#have an idea for one of my characters because of. how. they are

[fefern]

✧˖° first dates with them. | lingyang, m!rover, jiyan headcanons.

⋆ ˚☁️ ⁀➴ synopsis: going on a first date is always nerve wracking, yet can also be exciting! what's it like for these boys to take you out on your first date together?

⋆ ˚☁️ ⁀➴ characters involved (separate): lingyang, male rover, jiyan, and a gender neutral reader.

⋆ ˚☁️ ⁀➴ warnings: none!

⋆ ˚☁️ ⁀➴ notes: hello! coming to you live with my first post for wuwa! just some cute little headcanons with the boys on first dates with you because i love planning dates out ;;!! requests are open if you want to talk or have me write something!! ( ˘͈ ᵕ ˘͈♡)

Lingyang

Lingyang has never been more excited or nervous to hang out with someone, even more so since this was his first date with you. 

As someone who always seemed to fear being different from the humans around him, he felt extra self-conscious when he looked in the mirror and adjusted his outfit. Did he look alright? Were you going to enjoy this as much as he thought he would? Will everything go well? What if you decided you changed your mind and didn’t want to date someone of his species?

His first date gift for you would be a small lion plushie. Cute and fluffy with vibrant colors, he’d hold it out in front of him and shut his eyes tight, anxiety flowing through him. “These are for you! That way, when you miss me, you can hug this! If you want to, no pressure!” 

He’d be ecstatic when you took it into your hands and held it throughout your date together, happily looking between you and the plush and feeling his cheeks turn a rosy pink that you two were going out together. 

He’d probably take you to the best food spots all around Jinzhou, ranting about which dishes to try or who had his favorite foods. He’d want to get to know you more, curious and nervous as he’s asking you about your likes, dislikes, what your daily life is like in Jinzhou. Lingyang would walk and eat with you along the way, practically enamored by anything you did or said. 

His tail would swish fast back and forth whenever you were talking. Even if it’s something you found mundane, he couldn’t help but be happy just listening to you speak. His ears will also be very reactive around you, usually up but always reacting accordingly to whenever you’d tell a story or joke with him. 

He’ll let you pet him if you want to, he trusts you after all. His cheeks flush a soft pink and he lets out a small purr when you do so, finding himself growing a bit shyer at the sweet touch. He also feels a tad embarrassed by it, so you’ll have to pry his hands away as he childishly hides the way he’s turning red from you. 

He seems a little bit sad when you two do have to part, but when you ask him when the next one would be, a hopeful look emerges in his eyes as he begins to excitedly make plans to see you again and take you on another date. 

Other Points:  - Will jump in place when super excited to tell you something while on the date.  - Would point to some random cute things on your walk and go, “That reminds me of you!” - Happy to talk about lion dancing with you, and if you show more interest in it, he’ll offer to give you your own personal show one day!

Rover (Male)

Considering he is a person that just woke up in a strange world with no memories of his past or who he is, he is a bit lost on the idea of what to do during a date with you. Were there rules he had to follow? Did people in Jinzhou have certain taboos or ways that they executed dates?

He’d most likely ask all around the city in order to find out what to do or where to take you. He wanted to make sure the experience was good after all, not something that the both of you would dread. 

When he meets up with you, his hair is a bit more put together than usual and he stands up tall, giving you a small smile as he gently takes your arm and links it with his. 

“Take me around the city. Show me how you see the world through your eyes.”

His first date gift would be a small box of candy. I could definitely see Rover as being a person who likes small sweet treats as a guilty pleasure, and he’d want to share them with you as a way of connecting you with something that you love. 

He’s calm throughout most of your stroll, browsing through stores or looking around in quiet curiosity as you show him little nooks and crannies of the city. He enjoyed hearing how you would describe stores or fixate on different areas of the city that he hadn’t thought to really pay attention to before. 

He makes a mental note of the places that you like so that for your next date, you two could come back to them. Rover is already a few steps ahead in terms of thinking where he wants to go with you or what he wants to do. 

When you’re done showing him the city, he’ll give you a kind, endearing look and smile at you. He’ll take a moment to just admire you, shifting some of your hair out of your face and enjoy being in your presence before ultimately, it is time to part ways. He’ll wave you off, thanking you for everything and giving him a tour, before he smiles to himself like a fool and turns to head back to his quarters. 

Other Points: - Probably would be looking at you more than the city.  - Fast walker, so you’d have to keep up the pace. Apologies if he’s going too fast and happens to catch you struggling. - Will inquire about certain places just to listen to you talk. 

Jiyan

As the general of the Midnight Rangers that conducts himself in a poised, righteous manner, he’d be the most classy out of all the people to take you out on a date. 

Jiyan’s got a busy schedule as the head of such an important group in Jinzhou, but after bonding with you and asking you out he wanted to ensure that he carved out time in advance for just you and him to spend an afternoon together. 

He’d take you to a fancy restaurant in Jinzhou, the best money can buy. He’d be sure to pick you up from your place and walk with you to the restaurant. When you open the door, he’s standing in front of you with his hair slicked back and ponytail waving a bit in the wind, his clothes pristine and ironed out to look his absolute best in front of you. 

His present for you is a bouquet of flowers he made himself. He enlisted the help of his mom for this one, catching up with her about medical practices as he puts together the best pecok, irises, and poppies that he could find when he was out on his rounds into a pretty bouquet just for you. It’s wrapped up with brown paper and has a nice aqua bow on it, matching his hair.

When you get to the restaurant, he’ll look at the menu with you and ask you to order anything your heart desires. He already knows what he wants to eat, and will quietly look at you with a softened expression as you begin choosing what you want. He finds the way you handle yourself beautiful, even if it’s through simple things like ordering food. 

Jiyan will happily eat anything you don’t end up finishing. He doesn’t want to waste money, and he also cannot deny that the way you ask him to finish your plate was cute. He’ll work it off anyways with the amount of fighting and training he does, so he doesn’t mind. 

Will pay for the meal. No splitting or you paying, as much as you might plead and beg.

Will take you back to your place and entertain any questions you may have for him, whether it be about his past, missions he’s been on, or just about his duties as general of the Midnight Rangers. When he drops you off, he’d take the back of your hand and gently place a kiss on it before standing up straight and giving you a small smile, wishing you a goodnight. 

Other Points: - Will hold all your belongings so your hands are free and light. Does not matter how heavy or how much you have, he will refuse to let you “labor” like that, as he puts it.  - Admires your personality and the way you hold yourself when you speak. - Has a strong desire to protect you; always subconsciously keeping an eye out for any danger even though it’s daylight out.

#wuthering waves #wuthering waves x reader #wuwa #wuwa rover #wuwa jiyan #wuwa lingyang #wuwa x reader #lingyang x reader #jiyan x reader #rover x reader #wuwa lingyang x reader #wuwa jiyan x reader #wuwa rover x reader #wuwa headcanons #wuthering waves lingyang x reader #wuthering waves jiyan x reader #wuthering waves rover x reader #qi writes

[mr-ribbit]

something fascinating to me about egg discourse is how often tme people Also joke about or question their friends potential to be trans, and it's literally never talked about like this.

my cis and tme nb friends routinely joke about celebrities or characters that have big "nonbinary energy" or who otherwise exhibit behavior we would associate with ourselves. i have tme friends and acquaintances who have approached me or my wife and straightforwardly said "something seems trans about you, have I asked for your pronouns recently?"

similar friends have even talked about other still-cis friends in our circle this way, or joked about "when are you going to transition like the rest of us?" or "yeah cis people are a minority in this group, just give it time" or "no wonder you have queer friends with how comfortable with being gnc you are" or etc etc examples like that

even the actual examples of people in my life that I can think of as being the most "invasive" or presumptive about gender have been tme people:

it was my cishet friends who outed me and my wife as trans to everyone at their wedding, including their boomer parents and hundreds of strangers, and called it "the most queer wedding party ever"

it was my tme nb friend who kept saying they could "always tell" her transfem cousin was trans before she came out, and then proceeded to randomly give us extremely personal details about her bottom surgery

it was my transmasc friend who refused to call me and my wife anything other than "little enby beans" after we met and introduced us with our full genders+sexuality labels to every single person one by one at a party

it was my transmasc nb friend who kept insisting my wife could "still be nonbinary" when she was first considering identifying as a trans woman instead, and it was THAT idea that actually slowed her down from making changes to her life that she wanted

it was my cis friends who approached me arm and arm and cornered my outside of a bathroom at a party right after I took a piss to suddenly ask me what my pronouns were because they "heard something" at the party

like, transfems deserve robust support against this trash so a lot of our defensive discourse has ofc been about how it IS okay for transfems to talk about eggs and be jokey about it and non-invasively approach others about being trans

but i swear to god none of these weird people have even stopped to make their discourse ABOUT anyone BUT transfems. it's so clearly targeted!!

no one has EVER approached *me* as a tme nb person and suggested i was pressuring gnc people with my egg jokes. never. nothing even remotely similar. i joke about other people being trans all the time and no one has ever treated me the way you all are treating transfems over this issue.

important note: my examples are all things I recall as being invasive and awkward, and I'm sharing them to make a point about how often rude behavior comes from the same tme people pointing fingers over this. but I still don't think any of them are worth the crucifixion people are treating transfem egg discourse with.

even when my friends were weird to me in the above examples, my reaction was either to confront them about it as friends who I trust to be able to communicate with, or to cut those individuals off after they proved not worth a relationship in the long run. at no time did I desire to make a call-out post or spread rumors about them or publicly declare all of their gender as a screeching menace to society.

my point here is that even when I do think about moments where others crossed a line, acting like this is a "issue trans women have" is blatantly transmisogynistic garbage that only exists to serve the woman-hating machine at the heart of our society. fucking cut it out

#to be clear: i have tons of transfem friends too #and im not friends with all of these people anymore #but thats not the point of this post at all #also obligatory im tme tag #but i think thats also clear in the post

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

#maxwell atoms #entertainment industry #animation #intellectual property #turds

[tofixtheshadows]

Hot take: Laios wouldn't actually mind an arranged marriage. Obviously "reluctant royal being pressured into marriage" is very fun for shipping purposes. But I have harlequin blood, so bear with me. Join me on this journey of character theorizing/shipping nonsense that makes it abundantly clear I have a Scrivener document I'm neglecting.

Laios was promised to someone from a young age. He and Falin both were; it's probably how their parents ended up together. They both broke it off by leaving their village, but it didn't seem to be a factor in Laios's own decision. And when Marcille, presumably, asks about his hypothetical love life (bicorn chapter), he not only brings it up readily, but actually seems kind of flattered? lmao

I love when smug Laios comes out. Underrated factor of Laios's personality for me is how much he enjoys being seen as cool. I think you'd expect Laios to be embarrassed or uneasy over this line of questioning, and the fact that he isn't is fun to me.

So when Yaad and his other old advisors bring up his need for a wife, Laios is ready to go along with it. Not necessarily thrilled by the prospect, but he was raised to think of marriage as a business arrangement you do because it's beneficial for your household/bloodline (as was often the case historically). He's already made the big step to claim a throne, and the idea of becoming village chief after his father seemed to have been vaguely in the back of his head all his life. Besides, if he has to do it anyway, I think he'd take comfort that there was a formalized process for an otherwise socially messy undertaking.

This dovetails neatly with my personal headcanon that Laios is gay but unaware of it. He comes from kind of a repressed culture- or at least I can imagine he does based on context clues- and has spent most of his life being ostracized in one way or another, feeling like he's on the outside of humanity. So he doesn't realize that his lack of attraction to women is unusual- he assumes that nobody really enjoys romance that much. It's not like his own parents married for love. It's just something people play up for stories, right?

It's all tangled up with his fraught desire for human connection and platonic companionship anyway. Meanwhile he's blithely unaware that the things he says about Toshiro are not normal bro things. Oh you'd totally marry Toshiro, Laios? Tell me more.

I see this in Marcille too. Firstly due to her unstable development, which has only recently allowed her to reach maturity (I headcanon her as somewhere between 20-22) and secondly due to her being a half-elf (infertile+a too-long lifespan), I think she has the expectation that she's simply not destined for love. The half-elf character she relates to in her favorite books says as much. So she, too, confuses a genuine lack of heterosexual attraction with the belief that this is just because of her half-elf status distancing her from it. Plus, she spent over a decade as a student/researcher in a nice little sheltered academic bubble, at an all-girls academy populated by adolescents. She's the most sheltered of all the characters: she's only spent the past year in the "real world", and she still focuses all her romantic attention on living vicariously through her favorite characters or her friends (except for Falin, conveniently!).

And Marcille would absolutely want to live vicariously through Laios and his future wife. She would not want him to go through a dispassionate formalized process: she wants her bestie to have a fairytale romance! What is the point of being a heroic king in a mythic castle if you can't even get a love story for the ages out of it?

This would result in a lot of Laios meeting with eligible bachelorettes at Marcille's urging, looking to Kabru for help the entire time and being grilled by Marcille afterwards about what he liked best about each girl. "She had nice, um, teeth?" They're both so close to getting it.

Kabru, meanwhile, is agitating for Yaad and the other advisors not lock the country into a hereditary monarchy, they have the chance to do something radical here, to break away from the systems that the elves and dwarves uphold. At the very least, let Laios marry for love, or formally adopt an heir and name them his successor if he wants, he's already sacrificed enough for the sake of Melini. Don't make him jump through these circus hoops for the chance of some trade agreements, we can get those without a royal marriage. And even if Laios was willing to go along with it, he does look at Kabru like he's his hero for sticking up for him.

The vague unhappiness Kabru feels at the idea of Laios being married off is easy for him to ignore. Kabru didn't actually get better at honoring or even recognizing his own wants just because he's moved past the dungeon. And Laios hasn't gotten the hint about his crush on Toshiro and is still 50/50 on saying casually shocking things, so when he remarks that he doesn't need a wife anyway when he has Kabru, he has no idea why that gets him the looks it does. After all, where he's from, men marry women to run their households, but Laios has castle staff for that, and Kabru is handling the rest?

That comment alone ticks one month off their collective gay awakening countdown.

Anyway. How many repressed gays in their twenties does it take to run a country?

Answer: Yaad can tell you.

#dungeonposting #DUNGEON MESHI SPOILERS #I always have to use that tag for the dumbest reasons. because of my harlequin blood. #Labru #you get that tag because that was the point of my post it just took awhile to get there #also pretend I made some kind of joke with a pun about screwing at the end. believe in me. #Golden Country trio #^tag for ME. rotating scenarios with them in my head is a personal treat. #I haven't figured out where Kabru falls yet #he's very bad at introspection and very good at denying himself #but god knows what a guy like Kabru who moves through society the way he does experiences #several possibilities present themselves and I haven't yet decided which one is most plausible. or funniest. #pairing: to be human

[books]

Writer Spotlight: Rose Sutherland

Rose Sutherland @rosesutherlandwrites is a Toronto-based writer who grew up a voracious reader with an overactive imagination in Nova Scotia (where she once fell off a roof trying to re-enact Anne of Green Gables!). She's been to theatre school in NYC, apprenticed at a pâtisserie in rural France, and currently moonlights as an usher and bartender—in between writing queer folktales, practicing yoga, dancing, singing, searching out amazing coffee and croissants, and making niche jokes about Victor Hugo on the internet. She's mildly obsessed with the idea of one day owning a large dog, several chickens, and maybe a goat. A Sweet Sting of Salt is her debut novel.

Keep reading for more about character arcs in A Sweet Sting of Salt, Rose's favorite fanfic tropes, and some excellent reading recs 👀

Can you tell us about A Sweet Sting of Salt and how you came to write it?

A Sweet Sting of Salt is a queer (f/f) historical reimagining of the classic folktale of the selkie wife, set in 1830’s Nova Scotia. I call it a “reimagining” because while it draws on the folktale, it’s not a retelling of that tale so much as a story playing out in relation to that mythology. I’d wanted to write something centering a love story between two women for a while, but the initial spark came from a Tumblr post! It suggested the idea of selkies testifying before the UN as victims of human trafficking, which reminded me of all the things I disliked about the original folktale and its inherent darkness that is generally glossed over, starting me down the rabbit hole toward finding my own story.

How did you approach research for A Sweet Sting of Salt, and what is a favorite historical fact you learned?

I joke that I did a lot of research by osmosis: I already had a lot of base knowledge about the location, having grown up in Nova Scotia, and then set the story in a period that I’ve been absorbing information about in a low-key way for ages—1832 is also the year of the student rebellion in Les Mis, so I’ve been gleaning tidbits about this era since I first got into the musical and book back in high school. However, I had to do more specific research into things like British divorce law, period midwifery, and animal husbandry. I also visited some small, hyper-local museums on the South Shore that gave me an invaluable glimpse into daily life. I also did some fun practical research into things like “How long does it take to walk from x to y?” and “How cold IS a plunge into this body of water in March?” (Spoiler: Very.) 

A fact that fascinated me but didn’t make it into the book was that some early European settlers in the area were granted lands by luck of the draw, pulling from a deck of playing cards: Each card was assigned to a specific 50-acre lot, and whatever you pulled, you were stuck with it.

When we meet them, Jean and Muirin are isolated for different reasons. What do you hope readers still searching for their people take away from A Sweet Sting of Salt?

That there’s always hope. It’s valuable and important to keep reaching out to the world around you, to be open, and not cut yourself off—the biggest reason for Jean’s loneliness at the beginning of this story is the way she has come to keep everyone around her at arm’s length, shutting herself away out of fear, and refusing to let anyone truly get to know her because she thinks that’s the best way to protect herself from being hurt again. Reaching out to others can take a real act of courage, especially if you’ve had bad experiences in the past, but “your people” will reach back to you.

Found family elements play a strong role throughout the novel, within supernatural and mundane settings and across species. Was this something you intended from the beginning, or did this grow out of writing the relationship between Jean and Muirin?

I always intended for Jean to have a found family of this type, which is something that a lot of queer people identify with, but those bonds also got stronger and more meaningful as I wrote, especially once Jean and Muirin began growing into their own family unit—their new relationship and the real danger that comes along with it put pressures on Jean’s other relationships that I hadn’t originally considered. Disagreements with Anneke and Laurie over Jean’s choices arise from their deep concern and love for her, and her own love and care for them, reflected in her responses, is a big part of what made them feel like a real family, for me. Jean and Laurie always having each other’s backs while also being the first to call one another out on their bullshit ended up being one of my favourite dynamics in the whole book.

The selkie myth carries an inherent element of transformation. What is a character transformation you most enjoyed writing, and why?

On a character level, the change in Jean’s worldview following a conversation with her childhood sweetheart meant a lot to me—it heals an old wound for her. I love how grounded and self-assured she is afterward, in spite of the daunting task still ahead of her. But my favourite transformation to write was the antagonist’s mask-off moment, where they directly threaten Jean for the first time. It’s so sly and coded so that only she will understand the menace behind it, a real dun-duh-dunnn moment, which was a lot of fun for me—I also enjoy the foreshadowing elements in that exchange.

This is your debut novel. Did anything surprise you about getting it from manuscript to published book?

Oh my gosh, how LONG it took! After I finished the original draft and decided it was worth attempting to publish, I spent over a year revising based on my own thoughts, input from beta readers, critique partners, and my mentor, Maureen Marshall (whom I connected with through the now defunct Author Mentor Match program, and whose book, The Paris Affair—about a young gay engineer attempting to help Gustave Eiffel secure the funding to build a certain celebrated Parisian landmark— is coming out in May). After that came a full year of querying agents and getting rejected. A lot. People loved Salty but weren’t quite sure what to do with her or where the book would fit in “the market,” which was hard to deal with at the time but is hilarious in retrospect: Salty was snapped up less than a month after she finally went out on submission! But that was back in 2022, and the book is only coming out now. Publishing can be painfully slow.

You’ve written fanfic in the past—do you have a favorite fanfic trope?

I’m not sure either of these counts as a trope, but I adore a character that’s “pure of heart, dumb of ass”, and love a truly unhinged Fanon Explanation For Canon Object. As a longtime Les Mis stan, I ship Tholomyes/Getting Punched. If you know, you know.

Do you have any favorite queer retellings of folktales you can recommend?

Right here on Tumblr, I’m a huge fan of @laurasimonsdaughter, who writes delightful riffs on classic folktales, truly inventive urban fantasy spins on old lore, and her own original folktales. 

I’m currently reading Spear, an amazing queer, gender-bent, Arthurian novella by Nicola Griffiths. Anna Burke’s books Thorn and Nottingham are up next on my TBR. Lately, I’ve been reading a lot of brilliant queer historicals that aren’t retellings (I recently loved Suzette Meyr’s The Sleeping Car Porter and Heather O’Neil’s When We Lost Our Heads) and wonderful historical retellings that aren’t queer (I highly recommend Molly Greeley’s beautiful, heartbreaking Marvelous, about the real-life couple that inspired Beauty and the Beast). Queer, historical retellings aimed at adults seem to be considered quite niche, still, and can take some digging to find! So, throwing this out to Tumblr: Do you have recommendations for me?

Do you have a writing routine? Is there a place/state of being/playlist you find most conducive to your writing practice?

My routine is chaotic at best, but I find I do my best work earlier in the day, so I usually scribble in my journal while I have breakfast, and then progress to working on my current project as I drink my second cup of coffee. I’m lucky—my day job is an evening gig, which mostly allows me to write on my preferred schedule… but I’ve also been known to have a bolt of inspiration strike at 10pm and dash home to write until well past midnight on occasion. Nothing quite like the hyperfocus zone!

What’s next for you? Are you working on anything you can tell us about?

No official news yet, but I’m currently working on a story set in 18th-century provincial France based on a true unsolved mystery of the past. It has me delving into a very specific branch of French folklore, and I hope future readers will pick up on common threads with one popular fairytale in particular. I’m really excited about where this one is headed, but keeping the details close to my chest for now!

Thank you Rose for taking the time to answer our questions! If you love queer fantasy and old folktales, grab yourself a copy of A Sweet Sting of Salt, and be sure to share your queer folktale reading recs with Rose on @rosesutherlandwrites!

#writer spotlight #writers' room #booklr #writers on tumblr #writing community #writeblr #creative writing #debut author #reading #rose sutherland #a sweet sting of salt #selkies #myths #fanfic #Les Mis #queer fiction #f/f fiction #queer folktales

[ao3commentoftheday]

On a whim and because I was momentarily taken by a new fandom I had made a requests accepted fic where I took in requests. From a few requests I wrote I got two requests from the same person and wrote them but they were so annoying because all the response I got was "I want this to be longer"

That was something that added to me eventually not being as into the fandom anymore and so I haven't written the other requests for a long while.

It's part many things and is also because the fandom is very very new so the characters' personalities aren't that known yet so I'm not quite sure how to characterize them in my writing. So I feel a bit guilty about not writing the other requests and regret completing the request of the disrespectful person first, I didn't know they'd be like that until they commented that reaction to what I wrote.

Sorry for the ramble but TLDR how does a writer handle feelings of guilt from not completing requests quickly? Like I think it's been months now.

... and it's been even more months since you dropped this ask in my inbox, sorry!

To start with, I'm just going to flag for folks that you should not post "I'm taking requests" works on AO3. It's against the Terms of Service, so if it gets reported, the PAC team will ask you to remove it. You don't say here where you posted yours, but I just wanted to give everyone a heads up on that count.

I'm really sorry that your experience with writing for requests went kind of sour on you. That's never a fun time. I can see how it would sour you on the practice, especially in conjunction with the fandom being new and the characters still not very fleshed out.

When it comes to disappointing people, you kind of have to pick your battles. Human beings these days encounter thousands of people in any given week, thanks to the internet, and we can't hold ourselves to the same standards of caring for a person we've interacted with one via a screen and the people we've built up relationships with.

That isn't to say it's alright to be a dick to people. Wil Wheaton has been very clear about that. It's just that carrying guilt over something you haven't done for a stranger is very different from carrying guilt over something you haven't done for your partner or your best friend.

In my experience, the best way to move forward is just to reply to the message that gave you the request and say, "I'm sorry, I don't think I can work on this right now. Please feel free to share it with another author." You can add in that you hope they find someone. You can change the "right now" to "after all". You can make the message as long or as short as you want, but just include those 2 ideas:

I'm not going to fulfill this request

if you're still wanting to read this thing, ask someone else to write it (or write it yourself)

The guilt is because you know that someone wanted a story and they haven't received it. What you don't know is whether they still want that story, whether they specifically want it from you and only you, and to what degree they were invested in the idea versus just throwing something out there on a whim.

If you do still want to write the stories, remember that fandom is a hobby not a job. Fic requests aren't assignments. You don't have any due dates. Inspiration comes and goes as it pleases, and sometimes we bite off more than we can chew.

Be kind to yourself, anon. Write the stories that interest you. Give away the ones that don't. Allow yourself the time you need to finish what you want to do. 💗

#asks and answers

[liliewrites]

Hi, I love the way you write. You express the characters very well, I can really hear Arlecchino's voice in your sentences.

You can do one with Arlecchino x femreader? Where Arlcchino and reader are married and take care of the children together (would be great seeing reader being maternal with Lyney, Lynnett and Freminet) After reader arrived in their lives, parties and family moments were common. One day at a gymkhana held with all the children, a traitorous Fatui was ordered by an Arlecchino's enemy to kill Arlecchino while she was distracted, but Reader noticed and got in front of her, taking the hit. Reader almost dies and Arlecchino, Lyney, Lynnett and Freminet want revenge.

(Sorry for bad english)

HELLOOO ANONN:)) lmaoo sorry i was brainrotting a lot about this ask and i didn't know how to write it and end it because it's such a good idea and has a lot of potential.. anyw here u go and eat uppp!!:) also forgive me if i understood the word "gymkhana" wrong.. i just searched up the definition on google since i am not familiar with the word hihi..

-warning/s ; a bit of violence at a certain part:) besides that, none!:)

(men dni utc please!)

it was a fun, festive day for the children at the house of the hearth.

arlecchino and you had decided to host a fun little event for the kids, as both of you agreed that it'd be beneficial to the children not just for improving their skills, but for their enjoyment as well.

as of the moment, you and arlecchino were sitting on the side, lyney and freminet were currently tasked with helping and assisting the younger children, while lynette had mostly insisted on staying with you and arlecchino while helping out with organizing the event. you and your wife didn't mind much as you knew she was more introverted and a couple more helping hands would help a lot.

"mother, i believe that we should start the flag race soon.. shall we get the horses and the players ready?" lynette asked, looking down at the clipboard in her hands. you couldn't help but smile, lynette has grown into such a fine, young dependable lady. you pat lynette's head, giving her ears a little rub as praise. "yes, my dear. i would appreciate it too if you assisted them with getting on as well, see to it that none of them get injured." you told her, and she nods at you, her tail slightly wagging as she walks away. you couldn't help but chuckle, knowing that your praise didn't go unnoticed by your daughter.

"mother! mother! look, look!"

"don't i look cool, mother?"

"mother! this is so fun!"

left and right, children were all calling for your attention, and your heart was bursting in joy as you got up from your chair to approach them. you could see the smiles on their little faces and you knew they were enjoying themselves. one child ran up to you, holding freminet's hand and a drawing in another. she brought it up and showed you, smiling widely. "mother, ah- look! big brother fremi drew me an octopus!" she boasted, making freminet look to the side shyly. you couldn't help but feel proud of freminet, whom was usually alone and reserved, was now trying his best to get along and help out with the younger children. "my, what a lovely drawing, hm? mother is very glad that both of you are having fun." you smile, the turning your head to look at lyney as they both walked away. he was currently busy entertaining the audience (who were also kids) with his little magic tricks as they waited for the flag race. little eyes looked at their older brother with admiration, watching him unfold each trick with excitement.

and of course, as all this happened in the background, your wife was currently sitting from where you had currently sat with her on the side. arms crossed as she leaned on her chair, eyes watching over you and the children intently, yet the intimidating look had gone away from her face. instead, a soft look could be seen from her eyes, and she was sitting in a rather relaxed manner as she smiled at the sight of you with the children. her heart swelled joyously, seeing you interact lovingly with them, your laughter along with theirs ringing pleasantly in her ears as she made sure to capture each pretty smile you had on your face.

funny, as her comrades and enemies alike told her that "your wife is your weakness, knave. you've gone soft." if it were the old her, the old her that were full of hatred, of revenge-- devoid of the compassion and acceptance that you've taught her, it would've been an insult but right now? it was a fact, she knows it herself. you were her weakness, but you were not her drawback nor her flaw, but the weakness to the lost, angry soul that she was without you. you were the guiding hand that gave her a reason to continue watching over the house of the hearth, a proper one, unlike a certain motherly figure she came to know.

amidst the festivities, lyney had told everyone to calm down as the flag race was about to start. a big smile on your face as you stood there, instead of going back to sit with arlecchino, as the kids wanted to be with you.

everyone had got into position, the kids were safely mounted on the horses. the audience was cheering, and lyney was holding party popper to use as a signal cue. all of you were filled with thrill and excitement, as lyney counted off to start the race.

"alright, on your marks, hold tight!"

"get ready, set, and-"

before he could even pull on the string and say go, another loud bang was heard- and it was not from the party popper that lyney was holding.

much to everyone's horror, you were clutching your sides. you felt like you were slowly falling the floor, eyesight getting hazy, you were losing your senses quickly- everything was becoming blurry.

the whole event was silent before high pitched, loud screams calling your name could be heard as they ran towards you. the older trained kids, however, were sure to hold them back to give you space.

arlecchino, the moment she saw you get shot, wasted no time in rushing towards you to catch you. ".. d-darling, darling. are you okay? i got you, beloved.. i.." her eyes widened in shock, but her face froze in horror as she held you. warm, thick and sticky liquid pouring onto her and her clothes, but she didn't care.

"d.. darling, you-"

she was blinded with rage. all she saw was red and black, you just got shot, the perpetrator shouldn't have gone far. "children, find who did this. now!"

the older kids had gone and scattered, lyney and freminet leading them as lynette ushered the youngers ones to evacuate. as they dispersed, arlecchino held your body with gentleness and care, you weakly held onto her. ".. b-beloved, don't.. don't get the kids into this.." you pleaded, but arlecchino shook her head. you were in a critical situation, and yet, you still thought of the kids?

"my love, they are trained for this. have faith in our children, now, hold on. i will take you inside."

arlecchino gently lifted you up, holding you closely to her chest as she possibly can without hurting you. "don't pass out on me, beloved." she gently coaxed you as she brought you inside, trying to keep you awake.

as she finally got you in the clinic, the kids whom were trained in medical aid had prepared to take care of you while they waited for a real doctor to come. she gently laid you down on the bed, sitting next to you and she held your hand. every time the children made contact with your wound, you couldn't help but groan and moan- this was all being done with anesthesia after all. the sight of you crying in pain made arlecchino's chest tight with anger and fear. it was the first time the children saw their father become eerily quiet with such an expression on her face.

"father! we've caught the culprit!"

lyney came running in the clinic, panting. arlecchino leaned in to kiss your forehead, you were dangling on the edge of consciousness and it made her feel bad to leave you, but she had to- lest her wrath consume her whole and that would not be good for all of you. "beloved, the children will take care of you while we wait for a doctor. i'll be back soon, i promise." she whispered, before joining with lyney. "lyney, is the man tied?" she asked, and lyney nodded. "yes father, shall we turn him in to the-"

"no, never mind that. i will take care of him on my own."

she dismissed lyney with her hand, making the boy silently nod at her father's command to not hand the criminal over to the authorities. however, he couldn't shrug off the creepy feeling coming from his father. arlecchino had a blank expression on her face, he couldn't decipher her feelings at all. he paid no mind to this, not wanting to be the outlet of whatever his father was feeling.

as soon as they walked into the room where the culprit was held captive, the room was filled with a chilling atmosphere. all of the kids within the room could feel it. the perpetrator however, his face was full with fear as he looked at the harbinger. he started talking, but his words were muffled as his mouth was tied and covered.

"children, i am proud of you all for catching this man. we've given your mother justice, but for now. you are all dismissed. tell lynette to come over."

at your words, the children silently obey and leave the room. now it was just the man and arlecchino. for the whole time, arlecchino had held herself back from showing any kind of murderous intent, as she knew you wouldn't appreciate having it shown to the kids.

but now? the look on her face was indescribable, her hand was trembling in pure wrath. she leaned down, grabbing the man by his collar and throwing him against the wall. "i will ask you questions, and for every wrong answer, i will cut off one finger. think wisely." she threatened the man, grabbing a chair and pulling it in front of him. "however, seeing as you've decided to hurt my wife in the first place, i can see that you lack a brain."

the man was silenced, and she carefully studied his features. he was a fatui, much to her annoyance. "a traitor, i see. now tell me, who was it that ordered you to do this?" he asked, tugging on the cloth on his mouth.

"p-please, my lord- it wasn't my intention to-"

the man was cut off by his own agonizing scream of pain, with arlecchino stepping on his leg, piercing his flesh with the tip of his heels. "let this serve as a warning, you buffoon. if you do not give me an answer, i will cut your finger off next."

"i-it was one of the rich men you offended last time, my lord! s-sir van duyn!"

arlecchino clicked her tongue, tsk, it was one of those greedy capitalists again. how childish they are, just because of a few true but harsh words, and they act pathetically like this? sending in someone to hurt the knave's wife as they spend a fun day for the children?

arlecchino walked out the door and lynette was already there. "clean up the mess, do not let anyone else know of this." she ordered and lynette silently nodded.

oh, now they've done it. with a snap of arlecchino's fingers, the man's curdling screams had echoed within the room, his flesh slowly being consumed with her flames and soon, the one behind all this would suffer a much more painful death.

it was already nightfall when you had woken with you in full grasp of your senses. you looked around you, the children sleeping, and you immediately felt bad. they must've been so tired to fall asleep this early.

"beloved, are you awake?"

you were startled, but you looked towards the door. your wife, she was there. there was blood on her. you immediately sat up, but she immediately brought a finger to her lips, a silent cue to be careful not to wake the kids up. she walked towards you and sat by your side.

"oh celestia, my beloved.."

you gasped, hand touching her cheek. blood was splattered against her pale skin, but you were able to deduce that it wasn't hers, seeing as there were no visible wounds on her body. arlecchino however, had leaned into your palm, her hand on top of yours as she closed her eyes. "careful, my love. i do not wish to dirty your hands.." she reminded you, but the blood was dry. your chest was spilling with worry and fear. "what happened, arlecchino? are you okay? are the kids okay? i-" she took your hand off her cheek, kissing your knuckle.

"i'm glad that you are back to your senses, beloved, but yes i am fine. the kids on the other hand, i told you to have faith in them remember? they are fine and unharmed." she assures you as she crawls into bed with you, gently pushing you down and collapsing onto your chest as she wraps her arms around you. "now please, i wish to hold what i've almost lost in my arms." she wishes with a pleading tone, so you decided not to press on further. knowing that it's been hard for arlecchino to see you like this, you sigh, moving your hand to run through her hair again. she closes her eyes, now was she only truly able to calm down, feeling your warmth invading her senses. "if it means being able to keep holding you like this.. i'll do anything- anything, my love, just to protect the warmth that you give.."

a little bonus hihi ;

you sighed, deciding to let this go for now. however, at bedtime, you refused to let arlecchino sleep next to you (for awhile) as you were upset that she had made the kids do something as dangerous as running after the culprit.. but the next morning, arlecchino smiled, seeing as you were sleeping soundly on her chest.

currently, you were having morning coffee with arlecchino while the kids were still asleep. you were skimming through the newspaper, and you couldn't help but gasp in shocking as you read a certain news. "oh, darling? do you remember sir cecil van duyn?" you asked. arlecchino hummed, placing her cup down. "yes, one of our investors? what is it, dear?" she asked, looking at you curiously. "he was found dead! i may have not seen him often, but what a shame.." you sighed, oblivious to the fact that it was your wife's doing. arlecchino looked away, bringing the cup to her lips again. "yes, indeed darling, what a shame.."

she would not tell you this but for you, if it meant keeping you well and alive-- yes, she'd kill for you any day. she could paint her whole arm with the blood of those that dare to even lay a finger on you and she'd wear it proudly, to instill the image of it in their minds, so that her enemies know that it could be their blood next splattering on her if they decide to do the same dumb mistake the others already have.

#arlecchino x reader #arlecchino x female reader #arlecchino genshin impact #lilac writes💜 #lilac asks💜 #jaksdkjjwahs

[riririnnnn]

More random things in Blue Lock I find endearing:

-> Brothers

LOOK AT THE HAND PLACEMENT OF SAE. JUST LOOK AT IT. LOOK. AT. IT. OHMYGOD I'M GONNA CRY.

Oh god.

It's tough to explain, but to see him supporting Rin's arm instead of the trophy makes me want to punch a wall. It feels like, "Yes, we won this together, Rin." OHMYGOD! AAAAAAAA!!!

-> Hushed wisher

I really don't think we have ever seen Noa coaching any player other than Isagi, so him silently rooting for Kaiser caught me off guard real hard. Of course, it doesn't seem like much of a big deal, but to see that Noa hadn't completely taken his eyes off of Kaiser and that he hadn't completely pulled away his trust from Kaiser hits a certain type of emotion in my heart.

Considering that Kaiser wants to win over Noa too—a fact Noa, probably, knows—makes everything feel a bit.. bittersweet.

-> CHEERS!!

The above panel happened after Shidou scored a goal against Barcha and honestly—

CUTE!!!

I mean, BM was next in line to face PxG—it's probably the reason why they were watching the match live—and they were going to face Shidou which makes them rivals, and yet, when he does something cool, they all go, "WOOHOO! THAT'S COOL!!" instead of worrying or being jealous.

It's called sportsmanship, I guess?

It's sweet.

-> BM's Dad

There's another translation, but I find the above one way better because it's so... soft.

I mean, Noa has always been shown as this cold, emotionless person who inhales and exhales logic, so it was sweet when he tried to reassure Kiyora—when he showed some kind of compassion. It was like, "Hey, Kiddo! It's okay, don't worry, you'll play the next time! Cheer up!"

It also makes it sound like even if Kiyora were not to have the required stats for the next match, then Noa was prepared to against his own ideals and let Kiyora play regardless.

Sweet!

-> Protective

When Nagi got pissed off because Barou's violent behaviour nearly hurt Reo. Like, just look at that stance, he was ready to beat the crap out of Barou if Reo wouldn't have stopped him.

No matter what label you give Nagi and Reo—lovers or friends—you can't deny that they are probably the best thing that happened to eachother.

I really want what they have.

-> "It's their love language"

They barely knew eachother and yet when these two started to brawl, they all intervened immediately—Nanase and Isagi are literally hanging onto them with their dear life. It's tough to explain, but I found the gesture really sweet, like, they didn't know them! They could bash open their skulls—it wouldn't affect them at all and yet, they are trying to stop them!

Adorbs!!

Also, Chigiri was on the other side of the field, I guess. He came running!!! So sweet!

-> First friend

The way Bachira blindly believed in Isagi. Like, he had full trust that Isagi will come and play with him. He never doubted him at all! The healthiest duo of Blue Lock!

Also, look at his duck lips. Cutie.

-> "Welcome to the academy!"

Anybody who has shifted to a completely new place full of completely new people knows how good and relieving it feels when others make an effort to help you feel welcomed.

No idea if those three extra characters got selected in the tryouts or not, but they were nice. If Kaiser would've met them earlier, then they all would've surely been good buddies.

-> Beloved Ace

The way everyone instantly got mad at Shidou when he hurt Sendou—sweet! Also, the fact that they all refused to play if Sendou didn't play makes me giggle.

I adore bonds like these so much.

.

.

.

Pt: 1, 2, 3.

Probably the last of this series.

#blue lock #bllk #itoshi sae #itoshi rin #noel noa #bastard munchen #kiyora jin #nagi seishiro #mikage reo #bachira meguru #michael kaiser #sendou shuto #雪 ranting

[wellofdean]

Not to discourse, but...I do not understand at all why people think Jensen Ross Ackles is gonna answer questions about things that haven't happened yet in an ongoing story in any kind of way that tells you anything concrete about what is going to happen, or what his character is going to feel or do, when his character has not had a chance to feel or do them yet? Do people really want him to start spinning fucking yarns up there?

Also, I cannot understand why anyone wants him to?! Like, thank you Jensen for NOT TELLING US. I don't want to go into it having been told what to feel and think about it! I want to see it, be surprised and experience emotions that aren't just the smug satisfaction of watching what I already know will happen play out. Like, when Supernatural returns, y'all know they are not going to just immediately throw the whole cow to us piranhas, right?

And while I'm here, on my horse, I would also like to say that I can't help but feel that this whole discussion that I have seen elsewhere in my feed here, is predicated on the idea that Jensen has not known ALL ALONG what character he was acting or what Dean feels and thinks, and that he is not good at his job. Does it ever occur to people that he DOES KNOW, because he is, in fact, fucking great at his job?

One of the best things about that guy is the way he does not say anything coercive EVER about this story or his character. He is letting his work as an actor speak for him, AS HE SHOULD. Do you feel like there is a deep sadness in Dean? A loneliness and an unspoken inner life? A desire for something more? Do you feel like he has made it clear in a million tiny ways that Dean cannot carry on without Cas, but that he fucking tried because Cas died to save him, and he had to make it mean something? Did you not see how he hugged that fucking dog that one time?? Do you not watch Dean, and see these things? These things are the actual content of the actual narrative. The narrative is the place where Dean's feelings and thoughts and actions are stored. Jensen speculating about it on a con stage is not a thing I even sort of want!

If you are disappointed that Jensen did not say: oh yeah, they will RESOLVE IT (nudge nudge wink wink har har har) my question is: why don't you trust your own eyes? Why do you think he is not in control of what he is putting across as an actor? Why do you need him to tell you, in kindergarten terms, what happened? Why don't you want to just watch it and be surprised by joy? The truth is, he has been very consistent in his responses to these kinds of questions, AND he made a whole season of television (TW) with his production company that is consistent with everything he has said. What can he possibly do to satisfy you?

I can only say that personally? I AM SATISFIED. Dean is Dean, and I love him. Jensen made him, and I love that guy's work. Please make more of him, because I cannot wait to love Dean some more. I am here because it's fun, and I am having a good time. Y'all should try it!

#destiel #supernatural #Jensen Ackles #that guy is killing it #and I am just *chinhands* over here #carry on sir! #purcon 8

[foxglovepng]

Hello! Can I request for Soulmate AU of your choice for Leona, Idia, Floyd and Malleus? Thank you in advance!

Characters: Leona, Idia, Floyd, Malleus

CW: Leona & Idia being haters, Floyd is Floyd. Maybe OOC, Not proofread

A/N: Hello Anon! I am not too familiar with writing for soulmate AU so this will definitely be interesting. I decided to go with the red string one because It's the only one I sort of know.

A/N: I am so sorry if these are short I really do not write for soulmates at all.

If you liked Reblogs and Likes are appreciated <3

🌼🥀

Leona

Soulmate?? PSHHHHH Leona doesn't believe in soulmates. Or so he thought.

His brother met his soulmate and well we all know how that went. Leona had given up on soulmates in general since he could never find the said person.

Going to NRC he didn't think he'd meet them.

When he came across Yuu he saw their strings joined during the spelldrive incident. But that wasn't the topic of conversation that was for another day.

When they came across him again Yuu realized they were soulmates and their eyes gleamed. Leona was like Ugh an was constantly trying to fight it, he didn't really care, but Yuu of course kept pushing. He snapped at them one day and was like

"You're annoying I don't care that you're my soulmate." and then walked away.

Eventually Leona secretly began to miss Yuu's prescense but would never admit it out loud. One day he got fed up and went to go look for them. Some students were ganging up on them and he well scared them off.

"Be careful herbivore I'm not cleaning up your messes again." Liar he would.

At first he hated the soulmate thing, but he's not saying he likes it just doesn't mind it.

Floyd

He is a special case. He doesn't care enough, but he also does care. He's neutral to the soulmate thing, but if he ever did find his soulmate he'd be super stoked to meet them.

When Yuu came to Mostro Lounge to make the deal he found out Yuu was his soulmate then. However he was currently busy so he couldn't do anything about it although he's now super interested in Yuu.

After the whole ordeal he attaches himself to Yuu to learn everything about them, and just to get to hang out with them.

(Yuu literally has to force him to practice because he won't leave their side)

Eventually when they do start having a relationship he's even more loving and affectionate knowing he can kiss and cuddle his little shrimp as much as he wants.

Idia

He can barely handle a social interaction what make you think he will find his soulmate.

He's literally a shut in who is mainly on his computer either programming, doing school work, or gaming he'd not one for social situations.

The only way he found out Yuu was his soulmate was because he coincidentally went outside for club and he ran into Yuu and learned Yuu was his soulmate. Yuu figured it out too and he pulled out every excuse in the book to go back to the dorm.

Bro is not ready for the level 100 boss

Ever since then, he has tried to avoid Yuu. Emphasis on try as Yuu would probably be pushing as he is their soulmate.

Ortho at some point tells him he can't keep pushing away. He won't give up, but Ortho literally invites Yuu over forcing them to hang out.

It will take a while and some work before Idia can work up to the idea of a partner and a relationship, but he eventually does get there.

The second Yuu starts talking about marriage or a baby Idia would ramble about how he's not ready and tell Yuu to slow down.

Malleus

Poor boy has been lonely forever a soulmate would make him feel less lonely and he'd be happy that he has someone to be around. He's been excited to meet said soul mate. He'd been dreaming what they'd look like what kind of person they are what gender they are (Not that gender matters to him)

When he was outside ramshackle and Yuu came out he realized their strings connected. He was happy he found his soulmate and would be even happier if they felt the same way about him.

When he came back from Diasmonia that night he told Lilia he found his soulmate. Lilia was happy so was Silver. Sebek was like WHAT? but he will get over it. (Spoiler he ends up liking and tolerating Malleus's s/o)

Peep Malleus planning the wedding with Lilia as the officiant.

#twisted wonderland #disney twisted wonderland #disney twst #twst wonderland #twst #foxglovepng #octavinelle #savanaclaw #twst leona #leona kingscholar #diasmonia #malleus draconia #twst malleus #twisted wonderland malleus #floyd leech #twst floyd #ignihyde #idia shroud #idia shroud x reader #leona kingsholar x reader #floyd leech x reader #malleus x reader #twst yuu #twst mc

[imaybe5tupid]

Young Laios and Falin (maybe about 8 and 5 here respectively).

very long rambling hcs about Falin, Laios and Touden Papa under the cut

I’m always been so compelled by the different experiences Laios and Falin had of their father, in a way thats so true to the reality of many siblings. In my mind, to Laios, their father always had to put on his Lord hat around Laios because of Laios’ importance as the heir. Vs with Falin who as the Spare got to experience him much more when he wore his Father hat. Like raising Laios was his duty and raising Falin was his passion. Which is another reason why I really like Falin being a trans girl (in addition to it just being real and true Kui came to me in a vision when I first started reading in 2018), and one who recognised it and transitioned very early on, since it adds another layer to the different gendered expectations he’d then have of her vs Laios.

Also I think it’d make bonding with her and accomodating her different needs as an autistic child (from a “normal” child), much more “okay” in their father’s mind (He’s also autistic to me 🫶). Kind of the way that a lot of fathers irl will not hug their adult sons but have no problem showing affection for and indulging their daughters. I suppose that also has to do with like the idea of gendered expectations and how there is often a tension between sons and fathers, mothers and daughters (I don’t think there was though between Falin and her mom just because of the way Falin is as a person and especially as a child). Taking care of her and watching out for her could easily be a way to kind of indulge the child he once was too, especially since he ultimately sends her to magic school and is shown to have been curious about the outside world (the mythological elvish names of Nussa and Anowtrid…URGHHH I’ve thought this forever but Falin needs to bring home Marcille STATTTTT he would love her he’d think she’s so cool). It wouldn’t be in the conventional ways because they’re not those kind of characters but definitely Falin was a daddy’s girl to me.

I can also definitely see Laios and their mother constantly misinterpreting them both even when trying to be charitable (canon for Laios haha). Their mother since I like to hc that like often w IRL marriages of this time period, she wasn’t from that village at all and was completely isolated, already sickly with a nervous disposition, and then her husband is this cold, unreadable man. Her daughter also puzzles and worries her deeply. Laios of course because in that kind of belligerent teenage boy way he can’t help but project his own complicated, painful feelings for their father, and even for other people in general, onto Falin.

#falin touden #laios touden #dungeon meshi #my comics #the toudens father is genuinely one of my fav characters in dungeon meshi the “I never knew he never told me” panel #has been tattooed on my brain since i read it

[arieskorra]

hot take: no one hates Aang except for zutara shippers (and not even all of them)

fans in both the atla and tlok fandoms adore Aang. the idea that Aang is “finally getting the credit he deserves” is kind of funny to me, because he’s always had love from the majority of the fandom/people who watch the show.

this feud between tlok and atla fans is happening currently because a bunch of prepubescent boys watched avatar due to fortnite, turned Aang into a power fantasy, and now no Korra post can escape their fan theories.

they are generally homophobic and misogynistic. the only reason this whole “Korra vs Aang” thing happened in the first place is because Korra content was (and kind of always has been) spammed with hate comments.

Korra is the single most hated character in the franchise, and she always has been, full stop. i get that this is because some fans disliked the writing (and i have my issues with it as well) but nonetheless, it’s true. if Aang fans were mad at zutara fueled mischaracterization of their fav, imagine how Korra fans have felt with hate from the entire fan base.

i love Aang, have always loved Aang, but he has never gotten nearly the amount of vitriol directed at not only Korra, but Azula and Katara as well.

anyways thank you for coming to my ted talk.

#atla #lok #tlok #tlok korra #atla aang #avatar the last airbender #legend of korra #korra #aang #azula #katara #korrasami #this is not an aang hate post #if you think it is please consider investing in your reading comprehension skills #atla azula #atla katara #azula redemption #zutara #atla zutara

[shikoslady]

Why do you ship?

I've been wondering, why fans ship certain characters together? And then it came to me while I was writing my own fic. I wrote a Niffty origin fic that featured domestic abuse and implied sexual abuse. It felt therapeutic to write it as I went through similar situations in my own life. And apparently it did the same for other fans. Some of the comments I received where about how pleased they were to see an abuser get what he deserved.

Which led me to think about the taboo ships in the fandom. What if the reason why fans gravitate towards those ships is because of their own trauma? They use the ship to either heal from their own experiences or flock to it because it's what they know. Despite how some of us may feel about these ships, it's not fair to the fans who do like the ships to receive hate.

SHIP AND LET SHIP I always say. These are fictional characters. no one is hurting anyone writing/drawing them how they see them. It doesn't change the canon story Vivziepop has planned. And if you don't like it, just scroll past. It's that easy.

It takes more effort to type out a nasty comment then to just ignore. Remember fans, we have no idea what these fans have experienced and why they ship what they ship. We can just be nice and not say anything at all if it's not what we ship.

#hazbin hotel #Hazbin hotel ships #RadioBelle #Valentino x Angel #Radiodust #radiostatic #radiohusk #radiorose #velmilla #Charlie x lucifer #Radioapple #Mothbug #RadioMaid #valentino x Charlie #Chaggie #alastor #niffty #hazbin art #hazbin fandom #hazbin hotel alastor #hazbin hotel fanfiction #hazbin hotel niffty #vivziepop #helluverse #helluva boss #ao3 #shipping #hazbin ships #shipping wars #ship and let ship

[autumnslance]

The worst part too about the Paladin quests is it's Heavensward that's most egregious. It honestly feels like someone had no idea what was going on, or didn't care, or left, and their colleagues left holding the bag with this mess of a story had no idea what to do with it.

ARR Gladiator quests are fine! They're along the lines of the other Class quests, intro you to the job and a complicated character dynamic, and it's a decent time.

The ARR Paladin quests...are just boring. They aren't actually even that bad, they're just...utterly predictable, bog-standard tropes and plot line where you can see everything coming malms away. But they have an internal logic to them that builds on the politics and scheming in Ul'dah. Jenlyns realizes he's an unwitting pawn of the Syndicate, and he was literally chosen for the job cuz he could be easily duped and controlled. He doesn't even get to have imposter syndrome, he's actually unfit for the job (and then strives to do better, leveraging support from Papashan and Mylla to shore up his own weaknesses, which is admirable!).

...Nevermind that traditional Paladins in general are a bad fit for Ul'dah. The heavily armored Sultansworn makes no sense in that desert environment, and looking at a world map we can even see that Southern Thanalan seems to be on the equator. Like it's not even a case of "it's cooler than it seems cuz they're further north." Because they're not. And I know the devs wanted to have Ishgard perhaps be a starter city but that was scrapped due to time and resources, fine but um.

Dragoons are still trained in Coerthas, by Coerthans. Why didn't they just...do that with Paladins? Keep Gladiator in Ul'dah, where it makes sense as presented. But then have to work with Temple Knights to get the Job. Especially since after Ul'dah's intro, the game just forgets the Sultansworn exist and they have no bearing on the MSQ the way the other factions in Ul'dah do. Not even in the finale of ARR's arc where it would make sense. Gladiators are a constant in other side quests and MSQ both.

Stormblood Paladin is also fine--because it goes back to those Gladiators, and we interact with Paladins and Knights across the realm, and deal with those complicated relationships between the Gladiator guild core members. It's internally logical in its drama about finally restoring Aldis's reputation and place in Ul'dah, against the backdrop of the tournament.

Heavensward Paladin straight up makes no sense. Solkzaygl's actions are entirely contradictory to his character and arc from ARR. There's no way for some of the actions to occur without him working with the outlaws in some way. Instead of teaching Constaint, he sends him on a merry chase across Coerthas to learn on his own, and it's only the WoL's aid that sees the boy live, let alone make progress. A random man dies, guilt-ridden, due to Solk's scheming and lies he confided to this poor guy.

And then Highlander-esque "there can be only one" nonsense. Even as a Highlander fangirl in my youth, it was insulting and awful. Papashan, Jenlyns, and Constaint all call out how nonsense, illogical, unlikely, and stupid this whole story is...all to make a sword shine.

Because there's no internal logic to events, let alone the reason for the string of happenstance that leads to the finale.

And we know it's possible; HW Blacksmith gives us a fantastic paladin story! One that fits Ishgard's storyline and HW's themes. HW Dark Knight is also a good paladin story, actually, as they are meant to be another angle on the concept of dedicated knight defenders. Samurai for the Eastern equivalent, and the concepts and tropes present in those quest chains.

But the job actually bearing the name "Paladin" is left in the dirt. As a fan of the concept across various games (video and TTRPGs both), it's quite frustrating how the devs had no idea what to do with this job, despite other members of the writing and scenario team presenting stories that would have fit perfectly well within the framework. Only some of it is misplacing where Paladins originate in the setting; the rest is not taking advantage of the themes and setting of the expansions, and just not caring enough about the characters and story to even try, compared to the rest. Or worse, they did try, and meant for more, but whatever intrigue and complex plot they wanted to create was too much for 5 quests and no guarantee the arc would continue in the future, even if it had landed perfectly.

#final fantasy xiv #Paladin #grumpy old lady hours #literary analysis #lore #speculation #These quests frustrate me so much #even considering other storylines I dislike for their structural issues HW PLD sits at 'worst' for me

[genericpuff]

Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

#ask me anything #ama #anon ama #anon ask me anything #lore olympus critical #anti lore olympus #lo critical #lore rekindled #webcomic advice

[soaringwide]

Pick a Card: What do you need to hear right now?

Hello and welcome back to a new pick a card reading!

Today is a general and open one, where we're going to look at What you need to hear right now.

As always this is a general reading meant for multiple people so it might not resonates 100%. There are only three piles and a shit ton of you. Takes what resonates and leave out the rest.

Check out my pinned post for more pick a cards or to book a paid reading.

PILE 1

Cards: 10 of Cups, King of Swords, 5 of Swords, the Chariot, the Empress, the Hanged Man, Queen of Cups, 4 of Pentacles, the High Priestess, Sweet Oblivion, Acceptance

Right now, you seem very preoccupied, by the idea of happiness and emotional fulfillment. I see you wanting more from life and not wanting to settle for your current circumstances. You are an idealist who wishes to enjoy life to its fullest, and I think that includes multiple areas of you life because you don't want to neglect any aspect of it.

But at the same time, there is this idea that your idea of ultimate happiness is an ideal, and ideals are not reality. Reality is uncertain and mysterious, we never know what's around the corner, and I think you're trying to get a hold of that by using your logic over your heart to try to understand and break down what it is you want from life. Truth is, when we want something, even when we get it, it never quite look like what we imagined, and that's quite a struggle when we want to control outcomes.

And I think you're fully aware of the fact that there are going to be some losses on your path towards this beautiful goal of yours. Perhaps you even have already experienced some. You might be wondering if that was all worth the effort in the end and feeling quite defeated on the inside. There might be frictions with you values and feeling like you have to sacrifice something dear to you.

However, despite these sour feelings, you feel like you have to stay determined to make it work and get out of the realm of what's known and comfortable. With the Chariot paired with the Empress, representing respectively Cancer and Venus, there is this idea of slow but unstoppable movement toward you ideal. It's really hard for you to let give up, unthinkable even. Both characters are crowned in stars, representing the hope for something better and the faith you have for yourself.

What you don't see, however, is that you are currently trapped in your own perspective and struggling to see things in a new angle. You are tied to the emotional baggage of your past and it's like you're trying to run away from the pain but you can't, you're stuck with it because its part of yourself, of your story. And I think to some extent you fail to see how these past emotions are affecting the way you see the situation. You learned to be very protective of your well-being, up to a fault because, right now, this inflexibility is creating struggle and pain where there is no need for it.

I also see that you're so focused on the prize that you're blinding yourself to everything else, which is part of why you are stuck in some way.

You advice regarding this situation is all about accepting that you cannot control everything, nor that you should. As we pointed out things will not always unfold the exact way you want them to, which is not necessarily a bad thing. You don't need to know everything, to see 10 steps ahead. It's okay to not know what you are doing, no one does. Yes you are doing that because you want to feel safe, but that's not how reality works. You can't trick your mind into thinking you have full control over your life, that's a delusion, and you're missing out on the mysterious adventure that is life.

So you need to let go a bit, surrender your desire for control and float through life with peace in your heart. What will be, will be. Some things cannot be changed with force and willpower alone. Some things are out of your control and all you can do is accept and let things unfold naturally. Right now you need to let loose a little and learn to have more faith in life and to trust that sometimes, the detours are exactly what we need to experience.

Key words: crisis of faith, winning at all costs, go big or go home, sunken cost fallacy, if i don't help myself then who will, crawling out of a hole, disillusionment, swimming against the current vs floating with it

PILE 2

Cards: King of Cups, Empress, 7 of Pentacles, the Hermit, the High Priestess, 3 of Swords, Ace of Wands, 7 of Cups, 8 of Pentacles, the Hanged Man, 3 of Cups, 8 of Swords, Rebirth

What you're being asked to look at today, is your emotional balance and the emotional work you've done on yourself to nurture and repair. It seems you've been working at it for quite some time, steadily and patiently. You've been caring for yourself, healing, like a gardener working in his orchards day after day, waiting for the harvest to finally come.

And you did quite well it seems! A lot has been accomplished already. You've done the work and sought inner knowledge; with bravery you looked at every shadow, every past hurt, every trauma, and you've learnt so much from it. You really consciously took the matter into your own hands and were directly acting on your issues. It still hurts at time though and you might be wondering when it will cease to be painful. Truth is, you keep touching the wound so it's probably not helping. I see you quite stuck in waiting for this harvest, the harvest being the point where you feel finally free from all of this ready to seize life again.

You also went through a time of isolation that made you stronger, but I'm also getting that you're struggling to get out of that isolation mode out of comfort and fear mostly. Sometimes when we go through something hard, it makes us feel alienated from others, like it's hard to relate to the everyday problems of people who were lucky enough not to go through something traumatic. It can make you feel envious, or at the very least, a bit disgusted and void of interest to connect with those people, because they just don't get it, and honestly, some people lack the emotional intelligence necessary to handle people who suffered a lot…hence the isolation.

What you don't see, is that you're ruminating your problems and that it's past the point of being helpful. It's like you're going over it again and again and again, trying to see if you can find yet another answer that would end the search once and for all. You're clearly overthinking your feelings and obsessively trying to find a solution to something that has none. What is done is done. Yes you need to mourn, yes you need to let time and introspection sooth the pain, but at some point, the only thing left to do is to move forward again.

The advice regarding this is that you need to drastically change your ways. Flip the way you live on its head. The cards point at getting out of this isolation mode, because the only thing holding you back is yourself in this case. It's like you're scared of going out into the world. You might not feel ready. You might not feel strong enough. You might not feel adequate for this world. But it's not true, it's just another result of overthinking your past hurt. It's time to step out and connect with other people. Celebrate, have fun, laugh, connect with others sincerely and without fear of not being understood. Yes some people won't get it but you'll also be pleasantly surprised by others, and you won't know until you tried.

It's time to leave the old behind, the old being those past hurt you're so familiar with, and this way of being you became so used to contain yourself in. You've spent enough time in the cocoon, now is time to break free from it and spread your wings. It might not be easy in the beginning, you might need to learn to fly again and it will be scary, but it's so, so worth it.

So ask yourself what living your life fully looks like to you. If you were completely free if nothing was holding you back, what would you want to? What would you want to become? Switch the overthinking from the tiny box you stuck yourself in, to the expansiveness of a mind that wants to reach to every corner of the world. The sky is the limit and it's time you look up.

Key words: breaking the shell, chrysalis, rebirth, being stuck in a maze of your own creation, scared to open up, meaningful connections, sunlight, removing the bandage

PILE 3

Cards: 6 of Pentacles, 6 of Swords, 2 of Cups, 2 of Swords, 2 of Pentacles, 10 of Cups, Page of Swords, 3 of Cups, 5 of Swords, 7 of Swords, 10 of Pentacles, 8 of Pentacles, the Great Goddess, Spirit of the Tree

The theme of your reading today is centered around the way you connect to others, be they people or spiritual forces.

More precisely, in the act of service you do for others, with a strong emphasis on keeping the balance in the exchange and the necessity to preserving the harmony between your thoughts and feelings.

With two 6 cards in this position, this highlights reflecting on the way you find the middle point in the way you give and receive your time and energy, but also what it costs you mentally and emotionally. This is a general reading so it's quite nebulous without context, but to some it could point at a specific relationship, or if you're someone who provides service for others, it could point at that, and it could also be relevant for those who do spiritual work.

In any case, what you're clear on in this situation, is that you've reached a point of no return. It's just no possible to keep doing things as you're doing them right now. You've been contemplating this recently and reached the conclusion that you can't make everyone happy at all costs, despite your desire for things to be perfect for all involved. You are sacrificing yourself in the process, to an extent that is not healthy for you. Exchanges between people are never fully balanced and that's just reality, but in the long run you should find some type of balance and not just giving yourself to keep everyone happy but yourself.

What you don't see in this situation is that you're getting the short hand of the stick when it doesn't have to be the case. If every interaction feels like a battle that you have to fight to sourly win, then was it really a win? Others can be here for you as well, for support and enjoyable shared moments. You should be able to all get something from this. If they never give you that, is it truly worth investing yourself in it?

There is a strong need for protecting your boundaries mentally as well. You don't see how letting others step all over you is detrimental to the way you perceive life. It maintains you in your little box where you need to expand your horizon. I think you somewhat lost that side of you. The side that seeks truth, that is strongly rooted in its individuality and critical mind. The you that seeks mental stimulation and adventurous ideas.

For the advice, you need to be honest with yourself because from what I understand, you do see the situation clearly, but for some reason, you're not acting on it. It's like you're lying to yourself a bit. You keep trying to make things work in this very unbalanced state, harming yourself in this task for the sake of others.

You need to look further and think of your abundance and legacy. What will you be remembered for? For what you did to others? It's very noble of you, but what about your enjoyment of life? What about your personal goals? What about what your heart desires?

Think of trees: we now know that despite being fully rooted in themselves and being whole and independent life forms, they do live in community and are able to communicate with each others across species and help each other. The big tree provides shade to the small plants, and the small plants keep the ground moist and fertile. They all benefit from this and create an ecosystem for all to live in.

You are being called to re-balanced things within you and in your life. To get to the root of this blockage you have regarding exchange and service in order to transform yourself. Perhaps what you're doing is actually detrimental to your ultimate goal, and being a bit more focused on yourself, selfish, even, would be the key for more stability.

Key words: giving and receiving, overworking yourself, beneficial selfishness, harmony between extremes, losing yourself in the work, waking up to what matters to you, long term goal, the wisdom of trees, creation and destruction

#pick a card #PAC reading #pick a pile #pick a card reading #tarot reading #tarot #tarotblr #tarot community #divination #soaringwide #soaringwide tarot reading #pick an image #pick a photo #pick a picture