#i do the flats and then i merge EVERYTHING and work like that | Explore Tumblr Posts and Blogs

ssahotchnerr · 7 months

Note

Aaron making hot chocolate for his little girl 😭😭😭😭 she only wants his and can tell if someone else has made it, and flat out REFUSES to drink it. Reader calls Aaron on the phone during a case and all he can hear is his daughter crying in the background and reader is like “wtf do you put in this hot chocolate??? Coke???????” because reader just cannot get it right despite Aaron walking them through the process of his hot chocolate before 😭 maybe Aaron talks on the phone with daughter for a bit to calm her down and the promise of unlimited hot chocolate once he comes home AHHHHHHH

dad's way

please 😭 and the way i literally had a hot cocoa candle burning as i worked on this cw; fem!reader, food descriptions, brief picky eater talk, girl dad!aaron <333333

"hi sweetheart-"

the shriek on the other end immediately caused him to hold his phone an inch or two away. it was piercing and loud, even for his bad ear.

concern had already swarmed his chest before the cry had ceased, and the room suddenly felt a bit hotter. "honey? is everything alright?"

there was a brief rustling sound, a small clattering of what he assumed was dishes, the close of a cabinet following after. "how do you make your hot chocolate?"

"why-"

"how, do you make your hot chocolate." you interrupted him, your voice distancing a bit for a moment, "dada's on the phone, it's okay."

"oh." aaron chuckled softly as realization hit, his voice filled with a tinge of pity. "someone's upset."

"tell me about it." you sighed in defeat, exasperation clear. "apparently, whatever i make isn't good enough. i've given her three different cups already. three. well, given the third was a reattempt of number one. but with whipped cream and sprinkles. jack too tried to persuade her, but nope. it's daddy's hot chocolate and daddy's hot chocolate only."

"is it in the right mug?"

"the one with all the little ladybugs? yup."

"okay," aaron quickly excused himself - he was still sat amongst the rest of the team, who were silently digging through records - jj shot him a sympathetic glance as he got up. he trailed down the short hallway outside the conference room, in search of a more secluded area to give instructions. "well, i usually-"

aaron walked you through it - steaming the milk, at just the right temperature. adding the cocoa mix, a little extra than the standard serving size. mini marshmallows, and the secret ingredient you had missed - adding a touch of vanilla extract. it was simple, really, but your daughter was a stickler.

she wasn't a picky eater, but was very adamant on how things were made or presented. for example, if two foods next to each other on a plate happened to merge - it was the end of the world. and when it came to aaron's hot chocolate, she couldn't get enough of it. she asked for it nightly, promptly right after dinner. she always insisted on sitting on the counter as aaron made it, watching intently and asking questions on what he was doing. it was their thing together. and more than likely, his absence was aiding to the current meltdown.

"here," aaron hears you say, your daughter's cries lessening for a moment. "this is dada's."

there was a moment's pause, and aaron could easily visualize your daughter analyzing the drink, her eyebrows furrowing in that hotchner way that was just genetic at this point - jack had it too. but as you both already anticipated, another wail produced in response.

"nooooo it's not!"

aaron heard you tiredly sigh, and he was quick to offer more assistance. "want me to talk to her?"

"please."

another shuffle came from your end of the phone, handing it to your daughter. there was a slightly louder sniffle, indicating she was close and listening.

"hi sweetheart," aaron softened his voice, his heartstrings tugging as he silently wished he was home, with you all, rather than a few states away. "what's the matter?"

another sharp sniffle. "i want your hot chocolate."

"i know bug," he consoled softly. again, his heart breaking at her small, upset voice. "but since i'm at work, mom's gonna have to make it for you."

she hesitated, bottom lip quivering. another small wail was quick to follow. "but i want yours."

"i know, but i told momma how i make it, so it'll taste exactly the same, i promise. she put all her love in it too, just like i do. which, do you wanna know a secret?"

that grabbed her attention, her cries stilling so fast it was almost humorous. "uh huh."

"that's the secret ingredient that makes it taste so good, whether mom or i make it. but you can't tell your brother that, okay? it'll be our secret."

"okay."

"so tonight, can you drink mom's hot chocolate? she worked really hard to make it special, just for you." she quieted, still unsure, so aaron switched tactics. "and when i get home, i'll make you two cups. with extra, extra marshmallows. how does that sound?"

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner x you #aaron hotchner x fem!reader #aaron hotch x reader #aaron hotchner imagine #criminal minds x reader #criminal minds #criminal minds x you #criminal minds x fem!reader #criminal minds drabble #aaron hotchner drabble #criminal minds imagine #criminal minds fanfiction #hotch imagine

2K notes · View notes

kozachenko · 2 months

Text

[Click image for better quality]

I FIGURED OUT A WAY TO FUCKING MAKE THE IMAGE SMALLER FOR POSTING ON TUMBLR WITHOUT SACRIFICING THE ACTUAL QUALITY OF THE IMAGE OH MY GOD

Ok so, what I did is go into the clip studio paint file, make a new file, copy and paste the group in the original file, merge everything, get rid of the extra stuff outside of the canvas, and then make the flattened image smaller and crop the canvas. Once you have that, export it and you're done. This helps maintain the actual quality of the image and also helps shrink the file size down to something actually postable (if anyone has a better way of doing this please tell me)

[Edit]: Ok I guess posting something to Tumblr just naturally compresses the image a bit more somehow because I'm looking at it now and zooming in too much makes it a bit blurry so I'm still gonna have to futz around with image quality for future pieces oof

Artist's Note:

I'm so glad I figured out a way to do this because I like working on a big canvas so I can get as much detail in as I possibly can. Only problems are how laggy it gets while drawing lol.

I had an idea for a drawing with Reimu and Zanmu because I really like thinking about their potential dynamic a lot. I also wanted an excuse to draw Zanmu again but in my normal rendering style because last time I drew her she was in my more sketchy style with generally flat colours so I wanted to draw her again. Speaking of, looking at the sketch for this is a jumpscare that I never enjoy seeing, like, man am I glad I didn't use those for my final piece.

Also about her spear. I was originally gonna make it like the ones she had in game, but it kinda threw off the whole piece. It was too big, too blue, and too flat, so I just went "fuck it" and gave her a different one instead. My headcanon justifying this is that the ones she uses in game are for danmaku battles whereas in any other fight she just uses a proper yari, or she still uses the yari and just makes it all glowy to power it up, maybe both lol. I pulled as much inspiration as I could from Sengoku era spears, and even put in some blue into the decorative part of the spear and also added a little skull to pay tribute to the original spear. Also, in my research I saw some art of izanami and izanagi making japan and saw that the yari izanagi has had a little decorative tassley thingy on it so I took some inspo from that and just made it one of Zanmu's tassles (Idk when that art was from or if the spear was still accurate to Sengoku period Japan but hey, probably the same reasons Eirin puts little bow ties on her arrows, it's just for personalization purposes).

I love rendering hair and clothes so much omg, while I like the super curly hair Zanmu, the longer, wavier hair suits her better for this drawing (I imagine it only does that like how Ghibli characters hair moves when they feel angry lol). I love making Zanmu's hair all messy and crazy, as well as giving her grey hairs, this woman has aged like a fine wine. Also, if the hem on the ends of her sleeves, top of her shirt, and her pants look like gold to you, that's because it is! It's fairly light so she's not collapsing under the weight, but it's gold! (I don't care how impractical it is, it's just cool). Not the undershirt though, it's made of a gold fabric. I had a cute idea with Reimu's hair to make it have a red shine to it. I also changed up Reimu's outfit so it isn't just a blob of red. I like it a lot when Reimu's skirt and outfit is segmented into different layers, so I wanted to incorporate that.

I tried to draw their hands differently as well, but IDK how noticeable that is. Also, I am super happy with how the side profiles for the two of them turned out, I used to struggle a lot with how to make the side profile of a character actually look like the character, so I'm really happy that they actually look like themselves.

Also added in the tree and rocks in the background as an homage to Zanmu's character art in Touhou 19, just because I was getting kinda stumped on what to do with the background lol.

In terms of a story idea with Reimu and Zanmu, idk why but the potential plotline of Zanmu wanting to ascend to godhood is so fascinating to me. Like, it is very possible that if she just convinced everyone she was a god (which would be very easy for her to do), she would become one in a heartbeat. Also, if she were to become a god, with her ability to return stuff to nothing, could she hypothetically get similar abilities to (Jojo Part 5 spoiler btw) GER? Like, idk about the death timeloop stuff, but the concept has been haunting me every night as I have been trying to find loopholes in GER's ability for a while now ( for no reason in particular). Back to the main topic, I imagine that she would probably tell Reimu that if she were to become a god she would take over the Hakurei shrine since the god there might as well be dead, and Reimu just says to her, "Over my dead body bitch." Like, I have no idea how to summarize their dynamic but like, it's the type of hero-villain dynamic where the phrase "We're not so different, you and I" would definitely be a phrase said during a fight. I think that if another IN style game were to release, Reimu and Zanmu would be in a team together. They could also have an interesting mentor and pupil kind of dynamic. Can you tell that Zanmu has been charging my mind rent these part few months? Like, instead of living in my head rent free, she kinda just uno reversed the whole situation and now she's the one charging me rent. What happens if I get evicted from my own brain? Actually, scratch that, I don't think I wanna know.

#touhou project #art #fanart #touhou fanart #touhou 19 #touhou #東方project #zanmu nippaku #unfinished dream of all living ghost #reimu hakurei #東方

261 notes · View notes

bamsara · 11 months

Note

Oooo, for the dialogue prompts "you should have thought about that before you got into a fight" and "I only wanted to help"

I love your works! Your art looks like itd taste like sour patch kids, v nice!! ^^

Sun (Mostly) Centric | Wordcount: 1,147 | AO3 Version

The world has not yet adjusted to the flood of robots merging with day-to-day society.

At least, not in the form they had taken prior. To say that there was some backlash was undercutting it; using arguments of humanity vs machine to its core, despite the clarity that those walking alongside them weren't just AI made to mimic human traits and personality, but sentient beings that develop their own. There's a difference between a chatbot app and your next-door neighbor who just so happens to be made out of metal.

Still, there is progress as much as there are incidents. A recent ruling states that all robots don't need to look human in order to receive the same amount of respect and rights (which is fantastic for all of Fazbear's line up of robots, considering they were animals in nature and all, in all franchises and pizza plexes across the country) but there were...incidents too, some of them making the news.

So when you're out doing some quick shopping for groceries one day and a stranger with a taut face and a sour attitude starts heckling Sun, and that heckling turns to harassment, and thus turns into him reaching for the back of the animatronic's head and pulling at the vulnerable wires there, you clock him.

Hard, actually. Your knuckles hurt like a bitch, but you don't have time to shake the feeling out from your hand because the guy sends one right back and oh, there you go, tumbling in the isle and knocking baking soda and sugar and other cake ingredients off the shelf as the two of you yell profanities and arguments while Sun has a metaphorical loading symbol over his head while he processes the last five seconds.

Now you're both banned from that store. The other guy is too, thankfully. Still sucks though. You didn't get to check out the ingredients for the cake.

"You're a real mess." Sun scolds you, dipping the rag back into the warm water, and bringing it back up to your face. He dabs at the dried blood under your eye, careful not to rub too harshly so as to not irritate the darkening skin beneath it. "Honestly. That could have gone so much worse-"

"Like pulling wires out of your head?" You interrupt. You're not too keen about the bathroom being turned into a lecture hall, and the lid of the toilet seat being your 'time-out' spot as he tends to you. "Yeah, sure. I'll just let the stranger rip out what is essentially your brain cords out of your flat skull and be fine with it."

Sun shoots you a look. The default smile is strained.

"What?" You hiss in the silent pause, and not because of the sting of your eye. "All I'm saying is that this-" A point to your face, "-is preferable than the other outcome."

"Our wires are welded in with steel, so I highly doubt a human could rip them out without some sort of power tool." Sun tuts. "You remember Parts n Service."

He had a point. The machine in Parts n Service did weld his arm back into place at the time, and all the other repairs since then didn't go without some sort of heat tool to make sure everything was properly molded in place. Still, you frown. "It's still fucked up that he did that, though."

"Language."

"We didn't even get the cake mix." A light dab on the eye, you bite your tongue as Sun clears the last of the dried blood from the area. "Shouldn't have banned us. Now we have to go across town to get groceries."

Sun pulls back the rag, stained pink and light brown with old blood, dropping it in the sink to be washed later. "You should have thought about that before getting into a fight."

"I was only trying to help!" You defend, continuing as Sun pulls out the disinfectant in a rather knowing manner. The cut underneath your eye from the guy's ring was about to sting like hell. "And it's not like I was the one who started it!"

He pours a dab of alcohol onto a cotton ball retrieved from the first aid kit, a small puff of white in between large silocone fingers, it's almost comical how he pinches it into place before crouching back down, the cotton ball hovering over your face. "Hush. This is going to sting."

Your mouth thins at the underlying tone of Moon's voice in his scolding, leaning away from the offending ball. "You're such a hypocrite."

A hand comes underneath your chin to hold you in place, thumb pressed into your jawline. "Stop whining."

"How would you feel, huh?" You wrinkle your nose as the disinfectant ball comes closer. "What would you do if someone attacked me like that?"

The cotton ball presses against the cut and you flinch, hard enough that your shoulders hike up and your neck tenses. It stings like hell, searing for a moment before dulling to an aching throb, a hiss in the back of your dry throat.

The Daycare Attendant's thumb keeps in place for a second, then pulls it away, expression unreadable. "The same thing we did the last time someone tried."

You grit your teeth, pressing your lips into a thin line as the stinging starts to fade.

"Though," He continues, pulling the cotton ball away and tossing it into the trash. "While your help is appreciated, It would be very much appreciated if we were to avoid something like that in the future!" He waves his hands, the bright smile returning, and Sun's fingers go behind your ear, pulling back out a colorful bandage. "I think it goes without saying that it makes me very sad to see you all hurt. Not fun at all!"

You blow hot air out of your nose in a huff as he applies the sticky bandage. "Hypocrite."

"There you are! Right as rain, dandy and peachy." Sun pulls back to observe his handiwork, and there's a slight pause. "Well, not quite. You've still got a bit of a shiner. I don't think I have a medicine for that one."

"It makes me look cool." You jest. "I look badass."

The animatronic sighs, heavy and loaded for a robot with no lungs, though his exasperation is evident in his voicebox. "Pulling my wires, our wires, please, you're constantly on them-" He's mumbling, quickly. Still talking even as he cradles your head gently by your jawline, and presses his faceplate to the skin above the black eye. "Afraid that's all I can give."

You wrinkle your nose, smiling. "I think a cake would be great too."

"Thanks to someone-" He starts, rising from a crouched position and taking your hand to help you stand. "It looks like we'll be ordering one from the bakery instead."

#drabbles #writings #fnaf sun #self insert #sun x reader #solar lunacy

866 notes · View notes

saewokhrisz · 2 months

Note

have u ever talked anywhere about your coloring or composition processes? u are honestly one of my favorite artists and i would love to hear any insight on how you make pieces 💓

wahh thank you TTT !!! I did sorta give a very simplistic answer here but it was more of my simpler sketchy style so lemme redo that, ill try to be consise and make this understandable ?? its a bit hard cuz it honest to god depends on what Kind of piece im even drawing, cuz for some i go the whole length of doing lineart flats and all that, others i just just fuck around untill it looks right?

i do usually start with a rough sketch or colour draft, especially with more compley pieces this helps with figuring out the feel, honestly i should spend more time drafting properly, figuring out poses and such but im so lazy i just go w the first thing that looks good

then just lines over the colour draft, fixing lots of anatomy and proportion stuff, and depending on how i wanna do the colours ill either keep the colour layers or merge them together and have the edited colours as the base colour (this might not even make sense help)

see this piece at the time gave me an insane ammount of trouble with lighting and colours, so after trying to render i ended up merging everything together....which i dont USUALLY do but the rendering is pretty similar except usually i have colours be seperated by layer,

ANYWAYS sadly i dont have a process on how it got from flats to this specific render for this piece...but i still followed my initial drafts/plans with vibe and colours and just painted over it, its why i make it after all!

but honestly a lot of times its just very simple colours and just trying to mainting good contrast and values !!!! and THEN fucking around with colours and rextures, for other pieces i kinda just paint as i go? i have this timelapse of my justice piece that may be a bit more help!

it includes the initial colour draft, the cleanup/lining process, flats, rendering, and all that so its probs the most accurate timelapse of my morecomplex work processes, with stuff that doesnt include heavier backgrounds, which is a whole OTHER topic honestly

im sorry if i cant explain it more cohesively, i genuinely barely know what im doing most times and go by muscle memory and stuff i Know but cant. Explain? like i know how light and folds work since i observed and studied them but i cannot put it into words at all )--)0

my brushes also contribute a lot to how i render and colour, depending on what i use, you can find the swatches for them here !

#long post #asks #art advice

133 notes · View notes

little-miss-dilf-lover · 2 months

Note

While I can definitely see Pietro and the reader living at the Avengers compound, if they wanted to, what kind of house do you picture Pietro and the reader living in?

-🐬

you know, I have too many different ideas for this. he has that “two-young-idiots-in-love-sharing-an-apartment-for-the-first-time-and-kinda-struggling-financially-but-making-it-work” vibe

so everything is kinda eclectic and things don’t match, but I think it’s really charming and I love houses like that. lots of fridge magnets, shoes by the door, thrifted frames, chipped walls, noisy neighbours, patterned rugs, mix match mugs and cutlery, diy bookshelves, plants on window sills, books used as makeshift tables/ stands, outdated appliances, small quaint space — I feel like that suits. maybe something like this :

then overtime would move into next flat and save money. your things would become more cohesive and your aesthetics would merge. it would have more character and charm to it, colour coordination?? high ceilings?? big windows?? a balcony?? a quieter neighbourhood with more sun??

something like this :

#ask #🐬#pietro maximoff #pietro maximoff headcanon #pietro maximoff x reader

51 notes · View notes

dvrtrblhr · 3 months

Note

hii! sorry if this is weird, but i super love your art, it's so inspiring ^▽^ have you ever posted any speedpaints before? i struggle figuring out the process in my own art so i like looking at other artists process.. but only if you want to ♡

Thanks a lot! Also I don't think it's weird at all. It makes me super happy to know others are inspired by my art!

I'm supposing you mean speedpaint as in video of my painting process? If it is so, I do post them every once in a while in my instagram account (I'm babittia there). They are just the timelapses generated by procreate, there's no voice over or anything.

I can post some here if others find it interesting. Here is the timelapse for my last Mercedes portrait:

I think my process is usually like this:

Sketch whatever, find reference if needed (like for Mercedes clothes for exemple), correct sketch

Make a second cleaner sketch (or as many as needed to make the pic understandable) - I rarely ever draw a definitive lineart, I just work with my sketch lines and paint over them later if needed

Apply flat colors (sometimes I also add some shadows on another layer using multiply)

Change lines color, merge the human figure (sketch+colors) in one layer, use liquify and transform to 'fix' anything that feels odd

Paint over the sketch, over and over again, until it looks finished (My concept of finished depend a lot on my ambition with the piece I'm working on)

Add rim light and other effects to give it a more unified look

Merge everything and use color balance to make colors pop

Export pic, open it on photoshop on a much bigger screen, correct whatever weirdness I find, use selective color to push the colors even further

It's done!

I hope this is helpful! I honestly don't mind sharing my thoughts on my art process, so feel free to ask me questions about it if you want!

Also feel free to request timelapses of a particular pic. If I made it on procreate, I have it saved (none for my photoshop art, unfortunately :/)

#ask me stuff

60 notes · View notes

aquickstart · 4 months

Note

pls may i have some saltburn takes. i saw u liked my post abt oliver never having read the reading list and it made me giggle.

OH YES DUDE oh i Loved that post because it brings up actually something that for some reason i haven't seen discussed much. oliver's unreliable narration.

i have a brilliant, i think, genius four-question plan for making people understand saltburn, and it has worked before and i will maybe elaborate on it, but not right now. right now i'll talk about one of the questions.

who is oliver telling this story to, and why?

we've established that he's an unreliable narrator at least because it's the logical conclusion for a movie shot in a way that opens and closes with his narrative. but what does oliver being untruthful actually mean for what we know about anything and everything that happened. have you ever obsessed over this particular question. well. i have.

my hot take, first of all, is that oliver is not that smart. he's clever, but the point of the movie is that he's caught up in and driven by desire; desire, pointedly, in the moment, merging desire, adapting to circumstance and leading him on. his want is not concrete from the beginning. his want is insatiable hunger that grows.

so, okay, from the top. the whole meet-cute with felix? because of a punctured tire? eh. idk if that's true. the money thing at the bar, pretending to not have any while he actually did? eh, perhaps. chronologically he then lies to felix about his dad, and this is big, this is deliberate, this is what ties felix to him for good.

what if the first two instances were coincidences? like, felix genuinely in trouble then, oliver genuinely out of cash. makes sense to become attached and actually do something, something impulsive, drastic, when felix seems to be drifting away, and lie about his dad.

interjection: you might be saying, nadia, he lied about his family from the get-go. well of course. i didn't say he's not smart enough to clock what image of a damsel in distress felix would gobble up. i'm saying he didn't do it for the long game, because there was no long game to speak of, as narrator-oliver would have you believe. i think he wanted felix so badly in that moment of several months in oxford, i think he was so blinded that he would've said anything. and he did.

now, i've briefly talked about oliver's feelings about the invitation to saltburn, and i think this is very important here. in the moment, he couldn't possibly know what exactly this invitation could mean, in the long run, only that it is definitely the next step in progression of desire for felix. present-day oliver interjection, and i believed him, after felix said he could leave anytime, i read as a slip up, an admission that oliver didn't plan shit, or at least from the beginning he didn't. it lured him in as soon as he got there, gothic house driving mad-style. he held on to a dream of something elusive (felix as a friend? lover? forever-partner in whatever capacity? i want him so bad i don't care what he is as long as he's there? please? please?).

the other obvious hole to poke at is in the end. venetia very conveniently takes the razors he places for her, and while sure, it could be read as him just hinting at how he conveniently read her fragile state and took advantage of it, i don't buy it. (i'm honestly even tempted to suggest he met elspeth on accident, to then spin a pretty story for his own sake, but him keeping tabs on the surviving cattons all those years tracks with what we know about obsessive oliver; he's definitely known about her flat for a while.)

but those are all minor stuff. i get completely if you think i'm reading too much into it and this is all just a headcanon after all, to be fair. BUT. but.

my second big take is that oliver was/is madly in love with felix. i know, shocking. but you have probably seen people say he wasn't. i will elaborate.

i wasn't in love with him. i loved him. i hated him. what does this sound like. have you ever had a friend come to you after a breakup fuming and telling you how they'll never end up with this asshole for sure and then get back together with him and then break up and say the same thing again.

i loved him, but i wasn't in love with him. i know everyone thought i was, but i wasn't. have you never told anyone something of the sort, specifically the last part, to emphasize just how it's everyone around you that's kinda hung up on whatever it is, and you've moved way past it, actually. have you never told yourself that.

i have. i know many other people who have, too. so, who is oliver telling this story to, and why? there's no one but dead elspeth in front of him. there's no one but himself. fun fact: each time you recall an event, it distorts under the influence of the mix of past and present emotions. each time you recall, you mold memory (source, e.g., x). the way i personally see it, oliver, for whatever reason, retells the story in order to solidify his own memory of it in the way that he wants to remember it. whatever he says, this is his final word, and this is his final truth.

this is also why details slip through, like my beloved i believed him, like the emotional i hated him growing into self-convincing, misleadingly dismissive, definitely unsure i hated him by the end. those are the true emotions that he recalls, those are the times that are hard to rewrite, for whatever reason.

of course, he hated them all. but before that, he loved felix to the point of blindly following where felix's desire led oliver, at least the way oliver perceived felix's desire. it failed, crucially, when felix's desire brought them to the center of the labyrinth, where oliver could not be the desired anymore.

my third hot take in connection to this is that oliver did not know he would kill felix until the very night he did it. he didn't know it, i think, until the last hour, until felix refused to reconcile completely, until he made his blood run cold. i also briefly mention it here, specifically how farleigh is tragically connected to felix's death, in my opinion. this tracks with, again, my strong belief that oliver lies, lies and lies throughout this whole story about wanting to take everything from felix from the beginning; no, he fucking didn't. he wanted felix. he wanted felix to be his. that was number one priority. he wanted felix and whatever else came with it, undoubtedly, but not the other way around.

paradoxically, he also wanted to be felix; he wanted to be him and be with him just as us tumblr people can often relate and the tragedy is that you always have to choose. felix pushed him away, so there was no other choice but to take what was left of felix that oliver could take. hence the clothes wearing, the table scene talk, the refusal to leave.

felix chose not to choose oliver, so oliver became felix. it's his fault. felix promised oliver could leave. felix left instead. what was oliver to do.

but to your point about the books, i think it could be either way, actually. i think he could have lied about it because technically that's also in character for him, he was performing for an audience of his tutor. but i also think that he was, genuinely, a nerd before he came to oxford, and he didn't, and still doesn't, have any friends, and he hates his sisters and his mother and is miserable. he's the perfect profile of someone who'd read king james' bible over the summer, and then some, imma be honest.

so, yes. i think oliver lies about most things in saltburn and i think he's pathetic, lost, confused, grieving, angry, horny, down bad and in denial. and i fucking love him. i so fuckin do.

#saltburn #oliver quick #saltburn meta #thank u so much for ur ask. this was my excuse to finally vomit this up.#honestly i think asks are the only format in which i will actually write out all of my thoughts coherently esp the longer stuff #bc i feel obligated to answer #and when i dont i just abandon stuff. i know all my saltburn meta. vika does. finn knows ALL of it and more. i dont feel like sharing much #when unprompted. but if you ask me?? i'll never shut up. literally never #anyway. this is it. thank u again. fun.#ask #horrorsequel #saltburn journaling

57 notes · View notes

criticallyacclaimedstranger · 4 months

Text

Reminder [Tim Rockford x f!reader]

Read on Ao3

Rating: Explicit

Fandom: Merge Mansion ad (can't fucking believe this...)

Pairing: Detective Tim Rockford x you/cishet f!reader

Tags/Warnings: reader wears sexy lingerie but no description of body type, blowjob, deepthroating, workplace sex.

Summary: Tim Rockford works too hard, and too late. You have to remind him of what's waiting for him at home.

Words: 2,165

A/N: Y'all I am adding a new character to my menagerie of Pascal men! Dunno if I get Tim Rockford but I've been thinking about sucking his dick since I first saw him. He just has that vibe about him. Enjoy.

He is sitting astride a chair in front of a huge notice board filled with photos, notes, clippings, clues pinned to it, connected by red twine. The white shirt is straining to reach across his broad upper body. You remember a time when it had the shape of a V, now it's more of a U before connecting with the still narrow hips and flat ass.

You nod a thanks to the officer who let you in, and when he closes the door behind him, you lock it.

"Detective," you quip teasingly, but there's no response except a neck roll. He sighs deeply as he rubs his neck.

He's been working around the clock on this case. You avoid looking at the notice board, the pictures of bloody crime scenes, as you walk up to the chair.

"Tim," you speak softly, your hand landing on his shoulder. Tim twitches and looks up at you. It takes him a moment to recalibrate his brain to reality.

"What are you doing here? It must be like ten o'clock."

"It's past midnight, actually," you correct him with a wry little smile. He sighs again and takes your hand away from his shoulder, bringing it to his lips for a kiss.

"I'm sorry, my love, I'm gonna pull an all-nighter again."

You grunt. He knows what it means. You've been over this before.

He rises from the chair, moves it away before turning to you. He smells of stress and determination: smells that you know well. He's always like this when he's working a case. You don't like it, but you've grown to accept it.

He pulls you in for a hug, so fast that you almost stumble into him. His broad chest, the soft stomach with the buttons ready to pop. He refuses to go up a size for some reason. The shoulder holster, the gun at his side. Your hand slides away from it, not wanting anything to do with it, only wanting your soft man.

"I'll come home in the morning for a shower," he promises in a low whisper against your hair. "Have breakfast with you."

"No, you won't," you calmly point out. "You'll get terrible coffee and a bagel from the diner around the corner, and your stomach will be a mess by the time this case is solved."

Tim chuckles a little at that before seeking out your lips. He tastes of stale coffee, and sweet and sour pork; the flavors of a murder case unsolved.

"Go home, get some sleep," he tells you gently. "I'll call when I leave."

"Aren't you wondering what I'm doing here, at this hour?"

He blinks, like he's only now realizing what time it is, and that you're actually here.

"Is everything okay?" His hands come to your cheeks, and he searches your face. You cover his hands with yours, lowering them as you smile reassuringly.

"I'm good, Tim, nothing's wrong. But I knew you'd be working all night, and I wanted to bring you something."

His brows draw together when he waits for you to elaborate. You untie the belt around your waist, and button open your trench coat. His nostrils flare and his eyes widen when you reveal yourself to him.

You're only wearing a bra, lace panties, and stockings underneath. It's cheesy, but he likes it.

"I came to make sure you were okay," you purr, smiling at how he swallows hard, his glassy stare.

"Baby..."

"Just let me give this to you."

You undo his belt, knuckles brushing against the soft fat of his tummy. Tim exhales in a low sigh when the belt releases its hold of him. With heavy-lidded eyes, he gazes adoringly at you as you unzip his pants. Softly, he trails his hands along your sides, goosebumps rising in the wake of his touch. Your nipples knit, and his gaze drop to the stiff pebbles showing through the lace fabric of the bra.

"You're too good to me, baby," he sighs, and then his eyes fall shut as you slide your hand inside his pants. "Oh."

You cup his still soft cock through the underwear, stroke in carefully as you lean in to kiss him. His lips betray a hurry that's he's loath to rein in, but when his tongue tries to pry in between your lips, you pull away with a smile. Tim doesn't smile back, but stares at you with a drunkenness in his eyes, mouth open and begging to be kissed again. You lean back in and nibble at his full lower lip, cup his cheek with your free hand, and stroke your thumb over his mustache. His cock hardens against your other palm, and you encourage it with a firmer touch.

"Tease," he groans, hands landing on your hips, fingers playing with the waistband of your panties. A shiver runs through you.

"Takes one to know one."

You press your lips to his anew, and now your hand slips in under the worn elastic of the waistband. His cock jumps at the direct contact and your feel a patch of wet rub off on your hand. Your fingers close loosely around his cock, thumb smearing out the precum as your tongue plunges into his mouth for a hungry kiss. Tim's strong arms wrap around you, the smell of his sweaty pits hitting your nose but not in a repulsive way, instead you feel the crotch of your panties get wet, and your kiss turns more insistent. You suck his lower lip between your teeth, pull it out, and release it with a pop. Still holding his cock, you step back, pulling him gently but firmly to make him follow you. And Tim follows, hands reaching all over you, eyes burning with desire, lips swollen with kisses. You direct him to his desk and pull down his pants and underwear before giving him a little push to make him sit down. His cock is now as stiff as it can be, and you separate his legs, keeping eye contact as you kneel between his thighs.

"Oh, baby..." he sighs, surrendering to you with a pleading look on his face. "Baby, you're so good to me..."

"You deserve it," you purr as you nuzzle his cock, kissing its length, flicking your tongue at it. "You work so hard, you deserve to relax a little."

He moans again when you hand closes around the thick root of his cock. You trail your tongue up his length, ending with a soft swirl around the head, the glistening precum bringing a sharp taste to your mouth.

A few night shift officers pass by the door, but apart from that you can only hear the drone of the air conditioning, and Tim's heavy breathing which turns into an audible gasp bordering on a moan when you open your mouth and take his cock into your mouth. He breathes your name, looks down on you as you smile up at him, his cock in your mouth, one of your hands wrapped around the root, the other cupping his balls. He draws his fingers through his hair before dropping both hands to your head, petting it softly as you pop his cock out of your mouth and proceed to licking and stroking it. The low lights are casting shadows over Tim's face, but you can see his eyes, half closed and staring down at you in complete surrender. You squeeze the root of his balls firmly and are rewarded with a sharp hiss as Tim draws in breath.

"Sweet baby..."

Your cunt is heavy and warm, and your arousal starts to drip into your panties. The mossy, heavy scent rises to tickle your nose through the musk of your man, and you moan low as you suck the head of his cock before flicking your tongue at the frenulum.

"Fuck, oh God..."

Second that. You enjoy sucking his dick, always have. The different textures, the scent, the way it makes him twitch and curse and finally beg you. The sloppiness of it when you drool, the rush of adrenaline when you manage to take all of him, the tip bumping down your throat, Tim losing it when you massage his balls while letting him fuck your throat.

You draw a deep breath and swallow all of him, balls deep. Your lips shielding your teeth from grazing him, you immediately start to salivate, the pressure against your throat almost too much. You will yourself to calm down, to breathe through your nose as you know you can, and start to fuck him with your mouth. Your eyes fill with tears, and when you look up Tim, he brings a trembling hand to wipe away the first one that falls. You pull back, a string of saliva connecting your lips to his cock, and lean into his palm cupping your cheek.

"Don't hurt yourself, sweetness," he mumbles hoarsely. "You're doing so good."

"I can do it," you promise him.

"I know you can."

You devour him again, tongue pressing flat against the veiny underside of his cock, your eyes falling shut as you focus on the act, on breathing, on controlling your gag reflex. Tim's breaths come in choked groans above you, his fingers tangle into your hair, petting and gently pulling while he showers you with gratitude and praise. The cold linoleum floor is hard on your knees, but you don't let that hold you back as you do your best to blow Tim’s mind. The taste of cum grows stronger, and you press your fingers against his taint while still fondling his balls. That's his undoing: his balls twitch and you feel the length of his cock pulsate as he shoots his cum down your throat. You almost choke, so you pull back, coughing as the last of his cum splatters your chin and chest. He crouches in front of you, wobbles like his legs don't carry him, panting like he just ran a marathon, but still searches your face as you fight to find your breath through the coughing.

"I'm good, I'm good," you wheeze, but Tim doesn't stop his scrutiny of you until you've found your breath.

"Okay?"

"Okay," you nod, smiling breathlessly. He smiles back then, and heaves a big sigh.

"Goddammit, woman..."

"What?" You bat your eyelashes innocently.

"Look at the state of you. A pornographic mess."

He wipes his thumb over your slick chin and closes his eye with a deep exhale when you grab his hand and bring the thumb to your mouth, sucking hard.

"You'll be the death of me."

"What a way to go, huh?"

His chestnut eyes are warm when he opens them anew.

"I'd prefer to live for as long as I can, as long as you're in my life."

"I'm here," you reassure him, your hand coming up to his cheek, which has not seen a razor in days. He leans in for a kiss, licks at your lips and into your mouth where you share his taste with him.

He finally helps you up and tuck himself in before grabbing a couple of tissues for you from his desk. You wipe yourself clean, but when you're about to wrap the coat around you again, Tim stops you.

"What about you?" His eyes are like molten chocolate when he slides his hand inside your coat and brings you snug against him.

"What about me?"

"You're so wet I can see it through your trench coat, honey."

You chuckle. You should have known.

"Sweetheart," you tell him, languidly wrapping your arms around his neck. "If you wish to pleasure me, you have to come home."

"Oh, so only you can do dirty things to me in my place of work?" he grins, hands sliding down to your ass cheeks, barely covered by the lace.

"That's right, detective." You kiss the tip of his nose. "Gotta have something to bring you home."

"I do have that," he replies softly, touching his lips to your forehead. "I'll come home in the morning, I promise."

Before you can answer, there is a hard bang on the door, followed by a call:

"Rockford, we brought in your suspect!"

His countenance changes: his eyes turn sharp, his lips austere, his shoulders squared. He is no longer your Tim; now he's Detective Rockford.

"I'm sorry, I gotta go - "

" - and you won't be home for breakfast," you finish his sentence with a practical shrug as you straighten out his tie for him. "I know. Go do your thing."

He dips his face down to kiss you.

"I'll be home," he renews his promise. "And I'll bring bread rolls from that place you like."

You smile against his lips, his warmth spreading through your body, your cunt bottoming out at the thought of a slow morning with him.

"I'll hold you to that, Tim."

He brushes his lips over your cheek, his breath warm when he whispers:

"Keep that underwear on."

#tim rockford x you #tim rockford x reader #tim rockford fanfic #merge mansion fanfic #my fic

72 notes · View notes

redundantz · 6 months

Note

Do you have a coloring tutorial or recommended digital brushes? I love the way you render! It feels polished while maintaining the roughness and charm of a sketch!

I’m an artist who can get linework down pretty easily but when it comes to rendering that’s where I struggle. Any wisdom helps! ❤️

Hello!! Thank you so much! <3 I did a simple tutorial awhile ago but It's not the best Rendering is also my weak point but I can outline a few things I do! But overall my Process is: - rough sketch - clean sketch/lineart - flat colors - shadows - highlights - merge layers and use adjustment filters to get the look i want before I start rendering ( Color balance/hue + saturation/gradient maps/adjustment layers) !! This is generally where I stop if i am not doing a painting and keeping it as a lined drawing !! - I will add finishing details like eye shine etc.~ DONE if I am doing a painting styled piece i keep going. - I will start just painting on top of everything - I generally just stick with the same brushes I sketch with because I'm comfortable with them and I find switching brushes to be kind of tedious. So its the HB Pencil and Basic Sketch a lot of times. - Use the eyedropper tool to pick colors to blend and using adjustment layers like multiply to deepen shadows then merge down again. - Using to many layers makes me frustrated. - Render render render - When I'm happy or just don't feel like I want to work more on it I add some noise and chromatic aberration and Viola!

I use almost all of the adjustment tools but the big 3 for me are: Color balance (this helps me adjust my color choices and unify the vibe of the piece in going for) Noise! adds some nice grain to the art and makes it a bit more tactile. Chromatic aberration just adds such a cool look and depth.

as for brushes I have a page on my Caard that lists my most used ones I have a tag on my page with tutorials as well I hope some of this helps!

#redundantz speaks #ask #redundantz ask #brushes #tutorial #art reference #art tutorial #art tips #im sorry this probably isnt what you were looking for im pretty shit at explaining how i do things #long post

66 notes · View notes

lady-of-imladris · 9 months

Text

How to recognize AI "Art"

A post I have wanted to make for a long time because I think it's important to know! Please mind that this is not 100% accurate and I am by no means an expert on AI art. My knowledge on the topic comes from a semester of research on the development of AI art and how it has improved over the years. I wrote a pretty intense paper on it (I got an A on this!) and I am now using this knowledge to help identify AI art.

I often ask myself "did an actual person make this art or did they just generate it?" because I WANT TO SUPPORT ARTISTS WITH A REBLOG BUT AI "ART" IS NOT ART!!!!

Image description and tags, other posts by the same user If there is no image description by OP, that's usually a bit sketchy. Also read tags other people have added in their reblogs! And look at other posts from the same user!

Features blending In an image where a person is wearing glasses, do they maybe merge into the skin a bit? (see Image 9)

Circular artefacts TBH I forgot why they happen but one paper I studied discussed ways to remove them because they are an obvious giveaway that an image is artificial (see Image 10)

Image 1: Circular Artifacts [1]

4. Problems with text or other "logical composition stuff" (sorry I'm bad at words) AI is bad at generating text! It looks like words, but it makes no sense. In Image 3, where does the cat's paw come from? (Also note here that DALL-E puts those coloured squares in the bottom right corner).

Take a closer look at the hands of the women in the image on the bottom right. How many are there? Hands are also a good indicator!

Image 2 [2], Image 3 [3]

Image 4 [4], Image 5 [5]

5. mismatched earrings/eyes... ("long range dependencies") Human faces are symmetric, we (usually) have two eyes, two ears... That's a problem for AI. Earrings and eyecolours usually have to match. Either side may look perfectly fine, but when you look at is as a whole, it does not always work.

6. seems "too smooth"? I've noticed a lack of texture. Brushstrokes are missing, everything seems just a little flat. There are definitely generative models that can emulate brush strokes, but watch out for backgrounds. They sometimes give it away!

7. read this article for a lot of additional information!

8. something I found in this article that is not mentioned: the harsh contrast I have taken the below pictures from that article, and you can see some very "harsh" areas around the irises in the pictures with the eyes, or around the kids

Image 6, 7, 8 [6, 7, 8]

In the two images below, I have just marked some areas that seem off and I will briefly discuss why:

Image 9, Image 10 [9, 10]

Left (Image 9): In Halbrand's hair, there seems to be part of a crown or some other adornment, but it's not quite there. You can also see the general "smoothness" in this image. Another suspicious looking area is Galadriel's neck. Between their faces, you can see the mountain range in the background continue, but it stops exactly where the strand of hair is. On the right side of the image, there are some bright spots on the rocks that also look a bit weird.

Right (Image 10): I have marked some spots that I think look a bit like circular artifacts (that have probably already been "treated" by the generative model). On the bottom left side I have circled this jar? vase? Whatever. You can see that the lid and the rest of the object don't align.

Once again: DISCLAIMER - I could be wrong! This is really hard because the generative models get better.

Sources:

[1] D. Stap, M. Bleeker, S. Ibrahimi, and M. ter Hoeve. Conditional image generation and manipulation for user-specified content. arXiv preprint arXiv:2005.04909, 2020.

[2] A. Ramesh, P. Dhariwal, A. Nichol, C. Chu, and M. Chen. Hierarchical text-conditional image generation with clip latents. arXiv preprint arXiv:2204.06125, 2022.

[3, 4] Generated by me using DALL-E for research purposes.

[5, 6, 7, 8] from this article, accessed on August 15 2023

[9, 10] posted by Tumblr user @ fandomfatale, accessed on August 15 2023

#ai art #anti ai art #anti ai #psa

84 notes · View notes

vtuberconfessions · 2 months

Note

i am so tired of being nice i just want to go apeshit PLEASE FOR THE LOVE OF GOD VTUBER ARTISTS WHO HAVE NEVER RIGGED BEFORE: ASK A RIGGER FOR ADVICE ABOUT SEPARATION AND LISTEN TO IT!!!! as a rigger and artist i am so fucking tired of having to spend 8+ hours re-separating and fixing all of the bullshit with your artwork that makes rigging a nightmare. AS A BASIC RULE PLEASE...

1: NEVER USE A SPACE IN LAYER NAMES!!! if you use a space in the name of any layers ( i.e. "leg l" "part 1") the name will be switched in live2D to "artmesh" and your rigger will have to RENAME EVERYTHING. if you do this for every layer THIS IS A NIGHTMARE. it's not easy to fix PLEASE use underscores instead of spaces.

2: have ANY KIND of naming system. it literally doesnt matter, as long as it exists and is consistent the rigger will figure it out. don't name one thing "left_arm_1" and another thing "Bang>SidePart" and expect me to be able to easily work with your file.

3: KEEP. LAYERS. ORGANIZED. please please PLEASE understand basic rigging hierarchy and stick to it. If the left eye folder is ten thousand layers below the right eye folder this will be extremely confusing. also make sure the limbs are ordered properly. if the shoulder is in the layer for the jacket and the hand is somewhere floating in the ether i now have to spend time to reorganize the psd.

4: LIVE 2D DOES NOT WORK LIKE A DRAWING PROGRAM. it only allows for multiply, add, and normal layers. no overlay, no screen light, just add and multiply. if I have to clip a layer to more than five other layers the program WILL lag for both you and the person who ends up using the model. Do not just leave a massive multiply layer over the entire model it doesn't work that way. 5: oh my fucking god PLEASE draw EVERYTHING even if it isnt in view. if you have a separate layer for the bang's shading, for example, in normal illustration you just draw what's visible and call it a day. I'M TURNING THE HEAD, MEANING IT WILL JUST CUT OFF. if i have to fix this for every single instance of shading i am taking time away from my work, my whole process takes longer. as a rule of thumb, always draw more than what you think you need.

6: separate more than you need, but not everything. sometimes I work with models that have not enough things separated, and its a pain to work with. sometimes i work with models that feel like the artist just sent me their work file with every tiny brushstroke on a different layer and then I have to spend a day merging and checking everything. use your head while you are drawing, think to yourself "is the thing I'm drawing something that will need to move independently?" try to imagine the model in 3D space as your working, and if you can't do that perhaps study an object in real life and see how turning it in space interacts with the lighting or whatever idk. also: if there are too many separations the model will come out looking blurrier. live2D doesn't just read the photoshop file, it creates a new texture file. imagine the model like a paper doll, it takes every piece of paper and spreads each piece down flat. this takes up much more space and many more pixels then the photoshop document, and the bigger i have to make the texture file, the laggier things become. if i don't want it to lag, everything has to be shrinked down to fit, and thus everything becomes blurry. if I don't want it all blurry, I basically have to spend hours upon hours manually placing every "piece of paper" on another piece of paper essentially playing the worlds most annoying jigsaw puzzle.

I feel like I'm working on a group project and doing half of your work. please, stop making my job much harder than it needs to be.

#vtuber #vtubers #vtuber confessions #rigging #l2d #live2d

28 notes · View notes

sketchy--akechi · 9 months

Note

hi! hope you're doing well. you're one of my favorite persona artists and i really love all your art! :)

if you're okay answering, what does your coloring process look like? more specifically, how do you do your flats like in this comic? https://www.tumblr.com/sketchy--akechi/725196825255149568/gifts?source=share do you do everything on different layers? same layer? ive been trying to actually color my pieces recently but it feels so inefficient, so im trying to ask around to see how others approach it ^-^ many thanks if you do decide to answer!

helloo!! honestly, my process for flat coloring is quite a mess and i rarely do it the same way lol - sometimes i do it all on one layer, sometimes on different layers (but i usually merge them later because i hate working on too many layers) i think the fastest way to do somewhat clean flat colors is to select the area outside the character outlines, invert it so you you have a selection of the character, and bucket tool fill it with a darker color:

(takes like. 10 seconds)

then you bucket tool fill in the actual colors in a layer above:

this saves you the trouble of editing out single white pixels after using the bucket tool, because you have the darker layer underneath.

that being said, in the gifts comic in particular i just did everything on one layer XD

#txt #img #asks

121 notes · View notes

izukuisbaby · 2 years

Text

⊹˚.⋆ YOU CAN STAND UNDER MY UMBRELLA - IZUKU MIDORIYA

℘. flora's notes : requested by @izueli welcomeback love ! how is school going ? your request came in at a perfect time tbh💀 I HOPE U LIKE THIS and @hopeluna requested something similar i killed two birds with one stone in this fic :)

do you guys prefer small or big text -

℘. synopsis : izuku takes care of you after a tiring day. he's just being the most perfect and caring boyfriend .

℘. setting : you and izu have been together since second year at UA. he's a pro-hero at endeavor's agency while you're in university. you both share a flat.

m.list | comment and reblog if u enjoyed !

you were waiting for your train back home, feeling utterly exhausted. it was your midterms week, you were exceptionally stressed out. you stayed on campus, studying until impossible hours. izuku knew it was a hard week for you but he could not afford eating up some of his sleep schedule. his work was tiring as well and you were never upset at him for taking some rest, his mind never rested. but izu being izu, he still left you notes on the kitchen table with your meal next to it, which he carefully prepared just for you. you felt grateful for having such an affectionate and attentive boyfriend, even when it felt like he could not have free time, he still managed to make some for you.

today was a particularly hard day, you had failed the exam of your least favourite subject, one you studied particularly hard for. He called you, knowing how important it was for you to succeed in this exam.

"hey baby ! how are you feeling ? how did your exam go ?, ” your boyfriend's sweet voice was like the cure you needed to feel better. he was so caring, it warmed your heart in ways nothing else could.

“I- i’m just really tired izu. I’ll be home in half an hour, my train is coming.” your voice was shaky, you were trying not to break down from all the stress you’ve bottled up these past few days.

“hey love, it’s okay, you’re okay. i honestly can’t wait for you to be home, i’ve missed you and I think you deserve a break. just get home safe ,i’ll take care of everything. I love you.”

“I love you too, Izu. Thank you so much”

the train journey seemed to never end. the only thing that could make your stress go away all you wanted was to hug izuku, you knew he would make you feel better, he knew how to hug you, just the right way. you never truly felt at home until you were engulfed into his strong arms.

as if your evening could not get worse, it was pouring outside. you saw the droplets merge into each other on the train window. you began to think of the long walk you would have to take home. you got off the train and walked out of the station. everyone was running to their cars, trying to avoid the rain as much as possible, except one silhouette, a familiar one. your boyfriend was waiting for you, holding an umbrella.

"Y/N HEY !” he yells, waving at you. “I thought I’d come pick you up, it’s pouring and the umbrella was left at home. I brought it for you,” he smiled at you, a smile he only ever gave to you. his happiest, most honest grin. His kind of sponge-like nature made him absorb others' feelings and so, he could not help but feel anxious and disappointed for you.

"izu" you said, exhaling deeply. you rushed into his arms and completely broke down. you were full on sobbing into his shoulder.

"It's okay love I'm here, let it out" he said stroking your head and kissing it softly.

you do not know how long you stayed in his arms, but you did not feel like letting go. izuku moved first, he noticed you were starting to shiver and drove you home.

"I- uh- I didn't know what you'd want to eat and I didn't really have time to make dinner I'm sorry�� I ordered y/f/f instead, I hope that's okay" he said slightly shaking, he was afraid of your reaction. he really did not want to make a mistake and upset you more, he wanted to make all your worries go away and soothe your heart.

"it's perfect izu. you're perfect," your eyes were tearing up again as you kissed his cheek.

"i also set up y/f/m so we can watch it together, I thought it might cheer you up. but if you'd rather go to bed and cuddle we can do that too. it's up to you love"

"izu, thank you really. I'd love to watch that movie and cuddle with you. I really needed that break."

He sat on the couch, pulled you into his lap and buried the two of you under a blanket.

"i love you y/n. and even if you didn't pass this exam, I'm still proud of you. you did your best and that's what matters. next time you will outstand everyone because you will let your brain have a break, even if i have to drag you on this couch" he softly said as he stroked your arm and kissed your forehead.

469 notes · View notes

seiishindraws · 2 years

Note

texture anon here! i want to know abt the ones you used in that iris defense squad drawing nd stuff, its the one i was originally thinking of

OKIE DOKIE here we go

I'll just show my process with a small section of the drawing at 100% zoom so its easier to see what exactly is happening. here's mizuki! look at her go! this is the lines and colours before i do anything cool to them. its nice, but a little flat

the first thing i did was add some chromatic aberration. you can do this manually pretty easily, but there's plenty of auto-actions on the csp assets store that can do it for you, look for those

its subtle but it adds a bit of visual interest to the linework i feel. you can make the chromatic aberration even more intense if you want by shifting the red and blue layers even further from each other.

i also merged the whole drawing onto a new layer (while still keeping the original layers intact) and made a gaussian blur layer with it, but i have the opacity so low the difference isnt that obvious lol, but it does give the drawing a soft glow.

NEXT i added a layer of perlin noise set to overlay mode to give the whole drawing a VERY subtle texture to it

to make a perlin noise layer, simple make a new empty layer on top of everything and use this:

NEXT i slapped a paper texture on top of everything and set it to screen mode! the one i used i got from TrueGrit Texture Supply's free sample pack (well i picked a specific layer out of the full texture), but you can pick any texture you like really, there's tons out there for free on the internet. again, at a low opacity, bc i want the textures to work together, rather than have one over-power the other.

NEXT i added little off-white speckles on multiple new layers varying opacity levels to add a little more texture. you could do this by hand, but i used speckle texture brushes that i bought from TrueGrit (TrueGrit is so fuckin good you guys)

i also used various screentone brushes while i was colouring for even MORE texture, but it should be obvious where i used those.

lastly, though it has nothing to do with the texture, i also added a gradient map on top at the end to correct the colours slightly.

I hope that helps!!

#ask #anon #art tips #clip studio paint #csp

535 notes · View notes

gentlebeardsbarngrill · 2 months

Note

Not OFMD specific but might be of interest

(copied without permission given to reproduce)

Found in Private Eye 16-29th Feb

Warner Gloss:

Labour's business charm offensive continued last week, as Keir Starmer proudly posted that he had met with David Zaslav, CEO of Warner Bros Discovery, aiming to "work in partnership with the creative industries to drive growth".

Named by the New York Times as the man who "blew up Hollywood", Zaslav in fact seems to be doing everything he can to prevent growth in the industry. Having merged hi cable TV company, Discovery with entertainment conglomerate Warner Bros in 2022, Zaslav took on $56bn in debt and enacted cost cuts of £3bn.

To achieve this he set about binning TV shows and films that had already been completed in order to claim large tax write-offs - most notoriously superhero caper Batgirl - and removing shows from streaming services to avoid paying residuals fees.

In a move that might have had more appeal for St

armer, Zaslov also hired Chris Licht as CEO of CNN in 2022 to make the news service more appealing to conservative viewers - but then fired him within a year after ratings hit rock bottom. Under Zaslav's watch, the stock price of Warner Bros Discovery Inc has fallen by nearly 60% - probably not quite the growth Starmer would hope to discover!

END

Firstly thank you for your round-ups, much appreciated!

"make the new service more appealing to conservative viewers" Why am I not surprised.....

Secondly I am disturbed that the possible future leader of the UK or his advisors didn't do more investigating before agreeing to or asking for this meeting, very disappointing.

Thirdly "removing shows from streaming services to avoid paying residuals fees" Should we be concerned by this for series 1 and 2?

best wishes

Susannah

Hey omg I'm like 3 days behind on messages/replies/asks I'm sorry! This weekend was crazy! Hi Susannah!

Oh interesting! I've never read Private Eye, I'll go check them out now! Oh darn- looks like a paywall, thank you for pasting the text! (And no problem about the recaps! Thanks so much for reading them!)

To address your second point: I wish I knew more about Keir Starmer! I'm in the US so I only know tangentially about him. You would think someone would have vetted the situation a bit more though (although you know Zaslav has been a bit of a sneaky little fucker about everything until he was outed more recently). Sorry I don't have much to say on that point!

To address your third point:

Yeahhhhhh, my hope is that it won't affect OFMD too much because it's a bit more of it's own thing (and not a WB proprety like the Coyote movie). I think they could actually make money selling S1 and S2 as opposed to loss since there's such a demand for it, so personally I don't think it's going to be much of an issue, but I have no real authority or reason to believe that except common sense (which we all know hollywood doesn't always have).

@fuckyeahisawthat had a good take though, it's kind of anything goes unfortunately.

I have faith though... because like a lot of my tumblr colleagues have said, David Jenkins would have probably told us by now if in fact, there was literally no hope. He's been pretty good about putting out hints and letting us know where to focus our efforts, and as of yet he hasn't flat out said "Thanks anyway guys, but its not going to happen.

That in itself gives me hope for s1, s2 and s3.

Anyway, thanks for the write in Susannah! I'm really sorry again it took me so long to answer, and then I doubt I gave you anything of real substance @_@. I hope you're having a lovely day, and would love to chat more!

Take care, sending love!

Abby

#ofmd #our flag means death #s3 #ofmd s1 #ofmd s2 #david jenkins #asks #asks answered

23 notes · View notes