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#i can't do this on my own
nkogneatho · 6 months
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i really need beta readers😭
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No cuz Like who wants to co-own the poll reblogging blog I made?
Ok nvm. I got them
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thisismyvoidssshh · 2 years
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Okay but people that listen to 'lifeline' by Joshua Bassett on repeat, are you guys okay??
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whatkindofnameisella · 3 months
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can you believe that we have fanfiction. that we have websites dedicated to fanfiction. that there is a place that you can go and read tens, hundreds, thousands and thousands of pieces of writing that strangers have made. people who are not "writers". people who come home at the end of the day and have feelings and say, i am going to put that into words. i am going to share those words. short, long, sweet, sad, horny, funny, wonderful words. we are all just human and we all love to make and remake and share that with others. can you believe that.
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spyglassrealms · 1 year
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had a fucking hilarious dream that tumblr replaced the "block" function with the far funnier "glock" function, which did the exact same thing except whenever anyone blocked you a random bullet hole, like a png of a bullet hole, would appear on your blog. discourse blogs were unreadable bc you'd go to the page and the sheer amount of bullet hole pngs stacked over the blogs obscured everything. I woke myself up laughing
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canisalbus · 3 months
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✦ Cockroach ✦
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miracumess · 3 months
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i don't think some of y'all understand how significant it is that annabeth chase, the leading lady in an IP/brand as big as percy jackson, is played by a black girl. she is not some sidekick or comic relief. THEE annabeth chase, one of the wisest, intelligent, brave demigods and love of percy jackson's life, is played by a BLACK GIRL!!
but you're so hateful and caught up with book inaccuracies and changes that you can't even offer a sliver of hope for things to improve in continuing seasons, and instead immediately resort to wishing the show gets cancelled because they didn't do that specific thing in that specific scene in the books. makes me think there might be another underlying reason as to why you want it to fail.
and before someone starts, this isn't to say you can't have criticism, but if you really love percy jackson, why wouldn't your hope be for things to get better?
"i hope this show gets cancelled" yeah girl fuck you
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acewhofellonmyface · 1 year
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guys help, how do i make someone blush???
(and i’m not really into this person, the reason is a long story but please help me)
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multicolour-ink · 1 year
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MARIO IS SO HAPPY TO SEE HIS BRO THAT HE JUST PICKS HIM UP IN PURE JOY 😭❤💚
And just look at his face after he puts Luigi down
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"Aww come on bro I'm so happy to see you I just want to hug you a bit longer ❤"
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tinyhorror · 4 months
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getting ready in the morning
insta | twitter | inprnt | redbubble
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cozylittleartblog · 6 months
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gooseworx in the glitchx livestream: i want to see people draw jax in a suit. people should draw him crying
me: sure thing, boss o7
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lucabyte · 7 days
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
#[isabeau voice] am i insane or does sometimes loop talk like they might have killed their whole family. is that just me? just checking.#nille design highly inspired by @kiwibrain's since its the one that imprinted in my mind. liberties taken since i didnt look @ reference#anyway i have a lot more thoughts on this? i guess ill hide them in the tags...? scroll down i suppose.#isat#in stars and time#isat spoilers#in stars and time spoilers#isat act 6 spoilers#isat loop#isat siffrin#isat bonnie#isat nille#isat fanart#in stars and time fanart#doodlebyte#----------------------------------------------------------------------#anyway the extra thoughts. are literally just my general thoughts on postcanon. (and thus are the context for all of my postcanon doodles!)#which is i think nille joins the party before loop reappears for a start (either from a period of nonexistence or just wandering around)#and that like. i think the party should be able to integrate loop as a completely new person. because they are! the secrecy isn't great but#They and Siffrin shuffle into different ecological niches in the party (eg. i think sif is more squeamish after it all but loop isnt)#and while it's not *exactly* what Loop wanted they get that beggars can't be choosers. and its pretty good#(i am glossing over how i think loop's reappearence drags both them and siffrin into a massive behavioural backslide and is likely a bit#distressing to watch go down. cycle of argument -> lovebombing -> normalcy -> repeat. etc etc. but since they are no longer literally#stewing in the worst pressure cooker of all time they do resolve it via productive conversation on their own time. its fine)#the party well-meaningly tries to deduce things from loop's vagueries and are able to pin down the DEAD FAMILY vibe pretty quickly.#but eventually the question of their prior identity falls by the wayside because well! they're just their friend loop! (also change belief)#as for how The Truth Come Out... this is what i mean by The Isabeau Torment Nexus(tm). which is that i think... isiloop should almost occur#BEFORE isabeau knows who loop is. he's just genuinely charmed by them eventually and tries to close the open end of the polycule#which FREAKS LOOP THE FUCK OUT because thats just too genuinely sick and wrong. and obviously w emotions high its not a great confrontation#ANYWAY told u i had more thoughts. if i were normal itd be a text post but.
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deepglitterfire · 2 years
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I carved these thoughts into my walls Covered in black praying, they would transcend to you And I've been to the place where all the lonely souls dwell Bringing me closer One step closer to hell
Look into the sunlight Before a plunge into oblivion I don't lack the strength to move on And I'll fight off the strain that tries to pull me back I'm never going back, never going back Fight off temptation I'm never going back I'll take this breath and I'll say these words to you Don't want to let this go Nothing remains in this life I know All my failures are my great escape away from you The poisonous world I erased my life for this false sense of security And I've killed my love for you Forget me, please forget me
Please don't tell me I've lost it all Solution hanging off the edge, don't let me slip and fall I've walked this earth where life is stale Dragging me closer one-step closer to hell
Look into the sunlight As I crawl back from regrets I don't lack the strength to move on And I'll fight off the strain that tries to pull me back I'm never going back, never going back Fight off temptation I'm never going back I'll take this breath and I'll say these words to you
Don't want to let this go Nothing remains in this life I know All my failures are my great escape away from you The poisonous world I erased my life for this false sense of security And I've killed my love for you Forget me, please forget me
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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uncanny-tranny · 10 months
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Social transition being seen (by some) as this super easy thing that isn't as hard as real transitioning (medical) is bullshit. Be critical of the idea that there are some trans people who just "have it easy" because they are trans or because they are trans in ways you may not be.
Social transition is just as difficult, hard, and rewarding as medical transition. Maybe it is not as hard for some, sure, but that is not the same as thinking that social transition is inherently easier or lesser. If you're socially transitioning, your voice still matters.
#trans#transgender#lgbt#lgbtq#ftm#mtf#nonbinary#not to mention that so many people DO want to medically transition but *can't*#so it can be even harder for some when they feel social transition is their only option when they don't want it to be#but social transition carries its own risks and challenges and again rewards#and i've seen this idea plenty where it's like 'oh you don't GET my struggles because you're SOCIALLY transitioning'#and while yes i am different than some trans people to say i'm struggling *more* if i'm the only one medically transitioning is??? huh????#i don't buy into this idea that social transition is never scary because you don't have the boot of the medical system on your back#(though non-med or pre-med transitioning people still face issues in medical settings so even THEN we aren't seperate)#like there's very few ways you can separate my issues as a medically-transitioning person and the issues of somebody who isn't...#...and by that i mean there's few ways you can separate our issues so that mine trumps theirs or that i'm seen as like... trans but More#does that make sense?#medical transitioning is important but that doesn't mean it is *more* important or that only *it* is important#you can support us who are medically transitioning without erasing the experiences and struggles of other trans people#and plus... so many of us who are medically transitioning NOW are the people who socially transitioned THEN#and dare i say i despised social transition more because of how hard it was? medical transition has been (more or less) easier...#...in that i can just *be* now
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capriciouswriter207 · 5 months
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The Terrors Beneath Deepfrost Citadel: a dnd-campaign
Get ready for “The Terrors Beneath Deepfrost Citadel”: a Decked Out 2-inspired Dungeons and Dragons campaign.
Many years ago, an adventurer by the name of Thaddeus Holsten opened the Black Mines and built Deepfrost Citadel - names familiar to any who aspire to be adventurers themselves. After tragedy struck, the mines were blocked off, the Citadel stood empty, and Thaddeus Holsten himself vanished.
Year after year, adventurers arrive in the former mining town of Hermilthan, sitting at the foot of the icy mountain where Deepfrost Citadel and the Black Mines are located. To find the treasures buried in the mines or hidden within the Citadel’s walls, or to discover the fate of Thaddeus Holsten. But anyone who enters the Citadel to start their search, disappears without a trace and none walk out alive.
Do you have what it takes to brave this dungeon? Or will it eat you alive?
This module contains: 
An original thrilling tale of terror that leans closely and expands on official lore
Adventure for characters levels 3 through 7
Five distinct and dynamic levels to explore 
Up to 18 different maps
Awesome magic items, based on the original dungeon’s artifacts
Unique Hermit-inspired NPCs and creatures
All in a fancy PDF and a less fancy but no less functional google doc!
For all your Decked Out 2 dungeons and dragons needs, all these resources are freely available following this link.
The Dungeon is ready for its next victim…
(This module is inspired by and based on Decked Out 2, a game made by TangoTek during Hermitcraft season 9).
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