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#bless me anyway
girlwithlandscape · 3 months
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W.S. Merwin
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embraceyouropacities · 2 months
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“I think I could stand anything, any suffering, only to be able to say and to repeat to myself every moment, ‘I exist.’ In thousands of agonies—I exist. I’m tormented on the rack—but I exist! Though I sit alone in a pillar—I exist! I see the sun, and if I don’t see the sun, I know it’s there. And there’s a whole life in that, in knowing that the sun is there.”
— Fyodor Dostoyevsky, “The Brothers Karamazov”
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lotus-pear · 13 days
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lore accurate double black battle scene
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beybuniki · 9 days
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the bakugos
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eyes-of-nine · 1 month
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minimum wage coded scrunkly and his very good pupper
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avephelis · 10 months
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omg i love transgender leo ninja turtle
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kyurochurro · 4 months
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"gentlemen i believe... we are lost."
(entering the new year with a stv drawing since im still on a st movie kick from the marathon my dad and i had HEHE >:D)
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humbuns · 6 months
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ghost king
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tempo-takoyaki · 7 months
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Heaven Official's Blessing except I haven't read the book, remember nothing of the donghua, and saw a few spoilers.
Sorry, for the delay, I got sick last week and couldn't update, here is part 8 ! As always, please, no spoilers in the replies or in the reblogs! I read all the tags, and I intend on reading the novels once I'm done with this serie. In this case, a spoiler would mean any sorts of correction regarding what I've put in this comic: I know I'm wrong, this is the point of this serie. (Character's name or role in the story counts as well.)
Lots of new characters today! One of the rare thing I remember is that this whole arc happens in the Gobi desert, so I wanted to reflect that in some way. I had a lot of fun doing this part, I hope you'll enjoy it too! And happy spooky season! :D
Part 1 | <<Previous Part<< | >> Next part >> | Final Part
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comradekatara · 2 months
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aang bodied zuko in every single fight without breaking a sweat when he was only twelve years old. imagine if zuko had actually had to fight an adult avatar who had already mastered all the elements and the avatar state. zuko couldn’t even win a fight against his little sister. and it’s not like he ever actually formed any kind of coherent plan when attempting to capture aang. at no point was he even like “well maybe if i got a really big net…” like obviously zuko is constantly operating on one million levels of cognitive dissonance (capturing the avatar = honor = acceptance = father’s love = safety, and so on and so forth) so it’s not like he ever stopped to logically reason, and that’s kind of the entire point of his character, but like. was there really not a single moment where he stopped and went “this kid is kicking my ass, maybe i should just call it a day” ??? well, no. of course not. because then he wouldn’t be zuko.
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girlwithlandscape · 8 months
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“Nothing Is Too Small Not to Be Wondered About” — Mary Oliver
The cricket doesn’t wonder if there’s a heaven or, if there is, if there’s room for him.
It’s fall. Romance is over. Still, he sings. If he can, he enters a house through the tiniest crack under the door. Then the house grows colder.
He sings slower and slower. Then, nothing.
This must mean something, I don’t know what. But certainly it doesn’t mean he hasn’t been an excellent cricket all his life.
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lesbaurinkos · 3 months
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they call me the world’s number one fan of dnp’s ffxiv catboys (who bought matching red and blue carbuncle mounts if you care). just like they call fditl the most important video to ever exist in the world
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indigovigilance · 6 months
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The Final Fifteen is about Terry Pratchett's Death
read on Ao3
The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.
Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.
In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.
Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.
In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:
Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 
It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 
~~~
The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 
Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.
Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.
Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.
~~~
In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.
But Aziraphale has to go to Heaven, and Crowley cannot follow him there.
I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 
I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.
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calmparticles · 4 months
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honeyrins · 1 year
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[Batman] 💛 Father - Daughter Ballet Practice 🖤
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