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mrchiipchrome · 3 days

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You Always Go To The Parties

W.C. - 5.7 k

okay so this is the project i've been working on for a little, hope y'all like it:) (also listen to American Wedding by Frank Ocean while y'all read this.)

To clarify, this is a lionesses x r series too, but this is literally just the chapter of introduction so that we can get to know the characters.

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“Do I really have to go? I can’t even drink legally here.” You groan, there was nothing stopping you from collecting your things and getting the hell out of that apartment in Boston, well except the manners instilled in you from an early age. There was nothing you’d like more than to crawl up in bed and sleep for the next few weeks.

No way Emma would let you do that.

The sophomore defender had been one of the only people that had come back to college early, having been asked to show you around the campus and the facilities. She had quickly taken you under her wing, which meant that she wouldn’t let you sulk in bed the rest of August.

Brown cardboard boxes filled to the brim with different things, ranging from clothes to knick knacks, were stacked to the ceiling in the otherwise empty apartment. You didn’t mind, clearly, but it bothered Em.

You tuck your hands behind your head, staring up at the ceiling from your mattress that was placed directly on the floor. Your button up had the first few buttons undone, the top of your chest displayed for Em to see, you had even put your fancy trousers on for the stupid party you didn’t even want to attend.

“Yes, you really have to. How else do you expect to make friends, your cute British accent will only get you that far, you actually need to put in some effort okay?” Rolling your eyes at her words, you were quickly made to get up off the makeshift bed, getting pushed towards the door.

“But-”

“No buts, you are going because I need someone to drive me home when I’m black out drunk tonight, you don’t want me to drink and drive right?” You can’t help but contemplate over her words, feeling the girl’s hand come down on your shoulder harshly.

Clearly she didn’t like that.

“I mean you could just, I don't know…not drink?” She looks at you like she’s disgusted you’d even think about saying something like that, like she has to drink.

“Wow, it really is obvious your parents are rich.” You lock the door up as you look at her through the corner of your eye, a slightly judgemental look in your eyes.

Your parents were rich, but they didn’t spoil you so you weren’t one of those snobby rich kids, you were just like anyone else. Only you had access to more money than most.

“Shut up.” Emma puts her hands up in the air, like she’s surrendering to you, but you see the way she’s smiling slyly at you. Note to self; don’t get defensive when Em brings up your rich parents.

“You know, I could use a new Gucci bag if you want to contact daddy dear.” She looks up at you pleadingly as you make your way to her car, there was no way you’d use your car, it was far too expensive to be left outside a frat house. You really had to get a more beat up one.

Maybe you’d sell it, and donate the money you got for it to charity.

“Aw, we’re taking my car?” Em whines, clearly she wanted to take your cool car.

“Aw, I’m not leaving my really expensive car outside of a frat house for hours.” You roll your eyes at her almost like she’s stupid, throwing her the keys so that she could drive, you didn’t even know where it was you were going.

“You know, you are really sassy for being a rich kid.” Em pulls out of the garage, the apartment complex you were living in was just off campus, so near that you walked there every day for pre-pre-season training (absolutely destroying Em every single time without fail).

“Yeah well, I grew up in the public education system in London, so that’s where I get it from.” You look on as the girl in the driver’s seat taps her fingers against the steering wheel, waiting for the red light to turn green.

“Really, I would’ve thought that they had you in private school from the second you popped out.” The green light stands out against the quickly darkening sky, starless and rather bleak, but that’s what you get for living in a big city.

“Nope, they wanted me to have a normal childhood, so here I am.” You motion to yourself, feeling the bumps and dips of the road beneath you, damn potholes.

“I mean fair enough right.” A certain quietness envelops the space between the two of you, it wasn’t uncomfortable, just present without any real purpose.

Your eyes slip shut, with Em turning the radio on, playing soft instrumental music like you weren’t in the middle of Boston where most people prefer hip hop and bubblegum pop. That was probably the biggest culture shock you'd been given so far, the music.

At home it was different, in a neutral way. It was neither better nor was it worse, but it was simply different.

You sink into your seat, the cool air blasting across your skin in that refreshing way, the summer’s heat canceled out by the air coming from the car. Slowly, sleep starts to take over your body in that calming sort of way that you’d wished for earlier.

It had only felt like moments since you’d fallen asleep as Em shakes your shoulders to get you to wake up, the pulsing music coming from the frat house a walking distance away already making your ears hurt. You look around at the surrounding nature, it wasn’t familiar to you, not the trees you’d found yourself memorizing nor the architecture present in Boston.

Even the people looked different, shirts with the printing of a dog on the front instead of the three books representing Harvard. Stupid of you to assume that Em would be rational for once.

“Where are we Em?” You ask, voice riddled with a sleepy kind of innocence that suggested that not everything had registered yet.

“We are in Connecticut, home of the huskies and what might be the best parties you’ll ever experience.” Your eyes shoot open wide, a more than flabbergasted look on your face at her naïve words.

“You kidnapped me and then drove me all the way to Connecticut for a party we could just as well have found in Boston?!” You ask her incredulously, like you couldn’t really believe her. And you couldn’t.

“Yeah, technically I did but you’ll also get to experience the party of your lifetime, so I think that it’s fine.” She tries to justify her actions by trying to reason with you, and whilst it doesn’t work in the way she wishes, Emma’s just happy you’re not totally freaking out.

“Come on grumpy, let’s go. Who knows, you might even have some fun.” Em pulls you along towards the house spewing flashing lights in a hundred different colors.

You let your eyes adjust to the blinking lights as you enter through the open front door, seeing the entire bottom floor of the mansion-like house covered with hundreds of students, packed together tightly like a sweaty sardine can.

The house reeks of bad body wash, moldy pits and strong cheap alcohol, and in a sense of the word Em really did tell the truth, you’d never seen anything like it before. It was almost like those frat boys couldn’t afford to buy deodorant.

If your arm wasn’t as firmly attached to your body as it was, you were sure that Emma would’ve torn it off by now, the resistance of the sweaty bodies pushing against your own as she leads you to the kitchen proving to be a difficult task for her weak arms.

Reaching the entrance of the large kitchen, the first thing you notice is that it’s not as tightly packed as the living room, only a few stragglers here and there with the stereotypical red solo cups can be found in every single person’s hand. Future alcoholists.

“Okay, base rules since you’ve never been to a college party before, don’t take a drink from anyone you don’t know, don’t accept anyone’s request to go upstairs or somewhere private, you’ll most likely get robbed, don’t be too snarky, people don’t appreciate that and… I think that’s all. Have a nice night!” And with that she’s off to the living room, plucking a cup from a random man’s hand and taking a sip before leading him to the dance floor.

Yeah, base rules or whatever.

Standing alone in the kitchen, you suddenly feel so awkward. The only real parties you’d been to were the one’s your friends threw when your parents were away on their stupidly long business trips, just the chaotic friend group drinking together.

So this, college parties, was something that was totally out of your comfort zone and you’d never hated anyone as much as you hated Em right at that moment.

Spotting a boy out of the corner of your eye, you approach him with confident, yet still relatively hesitant steps, a question at the tip of your tongue. He looks up at you when you’re close enough to smell the odor of old spice deodorant and way too much sweat, his hat turned backwards on his head to hide the greasy hair still somehow poking its way through.

You almost feel bad for the poor thing, well that is until his mouth opens and you’re staring into the hell that is a frat boy’s gob.

“‘Sup dude, what can I do for you?” His eyes run all along your body, from your ankles up to your face where he notices the annoyed expression.

“I was wondering if you had anything non alcoholic.” You smile staley, eyebrows furrowing together when his eyes light up like a kid on christmas. His laugh feels slightly insulting, especially when his hand comes up to point at you, but there’s really not a lot you could do.

“Dude totally, say the thing though.” You look at him confused, like you didn’t know what he meant. Spoiler alert; you did. “Y’know bo'ohw'o'wo'er.”

He laughs again when you roll your eyes, and even if all you desire is to punch his stupid face in, you still say the phrase. Was it worth it for a coke? Eh, debatable.

He opens the fridge and throws you the can and laughs once more at your dirty look.

Sipping the drink slowly as you make your way around the house, the UConn students around you stare unashamedly at you, like they knew your face from somewhere, but you weren’t familiar per se.

Your face scrunches up at the metallic taste of the American coke, much preferring the Mexican one they had in the canteen. You couldn’t complain too much though, you were the one who actually let yourself get dragged to the party.

It’s sudden, the way her eyes catch yours. Deep pools of endearing brown that capture your entire soul in a single second. The girl was mesmerizing as she stood leaning against the wall across from you, her long brown hair falling so effortlessly down her back.

Her gaze is just focussed on you for a second or two, her attention soon being stolen by the man standing in front of her, a sleazy smirk on his face as his eyes ran all along her body. It was clear that she was uncomfortable purely by the way her lips were turned downwards and the way her hands fiddled with the hem of her crop top.

There seems to be a lull in their one sided conversation as she looks to you almost pleadingly, getting the hint almost immediately, you walk over with confident steps, dropping the now empty can on the floor on the way.

The man is almost as tall as you, his burly shoulders disproportionate to the rest of his awkward body, his meaty hands gripping the red cup tightly like he was afraid someone would steal it from him. His hooded eyes do a once over when he spots you nearing them, almost turning a green pale at the sight of you.

You don’t understand why, there was no way you knew him and being recognised as Harvard’s newest addition would be unlikely. Especially in Connecticut.

“Everything alright here?” The girl seems startled by your accent, but she quickly schools her features so as to not show her surprise. Her hands wrap around your waist, and when you look down at her she looks back up at you with pleading eyes, asking you to just go along with it for the time being.

Your arm wraps around her shoulders and she leans into your body almost subconsciously, like you’ve known each other for much longer than you have.

“Yeah, everything’s going good.” He says, not backing down despite having been nervous at your mere presence only seconds before.

“Really? Because from where I stood it looked like you were flirting with my girlfriend.” You don’t even get the satisfaction of watching his gummy smile fade from his thin lips as he takes in your words, because he walks away from you before you can see it.

It makes you chuckle, especially since he walks up to another girl almost immediately, getting turned down in the same second.

“You okay?” You question the girl in your arms, her hand still resting on your waist as you take her in. You can feel her hair against your arm, her nails digging into your skin ever so slightly and the rest of her body pressed so tightly against your own.

“Yeah, he just wouldn’t leave me alone, thank you for the help.” She smiles at you sweetly, her brown eyes shining under the flashing lights. You smile back at her softly, noticing the way her grip loosens, you quickly let up on your grip of her shoulders.

Her unsure steps catch your attention as she takes your hand in her soft one, just like Em had done earlier in the evening.

“Where are you taking me?” You laugh through the sentence as she tries to pull you through the crowd of people, stumbling over her feet clumsily every so often.

“Do you like burgers?” She questions hastily, nearly having pulled you all the way to the front door already, she was a lot stronger than Em that’s for sure.

"Doesn't everyone?” You smile goofily when she looks back at you, her eyes narrowed playfully when you send her a wink. It’s only when you’re already out the door that you realize that Em is still in there, with people you don't know. Strangers.

You stop walking, the girl’s hand still in yours as she too stops, looking back at you confused.

“I’m sorry but my friend, Em, is still in there and I don’t want to leave her alone with strangers.” Her eyes light up again and you look at her weirdly, not understanding why she looked so happy that you had to leave.

“Em Whitmore?” She giggles at the shocked look on your face, clearly you didn’t know much about Em, the girl thinks to herself. You look at her suspiciously, how did she know Em?

“Yeah…how’d you know?” You ask her, still suspicious of her pretty intoxicated form. Her laugh carries all throughout the empty night, no one out and about except you and the mystery girl who’s soft hand is still in yours.

“I know her brother, she comes to a lot of parties here, because she knows she’ll be safe.” The brunette starts pulling you along again and you let yourself follow her, no longer worried about your Harvard counterpart. Her brother wouldn’t let anything bad happen to her.

By the time you reach the 50’s themed diner, you’ve already walked for ten minutes, side by side with the dark haired girl. You’re lucky that it wasn’t too far away, the half stumbling girl beside you probably wouldn’t have been able to walk that far without falling over.

The bell at the top of the door chimes when she pushes it open, the bored looking cashier perking up when he sees your companion. It was empty in the diner and you couldn’t imagine that keeping it open for this long wasn’t only for the drunk college students looking for a quick snack.

She drags you over to a booth in the corner, decorated in red and white stripes, a glass with straws standing in the middle of the table with a napkin holder beside it.

“Welcome to Donna’s Diner, what can I get for you?” The boy from the counter comes up to the booth after you’ve both settled, handing the two of you plastic menus. The dark haired girl smiles up at him, that fantastic glint in her eye once more.

“Come on now Alex, no need to be all professional.” You look up at him from where you’re sitting, his blonde hair curling around his ears, green eyes staring into yours kindly, thin fingers clasping the small notebook in his hands.

“Alex, this is my new friend, she knows Callum’s little sister, mystery friend, this is Alex and he’s in one of my classes.” You smile at him softly, sticking your hand out for him to shake, and he does take it in a confident grip, sending you a smile of his own.

“I’m Y/n.” Now the mystery girl looks up at you, finally a name attached to your face.

“Nika, I already know what you want, but how about you?” He looks to you when he speaks, obviously you wouldn’t know what to order, it being your first time there and all.

“I’ll just have whatever she’s having with a chocolate milkshake.” Alex disappears behind the counter again, your eyes following his retreating form. Looking away from the kitchen door, your eyes quickly meet the ones of the girl you now know as Nika.

One of her hands was tucked under her chin, keeping her head up in order to look at you. Relaxing into the cushions behind you, the small smile slowly taking over your face suddenly becomes full blown.

“What is it?” She giggles under her breath at your inquisitive look, and despite not knowing much more than her name, you already felt like she knew your soul inside and out.

“Nothing…it’s just that this is the last place I would’ve thought that you would bring me to.” The furrow in her brow is frankly quite adorable, her head turning to the side just in time to catch Alex walking out the kitchen with your food.

You see the way her eyes light up again, the platter of pure greasy goodness at the center of her attention right at that moment. All you could think about at that second was how thankful you were that the season hadn’t started yet, because everything there broke every single diet you could think of.

Looking to the brunette, the laugh bubbling up from the pit of your stomach is almost one of wonder, because the beautiful girl had already managed to get through half the burger that was in front of her. It seemed like her intoxicated brain only was focussed on one thing, satiating her hunger.

It isn’t long until you follow her lead, picking up the burger and just trying to get the most you could of it in your mouth. You can’t help the groan that escapes you when the exquisite flavours hit your taste buds all at once, having to lean back into the cushions of the booth to be able to take it all in, closing your eyes fully to enhance the experience even further.

It’s only when she laughs that you finally open your eyes again, only to see her looking right at you like you were made of glass, like she could read you like a book and then play you like a fiddle.

“I understand, I had the exact same reaction when I tried it.” She continues to giggle at you when you start to eat like a poor man starved. It was a funny sight to be fair, the way your fancy act completely disappears when in contact with amazing food.

“How’d you even find this place?” You question her when you’ve swallowed and wiped your mouth off with a napkin, you still had manners after all. She smiles at you, gesturing at your surroundings, at the tables and the booths, the chairs and the ketchup bottles, at everything.

“I was drunk after a party once in freshman year and I just stumbled across it.” You nod in response, completely understanding the randomness of how she’d found the place. When you’re drunk, all you want is some greasy food.

“So it’s a well guarded secret between the students then? I assume there’s usually more people here at this time of night.” You take a sip of the milkshake when the last word has fallen from your lips, heat spreading across your face at the intense look you’re getting from the brunette in front of you.

It’s probably just because she’s drunk, you think quietly to yourself, almost trying to convince your mind that the stupidly attractive smile on her face was just one of momentary value, that it was only because it was late and you were tired that it affected you in the way it did.

“Yeah, something like that.” She responds, a comfortable silence enveloping you two as you continue to eat.

The only thing that could be heard was the murmur of the fan across the room, the patting of the fingers of the boy, Alex, at the counter and the sound of shallow breathing. Well that was until her accented voice breaks it with a question.

“So, how’d you manage to befriend the girl with the scariest brother ever?” Nika asks you, her fingers playing with the napkin she’d taken only moments before. Her teeth capture her bottom lip softly as she looks at you tentatively, she’s positively driving you nuts with her pure unfiltered beauty.

“Well, for starters we both play football for Harvard, but she was the first one there to greet me, to help me pack up the necessities and all that. She never did mention a brother though.” You relish in the way she looks at you, all flustered and sweet despite you not having done anything in particular. It was adorable. Pause.

She nods absentmindedly, opening her mouth to speak before closing it and then opening it again, resembling a fish out of water more than anything.

“Were you going to say something love?” You ask the now blushing girl, and she hides her face in her hands at the embarrassment, clearly having zoned out for a little while there.

Reaching over, you pat her shoulder comfortingly before you ask her your next question.

“How about you? How do you know Em’s brother?” Nika reaches over the table to steal a few of your fries, laughing at the betrayed look on your face.

Maybe it was the drinks or maybe you were just funnier than you’d originally thought, either way the angelic sound of her laughing had graced your ears many times that evening. Not that you minded, you didn’t even mind a little bit.

“He plays basketball, I play basketball, and sometimes we train together.” You can’t help the feeling taking over you, the burning feeling that makes you question everything you’d ever known about yourself. Just the thought of your friend’s brother getting to enjoy her company makes the feeling inside you that much worse.

It seems like she sees the way your expression changes just that little bit before it goes back to normal.

“So, you’re like…close?” You ask the basketball player timidly, rolling your eyes only seconds later when the brunette decides to take a sip of your milkshake.

“No, not especially close. I mean, we talk when we have to at the shared training sessions, but not outside of it. But realistically though, who in the world of college sports doesn’t know Callum Whitmore?” Looking at her cluelessly, you sarcastically shrug as if to say you, because you truly hadn’t known a single thing about the man before she had told you.

By the third time Nika reaches for your fries, you decide to just push them towards her and let her have them, you weren’t even hungry after the monster burger you’d just consumed. It wasn’t at all just because she was too pretty not to get whatever she wanted. Pause.

“You want to switch?” She gestures to your drinks, she’d gotten a strawberry milkshake that she didn’t seem to fancy all that much right at that moment. Sighing goodnaturedly, you give her a nod and allow her to take whatever was left of your shake, smiling softly as you sip absentmindedly at the pink shake she’d given you.

Soon enough, the only thing that could be heard over the natural noise of the diner was the slight slurping every so often.

“I just got to go wash up, then I’ll walk you home, okay?” The brunette nods as she looks at you leaving, pulling out her phone to seemingly start to text someone not long after.

You walk up to Alex, who’s still standing at the counter and he smiles in your direction when you near, only seeing you out of the corner of his eye. Pulling out your wallet, you hold out your card to him.

“Could you do a to go order? God knows she’ll need that in the morning.” You nod your head in Nika’s direction, Alex smiling widely at you.

“You know, I’ve never seen her with you before…” His voice trails off, as if to tell you to fill in the blanks.

“Yeah, we only met tonight.” You smile at him staley, not understanding why the timeline of events was so important.

“You must be special then if she brought you here, it’s not often she brings anyone other than her friends here after a night out. Nico, drop me two burgers on the grill, one choc milkshake and a strawberry one.” As you walked towards the bathroom of the establishment, putting your card back in your wallet, you started to think about his words, wasn’t this place well known? What made it so special to Nika that the server had to point out how she never brought strangers there?

Wiping your hands off on your trousers, you go up to your table to collect Nika before swinging by the counter to pick up your to-go order, the brown paper bag looking out of place next to the two of you. It seems like she’s sobered up at least a little as she looks at you questioningly, her eyes soon falling to the bag in your hands and then back up at your face.

The bell chimes again when the two of you exit the diner, the cooling air of the late night a contrast to the warm atmosphere of the diner.

“What’s that for?” The furrow in her brow is so endearing that you almost feel the skip in your heartbeat, her eyes narrowing at you ever so slightly. Her arm threads through yours, one of your hands in the pocket of your trousers, creating the perfect space for her arm to go through.

You sneak a glance at her, flyaways being highlighted by the streetlights you were passing. Her head meets your shoulder as you start to walk back to the party, her apartment couldn’t be too far from it considering she hadn’t mentioned anything when you offered to walk her home.

“It’s for you, I just know that hungover Nika is going to crave Donna’s diner’s milkshakes to calm her raging headache.” You tease her softly, but there was definite truth there either way.

If there was one thing you knew about being hungover, then it was that good food usually helped at least a little (well, after the spells of throwing up everything from the previous night.) You give her a cheeky smile as you near the party once more, the booming music being heard from miles away.

“Thank you, you didn’t have to do that.” She speaks sincerely, you just smile at her in response, did you have to do it? No, but she’d kept you company all night so you did it anyway.

“Hey, can I just stop by my friend’s car before I walk you home? I just have to get something.” You were so thankful that you’d stolen the keys from Em before you went into the party only hours before. Leading her to the beat up truck, unlocking it and opening the door, you place the bag on the ground before you look through the glove compartment.

Finding the cartridge of painkillers and the pen that you were searching for with a small ‘aha’. The post-it notes Em always kept in her car finally came to use when you stole one, writing a quick message on it before sticking it to the plastic of the painkillers and dropping it down the brown paper bag.

You lock the car up, despite it being a piece of shit that no one would ever steal, Em always insisted on you locking it.

Walking up to her side once more, you open your mouth to speak.

“So, lead the way home love.” You gesture for her to take the lead, it was her apartment after all. Taking your free hand in hers, the girl starts to lead you towards her apartment building, walking calmly side by side with your hands swinging between your bodies.

After passing countless trees, and even more cars, you suddenly find yourselves at the bottom of the slanted hill leading up to where she lives, and when you actually start to walk up the long walkway, it’s slowly almost like you’re both resisting the natural order of events.

But you had to leave her, both Em and Harvard were waiting for you and no matter how much you tried to resist, you knew that’s ultimately where you had to go, it was your life even if the girl you’d just met seemed far more interesting than anything.

When you reach the top, just meters away from the door, you hand her the bag, smiling timidly when she reached out to hug you, her inviting perfume enveloping you in a blanket of warmth. When she pulls away, she thanks you one last time for your kindness.

“Really, it’s no problem.” You reassure her, smiling softly when she turns back towards you one last time before the distance between you becomes larger and larger, her fingers soon punching in the code to open the door.

“Wait!” You call out for her right as she’s about to enter the building, her head turning back to you questioningly. “Don’t forget to put it in the fridge when you get in.” She smiles and nods before disappearing behind the door.

You start your walk back to the party a few minutes after the door has closed, something just keeping you rooted to the ground. It wasn't until you heard your name get called by that familiar voice that you turned around, seeing Nika through her open window, waving at you as you walked away.

It almost felt like you were in some cheesy romance movie as you waved back, turning to walk away after she closed her window.

Truth be told, the evening had felt like something straight out of a romcom and some part deep down loved it. It loved the cheesy moments of pure unbridled love, the ability to express yourself freely, to dance in the rain, be your true authentic self in front of someone else was something you didn’t even know you longed for before you met Nika.

You shove your hands into the pockets of your trousers, every step you take moving you closer and closer to the frat house, closer to Em and closer to getting back to Boston.

Seeing Em sitting out on the steps of the house has you confused, why was she out there?

“Em? What are you doing out here?” You ask the clearly incredibly intoxicated Emma, your loud voice not even startling her, her slow movements showing just how drunk she is. The squeal she lets out when she sees you has you covering your ears, the intrusive sound killing your tired head.

She tries to stand up, but it just looks like Bambi on ice, stumbling and falling at every second. You come up and sling her arm around your shoulder, bringing her over to her car and sitting her down in the passenger seat.

“I’m not cleaning up if you throw up in here, just so you know.” She nods drunkenly, clearly not understanding a word you were saying.

“The reason why I was sitting outside is a long story.” She leans her head against the window, and knowing Em, she was probably imagining herself in a music video right at that moment.

“You can tell me tomorrow.” The car starts with a rumble and you pull out of the parking space on the side of the road, quickly pulling out and starting to drive on the main road.

It’s quiet for a while and you almost believe that Emma’s asleep, well almost since her feet move back and forth against the floor every so often.

“Where were you huh? What were you doing?” Her words are incredibly slurred and you can barely make out what it is she’s trying to say.

“None of your business mate.” She snickers at you, reading way too much into your response than she should have.

“You got some.” The way your face turns red doesn’t help your case even in the slightest, especially when she herself points out your reddening cheeks.

“Shut up and go to sleep, Em.” Your voice cracks in the middle of the sentence, still embarrassed by her insinuation.

“Mhm, you totally got some pussy.” You sigh as she laughs again, she was clearly getting a lot more joy from the situation than you were.

“Go to sleep Em.”

“Mhm.”

Maybe she had been right after all, maybe you had fun and maybe, just maybe the decision to go to the party was a good one. Not that you’d ever let her know that.

#woso x reader #woso #lionesses #nika muhl x reader #nika muhl #uconn wbb #wbb x reader #woso imagines #woso fanfics

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missglaskin · 2 days

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Yandere S.T.A.R.S Team (Resident Evil) platonic headcanons

Note- I am back (It's been years), this has been in my drafts so I said fuck it/this is so messy and the timeline/canon may not be accurate but enjoy! This is mainly platonic, but w/some characters it could be interpreted romantically

Characters; Albert Wesker, Chris Redfield, Jill Valentine, Rebecca Chambers, Barry Burton, Joseph Forest, Brad Vickers, Forest Speyer, Richard Aiken, Enrico Marini, Kenneth Sullivan, Edward Dewey

The first person you perhaps meet is Albert; he is the leader of the S.T.A.R.S Team. Not only do all the recruiters get approved by him, but he also overlooks all your tests. He greets you like any other, but gradually something takes a hold of him. He's in denial at first, even seeming harsh. You may initially believe he didn't like you; oblivious to the countless files and cameras hidden everywhere.

Having the rest of the team be just as enamored was not on the table. You are immediately welcomed by the team and Rebecca is the first to befriend you since you two are the youngest of the team. Like how Richard was tasked with watching over Rebecca, he’s tasked with the same responsibility over you (even if Wesker preferred to do it himself).

Chris can't help but grow quickly fond of you. He positions himself in the role of your protector; feeling the utmost responsibility for your happiness and safety. So if you have any problems - whether it's with Chief Irons or getting in trouble for say, breaking a rule; trust he'll be quick to intervene and 'save' the day.

You're all Chris ever talks about to Claire and before long, the two of you cross paths. Claire, like her brother assumes herself in the role of being your friend right away. She occasionally pays you visits and you can be sure that you will receive calls from times when she's unable to visit. Claire expects Chris to keep her informed of you at all times.

Barry, Enrico, and Kenneth all take fatherly roles; they look at you and already placed adopted papers on the table ready for you to sign. It makes it all the harder for Wesker to have any absolute control as they all put their foot down.

Barry adores you and it’s not taken lightly when it’s said he treats you as his child, probably cause he views you as actually one of his own. He invites you to a family dinner, introducing you to his family who all naturally take a liking to you. Barry insists on his house always being open if you need a place to stay or run into trouble.

Since Barry sees you as his own, there is a never-end to his dad jokes. Even when you comment on how terrible it is, he likes seeing the smile on your face. Trust you'll be invited to every birthday, barbecue, or any family Burton event.

Enrico while he adopted a fatherly role, he was a bit reluctant to get so attached to you. He’s the few in the team who's fully aware and doesn't hesitate to call out the others when he thinks they are going too far. He worries a lot about your safety, and most times it's Enrico who comes out on top of arguments on who gets to drive you home.

Kenneth as the oldest of the team, feels the most responsible for you. He is aware just like Enrico and doesn't wish for you to be scared of him or the team. He wants you to come to him whenever you need anything, even for small tasks such as finding a specific file. Like Enrico, Kenneth has no problem telling the others to back off if you need space.

More trouble comes along when Forest and Joseph come along. They develop their tendencies the quickest and tend to be the most clingy out of the team. They (along with Chris) become your partners in crime.

Joseph is someone you can always count on to make you smile even in the most serious of situations; he doesn’t care when others lecture him for it. You're not safe from his teasing. Granted you're not the target of his pranks but he likes to poke fun at you from time to time. It's why no alarms are ringing in your head when he says something questionable, assuming he’s just being Joseph.

You're not safe from Forest's playful teasings either. He can be a little annoying, poking your cheek or trying to tickle you when wanting your attention. Like Joseph, he's very affectionate, putting his arm around your shoulder and resting his head on your lap if you allow it. The others lecture him for doing it so publicly but Joseph knows it's jealousy talking more than anything.

As said, a squad of its own is formed; Chris, Joseph, Forest, and you. While they tend to be jealous, the three are okay with sharing when it comes to each other. Forest and Chris enjoy competing in shoot training and showing off who can do it better, inviting you to place bets. They're happy to show you all the gun's tricks and let you choose your weapon's signature.

Joseph, being a mechanic, can't always spend as much time with you. But he'll eagerly drag you into teaching you the ropes, whisking you away from the other two. He beams with pride when you grasp something from his impromptu lessons. Even if he's not exactly teaching you anything, he's happy to chat about anything as he works.

Jill becomes someone you’re close to, someone whom Chris and Barry trust to leave you alone with. She’s not afraid to whisk you away from the others when she wants to and won’t hesitate to call out anyone selfishly taking your time (Uhm Joseph).

Most of all, Jill loves having girl time with you. She's there for any fashion advice, gladly taking you shopping to revamp your wardrobe. If you're unsure how to do your makeup, she's eager to help, though Jill never wants to teach you so you can keep coming to her.

Jill is also willing to use any excuse to have you stay over at her place anytime even suggesting sharing an apartment to ‘save money”. And if you think Wesker’s the only one with a bunch of files, Jill has a hidden drawer filled with everything she has on you.

Brad becomes incredibly attached but is a bit shy about approaching you. He'll do little things to make your day better, like bringing your favorite coffee (watching you do it too many times) or organizing your desk just the way you like it.

Brad tries to agree with everything you do, supporting any ideas you bring forth in, team meetings and hesitates to snitch on you, always trying to talk to you first to prevent trouble (aka punishments). Similar to Kenneth, he's aware of his tendencies and doesn't want you to fear him.

Richard is the softest guy on the team as said, was tasked with watching over you and quickly grew fond of you, He has made it well known that if you ever need help you can seek him out even when you get in trouble, he’ll gladly keep it hidden from the others to avoid you being in trouble even taking the brunt of it.

If you find yourself spending time with Richard, trust that Rebecca is there, too, being the sweetest in the group as well. Initially, she might not fully grasp her tendencies, but once she does, her sole concern is your safety and happiness. She frowns upon hearing Jill and Chris discussing ways to keep you confined and is the one who tries to reassure the others not to be too 'harsh' on you.

Edward may appear intimidating, but he's actually a softie at heart. While he might not warm up to you as quickly as Forest and Joseph did, given some time, he grows fond of you and eventually places him as your trusted friend. He's aware that his demeanor can be intimidating and desires nothing more than for you to feel comfortable opening up to him, always offering a smile whenever he sees you around the RPD.

----------------------------------------------

Chief Irons has learned that you're the one person he can't even dare to go near. You might be a troublemaker, breaking every rule in the book, but Albert will put his foot down to ensure nothing comes of it. It's enough that the rest of the team has a dislike towards Irons, and he, along with everyone in the RPD, knows that crossing you means crossing the Stars team.

Wesker also keeps the extent of his monitoring and knowledge of you a closely guarded secret. He's aware that Kenneth, Enrico, Richie, Edward, and Barry all vocally dislike the idea of 'stalking' you in such ways (they all do but try to keep it as ‘morally right’). In his grand plan, he hopes to lure you away, but he must do it in a way that won't raise suspicion.

You have the most protective people watching over you. Even a simple accident like someone spilling a cup on you puts everyone on high alert.

Your favoritism doesn’t go unnoticed by the rest of the RPD, sparking rumors around the station that Edward and Barry quickly shut down whenever they hear someone bad-mouthing you.

Chris and Forest, on the other hand, can be incredibly impulsive, leading to all sorts of issues that Wesker and Enrico have to deal with. Jill and Joseph even got in trouble once for punching someone.

That means going on no dangerous missions; the one thing they all agree on. Wesker ensures that all your missions are carefully managed, eliminating any risks of you being in danger, and he pretends not to know what you mean if you ask. The other members are willing to gaslight you, suggesting that you just happen to get the easy ones, even Rebecca and Brad.

They're all eager to fight each other to train you, each claiming they're better at teaching you self-defense. Chris and Forest are the ones who usually end up teaching you since they're often the first ones to arrive. But everyone knows that if Wesker insists on training you, they can't object. And it's probably for the best, as some (Uhm Richard, and Edward) will pretend to lose or go easy on you because they don't want to "hurt" you.

The team normally doesn’t go out, but they all want to spend time with you. Usually, all of you go to diners (except for Wesker, wonder why). There's a little argument over who should order you to prove who knows you the best.

Your seat is chosen to please everyone, sometimes between Jill and Chris, other times between Richard and Rebecca. Another silent argument happens when they debate on who should pay for you; Enrico succeeds by slipping the payment to the waiter when the others aren’t looking.

Everyone always makes sure you come home safe. You expect numerous calls from everyone checking up on you. They all secretly know you're fine, as they're in cahoots with each other, but they just want to hear your voice.

There's also a chance that if Richard, Forest, or Jill are the ones bringing you home, they'll make some excuse about needing to stay overnight because they're tired or the weather is bad.

If you need someone to drive you to the station or pick you up, perhaps because you can’t drive, they're all willing to fight each other once again to do so. They've left important meetings or appointments countless times just to rush to your aid. It's almost always Wesker, Richard, Enrico (and sometimes Chris) who beat the others in picking you up.

Once again, you're always taken to events that the teammates have. Brad is getting takeout, he's on his way to pick you up since he assumes you're also hungry. Forest wants to go out for a drink, prepare for him to be at your door, and when you attend together, he’s protecting your drink with his life and will even pretend to be your boyfriend. Barry has a baseball game he wants to attend, so why not come with him and his family.

Jill needs to pick up a new outfit or something in the way, she decides to take you as well. Rebecca comes along, and sometimes the three of you have spa days in the process. Rebecca also loves going on road trips with you; there needs to be a person or two with you to ensure nothing bad happens. Rebecca once brought you to her favorite team's basketball game and the two of you shared those nachos and fries. It was Rebecca's happiest memory.

Movie nights are a must. Brad and Edward agree with anything you wish to watch, while Jill and Joseph are fighting over which ones to watch. Chris and Forest are trying to get your attention more than actually watching a movie. Meanwhile, Rebecca is actually enjoying the movie and wants to talk to you about it later on. She and Richard ensure you have your popcorn, and Richard brings your favorite bakery treats.

Expect to be always praised when you're around the team. Wesker himself praises you for a job well done whenever you find a clue or bring him the right file. Richard, Edward, and Rebecca are the most vocal. Also expect Chris and Barry to give you a pat on the back, while Forest and Joseph jokingly pat your head.

Wesker has you as his right-hand assistant, even when it’s not officially confirmed as such. You're tasked to help and stay by him whenever he needs assistance. He pretends not to see everyone side-eyeing him when he places your desk right next to his, but then again, they all ignore his stare when they come to your desk for whatever excuse they need.

The best people to comfort you are Barry, Enrico, Kenneth, and Richard. These men hate seeing you in tears. Brad will try to make you laugh while hugging you, while also finding the right words to comfort you. You can lie to Enrico, and he'll still know; he's memorized your body language, pulling you into an immediate hug before the tears even come.

Kenneth's ability to comfort shines in giving the best advice and solving any issues you have. Richard will sit next to you and listen; it could be the middle of the night, and he'll gladly answer any call or stay up to do any activities that will cheer you up.

Something everyone has huge arguments about is punishments; it gets heated at times. These discussions are, of course, not done in your presence.

Wesker is open to punishments, Chris and Jill agree with precautions, and Barry may reluctantly agree but claim he wants nothing to do with it. Brad and Rebecca voice their disagreement but can’t really intervene. Edward and Richie, like Barry, say they want nothing to do with it. Forest and Joseph don’t like it but will let the others make the decisions. Enrico and Kenneth are the most vocal against such decisions.

-------------------------------------------

Everything is going well in the team until the mansion incident.

You had to be with the Alpha team, unaware of the fate that fell upon the Bravo team, as there was no way Wesker would have let you out of his sight.

You had to witness Joseph get mauled by the zombie dogs, and if it weren’t for Wesker shooting the one coming at you and Chris pulling you along, you may have been a victim of it. Getting into the mansion has them immediately checking for injuries, only to realize you are just shaken up.

If you try to suggest coming along with Chris to check on what’s happening, Wesker immediately disapproves, even pulling rank to have you stay by him, and Jill agrees. Chris assures you he'll be just fine.

Things happen and it may lead you to be separated from Wesker and Jill. It makes all of them panic and look for you. Chris is nervous but assumes you must be with either Wesker or Jill. Jill and Wesker are trying to remain calm as they search. There is a chance you will meet Rebecca, who informs you of Edward's death, and this leads to you reuniting with Chris.

Alternatively, you may come across Barry, who refuses to leave your side, leading you to reunite with Jill. Both scenarios will have you meeting Richard, who immediately embraces you upon seeing you safe. You may also encounter Enrico, who seems hesitant to inform you of who he believes is responsible for the situation.

Forbid you get injured at any moment in the mansion, everyone will be in panic. Barry will try to reassure you, holding your wound while Jill rushes to get any herbs. Or Rebecca will try to tend to you while Chris silently panics in the background, refusing to leave your side. Richard will insist you stay in a room for your safety while he tries to find Rebecca or first aid. Enrico tries to remain calm, bringing you along with him as he rids the area of any zombies, fearing the risk of leaving you alone.

Soon enough, you will find out about Wesker's involvement, and his first act is to keep you as a hostage, even knocking you out. He’s merely bluffing but needs to keep the others away. If he encounters Enrico, he is well aware the man knows he’s a traitor and will kill him in front of you. After all, you will know the truth either way.

It all ends with Wesker believed to be 'dead,' killed by the tyrant, and the mansion about to blow up. You and everyone mourn all those who you have lost, and you are surrounded by the remaining survivors as they try to comfort you and tend to any injuries you may have gained.

You are too lost in your grief and all you have experienced that you don’t realize the eyes all watching you, as they all make a silent vow to themselves to forever keep you safe. And most of all, you don’t know that Wesker has been reborn, getting out of the mansion as he plots his revenge.

@aphroditelovesu @yanderes-galore @gwynsly @tiddlybops

#resident evil x reader #yandere resident evil #albert wesker x reader #chris redfield x reader #jill valentine x reader #rebecca chambers x reader #yandere x reader #x reader insert #platonic yandere #yandere headcanons #reader insert #video game x reader #resident evil #stars team

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kitskiis · 2 days

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I think the saddest part about secret life Joel is just how futile all of his actions are in that season. On a surface level i mean stuff like all of his more careful gameplay being cancelled out by a singular failed tnt trap but on a deeper level i specifically mean how that character contrasts with last life Joel. Joel is undoubtedly at his lowest point in the life series in Last Life. He goes down to red in session 2 and spends the majority of the rest of the season alone (and when he does have allies it’s only bc of a shared bloodlust). The red bloodlust completely takes over and this festers for nearly *8 sessions*. Not only that but the one time he is given a chance to restart and go back to yellow his old alliance member goes to red, leaving him alone again, and he is made boogeyman the next session. This, overall, has lasting consequences (he actually wanted to be fairly friendly at the beginning of LL, a stark contrast to how bloodthirsty he was at the beginning of DL or Lim L), and gained him a reputation that has never fully gone away. This is especially bad bc most people agree that LL was the most violent season (despite the lower kill counts in comparison to LimL) and was generally the worst and most traumatizing experience in the games for most people involved. Compare this to secret life, which everyone agrees was definitely the happiest season for Joel (or at least the most normal. His life is a tragedy no matter the season.) he has allies that (for the most part rip mumbo) stick with him until the end, he is friendlier with a larger group of people, and when he initially has to deal with the loss of some of them he has people who can ground him (bc as much as I adore the bad boys, grian was not qualified to do that). He was so hopeful that season, and was generally in a much healthier place mentally. And yet, despite how much he seemed to have grown, those 2 seasons ended so similarly for him it was almost comical. Joel engaged in a fight at the end, watched his ally get killed by scott, and is then forced into a 2v1 against Scott and another player that results in Scott taking his final life and him finishing 5th overall. I was describing both of those seasons here. After everything he did to grow, after all the improvements he had made, everything ended *exactly the same*

Making this about the bad boys for a second (because I’m me) they kinda suffer similar fates. Grian learned in the most tragic way possible that his allies were doomed to fail as long as he was with them no matter what, that this was not something that he could control by simply avoiding killing them himself. Even when he actively tries to save them (“let Tim do it he needs the time” “Joel you can kill me!”) he’ll still lose them in the end. I think this realization is also what made him stop trying to fight it, which resulted in him killing or almost killing his allies from previous seasons immediately afterwards (stabbing scar in the back and that one scene where grian kinda ominously jumps with a sword like he was about to crit and kill bigb after finding out he had 50 seconds left on his timer). It’s sorta like a way of telling the universe “fine. You win”

Similarly Jimmy. Well. I don’t think I need to explain that one. Even when he was given hope that things could be different, that he could break the curse, he died only a few minutes later. I still hold on to the narrative that the watchers only allowed that to happen to give Jimmy false hope that things can be different only to rip the rug out from under him and drive home the point that he is in a losing battle because by the time of secret life Jimmy was one of the only few people who genuinely still believed he had a chance. Obviously this is not something that can fully be a reality until he goes out first next season so if he doesn’t that’s a little awkward but just work with me here

TLDR; here is reason number 672 on why I believe the bad boys are the most doomed motherfuckers on this server and their alliance is a modern tragedy

#no one will ever hate the bad boys more than the narrative #trafficblr #life series #smallishbeans #joel smallishbeans #grian #solidaritygaming #jimmy solidarity #the bad boys #secret life #limited life #last life #can you tell the brain rot has gotten really really bad

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leliawrites · 1 day

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the psyfe boys as romance tropes?

PSYCHIC FEVER AS ROMANCE TROPES

jimmy- fake relationship, forced proximity

imagine jimmy's sick and tired of everyone sliding in his dms, he asks you to pretend to be his partner in exchange for social clout. he invites you on a retreat with his friend group to protect himself from this one girl who's obsessed with him. you both have to share one bed though ohhhh im feeling queezy D;

kokoro- enemies to lovers, specifically competitors to lovers, angst

kokoro's a great dancer. he's a bigger asshole with an even bigger ego. that's why you can't let him win your town's dance championship for the third time. but what happens when the next challenge pairs you up with him for a partner dance?

ryoga- brother's best friend, forbidden love

your brother had one rule for his best friend ryoga in their shared apartment: ryoga cannot mess around with you.

and so it becomes a daily routine to wake up ten minutes before your brother's alarm goes off, so you can sneak out of ryoga's room after spending the night with him.

tsurugi- single father whose kids are your students

tsurugi shows up. not all fathers do that. he comes to the parent teacher conferences, and picks up his twin daughters and drops them off punctually everyday. so when he didn't show up for pick-up on their birthday, you couldn't help but feel disappointed for the girls.

"lets get you home" you sigh as you tighten their seatbelts and get in the drivers seat.

you drive home only to find that tsurugi has made the whole house into a theme park, with bouncy castles, magicians, and lots of cotton candy.

"mr. takahashi, why did you do all this just to leave them at school?"

"how else was i supposed to get you here?", he smiles widely at you, "besides, if there's anyone i trust with my girls, it's you."

(literally screaming as i wrote this btw)

ren- best friends to lovers

it was never the plan to kiss your best friend. you both were just playing video games.

"ren watanabe, prepare to meet your demise" you taunt him as you power up your character, making it damage his character even more.

"if i die, then who's gonna be the only man you can ever talk to" he mocks you, playfully nudging you off the couch.

you get up on your feet and distract him from the screen by sitting in his lap and snatching his console.

"shut up or i'll kiss you!!" you joke, like best friends do.

"so do it. kiss me." and the rest is history...

ryushin- wrong number romance

the number who's been trying to call ryushin for the past half hour is now pestering him over text.

"WEESA PLEASE PIK UP I NEED TO TELL U ABT THIS. BOY I SAW TODAY PLZZZZ"

the unknown number sends a picture of themselves making a funny crying face.

ryushin laughs to himself, finding you weirdly cute.

"can you stop calling me? you've got the wrong number." he replies back.

"haha very funny weesa. anyways so he works at the local cafe and he said his name's ryushi or something?"

"actually it's ryushin."

"how do you know?"

"because... i'm him" he sends a picture of himself to you.

weesa- protagonist is oblivious to the childhood friend who's been in love with you since the beginning, slow burn

weesa opens the door to you crying after another fight with your toxic boyfriend. you fall into his arms, feeling rejected by the world and fueled with a self-hatred weesa could never understand. as you let out all the tears and snot, he feed you your favourite cookies. he doesn't mind that you're wiping your face into his sweatshirt.

"ugh you're such a sweetheart. if only i could find a man like you." you confess as he wipes the tears from your face.

"hm." he stoically replies. he's heard this before. and he asks himself the question he's been asking since you both were kids, "why not me?"

#psychic fever #psychic fever from exile tribe #psychic fever x reader #psychic fever headcanons #psychic fever soft hours #ryoga #weesa #kokoro #ren watanabe #ryushin #tsurugi #jimmy psychic fever

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syndromealice-blog · 3 days

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Sometimes someone says I am dumb because I love fictional characters.

I am smiling to that.

Because I want to live on the fictional world. Because I don’t like the reality I am living in. It’s traumatic and full of crap.

I like reading and drawing but I don’t always have any strength because I am tired.

Literally in the fictional universe is the same thing almost every time: wars, cheating, murders, betrayal…

But it’s different because it’s more interesting. I like to think about my comfort characters. Snape, Thorin, Thranduil…

I can control them in my mind. They won’t cheat, abuse, betray, rape me. Unlike my parents or my ex.

They won’t say anything bad. Because I am the filter. I can read fanfics or write them.

It’s sad because all my brain needs to survive is take dopamine from fictional characters and universe.

It’s sad that I am somehow always ending alone. It’s sad that I am in the middle of the war and when I was a child reading history books I didn’t think it’s possible anymore.

I am tired adult. I am working every day, driving car, fixing car, doing home stuff and even building shit in my house. I don’t have anyone to help me. Only my grandmother but she can’t help me with everything. I am tired. I am almost 22 years old and I took too much on my shoulders. Weight is too much. But do I really have a choice?

I want to read and I want to control those things in my life. They aren’t real and if we all think about it, it’s becoming sadder all the time. Nobody ever loved me as much as fictional characters in my head. Nobody ever treated me this good and kind.

#severus snape #pro snape #snape defense #snape fandom #harry potter #pro severus #hp #lord of the rings #the hobbit #thranduil #thorin oakenshield

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ardentplea · 2 days

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while i'm thinking about haibane renmei i should put it out there that something specific i really love about it is the juxtaposition between reki's aesthetic - chain-smoking, scooter-riding, perennially-aloof Cool Girl - and her role as caretaker for old home's children (as well as her unofficial role as mentor and caretaker for all the old home haibane). she's so specifically presented as, on the surface, the sort of person who should absolutely not be in that position; her personality and demeanor are totally at odds with working as what is effectively a preschool teacher. she's a caretaker who disregards her own health and neglects her own safety; a mentor who can't communicate her own needs. she is not a natural fit for her job. but, y'know - she does it anyway. because it's what she has to do, because she can only prove (to the world; to herself) that she's worth anything if she does a good enough job at living for others. she doesn't naturally assume the motherly role of caregiver; she has to contort herself to fit into it, and even then she still doesn't quite mesh. but she still gives it everything she has, and does the best job she possibly can. that's the basic juxtaposition of her character - someone giving everything for others even though she's not naturally good at it, and even though she can barely take care of herself

and with that initially i think ABe is trying to signal to the viewer the thing that reki believes about herself - that she's not actually good at this, and that she fails at it over and over, and that she's a selfish broken person trying to use that role for her own salvation. that she isn't really meant for or good at the job that she has. but as the series ends, the two sides of the juxtaposition flip. both the viewer and reki herself realize that the role she's been performing is her "true" self. that she really is a caregiver, a healer, somebody who cares so deeply for others - that the image of a broken, jaded person is a veneer that she's been pushed to adopt. that the supposed contradiction doesn't really exist, because she is in fact wonderful at taking care of others, and does in fact genuinely care about their wellbeing

there's a sort of beautiful, restorative irony inherent to reki's character arc, which is that the actions necessary for her salvation were already being performed the whole time. she was already doing everything she needed to do in order to be a good person who makes the world around her a better place. she never needed redemption. the only problem was that she couldn't see it; that she couldn't recognize the authenticity of her own actions. she was already whole - she just had to stop thinking she was broken. and i think all of that is so neatly communicated in her character design and core personality. she's a complete person who's managed to convince herself (and the world around her) that she's damaged; she's a teacher and a healer who's managed to tell herself that she doesn't care enough and won't ever care enough. a caregiver who chain-smokes and drives too fast. her only necessary salvation is in understanding that those two sides of her are not mutually exclusive; that she is both, and that she is already enough

#haibane renmei #i used to relate to rakka a lot when i was a little younger #but the older i get the more i relate to reki #something about this complete disregard for yourself as a person #and that being the specific thing holding you back from happiness #self-sustaining self-loathing feeding on itself forever. until somebody manages to break the circle #anyway i need to rewatch haibane renmei it's been way too long

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lillie98 · 2 days

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How to Save the World—Stranger Things 5

I’ve had some time to sleep on the episode titles and think about them, read theories, etc. and I now believe they might be real.

Hear me out: Stranger Things is all about cycles, parallels, tropes happening over and over again. The Duffers love taking a moment and repeating it in slightly different ways to prove a point. The story started with “The Vanishing of Will Byers” because we needed to place a small, innocent child in the center of our story, something to bring our character together and drive them to action. Well, that child is no longer in danger and our team is ripping apart at the seams. It’s almost like we need something similar to reunite everyone and drive them to action again.

Remember: The Duffers love parallels. Will’s disappearance brought his deeply fractured family together, uniting them for a common cause. It also brought Nancy and Jon together when their families needed them most. Now, the Byers are a united front, ready to tackle any monster that comes their way. They are the glorification of the avant-gard family. Now which family is struggling? The Wheelers. The perfect, All-America Nuclear Family: Mom, Dad, 3 kids, and a picket fence. They look perfect to the outside world, but behind closed doors, they are deeply struggling. They don’t communicate, the parents have idea what’s happening in their children’s lives, and if they’re not careful, if they don’t come together and form a united front—they’re going to lose everything, potentially causing the end of the world. (Why? I haven’t gotten that far yet!)

Now, how do we inspire them to action? Maybe by taking the child who was born to save their crumbling marriage—the one has seen everything but, up until this point, been too young to contribute. Now, she’ll be the same age Will was when he disappeared and Mike and Will are the same age as Jon and Nancy. The Duffers are trying to illustrate the idea of “The Next Generation.” This evil, this Upside Down dimension is NEVER going to stop until someone from the Wheeler and Byers families breaks the cycle. Children will continue to vanish, the world will continue to crumble, until someone steps up and says ENOUGH. The Wheelers and Byers (parents and children) must step up and face their pasts in order to move forward.

The “Stranger Things” are not only LGBTQ+ matters, they are the skeletons we hide in the closet that literally eat us alive. They are the dark, festering parts of ourselves we don’t let anyone else see. The invisible cancers that slowly and silently kill us. Until we face them head on, until we bring them to the light, they will NEVER die. Stranger Things is about owning your past, facing your fears, and finding the light again.

So yes, Stranger Things will end with Will Byers making it home from Mike Wheeler’s house on November 6, 1983, but not in a time traveling way, in a finally letting go of that scared, pained little boy who thought the world was better off without him. It’s Mike accepting his sexuality and place in his family. His role as a leader. It’s Joyce accepting love from Hopper, who must accept that he is not actually cursed, but that sometimes, bad things happen to good people, even when they think they’re doing the right thing (Vietnam). it’s Karen and Ted falling in love again and fighting to save their family. It’s Eleven discovering that love, not anger, should fuel her powers. It’s mourning your stolen childhood while stepping into the version of yourself that child never got to be. It’s stopping the cycle and creating a better world for the Will Byers and Mike Wheelers and Jane Hoppers of tomorrow. THAT’S how you become a Hero.

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k-atsukibakugou · 2 days

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Mercury your event is SO cute I’m actually obsessed! I’m such a beer girlie, but if I had to pick a drink it’s gotta be a jägerbomb! And for the character you pick because I want you to be as free as possible I’m ready for anything👀

ehehehe i was a lil cheeky with this one, i leaned more into the leave you wanting more vibe with the jagerbomb also im sorry for the lack of beer i've never met a beer or cider i've liked LMAO i was going to make this endeavor but the more i wrote it the more it worked better with bakugou but i hope u like it!! teehee birthday bash intro + rules + menu | event masterlist

anyone who wasn’t a couple jagerbombs deep could tell you how bad of an idea jagerbombs are at an work party, but when you work at one of the most popular bars in musutafu, it’s more a rite of passage.

not even here a year, your work-best friend was the very first to inform you of the notorious annual work party, how messy they get, how she’d gone home with the chef one year, and how many servers had crashed in the booths over the years. finally, the time had come for the party, your friend already abandoning you to flirt with the chef again, although, you couldn’t play the morally high act about it when all your attention was on your boss behind the counter.

walking behind the bar, you perused the liquor on offer, mostly mid-tier stuff, but god, did the imported stuff look good right about now, something smooth to take your mind off of him. fuck, why’d he have to roll his sleeves up like that? his forearm muscles enough to make you wonder what else lies beneath that damn shirt, an endless expanse of muscles underneath a wife-pleaser singlet, thick thighs caged in his expensive slacks.

“need some help?” lost in your daydream, bakugou is beside you before you realise how long you’ve been ogling him, your indecisive daze in front of the alcohol drawing his attention (any excuse to talk to you, really). you’re nowhere near drunk enough for him to be this close, to get this messy. yet.

“you don’t have my beer on tap.” his eyes nearly roll back at your sweet tone, your gentle teasing that’s been driving him up the wall for months. he stays steadfast, dark garnet eyes unwavering, despite the top you’d worn specifically for them to wander.

“let me make it up to you,” he takes another step closer, the expensive scent of his cologne filling your lungs when he reaches around you for the distinct green bottle, trapping you between his biceps for a fleeting moment, “we’ll do something i used to have in my party days.”

grabbing two pint glasses and two shot glasses, you watch him work with the kind of swiftness and expertise decades behind a bar could give a man, every twist of his wrist calculates, not a single drop of jagermeister or redbull spilling, even when the latter threatened to bubble over the top of the glass.

“you used to do jagerbombs?” you can’t help but sound incredulous, your eyebrows shooting up to your hairline when you accept the drink from him. mesmerised as he pours his own, you try to imagine him younger, chugging back the bomb, swallowing shot after shot, stumbling home in the am. even in your daydream, his hair had speckles of salt through the blond of his hair, the silver fox look worked too well for him to see him any other way.

“why are you so shocked? i was twenty once.”

“it’s hard to imagine you… like that.”

“like what?”

“you know, a party animal, i can only see you drinking bourbon on the rocks.” he chuckles at the memories, of sleepless nights, of horrendous hangovers.

“i could still drink you under the table.” he challenges, already reaching to pour another, you try not to laugh in his face, the image of your all-powerful boss drunk and stumbling was something you’d pay to see. with a smile you could only describe as evil, hot, you clinked your drink with his before knocking it back, “sure you can, old man.”

after too many bombs, an assortment of other shots, some cocktail bakugou poured you and a sip (you weren’t game enough to have more of it, there’s a reason you weren’t a bartender) of the one you poured him, the pair of you stumbled into his office at the back of the bar. half the buttons are undone on his shirt, your hands sliding beneath the hem of his shirt even when he pulled away from you long enough to unlock the door, pulling you inside with him and nudge it closed once more before turning all his attention back to you; the way you stared up at him with glassy eyes, the way your lipstick smudged under your bottom lip, how your chest heaved (the way your tits looked when you did), how your dress rode up when you pulled yourself onto his desk, tugging him in by his belt loops.

he can’t even find it in him to care about the time-sheets crinkling under your ass when you bite your lip, can’t care you’re his employee and his mind goes blank of everything when you wrap your thighs around his hips. fuck, you’re irresistible like this; arching into him, kissing and biting his jaw, one hand tugging your dress further up your thighs, the other working off his belt to slide into his slacks, searching for more and more, more he wants to give you.

you’re just so, so, so hot… and he’s soft. he’s fucking soft. he finally has you under him and he can’t get it up.

let’s hope the alcohol buzzing through your blood is enough to clear your memory of this in the morning.

#mercurys birthday bash #「mercury answers」#「jo <3」#「kat <3」#「mercury writes」#tw: alcohol #bakugou drabble #bakugo drabble #bakugou x reader #bakugo x reader #bakugou katsuki x reader #bakugo katsuki x reader #katsuki bakugou x reader #katsuki bakugo x reader

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honourablejester · 2 days

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Random Thoughts around D&D Westerns

Okay. So this started out as me thinking about character concepts for a D&D western-type campaign, and then moved to me thinking about setting elements for a western campaign, and then devolved into me thinking about both westerns and D&D style fantasy as genres, so like … bear with me? I’m trying to figure out how to pull this back and put it in order.

But. Okay. Let’s do it the way I did it. Let’s start from the characters.

So I’ve been noodling around the odd western type character concept for D&D the last little while, things like a druid/light cleric using guiding bolt for high noon style duels (and thorn whip as a lasso), and probably stemming originally from Kossi, my knowledge cleric/fey ranger frontier postwoman character that I’m playing in a solo campaign. So I was thinking about western characters in D&D, and thinking about the archetypes of westerns and how they’d fit.

You have things like the lone wanderer seeking justice or vengeance. The sly gambler with the heart of gold. The fire and brimstone preacher. The fiery homesteader fighting to drive bandits or railway barons off their land. The taciturn bounty hunter more at home in the wilderness than the town. The bewildered easterner about to get a sharp lesson in the way of things out west. The civil war veteran (of either side) trying to make a new life out here where people don’t care who you were, and where the rough and tumble lessons of war won’t look too out of place. The foolish miner lured to his death by greed for gold. The desperado determined to die free, go out in a blaze of glory.

The western, as a genre, is evocative. And, well, of course it is. The western is basically an attempt to valorise and mythologise a particular period of history, to gild over or ignore or straight up heroicise the, uh, less than laudable elements of that era. It’s a mythology, so of course it has some very evocative imagery.

But it is, also, a product/reimagining of a very specific historical and cultural context. And there’s elements of that particular setting that maybe you don’t want to carry over. And others that you do, but they need some set up to build in.

So I started thinking about how to get a western setting, how to make a campaign that would feel like a western. And there are …

See, the thing is, D&D kind is a lot of the way there already? When you think about the kind of stories that show up in westerns, the band of heroes defending a town, or the hunters sent out into the wilderness to track down a dangerous foe. Westerns definitely are one of the progenitor genres for D&D’s whole brand of fantasy to begin with. So what would make a setting feel more deliberately western than just standard D&D?

And, I mean. You have your basic biome shift. Put the story somewhere more arid, like the stereotypical western desert, instead of in a European forest analogue, and already it feels a bit more western. There’s also technology. Firearms, a telegraph analogue, trains. Bring some Eberron elements in, that’ll shift things a bit. But are those just cosmetic changes? Well. Yes but no. Put a pin in that for later. For now, ignoring what a western setting looks like, what does a western setting feel like?

And I think, to a large extent, it comes down to theme. Westerns had a particular set of themes that ran through them, and that’s where the backbone of your setting will come from.

So. Some of the themes I think you see a lot in westerns:

Land Ownership/Land Custodianship/Territory. Westerns are about land, on an extremely intrinsic level. It’s where the colonial underpinnings of the entire genre really show up. Think of all the western books and movies and series you’ve seen that are about claiming land and then defending that claim. So many stories are about being driven off your land. The homesteader under threat from robber barons and cattle barons and railway barons. Towns under threat from ‘Indians’. Miners getting driven off their claims. Who owns what territory. Who has the right to hold what territory. Who can defend their right to that territory. And there is … there’s a cyclical kind of terror in there. A cyclical colonisation. Because the first settlers went out there and took land from the first nations, set up their own towns and ways of life, and then the great civilising forces of the east, the railways and the telegraph wires and the big ranches, rolled in and stole it from them in turn. There’s a kind of a ‘what you do unto others will be done unto you’ sort of terror underpinning a lot of the ethos of the genre. The central theme of a lot of westerns is, basically, the territorial dispute. The land, who owns the land.

Resources/The Lure of Gold. Linked to that, there’s the resources of the land, and who gets to use them, and how far do they get to use them, and who gets murdered in the process. Gold rush. Oil. Lumber. Water. Again, very much linked back to the territorial dispute, but often in a more directly destructive way. Who can not just own the land but destroy the land. How much does owning the land give you the right to use it. And, linked from that, if you own one bit of land, and you destroy it, how does that affect, say, everything downstream of your land? (Mines and mining has a lot of knock on effects).

Civilisation vs Wilderness/Urban vs Rural. Again, linked back, but a lot of the underlying mythology of the Wild West was about being that halfway place, between the full untamed wilderness (or the full ‘savagery’ of the native peoples) and the full civilisation of the big eastern cities. A lot of (particularly later) westerns are about valorising that lost freedom and independence and rough and tumble ‘honesty’, before the railways came through and the cities built up. Which leads to a smaller scale:

Personal Freedom vs Rule of Law. Outlaws. Sheriffs. Bounty Hunters. Gunslingers. The fundamental conflict between a person’s right to do what they think best, exacerbated by so many people feeling like they had to do things for themselves because they were on their own out in the ‘wilderness’, and the need for the civilising, but also potentially tyrannical, forces of law and order. Bringing law and civilisation to the wild frontier. Personal vengeance vs impersonal justice. Corruption. Freedom. Basically, a lot of the conflict in a western will primarily run along the law vs chaos alignment axis. Good and evil depend on your interpretations of the players involved, but the fundament of the conflict will be order vs chaos. And also:

‘Progress’ vs Preservation. The thing about westerns, particularly the ‘golden age’ between the end of the civil war and around about the 1890s, was that they were right in the middle of that 19th century theme of industrialisation. As well as the colonial theme of ‘progressive civilisation vs backwards barbarism’ (hence the inverted commas on ‘progress’). This is a whole bundling together of the above themes, but westerns had a definite theme of encroaching progress. The old way of life being bulldozed for the new. The railroads are coming. Law and order are coming. The old rough and tumble frontier life is dying. The last great gunslinger is about to have his final duel. The famous desperadoes are going out in a blaze of glory. Progress is coming. And it will destroy everything in its path. But will it be a better future? And again, that kind of ties back to the colonial thing. Westerns are weirdly poised where the white settlers are experiencing what they did to those before them.

So. With all of that said. How much of that do we want to emulate? How much of that do we need to emulate? Maybe I don’t want to get into colonialism and land ownership right now, maybe all I want is a setting where a lonesome spellslinger can wander up to a desert town seeking justice, or a rough and tumble party can get together to defend a town from some desperadoes.

But. On a macro geographic level. I do think there’s some elements you want about your setting to set up those kinds of stories.

On a basic level, you want a large region of contested, non-urbanised and non-agriculturalised land (at least in the European sense of ‘endless fields of tillage’), that is divided up into a lot of small territories, where the largest urban areas tend to be towns at best, and large sections of it are claimed by various different groups or even individual owners. This region needs to be bordered by one or several very urbanised and centrally controlled powers. Probably several, not necessarily because you want to directly mirror North vs South or America vs Mexico, but because this region has been the recipient of the leftovers of a lot of outside conflicts. It’s where people come to hide, or reinvent themselves.

And it’s also where people, powers, come to build themselves. So you want to give it resources. Things people want to come and take. The constant theme in westerns is, someone wants your land. Someone wants your gold. Someone wants your town. And why? What do you have that someone wants?

Maybe, since we’re in fantasy western territory, you want to give it a rare, mystical resource. Maybe you can link that up to the theme of progress, too. A particular mineral that allows the manufacture of more powerful, durable spellstones, that would enable someone to set up a network of sending stone stations that would allow news (and information for outside powers) to flow more easily. You know. A telegraph network. Anyway.

So. A large, divided, contested region, not directly occupied by but of interest to several nearby urbanised, civilised powers. An area where there has been a lot of successive waves of people coming in, often from conflicts in or between those surrounding civilised powers. An area with a distinctly fractured and individualistic ethos as a result. An area that maybe always did, because it was never natively inhabited by empire-building societies. Everyone is this land has always claimed their own piece, just big enough for themselves, and been content with that. Yeah, bigger groups wanted more, and wars were had, because people are people, but this idea of ever-expanding ‘progress’ is new and weird and kind of terrifying.

Is this sounding a lot like a typical D&D setting again? Well, I did say D&D has a lot of western in its bones.

So. How do you make it distinct, then? Is it just cosmetic elements, biome shifts and different technology? Give it a more directly desert, 19th century vibe? And, well, that is part of it. But it doesn’t necessarily have to be technology. You don’t have to give everyone a gun. There just has to be a theme of progress. Maybe it is that sending stone network. Maybe you do want to invent a fantasy railway. But you don’t necessarily need gunslingers directly.

As an option for the gun thing, you could give every character, regardless of class, a free ranged attack cantrip. Make it part of the local culture. Defense of home. Every kid in these parts gets taught enough magic to manage that. Shit, hon, everyone teaches their five year olds how to throw a firebolt around here. What if they meet critters out there? Or worse, people?

Mostly, you want to theme your adventures around small, independent towns and groups. You want a lot of the conflict to be over land, over who has the right to be where, over who has the right to take what. You want external regional threats that are attempting to push into the area, often under the guise of for its own good. You want a theme of freedom vs law. You want wilderness vs civilisation. Or ‘wilderness’ vs ‘civilisation’, given how loaded those terms are from a standing start. You want progress as both a promise and a threat. You want natural resources, you want greed, you want boom towns and magical mining and the communities downstream that are paying for it. You want bands of outlaws running from foreign wars and making it everyone else’s problem. You want folk heroes of dubious morality. You want big powers talking about big projects, like driving a new trade route straight through someone else’s territory, like stealing rivers to bring water to cities two hundred miles away, like carving out a whole mountain that doesn’t belong to them to fuel a magical revolution in another city just as far.

And, yeah. Looping back to character concepts and plot elements. Some specific elements and ideas that I might personally include:

An apprentice wizard who’s working as a sending stone operator for the newly established United Sending Corporation station in the local town. It’s the big new thing! You can send messages instantly to any town that has one! Think of how easy it’ll be to get news! It only costs a bit per message. And yeah, the USC high ups are all big city folk from down on the coast, but hey! All the operators are local, and it is a good idea! So why not, huh?

A local druid who’s been seeing strange new afflictions in the plants and animals in their area, and who has come to town to see if anyone else has been having similar issues. And a few people have, mostly along waterways leading back to a particular area of the mountains. Incidentally, there’s also a lot of wagon traffic and provisioners moving through town. Miners and supplies moving out to a big new claim in the mountains …

A wandering itinerant preacher-slash-teacher of a gentle god who, this last little while, has been found themselves moving through towns where another, clearly much more militant preacher has been there ahead of them, and who has been riling up local tensions in ways that they’re beginning to suspect are deliberate. Setting towns on towns, tribes on tribes. Misplaced zeal, or perhaps a more long-reaching attempt to clear a path through the area for something else?

A genteel gambler who’s maintained a careful circuit around some of the local settlements for some time now, taking care not to over-harvest their flock at any one place, has started hearing whispers of a new group of bandits in the area, and some of the whispered names are worryingly familiar, echoes of the good old bad old days, when they were a different person in a different place, and under a different name …

A lean, hard, soft-spoken ranger, who ain’t got no home, who hasn’t had a home in forty years, who gets paid good money to track people down and bring ‘em in, and who has been wondering, after these last couple jobs, just who exactly has been setting the bounties in this area. Because there’s starting to be a pattern in their targets, and they’re starting not to like it.

A tired fighter, not even forty years old and already grizzled, with an albatross around their neck in the form of a legend. A bright young child who watched everything they loved be destroyed, home burned, family killed, and land stolen, and who became the fastest, meanest, most dangerous spellsword in the land in response. But that was thirty fucking years ago, and vengeance can only sustain you for so long, and now they’re broke down and broke up, and so fucking tired of all these young idiots trying to make a name for themselves out of their hide.

A charming, vicious sorcerer with a very visible scar who tends to respond dramatically to threats, and who takes a certain amount of perverse pride in being the ‘bad element’ in any town they wind up in, but who maybe, if it was offered, wouldn’t say no to chance to be better regarded than that. At least in one place. At least by one person.

Because, you know, as tangled and thorny as the genre is, westerns do have some really fucking iconic archetypes, and they are fun. Throw magic on top of it, and it is a vibe. I do enjoy it. Just, you know. You’ve got to set it up a bit carefully around the implications. Heh.

#d&d #fantasy #westerns #weird westerns #themes of the genre #character concepts #setting concepts #rambling

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