Walter Gramatté
Still life with night city view. 1922-23
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Christmas market in Eschwege 1816 - Ernst Metz , 1964.
German , 1892 - 1973
Gouache
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'Beautiful old Düsseldorf'
Düsseldorf travel poster (1969). Artwork by Harald Gutschow.
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Matthias Meyer (German, 1969), Central Park, 2011. Oil on canvas, 120 x 180 cm.
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Do you ever think about how Fakir, after him and Ahiru finally broke everything that kept the town of Goldkröne in the ghostly hands of its writer, after they finally have some air of peace over the town finally being able to live in its intended early 2000s environment, that Fakir still feels at times like it's not real and that for a while he fears that if he closes his eyes it'll be back in Drosselmeyer's control. Like it just doesn't feel real to him during that first year of calm, until he feels the dull pain on his recovering hand injury and Ahiru who follows him without a pendant anywhere to be found.
He doesn't feel it's real, the calm finality of this town, but he makes sure to feel the scar on his hand. And he makes sure to hold the little duck and realize that she is who she has always been. Him and the town are finally living peacefully.
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Rudolf Sieber-Lonati - Totenstadt Nekropolis (City of the Dead Necropolis)
cover art from Silber Grusel Krimi #142, May 17, 1977
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