I have so much to do this week but the urge to drop everything and start making a giant meta post about my favorite father-daughter relationship, with screenshots and quotes and everything, is so strong all of a sudden 😩
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Gotta be my favourite book cover for the Invisible Man
Shut out to whoever drew this (i can't find the illustrator) they did a good job
Better quality by AI
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2022 In Review
2022 was not a particularly fruitful year for my fictive life, somewhat intentionally; I had meant from the get-go to take some time away from the round of writing/revising/submitting short work that is endless once you've started it. I'd hoped that not sending things places would provide space for new things to percolate and bubble up, but that wasn't really the case (I suspect it wasn't for many of us). 2022 was difficult in a lot of societal and personal ways. The short fiction I had published this year were pieces sold in the previous year. A piece of 2021 work, "This Deviant Flesh," was part of a Shirley Jackson Award win for Unfettered Hexes.
I did feel freer to pitch nonfiction pieces, most of which were just predicated on a simple concept: I think this thing is cool, would you let me talk about it? I recommend it. There are a lot of well-edited websites and journals for independent entertainment critique out there. There are also a lot of cool indie presses and labels who will send you review copies for free!
I also felt freer to DIY whatever I felt like myself--this resulted in some of my longest-term and most personal projects emerging into the world. I built up my itch.io page, switching fully from Gumroad for various reasons, and added a Chill Subs profile for highlighting my work and future submission tracking. DIY publishing: Also recommended!
The 2022 item with most future significance was an acceptance from Queen of Swords Press for my alt-history novella of Weird Horse Girls and their barmaid girlfriends. More details to come! For now, 2022 in listicle:
The Book of Korinethians (zine, edited with Kristin Garth)
"Lindsay Merbaum Debuts With Liminal Horror Smash THE GOLD PERSIMMON" (interview and review, DIS/MEMBER)
"HUSH. Contemplate the Heavy Weight of Past and Future" (interview and album review, Invisible Oranges)
"Pre-Dead Bodies: A Review of EV Knight's Three Days in the Pink Tower" (Ancillary Review of Books)
Devil's Cup (novel, DIY)
"Nu-Metal Bloodbath THE RETALIATORS Doesn't Push Far Enough" (review, DIS/MEMBER)
"Blackened Literature: Castaigne Publishing Ventures Into Black Metal Horror Anthologies" (interview and review, Invisible Oranges)
"Downstairs at Dino's" (short fiction, Diabolical Plots)
"Vestal" (short fiction, Haunt/Nyx Publishing's Unthinkable: An Anthology of Queer Gothic Fiction)
Son of Perdition (short collection, DIY)
hallowzine vol. 1 (zine, DIY)
Til next year.
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