. They ushered in the modern era and played a key role in all its hopes and sorrows. The years in which they were at the forefront were ones of incredible social, cultural, economic and political transformation.
Many details of their relationship are murky. Unfortunately, not a lot of writing from Josephine has survived, though there is some. However, we are very lucky that Josephine saved so many of Napoleon’s letters to her and kept them safe, so they have survived when so many other letters have not.
One of the appealing aspects of their relationship and the reason why a lot of people find it fascinating is because it is considered to be a more “equal” relationship, relatively speaking when considering the standards of the age. In many ways (though not all), it was actually a reversal of norms. It was not a child marriage. It was not an arranged marriage. It was a rare case of a man marrying an older woman instead of a younger woman. At the beginning of their relationship, it was Josephine who had greater influence (though Napoleon would quickly become the more dominant one). In actuality, Josephine had a lot of issues, but she did come from the old French aristocracy and she was also part of the social circle of wealthy and politically powerful French elites. Napoleon did not come from either group. From his perspective, Josephine was a glamorous and alluring figure. She was part of an exclusive world that was out of reach for people like him and so many others. So what you see, Napoleon married up the social ladder.
What is interesting is that Josephine technically married down the social ladder and she managed to pick the one who would make her an empress. It is quite an ironic twist of fate. Who could have seen it coming?
But you know, she found him alluring too, and saw something fascinating in him. This is what Josephine said after meeting Napoleon for the first time: “His piercing look has something about it quite mysterious which impresses even the directors.” (Zamoyski, Napoleon: A Life, p. 106)
She described him as having “the strength of a passion of which he speaks with a force which does not permit any doubt as to its sincerity.” (Zamoyski, Napoleon: A Life, p. 106)
Her first impression of him was of someone who she found to be both unsettling and extraordinary.
There was infidelity in their marriage. First by Josephine, then mostly by Napoleon. They kind of mirrored each other. At first Napoleon was passionately devoted to Josephine, whereas she was unfaithful. Then Napoleon felt quite alienated and betrayed by that, so he became more guarded. Whereas Josephine fell increasingly more in love with Napoleon and was loyal to him, while he was the one being unfaithful and having affairs.
After their marriage ended, Napoleon continued to support and provide for Josephine for the rest of her life. He was no longer her husband, but he was her “protector”. They saw each other in person less and less. That’s not to say that they forgot about each other or ever stopped caring about each other.
This is from a letter to Josephine that Napoleon wrote when he abdicated and was headed to his first exile in 1814:
“Farewell my dear Joséphine, resign yourself just as I do and never lose the memory of the one who has never forgotten you and never will forget you.” (Lentz, Napoléon: “My Ambition Was Great”, p. 131)
I genuinely believe that Josephine died of a broken heart, even though it sounds cheesy. It’s impossible for me to believe that it was just a coincidence when considering the timing. She “caught a chill” a few weeks after Napoleon fell, and she never recovered. When Josephine learned about Napoleon’s exile to Elba, she said “If it were not for his wife I would go lock myself up with him!” (Erickson, Josephine: A Life of the Empress, p. 337)
She wrote to her son on 9 April 1814: “What a week I have spent, my dear Eugene! How I have suffered at the way they have treated the emperor! What attacks in the newspapers, what ingratitude on the part of those upon whom he showered his favors! But there is nothing more to hope for. All is finished.” (Erickson, Josephine: A Life of the Empress, p. 335)
She died on 29 May 1814, the month after Napoleon abdicated. Napoleon never saw her again. When he was younger, he wrote to her: “Have a good rest. Haste to get well. Come and join me, so that, at least, before dying, we could say—‘We were happy for so many days!!’” (Hall, Napoleon's letters to Josephine)
And I think they truly spent many happy days together. In 1814, Napoleon was speaking to Caulaincourt about Eugène (Josephine’s son), and he said “His mother made me very happy. Those are the sweetest recollections of my life.” (Knapton, Empress Josephine, p. 317)
Different people have different opinions, but I think they were soulmates or perhaps even toxic soulmates. They had a turbulent relationship, and of course they had flaws. Both of them were unfaithful, dishonest, toxic and possessive. But their strengths and weaknesses complemented each other a lot and they seemed to genuinely love being together. In the end, it was a rare and unique love.
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lixzey · 3 months
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the start of everything
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note: starts in 2016, where they are both 14.
1: young half bloods 
2: newbie
3: luke castellan learns a valuable lesson (he gets distracted, most of the time)
4: Annabeth attends a fashion show (and realizes it isn’t for her)
5: capture the flag (and her attention, if possible)
6: strawberry fields, wildflowers, and annoying boys
7: prank wars and unsuspecting victims
8: punishments and prayers
9: luke, the big stupid idiot
10: Oh, I don't know why she's just my type
11: Stay away from me. Don’t look at me. Don’t even breathe the same air as me.
12: I can't believe that I have to put up with your annoying face all year.
13: snowball fight, cabin ten versus cabin eleven
14: the more you hate, the more you love
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15: capture the flag: luke led us to victory!
16: smores and chores
17: cheeseburgers and barbies
18: to charm the charmer
19: luke tries forging, gardening, and poetry (failing miserably)
20: pleas, bargains, and bets
21: She doesn’t like surprises. Do you really want another black eye?
becoming friends and more
22: a letter from dear old daddy
23: daddy issues ft mommy issues
24: hide and seek with the harpies
25: your house is haunted
26: somehow, he knew
27: nobody’s son, nobody’s daughter
28: christmas getaways, new york city, and secret glances
29: new years, new beginnings
30: back to camp
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31:  sparring, smiles, and sweet talks
32: a field trip to olympus and look alikes
33: my girl
34: moonlight rendezvous
35: steal my girl
36: a picnic and eavesdropping siblings
37: grouchy 
38: she is beauty, she is grace, and she will punch you in the face
39: Maya starts junior year
40: you?
41: popcorn, movies, and slushies 
42: I’m a feminist, obviously. But, I wouldn’t really mind him savin’ me and I know that I’m fine without a man but I think I would like his protection.
43: sweet sixteen
44: with you I'd dance in a storm, in my best dress, fearless
45: hot cocoa, longing glances, and mistletoes
46: wanna bet?
47: school is boring, wanna go somewhere?
48: camp
49: rumor has it
50: the best swordsman at camp and a furious maya williams
51: i’ve never heard silence quite this loud
52: capture the flag: a great way to destress - cabin five, probably
53: thin white lies
54: that brainless idiot
55: jealousy, jealousy
56: patience wearing thin
57: oblivious idiots and chris gets twenty drachmas richer 
58: confrontation drama 
59: You are in love!
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60: stupid cupid, stop picking on me!
61: everyone wants him, that was my crime
62: I'm so in love with you and I hope you know
63: give me something that’ll haunt me when you’re not around
64: interventions, stubborn idiots, and annoying siblings
65: somebody to you
66: don’t take it personal, but personally you’d be better with somebody like me
67: i think it’s time i lay my heart out on the line
established relationship: 
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68: i once believed love would be black and white, but it’s golden
69: in a world of boys, he’s a gentleman
70: you with the dark curls, you with the watercolor eyes
71: take a look at my girlfriend, she’s the only one i got 
72: to be young and in love in new york city
73: fight so dirty, but you love so sweet.
74: Luke, the lovesick idiot
75: your hand fits in mine like it’s made just for me
76: promises sealed with a kiss under the velvet sky
77: golden apples and worries
78: pain of words
79: quest blues
80: iris messages and nightmares
81: stupid quest, stupid apples, stupid dragon
82: birthday blues and special surprises
83: i fell in love with a careless man’s careful daughter
84: darkness inside 
85: christmas traditions
86: i want to wear his initial on a chain ‘round my neck
87: devil in disguise
88: all of the city lights never shine as bright as your eyes
89: i love the way you’re screaming my name
90: valentines day
91: some days, you're the best thing in my life. sometimes when I look at you, i see my wife
92: love languages
93: demigod pick up service
94: across my memory
95: monsters
96: four walls and a roof
97: closets and radios
98: peanut butter and jelly sandwiches, cookies, and kool aid
99: pent up anger
100: dance around the living room, lose me in the sight of you
101: on with the quest
102: Drew
103: all i did is try my best, this the kind of thanks i get? 
104: only an angel, never a god
105: and in the middle of my chaos, there was you
106: touch her and i’ll break your neck
107: if anybody hurts you, i’m going to prison for life
108: legal age, baby!
109: I can't keep my hands to myself. I mean I could, but why would I want to?
110: prom dances and birthday cakes
111: I've loved you three summers now, honey, but I want 'em all
112: big blue house 
113: great to be back
114: peace and quiet
115: orders from the pit
116: makeshift prom
117: Can I have this dance?
118:  handsome, you’re a mansion with a view
119: cockblockers—nope, I mean kids.
120: amorous activities in the armory
121: suspiciously quiet
122: Happy birthday! You can finally get arrested!
123: the winter solstice
124: meddling cocky son of a bitch
125: don’t be suspicious. 
126: nightmares
127: if you’re tired, you can lay your head on my lap
128: lazy day, cuddles, and kisses
129: she looks so perfect
130: until we’re gray and old
131:  just normal days
132: A prophecy
taglist:
@mischiefmoons @lilmaymayy @iliketopgun @pleasingregulus
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comfortfoodcontent · 1 month
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The *other* Green Lantern: Emerald Twilight story -- how we almost NEVER got a Kyle Rayner
(Years ago I made a Twitter thread about this and one of my favorite websites, DC In The 80's asked if they could host it and I was proud to revise it and have it be a part of their amazing site. I repost it here on my only remaining socials, revised once again and expanded quite a bit, for @greenlantern94to04 as well as everyone else. Thanks!)
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Ok, so we're gonna talk about Green Lantern: Emerald Twilight. How we almost never got Kyle Rayner. How Gerard Jones had a very different story in mind. We're gonna talk about how DC made the drastic, correct decision. We're gonna discuss H.E.A.T.
I am gonna preface this by saying: Former Green Lantern writer Gerard Jones was sentenced to 6 years in federal prison for child pornography charges in 2018. There is no debate here. The man is a literal monster. Absolutely disgusting. Cancel culture exists to shun a man like this.
This thread is not to support his work or encourage you to seek it out. Please do not. Rather, its to showcase comics history & show you how we dodged a huge bullet & he was rightfully fired off Green Lantern & we got one of the best runs in comic history with Ron Marz.
So, historical context: Green Lantern as a franchise was struggling in the late 80's. It didn't have its own series, it was running in Action comics Weekly with some odd specials here & there. Hal Jordan wasn't that huge. In 1990 Green Lantern Volume 3 was launched by Jones:
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Your mileage may vary on Jones' run & what he did for the GL franchise. The gist of his run is showing how OLD Hal Jordan is. He spends most of the series as an old drifter, wandering the country, with some fresh greyed hair. It is by no means an exciting book with Hal as the lead.
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Anyways, this series runs for several years with Jones always battling with his editor Kevin Dooley about its contents. Meanwhile in the Return of Superman story, Hal Jordan's hometown, Coast City is destroyed by Cyborg Superman & Mongul.
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Now this is followed up in Green Lantern 46 & 47 by Gerard Jones. Here's the last page of GL #47:
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Hal certainly seems ok with everything that happened & he's ready to move on to some other story. Doesn't seem like he's gonna lose it & go crazy over the loss of Coast City, does he?
That's because Ron Marz' Emerald Twilight was originally not planned! Jones had his own version of Emerald Twilight planned. It was even solicited with house ads for it even appearing in books at the time!! Here's the house ad again that was to be the cover of GL #48 by Kevin Maguire:
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Here are the original previews that were sent out to retailers for Green Lantern issues 48 & 49:
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GL 48 by Jones, Cobbs,& Tanghal 
"Superman and the Justice League gather by Green Lantern's side as Hal confronts the horror of the destruction of Coast City. Meanwhile on Oa, the Guardians of the Universe find themselves fighting a lethal battle against the Guardians of the Universe?"
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GL 49 by G. Jones, Haynes, & Tanghal 
"Green Lantern is caught up in a battle raging between two equally powerful groups of the Guardians of the Universe. Hal's side loses, and the winners' first act is to take away the power rings' 24-hour time limit, and their yellow impurity Their second act is to appoint a new leader of the Green Lantern Corps --- Sinestro! This issue leads directly into the landmark Green Lantern #50, a major turning point for the series."
So as you can see we almost got a VERY different course of action for Green Lantern in the 90s. Now those are hints of the original proposed plan, but Jones actually went into it all in interviews & a plot synopsis. Here is Jones' original plot for Emerald Twilight in its entirety:
"The destruction of Coast City and his breakup with Carol make Hal realize that he can't find the roots he wants on earth. He's inspired by the memories of the dead, especially his father, to become a better hero; he decides he must affirm himself first and foremost as a Green Lantern, finding his community in the Corps. But when he goes to Oa for the big swearing-in ceremony of all the new GLs, a new group of Guardians appears, claiming to be the true Guardians.
These "New" Guardians claim that the "Old" Guardians are impostors who plan to use the GL Corps to reduce the universe to chaos. The Old group counters that the New ones are impostors who plan to use the GLs to subject the universe to tyranny in the name of "order". Adding credence to the New Guardians' claim--and raising the stakes--are the Zamarons, convinced that they are their husbands. The Zams are about to give birth to the ultimate Cosmic Children, whose power will be such that whoever controls them can control the cosmos. The fate of the universe--chaos or tyranny--hinges on whichever set of Guardians can win over the GL Corps and gain control of the Children.
Hal--who knows the Guardians as no other GLs do, having seen the Old Timer at his most human and vulnerable, and having gone through his conflict with them and his "act of faith" in GL 35--knows in his gut that the New Guardians are the impostors. But the weight of evidence is against him and he can't convince the other GLs (the "Twelve Angry Men" dynamic).Hal has a choice: break with the GL Corps, now his only hope for community and belonging; or collude with something he feels will reduce the universe to tyranny. Hal chooses the former.
He enters the battery to increase his power, fights the Corps and takes the Old Guardians into hiding as he seeks a way to convince his fellow GLs or beat the New Guardians. The stakes for Hal are high: if he's RIGHT about the New Guardians, but they WIN, then the universe is doomed. If he's WRONG in his gut-feeling and HE wins, then HE'S doomed the universe. If he's WRONG and he LOSES, then the universe is okay but Hal is ostracized from the only group that means anything to him. The pressure is on him not only to win, but to be damn sure he's right.
The New Guardians announce their new leader of the GL Corps: Sinestro, renowned for his devotion to order before he broke with the GL Corps. He whips the Corps into a paramilitary group and starts a program of "good" but ruthless acts: like destroying the Khund homeworld. Hal sends his only ally, Star Sapphire, to appeal to her fellow Zamarons. She learns some things about the way the New Guardians convinced them of their legitimacy that suggest to Hal that the power behind the New Guardians is ENTROPY.
Hal contacts the confused but sympathetic Arisia, trying to argue his point with other GLs through her. But Sinestro has them all wowed or cowed...and when Kilowog throws in with Sinestro and his tough new approach, Hal feels his struggle to win over the Corps is becoming hopeless. Hal returns to the Coast City monument, to commune with the memory of his father, whose grave was destroyed along with the city. But the Hunter GLs-revived by Sinestro to police the Corps' internal affairs--catch him there.
He escapes for the moment, but they've destroyed his ring. But the inspiration of Hal's dad makes him want to find a way to keep fighting, and he discovers that he has power within him. His trip into the battery enabled him to internalize his power, but he couldn't realize that as long as he felt he needed his ring, and the Corps. Hal fights back, knowing he may have to fight alone to his death, and defeats the Hunters.
Sinestro reacts to this by getting even tougher with the Corps and speeding up his acts of "purification," and some GLs begin to wonder if Hal was right. The Zamarons, meanwhile, are about to give birth, which would give the New Guardians the power they need to take control of the universe no matter what Hal does. The clock is ticking faster and faster. Star Sapphire, acting under Hal's instructions, learns enough about the New Guardians through the Zamarons to start forcing Entropy to show his hand.
Hal gathers DC earth-heroes to join him against the Corps. When Sinestro tries to send the whole Corps against Hal and his allies, Arisia rediscovers her nerve and fights back against him. Other disaffected GLs join her--but not enough to stop the rest. Arisia's splinter group flees into space, is nearly caught and destroyed by Sinestro's group...but are saved at the last moment by Hal.
Hal now leads his rag-tag band of heroes and rebel GLs against Sinestro on Oa. But Entropy, through the New Guardians, throws him a curve: they reveal to Hal that his father didn't die by accident; his death was arranged by the Old Guardians.... who saw the potential for a great GL in Hal but foresaw that he would need a trauma to make him the fearless man he could be.
At the moment before the final conflict, Hal is shaken to the core: can he fight to defend the beings who killed his father? Hal realizes that his private grief and rage means nothing against the fate of the universe. He fights for the old Guardians despite what they did. The babies are about to be born. The New Guardians capture Sapphire and are about to kill her. The battle begins.
Hal goes head to head with Kilowog, the most painful battle of either of their lives. In the heat of conflict, though, Sinestro begins to reveal his true, wretched self. Hal tricks him into showing his true colors. Kilowog realizes he's been suckered. Enraged, he joins Hal's side. Sinestro's support collapses. The New Guardians dissolve, revealing themselves as mere manifestations of Entropy, and Entropy throws himself personally into the fray. His goal all along has been to reduce the universe to lifeless entropy by robbing it of its life, its ability to change. Too much order (Sinestro) is essentially equal to too much chaos (Entropy). The Old Guardians represent the right way, the way of Life. Now he's about to seize the Children as they're born.
The Old Guardians show up--thanks to Hal's power--and tip the battle. They snatch the babies from Entropy at the last moment. The GLs turn on him. He's destroyed. All seems well. Deceived GLs are forgiven. The Guardians send the Corps off to do its thing while they tend to the Children who will become the greatest powers in the universe.
But all isn't well with Hal. He fought for the Guardians, because it was right, but he can't go on serving the cosmic manipulators who killed his father. They say they don't do things like that anymore, but it's too late. Hal has his own internal power now, and he's learned that he fights best alone. He won't be manipulated again. He goes off to become the Protector!!"
... AND THATS THE END OF THE PROPOSAL! There are a lot of similarities in the proposed & realized Emerald Twilight: Sinestro, Hal fighting the GL's, Hal taking on a new identity clearing the way for a new fresh Lantern to take over the book.
Jones had this to say about it all in a Fanzing (#39) Interview about his proposed plans:
"Even before Paul, Mike and others said so, (GL Editor) Kevin Dooley and I were talking about using issue 50 to turn everything upside down, bring in a new Green Lantern, give Hal an indefinite break, and get back to basic, exciting stories. 
Unfortunately, Denny O'Neil, who was Kevin's boss, and Paul Levitz and Mike Carlin, didn't feel it was big enough to turn around readers' perceptions of what by then had been a lousy comic for about a year. Particularly if the writer stayed the same. 
As Denny said to me later, sometimes the market has to see that a complete creative shift is occurring, including the creative team. Which makes total sense, although at the time I was very angry and frustrated. This whole series was my frustration, the series I really wanted to make great but that for four years had never felt like mine, and here I saw a chance to start over and make it good at last, and I just couldn't get there. 
What I feel worst about in retrospect is that Kevin was apparently going to bat for me again and again with his bosses, but because he wasn't free to tell me what was going on behind the scenes, and because I was mad at him about other petty crap, I blamed him. I criticized him to his bosses, wrote a nasty fax, really puerile ways to blow off my frustration. I apologized later, and I think everyone understood that I was just a clueless freelancer, 3000 miles away. But it was an ugly finish. I quit so they didn't have to fire me. 
Then they had an emergency plotting session, Paul, Mike, Denny, Archie [Goodwin], and Kevin, and they handed that plot to Ron Marz, who was coming up at the time, had worked with [Jim] Starlin, had a cosmic resume going. 
First, I hasten to say that "The Protector" was a working title! We were going to do better than that! But yeah, there was going to be a new, younger GL, which I'd originally preferred to doing a Hal who was too burdened by the ball and chain of continuity. Hal would have popped in and out, maybe gotten his own miniseries, and then maybe or maybe not have become a GL again. I had various thoughts about the down-the-road story. But issue 51 would have been the introduction of a new GL, a completely new character, who was still in the vaguest development when it all ended."
SO! What happened next?? DC, in a real pickle here has Jones leave the title, but a huge supposed "Break the Bat"/"Death of Superman" Green Lantern Emerald Twilight story has been solicited. In an emergency situation they turn to Ron Marz, who has this to say:
"I got a call late on a Friday night offering me the book," says Marz of 1993. "I'd actually been down in New York for the day at the Marvel offices. I came home, my wife and I went out for a quick dinner, and then I guess around 9 o'clock the phone rang and it was Kevin Dooley offering me the job. Mike Carlin, Archie Goodwin and Denny O'Neil were in the room, as well as Eddie Berganza, who was Kevin's assistant at the time. I believe Paul Levitz might well have been there too."
"Kevin said he wanted me to take over 'GL' because the book needed a fresh direction I was excited, because I'd always thought Hal was a pretty cool character, and I love that costume. And then the other shoe dropped. Kevin explained what was planned, essentially removing Hal from the book and replacing him with a GL that I would make up. Pretty serious stuff. The real kicker, and I swear to God this is true, is I was wearing a Hal T-shirt when I got the call. It was one of those pocket T-shirts from the Warner Bros. Stores. I still have it."
"Darryl Banks: I was already on the project with another writer then the editors decided to go in a different direction.
Marz: The previous writer had a different storyline in mind for issues #48 through #50, and Darryl actually drew some pages from that issue script.
Banks: I had drawn about five pages or so of the initial project when the changes began.
Marz: I think I have copies of them somewhere.
But ultimately DC editorial decided that story was not what they wanted, and offered me the title.
I assume Darryl and I started talking when he started drawing issue #50. Switching storylines meant that the schedule was behind enough that other artists had to be brought in to draw #48 and #49. That's why each issue of 'Emerald Twilight' has a different artist."
So Ron Marz takes over the books with a plot & we got what was published. Hal Jordan, utterly broken by the destruction of Coast City jarringly tries to remake it in his image with his ring. Stopped by the Guardians & gone mad with grief, he destroys the Corps & becomes Parallax while a new Green Lantern, Kyle Rayner is introduced:
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Marz: DC faxed me about a page-and-a-half of notes, just a broad outline of what the three issues were supposed to be. All the details were left to me to fill in.
Killing Kilowog was all me.
I felt like if Hal was going to destroy the Corps, it needed to be personal, we needed to see a known character meet his fate on camera. There's no sense in doing that kind of storyline if it doesn't hurt.
Banks: It's funny you said "heel turn" because Hal did use a few pro wrestling moves in issue #50!
Marz: The last line of the outline that DC gave me was, essentially, "...and a new Green Lantern is created." That was the only direction I was given.
I asked if the new GL could be a woman, and DC said they wanted to keep a male lead.
I asked if the new GL could be an alien, and the answer was he needed to be human.
Other than that, there was no direction.
So we just made up Kyle from the ground floor. I never made a secret that he was very much based on the Everyman archetype that Spider-Man typifies.
I wanted just a regular guy, rather than someone who was already a hero, like Hal, who was a test pilot. If we were going to go in a different direction, let's really go in a different direction. Let's have somebody who has to learn to be a hero. Irish ancestry because that interested me. I picked his first name because of Kyle Reese in The Terminator. I picked Rayner off a list of Irish last names, just because it sounded good with "Kyle." Black hair because Hal had brown hair, and Alan had blond hair. And an artist because Green Lantern is in a lot of ways a special effects book. We wanted someone who was going to make cool stuff with the ring.
Ultimately, Ron Marz makes the DC version of Spider-Man and Magneto in one fell swoop.
Marz: Darryl was the one who came up with the name Parallax, and it's perfect. Hal's view of everything has changed, because of his perspective. For me, Hal was never a villain, he was at worst an antagonist or an anti-hero. I wanted the audience to feel like, 'Well, maybe he has a point here...'
To me, the best villains are the heroes of their own stories. That's why I generally was more attracted to Marvel villains than DC villains. The old rule of thumb was that Marvel villains wanted to rule to the world, DC villains wanted to rob banks.
I saw Hal as Parallax very much in the Magneto mold. He was convinced in the righteousness of his cause, and he was willing to do what was necessary to achieve his goals. He was very much a sympathetic character to me. All-powerful, but broken.
Banks: Parallax wasn't the villain he was perceived to be. Hal Jordan was pushed past his limit. Furious, yes. Evil, no. There was still a nobility about the purpose and one of the reasons I designed him with knight-like armor.
The word 'parallax' essentially deals with a different point of view. It is a literal line of sight term but I thought it was a fitting metaphor for Hal Jordan's transformation. Originally, DC wanted to name him 'The Protector' because they already owned that name. That just didn't fit with where we were going with the character and I had to put in writing why I liked the name Parallax better.  Hal's decision to gain more power was actually noble in intent. With the design, I thought of it as an Arthurian 'Green Knight' approach. I like armor anyway!
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The response to this was shock. Some people loved the new direction and introduction of Kyle Rayner & Parallax. Others thought it the most disrespectful thing ever done, spawning one of the most polarizing fanbases ever: H.E.A.T. - Hal's Emerald Advancement Team. On newsgroups, Prodigy, GeoCities sites, AOL rooms, CompuServe & all of the other 1994 internet chat rooms of the time, people enraged over this direction came together. These fans together made H.E.A.T. whose mission was: As Green Lantern fans, it is our goal to encourage and advocate the return and exoneration of Hal Jordan as Green Lantern, the restoration of the Green Lantern legends, and the revival of the honorable Green Lantern Corps. They harassed DC and the creators, sending death threats & countless awful messages to the writers & editors calling for them to be fired and worse. They were an incessant online troll fanbase. Defenders and members of H.E.A.T. claim they were a charitable group that set up a scholarship in memoriam of Gil Kane and that they also raised money to send John Broome to San Diego Comic Con in 1998 as well as organized many comic donation charities. I tend to believe the creators and fans who have their own personal accounts of how awful and toxic they were than the PR messages of the people in the group. In fact, every time I write about them, some of them STILL come out of the woodwork to "Um, Actually" me and disrespect me. Soooooo, make of them what you will but I think I've painted a pretty clear picture.
For years, they did not die down, they did not quit. In 1997 they took out a full page ad in Wizard Magazine. These people were unhealthily obsessed:
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They are infamous for spending more than 5-10 years trying to harass DC & anyone who would listen into reversing this story & putting Hal back on top as a character. They are a clear cut case in what not to do as a comic fan.
In 1997, Will Allred of Quantum Zone interviewed Jack Grimes from H.E.A.T. detailing his efforts to advance Hal. Here's a few interactions from the interview:---
Allred: Now that we know I'm a fanboy, could you give us a little background on how this project got started?
Grimes: Well, I had had the idea for a Hal/Green Lantern Corps advertisement swirling around in my head since the Green Lantern Corps page's "Green Lantern Corps Petition" really started taking off, racking up something like 50 signatures a month. I just didn't have the initiative (nor the time) to investigate. That is, until late August, when friend and fellow Green Lantern fan Harry Philipo publicly suggested taking out an ad to the "regulars" on AOL's DC Online GL message board. When almost a dozen people immediately pledged at least $20, I figured we might actually have a shot at it, and I e-mailed them with my interest in organizing the ad. We did some investigating and found the ad rates for a few industry magazines. Despite the vastly greater cost in Wizard, we decided to make the biggest impact possible and go with the industry's most widely distributed magazine. Kevin Huxford opened communication lines with Wizard, which I then followed. Joe Sturgeon and Harry lent their computer graphics talents in constructing the ad itself, which I chose the image and wrote copy for, while I drummed up support on the Internet from the most publicly adamant fans.
Allred: You've got the ad. What do you hope to accomplish with it?
Grimes: Obviously, we want to see Hal Jordan in a prominent, heroic position again in the DC Universe, and the Green Lantern concept enriched once more with the mythology of the Corps. But at the core of it, it's to send a united message to DC, and all comic companies. A message that says long-time fans are tired of taking a back seat to hot trends and disposable incomes. And a message to fans of Hal and the Corps letting them know that they are not alone.
Allred: Do you think it will work and bring Hal and the Corps back?
Grimes: I don't see why not. We certainly aren't calling for the end of the Kyle Rayner Green Lantern. There's no way we'd wish "Emerald Twilight" on any comic fan, no matter the character. What we would like to see is in everyone's best interest: a bigger, brighter, more successful GREEN LANTERN.
Allred: How do you think those at DC will react?
Grimes: The optimist in me says, "Immediately hire Kurt Busiek." The pessimist in me echoes one comic professional I contacted for contributions (I contacted several, and most sent their best wishes of support, but declined to donate due to conflict of interest), who said that DC might treat the ad as a joke. But I really don't know how DC will respond...if past experience is any indicator, they'll probably shrug it off as the "cries of the loud minority," but this is a unique situation. I truly hope and expect them to take us seriously and at least consider where we are coming from.
Allred: Anything else to add?
Grimes: I'd just like to make it clear to all Kyle Rayner fans that we are not calling for replacement. We're calling for expansion and restoration. And, I'd like to once again thank all those that helped make this ad possible!---
Unhealthily. Obsessed.
Marz had this to say about them in 2020 (Source):
Marz: Certainly the overall lesson was that a relatively small number of people can make a lot of noise. The vast majority of people read a comic, enjoy it, and move on with their lives But a very few people obsess over some aspect. I knew 'Emerald Twilight' was going to be controversial, and upset a segment of fans. But ... yeah, some of them got a little carried away over these made-up people.
I've got a couple of stories. The first one is when I was in Portland, Oregon for a convention, and a guy was pointed out to me as one of the ringleaders of H.E.A.T., a guy who was seriously agitating for me to get fired by DC, and never work in the business again. He kind of loomed at the periphery of my table, and I figured he was never going to approach me. But he finally got up the nerve, stepped up to the table, and announced he was very unhappy with what I had done to Hal Jordan. I told him that it wasn't personal, the story wasn't meant to upset him personally, and that I hoped he had found other comics he liked. He presented me with a laminated H.E.A.T. membership card with my name on it, and a list of demands on the back, one of which was that be fired off the book.
So I politely handed back the card and told him I didn't really want to be a member of an organization that had a goal of making me unemployed. I pointed out to him that he was more concerned with what happened to imaginary people than real people, and he looked kind of baffled at that notion, like he had never considered that before. He assured me it "wasn't personal" ... and then handed me a stack of all of my Green Lantern issues to that point, and asked me to sign them. Which I did.
The other is when, in the midst of all the "Emerald Twilight" controversy, Wizard Magazine invited me and one of the vocal H.E.A.T. guys to come to their Chicago convention and debate the story. I said sure, that seemed like fun. But they couldn't get the other guy to commit to the trip. It was time for Wizard to book plane tickets and hotel rooms, and the guy still wouldn't commit. Finally, they needed an answer, and the guy admitted he couldn't come to Chicago because "my mom won't let me." He was a 16-year-old kid.
Now, personally, I love Emerald Twilight. Do I think its a jarring, sudden story that does irrevocably change a long time beloved character? Yes, very much so. Do I think it deserved H.E.A.T. and the hate? Not at all. I think everyone tried their absolute best to do something bold and new and rare for the Big 2 in turning a longtime hero character into a villain. That Marz was trying to, with respect and purpose after the initial rush job, fashion him in the Magneto mold, with fascinating shades of gray and the potential for an infinite number of great stories is, to me, something to be applauded for. He didn't unceremoniously kill him and constantly disrespect him. We actually got several excellent stories with both Parallax and classic Hal from Marz after this that I think serviced the character with such impressive depth and care in a way he's rarely ever been handled.
In response to fan backlash, Marz had this to say: (source: Emerald Archive: Ron Marz answers every question regarding 'Green Lantern')
"Look, people are going to believe what they want to believe. But if there are actually people out there thinking it was somehow my life's goal to 'destroy' Hal Jordan and the Green Lantern mythos ... please, seek help. I was offered a job. The job had certain parameters. I took the offer and worked within those parameters, and did the best job I could." 
"The truth is, if I hadn't written Emerald Twilight, someone else would have, and the story would have been substantially the same. That's by no means an effort to pass the 'blame.' I did write those stories, and if you don't like them, feel free to blame me because, yes, my name is in the credits box." 
"I still think 'ET' was a gutsy move by DC at the time. To effect permanent change upon one of your top characters is brave. I liked Hal as a character. I still do. But he'd been badly handled for a number of years prior to my tenure. I can remember picking up the first few issues of what was then the new GL series, and coming away just not caring because Hal seemed like a wuss wandering the country searching for … whatever. This was a fearless test pilot?" 
"So the thinking at the time was that something drastic was needed, something that would attract a lot of attention back to what had become a moribund franchise. That much worked. When I agreed to take the book, issues #48, #49 and #50 were all due." 
"The book was late, the planned issues had been pulled, and things had to get moving right now. So I wrote my first three issues at the same time. That's why there were three different artists on them. I remember writing part of issue #48 between sets at a Peter Gabriel concert. I found a quiet place where I could steal a few minutes to write." 
"The deadlines were that tight. I would have loved to write 'ET' over six issues. I think that's about the length that would have been necessary to really make Hal's descent believable and tragic. So what we ended up doing was a bit rushed because of circumstances, and I regret that. But if I'd had six issues, the events would have been generally the same. I just would have had more room for the character stuff. Sometimes you just have to play the cards you're dealt." 
"I had a few pages of notes from editorial, dictating the broad strokes of what needed to happen: Hal goes nuts, wipes out the Corps, kills Sinestro and blows up the Central Battery and the Guardians. The details were up to me."
"I decided to have Hal kill Kilowog on camera, because I felt we needed to feel the loss of a more known character to make this thing have some weight. I decided that Ganthet would be the one Guardian to survive, since he'd had some previous exposure." 
"I've never given much thought to what I would have done differently, because that wasn't a possibility at the time. As I said, though, more pages to tell the story would have been great. I had the most freedom to develop the new Green Lantern. DC just let me make up Kyle from scratch. The name, the look, the background, everything. I'm really thankful for as much leash as I had." 
"I guess I saw Hal as a classic character who had turned into a dull character that not many readers cared about. Very often it's not the character itself, it's the portrayal. And once readers become bored with a portrayal, it's very hard to get them to come back. 'ET' certainly jump-started interest in GL, so from that viewpoint, it was a success."
"As to whether it was necessary, apparently sales were sliding enough that something drastic was needed. Having read what was originally written and drawn for issues #48-#50, I can say that those issues would not have stoked interest in the series, because those issues were more of the same. That's not a qualitative judgment. I'm just saying that the material wasn't exciting enough to attract new readers."
So there we have it. All the behind the scenes drama and info surrounding Emerald Twilight & the huge change to Hal Jordan as a character by DC Comics.
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katmaatui · 7 months
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Parallax only reading list
Green Lantern (1990) #46, Hal fights against Mongol and speaks of hearing voices*
Superman (1987) #83, the memorial for Coast City
Green Lantern (1990) #48-50, Emerald Twilight* (if you read one thing on this list read this)
Guy Gardner: Warrior (1994) #18-21, Guy learns about the destruction of Coast City + what Hal did (18-19 not necessary but otherwise you will be so fucking confused on what the fuck is going on)
Zero Hour (1994) #4-0, Hal destroys time*
Green Lantern (1990) #0, Hal and Kyle finish their fight from Zero Hour*
Green Arrow (1988) #96, Hal meets Ollie once again*
Green Lantern (1990) #61-63, Hal attempts to get Kyle’s ring back
Final Night (1996) #1-4, Hal dies to save the universe
Parallax: Emerald Night (1996) #1, read between issues #3 and #4 of Final Night, Hal looks over his life
Green Lantern (1990) #81, Hal's funeral
Green Lantern (1990) #99-106, Kyle travels through time and meets Hal Jordan, in the middle of his first fight with Sinestro. Young!Hal returns to the present with Kyle.* (read ga 1988 #136 inbetween 103 and 104)
@fancyfade <3
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NASA’s Voyager 1 Resumes Sending Engineering Updates to Earth
After some inventive sleuthing, the mission team can — for the first time in five months — check the health and status of the most distant human-made object in existence.
For the first time since November, NASA’s Voyager 1 spacecraft is returning usable data about the health and status of its onboard engineering systems. The next step is to enable the spacecraft to begin returning science data again. The probe and its twin, Voyager 2, are the only spacecraft to ever fly in interstellar space (the space between stars).
Voyager 1 stopped sending readable science and engineering data back to Earth on Nov. 14, 2023, even though mission controllers could tell the spacecraft was still receiving their commands and otherwise operating normally. In March, the Voyager engineering team at NASA’s Jet Propulsion Laboratory in Southern California confirmed that the issue was tied to one of the spacecraft’s three onboard computers, called the flight data subsystem (FDS). The FDS is responsible for packaging the science and engineering data before it’s sent to Earth.
The team discovered that a single chip responsible for storing a portion of the FDS memory — including some of the FDS computer’s software code — isn’t working. The loss of that code rendered the science and engineering data unusable. Unable to repair the chip, the team decided to place the affected code elsewhere in the FDS memory. But no single location is large enough to hold the section of code in its entirety.
So they devised a plan to divide the affected code into sections and store those sections in different places in the FDS. To make this plan work, they also needed to adjust those code sections to ensure, for example, that they all still function as a whole. Any references to the location of that code in other parts of the FDS memory needed to be updated as well.
The team started by singling out the code responsible for packaging the spacecraft’s engineering data. They sent it to its new location in the FDS memory on April 18. A radio signal takes about 22 ½ hours to reach Voyager 1, which is over 15 billion miles (24 billion kilometers) from Earth, and another 22 ½ hours for a signal to come back to Earth. When the mission flight team heard back from the spacecraft on April 20, they saw that the modification worked: For the first time in five months, they have been able to check the health and status of the spacecraft.
During the coming weeks, the team will relocate and adjust the other affected portions of the FDS software. These include the portions that will start returning science data.
Voyager 2 continues to operate normally. Launched over 46 years ago, the twin Voyager spacecraft are the longest-running and most distant spacecraft in history. Before the start of their interstellar exploration, both probes flew by Saturn and Jupiter, and Voyager 2 flew by Uranus and Neptune.
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doddsmountain · 1 month
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okay! i've been wondering how harry gets back in touch with his family after the whole amnesia thing and how they all handle that. and how was harry's relationship with them before that, also? is there a sibling he gets along with the best? do any of them also have weird brain things going on (like the psychosis, talking to things, heck even pale exposure)? if the sister who works at the harbor knows titus, how does the reveal that she's related to harry go?
i may have more but that's a lot to start with for now. i might come back another time :3
Alrighty! Gonna put this under a cut to save people from my old-ass being cringy lol
First, I wanna introduce the OCs I’ve made for Harry’s family! (Ages as of events of the game, March ‘51)
Alain Du Bois, father, dead (died in ‘21), born January 27, ‘80 of previous century. Was absent most of the time, abusive when around
Margarette Du Bois (nee Barrach), 70, born August 2, ‘81 of previous century. Kind, loving mother.
Victoire ‘Victor’ Du Bois, 48, born July 17, ‘02. A bit distant, also struggles with alcohol but not to Harry’s extent (he won’t drink while working), lorry driver, emotionally shut off, rarely smiles, known for his deadpan humour and really bad puns. Has whatever the lorry driver version of Esprit du Corps is. Married and has 2 kids: 21 year old son, 18 year old daughter. Pale exposure up the wazzoo due to having to travel through it. He knows the pale driver, and Tommy Le Homme.
Madeline ‘Maddy’ Petrovski (nee Du Bois), 46, born June 1, ‘04. Very friendly like their mum, short and chubby, cosmetologist (works for the biggest theatre company in Revachol - which still doesn’t pay that well - definitely working class), has some of the same psychological things going on as Harry (the lists - she does the lists as well). Married and has 4 kids: 16 year old daughter, twin 13 year old sons, and an 8 year old daughter. Her husband has addiction issues and isn’t the greatest but he’s kind and loving regardless - life isn’t always what we expect it to be.
Harrier ‘Harry’ Du Bois, 44, born January 3, ‘07. We know about him.
Mairi Du Bois, 42, born December 20, ‘07. The only one to really escape the poverty of their childhood. Geology professor in Sur la Clef. She has the same weird empathetic skills Harry has. Lesbian, married to a fellow academic, no children.
Eloise ‘Elsie’ McTavish (nee Du Bois), 37, born February 2, ‘14. A bit standoffish, she is a nurse, and recently divorced. Has plenty of similar strange psychological traits similar to Harry’s and is distressed over it, tries to ignore it. Has four children: Twin 6 year old son and daughter, 3 year old daughter, and a year old daughter. Currently lives with their mum due to financial stress as her ex-husband is a deadbeat and can’t be found (he’s a former friend of Harry’s and Harry vows to beat the shit out of him if he ever sees him again).
Marcelline ‘Marcy’ Du Bois, 34, born January 4, ‘17. Exactly the same psychological stuff as Harry. Divorced because she had a few miscarriages (her ex-husband is a piece of shit - upper middle class weenie). Very outgoing, works in Martinaise surprisingly as a shipping container inspector (enemies to lovers type thing with Titus Hardie eventually) (also didn’t know her brother was the absolute mess of a detective doing the investigation into the Hanged Man). Has some issues with making relationships for obvious reasons. No children. Her favourite sibling is Harry. She is Harry’s favourite sibling (he got a baby sister for his 10th birthday). Because of Marcie’s proximity to the hole in the universe she also has some issues with pale exposure.
My headcanon for Harry getting back in touch with his family post-amnesia is a little wishful thinking on my behalf, I suppose.
So, as we know Harry has blanked before after some epic benders - purposefully. I figure it would only be a matter of time before he gets his memories back. 
In my postgame HC/AU/whatever you wanna call it I figure this happens roughly a month after the events in the game - and it happens fast and painfully - leaving Harry in a very very emotionally unstable place. Thankfully, Kim is there and Judit is also very understanding. Harry’s reaction to all of this suddenly happening is what gets Jean to finally believe Harry had amnesia. Throughout it all Harry still remains sober (this is again wishful thinking on my behalf due to my own history with alcoholism [grew up with it, know it’s damages]). 
Shortly after this is when the Kim is Revachol comic takes place (so mid- to late April). Kim encourages Harry to reach out to his family after learning about them. Harry is understandably terrified as the last 6 years have been strained due to his spiralling into further alcoholism and drug abuse after Dora left him. After university I HC that Harry dived into the Disco/party scene heavily, especially after meeting Dora, so alcohol and drugs have been an issue of his for a while before Dora left. I think that after he became a cop these addictions got worse as he struggled to cope with the realities of what he had to do as a cop and what he had to see. I imagine things were a bit tense after Harry met Dora, as I HC the rest of his family not really liking her all that much due to class differences (and I imagine her family didn’t like him either for the same reasons). Harry’s family does their best to make Dora feel welcome though and they get along well enough until finally she leaves and he goes off the deep end. His older brother quietly stops talking to him, his older sister tries her hardest to help but he doesn’t accept it. Mairi is on another isola so there’s not much she can do. But she makes sure to call him once a week and this doesn’t stop until the events of the game. Eloise is very vocal about her displeasure with what he’s doing but still tries to support him in small ways. Marcelline is heartbroken but refuses to give up on her brother. They get drunk together a few times over the years post-Dora/pre-game. Harry refuses to be around his mum when he’s drunk or high, but she is well aware of how rough he’s living. He builds her a gazebo one summer when he tries to sober up (I like to imagine him being good at carpentry). He gets Jean to help him.
Because family is important they all open their arms to him when he reaches out. Because all of them have some extent of Harry’s weird abilities they can tell he means it this time when he says he’s trying to be better, be the Harry they knew before he met Dora, before he let his life spiral. Harry slowly integrates into his families’ lives. Harry made sure to never be high or drunk around his nieces and nephews so he’s always been the fun uncle, and now they get to see him much more often. Harry cries so much when his oldest nephew introduces Harry to his grand-niece. The family also openly embraces Kim, Cuno and Cunoesse. And Rene in my AU. Harry’s sisters are excited to have a new brother-in-law and niblings. Victor quietly respects Kim for being able to help Harry pull through this time. He also teaches Cunoesse how to work on a lorry engine.
When Titus learns that the chubby babe Marcy is Harry’s sister he’s not all that surprised. Once he knows he can see the familiarities there. After the events of the game, I HC that Titus slows down on the partying and sleeping with younger women (the man is 39 after all). He kind of becomes a bit more reserved, especially after losing his best friend and the others. Marcy was close with Angus so she understands Titus’s pain. They grow close. Harry gets a bit put-off when he learns that they start dating. Kim is highly amused by Harry’s protective older brother attitude.
I likely have more to add but I’m losing steam lol
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kerubimcrepin · 3 months
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Episode 46 - The Hacienda's Fever (Part 1)
AKA Kerubim Crepin's Divorce Ballad
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Kerubim and Simone besties moment number 84593845345.
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This episode is so meta for making Kerubim fucking hate a breakup song and in response singing an even worse one.
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I don't think I need to point out that, very likely, 50-90% of this episode is some shit Kerubim is making up on the fly as he sings to Joris and Simone.
This is less telling of what actually happened at that fucking club, or whether The God Ecaflip Himself was there that night, — and more telling of his divorce issues.
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His dance is too well animated. I can't believe I had to rewind to watch it two times (while withstanding the "singing")
And it has to end with this ass shot each time. I can't do this anymore.
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It is tempting for me to assume that this episode takes place after Ecaflip city.
The clues for that interpretation being: The lyrics, her hairstyle, and the fact that he keeps apologizing for some betrayal that we never learn about.
This would point to the fact that, perhaps, she regained her memories, and left him, — and then he had to win her heart back, and they got together again (with this being an idealized depiction of what happened), but eventually, it became too much, and she left him for real.
That would mean that their break-up was a long time coming after Ecaflip city, even if they did try to make things work after she regained her memories, and would line up perfectly with the tenets 1, 4, 5, and 6 of divorce theorising.
She left sad, and unlike many other times, without any anger for Kerubim.
She left Luis with him to watch over him.
She also left Luis because he couldn’t go with her, but that could mean many things.
She left after Ecaflip City, obviously, and at that time, their relationship seemed the healthiest. (Well, as healthy as it could be.)
Unlike all the other times, Kerubim didn’t go searching for her. It seems this separation was final in a way no other was, and there had to be a reason that he didn’t go and try to make up. An unsolvable issue.
Both Luis and Kerubim blame Kerubim, and the first one uses this to make the second one angry.
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But thinking about this a bit deeper, — it is just as likely, if not more likely, that Kerubim simply goes into a sad-ass vent song on his post-divorce issues in the middle of that story and never gets back on track for the rest of the episode.
He is singing all of this out loud, after all. There isn't as much of an emphasis on accurate storytelling, when all you're thinking about is singing.
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The lyrics would... certainly fit that.
Though it could be a combination of both. Perhaps it is after Ecaflip city, — but a lot of lyrics are tinted by his present regrets, with him blaming himself for not saving their relationship somehow.
Perhaps he is envisioning a world where simply singing a Cooler song, all about how sad he is, at Da Club could have fixed everything.
Or maybe I am fucking insane for reading into this.
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His poor homeless orphan ass did NOT go to school or wear glasses. He is making SHIT UP for rhyme's sake. I HATE his ass. Anyway, that book in his hands may say "ERER", or "FRFR", or perhaps "RLRL". It's way too small for me to really tell.
It doesn't seem to be "KEKE", at least.
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Chances are, Indie, who has known Lou for as long as Kerubim has, is still her friend even after all the romantic tension disappears from between them.
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And I think if he knew about Kerubim's fucky wucky in the Ecaflip city, he would not feel kindly about it. It would probably completely undo the friendly rivalry and mutual respect they managed to develop over the years.
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Keke is making more shit up, considering this has never happened, but it does tap a little bit into the "he thinks he's entirely to blame, and Lou isn't" thing ("I was so clueless") and "he has self-worth issues" thing ("So afraid they'd like him less").
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Yet another clue towards "this episode is a vent for him" theory.
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I can't stand him. I can't stand Joris either.
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Truly said like a man who developed clinical depression and hoarding tendencies, opened a shop, ruined his shop, and then went to wars for fun after this divorce, before adopting a kid to love him instead.
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Men will do anything but go to therapy.
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origami-trust · 3 months
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MAGP003 Spoilers: Looking at the story behind the story, this title is *so* clever. >Collection: Kent CID Repository. >Item: Journal of Dr. Samuel Webber, age 46. Issued by grief counselor. >"Thank you, counselor – I’m more likely to use it for kindling than “expressing my feelings” >Partial medical files on Gerald Andrews – age 37, of 12 Castlehill Avenue – and Maddie Webber – age 39, deceased. > Files on “the star-crossed couple” >"I could be Gerald Andrews. I’m sure Maddie would have loved that." >"I had it all planned out, all of it!...I was so close to getting caught.… But it’s done. " >"Maddie stored her stuff there after she moved out. >"Maddie, is that you? You’re right. I should stay. > "I knew she would never leave me." and connecting a few dots, we see the following....
Samuel Webber had the medical files of Maddie Webber and Gerald Andrews, a pair he describes as a 'star-crossed couple,' and mentions that if he stole Gerald's identity, Maddie would have loved it. Seems like Maddie had been his spouse, but was leaving him for Gerald. Samuel, as a doctor, pulled both their medical files - my read on this is that he was looking for an unobvious way to kill one or both based on medical history/allergies/poisoning, and possibly to get their addresses. He succeeded in the case of Maddie (deceased), and is pleased with his success, but turns paranoid, and flees. After going through some incredibly horrific changes in his garden hideout, his thoughts turn from hiding there for a few days to knowing he'll remain there, growing, for the rest of his "life." The idea of 'putting down roots' means staying in a place, making a home. Webber killed Maddie for doing the opposite, and in exchange, found himself rooted to a place with guilt, and with memories, and then, with literal roots as he transformed.
As the final karmic cherry on top -Webber's terrified of being found by the police. This opened as: 'Case: Homicide,' from the Kent CID, the Criminal Investigation Department. He failed, he was found! ...Eventually.
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heckcareoxytwit · 1 month
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A preview of Wolverine #46
WOLVERINE #46
BRAIN CHANGER/GAME CHANGER! WOLVERINE’s memory has been altered, erased, restored, forgotten and destroyed. This time, if he can’t get his head on straight, SABRETOOTH will do far worse than that! The most diabolical chapter of SABRETOOTH WAR yet…and you thought those early issues were violent?!
LEGACY #388
Written by: Victor LaValle, Benjamin Percy Art by: Cory Smith, Oren Junior, Alex Sinclair Cover by: Leinil Francis Yu, Romulo Fajardo Jr. Page Count: 28 Pages Release Date: March 27, 2024
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wolvertooth · 6 months
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(Wolverine 1988, issue #46)
i wake up. i think about them being partners, i am forced to go on with the rest of my day like i am normal.
THEY WERE FRIENDS THEY WERE PARTNERS THEY WERE PROGRAMMED TO HATE EACHOTHER ok ok ok ok but this is also a really fucking important for sabretooth cuz usually his character is portrayed as WANTING to be in the weapon x project, but this moment shows that after all these years hes finally gotten sick of it and just wants out of it. for context, the weapon x project is STILL GOING and they recently captured sabretooth and gave him new memory implants to further inspire hatred for wolverine, like theyre still actively fucking with him.
then ofc im always thinking about THESE PANELS
(Wolverine 1988, issue #48)
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BUT ALSO THESE ONES…….’Don’t you know who your friends are??’ 🥺🥺MAN……..
(Wolverine 1988, issue #61)
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